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<v Speaker 1>Hello friends, Steve Starkton, back here with you. Do another

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<v Speaker 1>cryptid deep dive, this time the Fresno Nightcrawler.

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<v Speaker 2>Join me. Let's walk and see now.

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<v Speaker 1>In the hierarchy of American monsters, there's usually a biological logic,

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<v Speaker 1>say Bigfoot is an ape man, the mothman is a birdman,

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<v Speaker 1>the lizard man is well, the lizard man. Their predators

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<v Speaker 1>built a flesh bone, sometimes fur. But then there is

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<v Speaker 1>the Fresno Nightcrawler. Of all the entities cataloged in the

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<v Speaker 1>Annals of Cryptozoology, none are as baffling, as absurd, or

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<v Speaker 1>as quietly unsettling as the night Crawlers. They defy any

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<v Speaker 1>biological categorization. They do not look like animals. They do

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<v Speaker 1>not look like aliens. They look, for lack of a

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<v Speaker 1>better description, like a pair of pajama pants that have

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<v Speaker 1>decided to go for a walk in the night. Yet,

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<v Speaker 1>despite their almost comical appearance, the footage of them triggers

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<v Speaker 1>a deep visceral wrongness in the viewer. They're the absolute

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<v Speaker 1>zenith of the Uncanny Valley, not because they look human,

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<v Speaker 1>but because they move with a fluidity that no puppet

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<v Speaker 1>or pair of pants should possess. Now US look at

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<v Speaker 1>the origin, starting with the Rosales footage in two thousand

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<v Speaker 1>and seven. The legend began quietly. In November two thousand

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<v Speaker 1>and seven, a man named Jose Risales in Fresno, California,

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<v Speaker 1>heard his dogs barking furiously at night. Living in a

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<v Speaker 1>suburban neighborhood. He assumed it was a prowler or maybe

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<v Speaker 1>even a story animal. He checked his home security camera

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<v Speaker 1>footage the next morning. What he saw became one of

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<v Speaker 1>the most debated pieces of paranormal evidence in history. The grainy,

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<v Speaker 1>black and white footage shows a suburban front lawn. From

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<v Speaker 1>the left side of the screen, a small, pale figure

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<v Speaker 1>walks into frame. It's roughly four feet tall, but it

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<v Speaker 1>has no arms. It has no torso it appears to

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<v Speaker 1>be mostly legs, with a small indistinct head or maybe

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<v Speaker 1>simply a connection point at the top. It moves with

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<v Speaker 1>a strange gliding stride. The knees bend, but the movement

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<v Speaker 1>is incredibly smooth, almost like it's floating underwater. Then a second,

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<v Speaker 1>larger figure appears. This one is taller, perhaps five or

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<v Speaker 1>six feet. It moves with the same fluid, impossible gait.

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<v Speaker 1>They cross the lawn and disappear out of frame. Rosales

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<v Speaker 1>was baffled. He showed the footage to the local news,

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<v Speaker 1>and it eventually made its way to the classic paranormal

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<v Speaker 1>TV show Factor Faith Paranormal Files. Then let's take a

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<v Speaker 1>look at the Yosemite sequel in twenty eleven. Now, most

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<v Speaker 1>viral cryptid videos are won and done. They appear, get

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<v Speaker 1>believed or debunked and vanished. The night Crawler persisted, though,

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<v Speaker 1>because the second video surfaced four years later, roughly sixty

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<v Speaker 1>miles away. In March twenty eleven, security officials at Yosemite

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<v Speaker 1>National Park were reviewing trail camera footage meant to track

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<v Speaker 1>vandals or bears. Instead, they captured two familiar white figures.

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<v Speaker 1>The setting was different, a wooded slope rather than a lawn,

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<v Speaker 1>but the anatomy was identical. Two white bipeds, mostly legs,

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<v Speaker 1>moving through the trees. The Yosemite footage is clearer than

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<v Speaker 1>the Fresno clip, showing the fabric like quality of their

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<v Speaker 1>skin or clothing or whatever it is. This second sighting

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<v Speaker 1>cemented the night Crawler status. It wasn't just a suburban glitch.

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<v Speaker 1>It was some sort of species. It had a range.

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<v Speaker 1>This brings forth an anatomy of an impossibility. Why is

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<v Speaker 1>the Nightcrawler so uncanny? It comes down to the complete

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<v Speaker 1>lack of functional biology. First, there's the missing torso. Every

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<v Speaker 1>vertebrant on Earth follows a basic body plant head torso limbs.

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<v Speaker 1>The torso houses the by organs such as heart, long, stomach,

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<v Speaker 1>But the night Crawler has no torso. It's all limb.

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<v Speaker 1>This raises disturbing questions. Where does it eat, how does

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<v Speaker 1>it breathe? How does it go to the bathroom. It

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<v Speaker 1>looks like a fragment of a creature, a lower half

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<v Speaker 1>that has been severed but continues to walk. Secondly, there's

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<v Speaker 1>the gate the inverse kinematics. In animation and robotics, inverse

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<v Speaker 1>kinematics refers to how joints move to place a foot.

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<v Speaker 2>On the ground.

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<v Speaker 1>The night Crawler's walk is often described as unnatural. It

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<v Speaker 1>doesn't bob up and down like a human. It places

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<v Speaker 1>one foot directly in front of the other, like a

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<v Speaker 1>tightrope style of walking. The stride length is disportionately long

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<v Speaker 1>for its height, and the knees seem to possess a

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<v Speaker 1>loose quality, snapping back and forth with a pendulum motion

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<v Speaker 1>that suggests they aren't powered by muscles, but by some

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<v Speaker 1>other Then there's the sheet texture.

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<v Speaker 2>Thirdly, in both.

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<v Speaker 1>Videos, the entities appear white and billowy. They don't look

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<v Speaker 1>like skin or fur, they look like fabric. This taps

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<v Speaker 1>into the ancient ghost archetype, the sheet wearing ghost, but

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<v Speaker 1>subverts it. It's not a floating sheet, it's a walking sheet.

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<v Speaker 1>It suggests mimicry, an organism trying to look like laundry,

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<v Speaker 1>or maybe laundry that's been possessed. Now, theories abound. Are

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<v Speaker 1>they puppets, aliens or ancestors. The Internet has spent the

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<v Speaker 1>last fifteen years trying to explain the night Crawlers. The

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<v Speaker 1>theories range from the cynical to the spiritual. First, let's

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<v Speaker 1>look at the puppet theory, which would be a hoax.

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<v Speaker 1>The most prominent skeptical explanation is that the night Crawlers

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<v Speaker 1>are simple puppets. The method a wire is strung between

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<v Speaker 1>two trees or poles. A pair of white pants or

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<v Speaker 1>fabric tubes is waiting at the bottom, and a stirring

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<v Speaker 1>pulls them along the wire. The evidence would the gliding

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<v Speaker 1>motion because it fits the physics of a marionette. The

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<v Speaker 1>lack of our movement supports the idea that they're just

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<v Speaker 1>hanging cubes. Now the counter argument, recreating the exact fluid

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<v Speaker 1>stride is difficult. The TV show I mentioned Factor Faked

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<v Speaker 1>attempted to recreate the video using pumpets and even children

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<v Speaker 1>in costumes, but struggled to match the weird, effortless smoothness

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<v Speaker 1>of the original Rosales footage. Second theory the alien probe.

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<v Speaker 1>Given their lack of biological features such as no eyes,

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<v Speaker 1>no mouth, or no hands, some eupologists theorize they are

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<v Speaker 1>not organisms but biological drones. They are planetary explorers sent

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<v Speaker 1>to walk around, maybe collect soil data through their feet,

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<v Speaker 1>and report back. This explains why they don't interact, eat,

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<v Speaker 1>or attack. They're just walking cameras in effect. Thirdly, the

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<v Speaker 1>Native American connection, which has been contested. A popular Internet

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<v Speaker 1>myth claims that the yokal Yo cuts or autotribes have

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<v Speaker 1>ancient legends of standing stick people or totem poles that

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<v Speaker 1>look exactly like the Nightcrawlers, but in reality, this connection

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<v Speaker 1>is largely considered a modern fabrication. The often cited totem

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<v Speaker 1>poles that look like nightcrawlers are actually wood carvings created

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<v Speaker 1>by a modern artist rather than being ancient artifacts. While

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<v Speaker 1>indigenous folklore is rich with strange beings, the specific walking

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<v Speaker 1>pants archetype appears to be a modern invention projected onto

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<v Speaker 1>Native history to give it validity. Now, let's talk about

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<v Speaker 1>the cultural phenomenon from scary to cute. An interesting evolution

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<v Speaker 1>has happened to the Nightcrawler. Unlike the skin walker, which

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<v Speaker 1>remains terrifying, for the Mothman, which is ominous, the nightcrawler

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<v Speaker 1>has been embraced by the Internet as well cute because

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<v Speaker 1>they have no mouse to scream with or no class

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<v Speaker 1>to slash with, and they just waddle around. They have

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<v Speaker 1>become the little guys of the crypted world. For example,

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<v Speaker 1>in the Etsy and art worlds, you can buy Nightcrawler plushies,

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<v Speaker 1>enamel pins, and t shirts. They're often depicted as shy,

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<v Speaker 1>misunderstood beings just out for a stroll. Then there's the

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<v Speaker 1>sympathy factor. Their awkward walk makes them relatable. They look

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<v Speaker 1>like a toddler trying to walk in their dad's trousers.

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<v Speaker 1>The terror has transmuted into affection. We don't want to

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<v Speaker 1>shoot the night Crawler, we want to neit it a

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<v Speaker 1>sweater for it's non existent torso. Now, as far as

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<v Speaker 1>a psychological analysis goes, this is a minimalist monster. Despite

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<v Speaker 1>their acute reputation in pop culture, the original footage remains

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<v Speaker 1>deeply unsettling to watch alone at night. This is due

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<v Speaker 1>mainly to minimalism. Now, good horror often relies on too

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<v Speaker 1>many features, too many teeth, too many eyes, too much slime.

