WEBVTT

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<v Speaker 1>Welcome, dear listener, and thanks for joining us.

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<v Speaker 2>And I'm Stephen and this is a podcast all about

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<v Speaker 2>the weird and wonderful world of the Dark comedy anthology

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<v Speaker 2>series Inside number nine.

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<v Speaker 1>On each episode, we'll be diving into another one of

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<v Speaker 1>Steve Pemberton and Reese Shearsmith's twisted tales, putting it under

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<v Speaker 1>a lens and examining it within an inch of its life.

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<v Speaker 2>So make yourself comfortable, grab a cup of tea, and

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<v Speaker 2>join us for the ninth degree. Hello, Hello, Hello, double L,

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<v Speaker 2>double L.

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<v Speaker 1>Very good.

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<v Speaker 2>Let's see see double how long I can keep this up?

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<v Speaker 1>You've already forgot keep so I said, you said, ce

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<v Speaker 1>doub how long I can keep this up?

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<v Speaker 2>Oh shit?

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<v Speaker 1>Yeah, well so about ten seconds was.

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<v Speaker 2>The probably guys that DOUBLET that I give it up.

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<v Speaker 1>Oh my god, that's going to ge annoying if you

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<v Speaker 1>did that, annoying double N. All right, how are you?

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<v Speaker 2>I'm oh, okay, how are you?

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<v Speaker 1>Yeah? Fine. I made a bit of a mistake earlier

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<v Speaker 1>because I was just towards the end of the workday.

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<v Speaker 1>I'm working from home at the moment, and there was

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<v Speaker 1>a knock at the door, and it was one of

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<v Speaker 1>those charity workers where they try and get you to donate. Yeah,

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<v Speaker 1>and you know what it's like for see, you know

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<v Speaker 1>you can't give to every charity that comes knocking at

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<v Speaker 1>your door. Yeah, but I'm I find it very hard

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<v Speaker 1>to say no.

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<v Speaker 2>Same.

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<v Speaker 1>And when it got to the point where she asked me,

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<v Speaker 1>you know if I wanted to donate, I said, well,

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<v Speaker 1>I don't want to commit to anything until I run

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<v Speaker 1>it past my otherhalf, who's not back from work yet. Yeah,

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<v Speaker 1>And so she said, all right, I'll come back later.

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<v Speaker 1>Then shehall I. She said, I can come back just

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<v Speaker 1>before eight o'clock.

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<v Speaker 2>And we're moving house at half seven.

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<v Speaker 1>Yeah. Yeah, but yeah, I said, oh, okay, okay, because

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<v Speaker 1>I didn't know how to say no. And then I'm thinking,

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<v Speaker 1>oh shit, I'm supposed to be recording, so I'm now

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<v Speaker 1>praying there's not going to be a knock at the

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<v Speaker 1>door in the middle of this. But yeah, fun news

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<v Speaker 1>as well to just point out that even though you

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<v Speaker 1>won't be hearing this for a few weeks, we're actually

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<v Speaker 1>recording on the day our one year anniversary of doing.

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<v Speaker 2>The podcast Exciting Times, which is very cool, really flown by. Yeah,

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<v Speaker 2>is it is it a year to us doing our

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<v Speaker 2>first recording or our first episode going out, the.

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<v Speaker 1>First one going out?

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<v Speaker 2>Okay, I thought it was. Yeah, I clearly keep track

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<v Speaker 2>of these things.

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<v Speaker 1>Yeah, it's much easy for me to see obviously on

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<v Speaker 1>the platform that upload the episodes on, so yeah, makes

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<v Speaker 1>more sense.

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<v Speaker 2>True. Yeah?

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<v Speaker 1>AnyWho, should we reveal last week's hair?

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<v Speaker 2>Yes? Last week it was Tom and Jerry, which is

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<v Speaker 2>where the boundaries and constituents are.

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<v Speaker 1>And I would say it's worse in America, but I

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<v Speaker 1>won't say if that's true anymore.

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<v Speaker 2>They do seem to redraw the boundaries a little bit

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<v Speaker 2>more there, but they do. Yeah, and you can't have

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<v Speaker 2>freedom and Jerrymander at the same time slightly shoehorned in.

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<v Speaker 1>Yes, a little bit well done if you spotted it, look.

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<v Speaker 2>Out for one this week. Yes, as we discuss a

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<v Speaker 2>random act of kindness seven, Episode five, Helen and her

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<v Speaker 2>teenage son Zac don't really get on until a random

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<v Speaker 2>act of kindness brings the mysterious Bob to their front door.

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<v Speaker 2>He seems to understand their problems and offers to help.

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<v Speaker 1>Okay, interesting, What do we think about this one? Then?

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<v Speaker 2>I quite like it? Is it the most original story ever? No?

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<v Speaker 2>But I quite like it.

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<v Speaker 1>Yeah, I would agree. I think it's got plenty to

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<v Speaker 1>enjoy about it.

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<v Speaker 2>Yeah. Oh, definitely time travel. It's our wheelhouse.

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<v Speaker 1>Yes, yes, very small cast unusually.

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<v Speaker 2>Yeah, just well just the two outside of recent Steve. Yeah. Yeah,

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<v Speaker 2>Jessica Hines fantastic actor. She is.

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<v Speaker 1>I adore her.

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<v Speaker 2>She's brilliant. I've not seen her in a lot of things,

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<v Speaker 2>so when she pops up, she's always fantastic.

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<v Speaker 1>She always is. And I was thinking earlier like she's

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<v Speaker 1>equally good at comedy and serious. Yes, that she's really

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<v Speaker 1>really gifted at both, which is unusual, I think, so

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<v Speaker 1>to be so good at both.

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<v Speaker 2>Yeah.

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<v Speaker 1>Yeah, so I've been watching or rewatching twenty twelve and

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<v Speaker 1>w one ah knows. Yeah. So she plays the head

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<v Speaker 1>of a PR company, right, and she is the most awful,

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<v Speaker 1>obnoxious character thick as two short planks, right, but thinks

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<v Speaker 1>she knows everything. And it's like one of those characters

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<v Speaker 1>like we've all met people like that.

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<v Speaker 2>Yeah, and she multiple times a day usually.

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<v Speaker 1>Yeah, and she's just like, holy sheet, guys, we're like

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<v Speaker 1>boiling the ocean here, Like she's so good. But yeah,

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<v Speaker 1>I loved her character in this h you.

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<v Speaker 2>Really feel for her. You really do so difficult to

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<v Speaker 2>do in twenty five minutes. Yeah, it's always I'm always

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<v Speaker 2>so impressed when they manage to do it. Yeah, when

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<v Speaker 2>there's so much else to get like plot wise, to

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<v Speaker 2>get in, to give a character enough time to really

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<v Speaker 2>shine through, It's always always amazes me.

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<v Speaker 1>It is amazing.

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<v Speaker 2>She's another one that said they've been trying to get

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<v Speaker 2>for age. His book was just too busy.

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<v Speaker 1>I'm not surprised.

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<v Speaker 2>So got Jessica Hines as Helen and Noah Valentine as Zach,

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<v Speaker 2>who played like It's just a really believable mother sudden

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<v Speaker 2>sort of situation.

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<v Speaker 1>Very believable.

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<v Speaker 3>Yes, painful, Yeah.

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<v Speaker 1>Yeah, this this thing of that they just they can't

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<v Speaker 1>connect and you feel like, I mean, we don't we

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<v Speaker 1>don't hear too much about the dad, but you sort

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<v Speaker 1>of you wonder what life was like when he was there,

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<v Speaker 1>and if he was I don't know. Now he's gone.

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<v Speaker 1>It's like a piece of the Jigsaws missing and she

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<v Speaker 1>can't quite sort of connect with him.

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<v Speaker 2>Yeah exactly.

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<v Speaker 1>But yeah, I mean I feel so sorry for her.

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<v Speaker 1>But some of the things she says to him, you

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<v Speaker 1>just think you're not helping yourself, Like like, what teenager

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<v Speaker 1>is going to respond well when you say something like

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<v Speaker 1>you know things that us humans call ingredients, and when

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<v Speaker 1>he was already in a mood like that's not going

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<v Speaker 1>to help as.

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<v Speaker 2>It's well, although I'm kind of living in that boat

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<v Speaker 2>at the moment because it was just a time recording

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<v Speaker 2>Eurovision of the weekend and I had a party. So

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<v Speaker 2>my fridge is just full of olives and hummas and

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<v Speaker 2>all the crap that didn't gain right at the party

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<v Speaker 2>and that I don't know what to do with. It's

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<v Speaker 2>not a meal, but it's a lot of food.

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<v Speaker 1>We also the opening there with a voiceover from Reese.

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<v Speaker 1>He gives us lots of scientific principles, which I quite

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<v Speaker 1>like the way that they use that as a framing thing,

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<v Speaker 1>and it's sort of, you know, obviously thematic to the

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<v Speaker 1>whole relationship between them and stuff that.

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<v Speaker 2>They're not going anywhere, and then this new force comes in.

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<v Speaker 1>Yeah yeah, yeah. But also that you see him, you know,

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<v Speaker 1>skateboarding home at the beginning, and there's this thing of

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<v Speaker 1>an object in motion will remain in motion unless whatever

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<v Speaker 1>it is, unless another object applies of whatever it is,

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<v Speaker 1>Plasa falls or something something like that. I'm not a scientist,

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<v Speaker 1>but you know, sort of almost in that moment, it's like, oh,

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<v Speaker 1>is he the object in motion? And is something going

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<v Speaker 1>to stop him?

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<v Speaker 2>You know? Yeah, whenever you see someone on a skateboard,

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<v Speaker 2>it's it's like Chekhov's gun, isn't it Like at some

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<v Speaker 2>point they're going to get hit by a car. Yeah.

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<v Speaker 2>Whenever a camera is close up on wheels of a skateboard,

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<v Speaker 2>it's immediately before I get it hit by a car.

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<v Speaker 2>Every time. Yes, Seah, I did expect that. I think

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<v Speaker 2>that's where it was going the first time I watched it. Yeah.

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<v Speaker 1>So yeah, So he's come home from school. She wants

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<v Speaker 1>to talk m H. But he's not interested. No, he's

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<v Speaker 1>annoyed that she's got her clicks on her typing.

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<v Speaker 2>They are infuriating. My mom does this as well. Yeah.

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<v Speaker 2>It's such a parent thing, isn't it. Yeah.

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<v Speaker 1>Yeah, I just love their interaction though, When you know,

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<v Speaker 1>he tells about disabled clicks, she's like, no, well disabled clicks,

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<v Speaker 1>you disabled clicks, And he's like alf.

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<v Speaker 2>One of they insists on putting those on because it's

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<v Speaker 2>always on by default and you can never get rid

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<v Speaker 2>of them. Is it because the people that do want them,

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<v Speaker 2>would never be able to actually put them on.

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<v Speaker 1>Probably, as we often often say, obviously, but lots of

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<v Speaker 1>lines that have extra meaning when you know the twist,

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<v Speaker 1>Like when they're talking about his dad walking out and

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<v Speaker 1>she says, if I could go back and do things differently,

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<v Speaker 1>I would.

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<v Speaker 2>There are a lot in this I don't know. I'd

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<v Speaker 2>noticed that one.

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<v Speaker 1>That's just occurred to me on my last watch today,

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<v Speaker 1>and I've got to call out probably the best line

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<v Speaker 1>of her best delivery. Can't we please live together without

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<v Speaker 1>all this constant argie bargie. Let's cut the beef. Bro

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<v Speaker 1>she tried.

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<v Speaker 3>Cut the beef.

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<v Speaker 2>That's even dated for our generation.

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<v Speaker 1>That's what she says at a Sunday dinner. Let's cut

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<v Speaker 1>the beef. I'll cut that joke because that was appalling,

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<v Speaker 1>very sad household. I think, Yeah, the thing I was

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<v Speaker 1>thinking was, I mean, obviously, I know he's got issues

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<v Speaker 1>because his dad had left and this and that, but

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<v Speaker 1>obviously he's eighteen. If he's doing his A levels and

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<v Speaker 1>he's soon to go to UNI, I would assume I

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<v Speaker 1>feel like that's a bit old to be doing that

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<v Speaker 1>whole moody teenager thing, isn't it.

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<v Speaker 2>I guess.

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<v Speaker 1>I don't know.

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<v Speaker 2>Yeah, I suppose if the dad's left and everything, he

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<v Speaker 2>might have just like he might have been fine, and

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<v Speaker 2>it's sort of delayed it a little bit off, Yeah,

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<v Speaker 2>made it come back. I don't know. We don't know

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<v Speaker 2>how long ago the dad left. I suppose it's at

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<v Speaker 2>least a Christmas ago. That's about all we know.

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<v Speaker 1>Yeah, but yeah, it's not a very likable character.

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<v Speaker 2>No, I do feel I do feel for the mum

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<v Speaker 2>a lot.

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<v Speaker 3>Yeah, definitely, like she's doing all she can.

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<v Speaker 1>Yeah.

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<v Speaker 2>I do you think single parent families where it's just

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<v Speaker 2>one child must be really tricky. They could either be brilliant,

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<v Speaker 2>you know, if it works well, they could be such

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<v Speaker 2>an amazing team and if it doesn't, if not, it's

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<v Speaker 2>so difficult you're stuffed. Yeah, because there's not a third

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<v Speaker 2>person to mediate at any point or yeah, it's always

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<v Speaker 2>one on one.

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<v Speaker 3>Yeah.

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<v Speaker 1>So there's a lot of nice shots of things in this,

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<v Speaker 1>like highlighting that whole cause and effect and motion things

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<v Speaker 1>that we've got the bird hitting the window. Yeah, poor thing.

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<v Speaker 2>Won how much as the budget went on c G

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<v Speaker 2>I in this bird?

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<v Speaker 1>Was it CGI?

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<v Speaker 2>Well? I assume it must have been.

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<v Speaker 1>No, I don't know, I hadn't thought of that. I

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<v Speaker 1>assumes it.

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<v Speaker 2>Was a bird at the window.

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<v Speaker 3>It was probably it.

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<v Speaker 1>Could have been it could have been like a model

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<v Speaker 1>or something.

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<v Speaker 2>I suppose I cas other one that's flying around the

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<v Speaker 2>lone room.

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<v Speaker 3>Oh that.

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<v Speaker 1>Yeah, they've probably phoned up birds are us and got

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<v Speaker 1>them to bring in a bird. Yeah maybe I don't know. Yeah, No,

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<v Speaker 1>I hadn't thought it. Didn't think it was CG.

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<v Speaker 2>I I kind of assumed maybe.

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<v Speaker 1>Yeah, and then you've got Helen spilling her to your coffee.

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<v Speaker 1>I'm not sure which. So it's kind of they never

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<v Speaker 1>put things like that in unless it's sort of important

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<v Speaker 1>going to be used later, Like it's.

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<v Speaker 2>A nod to something, may be a nod to the

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<v Speaker 2>red herring that they're trying to sell.

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<v Speaker 1>But yeah, but I think something that's really effective because

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<v Speaker 1>it's such a sort of one undomb thing. If you

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<v Speaker 1>knock a drink over and it goes everywhere, you can't

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<v Speaker 1>undo that unless you're reversing time. Well that's what I mean. Like, yeah,

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<v Speaker 1>so yeah, this bird has gone splat pod.

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<v Speaker 2>It's a nice little what I assume puppet that's there

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<v Speaker 2>on the on the grass.

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<v Speaker 3>Yes, I guess it's a puppet.

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<v Speaker 2>It's very sweet. That's a poor thing. Yeah, but then

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<v Speaker 2>Steve pops up, I do think here, so what the

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<v Speaker 2>mum reacts a little bit oddly. So we've got Bob

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<v Speaker 2>turns up here. Steve's character picks up this bird, brings

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<v Speaker 2>it to the house, and she then immediate lets him

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<v Speaker 2>in and starts doing all sorts. I think I'd have

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<v Speaker 2>had a few questions here, like why were you looking

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<v Speaker 2>around outside of like how did you spot this? Like,

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<v Speaker 2>m m, it seems a little bit odd.

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<v Speaker 1>Yes, it's a bit far fetched that he happened to

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<v Speaker 1>be outside just at that moment.

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<v Speaker 2>Hmmm, Well I don't think it's far fetched obviously in

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<v Speaker 2>his point of view, but for her not, Yeah, you know,

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<v Speaker 2>exactly remotely question it.

