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<v Speaker 1>We'd like to thank Cozy Earth. No, we wouldn't let

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<v Speaker 1>me start that over. We would like to think bam

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<v Speaker 1>bamp three two one. Ask not what your country can

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<v Speaker 1>do for you, ask what you can do for your country.

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<v Speaker 1>Mister gorbach Off, tear down this wall. It's the Ricochet

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<v Speaker 1>Podcast and our guest is you the members who pose

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<v Speaker 1>questions to myself James Lylyx and Charles C. W. Cook.

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<v Speaker 1>So let's have us of the podcast. Oh and tariffs do.

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<v Speaker 2>Well the all first questions for the blood hand this

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<v Speaker 2>evening is what's great a parent of Cartesian dualism. Resist

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<v Speaker 2>the reduction of zs ideological phenomena to physical states.

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<v Speaker 1>President Trump, I really don't know what he said at

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<v Speaker 1>the end of this, and I don't think he knows

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<v Speaker 1>what he said either. Listener mail welcome everybody. This is

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<v Speaker 1>the Ricochet Podcast, number seven thirty six from James Lylyax

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<v Speaker 1>in Minneapolis, Spring not yet here. Slake gray Sky's bit

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<v Speaker 1>of a chill to the air. The other day the

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<v Speaker 1>tornado sirens went off and wailed for about four minutes,

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<v Speaker 1>to the extreme distress of all dogs and some people.

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<v Speaker 1>But nice to know that soon the twisters will be

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<v Speaker 1>scribbling their way across the landscape to lift us either

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<v Speaker 1>into OZ or elsewhere. But in the other version of

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<v Speaker 1>American paradise OZ, like green, verdant, lush, humid, is Florida,

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<v Speaker 1>where we presume Charles is at the moment Charles see

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<v Speaker 1>w Cook, welcome, thank you.

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<v Speaker 2>Did the Hawaiian shirt give it away?

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<v Speaker 1>Yes? Whenever I see Hawaiian shirt, I naturally think of Florida.

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<v Speaker 1>I suppose Stephen isn't with us, By the way, Stephen

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<v Speaker 1>is right now somewhere off with Peter Robinson and rob

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<v Speaker 1>Long telling you stories about me and Charlie. So I

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<v Speaker 1>suppose before we get to the member questions, because we're

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<v Speaker 1>just sort of winging it today, we're just having fun.

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<v Speaker 1>We're just, you know, taking having a lark. Is it

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<v Speaker 1>necessary to have the obligatory segment about terras, which will

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<v Speaker 1>immediately be rendered You're meaningless by some other twister turn

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<v Speaker 1>in the next forty eight hours or forty eight minutes.

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<v Speaker 1>Would you like to say something, would you like to vent,

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<v Speaker 1>would you like to spleen dumb? Would you like to

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<v Speaker 1>open a vein on everybody? Or are you just sort

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<v Speaker 1>of tired and beaten down by it all? And waiting

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<v Speaker 1>for the next week to change things again.

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<v Speaker 2>I'm never too beaten down to vent my spleen. James,

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<v Speaker 2>all right, well, it's silly, isn't it. It's counterproductive economically,

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<v Speaker 2>it's counterproductive politically. And here's the bit that I don't understand.

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<v Speaker 2>You don't need to hear me go on and on

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<v Speaker 2>again about the economics, but the politics of it fascinate me.

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<v Speaker 2>We just had a report that consumer confidence is the

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<v Speaker 2>worst it's been for years, that people are worried about

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<v Speaker 2>inflation in a way that they haven't been since Joe

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<v Speaker 2>Biden was alive.

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<v Speaker 1>What were the lace of the last inflation numbers, by

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<v Speaker 1>the way.

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<v Speaker 2>Very good, But this is the politics. Inflation went down

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<v Speaker 2>people expected to be seven percent? Why? Because of tariffs?

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<v Speaker 2>And my question is, even if you feel obliged to

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<v Speaker 2>defend Trump in this particular, don't you want the rest

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<v Speaker 2>of his agenda? Don't you want the rest of his

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<v Speaker 2>presidency to work?

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<v Speaker 1>Yes?

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<v Speaker 2>I don't understand the gamble here.

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<v Speaker 1>I know. I think the gamble is is that all

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<v Speaker 1>of this will be short term, and that everyone will

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<v Speaker 1>come to the table and that'll be good news, and

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<v Speaker 1>that it won't have an inflationary effect and that it

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<v Speaker 1>will all be forgotten in a month, which is entirely

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<v Speaker 1>possible given the speed at which these things pass these days.

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<v Speaker 1>But they ought to do a better job of touting

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<v Speaker 1>what they are doing. Had a post up on Ricochet yesterday.

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<v Speaker 1>This morning, there's a cabinet meeting. When they aired the cabinet,

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<v Speaker 1>it's all on TikTok and it's all on YouTube, and

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<v Speaker 1>everybody sits down and gives the report about what they're doing,

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<v Speaker 1>and it's like a wish list of the basic conservative ideas,

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<v Speaker 1>with the exception of a couple of things. And it's

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<v Speaker 1>really remarkable because when you look at it, as I

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<v Speaker 1>wrote on the Ricochet dot com, which you should join people,

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<v Speaker 1>nearly every single one of them is something that people

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<v Speaker 1>on the right would say, good glad we're getting on that.

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<v Speaker 1>And you realize if there was a Harris administration that

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<v Speaker 1>none of that would have happened. In fact, we'd have

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<v Speaker 1>the absolute inversion of every single one of those ideas,

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<v Speaker 1>all of them. And so yeah, they really a probably

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<v Speaker 1>are doing a bad job of communicating these things, or

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<v Speaker 1>they contend to communicate them in the usual means modern

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<v Speaker 1>means now, which is memes and social media. And two, yes,

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<v Speaker 1>this is bad for the future agenda because if you

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<v Speaker 1>do indeed have the dislocations, the economic dislocations that people

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<v Speaker 1>are worrying about, then the midterms are shot. But we'll see,

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<v Speaker 1>we'll see. It's a zesty farago, is it not.

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<v Speaker 2>You were going to say, well, the best case scenario

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<v Speaker 2>you just outlined is it's forgotten in a month. That's

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<v Speaker 2>the best case.

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<v Speaker 1>I well, no, politically, that's the best case. I'm not

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<v Speaker 1>saying economically, culturally, socially, etcetera. It's the best case, right.

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<v Speaker 2>But my point is that even if you were going

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<v Speaker 2>to do this, which I oppose, not least because I

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<v Speaker 2>think it's unconstitutional to delegate the tariff power, I agree,

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<v Speaker 2>But if you were going to do this, you do

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<v Speaker 2>it later. Because presidencies, and this is to us extensively

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<v Speaker 2>because we have created a pope like presidency and become

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<v Speaker 2>very superstitious about it. But it's nevertheless true that presidencies

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<v Speaker 2>rise and fall on the economy. And Trump last time

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<v Speaker 2>around did a pretty good job on the economy. The

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<v Speaker 2>twenty nineteen economy was not there because of Trump, the

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<v Speaker 2>Great and Wise Trump, but he did things that helped

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<v Speaker 2>create the circumstances of twenty nineteen that people really liked,

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<v Speaker 2>the tax bill that he signed, the deregulation in which

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<v Speaker 2>he engaged. These were good things that created stability and

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<v Speaker 2>optimism and investment, and because of that he should have

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<v Speaker 2>been able to then move on to other things. Now

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<v Speaker 2>he wasn't because he was very unlucky with COVID. I'm

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<v Speaker 2>pretty defensive of Trump over COVID. I think that Trump

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<v Speaker 2>dealt with it, okay, I think no other president would

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<v Speaker 2>have done better. We were all in very, very strange place.

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<v Speaker 2>And he also had a lot of his early presidential

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<v Speaker 2>months years even taken up with absurd lawfare and Russia Gate.

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<v Speaker 2>So I have a great deal of time for the

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<v Speaker 2>idea that Trump was screwed over in his first term

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<v Speaker 2>quite frequently. But the lesson from the first term is

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<v Speaker 2>if you create an economic environment that works for people,

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<v Speaker 2>which twenty nineteen did via the usual conservative policies, people

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<v Speaker 2>like you, and when people like you, they have a

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<v Speaker 2>lot of time for the rest of your agenda. Now,

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<v Speaker 2>Trump is doing very well on the border, with the

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<v Speaker 2>exception of some due process questions that I object to,

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<v Speaker 2>but as a rule, he's doing very very well on

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<v Speaker 2>the border, and people are responding to it. His approval

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<v Speaker 2>rating in that area is very high. I just think

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<v Speaker 2>that the smart political player would have been to come

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<v Speaker 2>in do what he's done on the border, do what

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<v Speaker 2>he did in twenty seventeen, renew the tax cuts, pro

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<v Speaker 2>growth policies, do some cuts which he doesn't seem to

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<v Speaker 2>want to do, deregulate which he is doing, and then

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<v Speaker 2>go about the difficult bits. Now that's not to say

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<v Speaker 2>I'm not going to suddenly endorse all of this tariff stuff,

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<v Speaker 2>both because I think it's unconstitutional for the president to

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<v Speaker 2>do and I think that it is just absurdly over

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<v Speaker 2>the top. It's one thing to have a China policy.

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<v Speaker 2>It's another to put ten percent tariffs on people who

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<v Speaker 2>don't have tariffs on us, with whom we have a

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<v Speaker 2>trade surplus, to talk to our allies as we do,

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<v Speaker 2>and all the rest of it. But some of the

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<v Speaker 2>things Trump wants to do are quite difficult to get done.

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<v Speaker 2>They require persuasion, and they are not necessarily sixty forty

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<v Speaker 2>seventy to thirty propositions. And I really worry that the

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<v Speaker 2>rest of those things have now been set back by

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<v Speaker 2>the chaos that has been unleased in the last two weeks.

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<v Speaker 2>So that's why I think it's politically bizarre. Anyway, we

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<v Speaker 2>can move on side questions now that I.

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<v Speaker 1>Get that and I agree. The only thing that I

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<v Speaker 1>will say, and I'm not saying that I agree with it,

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<v Speaker 1>that I understand the argument is that you are not

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<v Speaker 1>going to get China's attention otherwise, and you're not going

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<v Speaker 1>to get China to do anything otherwise because, as we know,

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<v Speaker 1>everyone sits down around a table and talks for two

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<v Speaker 1>years and comes up with something that eventually, supposedly down

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<v Speaker 1>the road and twenty twenty nine, we'll begin to address

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<v Speaker 1>the problem of possible finds for IP stealing in the

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<v Speaker 1>rest of them, and everything goes on as usual, and

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<v Speaker 1>everything that you buy on Amazon continues to be Timu

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<v Speaker 1>junk and etc. Etc. And this rankles Trunk in a

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<v Speaker 1>way that just apparently is just a corrosive, acid soaked

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<v Speaker 1>popcorn hull and his goal in his gums. And we've

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<v Speaker 1>been hearing it for years. But you're right, let's get

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<v Speaker 1>onto questions. Because members of Ricochet, of which there are many,

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<v Speaker 1>and they are a wonderful bunch with great opinions may

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<v Speaker 1>put some questions on Ricochet for Charles and to address,

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<v Speaker 1>and the first comes from Michael Minette. Question, what do

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<v Speaker 1>you see as the pros and cons of the current

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<v Speaker 1>global Packs Americana. Do you think there's a practical way

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<v Speaker 1>to pay for it without beggaring the American people?

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<v Speaker 2>Charles, Oh, I have many thoughts. Thore's are two separate questions.

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<v Speaker 2>I think the Packs Americana is a wonderful thing and

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<v Speaker 2>that it would be an absolute disaster if we traded

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<v Speaker 2>it for a Pax something else. The Packs of Americana followed

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<v Speaker 2>the Pax Britannica. The Pax Britannica was broadly begun in

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<v Speaker 2>eighteen oh five on the water and in eighteen fifteen

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<v Speaker 2>on the land, with the battles of Fifaga and Waterloo, respectively.

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<v Speaker 2>In nineteen forty five, at the end of the Second

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<v Speaker 2>World Warish Empire was exhausted and depleted and broke, and

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<v Speaker 2>we handed over control of the seas to the United States.

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<v Speaker 2>That sounds like said we did it out of the kindness.

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<v Speaker 1>Of our heart.

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<v Speaker 2>We had to, but we passed the bat on to

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<v Speaker 2>another English speaking nation with the rule of law. And

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<v Speaker 2>this is a wonderful thing. This is why the world

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<v Speaker 2>looks as it does, is that America is in charge

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<v Speaker 2>because the alternatives are all awful. China, Russia, France. We

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<v Speaker 2>don't want those people.

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<v Speaker 1>You can take the British citizenry out of the man

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<v Speaker 1>but you but you can't take the British desire to

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<v Speaker 1>just take a little swipey if possible. Yes, I don't

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<v Speaker 1>think there'll be a Friendshire pack.

