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Speaker 1: Oh God.

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Speaker 2: The Columbia Broadcasting System takes pleasure in bringing you the

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Twelve in a series of weekly broadcasts featuring Awson Wells

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and the Mercury Theater on the air. Tonight Broadways at Radio,

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the celebrated theater producing company brings to life the best

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loved character in detective fiction, the immortal Sherlock Holmes. The

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play is Austin Weale's own adaptation for radio of William

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Gilletten during melodrama, based on the famous stories VI Sarthur

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Conan Doyle. Before the performance begins, here is a director

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of the Mercury Theater, the star and producer of these

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unique broadcasts, Awson Weales. Good evening, Well Tonight, It's back

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to Baker Street, back to that unlikely London of the

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nineteenth century, where high adventure waits all would seek it

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in a handsome.

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Speaker 1: Cab or under a gas lamp in an internet keep.

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Speaker 3: But tonight we pay tribute to the most wonderful member

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that most wonderful world, a gentleman.

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Speaker 1: Who never lived and who will never die.

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Speaker 3: There are only a few of them, these permanent profiles,

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everlasting silhouettes on the.

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Speaker 1: Edge of the world.

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Speaker 3: There is first a little hunchback with a slapstick, whose

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hooked nose is shaped like his cap. There is now

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and always will be the penguin footed hobo in the

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derby in the back, the small boy with the long,

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rusty knight on horseback, and the fat knight who could

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only procure a.

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Speaker 1: Charge on foot.

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Speaker 3: There is also the tall gentleman with a hawk's face

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and the underslung pipe before and aft cap.

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Speaker 1: We'd know them anywhere and call.

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Speaker 4: Them easily by me, Puck and the charge Captain McCarthy, Keilty,

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Sir john and.

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Speaker 1: Sherlock Combe's now irrelevant as this may seek.

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Speaker 3: Williams.

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Speaker 4: The Mercury Theater very much occupied for a revival of

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a final American art. A lot of people remember one,

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which is too much Johnson.

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Speaker 3: Its author was William Gillette, which reminded us as it

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reminds you of Sherlock Holmes. As everybody knows, that celebrated

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American inventor of under acting lent his considerable gifts as

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a playwright to the indestructible legend of the Conan Doyle

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detective and produced the play, which is as much a

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part of the Holmes literature as any of Sir Arthur's

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own romances, and as nobody will ever.

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Speaker 5: Forget, he gave his face to him.

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Speaker 3: For William Gillette was the aquiline and actual embodiment of

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Holmes himself. Tis too little to say that William Gillette

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resembled Sherlock Colmbs. Sherlock Holmes looked exactly like William Gillette,

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sounds like him too. Were afraid and hope that the

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Mercury theater and the radio will take none of the

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grammar from the beloved fable of Baker Street, From the

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pipe and the violin, and the hideous purple dressing gown,

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from the needle and the cigar on the window, Ledge

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and the.

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Speaker 1: Dry final famous lines.

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Speaker 3: Elementary, and my dear Watson, elementary, the mere child's play

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of deduction.

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Speaker 1: My name is Watson. I am a doctor. It was

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in the year eighteen eighty that Holmes and I.

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Speaker 3: Were introduced by our mutual acquaintance. At the time, we

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were both looking for a lodging that would suit our

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moderate means. This was found on the second store of

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a house at two thirty on the Baker Street.

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Speaker 1: And it was during the years that we occupy these

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chambers together that Holmes.

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Speaker 3: Established his U league international reputation as a consulting detective.

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Speaker 1: During that time, I was privileged to.

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Speaker 3: Be his daily companions, and I have done my modest

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share in giving to the world an account of.

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Speaker 1: Some of his most famous cases.

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Speaker 3: Most famous of these are the ones which I have

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written under the names of the Speckled Band, sin of

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for Holland, of the Baskervilles, and the Study in Scarlet.

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They represent, however, only a minute faction of the six

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hundred and forty three cases Holmes successfully solved during the

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years that we shared the lodgings in Baker Street. Other

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cases I hope one day to give to the world

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include the Talentan Murders, the sudden death of Cardinal Tusker,

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the adventure of Ricolette of the club Foot and his

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Abominable Wife, the case of Missus Ferrantoge, the Circus Bell,

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and the case of the Royal Family of Scandinavia. Each

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illustrate in their own way the remarkable genius of my

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friend Sherlock Holmes. Since my marriage three years ago, Holmes

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has continue to occupy the Baker Street lodgings like himself.

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I've hit almost every afternoon when my work in the

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office is finny. I am in the habit of calling

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on him. The sitting room as you go in is

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exactly as it has been for the past thirteen years.

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Speaker 1: The worn bare skin rug, the huge sofa covered with faded.

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Speaker 3: Chintz, the matter piece cottered with miscellaneous objects on answered letters, and.

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Speaker 1: Piles of loose tobaccos on one side of.

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Speaker 3: The fireplace, and a deep armchair, this pipe curling forth

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slow wreaths of aquid tobacco placed in his hideous purple

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dressing gowns. The sherlock Holmes with his violin under his chin.

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Speaker 6: An, what's my?

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Speaker 1: How are you? Homes?

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Speaker 7: Turn to run and see you perfect delighted upon my word.

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Speaker 3: I am the size observe as your wife has left

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she God on a visit.

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Speaker 1: But how do you know? Why did I when I

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like that? How do I know anything? How do I know?

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Speaker 3: You've been getting yourself very wet lately? That to an

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extremely careless serven girl, And you moved your dressing table

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the other side of the room.

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Speaker 1: Holmes, if you had lived a few centuries ago, that

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it burned you alive. Such a confregation would have saved

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me a great deal of trouble and expended on me. Now,

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how did you know all that? It's too simple to

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talk about scratches and.

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Speaker 3: Clumsy cuts, My dear felony, inside of your shoe there,

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just where the firelight strikes it scratches cuts and they

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scraped away. Custed man, this is badly, badly scraped the

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shoe along with it as your wet foot. My dear

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watsoning are careless, certain girl, all on one shoe? Say

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stand to shave the right side.

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Speaker 1: I was used to be on the left.

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Speaker 3: Light must comes to the other side because they we'll

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move your window, must.

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Speaker 1: Move the dressing table, of course. But how the deuce?

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Speaker 3: You know?

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Speaker 1: My wife was away? Where the juice is?

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Speaker 3: Your second wistcit button was? What the deuce is yesterday's button?

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Heir doing in today's the tell?

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Speaker 1: And why the juice?

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Speaker 3: You were the expression of the mass the elementary idea

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for elementary the child's players production. I'm only doing it

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for your amuse before we pass on to more serious matters.

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Speaker 1: Oh, what is it? Novel?

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Speaker 3: What's my dear fellow, the enthusiasm which is prompted you

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to chronicle? And if you will excuse my saying so,

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somewhat to embellish my little adventures. You occasionally seem fit

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to introduce a certain element of romance which struck me

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as being just a trifle out of place, something like

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working in elopement into the fifth proposition of euclid. I

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merely refer to this in case you should see fit

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at some future time to chronicle a case on which

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I'm about to embark, the strange case of Professor Robert Moriati.

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Speaker 1: Moriati, I don't remember ever having heard of.

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Speaker 3: The fellow no whatt and you haven't the precisely this

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quality of invisibility that makes of Professor Moriarty the Poleon

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of crime, sitting motionless like an ugly, venomous spider in

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the center of his web, but that web having a

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thousand radiations, and the spider knowing every quiver of every

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well of them, and within forty eight hours I'll have

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the lines drawn so tightly around him that.

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Speaker 1: He can't move him in his entire gang home.

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Speaker 3: This is a very thing at idea, how it's perfectly delightful.

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My whole life is spent in a still as a

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frantic endeavors to escape.

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Speaker 1: From the very commonplaces of existence. For a brief period

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I escaped congratulate me.

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Speaker 3: The day before yesterday I received in this room the

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visit of a certain foreign nobleman was.

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Speaker 1: Recently inherited a very considerable.

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Speaker 3: Title, and who was about to be married. Seems that

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this title of gentleman was still indiscreet as to fall

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in love with a young English lady that the name

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of Faulkner socially in his inferior, and to make her

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a promise of marriage. Later his family's insistence, the things

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broken shortly after the broken heart, leaving behind his sister

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also considerable evidence from the form of letters, photographs, and

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jewelry with inscriptions. These the sister kept. These together with

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the sister, are now being held in a house in

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Saint John's Wood by a pair of blackmailers who go

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with the name of Chetwood. So far as you see,

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my dear, what's necessarily ordinate case of direct me, I'll

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hand it work my attention. Last night, on my inspection

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a certain element revealed itself, which renders the case far

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more important than I was expected. And that element was

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Professor Moriarty Hellen.

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Speaker 8: Yes, gentleman, to see you by the name of Foreman. Yes,

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Miss rum coming.

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Speaker 3: Mister Foreman andreamingformance pleading with the home Watson Thiss inspector Foreman.

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The day before yesterday he ouspied the position of butler

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under the name of Judson in the home of mister

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and missus Chetwood blackmailers, Sir John's Wood.

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Speaker 1: No Foreman, any news.

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Speaker 3: Yes, this morning, at the last of nine Chetwood and

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his wife drove away in a four wheeler, turned about eleven.

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Speaker 1: Basick was with them.

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Speaker 3: You know him though years when I last turned the

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occasion to meet mister Besick, who got two years for

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safe creaking to go on for well, I took this

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man Basick in the library. I gotta look at him

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from the outside, and there they was opening up the

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space where they've been keeping a letter.

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Speaker 5: Go on in the end.

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Speaker 1: When they got the safe open, it is empty. The

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letters are gone. It seems like the folk no girl

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gopping back somehow.

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Speaker 3: I gotten pretty excited Asik went out to send a telegram.

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Speaker 1: Have you got a coffee? Then?

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Speaker 3: Yes, yes, here it is the some code m.

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Speaker 1: Mariati.

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Speaker 3: I thought, so, Watson, the case is taking a most

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promising turn.

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Speaker 1: Foreman.

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Speaker 3: He returned once to the house that sin John's Wood.

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Then ten minutes I should be there myself, if I

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remember correctly. The kitchen is immediately below the drawing room. Yes,

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when I knock over a chair in the drawing room,

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you will overturn a lamp in the kitchen, scatter.

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Speaker 1: Smoke balls, and give an alarm of fire.

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Speaker 3: All other instructions remain unchanged. Are you good to hurry foreman?

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Speaker 1: Yes, it's a home.

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Speaker 3: Well, my dear Watson seems to look like a most

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interesting evening, verry good evening.

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Speaker 7: My name is Sherlock Holmes, whom whom did you wish.

