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<v Speaker 1>You see, something's going to happen.

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<v Speaker 2>What's going to happen? What help? Welcome to the Occult

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<v Speaker 2>Rejects tonight. We got a returning guest, a fan favorite,

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<v Speaker 2>somebody that I've been asked actually to have on multiple times,

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<v Speaker 2>and even people on the show are like, yo, you

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<v Speaker 2>got to get that dude on again if we got

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<v Speaker 2>to earn it from Virginia's for conspiracy lovers well before

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<v Speaker 2>we get to him and introduced the other rejects with

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<v Speaker 2>us tonight, and we got Julia returning. What is up again? Julia?

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<v Speaker 2>How are you? It's great to see you back on again.

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<v Speaker 3>Thanks for having me, Nick. Yeah, I think we talked

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<v Speaker 3>about the Nights of the Golden Circle or something like

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<v Speaker 3>that last time. Really super interesting topic and I can't

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<v Speaker 3>wait to get into Shakespeare tonight. It's gonna be awesome.

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<v Speaker 2>Thanks for having me, of course, of course, I actually

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<v Speaker 2>like this would be great for you Withlip and Ethan

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<v Speaker 2>my man, sir, What is going on? How are you?

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<v Speaker 1>Nick?

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<v Speaker 2>Julia?

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<v Speaker 1>Great to see you as always, Thank you Nick for

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<v Speaker 1>putting everything together. Ernie, It's great to meet you. I'm

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<v Speaker 1>excited about this. A lot of conspiratorial threads connect to Shakespeare,

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<v Speaker 1>So it's a great, great topic of discussion. Ethan Ingo Smith.

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<v Speaker 1>On all the social media, I can be easily found,

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<v Speaker 1>and I appreciate people reaching out and communicating. And I

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<v Speaker 1>have written a few books and write articles frequently. I

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<v Speaker 1>got a tichi article coming out soon if I can

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<v Speaker 1>get it together in a little video to sharing some instructions.

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<v Speaker 1>So yeah, appreciate everybody.

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<v Speaker 2>Cool, nice, make it happen. Yeah, before we introduced Ernie,

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<v Speaker 2>it's probably more for the people might catch this a

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<v Speaker 2>lot because this episode will drop on audio to the fact.

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<v Speaker 2>But if you happy to be in Arizona, well more,

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<v Speaker 2>I guess like kind of hope by Scottsdale or Phoenix, Arizona,

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<v Speaker 2>Me and Headless will be out there December fifth to

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<v Speaker 2>the seventh. We were blessed with three three tickets to

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<v Speaker 2>go to this quest for Ancient Civilizations, so I figured,

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<v Speaker 2>fuck it when I go. It's a three day event

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<v Speaker 2>over yeah, over in Scottsdal, Arizona. Not saying to go

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<v Speaker 2>check it out, that you know to come to the event,

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<v Speaker 2>but if you're in the area and you actually want

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<v Speaker 2>to meet up or anything, I'm sure we'll be around

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<v Speaker 2>after the factor. I mean or if this stuff interests you, uh,

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<v Speaker 2>definitely check it out. Maybe I'll include like the the

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<v Speaker 2>link for it in the show after the fact. But yeah,

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<v Speaker 2>anybody in the area, hit us up those three days,

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<v Speaker 2>will be around, will come come out, get your fucking

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<v Speaker 2>stoned chill. So yeah, uh, just put that out there now, Ernie, sir, Please,

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<v Speaker 2>for the people who have not had the pleasure of

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<v Speaker 2>hearing you before, first off, I would like to remind

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<v Speaker 2>that he has done a few shows already, go check

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<v Speaker 2>them out. Definitely fucking rabbit holes. Actually, somebody we were

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<v Speaker 2>making jokes earlier saying that with Julie and him here

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<v Speaker 2>we should be talking about rabbit holes and be holes.

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<v Speaker 2>So so yeah, so please Ernie, let everybody know what

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<v Speaker 2>your deal is and who you are.

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<v Speaker 4>So for the new people, yeah, so yeah, Ernie Lebrec,

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<v Speaker 4>I'm me and a buddy do Virginia's for conspiracy lovers

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<v Speaker 4>podcasts anywhere where podcasts are found. We got a YouTube page,

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<v Speaker 4>same name. I did finally change it to where everything's

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<v Speaker 4>all the same names, so you can you can actually

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<v Speaker 4>find us but on Instagram, Facebook and uh and YouTube.

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<v Speaker 2>I can.

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<v Speaker 4>But uh, yeah, just a conspiracy nerd that stumbled onto

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<v Speaker 4>some of my own like kind of personal research and

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<v Speaker 4>decided to start doing a podcast that's kind of a

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<v Speaker 4>conspiracy Virginia based because the more from Virginia and the

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<v Speaker 4>more and more I looked into it, it's like all

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<v Speaker 4>roads led back to Virginia with all the scraps. So

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<v Speaker 4>so that's that's where we're at. We've been on hiatus

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<v Speaker 4>for a couple of months because I'm moving this studio

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<v Speaker 4>out of this closet into the into the garage. So

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<v Speaker 4>but we'll be back and we've got some We've got

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<v Speaker 4>some bangers, like in the Hole, so nice. But yeah,

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<v Speaker 4>check us out. Fure Man makes that happen.

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<v Speaker 2>Now. The first show, the last show that you did

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<v Speaker 2>was Yet the Nights of the Golden Circle. The Golden

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<v Speaker 2>Horseshoe was some shit like maybe that came up.

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<v Speaker 4>We did the Golden Horseshoe, Yeah, yeah, which was the

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<v Speaker 4>weird expedition trying to find a pass through the Blue

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<v Speaker 4>Ridge Mountains by Governor Alexander spots Would and my whole life,

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<v Speaker 4>we've all heard the story and it's it's a nothing

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<v Speaker 4>story that you hear. There's a little sign in the

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<v Speaker 4>Blue Ridge Mountains, little little obelisk monument to it. And then,

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<v Speaker 4>of course, like anything in Virginia history, the more you

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<v Speaker 4>the more the deeper you get into it, the more

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<v Speaker 4>it seems weird. And it, in my personal opinion, by

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<v Speaker 4>the end of it, it looked like a a Masonic

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<v Speaker 4>like maybe the first Masonic ritual to take place, like

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<v Speaker 4>kind of officially it happened like seventeen fourteen, just three

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<v Speaker 4>years before, like Masonry's public you know, like kind of

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<v Speaker 4>coming out party, and it's we talked about it. It

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<v Speaker 4>was just a ton of aristocrats on this expedition across

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<v Speaker 4>a mountain to supposedly find the pass through the mountains,

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<v Speaker 4>but they'd already found the pass, and like the guides

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<v Speaker 4>that took them were the rangers, were the ones who

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<v Speaker 4>had already found the pass through the Blue Ridge. And

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<v Speaker 4>then they get over the Blue Ridge and they named

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<v Speaker 4>the Shenandoah River the Euphrates, and then they crossed the

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<v Speaker 4>Euphrates and have this big like party, and just all

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<v Speaker 4>the different people on the expedition were just super glowy

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<v Speaker 4>Jacobites and Huguenots and Masons and first kind of Virginia families,

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<v Speaker 4>and then there was this whole presenting of these guys

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<v Speaker 4>when they came back with these golden horseshoe pins that

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<v Speaker 4>had jewels in them, and different jewels for different guys.

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<v Speaker 4>And the guy the only real account that we have

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<v Speaker 4>of it is and I can't remember the guy's name now,

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<v Speaker 4>but that guy was crazy, crazy, interesting Huguenot from Ireland

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<v Speaker 4>who ended up marrying a woman named Mary Magdalen. And yeah,

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<v Speaker 4>it's go back and listen to that one. It's it's weird, man,

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<v Speaker 4>It's it's.

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<v Speaker 2>I remember you. I remember. There was a lot to it,

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<v Speaker 2>Like I felt like there was like a lot of

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<v Speaker 2>different things.

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<v Speaker 4>Wait, do you waity this nonsense?

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<v Speaker 2>I'm gonna awesome listop at you? All right. So I

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<v Speaker 2>guess unless anybody's got it something to ask you or whatever,

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<v Speaker 2>I guess maybe you could just started off all right,

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<v Speaker 2>Oh what made you even come across this? If you

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<v Speaker 2>don't mind me asking. It was just like something you

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<v Speaker 2>stumble the cross and you're like, oh there's something here, or.