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<v Speaker 2>But that's the first part. So we should want this

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<v Speaker 2>because there is no alternative. How do we pay for it? Look,

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<v Speaker 2>this does cost us, but not that much. In nineteen

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<v Speaker 2>sixty that would have been much more difficult to interrogate

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<v Speaker 2>because fifty percent of the federal budget was spent on defense. Now,

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<v Speaker 2>the amount we spend on defense, I believe is eight percent,

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<v Speaker 2>and that is less than we're paying on interest on

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<v Speaker 2>the debt. We do not, relative to other things, spend

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<v Speaker 2>very much on our military or on the packs. Americana.

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<v Speaker 2>Relative to other nations in both absolute terms and when

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<v Speaker 2>compared to our GDP, we spend quite a lot, but

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<v Speaker 2>we do not spend much on defense compared to say,

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<v Speaker 2>social Security or Medicare, or interest on the debt. And

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<v Speaker 2>because of that, I think that the packs of Americana

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<v Speaker 2>is a bargain. So if you were looking at the

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<v Speaker 2>budget and the question were and ought to be given

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<v Speaker 2>our predicament, where do we cut? That's the last thing

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<v Speaker 2>I would cut, because that is, in my estimation, the

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<v Speaker 2>reason we have a federal government. The federal government, whether

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<v Speaker 2>it's a good idea or not, does not exist to

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<v Speaker 2>provide social security or Medicare, or the Department of Education

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<v Speaker 2>or farm subsidies, or to borrow money every year. The

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<v Speaker 2>federal government exists primarily for international relations and within that

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<v Speaker 2>for defense, and I am open to the idea that

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<v Speaker 2>across the board cuts would involve some reductions in defense spending,

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<v Speaker 2>although I think there are solid arguments against that too.

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<v Speaker 2>But to start with that, or to make that the

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<v Speaker 2>focal point of any inquiry into our expenditures, seems to

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<v Speaker 2>me backwards.

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<v Speaker 1>The cons woul seem to be that we feel obligated

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<v Speaker 1>to get involved in conflicts which manifestly on the surface,

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<v Speaker 1>do not seem to be issues you care about. And

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<v Speaker 1>that's why people on the right are indifferent to Ukraine

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<v Speaker 1>or what the off effect would be if Russia just

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<v Speaker 1>had taken over and rolled it up, and they're indifferent

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<v Speaker 1>in a large part. And I see you get a

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<v Speaker 1>lot of this from Vance to Europe in general. And

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<v Speaker 1>I was trying to explain this to somebody the other

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<v Speaker 1>day who is European and was baffled by what they

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<v Speaker 1>see as antipathy to Europe amongst people on the conservative site,

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<v Speaker 1>not all, but some. And I think it has to

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<v Speaker 1>do twofold. Part of it is maybe, look, we've been

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<v Speaker 1>you know, we've been paying for your defense, which allows

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<v Speaker 1>you to essentially perform the government equivalent of taking a

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<v Speaker 1>long vacation. You know, you get to spend the money

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<v Speaker 1>as you wish on the things that you like because

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<v Speaker 1>you know that we're going to be there to back

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<v Speaker 1>you up, and you don't have to spend any money,

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<v Speaker 1>and you can't project power, and your armies consists basically

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<v Speaker 1>of bureaucrats, and you know your guns are rusty, and

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<v Speaker 1>that we find that contemptuous. Why wouldn't you want to

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<v Speaker 1>be able to defend yourself. But the other part of

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<v Speaker 1>it is is that I think people on the right,

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<v Speaker 1>correctly or not, believe that there is a general lack

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<v Speaker 1>of faith in the European idea at all, and that

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<v Speaker 1>there's sort of been a combination of a hand waving,

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<v Speaker 1>techno utopian, transnationalist belief that all individual national identities can

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<v Speaker 1>be subsumed into this wonderful European project, coupled with a

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<v Speaker 1>sort of you know, strange, subconscious desire for cultural suicide

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<v Speaker 1>that requires the changing of the national character by importation

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<v Speaker 1>of people who are antithetical to it. And so we

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<v Speaker 1>look at this and say, you know, the reason perhaps

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<v Speaker 1>that America is not interested in Europe anymore is that

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<v Speaker 1>Europe doesn't seem to be interested in being Europe. Is

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<v Speaker 1>that you want to be a collection of quaint little

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<v Speaker 1>tourist places, dense little cities with nice old churches and

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<v Speaker 1>twisty streets and cafes and the rest of it. And

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<v Speaker 1>beyond that, you know, we'll visit and we'll see you

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<v Speaker 1>art and your art, and then get our stamped the

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<v Speaker 1>passport and go. But Americans don't feel that same sort

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<v Speaker 1>of connection as they used it. And part of it

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<v Speaker 1>may be again because we're a couple of more generations

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<v Speaker 1>distant from the immigrant project, with so many people from

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<v Speaker 1>your came over. You know, you know, now we have

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<v Speaker 1>the grandchildren of DPS. We don't have the children of

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<v Speaker 1>DPS and so just all those connections get severed. And

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<v Speaker 1>I hate it, frankly, because you know, the history of Europe,

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<v Speaker 1>bloody and awful and remarkable and storied as it is,

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<v Speaker 1>is a unique story in the elevation of the human

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<v Speaker 1>spirit and individual liberty, and I hate to find us

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<v Speaker 1>disconnected on an emotive as well as intellectual level from it,

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<v Speaker 1>says I. But then again, I'm not European. Let's go

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<v Speaker 1>to Henry henriqu castein this is this is great. I'm

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<v Speaker 1>getting out my twelve foot pole because I'm not going

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<v Speaker 1>to touch this with a ten. Don't leave it to

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<v Speaker 1>Would we be better off if we got rid of

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<v Speaker 1>universal suffrage? I'm sorry, I almost went daffy duck on you.

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<v Speaker 1>Storage would we be better off if we got rid

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<v Speaker 1>of universal suffrage? Because that's what's going That's what's going

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<v Speaker 1>to happen now with the new voting requirements, right, and

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<v Speaker 1>I'm won't be able to vote unless they show up

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<v Speaker 1>in a handmade tale outfit or provide some documents or

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<v Speaker 1>something like that. Would would be better? Charles? And what

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<v Speaker 1>is the argument? What is he saying though? What basically,

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<v Speaker 1>what's the underlying point that he's making because I think

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<v Speaker 1>we know what it is. Well.

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<v Speaker 2>Look, the United States is a republic, and it was

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<v Speaker 2>founded by people who are openly skeptical of democracy as

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<v Speaker 2>they had seen it operate in various places around the

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<v Speaker 2>world for the two thousand years prior to the founding.

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<v Speaker 2>We still have a great deal of skepticism towards democracy

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<v Speaker 2>in the United States. That's what the Constitution is, especially

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<v Speaker 2>the Bill of Rights. The notion that the public is

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<v Speaker 2>always right is a silly one, but there really is

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<v Speaker 2>no better mechanism to correct the behavior of those in

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<v Speaker 2>power than elections. If you look at even the last

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<v Speaker 2>ten to fifteen years, it's been necessary over and over

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<v Speaker 2>again for the public to step in, especially with a

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<v Speaker 2>secret ballot that is inoculated against the pressures of public life,

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<v Speaker 2>and make their preferences clear. I don't want to see

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<v Speaker 2>that go away. I think that's an integral part of

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<v Speaker 2>the system. I think that our problem is not so

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<v Speaker 2>much in the balance of what we allow to be

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<v Speaker 2>voted on and what we don't, or in the balance

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<v Speaker 2>of who we allowed to vote, women, eighteen year old immigrants,

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<v Speaker 2>or what you are. I think our problem is that

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<v Speaker 2>we have put far too much authority in the hands

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<v Speaker 2>of the national government and then subject that national government

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<v Speaker 2>to the democratic will, and that's why we're all angry

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<v Speaker 2>with one another. I hear very few complaints about democracy

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<v Speaker 2>from people at the state level. Now, yes, I live

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<v Speaker 2>in Florida, and Florida has been a success story, but

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<v Speaker 2>I don't hear from those in other places Iowa, Wyoming, Massachusetts.

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<v Speaker 2>I'm really worried about this or that election, But nationally,

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<v Speaker 2>whenever we have an election, everyone panics because there's so

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<v Speaker 2>much riding on it. So I don't think our issue

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<v Speaker 2>is with the franchise. I think our issue is with

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<v Speaker 2>the vertical allocation of power, which is massively out of

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<v Speaker 2>whack in favor of the federal government. America is a

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<v Speaker 2>pretty diverse place. I say diverse in the useful sense

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<v Speaker 2>of that word, not in the dei sense, which really

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<v Speaker 2>means getting people who have differently mutable characteristics but all

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<v Speaker 2>agree and putting them in the same room. I mean

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<v Speaker 2>that it is a good thing that Minnesota is different

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<v Speaker 2>than Florida, because Minnesotans are different than Floridians. But if

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<v Speaker 2>you ask them to channel all of their political preferences

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<v Speaker 2>and energies through Washington, d C. They are going to

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<v Speaker 2>come to blost. That's the issue. As far as I

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<v Speaker 2>see it, I wouldn't change the eligibility for voting.

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<v Speaker 1>Well, you're right, and that is why it is baffling

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<v Speaker 1>to well, it isn't. But it is baffling why people

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<v Speaker 1>insist that we are presently under the increasing pressure of

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<v Speaker 1>the jack boot of fascism on our next because of

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<v Speaker 1>getting rid of the Department of Education. If you had

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<v Speaker 1>an administration that said we are now going to subsume

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<v Speaker 1>all educational requirements in Washington under the Department of Education,

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<v Speaker 1>if Trump had done this and said that we are

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<v Speaker 1>now going this is the uniform National pro America curriculum

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<v Speaker 1>that's going to be instituted, and people would scream that

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<v Speaker 1>this was that this was fascism. But if a liberal

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<v Speaker 1>government did, a leftist government comes in and says, the

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<v Speaker 1>Department of Education is now going to be given double

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<v Speaker 1>its budget because we're past the horrible days of Trump

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<v Speaker 1>and we're going to sweep out all these old ideas

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<v Speaker 1>and institute this new thing, which we guarantee, if you

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<v Speaker 1>look at the stats and figures, are going to teach

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<v Speaker 1>our children well and all, by the way, tell them,

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<v Speaker 1>give them all the ideological tools that they need to

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<v Speaker 1>be good citizens, good planetary citizens, good climate citizens, and

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<v Speaker 1>the rest of it. That's to me, an idiot that

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<v Speaker 1>I am, seems closer to fascism than saying we're getting

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<v Speaker 1>rid of the national Department and devolving everything down to

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<v Speaker 1>the states. The more you devolve down to the individual,

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<v Speaker 1>down to the smaller units of government, the less I

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<v Speaker 1>don't know fascism you seem to have, so that I

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<v Speaker 1>don't get And I'm all in favor of doing this

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<v Speaker 1>because it's more responsive, it's more immediate. I've got a

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<v Speaker 1>better chance of going to my local city council. Well, no,

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<v Speaker 1>my city council is hopeless, but I've got a better

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<v Speaker 1>chance of influencing something at a local level than I

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<v Speaker 1>do possibly being my one vote is you know, a

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<v Speaker 1>tincture of iodine into this great ocean of blue. So, yes,

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<v Speaker 1>you're right, You're absolutely right. It's the concentration of power

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<v Speaker 1>in the hands of the government. And if there's nothing else,

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<v Speaker 1>I hope that the left looks at the last one

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<v Speaker 1>hundred hundred and twenty days and says, you know, these

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<v Speaker 1>executive voter things here, let's rethink exactly how this works

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<v Speaker 1>in a democracy, because I'm not crazy about them, and

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<v Speaker 1>I wish that there was an instinctive revulsion on both

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<v Speaker 1>parts to ram stuff through using that. I prefer the

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<v Speaker 1>legislative process, That's what it was set up for. But

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<v Speaker 1>here's the thing. I think Henry's playing with us. I

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<v Speaker 1>think what Henry really means is didn't all of our

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<v Speaker 1>troubles start when women got the vote? And I think

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<v Speaker 1>the reason he thinks that, or he's just playing with us,

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<v Speaker 1>And because it's something that you hear people actually say,

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<v Speaker 1>you know that that wasn't the best idea. I mean,

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<v Speaker 1>I suppose we had to. What they're ascribing to the

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<v Speaker 1>female vote or half of it is a sort of

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<v Speaker 1>out group empathy amongst liberal women who have you know,

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<v Speaker 1>the childless cat ladies that shad Evans was talking about,

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<v Speaker 1>who regarded as a as a for a badge of

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<v Speaker 1>moral superiority, that they have great empathy and uh and

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<v Speaker 1>well desire to help people who are completely outside of

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<v Speaker 1>their own social group, their own social norm, their own cohort,

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<v Speaker 1>their own tribe, whatever, and that this meaningless consequence free

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<v Speaker 1>desire to spread money and gifts and the rest of

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<v Speaker 1>it to populations for whom they have a strange, disconnected

391
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<v Speaker 1>empathy and sympathy has actually been injurious to the to

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<v Speaker 1>the government, and to the and to society. That that,

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<v Speaker 1>I think is the point that he's trying to make

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<v Speaker 1>us say. And that's something that I hear from somebody.

