WEBVTT

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<v Speaker 1>Meaning a light Man like this man letting butterfly flapping

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<v Speaker 1>his wing big down in the forest. Man, it gonna

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<v Speaker 1>cause the tree fold, letting five thousand miles away. Man,

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<v Speaker 1>you think nobody seen nobody else, and you don't need

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<v Speaker 1>no man.

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<v Speaker 2>You follow the story and.

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<v Speaker 1>You got back to flect that that's win. Man got

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<v Speaker 1>black and dag on the panel. Man, Man, you don't

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<v Speaker 1>don't matter.

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<v Speaker 2>Man. You know, Carl, Uh, I don't know if people

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<v Speaker 2>remembered that you and I are allowed to do uh

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<v Speaker 2>structured numbered episodes.

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<v Speaker 1>Yeah, that's uh, it's been a while. It's been a

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<v Speaker 1>while having a topic planning ahead.

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<v Speaker 2>Yeah, yeah, there's something to it. You know, maybe one

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<v Speaker 2>day it'll catch on the uh. Although it's funny. I

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<v Speaker 2>have been getting insistent dms from several people about you

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<v Speaker 2>and I doing another gun broker show. Yeah, just find

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<v Speaker 2>funny listenings.

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<v Speaker 1>Yes, yes, I've been looking at those. But anyway, yes,

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<v Speaker 1>it's a source of endless amusement. But as I sort

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<v Speaker 1>of hint today, we were actually here to talk about

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<v Speaker 1>a subject topic and that is one of my favorite films.

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<v Speaker 1>The two thousand and seven Brazilian classic Elite Squad, also

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<v Speaker 1>known as Trope a day Elite for reference, this is

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<v Speaker 1>a large part of the team that would later go

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<v Speaker 1>on to make I Believe City of God, and a

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<v Speaker 1>lot of these guys have have become, you know, much

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<v Speaker 1>more prominent filmmakers. This, as far as I understand, I'm

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<v Speaker 1>Not Brazilian, is sort of seen as the Brazilian god Father, right,

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<v Speaker 1>kind of the the archetypal Brazilian crime movie.

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<v Speaker 2>I love the film. We'll obviously get into it, but

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<v Speaker 2>just as kind of a broad overview, it concerns a

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<v Speaker 2>actual Brazilian death squad. Bope, you have seen photos of

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<v Speaker 2>these guys before. They do crazy stuff all the time,

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<v Speaker 2>you know, primarily going after you know, narcos and criminal gangs.

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<v Speaker 2>There was recently, as in a year and a half

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<v Speaker 2>or two years ago, a big fight between actually several

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<v Speaker 2>of the factions we see in this movie. I believe,

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<v Speaker 2>I think it's called Red Faction, which is like a

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<v Speaker 2>technically communist narco gang. And then Bope, we're talking like

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<v Speaker 2>hundreds of casualties in urban warfare. You know, you've got

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<v Speaker 2>like Brazilian guys with like Madsen machine guns just laying

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<v Speaker 2>down fire and flavellas. So this is a fictionalized account,

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<v Speaker 2>but only kind of. So anyway, Carl, I'm curious before

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<v Speaker 2>we jump into it, had you ever seen this movie

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<v Speaker 2>and what were your thoughts on it? I, you know what,

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<v Speaker 2>I saw it a long time ago.

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<v Speaker 1>I saw it when you were probably too young to

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<v Speaker 1>read subtitles, and I was blown First of all, I

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<v Speaker 1>was blown away with it because even twenty you know,

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<v Speaker 1>well eighteen years ago, seventeen years ago when I would

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<v Speaker 1>have seen I would have seen it around twenty ten probably,

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<v Speaker 1>you know, this stuff was very well known. Brazil was

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<v Speaker 1>the cautionary tale of what America would become. And people

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<v Speaker 1>are destined to make us right like that it's being

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<v Speaker 1>insisted upon. But instead of people living in favelas where

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<v Speaker 1>they build you know, shanties that we of the kind

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<v Speaker 1>that we see in this film, you know, in America,

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<v Speaker 1>it's all paid for by, you know, from our taxes.

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<v Speaker 1>The really interesting thing is Bope is a They are

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<v Speaker 1>military police, but not in the sense in America when

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<v Speaker 1>you think of MPs. They mostly focus on you know,

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<v Speaker 1>handling members of the military, right whether it's on base

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<v Speaker 1>or going off base to deal with them when they're

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<v Speaker 1>getting getting a little wacky. No they are a basically

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<v Speaker 1>public security but through the military, so they have a

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<v Speaker 1>huge amount of a huge amount of leeway, let's say,

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<v Speaker 1>in dealing with with things, and very villainized by the

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<v Speaker 1>Brazilian lib tards, of which there are legion given given

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<v Speaker 1>the state of Brazil and the fact that they've had

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<v Speaker 1>they've been dealing with basically insurgencies for gosh, seventy eighty

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<v Speaker 1>years in Brazil. So yeah, it's it's pretty wild stuff.

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<v Speaker 1>And you know, the takeaway that I have from this film,

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<v Speaker 1>there's takeaways that you can come to that are you know,

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<v Speaker 1>top level like kind of like we were discussing before,

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<v Speaker 1>you know, practical responses to reality, but then they're the

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<v Speaker 1>main takeaway that I have is that Brazil is hell

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<v Speaker 1>on Earth and you cannot let that happen here. Yeah.

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<v Speaker 2>So the broad plot to this, it's that the Pope

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<v Speaker 2>is coming to Rome and he's going to stay with

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<v Speaker 2>the archbishop near one of the most violent fabellas in Rio.

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<v Speaker 2>And the joke is, of course, like you know, the

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<v Speaker 2>Pope sleep can't be disturbed, and so effectively it's a

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<v Speaker 2>it's a massive cleanup operation. We have sort of two

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<v Speaker 2>main storylines.

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<v Speaker 1>We have.

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<v Speaker 2>He's me, I've got hiccups, which I'm sure will be

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<v Speaker 2>incredibly annoying to listen to anyway, So, of course we

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<v Speaker 2>have the kind of A and B plot. The established

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<v Speaker 2>character is Captain Roberto Nacimento.

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<v Speaker 1>Just off rip.

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<v Speaker 2>You guys are aware I cannot pronounce I can barely

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<v Speaker 2>pronounce English, let alone Portuguese, so bear with me. He

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<v Speaker 2>is an established kind of bope commander and he has

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<v Speaker 2>been looking for a replacement. His wife is pregnant. He's

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<v Speaker 2>we find out of the course of the film, sort

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<v Speaker 2>of developed a you know, a painkiller addiction to sort

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<v Speaker 2>of cope with this. And so we see him looking

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<v Speaker 2>for a successor, right, looking for someone who can sort of,

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<v Speaker 2>you know, take his place in this grinding war with

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<v Speaker 2>the cartel. And our B plot is the two other

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<v Speaker 2>kind of main characters, these these rookie police officers Andre

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<v Speaker 2>and Nito. Again, it's in Portuguese. We both watched it

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<v Speaker 2>with subtitles because we're adults. There is an English version

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<v Speaker 2>floating around. It is thoroughly adequate, but you know, I

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<v Speaker 2>prefer the original. And the story begins sort of in

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<v Speaker 2>media race, right. We'll get more backstory after this opening scene,

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<v Speaker 2>and it is an all time great opening scene. Actually, Carl,

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<v Speaker 2>I don't know if you remember all the way back

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<v Speaker 2>when we had our conversation about your book Faction with

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<v Speaker 2>the Crusaders by book, one of the things that I

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<v Speaker 2>complimented on you, or complimented you on rather, was you

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<v Speaker 2>had a really good, strong, opening scene, sort of set

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<v Speaker 2>the mood. I didn't say it, but in my head,

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<v Speaker 2>I was thinking, it's a lot like Elite Squad, where

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<v Speaker 2>you have this incredible, you know, sort of action set

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<v Speaker 2>piece that pulls you in and then later we explain

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<v Speaker 2>how our characters got there, so obligatory by the book.

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<v Speaker 2>It's good, it's interesting, probably the only direct relation between

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<v Speaker 2>these two, at least for now. But I will say

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<v Speaker 2>the scene is awesome. You have a group of different

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<v Speaker 2>police officers sort of coming together in this block party.

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<v Speaker 2>The song in the block party is is reprised several

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<v Speaker 2>times through the movie. Yeah, it is so catchy, man,

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<v Speaker 2>it's a it's an earworm.

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<v Speaker 1>But it's awful too. It's it's yeah, exactly horrible, but

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<v Speaker 1>but the rhythm of it is super catchy. It it

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<v Speaker 1>is hell because if you and here's the thing is

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<v Speaker 1>I took the time to look it up. It's a

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<v Speaker 1>very famous song from the nineties of basically Favella gangsta rap,

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<v Speaker 1>basically talking about it's rapta armas, so it's about guns

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<v Speaker 1>and and so it's it's it's gangster nonsense, just with

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<v Speaker 1>extra vowels appended to the end of every word. You

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<v Speaker 1>know it it's like a beat, yeah, and a salsa

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<v Speaker 1>beat and and and it's it is an earworm, but

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<v Speaker 1>it's also horrible at the same time, which it which

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<v Speaker 1>is this degrading, degrading third world experience that that is

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<v Speaker 1>is so immersive in this movie. The lighting I was

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<v Speaker 1>telling Jay before we started the lighting in this if

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<v Speaker 1>you've ever spent time in the third world will give

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<v Speaker 1>you you will be so immersed in this and you'll

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<v Speaker 1>be having flashbacks and you're like, god, I hate this place.

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<v Speaker 1>It's awful.

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<v Speaker 2>And so what we see is there's sort of this

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<v Speaker 2>roiling part already going on. You know, there's a stage

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<v Speaker 2>and overlooking it. Again, the architecture is a strong word.

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<v Speaker 2>The technical human constructions will go with that. Yes, is

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<v Speaker 2>extremely accurate. Right, if you've ever been to South America

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<v Speaker 2>and seeing these sort of in communities, but you have

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<v Speaker 2>this sort of you know, party on the side of

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<v Speaker 2>a slope, and up at the top there are some gangsters. Right,

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<v Speaker 2>there's also a police car. And what we sort of

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<v Speaker 2>realize is happening is that these police officers are effectively

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<v Speaker 2>selling guns, right, I have that, correct, Carl, Yeah, correct,

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<v Speaker 2>to these gangsters. So right from the beginning we are

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<v Speaker 2>seeing this sort of endemic corruption within the police force.

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<v Speaker 1>And in the part the important thing is in this party,

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<v Speaker 1>in this favella, which is filled with hundreds of people

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<v Speaker 1>of you know, let's say.

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<v Speaker 2>You can'tically brillion Brazilian descent.

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<v Speaker 1>Yeah, yes, authentically Brazilian, and that you have no idea

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<v Speaker 1>you you know that there's at least at least three

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<v Speaker 1>races going on there. And it's smell crazy in there,

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<v Speaker 1>and and the and the gangsters are like dancing with

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<v Speaker 1>like M sixteen's and uh and like aks and stuff

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<v Speaker 1>like that. It's it's crazy.

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<v Speaker 2>And so as this this deal goes down, we see

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<v Speaker 2>our two you know, ostensible main characters, right, uh, Nido

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<v Speaker 2>and Andre uh looking down through a scoped rifle.

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<v Speaker 1>Right.