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<v Speaker 3>Yeah.

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<v Speaker 1>Yeah, I think she's a bit desperate and she's just

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<v Speaker 1>very lonely. A man turns up on her doorstep and.

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<v Speaker 2>Who seems really kind.

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<v Speaker 1>Suddenly it's like, I'll come in, you know, save me

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<v Speaker 1>from this miserable life.

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<v Speaker 2>Yeah.

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<v Speaker 1>So yeah, it's quite noticeable straight away his quirk of speech.

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<v Speaker 1>I've found a little double tea bird.

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<v Speaker 2>Yeah, it's sweet. It's strange. They don't address well, I

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<v Speaker 2>guess you wouldn't, would you address it so quickly? But

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<v Speaker 2>just take a while before they get to that.

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<v Speaker 3>Mm hmm.

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<v Speaker 2>Yeah, he's just very nice man.

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<v Speaker 1>Yeah, very nice, very sweet. So they take the bird

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<v Speaker 1>inside to look after it.

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<v Speaker 4>M hm.

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<v Speaker 2>And all it wants is a cardboard box. Apparently a

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<v Speaker 2>carbo box will.

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<v Speaker 1>Fix it like a wet paper towel. Yeah, and yeah,

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<v Speaker 1>I mean he's obviously very interested in Zach as soon

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<v Speaker 1>as he comes in, you know, looking at him up

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<v Speaker 1>the stairs and like.

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<v Speaker 2>He already knows. Yeah, it's a weird situation that I

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<v Speaker 2>don't know. It just feels so uncomfortable to me, like that,

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<v Speaker 2>You've just got this stranger in your house, so especially

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<v Speaker 2>once the bird's gone, so spoilers. The bird is fine,

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00:13:39.440 --> 00:13:43.200
<v Speaker 2>apparently flies off and then he's just sort of stood

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<v Speaker 2>there and you're like, okay, now what do we do.

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<v Speaker 2>You can't exactly just kick him out, but equally, what

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<v Speaker 2>reason has he got to be there?

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<v Speaker 1>Mm hmm.

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<v Speaker 2>Maybe I'm just a really mean person.

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<v Speaker 1>I think I think maybe it's a generational thing, because

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<v Speaker 1>I think I would feel the same as you, right,

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<v Speaker 1>But I feel like someone like Helen, you know, it's

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00:14:06.799 --> 00:14:10.200
<v Speaker 1>more that sort of thing. Of I don't know, like

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<v Speaker 1>you sort of give people the benefit of the doubt

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<v Speaker 1>and just sort of assume that they're assume everyone's a

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<v Speaker 1>nice person unless proven otherwise. I don't know. I wouldn't.

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<v Speaker 2>It's not so much that I think that he's bad,

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00:14:21.840 --> 00:14:24.240
<v Speaker 2>but it's just I just would be like, Okay, now

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00:14:24.279 --> 00:14:27.000
<v Speaker 2>what do we talk about. I just find it very

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<v Speaker 2>uncomfortable on that point of view.

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<v Speaker 1>No, I know, I think I'm the same. I just

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00:14:31.279 --> 00:14:33.679
<v Speaker 1>but she's I don't think she's got that worry. She's

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00:14:33.759 --> 00:14:36.279
<v Speaker 1>just like, here's a new person for me to get

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00:14:36.320 --> 00:14:37.320
<v Speaker 1>to know, sort of thing.

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00:14:37.759 --> 00:14:40.840
<v Speaker 2>Just that desperate for any other person, Yeah, to talk to.

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00:14:40.919 --> 00:14:45.039
<v Speaker 1>Yeah, or just you know, the circumstance of the bird

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00:14:45.480 --> 00:14:49.200
<v Speaker 1>brought him in, but doesn't mean you can't then chat

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<v Speaker 1>and find out about him.

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00:14:50.960 --> 00:14:53.000
<v Speaker 2>Yeah, you know, true, true.

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<v Speaker 1>Yeah, I mean I wouldn't. But yeah, I wouldn't even

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00:14:58.440 --> 00:15:04.440
<v Speaker 1>have let him in. Oh thank you, bye.

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<v Speaker 2>Go wrap it up in your coat and go. It's

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00:15:07.120 --> 00:15:10.120
<v Speaker 2>saying of little things that are nods. Maybe I wonder

317
00:15:10.200 --> 00:15:11.840
<v Speaker 2>if this is intentional or whether it's just a slip

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00:15:11.879 --> 00:15:13.440
<v Speaker 2>up in the script. I don't know. But when the

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00:15:13.480 --> 00:15:16.799
<v Speaker 2>sun turns up, Bob says, please the double E meet you.

320
00:15:17.600 --> 00:15:19.240
<v Speaker 2>So he says the double E before the meet.

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00:15:19.320 --> 00:15:20.200
<v Speaker 1>Oh, he does, doesn't he?

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00:15:20.279 --> 00:15:23.000
<v Speaker 2>Yeah, But every other time it's afterwards. Is it meant

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00:15:23.039 --> 00:15:26.120
<v Speaker 2>to be some sort of very subtle thing of like

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00:15:26.600 --> 00:15:28.519
<v Speaker 2>I don't know that he's either messing up because he's

325
00:15:28.799 --> 00:15:33.679
<v Speaker 2>flustered or because it's like, you know, backwards in time situation.

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00:15:33.759 --> 00:15:34.279
<v Speaker 2>I don't know.

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00:15:34.440 --> 00:15:35.919
<v Speaker 1>I mean, that's the thing with recent Steve, if you

328
00:15:35.960 --> 00:15:39.519
<v Speaker 1>never know how how clever they're being, Like, Yeah, it

329
00:15:39.600 --> 00:15:41.320
<v Speaker 1>might be it might be that's something they put that

330
00:15:41.360 --> 00:15:43.799
<v Speaker 1>much thought into, or it might just be the rhythm

331
00:15:43.840 --> 00:15:46.799
<v Speaker 1>of the line sounded better yeah that way round.

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00:15:47.480 --> 00:15:48.679
<v Speaker 2>Or it's genuinely a fluff.

333
00:15:49.200 --> 00:15:51.480
<v Speaker 1>Yeah. And also there's a there's a I can't remember

334
00:15:51.600 --> 00:15:53.200
<v Speaker 1>exactly what the line is, but there's a line where

335
00:15:53.240 --> 00:15:56.600
<v Speaker 1>he says shall and he doesn't say double l oh.

336
00:15:56.720 --> 00:15:58.759
<v Speaker 1>So whether that was deliberate or whether that was just

337
00:15:59.440 --> 00:16:02.559
<v Speaker 1>that would have been too jarring in that moment. But yeah,

338
00:16:02.720 --> 00:16:05.399
<v Speaker 1>sometimes it's like dramatic license a little bit, isn't it,

339
00:16:05.440 --> 00:16:07.879
<v Speaker 1>Because even later on in the episode, when things get serious,

340
00:16:07.879 --> 00:16:09.840
<v Speaker 1>he stops doing it. So it's not like he has

341
00:16:09.879 --> 00:16:10.559
<v Speaker 1>two all the time.

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00:16:11.360 --> 00:16:13.240
<v Speaker 3>No, it just it just helps.

343
00:16:13.080 --> 00:16:15.080
<v Speaker 1>Him feel more comfortable to do it.

344
00:16:15.720 --> 00:16:16.120
<v Speaker 2>Yeah.

345
00:16:16.120 --> 00:16:21.159
<v Speaker 1>But yeah, there's the thing where they both speak at

346
00:16:21.159 --> 00:16:24.279
<v Speaker 1>the same time, yeah, which is well, obviously that's another

347
00:16:24.360 --> 00:16:27.799
<v Speaker 1>nod as well. So then being the same person, yeah, spoilers, but.

348
00:16:28.519 --> 00:16:29.440
<v Speaker 2>If you don't know already.

349
00:16:29.639 --> 00:16:32.200
<v Speaker 1>Yeah, the fact that he then does the whole jinx

350
00:16:32.279 --> 00:16:36.080
<v Speaker 1>thing and then he's like so seriously like, Zach, you

351
00:16:36.120 --> 00:16:39.960
<v Speaker 1>can speak now, I no, I can, I'm not eight

352
00:16:40.080 --> 00:16:40.519
<v Speaker 1>years old.

353
00:16:41.840 --> 00:16:43.600
<v Speaker 2>And the way that the mom's like he's not going

354
00:16:43.639 --> 00:16:47.519
<v Speaker 2>to introduce yourself, and the way that Bob does because

355
00:16:47.759 --> 00:16:48.879
<v Speaker 2>it's his mum telling.

356
00:16:48.759 --> 00:16:52.759
<v Speaker 1>Him, like, yeah, that's so true.

357
00:16:53.080 --> 00:16:54.840
<v Speaker 2>Even he's not even thinking about it. It's just like,

358
00:16:54.919 --> 00:16:57.840
<v Speaker 2>I introduce yourself, even if it is too for yourself.

359
00:16:58.320 --> 00:17:02.759
<v Speaker 1>But yeah, bless m because.

360
00:17:02.519 --> 00:17:05.240
<v Speaker 2>That is presumably is unless he's been watching from like

361
00:17:05.440 --> 00:17:07.319
<v Speaker 2>you know, out on the street and stuff. This is

362
00:17:07.319 --> 00:17:09.920
<v Speaker 2>the first time he's seen her in like sixty years

363
00:17:10.000 --> 00:17:13.359
<v Speaker 2>or something. Definitely the first time he's probably spoken to her.

364
00:17:13.640 --> 00:17:16.279
<v Speaker 2>Ye he's you know, rendering the shop or something.

365
00:17:16.119 --> 00:17:18.240
<v Speaker 1>But which is just mind blowing.

366
00:17:18.720 --> 00:17:23.359
<v Speaker 2>Yeah, So we take this opportunity to recruit him as

367
00:17:23.519 --> 00:17:27.279
<v Speaker 2>a as a tutor for Paul. Little Zach who's not

368
00:17:27.319 --> 00:17:31.319
<v Speaker 2>doing so well in his grades. No, and we won't

369
00:17:31.359 --> 00:17:33.319
<v Speaker 2>let any of our tutors. Will just find the first

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00:17:33.319 --> 00:17:34.839
<v Speaker 2>one that says he can do it off the street

371
00:17:36.279 --> 00:17:37.720
<v Speaker 2>because we only have twenty five minutes.

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00:17:37.759 --> 00:17:42.599
<v Speaker 1>So well, yeah, true, there's something that I kind of

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00:17:42.599 --> 00:17:43.799
<v Speaker 1>want to bring up, but I'm not sure when the

374
00:17:43.880 --> 00:17:48.359
<v Speaker 1>right moment is all right. But so when you watched

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00:17:48.400 --> 00:17:50.880
<v Speaker 1>this the first time and you didn't know what was

376
00:17:50.920 --> 00:17:54.319
<v Speaker 1>going to happen, Yeah, where were you thinking it was going?

377
00:17:56.400 --> 00:17:58.799
<v Speaker 2>I'm really not sure I was. I think I was

378
00:17:58.799 --> 00:18:02.000
<v Speaker 2>probably concerned it was going to be a Loves Great

379
00:18:02.039 --> 00:18:05.799
<v Speaker 2>Adventure type story right where it's just a little family

380
00:18:05.839 --> 00:18:10.079
<v Speaker 2>situation and it wasn't really you know, no one was

381
00:18:10.119 --> 00:18:13.960
<v Speaker 2>going to get ill and that was it and it Yeah,

382
00:18:14.160 --> 00:18:15.480
<v Speaker 2>so that's I think that's what I thought it was

383
00:18:15.519 --> 00:18:19.640
<v Speaker 2>going to be, or that the Bob character was was

384
00:18:20.119 --> 00:18:25.519
<v Speaker 2>had evil intentions as in a grooming thing. Maybe I

385
00:18:25.519 --> 00:18:26.319
<v Speaker 2>don't know, that's see.

386
00:18:26.359 --> 00:18:28.640
<v Speaker 1>That was what I thought of it the first time

387
00:18:28.640 --> 00:18:31.319
<v Speaker 1>I was watching it, because the way he's so like,

388
00:18:32.480 --> 00:18:35.359
<v Speaker 1>he seems really interested in Zach and like quite sort

389
00:18:35.359 --> 00:18:39.079
<v Speaker 1>of yeah, creepy almost when you know he's the one

390
00:18:39.079 --> 00:18:41.680
<v Speaker 1>that says, oh, I could chew to him, and later

391
00:18:41.759 --> 00:18:43.200
<v Speaker 1>on he's like, oh, if I just spent more time

392
00:18:43.200 --> 00:18:44.799
<v Speaker 1>with him, and it's just felt like everything was sort

393
00:18:44.839 --> 00:18:45.799
<v Speaker 1>of pointing towards that.

394
00:18:47.000 --> 00:18:48.880
<v Speaker 2>Yeah. Yeah, actually, but I did.

395
00:18:48.759 --> 00:18:51.119
<v Speaker 1>Some googling to see if anyone else had they thought that,

396
00:18:51.119 --> 00:18:53.359
<v Speaker 1>and I couldn't find a single shred of anyone saying that.

397
00:18:55.359 --> 00:18:56.920
<v Speaker 1>Then I was like, is it just me thinking that?

398
00:18:56.960 --> 00:18:59.720
<v Speaker 1>But no, I mean maybe listeners, if any of you

399
00:18:59.759 --> 00:19:01.759
<v Speaker 1>thought that, then let me know.

400
00:19:01.920 --> 00:19:04.960
<v Speaker 2>Yeah, I think I think it was some sort of

401
00:19:04.960 --> 00:19:06.759
<v Speaker 2>an intent. I don't know if it was necessarily that.

402
00:19:07.200 --> 00:19:08.799
<v Speaker 2>I'm sure. I'm sure that would have crossed my mind

403
00:19:08.839 --> 00:19:12.200
<v Speaker 2>at the time, because yeah, it must be so hard

404
00:19:12.200 --> 00:19:17.640
<v Speaker 2>from Bob's point of view to act properly, yes, because

405
00:19:17.640 --> 00:19:21.079
<v Speaker 2>he's got to pretend so much. Yeah, that would come

406
00:19:21.119 --> 00:19:25.599
<v Speaker 2>second nature. Yeah, admittedly this fifty sixty years since he's

407
00:19:25.680 --> 00:19:29.039
<v Speaker 2>met either of these people, but yeah, like you'd slip

408
00:19:29.079 --> 00:19:31.000
<v Speaker 2>straight back into talking to her the same as you

409
00:19:31.000 --> 00:19:32.960
<v Speaker 2>would have done, which would feel overly familiar.

410
00:19:33.119 --> 00:19:36.519
<v Speaker 1>Yeah, and when he's just talking to his younger self,

411
00:19:36.640 --> 00:19:39.799
<v Speaker 1>like what there is no sort of correct etiquette for

412
00:19:39.799 --> 00:19:43.880
<v Speaker 1>how you do that? Really, Like, you know, it would

413
00:19:43.920 --> 00:19:46.240
<v Speaker 1>just be mind blowing. Wouldn't it like.

414
00:19:46.680 --> 00:19:49.279
<v Speaker 2>You would come across as far too familiar. Yeah, because

415
00:19:49.279 --> 00:19:52.559
<v Speaker 2>you know exactly how to talk to you, Yes, exactly,

416
00:19:52.799 --> 00:19:54.640
<v Speaker 2>which works when both of you know, but when one

417
00:19:54.640 --> 00:19:56.279
<v Speaker 2>of you doesn't, it comes across really weird.

418
00:19:56.559 --> 00:19:57.880
<v Speaker 1>Yeah, that's so true.

419
00:19:58.480 --> 00:20:00.640
<v Speaker 2>Especially when you throw on the extra level of you're

420
00:20:00.640 --> 00:20:03.000
<v Speaker 2>not wanting them to know, so it's going to make

421
00:20:03.039 --> 00:20:03.519
<v Speaker 2>it very odd.

422
00:20:03.640 --> 00:20:05.200
<v Speaker 1>It feels like you're hiding something. Yeah.

423
00:20:05.440 --> 00:20:07.680
<v Speaker 2>Yeah, Yeah, it's a very.

