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<v Speaker 1>Section twenty six The Science History of the Universe, Volume three.

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<v Speaker 1>This is a LibriVox recording. All LibriVox recordings are in

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<v Speaker 1>the public domain. For more information or to volunteer, please

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<v Speaker 1>visit LibriVox dot org. The Science History of the Universe,

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<v Speaker 1>Volume three, edited by Francis Rolt Wheeler. Electricity, Chapter eight,

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<v Speaker 1>the telephone, Part one. In eighteen fifty four, a Frenchman,

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<v Speaker 1>Charles Bursull predicted the transmission of speech and outlined a

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<v Speaker 1>method correct save in one particular, but for which error

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<v Speaker 1>one following his directions could have produced a speaking telephone.

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<v Speaker 1>His words at this date seem almost prophetic. I have

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<v Speaker 1>asked myself, for example, if the spoken word itself could

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<v Speaker 1>not be transmitted by electricity. In a word, if what

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<v Speaker 1>was spoken in Vienna may not be heard in Paris,

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<v Speaker 1>the thing is practical in this way. Suppose that a

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<v Speaker 1>man speaks near a movable disc sufficiently flexible to lose

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<v Speaker 1>none of the vibrations of the voice. That this disc

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<v Speaker 1>alternately makes and breaks the connection from a battery. You

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<v Speaker 1>may have at a distance another disc which will simultaneously

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<v Speaker 1>execute the same vibrations the words makes and breaks. In

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<v Speaker 1>Borsoul's quotation, have been italicized by the present writer. They

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<v Speaker 1>formed the keynote of the failures of those who subsequently

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<v Speaker 1>followed Borsoul's directions literally. Philip Reese, a German inventor, constructed

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<v Speaker 1>what he called a telephone in eighteen sixty one, following

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<v Speaker 1>implicitly the path outlined by Bursul. He mounted a flexible

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<v Speaker 1>diaphragm over an opening in a wooden box, and on

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<v Speaker 1>the center of the diaphragm fastened a small piece of platinum.

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<v Speaker 1>Near this he mounted a heavy brass spring with which

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<v Speaker 1>the platinum alternately made and broke contact when the diaphragm

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<v Speaker 1>was caused to vibrate. These contact points formed the terminals

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<v Speaker 1>of a circuit containing a battery and the receiving instrument.

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<v Speaker 1>His receiver assumed various forms, prominent among which was a

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<v Speaker 1>knitting needle wrapped with silk insulated copper wire and mounted

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<v Speaker 1>on a cigar box for a sounding board. Its operation

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<v Speaker 1>was as follows. The sound waves set up in the

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<v Speaker 1>air struck against the diaphragm of the transmitter, causing it

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<v Speaker 1>to vibrate in unison with them. This caused the alternate

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<v Speaker 1>making and breaking of the circuit at the point of

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<v Speaker 1>contact between the platinum and the spring, and allowed intermittent

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<v Speaker 1>currents to flow through the receiver. These caused a series

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<v Speaker 1>of sounds in the kneading needle. By virtue of Page's effect,

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<v Speaker 1>the sounding board vibrated in unison with the molecular vibrations

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<v Speaker 1>of the needle, and the sound was thus greatly amplified.

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<v Speaker 1>Reese's telephone could be depended upon to transmit only musical sounds.

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<v Speaker 1>The question as to whether it actually did transmit speech

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<v Speaker 1>has been the subject of much discussion. But if it

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<v Speaker 1>did this at all, it was very imperfectly. The cause

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<v Speaker 1>of its failure, says K. B. Miller in his American

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<v Speaker 1>Telephone Practice. To successfully transmit speech will be understood from

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<v Speaker 1>the following facts. A simple musical tone is caused by

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<v Speaker 1>vibrations of very simple forms, while sound waves produced by

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<v Speaker 1>the voice in speaking are very complex and their nature.

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<v Speaker 1>Sound possesses three qualities, pitch depending entirely on the frequency

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<v Speaker 1>of the vibrations, loudness depending on the amplitude of the vibrations,

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<v Speaker 1>and tambre or quality depending on the form of the vibration.

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<v Speaker 1>The tones of a flute and a violin may be

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<v Speaker 1>the same as to pitch and loudness, yet be radically different.

