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Speaker 1: Welcome to the Great Detectives of Old Time Radio from Boise, Idaho.

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This is your host, Adam Graham. In a moment, we're

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going to bring you this week's episode of Danger with Granger.

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But first I do want to let you know that

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if you are enjoying the podcast, you can follow us

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using your favorite podcast software. And also today's program is

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brought in part by the financial support of our listeners,

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and I do want to welcome our Lateston supporter uh

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supporting us at the detective sergeant level of seven dollars

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and fourteen cents or more per month. Thank you so

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much for your support, Tim, and again with the podcast

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over at Patreon, dot Great Detectives dot net and on

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a one time basis at support dot Great Detectives dot net.

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Well now, from nineteen fifty six or nineteen fifty seven,

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here is the Triple X.

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Speaker 2: Murders Danger with Stranger, Least of Them and Rich Greener.

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Speaker 3: I'm coming from a church store and Anthea mcdonne, I'm

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at your.

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Speaker 2: Plea here immediately. Oh here I am, officers. I'm the

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man who called who said something about bodies. Yes, I

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was walking along one of the drives. I found them

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in a car and show us where it's this world

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to the right, a red convertible. It's put right along.

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Oh there there it is just up ahead. Who one girl?

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They're just youngsters, bookman's shot. How'd you have no final fellow?

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Speaker 4: Oh?

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Speaker 2: I told you. I was walking here in the park.

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It's a nice night. I happened to look in. At

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first I thought they were just sitting sort of connection, yes,

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Then I took a closer look.

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Speaker 1: That.

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Speaker 2: That's when I ran to the drug store and called, hey,

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what's the matter, officer. We're in for a lot of grief.

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You look at these marks made biolipstick three x's. This

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must be the work of some some speed. This is

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Steve Granger, private attractive with a story about a killer

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with a trademark a triple X, which meant murder plus mania.

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In just a moment, I'll take you back to one

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of my most interesting cases. There is Granger. I was

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sitting in my office reading the paper an account of

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a twin killing in Pelham Bay Park the night before.

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A killing was signed by three x's on the forehead

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of each body. Was a sort of case that gave

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you a cold, creepy feeling in spite of the fact

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that the sun was shining outside. Then my door.

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Speaker 4: Opened, mister Granger, mister Granger, I've come here for help.

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Speaker 5: I need you.

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Speaker 2: Sit down, man, thank you.

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Speaker 4: I'm Matha Morton.

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Speaker 3: I want you to try to exonerate my son John.

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Speaker 2: Why was he done?

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Speaker 3: I haven't read that in Piastre in your paper, mister Grainger,

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Where wouldn't what? John is in jail. He's under suspicion

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of being a free excuer. But he couldn't con those murders.

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I know he couldn't.

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Speaker 2: Why not. He's just not that sort of boy.

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Speaker 3: I know I've not been able to give him all

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the time he should have had. But he's not the

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kind of boy to do anything as horrible as that.

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Speaker 2: You could be wrong, you know, Missus Martin.

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Speaker 3: No, I'm not wrong. That's why I want your help.

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Speaker 2: Okay, I'll drop down. I'll have a talk with him.

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I see he's being held downtown. Mister Granger. Please, if

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you make it easy, Missus Martin, if he's innocent, he

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won't be convicted. I grabbed some transportation and went down

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to police headquarters. I explained my arm and was rushed

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into the office of Lieutenant my Carting Granger, I think

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you picked a bad one this time. Why what have

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you got on, young Martin? Everything? A girl came to

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us earlier this morning. She was scared of death, hysterical.

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She went a protection from home and why. The dead

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girl and boy were both friends of hers. They all

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had a date last night. The dead girl forgot about

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the second date she had with the Morton boy. Both

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boys showed up. They tossed a coin. Morton lost. He

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went away angry with the girl, who later reported him.

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That's still not proof of murder. The lampman made some

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casts around the car. They fit the boy's shoes. Shoes

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gonna be similar. Cut it out. We matched the tires

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on Morton's car with some tire prints. They were alike too.

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I want to go talk with him, Mike, Okay, come on,

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how's a kid impress you? Oh it looks like a

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nice boy. And i've seen angel face killers before by

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Yeah she's nice too. Yeah, this is herself, John. I'm

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Steve Granger. Your mother employed me to turn and get

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you out of this.

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Speaker 5: I didn't do it.

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Speaker 2: I didn't take it easy, kid. I'll do everything I can.