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<v Speaker 2>They are not aware of what's really going on here, right,

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<v Speaker 2>They just see you know, gangsters coming up with guns.

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<v Speaker 2>The situation sort of escalates and they shoot one of

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<v Speaker 2>the gangsters and all hell breaks loose instantly, well least

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<v Speaker 2>start shooting, the gangsters start shooting. It is probably the

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<v Speaker 2>closest relevant cinematic experience I could think is something like

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<v Speaker 2>something like Blackhawk Down, but it is way less organized

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<v Speaker 2>than that. Yes, you have people running. The guns in

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<v Speaker 2>this are particularly interesting into a lot of actual Brazilian stuff.

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<v Speaker 2>So some of the gangsters obviously have like you know,

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<v Speaker 2>AC five five sixes, which is you know, a ruger

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<v Speaker 2>you know, kind of mini fourteen auto mini oozzies. But

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<v Speaker 2>I don't know if you picked up on this. The

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<v Speaker 2>uh submachine gun that one of the corrupt cops is

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<v Speaker 2>carrying is a Brazilian knockoff of the Danish Madson submachine gun. Yeah, yeah,

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<v Speaker 2>And I looked into it. It is the most comedically

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<v Speaker 2>crude weapon in the world when I was looking into it.

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<v Speaker 2>It is made of basically two like like stamped sheet

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<v Speaker 2>steel shells that are just kind of held together, and

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<v Speaker 2>then the nut that holds on the barrel also holds

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<v Speaker 2>them together together. Apparently, I don't know anything about this.

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<v Speaker 2>This is what the Internet tells me. Uh, you don't

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<v Speaker 2>take it off the right way, it will dude across

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<v Speaker 2>the room and yeah, vomit all the parts out there.

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<v Speaker 1>Yeah yeah, yeah, because it has like a two pound

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<v Speaker 1>square bolt. They're they're very they're very clever. And and

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<v Speaker 1>the date it is the Danish Madsen. That was just

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<v Speaker 1>some were made, some were made by Madson and provided

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<v Speaker 1>there they have this old history with Brazil going back

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<v Speaker 1>along ways. Then there was a local version and it's

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<v Speaker 1>literally stampshell. There's like wing nuts on it and stuff

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<v Speaker 1>like that. By the the folding stock and everything. It's

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<v Speaker 1>incredibly crude and simple but worked very well. You can

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<v Speaker 1>also see him in The Godfather. They have nine millimeter

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<v Speaker 1>versions in The Godfather.

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<v Speaker 2>So this just descends. We see our two main characters

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<v Speaker 2>sort of frantically running through the favela. They're getting you know,

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<v Speaker 2>closed in on. They're just firing blindly up and down

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<v Speaker 2>these side alleys, and then Bope shows up and the

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<v Speaker 2>whole scene changes, right, they're just again it's sort of

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<v Speaker 2>like a real life version of you ever seen that

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<v Speaker 2>movie gene Row, you know, the Wolf Brigade. They're basically

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<v Speaker 2>a death squad. And after that scene wraps up, of course,

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<v Speaker 2>and that's sort of you know, we see them, you know,

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<v Speaker 2>see Bope, and it's like, oh wow, that was you know,

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<v Speaker 2>this special unit I didn't even know about. We go

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<v Speaker 2>back to, you know, both of these guys joining the

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<v Speaker 2>police force, right in this kind of normal, just kind

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<v Speaker 2>of run of the mill police station, and they're each

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<v Speaker 2>assigned to very kind of you know, menial duties, right

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<v Speaker 2>Nido I. He is put in charge of the police complaints,

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<v Speaker 2>which is probably the closest thing to comedy in this movie.

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<v Speaker 2>You know, both the absurd numbers of police planes and

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<v Speaker 2>also just the blatant corruption. Like one of the things

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<v Speaker 2>we see happen in this film is that anytime someone

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<v Speaker 2>is killed, the first police that find it, they don't

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<v Speaker 2>actually report it or do anything with it. They just

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<v Speaker 2>move the body into someone else's district, right, Yeah.

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<v Speaker 1>They try to find an excuse or an explanation where

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<v Speaker 1>they're like there wasn't there one where they're like, well,

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<v Speaker 1>there's a river there and it probably came from it. Yeah, yeah,

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<v Speaker 1>it's he's round. Well. The thing is the numbers are

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<v Speaker 1>so high because again this is these favelas that are

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<v Speaker 1>just run by these drug gangs. Their murder rate is

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<v Speaker 1>crazy down there. It's just completely lawless. And that's really

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<v Speaker 1>what they're trying. They're trying to really push this so

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<v Speaker 1>that you so that you take this away and internalize

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<v Speaker 1>it is that Bope is brutal, but they're the only honest,

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<v Speaker 1>polite and competent police here. There's this whole element like

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<v Speaker 1>at the same time where you know, one of the

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<v Speaker 1>guys has to work in the auto shop, like maintaining

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<v Speaker 1>the police cars, and like police officers will like have

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<v Speaker 1>the engine, the good engine swapped out at a shop

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<v Speaker 1>and pocket the difference in money that they get paid

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<v Speaker 1>and have a crappy you know, like two hundred thousand

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<v Speaker 1>mile engine put in and stuff. It's completely crazy, just constant.

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<v Speaker 1>Oh yeah.

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<v Speaker 2>And the other the other officer, he's in the in

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<v Speaker 2>the motor pool. And you know, one of the other

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<v Speaker 2>things that you see is that like basically the the

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<v Speaker 2>motor pool is, as you've said, completely dysfunctional, right, that

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<v Speaker 2>people are stealing parts off of you know, the new cars.

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<v Speaker 2>Everything is just a hodgepodge for a million different pieces.

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<v Speaker 2>But the one thing that has to be perfectly maintained

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<v Speaker 2>is the police chiefs car.

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<v Speaker 1>Yeah, his motorcycle, yeah yeah, yeah.

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<v Speaker 2>And it's it's just this kind of absurd level of corruption.

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<v Speaker 2>And you know that one of the officers, uh you know,

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<v Speaker 2>basically you know, goes out on patrol with you know,

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<v Speaker 2>one of the you know, the higher ranking officials, and

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<v Speaker 2>we see basically this large dispute over uh, you know,

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<v Speaker 2>towing companies. That this in itself is a massive scam,

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<v Speaker 2>right that the police officers are you know, towing cars,

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<v Speaker 2>issuing tickets, pocketing the money and are as we've seen

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<v Speaker 2>at the start of this movie in bed with you know,

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<v Speaker 2>local gangsters, and in fact, we find out that that

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<v Speaker 2>whole shootout basically started because they saw that you know,

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<v Speaker 2>one of their coworkers was in bed right, that he

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<v Speaker 2>was you know, meeting with local you know gangsters, that

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<v Speaker 2>he was giving them weapons, that he was tipping them

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<v Speaker 2>off as to when you know, the police were coming.

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<v Speaker 2>And you know, these guys get incensed by it, and

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<v Speaker 2>that's why after they you know, they attempt themselves to go,

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<v Speaker 2>you know, follow this corrupt officer creates this giant shootout.

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<v Speaker 2>They see Bobe come in and that's why they're like, oh,

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<v Speaker 2>I want to join, right, So that's the the sort

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<v Speaker 2>of plot component to that in the background, we find

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<v Speaker 2>out that one of our characters, Nido is uh he

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<v Speaker 2>is in law school, right, so he is played as

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<v Speaker 2>very idealistic and he wants to basically, you know, go

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<v Speaker 2>from being a street officer to a sort of like

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<v Speaker 2>a prosecutor, right to sort of you know, continue his

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<v Speaker 2>kind of fight against crime. And the scenes at the

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00:18:43.720 --> 00:18:49.720
<v Speaker 2>university are legitimately hilarious. Carl like this movie. There's a

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00:18:49.880 --> 00:18:52.599
<v Speaker 2>there's a cheap reading of this movie that it's about

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00:18:52.759 --> 00:18:56.160
<v Speaker 2>you know, police brutality, and it kind of is, but

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<v Speaker 2>not really at all. It heaps scorn on the kind

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<v Speaker 2>of Brazilian middle and upper classes you know, who go

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<v Speaker 2>to university and love to read Fuko and talk about how,

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<v Speaker 2>you know, criminal justice is just a way to to

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00:19:08.759 --> 00:19:11.559
<v Speaker 2>keep the to keep the little man down. But uh,

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<v Speaker 2>do you want to talk about you know, his scenes

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<v Speaker 2>at college because I like the probably some of the

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00:19:16.720 --> 00:19:19.240
<v Speaker 2>most interesting, you know, kind of dialogue in the film.

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<v Speaker 1>Yeah, so I thought m on Andre is Andre Matias, right,

297
00:19:30.799 --> 00:19:34.319
<v Speaker 1>is the is the based black who goes to law

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<v Speaker 1>school and he and he's from the favelas he knows

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<v Speaker 1>this world, and we find out that he wants to

300
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<v Speaker 1>buy uh, he wants to take a kid who is

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<v Speaker 1>involved in this program that some of the you know,

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00:19:52.839 --> 00:19:56.799
<v Speaker 1>the hot girls in law school with him, who are

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<v Speaker 1>these upper middle class twits lib tards have this There's

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00:20:04.839 --> 00:20:07.359
<v Speaker 1>some sort of an NGO that they work for in

305
00:20:07.680 --> 00:20:12.240
<v Speaker 1>the It's kind of nebulous as to what they actually do,

306
00:20:12.559 --> 00:20:15.160
<v Speaker 1>although they have classes with kids and help them with

307
00:20:15.240 --> 00:20:19.400
<v Speaker 1>homework and stuff like that, but it's basically done with

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00:20:19.519 --> 00:20:22.680
<v Speaker 1>the permission of the drug lord in the area. And

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<v Speaker 1>so Andre Matias wants to get a pair of glasses.

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<v Speaker 1>He wears these big, thick glasses, and he wants to

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<v Speaker 1>get glasses for another kid who is basically like him

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<v Speaker 1>as a child that he sees him that way, and

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<v Speaker 1>so he has this perspective. He's like, I know the

314
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<v Speaker 1>way these places work. I know where this comes from. Yes,

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00:20:45.880 --> 00:20:48.759
<v Speaker 1>they're a corrupt police, but there's also good police, and

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00:20:48.880 --> 00:20:52.640
<v Speaker 1>corrupt police doesn't excuse the crime and corruption that you

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00:20:52.759 --> 00:20:55.799
<v Speaker 1>see not only here but everywhere in our whole society.

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<v Speaker 1>And all the lip chards are like no police bad.

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<v Speaker 1>That's like literally there there the level of thought that

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<v Speaker 1>they have, which is which is one of those things

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<v Speaker 1>Jay that I think is really important that we need

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00:21:09.720 --> 00:21:15.680
<v Speaker 1>to internalize here is because there's this this delusion that

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<v Speaker 1>that you hear expressed all the time on kind of

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<v Speaker 1>the American I'll just broadly call it the right right

325
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<v Speaker 1>where they say, you know, let things get bad enough.

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<v Speaker 1>It's the it's the acceleration COPE. Let things get bad

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<v Speaker 1>enough and then everyone will be outraged and will like

328
00:21:32.240 --> 00:21:36.359
<v Speaker 1>stop it. And it's like no, Brazil, South Africa, like

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<v Speaker 1>you have earnest libtards in these places who deal with

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<v Speaker 1>this stuff all the time. You know, they see it

331
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<v Speaker 1>all the time, but they still you know, make excuses

332
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<v Speaker 1>and uh you know. So Andre Matias is like, no,

333
00:21:55.599 --> 00:22:00.599
<v Speaker 1>no excuses. And he starts out being really quiet while

334
00:22:00.680 --> 00:22:03.000
<v Speaker 1>this stuff is happening because he wants to fit in.