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<v Speaker 4>You know, yeah. So I, like I've said before, my

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<v Speaker 4>my personal research is based on Williamsburg. I was born

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<v Speaker 4>and raised in good old colonial Williamsburg in the shadow

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<v Speaker 4>of campus of William and Mary and about seven or

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<v Speaker 4>eight years ago, I kind of stumbled into I'd probably

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<v Speaker 4>watched National Treasure the Da Vinci Code too recently, and

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<v Speaker 4>happened to be down buying a gift for some buddy

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<v Speaker 4>in Colonial Williamsburg and noticed a to the two oldest

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<v Speaker 4>roads in the country, Jamestown Road and Richmond Road, which

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<v Speaker 4>kind of create the Historic Campus. They come to a

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<v Speaker 4>point like a triangle, and I think that I saw

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<v Speaker 4>that and I was like, oh, I got to look

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<v Speaker 4>at this on Google Earth. And then that opened up

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<v Speaker 4>a ton of stuff to the point where I took

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<v Speaker 4>my research to the director of the Historic Campus and

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<v Speaker 4>they were kind of blown away, and I started, you know,

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<v Speaker 4>digging into it, and it gets weirder and weirder, and

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<v Speaker 4>you eat thinking that I was kind of too dumb

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<v Speaker 4>to have figured this stuff out myself, and so I

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<v Speaker 4>just kept trying to prove myself wrong. And the more

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<v Speaker 4>I dug to prove myself wrong, the more crap I found.

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<v Speaker 4>And then I started to find some things that were

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<v Speaker 4>absolutely undeniable, Like I shared on one of the episodes

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<v Speaker 4>with you guys, the incode of the Great Pyramid of

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<v Speaker 4>Giza on that triangle of land that also points directly

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<v Speaker 4>to the Great Pyramid of Giza and is the exact

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<v Speaker 4>sit So there's all that. So all my personal research

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<v Speaker 4>does kind of I say it revolves around Williamsburg and Virginia,

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<v Speaker 4>but because of that, that means it revolves around everything.

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<v Speaker 4>The beginning of masonry in this country Francis Bacon, and

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<v Speaker 4>then from there it just keeps going back and back

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<v Speaker 4>and back and forward and forward and forward. And so

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<v Speaker 4>for this one, because I lived in Williamsburg and my

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<v Speaker 4>mom is a big Shakespeare nerd herself, I've been getting

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<v Speaker 4>dragged to Shakespeare plays a year since I was nine

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<v Speaker 4>years old. So I've seen everything that the entire Shakespeare

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<v Speaker 4>cannon in every format you could think of. William and

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<v Speaker 4>Mary has one of the largest Shakespeare festivals in the country,

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<v Speaker 4>the Virginia Shakespeare Festival at William and Mary and put

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<v Speaker 4>put together in the Phi Beta Kappa Hall. So I've

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<v Speaker 4>seen everything from Taming of the Shrew adapted to nineteen

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<v Speaker 4>twenties like Cuban Cuban beach style, you know, like traditional

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<v Speaker 4>plays and everything in between. And when I was nine,

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<v Speaker 4>I couldn't stay you know, I had no idea what

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<v Speaker 4>they were saying. What was happening. But the you know,

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<v Speaker 4>the the older I got, I kind of learned to

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<v Speaker 4>speak the language of Shakespeare and really kind of fell

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<v Speaker 4>in love with the plays. And so really one of

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<v Speaker 4>the first things that got me into kind of the

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<v Speaker 4>conspiracy world was the Shakespeare authorship question. And just to

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<v Speaker 4>skip over all the because I've got a lot of

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<v Speaker 4>crap here, but we're in the conspiracy world, so I

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<v Speaker 4>don't believe that Shakespeare wrote Shakespeare, and we can kind

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<v Speaker 4>of skip all that. I'm part of the camp that

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<v Speaker 4>believes Francis Bacon is Shakespeare, and for me a little differently,

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<v Speaker 4>I'm not a total Baconian. I think it was more

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<v Speaker 4>Francis Bacon by committee. He had a literary society called

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<v Speaker 4>the Society of the Helmet, who just so happened to

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<v Speaker 4>contain like all the members were all the different people

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<v Speaker 4>that people put forward as possible shapes Shakespeare authors. So

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<v Speaker 4>seventeenth Earl of Oxford, the Countess of Penbroke, Sir Walter Raleigh,

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<v Speaker 4>William Stratchey, who will play an important role in this research.

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<v Speaker 4>So all these guys that they've put forward that could

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<v Speaker 4>be the alternative to who wrote the Shakespeare plays were

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<v Speaker 4>part of Francis Akeen's literary society called the Society the Helmet,

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<v Speaker 4>named after their patron muse Athena, because she wore a

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<v Speaker 4>helmet and was known to shake her spear in her

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<v Speaker 4>sphere of knowledge in the face of the beast of ignorance. Right,

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<v Speaker 4>and then just so happens that a man obsessed with

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<v Speaker 4>Francis Bacon, a Williamsburg legend mentor to Thomas Jefferson, is

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<v Speaker 4>the man who created what I think is the best

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<v Speaker 4>state flag in the Union. It's the only flag with

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<v Speaker 4>a booby on it. And that's actually he was obsessed

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<v Speaker 4>with Francis Bacon. His name was George with Like I said,

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<v Speaker 4>he was the He was Thomas Jefferson's mentor. He was

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<v Speaker 4>the reason that Thomas Jefferson became obsessed with Francis Bacon

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<v Speaker 4>his whole life. And that is actually Athena wearing her

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<v Speaker 4>helmet and holding her spear. That's kind of neither here

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<v Speaker 4>nor there, but I forgot that.

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<v Speaker 2>I just want to mention real quick, and I mentioned

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<v Speaker 2>this a lot of times. I'm just using any excuse

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<v Speaker 2>to mention it again. The woman's nipple hanging out that uh,

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<v Speaker 2>you know in the Knox formula Crowley's Knox formula. At

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<v Speaker 2>some point you you're supposed to be isis like feeding

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<v Speaker 2>breastfeeding horse, and you will like you'll make it look

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<v Speaker 2>like you're holding a baby and grabbing your nipple. There

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<v Speaker 2>is a relationship between the nipple and the child. The

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<v Speaker 2>when the child latches its mouth onto the nipple, the

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<v Speaker 2>mother's pineal gland will tell the child where it is,

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<v Speaker 2>the time season, you know, where it is even on

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<v Speaker 2>the planet, what up and down hold is. So I

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<v Speaker 2>mean there is actually a very weird, interesting, uh, penal

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<v Speaker 2>gland to penal gland conversation going on just from breastfeeding.

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<v Speaker 2>So sometimes I wonder if that has anything to do

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<v Speaker 2>with some cult science.

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<v Speaker 4>I mean, it's got to even if they didn't know

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<v Speaker 4>it that deeply, Yeah, they knew that there was that

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<v Speaker 4>connection since the beginning of time there So I said,

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<v Speaker 4>I wasn't going to get into that whole thing. But

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<v Speaker 4>Shakespeare didn't write Shakespeare. His name wasn't even Shakespeare's name

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<v Speaker 4>was shagspar And there's no evidence that he was literate

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<v Speaker 4>or you know, went to school past the fourth grade.

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<v Speaker 4>The only thing we have of him is his signature

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<v Speaker 4>on like seven different documents. They're all legal documents and

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<v Speaker 4>his will because he was kind of a douchebag and

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<v Speaker 4>cheating people out of stuff a lot, and so he's

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<v Speaker 4>always getting drug into court. And all these signatures are

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<v Speaker 4>spelled differently and in different handwriting, So that probably points

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<v Speaker 4>to the fact that whoever the other lawyer was or

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<v Speaker 4>the judge was the one who signed his name to it.

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<v Speaker 4>So we don't even know that Shakespeare or the guy

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<v Speaker 4>that they attribute Shakespeare to even was literate. He didn't

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<v Speaker 4>own a book that we can tell in his will,

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<v Speaker 4>he doesn't leave any books papers. There's never been a

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<v Speaker 4>letter written to him or from that anybody's ever found.

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<v Speaker 4>The guy wasn't Shakespeare. Bacon with Shakespeare. So that being said,

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<v Speaker 4>I got obsessed with this book here, which is this

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<v Speaker 4>gigantic tone that I paid a bunch of money for.