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<v Speaker 1>I know that that's not the case in your household.

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<v Speaker 2>Charley, Well, my wife thinks simon a left wing squish,

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<v Speaker 2>So imagine if that is where Henry's driving, then he

398
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<v Speaker 2>would make an exception for her. Yes, my wife is

399
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<v Speaker 2>somewhere to the rights of Attila the hun.

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<v Speaker 1>Well, yes, I can imagine a fun weekend at the

401
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<v Speaker 1>cook household where she's burrating you for your trigger discipline.

402
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<v Speaker 1>That is just great. Well, good for you, Good for you,

403
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<v Speaker 1>good for you. Hey, something else I want to mention, though,

404
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<v Speaker 1>what is you? Without giving too many details away, what

405
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<v Speaker 1>does your wife do?

406
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<v Speaker 2>She's is, uh, stay at her mum and has been

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<v Speaker 2>since our first child was born.

408
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<v Speaker 1>Well, good for her. I was a stay at home

409
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<v Speaker 1>dad for a while and years and it was the

410
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<v Speaker 1>best thing I could have possibly done. I do not

411
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<v Speaker 1>understand anybody who just sort of looks down their nose

412
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<v Speaker 1>at stay at home parents, because that time doesn't come back,

413
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<v Speaker 1>and you get to be there at every single moment.

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<v Speaker 1>The bad part about it is that your whole life

415
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<v Speaker 1>is flowers for Algernon, because they grow up and they

416
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<v Speaker 1>don't remember any of the things that you keenly recall.

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<v Speaker 1>I mean, I recall when my child was too when

418
00:24:11.519 --> 00:24:12.839
<v Speaker 1>we were sitting on the floor and we're reading a

419
00:24:12.839 --> 00:24:14.240
<v Speaker 1>book and we're playing with this toy, and I can

420
00:24:15.480 --> 00:24:17.559
<v Speaker 1>summon up the slant of the light. I can tell

421
00:24:17.599 --> 00:24:20.240
<v Speaker 1>you what dog it was, and what his expression was,

422
00:24:20.319 --> 00:24:23.160
<v Speaker 1>and what was on the television set on Disney Playhouse

423
00:24:23.160 --> 00:24:24.880
<v Speaker 1>and the rest of it. I'm the only one who's

424
00:24:24.880 --> 00:24:27.160
<v Speaker 1>got that stuff. My daughter, who had a great time,

425
00:24:27.640 --> 00:24:30.839
<v Speaker 1>doesn't remember any of it, any of it. And that's

426
00:24:31.240 --> 00:24:35.359
<v Speaker 1>just life. That's just normal. So I don't know it's

427
00:24:35.359 --> 00:24:37.440
<v Speaker 1>better than hiring a nannie, That's all I can say.

428
00:24:37.480 --> 00:24:39.119
<v Speaker 1>I don't even know how you begin to hire a

429
00:24:39.200 --> 00:24:41.160
<v Speaker 1>nanny in these days. You know, hr is a problem

430
00:24:41.200 --> 00:24:43.400
<v Speaker 1>for people all over the world. Where you're hiring a nanny.

431
00:24:43.440 --> 00:24:45.359
<v Speaker 1>You're trying to onboard somebody in your company, and you know,

432
00:24:45.400 --> 00:24:48.119
<v Speaker 1>if you're a business owner, you have felt lost at times.

433
00:24:48.160 --> 00:24:51.480
<v Speaker 1>I'm sure when it comes to HR. Look, everyone's been there,

434
00:24:51.519 --> 00:24:54.640
<v Speaker 1>It's okay. HR is not what you do best. What

435
00:24:54.759 --> 00:24:58.000
<v Speaker 1>you really do best is find solutions right right, And

436
00:24:58.039 --> 00:25:02.599
<v Speaker 1>the solution of the HR problem is Bamboo HR. Bamboo

437
00:25:02.680 --> 00:25:05.519
<v Speaker 1>HR it's a powerful, yet flexible, all in one HR

438
00:25:05.599 --> 00:25:09.720
<v Speaker 1>solution for your growing business. You can stop spending countless

439
00:25:09.720 --> 00:25:13.319
<v Speaker 1>hours on payroll and time tracking and benefits and performance management.

440
00:25:13.400 --> 00:25:16.240
<v Speaker 1>I know with Bamboo HR those hours are shaped down

441
00:25:16.240 --> 00:25:18.799
<v Speaker 1>too minutes. That's why over thirty four thousand companies trust

442
00:25:18.839 --> 00:25:22.079
<v Speaker 1>Bamboo HR because it's an integrated system that is designed

443
00:25:22.079 --> 00:25:25.240
<v Speaker 1>to handle your current and your upcoming HR needs. Plus,

444
00:25:25.319 --> 00:25:29.680
<v Speaker 1>Bamboo HR prides itself on being super easy. It's super

445
00:25:29.720 --> 00:25:32.319
<v Speaker 1>easy to love. That's usually the last thing I say.

446
00:25:32.359 --> 00:25:34.759
<v Speaker 1>But you may wonder why would I love it? Because

447
00:25:34.759 --> 00:25:37.160
<v Speaker 1>it's easy to use, it's easy to learn, and it's

448
00:25:37.200 --> 00:25:41.440
<v Speaker 1>easy to implement. Bamboo HR handles everything from hiring to onboarding,

449
00:25:41.480 --> 00:25:44.720
<v Speaker 1>to payroll to benefits. When business owners switched to Bamboo HR,

450
00:25:44.799 --> 00:25:48.240
<v Speaker 1>the intuitive interface stands out right away. Why don't you

451
00:25:48.279 --> 00:25:49.759
<v Speaker 1>take a couple of minutes to check out the free

452
00:25:49.759 --> 00:25:52.599
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453
00:25:52.640 --> 00:25:58.039
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454
00:25:58.640 --> 00:26:00.599
<v Speaker 1>Reclaim your time and check out the free demo at

455
00:26:00.599 --> 00:26:04.400
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456
00:26:04.440 --> 00:26:07.000
<v Speaker 1>all that bamboo hr can do and how truly affordable

457
00:26:07.000 --> 00:26:10.279
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458
00:26:10.400 --> 00:26:14.279
<v Speaker 1>Bamboo hr dot com slash free demo. And we do

459
00:26:14.359 --> 00:26:19.839
<v Speaker 1>think bamboo hr for sponsoring this the Ricochet Podcast. Now

460
00:26:19.880 --> 00:26:23.279
<v Speaker 1>we have a question from let me see here. I

461
00:26:23.400 --> 00:26:27.839
<v Speaker 1>love this one. Don g Well, AI make the thesaurus obsolete?

462
00:26:28.799 --> 00:26:34.279
<v Speaker 1>That is is nuance in writing dead dash m dash

463
00:26:34.720 --> 00:26:37.880
<v Speaker 1>only be replaced by the brutalism of bullet points. Well,

464
00:26:37.920 --> 00:26:39.720
<v Speaker 1>first of all, no, it's not going to make the

465
00:26:39.759 --> 00:26:44.000
<v Speaker 1>saurus elite. One of my favorite favorite the Thoris stories

466
00:26:44.039 --> 00:26:46.039
<v Speaker 1>is actually I bought a Rogees. It was a public

467
00:26:46.079 --> 00:26:49.759
<v Speaker 1>domain copy at some point roges in some iteration went

468
00:26:49.799 --> 00:26:52.680
<v Speaker 1>into public domain and I bought it. And I was

469
00:26:52.680 --> 00:26:57.920
<v Speaker 1>looking for something to replace the word idiot. And one

470
00:26:57.960 --> 00:27:01.240
<v Speaker 1>of the phrases used by the US was he who

471
00:27:01.279 --> 00:27:04.880
<v Speaker 1>did not invent gunpowder, which cracked me up because it's

472
00:27:04.880 --> 00:27:08.960
<v Speaker 1>the equivalent he's not a rocket scientist, you know. Then

473
00:27:09.039 --> 00:27:10.880
<v Speaker 1>look at it. Some drooling fool down there. I he

474
00:27:10.920 --> 00:27:16.720
<v Speaker 1>didn't invent gunpowder. The problem is the the sort, the sorry,

475
00:27:16.880 --> 00:27:19.640
<v Speaker 1>I had enough coffee, I've had too much, I've had

476
00:27:19.680 --> 00:27:23.240
<v Speaker 1>too much plywood did this morning. It's full of archaic

477
00:27:23.359 --> 00:27:25.920
<v Speaker 1>words that you can't slip into conversations anymore. And if

478
00:27:25.920 --> 00:27:28.880
<v Speaker 1>you asked AI to actually go back and find old

479
00:27:29.000 --> 00:27:32.160
<v Speaker 1>Thesaurus words, it would look fake. It would look wrong,

480
00:27:32.279 --> 00:27:34.000
<v Speaker 1>just like they're saying. Now, you can tell something as

481
00:27:34.079 --> 00:27:36.599
<v Speaker 1>AI written if it's got an M dash. So no,

482
00:27:36.680 --> 00:27:39.559
<v Speaker 1>I don't think so, But Charles, the general effect of

483
00:27:39.599 --> 00:27:42.079
<v Speaker 1>AI on writing? Can you tell it when you see it?

484
00:27:42.119 --> 00:27:43.759
<v Speaker 1>And do you think that the problem is it's going

485
00:27:43.799 --> 00:27:45.279
<v Speaker 1>to get better and we won't be able to tell

486
00:27:45.319 --> 00:27:47.079
<v Speaker 1>it when it's uh, when it's obvious.

487
00:27:48.200 --> 00:27:51.160
<v Speaker 2>I think I can tell it. I don't think that

488
00:27:51.200 --> 00:27:55.519
<v Speaker 2>it getting better is necessarily a problem. It might be

489
00:27:55.759 --> 00:28:02.920
<v Speaker 2>if you are a beat reporter whose soul responsibility is

490
00:28:02.960 --> 00:28:07.039
<v Speaker 2>to use facts gathered by other people and rewrite them

491
00:28:07.279 --> 00:28:11.200
<v Speaker 2>in a mundane manner. I think that probably is not

492
00:28:11.319 --> 00:28:16.960
<v Speaker 2>going to survive AI as a role. But you can't

493
00:28:17.359 --> 00:28:23.359
<v Speaker 2>write like George will if you're a computer. And I

494
00:28:23.400 --> 00:28:27.680
<v Speaker 2>know that when I say that, people raise their eyebrows

495
00:28:27.759 --> 00:28:32.559
<v Speaker 2>and say, are you sure. No, I'm not sure. But

496
00:28:34.079 --> 00:28:36.039
<v Speaker 2>let me give you an example of why I think this.

497
00:28:38.359 --> 00:28:43.519
<v Speaker 2>There is, at least for now, no soul in generative AI.

498
00:28:44.559 --> 00:28:51.400
<v Speaker 2>It is necessarily derivative. I have played with musical AI,

499
00:28:53.079 --> 00:28:56.960
<v Speaker 2>and I've asked it, for example, to compose a piece

500
00:28:57.160 --> 00:29:02.759
<v Speaker 2>in the style of a eight Beethoven symphony or an

501
00:29:02.799 --> 00:29:07.359
<v Speaker 2>Italian Mozart opera or a Tchaikowsky ballet, and it's very

502
00:29:07.440 --> 00:29:11.160
<v Speaker 2>very good at it. It's so good at it, in fact,

503
00:29:11.200 --> 00:29:14.440
<v Speaker 2>that it is possible that we will in a few

504
00:29:14.519 --> 00:29:20.039
<v Speaker 2>years have lots more quote unquote Mozart operas. But they

505
00:29:20.039 --> 00:29:30.200
<v Speaker 2>are nevertheless or copies or adaptations of Mozart's operas. They

506
00:29:30.240 --> 00:29:38.079
<v Speaker 2>are not innovative, they are not new. So AI might

507
00:29:38.119 --> 00:29:43.839
<v Speaker 2>be able to ape certain people quite well, but it's

508
00:29:43.920 --> 00:29:47.599
<v Speaker 2>not going to be able to do what George Will

509
00:29:47.720 --> 00:29:52.519
<v Speaker 2>does unless you want every writer to be George Will,

510
00:29:52.799 --> 00:29:57.000
<v Speaker 2>or you want every new writer again in quotation marks

511
00:29:57.240 --> 00:30:00.960
<v Speaker 2>to be a facsimile of a writer who has already existed.