335
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<v Speaker 1>He wants to you know, go with the flow. He

336
00:22:06.240 --> 00:22:09.640
<v Speaker 1>doesn't want to argue constantly or he'll debate quietly. But

337
00:22:09.839 --> 00:22:13.559
<v Speaker 1>it like escalates over time as it not only and

338
00:22:13.880 --> 00:22:15.400
<v Speaker 1>that the way they put it in the film is

339
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<v Speaker 1>not only because of his belief, but he becomes a

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<v Speaker 1>member of BOPE and and he transforms into a warrior basically. Yeah.

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<v Speaker 2>And one of the interesting things is that one of

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<v Speaker 2>the corrupt officers who is sort of at the center

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<v Speaker 2>of the shootout, because basically what we find out happens

344
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<v Speaker 2>is that when our two main characters find out about

345
00:22:44.839 --> 00:22:50.839
<v Speaker 2>the corruption, they effectively steal the bribe money, right and

346
00:22:51.160 --> 00:22:54.799
<v Speaker 2>use that to actually fix up the motor pool. And

347
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<v Speaker 2>this is blamed on the corrupt officer who ends up,

348
00:22:58.640 --> 00:23:02.279
<v Speaker 2>you know, going into the Flabella actually sent there as punishment, right,

349
00:23:02.319 --> 00:23:04.720
<v Speaker 2>because this is a dangerous duty by the higher ups.

350
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<v Speaker 2>This guy also sort of goes to try out with

351
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<v Speaker 2>Bope and the training montage is from what I've seen,

352
00:23:15.079 --> 00:23:16.799
<v Speaker 2>because there's actually a decent amount of footage of this

353
00:23:17.000 --> 00:23:20.079
<v Speaker 2>incredibly accurate, like even them, you know, doing things like

354
00:23:20.160 --> 00:23:22.720
<v Speaker 2>standing in the swamp. You know, that's something that you

355
00:23:22.799 --> 00:23:26.160
<v Speaker 2>can see in documentary footage, right, it's pretty much one

356
00:23:26.200 --> 00:23:29.039
<v Speaker 2>to one accurate. But that process of weeding them out,

357
00:23:29.119 --> 00:23:32.240
<v Speaker 2>one of the things that happens is that they're also

358
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<v Speaker 2>being weeded out for corruption. And so this one officer,

359
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<v Speaker 2>I can't remember his name, it's something, ends with an

360
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<v Speaker 2>avowal and he is explicitly pulled out by Nacimento as corrupt.

361
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<v Speaker 2>You know, he sends him home. So the interactions what

362
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<v Speaker 2>we see is that basically throughout the film, Nido is

363
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<v Speaker 2>living sort of a double life. He is not necessarily

364
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<v Speaker 2>told his college friends that, you know, he is a

365
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<v Speaker 2>police officer, and so at least initially they sort of

366
00:24:08.079 --> 00:24:10.920
<v Speaker 2>he is. We see that sort of dissonance, right where

367
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<v Speaker 2>these people who live in safegated communities and go to

368
00:24:15.079 --> 00:24:17.599
<v Speaker 2>you know, an expensive school and then only venture into

369
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<v Speaker 2>the Flabella's to basically do kind of self aggrandizing charity

370
00:24:21.559 --> 00:24:26.359
<v Speaker 2>work have really no idea what it's like very clearly, uh,

371
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<v Speaker 2>And it's kind of interesting because what we later find

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<v Speaker 2>out sort of towards the climax of the film is

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<v Speaker 2>that even these even these rich kids are there, they

374
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<v Speaker 2>are the ones funding these these you know, drug trafficking, right,

375
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<v Speaker 2>They're the ones buying drugs to use it parties. And

376
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<v Speaker 2>you know, very explicitly we see the train from kind

377
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<v Speaker 2>of like a small time college dealer to you know,

378
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<v Speaker 2>the local drug kingpin, right, and that connection so you

379
00:25:00.319 --> 00:25:02.200
<v Speaker 2>we'll get to it later, but sort of builds up

380
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<v Speaker 2>to the kind of climactic conclusion of this film. But

381
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<v Speaker 2>I think it's interesting that for a movie ostensibly about

382
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<v Speaker 2>you know, unaccountable police violence, and you know, that is

383
00:25:14.920 --> 00:25:18.720
<v Speaker 2>often how it has read, particularly in the West, the

384
00:25:19.880 --> 00:25:23.359
<v Speaker 2>people causing so many of these problems are basically college

385
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<v Speaker 2>educated libtards.

386
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<v Speaker 1>Yeah right, They are the.

387
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<v Speaker 2>Ones who, out of one side of their mouth are

388
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<v Speaker 2>restricting the ability of violence to sort of set order

389
00:25:32.480 --> 00:25:35.160
<v Speaker 2>to this and then also funding it through their kind

390
00:25:35.200 --> 00:25:39.559
<v Speaker 2>of own like Libertine ends. And I think that it's

391
00:25:40.160 --> 00:25:43.480
<v Speaker 2>the conclusion to this film is interesting, and like I said,

392
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<v Speaker 2>we'll get to it, but basically it is about the

393
00:25:46.400 --> 00:25:53.440
<v Speaker 2>process of hardening yourself to the point where you can

394
00:25:53.559 --> 00:25:57.960
<v Speaker 2>become the sort of the kind of man who can

395
00:25:58.160 --> 00:26:02.599
<v Speaker 2>restore order, and that happens. There's there's no half measure

396
00:26:03.039 --> 00:26:06.279
<v Speaker 2>that will solve any of these problems. And certainly the

397
00:26:06.319 --> 00:26:08.880
<v Speaker 2>film is part is fatalistic, right, because the system is

398
00:26:09.000 --> 00:26:12.640
<v Speaker 2>so corrupt and so violent. But I think that that,

399
00:26:13.000 --> 00:26:14.480
<v Speaker 2>you know, is really the soul of the film is

400
00:26:14.559 --> 00:26:17.480
<v Speaker 2>we're watching Neto over the course of it sort of

401
00:26:17.559 --> 00:26:21.880
<v Speaker 2>shed his idealism, right, shed this sort of unrealistic dream about,

402
00:26:22.200 --> 00:26:24.200
<v Speaker 2>you know, being a poor kid from a favella, than

403
00:26:24.240 --> 00:26:27.920
<v Speaker 2>a police officer, than a than a prosecutor. His realization

404
00:26:28.119 --> 00:26:30.480
<v Speaker 2>is basically, I have to become a killer, like that

405
00:26:30.720 --> 00:26:34.519
<v Speaker 2>is the way that you know, I can fight this

406
00:26:34.680 --> 00:26:38.039
<v Speaker 2>and fix this because evil must be stamped out. That

407
00:26:38.200 --> 00:26:42.279
<v Speaker 2>is the conclusion, right. It's it's an oddly I mean

408
00:26:42.559 --> 00:26:44.400
<v Speaker 2>say this euphemistically, Carl, but it's it's sort of a

409
00:26:44.440 --> 00:26:46.160
<v Speaker 2>fascistic film. It is.

410
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<v Speaker 1>No, I agree completely, and and that's the that's the

411
00:26:49.160 --> 00:26:53.519
<v Speaker 1>whole thing with the film is everything they they are

412
00:26:53.720 --> 00:26:58.319
<v Speaker 1>proven right every step of the way. You know, you know,

413
00:26:59.839 --> 00:27:03.440
<v Speaker 1>the the meme that came to my mind is dehumanize

414
00:27:03.519 --> 00:27:08.599
<v Speaker 1>yourself and face to bloodshed, right, and that's that's literally

415
00:27:08.720 --> 00:27:13.519
<v Speaker 1>the solution to all this because they they go into

416
00:27:14.079 --> 00:27:18.720
<v Speaker 1>a they go into a I'll charitably call it a

417
00:27:19.680 --> 00:27:24.400
<v Speaker 1>rooftop hut where there's a where there's a kid who

418
00:27:24.559 --> 00:27:27.160
<v Speaker 1>has a pair of shoes that cost like three hundred

419
00:27:27.160 --> 00:27:31.400
<v Speaker 1>and fifty dollars and it's the only like clean, bright

420
00:27:31.559 --> 00:27:35.039
<v Speaker 1>thing in the room, right, Like everything else looks like shit.

421
00:27:35.599 --> 00:27:40.559
<v Speaker 1>It's all like fourth hand discarded trash. He sleeps on

422
00:27:42.440 --> 00:27:45.759
<v Speaker 1>what we could uphemistically refer to as like a straw

423
00:27:45.920 --> 00:27:52.200
<v Speaker 1>mattress at best. It's just it's it's it's barely a hovel.

424
00:27:52.799 --> 00:27:55.839
<v Speaker 1>A hovel is charitable and they're like, where did you

425
00:27:55.920 --> 00:27:59.680
<v Speaker 1>get these shoes? And they know where you got these shoes.

426
00:28:00.400 --> 00:28:07.039
<v Speaker 1>He works for the drug dealers, right. The libtards would say, well,

427
00:28:07.200 --> 00:28:12.000
<v Speaker 1>he has no other opportunities. You know, it's society, et cetera.

428
00:28:12.720 --> 00:28:16.880
<v Speaker 1>You know, why why would why would he have shoot?

429
00:28:17.000 --> 00:28:19.440
<v Speaker 1>You know, he can't do the whole logical thing of

430
00:28:19.480 --> 00:28:21.759
<v Speaker 1>where he would spend this this money in a more

431
00:28:22.000 --> 00:28:23.960
<v Speaker 1>in a better way to take care of his family

432
00:28:24.000 --> 00:28:26.759
<v Speaker 1>and improve their conditions. Because of the conditions they're in.

433
00:28:27.279 --> 00:28:29.960
<v Speaker 1>This is a thing that he wants. As Selene Dion

434
00:28:30.039 --> 00:28:36.160
<v Speaker 1>would say, let them touch those things, and uh, you know,

435
00:28:36.960 --> 00:28:43.880
<v Speaker 1>so he's basically anocent kid. Bope says, well, you're gonna

436
00:28:43.920 --> 00:28:47.200
<v Speaker 1>tell us, And so they slap them around a little bit.