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<v Speaker 1>But the night Crawler is a horror vias attraction. It's

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<v Speaker 1>a human with a humananity removed. It's a body with

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<v Speaker 1>no vital organs, its movement with the intent removed. It

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<v Speaker 1>represents the fear of the glitch. In the digital age.

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<v Speaker 1>We're used to seeing video game characters glitch textures, fail

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<v Speaker 1>to load, models losing their torsos. Seeing a Nightcrawler in

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<v Speaker 1>the real world looks like reality itself is rendering incorrectly.

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<v Speaker 1>It suggests that the universe is a simulation and the

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<v Speaker 1>code for humanoid just failed to compile properly in Fresno

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<v Speaker 1>or Yosemite. In conclusion, they are pants that walk. Basically,

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<v Speaker 1>the Fresno Nightcrawler is the perfect cryptid for the twenty

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<v Speaker 1>first century. It was born on a security camera. It

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<v Speaker 1>lives on the Internet. It is debuncable yet stubborn. It

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<v Speaker 1>challenges us to decide just what we're looking at. Is

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<v Speaker 1>it a hoax perpetrated by our board suburban night with

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<v Speaker 1>some fishing line, pajama bottoms and a lot of talent.

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<v Speaker 1>Or is it a visitor from a mention where evolution

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<v Speaker 1>took a strange, leg heavy turn, as it were. If

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<v Speaker 1>you ever find yourself in the Central Valley of California

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<v Speaker 1>walking past the manicured lawn at two o'clock in the

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<v Speaker 1>morning and you see a pair of pants walking towards you,

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<v Speaker 1>don't worry. They probably won't hurt you. They have no

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<v Speaker 1>arms to grab you with. But just try to stop

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<v Speaker 1>your brain from screaming when you realize there is no

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<v Speaker 1>waistline where the waistline should be. Well, friends, there you

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<v Speaker 1>have it. As always, I have looked forward to your

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<v Speaker 1>thoughts on this one. I'm Steve Stockton and me and

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<v Speaker 1>my pants. We'll see you a little further on down

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<v Speaker 1>the trail. Tell your animals I said, hi, thanks for listening.

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<v Speaker 1>Hello friends, Steve Stalkton here with you. Welcome back to

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<v Speaker 1>another cryptid deep dive. This time we're looking at the

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<v Speaker 1>mirrored men. The synchronized stalkers. Join me, let's take a

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<v Speaker 1>walk and see now in the ever evolving landscape of

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<v Speaker 1>high strangeness, the monsters of the nineteenth century, the hairy

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<v Speaker 1>wild men, and the lake serpents, are slowly being replaced

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<v Speaker 1>by entities that reflect the anxieties.

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<v Speaker 2>Of the digital age.

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<v Speaker 1>Enter the mirrored Men, also known as the Three Men

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<v Speaker 1>or the synchronized Men. This phenomenon is distinctly twenty first

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<v Speaker 1>century horror. They are not spirits of the forest, nor

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<v Speaker 1>are they radioactive mutants. They're pud to be glitches in

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<v Speaker 1>the code of reality itself. Witnesses describe seeing three men

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<v Speaker 1>who look identical, best identical, and move with a mechanical,

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<v Speaker 1>horrifying synchronization. They are the uncanny Valley of individuality. They

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<v Speaker 1>terrify us because they suggest that human beings can be

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<v Speaker 1>mass produced from that the person standing across the street

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<v Speaker 1>might not be a person at all, but a duplicate

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<v Speaker 1>file and a simulation that it's running out of memory now.

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<v Speaker 1>The origin was a podcast phenomenon. Unlike the Jersey Devil,

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<v Speaker 1>which came about in the seventeen hundreds, or even the

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<v Speaker 1>Mothman in nineteen sixty six, The mirrored men are a

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<v Speaker 1>baby in the world of cryptozoology. The phenomenon was largely

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<v Speaker 1>categorized and named by Derrick Hayes, host of the popular

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<v Speaker 1>podcast Monsters among Us. Around twenty eighteen, Hayes began receiving

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<v Speaker 1>calls from listeners that followed the bizarrely specific pattern. Callers,

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<v Speaker 1>often from completely different parts of the country, were describing

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<v Speaker 1>the same impossible event, seeing three men standing in a

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<v Speaker 1>triangle formation moving in perfect unison. Now this wasn't a

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<v Speaker 1>case of mass hysteria propagated by movie. These were isolated

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<v Speaker 1>witnesses describing it specific, distinct anomaly that had no prior

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<v Speaker 1>name in folklore. The consistency of the reports, the number three,

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<v Speaker 1>the synchronization, the lack of verbal contact suggest to the genuine,

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<v Speaker 1>albeit baffling phenomenon. Now let's take a look at the

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<v Speaker 1>anatomy of the glitch. So what makes the mirrored men

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<v Speaker 1>so disturbing. It's not that they look monstrous. In fact,

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<v Speaker 1>their terrifying nature lies in how boring they look until

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<v Speaker 1>they move. First, there's the NPC aesthetic. Witnesses almost always

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<v Speaker 1>describe the men as looking generic. They're often dressed in

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<v Speaker 1>business casual attire, which slacks and button up shirts, gray suits,

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<v Speaker 1>or even workmen's clothes. They're described as having average faces,

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<v Speaker 1>no scars, no glowing eyes, no fangs. They look like

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<v Speaker 1>NPCs or non player characters in a video game, background

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<v Speaker 1>extras designed to fill space, not to be interacted with.

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<v Speaker 1>Then there's the triangle formation. This is the signature of

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<v Speaker 1>the phenomenon. The men are almost always standing in a

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<v Speaker 1>perfect triangle or even a straight line. They do not

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<v Speaker 1>cluster naturally like a group of friends would. They stand

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<v Speaker 1>equal distant from one another, like chess pieces placed on

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<v Speaker 1>a board. Then there's the synchronization, or the mirror. The

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<v Speaker 1>horror begins when they start to move. If one man

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<v Speaker 1>raises his left hand, the other two raise their left

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<v Speaker 1>hands at the exact same millisecond. If one man takes

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<v Speaker 1>a step, they all step. If they turn to look

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<v Speaker 1>at the witness, the head snap happens simultaneously. Now, this

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<v Speaker 1>is not the synchronization of a well rehearsed dance team

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<v Speaker 1>or a military marching bed. Witnesses describe it as mechanical

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<v Speaker 1>in appearance. It lacks the micro variations of human muscle.

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<v Speaker 1>It looks like a single signal is being sent to

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<v Speaker 1>three different bodies instantly. It looks like a lag or

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<v Speaker 1>a duplicate air in a video game. The typical encounter,

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<v Speaker 1>usually ha happens either at a parking lot or at

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<v Speaker 1>a pier. Strangely enough, while sightings have occurred in woods

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<v Speaker 1>and fields, the mirrored men seem to prefer liminal, transient

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<v Speaker 1>spaces parking lots, roadsides, and peers. There's the retail encounter.

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<v Speaker 1>A typical report of this nature involves a witness sitting

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<v Speaker 1>in their car in a grocery store parking lot late

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<v Speaker 1>at night. They noticed three men standing under a streetlight.

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<v Speaker 1>The men aren't talking, They're just standing. The witness looks

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<v Speaker 1>down to check their phone. When they look up, the

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<v Speaker 1>men are five feet or so closer. The witness freezes.

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<v Speaker 1>The men then turn in perfect unison and begin to

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<v Speaker 1>walk toward the car. Their footsteps hit the pavement as

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<v Speaker 1>a single sound click click, click, panics that's in. The

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<v Speaker 1>witness drives away. Looking in their rear view mirror, they

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<v Speaker 1>see the men stop instantly turning to watch the car leave,

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<v Speaker 1>their heads rotating like owls.

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<v Speaker 2>Now.

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<v Speaker 1>There was one known as the Santa Monica peer incident.

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<v Speaker 1>It's one of the most chilling accounts and popularized on

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<v Speaker 1>Monsters among us. It involves a witness under the Santa

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<v Speaker 1>Monica peer. They saw three men walking in the sand.

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<v Speaker 1>The men were lifting their legs unnaturally high. Now, this

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<v Speaker 1>high step gate was often seen in the Smiling Man legends.

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<v Speaker 1>Every time they took a step, they did it together

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<v Speaker 1>in synchronization. The witness felled a wave of nausea and wrongness,

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<v Speaker 1>the biological alarm bell that rings when we see something

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<v Speaker 1>that defies physics. The witness fled before the men could

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<v Speaker 1>reach the stairs. Now us look at some theories. Who

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<v Speaker 1>are they? The mirrored men phenomena is a Rushark test

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<v Speaker 1>for modern paranoia. Depending on your worldview, they are either

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<v Speaker 1>government agents, aliens, or some sort of software error that's

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<v Speaker 1>causing a glitch in the matrix, which is the first theory,

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<v Speaker 1>the simulation theory. This is the most popular modern explanation.

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<v Speaker 1>If we do, indeed live in a simulation has proposed

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<v Speaker 1>by the simulation hypothesis, then the mirrored men are a

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<v Speaker 1>rendering error. The system needed to populate a scene with people,

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<v Speaker 1>so it copied and pasted, in effect, the same model

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<v Speaker 1>three times. The synchronization as a result of the models

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<v Speaker 1>sharing the same AI script. This explains their generic appearance

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<v Speaker 1>and lack of interaction. They are essentially background assets that

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<v Speaker 1>glitched into the foreground. Then theory number two is the

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<v Speaker 1>Bluebeam and psyops theory. Now, some conspiracy theorists believe the

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<v Speaker 1>mired men or holographic projections or even military psyops the

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<v Speaker 1>unnatural movement is due to the frame rate of the hologram.

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<v Speaker 2>The purpose is to.