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What happened after you flipped the nickel and lost, I

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left him went out with the other girl, the one

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who reported you. Yes, annalong, I was mad. See. I

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took a home early, and then I drove my car

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around the park looking for the other couple. Yeah, I

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wanted to spoil their fun if I could. They wanted

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to pick a fight with the other guy. I didn't

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like him, but mister Greener, I never killed them, but

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you did find them. Sure. I spotted the car pocked

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on that side driveway. I coasted up in back so

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they wouldn't hear me. I wanted to see what was

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going on, so when I got to the car, I

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could see there was something wrong. When I saw the

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three exits marked on the fire and I went home

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as fast as I could. Why didn't you notify the police? Well,

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I was going too, But just as I got back

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in my own car, I heard the sirens I got

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out of there. I guess I lost my head. Yeah, yeah,

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I guess you did. Okay, John, try and relax. I'll

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do what I can. I didn't think you've got the

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boy wrong. It's got a pretty straight story. But no

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witness did your par his hands? Granger, you stick to

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your business and let me stick to mine.

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Speaker 5: I know the.

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Speaker 2: Routine, Okay, no offense after all? Is the logical suspect,

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isn't it? Yeah? Maybe too logical. Anything else I can do?

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Or will you permit me to go about my own affairs? All?

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Lieutenant Harding, I've been waiting for you, but I want

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to help that poor boy. I wish you too would

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go someplace and get lost. Oh, Grainger, this is Graham

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Dwyer Steve Gringer. According to the papers, you found the body. Yes,

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I did, but I don't believe that youngster did the killing.

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I offered my services to the lieutenant here, but he's

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refused them. I happen to be interested in crime. I'm

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an amateur criminology. I see well, So long Harding. Oh,

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one moment Grainger has the boys, not that retains you?

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Suppose she has stain. Why can't we work together? My

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work would be free, of course, you know, Granger, that's

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an excellent suggestion. The second hand, and I have both

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of you shirlocks out of my hair. I got away

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from grand Wire by simply telling him to get in

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touch with me later at my office, a place i'd

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try not to be at that time I knowed so

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long at him left the building and grabbed a cab uptown.

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Thanks driver to keep the change. I moved towards the

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entrance of my building. I'll continue with this interesting story

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in a minute. When the shots came, I dropped the

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sidewalk fast. You gotta be pretty fast on the fall

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in my profession. Hoday. They were waiting for some more shots,

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but they never came. Only the son of a car

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roaring off. I could look at the license plates and

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made it in a hurry to my telephone. Ah, this

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is range was my guy just took a pot shot

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at me from a car. I got the license number.

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Could you check the owner phone?

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Speaker 3: How do I know?

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Speaker 2: I'm no profit? You're not. While waiting for Haunting to

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call back, I studied the newspaper account of the three

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X killing. The police said only one suspect, and that

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was John Martin. I hoped I could dig up an

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alibi for him, because the law was going to be

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tough about this. I'd got the address of the girl

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who put the finger on John Martin. Her name was

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Anna Long. I decided to talk with her. Was in order.

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Anna a long lived on Colonial avenue a Jason Fullam

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Bay Park. I phoned told her I'd be out. Yeah,

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you're Anna Long, I'm Steve Granger the menophone.

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Speaker 4: Oh yes, come on in this scranger.

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Speaker 2: Thanks.

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Speaker 4: You said it was about John.

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Speaker 2: I want you to tell me everything you know about him.

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Speaker 4: Well, he always acted off.

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Speaker 2: His sweet then why did you report him to the

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police that night?

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Speaker 4: He was sort of different. He wanted that date with

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Nell and he was terribly upset when Tommy showed out.

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Did he make any threats, No, he just grumbled about

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it always being her or something like that.

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Speaker 2: You said he acts a different What do you mean

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by that?

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Speaker 4: Well, we we rode around and then we stopped off

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Pistoda at the corner, and well, John wouldn't talk for anything.

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Speaker 2: Then he took me home just like that, didn't even

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say good night. Do you think he could have killed

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his two friends?

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Speaker 4: He didn't like Tommy at all, and he was crazy

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jealous of new.

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Speaker 2: The talk with an along brought out nothing. There was

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no way of establishing an alibi for John Morton since

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he'd been driving around alone. I think the girl left

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the house and started down the streets in search of

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a cab. I walked along and joined the clear weather.

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I hardly noticed the car as I came up to it.

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It was facing me. I dropped to the ground, but

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not until I got a good luck at that driver,

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and he was wearing a gray half dark glasses and

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a mustache. I got something else too, the license I'm

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on the plates the same as before.

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Speaker 5: Well, honey, sure, sure, I've got to make on the

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car for you.

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Speaker 2: Thanks. You took your time about it, didn't you come?

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I just don't like being shot at.

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Speaker 5: You want to protection and be glad to sign a

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uniphone opposite the body.

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Speaker 2: He's that comedy and give me the information.

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Speaker 5: It won't make you happy.

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Speaker 2: We checked with the car.

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Speaker 5: He lifted his peas in the car. It disappeared naturally,

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and it's thanks.