437
00:28:47.480 --> 00:28:49.720
<v Speaker 1>And then they what what is the term that they

438
00:28:49.799 --> 00:28:52.559
<v Speaker 1>use in the film. They say, bag him or something

439
00:28:52.680 --> 00:28:57.480
<v Speaker 1>like that, which involves taking a you know, disregarding the

440
00:28:58.119 --> 00:29:02.519
<v Speaker 1>the label, they take the plastic bag and put it

441
00:29:02.640 --> 00:29:05.599
<v Speaker 1>over his head and suffocate him in a rather graphic

442
00:29:05.759 --> 00:29:11.359
<v Speaker 1>fashion for maybe ten twelve seconds while wrenching him around

443
00:29:11.559 --> 00:29:14.920
<v Speaker 1>violently so that he starts huffing and puffing and it's

444
00:29:14.960 --> 00:29:18.640
<v Speaker 1>a highly unpleasant experience. And then they take it off

445
00:29:18.680 --> 00:29:20.799
<v Speaker 1>his head and ask him slap him around a little

446
00:29:20.799 --> 00:29:23.640
<v Speaker 1>bit he doesn't talk. Well, they do it a third

447
00:29:23.680 --> 00:29:28.480
<v Speaker 1>time and he talks. So the crazy thing is every

448
00:29:28.680 --> 00:29:34.480
<v Speaker 1>stage of this movie, their intensification of violence is justified

449
00:29:34.559 --> 00:29:38.079
<v Speaker 1>by the outcomes that they get because they didn't actually

450
00:29:38.240 --> 00:29:43.480
<v Speaker 1>kill him, They didn't permanently harm him by doing this, right,

451
00:29:43.799 --> 00:29:47.079
<v Speaker 1>they let him go. They have a thing earlier with

452
00:29:47.200 --> 00:29:50.000
<v Speaker 1>the kid who's a lookout who the gang then murders,

453
00:29:50.519 --> 00:29:56.559
<v Speaker 1>right because he talked. And it's very touching because the

454
00:29:57.079 --> 00:30:05.799
<v Speaker 1>mother comes to our police captain Nacimento and when he

455
00:30:06.000 --> 00:30:08.240
<v Speaker 1>has a child on the way and is like, I

456
00:30:08.359 --> 00:30:10.599
<v Speaker 1>need to know where my son's body is so that

457
00:30:10.720 --> 00:30:13.960
<v Speaker 1>we can bury him. That's another really important element of

458
00:30:14.119 --> 00:30:17.599
<v Speaker 1>this is there's a is like taking care of the body,

459
00:30:17.720 --> 00:30:21.319
<v Speaker 1>treating the body with respect, having a funeral, like that

460
00:30:21.559 --> 00:30:24.960
<v Speaker 1>closure that you get from it, you know, in the

461
00:30:25.079 --> 00:30:30.240
<v Speaker 1>positive sense, motivates this captain to go out into the

462
00:30:30.359 --> 00:30:33.000
<v Speaker 1>favelas to just try to find this child's body, to

463
00:30:33.039 --> 00:30:35.759
<v Speaker 1>figure out what happens to him, so the mother can

464
00:30:35.839 --> 00:30:38.480
<v Speaker 1>have closure, so that he can have closure as his

465
00:30:38.680 --> 00:30:41.559
<v Speaker 1>child is on the way, so that you can like

466
00:30:41.720 --> 00:30:44.319
<v Speaker 1>quit this job in the way that he's promised his wife,

467
00:30:44.359 --> 00:30:50.200
<v Speaker 1>who is unbearably nagging in this film. She is she

468
00:30:50.440 --> 00:30:53.880
<v Speaker 1>is very annoying, but it's understandable also.

469
00:30:57.359 --> 00:30:59.279
<v Speaker 2>And I'm glad you brought that up, because that is

470
00:30:59.400 --> 00:31:07.279
<v Speaker 2>also a distinction we see between uh obviously like Bope

471
00:31:07.400 --> 00:31:11.160
<v Speaker 2>and the police and also uh, you know, the we'll

472
00:31:11.200 --> 00:31:14.279
<v Speaker 2>just say like the Narcos, right because like, don't get

473
00:31:14.319 --> 00:31:16.599
<v Speaker 2>me wrong, they're both they're both savage. Like in that

474
00:31:16.880 --> 00:31:19.519
<v Speaker 2>that scene with you know, when they bag someone. Uh,

475
00:31:20.799 --> 00:31:26.279
<v Speaker 2>there is also a show is a highly disturbing threat

476
00:31:26.319 --> 00:31:30.279
<v Speaker 2>made with a broom handle, yuh, which they didn't do,

477
00:31:31.119 --> 00:31:34.079
<v Speaker 2>but uh, you know, it certainly motivated him to talk,

478
00:31:34.400 --> 00:31:36.680
<v Speaker 2>but they do let him go afterwards, and we see

479
00:31:36.720 --> 00:31:38.440
<v Speaker 2>over and over again the NARCO is obviously, you know,

480
00:31:38.559 --> 00:31:41.799
<v Speaker 2>killing anyone who speaks with the police. But you know,

481
00:31:41.960 --> 00:31:44.880
<v Speaker 2>even in the kind of you know, climactic moments of

482
00:31:44.960 --> 00:31:50.599
<v Speaker 2>this film, even on Suspicion, kill people in horrific ways.

483
00:31:51.680 --> 00:31:56.519
<v Speaker 2>So obviously media not quite a third, but a large

484
00:31:56.599 --> 00:32:01.440
<v Speaker 2>portion of this is about uh, you know, the Bope training, right,

485
00:32:01.640 --> 00:32:05.160
<v Speaker 2>these guys becoming you know, members of this this sort

486
00:32:05.200 --> 00:32:08.960
<v Speaker 2>of you know, death squad, and it's one of the

487
00:32:09.160 --> 00:32:12.279
<v Speaker 2>all time great sort of you know training you know

488
00:32:12.480 --> 00:32:16.720
<v Speaker 2>arcs in a city like this. Yeah, like almost immediately,

489
00:32:16.960 --> 00:32:19.119
<v Speaker 2>you know, we see our characters brought out to this

490
00:32:19.279 --> 00:32:21.119
<v Speaker 2>kind of tent in the middle of nowhere, and they're

491
00:32:21.160 --> 00:32:23.400
<v Speaker 2>getting shark tanked. You know. All the guys are running up,

492
00:32:23.559 --> 00:32:25.920
<v Speaker 2>you know, punching them, you know, yelling in their face.

493
00:32:26.599 --> 00:32:27.759
<v Speaker 1>And then we see a.

494
00:32:30.359 --> 00:32:33.359
<v Speaker 2>Really interesting scene where all of the recruits are basically

495
00:32:33.440 --> 00:32:36.400
<v Speaker 2>going through sleep deprivation. So they're like in a classroom

496
00:32:36.480 --> 00:32:41.079
<v Speaker 2>sort of and you know, Nito falls asleep and the

497
00:32:41.240 --> 00:32:45.279
<v Speaker 2>officers hands him presumably a live hand grenade, pulls the

498
00:32:45.400 --> 00:32:48.039
<v Speaker 2>pin and tells him to hold it to keep a lake.

499
00:32:50.400 --> 00:32:53.279
<v Speaker 2>We we also see, you know, in this sort of section,

500
00:32:53.440 --> 00:32:56.000
<v Speaker 2>we see them you know, doing you know, long marches,

501
00:32:56.119 --> 00:32:59.440
<v Speaker 2>you know, going through the jungle, standing in swamps, lots

502
00:32:59.480 --> 00:33:05.240
<v Speaker 2>of lots of footage of trench foot which is accurately rendered,

503
00:33:05.359 --> 00:33:11.039
<v Speaker 2>and we're seeing this group sort of constantly. Yeah, it's

504
00:33:11.119 --> 00:33:14.599
<v Speaker 2>it's this is not a this is not a film

505
00:33:14.640 --> 00:33:17.240
<v Speaker 2>for the whole family on a multitude of different metrics.

506
00:33:18.160 --> 00:33:21.039
<v Speaker 2>But yeah, if you're sent whatever that it's not triggonosis.

507
00:33:21.079 --> 00:33:23.200
<v Speaker 2>That's what you get from eating raw pork whatever. The

508
00:33:23.279 --> 00:33:26.799
<v Speaker 2>phobia is of a small holes, not a great one

509
00:33:26.880 --> 00:33:27.079
<v Speaker 2>for that.

510
00:33:27.920 --> 00:33:31.200
<v Speaker 1>Uh oh yeah.

511
00:33:31.240 --> 00:33:35.039
<v Speaker 2>Actually, really this is just a a that if this

512
00:33:35.240 --> 00:33:37.799
<v Speaker 2>movie was in a culture where trigger warnings were popular,

513
00:33:37.920 --> 00:33:39.759
<v Speaker 2>like it was in kind of like the twenty nineteen

514
00:33:39.799 --> 00:33:42.160
<v Speaker 2>to like twenty twenty one range, it would be all

515
00:33:42.240 --> 00:33:44.400
<v Speaker 2>of them. There's quite simply nothing that isn't in it.

516
00:33:45.160 --> 00:33:45.279
<v Speaker 1>Uh.

517
00:33:45.960 --> 00:33:48.680
<v Speaker 2>But you know, as these guys you know kind of

518
00:33:48.759 --> 00:33:52.440
<v Speaker 2>winnow down, we see you know, these these officers becoming

519
00:33:52.559 --> 00:33:55.400
<v Speaker 2>more and more competent, more and more hardened. They move

520
00:33:55.480 --> 00:33:57.839
<v Speaker 2>from just getting beat down to you know, doing drills

521
00:33:57.880 --> 00:34:02.079
<v Speaker 2>with weapons, to being brought on on you know missions,

522
00:34:02.480 --> 00:34:05.160
<v Speaker 2>you know again these kind of like urban warfare operations,

523
00:34:05.640 --> 00:34:09.840
<v Speaker 2>and you know, once they finally graduated, are our sort

524
00:34:09.880 --> 00:34:15.400
<v Speaker 2>of secondary character. Uh. You know, Nido, he gets a

525
00:34:15.480 --> 00:34:18.760
<v Speaker 2>boupe tattoo once he's he's finally graduated on his arm,

526
00:34:18.960 --> 00:34:22.480
<v Speaker 2>which turns out to be turns out to be very relevant.

527
00:34:23.639 --> 00:34:28.920
<v Speaker 2>So after you know, they go through the you know,

528
00:34:28.960 --> 00:34:36.400
<v Speaker 2>bope training, after the corrupt officer is you know, is out, Uh, basically,

529
00:34:38.840 --> 00:34:42.960
<v Speaker 2>Andre and his you know kind of art ho law

530
00:34:43.039 --> 00:34:48.719
<v Speaker 2>school girlfriend, their relationship blows up. She is aware he

531
00:34:48.960 --> 00:34:52.519
<v Speaker 2>was captured you know, on photo as being a member

532
00:34:52.599 --> 00:34:54.639
<v Speaker 2>of you know, bope what she believes that this sort

533
00:34:54.639 --> 00:34:57.880
<v Speaker 2>of death squad, and so, you know, she breaks up

534
00:34:57.880 --> 00:35:00.880
<v Speaker 2>with him. He's now a social pariah. We see that

535
00:35:01.000 --> 00:35:03.480
<v Speaker 2>everyone is aware of this. They don't want anything to

536
00:35:03.559 --> 00:35:05.760
<v Speaker 2>do with him. So he sort of just decided, you know,

537
00:35:05.800 --> 00:35:07.719
<v Speaker 2>all right, I'm gonna hoist the black flag like we're

538
00:35:08.360 --> 00:35:12.239
<v Speaker 2>we're out there. And this kind of small town dealer,

539
00:35:13.559 --> 00:35:16.119
<v Speaker 2>the one that's you know, supplying weed primarily to the

540
00:35:16.199 --> 00:35:19.639
<v Speaker 2>college kids, we know that, you know that Andreas picked

541
00:35:19.679 --> 00:35:23.599
<v Speaker 2>up on this, right, so he goes and confronts him.

542
00:35:23.760 --> 00:35:26.920
<v Speaker 2>He basically you know, slaps him around, you know, basically

543
00:35:27.000 --> 00:35:33.119
<v Speaker 2>says like you know, demands information from him, and this

544
00:35:33.320 --> 00:35:37.639
<v Speaker 2>information makes its way back to the local drug kingpin.