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<v Speaker 1>Test public reaction to anomalous events, or even to test

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<v Speaker 1>advanced projection technology, such as Project Bluebeam, which is allegedly

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<v Speaker 1>meant to fake an alien invasion or religious event at

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<v Speaker 1>some point. The third theory the men in black or

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<v Speaker 1>MiB rebranded. There's a strong overlap between the mirrored men

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<v Speaker 1>and the classic Men in Black. MIBs also often travel

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<v Speaker 1>In theories, MIBs move stiffly and act robotically, and MIB's

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<v Speaker 1>dress and identical clothing. However, MIBs usually have a purpose.

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<v Speaker 1>They intimidate UFO witnesses. Mirrod men don't seem to care

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<v Speaker 1>about UFOs. They just stand there. They're like the MIBs,

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<v Speaker 1>but without a mission, or perhaps MIBs who simply malfunctioned.

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<v Speaker 1>The fourth theory the ultra terrestrial mind hive theory. John Keel,

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<v Speaker 1>author of the Mothman Prophecies, deorizes that many entities are ultraterrestrials,

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<v Speaker 1>beings that can manipulate matter and take any form they choose.

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<v Speaker 1>If an entity is a hive mind, which is one

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<v Speaker 1>consciousness controlling multiple bodies, it would struggle to make those

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<v Speaker 1>bodies act independently. Imagine trying to play a video game

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<v Speaker 1>with three controllers plugged in, all mapped to the same joystick.

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<v Speaker 1>If you push four, all three characters move forward. The

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<v Speaker 1>mirrored men might be a single entity piloting three meat

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<v Speaker 1>suits if you will simultaneously. Now there's also an auditory clue,

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<v Speaker 1>the mechanical click. A recurring detail in these encounters is sound,

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<v Speaker 1>or sometimes the lack of it. Now there's the odds factor.

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<v Speaker 1>Like in the Gliverer Man. Sightings are often preceded by

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<v Speaker 1>sudden silence, and then there's the click. Some witnesses report

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<v Speaker 1>a strange mechanical clicking sound accompanying the movement of the men.

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<v Speaker 1>It sounds like a camera shutter or maybe a clock ticking.

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<v Speaker 1>This reinforces the machine or automaton theory. Now, as far

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<v Speaker 1>as a psychological analysis. It's the horror of conformity. Why

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<v Speaker 1>it does synchronization scare us because humans value agency. We

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<v Speaker 1>believe we are individuals with free will. We move at

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<v Speaker 1>our own pace. To see three people moving in perfect

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00:19:58.799 --> 00:20:04.880
<v Speaker 1>unison destroys the illusion of individuality. It suggests loss of self. Now.

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<v Speaker 1>One fear is the automaton fear. Froud discussed the uncanny

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<v Speaker 1>largely in relation to dolls and wax figures, things that

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<v Speaker 1>look human but are automatic. The mirrored men that would

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<v Speaker 1>be the ultimate automatons. They represent the fear that we

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<v Speaker 1>are just biological machines that can be programmed. And then

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<v Speaker 1>there's the fear of conspiracy. The three men archetype is

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<v Speaker 1>historically tied to conspiracy, the tribunal, the triumvirate. Three is

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<v Speaker 1>a powerful number, a single WEIRDO is an anomaly, two

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<v Speaker 1>is a coincidence, Three is a pattern. Three implies an organization.

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<v Speaker 1>It implies that they're organized and you are alone. And

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<v Speaker 1>then there's the doppel ganger multiplied. Seeing a double of

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<v Speaker 1>yourself would be scary the doppelganger theory, but seeing multiples

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<v Speaker 1>of a stranger is scary because it suggests that nature

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<v Speaker 1>has run out of ideas. It makes the world feel small, fake,

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<v Speaker 1>and claustrophobic. In conclusion, the loading hair the Mirrored Men

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<v Speaker 1>are arguably the most terrifying crypt of the modern era

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<v Speaker 1>because they questioned the nature of reality itself. Like Bigfoot

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<v Speaker 1>makes us question if we've explored the whole world. Ghost

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<v Speaker 1>sightings make us question what happens after death, the Mirrored

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<v Speaker 1>Men make us question if the world as we see

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<v Speaker 1>it is even real. So if you're walking through a

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<v Speaker 1>parking lot tonight and you see three men standing with

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<v Speaker 1>a corner looking away from you, watch their shoulders, wait

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<v Speaker 1>for one of them to shift his weight. If they

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<v Speaker 1>all shift at the exact same time, don't make eye contact,

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<v Speaker 1>Just turn and walk away, Get in your car and

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<v Speaker 1>drive away, and hope that the simulation doesn't decide to

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<v Speaker 1>delete the witness. Well, friends, I look forward to your

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<v Speaker 1>comments on this one. I'm Steve Stockton. Thanks for listening

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<v Speaker 1>to your animals, I said, Hi, stay safe out there.

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<v Speaker 2>Now.

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<v Speaker 1>In the lexicon of American urban legends, most monsters are

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<v Speaker 1>creatures of shadowing myth. There are ancient spirits or genetic accidents.

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<v Speaker 1>But in Fairfax County, Virginia, just outside the sprawling beltway

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<v Speaker 1>of Washington, d C. This monster is terrifyingly mundane and

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<v Speaker 1>undeniably ridiculous. He is the bunny Man. At first, the

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<v Speaker 1>name sounds like a joke. It evokes images of the

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<v Speaker 1>Easter Bunny or a mascot at the theme park. But

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<v Speaker 1>the legend of the bunny Man is not a comedy.

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<v Speaker 1>It's a slasher film brought to life. It's the story

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<v Speaker 1>of a grown man wearing a dirty, tattered rabbit costume,

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<v Speaker 1>building a forestry hatchet, and attacking cars on the only

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<v Speaker 1>back roads. Now, the Bundyman occupies a specific, jagged corner

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<v Speaker 1>of the uncanny valley. The corruptive mascot, he represents the

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<v Speaker 1>horror of the costume, the fear that the smiling, innotant

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<v Speaker 1>face of a childhood character is actually a mask hiding

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<v Speaker 1>of violent, deranged predator. Now, first, let's take a look

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<v Speaker 1>at the location, the Colchester Overpass. Every urban legend needs

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<v Speaker 1>a stage, and the bunny Man stage is iconic. It's

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<v Speaker 1>the Colchester Overpass, often simply called Bunnyman Bridge, located near Clifton, Virginia.

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<v Speaker 1>It's a one lane concrete tunnel that runs under the

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<v Speaker 1>railroad tracks. It's unlit, it's narrow, and the acoustics are strange.

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<v Speaker 1>Sound amplifies and distorts within the tunnel. To drive through

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<v Speaker 1>it at night is to enter a choke point where

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<v Speaker 1>there's no esc to the left or right. While the

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<v Speaker 1>legend has spread globally, locals know that the bridge is

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<v Speaker 1>the heart of the darkness. It's a liminal space, a

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<v Speaker 1>threshold between the safety of the suburbs and the dark,

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<v Speaker 1>tangled woods of the past. Now let's take a look

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<v Speaker 1>at the true events, go all the way back to

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<v Speaker 1>Halloween of nineteen seventy. Now, unlike the Skinwalker or the

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<v Speaker 1>Wind to Go, which drift in the midst of ancient folklore,

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<v Speaker 1>the bunny Man has a definitive start date. He appeared

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<v Speaker 1>in October nineteen seventy. These were not ghost stories, These

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<v Speaker 1>were police reports. The first incident the Hatchet October nineteenth,

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<v Speaker 1>nineteen seventy. It was shortly after midnight and US Air

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<v Speaker 1>Force Academy cadet Robert Bennett and his fiancee were driving

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<v Speaker 1>home from a football game. They parked their car on

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<v Speaker 1>Guinea Road in Burke, Virginia to talk. The engine was running,

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<v Speaker 1>the head.

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<v Speaker 2>Lights were on.

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<v Speaker 1>Suddenly, though, something moved in the rearview mirror. A figure

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<v Speaker 1>emerged from the brush and ran toward the back of

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<v Speaker 1>the car. Before Bennett could react, the passenger window shattered.

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<v Speaker 1>Bennett floored the gas peeling out onto the road, and

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<v Speaker 1>as they sped away, his fiance screamed that a man

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<v Speaker 1>in a white suit with long bunny ears had smashed

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<v Speaker 1>the window. When they later inspected the car, they found

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<v Speaker 1>said hatchet on the floorboard. The man in the bunny

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<v Speaker 1>suit had thrown it through the glass. Bennett described the

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<v Speaker 1>attackers wearing a white suit with bunny ears, but noted

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<v Speaker 1>that he couldn't see a face, only the hood. The

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<v Speaker 1>second incident happened on October twenty ninth, nineteen seventy, ten

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<v Speaker 1>days later after the Bennett experience. Paul Phillips, the security

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<v Speaker 1>guard for construction site also on Guinea Road, was on patrol.

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<v Speaker 1>He spoted a man standing on the porch of an

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<v Speaker 1>unfinished house. The man was wearing a gray, black and

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<v Speaker 1>white bunny costume. He was chopping at a porch post

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<v Speaker 1>with a long handled ax. Phillips approached the man. The

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<v Speaker 1>bunny man stopped chopping and turned. He spoke, clearly, you

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<v Speaker 1>are trespassing. If you come any closer, I'll chop off

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<v Speaker 1>your head.

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<v Speaker 2>Now.

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<v Speaker 1>Some reports quot him as saying, all you people trespass

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<v Speaker 1>around here. If you don't get out of here, I'm

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<v Speaker 1>going to bust you.

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<v Speaker 2>On the head.

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<v Speaker 1>But regardless, now, Phillips are treated and called the police.

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<v Speaker 1>When the Fairfax County Police arrived, the man was gone.

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<v Speaker 1>They searched the woods but found nothing. These two incidents

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<v Speaker 1>caused a panic in Fairfax County. Understandably, the police took

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<v Speaker 1>it seriously, investigating over fifty leads. They were looking for

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<v Speaker 1>a man, likely a local with a grudge against the

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<v Speaker 1>new construction developments encroaching on the woods, who was using

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<v Speaker 1>the costume to terrify interloafers.