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<v Speaker 4>It's an effect simile of the first folio of Shakespeare,

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<v Speaker 4>the sixteen twenty three that was put together. It's exactly

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<v Speaker 4>how it came out in sixteen twenty three. It's just

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<v Speaker 4>on a new paper and basically took a historic copy

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<v Speaker 4>and from one of the museums and photo copied every

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<v Speaker 4>single page. So it's exactly the way that came out

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<v Speaker 4>the very first folio. So I get into Shakespeare, I

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<v Speaker 4>get into the first folio and some of the weird

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<v Speaker 4>things that go on with that. Of course that leads

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<v Speaker 4>leads me to Bacon. And then once you get into Bacon,

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<v Speaker 4>you obviously you end up down the road of Bacon

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<v Speaker 4>created Mason raes by way of Rosicrucianism. You find out

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<v Speaker 4>that that the Masons actually claim Shakespeare and Francis Bacon

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<v Speaker 4>as kind of founding architects, if you will. And then

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<v Speaker 4>when you the further you get into masonry, you start

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<v Speaker 4>to if you dig back from masonry modern day masonry,

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<v Speaker 4>you eventually fall back into the Stewart the Stewart dynasty,

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<v Speaker 4>and that leads you back if you follow the uh,

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<v Speaker 4>maternal side of that family all the way back, it

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<v Speaker 4>ds you. It brings you all the way back to

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<v Speaker 4>the Mayravngians of Dan Brown fame. And really my my

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<v Speaker 4>overall thesis of of my research now is that America

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<v Speaker 4>was beguying As and Virginia in particular as a breakaway

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<v Speaker 4>civilization for the Stuart dynasty. I think it was facilitated

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<v Speaker 4>and designed by Francis Bacon. And then it has been

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<v Speaker 4>managed and stewarded by the Scottish rite of freemasonry, sort

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<v Speaker 4>of a thinly veiled alternative to the monarchy that they were.

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<v Speaker 4>But they could see the writing on the wall that

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<v Speaker 4>their monarchy, their reign as monarchs in England, Scotland and Ireland,

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<v Speaker 4>wasn't gonna last long. The Stuart reign was only about

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<v Speaker 4>one hundred years, and I mean they were deposed several times,

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<v Speaker 4>kicked off the throne, brought back in, killed, They ran,

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<v Speaker 4>They ran the gamut and right at the very beginning

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<v Speaker 4>of that dynasty, Francis Bacon working for King James the first,

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<v Speaker 4>the first Stuart monarch, right at the beginning of that,

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<v Speaker 4>they create the Virginia Company of London and start exploring

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<v Speaker 4>the new world, Virginia in particular. And I think that

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<v Speaker 4>was I really. The more and more I get into

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<v Speaker 4>this stuff, the more I think that America maybe still

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<v Speaker 4>but definitely its beginnings were kind of a breakaway place

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<v Speaker 4>for the Stewart kind of ideal and this divine right

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<v Speaker 4>of kings MAYRAVNGI and bloodline idea, which I don't necessarily

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<v Speaker 4>believe that they have any special bloodline, but like any

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<v Speaker 4>other you know, monarchy, kind of bloodline. I think that

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<v Speaker 4>this Christ's bloodline, divine right of kings was a story

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<v Speaker 4>that they used, whether they believed it or not, to

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<v Speaker 4>kind of imbue their their dynasty with importance. And I

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<v Speaker 4>think they saw the right on the wall and decided

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<v Speaker 4>the New World was the place to keep that power

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<v Speaker 4>and that control structure going and just do it with

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<v Speaker 4>a different with a different face on it. And I think,

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<v Speaker 4>right then is where you see America come up and

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<v Speaker 4>masonry come up at the same time, and the monarchy

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<v Speaker 4>drop off. But then you look at the Scottish right

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<v Speaker 4>freemasonry and it is I'm about to show you it's it.

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<v Speaker 4>Scottish right freemasonry connects Kabbala, this book right here, the

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<v Speaker 4>sixteen eleven King James, Bible, and am I missing something

297
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<v Speaker 4>that's in Francis Bacon all together? So first off, this

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<v Speaker 4>first Folio is structured like an initiatory ladder and not

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<v Speaker 4>like any of the kind of anthologies of its time.

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<v Speaker 4>The First Folio, I'm sorry, yeah, the First Folio first

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<v Speaker 4>book in English history to divide dramatic works into three

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<v Speaker 4>distinct sections, comedies, histories, and tragedies. But it is identical

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<v Speaker 4>logic to an initiatory system, in the three steps there

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<v Speaker 4>being purification, advancement, and mastery slash sacrifice, exactly like a

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<v Speaker 4>degree system, but published nearly a century before the Scottish

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<v Speaker 4>writes thirty three or thirty three degree system. So if

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<v Speaker 4>Masonry borrowed from Shakespeare, how did Shakespeare already arrange his canon?

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<v Speaker 4>And really not Shakespeare because he didn't exist. But the

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<v Speaker 4>people who are who did arrange the first folio of Shakespeare?

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<v Speaker 4>How do they arrange it in a multi stage initiation

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<v Speaker 4>kind of system. So the sequence of the plays in

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<v Speaker 4>the folio kind of mirror that ladder of like esoteric order.

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<v Speaker 4>You've got the Tempest, which is an initiation. I've got

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<v Speaker 4>a good friend, Robert Frederick. He has a great podcast

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<v Speaker 4>called The Hidden Life is Best. He just became on

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<v Speaker 4>a whim, a Bacon scholar, and now he digs into

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<v Speaker 4>all the Shakespeare works and he just picks them apart

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<v Speaker 4>and each i mean two three hour episodes, each one

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<v Speaker 4>on a different play, and they're incredible. And so actually

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<v Speaker 4>what got me onto this particular track was I was

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<v Speaker 4>doing a podcast with him and uh, he had just

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<v Speaker 4>he did The Tempest on my suggestion because he had

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<v Speaker 4>done Romeo and Juliet, I think as you like it, Macbeth.

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<v Speaker 4>And he pulled all these Masonic principles out of there

325
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<v Speaker 4>and really showed how they were, you know, almost undeniably

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<v Speaker 4>written by a Rosicrucian for that specific purpose. And he

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<v Speaker 4>was asking which one I thought he should do next,

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<v Speaker 4>and I was like, the tempest, and the tempest is

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<v Speaker 4>near and dear to my heart. Because living in Virginia,

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<v Speaker 4>not a ton of people know this, but you know,

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<v Speaker 4>sixteen oh seven they sent John Smith and the whole

332
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<v Speaker 4>crew over here, and that whole Pocahontas trip happened, right,

333
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<v Speaker 4>And but they kept dying, They kept getting mrked by

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<v Speaker 4>the natives and starving and eating each other. In sixteen

335
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<v Speaker 4>oh eight they sent another supply mission over. They eat

336
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<v Speaker 4>all that food, they're all dying out again. So then

337
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<v Speaker 4>Francis Bacon takes it upon himself and mounts a massive

338
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<v Speaker 4>supply mission, which is nine ships sent from sent from

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<v Speaker 4>Plymouth over like six hundred people. They hit a This

340
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<v Speaker 4>is in sixteen oh nine, they hit a hurricane right

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<v Speaker 4>around Bermuda, and everybody survives except for two small two

342
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<v Speaker 4>small ships. And that's a whole another route of research

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<v Speaker 4>that I'm doing as well, which was some pretty interesting stuff.

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<v Speaker 4>But it's a rabbit hole. So two ships disappear forever.

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<v Speaker 4>Six ships make it to the Yeah, six ships make

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<v Speaker 4>it right away to pretty much right away to Jamestown

347
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<v Speaker 4>to resupply. And during the hurricane, the largest of the

348
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<v Speaker 4>ships crash lands on Bermuda. Purposely, they they shipwrecked themselves

349
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<v Speaker 4>to avoid the storm, and about one hundred people on

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<v Speaker 4>that I believe it was about one hundred people were

351
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<v Speaker 4>on that ship, and they disembarked live on Bermuda for

352
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<v Speaker 4>a full year. While they're on Bermuda, they take apart

353
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<v Speaker 4>the old ship, build two new ships, and by sixteen

354
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<v Speaker 4>ten they set sail again and they make it over

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<v Speaker 4>to Jamestown. And once they get to Jamestown, one of

356
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<v Speaker 4>the guys who was at Bermuda on the crash landing,

357
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<v Speaker 4>this guy named William Strakeye. William Strakey just happens to

358
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<v Speaker 4>be one of those guys who is in Francis Bacon's

359
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<v Speaker 4>Literary Society. He gets to Jamestown, he writes a full

360
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<v Speaker 4>report of everything that happens that happened for the year

361
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<v Speaker 4>on Bermuda, and he sends it to Francis Bacon's new wife,

362
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<v Speaker 4>and in sixteen eleven, William Shakespeare, or under the name

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<v Speaker 4>William Shakespeare, a play is published called The Tempest, and

364
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<v Speaker 4>it's all about a crash landing. I mean there's even

365
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<v Speaker 4>like six names that are used as six characters in

366
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<v Speaker 4>the play have names that are like, if the guy's

367
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<v Speaker 4>name was John, it would be Ron. I mean they're

368
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<v Speaker 4>that close. It's it's ridiculous. The play The Tempest is

369
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<v Speaker 4>about the crash landing number MUDA that was headed to Virginia.

370
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<v Speaker 4>But it is one hundred percent when you break it down,

371
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<v Speaker 4>it is an absolute first initiation into a mystery. It's

372
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<v Speaker 4>it's kind of the crappiest of Shakespeare's plays, I think.