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<v Speaker 1>This difference is in tambre or quality. Reese's transmitter, as

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<v Speaker 1>he adjusted, it was able only to make and break

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<v Speaker 1>the circuit, and a movement of the diaphragm barely sufficient

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<v Speaker 1>to break the circuit produced the same effect as a

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<v Speaker 1>much greater movement. The current therefore flowed with full strength

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<v Speaker 1>until the circuit was broken. When it stopped entirely, the

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<v Speaker 1>intermediate strengths needed for reproducing the delicate modulations of the

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<v Speaker 1>voice were entirely lacking. This apparatus could therefore exactly reproduce

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<v Speaker 1>the pitch of a sound, but not its timbre and

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<v Speaker 1>relative loudness. For the next fifteen years, no apparent advance

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<v Speaker 1>was made in the art of telephony, although several inventors

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<v Speaker 1>gave it their attention. In eighteen seventy six, Professor Alexander

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<v Speaker 1>Graham Bell and Professor Elisha Gray almost simultaneously invented successful

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<v Speaker 1>speaking telephones. Gray has been one of the principal claimants

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<v Speaker 1>for the honor of being the first inventor of the telephone,

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<v Speaker 1>but Bell has apparently established his right to it, and

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<v Speaker 1>has also reaped the prophet for after long litigation. The

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<v Speaker 1>United States Patent Office and the courts have awarded the

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<v Speaker 1>priority to him, as against Gray and many others. Bell

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<v Speaker 1>possessed a greater knowledge of acoustics than of electrical science,

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<v Speaker 1>and it was probably this that led him to appreciate

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<v Speaker 1>wherein others had failed. His instrument consisted of a permanent

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<v Speaker 1>bar magnet, having on one end a coil of fine wire.

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<v Speaker 1>In front of the pole carrying the coil, a thin

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<v Speaker 1>diaphragm of soft iron was so mounted as to allow

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<v Speaker 1>its free vibration close to the pole. Two points will

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<v Speaker 1>be noticed, says Miller in the work before sighted, which

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<v Speaker 1>have heretofore been absent, That no battery is used in

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<v Speaker 1>the circuit, and that the transmitting and receiving instruments are

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<v Speaker 1>exactly alike. When the soft iron diaphragm of the transmitting

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<v Speaker 1>instrument is spoken to, it vibrates in exact accordance with

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<v Speaker 1>the sound waves striking against it. The movement of the

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<v Speaker 1>diaphragm causes changes in the magnetic field in which lies

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<v Speaker 1>the coil, which changes has already pointed out, cause currents

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<v Speaker 1>to flow in the circuit. These currents flow first in

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<v Speaker 1>one direction, and then in the other varying in unison

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<v Speaker 1>with movements of the diaphragm, the waves being very complex

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<v Speaker 1>as represented graphically passing along the line wire. These electrical

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<v Speaker 1>impulses so feeble that only the most delicate instruments can

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<v Speaker 1>detect them. Alternately increase and decrease the strength of the

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<v Speaker 1>permanent magnet of the receiving instrument, and thereby cause it

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<v Speaker 1>to exert a varying pull on its soft iron diaphragm,

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<v Speaker 1>which as result takes up the vibrations and reproduces the

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<v Speaker 1>sound faithfully. Bell's earlier instruments were exhibited in eighteen seventy

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<v Speaker 1>six at the Centennial in Philadelphia. The receiver consisted of

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<v Speaker 1>a tubular magnet composed of a coil of wire surrounding

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<v Speaker 1>a core and enclosed in an iron tube which was

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<v Speaker 1>about quarter inches in diameter and three inches long. This

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<v Speaker 1>tube was closed by a thin iron armature or diaphragm,

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<v Speaker 1>which rested loosely on the upper face of the iron tube,

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<v Speaker 1>the length of the core being such as not quite

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<v Speaker 1>to touch the diaphragm when in this position. The whole

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<v Speaker 1>of it was mounted on a base, arrangements being made

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<v Speaker 1>to adjust the air gap between the pole of the

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<v Speaker 1>core and the diaphragm by means of a thumbscrew. The

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<v Speaker 1>transmitter consisted of an electro magnet in front of the core,

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<v Speaker 1>on which was adjustably mounted, a diaphragm of gold beater's

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<v Speaker 1>skin carrying a small iron armature at its center. A

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<v Speaker 1>long mouthpiece into which the sounds to be transmitted were spoken,

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<v Speaker 1>served to convey the sound waves more directly to the diaphragm.

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<v Speaker 1>Nearly all books and articles on telephones, says Miller, that

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<v Speaker 1>treat of Bell's earlier receiver at all show and describe

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<v Speaker 1>it as having the diaphragm fastened at one edge by

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<v Speaker 1>a single small screw to the upper face of the

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<v Speaker 1>iron tube, and sprung away from the tube at its

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<v Speaker 1>opposite side. This mistake occurred in the first two editions

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<v Speaker 1>of this work, and would have been in this one

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<v Speaker 1>but for Thomas D. Lockwood, who was kind enough to

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<v Speaker 1>call attention to it. The origin of the error is

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<v Speaker 1>explained in the following interesting extract from a letter written

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<v Speaker 1>by mister Lockwood to the writer of this book. This

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<v Speaker 1>mistake first appeared in the account given by Engineering of

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<v Speaker 1>Sir William Thompson's address to the British Association in September

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<v Speaker 1>eighteen seventy six, and has been universally copied. The origin

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<v Speaker 1>of the mistake is very odd. The screw of the instrument,

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<v Speaker 1>given to Sir William Thompson, and which he exhibited in

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<v Speaker 1>England on his return, was put through a hole in

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<v Speaker 1>the edge of the diaphragm and engaged with the threaded

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<v Speaker 1>whole of the tube for the purpose of attaching the

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<v Speaker 1>diaphragm while in transit to prevent it from getting lost.