512
00:30:01.480 --> 00:30:04.279
<v Speaker 2>And I don't think we do, which is to say

513
00:30:04.319 --> 00:30:11.559
<v Speaker 2>I don't think we care if your average blunt styleless

514
00:30:11.599 --> 00:30:15.039
<v Speaker 2>news story is written by a computer. But I do

515
00:30:15.119 --> 00:30:19.480
<v Speaker 2>think we care if the opinion page of the newspaper

516
00:30:20.640 --> 00:30:24.440
<v Speaker 2>is set in amber is always for the rest of

517
00:30:24.519 --> 00:30:29.160
<v Speaker 2>time presented by the same people, and the same goes

518
00:30:29.200 --> 00:30:34.519
<v Speaker 2>for novels and plays and TV shows and so forth.

519
00:30:34.519 --> 00:30:39.119
<v Speaker 2>I think we are going to demand that individuals fill

520
00:30:39.200 --> 00:30:43.920
<v Speaker 2>that role. So I'm not so worried about it replacing

521
00:30:44.079 --> 00:30:48.599
<v Speaker 2>genuine creativity. But the drudge work, yeah, that's going to happen.

522
00:30:50.119 --> 00:30:54.000
<v Speaker 1>I think you're right what I I mean when you

523
00:30:54.000 --> 00:30:56.240
<v Speaker 1>talk about derivative works. Yes, it's all derivative, but you

524
00:30:56.240 --> 00:31:02.160
<v Speaker 1>can say that for many posers who start out who

525
00:31:02.200 --> 00:31:05.079
<v Speaker 1>are influenced by the work that came before, that they

526
00:31:05.119 --> 00:31:08.359
<v Speaker 1>are derivative of their predecessors. And you certainifind that in

527
00:31:08.400 --> 00:31:11.680
<v Speaker 1>pop music, I mean, if you asked if you asked

528
00:31:11.759 --> 00:31:16.640
<v Speaker 1>AI to come up with a highly polished, multi instrument

529
00:31:16.880 --> 00:31:23.519
<v Speaker 1>string backed pop group that takes extensive use of Beatles harmonics,

530
00:31:23.519 --> 00:31:26.400
<v Speaker 1>you would get electric light orchestra, because definitely it was

531
00:31:26.519 --> 00:31:28.480
<v Speaker 1>very derivative of the Beatles. In a lot of spots

532
00:31:28.559 --> 00:31:31.119
<v Speaker 1>you can find you know, you can find beatless carmonies,

533
00:31:31.160 --> 00:31:34.680
<v Speaker 1>an early cheap trick. That's not a bad thing. They're

534
00:31:34.720 --> 00:31:36.960
<v Speaker 1>taking their learning, they're changing it, or they're dropping it

535
00:31:36.960 --> 00:31:39.720
<v Speaker 1>in as a reference, or all of those things. So yeah,

536
00:31:39.759 --> 00:31:42.440
<v Speaker 1>I mean, is it a bad world in which we

537
00:31:42.559 --> 00:31:45.720
<v Speaker 1>actually have twenty Beethoven symphonies and it's gotten so good

538
00:31:45.720 --> 00:31:49.319
<v Speaker 1>that actually two of them have evolved in ways that

539
00:31:49.400 --> 00:31:50.480
<v Speaker 1>Beethoven might have.

540
00:31:51.039 --> 00:31:53.359
<v Speaker 2>Don't know, but that's the part you see that I

541
00:31:53.400 --> 00:31:55.799
<v Speaker 2>don't think you can do. And to hit my not

542
00:31:56.279 --> 00:32:01.839
<v Speaker 2>with a sledgehammer once again sounds painful. I think that

543
00:32:02.480 --> 00:32:07.680
<v Speaker 2>your analogy is spot on, but that it stops chronologically.

544
00:32:07.880 --> 00:32:10.720
<v Speaker 2>So if you look at, say the early Beatles records,

545
00:32:11.240 --> 00:32:13.440
<v Speaker 2>please please me. It was supposed to be a Roy

546
00:32:13.559 --> 00:32:15.799
<v Speaker 2>Orbison song. It was supposed to be slow, and George

547
00:32:15.799 --> 00:32:17.799
<v Speaker 2>Martin said, no, you need to speed it up.

548
00:32:18.240 --> 00:32:18.400
<v Speaker 1>Right.

549
00:32:18.480 --> 00:32:21.359
<v Speaker 2>You could see all the tags hanging off that Tomorrow

550
00:32:21.440 --> 00:32:23.599
<v Speaker 2>never knows was like nothing that had ever been done.

551
00:32:23.799 --> 00:32:26.039
<v Speaker 2>Or if we're looking at Beethoven, a lot of early

552
00:32:26.039 --> 00:32:29.240
<v Speaker 2>Beethoven sounded like Mozart because Mozart's Betove was here. But

553
00:32:29.279 --> 00:32:31.359
<v Speaker 2>then when you get to the fifth you go, oh

554
00:32:31.400 --> 00:32:34.400
<v Speaker 2>my god, this is essentially heavy metal in classical music.

555
00:32:34.839 --> 00:32:37.240
<v Speaker 2>I don't think AI can take that step. I don't

556
00:32:37.240 --> 00:32:39.920
<v Speaker 2>think it would have stopped at being Mozart, or it

557
00:32:39.920 --> 00:32:41.640
<v Speaker 2>would have stopped at being Roy Orbison.

558
00:32:42.079 --> 00:32:46.519
<v Speaker 1>You're absolutely right, and I wanted to make that point too. Example,

559
00:32:47.039 --> 00:32:51.440
<v Speaker 1>you could train you know, the the AI on the

560
00:32:51.519 --> 00:32:54.519
<v Speaker 1>first five on the first four symphonies of Maler, and

561
00:32:54.559 --> 00:32:56.160
<v Speaker 1>it would kick those out, but it would not be

562
00:32:56.200 --> 00:32:58.640
<v Speaker 1>capable of coming up with the seventh through the eighth.

563
00:32:59.000 --> 00:33:01.400
<v Speaker 1>It certainly wouldn't be able to come up with the tenth,

564
00:33:01.640 --> 00:33:04.079
<v Speaker 1>the first movement of the tenth because Marler, for all

565
00:33:04.119 --> 00:33:07.000
<v Speaker 1>of his tonality and all of his Viennese antecedents and

566
00:33:07.039 --> 00:33:08.799
<v Speaker 1>the rest of it, comes about two notes short of

567
00:33:08.839 --> 00:33:10.960
<v Speaker 1>a twelve tone row. And I don't say that like,

568
00:33:11.000 --> 00:33:13.640
<v Speaker 1>you know, he's a few cards, you know, having mail short.

569
00:33:14.160 --> 00:33:17.079
<v Speaker 1>I mean, although I hate serial music, so there is

570
00:33:17.119 --> 00:33:18.680
<v Speaker 1>a point to be made that two tones short of

571
00:33:18.680 --> 00:33:20.039
<v Speaker 1>a twelve tone row is a good thing or a

572
00:33:20.079 --> 00:33:22.720
<v Speaker 1>bad thing. But he does there's a dissonant chord that

573
00:33:22.799 --> 00:33:27.240
<v Speaker 1>appears in this that that AI would have. I don't

574
00:33:27.279 --> 00:33:28.839
<v Speaker 1>think AI would have been able to say, well, I

575
00:33:28.839 --> 00:33:31.400
<v Speaker 1>think Maler's going in this direction. I think he is

576
00:33:31.480 --> 00:33:34.960
<v Speaker 1>anticipating or following Alban bergen work. Check. I think he is.

577
00:33:35.359 --> 00:33:38.720
<v Speaker 1>I think he is realizing that the tonal tradition is

578
00:33:38.799 --> 00:33:41.480
<v Speaker 1>dead and he's adapting to it. Or more likely Maler

579
00:33:41.599 --> 00:33:45.119
<v Speaker 1>was just ef and depressed because his family, you know,

580
00:33:45.160 --> 00:33:48.440
<v Speaker 1>his home life was bad, and this was this expression

581
00:33:48.480 --> 00:33:51.799
<v Speaker 1>of great despair. I think he actually, if it wasn't

582
00:33:51.799 --> 00:33:53.920
<v Speaker 1>the maybe the ninth. I think it was in the tenth.

583
00:33:54.000 --> 00:33:56.440
<v Speaker 1>He actually just wrote his wife's name just over this

584
00:33:56.440 --> 00:33:58.839
<v Speaker 1>this these measures because he was just freaking out. I

585
00:33:58.839 --> 00:34:00.559
<v Speaker 1>think she was. I don't know if she was Bang

586
00:34:00.599 --> 00:34:04.039
<v Speaker 1>in France, verfal or the architect or what. But I mean,

587
00:34:04.200 --> 00:34:06.480
<v Speaker 1>an AI is not going to have an emotional reaction

588
00:34:06.599 --> 00:34:08.559
<v Speaker 1>and scream out of dissonance court in the middle of

589
00:34:08.599 --> 00:34:11.119
<v Speaker 1>the tenth Symphony because his wife, because the AI's wife

590
00:34:11.159 --> 00:34:14.039
<v Speaker 1>is having a problem. It can only extrapolate from histories

591
00:34:14.079 --> 00:34:16.880
<v Speaker 1>and say a number of composers who had domestic problems

592
00:34:16.880 --> 00:34:19.719
<v Speaker 1>that therefore came up with this and therefore and can work.

593
00:34:20.280 --> 00:34:23.719
<v Speaker 1>Now that isn't to say that there isn't some super

594
00:34:23.880 --> 00:34:26.719
<v Speaker 1>intelligence that can't evolve from this. I've read enough, Star Trek,

595
00:34:26.719 --> 00:34:29.000
<v Speaker 1>I've seen enough all of these things to know that

596
00:34:29.320 --> 00:34:32.360
<v Speaker 1>I'm not leaving anything out. But you're right about the

597
00:34:32.360 --> 00:34:35.199
<v Speaker 1>soul lessness of the derivative work as far as other

598
00:34:35.360 --> 00:34:38.360
<v Speaker 1>art forms, though it's entirely possible. In the world of gaming,

599
00:34:38.400 --> 00:34:41.719
<v Speaker 1>the ability of computers to sell enough things on the

600
00:34:41.760 --> 00:34:45.360
<v Speaker 1>fly is going to revolutionize what computer gaming is is

601
00:34:45.400 --> 00:34:48.280
<v Speaker 1>if it hasn't already. And secondly, when the tools of

602
00:34:48.320 --> 00:34:52.360
<v Speaker 1>cinematic creation are as good as I think they're going

603
00:34:52.400 --> 00:34:54.360
<v Speaker 1>to get, it is going to put into the hands.

604
00:34:54.400 --> 00:34:55.760
<v Speaker 1>It's going to put a tool in the hands of

605
00:34:55.760 --> 00:34:57.880
<v Speaker 1>people who otherwise would not have been able to really

606
00:34:57.920 --> 00:35:00.599
<v Speaker 1>create what they do. It is great that us Anderson

607
00:35:00.639 --> 00:35:02.079
<v Speaker 1>has the money in the budget to be able to

608
00:35:02.239 --> 00:35:03.920
<v Speaker 1>dress as set as he does, but a lot of

609
00:35:03.960 --> 00:35:05.639
<v Speaker 1>people aren't, and they're going to be able to do

610
00:35:05.679 --> 00:35:09.079
<v Speaker 1>it with Ai the other But I don't know if

611
00:35:09.119 --> 00:35:12.440
<v Speaker 1>you saw this. Elon Musk, I know the hip We're

612
00:35:12.519 --> 00:35:15.960
<v Speaker 1>loving Musk came up tweeted out something the other day.

613
00:35:16.079 --> 00:35:18.039
<v Speaker 1>It was the landscape of Mars a video of it,

614
00:35:18.079 --> 00:35:20.159
<v Speaker 1>and said, you know, hoping to go there in twenty

615
00:35:20.199 --> 00:35:24.760
<v Speaker 1>twenty five, and then he added something with Optimus Robots.

616
00:35:25.719 --> 00:35:29.559
<v Speaker 1>I had not heard about this before. Have you heard this?

617
00:35:30.679 --> 00:35:32.440
<v Speaker 2>I did see the tweet, but I'd never heard of

618
00:35:32.480 --> 00:35:33.400
<v Speaker 2>it before either.

619
00:35:33.679 --> 00:35:36.480
<v Speaker 1>Sending Optimus robots and a Mars missure, which makes perfect sense.