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Speaker 2: There's one thing about you, Mike. They're always useful. About

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as useful as a Nihilon shirt and a bladded. As

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I hung up the phone, a thought struck me. The

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man who'd fired me from the car had fired high.

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Thence he had a perfect sight on me. Apparently he

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was just trying to scam me off the Morton case.

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The trouble was he was practically to succeeding. In just

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a moment, I'll bring you with the climax of the case.

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On my way back to my office, I passed pretty

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near to cal Hendrick's place, since I was getting nowhere

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fast with this case. Since Cow has more than once

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been able to help, though, i'd pay him a call. Well, Well,

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in trouble again, Steve, What do you mean again? I'm

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just a sucker for it, Strife. Read about the three

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ex killer, Steve. I'm working on it. That Morton kid.

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I don't think he didn't. Thanks, you're my first friend today.

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A kid like that might kill an anger. But when

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they start marking their corpses with three x'es on the forard,

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look for a psychopathic murder. If you'll just find him

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out to me, I can say, missus Morton law of heartbreak,

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and this is one time I can be of no help.

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I thought i'd probably find you here, Grinchent. Wow, Well,

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well the boy lieutenant from homicide. All right, that's enough,

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Hendricks yere, you're holding an innocent kid for murder. I'll

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look here, I'll needle him. Cow, we'll tell him his

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high blood pressure. What do you want with me, sir?

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That Graham Dwyer remember him. He said that now you

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and he were working together, you would have a startling

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revelation to make fine morning. Oh he said, that is

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it true? No, Mike, it'll make you feel better than that. Thanks,

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even if my feet are sore. That no, was what

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the trip up here? I left Cal's place one of

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my office and reported to missus Morton, Well, I couldn't

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encourage it too much. I couldn't insinuate I was getting

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a break on the case. At midnight. I got it.

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Speaker 5: Hello Granger, have you been listening to the radio?

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Speaker 2: No? Who is this?

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Speaker 5: What is scream here? The man who's whipping with you?

236
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Speaker 2: Oh? Yeah? The radio?

237
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Speaker 5: And they didn't look at proved that didn't kill it?

238
00:13:40,480 --> 00:13:45,639
Speaker 2: Going through what proves? What? What are you talking about?

239
00:13:45,919 --> 00:13:50,320
Say that again? The report, same place Ulm Park.

240
00:13:50,480 --> 00:13:54,120
Speaker 5: Sure in this pring it was only a woman only

241
00:13:54,919 --> 00:13:57,879
she was shut and killing Mark three acts of the

242
00:13:57,960 --> 00:13:58,919
pork with a lipstick.

243
00:14:00,240 --> 00:14:04,039
Speaker 2: Got out. Pick you up and we can go up there.

244
00:14:04,600 --> 00:14:06,480
There's no sense in doing that to wire. By this

245
00:14:06,519 --> 00:14:08,879
time the police have removed the body. The examination will

246
00:14:08,919 --> 00:14:14,799
be over. Okay, okay, I'll get dressed, go down and

247
00:14:14,799 --> 00:14:20,759
get him out. If I can in the morning. Why

248
00:14:21,120 --> 00:14:26,799
are you pitch the wheel killer? Wow? Thanks, thanks a lot.

249
00:14:30,720 --> 00:14:33,399
I hung up on that nauseating prospect and mudded this

250
00:14:33,480 --> 00:14:35,879
latest development over in my mind. Then I got into

251
00:14:35,919 --> 00:14:38,200
my clothes and went down to the mark. But Jennon

252
00:14:38,279 --> 00:14:40,159
Harding was there ahead of me, as ugly as a

253
00:14:40,159 --> 00:14:42,559
bear with a singed tail, and I might have known.

254
00:14:42,639 --> 00:14:46,000
You show up sure as sort of clear as my client.

255
00:14:46,159 --> 00:14:48,759
So you'll be in such a hurry if you identify

256
00:14:48,799 --> 00:14:52,240
the murdered woman in her purse. She carried a driver's license,

257
00:14:52,279 --> 00:14:56,360
a hotel credit card, and the birth certificate. Now have

258
00:14:56,519 --> 00:15:01,039
we don't be so grumpy, Mike. This means you'll have

259
00:15:01,080 --> 00:15:03,440
to release that kid. Yes, his mother will be down

260
00:15:03,440 --> 00:15:05,279
here with a wrist. I'll have to let him go.

261
00:15:05,360 --> 00:15:07,519
But that doesn't mean he won't still be under suspicion.

262
00:15:07,840 --> 00:15:11,200
Find the clues in the park, footprints, millions of her

263
00:15:11,559 --> 00:15:14,039
made by the curious public as they trampled the place

264
00:15:14,159 --> 00:15:16,679
like a bull, ring anything of the dead woman's effects.