545
00:35:38.239 --> 00:35:41.679
<v Speaker 2>Right he knows, oh wait, you know, not only has

546
00:35:42.199 --> 00:35:49.400
<v Speaker 2>one of my dealers presumably given information to uh, you know,

547
00:35:49.639 --> 00:35:54.480
<v Speaker 2>to the police, but we find out that this NGO,

548
00:35:54.960 --> 00:35:57.559
<v Speaker 2>which is also connected to the same to the same

549
00:35:57.639 --> 00:36:01.639
<v Speaker 2>drug kingpin, he's sort of whitewashing his image through it.

550
00:36:02.079 --> 00:36:02.199
<v Speaker 1>Right.

551
00:36:03.440 --> 00:36:08.400
<v Speaker 2>Well, our main character is going into the Favella to

552
00:36:08.519 --> 00:36:10.119
<v Speaker 2>finally give this little.

553
00:36:09.960 --> 00:36:11.360
<v Speaker 1>Boy a pair of glasses.

554
00:36:11.519 --> 00:36:13.519
<v Speaker 2>So he's going to be on his own, alone and

555
00:36:13.639 --> 00:36:18.679
<v Speaker 2>vulnerable and at the last minute, Andre can't make it,

556
00:36:19.480 --> 00:36:24.559
<v Speaker 2>so Nido goes into the pafella to give the glasses

557
00:36:24.559 --> 00:36:29.320
<v Speaker 2>to the little boy or his friend, right, and the Kingpin,

558
00:36:29.480 --> 00:36:32.800
<v Speaker 2>not knowing of course that he is a part of

559
00:36:32.880 --> 00:36:36.199
<v Speaker 2>BOPE or that he's got the wrong man, sets up

560
00:36:36.239 --> 00:36:40.360
<v Speaker 2>an ambush and you know, Nito's gunn down. He's killed,

561
00:36:41.840 --> 00:36:44.119
<v Speaker 2>and there's this very cinematic moment where they run up

562
00:36:44.119 --> 00:36:45.840
<v Speaker 2>to the body and they look at his forearm and

563
00:36:45.920 --> 00:36:49.440
<v Speaker 2>see the BOPE tattoo and realize like, oh no, we're

564
00:36:49.880 --> 00:36:54.440
<v Speaker 2>were were screwed, right, we have made a mistake. But

565
00:36:54.599 --> 00:36:58.960
<v Speaker 2>also at the same time, the cartel is basically moved

566
00:36:59.079 --> 00:37:03.000
<v Speaker 2>to a sweep up this kind of in these NGO

567
00:37:03.079 --> 00:37:06.760
<v Speaker 2>workers who they think have been compromised and uh, this

568
00:37:06.960 --> 00:37:11.159
<v Speaker 2>is m perhaps the darkest moment of the film. They're

569
00:37:11.480 --> 00:37:15.199
<v Speaker 2>you know, they're grabbed at gunpoint and one of the

570
00:37:15.280 --> 00:37:18.639
<v Speaker 2>girls is executed, and the guy who's running this like

571
00:37:18.760 --> 00:37:24.119
<v Speaker 2>clinic or ngo or whatever, uh is uh stuffed into

572
00:37:24.159 --> 00:37:26.800
<v Speaker 2>a roll of tires and set on fire. It's a

573
00:37:26.920 --> 00:37:28.800
<v Speaker 2>very very grim scene.

574
00:37:28.880 --> 00:37:29.559
<v Speaker 1>It's brutal.

575
00:37:30.119 --> 00:37:34.920
<v Speaker 2>Yeah, but this of course sets us up for the

576
00:37:35.039 --> 00:37:38.760
<v Speaker 2>final confrontation. Right, we've already been part of this kind

577
00:37:38.760 --> 00:37:41.960
<v Speaker 2>of rolling anti crime wave to make things you know,

578
00:37:42.079 --> 00:37:45.320
<v Speaker 2>clear for the pope. But also a boupe officer has

579
00:37:45.400 --> 00:37:48.559
<v Speaker 2>been killed, and two of the you know kind of

580
00:37:48.719 --> 00:37:53.000
<v Speaker 2>like middle to upper classes have also been brutally murdered

581
00:37:53.360 --> 00:37:56.840
<v Speaker 2>execution style. So the stakes are the stakes are high.

582
00:37:57.159 --> 00:37:59.760
<v Speaker 2>I went through a lot of plot there, Carl, And

583
00:38:00.199 --> 00:38:03.679
<v Speaker 2>forgive me for being slightly less linear with this, but

584
00:38:04.039 --> 00:38:07.400
<v Speaker 2>this movie isn't super linear. I was going hard to follow,

585
00:38:07.840 --> 00:38:11.079
<v Speaker 2>but it's not like, you know, it's not like You're

586
00:38:11.079 --> 00:38:13.280
<v Speaker 2>Of the Dragon, where it's one plot all the way

587
00:38:13.320 --> 00:38:14.800
<v Speaker 2>through and you can just sort of rattle through it.

588
00:38:14.880 --> 00:38:16.880
<v Speaker 2>It sort of loops back on itself. But I'll give

589
00:38:16.880 --> 00:38:18.760
<v Speaker 2>you a chance to respond, Carl And I.

590
00:38:18.840 --> 00:38:21.440
<v Speaker 1>Did watch Here the Dragon when you guys were talking

591
00:38:21.519 --> 00:38:23.960
<v Speaker 1>about it, so that I had seen it, because I

592
00:38:24.079 --> 00:38:27.800
<v Speaker 1>saw it probably thirty years ago, so that I had

593
00:38:27.840 --> 00:38:30.159
<v Speaker 1>seen it by the time I listened to the show

594
00:38:30.199 --> 00:38:32.639
<v Speaker 1>you did with Pete. But anyway, yes, this brings us

595
00:38:32.800 --> 00:38:37.079
<v Speaker 1>back to that we've established exactly what is led up

596
00:38:37.239 --> 00:38:40.960
<v Speaker 1>to the opening scene, which is so great. So now

597
00:38:41.280 --> 00:38:44.519
<v Speaker 1>it all makes sense. Now you're like, oh, you know,

598
00:38:44.960 --> 00:38:48.320
<v Speaker 1>now this makes sense. Here's this unit that acts like

599
00:38:49.079 --> 00:38:53.320
<v Speaker 1>of police bope that acts like an infantry squad, whereas

600
00:38:53.360 --> 00:38:55.719
<v Speaker 1>all the others are all these other cops and we

601
00:38:55.840 --> 00:38:59.480
<v Speaker 1>know their backgrounds, we know why they were sent out there,

602
00:39:00.159 --> 00:39:02.360
<v Speaker 1>et cetera. But you also know that this is going

603
00:39:02.440 --> 00:39:09.719
<v Speaker 1>to be completely insane because because because they're going loaded

604
00:39:09.800 --> 00:39:13.159
<v Speaker 1>for bear and they're they're basically like, we have to

605
00:39:13.280 --> 00:39:15.239
<v Speaker 1>kill this guy. Like they're not. They're not going in

606
00:39:15.480 --> 00:39:18.440
<v Speaker 1>to be like, let's make arrests and everything like that.

607
00:39:18.559 --> 00:39:20.480
<v Speaker 1>They're like, no, We're going to have to go kill

608
00:39:20.559 --> 00:39:23.960
<v Speaker 1>these guys, and uh, which is it? Which is just

609
00:39:25.480 --> 00:39:28.159
<v Speaker 1>you know, from a from a perspective as a film viewer,

610
00:39:28.800 --> 00:39:32.159
<v Speaker 1>highly entertaining, and you're like this, I know that this

611
00:39:32.320 --> 00:39:33.920
<v Speaker 1>is going to be good, and we're also going to

612
00:39:33.960 --> 00:39:36.559
<v Speaker 1>get a lot of stuff that we didn't see and

613
00:39:36.800 --> 00:39:40.440
<v Speaker 1>in that earlier film part of the film to round

614
00:39:40.480 --> 00:39:43.519
<v Speaker 1>it out, So a lot.

615
00:39:43.440 --> 00:39:47.719
<v Speaker 2>Of this basically obviously there is you know Nido's funeral

616
00:39:47.960 --> 00:39:50.840
<v Speaker 2>where you know Naciamento who and we hadn't mentioned this,

617
00:39:51.039 --> 00:39:56.199
<v Speaker 2>but had basically been looking to Nido as his successor. Yeah,

618
00:39:56.400 --> 00:40:00.119
<v Speaker 2>another you know, squeaky clean, highly motivated, highly competent, a

619
00:40:00.559 --> 00:40:04.000
<v Speaker 2>new guy that could eventually beat his success.

620
00:40:04.480 --> 00:40:09.880
<v Speaker 1>But point out, can I point out also European presenting,

621
00:40:11.079 --> 00:40:15.960
<v Speaker 1>there's there is a very interesting racial element in this

622
00:40:16.199 --> 00:40:22.599
<v Speaker 1>film to where to where Nito there's something about him

623
00:40:23.360 --> 00:40:29.679
<v Speaker 1>where like the bureaucrats who are also you know, Iberian,

624
00:40:30.079 --> 00:40:34.679
<v Speaker 1>let's say broadly deal with him like as kind of

625
00:40:34.760 --> 00:40:38.440
<v Speaker 1>a regular guy, and andre Is is black. You know,

626
00:40:38.599 --> 00:40:41.320
<v Speaker 1>he's in law school and all that. But there's but

627
00:40:41.679 --> 00:40:44.000
<v Speaker 1>that seems like that's like not on the table with

628
00:40:44.119 --> 00:40:47.000
<v Speaker 1>the other officers, you know, in the organization, but it's

629
00:40:47.039 --> 00:40:52.559
<v Speaker 1>not really it's not really expressed. And so to me,

630
00:40:53.119 --> 00:40:56.800
<v Speaker 1>this screams that there's something going on there in the film,

631
00:40:56.920 --> 00:41:01.519
<v Speaker 1>like behind that, but no one ever says it. They

632
00:41:01.559 --> 00:41:04.199
<v Speaker 1>don't do the whole thing. Well, it's because Brazil's racist,

633
00:41:04.280 --> 00:41:09.320
<v Speaker 1>they don't do that, which is very interesting. It's very interesting.

634
00:41:10.320 --> 00:41:15.239
<v Speaker 1>But to your point, Nito blows it in his kind

635
00:41:15.280 --> 00:41:18.960
<v Speaker 1>of like final training that you mentioned earlier, where they

636
00:41:19.039 --> 00:41:23.440
<v Speaker 1>actually go in to a bombed out hellscape like it

637
00:41:23.599 --> 00:41:26.159
<v Speaker 1>I think it's a I think it's a favella that

638
00:41:26.320 --> 00:41:32.159
<v Speaker 1>was being bulldozed and there's still you know, drug gang holdouts,

639
00:41:32.320 --> 00:41:34.840
<v Speaker 1>and it's literally like there's the guy with a rifle

640
00:41:34.960 --> 00:41:38.280
<v Speaker 1>shoot him, right. It's literally that kind of an operation,

641
00:41:39.079 --> 00:41:41.559
<v Speaker 1>and he does a very bad job of it, Like

642
00:41:41.679 --> 00:41:43.800
<v Speaker 1>he ends up like out on his own, kind of

643
00:41:44.079 --> 00:41:46.679
<v Speaker 1>like not staying with everyone else. It's kind of incoherent.