373
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<v Speaker 4>And so you have one of Bacon's buddies writes the

374
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<v Speaker 4>Report of what Happened in sixteen ten, and in sixteen eleven,

375
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<v Speaker 4>that is the last play that this Shakespeare guy ever writes.

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<v Speaker 2>Right.

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<v Speaker 4>The weird thing is is that it appears first ten

378
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<v Speaker 4>years ten to fifteen years later in the sixteen twenty

379
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<v Speaker 4>three first folio of Shakespeare, right, thirty six plays and

380
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<v Speaker 4>the very last one that he wrote, and arguably kind

381
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<v Speaker 4>of the weirdest and kind of off it's like Shakespeare's

382
00:26:02.240 --> 00:26:08.440
<v Speaker 4>Twin Peaks. It's it's it's very strange that gets that

383
00:26:08.480 --> 00:26:13.079
<v Speaker 4>gets uh, it's first in the folio. So let's see

384
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<v Speaker 4>if I've lost me where I was going next, but

385
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<v Speaker 4>I might not have Okay, here we go, all right,

386
00:26:24.680 --> 00:26:30.480
<v Speaker 4>talk amongst yourselves. Okay, So sixteen twenty three, the first

387
00:26:30.480 --> 00:26:34.920
<v Speaker 4>folio goes out. Oh that's right. So while I'm talking

388
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<v Speaker 4>to Robert Frederick, this Bacon scholar, he's talking about the Tempest,

389
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<v Speaker 4>and he drops it on me that it's an initiation.

390
00:26:43.720 --> 00:26:47.960
<v Speaker 4>It's allegory. The entire Tempest, first play in the folio

391
00:26:48.000 --> 00:26:53.400
<v Speaker 4>of Shakespeare is an initiation allegory. And I started thinking

392
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<v Speaker 4>back to my own personal Shakespeare knowledge, and I know

393
00:26:58.279 --> 00:27:00.599
<v Speaker 4>that there's thirty six plays, and I go, will dang

394
00:27:01.279 --> 00:27:08.960
<v Speaker 4>if that's the first If that's the first degree of freemasonry,

395
00:27:09.119 --> 00:27:12.240
<v Speaker 4>the Tempest. There's thirty six plays in Shakespeare. And while

396
00:27:12.279 --> 00:27:15.519
<v Speaker 4>he's like talking, I'm literally pulling up other windows and

397
00:27:15.559 --> 00:27:19.359
<v Speaker 4>going through and looking, because I know that there's several

398
00:27:20.359 --> 00:27:25.079
<v Speaker 4>plays of Shakespeare's that are have two and one of

399
00:27:25.119 --> 00:27:28.519
<v Speaker 4>them has three parts. So as I can wonder if

400
00:27:28.559 --> 00:27:31.240
<v Speaker 4>I put the plays together that have more than one part,

401
00:27:31.319 --> 00:27:34.400
<v Speaker 4>into one play, which is what they were. They were

402
00:27:34.559 --> 00:27:37.240
<v Speaker 4>just published separately because they were very long plays and

403
00:27:37.279 --> 00:27:40.799
<v Speaker 4>performed separately. If I mash those down, what number would

404
00:27:40.839 --> 00:27:43.279
<v Speaker 4>I get? And of course I get thirty three plays.

405
00:27:44.160 --> 00:27:49.640
<v Speaker 4>So I spend the last two months picking through the

406
00:27:49.680 --> 00:27:54.119
<v Speaker 4>plays as best that I can and lining them up

407
00:27:54.279 --> 00:27:57.400
<v Speaker 4>in the order they are in this book. To the

408
00:27:57.480 --> 00:28:03.839
<v Speaker 4>thirty three degrees of Scottish righte Freemasonry, which seems off

409
00:28:03.880 --> 00:28:08.599
<v Speaker 4>because Scottish righte masonry doesn't come around until the seventeen hundreds.

410
00:28:09.079 --> 00:28:13.119
<v Speaker 4>But if you actually look into the history, depending on

411
00:28:13.200 --> 00:28:15.759
<v Speaker 4>how far you take it back, I know, for at

412
00:28:15.839 --> 00:28:18.279
<v Speaker 4>least for me, that in Edinburgh there was a lodge

413
00:28:20.200 --> 00:28:25.119
<v Speaker 4>in well, let's see here what's referred to as proto

414
00:28:25.160 --> 00:28:28.680
<v Speaker 4>Scottish right freemasonries, and the theory is that it existed

415
00:28:29.519 --> 00:28:33.400
<v Speaker 4>between fifteen hundred and sixteen hundred that early, so just

416
00:28:33.640 --> 00:28:39.680
<v Speaker 4>you know, just before the first Stuart King. So a

417
00:28:39.680 --> 00:28:42.720
<v Speaker 4>guy named William Shaw or there was something that came

418
00:28:42.759 --> 00:28:45.839
<v Speaker 4>out called the William Shaw Statutes between fifteen ninety eight

419
00:28:45.880 --> 00:28:48.720
<v Speaker 4>and fifteen ninety nine, and it established a set of

420
00:28:48.759 --> 00:28:52.039
<v Speaker 4>regulations for Scottish Masons that look more like mystical guild

421
00:28:52.119 --> 00:28:56.839
<v Speaker 4>laws than operative rules. Shaw refers to masters of the

422
00:28:56.920 --> 00:28:59.680
<v Speaker 4>lodge and wardens in the same way that they use

423
00:29:00.079 --> 00:29:09.559
<v Speaker 4>master and warden in the operative the speculative masonry lodges.

424
00:29:09.599 --> 00:29:14.319
<v Speaker 4>Now there's an unusual wave of esoteric hermetic resicrution activity

425
00:29:14.799 --> 00:29:18.039
<v Speaker 4>in Europe between fifteen eighty and sixteen twenty. Bruno d

426
00:29:18.279 --> 00:29:23.000
<v Speaker 4>Flood Bacon and the earliest known non operative or symbolic

427
00:29:23.039 --> 00:29:27.400
<v Speaker 4>Masons appear in Scotland before sixteen hundred, and we know

428
00:29:27.480 --> 00:29:31.279
<v Speaker 4>that I think it was fifteen ninety eight. King James

429
00:29:31.279 --> 00:29:37.240
<v Speaker 4>the First, who becomes the first Stuart King, was initiated

430
00:29:37.319 --> 00:29:43.319
<v Speaker 4>into that Edinburgh Scottish Lodge. So there is a precedent

431
00:29:43.440 --> 00:29:47.880
<v Speaker 4>that masonry was going on in at least Scotland for sure,

432
00:29:48.519 --> 00:29:51.519
<v Speaker 4>much earlier. And I believe that through the mayor Benjian

433
00:29:51.559 --> 00:29:55.839
<v Speaker 4>line and these different monarchies with these this divine right

434
00:29:57.279 --> 00:30:00.720
<v Speaker 4>to rule kind of ethos, I believe that they were

435
00:30:00.880 --> 00:30:05.319
<v Speaker 4>practicing these kind of ancient mystery schools in one way

436
00:30:05.440 --> 00:30:08.440
<v Speaker 4>or another all the way back to the Mayor of

437
00:30:08.519 --> 00:30:12.799
<v Speaker 4>Vingie and and and probably much further depending on when

438
00:30:12.839 --> 00:30:14.119
<v Speaker 4>it was adopted from their buddy.

439
00:30:14.240 --> 00:30:17.839
<v Speaker 3>I get a question really quick about that? Actually, yeah,

440
00:30:18.000 --> 00:30:20.960
<v Speaker 3>because I know that I know that the Mayor of

441
00:30:21.000 --> 00:30:23.640
<v Speaker 3>Vngians play a part in like the Shakespeare thing. But

442
00:30:24.599 --> 00:30:27.440
<v Speaker 3>is Francis Bacon supposed to be from like the mayor

443
00:30:27.440 --> 00:30:30.960
<v Speaker 3>of Vingian bloodline or something? Is that or wrong?

444
00:30:31.519 --> 00:30:34.880
<v Speaker 4>It depends on how you look at that history, which

445
00:30:34.920 --> 00:30:44.559
<v Speaker 4>is super murky. Francis Bacon was basically raised by Queen Elizabeth,

446
00:30:44.599 --> 00:30:48.200
<v Speaker 4>the first Queen Elizabeth.

447
00:30:49.119 --> 00:30:51.599
<v Speaker 1>Was Q.