424
00:20:07.559 --> 00:20:10.880
<v Speaker 1>Good performance from Steve in this episode. Yeah, and I

425
00:20:11.000 --> 00:20:15.119
<v Speaker 1>like how they have basically the same hair style, but

426
00:20:15.279 --> 00:20:16.880
<v Speaker 1>just his is gray.

427
00:20:16.839 --> 00:20:17.039
<v Speaker 4>Yeah.

428
00:20:18.599 --> 00:20:20.880
<v Speaker 2>They did say on the podcast how what they could

429
00:20:20.920 --> 00:20:23.519
<v Speaker 2>do to make them look like how close they were

430
00:20:23.559 --> 00:20:26.240
<v Speaker 2>going to make it, and like there was a lot

431
00:20:26.240 --> 00:20:27.759
<v Speaker 2>of things that they said they cut because they were

432
00:20:27.799 --> 00:20:30.319
<v Speaker 2>just too obvious. You know, when they sat down at

433
00:20:30.319 --> 00:20:31.960
<v Speaker 2>the table or whatever, they'd sit down in exactly the

434
00:20:31.960 --> 00:20:34.440
<v Speaker 2>same way, or if they both crossed their legs at

435
00:20:34.480 --> 00:20:39.319
<v Speaker 2>the same time or something like that, it looks too obvious. Yes,

436
00:20:40.400 --> 00:20:41.839
<v Speaker 2>but yeah, he said things like the hair and the

437
00:20:41.839 --> 00:20:44.839
<v Speaker 2>hair parting and yeah, having a similar sort of accent

438
00:20:44.839 --> 00:20:46.720
<v Speaker 2>and all that kind of thing. As far as they

439
00:20:46.759 --> 00:20:47.400
<v Speaker 2>really wanted to.

440
00:20:47.359 --> 00:20:50.119
<v Speaker 1>Go, well, I feel like their eyes are quite similar.

441
00:20:50.319 --> 00:20:53.640
<v Speaker 1>Maybe that's just you know, when you watch it and

442
00:20:53.680 --> 00:20:55.680
<v Speaker 1>you know that they're the same person, your brain tries

443
00:20:55.720 --> 00:20:59.039
<v Speaker 1>to kind of find true way. But I felt like

444
00:20:59.039 --> 00:21:01.359
<v Speaker 1>they had quite similar eye Yeah.

445
00:21:01.519 --> 00:21:04.039
<v Speaker 2>He said that they originally were looking for people with

446
00:21:04.079 --> 00:21:05.960
<v Speaker 2>blue eyes because that's what Steve has, but you know,

447
00:21:06.119 --> 00:21:09.160
<v Speaker 2>contacts were an option if necessary, and that he didn't

448
00:21:09.160 --> 00:21:12.039
<v Speaker 2>want someone with an extremely different accent that he'd have

449
00:21:12.039 --> 00:21:12.519
<v Speaker 2>to try and do.

450
00:21:12.759 --> 00:21:16.359
<v Speaker 3>No, No, I think I think.

451
00:21:16.200 --> 00:21:17.920
<v Speaker 2>They said no it was from Manchester or something, so

452
00:21:17.920 --> 00:21:19.359
<v Speaker 2>it wasn't a million miles away from.

453
00:21:19.240 --> 00:21:21.079
<v Speaker 3>Where he was from.

454
00:21:21.960 --> 00:21:22.599
<v Speaker 2>Yes, that helped.

455
00:21:24.599 --> 00:21:28.359
<v Speaker 1>So, Yes, we get another little scientific interviews with Reese,

456
00:21:29.839 --> 00:21:32.119
<v Speaker 1>and this time we get to see him hm hm.

457
00:21:36.640 --> 00:21:42.240
<v Speaker 2>Whig team went wild this week in clearly not a

458
00:21:42.279 --> 00:21:46.400
<v Speaker 2>green screened room.

459
00:21:46.720 --> 00:21:49.039
<v Speaker 1>It's it's quite something, isn't it is?

460
00:21:49.039 --> 00:21:52.960
<v Speaker 2>Isn't it bless him doing his best Bill.

461
00:21:52.920 --> 00:21:56.279
<v Speaker 1>Nigh, Yes, the science guy.

462
00:21:57.359 --> 00:21:58.799
<v Speaker 2>I don't know what I thought was going on with

463
00:21:58.880 --> 00:21:59.920
<v Speaker 2>those videos at the time.

464
00:22:00.519 --> 00:22:02.279
<v Speaker 1>Well, that's the thing. You watch it back and they're

465
00:22:02.319 --> 00:22:05.920
<v Speaker 1>so they're so futuristic in the background. Yeah, it's sort

466
00:22:05.920 --> 00:22:07.519
<v Speaker 1>of as obvious, and I don't think I ever twigged

467
00:22:07.519 --> 00:22:07.960
<v Speaker 1>at the time.

468
00:22:08.359 --> 00:22:11.640
<v Speaker 2>I don't think I did before you were meant to. Yeah,

469
00:22:12.240 --> 00:22:13.759
<v Speaker 2>I think that sort of gave me hope that there

470
00:22:13.799 --> 00:22:14.920
<v Speaker 2>was something weird going.

471
00:22:14.759 --> 00:22:17.160
<v Speaker 1>On, exactly, because otherwise, what's it there for?

472
00:22:17.680 --> 00:22:19.279
<v Speaker 2>Yeah, that this episode was going to be more than

473
00:22:19.319 --> 00:22:22.519
<v Speaker 2>just a little kitchen sink drama exactly. Not there's anything

474
00:22:22.559 --> 00:22:23.319
<v Speaker 2>wrong with that, but just.

475
00:22:23.319 --> 00:22:28.799
<v Speaker 1>No, no, no, yeah, yeah, and then we see Bob tutoring Zach.

476
00:22:29.359 --> 00:22:29.680
<v Speaker 2>Hmm.

477
00:22:30.640 --> 00:22:33.160
<v Speaker 1>Again. Another thing I found creepy was that they're just

478
00:22:33.200 --> 00:22:36.200
<v Speaker 1>in his bedroom. Surely they could just do it at

479
00:22:36.200 --> 00:22:37.160
<v Speaker 1>the kitchen table or.

480
00:22:37.079 --> 00:22:37.799
<v Speaker 2>Something in the kitchen.

481
00:22:38.640 --> 00:22:40.519
<v Speaker 3>Yeah.

482
00:22:40.759 --> 00:22:42.880
<v Speaker 2>I guess they needed for plot reasons for them not

483
00:22:42.920 --> 00:22:44.119
<v Speaker 2>to be there, of course.

484
00:22:44.200 --> 00:22:46.319
<v Speaker 1>Yeah, but yeah, But trying to look at it from

485
00:22:46.319 --> 00:22:47.920
<v Speaker 1>a realistic point of view, it's a bit like, yeah,

486
00:22:47.920 --> 00:22:49.079
<v Speaker 1>a bit strange.

487
00:22:49.240 --> 00:22:51.640
<v Speaker 2>Especially when we don't when neither of them know this.

488
00:22:51.640 --> 00:22:54.839
<v Speaker 1>Guy exactly, you know. And then later in the episode,

489
00:22:54.880 --> 00:22:56.839
<v Speaker 1>she kind of realizes that that, like, we don't really

490
00:22:56.839 --> 00:22:58.680
<v Speaker 1>know who he is, and like this that was very

491
00:22:58.759 --> 00:23:01.359
<v Speaker 1>obvious the whole time. He thought of that before he

492
00:23:01.640 --> 00:23:04.960
<v Speaker 1>should It shouldn't take a cereal box for you to realize.

493
00:23:04.640 --> 00:23:10.400
<v Speaker 2>That, No, she's not the best mom in some way.

494
00:23:13.279 --> 00:23:16.359
<v Speaker 1>So yeah, so he accidentally writes the date as sixty two.

495
00:23:16.920 --> 00:23:20.559
<v Speaker 2>Mm hmm. They play off relatively well, I think.

496
00:23:21.039 --> 00:23:24.039
<v Speaker 1>Yeah, I mean that the twist at the end, well,

497
00:23:25.119 --> 00:23:26.240
<v Speaker 1>or the way that he plays it off.

498
00:23:26.359 --> 00:23:29.039
<v Speaker 2>He plays it off as just yes, yeah.

499
00:23:28.480 --> 00:23:30.799
<v Speaker 1>It's a good number to choose, that it works both ways.

500
00:23:31.200 --> 00:23:34.599
<v Speaker 2>Yeah, nice little nod for later that you'll work out.

501
00:23:34.720 --> 00:23:37.160
<v Speaker 2>But yeah, it doesn't immediately seem weird.

502
00:23:37.000 --> 00:23:40.799
<v Speaker 1>At the time, no, exactly. Yeah, And I just thought

503
00:23:40.799 --> 00:23:44.119
<v Speaker 1>it was really interesting to see how Zach is so

504
00:23:44.200 --> 00:23:47.480
<v Speaker 1>much nicer with Bob than he is with his mum. Yeah,

505
00:23:47.519 --> 00:23:50.240
<v Speaker 1>and it's like, that's so sad that he's got all

506
00:23:50.319 --> 00:23:52.400
<v Speaker 1>this all this venom gets directed at his mum. And

507
00:23:52.440 --> 00:23:55.000
<v Speaker 1>actually he's quite capable of being a nice guy.

508
00:23:55.720 --> 00:23:58.039
<v Speaker 2>Yeah, he's quite sweet when he wants.

509
00:23:57.880 --> 00:24:01.200
<v Speaker 1>To be exactly like, he really gets on well with Bob.

510
00:24:01.319 --> 00:24:03.880
<v Speaker 1>And obviously they're the same person, so makes.

511
00:24:03.640 --> 00:24:05.000
<v Speaker 2>Sense, but I assume they would.

512
00:24:06.359 --> 00:24:08.559
<v Speaker 1>But again, when you don't know what's going on, it's

513
00:24:08.599 --> 00:24:10.279
<v Speaker 1>a bit like, oh, he's got on with this person

514
00:24:10.680 --> 00:24:14.319
<v Speaker 1>very well, very quickly. Right, Yeah, it's interesting.

515
00:24:14.359 --> 00:24:18.559
<v Speaker 2>For an element of a like father missing father figure, absolutely, yeah,

516
00:24:18.799 --> 00:24:22.960
<v Speaker 2>like replacement thing. And so I guess as well, like

517
00:24:23.359 --> 00:24:26.759
<v Speaker 2>his mum, I imagine I'm not you know, I'm guessing

518
00:24:27.160 --> 00:24:30.839
<v Speaker 2>isn't particularly up on sciencey stuff, so he probably can't

519
00:24:30.839 --> 00:24:32.240
<v Speaker 2>talk to about any of this kind of thing, and

520
00:24:33.200 --> 00:24:35.519
<v Speaker 2>there is a bit of a barrier there, Yeah, that

521
00:24:35.559 --> 00:24:38.279
<v Speaker 2>he car't expresses his hobbies and his you know things,

522
00:24:38.279 --> 00:24:41.119
<v Speaker 2>he enjoys doing schoolwork and all that kind of stuff.

523
00:24:41.400 --> 00:24:43.559
<v Speaker 2>And then he's got someone that can. Yeah, so he

524
00:24:43.559 --> 00:24:45.640
<v Speaker 2>probably would connect with them quite quickly, I guess.

525
00:24:45.920 --> 00:24:51.599
<v Speaker 1>Yeah, we get the little tattoo and his arm highlighted.

526
00:24:52.240 --> 00:24:55.759
<v Speaker 2>Yeah, I feel that was a little clunkily done personally.

527
00:24:57.759 --> 00:25:00.240
<v Speaker 2>I think I think Bob could have seen that. You

528
00:25:00.319 --> 00:25:02.720
<v Speaker 2>could have shown Bob seeing it a bit more.

529
00:25:02.559 --> 00:25:05.359
<v Speaker 1>Really and just suddenly mention it. Oh yeah, I happened

530
00:25:05.359 --> 00:25:05.799
<v Speaker 1>to notice.

531
00:25:05.880 --> 00:25:06.400
<v Speaker 2>Yeah.

532
00:25:06.440 --> 00:25:08.799
<v Speaker 1>And also, is it a bit of a weird thing

533
00:25:08.799 --> 00:25:10.319
<v Speaker 1>to just have a tattoo of your own name on

534
00:25:10.359 --> 00:25:19.640
<v Speaker 1>your arm? Yeah, right, in case you forget it.

535
00:25:20.200 --> 00:25:24.000
<v Speaker 2>You forget. It's the same that the people that get

536
00:25:24.000 --> 00:25:26.640
<v Speaker 2>the date of birth and Roman numerals tattooed in case

537
00:25:26.680 --> 00:25:30.119
<v Speaker 2>you forget and also just can't remember Arabic numerals like

538
00:25:30.160 --> 00:25:36.240
<v Speaker 2>you have to have it in Roman. But yeah, and

539
00:25:36.480 --> 00:25:38.839
<v Speaker 2>he says it's because he just did it to piss

540
00:25:38.920 --> 00:25:42.200
<v Speaker 2>the mum off. It's like, well, I think i'd have

541
00:25:42.200 --> 00:25:44.400
<v Speaker 2>gone more extreme if that was the just have your

542
00:25:44.400 --> 00:25:49.680
<v Speaker 2>own name written on you Yeah, I don't know, skull

543
00:25:49.720 --> 00:25:51.839
<v Speaker 2>and crossbones or something if you like, yeah, I don't

544
00:25:51.880 --> 00:25:55.599
<v Speaker 2>know your own name. Presumably he's had to go somewhere

545
00:25:55.599 --> 00:25:58.640
<v Speaker 2>to have this done, unless he's just scratched it in himself. Like,

546
00:26:00.160 --> 00:26:02.039
<v Speaker 2>and I like to think that the tattoo studio would

547
00:26:02.039 --> 00:26:04.759
<v Speaker 2>firstly go you're not old enough, and secondly go, really

548
00:26:04.799 --> 00:26:07.680
<v Speaker 2>that's what you want, Like, I know they shouldn't be judgy,

549
00:26:07.759 --> 00:26:10.680
<v Speaker 2>but equally, yeah, your own name on your forearm?

550
00:26:10.759 --> 00:26:11.559
<v Speaker 1>Is are you sure?

551
00:26:11.640 --> 00:26:12.599
<v Speaker 2>You're really sure?

552
00:26:13.319 --> 00:26:15.720
<v Speaker 1>Is it not eighteen? You have to be to it

553
00:26:15.839 --> 00:26:16.359
<v Speaker 1>might be?

554
00:26:16.480 --> 00:26:20.000
<v Speaker 2>It probably is, Actually I imagine he's only just eighteen though, Yeah,

555
00:26:20.039 --> 00:26:22.920
<v Speaker 2>but you might have had it recently. I guess. Yeah,

556
00:26:23.000 --> 00:26:27.880
<v Speaker 2>it looks like it's not munew though, no, who knows. Yeah,

557
00:26:28.200 --> 00:26:30.680
<v Speaker 2>maybe had him reaching over for something and yeah, exactly,

558
00:26:30.759 --> 00:26:33.720
<v Speaker 2>yeah it being pulled back or whatever. Yeah, yeah, because

559
00:26:33.759 --> 00:26:35.799
<v Speaker 2>then he pulls his sleeve back to show it. So

560
00:26:35.839 --> 00:26:37.319
<v Speaker 2>it's like, how did Bob see it? Anyway?

561
00:26:38.200 --> 00:26:38.400
<v Speaker 1>Well?

562
00:26:38.480 --> 00:26:41.799
<v Speaker 2>Yes, like I know that in Bob's mind, he'll be

563
00:26:42.039 --> 00:26:44.400
<v Speaker 2>doing that to set it up for later, so that

564
00:26:44.440 --> 00:26:47.400
<v Speaker 2>he's got because he gets interrupted this point by the mum.

565
00:26:47.680 --> 00:26:50.079
<v Speaker 2>So whether he was just about to say.

566
00:26:50.119 --> 00:26:52.240
<v Speaker 1>Yeah, I was going to ask that, do we think

567
00:26:52.240 --> 00:26:54.799
<v Speaker 1>he was actually about to spill the beans or I

568
00:26:54.839 --> 00:26:57.039
<v Speaker 1>expect so yeah, yeah, because I wondered if it was

569
00:26:57.079 --> 00:26:59.880
<v Speaker 1>that or if it was just a not not revealing

570
00:27:00.160 --> 00:27:02.519
<v Speaker 1>who he really is, but but maybe trying to encourage

571
00:27:02.599 --> 00:27:04.920
<v Speaker 1>him to be a bit nicer to his mum.