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<v Speaker 2>He was never caught.

410
00:27:46.519 --> 00:27:49.720
<v Speaker 1>Now let's look at the evolution from man to myth

411
00:27:50.640 --> 00:27:53.480
<v Speaker 1>over the decades. The reality of a disgruntled local in

412
00:27:53.519 --> 00:27:56.759
<v Speaker 1>a suit marphed into a gothic horror story. Now this

413
00:27:56.880 --> 00:27:59.880
<v Speaker 1>is known as fake lore, the process by which community

414
00:28:00.039 --> 00:28:04.799
<v Speaker 1>events of backstory to explain a frightening reality. The popular legend,

415
00:28:04.960 --> 00:28:08.839
<v Speaker 1>which is historically false but narratively compelling, goes like this.

416
00:28:10.160 --> 00:28:13.559
<v Speaker 1>It's known as the Asylum bus crash, the story goes

417
00:28:13.599 --> 00:28:16.599
<v Speaker 1>that in nineteen oh four, an asylum in Clifton was

418
00:28:16.640 --> 00:28:20.200
<v Speaker 1>being shut down. As the bus transported the krimly insane

419
00:28:20.240 --> 00:28:23.680
<v Speaker 1>inmates to a new facility, it crashed near the railroad tracks.

420
00:28:24.240 --> 00:28:27.920
<v Speaker 1>Most of the inmates were recaptured, but to escape Marcus

421
00:28:27.920 --> 00:28:32.000
<v Speaker 1>Wester and Douglas Griffin. Police searched the woods for weeks.

422
00:28:32.599 --> 00:28:35.759
<v Speaker 1>They began finding the carcasses of rabbits, hundreds of them,

423
00:28:36.079 --> 00:28:41.200
<v Speaker 1>some skin half eaten, hanging from the trees. Eventually they

424
00:28:41.240 --> 00:28:44.599
<v Speaker 1>found the body of Marcus Wester under the Colchester Overpass.

425
00:28:45.200 --> 00:28:48.000
<v Speaker 1>In his hand he clutched a makeshift axe made of

426
00:28:48.039 --> 00:28:52.319
<v Speaker 1>stone out a sharp stick. Now Douglas Griffin was never found.

427
00:28:53.039 --> 00:28:55.319
<v Speaker 1>The legend says he donned the skins of rabbits to

428
00:28:55.319 --> 00:28:58.160
<v Speaker 1>survive the winter, eventually sawing a suit of rabbit for

429
00:28:58.799 --> 00:28:59.920
<v Speaker 1>thus becoming the.

430
00:29:01.880 --> 00:29:02.000
<v Speaker 2>Now.

431
00:29:02.039 --> 00:29:06.039
<v Speaker 1>There's also a Halloween ritual. This legend dictates that on

432
00:29:06.119 --> 00:29:10.160
<v Speaker 1>Halloween night, the bunny Man returns to the bridge. Teenage

433
00:29:10.200 --> 00:29:12.839
<v Speaker 1>folklore warrants that if you walk through the tunnel at midnight,

434
00:29:13.200 --> 00:29:16.400
<v Speaker 1>the bunny Man will grab you, disemvalue with his axe,

435
00:29:16.640 --> 00:29:18.920
<v Speaker 1>and drop you from the bridge entrance, just as he

436
00:29:19.000 --> 00:29:23.160
<v Speaker 1>does the rabbits. This narrative transformed a vandal in nineteen

437
00:29:23.240 --> 00:29:28.680
<v Speaker 1>seventy into an immortal, spectral serial killer with a tragic backstory.

438
00:29:29.359 --> 00:29:32.599
<v Speaker 1>Now let's look at the psychological analysis the horror of

439
00:29:32.640 --> 00:29:36.119
<v Speaker 1>the mascot. Why is a man in a bunny suit scary?

440
00:29:36.680 --> 00:29:40.480
<v Speaker 1>Other than the obvious? A rabbit is a prey animal.

441
00:29:41.079 --> 00:29:45.759
<v Speaker 1>It represents vulnerability, fertility, and softness. To see a rabbit

442
00:29:45.839 --> 00:29:50.279
<v Speaker 1>holding an axe, though, that's a perversion of archetypes. Now

443
00:29:50.319 --> 00:29:55.039
<v Speaker 1>there's the frozen expression. A mascot mask has a frozen expression,

444
00:29:55.480 --> 00:29:59.200
<v Speaker 1>usually a wide, vacant smile or goofy grin. When a

445
00:29:59.240 --> 00:30:02.599
<v Speaker 1>human face ailes, the eyes crinkle, the expression is alive,

446
00:30:03.400 --> 00:30:06.880
<v Speaker 1>but a smiling mask it's dead. So if the bunny

447
00:30:06.920 --> 00:30:09.680
<v Speaker 1>man is swinging axe as your windshield, the mask is

448
00:30:09.720 --> 00:30:14.119
<v Speaker 1>still smiling. This disconnect between the visual data, the happiness

449
00:30:14.119 --> 00:30:18.240
<v Speaker 1>and the play and the action homicide causes a cognitive

450
00:30:18.279 --> 00:30:21.160
<v Speaker 1>crash in the victim. It's the same horror found in

451
00:30:21.200 --> 00:30:24.559
<v Speaker 1>clowns such as Penny Wise or dolls such as Chucky.

452
00:30:25.000 --> 00:30:28.039
<v Speaker 1>Then there's the concealment of intent. When you look at

453
00:30:28.039 --> 00:30:32.240
<v Speaker 1>a human face, you scan from micro expressions to determine intent.

454
00:30:32.759 --> 00:30:35.400
<v Speaker 1>Is he angry? Is he scared? Often this is done

455
00:30:35.480 --> 00:30:39.039
<v Speaker 1>on a subliminal level, but the mask, the mask denies

456
00:30:39.079 --> 00:30:41.920
<v Speaker 1>you this data. You cannot bargain with the bunny Man

457
00:30:42.039 --> 00:30:45.039
<v Speaker 1>because you can't read him. You're fighting a blank stare.

458
00:30:45.920 --> 00:30:49.079
<v Speaker 1>And then there's the dirt on the fur. Witnesses in

459
00:30:49.160 --> 00:30:52.759
<v Speaker 1>nineteen seventy specifically mentioned the suit was dirty or tattered.

460
00:30:53.359 --> 00:30:56.880
<v Speaker 1>A pristine bunny suit is funny. A filthy bunny suit

461
00:30:57.039 --> 00:31:00.960
<v Speaker 1>is therefore terrifying. The dirt in play that the suit

462
00:31:01.039 --> 00:31:03.680
<v Speaker 1>is not a costume for a party, it's a lifestyle.

463
00:31:04.400 --> 00:31:07.039
<v Speaker 1>It suggests that he lives in the woods, sleeps in

464
00:31:07.039 --> 00:31:09.920
<v Speaker 1>the dirt, and perhaps wears the suit for warmth or

465
00:31:09.960 --> 00:31:15.960
<v Speaker 1>even identity. It suggests madness. Now there's the Donnie Darko parallel.

466
00:31:16.559 --> 00:31:20.039
<v Speaker 1>It's impossible to discuss the Bunnyman without noting the visual

467
00:31:20.079 --> 00:31:24.440
<v Speaker 1>similarity to Frank from the film Donnie Darko. While the

468
00:31:24.480 --> 00:31:27.279
<v Speaker 1>film is not directly based on the Virginia legend, it

469
00:31:27.359 --> 00:31:30.759
<v Speaker 1>taps into the same vein of infantry the giant monstrous

470
00:31:30.839 --> 00:31:34.720
<v Speaker 1>rabbit as a harbinger of doom. The Moneyman legend creates

471
00:31:34.720 --> 00:31:37.440
<v Speaker 1>a Frank in the real world. It suggests that the

472
00:31:37.519 --> 00:31:40.359
<v Speaker 1>rabbit is not a fluffy pet but a chaotic trickster

473
00:31:40.519 --> 00:31:43.799
<v Speaker 1>spirit similar to the Puka in Celtic mythology, that is

474
00:31:43.839 --> 00:31:49.720
<v Speaker 1>turned violent. And then there's the legend trip. Today, the

475
00:31:49.759 --> 00:31:53.839
<v Speaker 1>Colchester overpasses a pilgrimage site if you will, for legend trippers.

476
00:31:54.519 --> 00:31:57.519
<v Speaker 1>Every Halloween, police have to set up checkpoints to keep

477
00:31:57.599 --> 00:32:00.880
<v Speaker 1>hundreds of teenagers and adults away from the bridge. The

478
00:32:01.000 --> 00:32:04.440
<v Speaker 1>ritual if you get there is simple. One drive to

479
00:32:04.480 --> 00:32:09.680
<v Speaker 1>the bridge. Two turn off your car lights. Three weight Now.

480
00:32:09.720 --> 00:32:13.240
<v Speaker 1>Participants report seeing flashes of white in the woods. They

481
00:32:13.240 --> 00:32:15.920
<v Speaker 1>hear scratching on the roof of their car. They even

482
00:32:15.960 --> 00:32:19.319
<v Speaker 1>find deceeased rabbits on the road, likely roadkilled, but they're

483
00:32:19.319 --> 00:32:23.599
<v Speaker 1>interpreted as a warning. This ritual keeps the legend alive.

484
00:32:24.160 --> 00:32:26.359
<v Speaker 1>The bunny Man lives because we go looking for him.