448
00:30:52.240 --> 00:30:57.319
<v Speaker 4>So there's also speculation that Francis Bacon was the illegitimate

449
00:30:57.400 --> 00:31:03.880
<v Speaker 4>son of Queen Elizabeth. So after Queen Elizabeth becomes the

450
00:31:03.960 --> 00:31:09.079
<v Speaker 4>Queen in the about six months before Francis Bacon is

451
00:31:09.119 --> 00:31:18.079
<v Speaker 4>born to her, Lord Keeper of the Seal, some people,

452
00:31:18.240 --> 00:31:22.000
<v Speaker 4>it's on record that some folks went to see Queen

453
00:31:22.039 --> 00:31:25.720
<v Speaker 4>Elizabeth at court and then came back, and subsequently a

454
00:31:25.799 --> 00:31:29.119
<v Speaker 4>few weeks after they came back to their fiftoms and whatever,

455
00:31:29.559 --> 00:31:31.519
<v Speaker 4>they got their tongues cut out, and they got hung

456
00:31:31.559 --> 00:31:34.400
<v Speaker 4>and they got their heads cut off. Because there's a

457
00:31:34.519 --> 00:31:38.720
<v Speaker 4>rumor that they were spreading around that I just went

458
00:31:38.759 --> 00:31:41.160
<v Speaker 4>and saw the queen, and I don't think she's a

459
00:31:41.240 --> 00:31:44.440
<v Speaker 4>virgin queen anymore because a bit she looks pregnant, right,

460
00:31:45.079 --> 00:31:48.319
<v Speaker 4>and so it's on record. These people who you know,

461
00:31:48.440 --> 00:31:52.680
<v Speaker 4>got got merked because they were spreading this rumor about

462
00:31:52.839 --> 00:31:56.519
<v Speaker 4>the infidelity of the Queen. Well Francis Bacon is born

463
00:31:56.960 --> 00:32:01.920
<v Speaker 4>to sit I can't remember his dad's name, but he

464
00:32:01.960 --> 00:32:05.640
<v Speaker 4>was the lord keeper of the Seal four Queen Elizabeth

465
00:32:05.680 --> 00:32:10.480
<v Speaker 4>like top advisor, and immediately upon his birth he has

466
00:32:10.680 --> 00:32:17.319
<v Speaker 4>moved into the court. The baby he is educated by

467
00:32:17.359 --> 00:32:22.400
<v Speaker 4>the Crown and then put through either Cambridge or Oxford

468
00:32:22.519 --> 00:32:24.960
<v Speaker 4>and then on to Gray's End to learn law and

469
00:32:25.000 --> 00:32:28.200
<v Speaker 4>then immediately becomes part of the court and starts taking

470
00:32:28.240 --> 00:32:31.400
<v Speaker 4>on advisory roles and things like that with Queen Elizabeth.

471
00:32:32.079 --> 00:32:36.079
<v Speaker 4>Now Queen Elizabeth's mom was Anne Boleyn. Anne Berlin was

472
00:32:36.119 --> 00:32:43.079
<v Speaker 4>the chick that King Henry the eighth stopped Catholicism in

473
00:32:43.200 --> 00:32:47.640
<v Speaker 4>England for so King Henry the Eighth was married to

474
00:32:47.759 --> 00:32:53.559
<v Speaker 4>Catherine of it always sounds like a Lord of the Rings.

475
00:32:53.839 --> 00:32:59.799
<v Speaker 4>It's Spain, but Queen Catherine was King Henry the Eighth's wife.

476
00:33:02.000 --> 00:33:05.400
<v Speaker 4>She couldn't give him any kids, so he wanted a divorcer.

477
00:33:05.759 --> 00:33:08.519
<v Speaker 4>He went to the Pope and was like, Pope, can

478
00:33:08.559 --> 00:33:11.599
<v Speaker 4>I please get it a divorce and the Pope said no,

479
00:33:11.720 --> 00:33:13.720
<v Speaker 4>and that's where the big schism in the split in

480
00:33:14.160 --> 00:33:17.480
<v Speaker 4>England comes in. And so King Henry the Eighth and

481
00:33:18.359 --> 00:33:22.680
<v Speaker 4>the Bishop of I guess Canterbury create this Anglican Church

482
00:33:22.720 --> 00:33:27.200
<v Speaker 4>of England thing. And the next chick is an Berlin,

483
00:33:27.759 --> 00:33:33.319
<v Speaker 4>and Berlin you follow her maternal bloodline back she is Plantagenet,

484
00:33:34.119 --> 00:33:38.880
<v Speaker 4>and the Plantagenet come from the maternal side of the Merivingians,

485
00:33:39.480 --> 00:33:43.400
<v Speaker 4>so it goes Marivngian, and then on the maternal side

486
00:33:43.400 --> 00:33:46.960
<v Speaker 4>of the Maravingian as they die out the Carolinians. So

487
00:33:47.000 --> 00:33:51.559
<v Speaker 4>you're talking about the Court of Charlemagne. The maternal side

488
00:33:51.599 --> 00:33:55.799
<v Speaker 4>of the Court of Charlemagne was comes from the Mayor Ofvingians.

489
00:33:55.839 --> 00:33:58.200
<v Speaker 4>And then the maternal side of the Court of Charlemagne

490
00:33:58.880 --> 00:34:02.359
<v Speaker 4>creates the plantas a line, and then on up and

491
00:34:02.400 --> 00:34:07.039
<v Speaker 4>then and it moves right into the Bruces and the Stewarts,

492
00:34:07.400 --> 00:34:09.119
<v Speaker 4>and and then.

493
00:34:09.800 --> 00:34:13.599
<v Speaker 3>That's the Megan Markle thing right because she's from Robert

494
00:34:13.679 --> 00:34:17.639
<v Speaker 3>the Bruce's line, so she's got like they were like, oh,

495
00:34:17.840 --> 00:34:20.079
<v Speaker 3>you know, he found this really nice black girl, and

496
00:34:20.119 --> 00:34:24.119
<v Speaker 3>he's going rogue. No he's not, like, he's not going rogue.

497
00:34:24.519 --> 00:34:28.480
<v Speaker 4>Legitimately, Meghan Markle has a stronger claim to the throne

498
00:34:29.519 --> 00:34:30.599
<v Speaker 4>if you I mean the Stewarts.

499
00:34:30.719 --> 00:34:34.159
<v Speaker 5>That's what I've said for years, the Stuarts.

500
00:34:34.239 --> 00:34:36.840
<v Speaker 4>Yeah, the Stuarts had a stronger claim to the throne

501
00:34:37.960 --> 00:34:41.280
<v Speaker 4>before Queen Elizabeth. So when he got the divorce from

502
00:34:41.360 --> 00:34:44.760
<v Speaker 4>Catherine Mary Queen of Scott's, who was the Queen of

503
00:34:44.800 --> 00:34:48.079
<v Speaker 4>Scotland at the time, she had a better claim to

504
00:34:48.119 --> 00:34:52.000
<v Speaker 4>the throne than any of King Henry the Eight's children,

505
00:34:52.440 --> 00:34:56.880
<v Speaker 4>because all King Henry the Eight's children were their mothers

506
00:34:56.920 --> 00:35:00.639
<v Speaker 4>were not noble women. They were of no like kind

507
00:35:00.679 --> 00:35:05.079
<v Speaker 4>of monarch bloodline. But King Henry the Eight's brother, if

508
00:35:05.119 --> 00:35:09.559
<v Speaker 4>I'm not mistaken, or his sister, Mary, Queen of Scott's

509
00:35:09.599 --> 00:35:12.599
<v Speaker 4>is the daughter. He's like the uncle to Mary, Queen

510
00:35:12.599 --> 00:35:14.840
<v Speaker 4>of Scott's, So Mary, Queen of Scott's had a better

511
00:35:14.960 --> 00:35:18.199
<v Speaker 4>claim to the throne. But of course they didn't let

512
00:35:18.239 --> 00:35:20.880
<v Speaker 4>that happen. First, they let Henry the Eight's sickly little

513
00:35:20.960 --> 00:35:25.559
<v Speaker 4>like young son. He dies, and then bloody Mary becomes

514
00:35:25.599 --> 00:35:29.119
<v Speaker 4>the queen and she doesn't end up with an air

515
00:35:30.159 --> 00:35:34.199
<v Speaker 4>and she dies, and then Queen Elizabeth she's like last

516
00:35:34.239 --> 00:35:36.440
<v Speaker 4>in line. Because I think Anne Boleyn was kind of

517
00:35:36.480 --> 00:35:41.639
<v Speaker 4>the viewed by the monarchy as the skeasiest of all

518
00:35:41.880 --> 00:35:46.760
<v Speaker 4>Henry's chicks. And so Elizabeth spent most of her life

519
00:35:46.800 --> 00:35:52.440
<v Speaker 4>in the Tower of London, like in prison, because Bloody

520
00:35:52.440 --> 00:35:54.639
<v Speaker 4>Mary was afraid they were going to depose her and

521
00:35:54.679 --> 00:35:59.039
<v Speaker 4>put Elizabeth in anyway, so Elizabeth doesn't have a strong