572
00:27:05.640 --> 00:27:08.400
<v Speaker 2>Yeah, because he's saying here how much he hates the

573
00:27:08.440 --> 00:27:11.319
<v Speaker 2>mom at this point, m and you can see the

574
00:27:11.359 --> 00:27:15.160
<v Speaker 2>pain which was really her Yeah for Bob, bless him.

575
00:27:16.240 --> 00:27:21.519
<v Speaker 1>Turns out that she's she's cooked for them and including Bob. Yeah,

576
00:27:21.559 --> 00:27:22.519
<v Speaker 1>he can stay for dinner?

577
00:27:22.880 --> 00:27:24.960
<v Speaker 2>Yeah, why not? I guess we don't know how much

578
00:27:24.960 --> 00:27:26.279
<v Speaker 2>time has passed at this point as well.

579
00:27:27.000 --> 00:27:27.680
<v Speaker 1>Yeah, that's true.

580
00:27:27.720 --> 00:27:30.039
<v Speaker 2>Yeah, we get that. We presume that this is their

581
00:27:30.039 --> 00:27:32.920
<v Speaker 2>first tutoring session, but it might not be. I guess no.

582
00:27:33.920 --> 00:27:35.480
<v Speaker 1>But yeah, he's it's sort of like he's become a

583
00:27:35.480 --> 00:27:39.799
<v Speaker 1>bit of a family friend. Yeah, and you know, knowing

584
00:27:39.799 --> 00:27:42.599
<v Speaker 1>how Zach was with his mom, you sort of would

585
00:27:42.599 --> 00:27:45.640
<v Speaker 1>expect him to be a bit like instantly just hate him,

586
00:27:46.079 --> 00:27:49.640
<v Speaker 1>mm hmm. But he sort of becomes like, oh, you know,

587
00:27:49.839 --> 00:27:52.599
<v Speaker 1>Bob's great, like yeah.

588
00:27:52.400 --> 00:27:54.240
<v Speaker 2>Well yeah, like you said, shared interests and.

589
00:27:54.359 --> 00:27:58.759
<v Speaker 1>Yeah exactly, and he gives him his time and attention, yeah,

590
00:27:58.839 --> 00:28:02.000
<v Speaker 1>which you know, Helen just doesn't really know how to

591
00:28:02.039 --> 00:28:02.960
<v Speaker 1>do or isn't able to.

592
00:28:03.799 --> 00:28:06.480
<v Speaker 2>No. I do wonder how long it is since the

593
00:28:06.559 --> 00:28:09.599
<v Speaker 2>dad's gone. I did originally assume it was ages ago,

594
00:28:09.680 --> 00:28:13.160
<v Speaker 2>but now I'm thinking maybe not. If the mom's like

595
00:28:13.240 --> 00:28:15.119
<v Speaker 2>you'd think you'd have grown to understand how to deal

596
00:28:15.119 --> 00:28:17.079
<v Speaker 2>with him. If it was it was a long time ago.

597
00:28:17.480 --> 00:28:19.319
<v Speaker 1>If I had to say, I'd probably guess maybe a

598
00:28:19.359 --> 00:28:22.079
<v Speaker 1>couple of years, yeah, two or three years maybe.

599
00:28:22.559 --> 00:28:22.920
<v Speaker 2>Yeah.

600
00:28:24.079 --> 00:28:27.319
<v Speaker 1>So he wants him to do some homework and look

601
00:28:27.359 --> 00:28:30.640
<v Speaker 1>at the Grand National races and pick a winner based

602
00:28:30.640 --> 00:28:34.519
<v Speaker 1>on the physics. Yeah, because of course that must be doable.

603
00:28:38.920 --> 00:28:41.440
<v Speaker 2>And here we finally get asking what the deal is

604
00:28:41.440 --> 00:28:42.279
<v Speaker 2>with the double letters?

605
00:28:42.920 --> 00:28:44.519
<v Speaker 1>Yes, and it's.

606
00:28:44.400 --> 00:28:46.440
<v Speaker 2>Just as he does to keep to calm himself down.

607
00:28:46.480 --> 00:28:50.680
<v Speaker 2>I guess, yeah, mild OCD says, I spent first rewatch

608
00:28:50.759 --> 00:28:52.160
<v Speaker 2>night trying to work out if there are any three

609
00:28:52.240 --> 00:28:54.759
<v Speaker 2>letter words, and remembering if there was any point in

610
00:28:54.759 --> 00:28:58.279
<v Speaker 2>the episode he said triple something, but I don't think

611
00:28:58.279 --> 00:29:00.599
<v Speaker 2>there is in English.

612
00:29:00.599 --> 00:29:02.440
<v Speaker 1>I mean, yeah, I was going to say, I can't

613
00:29:02.480 --> 00:29:03.680
<v Speaker 1>think of a triple that's a word.

614
00:29:04.079 --> 00:29:06.279
<v Speaker 2>No, I don't think there are any unless you have like.

615
00:29:06.319 --> 00:29:09.240
<v Speaker 3>Hyphened yeah, like yeah, yeah, yeah.

616
00:29:09.279 --> 00:29:10.799
<v Speaker 2>And the fact that they made him a bookkeeper, just

617
00:29:10.839 --> 00:29:11.880
<v Speaker 2>so that you have to say.

618
00:29:11.720 --> 00:29:13.880
<v Speaker 3>Yeah, I love that devlicatably.

619
00:29:14.680 --> 00:29:18.039
<v Speaker 1>Yeah, and she actually makes quite a good joke for

620
00:29:18.119 --> 00:29:20.960
<v Speaker 1>G and T. Like she's quite quick thinking considering she's

621
00:29:21.039 --> 00:29:23.960
<v Speaker 1>quite tipsy. Anyway, you can have double.

622
00:29:23.720 --> 00:29:24.160
<v Speaker 3>G and T.

623
00:29:26.799 --> 00:29:28.279
<v Speaker 2>Or is it a joke that she's been working on

624
00:29:28.319 --> 00:29:32.960
<v Speaker 2>for weeks? Probably, Yeah, she's finally pucked up the courage

625
00:29:33.000 --> 00:29:35.319
<v Speaker 2>to ask him about it. I'm going to dwn well

626
00:29:35.359 --> 00:29:35.880
<v Speaker 2>use my joke.

627
00:29:36.079 --> 00:29:41.480
<v Speaker 1>Absolutely, Yeah, but yeah, she is getting a bit a

628
00:29:41.480 --> 00:29:45.079
<v Speaker 1>bit tipsy and obviously embarrassing Zach.

629
00:29:45.680 --> 00:29:48.200
<v Speaker 2>Yeah, that would be so awkward to be him.

630
00:29:48.880 --> 00:29:51.359
<v Speaker 1>Yeah, because she is being a bit flirty.

631
00:29:51.960 --> 00:29:55.079
<v Speaker 2>Yeah as well, nowhere near as awkwards it is for

632
00:29:55.079 --> 00:29:56.319
<v Speaker 2>Bob exactly.

633
00:29:56.400 --> 00:29:58.960
<v Speaker 1>Yeah, it's the whole back to the future.

634
00:29:59.200 --> 00:30:04.599
<v Speaker 2>Back to the future. Yeah, because like she touches his

635
00:30:04.680 --> 00:30:09.359
<v Speaker 2>hand and he initially seems doesn't doesn't think like that. Yeah.

636
00:30:09.400 --> 00:30:11.000
<v Speaker 2>As to him, I guess it's probably the first time

637
00:30:11.039 --> 00:30:15.160
<v Speaker 2>his mum's ever touched him in like fifty sixty years exactly. Yeah,

638
00:30:15.200 --> 00:30:16.240
<v Speaker 2>and then he realizes what.

639
00:30:17.920 --> 00:30:23.920
<v Speaker 1>Yeah, and it's not appropriate, no, he So it's interesting,

640
00:30:24.680 --> 00:30:27.119
<v Speaker 1>you know, they're talking about the Maldo CD and then

641
00:30:27.519 --> 00:30:29.759
<v Speaker 1>Helen says it's similar with her clicks that they make

642
00:30:29.799 --> 00:30:31.599
<v Speaker 1>her feel better, but just that, but he doesn't want

643
00:30:31.599 --> 00:30:34.319
<v Speaker 1>me to have them. Yeah, and that is the big

644
00:30:34.359 --> 00:30:36.319
<v Speaker 1>trigger for Zach to storm off and be like, oh

645
00:30:36.400 --> 00:30:39.640
<v Speaker 1>fux sake. I don't really get why that was the

646
00:30:39.680 --> 00:30:41.799
<v Speaker 1>moment that really tips him over the edge.

647
00:30:42.599 --> 00:30:44.920
<v Speaker 2>Yeah, I guess it's is it Is it the mom

648
00:30:45.079 --> 00:30:48.359
<v Speaker 2>like trying to get Bob on side, when Zach's finally

649
00:30:48.400 --> 00:30:49.799
<v Speaker 2>thought he's got someone on his side.

650
00:30:49.880 --> 00:30:51.960
<v Speaker 1>I think that's possibly what I felt. Yeah, it was

651
00:30:51.960 --> 00:30:55.440
<v Speaker 1>almost like she was trying to gang up on him

652
00:30:55.519 --> 00:30:57.920
<v Speaker 1>or something. Yeah, because I would be if I was Zach,

653
00:30:57.960 --> 00:30:59.799
<v Speaker 1>I would be annoyed in that situation. I'd be like,

654
00:31:00.519 --> 00:31:01.279
<v Speaker 1>shut up, like.

655
00:31:06.240 --> 00:31:12.279
<v Speaker 2>Exactly, So, yes, runs out, you need to get away

656
00:31:12.279 --> 00:31:15.359
<v Speaker 2>from here before we accidentally we write time early.

657
00:31:17.200 --> 00:31:21.839
<v Speaker 1>So we get more Reese again. Yes, very science fiction set.

658
00:31:21.920 --> 00:31:23.039
<v Speaker 1>The background, as we.

659
00:31:23.000 --> 00:31:24.920
<v Speaker 2>Said, with his little toys.

660
00:31:26.279 --> 00:31:29.559
<v Speaker 1>Yeah, oh, I love those Newton's Cradle thing. I think

661
00:31:29.559 --> 00:31:33.400
<v Speaker 1>it's called My grandparents neighbor used to have one of those,

662
00:31:33.920 --> 00:31:36.680
<v Speaker 1>and I just remember being a very young child and

663
00:31:36.759 --> 00:31:39.720
<v Speaker 1>just loving going around there because they had quite a

664
00:31:39.759 --> 00:31:41.519
<v Speaker 1>close relationship and needs to go around there and just

665
00:31:41.559 --> 00:31:49.799
<v Speaker 1>love playing with that thing and watching the balls. Maybe

666
00:31:49.799 --> 00:31:55.960
<v Speaker 1>the man I am today watching those bulls swinging.

667
00:32:00.960 --> 00:32:08.359
<v Speaker 2>Oh dear, I saw a video. I think it's from

668
00:32:08.400 --> 00:32:11.200
<v Speaker 2>your favorite play that you keep mentioning the such and

669
00:32:11.200 --> 00:32:14.440
<v Speaker 2>such and such and such a dead people. Yeah, that's

670
00:32:14.480 --> 00:32:16.440
<v Speaker 2>the one. They have a bit with Newton's Cradle.

671
00:32:16.839 --> 00:32:20.240
<v Speaker 1>Oh yeah, giant, yes, yes, yes, I.

672
00:32:20.200 --> 00:32:22.039
<v Speaker 2>Saw that on ticked out recently and made me think

673
00:32:22.039 --> 00:32:22.240
<v Speaker 2>of you.

674
00:32:24.680 --> 00:32:26.319
<v Speaker 1>Yeah. They added a load of those bits in for

675
00:32:26.359 --> 00:32:27.880
<v Speaker 1>the film with Gary Oldman.

676
00:32:28.960 --> 00:32:30.799
<v Speaker 2>Oh it was Gary Oldman. Oh yeah I can see.

677
00:32:30.640 --> 00:32:33.079
<v Speaker 1>Yeah, yeah, yeah, very funny.

678
00:32:33.480 --> 00:32:33.880
<v Speaker 2>Hm hmm.

679
00:32:35.200 --> 00:32:37.200
<v Speaker 1>So yeah, as we said, she finds a cereal box

680
00:32:37.279 --> 00:32:44.519
<v Speaker 1>and upside down, we've got calculators writing bliss.

681
00:32:45.599 --> 00:32:49.359
<v Speaker 2>Now, maybe I'm being thick here? What's going on here?

682
00:32:49.680 --> 00:32:49.720
<v Speaker 4>Like?

683
00:32:50.640 --> 00:32:53.519
<v Speaker 2>Are we meant to think that old Zach has turned.

684
00:32:53.319 --> 00:32:55.839
<v Speaker 1>Up without having thought of a without.

685
00:32:55.599 --> 00:32:59.519
<v Speaker 2>Having thought of a name, seen a box upside down

686
00:32:59.559 --> 00:33:04.200
<v Speaker 2>with very all writing and gone that works and taking it.

687
00:33:04.720 --> 00:33:06.960
<v Speaker 1>I assume that's what it's meant to be, all.

688
00:33:06.839 --> 00:33:08.279
<v Speaker 2>In the space for about three seconds.

689
00:33:08.519 --> 00:33:14.000
<v Speaker 1>Yeah, it's like the looking at the newspaper, don't faire dear?

690
00:33:17.000 --> 00:33:20.640
<v Speaker 2>At least that was a headline though. Yeah, a barcode.

691
00:33:23.440 --> 00:33:27.720
<v Speaker 1>Yeah, it's very much a stretch. It's a lot because considering,

692
00:33:27.759 --> 00:33:30.079
<v Speaker 1>like we said, how much is at stake and how

693
00:33:30.160 --> 00:33:32.119
<v Speaker 1>much you'd have to sort of plan. And he's not

694
00:33:32.160 --> 00:33:35.240
<v Speaker 1>an idiot that you wouldn't think of a pseudonym before

695
00:33:35.279 --> 00:33:36.119
<v Speaker 1>you went.

696
00:33:36.279 --> 00:33:38.599
<v Speaker 2>He's invented time travel, like I'm sure you'd have thought

697
00:33:38.599 --> 00:33:41.279
<v Speaker 2>of things like this at least come up with a name.

698
00:33:42.720 --> 00:33:44.079
<v Speaker 1>Maybe he came up with a name and then he

699
00:33:44.119 --> 00:33:45.799
<v Speaker 1>saw Bob Bliss and he thought, oh, that's better. I'm

700
00:33:45.839 --> 00:33:46.200
<v Speaker 1>going with that.

701
00:33:47.480 --> 00:33:53.160
<v Speaker 2>Maybe, But yeah, I remember watching that thinking, God, good,

702
00:33:53.200 --> 00:33:56.880
<v Speaker 2>something really weird's happening here. I'm much more invested now.

703
00:33:57.559 --> 00:34:00.319
<v Speaker 1>Yes, he's not sure, he says he is no.

704
00:34:01.480 --> 00:34:03.720
<v Speaker 2>And also, you know, there's something bigger than this going on,

705
00:34:03.880 --> 00:34:07.279
<v Speaker 2>like how is his name got into a barcode? Like, oh,

706
00:34:07.319 --> 00:34:09.480
<v Speaker 2>I don't think I even realized that point he just

707
00:34:09.519 --> 00:34:11.840
<v Speaker 2>read it off there, because I didn't even have time

708
00:34:11.880 --> 00:34:15.800
<v Speaker 2>to read it, let alone think about it. Okay, but

709
00:34:15.840 --> 00:34:17.960
<v Speaker 2>I'll let them off. I'd rather it be like I

710
00:34:18.000 --> 00:34:20.320
<v Speaker 2>don't know the name of the mascot on the cereal

711
00:34:20.400 --> 00:34:34.480
<v Speaker 2>box or something, you know, Tony Tiger. Yeah, yeah, and snap,

712
00:34:34.480 --> 00:34:35.480
<v Speaker 2>crackle and or pop.

713
00:34:46.639 --> 00:34:50.400
<v Speaker 1>So going from the hilarious to the emotional.