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Speaker 1: The same at the home? Thank you so much, mister Chitwood.

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Speaker 3: I myself announced by the butler on.

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Speaker 1: My way at last.

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Speaker 3: I didn't know very well or here he is? Yet

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it's Forkner began as to home to excuse her. She

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is not well enough to see anyone this evening.

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Speaker 1: Will you please hand this kind of apopt and say

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that I take your.

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Speaker 3: Pardon at the home. But it's quite useless. Really, Oh,

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I'm so sorry to hear it. Yeaes, miss Portner, is

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I regret to say, quite an infalid He is unable

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to see anyone. Her health is so poor, has it

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ever occurred to you, mister Chutwood, that she might be

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confined to the house too much. How does that concern you, Hitter?

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It doesn't simply make the suggestion atract thing over toobout

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his name, Judgson, Very well, Judson, go on, take my

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card up. Very good, and this is really too good.

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Of course you can take up your card or your

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note of whatever it is, if you wish it so much.

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Speaker 1: I was only trying to save you.

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Speaker 3: The trouble, and thanks had any trouble at dogs and

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i's can you know, mister Holmes, you interest.

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Speaker 1: Me very much, really on my work. Yes, we've all

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heard of your.

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Speaker 3: Wonderful methods, your punishing manner in which you've gained information

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from the.

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Speaker 1: Most tyfling details.

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Speaker 9: Now I dare say, in this brief moment or two,

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you've discovered any number of things about.

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Speaker 3: Me, nothing of consequences, Jadwin, or hardly more than ask

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00:12:37,720 --> 00:12:39,639
myself why you were still distressed to see me at

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this particular moment, and what that can possibly be about

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the station in the lower part of that desk, because

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you've such painful anxiety.

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Speaker 1: Very good, very good.

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Speaker 3: Indeed, if those things are only true, now I'd be

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wonderfully impressed.

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Speaker 1: It would be absolutely crim just a message for you,

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mister Jedwood. You'll excuse me at trust it's from his partner. Really,

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00:13:00,919 --> 00:13:03,000
she begged to be allowed to see you, mister Holmes.

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He absolutely implores it. Well, I suppose I shall have

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to give way to ask Miss Faulkner to come down

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to the drawing room. Is that mister Holmes is waiting

253
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to see her? Very good to quite remarkable upon my soul?

254
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Speaker 3: May I ask, if it's not an impertinent question, what

255
00:13:19,399 --> 00:13:21,639
message you sends up that could throw up aroused Miss

256
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Faufner's desire.

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Speaker 1: To come down, And really is that she wasn't down

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here in five minutes? Time to go up?

259
00:13:26,320 --> 00:13:26,519
Speaker 10: Oh?

260
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Speaker 5: That was it?

261
00:13:28,080 --> 00:13:28,759
Speaker 1: Yeah? Quite so?

262
00:13:29,919 --> 00:13:32,480
Speaker 3: And unless I'm greatly mistaken, I hear the young lady

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on the stairs, which case she has a minute and

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the heart to spare.

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Speaker 9: Ellie, it is miss Faulkner. Let me introduce mister Sherlock Holmes.

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Mister Holmes, no, miss Fsner, I'm really miss charmed to

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meet you. Although it does look as if you've made

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me come down in spite.

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Speaker 3: Of myself, doesn't I thank you very much, indeed for

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00:13:54,320 --> 00:13:56,720
concerning to see me, Miss Suckner, but regret to observe

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that you will put to the trouble of making such

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a very rapid change of drink.

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Speaker 6: Oh I did?

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Speaker 1: How are you a trifle? I consist mister.

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Speaker 11: Holmes, who's quite living up to his reputation, isn't.

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Speaker 3: He said it?

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Speaker 5: Come in?

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00:14:12,399 --> 00:14:12,879
Speaker 3: Yes, ma'am?

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Speaker 1: What are you doing here?

280
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Speaker 3: Judson?

281
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Speaker 1: I did pardon them. I was answering the bell. What

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00:14:17,320 --> 00:14:20,039
bell the drawing room? What do you mean you blockhead?

283
00:14:20,039 --> 00:14:21,799
No one rang the bell. I'm quite sure it was

284
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Robin Well I tell you it did nothing. You're a

285
00:14:24,039 --> 00:14:26,759
butler's right, mister Checkwardy. They'll did ring.

286
00:14:26,919 --> 00:14:28,360
Speaker 3: How do you know I rang it?

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Speaker 1: What are you wrong?

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Speaker 3: Want to send my card to the real Miss fauckneral

289
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I said, the real Miss Spruckner.

290
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Speaker 1: Judson, Yes, sir. What right have you to ring for

291
00:14:39,159 --> 00:14:40,519
servants and give orders in my house?

292
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Speaker 3: What right have you to prevent my cards from reaching

293
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their destination?

294
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Speaker 7: How does it happen that you and this woman are resorting.

295
00:14:46,759 --> 00:14:49,159
Speaker 3: To trickery and deceit to prevent me from seeing Alice

296
00:14:49,200 --> 00:14:54,720
Fauckner through some trifling oversight? Judson, neither of the cards

297
00:14:54,759 --> 00:14:56,159
I handed to him has been delivered.

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Speaker 1: Kindly, see this error does not occur again. My orders, Ah,

299
00:15:00,559 --> 00:15:03,720
you have orders. I can't say you are told not

300
00:15:03,879 --> 00:15:06,000
to deliver my card? What business is it of yours?

301
00:15:06,039 --> 00:15:06,519
I'd like to know.

302
00:15:06,799 --> 00:15:09,600
Speaker 3: I shall satisfy your curiosity on that point in a

303
00:15:09,720 --> 00:15:12,639
very short time, mister Chetwood. Yeah, and you'll find out

304
00:15:12,639 --> 00:15:14,399
in a very short time that it doesn't safe.

305
00:15:14,240 --> 00:15:14,840
Speaker 1: To meddle with me.

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00:15:15,440 --> 00:15:17,240
Speaker 3: It wouldn't be any trouble at all for me to

307
00:15:17,360 --> 00:15:19,639
throw you out into the street, and possibly enough that

308
00:15:20,000 --> 00:15:22,799
trouble would swiftly follow such an experiment on your past.

309
00:15:22,840 --> 00:15:23,840
Speaker 1: It's as a lucky thing for you.

310
00:15:23,919 --> 00:15:25,000
Speaker 3: I'm not armed as well.

311
00:15:25,279 --> 00:15:28,039
Speaker 1: Miss Faukner comes down, You go and arm yourself, harm myself.

312
00:15:28,039 --> 00:15:28,840
I'll call the police.

313
00:15:29,559 --> 00:15:29,960
Speaker 6: Do it now?

314
00:15:30,120 --> 00:15:31,960
Speaker 1: Oh no, you will not do it now. You will

315
00:15:32,000 --> 00:15:32,720
remain where you are.

316
00:15:32,720 --> 00:15:34,159
Speaker 3: Until a lady I came here to see his enter

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this room.

318
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Speaker 7: What makes you so sure of that?

319
00:15:35,879 --> 00:15:38,159
Speaker 3: Because you will prefer to avoid an investigation of your

320
00:15:38,200 --> 00:15:39,840
suspicious conduct, Mister James.

321
00:15:39,720 --> 00:15:42,159
Speaker 1: Leave If I is the name.

322
00:15:42,120 --> 00:15:44,320
Speaker 3: Under which you are known to Scotland Yard, I believe,

323
00:15:44,399 --> 00:15:49,279
mister Chetwood, steady, here is your wife, Steve Jodson, you

324
00:15:49,320 --> 00:15:51,519
will either deliver that card, Miss Falkner at once or

325
00:15:51,519 --> 00:15:54,799
sleep in the police station tonight. That is small consequence

326
00:15:54,799 --> 00:15:55,360
to me which you do?

327
00:15:55,799 --> 00:15:56,799
Speaker 1: I shall I go?

328
00:15:56,960 --> 00:15:58,600
Speaker 3: So go on, pink up a card.

329
00:15:58,679 --> 00:15:59,639
Speaker 1: It makes no difference to me.

330
00:16:00,559 --> 00:16:02,120
Speaker 3: A short time since, learbly.

331
00:16:01,919 --> 00:16:04,039
Speaker 1: You displayed an acute anxiety to leave the room.

332
00:16:04,879 --> 00:16:07,000
Speaker 3: Pray, do not let me entertain you or your wife

333
00:16:07,679 --> 00:16:11,960
any longer? Thing you to prefer to remain while I

334
00:16:12,399 --> 00:16:13,279
stalk Miss Faukner.

335
00:16:13,360 --> 00:16:14,279
Speaker 1: We still lift the home.

336
00:16:16,480 --> 00:16:18,600
Speaker 3: Huh last, Miss Pocner, did.

337
00:16:18,519 --> 00:16:21,399
Speaker 1: You mister home? Yes? Do you wish to see me?

338
00:16:22,320 --> 00:16:22,679
There must?

339
00:16:22,720 --> 00:16:25,039
Speaker 3: Indeed, Miss Falkner, But I'm sorry to see that you

340
00:16:25,120 --> 00:16:29,200
are far from well. No, beg your pardon?

341
00:16:30,679 --> 00:16:31,600
Speaker 1: What does this mark mean?

342
00:16:32,039 --> 00:16:32,200
Speaker 6: Oh?

343
00:16:32,679 --> 00:16:34,039
Speaker 1: There's nothing nothing No.

344
00:16:34,279 --> 00:16:36,600
Speaker 3: And the marks here on your neck plainly showing the

345
00:16:36,679 --> 00:16:37,840
clutch of a man's singers?

346
00:16:37,879 --> 00:16:38,960
Speaker 1: Does that mean nothing?

347
00:16:39,080 --> 00:16:41,840
Speaker 3: Also? Curse to me that I shoulry to have an

348
00:16:41,840 --> 00:16:42,440
explanation of this.

349
00:16:42,559 --> 00:16:44,919
Speaker 1: Possibly you can furnish one, mister Lador. Should I know?

350
00:16:45,039 --> 00:16:47,039
Speaker 3: It seems to have occurred in your own house?

351
00:16:47,080 --> 00:16:47,519
Speaker 11: What does it this?

352
00:16:48,200 --> 00:16:50,120
Speaker 3: You's got to understand that it doesn't help people you

353
00:16:50,320 --> 00:16:52,720
or anyone else to interfere with my dest Ah, that

354
00:16:52,879 --> 00:16:56,720
did your business. Here's that much, at least, said the

355
00:16:56,759 --> 00:16:57,559
seated miss Falkner.

356
00:16:57,879 --> 00:16:59,320
Speaker 1: I don't know who you want to home?