522
00:35:59.039 --> 00:36:01.679
<v Speaker 4>claim to the throne. It's her cousin over in Scotland,

523
00:36:01.960 --> 00:36:05.280
<v Speaker 4>and Queen Elizabeth when she gets on the throne, she's

524
00:36:05.320 --> 00:36:11.119
<v Speaker 4>so sketched out that Mary, Queen of Scott's is going

525
00:36:11.199 --> 00:36:14.280
<v Speaker 4>to take her out and take over the throne that

526
00:36:14.400 --> 00:36:19.079
<v Speaker 4>she finally has. They come to an agreement and she's like, look,

527
00:36:20.079 --> 00:36:22.119
<v Speaker 4>if you don't try to kill me and take my

528
00:36:22.239 --> 00:36:26.360
<v Speaker 4>throne when I die, since I'm the virgin Queen, I'll

529
00:36:26.440 --> 00:36:32.000
<v Speaker 4>name your son James as my heir, right. So they

530
00:36:32.039 --> 00:36:35.280
<v Speaker 4>make that agreement and then Queen Elizabeth has Mary, Queen

531
00:36:35.320 --> 00:36:39.280
<v Speaker 4>of Scott's head cut off. Anyway, But when Queen Elizabeth dies,

532
00:36:39.679 --> 00:36:42.440
<v Speaker 4>that is when King James the First becomes the King

533
00:36:42.719 --> 00:36:46.360
<v Speaker 4>of England and thus the first Stewart, and that brings

534
00:36:46.400 --> 00:36:49.880
<v Speaker 4>in the bruces and the Mayor Vengie implantation and that

535
00:36:50.119 --> 00:36:53.280
<v Speaker 4>whole line all comes together with the Stewarts, and I.

536
00:36:53.239 --> 00:36:55.760
<v Speaker 2>Forgot where I was real quick. If you don't mind,

537
00:36:55.760 --> 00:36:57.519
<v Speaker 2>then I'll say something if you want to look. I

538
00:36:58.079 --> 00:36:59.920
<v Speaker 2>can't remember even specific, so it might have been my

539
00:37:00.239 --> 00:37:05.400
<v Speaker 2>Meyer or Michael Mayer, and I can't remember the other people.

540
00:37:06.079 --> 00:37:08.400
<v Speaker 2>But there was some probably going back a year and

541
00:37:08.440 --> 00:37:11.639
<v Speaker 2>a half two years ago, there was some certain alchemists

542
00:37:11.679 --> 00:37:14.599
<v Speaker 2>or occultists that me and me and Lisa had covered

543
00:37:14.639 --> 00:37:21.280
<v Speaker 2>that were all somehow like showing up around King James,

544
00:37:21.840 --> 00:37:24.679
<v Speaker 2>which I had like no idea. I never really didn't

545
00:37:24.719 --> 00:37:26.679
<v Speaker 2>realize how problem it was, and I was like, oh,

546
00:37:26.679 --> 00:37:28.800
<v Speaker 2>there's way too many now to where it's coincidence.

547
00:37:30.239 --> 00:37:34.440
<v Speaker 4>So so you you definitely have him getting initiated into

548
00:37:34.519 --> 00:37:42.159
<v Speaker 4>the into the that very early lodge in Scotland, and

549
00:37:42.199 --> 00:37:44.559
<v Speaker 4>then he was surrounded by the same type of people

550
00:37:45.079 --> 00:37:49.360
<v Speaker 4>that Queen Elizabeth was. I mean she she's John Dee's chick.

551
00:37:49.440 --> 00:37:52.639
<v Speaker 4>I mean John d was her like personal kind of

552
00:37:52.719 --> 00:37:58.280
<v Speaker 4>spiritual advisor, and that is who most likely Francis Bacon

553
00:37:58.599 --> 00:38:02.559
<v Speaker 4>was tutored. You imagine your your mom is the queen,

554
00:38:02.639 --> 00:38:06.440
<v Speaker 4>but she's not claiming you as her son. And then

555
00:38:06.480 --> 00:38:10.159
<v Speaker 4>she's got this you know, the original Double seven spying

556
00:38:10.440 --> 00:38:14.800
<v Speaker 4>and talking to angel demons to tell her how to

557
00:38:14.880 --> 00:38:18.559
<v Speaker 4>run the country. And then this little kid kicking around

558
00:38:18.639 --> 00:38:21.360
<v Speaker 4>the court is getting and there's only there's like no

559
00:38:21.719 --> 00:38:27.079
<v Speaker 4>letters or evidence that Francis Bacon had any contact or

560
00:38:27.119 --> 00:38:32.159
<v Speaker 4>anything with John D. But it's so completely obvious by

561
00:38:32.199 --> 00:38:35.519
<v Speaker 4>their interests and their their their their education that he

562
00:38:35.719 --> 00:38:39.880
<v Speaker 4>was probably his biggest mentor there's one wood cutting that

563
00:38:39.920 --> 00:38:42.840
<v Speaker 4>they found and people use it for all kinds of

564
00:38:43.400 --> 00:38:47.119
<v Speaker 4>like podcasts like thumbnails and whatnot, but it's it's an

565
00:38:47.119 --> 00:38:51.199
<v Speaker 4>old wizard looking wizard guy who is John D holding

566
00:38:51.920 --> 00:38:55.599
<v Speaker 4>uh like passing a lantern to a younger man, and

567
00:38:55.639 --> 00:39:00.119
<v Speaker 4>that they're pretty sure that depicts John D. And and

568
00:39:00.159 --> 00:39:02.800
<v Speaker 4>to spake, and I think that it's official that the

569
00:39:02.840 --> 00:39:04.840
<v Speaker 4>old guy is John D. And they don't know who

570
00:39:04.840 --> 00:39:07.320
<v Speaker 4>the other guy is that he's passing the Enlightenment onto.

571
00:39:07.440 --> 00:39:10.840
<v Speaker 3>But it's it's so what do you think about Like

572
00:39:11.639 --> 00:39:14.840
<v Speaker 3>I think Shakespeare could have been you hinted at this

573
00:39:15.039 --> 00:39:18.480
<v Speaker 3>like a court of people or a council of people

574
00:39:18.559 --> 00:39:22.639
<v Speaker 3>that Francis Bacon was on there. But they say, you know, oh,

575
00:39:22.679 --> 00:39:27.599
<v Speaker 3>well Shakespeare wrote the Bible, King James Bible. No, that's

576
00:39:27.679 --> 00:39:29.559
<v Speaker 3>but it would have been it would have been somebody

577
00:39:29.679 --> 00:39:32.960
<v Speaker 3>or all of the members of the court, right or yeah.

578
00:39:33.000 --> 00:39:35.400
<v Speaker 4>So that's the funny thing about the King James Bible.

579
00:39:35.519 --> 00:39:38.400
<v Speaker 4>And and also remember too that sixteen eleven the Bible

580
00:39:38.440 --> 00:39:42.039
<v Speaker 4>comes out, and that's the same year that the very

581
00:39:42.119 --> 00:39:45.239
<v Speaker 4>last Shakespeare play comes out. So it's like off of

582
00:39:45.320 --> 00:39:50.360
<v Speaker 4>one project and onto the next project. And they'll that'll

583
00:39:50.360 --> 00:39:52.960
<v Speaker 4>play in when I actually finally get into the meat

584
00:39:53.079 --> 00:39:57.199
<v Speaker 4>of this stuff. It'll really play into this research the

585
00:39:57.519 --> 00:40:00.760
<v Speaker 4>Bible with Shakespeare. So it's kind of funny because, as

586
00:40:00.840 --> 00:40:07.719
<v Speaker 4>I understand it, people say a common myth is that

587
00:40:07.760 --> 00:40:12.000
<v Speaker 4>Shakespeare wrote the Bible. But they say that because he

588
00:40:12.639 --> 00:40:16.320
<v Speaker 4>met the Shakespeare guy, because he ran in the same circles,

589
00:40:16.719 --> 00:40:20.480
<v Speaker 4>may have been a part of the group that historically

590
00:40:20.519 --> 00:40:23.679
<v Speaker 4>we know that Francis Bacon was the head of that

591
00:40:23.719 --> 00:40:27.000
<v Speaker 4>wrote the King James Bible for King James. So like

592
00:40:27.400 --> 00:40:31.599
<v Speaker 4>Francis Bacon was officially what we know of, he was

593
00:40:31.760 --> 00:40:33.920
<v Speaker 4>the kind of head of the council that was putting

594
00:40:33.920 --> 00:40:39.360
<v Speaker 4>together the King James Bible. And so people assume Shakespeare

595
00:40:39.400 --> 00:40:41.159
<v Speaker 4>wrote the King James Bible because he was part of

596
00:40:41.159 --> 00:40:44.000
<v Speaker 4>that group. But then when you say that Francis Bacon

597
00:40:44.119 --> 00:40:47.440
<v Speaker 4>might probably wrote Shakespeare because he was part of that group.