265
00:15:16,799 --> 00:15:20,919
No newspapers are gonna get on you, weren't they might grange.

266
00:15:21,159 --> 00:15:29,360
Don't needle me. This isn't funny. Murder never is. At

267
00:15:29,399 --> 00:15:31,039
ten The next morning, I was reading the account of

268
00:15:31,080 --> 00:15:34,600
the latest murder when my pal walked in. Well, mister Grange,

269
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I am just as I promised. I've been waiting with

270
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vated Breathwire. Good. Now here's what we can do. Go

271
00:15:41,480 --> 00:15:43,519
out to that dead woman's place and look around. Why

272
00:15:43,679 --> 00:15:45,960
just a minute, the police have done that already. They

273
00:15:46,000 --> 00:15:54,559
could miss something. Pardon me right here? Yeah, I know

274
00:15:54,600 --> 00:15:59,720
he'd been released. Let me advise you, missus Martin, keep

275
00:15:59,759 --> 00:16:01,200
John one way. You can watch him for a while.

276
00:16:01,320 --> 00:16:06,879
The police still have him under suspicion. Don't bother. I

277
00:16:06,919 --> 00:16:09,919
didn't do a thing. Real killer clear Joe boy, and

278
00:16:10,480 --> 00:16:14,360
you're by That was Missus Martin. Else, I knew that

279
00:16:14,399 --> 00:16:17,120
boy wasn't guilty from the very first. The real three

280
00:16:17,240 --> 00:16:20,159
X killer is a clever man, not a kid. Now,

281
00:16:20,159 --> 00:16:22,200
why don't we go out to that woman's price? I

282
00:16:22,320 --> 00:16:25,320
want to, but I can't, Wire, But why don't you

283
00:16:25,399 --> 00:16:27,080
go out and look around? Use my name if you

284
00:16:27,120 --> 00:16:30,000
want to, thank you, and if anything breaks about another killing,

285
00:16:30,480 --> 00:16:37,519
we'll investigate it together. Right, Ranger, that's the deal. It

286
00:16:37,559 --> 00:16:39,879
was such a logical way of losing Grand Wire. I

287
00:16:39,960 --> 00:16:41,840
took it in a hurry. Also, he would do no

288
00:16:41,919 --> 00:16:44,480
more harm swooping around Pelham Bay Park during the morning.

289
00:16:45,159 --> 00:16:46,919
A few minutes after he left, I went out to

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00:16:46,919 --> 00:16:50,440
see Lieutenant Harding. He still hadn't been to bed. Don't

291
00:16:50,480 --> 00:16:53,919
you start anything this morning. Don't you'll out. Take it easy, Mike,

292
00:16:53,960 --> 00:16:56,639
you're losing your perspective. Have you seen the papers? If

293
00:16:56,639 --> 00:16:58,840
we don't do something about this three X Killer, I'll

294
00:16:58,879 --> 00:17:01,360
lose more than my perspect if my God, I said

295
00:17:01,399 --> 00:17:03,919
take it easy. All I need now is that nutty

296
00:17:04,000 --> 00:17:06,240
Dwyer character around. I got rid of him. I sent

297
00:17:06,359 --> 00:17:08,519
him out to pell him bay look for clues. I

298
00:17:08,559 --> 00:17:10,880
hope he falls in the lake. How have you ever

299
00:17:10,920 --> 00:17:14,480
figured that you're dealing with a psychopathic killer? I figured everything,

300
00:17:14,640 --> 00:17:17,359
but he's still loose. I think I know how we

301
00:17:17,359 --> 00:17:20,759
can catch him weed, and what have you got to

302
00:17:20,799 --> 00:17:24,359
do with it? Figured I could help you trap him?

303
00:17:24,519 --> 00:17:29,039
A grange heer. If this is another stunning Listen will

304
00:17:29,039 --> 00:17:32,359
go on. The three X Killer must be an egomaniac.

305
00:17:32,920 --> 00:17:35,240
He loves to see his trademark written up on the papers.

306
00:17:35,279 --> 00:17:37,640
And now suppose somebody comes along and claims to be

307
00:17:37,839 --> 00:17:40,839
the three X Killer, A real one gets jealous. You

308
00:17:40,960 --> 00:17:42,839
want to get even with a fake one. In short,

309
00:17:42,880 --> 00:17:45,039
you want me to take my gun murder an innocent

310
00:17:45,079 --> 00:17:47,440
citizen to make it look like a three X killing.

311
00:17:47,559 --> 00:17:49,640
You don't have to go as far as that. You

312
00:17:49,640 --> 00:17:51,440
can get hold of a body, can't you. I'm an

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00:17:51,519 --> 00:17:55,440
unidentified woman. You no, You set up the whole thing.