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<v Speaker 1>No one, however, notified Sir William of this, it probably

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<v Speaker 1>having been forgotten, and Sir William seems to have forgotten

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<v Speaker 1>what the instrument as he saw in Philadelphia looked like. Finally,

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<v Speaker 1>in knocking about among Sir William's luggage, the free end

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<v Speaker 1>of the diaphragm was apparently, and without doubt unintentionally bent upward,

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<v Speaker 1>as the picture shows. But when so bent, being at

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<v Speaker 1>the same time rigidly fastened at the opposite edge, it

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<v Speaker 1>would not and could not work, And when Sir William

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<v Speaker 1>showed it in England, he couldn't make it work. Bell's instrument,

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<v Speaker 1>in a modified form, is the standard of today. It

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<v Speaker 1>is now used as a receiver, only a more efficient transmitter,

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<v Speaker 1>depending upon entirely different principles having been invented. In speaking

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<v Speaker 1>of Bell's invention, Sir William Thompson, Lord Kelvin, said, who

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<v Speaker 1>can but admire the hardihood of invention which devised such

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<v Speaker 1>very slight means to realize the mathematical conception that, if

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<v Speaker 1>electricity is to convey all the delicacies of quality which

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<v Speaker 1>distinguish articulate speech, the strength of its current must vary

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<v Speaker 1>continuously as nearly as may be in simple proportion to

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<v Speaker 1>the velocity of a particle of air engaged in constituting

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<v Speaker 1>the sound. Much has been said and books have been

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<v Speaker 1>written on the rights of Reee as the inventor of

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<v Speaker 1>the speaking telephone. The validity of Bell's controlling patent was

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<v Speaker 1>the subject of many attacks, the litigation finally reaching the

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<v Speaker 1>Supreme Court of the United States. In the opinion of

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<v Speaker 1>this Court October Term eighteen eighty seven, the following brief

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<v Speaker 1>but comprehensive statement is found. We have not had our

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<v Speaker 1>attention called to a single item of evidence which hens

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<v Speaker 1>in any way to show that Reese or anyone who

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<v Speaker 1>wrote about him, had in his mind that anything else

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<v Speaker 1>than the intermittent current caused by the opening and closing

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<v Speaker 1>of the circuit could be used to do what was wanted.

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<v Speaker 1>No one seems to have thought that there could be

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<v Speaker 1>another way. All recognized the fact that the minor differences

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<v Speaker 1>in the original vibrations had not been satisfactorily reproduced, but

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<v Speaker 1>they attributed it to the imperfect mechanism of the apparatus used,

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<v Speaker 1>rather than to any fault in the principle on which

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<v Speaker 1>the operation was to depend. It was left for Bell

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<v Speaker 1>to discover that the failure was due not to workmanship,

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<v Speaker 1>but to the principle which was adopted as the basis

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<v Speaker 1>of what had to be done. He found that what

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<v Speaker 1>he called the intermittent current, one caused by alternatively opening

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<v Speaker 1>and closing the circuit, could not be made under any

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<v Speaker 1>circumstances to reproduce the delicate forms of the air vibrations

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<v Speaker 1>caused by the human voice in articulate speech, but that

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<v Speaker 1>the true way was to operate on an unbroken current

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<v Speaker 1>by increasing and diminishing its intensity. Such was his discovery,

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<v Speaker 1>and it was new. Reese never thought of it, and

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<v Speaker 1>he failed to transmit speech telegraphically. Bell did, and he

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<v Speaker 1>succeeded Under such circumstances, it is impossible to hold that

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<v Speaker 1>what Reese did was an anticipation of the discovery of Bell.

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<v Speaker 1>To follow Reese is to fail, but to follow Bell

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<v Speaker 1>is to succeed. The difference between the two is just

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<v Speaker 1>the difference between failure and success. A very interesting fact,

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<v Speaker 1>and one which might have changed the entire commercial status

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<v Speaker 1>of the telephone industry, is that in eighteen sixty eight,

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<v Speaker 1>Royal e House of Binghamton, New York, invented and patented

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<v Speaker 1>an electrophonetic telegraph which was capable of operating as a

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<v Speaker 1>magneto telephone in the same manner as the instrument's subsequently

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<v Speaker 1>devised by Bell. House knew nothing of its capabilities, however,

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<v Speaker 1>unfortunately for him, the instrument is provided with a sounding

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<v Speaker 1>diaphragm of pine wood, stiffened with varnish, mounted in one

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<v Speaker 1>end of a large sound amplifying chamber, so formed as

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<v Speaker 1>to focus the sound waves at a point near its

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<v Speaker 1>mouth where the ear was to be placed to receive them.