357
00:16:59,600 --> 00:17:01,879
Speaker 3: Why you I shall be very great indeed to explain

358
00:17:02,919 --> 00:17:06,319
my business. Is this I didn't consult. It's the possibility

359
00:17:06,359 --> 00:17:08,799
of obtaining from you certain letters addressed your sister, which

360
00:17:08,839 --> 00:17:09,960
is supposed to be in your position.

361
00:17:10,279 --> 00:17:13,279
Speaker 1: I cannot give up my sister's lenses at home. There

362
00:17:13,279 --> 00:17:17,279
are other things beside. Then of his punishment, believe me

363
00:17:17,279 --> 00:17:18,839
in this Spartner, there is nothing more to say.

364
00:17:19,079 --> 00:17:23,759
Speaker 3: Good night, my dear miss fer Oh, I'm so sorry.

365
00:17:23,839 --> 00:17:25,720
Speaker 1: How comes with me to turn over this chair.

366
00:17:34,119 --> 00:17:34,440
Speaker 6: The kitchen?

367
00:17:34,759 --> 00:17:35,559
Speaker 3: It's turn off the table.

368
00:17:35,640 --> 00:17:37,279
Speaker 6: Everything down there is laving us quick.

369
00:17:41,519 --> 00:17:43,039
Speaker 1: Don't allow yourself as partner.

370
00:17:43,880 --> 00:17:44,680
Speaker 3: There is no fire.

371
00:17:45,799 --> 00:17:49,240
Speaker 7: The smoke was all arranged for arranged, Sir.

372
00:17:50,839 --> 00:17:51,160
Speaker 1: Christmas.

373
00:17:51,200 --> 00:17:54,000
Speaker 7: Wartner means that I wanted a package of letters, miss.

374
00:17:53,880 --> 00:17:56,160
Speaker 3: Factor, and that by following your eyes just now when

375
00:17:56,200 --> 00:17:58,519
you thought there was a fire, I discovered that you

376
00:17:58,519 --> 00:18:02,359
would hit them and the apposter. This chair m yes

377
00:18:05,480 --> 00:18:08,720
kind elementary as you see. And now that they're in

378
00:18:08,799 --> 00:18:10,599
my position, there seems to be no reason you need

379
00:18:10,640 --> 00:18:11,359
to remain any.

380
00:18:11,200 --> 00:18:11,960
Speaker 1: Longer in this house.

381
00:18:13,039 --> 00:18:19,240
Speaker 3: Good night, sparkener, Miss Faulkner.

382
00:18:19,759 --> 00:18:21,559
Speaker 5: Yes, I.

383
00:18:23,960 --> 00:18:27,319
Speaker 1: I can't take them, mis forargner is let as belong

384
00:18:27,400 --> 00:18:27,519
to you.

385
00:18:29,519 --> 00:18:33,240
Speaker 3: I find that I cannot take them unless you can

386
00:18:33,400 --> 00:18:35,519
possibly change your mind and let me have them.

387
00:18:35,400 --> 00:18:41,440
Speaker 1: Of your own free will. I disuppose you could unless

388
00:18:41,440 --> 00:18:42,079
her return them to you.

389
00:18:42,240 --> 00:18:44,720
Speaker 3: And uh, oh, I've got.

390
00:18:44,559 --> 00:18:46,359
Speaker 1: A friend of the letter they're returning from the fire.

391
00:18:48,160 --> 00:18:51,680
Oh that look now, I suppose I'm gonna see you

392
00:18:51,720 --> 00:18:52,599
walk out of a house with that.

393
00:18:52,720 --> 00:18:54,440
Speaker 7: On the contrary, you don't seem to return them to

394
00:18:54,480 --> 00:18:54,880
their right.

395
00:18:54,799 --> 00:18:57,960
Speaker 3: Coroner and stop. Now I hear your letters? Did you

396
00:18:58,039 --> 00:18:59,319
ever change your mind and be so?

397
00:18:59,759 --> 00:19:01,960
Speaker 1: Yeah? Rus who's forgiving is to wish to return these

398
00:19:02,000 --> 00:19:03,880
letters for the one who wrote them? You have my address.

399
00:19:04,640 --> 00:19:06,920
Speaker 3: Any events, let's assure there will be no more curlty,

400
00:19:07,000 --> 00:19:10,880
no more persecution in this house. You are perfectly safe

401
00:19:10,920 --> 00:19:13,799
with your property in its partner. So I shall still

402
00:19:13,880 --> 00:19:16,599
arrange it that your faintest cry of distress will be heard.

403
00:19:17,759 --> 00:19:20,839
If that cry is heard, it will be very unfortunate

404
00:19:21,720 --> 00:19:25,480
for those who are responsible, as for you, mister Labie,

405
00:19:25,559 --> 00:19:29,319
and you for them. I think you understand that you

406
00:19:29,400 --> 00:19:32,000
continue your persecution of that young lady at your peril.

407
00:19:33,880 --> 00:19:42,559
Speaker 1: Good night, miss Partner. Come here, miss Parkner. Now are

408
00:19:42,599 --> 00:19:45,480
you going to give me those letter? Are you going

409
00:19:45,480 --> 00:19:50,240
to give me those? Lever? Love and again love? And

410
00:19:50,359 --> 00:19:52,680
this partner will give me whose letters?

411
00:19:52,880 --> 00:19:52,920
Speaker 10: Or?

412
00:19:53,039 --> 00:19:57,400
Speaker 1: Do I break your arm? What's that summer?

413
00:19:57,440 --> 00:19:58,000
Speaker 11: Not on the door?

414
00:19:58,160 --> 00:19:58,200
Speaker 10: No?

415
00:19:58,519 --> 00:19:59,400
Speaker 6: It was on that fight.

416
00:20:02,400 --> 00:20:06,160
Speaker 12: If you call madam I for more more lots me,

417
00:20:07,279 --> 00:20:19,799
I'll see madam. I beg pardon, madam, but there's no

418
00:20:19,920 --> 00:20:20,640
one at the door.

419
00:20:21,039 --> 00:20:21,799
Speaker 8: Get you ready to go?

420
00:20:22,880 --> 00:20:26,079
Speaker 1: He got it. What what we want to do is

421
00:20:26,119 --> 00:20:28,839
to leave it alone. Let the emperor have it. You mean,

422
00:20:29,400 --> 00:20:32,880
Professor Moriarty, That's what I mean. Once let him get

423
00:20:32,920 --> 00:20:35,880
at it, you'll sever yourself home pretty quick. Don't you

424
00:20:36,000 --> 00:20:36,640
worry a minute.

425
00:20:37,079 --> 00:20:39,599
Speaker 3: I tell you, Professor Morialsy, you'll get at him.

426
00:20:39,519 --> 00:20:40,839
Speaker 10: Before noon tomorrow night.

427
00:20:41,359 --> 00:20:45,400
Speaker 1: He won't wait long either. And when he likes if

428
00:20:45,519 --> 00:20:46,319
means death.

429
00:21:00,160 --> 00:21:13,960
Speaker 5: Uh about May to two three seventy one. See obviously.

430
00:21:20,759 --> 00:21:25,200
Speaker 13: Everything that fact get invited by an expert. Many many

431
00:21:25,359 --> 00:21:28,799
has disappeared, just a sad pair a log cus again

432
00:21:29,640 --> 00:21:33,039
all this bladdery job. He's in on that too, and

433
00:21:33,119 --> 00:21:36,359
that's where he made it to speak who he is

434
00:21:36,400 --> 00:21:39,039
saying while there are danger were getting basic respect of

435
00:21:39,119 --> 00:21:42,200
goose and tied it seven years ago. Wilson he did

436
00:21:43,000 --> 00:21:45,799
two years later send us to the death. He hasn't

437
00:21:45,839 --> 00:21:49,680
said anything senders and it's not I sint that school.

438
00:21:49,920 --> 00:21:52,960
Speaker 1: You will see about that. It's who he's at. A

439
00:21:53,079 --> 00:21:55,160
talented man. He doesn't realize.

440
00:21:55,279 --> 00:21:57,279
Speaker 13: Or he can just squeeze in London, it'll be safe.

441
00:21:57,319 --> 00:22:00,160
But if I just let his name is played, can

442
00:22:00,240 --> 00:22:04,000
make it cool and will fool just the same steps

443
00:22:04,160 --> 00:22:09,000
of it. Yes, let the step take us see is

444
00:22:09,200 --> 00:22:12,559
it based? Make us see they like us, they including

445
00:22:12,640 --> 00:22:16,960
naked safe in benked Em. Look they see three streets

446
00:22:17,000 --> 00:22:19,799
in every direction. Yes, and I think he's going it

447
00:22:19,920 --> 00:22:23,400
over and over again elsewhere well east the boy then

448
00:22:23,480 --> 00:22:27,480
in every doorway through this tonight in Beata Street nine o'clock,

449
00:22:27,720 --> 00:22:30,480
got his attendance out on one, he gets for another

450
00:22:30,799 --> 00:22:34,519
and keeps him out. Understand, I will see this share

451
00:22:34,640 --> 00:22:38,640
off the rooms myself. There's a chance for your life.

452
00:22:39,559 --> 00:22:43,039
Speaker 3: Let's it, Yes, noticify a less star that I may

453
00:22:43,119 --> 00:22:45,640
require the guest team which step there to morrow night.

454
00:22:45,920 --> 00:22:48,000
Speaker 1: And have crave been there for a quarter before it

455
00:22:48,119 --> 00:22:49,000
came with his crew.

456
00:22:49,240 --> 00:22:51,559
Speaker 13: Uh the latter me I who wants him to write

457
00:22:51,559 --> 00:22:53,680
a letter in his share off the rooms which I

458
00:22:53,799 --> 00:22:57,119
used to be teased? He see here at seven that's it?

459
00:22:57,799 --> 00:23:00,440
Please show men at nine to night. But still off

460
00:23:00,559 --> 00:23:02,400
in the house in Data Street.

461
00:23:03,839 --> 00:23:09,319
Speaker 1: Kay, yes, we'll still myself. It's meeting tomorrow night there.

462
00:23:09,720 --> 00:23:10,960
Put him in a guest from there.

463
00:23:11,160 --> 00:23:14,920
Speaker 13: If I feel in Beata Street you don't have any

464
00:23:15,039 --> 00:23:20,960
mean swung a million either way, I have too strange

465
00:23:21,079 --> 00:23:26,240
to our tools cut Yeah.

466
00:23:38,200 --> 00:23:40,640
Speaker 3: That evening, homes and I dined together at scott And City.

467
00:23:40,839 --> 00:23:44,440
Yet after dinner we went to a concert at Queen's Hall.