485
00:32:26.920 --> 00:32:29.759
<v Speaker 1>He is the guardian of the bridge, the troll who

486
00:32:29.759 --> 00:32:34.440
<v Speaker 1>demands a toll of fear. In conclusion, what is the

487
00:32:34.480 --> 00:32:38.160
<v Speaker 1>shadow in the headlights? The true identity of the Bunny

488
00:32:38.200 --> 00:32:41.240
<v Speaker 1>Man of nineteen seventy remains a mystery. Was he a

489
00:32:41.240 --> 00:32:44.880
<v Speaker 1>homeowner I angree about property values? Was he a prankster

490
00:32:45.000 --> 00:32:48.039
<v Speaker 1>who simply let the joke go too far? Or was

491
00:32:48.079 --> 00:32:53.079
<v Speaker 1>he truly mentally unstable? He vanished after that Halloween season,

492
00:32:53.160 --> 00:32:55.720
<v Speaker 1>never to be seen again, but in the minds of

493
00:32:55.799 --> 00:32:59.359
<v Speaker 1>Virginia residents he's still out there. He's become the spirit

494
00:32:59.400 --> 00:33:03.599
<v Speaker 1>of the Beltway wilderness. So if you find yourself driving

495
00:33:03.640 --> 00:33:06.920
<v Speaker 1>down Guinea Road or Colchester Road late at night and

496
00:33:06.960 --> 00:33:09.079
<v Speaker 1>you see a flash of white fur and your high beams,

497
00:33:09.160 --> 00:33:09.799
<v Speaker 1>don't stop.

498
00:33:10.279 --> 00:33:11.559
<v Speaker 2>Don't assume it's a prank.

499
00:33:12.319 --> 00:33:14.880
<v Speaker 1>Because the scariest thing about the bunny Man, isn't it

500
00:33:14.960 --> 00:33:18.519
<v Speaker 1>he wears a costume. It's that underneath the mask there's

501
00:33:18.559 --> 00:33:21.480
<v Speaker 1>a man who thinks that wearing it makes sense, and

502
00:33:21.519 --> 00:33:25.480
<v Speaker 1>he has an axe to prove it. As always, I

503
00:33:25.559 --> 00:33:28.839
<v Speaker 1>look forward to your thoughts on this one. Thanks for listening.

504
00:33:29.039 --> 00:33:31.559
<v Speaker 1>I'm Steve Stockton. I'll see you a little further on

505
00:33:31.640 --> 00:33:35.480
<v Speaker 1>down the trail to your animals, including bunnies. I said hi,

506
00:34:30.880 --> 00:34:33.599
<v Speaker 1>hello friends, Steve, stalking back here with you again for

507
00:34:33.760 --> 00:34:36.159
<v Speaker 1>another strange CRYPTI deep dive.

508
00:34:36.800 --> 00:34:40.840
<v Speaker 2>This time it's the Vegetable Man. Now.

509
00:34:41.000 --> 00:34:44.480
<v Speaker 1>West Virginia is the undisputed capital of ies strangeness in

510
00:34:44.480 --> 00:34:48.360
<v Speaker 1>the United States. It gave us the Mothman, the flat Woods,

511
00:34:48.400 --> 00:34:52.159
<v Speaker 1>monster and the sheep squatch, but veried in the archives

512
00:34:52.199 --> 00:34:55.440
<v Speaker 1>of Appalache and folklore is a creature that is perhaps

513
00:34:55.480 --> 00:34:59.719
<v Speaker 1>the most biologically baffling of them all. It's known as

514
00:34:59.800 --> 00:35:03.960
<v Speaker 1>the vegetable Man. Reported in July of nineteen sixty eight

515
00:35:04.000 --> 00:35:08.719
<v Speaker 1>near Roosville, this entity defies the standard categorization of animal

516
00:35:08.840 --> 00:35:13.199
<v Speaker 1>or alien. It appeared to be a humanoid composed entirely

517
00:35:13.239 --> 00:35:17.760
<v Speaker 1>of plant matter, stalks, vines, and leaves. Yet it possessed

518
00:35:17.760 --> 00:35:22.199
<v Speaker 1>a high intelligence, the power of telepathy, and most frightening

519
00:35:22.239 --> 00:35:26.000
<v Speaker 1>of all, a thirst for human blood. The vegetable Man

520
00:35:26.119 --> 00:35:30.679
<v Speaker 1>represents the uncanny valley of flora. Now we're accustomed to

521
00:35:30.760 --> 00:35:34.400
<v Speaker 1>plants being passive. We eat them, they do not eat us.

522
00:35:35.079 --> 00:35:39.119
<v Speaker 1>This creature, however, subverts the food chain. It's the realization

523
00:35:39.239 --> 00:35:42.280
<v Speaker 1>of the primal fear that the forest is not just alive,

524
00:35:42.719 --> 00:35:45.199
<v Speaker 1>but that it's hungry, and it can take a shape

525
00:35:45.239 --> 00:35:49.000
<v Speaker 1>that mocks our own. The encounter in July of nineteen

526
00:35:49.079 --> 00:35:52.800
<v Speaker 1>sixty eight. Now the legend rests almost entirely on the

527
00:35:52.840 --> 00:35:57.320
<v Speaker 1>testimony of one man, Jennings Frederick. Frederick was a quiet,

528
00:35:57.400 --> 00:36:00.519
<v Speaker 1>unassuming man who worked for a glass company. He was

529
00:36:00.559 --> 00:36:03.599
<v Speaker 1>also an avid out doorsman. On a hot day in

530
00:36:03.679 --> 00:36:06.519
<v Speaker 1>July eighteen sixty eight, he went bow hunting in the

531
00:36:06.519 --> 00:36:10.360
<v Speaker 1>woods near Regual, West Virginia. He was waiting in a

532
00:36:10.400 --> 00:36:13.480
<v Speaker 1>blind watching for game when he heard a strange sound.

533
00:36:14.199 --> 00:36:18.159
<v Speaker 1>It wasn't the snap of a twig or the rustled leaves. Rather,

534
00:36:18.280 --> 00:36:21.400
<v Speaker 1>he described it as a high pitched chattering, similar to

535
00:36:21.480 --> 00:36:24.559
<v Speaker 1>a record being played at the wrong speed. He looked

536
00:36:24.599 --> 00:36:28.039
<v Speaker 1>up and saw a figure standing near him. Now Frederick

537
00:36:28.119 --> 00:36:31.760
<v Speaker 1>described the instity as standing roughly seven feet tall. It

538
00:36:31.800 --> 00:36:35.039
<v Speaker 1>was humanoid in shape, two arms, two legs ahead, but

539
00:36:35.400 --> 00:36:38.679
<v Speaker 1>the texture was all wrong. The body appeared to be

540
00:36:38.719 --> 00:36:42.159
<v Speaker 1>made of green plant stalks or vines woven together. It

541
00:36:42.239 --> 00:36:46.599
<v Speaker 1>was slender, he says, but looked incredibly strong. Its arms

542
00:36:46.639 --> 00:36:50.400
<v Speaker 1>were long and spiny, instead of hands with fingers. The

543
00:36:50.440 --> 00:36:54.400
<v Speaker 1>limbs ended in three long, sharp points, described as looking

544
00:36:54.480 --> 00:36:58.639
<v Speaker 1>like thorns or needles, roughly seven inches long. And the

545
00:36:58.719 --> 00:37:02.840
<v Speaker 1>head it had, but the face was obscure. Its ears

546
00:37:02.840 --> 00:37:06.599
<v Speaker 1>were large and pointed, sticking out like leaves. Its eyes

547
00:37:06.599 --> 00:37:09.679
<v Speaker 1>were large, slanted, and yellow with what he called a

548
00:37:09.760 --> 00:37:14.719
<v Speaker 1>hypnotic quality. But what happened next elevates the story from

549
00:37:14.719 --> 00:37:18.719
<v Speaker 1>a simple monster sighting to a case of high strangeness abduction.

550
00:37:19.360 --> 00:37:22.440
<v Speaker 1>Frederick says he was paralyzed. He claimed that as he

551
00:37:22.480 --> 00:37:25.440
<v Speaker 1>looked into the creature's eyes, he felt a strange sensation

552
00:37:25.719 --> 00:37:28.920
<v Speaker 1>wash over him, rendering him unable to lift his bow

553
00:37:29.239 --> 00:37:33.320
<v Speaker 1>or run. The creature didn't attack with a roar. Instead,

554
00:37:33.480 --> 00:37:38.000
<v Speaker 1>it communicated. Frederick heard a voice inside his head. It

555
00:37:38.039 --> 00:37:40.719
<v Speaker 1>was the same high pitched chattering he heard earlier, but

556
00:37:40.760 --> 00:37:44.440
<v Speaker 1>now his brain was somehow translating it into English. You

557
00:37:44.559 --> 00:37:47.400
<v Speaker 1>need not fear me, the voice said, I wish you

558
00:37:47.599 --> 00:37:50.880
<v Speaker 1>no harm. Now, this is a classic trope of alien

559
00:37:50.960 --> 00:37:55.480
<v Speaker 1>Debussian literature, the benevolent lie. The entity calms the victim

560
00:37:55.559 --> 00:37:59.559
<v Speaker 1>to ensure compliance. While telling Frederick that he was safe,

561
00:38:00.039 --> 00:38:03.320
<v Speaker 1>reacher stepped forward. It raised one of its thorned hands

562
00:38:03.320 --> 00:38:06.840
<v Speaker 1>and pressed the needles against Frederick's neck or hand, who

563
00:38:06.880 --> 00:38:12.440
<v Speaker 1>counts very slightly. These thorns pierced his skin effortlessly. Now

564
00:38:12.559 --> 00:38:15.239
<v Speaker 1>Frederick watched in horror as the creature began to drain

565
00:38:15.320 --> 00:38:19.280
<v Speaker 1>his blood. He described a feeling of intense weakness and dizziness,

566
00:38:19.559 --> 00:38:22.119
<v Speaker 1>as if his life force were being siphoned out, which

567
00:38:22.239 --> 00:38:26.360
<v Speaker 1>it was. The creature's eyes pulsed or changed color some

568
00:38:26.400 --> 00:38:30.840
<v Speaker 1>accounts say red as it fed upon Frederick's blood. After

569
00:38:30.840 --> 00:38:33.760
<v Speaker 1>a few moments, the creature pulled away. It looked at

570
00:38:33.840 --> 00:38:37.119
<v Speaker 1>him one last time. The chattering sound returned, and then

571
00:38:37.159 --> 00:38:40.440
<v Speaker 1>it bounded away into the thick brush with incredible speed,

572
00:38:40.880 --> 00:38:45.679
<v Speaker 1>blending perfectly into the greenery. Frederick was left of shivering,

573
00:38:45.760 --> 00:38:50.519
<v Speaker 1>weak mess, terrified on the forest floor. He eventually stumbled home,

574
00:38:50.880 --> 00:38:53.320
<v Speaker 1>but it took him years to tell the story publicly

575
00:38:53.519 --> 00:38:57.559
<v Speaker 1>because he feared ridicule. Now let's look at this from

576
00:38:57.559 --> 00:39:03.199
<v Speaker 1>a biological analysis Zeno Fluora hypothesis. If we treat the

577
00:39:03.320 --> 00:39:07.719
<v Speaker 1>vegetable man as a biological entity, then what is it. Now,

578
00:39:07.760 --> 00:39:13.119
<v Speaker 1>there's the convergent evolution theory. Nature often reuses successful designs,

579
00:39:13.639 --> 00:39:17.039
<v Speaker 1>perhaps say on another planet or in a divergent timeline,

580
00:39:17.239 --> 00:39:23.239
<v Speaker 1>plant life evolved mobility and intelligence. Then there's photosynthesis versus hemophagi.