714
00:34:50.920 --> 00:34:51.440
<v Speaker 2>Mm hmmm.

715
00:34:52.400 --> 00:34:54.960
<v Speaker 1>Helen has a phone call from the hospital. Yeah, they

716
00:34:54.960 --> 00:34:55.840
<v Speaker 1>need to see her today.

717
00:34:56.519 --> 00:34:57.639
<v Speaker 2>Clearly not good news.

718
00:34:58.519 --> 00:34:59.760
<v Speaker 1>Yeah, I feel so sorry for her.

719
00:35:00.079 --> 00:35:00.480
<v Speaker 2>Hmmm.

720
00:35:01.639 --> 00:35:05.000
<v Speaker 1>And Zach comes in and he's actually in quite a

721
00:35:05.000 --> 00:35:05.440
<v Speaker 1>good mood.

722
00:35:05.960 --> 00:35:10.000
<v Speaker 2>Yeah, it's nice, seem happy. Yeah, they're like they're like ships,

723
00:35:10.039 --> 00:35:12.039
<v Speaker 2>Like neither of them are ever going in the right

724
00:35:12.079 --> 00:35:17.400
<v Speaker 2>direction exactly. Yeah, it's gutting, m They just need more

725
00:35:17.400 --> 00:35:20.679
<v Speaker 2>moments where they're both happy. Yeah, and it would just

726
00:35:20.719 --> 00:35:22.719
<v Speaker 2>turn it all around, But they just always happened to

727
00:35:22.719 --> 00:35:25.239
<v Speaker 2>be ones in the wrong headspace.

728
00:35:25.679 --> 00:35:29.480
<v Speaker 1>Yeah. So Bob's won nearly two pounds on the Grand

729
00:35:29.559 --> 00:35:33.639
<v Speaker 1>National and he wants to give Zach half for UNI. Yeah,

730
00:35:33.679 --> 00:35:35.119
<v Speaker 1>and I'm like, well, that's not going to go very

731
00:35:35.119 --> 00:35:36.960
<v Speaker 1>far given tuition fees these days, but.

732
00:35:39.239 --> 00:35:43.880
<v Speaker 2>Yeah, yeah, very true. That's not even that's barely a term,

733
00:35:43.920 --> 00:35:49.679
<v Speaker 2>isn't it. Yeah, it's not. No, it's not. Yeah, Yeah,

734
00:35:49.760 --> 00:35:52.360
<v Speaker 2>I have to give back to old three three grand years.

735
00:35:52.440 --> 00:35:56.360
<v Speaker 1>Yeah yeah, but this is the thought that counts.

736
00:35:56.760 --> 00:35:59.840
<v Speaker 2>Yeah, we meant to presume that he just did this

737
00:35:59.880 --> 00:36:01.000
<v Speaker 2>because he knows who won that.

738
00:36:00.920 --> 00:36:03.599
<v Speaker 3>Grand because you would, wouldn't you.

739
00:36:04.800 --> 00:36:07.119
<v Speaker 2>Yeah, well, I mean I wouldn't. I wouldn't remember anything.

740
00:36:07.480 --> 00:36:12.880
<v Speaker 2>But I saw a Hannah Fry Yeah, yeah, yeah, you've

741
00:36:12.880 --> 00:36:14.920
<v Speaker 2>seen her podcast that she does. It's her and some

742
00:36:14.960 --> 00:36:18.239
<v Speaker 2>other scientists that just talk about sciencey things. Yes, And

743
00:36:18.239 --> 00:36:20.559
<v Speaker 2>they had an episode on time travel and they had

744
00:36:20.559 --> 00:36:24.239
<v Speaker 2>the quite interesting thought experiment of if you would just suddenly,

745
00:36:24.760 --> 00:36:30.440
<v Speaker 2>with no prior warning, teleported into the past, how what

746
00:36:30.480 --> 00:36:33.519
<v Speaker 2>would you do if you had to to convince them

747
00:36:33.559 --> 00:36:36.039
<v Speaker 2>that you were from the future. Yeah, like, how could

748
00:36:36.079 --> 00:36:39.639
<v Speaker 2>you do that? Because ninety nine point nine percent of things,

749
00:36:39.679 --> 00:36:42.320
<v Speaker 2>you could say the more realistic thing, and then someone's

750
00:36:42.320 --> 00:36:45.519
<v Speaker 2>head would be well, you're clever, or you're lucky or whatever.

751
00:36:45.559 --> 00:36:46.039
<v Speaker 1>Exactly.

752
00:36:46.119 --> 00:36:49.000
<v Speaker 2>Yeah, even if you could bet on every single game,

753
00:36:49.159 --> 00:36:51.800
<v Speaker 2>every single horse race and get it right and someone

754
00:36:51.920 --> 00:36:54.079
<v Speaker 2>and people just think, well, you're just really lucky, or

755
00:36:54.079 --> 00:36:56.400
<v Speaker 2>you've rigged it or whatever.

756
00:36:57.559 --> 00:36:59.519
<v Speaker 1>I suppose the flip side of that question is what

757
00:36:59.519 --> 00:37:02.320
<v Speaker 1>would some have to say to you today to convince

758
00:37:02.360 --> 00:37:04.679
<v Speaker 1>you that they're from the future. Well, exactly right, Yeah,

759
00:37:04.920 --> 00:37:06.400
<v Speaker 1>what would what would you believe?

760
00:37:07.079 --> 00:37:08.800
<v Speaker 2>And they said, obviously you can do things like you

761
00:37:08.840 --> 00:37:10.880
<v Speaker 2>know land in two thousand and one, you can tell

762
00:37:10.880 --> 00:37:12.920
<v Speaker 2>them about the pandemic that's going to happen, but you

763
00:37:12.960 --> 00:37:16.480
<v Speaker 2>won't know for twenty years. No, Like, what's the thing

764
00:37:16.480 --> 00:37:18.840
<v Speaker 2>that you could say that could prove quickly?

765
00:37:19.519 --> 00:37:20.639
<v Speaker 1>Yeah?

766
00:37:20.679 --> 00:37:23.000
<v Speaker 2>And also obviously if you tell them things, you might

767
00:37:23.079 --> 00:37:25.440
<v Speaker 2>change stuff. Yeah, so you've got to have something that,

768
00:37:26.000 --> 00:37:28.440
<v Speaker 2>no matter what you say, will always happen. Yes, So

769
00:37:28.480 --> 00:37:30.679
<v Speaker 2>they were saying things like, if you went to nineteen

770
00:37:30.840 --> 00:37:32.840
<v Speaker 2>if you ended up in nineteen fifty, you could tell

771
00:37:32.880 --> 00:37:36.880
<v Speaker 2>them the exact coordinates of the Titanic for example, Oh right, yeah,

772
00:37:36.960 --> 00:37:38.880
<v Speaker 2>you know exactly where it is in the present day.

773
00:37:39.119 --> 00:37:40.039
<v Speaker 2>In the past they didn't know.

774
00:37:40.960 --> 00:37:43.239
<v Speaker 1>But if you've just like you said, just been teleported

775
00:37:43.239 --> 00:37:45.039
<v Speaker 1>back with no warning, I don't know the coordinates of

776
00:37:45.079 --> 00:37:45.519
<v Speaker 1>the Titanic.

777
00:37:45.599 --> 00:37:49.480
<v Speaker 2>So true, but if you'd have to use modern knowledge

778
00:37:49.519 --> 00:37:53.159
<v Speaker 2>of things that were lost but yeah, yet being refound. Yeah,

779
00:37:53.599 --> 00:37:55.039
<v Speaker 2>from thought experiment.

780
00:37:54.760 --> 00:37:59.360
<v Speaker 1>It's very Yeah, I love thinking about that stuff. Yeah, listeners,

781
00:37:59.400 --> 00:38:04.519
<v Speaker 1>let us know what you would say to convince him. So, yes,

782
00:38:04.559 --> 00:38:07.840
<v Speaker 1>all of a sudden, given the serial packet, Helen is

783
00:38:07.880 --> 00:38:09.480
<v Speaker 1>suddenly very anti Bob.

784
00:38:10.280 --> 00:38:12.559
<v Speaker 2>I guess at this point she's just really realized what

785
00:38:12.639 --> 00:38:16.800
<v Speaker 2>she's done. Yes, it all hits her in a second. Yeah,

786
00:38:16.920 --> 00:38:18.079
<v Speaker 2>oh god, who is this man?

787
00:38:18.320 --> 00:38:22.960
<v Speaker 1>Yeah? I don't know what she's thinking. Maybe she's now

788
00:38:23.000 --> 00:38:26.519
<v Speaker 1>going down the grooming maybe angle. Maybe she's thinking, know

789
00:38:26.599 --> 00:38:29.039
<v Speaker 1>it's something dodgy like that or whatever it is.

790
00:38:29.079 --> 00:38:30.719
<v Speaker 2>I mean, this man that's been hanging out with her

791
00:38:30.719 --> 00:38:32.280
<v Speaker 2>son has suddenly offered him a load of money.

792
00:38:32.679 --> 00:38:36.199
<v Speaker 1>Yes, doesn't exactly look good, No it doesn't.

793
00:38:36.800 --> 00:38:38.639
<v Speaker 2>It's one thing, you know, here have fifty quid for

794
00:38:38.679 --> 00:38:42.719
<v Speaker 2>your birthday. It's another thing here of a grand Admittedly

795
00:38:42.960 --> 00:38:45.199
<v Speaker 2>he did just win it like it wasn't you know

796
00:38:45.320 --> 00:38:47.760
<v Speaker 2>his money as such, but still m.

797
00:38:49.039 --> 00:38:53.119
<v Speaker 1>But yes, obviously you know eighteen year old Zach he's

798
00:38:53.159 --> 00:38:54.800
<v Speaker 1>just been told he's going to have a thousand pounds.

799
00:38:54.840 --> 00:38:57.199
<v Speaker 1>His mom said, No, he's not gonna be happy about that.

800
00:38:57.840 --> 00:39:01.800
<v Speaker 2>No, no, she's not saying why she's not happy with him.

801
00:39:01.840 --> 00:39:04.920
<v Speaker 1>But still she's got a lot on her mind.

802
00:39:05.000 --> 00:39:07.280
<v Speaker 2>Yeah, she already had a lot on her mind and

803
00:39:07.320 --> 00:39:08.440
<v Speaker 2>then she got that on top of it.

804
00:39:08.760 --> 00:39:11.880
<v Speaker 1>Yeah, so this is a great scene, isn't it. The

805
00:39:12.000 --> 00:39:15.639
<v Speaker 1>argument escalates and he thinks that his dad is going

806
00:39:15.719 --> 00:39:18.719
<v Speaker 1>to pay for him to go to Union Singapore, Yeah,

807
00:39:19.480 --> 00:39:23.480
<v Speaker 1>which she just laughs at because he's obviously not very reliable.

808
00:39:24.119 --> 00:39:26.400
<v Speaker 2>No, he's got with all sorts of things in the past,

809
00:39:27.639 --> 00:39:29.199
<v Speaker 2>all accounts.

810
00:39:28.880 --> 00:39:30.760
<v Speaker 1>And like, this is a bit that gets me is

811
00:39:30.800 --> 00:39:32.920
<v Speaker 1>when he says he shouts her and says, at least

812
00:39:32.960 --> 00:39:36.840
<v Speaker 1>he believes in me, because it's like he doesn't see

813
00:39:36.840 --> 00:39:38.519
<v Speaker 1>that his mum does believe in him. But I think

814
00:39:38.519 --> 00:39:41.519
<v Speaker 1>she does, but she's just she has a different way.

815
00:39:41.639 --> 00:39:46.480
<v Speaker 1>She she's the cautious, realistic one and gets made out

816
00:39:46.519 --> 00:39:47.639
<v Speaker 1>to be the crusher of dreams.

817
00:39:48.800 --> 00:39:50.840
<v Speaker 2>Yeah, it's tough to suck.

818
00:39:54.079 --> 00:39:56.719
<v Speaker 1>And yeah, it really escalates and he calls her a

819
00:39:56.760 --> 00:40:00.679
<v Speaker 1>fucking bitch and then oh my god, I mean it's

820
00:40:00.719 --> 00:40:04.760
<v Speaker 1>awful but quite satisfying, isn't it.

821
00:40:06.159 --> 00:40:07.000
<v Speaker 2>He has earned it.

822
00:40:09.800 --> 00:40:12.440
<v Speaker 1>Yeah, I'm not surprised at all, like, given as we

823
00:40:12.480 --> 00:40:16.159
<v Speaker 1>know everything's going on in her life. And then he's

824
00:40:16.159 --> 00:40:19.039
<v Speaker 1>so ungrateful when she's saying about you know, I wash,

825
00:40:19.119 --> 00:40:21.800
<v Speaker 1>I clean I do all this for you, and he

826
00:40:21.880 --> 00:40:22.960
<v Speaker 1>just throws all back in her face.

827
00:40:23.239 --> 00:40:25.360
<v Speaker 2>And we've all been there, We've all been kids that

828
00:40:25.440 --> 00:40:28.119
<v Speaker 2>don't appreciate your parents, like we don't know everything they do.

829
00:40:29.480 --> 00:40:31.800
<v Speaker 2>But obviously it hurts when it's just her doing it

830
00:40:31.840 --> 00:40:35.840
<v Speaker 2>all getting nothing. At least, if you've got a partner

831
00:40:35.880 --> 00:40:38.000
<v Speaker 2>there that's saying, you know, a well done on they

832
00:40:38.039 --> 00:40:41.199
<v Speaker 2>can carry up from the school or whatever, like you know,

833
00:40:41.519 --> 00:40:43.840
<v Speaker 2>I don't know, like little things that you get, you

834
00:40:43.920 --> 00:40:46.199
<v Speaker 2>get that bit of feedback that would make you feel

835
00:40:46.239 --> 00:40:49.320
<v Speaker 2>like you're doing something worthwhile. Yeah, but if you're getting

836
00:40:49.360 --> 00:40:50.719
<v Speaker 2>none of that, no.

837
00:40:50.760 --> 00:40:55.679
<v Speaker 1>It's quite a thankless Yeah. But yeah, again we feel

838
00:40:55.760 --> 00:40:59.239
<v Speaker 1>we don't we don't despise her for hitting him because

839
00:40:59.559 --> 00:41:03.400
<v Speaker 1>she's all immediately apologetic. Yeah, and she immediately realizes she's

840
00:41:03.440 --> 00:41:04.280
<v Speaker 1>crossed the line.

841
00:41:04.880 --> 00:41:09.400
<v Speaker 2>Yeah, and we know obviously why she's exactly Yeah, and obviously,

842
00:41:09.480 --> 00:41:11.960
<v Speaker 2>like you say, she handles it so perfect as perfectly

843
00:41:12.000 --> 00:41:16.360
<v Speaker 2>as she can afterwards. Yeah, once she's realized what she's done. Yeah,

844
00:41:16.559 --> 00:41:20.599
<v Speaker 2>but too little, too late for Zach and he starms off.

845
00:41:20.960 --> 00:41:21.760
<v Speaker 1>Yeah.

846
00:41:22.280 --> 00:41:25.960
<v Speaker 2>I feel Noah does such a good job acting Zach here,

847
00:41:26.039 --> 00:41:29.960
<v Speaker 2>like there's a little face no he's a little handshakes and

848
00:41:30.000 --> 00:41:32.840
<v Speaker 2>he's so scared and shocked and everything.

849
00:41:32.920 --> 00:41:35.239
<v Speaker 1>Yeah, because that's the thing with a parent, isn't it.

850
00:41:35.239 --> 00:41:38.880
<v Speaker 1>It's like they're sort of they're a rock and they're

851
00:41:38.920 --> 00:41:42.239
<v Speaker 1>like an immovable object and like you as a as

852
00:41:42.239 --> 00:41:45.239
<v Speaker 1>a moody teenager, you can shout at them and they're

853
00:41:45.320 --> 00:41:47.639
<v Speaker 1>gonna be in an ideal world, They're going to be

854
00:41:48.119 --> 00:41:52.159
<v Speaker 1>that boundary for you and they'll always be there. And

855
00:41:52.239 --> 00:41:55.440
<v Speaker 1>so when she shows her sort of quote unquote weakness

856
00:41:55.480 --> 00:41:59.280
<v Speaker 1>of you know, snapping and slapping him, Yeah, it's like

857
00:41:59.320 --> 00:42:01.880
<v Speaker 1>it's quite a bit t ale for him. It's almost like, oh,

858
00:42:02.639 --> 00:42:03.719
<v Speaker 1>that you're not supposed to do that.