620
00:35:36.559 --> 00:35:38.440
<v Speaker 1>I mean, I've seen these guys were in cowboy hats,

621
00:35:38.480 --> 00:35:41.679
<v Speaker 1>playing bar me you know, being bartenders, and you know,

622
00:35:41.760 --> 00:35:44.960
<v Speaker 1>doing various interesting things, which I assume is a result

623
00:35:45.039 --> 00:35:49.440
<v Speaker 1>of somebody, you know, working the strings behind the But

624
00:35:49.480 --> 00:35:53.039
<v Speaker 1>if he's sending Optimist robots to robots to Lauri's, first

625
00:35:53.039 --> 00:35:55.039
<v Speaker 1>of all, it means probably there's going to be some

626
00:35:55.239 --> 00:35:58.199
<v Speaker 1>human being back of the control room who is in

627
00:35:58.360 --> 00:36:00.800
<v Speaker 1>essence going to be the first person on Mars because

628
00:36:00.840 --> 00:36:04.599
<v Speaker 1>his sensibility, his intellect, all of these things will be

629
00:36:04.639 --> 00:36:07.480
<v Speaker 1>controlling the robots. Second, if there's a bunch of them,

630
00:36:07.800 --> 00:36:10.119
<v Speaker 1>they're going to be doing stuff on Mars, that's fantasm.

631
00:36:10.119 --> 00:36:12.760
<v Speaker 1>They're going to be They're gonna be line dancing like

632
00:36:12.920 --> 00:36:16.880
<v Speaker 1>four Optimist robots, are going to be doing humorous things

633
00:36:17.039 --> 00:36:20.079
<v Speaker 1>up there. We're going to have like the Marx Brothers

634
00:36:20.079 --> 00:36:23.280
<v Speaker 1>on the on the Mars. If it's it changes the

635
00:36:23.280 --> 00:36:26.880
<v Speaker 1>whole thing from a little you know, wall e robots

636
00:36:27.039 --> 00:36:33.039
<v Speaker 1>rolling around and picking up rocks to humanoids reacting as

637
00:36:33.199 --> 00:36:35.559
<v Speaker 1>the behanced to the personalities of the creators of their

638
00:36:35.599 --> 00:36:36.639
<v Speaker 1>controllers back on Earth.

639
00:36:36.679 --> 00:36:38.639
<v Speaker 2>I think is fascinating all right, as long as we

640
00:36:38.679 --> 00:36:40.599
<v Speaker 2>don't have to rescue Matt Damon.

641
00:36:40.760 --> 00:36:43.360
<v Speaker 1>And I can't we spend entirely too much money on that.

642
00:36:44.199 --> 00:36:45.760
<v Speaker 1>The third time, I think, I think Matt is Matt

643
00:36:45.840 --> 00:36:47.719
<v Speaker 1>Damon and the new Hail Mary movie, which is no,

644
00:36:47.840 --> 00:36:50.000
<v Speaker 1>he can't be because he was in the other one.

645
00:36:50.679 --> 00:36:52.320
<v Speaker 1>Don asked another question here and I got to put

646
00:36:52.360 --> 00:36:54.519
<v Speaker 1>it in because it's just too great. James and Charles

647
00:36:54.519 --> 00:36:56.559
<v Speaker 1>have done many guest interviews over the years. Do they

648
00:36:56.559 --> 00:36:57.199
<v Speaker 1>have a favorite?

649
00:36:57.360 --> 00:37:02.039
<v Speaker 2>Charles Well, I did enjoy having Mike Rowe on my

650
00:37:02.639 --> 00:37:06.119
<v Speaker 2>podcast a couple of years ago. Talked about something which

651
00:37:06.159 --> 00:37:09.360
<v Speaker 2>is very dear to my heart and also to Mike Roseheart.

652
00:37:09.480 --> 00:37:14.239
<v Speaker 2>That is the over credentialization of our society and how

653
00:37:14.239 --> 00:37:17.519
<v Speaker 2>we can reverse a horrible tendency of looking down on

654
00:37:17.679 --> 00:37:23.239
<v Speaker 2>people who have good jobs and skill jobs, but didn't

655
00:37:23.360 --> 00:37:25.559
<v Speaker 2>go to college and don't have a piece of paper

656
00:37:26.719 --> 00:37:32.480
<v Speaker 2>that reflects some educational achievement. I thought that was a

657
00:37:32.519 --> 00:37:38.199
<v Speaker 2>good one. I enjoyed talking to Andrew Roberts about his

658
00:37:38.360 --> 00:37:42.679
<v Speaker 2>book on Winston Churchill, Walking with Destiny. He also made

659
00:37:42.719 --> 00:37:45.039
<v Speaker 2>the case of a Napoleon, which is a brit I

660
00:37:45.039 --> 00:37:49.719
<v Speaker 2>find very difficult to swallow. Yeah, he's a Napoleon defender.

661
00:37:49.880 --> 00:37:52.599
<v Speaker 2>That was very interesting, and he defended King George, iid

662
00:37:54.599 --> 00:37:56.039
<v Speaker 2>the real Devil's advocate.

663
00:37:57.880 --> 00:38:01.599
<v Speaker 1>Hey, I'm just asking questions. Yeah right, you know.

664
00:38:01.639 --> 00:38:04.320
<v Speaker 2>Another good one was with our own Peter Robinson, who

665
00:38:04.400 --> 00:38:06.719
<v Speaker 2>came on and talked about his time in the Reagan

666
00:38:06.760 --> 00:38:11.400
<v Speaker 2>White House and writing the speech. I didn't know any

667
00:38:11.480 --> 00:38:13.320
<v Speaker 2>of the story. I asked him to come on and

668
00:38:13.360 --> 00:38:15.440
<v Speaker 2>tell it, not because I wanted to share it with

669
00:38:15.480 --> 00:38:17.239
<v Speaker 2>the world having been thrilled by it, but because I

670
00:38:17.280 --> 00:38:20.400
<v Speaker 2>knew he'd written the speech, but I didn't know how

671
00:38:20.440 --> 00:38:23.320
<v Speaker 2>he'd got there in the first place, or the details

672
00:38:23.400 --> 00:38:27.599
<v Speaker 2>of its composition, or that he'd been over to West

673
00:38:27.719 --> 00:38:32.639
<v Speaker 2>Germany and seen the war. That was a really solid

674
00:38:32.960 --> 00:38:36.679
<v Speaker 2>oral history of a particular moment in time. Those come

675
00:38:36.679 --> 00:38:39.760
<v Speaker 2>to mind, but there are so many of them you.

676
00:38:40.840 --> 00:38:43.840
<v Speaker 1>For me, first is the most recent would be Michael Palin.

677
00:38:44.639 --> 00:38:44.800
<v Speaker 2>Oh.

678
00:38:45.599 --> 00:38:47.400
<v Speaker 1>Just a delightful man and a smart man, and a

679
00:38:47.440 --> 00:38:49.719
<v Speaker 1>cultured man and a good man. You get the feeling.

680
00:38:50.079 --> 00:38:51.960
<v Speaker 1>And we talked at length about his book, and I

681
00:38:52.079 --> 00:38:53.480
<v Speaker 1>was just sitting there saying, I'm not going to bring

682
00:38:53.519 --> 00:38:55.000
<v Speaker 1>up Python. I'm not going to bring it up there

683
00:38:55.000 --> 00:38:57.880
<v Speaker 1>everybody brings up Python, and he brings up Python. So

684
00:38:58.000 --> 00:39:00.559
<v Speaker 1>I took that as a as a hint that I

685
00:39:00.639 --> 00:39:02.760
<v Speaker 1>could go down that road. But mostly we spoke about

686
00:39:02.760 --> 00:39:04.559
<v Speaker 1>his family and his great uncle who died in World

687
00:39:04.559 --> 00:39:06.199
<v Speaker 1>War One in the book he'd just written about it.

688
00:39:06.559 --> 00:39:10.119
<v Speaker 1>And then we talked about art. He's a keen fan

689
00:39:10.440 --> 00:39:12.760
<v Speaker 1>of a certain style of painting a period of painting,

690
00:39:12.800 --> 00:39:15.119
<v Speaker 1>and I have sympatico with that. So it was just

691
00:39:15.360 --> 00:39:18.760
<v Speaker 1>a great, great conversation. And then he came to a

692
00:39:18.760 --> 00:39:21.440
<v Speaker 1>show that I did in London a year later, and

693
00:39:21.480 --> 00:39:24.360
<v Speaker 1>I just felt like, oh, my good new friend, Michael

694
00:39:24.360 --> 00:39:26.239
<v Speaker 1>Palin's here. Would you like to meet the wife and child?

695
00:39:26.360 --> 00:39:30.079
<v Speaker 1>So I treasure that Donald Rumsfeld and the Ricochet podcast

696
00:39:30.119 --> 00:39:32.519
<v Speaker 1>was fun. As usual for those days. I got to

697
00:39:32.519 --> 00:39:37.119
<v Speaker 1>say virtually nothing, but I did get to ask him

698
00:39:37.119 --> 00:39:41.679
<v Speaker 1>if he thought that debathification was a mistake, that it

699
00:39:41.760 --> 00:39:45.440
<v Speaker 1>might have been better for post war stability to just

700
00:39:45.599 --> 00:39:50.079
<v Speaker 1>include these guys and you know, and roll along, because

701
00:39:50.079 --> 00:39:53.440
<v Speaker 1>it's I don't think that anybody really was a committed

702
00:39:53.480 --> 00:39:55.639
<v Speaker 1>bathhist in their heart. It was just simply a state

703
00:39:55.639 --> 00:39:59.239
<v Speaker 1>ideology to which you had to pay ritual obedience. And

704
00:39:59.280 --> 00:40:01.760
<v Speaker 1>he said you know, that's a really good idea and

705
00:40:01.800 --> 00:40:04.239
<v Speaker 1>we don't know, a really good question, and we don't know,

706
00:40:04.280 --> 00:40:07.480
<v Speaker 1>and he said some other things, And I enjoy that

707
00:40:07.519 --> 00:40:10.119
<v Speaker 1>moment only simply because whenever the Iraq War comes up,

708
00:40:10.159 --> 00:40:11.639
<v Speaker 1>I can say, well, you know, I talked to Donald

709
00:40:11.679 --> 00:40:15.440
<v Speaker 1>Barun's bill about that once. And the other finally would

710
00:40:15.480 --> 00:40:17.639
<v Speaker 1>be because it's one of those meet your heroes. But

711
00:40:17.639 --> 00:40:19.960
<v Speaker 1>aren't you glad you did? Was William Shatner, who he

712
00:40:20.000 --> 00:40:23.679
<v Speaker 1>interviewed a couple of years ago, who's notoriously prickly. They

713
00:40:23.719 --> 00:40:26.159
<v Speaker 1>say in some interviews can be great and gracious depending

714
00:40:26.239 --> 00:40:28.000
<v Speaker 1>on the topic at the time of the mood. But

715
00:40:28.079 --> 00:40:31.400
<v Speaker 1>I caught him on the notoriously prickly side. And I

716
00:40:31.440 --> 00:40:34.199
<v Speaker 1>didn't ask him any Star Trek questions whatsoever. And he

717
00:40:34.360 --> 00:40:36.119
<v Speaker 1>just he wanted to talk about his new show with

718
00:40:36.159 --> 00:40:38.719
<v Speaker 1>Henry Winkler, and we did. But I also wanted to

719
00:40:38.719 --> 00:40:41.440
<v Speaker 1>talk about some old, you know, some bad guy roles

720
00:40:41.440 --> 00:40:43.440
<v Speaker 1>that he had played in some movies. He played this

721
00:40:43.639 --> 00:40:46.880
<v Speaker 1>racist Southern preacher who comes into town and stirs up discord.

722
00:40:46.920 --> 00:40:50.199
<v Speaker 1>He's just great, he's just fantastic. I didn't want to

723
00:40:50.199 --> 00:40:53.360
<v Speaker 1>talk about it. It just, you know, and then finally,

724
00:40:53.360 --> 00:40:55.079
<v Speaker 1>at the end of the conversation, I was asking him

725
00:40:55.079 --> 00:40:56.880
<v Speaker 1>how he felt about being in the most recent Star

726
00:40:56.920 --> 00:40:59.480
<v Speaker 1>Trek movie, and he was confused and he didn't know

727
00:40:59.480 --> 00:41:02.719
<v Speaker 1>what I meant. He hadn't seen it. And I explained

728
00:41:02.760 --> 00:41:03.880
<v Speaker 1>to him and that at the end of the Star

729
00:41:03.920 --> 00:41:06.480
<v Speaker 1>Trek movie, yeah, they take out a picture and it's

730
00:41:06.519 --> 00:41:08.960
<v Speaker 1>a picture of the old Enterprise Bridge crew, you know,

731
00:41:09.079 --> 00:41:12.320
<v Speaker 1>you and everybody else. And he didn't know that, and

732
00:41:12.400 --> 00:41:15.320
<v Speaker 1>he was a bit stunned to find out that. And

733
00:41:15.400 --> 00:41:18.199
<v Speaker 1>I thought, I just spoiled a Star Trek movie for

734
00:41:18.280 --> 00:41:20.760
<v Speaker 1>Captain Kirk, and it was my way of paying him

735
00:41:20.800 --> 00:41:24.800
<v Speaker 1>back for being such a pretty prickly guy. But I

736
00:41:24.840 --> 00:41:27.559
<v Speaker 1>still enjoy talking to him. It was still great. In

737
00:41:27.559 --> 00:41:31.519
<v Speaker 1>a related point, used to See Scrubbs says it's popular culture, film,

738
00:41:31.599 --> 00:41:34.880
<v Speaker 1>TV music at an all time low, and if so

739
00:41:35.079 --> 00:41:37.000
<v Speaker 1>ken it will it recover.