468
00:23:45,400 --> 00:23:47,200
I can still see him on this particular night of

469
00:23:47,240 --> 00:23:50,400
the Moriarty case, well, knowing that his life was in peril,

470
00:23:51,160 --> 00:23:53,240
sitting beside me in the stalls, wrapped in the most

471
00:23:53,279 --> 00:23:54,079
perfect happiness.

472
00:23:54,880 --> 00:23:56,000
Speaker 1: Mister Salacot has.

473
00:23:55,920 --> 00:23:59,599
Speaker 3: Played the violin gentlely, waving his long, thin fingers in

474
00:23:59,680 --> 00:24:00,400
times music.

475
00:24:25,160 --> 00:24:25,839
Speaker 1: But here it was over.

476
00:24:26,519 --> 00:24:29,200
Speaker 3: He rose, put on his long coat and started with

477
00:24:29,319 --> 00:24:31,200
long steps in the direction of the street.

478
00:24:31,519 --> 00:24:34,279
Speaker 1: Tell me what music? Go to break a tree?

479
00:24:35,400 --> 00:24:39,480
Speaker 3: Oh, my dear, there's so much to the receiving No

480
00:24:39,720 --> 00:24:40,279
center of things.

481
00:24:40,480 --> 00:24:51,480
Speaker 6: It call.

482
00:24:51,599 --> 00:24:53,759
Speaker 3: We heard the handsom and as we came down to

483
00:24:53,759 --> 00:24:55,839
take the street, we could see that the light was

484
00:24:55,839 --> 00:24:57,680
burning on the second floor of two twenty one B.

485
00:24:58,759 --> 00:25:13,400
Speaker 1: We went up the darks nad chairs the boy that

486
00:25:13,559 --> 00:25:14,480
he was waiting for him.

487
00:25:16,319 --> 00:25:19,000
Speaker 3: Because Dunson's complimentary and she wants to know to go

488
00:25:19,160 --> 00:25:19,359
to you.

489
00:25:20,160 --> 00:25:21,960
Speaker 1: Where is mister Hudson downstairs?

490
00:25:22,000 --> 00:25:25,359
Speaker 3: And my compliments and I don't think she can where

491
00:25:25,400 --> 00:25:27,319
she is you been getting sy.

492
00:25:27,640 --> 00:25:29,400
Speaker 1: Regress will be mi It is no.

493
00:25:29,559 --> 00:25:32,799
Speaker 3: Terrible important hemis She wants to know what's left adrectist

494
00:25:32,839 --> 00:25:36,359
in the morning, the same same as winter this morning.

495
00:25:36,839 --> 00:25:40,079
If you didn't have nothing set you want't here, I won't.

496
00:25:39,920 --> 00:25:40,599
Speaker 1: Be here tomorrow.

497
00:25:41,119 --> 00:25:41,319
Speaker 3: Yes?

498
00:25:41,759 --> 00:25:45,400
Speaker 1: Is that all set question? Yes? Thank you, he's the own.

499
00:25:45,799 --> 00:25:47,880
Speaker 3: Here's a letter for your seal of people you live

500
00:25:47,960 --> 00:25:53,240
two minutes ago. We really want I put him addressing, Yes, sir,

501
00:25:54,000 --> 00:25:58,519
that's addresses names by James Ladabye and what did James

502
00:25:58,599 --> 00:25:59,279
to stay the evening?

503
00:26:00,200 --> 00:26:02,599
Speaker 1: Yes, sir, I hope you won't say that again.

504
00:26:04,200 --> 00:26:06,920
Speaker 3: I have the honor to inform you that this fastness

505
00:26:06,920 --> 00:26:10,599
has changed her mind regarding the letters at c which

506
00:26:10,640 --> 00:26:13,279
you wish to obtain and as you try to dispose

507
00:26:13,319 --> 00:26:17,960
of them for a monetary consideration. If you wish to negotiate,

508
00:26:18,519 --> 00:26:21,160
would you'll be at nine o'clock at the God's Monument

509
00:26:21,799 --> 00:26:24,720
at the foot of water to place you will see

510
00:26:24,720 --> 00:26:28,279
a fall feeder with wooden shutters to the windows. If

511
00:26:28,359 --> 00:26:30,880
you have the cab follow, they'll try any other underhand

512
00:26:31,000 --> 00:26:33,319
pick you won't get what you want.

513
00:26:34,519 --> 00:26:37,240
Speaker 1: Let me know your decisions, yours two the games out

514
00:26:37,240 --> 00:26:38,400
of it? Fine? True?

515
00:26:39,240 --> 00:26:42,039
Speaker 3: Well, wait, perhaps what a fellow means sell A means

516
00:26:42,119 --> 00:26:44,519
to tell me a breat limitations will not sell the money.

517
00:26:44,559 --> 00:26:47,119
A certain letters he does not possess. I'm proudly buy

518
00:26:47,160 --> 00:26:53,000
them from it now though scenario prove God Monument, cab

519
00:26:53,039 --> 00:26:54,480
with wooden shutters, no one.

520
00:26:54,400 --> 00:26:57,599
Speaker 1: To come with me? Now on to follow all I

521
00:26:57,680 --> 00:26:58,519
don't get what it wants.

522
00:26:59,480 --> 00:27:01,839
Speaker 3: But cab with a wooden shoping and many a little

523
00:27:01,839 --> 00:27:03,799
advice to keep me from seeing where they're taking me

524
00:27:04,599 --> 00:27:09,799
there is Yes, give this to the man younger road,

525
00:27:10,119 --> 00:27:14,160
look quite young, you're handsome or we letter seen the

526
00:27:14,279 --> 00:27:17,880
driver before? Yes, but I can't think where hands to

527
00:27:17,960 --> 00:27:20,920
the lady. Apologize to delay and look at the driver again.

528
00:27:21,119 --> 00:27:23,279
That's there my dear hols, you didn't say you would go,

529
00:27:23,559 --> 00:27:26,640
but I certainly dead. Fellow mean blistered, This fellow means

530
00:27:26,720 --> 00:27:31,079
the sense. And they just come on from the tennis

531
00:27:31,200 --> 00:27:32,880
on the corner to say a man's in it by,

532
00:27:33,039 --> 00:27:35,640
but looks quite a bad joke to look doctor watch

533
00:27:35,680 --> 00:27:37,279
and kind of stuff over and else till.

534
00:27:37,160 --> 00:27:38,880
Speaker 1: The end of them. Younger now got not be back

535
00:27:38,880 --> 00:27:42,920
in the middle the yes, and we brought that message

536
00:27:43,079 --> 00:27:43,559
why to the.

537
00:27:43,599 --> 00:27:46,039
Speaker 3: Chemist day of course, with which boys must have been

538
00:27:46,079 --> 00:27:49,119
a new one tip all seen in the flour Perris.

539
00:27:49,839 --> 00:27:52,680
It downs up quickly, look out the doctor. The boy's

540
00:27:52,680 --> 00:27:54,279
gone as a man with him a mischief.

541
00:27:54,400 --> 00:27:55,759
Speaker 1: Let me know, let's stop a.

542
00:27:55,759 --> 00:27:57,759
Speaker 3: Class ring the door there out here at free a crowd.

543
00:28:27,960 --> 00:28:30,680
Speaker 13: The English heads as the whole the thing that loaded

544
00:28:30,759 --> 00:28:33,200
firearms in the pocket of one's breaking gowns.

545
00:28:33,960 --> 00:28:36,240
Speaker 3: I give you my word to set someone out there.

546
00:28:38,200 --> 00:28:39,960
You'll be taken from here to the hospital. If you

547
00:28:40,119 --> 00:28:41,440
keep your hand behind.

548
00:28:41,240 --> 00:28:41,640
Speaker 1: You like that.

549
00:28:43,359 --> 00:28:48,240
Speaker 3: Ah, that's better. Hum that case, please put pull a

550
00:28:48,279 --> 00:28:54,319
revolver on the table. Everything they don't know me, I

551
00:28:54,559 --> 00:28:57,599
think it's quite evident that I do. If they have

552
00:28:57,640 --> 00:29:02,680
a chair, I think they've five minutes and then say

553
00:29:03,480 --> 00:29:04,440
the careful.

554
00:29:06,559 --> 00:29:09,160
Speaker 1: You got to do, professor my art. They look at

555
00:29:09,160 --> 00:29:10,000
the naivo can.

556
00:29:10,039 --> 00:29:11,920
Speaker 3: I'll tell you when you are five minutes is up?

557
00:29:14,079 --> 00:29:17,039
Speaker 1: Is your intention to pursue this case against then that

558
00:29:17,279 --> 00:29:20,400
is my intention to very end. He regrets it.

559
00:29:21,359 --> 00:29:24,000
Speaker 7: I say your regrets that you think that I would

560
00:29:24,000 --> 00:29:25,119
be here everybody.

561
00:29:24,920 --> 00:29:28,079
Speaker 1: Hadn't made the street quite safe in every way repect.

562
00:29:28,400 --> 00:29:31,759
Speaker 3: I could never still girls they over to make your courage?

563
00:29:31,839 --> 00:29:34,200
Speaker 1: Is that the first as my art, you werenaving with

564
00:29:34,279 --> 00:29:34,880
your friend the.

565
00:29:34,960 --> 00:29:39,200
Speaker 3: Doctor and your boy day will soon return. But so

566
00:29:40,200 --> 00:29:45,440
if please just quite alone, doesn't it quite so?

567
00:29:45,559 --> 00:29:46,400
Speaker 1: As we can talk to.

568
00:29:46,359 --> 00:29:48,720
Speaker 13: The natt road with quiet favors the whole you would

569
00:29:48,759 --> 00:29:51,720
not to be disturbed in the first pace.

570
00:29:51,759 --> 00:29:54,240
Speaker 1: I will score your attention to a few never ender

571
00:29:54,319 --> 00:29:59,200
which had stuck it down, and you will find there

572
00:29:59,279 --> 00:30:05,119
they are. Okay, I'll do that comes down quickly. The

573
00:30:05,279 --> 00:30:11,160
father with that memorandum book you're talking about really has

574
00:30:11,160 --> 00:30:13,799
a small note book. Well, merely don't do it. I

575
00:30:13,880 --> 00:30:14,359
don't want it.

576
00:30:14,680 --> 00:30:17,720
Speaker 7: Got one of my own if you wanted to have someone.

577
00:30:17,720 --> 00:30:18,279
Speaker 1: Get it for you.

578
00:30:20,160 --> 00:30:23,319
Speaker 3: I always like to say my gifts unnecessary.

579
00:30:22,720 --> 00:30:26,319
Speaker 1: Trouble observe it's your whole.

580
00:30:26,359 --> 00:30:29,839
Speaker 3: Boy, it doesn't bound a still m No, but I

581
00:30:29,880 --> 00:30:32,680
have an idea that you will, for it may possibly

582
00:30:32,799 --> 00:30:40,200
be long er that you think. What that boy?