859
00:42:04.679 --> 00:42:08.039
<v Speaker 2>Yeah. Yeah, he never he would never have considered that

860
00:42:08.119 --> 00:42:11.960
<v Speaker 2>was an option. No, And the way he reacts that's

861
00:42:11.960 --> 00:42:12.719
<v Speaker 2>never happened before.

862
00:42:13.199 --> 00:42:17.719
<v Speaker 1>Yeah. Yeah, I'm sure everyone watching it felt very much

863
00:42:17.760 --> 00:42:18.360
<v Speaker 1>on her side.

864
00:42:18.880 --> 00:42:20.320
<v Speaker 2>Yeah.

865
00:42:21.519 --> 00:42:23.440
<v Speaker 1>So it's a bit later in the evening.

866
00:42:23.960 --> 00:42:24.360
<v Speaker 2>M hmm.

867
00:42:24.920 --> 00:42:26.280
<v Speaker 1>She's been out for quite some time.

868
00:42:27.000 --> 00:42:29.920
<v Speaker 2>Yeah, she's gone off and done something. I've actually probably

869
00:42:29.920 --> 00:42:30.840
<v Speaker 2>gone to a pub or something.

870
00:42:31.159 --> 00:42:33.199
<v Speaker 1>Yeah, probably gone for a walk.

871
00:42:33.880 --> 00:42:35.760
<v Speaker 2>And Bob turns up.

872
00:42:36.320 --> 00:42:41.639
<v Speaker 1>With flowers, with flowers, her favorite yellow roses, which.

873
00:42:41.480 --> 00:42:45.599
<v Speaker 2>Does show that Zach does care like that, he knows,

874
00:42:46.280 --> 00:42:50.440
<v Speaker 2>he knows, and he remembers, like as an adult, but

875
00:42:50.480 --> 00:42:52.320
<v Speaker 2>that's what her favorite flowers were. So he was paying

876
00:42:52.320 --> 00:42:55.079
<v Speaker 2>attention to the kid. Yeah, which is sweet.

877
00:42:55.719 --> 00:42:58.039
<v Speaker 1>It's very clever with the you know that. Again, it

878
00:42:58.440 --> 00:43:00.840
<v Speaker 1>works from the creepy point of view of how does

879
00:43:00.880 --> 00:43:02.960
<v Speaker 1>he know so much about them? Has he been watching

880
00:43:02.960 --> 00:43:04.360
<v Speaker 1>them and stalking them?

881
00:43:04.599 --> 00:43:07.880
<v Speaker 2>Yeah, And this point Zach works that out, like yeah,

882
00:43:07.920 --> 00:43:11.239
<v Speaker 2>what are you doing? How do you know these things? Yeah?

883
00:43:12.320 --> 00:43:16.480
<v Speaker 1>So yeah, as if he hadn't seemed creepy enough, he

884
00:43:16.559 --> 00:43:18.079
<v Speaker 1>then follows that up to his bedroom.

885
00:43:18.280 --> 00:43:24.280
<v Speaker 2>Yeah. Yeah, that's just weird. And the way it was

886
00:43:24.360 --> 00:43:25.719
<v Speaker 2>all that now, I was like, yeah, I think I

887
00:43:25.760 --> 00:43:27.599
<v Speaker 2>think I probably did assume it was where you said

888
00:43:27.599 --> 00:43:28.320
<v Speaker 2>it was going, with.

889
00:43:28.360 --> 00:43:31.280
<v Speaker 1>Him lying on the bed and then like, if you

890
00:43:31.320 --> 00:43:33.599
<v Speaker 1>haven't got any inkling of of a sort of sci

891
00:43:33.639 --> 00:43:36.559
<v Speaker 1>fi plot or anything, yeah, that's very much sort of

892
00:43:36.599 --> 00:43:39.239
<v Speaker 1>what where it feels it's going. It's like he's he's

893
00:43:39.280 --> 00:43:41.880
<v Speaker 1>there alone now in the house, and it's like, what's

894
00:43:41.920 --> 00:43:42.440
<v Speaker 1>going to happen?

895
00:43:42.679 --> 00:43:44.079
<v Speaker 2>Yeah, the mom's been driven off.

896
00:43:44.320 --> 00:43:53.400
<v Speaker 1>Yeah, but twist time, it is not awful like that. No, Thankfully,

897
00:43:53.599 --> 00:43:56.840
<v Speaker 1>he reveals that he is a time traveler. Yeah, he's

898
00:43:56.920 --> 00:43:59.639
<v Speaker 1>Zach from the future. Yeah, Zach to the future.

899
00:44:00.360 --> 00:44:03.159
<v Speaker 2>But literally just putting that together in my head as well.

900
00:44:03.280 --> 00:44:11.079
<v Speaker 1>Yeah, he clicked at the same time. Yeah, and the

901
00:44:11.800 --> 00:44:15.239
<v Speaker 1>revelation about sixty two being where he came from. Yeah,

902
00:44:15.840 --> 00:44:17.039
<v Speaker 1>it's a great moment, I think.

903
00:44:18.000 --> 00:44:22.559
<v Speaker 2>Yeah, and the tattoo and everything. Yeah, at no point

904
00:44:22.559 --> 00:44:25.559
<v Speaker 2>in the next fifty years has he got that tattoo removed. No,

905
00:44:25.760 --> 00:44:26.800
<v Speaker 2>forty years or whatever.

906
00:44:26.840 --> 00:44:28.920
<v Speaker 1>And also, I mean it's not really a great proof,

907
00:44:28.960 --> 00:44:30.360
<v Speaker 1>is it, Like he could have just gone and got

908
00:44:30.679 --> 00:44:34.800
<v Speaker 1>tattoo of Zach on his arm, right, Yeah, it's a

909
00:44:34.840 --> 00:44:36.880
<v Speaker 1>bit like that going off on a tangent. But in

910
00:44:36.960 --> 00:44:39.320
<v Speaker 1>Doctor Who, when the doctor's trying to prove to Martha

911
00:44:39.320 --> 00:44:40.880
<v Speaker 1>that he can travel in time and he goes into

912
00:44:40.920 --> 00:44:42.920
<v Speaker 1>the tartis and takes his tie off and comes back out,

913
00:44:43.119 --> 00:44:45.360
<v Speaker 1>It's like, wow, anyone could do that.

914
00:44:49.440 --> 00:44:57.840
<v Speaker 2>The disappearing box quite impressive. Yeah.

915
00:44:57.920 --> 00:45:02.039
<v Speaker 1>So, yes, he's come back based to convince his younger

916
00:45:02.079 --> 00:45:05.440
<v Speaker 1>self to be nicer to his mum and spend time

917
00:45:05.480 --> 00:45:07.840
<v Speaker 1>with her before she dies because time's ticking.

918
00:45:08.480 --> 00:45:11.920
<v Speaker 2>It's clearly on his biggest regret. Yeah, and that you

919
00:45:11.960 --> 00:45:13.760
<v Speaker 2>didn't know early enough to be able to do anything

920
00:45:13.800 --> 00:45:18.920
<v Speaker 2>about it. Zach does buy it very quickly. But I guess,

921
00:45:19.159 --> 00:45:21.000
<v Speaker 2>like I keep saying, twenty five minutes, we don't have

922
00:45:21.039 --> 00:45:24.079
<v Speaker 2>time for a big argument and a discussion and things.

923
00:45:24.119 --> 00:45:27.119
<v Speaker 2>But yeah, so he's explaining all this. I love that.

924
00:45:27.159 --> 00:45:29.320
<v Speaker 2>Like you said earlier, he doesn't he doesn't do the

925
00:45:29.360 --> 00:45:32.079
<v Speaker 2>double letters and sacks like he didn't do.

926
00:45:32.880 --> 00:45:34.760
<v Speaker 1>Yeah, yeah, that doesn't matter.

927
00:45:34.800 --> 00:45:34.960
<v Speaker 2>Now.

928
00:45:36.639 --> 00:45:41.559
<v Speaker 1>Meanwhile, we've got Helen back downstairs breaking down with a

929
00:45:41.559 --> 00:45:42.320
<v Speaker 1>glass of wine.

930
00:45:42.760 --> 00:45:43.000
<v Speaker 2>Yeah.

931
00:45:44.719 --> 00:45:49.119
<v Speaker 1>No, But then there's this strange mobile phone ringing.

932
00:45:48.880 --> 00:45:50.719
<v Speaker 2>Which future sci fi phone looks like.

933
00:45:50.639 --> 00:45:53.639
<v Speaker 1>A Nokia from the two thousands and yet has a

934
00:45:53.719 --> 00:45:55.920
<v Speaker 1>ring tone which is supposed to sound sort of futuristic,

935
00:45:56.639 --> 00:45:59.719
<v Speaker 1>And it's like, what maybe that Yeah, it's like a

936
00:46:00.079 --> 00:46:02.920
<v Speaker 1>futuristic device they put into a shell of a Nokia

937
00:46:02.960 --> 00:46:03.840
<v Speaker 1>to disguise it.

938
00:46:05.400 --> 00:46:08.800
<v Speaker 2>Yeah, I not thought of that. Yeah. Or it's just

939
00:46:08.840 --> 00:46:11.639
<v Speaker 2>that fashion goes round in circles and that got back

940
00:46:11.679 --> 00:46:12.559
<v Speaker 2>to your style.

941
00:46:13.039 --> 00:46:17.960
<v Speaker 1>Yeah, but Rye's character Rudolph, we didn't mention it was called.

942
00:46:17.840 --> 00:46:22.440
<v Speaker 2>Rudolph, Rudolphe, a name that befits the hair.

943
00:46:22.880 --> 00:46:27.280
<v Speaker 1>Yeah, so is the idea that he is speaking from

944
00:46:27.320 --> 00:46:30.679
<v Speaker 1>the future. I guess, So he hasn't traveled back as well,

945
00:46:30.719 --> 00:46:33.840
<v Speaker 1>has he? So he must be speaking somehow down the.

946
00:46:33.719 --> 00:46:39.320
<v Speaker 2>Line from the current future. Yeah, yes, because at this

947
00:46:39.320 --> 00:46:40.320
<v Speaker 2>point nothing's changed.

948
00:46:40.559 --> 00:46:42.400
<v Speaker 1>God, it all gets very confusing now.

949
00:46:42.400 --> 00:46:46.960
<v Speaker 2>It does. It rapidly gets confusing. Here in the podcast

950
00:46:46.960 --> 00:46:48.840
<v Speaker 2>they said this is a point they originally had the

951
00:46:48.840 --> 00:46:52.679
<v Speaker 2>plot being that Rudolph called up to say, you know,

952
00:46:52.880 --> 00:46:55.199
<v Speaker 2>beware of this man. Bob thinks he's a time travel

953
00:46:55.280 --> 00:46:58.320
<v Speaker 2>or he's my patient. Oh I see, and that it

954
00:46:58.400 --> 00:47:01.159
<v Speaker 2>wasn't he isn't Zach was the original plot.

955
00:47:01.159 --> 00:47:02.400
<v Speaker 1>There would go, oh, that was actually going to be

956
00:47:02.440 --> 00:47:03.000
<v Speaker 1>the real plot.

957
00:47:04.360 --> 00:47:06.920
<v Speaker 2>See, yeah, I guess then maybe in that case have

958
00:47:06.960 --> 00:47:08.519
<v Speaker 2>made it a bit more obvious that it's a time

959
00:47:08.559 --> 00:47:10.719
<v Speaker 2>travel thing, and you'd think that's where you go.

960
00:47:10.960 --> 00:47:14.039
<v Speaker 1>Yeah, they're gone the other way around with it, because

961
00:47:14.039 --> 00:47:17.079
<v Speaker 1>also that could have been a nice like ploy for him,

962
00:47:17.400 --> 00:47:19.239
<v Speaker 1>you know, he really is a time traveler. But then

963
00:47:19.519 --> 00:47:22.280
<v Speaker 1>Rudolph's on the phone saying he thinks he is, but

964
00:47:22.320 --> 00:47:22.639
<v Speaker 1>he's not.

965
00:47:22.800 --> 00:47:25.480
<v Speaker 2>Yeah, easy way to discredit him.

966
00:47:25.559 --> 00:47:30.599
<v Speaker 1>Yeah yeah. And then shot there's a gunshot. Yeah, so

967
00:47:31.840 --> 00:47:32.719
<v Speaker 1>he shot himself.

968
00:47:33.400 --> 00:47:37.079
<v Speaker 2>Yes, I assume so, yeah, which I have questions about

969
00:47:37.239 --> 00:47:40.360
<v Speaker 2>I have questions about that, so I can understand if

970
00:47:40.400 --> 00:47:43.199
<v Speaker 2>his argument if obviously he's him, so he wouldn't know

971
00:47:43.239 --> 00:47:45.920
<v Speaker 2>how he would think his thought that if he does this,

972
00:47:46.480 --> 00:47:49.239
<v Speaker 2>it will push him and his mum together and make

973
00:47:49.320 --> 00:47:50.639
<v Speaker 2>them emotionally bond.

974
00:47:50.400 --> 00:47:53.000
<v Speaker 1>Over it maybe.

975
00:47:52.960 --> 00:47:56.679
<v Speaker 2>Maybe, which it does, like they do start crying into

976
00:47:56.679 --> 00:47:59.800
<v Speaker 2>each other's arms, and yeah, or is it that you

977
00:47:59.840 --> 00:48:02.480
<v Speaker 2>know he can't be around because that courses.

978
00:48:02.199 --> 00:48:04.000
<v Speaker 1>Paradox is that it's going to change.

979
00:48:04.320 --> 00:48:07.079
<v Speaker 2>Yeah, but if that was the case, would you just disappear?

980
00:48:07.320 --> 00:48:07.679
<v Speaker 1>You think?

981
00:48:07.719 --> 00:48:10.239
<v Speaker 2>So, why does he have to go through presumably the

982
00:48:10.320 --> 00:48:11.639
<v Speaker 2>terrifying thing of shooting.

983
00:48:11.679 --> 00:48:13.920
<v Speaker 1>By logic, Yeah, it is a bit weird.

984
00:48:14.320 --> 00:48:18.199
<v Speaker 2>It is weird. Plus plus you're then leaving your younger

985
00:48:18.239 --> 00:48:20.320
<v Speaker 2>self and mum to have to deal with a dead body.

986
00:48:20.480 --> 00:48:24.960
<v Speaker 2>Oh god, Yeah, I mean admitted, like you probably would

987
00:48:24.960 --> 00:48:27.079
<v Speaker 2>be able to explain all this to the police, but still,

988
00:48:27.760 --> 00:48:30.119
<v Speaker 2>like that's presumably putting them through a lot of court time.

989
00:48:31.079 --> 00:48:32.159
<v Speaker 1>Trauma of it as well.

990
00:48:32.159 --> 00:48:32.760
<v Speaker 2>The trauma.

991
00:48:33.119 --> 00:48:36.840
<v Speaker 1>Yeah, and especially if Zak you know, believes this to

992
00:48:36.840 --> 00:48:39.760
<v Speaker 1>be the truth, that he's just essentially watched version of

993
00:48:39.760 --> 00:48:43.480
<v Speaker 1>his future self for himself. Yeah, that's awful.

994
00:48:44.719 --> 00:48:47.320
<v Speaker 2>And he's presumably that I end up with countless hours

995
00:48:47.320 --> 00:48:52.199
<v Speaker 2>of police interviews and yeah, all sorts of but that's

996
00:48:52.239 --> 00:48:53.159
<v Speaker 2>not relevant to the part.

997
00:48:53.239 --> 00:48:57.840
<v Speaker 1>So I don't really know why he had to shoot himself. No,

998
00:48:57.960 --> 00:48:59.760
<v Speaker 1>you could have just, like you say, just disappeared.