598
00:40:47.960 --> 00:40:50.400
<v Speaker 4>People are like, no, come on this, you know, I

599
00:40:50.400 --> 00:40:55.039
<v Speaker 4>mean Stratfordians. They're like, that can't be possible, even though

600
00:40:55.039 --> 00:40:59.320
<v Speaker 4>there's far more, you know, evidence that Francis Bacon may

601
00:40:59.599 --> 00:41:03.320
<v Speaker 4>have quite quite possibly have been the most brilliant person

602
00:41:03.360 --> 00:41:04.800
<v Speaker 4>to ever walk the face of the planet.

603
00:41:04.840 --> 00:41:08.320
<v Speaker 5>I mean, he absolutely, I'm starting to gather that just

604
00:41:08.440 --> 00:41:11.239
<v Speaker 5>based on, like, you know, doing some of my own

605
00:41:11.320 --> 00:41:14.320
<v Speaker 5>research about him, and he keeps popping up and shit,

606
00:41:14.400 --> 00:41:15.800
<v Speaker 5>and I'm like, who.

607
00:41:15.719 --> 00:41:19.079
<v Speaker 3>Is this dude. He's like fucking obscure kind of Yeah,

608
00:41:19.719 --> 00:41:21.679
<v Speaker 3>he's everywhere in nowhere.

609
00:41:21.519 --> 00:41:23.960
<v Speaker 4>You know what I mean. Yeah, he's I think I

610
00:41:23.960 --> 00:41:29.639
<v Speaker 4>have a quote here somewhere. I can't remember what it was,

611
00:41:29.639 --> 00:41:32.199
<v Speaker 4>but it was a really great Shakespeare and Bacon quote.

612
00:41:32.239 --> 00:41:38.400
<v Speaker 4>But yeah, Francis Bacon in his time, somebody had had

613
00:41:38.440 --> 00:41:41.760
<v Speaker 4>said that Francis Bacon, by the age of twelve, had

614
00:41:41.800 --> 00:41:45.079
<v Speaker 4>already read everything in print. He spoke like four or

615
00:41:45.119 --> 00:41:48.800
<v Speaker 4>five languages by that age. By fifteen, he was at

616
00:41:49.079 --> 00:41:52.000
<v Speaker 4>either Oxford or Cambridge, I can't remember which one, going

617
00:41:52.000 --> 00:41:55.320
<v Speaker 4>to college. By sixteen he quit because he was bored

618
00:41:55.760 --> 00:41:58.840
<v Speaker 4>and by like I'm sorry, maybe fourteen he was there.

619
00:41:58.920 --> 00:42:01.440
<v Speaker 4>By fifteen he quit, and then by sixteen he was

620
00:42:01.519 --> 00:42:04.760
<v Speaker 4>back teaching. So he was teaching at one of those

621
00:42:04.800 --> 00:42:09.599
<v Speaker 4>two prestigious schools when he was barely just a teenager,

622
00:42:09.639 --> 00:42:13.280
<v Speaker 4>you know, and then moves on to Gray's Inn, becomes

623
00:42:13.320 --> 00:42:15.639
<v Speaker 4>a great lawyer. And then it is in the court

624
00:42:16.199 --> 00:42:18.119
<v Speaker 4>not only that he was doing the same things that

625
00:42:18.239 --> 00:42:21.960
<v Speaker 4>John d was, and that he was he had a

626
00:42:21.960 --> 00:42:25.960
<v Speaker 4>big hand in Elizabeth's kind of spy network. He was

627
00:42:26.000 --> 00:42:31.159
<v Speaker 4>writing tons of ciphers and mathematics and cryptology and doing it.

628
00:42:31.199 --> 00:42:36.239
<v Speaker 4>I mean, he created the scientific method. He was he

629
00:42:36.320 --> 00:42:39.760
<v Speaker 4>was absolutely brilliant. I mean, there's definitely evidence that he

630
00:42:40.280 --> 00:42:42.840
<v Speaker 4>was a polymath and he could have written plays and

631
00:42:43.760 --> 00:42:48.239
<v Speaker 4>done impossible math work. And but did that person just

632
00:42:48.239 --> 00:42:59.519
<v Speaker 4>say they were bored before sixteen? Oh okay, this through me.

633
00:42:59.559 --> 00:43:03.639
<v Speaker 6>I thought she was bored with no, no, no, no, anyway,

634
00:43:03.760 --> 00:43:06.159
<v Speaker 6>I should probably get into the actual because I've been

635
00:43:06.239 --> 00:43:09.159
<v Speaker 6>rambling for like an hour and it's I haven't even

636
00:43:09.239 --> 00:43:10.119
<v Speaker 6>gotten into it yet.

637
00:43:10.440 --> 00:43:11.320
<v Speaker 2>Let's go, let's go.

638
00:43:11.440 --> 00:43:14.920
<v Speaker 4>All right, all right, all right, right, So the whole

639
00:43:14.960 --> 00:43:17.679
<v Speaker 4>tempest thing got me interested. I found the connection there

640
00:43:17.920 --> 00:43:23.000
<v Speaker 4>with the thirty three, the thirty three degrees of Freemasonry,

641
00:43:23.119 --> 00:43:25.239
<v Speaker 4>And so I plotted them all out and mapped them

642
00:43:25.280 --> 00:43:28.760
<v Speaker 4>all out, and I'm just gonna go. What I found

643
00:43:28.840 --> 00:43:32.920
<v Speaker 4>was they were exact. Every single degree explains every single play,

644
00:43:32.960 --> 00:43:35.840
<v Speaker 4>and every single play has elements of every single one

645
00:43:35.880 --> 00:43:39.920
<v Speaker 4>of its corresponding degrees. And it's it's eerily so you.

646
00:43:39.920 --> 00:43:41.559
<v Speaker 2>Know, there's one thing I want to mention too, like

647
00:43:41.599 --> 00:43:44.159
<v Speaker 2>this times you know this, This is really interesting that

648
00:43:44.199 --> 00:43:46.800
<v Speaker 2>you're saying this. I would even wonder about some of

649
00:43:46.840 --> 00:43:50.840
<v Speaker 2>these in orders because could those be other books or something,

650
00:43:51.440 --> 00:43:53.639
<v Speaker 2>because there's been times of me me and the first

651
00:43:53.960 --> 00:43:56.719
<v Speaker 2>I think luck was with him. We had covered I

652
00:43:56.719 --> 00:43:58.920
<v Speaker 2>think quats Cold and a couple of in orders.

653
00:43:59.320 --> 00:43:59.920
<v Speaker 4>Oh yeah, yeah.

654
00:44:00.079 --> 00:44:03.800
<v Speaker 2>Since and they will mention Shakespeare sometimes.

655
00:44:05.960 --> 00:44:08.639
<v Speaker 4>They claim him as as their own. I mean, he

656
00:44:08.719 --> 00:44:11.079
<v Speaker 4>becomes part of that lord like Hiram Abiff, you know,

657
00:44:11.159 --> 00:44:13.320
<v Speaker 4>I mean, I think we all know that there wasn't

658
00:44:13.400 --> 00:44:18.000
<v Speaker 4>actually a guy named Hiram Abif, but it it it

659
00:44:18.119 --> 00:44:23.239
<v Speaker 4>explains some part of their of their story, and it's

660
00:44:23.320 --> 00:44:26.400
<v Speaker 4>kind of the same as that Maravngian, you know, Christ's bloodline,

661
00:44:26.400 --> 00:44:32.000
<v Speaker 4>like it imbues that monarchy with importance and the more

662
00:44:32.480 --> 00:44:38.480
<v Speaker 4>folks that they You know, my buddy is Daniel Duke,

663
00:44:39.039 --> 00:44:43.440
<v Speaker 4>who is the uh great great grandson of the real

664
00:44:43.559 --> 00:44:48.480
<v Speaker 4>Jesse James. And you know, I asked him if he

665
00:44:48.559 --> 00:44:50.960
<v Speaker 4>was getting any He's the guy that wrote Jesse James

666
00:44:50.960 --> 00:44:53.800
<v Speaker 4>and the Lost Templar Treasure, which I know sounds crazy.

667
00:44:53.840 --> 00:44:57.360
<v Speaker 4>That's why I bought the book, but it's insane. Jesse

668
00:44:57.480 --> 00:44:59.320
<v Speaker 4>James was part of the Knights of the Golden Circle.

669
00:44:59.360 --> 00:45:04.280
<v Speaker 4>He was a freeman and his maps that have been

670
00:45:04.559 --> 00:45:08.400
<v Speaker 4>uncovered match up to all the templar symbolism and whatnot.