583
00:30:40,960 --> 00:30:43,039
Speaker 1: Yeah, that boy?

584
00:30:45,519 --> 00:30:47,119
Speaker 3: You know, I think we're trying to build once more.

585
00:30:47,200 --> 00:30:53,720
Speaker 1: But that doesn't it cursey to see me possibly becas

586
00:30:56,279 --> 00:30:56,599
it does.

587
00:30:58,920 --> 00:31:02,279
Speaker 3: But it also curves me join very much the same particament, Professor,

588
00:31:02,359 --> 00:31:02,920
why are there.

589
00:31:06,200 --> 00:31:08,480
Speaker 1: That's important to someone? Try told me?

590
00:31:08,839 --> 00:31:10,640
Speaker 3: It's quite evident, however, that he's able to do so.

591
00:31:11,319 --> 00:31:13,200
Speaker 1: He's got my don't cut me.

592
00:31:15,440 --> 00:31:17,799
Speaker 3: A right, a, gentleman, I'm carefully pointing out to you

593
00:31:17,960 --> 00:31:20,359
with it forty five desires to have us get something

594
00:31:20,440 --> 00:31:23,440
of his left hand inside coat pocket. He's not feeting

595
00:31:23,519 --> 00:31:25,680
quite himself today, and the consequence of his trying to

596
00:31:25,759 --> 00:31:27,519
do it himself might pool say, oh, I.

597
00:31:29,039 --> 00:31:33,759
Speaker 1: Just you attend to recor him? Is this picture it's done?

598
00:31:34,599 --> 00:31:36,519
Quite so? S I'll put it on the table.

599
00:31:36,599 --> 00:31:40,400
Speaker 3: I'm not there, Billy on this table, right chi, I'll

600
00:31:40,480 --> 00:31:44,759
like you sold Billy what he's got another test? Quite

601
00:31:44,799 --> 00:31:47,599
believe surprised me. That's the gentleman's taking the trouble to.

602
00:31:47,599 --> 00:31:50,720
Speaker 1: When pormos he hasn't winter when he made.

603
00:31:50,559 --> 00:31:55,079
Speaker 3: A sketch for this one. And now, Professor, now that

604
00:31:55,200 --> 00:31:58,319
we have your little memorandum off you, is anything else

605
00:31:58,359 --> 00:32:01,759
you like before Billy goes, any little thing you've got

606
00:32:01,839 --> 00:32:02,519
that you don't want?

607
00:32:03,400 --> 00:32:08,680
Speaker 13: So sorry, thank you, sir, listening homes to me on

608
00:32:08,880 --> 00:32:11,079
the fourth of January, you crossed my bark.

609
00:32:11,599 --> 00:32:15,640
Speaker 1: On the twentieth you incommoded me. Now at the pose

610
00:32:15,680 --> 00:32:17,920
of April, if I may help beast in such a.

611
00:32:17,920 --> 00:32:20,440
Speaker 3: Position through your continual interference, but.

612
00:32:20,519 --> 00:32:23,119
Speaker 1: I'm in positive dinger of losing light of a day.

613
00:32:24,160 --> 00:32:27,799
Speaker 3: Any suggestions made, No, they have no suggestions for me.

614
00:32:28,440 --> 00:32:30,960
Speaker 1: They have affect the state. If you don't prop it

615
00:32:31,079 --> 00:32:32,839
up once, your life's.

616
00:32:32,640 --> 00:32:33,559
Speaker 6: Not worth death.

617
00:32:34,039 --> 00:32:37,160
Speaker 3: I'm a tread processor in the pleasure of this conversation.

618
00:32:37,279 --> 00:32:37,880
Speaker 1: I'm objecting.

619
00:32:37,920 --> 00:32:40,359
Speaker 7: More important, is it, if you excuse me a moment

620
00:32:40,400 --> 00:32:41,920
when I get my pipe up, that.

621
00:32:42,119 --> 00:32:45,960
Speaker 13: Is making here this seasoning, mister Holmes, to see if peace.

622
00:32:45,799 --> 00:32:49,039
Speaker 1: Could not be arranged it quite so. That's so you've

623
00:32:49,119 --> 00:32:51,680
seen fit not only to eject my proposals, but to

624
00:32:51,799 --> 00:32:52,920
meet in souting.

625
00:32:52,599 --> 00:32:54,519
Speaker 13: References coupled with threats to the rest.

626
00:32:55,200 --> 00:32:58,920
Speaker 1: You'll be born of your dinger. You don't heed that morning.

627
00:32:58,920 --> 00:32:59,799
Speaker 6: The sure.

628
00:33:01,200 --> 00:33:01,519
Speaker 10: In the.

629
00:33:05,880 --> 00:33:08,720
Speaker 7: H didn't imagine nineties that gun loaded?

630
00:33:08,799 --> 00:33:10,079
Speaker 1: Did you, profess my art in.

631
00:33:11,720 --> 00:33:11,880
Speaker 3: Here?

632
00:33:11,960 --> 00:33:13,200
Speaker 1: You are controdut.

633
00:33:15,160 --> 00:33:17,039
Speaker 7: I didn't sposed one of you that gun again, so

634
00:33:17,200 --> 00:33:18,640
I just them out while you were talking.

635
00:33:18,759 --> 00:33:25,480
Speaker 3: Could in my pocket? You'll find them all there that Yes,

636
00:33:26,000 --> 00:33:28,359
you can show, professor my art is the door, yes,

637
00:33:28,960 --> 00:33:35,839
equaited you No, no, my art.

638
00:33:37,880 --> 00:33:41,680
Speaker 1: I never will bill that come in.

639
00:33:44,119 --> 00:33:44,599
Speaker 6: The right.

640
00:33:47,000 --> 00:33:47,160
Speaker 3: Here.

641
00:33:47,279 --> 00:33:49,799
Speaker 1: You're a good boy. Yes, thank you, sir.

642
00:34:07,759 --> 00:34:10,039
Speaker 2: You are listening so they can be A Broadcasting System

643
00:34:10,159 --> 00:34:12,920
presentation of Austin Wells and the Micary Favor on the

644
00:34:12,960 --> 00:34:16,320
air in Philopome with Austin Wells in the title road

645
00:34:16,440 --> 00:34:19,719
and Ray Columns as doctor watchers wait paused a moment

646
00:34:19,800 --> 00:34:21,119
for station not entertain.

647
00:34:22,559 --> 00:34:24,039
Speaker 1: Um there Broadcasting System.

648
00:34:44,079 --> 00:34:47,159
Speaker 2: We continue now with this CBS presentation of philop Holmes

649
00:34:47,280 --> 00:34:50,079
played by Austin Males and the Mictury Favor on the air.

650
00:35:00,199 --> 00:35:02,320
Speaker 3: It was exactly that ot with Sherlock Holmes up the

651
00:35:02,360 --> 00:35:06,519
house in Baker Street, a sister construction that no one

652
00:35:06,559 --> 00:35:09,280
was to follow him if there had been no word

653
00:35:09,360 --> 00:35:11,960
from him by a dual On the following day, he

654
00:35:12,119 --> 00:35:15,800
was notified Scotland Yards. I went to the window and down,

655
00:35:16,000 --> 00:35:19,360
and he went down Baker Street, a tall, thin figure

656
00:35:19,400 --> 00:35:22,679
in a gray upstair, walking with long smooth steps in

657
00:35:22,760 --> 00:35:23,880
the direction of Langham Space.

658
00:35:24,960 --> 00:35:57,480
Speaker 1: There he entered a tab. Yeah what are you doing

659
00:35:57,599 --> 00:36:00,639
right in Macacine. That's what I'm doing chapter watching. It

660
00:36:00,760 --> 00:36:01,679
might be gas, you fool.

661
00:36:01,760 --> 00:36:04,400
Speaker 12: I don't guess it's important day since they had gas

662
00:36:04,440 --> 00:36:04,760
in the room.

663
00:36:04,800 --> 00:36:06,760
Speaker 3: And I still said I might be gas. He be

664
00:36:06,840 --> 00:36:11,159
pecky and I will so say he's return.

665
00:36:13,440 --> 00:36:17,920
Speaker 1: That general? Why yount for that? Well your troubles rye.

666
00:36:19,960 --> 00:36:22,800
Speaker 10: That's it right, they didn't you hear it? Here?

667
00:36:22,840 --> 00:36:26,079
Speaker 3: Sir like, hey there to the careful that your boys.

668
00:36:26,239 --> 00:36:29,599
You've got a way they do as I've heard the uncle.

669
00:36:30,519 --> 00:36:34,000
Oh you mean that gold So it's going to count

670
00:36:34,079 --> 00:36:36,280
him around where that's got down and he gets away.

671
00:36:36,400 --> 00:36:37,320
I'm sorry for.

672
00:36:37,480 --> 00:36:44,039
Speaker 14: Yeah, I like help the governor himself, pend somebody else

673
00:36:44,280 --> 00:36:50,400
shut up, pre d.

674
00:36:50,400 --> 00:36:54,000
Speaker 3: The doctor before we grow all your mistakes to night grading,

675
00:36:54,400 --> 00:36:57,400
be careful of that to desirabill he's in on the job.

676
00:36:57,440 --> 00:36:59,599
Speaker 1: Hello lotter you and that's all that's it?

677
00:37:00,039 --> 00:37:04,960
Speaker 13: Small cabin then whatever say no names that might break

678
00:37:05,000 --> 00:37:05,400
the glass.

679
00:37:05,639 --> 00:37:08,000
Speaker 1: If he did, he come up against every iron bar

680
00:37:08,159 --> 00:37:10,480
that tire. We let him tie down before he can

681
00:37:10,519 --> 00:37:10,719
make it.

682
00:37:10,800 --> 00:37:13,480
Speaker 13: The glass you use it before, right as you know

683
00:37:13,559 --> 00:37:15,880
it air tight, everyvere yourself.

684
00:37:16,400 --> 00:37:18,079
Speaker 1: When the men have turned the guest on him, they

685
00:37:18,280 --> 00:37:21,280
leave this door. Yes, they made quite secure.

686
00:37:21,440 --> 00:37:24,920
Speaker 3: If they boost from the outside. There follow those bars overall.

687
00:37:25,119 --> 00:37:28,559
Speaker 1: You see how rich is opera tire man down stairs? Yes,

688
00:37:28,719 --> 00:37:38,000
no needs Harry. See how quick you operate very that's

689
00:37:38,519 --> 00:37:43,000
that's good. Admit up kagin.