581
00:39:23.840 --> 00:39:27.800
<v Speaker 1>Plants typically get energy from the sun. However, carnivorous plants

582
00:39:27.880 --> 00:39:30.880
<v Speaker 1>such as venus fly traps and picture plants do exist

583
00:39:30.920 --> 00:39:35.079
<v Speaker 1>on Earth. They eat insects to supplement nitrogen in poor soil.

584
00:39:36.000 --> 00:39:40.000
<v Speaker 1>And then there's just pure bloodthirst. If a mobile plant existed,

585
00:39:40.360 --> 00:39:43.840
<v Speaker 1>it would require seemingly massive amounts of energy more than

586
00:39:43.880 --> 00:39:48.360
<v Speaker 1>mere sunlight could provive. Blood, especially mammalian blood, is a

587
00:39:48.440 --> 00:39:52.079
<v Speaker 1>nutrient dense energy source. The vegetable man might be a

588
00:39:52.159 --> 00:39:55.760
<v Speaker 1>hyper carnivorous plant as evolved to hunt mammals for their

589
00:39:55.800 --> 00:39:59.920
<v Speaker 1>iron and protein. And I'd also like to look at

590
00:40:00.079 --> 00:40:03.840
<v Speaker 1>the thorns the feeding mechanism. Now, these needles on the

591
00:40:03.920 --> 00:40:07.880
<v Speaker 1>hands are perfectly evolved tools. Unlike claws which are used

592
00:40:07.920 --> 00:40:11.639
<v Speaker 1>for tearing, these needles were used for piercing and extraction.

593
00:40:12.119 --> 00:40:15.960
<v Speaker 1>They almost function like a mosquito. This suggests a species

594
00:40:16.000 --> 00:40:19.000
<v Speaker 1>that prefers to feed on living prey without killing it,

595
00:40:19.480 --> 00:40:21.760
<v Speaker 1>a parasite rather than a predator.

596
00:40:22.639 --> 00:40:23.639
<v Speaker 2>And then we look at the.

597
00:40:23.599 --> 00:40:28.159
<v Speaker 1>Camouflage, this stalk like body, that's the ultimate camouflage in

598
00:40:28.239 --> 00:40:31.559
<v Speaker 1>a forest. A creature made of green vines is invisible

599
00:40:31.639 --> 00:40:34.800
<v Speaker 1>until it moves. This allignance with the stick Indian or

600
00:40:34.880 --> 00:40:38.960
<v Speaker 1>glimmer man archetypes predators that used the environment as a cloak.

601
00:40:40.239 --> 00:40:42.880
<v Speaker 1>And let's take a look at the thin veil that

602
00:40:43.000 --> 00:40:46.719
<v Speaker 1>exists there in West Virginia. Why do these things happen

603
00:40:46.760 --> 00:40:50.400
<v Speaker 1>in West Virginia. The vegetable man appeared just one year

604
00:40:50.440 --> 00:40:52.920
<v Speaker 1>after the collapse of the Silver Bridge, which was the

605
00:40:52.920 --> 00:40:56.039
<v Speaker 1>climax of the Mothman events, and in the same state

606
00:40:56.079 --> 00:41:00.360
<v Speaker 1>as the Flatwood's Monster and the Grafton Monster. Research like

607
00:41:00.440 --> 00:41:04.840
<v Speaker 1>my friend John Keel the Mothman prophecies, theorized that West

608
00:41:04.880 --> 00:41:07.920
<v Speaker 1>Virginia is a window area, as he called it, a

609
00:41:07.960 --> 00:41:12.000
<v Speaker 1>place where the magnetic or energetic boundaries between realities are weak.

610
00:41:12.679 --> 00:41:14.480
<v Speaker 1>Now we can look at these there's, like I said,

611
00:41:14.519 --> 00:41:17.760
<v Speaker 1>the flat Woods Monster in nineteen fifty two, a mechanical

612
00:41:17.920 --> 00:41:21.920
<v Speaker 1>robotic entity, the Mothman in nineteen sixty six, which is

613
00:41:21.960 --> 00:41:26.599
<v Speaker 1>an avian slash angelic entity, and then in nineteen sixty

614
00:41:26.639 --> 00:41:31.239
<v Speaker 1>eight the vegetable Man, a botanical entity. It almost seems

615
00:41:31.239 --> 00:41:34.000
<v Speaker 1>as if the window area there in West Virginia is

616
00:41:34.039 --> 00:41:38.199
<v Speaker 1>cycling through different biological kingdoms, if you will, spitting out

617
00:41:38.199 --> 00:41:43.679
<v Speaker 1>the apex predators of each domain to test the local population. Now,

618
00:41:43.719 --> 00:41:47.159
<v Speaker 1>in a psychological standpoint, this is an example of the

619
00:41:47.199 --> 00:41:50.920
<v Speaker 1>green man, John Robb. Now the vegetable man taps into

620
00:41:50.960 --> 00:41:54.360
<v Speaker 1>the ancient archetype of the green man, a pagan symbol

621
00:41:54.360 --> 00:41:57.559
<v Speaker 1>of rebirth and the cycle of nature, often depicted as

622
00:41:57.559 --> 00:42:00.960
<v Speaker 1>a face made of leaves. Usually, the green man is

623
00:42:01.000 --> 00:42:04.719
<v Speaker 1>a neutral or benevolent symbol of life, whereas the vegetable

624
00:42:04.760 --> 00:42:09.159
<v Speaker 1>man is the shadow of this archetype. It represents nature

625
00:42:09.239 --> 00:42:13.199
<v Speaker 1>fighting back. It also represents the fear that we are

626
00:42:13.280 --> 00:42:16.039
<v Speaker 1>not the top of the food chain. Even the grass

627
00:42:16.079 --> 00:42:18.480
<v Speaker 1>kuad eatis if it got smart enough. Think about that.

628
00:42:19.159 --> 00:42:22.519
<v Speaker 1>And then there's also the fear of infection. The interaction,

629
00:42:22.679 --> 00:42:25.960
<v Speaker 1>the piercing the skin and mixing fluids triggers a deep

630
00:42:26.000 --> 00:42:30.639
<v Speaker 1>fear of contamination. It's an invasive act, unlike being bitten

631
00:42:30.679 --> 00:42:33.679
<v Speaker 1>by a wolf, which is an external injury. Being drained

632
00:42:33.679 --> 00:42:37.679
<v Speaker 1>by a needle is a medical slash, internal violation. It

633
00:42:37.719 --> 00:42:40.239
<v Speaker 1>mirrors the fears of the era. Now, remember nineteen sixty

634
00:42:40.280 --> 00:42:43.880
<v Speaker 1>eight was the height of biological warfare, anxiety, and medical

635
00:42:43.920 --> 00:42:48.920
<v Speaker 1>experimentation rumors. Now, some skeptics claim this was merely a

636
00:42:48.960 --> 00:42:53.079
<v Speaker 1>gilly suit. That's the most logical explanation. That Frederick had

637
00:42:53.119 --> 00:42:57.760
<v Speaker 1>encountered a human, a soldier or hunter wearing a gilly suit,

638
00:42:57.800 --> 00:43:00.760
<v Speaker 1>which is camouflage made of strips of burr lap foliage,

639
00:43:01.079 --> 00:43:04.880
<v Speaker 1>looks exactly like a man made of stalks. Perhaps the

640
00:43:04.920 --> 00:43:07.639
<v Speaker 1>needles were a weapon or a tool held by the person.

641
00:43:08.360 --> 00:43:10.800
<v Speaker 1>The blood blending, though that's a little harder to explain.

642
00:43:11.400 --> 00:43:14.559
<v Speaker 1>Could it have been a delusional episode triggered by dehydration

643
00:43:14.719 --> 00:43:18.519
<v Speaker 1>or even heatstroke, or maybe even a screen memory masking

644
00:43:18.519 --> 00:43:21.800
<v Speaker 1>an assault or an accident. A person in a suit

645
00:43:21.840 --> 00:43:25.119
<v Speaker 1>speaking through a radio or a mask might sound high

646
00:43:25.119 --> 00:43:29.159
<v Speaker 1>pitched or distorted, so that would explain the voice. However,

647
00:43:29.559 --> 00:43:32.000
<v Speaker 1>why would a soldier in a Gillie suit drain a

648
00:43:32.039 --> 00:43:35.480
<v Speaker 1>hunter's blood and then run away? The narrative lacks a

649
00:43:35.519 --> 00:43:39.039
<v Speaker 1>logical human motive, pushing it back once again into the

650
00:43:39.039 --> 00:43:43.800
<v Speaker 1>realm of the irrational. In conclusion, the vegetable Man was

651
00:43:43.840 --> 00:43:47.199
<v Speaker 1>never seen again, at least not reported with such clarity,

652
00:43:47.840 --> 00:43:51.559
<v Speaker 1>but the legend lingers in the backwoods of Reevesville. It

653
00:43:51.639 --> 00:43:54.320
<v Speaker 1>serves as a reminder that the woods are truly alien.