740
00:41:38.000 --> 00:41:42.840
<v Speaker 2>Charles, I think TV is not at an all time low.

741
00:41:43.239 --> 00:41:43.840
<v Speaker 1>I agree.

742
00:41:44.079 --> 00:41:47.079
<v Speaker 2>I think there's a lot of really good stuff on TV.

743
00:41:47.840 --> 00:41:51.039
<v Speaker 2>I can't sound wildly impressed with movies at the moment, although,

744
00:41:51.039 --> 00:41:54.639
<v Speaker 2>as I've confessed before, I think, to you, James, I

745
00:41:54.679 --> 00:41:55.679
<v Speaker 2>am a movie idiot.

746
00:41:57.119 --> 00:42:01.440
<v Speaker 1>But he who did not invent celluloid, I.

747
00:42:01.400 --> 00:42:06.159
<v Speaker 2>Think, But I do remember most of the forty years

748
00:42:06.199 --> 00:42:09.159
<v Speaker 2>I've been alive, and it seems to me that there

749
00:42:09.159 --> 00:42:12.960
<v Speaker 2>are fewer and fewer movies that I see advertised or

750
00:42:13.000 --> 00:42:17.079
<v Speaker 2>hear about from other people and conclude that I must watch.

751
00:42:17.840 --> 00:42:23.119
<v Speaker 2>Hopefully that will change. Music I think is generally awful

752
00:42:23.159 --> 00:42:26.159
<v Speaker 2>at the moment, with the exception of country music, which

753
00:42:26.199 --> 00:42:32.519
<v Speaker 2>my wife likes, which although it's very different country music

754
00:42:32.920 --> 00:42:38.320
<v Speaker 2>that I like, Patsy Klein era country music in particular

755
00:42:38.599 --> 00:42:40.719
<v Speaker 2>does seem to be quite good and does seem to

756
00:42:40.719 --> 00:42:43.719
<v Speaker 2>be better than it was fifteen twenty years ago. But

757
00:42:43.960 --> 00:42:49.760
<v Speaker 2>generally speaking, music I think is quite poor and derivative

758
00:42:50.480 --> 00:42:54.079
<v Speaker 2>and over the top at the moment. So yeah, I

759
00:42:54.079 --> 00:42:56.199
<v Speaker 2>don't think we're in a good place. And this has

760
00:42:56.199 --> 00:42:58.920
<v Speaker 2>disappointed me slightly because I thought a couple of years ago,

761
00:42:58.960 --> 00:43:00.840
<v Speaker 2>when we were in the midst of the worst inflation

762
00:43:01.000 --> 00:43:04.639
<v Speaker 2>for forty years and Joe Biden was president and all

763
00:43:04.679 --> 00:43:09.000
<v Speaker 2>these terrible economic theories for coming back, but at least,

764
00:43:09.119 --> 00:43:10.760
<v Speaker 2>if we were going to have to live through the

765
00:43:10.840 --> 00:43:14.199
<v Speaker 2>nineteen seventies, could we get the music and the movies,

766
00:43:15.119 --> 00:43:16.000
<v Speaker 2>maybe not the TV.

767
00:43:16.800 --> 00:43:19.320
<v Speaker 1>And we didn't well, if you've gotten the TV. You

768
00:43:19.360 --> 00:43:21.880
<v Speaker 1>would have gotten a lot of Norman Lear sitcoms, which,

769
00:43:22.199 --> 00:43:26.239
<v Speaker 1>for all their various flaws, at least were consistently funny

770
00:43:26.639 --> 00:43:30.079
<v Speaker 1>and consistently dependable. And you had new sitcoms which kind

771
00:43:30.119 --> 00:43:31.840
<v Speaker 1>of played around the edges of some of the old tropes.

772
00:43:31.880 --> 00:43:33.519
<v Speaker 1>And mean, you could say the Mary Tyler Moore show

773
00:43:33.719 --> 00:43:37.199
<v Speaker 1>was was quite different from the you know, from the

774
00:43:37.280 --> 00:43:40.159
<v Speaker 1>nineteen fifties housewife shows or the fantasy shows of the

775
00:43:40.199 --> 00:43:43.360
<v Speaker 1>sixties where the women were wrinkling their nose to create

776
00:43:43.440 --> 00:43:47.760
<v Speaker 1>magic or doing the genie thing. So somehow it faulted right.

777
00:43:48.000 --> 00:43:51.159
<v Speaker 1>But you also you had a greedy noess to nineteen

778
00:43:51.199 --> 00:43:54.280
<v Speaker 1>seventies television which befit the world. Kojak is no place

779
00:43:54.320 --> 00:43:56.800
<v Speaker 1>in which I would want to live. And you know,

780
00:43:56.800 --> 00:43:58.079
<v Speaker 1>if you look at some of the ones set in

781
00:43:58.079 --> 00:44:00.559
<v Speaker 1>Los Angeles and California, you can see the rot You

782
00:44:00.559 --> 00:44:02.760
<v Speaker 1>can see the rotten nineteen sixty seven dragnet. So I

783
00:44:02.760 --> 00:44:05.920
<v Speaker 1>wouldn't mind the television bag was working within certain constraints,

784
00:44:05.960 --> 00:44:09.239
<v Speaker 1>but it's still at the same time it was frothy,

785
00:44:09.280 --> 00:44:12.159
<v Speaker 1>trivial nonsense with battle the network stars and you know,

786
00:44:12.199 --> 00:44:15.960
<v Speaker 1>a lot of variety gruesome variety shows where the Brady

787
00:44:15.960 --> 00:44:18.519
<v Speaker 1>Bunch come out and do dance routines. But you know, yeah,

788
00:44:18.599 --> 00:44:20.920
<v Speaker 1>all of a piece. It was an interesting time film

789
00:44:20.920 --> 00:44:24.159
<v Speaker 1>wise the seventies. Again, Hollywood system was broken. You had

790
00:44:24.159 --> 00:44:25.960
<v Speaker 1>the out tours come up and they were being gritty

791
00:44:26.000 --> 00:44:28.000
<v Speaker 1>and the rest of it. But everybody died at the end.

792
00:44:28.039 --> 00:44:31.079
<v Speaker 1>There was no heroism. There's no joy in any of it.

793
00:44:31.719 --> 00:44:33.719
<v Speaker 1>Star Wars changed all that and it was happy and

794
00:44:33.760 --> 00:44:35.239
<v Speaker 1>they got metals at the end, and it was a

795
00:44:35.239 --> 00:44:38.880
<v Speaker 1>great story. And that started the downfall of the whole thing,

796
00:44:38.920 --> 00:44:40.920
<v Speaker 1>I think, frankly, because when you say there aren't any

797
00:44:40.920 --> 00:44:43.480
<v Speaker 1>movies really that you want to watch. We reached a

798
00:44:43.519 --> 00:44:46.960
<v Speaker 1>point over the last five six years, thankfully thanks to

799
00:44:47.079 --> 00:44:51.559
<v Speaker 1>Marvel and their insistence on this multiverse Phase four whatever stuff,

800
00:44:51.880 --> 00:44:55.599
<v Speaker 1>where movies just simply ceased to engage. They became meaningless

801
00:44:56.800 --> 00:45:00.519
<v Speaker 1>slop of endless CGI that nobody could get invested in

802
00:45:00.599 --> 00:45:04.519
<v Speaker 1>because we all knew it wasn't true. None of this mattered,

803
00:45:04.559 --> 00:45:06.199
<v Speaker 1>and none of it was real. It was just a

804
00:45:06.199 --> 00:45:08.719
<v Speaker 1>bunch of people standing around in green rooms talking to

805
00:45:08.760 --> 00:45:11.039
<v Speaker 1>each other and what was You know what worked great

806
00:45:11.039 --> 00:45:13.079
<v Speaker 1>with Captain America, the first one by the time you

807
00:45:13.159 --> 00:45:16.320
<v Speaker 1>got around to the last slew of marvels. Who cares?

808
00:45:16.360 --> 00:45:20.000
<v Speaker 1>Who cares what this complex Corrodied cosmology is. I don't

809
00:45:20.599 --> 00:45:23.920
<v Speaker 1>so no movies, Yeah, didn't do that. Music don't get

810
00:45:23.920 --> 00:45:26.679
<v Speaker 1>me started. Part of this is is that I was

811
00:45:26.719 --> 00:45:29.000
<v Speaker 1>lucky enough to have the switch off occur at a

812
00:45:29.000 --> 00:45:33.760
<v Speaker 1>point where music became just, you know, empirically objectively worse

813
00:45:33.800 --> 00:45:35.960
<v Speaker 1>than it was before. When I hit the point where like,

814
00:45:36.000 --> 00:45:38.119
<v Speaker 1>I'm old and I don't get it. The stuff that

815
00:45:38.159 --> 00:45:40.199
<v Speaker 1>I wasn't getting wasn't as good as the stuff that

816
00:45:40.239 --> 00:45:43.039
<v Speaker 1>I had before. You don't have people playing instruments like

817
00:45:43.079 --> 00:45:45.639
<v Speaker 1>you did before. You don't have songwriters. If you do

818
00:45:45.719 --> 00:45:48.320
<v Speaker 1>have a songwriter, they've thrown out the bridge, they've thrown

819
00:45:48.360 --> 00:45:52.159
<v Speaker 1>out the chorus. They are taking an old riff, they're

820
00:45:52.360 --> 00:45:55.400
<v Speaker 1>running it through a compressor and they're pretending that it's new,

821
00:45:55.480 --> 00:45:58.840
<v Speaker 1>or maybe they have tip it, or it's all machine noise.

822
00:45:59.159 --> 00:46:03.000
<v Speaker 1>That said, underneath that are a million subgenres in which

823
00:46:03.000 --> 00:46:06.119
<v Speaker 1>people are doing interesting work. My daughter once a week

824
00:46:06.159 --> 00:46:08.000
<v Speaker 1>will send me a story, it will send me a song.

825
00:46:08.440 --> 00:46:13.679
<v Speaker 1>It's amazing that it is stunningly good, and it's one

826
00:46:13.719 --> 00:46:16.480
<v Speaker 1>guy in his basement like Prince used to be. But

827
00:46:16.519 --> 00:46:19.599
<v Speaker 1>it's really good and it busts all the genres and

828
00:46:19.599 --> 00:46:21.440
<v Speaker 1>it plays with things and it's you know, and I

829
00:46:21.480 --> 00:46:24.920
<v Speaker 1>will find her something you know from Club de Belugas,

830
00:46:24.960 --> 00:46:28.480
<v Speaker 1>which is a German neo jazz group that put out

831
00:46:28.559 --> 00:46:31.719
<v Speaker 1>something that could have lit up the charts in fifty seven.

832
00:46:32.559 --> 00:46:35.440
<v Speaker 1>So yeah, there's stuff under there and it's good. So

833
00:46:36.360 --> 00:46:38.599
<v Speaker 1>will it recover as useless ads. I think it already

834
00:46:38.599 --> 00:46:40.679
<v Speaker 1>has and they think it already hasn't. And it's just

835
00:46:40.719 --> 00:46:43.000
<v Speaker 1>a question of keeping your eyes out for the good stuff.

836
00:46:43.039 --> 00:46:46.119
<v Speaker 1>As always more stuff now, which means more bad stuff,

837
00:46:46.599 --> 00:46:52.480
<v Speaker 1>but more good stuff. On a similar thing, Django Django says,

838
00:46:52.480 --> 00:46:54.599
<v Speaker 1>I know nothing about recent movie. So last I watched,

839
00:46:54.639 --> 00:46:57.800
<v Speaker 1>actually rewatched, is tonch of Evil. A couple of videos

840
00:46:57.840 --> 00:47:00.239
<v Speaker 1>on YouTube later that movie where a particular interest. One

841
00:47:00.280 --> 00:47:02.280
<v Speaker 1>was an old interview with Orson Wells and included some

842
00:47:02.280 --> 00:47:04.400
<v Speaker 1>comments from Charlton Heston and Wells made it sound as

843
00:47:04.400 --> 00:47:07.239
<v Speaker 1>though the studio was embarrassed by the movie. The second

844
00:47:07.280 --> 00:47:11.199
<v Speaker 1>video discussed a long quote tracking shot, not the opening sequence,

845
00:47:11.199 --> 00:47:13.440
<v Speaker 1>but rather a longer shot sent in an apartment. Any

846
00:47:13.440 --> 00:47:16.159
<v Speaker 1>thoughts on the movie and Wells's career. All throw that

847
00:47:16.239 --> 00:47:17.000
<v Speaker 1>to you, Charles.