690
00:37:43,239 --> 00:37:46,440
Speaker 13: The rest of your one thing, Rember, whatever happens, no

691
00:37:46,639 --> 00:37:49,320
shooting to night of a single jot to be heard

692
00:37:49,320 --> 00:37:51,480
in the early blow. First thing is to get his

693
00:37:51,599 --> 00:37:54,320
revulnerable way before he has gone toe with it. Two

694
00:37:54,360 --> 00:37:56,880
of you writes his attention in front. Jerret, come up

695
00:37:56,920 --> 00:37:59,039
on him from behind and snake it out with sucking.

696
00:37:59,480 --> 00:38:02,760
Then your arrange that quigan private tend to a sent

697
00:38:03,840 --> 00:38:05,440
You understand he waits for you.

698
00:38:05,599 --> 00:38:08,719
Speaker 1: I understand. They give you this opportunity to serve him.

699
00:38:08,719 --> 00:38:10,679
The packet of letters. You fogs and get what you

700
00:38:10,719 --> 00:38:11,079
can get.

701
00:38:11,119 --> 00:38:15,039
Speaker 3: Rebel two hundred thousands doesn't interest names flare of it

702
00:38:16,000 --> 00:38:17,280
there is.

703
00:38:17,559 --> 00:38:21,000
Speaker 1: Oh, I understand. And you finished and drought you money.

704
00:38:21,199 --> 00:38:24,480
Speaker 5: You whistle, and these gentlemen get in and sary.

705
00:38:26,039 --> 00:38:29,400
Speaker 13: H that quigan that's right, and prigion the proper moment,

706
00:38:30,559 --> 00:38:34,159
present a compliment mister Sherlock's homes and say that I

707
00:38:34,280 --> 00:38:39,559
wish in a pleasant journey to the others an edi.

708
00:38:40,599 --> 00:38:41,199
Speaker 3: In a ile.

709
00:38:42,599 --> 00:38:48,519
Speaker 1: Well my all right, by Claire.

710
00:38:48,920 --> 00:38:51,039
Speaker 10: Let me get a whipple in your come right, John,

711
00:38:52,559 --> 00:38:52,760
if you.

712
00:38:52,800 --> 00:38:54,400
Speaker 1: Get down on the corner below, let me know when

713
00:38:54,400 --> 00:38:55,880
it comes. I want to let you know. Well.

714
00:38:56,039 --> 00:38:57,960
Speaker 3: And you see him driving up, I'm down the alley

715
00:38:58,000 --> 00:38:59,360
and whipple three times.

716
00:38:59,320 --> 00:38:59,800
Speaker 5: Very good to.

717
00:39:01,559 --> 00:39:01,880
Speaker 1: What's it?

718
00:39:03,519 --> 00:39:03,840
Speaker 3: What are you?

719
00:39:05,320 --> 00:39:12,960
Speaker 1: What is here? Hu? How did you get the first place?

720
00:39:13,039 --> 00:39:14,559
I followed you in the cab? What have you been

721
00:39:14,599 --> 00:39:15,599
doing since I came up here?

722
00:39:15,760 --> 00:39:16,320
Speaker 6: One in the mony?

723
00:39:16,400 --> 00:39:19,159
Speaker 1: Five? No, that was the same, So I waited a

724
00:39:19,199 --> 00:39:21,199
run in my four morning.

725
00:39:21,320 --> 00:39:23,599
Speaker 7: Yes, you're going to swindle in the seating telling the

726
00:39:23,679 --> 00:39:24,639
pack of the port letters.

727
00:39:24,679 --> 00:39:25,039
Speaker 10: I know that.

728
00:39:25,599 --> 00:39:26,519
Speaker 1: What else are you going to do?

729
00:39:26,599 --> 00:39:27,000
Speaker 10: Do? You?

730
00:39:27,119 --> 00:39:29,719
Speaker 1: Wouldn't you like to know those men that same up here?

731
00:39:29,800 --> 00:39:30,360
Speaker 13: What man?

732
00:39:31,280 --> 00:39:31,679
Speaker 6: Looking man?

733
00:39:31,719 --> 00:39:32,760
Speaker 1: I thought him going at the sea.

734
00:39:32,840 --> 00:39:51,679
Speaker 15: Sure you don't mean these men there is?

735
00:39:51,760 --> 00:39:57,760
Speaker 1: Now? What ef?

736
00:39:58,280 --> 00:39:59,960
Speaker 7: You don't have time to get her out in the

737
00:40:00,039 --> 00:40:01,840
had ab A couple of Yeah, that would.

738
00:40:01,599 --> 00:40:03,840
Speaker 6: Have the cover taken.

739
00:40:04,679 --> 00:40:05,239
Speaker 1: For the internet.

740
00:40:05,320 --> 00:40:23,039
Speaker 10: Yeah, it's nice, good evening.

741
00:40:23,159 --> 00:40:26,320
Speaker 1: It's the home. Let's come out of it.

742
00:40:28,280 --> 00:40:31,679
Speaker 3: Really, I said, I thought I fell this driving by

743
00:40:31,760 --> 00:40:32,639
the close cabin.

744
00:40:32,519 --> 00:40:35,239
Speaker 1: Too many something new seen before? Have you mixed the

745
00:40:35,280 --> 00:40:38,159
home all the time? Or two? Now the comes things.

746
00:40:38,360 --> 00:40:39,960
Speaker 3: I mad a friend of yours as Grace, while he

747
00:40:40,000 --> 00:40:42,280
was trying to drop himself out of the window. He

748
00:40:42,360 --> 00:40:44,039
had called him the cracks I was and called him

749
00:40:44,039 --> 00:40:46,239
never out of him before where you said they never

750
00:40:46,320 --> 00:40:51,039
heard of him after? So then race of contents used

751
00:40:51,079 --> 00:40:53,000
these luxurious chambers and things eighty.

752
00:40:52,920 --> 00:40:55,400
Speaker 1: Nine on the hidden let cupboard.

753
00:40:56,400 --> 00:40:58,840
Speaker 3: We put him off the heel. Quite interesting. The times

754
00:40:58,840 --> 00:40:59,760
have changed since.

755
00:40:59,599 --> 00:41:01,840
Speaker 1: Then to their hands, celera, because they hand.

756
00:41:03,199 --> 00:41:06,519
Speaker 3: Then it was only cracksman, concerted, ticktockets and very sinders.

757
00:41:06,199 --> 00:41:08,920
Speaker 1: Various kinds. But now well what now? Well between you

758
00:41:08,960 --> 00:41:09,159
and me.

759
00:41:09,159 --> 00:41:12,400
Speaker 3: And the celerab, we've heard some not altogether agreeable rulers

760
00:41:13,679 --> 00:41:16,119
whom it is seen pretty shady work that's far from here,

761
00:41:17,400 --> 00:41:21,519
murder to very clear times. I'm always kind of suspicion.

762
00:41:24,000 --> 00:41:27,800
Speaker 1: Yes, my surmise was correct to hear this is what

763
00:41:28,599 --> 00:41:30,079
this room is caught feel that.

764
00:41:30,400 --> 00:41:32,239
Speaker 3: Things that might have lost nothing to us, That celera

765
00:41:32,280 --> 00:41:34,079
be nothing to us, but it might signify a good

766
00:41:34,079 --> 00:41:36,400
deal with some short devil always been caught and gassed

767
00:41:36,440 --> 00:41:39,719
in this trap. Well, if it's nothing to us, the

768
00:41:39,800 --> 00:41:41,440
pose who leave up alone and get the business.

769
00:41:41,519 --> 00:41:42,559
Speaker 1: My time is living there of.

770
00:41:42,599 --> 00:41:46,159
Speaker 3: Course the very eyes that these reflections.

771
00:41:45,719 --> 00:41:51,400
Speaker 1: Could not suff feel you h if it's a darn down, thanks.

772
00:41:52,800 --> 00:41:59,000
Speaker 3: Good cigars since to Lena, the genuine Holena led to

773
00:41:59,119 --> 00:42:03,000
light now here. It is a little packet of letters

774
00:42:03,039 --> 00:42:05,840
which is the object of this meeting. I haven't opened

775
00:42:05,880 --> 00:42:08,280
it yet, but before that tells me everything is there.

776
00:42:08,360 --> 00:42:10,840
Suppose a less sportner knows nothing about this?

777
00:42:10,960 --> 00:42:12,760
Speaker 1: To fair, we have little names for the discussion. What

778
00:42:12,840 --> 00:42:13,239
do you mean?

779
00:42:13,320 --> 00:42:13,719
Speaker 6: Who told you?

780
00:42:13,719 --> 00:42:14,400
Speaker 1: If she doesn't bow?

781
00:42:14,519 --> 00:42:16,679
Speaker 3: You did, every look, tone, just everything you've said and

782
00:42:16,800 --> 00:42:18,639
done since I've been in this room has informed that

783
00:42:18,719 --> 00:42:20,880
this sportnyer has never consented to a tense section.

784
00:42:21,000 --> 00:42:23,639
Speaker 1: That is a little speculation of your own. I suppose

785
00:42:23,679 --> 00:42:25,519
you think you can hind me like a who no, no,

786
00:42:25,800 --> 00:42:29,519
like a swimmer. Well, let it passed. How much did

787
00:42:29,559 --> 00:42:32,679
you give a thousand pounds? I couldn't take it. What

788
00:42:32,760 --> 00:42:33,800
do you work five thousand?

789
00:42:33,840 --> 00:42:36,000
Speaker 7: I couldn't give it a four thousand?

790
00:42:36,039 --> 00:42:39,159
Speaker 1: But why didn't you take it? Because I intended to

791
00:42:39,199 --> 00:42:42,280
get more? Oh that's then they offered four thousand, They

792
00:42:42,280 --> 00:42:44,599
will give five. They won't give anything? Why not? They

793
00:42:44,760 --> 00:42:47,760
turned the case over in me? Will you give three thousand?

794
00:42:47,760 --> 00:42:49,639
It's a letta is strange, that may appear. My time

795
00:42:49,760 --> 00:42:51,360
is limited as well as yours. I have brought with

796
00:42:51,480 --> 00:42:53,199
me the sum of one thousand pounds, which is all

797
00:42:53,239 --> 00:42:54,719
that I wish to pay. If that is your desire

798
00:42:54,760 --> 00:42:55,599
to sell it this figure.

799
00:42:56,000 --> 00:42:59,239
Speaker 3: Time is praised me affected once it's not with the

800
00:42:59,239 --> 00:43:00,199
wish will very good eating?

801
00:43:02,360 --> 00:43:03,679
Speaker 1: Well you can have it.

802
00:43:04,119 --> 00:43:07,239
Speaker 3: It's a smaller matters I handle over. Give me the money, certainly,

803
00:43:08,880 --> 00:43:12,159
But you think you've only brought up the pound I did?