654
00:43:54.920 --> 00:43:58.159
<v Speaker 1>When we walk into the forest, we're surrounded by millions

655
00:43:58.199 --> 00:44:03.639
<v Speaker 1>of living things, trees, ferns, vines, moss, spores. We assume

656
00:44:03.679 --> 00:44:06.079
<v Speaker 1>that they are asleep. We assume that they are no

657
00:44:06.159 --> 00:44:10.719
<v Speaker 1>more than furniture. The vegetable Man, however, challenges that assumption.

658
00:44:11.440 --> 00:44:15.039
<v Speaker 1>It asks the terrifying question, what if the greenery is

659
00:44:15.199 --> 00:44:17.440
<v Speaker 1>just waiting for us to stand still long enough to

660
00:44:17.599 --> 00:44:20.400
<v Speaker 1>take a sip of our blood? Now, if you're ever

661
00:44:20.440 --> 00:44:23.719
<v Speaker 1>bow hunting in West Virginia, and the crickets stop chirping,

662
00:44:24.280 --> 00:44:26.679
<v Speaker 1>and you hear a sound like a record playing too fast.

663
00:44:27.119 --> 00:44:30.199
<v Speaker 1>Look at the vines next to you. Make sure they're

664
00:44:30.239 --> 00:44:34.000
<v Speaker 1>rooted to the ground, because if the vines start to

665
00:44:34.000 --> 00:44:36.599
<v Speaker 1>reach for your hand, and maybe you hear a voice

666
00:44:36.639 --> 00:44:39.480
<v Speaker 1>in your head telling you not to be afraid, drop

667
00:44:39.559 --> 00:44:44.199
<v Speaker 1>everything and run. Well, friends, what do you think of

668
00:44:44.239 --> 00:44:47.280
<v Speaker 1>the vegetable Man. I look forward to your comments on

669
00:44:47.320 --> 00:44:49.960
<v Speaker 1>this one. As for me, I'll see you a little

670
00:44:50.000 --> 00:44:53.480
<v Speaker 1>further down the trail. I'm Steve Stockton. Thanks for listening.

671
00:44:53.880 --> 00:44:57.679
<v Speaker 1>Tell your animals, I said, Hi, Steve Stalkton, here with

672
00:44:57.760 --> 00:45:00.559
<v Speaker 1>you or another deep dive into the the world of

673
00:45:00.639 --> 00:45:03.920
<v Speaker 1>the strange. This time we're taking a look at the

674
00:45:03.960 --> 00:45:06.360
<v Speaker 1>glimmer Man, the invisible Predator.

675
00:45:07.239 --> 00:45:09.000
<v Speaker 2>Join me, let's walk and see.

676
00:45:10.239 --> 00:45:13.039
<v Speaker 1>Now in the taxonomy of fear, there are monsters we

677
00:45:13.079 --> 00:45:16.119
<v Speaker 1>can see, be it the hulking shape of Bigfoot, the

678
00:45:16.199 --> 00:45:19.039
<v Speaker 1>glowing eyes of the moth man. And then there are

679
00:45:19.119 --> 00:45:23.679
<v Speaker 1>monsters that exist only as a distortion. They are known

680
00:45:23.719 --> 00:45:27.760
<v Speaker 1>as the glimmer man or the glimmer man, sometimes called

681
00:45:27.760 --> 00:45:31.719
<v Speaker 1>the shimmer, transparent people, or predators. After the nineteen eighty

682
00:45:31.719 --> 00:45:36.000
<v Speaker 1>seven film. These entities represent the ultimate evolution of the

683
00:45:36.119 --> 00:45:37.000
<v Speaker 1>Uncanny Valley.

684
00:45:37.559 --> 00:45:38.039
<v Speaker 2>They do not.

685
00:45:38.079 --> 00:45:41.199
<v Speaker 1>Trigger our fear response because they look like a wrong human.

686
00:45:41.639 --> 00:45:44.360
<v Speaker 1>They trigger it because they look like nothing at all,

687
00:45:44.920 --> 00:45:48.519
<v Speaker 1>yet our brains insist they're there. They are the visual

688
00:45:48.559 --> 00:45:51.679
<v Speaker 1>equivalent of a phantom limb, a hole in the scenery

689
00:45:51.719 --> 00:45:56.760
<v Speaker 1>that moves with intelligent intent. The defining characteristic of the

690
00:45:56.800 --> 00:46:01.039
<v Speaker 1>glimmer man is its lack of substance. Rarely describe a

691
00:46:01.039 --> 00:46:04.960
<v Speaker 1>physical body. Instead, they describe a localized distortion.

692
00:46:04.599 --> 00:46:05.079
<v Speaker 2>In the air.

693
00:46:05.679 --> 00:46:09.159
<v Speaker 1>The heat haze, for example, this is the most common description.

694
00:46:09.280 --> 00:46:12.119
<v Speaker 1>It parallels the effect of heat rising off hot asphalt

695
00:46:12.159 --> 00:46:16.960
<v Speaker 1>in the summer. It's a ripple in the visual field. However,

696
00:46:17.199 --> 00:46:21.239
<v Speaker 1>unlike heat haze, which is amorphous and stationary, this ripple

697
00:46:21.360 --> 00:46:25.280
<v Speaker 1>is roughly humanoid in shape, head, shoulders, limbs, and moves

698
00:46:25.360 --> 00:46:29.960
<v Speaker 1>laterally across the landscape. There's also the saran wrap effect.

699
00:46:30.639 --> 00:46:33.320
<v Speaker 1>Other witnesses described it as looking like a figure wrapped

700
00:46:33.320 --> 00:46:37.039
<v Speaker 1>in layers of clear plastic or saran wrap. It reflects

701
00:46:37.079 --> 00:46:40.719
<v Speaker 1>light slightly differently than the surrounding environment. If the creature

702
00:46:40.760 --> 00:46:42.800
<v Speaker 1>stands in front of a tree, you can see the

703
00:46:42.840 --> 00:46:46.400
<v Speaker 1>bark through it, but the bark looks warped, magnified, or

704
00:46:46.480 --> 00:46:50.719
<v Speaker 1>slightly out of focus. Then there's the cubest mirror effect.

705
00:46:51.360 --> 00:46:54.119
<v Speaker 1>In some accounts, the entity acts like a flawed mirror.

706
00:46:54.599 --> 00:46:57.800
<v Speaker 1>It camouflages itself by projecting the image of what's behind it,

707
00:46:58.159 --> 00:47:01.400
<v Speaker 1>but the refresh rate, as it were, it's slightly off.

708
00:47:01.920 --> 00:47:05.360
<v Speaker 1>As it moves, the background drags or pixelates, creating a

709
00:47:05.400 --> 00:47:10.119
<v Speaker 1>glitch in the matrix of the forest. Now it's impossible

710
00:47:10.159 --> 00:47:13.039
<v Speaker 1>to discuss the glimmer Man without dressing the elephant in

711
00:47:13.079 --> 00:47:16.960
<v Speaker 1>the room. The nineteen eighty seven sci fi horror film Predator.

712
00:47:17.760 --> 00:47:20.800
<v Speaker 1>In the film, the alien Hunter used the cloaking device

713
00:47:20.920 --> 00:47:24.639
<v Speaker 1>that renders it nearly invisible, appearing only as a translucent

714
00:47:24.679 --> 00:47:28.599
<v Speaker 1>distortion in the jungle canopy. Skeptics argued that the glimmer

715
00:47:28.599 --> 00:47:33.760
<v Speaker 1>man phenomenon is a classic example of cultural contamination. However,

716
00:47:34.239 --> 00:47:38.119
<v Speaker 1>pre nineteen eighty seven, reports of invisible spirits did exist

717
00:47:38.559 --> 00:47:43.440
<v Speaker 1>stick Indians Gin, but they were rarely described as technological camouflage.

718
00:47:44.000 --> 00:47:47.840
<v Speaker 1>Then post nineteen eighty seven, the descriptions of forest entities

719
00:47:47.880 --> 00:47:53.320
<v Speaker 1>shifted almost overnight to match the visual language of the film. However,

720
00:47:53.480 --> 00:47:57.239
<v Speaker 1>believers in folklore Alike argued that the film merely gave

721
00:47:57.280 --> 00:48:01.000
<v Speaker 1>witnesses of vocabulary to describe something that is always existed.

722
00:48:02.440 --> 00:48:05.719
<v Speaker 1>Just as flying saucers became the term for arrow anomalies.

723
00:48:05.719 --> 00:48:09.719
<v Speaker 1>In the nineteen forties, predator style cloak became the shorthand

724
00:48:09.719 --> 00:48:13.119
<v Speaker 1>for a very old, very specific type of spirit encounter.

725
00:48:14.079 --> 00:48:17.440
<v Speaker 1>Now let's look at the anatomy of an encounter. A

726
00:48:17.440 --> 00:48:21.159
<v Speaker 1>glimmer Man encounter is distinct from other cryptid sightings because

727
00:48:21.159 --> 00:48:26.239
<v Speaker 1>it's defined by sensory subtraction, the silence or the OS factor.

728
00:48:26.880 --> 00:48:31.239
<v Speaker 1>Almost every report begins with absolute silence. The ambient noise

729
00:48:31.280 --> 00:48:35.519
<v Speaker 1>of the forest, birds, insects, wind abruptly cuts out, almost

730
00:48:35.559 --> 00:48:38.639
<v Speaker 1>like flipping a switch. This is known in high Estrangens

731
00:48:38.719 --> 00:48:42.320
<v Speaker 1>circles as the OS factor. It suggests that the enemy

732
00:48:42.320 --> 00:48:46.880
<v Speaker 1>emits a frequency or presence that terrifies very nature into stillness.