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<v Speaker 1>The electromagnet, adapted to be connected in the line circuit,

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<v Speaker 1>had its armature connected by a rod with the center

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<v Speaker 1>of the wooden diaphragm. By this means any movements imparted

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<v Speaker 1>to the armature by fluctuating currents in the line were

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<v Speaker 1>transmitted to the diaphragm, causing it to give out corresponding sounds,

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<v Speaker 1>and any movements imparted to the diaphragm by sound waves

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<v Speaker 1>were transmitted to the armature, causing its movements to induce

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<v Speaker 1>corresponding currents and the line. Two of these instruments, connected

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<v Speaker 1>in a circuit would act alternately as transmitters and receivers

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<v Speaker 1>in the same manner as Bell's instruments. It has been

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<v Speaker 1>shown that in order to transmit speech by electricity, it

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<v Speaker 1>is necessary to cause an undulatory or alternating current to

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<v Speaker 1>flow in the circuit over which the transmission is to

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<v Speaker 1>be effected, and that the strength of this current at

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<v Speaker 1>all times be in exact accordance with the vibratory movements

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<v Speaker 1>of the body producing the sound. Bell's magnetic transmitter was

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<v Speaker 1>used as the generator of this current, as a dynamo.

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<v Speaker 1>In fact, the energy for driving which was derived from

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<v Speaker 1>the sound waves set up by the voice. The amount

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<v Speaker 1>of energy so derived was however, necessarily very small and

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<v Speaker 1>the current correspondingly weak, and for this reason was not

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<v Speaker 1>a practical form of transmitter except for comparatively short lines.

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<v Speaker 1>Elisha Gray devised a transmitter which, instead of generating the

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<v Speaker 1>undulatory current itself, depended for its action on causing variation

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<v Speaker 1>in the strength of a current generated by some separate source.

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<v Speaker 1>This variation and current strength always being in accordance with

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<v Speaker 1>the movement of the diaphragm. He mounted on his horizontal

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<v Speaker 1>vibrating diaphragm a metal needle extending into a fluid of

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<v Speaker 1>low conductivity, such as water. The needle formed one terminal

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<v Speaker 1>of the circuit, the other terminal being a metal pin

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<v Speaker 1>extending up through the bottom of the containing vessel. The

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<v Speaker 1>vibrations of the diaphragm was supposed to cause changes in

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<v Speaker 1>the resistance of the path through the fluid on account

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<v Speaker 1>of the varying distance between the points of the electrodes,

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<v Speaker 1>and therefore corresponding changes in the strength of the current.

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<v Speaker 1>Bell also used a liquid transmitter, in which a conducting

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<v Speaker 1>liquid was held in a conducting vessel, forming one terminal

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<v Speaker 1>of the circuit. The other terminal was a short metallic

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<v Speaker 1>needle carried on the diaphragm and projecting slightly into the liquid,

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<v Speaker 1>so that the area of contact between the liquid and

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<v Speaker 1>the needle would be varied to better advantage by the

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<v Speaker 1>vibration of the diaphragm than if the needle were immersed

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<v Speaker 1>a greater distance into the fluid. Bell's liquid transmitter depended

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<v Speaker 1>on variation in the extent of immersion of the electrode,

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<v Speaker 1>while Gray's instrument, owing to the great extent to which

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<v Speaker 1>the pin was immersed, depended rather on the variation and

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<v Speaker 1>the length of the conducting path through the liquid itself,

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<v Speaker 1>a faulty principle for this purpose. Bell's liquid transmitter was

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<v Speaker 1>also exhibited at the Philadelphia Centennial in eighteen seventy six, and,

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<v Speaker 1>unlike that of Reese, simply caused variations in the resistance

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<v Speaker 1>of the circuit, and thereby allowed a continuous but undulatory

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<v Speaker 1>current to pass over the line, the variations in which

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<v Speaker 1>were able to reproduce all the delicate shades of timber,

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<v Speaker 1>loudness and pitch necessary inarticulate speech. Gray and Bell in

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<v Speaker 1>bodied or attempted to embody in these instruments. The main

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<v Speaker 1>principle upon which all successful battery transmitters are based. A

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<v Speaker 1>battery furnished the current and the transmitter actuated by the

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<v Speaker 1>voice served to modulate it. It was not long, however,

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<v Speaker 1>before a much better means was devised for putting this

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<v Speaker 1>principle into practice. End of Section twenty six