804
00:43:12,320 --> 00:43:12,360
Speaker 10: This?

805
00:43:12,559 --> 00:43:12,679
Speaker 3: Is it?

806
00:43:13,119 --> 00:43:15,880
Speaker 1: You brought a pipe on mine? Quite so? I didn't

807
00:43:15,920 --> 00:43:18,039
say I hadn't brought it anymore. You can be a

808
00:43:18,079 --> 00:43:19,800
little stick when it comes to it, can't you.

809
00:43:19,960 --> 00:43:21,159
Speaker 7: It depends on who I'm dealing with.

810
00:43:21,400 --> 00:43:28,719
Speaker 1: Yeah, you give me that money. Come on now, that's

811
00:43:28,760 --> 00:43:32,639
why I want you. James Larrabee. You've been so cunning

812
00:43:32,719 --> 00:43:34,480
and so cautious and so wise.

813
00:43:34,519 --> 00:43:36,000
Speaker 3: We couldn't find a thing to hold you for. But

814
00:43:36,079 --> 00:43:37,920
this little twip will get you in for robbery.

815
00:43:38,280 --> 00:43:41,559
Speaker 1: You're why are your views about being able to get

816
00:43:41,639 --> 00:43:44,000
away from here? Your top? I do not anticipate any

817
00:43:44,039 --> 00:43:47,119
particular difficulty in her robbery. Eh, why even let you

818
00:43:47,239 --> 00:43:49,519
drop away from here? You haven't got a witness. You

819
00:43:49,679 --> 00:43:51,159
haven't got a witness for your head.

820
00:43:51,760 --> 00:43:56,039
Speaker 3: And that's so sure that that bear, I'm so sure

821
00:43:56,079 --> 00:43:58,039
of that you use this fastness to cover dough with

822
00:43:58,079 --> 00:44:04,519
a nice card.

823
00:44:03,800 --> 00:44:03,960
Speaker 5: Back.

824
00:44:06,039 --> 00:44:09,880
Speaker 1: Don't know what it meant. I'm afraid you're.

825
00:44:17,599 --> 00:44:20,760
Speaker 7: Ill have to ask you, gentlemen, to wait just one moment, please.

826
00:44:21,519 --> 00:44:22,760
Speaker 6: What's the idea of sitting down?

827
00:44:22,760 --> 00:44:24,800
Speaker 1: I'm right? Are you writing waiting your will?

828
00:44:24,840 --> 00:44:28,239
Speaker 3: I no, no, they brief the sceiption of one or

829
00:44:28,280 --> 00:44:31,559
two of your gentlemen the sleep wait a bit.

830
00:44:32,000 --> 00:44:34,559
Speaker 1: You better listen to me at all. We're gonna tie

831
00:44:34,599 --> 00:44:36,639
you down nice and tight at the top of that table.

832
00:44:36,719 --> 00:44:40,639
Speaker 3: By you described me gentlemen thinking you're so sure of

833
00:44:40,679 --> 00:44:43,960
anybody in the room, And three bars gone out of

834
00:44:44,000 --> 00:44:44,679
that window.

835
00:44:44,440 --> 00:44:48,239
Speaker 1: Bars bars, You're not going to get off. There are

836
00:44:48,320 --> 00:44:50,599
so many ways. It's the letter that I hardly know

837
00:44:50,719 --> 00:44:52,159
which one to two you better.

838
00:44:52,880 --> 00:44:55,599
Speaker 3: I can tell you that I'll choose at once, mister Kagan,

839
00:44:56,760 --> 00:45:13,559
and my choice falls on the chair fire.

840
00:45:14,239 --> 00:45:18,960
Speaker 7: No, gentleman, no, not try the window. I'm leaving by

841
00:45:19,039 --> 00:45:19,360
the door.

842
00:45:25,119 --> 00:45:27,119
Speaker 3: I had a busy morning at my office in Horty Street,

843
00:45:27,880 --> 00:45:30,320
after eleven before the last of my appointments was over,

844
00:45:31,239 --> 00:45:38,320
and still no news at home you living, doctor peul Parsons.

845
00:45:38,800 --> 00:45:41,000
Is anyone waiting? I have to be in baked speak

846
00:45:41,000 --> 00:45:41,360
at noon.

847
00:45:41,719 --> 00:45:45,239
Speaker 7: There's one chance moontending doctor day lady parents who.

848
00:45:45,079 --> 00:45:48,159
Speaker 1: Wants to see you most particularly but about she didn't.

849
00:45:49,039 --> 00:45:51,719
She said it was most focused to review you.

850
00:45:52,440 --> 00:45:53,840
Speaker 3: Very well out here and call a cab for me

851
00:45:53,840 --> 00:45:55,639
at the same time and have it wait till the.

852
00:45:55,639 --> 00:45:55,960
Speaker 1: Lady in.

853
00:45:58,239 --> 00:45:58,639
Speaker 6: Sweet No.

854
00:45:59,199 --> 00:46:03,199
Speaker 1: Please, doctor's awfully good as you had seen it. I

855
00:46:03,280 --> 00:46:04,519
need to go through his speaking.

856
00:46:04,960 --> 00:46:07,079
Speaker 11: Do you mean I didn't bring my cards to But

857
00:46:07,159 --> 00:46:08,239
if I did, I'd lost him.

858
00:46:08,559 --> 00:46:09,559
Speaker 1: Trouble about cards?

859
00:46:10,280 --> 00:46:13,000
Speaker 11: They said you were mister home to send. Several people

860
00:46:13,079 --> 00:46:15,440
told me that the several the why to be asking?

861
00:46:15,719 --> 00:46:19,000
I could find him today this morning and everything depends

862
00:46:19,000 --> 00:46:19,199
on it.

863
00:46:19,280 --> 00:46:19,559
Speaker 6: Doctor.

864
00:46:19,880 --> 00:46:23,440
Speaker 1: Every time go to mister Holmes once I really you

865
00:46:23,480 --> 00:46:25,559
are there. You went to mister holmes house. Yes, in

866
00:46:25,719 --> 00:46:27,920
day to seat. That's why I came to you and

867
00:46:28,079 --> 00:46:30,519
said you might be here. No, dear, but don't just

868
00:46:30,639 --> 00:46:31,480
set him this morning.

869
00:46:31,559 --> 00:46:33,480
Speaker 3: No, there's no possibility of mister Home's coming as far

870
00:46:33,559 --> 00:46:33,840
as I know.

871
00:46:33,960 --> 00:46:36,199
Speaker 1: You couldn't get him to come. It would be such

872
00:46:36,239 --> 00:46:39,400
a great favor to me. I may must run after saying.

873
00:46:39,199 --> 00:46:41,639
Speaker 11: About him with a dreadful an bout it if you

874
00:46:41,719 --> 00:46:43,400
could get work and mister Holmes, if.

875
00:46:43,360 --> 00:46:45,039
Speaker 3: I could not get him become at And I beg

876
00:46:45,079 --> 00:46:45,760
you to excuse me.

877
00:46:46,119 --> 00:46:47,840
Speaker 1: I'm going out to myself on urn of business. I

878
00:46:47,920 --> 00:46:57,440
have no idea when it's a hometown, probably nothing more.

879
00:46:57,760 --> 00:46:58,400
Speaker 3: Broken down her.

880
00:47:01,519 --> 00:47:04,599
Speaker 1: Door and he put him on to you and don't

881
00:47:04,599 --> 00:47:06,800
allow anybody to come in. I have the more time, honey,

882
00:47:07,039 --> 00:47:08,559
was the doctor?

883
00:47:08,760 --> 00:47:12,800
Speaker 6: Let me know every ready right away? I worry it

884
00:47:12,920 --> 00:47:14,440
down time of doctor.

885
00:47:14,519 --> 00:47:19,000
Speaker 1: God is he don't any whey there can't see anybody?

886
00:47:19,280 --> 00:47:22,760
Speaker 6: He got conn Dody man the straight came all right,

887
00:47:22,880 --> 00:47:23,320
help him in.

888
00:47:24,159 --> 00:47:27,039
Speaker 1: He's like you, no not.

889
00:47:27,440 --> 00:47:28,719
Speaker 8: The poet over the.

890
00:47:30,639 --> 00:47:33,280
Speaker 1: Way said that the bea course of the steep, that

891
00:47:33,559 --> 00:47:34,360
it's the head.

892
00:47:34,559 --> 00:47:36,440
Speaker 7: And Carl the heck, he didn't know.

893
00:47:36,679 --> 00:47:37,159
Speaker 5: You can't.

894
00:47:37,239 --> 00:47:38,079
Speaker 7: That's raight enough.

895
00:47:38,199 --> 00:47:40,119
Speaker 1: He was on the wrong side of the street. He

896
00:47:40,440 --> 00:47:40,840
was you know.

897
00:47:42,880 --> 00:47:43,039
Speaker 3: Here?

898
00:47:43,960 --> 00:47:45,440
Speaker 1: No, no, this is a chance of that.

899
00:47:45,719 --> 00:47:48,119
Speaker 6: Don't you suppose I know where? I want to sit down?

900
00:47:48,280 --> 00:47:49,320
You'll sit down here?

901
00:47:49,480 --> 00:47:51,599
Speaker 1: That is the doctor, the doctor.

902
00:47:51,760 --> 00:47:52,519
Speaker 3: Ever look at it.

903
00:47:52,800 --> 00:47:56,760
Speaker 1: Here's the doctor, the doctor. He a gott here dump

904
00:47:56,800 --> 00:47:57,760
case you guess coming?

905
00:47:57,800 --> 00:47:57,960
Speaker 10: Ever?

906
00:47:58,039 --> 00:48:01,440
Speaker 6: Look at this o bloat here he's there still little U.

907
00:48:02,039 --> 00:48:05,480
Are you a cabman? Yes, I'm the cabman. Well, I

908
00:48:05,559 --> 00:48:09,800
have you arrested for this whist? Arrested? Arrested? Arrested, don't

909
00:48:09,880 --> 00:48:10,719
arrest May.

910
00:48:10,960 --> 00:48:12,719
Speaker 1: I cont ten?

911
00:48:13,559 --> 00:48:15,599
Speaker 6: Where's my hat? Where's my hat?

912
00:48:15,719 --> 00:48:16,360
Speaker 5: My hack?

913
00:48:16,840 --> 00:48:19,719
Speaker 6: My hat? Yeah? Am I your head? I will my

914
00:48:19,920 --> 00:48:20,400
my hat?

915
00:48:20,519 --> 00:48:20,639
Speaker 1: Now?

916
00:48:20,719 --> 00:48:22,159
Speaker 6: Hold you responsible here?

917
00:48:22,239 --> 00:48:25,239
Speaker 1: You're right here and go on. See that that isn't

918
00:48:25,320 --> 00:48:25,800
my hack?