314
00:17:55,480 --> 00:17:58,039
Get a police officer and a policewoman is staged. The

315
00:17:58,039 --> 00:18:00,680
woman is found dead after being shot by the reex killer.

316
00:18:01,160 --> 00:18:04,519
The wagon comes up and takes her down here. Nobody

317
00:18:04,559 --> 00:18:07,359
knows if she's alive or dead, and in the meantime,

318
00:18:07,400 --> 00:18:09,720
the real three X killer pops up in Times Square.

319
00:18:09,759 --> 00:18:12,599
It's a chance she'll have to take me. I thought

320
00:18:12,640 --> 00:18:18,240
it was going to be we hiding. Demurred with every

321
00:18:18,279 --> 00:18:20,680
demur could dig up, but I finally reasoned them into it,

322
00:18:20,880 --> 00:18:23,119
and he agreed. It was one way the three X

323
00:18:23,160 --> 00:18:25,359
killer could be brought into the open. That night, just

324
00:18:25,400 --> 00:18:32,039
before midnight, the supposed killing took place. The police woman,

325
00:18:32,240 --> 00:18:34,920
posing as a casual pedestrian, was walking down one of

326
00:18:34,960 --> 00:18:39,039
the drives. The man slipped up behind her. The woman

327
00:18:39,119 --> 00:18:41,480
staggered the grass and dropped. The man ran between some

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00:18:41,559 --> 00:18:47,599
trees and disappeared. Two plain clothesmen ran out with the

329
00:18:47,640 --> 00:18:49,880
body of the woman brought from the mague a woman

330
00:18:50,000 --> 00:18:52,880
wearing three exits on a forehead. They placed her where

331
00:18:52,880 --> 00:18:55,480
a fake shooting had taken place. While the police woman

332
00:18:55,599 --> 00:19:03,400
slipped out of sight. The stage was set. Justice hiding

333
00:19:03,440 --> 00:19:06,039
and I had planned. The radio at midnight came out

334
00:19:06,039 --> 00:19:14,799
with the news that another three X killing had taken place. Yeah,

335
00:19:16,119 --> 00:19:18,720
we're here. Are you here? I just gonna call you.

336
00:19:18,880 --> 00:19:20,480
Speaker 5: We're coming up there.

337
00:19:31,920 --> 00:19:34,279
Speaker 2: The radio said it was the left dry spots right

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up ahead. See the police car is my my? This

339
00:19:37,039 --> 00:19:39,759
one really attracted crowd. Will out there, we can walk

340
00:19:51,680 --> 00:19:54,160
this time, will pick up the clues. We can come

341
00:19:54,240 --> 00:19:56,359
up with the three X killers. Don't be too sure.

342
00:19:57,720 --> 00:20:00,279
We'll see you listening and hidings on the job. Yeah,

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00:20:00,319 --> 00:20:02,960
that poor guy hasn't slept for three days. You'll see

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00:20:03,000 --> 00:20:07,039
you're walking right along here. Yes, officer, Hi, you're Lieutenant Stranger.

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00:20:07,279 --> 00:20:09,960
Don't tell me you're what did you bring him along for?

346
00:20:10,319 --> 00:20:12,359
We aren't going to find the three X killer for you.

347
00:20:12,359 --> 00:20:14,799
You're going to mind your own business. I'll be locked up.

348
00:20:14,880 --> 00:20:16,960
You can't do that. I'm a low bidy citizen. You'll

349
00:20:16,960 --> 00:20:19,359
get on our way. You'll be obstructing justice. I'll behave

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00:20:20,359 --> 00:20:22,440
you missed it. Going with the story, I was quite

351
00:20:22,440 --> 00:20:24,400
a waste down the drive when I heard the shot.

352
00:20:24,640 --> 00:20:26,359
You see the man who fired it? I think so

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good enough to describe him, Yes, I believe so. He

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00:20:28,920 --> 00:20:31,240
was wearing a dog sooth, his hat was gray because

355
00:20:31,440 --> 00:20:33,920
he had a decided limb and anything else. He ran

356
00:20:34,000 --> 00:20:40,440
over into those trees harding, looked at me, and one

357
00:20:40,480 --> 00:20:43,519
eyelad dropped in a surreptitious wink. I nodded. A few

358
00:20:43,519 --> 00:20:46,200
minutes later, a man wearing a dark blue suit, gray hat,

359
00:20:46,400 --> 00:20:52,240
and sporting an assided limp was moving through those trees.

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00:20:52,799 --> 00:20:55,240
Nobody except the police and I. He knew that this

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00:20:55,440 --> 00:20:58,160
had all been rehearsed, but both the witness and the

362
00:20:58,240 --> 00:21:01,359
man with the limp were really a police officer. I

363
00:21:01,400 --> 00:21:04,599
looked around carefully, hoping to spot anyone who looked suspicious.