644
00:41:46.719 --> 00:41:51.440
<v Speaker 1>It happens really quickly, but Nacimento is like, this guy

645
00:41:51.599 --> 00:41:57.280
<v Speaker 1>isn't the guy and and so, which is another burden

646
00:41:57.559 --> 00:42:02.119
<v Speaker 1>on Nacimento because you know, his wife is nagging him.

647
00:42:02.679 --> 00:42:04.840
<v Speaker 1>I can't remember if his baby is born yet at

648
00:42:04.880 --> 00:42:07.320
<v Speaker 1>this point in time, but.

649
00:42:07.480 --> 00:42:09.679
<v Speaker 2>I think at this point she's actually left. She's gone

650
00:42:09.719 --> 00:42:10.800
<v Speaker 2>to go live with her mother.

651
00:42:10.840 --> 00:42:14.199
<v Speaker 1>Yes, exactly, but like, but he's also like, I have

652
00:42:14.400 --> 00:42:16.360
<v Speaker 1>to be done with this, Like he doesn't want to

653
00:42:16.440 --> 00:42:20.519
<v Speaker 1>do this anymore, or at least he says he doesn't

654
00:42:20.559 --> 00:42:21.639
<v Speaker 1>want to do this anymore.

655
00:42:23.199 --> 00:42:28.599
<v Speaker 2>So the last sort of civilian scene we see after

656
00:42:28.679 --> 00:42:33.840
<v Speaker 2>the funeral is I mean, it's basically Andre breaking bad.

657
00:42:34.639 --> 00:42:37.679
<v Speaker 2>So he finds out this rich kid drug dealer that

658
00:42:37.840 --> 00:42:41.840
<v Speaker 2>he roughed up, ratted him out and got his friend killed,

659
00:42:43.280 --> 00:42:46.119
<v Speaker 2>and he goes to a like a peace march, right

660
00:42:46.280 --> 00:42:48.519
<v Speaker 2>like something you'd imagine it like one of the No

661
00:42:48.880 --> 00:42:53.079
<v Speaker 2>No Kings, you know, protests that are kicking off in

662
00:42:53.199 --> 00:42:55.519
<v Speaker 2>the middle of it just walks and it starts just

663
00:42:56.239 --> 00:43:00.639
<v Speaker 2>wailing on this guy. It's it's a great scene screaming

664
00:43:00.639 --> 00:43:04.280
<v Speaker 2>at him, trying to get information on it. And we've

665
00:43:04.480 --> 00:43:06.639
<v Speaker 2>seen kind of in this build up and it's sort

666
00:43:06.639 --> 00:43:08.960
<v Speaker 2>of interspersed between the last two scenes. We were talking

667
00:43:08.960 --> 00:43:13.000
<v Speaker 2>about Bope going around to other dealers, torturing them to

668
00:43:13.199 --> 00:43:18.360
<v Speaker 2>find out the identity of this this drug kingpin and

669
00:43:18.719 --> 00:43:21.880
<v Speaker 2>uh whose name is uh.

670
00:43:23.760 --> 00:43:25.960
<v Speaker 1>Something Britz, I think, but I can't remember.

671
00:43:25.960 --> 00:43:31.039
<v Speaker 2>I won't say it. And so now they know, right,

672
00:43:31.519 --> 00:43:34.159
<v Speaker 2>they're looking for this guy. This is sort of him

673
00:43:34.320 --> 00:43:38.639
<v Speaker 2>fully discarding any pretense of you know, indexing with the

674
00:43:38.679 --> 00:43:42.840
<v Speaker 2>system in that way, he's a full and total social para.

675
00:43:43.519 --> 00:43:46.079
<v Speaker 2>And so now they're on the hunt stone cold in

676
00:43:46.280 --> 00:43:53.440
<v Speaker 2>cell On, he's he's set aside women. He only desires revenge.

677
00:43:54.440 --> 00:44:00.559
<v Speaker 2>And the final confrontation is very well done. But the

678
00:44:00.639 --> 00:44:03.360
<v Speaker 2>way this movie ends, and when we see you know,

679
00:44:03.440 --> 00:44:07.800
<v Speaker 2>Andrea sort of become Nasimento, right, he has fully sort

680
00:44:07.840 --> 00:44:11.039
<v Speaker 2>of shed his humanity is you know, the dealer at

681
00:44:11.079 --> 00:44:16.960
<v Speaker 2>the end, he's he's wounded and Nacimento hands a massan

682
00:44:17.000 --> 00:44:20.079
<v Speaker 2>off shotgun. It's basically like, all right, you know what

683
00:44:20.159 --> 00:44:23.760
<v Speaker 2>you need to do, and the dealer's on the ground.

684
00:44:24.199 --> 00:44:26.760
<v Speaker 2>And this is the reprisal of that theme earlier we

685
00:44:26.920 --> 00:44:31.280
<v Speaker 2>mentioned about about bodies right in the Importance of Funeral,

686
00:44:31.639 --> 00:44:34.440
<v Speaker 2>he basically just says like, all right, you know, just

687
00:44:34.639 --> 00:44:36.760
<v Speaker 2>just not in the face. I want my mom to

688
00:44:36.800 --> 00:44:40.079
<v Speaker 2>be able to see me, and for the wake, for

689
00:44:40.199 --> 00:44:44.320
<v Speaker 2>the wake, for the wake, and Andre levels the gun

690
00:44:44.880 --> 00:44:49.480
<v Speaker 2>right at his face, cut to black. You hear a boom.

691
00:44:50.519 --> 00:44:52.639
<v Speaker 2>So there's a little bit of ambiguity there, right, did

692
00:44:52.719 --> 00:44:55.400
<v Speaker 2>he did he still have any mercy left? Or was

693
00:44:55.440 --> 00:44:58.320
<v Speaker 2>he you know, sort of a true you know, stone

694
00:44:58.400 --> 00:45:01.719
<v Speaker 2>cold killer at that point. I my version of it, Uh,

695
00:45:02.960 --> 00:45:09.119
<v Speaker 2>just all in a genuinely great film. And like I said, thematically,

696
00:45:09.199 --> 00:45:12.119
<v Speaker 2>what we're seeing is you know, Andre being stripped of

697
00:45:12.639 --> 00:45:16.599
<v Speaker 2>his of his idealism, right, stripped of this idea that

698
00:45:16.719 --> 00:45:19.280
<v Speaker 2>he can ascend up the social ladder, stripped of this

699
00:45:19.400 --> 00:45:22.400
<v Speaker 2>idea that you know, he can can meet with the

700
00:45:22.519 --> 00:45:25.199
<v Speaker 2>kind of you know, upper crust of society and do

701
00:45:25.920 --> 00:45:29.239
<v Speaker 2>real good. The less of this film is ultimately it's like, no,

702
00:45:30.320 --> 00:45:33.000
<v Speaker 2>the only way this can be solved is to stamp

703
00:45:33.039 --> 00:45:36.639
<v Speaker 2>them out. It is to quote Rothbert right, to send

704
00:45:36.679 --> 00:45:40.480
<v Speaker 2>in the hounds. And in order to do that, you

705
00:45:40.559 --> 00:45:43.800
<v Speaker 2>can't be squishy. This cannot be half measures. It needs

706
00:45:43.880 --> 00:45:47.800
<v Speaker 2>to be you know, brutal and uncompromising. And as I

707
00:45:47.800 --> 00:45:50.480
<v Speaker 2>said earlier, sure there's a certain amount of fatalism to this, right,

708
00:45:50.559 --> 00:45:55.039
<v Speaker 2>this irreparably broken system. But if we're looking at kind

709
00:45:55.079 --> 00:45:57.199
<v Speaker 2>of the lessons for our guys, right, the things that

710
00:45:57.559 --> 00:46:00.639
<v Speaker 2>we would find interesting in this film. One, obviously, the

711
00:46:00.719 --> 00:46:04.800
<v Speaker 2>social critique of educated progressives is kind of funny, but

712
00:46:04.960 --> 00:46:12.920
<v Speaker 2>also right, the idea that like mercy in defense of

713
00:46:14.079 --> 00:46:17.880
<v Speaker 2>criminals as advice, that's what enables these sort of situations

714
00:46:18.400 --> 00:46:20.960
<v Speaker 2>and to solve those issues, right, to solve that kind

715
00:46:21.000 --> 00:46:25.039
<v Speaker 2>of deep corruption, it's like, well, you need killers, you

716
00:46:25.199 --> 00:46:28.320
<v Speaker 2>need people who are sort of beyond human, they don't

717
00:46:28.400 --> 00:46:31.599
<v Speaker 2>have morality in the same way that we do. To

718
00:46:31.800 --> 00:46:36.039
<v Speaker 2>accomplish that end. And in order to do that, there's

719
00:46:36.079 --> 00:46:40.519
<v Speaker 2>sort of no there's no half measures. Personally, you can't

720
00:46:40.599 --> 00:46:43.320
<v Speaker 2>still have you know, your normal life where you hang

721
00:46:43.360 --> 00:46:45.960
<v Speaker 2>out with your progressive friend, like it has to become

722
00:46:46.039 --> 00:46:48.760
<v Speaker 2>your life, and that is your sort of purpose on

723
00:46:48.840 --> 00:46:50.800
<v Speaker 2>the world is to be sort of a you know,

724
00:46:51.119 --> 00:46:55.800
<v Speaker 2>a killer on behalf of the state it's a it's

725
00:46:55.840 --> 00:46:59.000
<v Speaker 2>a really fascinating film. One of the things that we

726
00:46:59.119 --> 00:47:05.119
<v Speaker 2>didn't mention is that Nacimento is constantly in and out

727
00:47:05.360 --> 00:47:10.639
<v Speaker 2>of sort of you know, state mandated therapy, right with

728
00:47:10.840 --> 00:47:14.280
<v Speaker 2>like basically an HR lady who is completely and totally

729
00:47:14.320 --> 00:47:17.199
<v Speaker 2>hopeless in this film. You know, she's asking him the

730
00:47:17.239 --> 00:47:20.280
<v Speaker 2>most kind of absurd, out of touch questions, you know,

731
00:47:21.199 --> 00:47:23.599
<v Speaker 2>telling him like, oh, if you report anything, I'll have

732
00:47:23.800 --> 00:47:25.199
<v Speaker 2>to take it up the chain of command. You will

733
00:47:25.239 --> 00:47:26.480
<v Speaker 2>be kicked out of your job.

734
00:47:27.199 --> 00:47:27.480
<v Speaker 1>Sort of.

735
00:47:27.480 --> 00:47:30.400
<v Speaker 2>The ineffectuality of that kind of like managerial style in

736
00:47:30.480 --> 00:47:33.280
<v Speaker 2>a situation like this, it's it is absurd, right, The

737
00:47:33.400 --> 00:47:36.079
<v Speaker 2>idea that you know, one minute, he's you know, in

738
00:47:36.400 --> 00:47:39.679
<v Speaker 2>like three hundred and sixty degree urban combat with you know,

739
00:47:39.960 --> 00:47:42.800
<v Speaker 2>drug dealers, with Oozzi's, and then you know, when he

740
00:47:42.840 --> 00:47:45.559
<v Speaker 2>gets back he has to answer questions about his emotional state.

741
00:47:46.039 --> 00:47:47.639
<v Speaker 2>Another element that I wanted to bring up.

742
00:47:48.679 --> 00:47:52.440
<v Speaker 1>Yeah, and you know this, it's the stress of the job.