733
00:48:47.920 --> 00:48:51.920
<v Speaker 1>Then there's the eye spy. The witness is usually hiking

734
00:48:52.000 --> 00:48:56.079
<v Speaker 1>or hunting. They feel an intense, prickling sensation of being watched.

735
00:48:56.719 --> 00:48:59.519
<v Speaker 1>They scan the tree line and at first they see nothing.

736
00:49:00.280 --> 00:49:03.559
<v Speaker 1>Then they notice a blur in the branches. They might

737
00:49:03.599 --> 00:49:06.119
<v Speaker 1>rub their eyes, thinking it's a floater or a migraine aura.

738
00:49:06.800 --> 00:49:09.840
<v Speaker 1>But the blur begins to move. It leaps from one

739
00:49:09.840 --> 00:49:13.800
<v Speaker 1>branch to another with impossible agility. It creates a sound

740
00:49:13.840 --> 00:49:16.760
<v Speaker 1>when it lands, sometimes a heavy thud or even the

741
00:49:16.760 --> 00:49:20.480
<v Speaker 1>cracking of a branch, proving that despite being invisible, it

742
00:49:20.559 --> 00:49:26.599
<v Speaker 1>has mass. Then there's the absence of attack. Terrifyingly, glimmer

743
00:49:26.639 --> 00:49:32.000
<v Speaker 1>men rarely attack, they observe. Witnesses often describe the entity

744
00:49:32.119 --> 00:49:36.199
<v Speaker 1>standing within ten or twenty feet perfectly still, just watching.

745
00:49:37.039 --> 00:49:40.280
<v Speaker 1>The horror comes from the power imbalance. It could kill

746
00:49:40.320 --> 00:49:42.960
<v Speaker 1>me and I wouldn't even see the blow coming, you think,

747
00:49:43.880 --> 00:49:48.280
<v Speaker 1>but it chooses not to. This mooeuristic behavior aligns with

748
00:49:48.400 --> 00:49:51.960
<v Speaker 1>the dark Watchers or the Grinning Man entities, those who

749
00:49:52.000 --> 00:49:56.360
<v Speaker 1>seem to feed on fear or curiosity rather than flesh.

750
00:49:56.639 --> 00:50:00.320
<v Speaker 1>So what is the glimmer man? The theories range from

751
00:50:00.480 --> 00:50:06.000
<v Speaker 1>the nuts and bolts to the metaphysical. First, there's military technology.

752
00:50:06.360 --> 00:50:09.000
<v Speaker 1>The most grounded theory suggests that the glimmer Man is

753
00:50:09.000 --> 00:50:12.760
<v Speaker 1>not a monster, but a human soldier testing advanced active

754
00:50:12.800 --> 00:50:17.719
<v Speaker 1>camouflage meta materials. We know that DARPA and military contractor

755
00:50:17.760 --> 00:50:21.760
<v Speaker 1>has been developing invisibility cloaks using meta materials that have

756
00:50:21.840 --> 00:50:25.199
<v Speaker 1>been light around an object as far as the testing grounds.

757
00:50:25.519 --> 00:50:28.679
<v Speaker 1>Many sightings do occur in national parks or deep wilderness,

758
00:50:29.079 --> 00:50:32.760
<v Speaker 1>which could serve as testing grounds for classified tech. And

759
00:50:32.800 --> 00:50:36.239
<v Speaker 1>then there's the flaw of the tech itself. This explains

760
00:50:36.239 --> 00:50:39.920
<v Speaker 1>the glitchy nature the camouflage. It isn't magic, it's a

761
00:50:39.920 --> 00:50:46.000
<v Speaker 1>prototype that isn't quite perfect. Yet another theory the interdimensional tourist.

762
00:50:46.679 --> 00:50:49.840
<v Speaker 1>This theory posits that the entity isn't invisible in the

763
00:50:49.880 --> 00:50:53.519
<v Speaker 1>traditional sense, but is vibrating at a frequency just outside

764
00:50:53.639 --> 00:50:57.519
<v Speaker 1>our visual spectrum. This would mean that it exists in

765
00:50:57.559 --> 00:51:01.800
<v Speaker 1>a dimension layered over hours. Occasionally the membrane between the

766
00:51:01.840 --> 00:51:05.440
<v Speaker 1>world's thins or the entity exerts energy to cross over.

767
00:51:06.159 --> 00:51:09.679
<v Speaker 1>The shimmer therefore, is the visual result of two realities

768
00:51:09.719 --> 00:51:13.920
<v Speaker 1>interacting like oil on water. This explains why they can

769
00:51:13.960 --> 00:51:17.880
<v Speaker 1>move through dense brush without making noise sometimes or pass

770
00:51:17.960 --> 00:51:23.320
<v Speaker 1>through solid objects. And then another theory, the modern stick Indian.

771
00:51:24.079 --> 00:51:27.880
<v Speaker 1>Now in the Pacific Northwest, Indigenous elders often chuckle at

772
00:51:27.920 --> 00:51:30.800
<v Speaker 1>the term glimmer Man. To them, this is simply the

773
00:51:30.840 --> 00:51:35.639
<v Speaker 1>stick Indians or te ish Ta behaving normally. Stick Indians

774
00:51:35.639 --> 00:51:39.199
<v Speaker 1>are spirits. They're not flesh and blood. They've always been

775
00:51:39.199 --> 00:51:42.039
<v Speaker 1>able to turn invisible, and the glimmer is just a

776
00:51:42.159 --> 00:51:46.239
<v Speaker 1>modern mind trying to rationalize a spirit manifestation using the

777
00:51:46.360 --> 00:51:50.199
<v Speaker 1>language of sci Fi. Then there's the terror of the

778
00:51:50.280 --> 00:51:54.559
<v Speaker 1>unknown silhouette. Why is the glimmer man scarier than a werewolf,

779
00:51:54.559 --> 00:51:58.920
<v Speaker 1>for example, because a werewolf has a face, a werewolf

780
00:51:58.960 --> 00:52:02.559
<v Speaker 1>has claws. You can identify the threat, you can run,

781
00:52:02.679 --> 00:52:05.280
<v Speaker 1>or you can aim a gun at it. But you

782
00:52:05.320 --> 00:52:08.760
<v Speaker 1>can't fight a glimmer man because you can't define it.

783
00:52:08.760 --> 00:52:13.440
<v Speaker 1>It represents the unknown unknown. Is it naked? Is it armored?

784
00:52:13.559 --> 00:52:17.039
<v Speaker 1>Is it holding a weapon? Is it smiling? Now? The

785
00:52:17.119 --> 00:52:21.320
<v Speaker 1>human brain relies on pattern recognition for survival. We scan

786
00:52:21.440 --> 00:52:25.480
<v Speaker 1>for eyes, for teeth, or body language. The glimmer man, however,

787
00:52:25.760 --> 00:52:29.239
<v Speaker 1>denies us all of this. It's a blank slate onto

788
00:52:29.280 --> 00:52:34.159
<v Speaker 1>which we project our deepest paranoia. Now there is the

789
00:52:34.239 --> 00:52:37.960
<v Speaker 1>tree climber variant, which is a particularly disturbing subset of

790
00:52:38.000 --> 00:52:44.039
<v Speaker 1>Glimmerman sightings, which involves arboreal movement. Witnesses describe seeing the

791
00:52:44.119 --> 00:52:47.320
<v Speaker 1>shimmer high up in the canpy, leaping twenty or thirty

792
00:52:47.320 --> 00:52:51.239
<v Speaker 1>feet between trees. Now, the physics of this movement suggests

793
00:52:51.280 --> 00:52:54.159
<v Speaker 1>immense strength If it is a human in a suit,

794
00:52:54.599 --> 00:52:59.039
<v Speaker 1>they're performing Olympic level gymnastics in deep brush. Now, if

795
00:52:59.079 --> 00:53:02.400
<v Speaker 1>it's a spirit, it suggests that nowhere it's safe, not

796
00:53:02.480 --> 00:53:07.639
<v Speaker 1>even the verticality of the forest. In conclusion, we're left

797
00:53:07.719 --> 00:53:10.719
<v Speaker 1>with the void in the leaves. The legend of the

798
00:53:10.719 --> 00:53:13.679
<v Speaker 1>glimmer man is growing. With the advent of four K

799
00:53:13.719 --> 00:53:17.559
<v Speaker 1>cameras and smartphones, more people are capturing strange distortions in

800
00:53:17.599 --> 00:53:21.639
<v Speaker 1>their footage, Pixels that don't move right, backgrounds that smear.

801
00:53:22.400 --> 00:53:26.519
<v Speaker 1>Skeptics call it compression artifacts. Believers look at it as proof.

802
00:53:27.559 --> 00:53:30.480
<v Speaker 1>But for the hunter alone in a tree stand waiting

803
00:53:30.480 --> 00:53:32.639
<v Speaker 1>for a deer as the sun goes down, the.

804
00:53:32.639 --> 00:53:33.840
<v Speaker 2>Debate doesn't matter.

805
00:53:34.519 --> 00:53:36.480
<v Speaker 1>All that matters is the feeling that the air to

806
00:53:36.559 --> 00:53:40.360
<v Speaker 1>his left has suddenly become heavy. All that matters is

807
00:53:40.400 --> 00:53:42.760
<v Speaker 1>the ripple in the leaves that moves against the wind.

808
00:53:44.039 --> 00:53:47.320
<v Speaker 1>The glimmer Man is the ultimate reminder that vision is

809
00:53:47.320 --> 00:53:48.840
<v Speaker 1>not reality.

810
00:53:48.960 --> 00:53:49.800
<v Speaker 2>Just because you.

811
00:53:49.800 --> 00:53:53.800
<v Speaker 1>Don't see it doesn't mean it isn't staring right at you.

812
00:53:54.880 --> 00:53:57.840
<v Speaker 1>I look forward to your comments on this one. I'm

813
00:53:57.880 --> 00:54:02.039
<v Speaker 1>Steve Stockton. Thanks for listening tear your animals. I said, HI,

814
00:54:02.719 --> 00:54:03.599
<v Speaker 1>be safe out there,