364
00:21:04,720 --> 00:21:07,480
Then I discovered something, something that sent me on the

365
00:21:07,480 --> 00:21:09,920
heels of a man posing as the three X killer.

366
00:21:13,000 --> 00:21:15,359
It was not so light now, and I had difficulty

367
00:21:15,400 --> 00:21:18,319
spotting my quarry. Then he moved up ahead, the limp

368
00:21:18,400 --> 00:21:22,039
as evident as ever. I stayed behind, just a little

369
00:21:22,079 --> 00:21:27,799
out of sight. The phony murderer was being obvious. Also,

370
00:21:27,839 --> 00:21:30,240
he was taking a chance because some civic minded citizen

371
00:21:30,359 --> 00:21:37,039
might choose first and ask later. Then another figure slipped

372
00:21:37,039 --> 00:21:39,359
out of a clump of bushes up behind the supposed killer.

373
00:21:39,839 --> 00:21:43,440
The gleam of a nickel plated revolver glinted dimly. The

374
00:21:43,480 --> 00:21:45,720
second man prodded the first out of sight. I moved in.

375
00:21:46,720 --> 00:21:47,519
Don't stand there.

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00:21:47,960 --> 00:21:48,599
Speaker 5: I can answer her.

377
00:21:48,640 --> 00:21:51,880
Speaker 2: Why you killed that woman? I'm the three X killer. Okay,

378
00:21:52,039 --> 00:21:54,720
you caught me. Take me back there. You're the three

379
00:21:54,960 --> 00:21:58,599
X killer. The three or three X killer is clever,

380
00:21:59,200 --> 00:22:02,640
his murders mited without leaving traces. You're a fumbling pool

381
00:22:02,759 --> 00:22:05,680
and a three X killer. You're n this wife and

382
00:22:05,759 --> 00:22:08,079
plans is a three X killer plans? This was stupid,

383
00:22:08,519 --> 00:22:11,400
the three X killers intelligence. He uses reason You'll can't

384
00:22:11,400 --> 00:22:13,599
frame that boy for between kimmings in the car. That

385
00:22:13,759 --> 00:22:17,279
took reasoning. Yeah, you you're a fake. You're cashing one

386
00:22:17,279 --> 00:22:19,799
the publicity into your original free X killer. Guys, you

387
00:22:19,880 --> 00:22:22,640
were jeerious of a success. You're the cheapest of our people.

388
00:22:22,799 --> 00:22:27,119
You're imitated. Oh you know, Beta, I happened to be

389
00:22:27,200 --> 00:22:31,279
the original three eggs. It was I do you understand? Okay?

390
00:22:31,359 --> 00:22:34,559
Why fight down that gun. So you find me, Rangy,

391
00:22:35,079 --> 00:22:37,000
you knew all the time, didn't you drop the guys?

392
00:22:37,480 --> 00:22:45,359
Until I take care of the people, say, well, fans,

393
00:22:45,400 --> 00:22:47,759
that's the story. I'll beat to wrap up the case

394
00:22:47,799 --> 00:22:56,559
in just a minute. I merely pulled the trigger and

395
00:22:56,640 --> 00:22:59,200
Graham Wire dropped with a bullet in the leg. The

396
00:22:59,240 --> 00:23:01,759
opisode had been posing of the fake killer grabbed his gun.

397
00:23:02,119 --> 00:23:05,480
So that was that. Mike Harning asked me to meet

398
00:23:05,519 --> 00:23:08,400
him the following day. Have you seen the newspapers? They're

399
00:23:08,400 --> 00:23:10,480
playing up the hoaxwee pool like they know about it

400
00:23:10,559 --> 00:23:13,559
all the time. They're good guys, and I suppose I'll

401
00:23:13,559 --> 00:23:15,480
have to thank you. You know. When it was that

402
00:23:15,599 --> 00:23:18,359
dreamboat idea he brought in from left field, it snared Dwyer.

403
00:23:18,480 --> 00:23:20,359
I don't bother, dear boy. It was a pleasure to

404
00:23:20,400 --> 00:23:22,559
get you off the hook. Yeah. I was hanging there

405
00:23:22,599 --> 00:23:26,240
like a flounder. What happens with Dwyer? And he's insane.

406
00:23:26,799 --> 00:23:28,680
When we raided his apartment, we found it was a

407
00:23:28,720 --> 00:23:31,960
storehouse of information on murder. Finally went to his head.