848
00:47:17.000 --> 00:47:21.760
<v Speaker 2>First, Wow, I haven't seen it. Okay, Well then you

849
00:47:21.800 --> 00:47:23.519
<v Speaker 2>ought to take this one Wells.

850
00:47:23.599 --> 00:47:26.159
<v Speaker 1>Then he says, it's been a while since. It's a

851
00:47:26.199 --> 00:47:30.079
<v Speaker 1>great movie. Wells is fat and bristly and sweaty. And

852
00:47:30.440 --> 00:47:33.119
<v Speaker 1>I loved the movie, and I love Orson Wells. I

853
00:47:33.119 --> 00:47:36.159
<v Speaker 1>think he's an absolutely tremendous, uniquely American talent, and I

854
00:47:36.199 --> 00:47:38.719
<v Speaker 1>wish we had more of him. But Wells came up

855
00:47:38.760 --> 00:47:42.320
<v Speaker 1>recently in a discussion with my daughter because we were

856
00:47:42.360 --> 00:47:45.360
<v Speaker 1>talking about Star Trek movies and I noticed I noted

857
00:47:45.400 --> 00:47:47.880
<v Speaker 1>to her that the director of the very first Star

858
00:47:47.920 --> 00:47:52.360
<v Speaker 1>Trek movie was Robert Weiss, who directed Sound of Music

859
00:47:52.599 --> 00:47:55.880
<v Speaker 1>and West Side Story. And you usually just don't think of,

860
00:47:56.159 --> 00:47:58.840
<v Speaker 1>you know, a Star Trek movie directed by the guy

861
00:47:58.840 --> 00:48:00.880
<v Speaker 1>with the same sensibility that gave this West Side Story

862
00:48:00.880 --> 00:48:02.760
<v Speaker 1>and Sound of Music. But it's true, and Weiss is

863
00:48:02.800 --> 00:48:05.960
<v Speaker 1>really good. He also did The Andromeda Strain, which is

864
00:48:06.000 --> 00:48:08.800
<v Speaker 1>not exactly a musical. But Robert Weiss was the film

865
00:48:08.920 --> 00:48:12.559
<v Speaker 1>editor on Citizen Kane, which is the greatest American movie

866
00:48:12.679 --> 00:48:15.840
<v Speaker 1>ever made. It's not you know, I'm sorry, it's the

867
00:48:15.880 --> 00:48:21.000
<v Speaker 1>greatest American film. The greatest American movie is Casa Blanket.

868
00:48:21.639 --> 00:48:24.000
<v Speaker 1>So what do I think about Well's work? You know,

869
00:48:25.039 --> 00:48:27.880
<v Speaker 1>I love everything practically that he does. Whether or not

870
00:48:27.960 --> 00:48:30.239
<v Speaker 1>it's a misfire or a mistake, or it's over indulgent

871
00:48:30.360 --> 00:48:31.599
<v Speaker 1>or the rest of it, I just love it. I

872
00:48:31.639 --> 00:48:37.480
<v Speaker 1>mean his his Shakespeare movie is amazing. Citizen Kane, even

873
00:48:37.519 --> 00:48:40.199
<v Speaker 1>though it's a collaborative work, is an astonishing piece of art.

874
00:48:41.119 --> 00:48:44.519
<v Speaker 1>The tracking camera, though, the only reason I want to

875
00:48:44.559 --> 00:48:46.760
<v Speaker 1>stick with this one because I could actually do this

876
00:48:46.800 --> 00:48:49.639
<v Speaker 1>on a diner for thirty five minutes. The tracking shot.

877
00:48:50.760 --> 00:48:54.280
<v Speaker 1>The tracking shot was the distinctive element that first got

878
00:48:54.280 --> 00:49:00.159
<v Speaker 1>people's attention in Adolescence. Have you seen Adolescence? Charles Nope? Okay,

879
00:49:00.360 --> 00:49:02.880
<v Speaker 1>Well this is the problem then, because you are now

880
00:49:02.920 --> 00:49:07.440
<v Speaker 1>completely out of the conversation, and you are you're not

881
00:49:07.599 --> 00:49:11.480
<v Speaker 1>worthy to participate in discussions of youth and in cell culture,

882
00:49:11.519 --> 00:49:13.239
<v Speaker 1>the manisphere and the rest of it, because you haven't

883
00:49:13.280 --> 00:49:16.880
<v Speaker 1>seen the most important movie of television show of our time, Adolescence.

884
00:49:17.199 --> 00:49:18.960
<v Speaker 1>That's actually what they told a guy in the BBC

885
00:49:19.079 --> 00:49:20.679
<v Speaker 1>the other day when we were talking about knife crime.

886
00:49:21.039 --> 00:49:22.840
<v Speaker 1>He said, well, I don't He said, I don't need

887
00:49:22.880 --> 00:49:26.079
<v Speaker 1>to see and he named some long running British BBC

888
00:49:26.440 --> 00:49:29.960
<v Speaker 1>hospital or ITV hospital casualties. I don't need to see

889
00:49:29.960 --> 00:49:33.360
<v Speaker 1>casualties in order to talk about the problems of the NHS.

890
00:49:33.360 --> 00:49:35.039
<v Speaker 1>And they were pulled by that. You mean you haven't

891
00:49:35.039 --> 00:49:37.639
<v Speaker 1>seen adolescents and I saw it before it became a

892
00:49:37.800 --> 00:49:40.559
<v Speaker 1>necessity and a cause celeb in the rest. But the

893
00:49:41.000 --> 00:49:44.920
<v Speaker 1>fascinating thing about the movie the show is that it's

894
00:49:45.079 --> 00:49:49.480
<v Speaker 1>one shot and it's not done Jimmy Stewart rope style

895
00:49:49.519 --> 00:49:52.480
<v Speaker 1>where Hitchcock goes behind somebody's back and that's when they're

896
00:49:52.480 --> 00:49:55.400
<v Speaker 1>swapping the reels out, and it's not done Brian de

897
00:49:55.519 --> 00:49:58.440
<v Speaker 1>Palma style, where there's like a couple of moments where yeah,

898
00:49:58.440 --> 00:50:03.320
<v Speaker 1>they're going behind a pillar and oh, they did one shot,

899
00:50:04.000 --> 00:50:05.880
<v Speaker 1>and by the fourth episode of the series you don't

900
00:50:05.880 --> 00:50:09.159
<v Speaker 1>even notice anymore. You may think, oh, we got from

901
00:50:09.199 --> 00:50:10.519
<v Speaker 1>the inside of the house and now we're in the

902
00:50:11.199 --> 00:50:14.039
<v Speaker 1>lorry and we're going down the road. That's right, but

903
00:50:14.079 --> 00:50:17.639
<v Speaker 1>you're more interested in what's happening. If it's a gimmick,

904
00:50:17.639 --> 00:50:20.119
<v Speaker 1>it's a great gimmick. Brian de Palmer's tracking shot at

905
00:50:20.159 --> 00:50:22.079
<v Speaker 1>the beginning of that Nicholas cage movie. I can't remember

906
00:50:22.119 --> 00:50:24.840
<v Speaker 1>what it was, Snake Eyes, something like that. It's interminable,

907
00:50:25.000 --> 00:50:27.400
<v Speaker 1>but I love it. The tracking shot that begins and

908
00:50:27.800 --> 00:50:30.519
<v Speaker 1>Goodfellas maybe the best in the business, the one an

909
00:50:30.519 --> 00:50:33.000
<v Speaker 1>adolescent sets the scene and the stage and the tone

910
00:50:33.039 --> 00:50:36.079
<v Speaker 1>and the rest of it. I love them. They're very

911
00:50:36.079 --> 00:50:37.559
<v Speaker 1>good wonders and.

912
00:50:37.760 --> 00:50:43.000
<v Speaker 2>One nineteen seventeen, really did you see that? The Sam

913
00:50:43.079 --> 00:50:44.079
<v Speaker 2>Mendez Oh, yes.

914
00:50:44.039 --> 00:50:46.639
<v Speaker 1>Yes, yes, yes I did. I did, I did?

915
00:50:47.360 --> 00:50:49.639
<v Speaker 2>I mean I think maybe there's The whole movie is

916
00:50:49.679 --> 00:50:53.159
<v Speaker 2>two continuous tracking shots and as a moment in the

917
00:50:53.159 --> 00:50:55.559
<v Speaker 2>middle where he gets knocked out and it goes dark

918
00:50:55.559 --> 00:50:56.800
<v Speaker 2>and then they start the next one.

919
00:50:57.320 --> 00:51:01.519
<v Speaker 1>Right. So, while it's easier today with drones and smaller cameras,

920
00:51:01.559 --> 00:51:02.920
<v Speaker 1>in the rest of it, my hat is off to

921
00:51:03.039 --> 00:51:05.280
<v Speaker 1>Orson Wells who had to put these things on cranes

922
00:51:05.360 --> 00:51:07.239
<v Speaker 1>and take them from up there and put them down

923
00:51:07.280 --> 00:51:09.559
<v Speaker 1>the street and into people's rooms and the rest of it.

924
00:51:09.559 --> 00:51:12.679
<v Speaker 1>It's just great. And the day that we forget the

925
00:51:12.760 --> 00:51:14.840
<v Speaker 1>artistry and the contribution of Orson Wells is a sad

926
00:51:14.880 --> 00:51:18.760
<v Speaker 1>day in America. Here's one for you, Charles, in commemoration

927
00:51:18.920 --> 00:51:22.760
<v Speaker 1>is from the honorable mister Fancy pants in commemoration of

928
00:51:22.800 --> 00:51:26.079
<v Speaker 1>the Florida Gators winning both the NCAA championship. Here's a

929
00:51:26.119 --> 00:51:29.519
<v Speaker 1>movie sports related question in Charles's opinion and mine too,

930
00:51:29.840 --> 00:51:31.800
<v Speaker 1>what is your favorite sports movie and why?

931
00:51:32.960 --> 00:51:35.360
<v Speaker 2>It's a lot of great sports movies. I do like

932
00:51:35.480 --> 00:51:40.480
<v Speaker 2>the trilogy of Kevin Costner baseball movies, and I think

933
00:51:40.559 --> 00:51:44.320
<v Speaker 2>the last one in I won't call it a series,

934
00:51:44.880 --> 00:51:47.239
<v Speaker 2>but the trio for the Love of the Game is

935
00:51:47.320 --> 00:51:49.440
<v Speaker 2>much better than people think it is. The other two

936
00:51:49.559 --> 00:51:55.119
<v Speaker 2>coals are famous, the Bull Durham and my Goodness, difficult

937
00:51:55.119 --> 00:51:56.519
<v Speaker 2>in the name of it. If you build it, they

938
00:51:56.599 --> 00:52:02.039
<v Speaker 2>will come. Field of Dreams, Field of Dreams. Chariots of

939
00:52:02.119 --> 00:52:08.119
<v Speaker 2>Fire is a really great sports movie, although it's about running,

940
00:52:08.159 --> 00:52:09.920
<v Speaker 2>which is not something I spend too.

941
00:52:09.840 --> 00:52:15.000
<v Speaker 1>Much time too. Yes, yes, it is. Anything else come

942
00:52:15.079 --> 00:52:15.480
<v Speaker 1>to mind.

943
00:52:16.440 --> 00:52:18.159
<v Speaker 2>I think it might be Chariots of Fire.