743
00:47:52.719 --> 00:47:55.920
<v Speaker 1>It's the stress of you know, his his nagging wife,

744
00:47:56.960 --> 00:47:59.239
<v Speaker 1>who is nagging for a good reason. You know, they

745
00:47:59.280 --> 00:48:00.840
<v Speaker 1>have a baby on the way. What he does is

746
00:48:00.880 --> 00:48:05.960
<v Speaker 1>incredibly dangerous and you know, obviously he's a different person

747
00:48:06.760 --> 00:48:11.000
<v Speaker 1>than he than he was before. But it is this

748
00:48:11.239 --> 00:48:13.719
<v Speaker 1>level of obliviousness where he's like, just give me a

749
00:48:13.840 --> 00:48:17.400
<v Speaker 1>drug for it or something like that, you know, And

750
00:48:18.440 --> 00:48:23.639
<v Speaker 1>there's one other there's one other thing that that he does,

751
00:48:24.800 --> 00:48:29.679
<v Speaker 1>which again comes back to that funeral topic that keeps

752
00:48:29.760 --> 00:48:32.800
<v Speaker 1>coming up as far as like separating them from the norm,

753
00:48:33.360 --> 00:48:39.480
<v Speaker 1>and it's the it's Nido's funeral, which is very touching.

754
00:48:39.760 --> 00:48:42.039
<v Speaker 1>You know, everyone goes out there and they're all they're

755
00:48:42.280 --> 00:48:45.000
<v Speaker 1>very they're furious at this point, right, like the Bope

756
00:48:45.119 --> 00:48:50.039
<v Speaker 1>guys are furious, and the you know, his casket is

757
00:48:50.119 --> 00:48:54.239
<v Speaker 1>there and it's covered with the Brazilian flag, and Nasciamento

758
00:48:54.360 --> 00:48:58.880
<v Speaker 1>walks up and unfurls the Baupe flag and puts it

759
00:48:59.000 --> 00:49:02.239
<v Speaker 1>over it. And what is the Boupet flag. It's red

760
00:49:02.320 --> 00:49:07.480
<v Speaker 1>and black with a skull and a golden dagger and

761
00:49:07.559 --> 00:49:12.000
<v Speaker 1>two crossed pistols behind it. And so he comes in

762
00:49:12.159 --> 00:49:16.119
<v Speaker 1>and he's basically like, let me remind everybody what this

763
00:49:16.320 --> 00:49:21.920
<v Speaker 1>is about. Like, he's our guy, he was one of us.

764
00:49:22.119 --> 00:49:25.920
<v Speaker 1>We accepted him. Ultimately, he was accepted. He didn't he

765
00:49:26.079 --> 00:49:29.239
<v Speaker 1>wasn't making the cut, you know, to be to take over.

766
00:49:29.719 --> 00:49:33.519
<v Speaker 1>But he was still one of our guys, and I

767
00:49:33.599 --> 00:49:37.159
<v Speaker 1>don't really care about your norms. For his funeral, he

768
00:49:37.360 --> 00:49:41.280
<v Speaker 1>was one of us. Which is incredibly interesting because if

769
00:49:41.320 --> 00:49:46.920
<v Speaker 1>you if you notice, like it kind of upsets the civilians,

770
00:49:47.719 --> 00:49:49.920
<v Speaker 1>like his family and stuff like that back there, the

771
00:49:50.000 --> 00:49:53.639
<v Speaker 1>women are like taken aback by it, but all the

772
00:49:53.800 --> 00:49:57.119
<v Speaker 1>men just get hardened and they're just they're just stone

773
00:49:57.199 --> 00:49:58.159
<v Speaker 1>faced at that point.

774
00:49:59.280 --> 00:50:03.039
<v Speaker 2>So several interesting things about the history of Because there

775
00:50:03.079 --> 00:50:08.440
<v Speaker 2>are several elite Squad movies. Uh, I haven't seen any

776
00:50:08.480 --> 00:50:10.559
<v Speaker 2>of them. I sort of like how this stands on

777
00:50:10.639 --> 00:50:13.800
<v Speaker 2>its own. Yeah, I'm sure you've had the same experience, Carl,

778
00:50:13.800 --> 00:50:17.599
<v Speaker 2>where it's like, I don't want to be let down

779
00:50:17.719 --> 00:50:20.159
<v Speaker 2>by something other than this, you know, it's sort of

780
00:50:20.159 --> 00:50:23.239
<v Speaker 2>the this yeah. Perfect. But what's interesting is that it's

781
00:50:23.280 --> 00:50:26.199
<v Speaker 2>actually based on a book, and it's based on a

782
00:50:26.280 --> 00:50:34.920
<v Speaker 2>book by two former operators, Bope operators and a sociologist. Right,

783
00:50:35.639 --> 00:50:39.039
<v Speaker 2>And it seems as if there's basically no relation to

784
00:50:39.119 --> 00:50:41.119
<v Speaker 2>whatsoever between the plot of the book and the plot

785
00:50:41.159 --> 00:50:45.079
<v Speaker 2>of the movie. The plot of the book is basically

786
00:50:45.119 --> 00:50:48.519
<v Speaker 2>about how like Beaupe or a bunch of like gross

787
00:50:48.599 --> 00:50:51.800
<v Speaker 2>meanis who hate democracy and beat people up sometimes, and

788
00:50:51.880 --> 00:50:54.880
<v Speaker 2>the movie is like, Bope is a bunch of super

789
00:50:54.920 --> 00:50:59.559
<v Speaker 2>cool dudes who beat people up all the time, because yeah, exactly,

790
00:51:00.119 --> 00:51:03.840
<v Speaker 2>which I think is is an interesting note. But from

791
00:51:03.920 --> 00:51:05.519
<v Speaker 2>what I could see, and I am not Brazili and

792
00:51:05.599 --> 00:51:08.519
<v Speaker 2>I cannot read Portuguese, but it does seem as if

793
00:51:08.599 --> 00:51:13.679
<v Speaker 2>there's sort of a an echo of our high and

794
00:51:13.800 --> 00:51:19.239
<v Speaker 2>low alignment on the issue of crime enforcement in Brazil

795
00:51:19.480 --> 00:51:22.320
<v Speaker 2>as there is in America, where it is sort of

796
00:51:22.360 --> 00:51:27.159
<v Speaker 2>fashionable in elite circles to you know, look down on that. Truly,

797
00:51:27.480 --> 00:51:31.599
<v Speaker 2>wherever you go, the progressives are exactly the same. We

798
00:51:31.800 --> 00:51:34.960
<v Speaker 2>mentioned some of the you know, the weapons in this

799
00:51:35.440 --> 00:51:38.000
<v Speaker 2>you know obviously you have you know, the madicine that

800
00:51:38.159 --> 00:51:40.960
<v Speaker 2>isn't like super prominent, but it's like probably the most

801
00:51:41.440 --> 00:51:45.679
<v Speaker 2>interesting or unique we've got all the all the nineties classics, right,

802
00:51:45.800 --> 00:51:48.880
<v Speaker 2>You've got a couple of really cool seeds with Nazi

803
00:51:48.960 --> 00:51:52.480
<v Speaker 2>Vento with an MP five ooozies. Of course, a bunch

804
00:51:52.559 --> 00:51:57.760
<v Speaker 2>of you know, horrible Taurus knockoffs of much better firearms.

805
00:51:59.119 --> 00:52:01.639
<v Speaker 2>But the my and it's not ever given a lot

806
00:52:01.679 --> 00:52:04.079
<v Speaker 2>of screen time, of course, is uh, you know, the

807
00:52:04.159 --> 00:52:07.440
<v Speaker 2>guy's running CQB with a full length you know, m

808
00:52:07.519 --> 00:52:09.679
<v Speaker 2>bel f a L which is yeah.

809
00:52:11.000 --> 00:52:14.239
<v Speaker 1>Yeah. And one of the things I noticed also is

810
00:52:14.400 --> 00:52:18.159
<v Speaker 1>the when when there's the sniping scene, you know at

811
00:52:18.199 --> 00:52:25.679
<v Speaker 1>the at the beginning, he it's a it's a Brazilian mouser.

812
00:52:26.400 --> 00:52:28.840
<v Speaker 1>So it's the same rifle that they're using in their

813
00:52:28.920 --> 00:52:33.079
<v Speaker 1>training scenes, which are probably pretty much just you know,

814
00:52:33.559 --> 00:52:36.719
<v Speaker 1>rusted shut in the training but they you know, but

815
00:52:36.880 --> 00:52:38.599
<v Speaker 1>in this one, so he has that and then it

816
00:52:38.719 --> 00:52:43.840
<v Speaker 1>has like a forward like scout mount scope, so it's

817
00:52:44.000 --> 00:52:47.480
<v Speaker 1>you know, super forward glass where that you know, the rear,

818
00:52:48.119 --> 00:52:50.199
<v Speaker 1>the rear of it is in front of the action

819
00:52:50.480 --> 00:52:52.880
<v Speaker 1>so that you can load stripper clips and stuff like that.

820
00:52:53.079 --> 00:52:55.480
<v Speaker 1>I was like, hell, yeah, super great.

821
00:52:57.880 --> 00:53:03.840
<v Speaker 2>Yeah, this is one of my favorite films. I was talking.

822
00:53:04.679 --> 00:53:06.880
<v Speaker 2>I think I said this off air that it's part

823
00:53:06.960 --> 00:53:12.119
<v Speaker 2>of one of my favorite unofficial movie subgenres, which is

824
00:53:14.119 --> 00:53:18.079
<v Speaker 2>movies where guns are scary. Because the violence in the

825
00:53:18.480 --> 00:53:23.119
<v Speaker 2>combat in this is exceptionally lethal. Yeah, people you know,

826
00:53:24.000 --> 00:53:25.280
<v Speaker 2>drop quickly.

827
00:53:25.639 --> 00:53:25.760
<v Speaker 1>You know.

828
00:53:25.880 --> 00:53:29.039
<v Speaker 2>It's not the sort of like John Wu style, you know,

829
00:53:29.159 --> 00:53:33.639
<v Speaker 2>thousands of squibs going off. It feels very grounded. The

830
00:53:33.719 --> 00:53:37.599
<v Speaker 2>cinematography in it is very much a product of its

831
00:53:37.679 --> 00:53:41.639
<v Speaker 2>time for good and ill. You mentioned of course, the uh,

832
00:53:42.079 --> 00:53:45.559
<v Speaker 2>you know, the lighting in this is extremely true to form, right,

833
00:53:45.639 --> 00:53:48.400
<v Speaker 2>the kind of like sickly you know, greens and yellows,

834
00:53:48.559 --> 00:53:52.840
<v Speaker 2>especially in the Flavella's one thing. And this is polarizing.

835
00:53:52.960 --> 00:53:55.000
<v Speaker 2>I don't mind it, but some people really hate it.