408
00:23:33,240 --> 00:23:35,200
Well were I never shot to kill? And he chased

409
00:23:35,240 --> 00:23:38,079
me around in a stolen car. He explained, that he

410
00:23:38,279 --> 00:23:41,759
loved making a monkey out of him. Thanks love being

411
00:23:41,799 --> 00:23:44,119
a monkey and alive on me, Lieutenant of the bunch

412
00:23:44,160 --> 00:23:46,240
at the office. I what for? They've been a shooting

413
00:23:46,279 --> 00:23:49,359
on the west side coming along Grange yet No, this

414
00:23:49,440 --> 00:23:53,200
one's on you. I figure on taking a rest, a

415
00:23:53,400 --> 00:24:01,079
long rest. There's Steve Ranger. You've been listening to some

416
00:24:01,119 --> 00:24:04,039
of the most interesting cases in my files. I hope

417
00:24:04,079 --> 00:24:22,359
you enjoyed them. See you around sometimes.

418
00:24:15,920 --> 00:24:18,720
Speaker 1: Welcome back. One thing I will say is that, in

419
00:24:18,839 --> 00:24:23,880
terms of put downs of Granger, Lieutenant Harding in this

420
00:24:23,960 --> 00:24:28,079
episode delivers some that are worthy of Ken Lynch's take

421
00:24:28,160 --> 00:24:31,880
on Sergeant Corbett. The voice of the actor who played

422
00:24:32,000 --> 00:24:36,640
Dwyer reminded me a lot of Dink Trout, who played

423
00:24:36,720 --> 00:24:41,079
many character roles on radio throughout the nineteen forties, though

424
00:24:41,119 --> 00:24:45,000
if you're not into old time radio, this thing that

425
00:24:45,039 --> 00:24:48,720
he's probably most recognized for is the voice of the

426
00:24:48,839 --> 00:24:52,720
King in Alice in Wonderland. Of course it wasn't Dink

427
00:24:52,839 --> 00:24:56,799
Trout because the Volion production and that wasn't somewhere where

428
00:24:56,839 --> 00:25:01,079
Trout were and perhaps even more relevant, Route passed away

429
00:25:01,279 --> 00:25:05,880
in nineteen fifty. But I wonder if the actor who

430
00:25:06,319 --> 00:25:10,880
performed it based his performance on Trout, either from having

431
00:25:10,960 --> 00:25:14,319
heard him on the radio at some point or seen

432
00:25:14,359 --> 00:25:18,599
Alice in Wonderland, or if this was a voice he

433
00:25:18,680 --> 00:25:23,240
typically used. As for the mystery itself, I'm not certain

434
00:25:23,359 --> 00:25:26,440
if it could have been made more obvious that Dwyer

435
00:25:26,720 --> 00:25:29,960
was the killer. I was kind of suspicious of him

436
00:25:30,079 --> 00:25:33,039
a little bit from the beginning, but then I was

437
00:25:33,119 --> 00:25:37,480
certain of it after the initial suspect was cleared and

438
00:25:37,519 --> 00:25:41,519
he started making comments about the Triple X killer being

439
00:25:41,559 --> 00:25:45,079
a clever man, that he was definitely the guy. So

440
00:25:45,240 --> 00:25:48,640
a lot of this episode was obvious in terms of

441
00:25:48,680 --> 00:25:51,920
where the solution was going. All right, Listener comments and

442
00:25:51,960 --> 00:25:57,000
feedback now starting out on Spotify, Mechanics sixty six riots

443
00:25:57,079 --> 00:26:01,519
regarding the episode the rainy damer or good one, though

444
00:26:01,680 --> 00:26:04,759
Pat was a bit annoying, And then I have an

445
00:26:04,799 --> 00:26:09,559
email from Lawrence who writes, never mind the eye in

446
00:26:09,680 --> 00:26:14,599
granger or Granger. I wish the OZ folks would have

447
00:26:14,680 --> 00:26:19,240
learned to pronounce the American way of the word garage

448
00:26:19,519 --> 00:26:24,759
instead of garage. Continued success and on a similar note,

449
00:26:24,880 --> 00:26:29,960
Ryn Sir set over on YouTube regarding the episode hired

450
00:26:30,079 --> 00:26:34,880
help Yanks, Don't say garage that way, well, thanks so

451
00:26:35,000 --> 00:26:39,799
much and a fair point, and it does illustrate the

452
00:26:39,960 --> 00:26:44,880
challenge of trying to write about another culture in a

453
00:26:44,920 --> 00:26:49,559
way that will be believable. And certainly, given the intention

454
00:26:50,039 --> 00:26:53,599
of having the syndicated in the States, it was important

455
00:26:53,599 --> 00:26:58,359
to make it sound as naturally American as possible. But

456
00:26:58,519 --> 00:27:02,759
it kind of illustrates how hard it can be to

457
00:27:03,559 --> 00:27:09,200
write another culture believably and seamlessly to the degree that

458
00:27:09,359 --> 00:27:15,079
people who belonged to that culture aren't going to find inconsistencies.