919
00:48:25,880 --> 00:48:29,480
Speaker 6: Yeah, you're responsible. I have you arrested here, come back on,

920
00:48:29,800 --> 00:48:33,239
figure out? Yeah you know I gotta ten. No, when

921
00:48:33,320 --> 00:48:35,440
your heart in here, I want to speak to him.

922
00:48:38,039 --> 00:48:38,519
Let's see.

923
00:48:38,559 --> 00:48:39,719
Speaker 1: I will stay in the street.

924
00:48:40,280 --> 00:48:41,800
Speaker 6: I will get out of your alive.

925
00:48:42,840 --> 00:48:44,119
Speaker 1: So why are you staying at me?

926
00:48:44,239 --> 00:48:44,480
Speaker 6: Before?

927
00:48:44,559 --> 00:48:45,119
Speaker 10: It is so?

928
00:48:45,280 --> 00:48:46,159
Speaker 1: I can't wait for me.

929
00:48:46,199 --> 00:48:48,719
Speaker 3: I must see this her am ifraid to do a

930
00:48:48,760 --> 00:48:50,079
good class For one moment, I'll have a.

931
00:48:50,079 --> 00:48:53,000
Speaker 1: Look at him. Well they're still with him. Well, how

932
00:48:53,079 --> 00:48:56,079
can I remarkable remarkable weather?

933
00:48:56,199 --> 00:48:57,440
Speaker 5: We're having a doctor?

934
00:49:00,199 --> 00:49:02,440
Speaker 1: What on earth? How about having me remove some of

935
00:49:02,480 --> 00:49:10,239
this ictous disguise. Watn't is that you en Watson? Watching all?

936
00:49:10,239 --> 00:49:12,239
Speaker 3: They get out that window, out the blind whit what

937
00:49:12,400 --> 00:49:17,079
we do? Nothing, It's already been done by missus. Larraby here,

938
00:49:18,880 --> 00:49:20,920
get out that way. I don't think they're watching forman

939
00:49:22,280 --> 00:49:24,760
good work from him. I think it's Billy in charge,

940
00:49:26,000 --> 00:49:31,239
the good poman. Wait me outside here, oh watching my death?

941
00:49:31,239 --> 00:49:33,360
And I regect to say that at the present time

942
00:49:33,800 --> 00:49:36,000
the sence and Moriaty and self has not risen.

943
00:49:35,840 --> 00:49:38,039
Speaker 1: To the base. Where do you think he is in

944
00:49:38,159 --> 00:49:39,400
the open streets under some.

945
00:49:39,599 --> 00:49:43,480
Speaker 3: Clever disguise, watching for a chance to get at manage

946
00:49:43,519 --> 00:49:44,000
with this woman?

947
00:49:44,079 --> 00:49:47,679
Speaker 1: Set him right? So okay, So a spy to let

948
00:49:47,760 --> 00:49:50,679
them know by some signal if she's saw me in

949
00:49:50,760 --> 00:49:54,280
the house. Now they know, pull down that blind watch

950
00:49:54,320 --> 00:49:56,199
and I don't care to be shot at from the street.

951
00:49:57,960 --> 00:50:00,360
Speaker 3: Imagine we shall hear from the prison Moriarty as soon

952
00:50:00,440 --> 00:50:02,400
though thrown?

953
00:50:03,559 --> 00:50:04,199
Speaker 1: What did I tell you.

954
00:50:04,719 --> 00:50:07,559
Speaker 3: He's come to somewhere, he asked the course of seat.

955
00:50:07,920 --> 00:50:10,079
He was in there watching these windows. He must have

956
00:50:10,119 --> 00:50:12,159
seen coming till he's just come out. It was a

957
00:50:12,239 --> 00:50:14,599
cab waiting in front of this house. And he climbed

958
00:50:14,639 --> 00:50:15,880
up and changed places.

959
00:50:15,559 --> 00:50:17,320
Speaker 1: Where the drive back it out again quickly and to

960
00:50:17,400 --> 00:50:19,960
dry on him. Yes, thank you, sir Watson.

961
00:50:21,119 --> 00:50:23,480
Speaker 3: You don't never rather heavy portmanteau for a few moments

962
00:50:23,519 --> 00:50:24,519
and I won't do it any harm.

963
00:50:24,599 --> 00:50:26,840
Speaker 1: Pass my life. That's still over in the cornably here.

964
00:50:30,480 --> 00:50:33,440
Speaker 3: Jesus to thank you person it was down there.

965
00:50:33,800 --> 00:50:34,400
Speaker 1: Thank you so much.

966
00:50:35,599 --> 00:50:37,920
Speaker 7: Persons you wanted to cab the doctor a short time ago.

967
00:50:38,079 --> 00:50:39,079
Speaker 1: It's been waiting.

968
00:50:39,159 --> 00:50:42,440
Speaker 3: I believe these so good to tell the driver to

969
00:50:42,480 --> 00:50:43,519
come in here and get a relief.

970
00:50:44,519 --> 00:50:46,800
Speaker 1: He comes, tell him that's the one.

971
00:50:47,039 --> 00:50:51,480
Speaker 3: It's really good to ye idea Watson sounds like please,

972
00:50:51,480 --> 00:50:53,519
you should tell your man never to take the first

973
00:50:53,599 --> 00:50:57,079
cab that comes on corn or yes, the second, the

974
00:50:57,199 --> 00:51:00,039
third may be said, but home, Oh, why.

975
00:51:03,559 --> 00:51:09,239
Speaker 1: Did I want to take him down? All right?

976
00:51:09,480 --> 00:51:13,960
Speaker 3: Good bye Watson by Watson. Wait a minute, driver, head

977
00:51:14,000 --> 00:51:18,119
a friend an out the Watsons right.

978
00:51:18,039 --> 00:51:22,199
Speaker 1: You from for yeah, driver, I.

979
00:51:22,280 --> 00:51:26,199
Speaker 3: Got the steps then anyway, that's right. I hold a driver,

980
00:51:26,320 --> 00:51:29,559
you you pull a step. Two little things in bag

981
00:51:29,679 --> 00:51:33,559
that I wouldn't like to lose, and it's just as

982
00:51:33,639 --> 00:51:35,639
well to make quite sure.

983
00:51:37,199 --> 00:51:38,159
Speaker 1: He did not suffet.

984
00:51:40,440 --> 00:51:47,920
Speaker 3: That means a simple pair of handcuffs. You taking a

985
00:51:48,159 --> 00:51:53,239
shot off the ship the head. I ventured the dream

986
00:51:53,320 --> 00:51:56,400
that it might be, you know, quite show other police

987
00:51:56,599 --> 00:51:57,480
will be able.

988
00:51:57,280 --> 00:51:57,960
Speaker 5: To forward me.

989
00:51:59,400 --> 00:52:03,639
Speaker 3: But doesn't my I'm quite sure of nothing take him

990
00:52:03,639 --> 00:52:16,679
away from him. And so my dear Watson ends the

991
00:52:16,719 --> 00:52:18,360
strange case of Miss Alice Partner.

992
00:52:18,559 --> 00:52:21,079
Speaker 1: Well, what about the letter? The letters, they.

993
00:52:21,039 --> 00:52:22,000
Speaker 3: Will return to their.

994
00:52:21,960 --> 00:52:23,159
Speaker 1: Right claner over and now go.

995
00:52:23,360 --> 00:52:26,559
Speaker 3: I expected from the start that miss Partner was really

996
00:52:26,559 --> 00:52:27,239
a nice girls.

997
00:52:27,320 --> 00:52:30,280
Speaker 1: Huh, Yes, what is it all?

998
00:52:30,639 --> 00:52:34,000
Speaker 3: I'm just reflecting, my dear Watson Moriarty, out of the

999
00:52:34,039 --> 00:52:36,880
way London from the point of view of the criminal expert,

1000
00:52:38,320 --> 00:52:42,519
like it's become a singularly uninteresting city. One morning paper

1001
00:52:42,599 --> 00:52:44,440
of veritable willedness, of boredom.

1002
00:52:47,360 --> 00:52:51,039
Speaker 8: Yes, the lady you're making for an hour, he's got up.

1003
00:52:51,880 --> 00:52:53,880
Speaker 1: He's a many kid, he's got up.

1004
00:52:54,440 --> 00:52:56,400
Speaker 3: From which I deduced that to you, the lady of

1005
00:52:56,480 --> 00:52:59,880
over forty one lesson for it five of the strange

1006
00:53:00,280 --> 00:53:04,199
douk ut and considerable social eminence, which is just for

1007
00:53:04,239 --> 00:53:06,440
some years in near East that she.

1008
00:53:06,519 --> 00:53:08,519
Speaker 1: Is now wearing a large drud ruby on the second

1009
00:53:08,559 --> 00:53:12,400
thing ever left hand. Holmes, how do you know these things?

1010
00:53:13,239 --> 00:53:20,119
Speaker 3: It's amazing elementary, and I do Watson, elementary the child's

1011
00:53:20,159 --> 00:53:21,199
play of deduction.

1012
00:53:34,719 --> 00:53:37,719
Speaker 2: Against and I the Columbia Broadcasting Systems there as affiliated

1013
00:53:37,760 --> 00:53:40,920
spacial Coast to Coat has brought you Austin Wells and

1014
00:53:41,079 --> 00:53:44,039
the Mercury Stater on the air. The twelfth production of

1015
00:53:44,119 --> 00:53:47,719
this unique series featuring broadways and radios No celebrated theatrical

1016
00:53:47,760 --> 00:53:51,320
producing company this evening. The play was Austin Wales's old

1017
00:53:51,320 --> 00:53:55,840
adaptation A William direct Sherlock Home in the cast Doctor

1018
00:53:55,880 --> 00:53:59,360
Watson played by Ray Collins, Alice Paukner by Mary Taylor,

1019
00:54:00,039 --> 00:54:04,039
mat Larrabie by Benda Ford, James Larrabie by Edge Barriers,

1020
00:54:04,039 --> 00:54:08,400
Sector Foreman by Morgan Farley, Freagan by Richard Wilson, Classic

1021
00:54:08,800 --> 00:54:12,800
by Alfred Shirley, Larry by William Allen, Billie by Arthur

1022
00:54:12,840 --> 00:54:16,760
vander Foon, Pross Moriarty by Eustace Wyatt, and Chilock Holmes

1023
00:54:16,880 --> 00:54:21,000
by Austin Welles. The orchestra was conducted by Bernard Hermann,

1024
00:54:21,480 --> 00:54:24,599
and the production was supervised for CBS by Davison Taylor.

1025
00:54:25,239 --> 00:54:26,719
Got announcer is Frank Ellip