944
00:52:18.639 --> 00:52:21.679
<v Speaker 1>Okay, I think that means rollerball, perhaps, I think because

945
00:52:21.679 --> 00:52:24.159
<v Speaker 1>I'm just a child of that era. And then there's

946
00:52:24.159 --> 00:52:27.000
<v Speaker 1>a Burt Reynolds sports movie. I don't remember anything about it. It

947
00:52:26.960 --> 00:52:30.199
<v Speaker 1>was based on a famous book that told that ripped

948
00:52:30.199 --> 00:52:33.039
<v Speaker 1>the mask off professional football, and the only reason I

949
00:52:33.079 --> 00:52:35.960
<v Speaker 1>think I went to see it as a teenager, even

950
00:52:35.960 --> 00:52:38.000
<v Speaker 1>though you know you went to the movies to see movies, right,

951
00:52:38.400 --> 00:52:40.960
<v Speaker 1>you didn't necessarily want to see this one, but you

952
00:52:40.960 --> 00:52:42.920
<v Speaker 1>went to the movies and this was your choice. Was

953
00:52:43.000 --> 00:52:47.639
<v Speaker 1>because I think one of the product demonstrators from The

954
00:52:47.639 --> 00:52:50.480
<v Speaker 1>Price Is Right was supposed to be topless in the

955
00:52:50.480 --> 00:52:52.800
<v Speaker 1>first five minutes of it. And you never had a

956
00:52:52.880 --> 00:52:56.039
<v Speaker 1>kind of crossover like that in your life. You never

957
00:52:56.119 --> 00:53:00.280
<v Speaker 1>had the presenter from The Price Is Right being toolis

958
00:53:00.280 --> 00:53:03.360
<v Speaker 1>in a movie. You just didn't, but you did, and

959
00:53:03.400 --> 00:53:05.960
<v Speaker 1>then we were. It was remarkable, and I think it

960
00:53:05.960 --> 00:53:08.559
<v Speaker 1>was Janus. I think it may indeed been Janus. All

961
00:53:08.599 --> 00:53:12.199
<v Speaker 1>I remember about the movie that's it, which means maybe

962
00:53:12.199 --> 00:53:15.599
<v Speaker 1>a function of age. I'm not exactly sure. You get

963
00:53:15.639 --> 00:53:17.760
<v Speaker 1>to my age and you think, did I forget that

964
00:53:17.800 --> 00:53:20.159
<v Speaker 1>simply because people forget things and it wasn't worth noting

965
00:53:20.199 --> 00:53:23.760
<v Speaker 1>in the first place? Or am by aging? Well, I

966
00:53:23.840 --> 00:53:26.800
<v Speaker 1>know I'm aging doing my best to forestall it. Though

967
00:53:27.039 --> 00:53:29.360
<v Speaker 1>diet helps, exercise helps, and the rest of it. But

968
00:53:29.400 --> 00:53:32.880
<v Speaker 1>sometimes you lead a little bit of assistance pruning dead

969
00:53:33.320 --> 00:53:37.599
<v Speaker 1>cells because you got them. Frankly, that's why we like

970
00:53:37.639 --> 00:53:39.800
<v Speaker 1>to tell you about quality of symoltic. It's the first

971
00:53:39.800 --> 00:53:41.840
<v Speaker 1>of its kind of formula designed to help your body

972
00:53:42.000 --> 00:53:47.320
<v Speaker 1>naturally eliminate sinescent cells. The big culprit you know, behind

973
00:53:47.360 --> 00:53:51.239
<v Speaker 1>that middle aged feeling it can be sinesseen cells. They're

974
00:53:51.440 --> 00:53:54.159
<v Speaker 1>also called zombie cells that linger in your body long

975
00:53:54.199 --> 00:53:57.599
<v Speaker 1>after they're useful functions, over wasting your energy and your resources.

976
00:53:58.039 --> 00:54:00.719
<v Speaker 1>You know, we all feel those, you know, the weight

977
00:54:00.760 --> 00:54:03.559
<v Speaker 1>of the years upon us sometimes, you know, sometimes it's psychological,

978
00:54:03.599 --> 00:54:05.280
<v Speaker 1>but sometimes it's the fact that you're walking around in

979
00:54:05.360 --> 00:54:07.360
<v Speaker 1>a machine that wasn't built to last forever, but with

980
00:54:07.440 --> 00:54:11.599
<v Speaker 1>proper maintenance can can keep you going. And it's no

981
00:54:11.800 --> 00:54:17.800
<v Speaker 1>fun to feel old dead. Zombie cells. Quality Synelytic deals

982
00:54:17.800 --> 00:54:20.719
<v Speaker 1>with them. It's a groundbreaking clinically tested supplement with nine

983
00:54:20.880 --> 00:54:23.960
<v Speaker 1>vegan plant derived compounds that help your body naturally eliminate

984
00:54:24.039 --> 00:54:27.480
<v Speaker 1>sinessence cells, helping you to feel years younger in just onces.

985
00:54:27.519 --> 00:54:29.440
<v Speaker 1>Here's how it works. Take it for just two days

986
00:54:29.480 --> 00:54:32.639
<v Speaker 1>a month, helping your body naturally eliminate zombie cells to

987
00:54:32.800 --> 00:54:36.360
<v Speaker 1>age better at the cellular level. Now I've taken it,

988
00:54:36.559 --> 00:54:40.239
<v Speaker 1>and ah, people who've met me tend to say, well,

989
00:54:40.280 --> 00:54:41.760
<v Speaker 1>they have their opinions about it, and a lack of

990
00:54:41.840 --> 00:54:44.440
<v Speaker 1>energy is not one of them. I don't seem to

991
00:54:44.480 --> 00:54:47.280
<v Speaker 1>be the sort of person who is who is burdened

992
00:54:47.440 --> 00:54:52.079
<v Speaker 1>unnaturally by some essence and zombieism. You two can experience

993
00:54:52.079 --> 00:54:54.599
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994
00:54:54.719 --> 00:54:56.880
<v Speaker 1>ricochet for up to fifty percent off you purchase, and

995
00:54:57.039 --> 00:54:59.599
<v Speaker 1>use the code ricochet for an additional fifteen percent. That's

996
00:54:59.679 --> 00:55:03.800
<v Speaker 1>qu a la life dot com slash ricochet for an

997
00:55:03.800 --> 00:55:07.199
<v Speaker 1>extra fifteen percent off your purchase. Your older self will

998
00:55:07.239 --> 00:55:09.840
<v Speaker 1>thank you, and we thank Qualitias Analytic for sponsoring this

999
00:55:10.239 --> 00:55:13.440
<v Speaker 1>the Ricochet Podcast. There's so much more that we can do.

1000
00:55:13.480 --> 00:55:15.159
<v Speaker 1>We've got great questions, and I would love to go

1001
00:55:15.159 --> 00:55:16.880
<v Speaker 1>for another hour, but Charles has to be somewhere and

1002
00:55:16.960 --> 00:55:18.480
<v Speaker 1>I have to have lunch, So I think we'll end

1003
00:55:18.480 --> 00:55:24.639
<v Speaker 1>with something like Frothy from Yurobe, who asks what which

1004
00:55:24.639 --> 00:55:27.960
<v Speaker 1>great opponent of Cartesian dualism resists the reduction of psychological

1005
00:55:27.960 --> 00:55:30.079
<v Speaker 1>phenomenon to a physical state and insists there is no

1006
00:55:30.119 --> 00:55:34.559
<v Speaker 1>point of contact between the extended and the unextended? Is

1007
00:55:34.599 --> 00:55:40.280
<v Speaker 1>it REGINALD Maudlin, Yes, that's absolutely correct, it is indeed,

1008
00:55:40.320 --> 00:55:43.079
<v Speaker 1>reginal Maudlin. Whin I'm from one more Gary McVay says,

1009
00:55:43.079 --> 00:55:46.920
<v Speaker 1>how's the lawfair situation going? Is Ricochet currently okay against frivolous, stupid,

1010
00:55:46.920 --> 00:55:52.599
<v Speaker 1>cash hungry, idiologically motivated attacks dealing with photographs? Maybe? If so,

1011
00:55:52.639 --> 00:55:54.599
<v Speaker 1>how can we help defend it? Interesting?

1012
00:55:57.039 --> 00:56:01.440
<v Speaker 2>Well, we took action against this was a serious problem.

1013
00:56:03.079 --> 00:56:08.639
<v Speaker 2>We have for now forestalled the worst offenders. I know

1014
00:56:09.159 --> 00:56:12.599
<v Speaker 2>that as a result, there are a lot of posts

1015
00:56:12.599 --> 00:56:17.760
<v Speaker 2>that were promoted that are no longer accessible. This will

1016
00:56:17.800 --> 00:56:22.840
<v Speaker 2>be resolved in Ricochet five is built in to the system.

1017
00:56:23.079 --> 00:56:26.159
<v Speaker 2>It has been built into the system. That work is complete.

1018
00:56:26.679 --> 00:56:28.840
<v Speaker 2>We can't do it before then for a bunch of

1019
00:56:28.880 --> 00:56:32.119
<v Speaker 2>technical reasons. If we do, it'll be very hard to

1020
00:56:32.159 --> 00:56:36.119
<v Speaker 2>go back. This is a problem on the broader Internet.

1021
00:56:36.440 --> 00:56:41.840
<v Speaker 2>This hasn't just affected Ricochet. I am involved, in one

1022
00:56:41.840 --> 00:56:44.199
<v Speaker 2>way or another with a bunch of other organizations that

1023
00:56:44.280 --> 00:56:46.920
<v Speaker 2>have been targeted in exactly the same way, some of

1024
00:56:46.960 --> 00:56:52.079
<v Speaker 2>them in even more cynical ways than we have. But

1025
00:56:52.360 --> 00:56:56.280
<v Speaker 2>the good news is that as of now, touch would

1026
00:56:57.360 --> 00:57:01.000
<v Speaker 2>we have fought off those attacks. I think in the

1027
00:57:01.039 --> 00:57:05.159
<v Speaker 2>long run, Congress I hear you laughing already is going

1028
00:57:05.199 --> 00:57:09.199
<v Speaker 2>to have to act to change the rules around this

1029
00:57:09.400 --> 00:57:16.000
<v Speaker 2>because the intention of the nineteen seventy eight. I think

1030
00:57:16.039 --> 00:57:22.000
<v Speaker 2>perhaps seventy six Copyright Act and various court decisions across

1031
00:57:22.039 --> 00:57:25.280
<v Speaker 2>the country was clearly not to create a situation in

1032
00:57:25.320 --> 00:57:33.360
<v Speaker 2>which anyone who posts a picture, including on Twitter or Facebook,

1033
00:57:33.519 --> 00:57:36.599
<v Speaker 2>for which they don't own the copyright, is liable to

1034
00:57:36.639 --> 00:57:42.800
<v Speaker 2>be harassed by horrible ambulance chasing lawyers from California. The

1035
00:57:42.840 --> 00:57:44.519
<v Speaker 2>long run, we're going to need a legisla to fix.

1036
00:57:44.559 --> 00:57:48.159
<v Speaker 2>But until we have that, especially given the arena in

1037
00:57:48.199 --> 00:57:50.840
<v Speaker 2>which we operate, we are going to have to be careful.

1038
00:57:52.039 --> 00:57:54.880
<v Speaker 1>Agreed, there are the questions that we're posed by the members,

1039
00:57:54.920 --> 00:57:57.480
<v Speaker 1>and I'm going to go back into the thread and

1040
00:57:57.559 --> 00:57:59.360
<v Speaker 1>to answer the ones that we didn't have the time for.

1041
00:58:00.039 --> 00:58:02.119
<v Speaker 1>Great questions as usual from a smart bunch of people.

1042
00:58:02.599 --> 00:58:04.199
<v Speaker 1>And if you're the sort of person who's enjoyed this

1043
00:58:04.239 --> 00:58:06.840
<v Speaker 1>podcast and the others that proceeded the seven hundred and

1044
00:58:06.840 --> 00:58:09.079
<v Speaker 1>thirty five, and you're not a member yet, then I

1045
00:58:09.079 --> 00:58:11.440
<v Speaker 1>don't know what we got to do. Frankly, it's probably hopeless.

1046
00:58:11.440 --> 00:58:13.280
<v Speaker 1>We can't reach you. But if you're one of those

1047
00:58:13.679 --> 00:58:16.800
<v Speaker 1>persons on the fence on the CUSP, you know you

1048
00:58:16.800 --> 00:58:20.199
<v Speaker 1>can go to Ricochet and there's a whole members feed

1049
00:58:20.280 --> 00:58:22.480
<v Speaker 1>where the communities and the other topics, and the non

1050
00:58:22.519 --> 00:58:24.519
<v Speaker 1>political stuff and the fun stuff and the politically and

1051
00:58:24.639 --> 00:58:26.199
<v Speaker 1>correct stuff, and the memes of the day, and the

1052
00:58:26.320 --> 00:58:28.239
<v Speaker 1>radio shows and the songs and the rest of it.

1053
00:58:28.800 --> 00:58:32.159
<v Speaker 1>The full panoply of American culture, forward and backward is

1054
00:58:32.320 --> 00:58:35.039
<v Speaker 1>there and it can be yours for just you know,

1055
00:58:35.119 --> 00:58:37.559
<v Speaker 1>pennies a day. As we like to say, we'd like

1056
00:58:37.599 --> 00:58:40.039
<v Speaker 1>to thank of Bamboo HR and Quality of Synalytics for

1057
00:58:40.079 --> 00:58:42.199
<v Speaker 1>sponsoring the show. We'd like to thank you for giving

1058
00:58:42.280 --> 00:58:44.800
<v Speaker 1>us good ratings wherever you happen to find it. I'd

1059
00:58:44.840 --> 00:58:47.000
<v Speaker 1>like to thank you Charles for being with me here today.

1060
00:58:47.000 --> 00:58:48.960
<v Speaker 1>It's been a great pleasure. And we'll see everybody in

1061
00:58:48.960 --> 00:58:52.400
<v Speaker 1>the comments at Ricochet four point zero. Bye bye,