999
00:49:00.559 --> 00:49:03.280
<v Speaker 2>Yeah. Possibly, And would that have even worked better, Like

1000
00:49:03.440 --> 00:49:05.880
<v Speaker 2>for her to run upstairs and they'd just be Zach

1001
00:49:05.960 --> 00:49:09.199
<v Speaker 2>in this room and his own and he just bursts

1002
00:49:09.199 --> 00:49:11.480
<v Speaker 2>into tears and like he's just watched this guy vanishing

1003
00:49:11.480 --> 00:49:15.480
<v Speaker 2>from here. Yeah, yeah, and he can't explain it. Yeah,

1004
00:49:15.519 --> 00:49:17.519
<v Speaker 2>and he'll think he's going mad or something. I guess,

1005
00:49:17.559 --> 00:49:22.159
<v Speaker 2>I don't know. Yeah, But would he disappear? I don't

1006
00:49:22.199 --> 00:49:24.519
<v Speaker 2>know here I get confused on It depends on which

1007
00:49:24.599 --> 00:49:27.440
<v Speaker 2>rule of time travel were going on, and exactly exactly

1008
00:49:27.559 --> 00:49:30.559
<v Speaker 2>would he not just yeah, because he's not come back,

1009
00:49:30.760 --> 00:49:33.360
<v Speaker 2>So he would disappear because he wouldn't have come back

1010
00:49:33.360 --> 00:49:36.039
<v Speaker 2>in the first place, which then obviously means he wouldn't

1011
00:49:36.039 --> 00:49:37.559
<v Speaker 2>have henitd the impact on it, which then means it

1012
00:49:37.559 --> 00:49:39.559
<v Speaker 2>wouldn't have happened, which means he would have done. But anyway,

1013
00:49:41.079 --> 00:49:45.800
<v Speaker 2>there's a great quote from Reese in the podcast. None

1014
00:49:45.840 --> 00:49:46.519
<v Speaker 2>of it matters.

1015
00:49:46.559 --> 00:49:48.599
<v Speaker 4>I think you'll probably watch it and just buy it,

1016
00:49:48.800 --> 00:49:51.079
<v Speaker 4>because that's what you do with time travel stories. You

1017
00:49:51.119 --> 00:49:54.920
<v Speaker 4>accept that it exists as an idea. You don't go

1018
00:49:55.519 --> 00:49:57.840
<v Speaker 4>if you want, if you're a fucker, you can unpick

1019
00:49:57.840 --> 00:50:00.440
<v Speaker 4>it all if you want to, but you have to

1020
00:50:00.559 --> 00:50:02.000
<v Speaker 4>and you could just enjoy it for what it is.

1021
00:50:03.760 --> 00:50:05.239
<v Speaker 1>I think, I think I agree that you do. You

1022
00:50:05.360 --> 00:50:07.639
<v Speaker 1>just have to accept it. But at the same time

1023
00:50:07.679 --> 00:50:10.800
<v Speaker 1>it can be fun sometimes to try and it can

1024
00:50:11.000 --> 00:50:12.079
<v Speaker 1>and pick these things a bit.

1025
00:50:12.199 --> 00:50:15.280
<v Speaker 2>Plus. Also, I'm fine with if you just say time

1026
00:50:15.320 --> 00:50:18.360
<v Speaker 2>travel exists, but when you use the effects of time

1027
00:50:18.360 --> 00:50:21.760
<v Speaker 2>travel for the story, yes, then it has to stole

1028
00:50:21.880 --> 00:50:23.800
<v Speaker 2>up to some scrutiny. Yeah, you can't just go, oh,

1029
00:50:23.840 --> 00:50:24.440
<v Speaker 2>well it works.

1030
00:50:24.719 --> 00:50:27.239
<v Speaker 1>Otherwise it's just what's the point.

1031
00:50:27.639 --> 00:50:28.639
<v Speaker 2>There's no stakes at all.

1032
00:50:28.639 --> 00:50:30.639
<v Speaker 1>It's just whatever you want the plot to be exactly.

1033
00:50:31.360 --> 00:50:33.559
<v Speaker 1>And you know, I've talked about this on my other

1034
00:50:33.559 --> 00:50:36.199
<v Speaker 1>podcast about Doctor Who. But like you've got the different

1035
00:50:36.239 --> 00:50:38.159
<v Speaker 1>like you're saying, the different rules of time travel, different

1036
00:50:38.199 --> 00:50:40.679
<v Speaker 1>types of time travel and sort of ones where it's

1037
00:50:40.719 --> 00:50:44.800
<v Speaker 1>like a closed loop and things are just the way

1038
00:50:44.840 --> 00:50:47.400
<v Speaker 1>they always have been. So if the future gets changed,

1039
00:50:47.400 --> 00:50:50.280
<v Speaker 1>then it was always changed. Yeah, But then there's the

1040
00:50:50.320 --> 00:50:53.679
<v Speaker 1>other ways where yeah, the other the other ways where

1041
00:50:53.880 --> 00:50:56.039
<v Speaker 1>someone changes the future and then everything's.

1042
00:50:55.679 --> 00:50:57.480
<v Speaker 2>Different, ripples back. Yeah.

1043
00:50:57.519 --> 00:51:00.239
<v Speaker 1>Yeah, so it's where it gets. The problem is you

1044
00:51:00.280 --> 00:51:02.000
<v Speaker 1>try and have both those types of things in the

1045
00:51:02.000 --> 00:51:02.559
<v Speaker 1>same story.

1046
00:51:03.719 --> 00:51:08.280
<v Speaker 2>Yeah, in doctor's case, you have them one week, one

1047
00:51:08.519 --> 00:51:13.400
<v Speaker 2>the other. Yeah, exactly, depending on who's writing it and

1048
00:51:13.400 --> 00:51:18.360
<v Speaker 2>what I needed to do. Yes, So we we flashed

1049
00:51:18.360 --> 00:51:23.440
<v Speaker 2>forward to the twenty sixties, same house, the art department's

1050
00:51:23.440 --> 00:51:27.239
<v Speaker 2>been in, the redest got out the spray paint, the

1051
00:51:27.239 --> 00:51:28.400
<v Speaker 2>white white spray gun.

1052
00:51:28.719 --> 00:51:29.639
<v Speaker 3>Yeah.

1053
00:51:29.679 --> 00:51:32.559
<v Speaker 1>It's a I mean, it's obviously deliberate, but very cheesy

1054
00:51:32.599 --> 00:51:38.679
<v Speaker 1>sort of yeah, sci fi thing, isn't it. Yeah, So

1055
00:51:38.760 --> 00:51:43.239
<v Speaker 1>we've in this timeline, We've just had Helen's funeral and

1056
00:51:43.360 --> 00:51:46.159
<v Speaker 1>turns out that in this event, she died at the

1057
00:51:46.159 --> 00:51:49.280
<v Speaker 1>age of ninety three. Yep, so she was able to

1058
00:51:49.800 --> 00:51:53.960
<v Speaker 1>survive longer because of a cancer serum that Zach invented.

1059
00:51:54.599 --> 00:51:56.639
<v Speaker 2>Yeah, because of what happened.

1060
00:51:57.360 --> 00:52:01.199
<v Speaker 1>Yeah, so this is a change timeline. So this is

1061
00:52:01.280 --> 00:52:05.079
<v Speaker 1>this has changed because of Zach going back like.

1062
00:52:05.199 --> 00:52:10.719
<v Speaker 2>Zach older zach A going back to young zach A

1063
00:52:10.840 --> 00:52:15.320
<v Speaker 2>has caused old Zach b yeah this point. Yeah, Yeah,

1064
00:52:15.440 --> 00:52:16.360
<v Speaker 2>we need a chalkboard.

1065
00:52:16.440 --> 00:52:18.440
<v Speaker 1>But yes, I know, I spent so much time earlier

1066
00:52:18.440 --> 00:52:20.000
<v Speaker 1>trying to work it out, and now I'm looking back

1067
00:52:20.000 --> 00:52:22.199
<v Speaker 1>at my notes and I'm thinking, I don't I'm not

1068
00:52:22.199 --> 00:52:23.079
<v Speaker 1>sure this makes sense.

1069
00:52:24.840 --> 00:52:27.280
<v Speaker 2>Well, I think it does. So then you've got Rudolph

1070
00:52:27.360 --> 00:52:29.280
<v Speaker 2>b who is net is working.

1071
00:52:29.360 --> 00:52:31.960
<v Speaker 1>So can I just ask so the version of Zach

1072
00:52:32.119 --> 00:52:36.679
<v Speaker 1>that we see in this scene, yes, has he been

1073
00:52:36.760 --> 00:52:39.159
<v Speaker 1>back in time yet or has that not happened yet? Yeah,

1074
00:52:39.199 --> 00:52:40.760
<v Speaker 1>that's what I thought. He hasn't done it yet, and

1075
00:52:40.800 --> 00:52:42.679
<v Speaker 1>so that's why when he gets killed at the end,

1076
00:52:43.079 --> 00:52:45.239
<v Speaker 1>it changes again because he doesn't get the opportunity to

1077
00:52:45.280 --> 00:52:45.719
<v Speaker 1>go back.

1078
00:52:46.280 --> 00:52:47.440
<v Speaker 2>That's what I took it as yet.

1079
00:52:47.519 --> 00:52:48.280
<v Speaker 1>Yeah that makes sense.

1080
00:52:48.400 --> 00:52:52.440
<v Speaker 2>Yeah, so that older Zach in White has never time.

1081
00:52:52.280 --> 00:52:55.239
<v Speaker 1>Traveled, yes, and he now and now he never will

1082
00:52:55.320 --> 00:52:59.320
<v Speaker 1>because exactly Rudolf kills him. Yeah presumably, except except then

1083
00:52:59.360 --> 00:53:00.480
<v Speaker 1>it's going to change things again.

1084
00:53:00.840 --> 00:53:03.440
<v Speaker 2>So well, yeah, yeah, that was gonna be a big

1085
00:53:03.440 --> 00:53:05.760
<v Speaker 2>point at the end. I think this is it's like

1086
00:53:06.039 --> 00:53:08.480
<v Speaker 2>it's a loop. Yeah, it's like a like a figure

1087
00:53:08.480 --> 00:53:09.000
<v Speaker 2>of eight loop.

1088
00:53:09.079 --> 00:53:11.559
<v Speaker 1>It's two times that just alternate, isn't it? And so yeah,

1089
00:53:11.639 --> 00:53:16.039
<v Speaker 1>which one is the real one? Well both, Yeah, multiple

1090
00:53:16.119 --> 00:53:17.119
<v Speaker 1>parallel universes.

1091
00:53:17.920 --> 00:53:21.320
<v Speaker 2>Yeah, it's one timeline runs through, then the other timeline

1092
00:53:21.360 --> 00:53:23.440
<v Speaker 2>runs through, then back to the start. Yeah.

1093
00:53:23.760 --> 00:53:28.199
<v Speaker 1>Very interesting. So I mean, yeah, we've got to bring

1094
00:53:28.280 --> 00:53:30.679
<v Speaker 1>up this bit that I'm pretty sure you will have

1095
00:53:30.800 --> 00:53:34.400
<v Speaker 1>issues with the same as I did. All right, the email,

1096
00:53:34.480 --> 00:53:35.800
<v Speaker 1>the video email.

1097
00:53:36.280 --> 00:53:38.239
<v Speaker 2>But somehow transcends time.

1098
00:53:39.920 --> 00:53:40.679
<v Speaker 3>What the fuck?

1099
00:53:40.960 --> 00:53:48.360
<v Speaker 2>It's a great email provider that can do this. Yeah, yeah,

1100
00:53:48.639 --> 00:53:51.280
<v Speaker 2>I don't know how that works, but it's we just

1101
00:53:51.320 --> 00:53:51.960
<v Speaker 2>have to go with it.

1102
00:53:52.000 --> 00:53:56.320
<v Speaker 1>And literally next then in brackets, I just put wtf.

1103
00:53:57.840 --> 00:54:00.280
<v Speaker 2>Yeah they said they spent ages trying to work this

1104
00:54:00.320 --> 00:54:03.559
<v Speaker 2>out and make it make sense enough that you don't

1105
00:54:03.599 --> 00:54:06.559
<v Speaker 2>have to have yeah issue, because.

1106
00:54:06.320 --> 00:54:10.159
<v Speaker 1>How could he possibly find out? You know, any of

1107
00:54:10.239 --> 00:54:11.960
<v Speaker 1>us could have been living a completely different life in

1108
00:54:12.039 --> 00:54:13.519
<v Speaker 1>another timeline and we just never know.

1109
00:54:14.480 --> 00:54:18.440
<v Speaker 2>Yeah, And it's it's it's as if like the timeline

1110
00:54:18.679 --> 00:54:23.039
<v Speaker 2>like collapses, like the world starts getting shaky or whatever,

1111
00:54:23.599 --> 00:54:26.440
<v Speaker 2>and then fizzles out and he's gone. Just before it's done,

1112
00:54:26.480 --> 00:54:30.599
<v Speaker 2>that he's sent this emergency email. Yes, because somehow he

1113
00:54:30.679 --> 00:54:32.599
<v Speaker 2>knows the world's ending. I don't know.

1114
00:54:33.400 --> 00:54:37.280
<v Speaker 1>Just yeah, that very much strikes me as like we're

1115
00:54:37.360 --> 00:54:39.280
<v Speaker 1>at minute twenty eight. Mm.

1116
00:54:39.320 --> 00:54:40.840
<v Speaker 3>Hmmm, we've got.

1117
00:54:40.719 --> 00:54:44.880
<v Speaker 1>To sort of make this work, like yeah, yeah again.

1118
00:54:44.920 --> 00:54:47.920
<v Speaker 2>Another original idea they had was that it was more

1119
00:54:48.559 --> 00:54:51.719
<v Speaker 2>if time gets rewritten for someone, what's to fall out

1120
00:54:51.719 --> 00:54:53.679
<v Speaker 2>on other people? And it's how it's going to ruin

1121
00:54:53.719 --> 00:54:54.320
<v Speaker 2>other people's lives?

1122
00:54:54.360 --> 00:54:54.880
<v Speaker 1>Oh exactly.

1123
00:54:55.000 --> 00:54:59.039
<v Speaker 2>Yeah, and the thought of imagining a future where like

1124
00:55:00.079 --> 00:55:02.239
<v Speaker 2>and yes, in the future where time travel exists, like

1125
00:55:02.280 --> 00:55:05.320
<v Speaker 2>the very rich people could go back, have people very

1126
00:55:05.360 --> 00:55:08.840
<v Speaker 2>meticulously go back and change time for them, And what

1127
00:55:08.880 --> 00:55:11.119
<v Speaker 2>would happen if some to all the people that just

1128
00:55:11.159 --> 00:55:12.239
<v Speaker 2>become the collateral for that?

1129
00:55:12.280 --> 00:55:17.760
<v Speaker 1>Absolutely, yeah, yeah, there's some big ideas there that hmm. Yeah,

1130
00:55:17.800 --> 00:55:19.559
<v Speaker 1>they wouldn't have time to explore.

1131
00:55:20.239 --> 00:55:25.719
<v Speaker 2>No, that's the same with these things. Yeah, but yeah,

1132
00:55:25.960 --> 00:55:28.840
<v Speaker 2>can we have two seconds on the gun? Awesome sci

1133
00:55:28.840 --> 00:55:35.719
<v Speaker 2>fi gun? I love it? Why do sci fi futuristic

1134
00:55:35.760 --> 00:55:36.880
<v Speaker 2>things always look so.

1135
00:55:36.960 --> 00:55:39.639
<v Speaker 1>Nah, it's hilarious, isn't it?

1136
00:55:40.559 --> 00:55:45.400
<v Speaker 2>They never looked believable? Yeah, bless I'm sorry prop man

1137
00:55:45.400 --> 00:55:45.800
<v Speaker 2>that made that.

1138
00:55:45.920 --> 00:55:49.519
<v Speaker 1>But yeah, like with the white minimalism thing, I think

1139
00:55:49.559 --> 00:55:51.239
<v Speaker 1>and it was just like we want to we want

1140
00:55:51.239 --> 00:55:54.159
<v Speaker 1>to make it very sort of shorthand like let's just

1141
00:55:54.199 --> 00:55:57.400
<v Speaker 1>go with it. Yeah, sort of thing. Yeah. Yeah, it's

1142
00:55:57.400 --> 00:56:00.320
<v Speaker 1>like that nineteen fifties thing where they're all upset with

1143
00:56:00.559 --> 00:56:03.760
<v Speaker 1>futurism and what they've expected the future to look like,

1144
00:56:04.039 --> 00:56:06.159
<v Speaker 1>and that image is sort of stuck with us to

1145
00:56:06.199 --> 00:56:08.480
<v Speaker 1>this day, like Jetson's sort of thing.