836
00:53:55.599 --> 00:53:58.599
<v Speaker 2>Is it has the very mid two thousands shaky cam

837
00:53:59.000 --> 00:54:00.880
<v Speaker 2>right like you saw in the Bode movies and stuff

838
00:54:00.960 --> 00:54:03.239
<v Speaker 2>like that, which certainly does add to sort of the

839
00:54:03.320 --> 00:54:05.840
<v Speaker 2>frenetic pace of it. But one of the guys I

840
00:54:05.960 --> 00:54:07.440
<v Speaker 2>was watching with it was like, dude, I can't look

841
00:54:07.480 --> 00:54:09.360
<v Speaker 2>at this. My eyes are about to like I'm gonna

842
00:54:09.400 --> 00:54:13.039
<v Speaker 2>throw up. So it's a minority position, but something to

843
00:54:13.119 --> 00:54:16.599
<v Speaker 2>be aware of. The soundtrack to this movie, as we've

844
00:54:16.599 --> 00:54:19.519
<v Speaker 2>already mentioned, some of it is kind of popular Brazilian

845
00:54:19.599 --> 00:54:22.519
<v Speaker 2>movie music from the late nineties. Other of it is

846
00:54:22.639 --> 00:54:26.280
<v Speaker 2>you know, moral orchestral is quite good if you're interested

847
00:54:26.360 --> 00:54:28.679
<v Speaker 2>in that. And this movie is super easy to find.

848
00:54:28.840 --> 00:54:31.360
<v Speaker 2>I think it's on Amazon if you're willing to sail

849
00:54:31.440 --> 00:54:33.960
<v Speaker 2>the high seas because it's in Brazil. Of course, you

850
00:54:34.039 --> 00:54:36.119
<v Speaker 2>can find a copy of it at your favorite website,

851
00:54:36.519 --> 00:54:39.920
<v Speaker 2>but I'd highly recommend it It's very watchable. If you

852
00:54:40.000 --> 00:54:44.800
<v Speaker 2>know you're you enjoy those kind of you crime movies,

853
00:54:45.000 --> 00:54:46.280
<v Speaker 2>this is a very good one.

854
00:54:46.880 --> 00:54:47.039
<v Speaker 1>Uh.

855
00:54:47.800 --> 00:54:52.039
<v Speaker 2>The thematically, it's very tight, the messaging is very much

856
00:54:52.199 --> 00:54:55.639
<v Speaker 2>aligned to your interests if you're listening to this. And

857
00:54:55.760 --> 00:55:00.639
<v Speaker 2>also it's just a cool I wouldn't say low budget,

858
00:55:00.679 --> 00:55:04.920
<v Speaker 2>but kind of mid budget movie. And yeah, I highly

859
00:55:05.000 --> 00:55:05.480
<v Speaker 2>recommend it.

860
00:55:06.920 --> 00:55:11.920
<v Speaker 1>Yeah, it's great. It's it's totally worth watching it. Again,

861
00:55:12.039 --> 00:55:15.719
<v Speaker 1>Like I said before, it is a cautionary tale. It

862
00:55:16.159 --> 00:55:22.000
<v Speaker 1>is absolutely a cautionary tale. There's something else that I noticed.

863
00:55:22.039 --> 00:55:25.760
<v Speaker 1>I just have a little I scribbled it down, and

864
00:55:25.880 --> 00:55:34.320
<v Speaker 1>it's worth mentioning. Every police officer's uniform has you know,

865
00:55:34.519 --> 00:55:37.599
<v Speaker 1>like in the military, you have your last name on

866
00:55:37.719 --> 00:55:40.639
<v Speaker 1>a patch and then it has their blood type right

867
00:55:40.719 --> 00:55:47.119
<v Speaker 1>after it, which is totally makes sense. And it follows

868
00:55:47.239 --> 00:55:49.599
<v Speaker 1>the theme of the movie, which is that they are

869
00:55:50.960 --> 00:55:54.280
<v Speaker 1>they're going to be bleeding. They're going to be bleeding.

870
00:55:56.320 --> 00:56:01.519
<v Speaker 2>Yeah, I mean it is. The police are not superheroes

871
00:56:01.559 --> 00:56:04.400
<v Speaker 2>in this, and I think it's important to mention, right,

872
00:56:05.280 --> 00:56:08.000
<v Speaker 2>there are very real critiques of the police in this.

873
00:56:08.159 --> 00:56:11.440
<v Speaker 2>It's in fact, much of the inciting motivation is the

874
00:56:11.559 --> 00:56:15.480
<v Speaker 2>insane level of petty corruption, you know, going down to

875
00:56:15.559 --> 00:56:18.280
<v Speaker 2>things like there is you know, a scene of police

876
00:56:18.320 --> 00:56:21.559
<v Speaker 2>officers moving a body from one district to another. They're

877
00:56:21.559 --> 00:56:26.360
<v Speaker 2>again very managerial, this whole system designed to not actually

878
00:56:26.519 --> 00:56:29.480
<v Speaker 2>do anything but simply make it look better, you know,

879
00:56:29.639 --> 00:56:33.920
<v Speaker 2>so you know, reporting murders as drowning victims or drug overdoses,

880
00:56:34.400 --> 00:56:37.840
<v Speaker 2>you know, anything they can to you know, basically dodge

881
00:56:37.920 --> 00:56:42.400
<v Speaker 2>responsibility for that. And again that creates the necessity for

882
00:56:42.599 --> 00:56:46.239
<v Speaker 2>this sort of like we could almost say like odanic figure,

883
00:56:46.519 --> 00:56:49.000
<v Speaker 2>you know, or this kind of like heroic figure that is,

884
00:56:49.159 --> 00:56:51.360
<v Speaker 2>you know, Bope, and by extension, our main characters who

885
00:56:51.639 --> 00:56:54.760
<v Speaker 2>you basically sidestep all of that, you know, who go

886
00:56:54.880 --> 00:56:56.920
<v Speaker 2>and sort of meet evil on its own terms instead

887
00:56:56.960 --> 00:56:59.639
<v Speaker 2>of trying to you know, manage it out of the

888
00:56:59.639 --> 00:57:05.800
<v Speaker 2>exists the uh and I realize people are understandably annoyed

889
00:57:06.480 --> 00:57:10.320
<v Speaker 2>by you know, quote unquote social commentary. It's it is

890
00:57:10.440 --> 00:57:14.159
<v Speaker 2>certainly there. It is interesting, it is well expressed and

891
00:57:14.440 --> 00:57:18.079
<v Speaker 2>not didactic. And also if you just want to watch

892
00:57:18.119 --> 00:57:20.880
<v Speaker 2>a movie where guys shoot each other, you got that too.

893
00:57:21.679 --> 00:57:24.639
<v Speaker 2>So yeah, Carl, I really enjoyed talking with you about

894
00:57:24.639 --> 00:57:28.320
<v Speaker 2>this movie. It's one of my favorites. Uh, and honestly,

895
00:57:28.719 --> 00:57:32.000
<v Speaker 2>I they're you know, the the Last Things Film Festival

896
00:57:32.000 --> 00:57:35.400
<v Speaker 2>has been permanently shuttered. But I did do a review

897
00:57:35.480 --> 00:57:36.000
<v Speaker 2>on it for that.

898
00:57:36.760 --> 00:57:42.599
<v Speaker 1>Uh, that's right a year ago. Uh. I did movies

899
00:57:42.880 --> 00:57:43.280
<v Speaker 1>with him.

900
00:57:43.639 --> 00:57:45.760
<v Speaker 2>I really wish one did you do well?

901
00:57:45.800 --> 00:57:50.519
<v Speaker 1>I did? I did The Killer and Hard Boiled, but

902
00:57:50.760 --> 00:57:56.559
<v Speaker 1>but generally so good, generally talked about about John Wu

903
00:57:57.119 --> 00:58:03.440
<v Speaker 1>and the uh the message of globalism in these films,

904
00:58:03.840 --> 00:58:08.599
<v Speaker 1>in his films of the era. Yeah, the uh, I.

905
00:58:08.920 --> 00:58:13.840
<v Speaker 2>Will say, my favorite Wo movie is Face Off. But

906
00:58:13.960 --> 00:58:15.280
<v Speaker 2>that is a ridiculous film.

907
00:58:15.800 --> 00:58:19.320
<v Speaker 1>It's It's totally ridiculous. John John Wu's movies are ridiculous.

908
00:58:19.440 --> 00:58:21.639
<v Speaker 1>Most of them are not very good, like his older

909
00:58:21.719 --> 00:58:25.440
<v Speaker 1>ones are not very good. That he was just cranking

910
00:58:25.519 --> 00:58:30.000
<v Speaker 1>them out. But yeah, I face Off is Face Off

911
00:58:30.119 --> 00:58:33.360
<v Speaker 1>is worth watching. It's it's insane and it and it

912
00:58:33.480 --> 00:58:36.119
<v Speaker 1>gives you everything that you would expect from And John.

913
00:58:37.719 --> 00:58:41.679
<v Speaker 2>There's a my this is unrelated. Maybe we'll come back

914
00:58:41.719 --> 00:58:45.159
<v Speaker 2>to it, but uh, my brother in law, who I

915
00:58:45.199 --> 00:58:48.840
<v Speaker 2>guess you have spoken too briefly, Carl, for unrelated purposes

916
00:58:49.440 --> 00:58:54.159
<v Speaker 2>is uh super into uh like Prestige Hong Kong Cinema

917
00:58:55.000 --> 00:58:57.440
<v Speaker 2>so like, like you know, chun King express all of

918
00:58:57.480 --> 00:58:57.920
<v Speaker 2>that stuff.

919
00:58:57.960 --> 00:58:59.119
<v Speaker 1>That's it's more than that.

920
00:58:59.199 --> 00:59:00.880
<v Speaker 2>And that's just the one that I can remember, because

921
00:59:00.920 --> 00:59:02.599
<v Speaker 2>I'll be honest, a lot of these movies are sort

922
00:59:02.599 --> 00:59:06.880
<v Speaker 2>of passed me. But yeah, it's a very interesting cinematic

923
00:59:06.960 --> 00:59:11.199
<v Speaker 2>culture discussion for another day. We're supposed to be talking

924
00:59:11.199 --> 00:59:12.199
<v Speaker 2>about Elite Squad, aren't we.

925
00:59:12.559 --> 00:59:12.760
<v Speaker 1>Yeah.

926
00:59:12.800 --> 00:59:15.320
<v Speaker 2>Anyway, there are a lot of movies that are good. Well, Carl,

927
00:59:15.719 --> 00:59:18.599
<v Speaker 2>thank you so much. This is a fascinating discussion. I've

928
00:59:18.679 --> 00:59:21.440
<v Speaker 2>mentioned to the fact that you have a book Faction

929
00:59:21.599 --> 00:59:26.760
<v Speaker 2>with the Crusader and then another one. You should read them. Obviously,

930
00:59:26.840 --> 00:59:30.840
<v Speaker 2>your substack, your Twitter, You and I do mostly live streams.

931
00:59:31.000 --> 00:59:33.800
<v Speaker 2>I assume everyone is familiar with you. Is there anything

932
00:59:33.800 --> 00:59:34.360
<v Speaker 2>else I missed?

933
00:59:36.079 --> 00:59:37.400
<v Speaker 1>No, I think that covers it.

934
00:59:37.559 --> 00:59:37.840
<v Speaker 2>Thank you.

935
00:59:38.079 --> 00:59:42.840
<v Speaker 1>I would love to close my commentary with a ringing

936
00:59:43.039 --> 00:59:48.079
<v Speaker 1>endorsement from a critic of this film that was published

937
00:59:48.480 --> 00:59:54.239
<v Speaker 1>in Variety by one Jay Weissberg, who called the movie

938
00:59:54.400 --> 00:59:59.920
<v Speaker 1>a quote one note celebration of violence for good hyphening

939
01:00:00.039 --> 01:00:04.400
<v Speaker 1>did that plays like a recruitment film for fascist thugs.

940
01:00:04.719 --> 01:00:08.599
<v Speaker 1>End quote. Thank you, M. M.