459
00:27:15,480 --> 00:27:20,160
And it's very hard to really get into the mindset

460
00:27:20,319 --> 00:27:23,200
totally of another culture. And I think it was even

461
00:27:23,400 --> 00:27:29,440
harder back in the mid nineteen fifties because often our

462
00:27:30,039 --> 00:27:35,799
experience of other cultures was limited to what we saw

463
00:27:35,839 --> 00:27:39,720
in media, which could often be quite stereotyped. Although it

464
00:27:39,759 --> 00:27:45,880
should be said that many Australians had interacted with Americans

465
00:27:45,960 --> 00:27:49,920
during the war, and of course some American films had

466
00:27:50,000 --> 00:27:53,240
made their way over to Australia, and so there were

467
00:27:53,240 --> 00:27:56,960
some cultural exports that they could draw from, But there

468
00:27:57,000 --> 00:28:01,359
are so many finer points that can be missed. Serby

469
00:28:01,480 --> 00:28:06,119
said that American media could be far worse at the

470
00:28:06,119 --> 00:28:11,680
way we wrote people from other countries. British might have

471
00:28:11,759 --> 00:28:14,759
the best chance of getting a fair shake, but even

472
00:28:14,839 --> 00:28:18,440
then it'd be off and way off. And of course

473
00:28:19,440 --> 00:28:23,119
the British didn't do a great job of portraying us.

474
00:28:23,200 --> 00:28:29,880
Whenever I listened to an old babyc audio drama from

475
00:28:29,920 --> 00:28:33,519
say the nineteen fifties or sixties, and they said, oh,

476
00:28:34,039 --> 00:28:36,160
let me go ahead and introduce you to my friend.

477
00:28:36,480 --> 00:28:39,680
He's an American, I'm like, okay, let me brace myself

478
00:28:39,799 --> 00:28:43,720
and just hope that they happened to cast someone who

479
00:28:43,880 --> 00:28:47,880
was an expat, either an American or Canadian, or we

480
00:28:47,960 --> 00:28:51,000
are going to be in for an adventure here. In

481
00:28:51,079 --> 00:28:54,160
the twenty first century, this has gotten a bit easier

482
00:28:54,640 --> 00:28:58,759
as access to other cultures and ways to understand how

483
00:28:58,799 --> 00:29:03,559
they live and have become more readily available. In fact,

484
00:29:03,680 --> 00:29:08,400
I've heard actors for audio drama state that the way

485
00:29:08,440 --> 00:29:13,400
they prepared to play a character of an unfamiliar ethnicity

486
00:29:13,640 --> 00:29:17,359
is they went on to YouTube and search for videos

487
00:29:17,440 --> 00:29:22,920
of how people in those countries or areas happen to speak,

488
00:29:23,200 --> 00:29:26,200
and we hear a lot more of each other's voices.

489
00:29:27,039 --> 00:29:31,039
I have to admit that the way that British people

490
00:29:31,599 --> 00:29:36,200
can do American accents these days is a bit Unkenny,

491
00:29:36,440 --> 00:29:41,559
but you'll still hear occasional oddities like I've heard some

492
00:29:41,680 --> 00:29:45,559
British productions that have had Americans say things like I'll

493
00:29:45,559 --> 00:29:48,920
get that sorted, which is not something we say. It's

494
00:29:48,920 --> 00:29:51,720
a saying that means I will go ahead and take

495
00:29:51,759 --> 00:29:54,720
care of it, solve that problem for you. But it

496
00:29:54,799 --> 00:29:58,880
is not a phrase I've ever heard an American youth

497
00:29:59,279 --> 00:30:02,880
in real life or in a media production that isn't

498
00:30:02,920 --> 00:30:06,160
made by a British people. So again, it seems like

499
00:30:06,279 --> 00:30:09,880
no matter how good we get at this and how

500
00:30:09,960 --> 00:30:13,680
much information we have, there are still things that a

501
00:30:13,799 --> 00:30:16,279
local is going to be able to spot and say,

502
00:30:16,440 --> 00:30:19,640
wait a minute. But thanks so much. I do appreciate

503
00:30:19,680 --> 00:30:22,599
the comment, Lawrence. Well, now it is time to thank

504
00:30:22,720 --> 00:30:25,119
our Patreon supporter of the day, and I want to

505
00:30:25,119 --> 00:30:29,079
thank Ken, Patreon supporter since March of twenty twenty, currently

506
00:30:29,119 --> 00:30:33,000
supporting the podcast at the Detective Sergeant level of seven

507
00:30:33,039 --> 00:30:35,720
dollars and fourteen cents or more per month. Thanks so

508
00:30:35,799 --> 00:30:37,799
much for your support, Ken, and that will do it

509
00:30:37,839 --> 00:30:41,680
for today. If you're enjoying the podcast, please follow us

510
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using your favorite podcast software