1146
00:56:09.000 --> 00:56:12.280
<v Speaker 2>Yeah, and there's certain element of actual science develops a

1147
00:56:12.320 --> 00:56:14.320
<v Speaker 2>thing that exists in sci fi, soort of just makes

1148
00:56:14.320 --> 00:56:15.920
<v Speaker 2>it look like the thing in sci fi that it

1149
00:56:15.920 --> 00:56:20.440
<v Speaker 2>came from exactly. Yeah, Like flip phones were designed to

1150
00:56:20.480 --> 00:56:24.880
<v Speaker 2>look like the communicators from Star Trek, for example. Yeah,

1151
00:56:24.960 --> 00:56:26.480
<v Speaker 2>and there's loads of things like that. I can't think

1152
00:56:26.480 --> 00:56:28.400
<v Speaker 2>any off the top of my head, but didn't you exist?

1153
00:56:28.800 --> 00:56:32.760
<v Speaker 1>Yeah, like the Telly screens in nineteen eighty four that

1154
00:56:33.480 --> 00:56:35.480
<v Speaker 1>predated the sort of you know what we have now

1155
00:56:35.920 --> 00:56:37.000
<v Speaker 1>zoom calls and everything.

1156
00:56:37.280 --> 00:56:37.480
<v Speaker 2>Yeah.

1157
00:56:38.559 --> 00:56:44.159
<v Speaker 1>Yeah, So Rudolph kills Zach. We assume yes.

1158
00:56:44.119 --> 00:56:46.800
<v Speaker 2>Because this so this is Rudolph B that's life has

1159
00:56:46.840 --> 00:56:52.800
<v Speaker 2>been screwed over because Zach a time travel changed the future.

1160
00:56:53.039 --> 00:56:58.119
<v Speaker 2>Now Rudolph never met him, didn't do well in science,

1161
00:56:58.239 --> 00:57:03.119
<v Speaker 2>and became doctor Brad the science man. On Youku they

1162
00:57:03.159 --> 00:57:05.000
<v Speaker 2>said that they liked they thought that by this point

1163
00:57:05.000 --> 00:57:07.599
<v Speaker 2>in the future, China would have taken over the Internet.

1164
00:57:07.719 --> 00:57:08.320
<v Speaker 1>That makes sense.

1165
00:57:08.400 --> 00:57:14.239
<v Speaker 2>YouTube would have been subsumed by you thought. And yeah,

1166
00:57:14.280 --> 00:57:18.000
<v Speaker 2>so he's somehow emailed himself that's crossed over to this timeline.

1167
00:57:18.920 --> 00:57:21.960
<v Speaker 2>He's now what in revenge? Don't know how he thinks

1168
00:57:22.000 --> 00:57:25.440
<v Speaker 2>that killing. Oh yes, so he's going to kill Zach

1169
00:57:25.519 --> 00:57:29.719
<v Speaker 2>b steal the time travel device that Zach a brought

1170
00:57:29.760 --> 00:57:33.280
<v Speaker 2>with him. Oh yeah, try and travel back to stop

1171
00:57:33.320 --> 00:57:37.679
<v Speaker 2>him doing all of this. Yeah, is how I read it. Yeah,

1172
00:57:38.400 --> 00:57:39.960
<v Speaker 2>because he left it under his bed.

1173
00:57:40.559 --> 00:57:42.639
<v Speaker 1>Oh yes, yes, yes, it's very it's a.

1174
00:57:42.639 --> 00:57:44.199
<v Speaker 2>Very portable time machine, which is.

1175
00:57:45.880 --> 00:57:51.159
<v Speaker 1>But you know, supposing Rudolph hadn't intervened at this point, Yeah,

1176
00:57:52.119 --> 00:57:54.760
<v Speaker 1>Zach would never have had any had any reason to

1177
00:57:54.800 --> 00:57:58.360
<v Speaker 1>go back in time because everything was how it worked

1178
00:57:58.519 --> 00:57:59.599
<v Speaker 1>should be for him.

1179
00:57:59.760 --> 00:58:02.239
<v Speaker 2>Yeah, he didn't have any regrets that drove.

1180
00:58:02.079 --> 00:58:03.199
<v Speaker 1>It, No, exactly.

1181
00:58:04.239 --> 00:58:07.360
<v Speaker 2>So, yeah, they have a fight. Presume we assume here

1182
00:58:07.400 --> 00:58:10.159
<v Speaker 2>that Bob gets shot, Rudolph does everything he said he

1183
00:58:10.239 --> 00:58:13.559
<v Speaker 2>was going to do, and presumably then stops Bob stealing

1184
00:58:13.559 --> 00:58:16.440
<v Speaker 2>the equipment in the future once the discovery has been made.

1185
00:58:16.840 --> 00:58:20.159
<v Speaker 2>How he then tells that I don't know, but anyway,

1186
00:58:20.320 --> 00:58:23.920
<v Speaker 2>we'll just assume that happens. Bird still flies into window,

1187
00:58:24.840 --> 00:58:27.280
<v Speaker 2>but there's no Bob to save it with a cardboard box.

1188
00:58:27.639 --> 00:58:34.760
<v Speaker 1>No until well exactly, time runs its course again and

1189
00:58:34.800 --> 00:58:36.079
<v Speaker 1>we go back around to the beginning.

1190
00:58:36.280 --> 00:58:39.559
<v Speaker 2>So yeah, so that timeline plays out as normal, Helen dies,

1191
00:58:40.079 --> 00:58:42.679
<v Speaker 2>younger Zach grows up into older Zac that develops, time

1192
00:58:42.719 --> 00:58:48.239
<v Speaker 2>travel goes back. That's the episode from scratch. Yeah, and

1193
00:58:48.320 --> 00:58:49.760
<v Speaker 2>magic email makes it all happen.

1194
00:58:51.320 --> 00:58:53.320
<v Speaker 1>Yes, that's that's the weakest point for me.

1195
00:58:55.320 --> 00:58:56.880
<v Speaker 2>They just had to have a way of he had

1196
00:58:56.880 --> 00:58:58.840
<v Speaker 2>to know how else you do it?

1197
00:58:59.480 --> 00:59:00.079
<v Speaker 3>How you do it?

1198
00:59:00.079 --> 00:59:02.000
<v Speaker 1>It is crazy.

1199
00:59:02.760 --> 00:59:04.920
<v Speaker 2>I like the idea that he just always felt he

1200
00:59:05.000 --> 00:59:08.280
<v Speaker 2>was his life was wrong. And you can say, I

1201
00:59:08.320 --> 00:59:10.960
<v Speaker 2>suppose in this version of reality that when time gets

1202
00:59:11.079 --> 00:59:14.599
<v Speaker 2>changed you can feel it somehow. I don't see how

1203
00:59:14.599 --> 00:59:18.840
<v Speaker 2>that's a problem. But yeah, to literally have an email

1204
00:59:18.920 --> 00:59:22.559
<v Speaker 2>video from yourself. Yeah, but it's the future. Who knows

1205
00:59:23.239 --> 00:59:27.000
<v Speaker 2>that's true. I suppose I suppose in fairness this rudolph

1206
00:59:27.360 --> 00:59:31.400
<v Speaker 2>A has invented time travel. So has he just invented

1207
00:59:31.440 --> 00:59:34.800
<v Speaker 2>some form of email that works with time travel?

1208
00:59:35.559 --> 00:59:35.800
<v Speaker 1>Okay?

1209
00:59:36.480 --> 00:59:41.719
<v Speaker 2>But why not say that he's foreseen a version where

1210
00:59:41.719 --> 00:59:43.840
<v Speaker 2>he needs where timelines would branch, and he needs to

1211
00:59:43.920 --> 00:59:49.360
<v Speaker 2>communicate between them. Yes, who knows?

1212
00:59:50.039 --> 00:59:50.840
<v Speaker 1>Shall we rate it?

1213
00:59:51.559 --> 00:59:54.159
<v Speaker 2>Why not? You go first?

1214
00:59:54.880 --> 00:59:57.639
<v Speaker 1>Okay, I do quite enjoy it, but I don't think

1215
00:59:57.679 --> 01:00:00.000
<v Speaker 1>it's quite up there with stronger one.

1216
01:00:00.719 --> 01:00:01.119
<v Speaker 2>Yeah.

1217
01:00:01.639 --> 01:00:04.320
<v Speaker 1>I think my instinct is saying a six out of nine.

1218
01:00:05.079 --> 01:00:06.840
<v Speaker 2>Yeah, I was thinking a six as well.

1219
01:00:07.000 --> 01:00:12.440
<v Speaker 1>Okay, that's fair, I agree. Oh God, here we go,

1220
01:00:13.000 --> 01:00:13.480
<v Speaker 1>Here we go.

1221
01:00:14.079 --> 01:00:14.880
<v Speaker 2>Did you spot the hair?

1222
01:00:16.800 --> 01:00:17.679
<v Speaker 1>No?

1223
01:00:19.880 --> 01:00:22.360
<v Speaker 2>Every time you do that, I'm like, oh, always maybe

1224
01:00:22.400 --> 01:00:23.679
<v Speaker 2>going to say yes.

1225
01:00:24.199 --> 01:00:26.360
<v Speaker 1>The thing is I was looking. I was. I was

1226
01:00:26.400 --> 01:00:28.599
<v Speaker 1>paying really close attention to this episode because I was thinking,

1227
01:00:28.800 --> 01:00:31.639
<v Speaker 1>next week, we've got a quiz. I just know you're

1228
01:00:31.639 --> 01:00:34.360
<v Speaker 1>going to be asking me some ridiculously anal question like

1229
01:00:34.559 --> 01:00:37.519
<v Speaker 1>ll name every appliance that they have in the kitchen,

1230
01:00:38.000 --> 01:00:39.719
<v Speaker 1>and I'll just be sitting there like, oh god, was

1231
01:00:39.719 --> 01:00:41.920
<v Speaker 1>there a toaster? Is there a freezer?

1232
01:00:42.920 --> 01:00:43.400
<v Speaker 2>Fuck off?

1233
01:00:46.320 --> 01:00:48.039
<v Speaker 1>No, you're not that bad, but yes, you know me

1234
01:00:48.079 --> 01:00:54.599
<v Speaker 1>so well. So No, long story short, I did not

1235
01:00:54.639 --> 01:00:55.079
<v Speaker 1>spot the.

1236
01:00:55.039 --> 01:01:00.199
<v Speaker 2>Hair, No fair, I spotted it by chance. It's in

1237
01:01:00.599 --> 01:01:03.360
<v Speaker 2>sex bedroom. It's on his chest of drawers. Okay, thanks

1238
01:01:03.360 --> 01:01:06.880
<v Speaker 2>for some trophies and things. Fair enough, speaking of hers,

1239
01:01:06.920 --> 01:01:09.039
<v Speaker 2>did you just put us? We will tell you next

1240
01:01:09.039 --> 01:01:09.840
<v Speaker 2>week where it was.

1241
01:01:09.920 --> 01:01:15.719
<v Speaker 1>We shall double l and I mentioned at the start

1242
01:01:15.760 --> 01:01:18.800
<v Speaker 1>of the episode that we're recording on our one year

1243
01:01:18.840 --> 01:01:22.199
<v Speaker 1>anniversary of our first episode. We did a post about

1244
01:01:22.239 --> 01:01:24.559
<v Speaker 1>that on social media, and we've got some really lovely

1245
01:01:24.920 --> 01:01:26.880
<v Speaker 1>comments in from listeners, so I just wanted to share

1246
01:01:26.880 --> 01:01:30.280
<v Speaker 1>a couple of those. We actually a couple of people

1247
01:01:30.320 --> 01:01:32.760
<v Speaker 1>said called us their favorite podcast, and I was like,

1248
01:01:32.800 --> 01:01:37.000
<v Speaker 1>that's a huge honor to be anyone's favorite podcast. Thank you,

1249
01:01:37.159 --> 01:01:38.000
<v Speaker 1>so thank you for that.

1250
01:01:38.400 --> 01:01:43.239
<v Speaker 2>I do hope you listened to more than one, but yeah, yeah,

1251
01:01:43.280 --> 01:01:45.039
<v Speaker 2>that's a slightly hollow victory otherwise.

1252
01:01:44.760 --> 01:01:45.440
<v Speaker 3>But yeah, yeah, thank you.

1253
01:01:45.559 --> 01:01:50.480
<v Speaker 1>True Yaz says Happy birthday, nightth degree. Thank you for

1254
01:01:50.519 --> 01:01:53.199
<v Speaker 1>bringing so much joy to my Tuesdays and for listening

1255
01:01:53.239 --> 01:01:57.800
<v Speaker 1>to our Easter egg spotting rantsom theories. Leona said, Happy

1256
01:01:57.880 --> 01:02:00.639
<v Speaker 1>ninth degree Day. Such a great podcast. Always great to

1257
01:02:00.639 --> 01:02:02.360
<v Speaker 1>listen to people who have so much love and support

1258
01:02:02.400 --> 01:02:05.159
<v Speaker 1>for Insundumber nine. As many people have probably said, you

1259
01:02:05.199 --> 01:02:09.039
<v Speaker 1>make Tuesdays enjoyable. Oh and I was thinking it just

1260
01:02:09.079 --> 01:02:11.599
<v Speaker 1>suddenly struck me that with Tuesday being our day, we

1261
01:02:11.599 --> 01:02:13.280
<v Speaker 1>should we should have made our sign off at the

1262
01:02:13.320 --> 01:02:16.719
<v Speaker 1>end of episodes. See you next Tuesday. And Reese would

1263
01:02:16.760 --> 01:02:17.119
<v Speaker 1>love that.

1264
01:02:22.360 --> 01:02:28.239
<v Speaker 2>I missed opportunity. Oh there was the one that said

1265
01:02:28.280 --> 01:02:31.360
<v Speaker 2>that we should celebrate with Dairly triangles on digestives.

1266
01:02:31.519 --> 01:02:36.400
<v Speaker 1>Oh yeah, that is a great idea. If I had

1267
01:02:36.639 --> 01:02:38.719
<v Speaker 1>digestives or daily and I would have done that, But

1268
01:02:38.760 --> 01:02:39.119
<v Speaker 1>I didn't.

1269
01:02:40.199 --> 01:02:40.639
<v Speaker 2>Me neither.

1270
01:02:41.079 --> 01:02:43.880
<v Speaker 1>Yeah sad, but yeah, I would be less inclined to

1271
01:02:43.880 --> 01:02:47.360
<v Speaker 1>try the spaghetti hoops in salad cream like a frazzles

1272
01:02:47.360 --> 01:02:47.719
<v Speaker 1>mixed in.

1273
01:02:48.000 --> 01:02:48.920
<v Speaker 2>Yeah, I'm not doing that.

1274
01:02:48.960 --> 01:02:51.320
<v Speaker 1>Well, yeah that sounds a bit less appetizing a little bit.

1275
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<v Speaker 2>I think the daily triangles are digestive, might be a

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01:02:55.079 --> 01:02:56.800
<v Speaker 2>bit bland, but they won't be awful.

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01:02:57.320 --> 01:03:01.239
<v Speaker 1>Yeah, there'd be at least yeah yeah, and perhaps a

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<v Speaker 1>mango smoothie.

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<v Speaker 2>Yeah.

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<v Speaker 1>Yeah.

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<v Speaker 2>Well we will be back with the finale wise Owl

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<v Speaker 2>next week.

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<v Speaker 1>We will, But for now, I think it's time to

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<v Speaker 1>close the door double o or number nine.

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<v Speaker 2>But you never really double our leave, do you.

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<v Speaker 1>Thanks for listening to the Ninth Degree. If you'd like

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01:03:24.920 --> 01:03:27.599
<v Speaker 1>to get in touch, you can find us on Instagram, Twitter,

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01:03:27.639 --> 01:03:31.119
<v Speaker 1>and TikTok at ninth Degree Pod, or email us at

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01:03:31.199 --> 01:03:34.440
<v Speaker 1>ninth Degree Pod at gmail dot com. You can also

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<v Speaker 1>leave us a rating or a review, wherever you get

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01:03:36.760 --> 01:03:37.639
<v Speaker 1>your podcasts,