671
00:45:08.880 --> 00:45:10.760
<v Speaker 4>And I asked him, I was like, are you worried,

672
00:45:10.840 --> 00:45:14.320
<v Speaker 4>you know, you're you know, exposing some of this stuff,

673
00:45:14.360 --> 00:45:17.159
<v Speaker 4>and he was like, no, no, He's like they loved me, man.

674
00:45:17.199 --> 00:45:19.559
<v Speaker 4>They did a blurb for the back of my book

675
00:45:19.559 --> 00:45:24.800
<v Speaker 4>and whatnot. Because these guys added to their brand, it

676
00:45:24.840 --> 00:45:27.519
<v Speaker 4>doesn't it doesn't hurt them, and they can pick and

677
00:45:27.599 --> 00:45:31.280
<v Speaker 4>choose and you know, kind of explain to their their

678
00:45:31.360 --> 00:45:34.119
<v Speaker 4>ad upts who was real and who wasn't, and who

679
00:45:34.239 --> 00:45:38.039
<v Speaker 4>is who were using as allegory or symbolism and anyway.

680
00:45:39.000 --> 00:45:46.079
<v Speaker 4>So I map those thirty three degrees to the thirty

681
00:45:46.079 --> 00:45:48.360
<v Speaker 4>three plays that started off as thirty six, but I

682
00:45:48.400 --> 00:45:53.280
<v Speaker 4>combined the plays that have more than one part, and

683
00:45:53.320 --> 00:45:58.760
<v Speaker 4>then that led me to mapping both the degrees and

684
00:45:58.840 --> 00:46:02.199
<v Speaker 4>the plays onto another thing that I'll get to as

685
00:46:02.239 --> 00:46:04.760
<v Speaker 4>I as I go through a few of these plays,

686
00:46:05.119 --> 00:46:09.119
<v Speaker 4>and then that led me to another piece of esotericism

687
00:46:09.239 --> 00:46:11.320
<v Speaker 4>that maps on to all of them. So this is

688
00:46:11.800 --> 00:46:16.719
<v Speaker 4>four kind of streams of data that all all come together.

689
00:46:17.119 --> 00:46:22.480
<v Speaker 4>And stream three and four are Stream three for sure.

690
00:46:22.480 --> 00:46:24.840
<v Speaker 4>I don't think anybody because I can't find it anywhere.

691
00:46:24.880 --> 00:46:30.920
<v Speaker 4>Nobody's ever mentioned what I'll show you, which is like

692
00:46:31.400 --> 00:46:37.079
<v Speaker 4>stream three. Now, obviously the Masons have talked about Shakespeare

693
00:46:37.159 --> 00:46:40.480
<v Speaker 4>being one of their guys. I've even heard it said

694
00:46:40.480 --> 00:46:46.079
<v Speaker 4>that Shakespeare wrote our our our bylaws. I think a

695
00:46:46.199 --> 00:46:50.800
<v Speaker 4>Mason has actually said that to me. So that theory

696
00:46:50.880 --> 00:46:53.599
<v Speaker 4>is out there. I My point with this is to

697
00:46:53.679 --> 00:47:01.039
<v Speaker 4>kind of show that the framework was already there before. Yeah,

698
00:47:01.480 --> 00:47:05.760
<v Speaker 4>there's all kinds of great uh geometry in the the

699
00:47:05.800 --> 00:47:10.639
<v Speaker 4>shakespeare first folio, but my point is to kind of

700
00:47:11.559 --> 00:47:16.880
<v Speaker 4>show that the the framework for masonry was there in

701
00:47:16.960 --> 00:47:23.320
<v Speaker 4>the Shakespearean place before the Scottish right of freemasonry. And

702
00:47:23.360 --> 00:47:25.360
<v Speaker 4>so that's the line of succession, because I think a

703
00:47:25.360 --> 00:47:27.760
<v Speaker 4>lot of people could just look at it and go, oh, yeah,

704
00:47:27.800 --> 00:47:30.840
<v Speaker 4>the degrees match up, because obviously, you know, the Scottish

705
00:47:30.920 --> 00:47:34.920
<v Speaker 4>right came after Shakespeare, and so they thought this was

706
00:47:34.960 --> 00:47:37.119
<v Speaker 4>a cool book and they took the symbolism out of it,

707
00:47:37.159 --> 00:47:40.639
<v Speaker 4>but I think they recognized the symbolism that was already

708
00:47:40.679 --> 00:47:45.360
<v Speaker 4>there anyway. So I'm gonna go through the tempest real quick. First,

709
00:47:46.559 --> 00:47:51.159
<v Speaker 4>quick summary of the tempest. Prospero, the rightful Duke of

710
00:47:51.199 --> 00:47:54.280
<v Speaker 4>Milan and master of the magical Arts, use a sorcery

711
00:47:54.320 --> 00:47:58.199
<v Speaker 4>to shipwreck his usurping brother and others upon his island.

712
00:47:59.280 --> 00:48:04.679
<v Speaker 4>Through careful through carefully orchestrated illusions, he confronts betrayal, restores harmony,

713
00:48:04.679 --> 00:48:09.519
<v Speaker 4>and ultimately chooses forgiveness over vengeance. In Masonry, the entered

714
00:48:09.519 --> 00:48:14.199
<v Speaker 4>apprentice as the first degree, represents initiation, purification, in the

715
00:48:14.280 --> 00:48:18.039
<v Speaker 4>awakening of latent potential. It symbolizes the beginning of the

716
00:48:18.079 --> 00:48:22.119
<v Speaker 4>spiritual journey and moving from chaos into ordered understanding and

717
00:48:22.280 --> 00:48:27.760
<v Speaker 4>entering the island of symbolic instruction. So in the play,

718
00:48:27.960 --> 00:48:33.199
<v Speaker 4>Prospero functions as the initiator. He guides all the others

719
00:48:33.440 --> 00:48:38.400
<v Speaker 4>on the island through ordeals, storms illusions tests the character

720
00:48:39.400 --> 00:48:42.800
<v Speaker 4>much like the candidate, and freemasonry is guided through symbolic storms.

721
00:48:43.599 --> 00:48:48.679
<v Speaker 4>Ariel performs the role of spiritual messenger, while Caliban embodies

722
00:48:48.960 --> 00:48:54.239
<v Speaker 4>the unrefined natural man. The apprentice must overcome. The entire

723
00:48:54.280 --> 00:48:59.239
<v Speaker 4>island becomes an allegorical lodge of transformation. So I read

724
00:48:59.280 --> 00:49:01.639
<v Speaker 4>those two things together and go, okay, that's one for

725
00:49:01.760 --> 00:49:04.559
<v Speaker 4>one tempest to the first degree. Right, So then I

726
00:49:04.639 --> 00:49:09.800
<v Speaker 4>pull out my old trustee um copy of morals and Dogma,

727
00:49:10.400 --> 00:49:12.159
<v Speaker 4>and I'm like, well, let me just dig through these

728
00:49:12.199 --> 00:49:15.360
<v Speaker 4>and see what signs and symbols and things like that

729
00:49:15.400 --> 00:49:18.679
<v Speaker 4>from each degree might map onto the plays as well. Right,

730
00:49:20.159 --> 00:49:24.000
<v Speaker 4>So first degree, the entered apprentice, the degree symbols. There

731
00:49:24.079 --> 00:49:26.599
<v Speaker 4>are a twenty four inch gauge, which is a measurement

732
00:49:26.639 --> 00:49:31.239
<v Speaker 4>of time, the common gavel for breaking away vices, the

733
00:49:31.320 --> 00:49:36.079
<v Speaker 4>rough ashlar, which is just a rough stone, and the

734
00:49:36.199 --> 00:49:38.880
<v Speaker 4>light or the great light. So the way that's mirrored

735
00:49:38.920 --> 00:49:43.519
<v Speaker 4>in the tempest is Prospero's entire magical operation is timed

736
00:49:43.599 --> 00:49:46.480
<v Speaker 4>to the minute in the play, the hour has now

737
00:49:46.559 --> 00:49:50.599
<v Speaker 4>come as a quote mirroring the twenty four inch gauge

738
00:49:50.639 --> 00:49:54.199
<v Speaker 4>as the symbol of time management. The shipwreck Nobles or

739
00:49:54.239 --> 00:49:57.599
<v Speaker 4>the rough Ashlars broken down by trials, the island experience

740
00:49:58.440 --> 00:50:01.480
<v Speaker 4>chips away their vices, just like the gabble, and then

741
00:50:01.519 --> 00:50:05.400
<v Speaker 4>the final reconcile. Reconciliation is the perfect Ashlar, the raw

742
00:50:05.480 --> 00:50:11.800
<v Speaker 4>characters refined. So as I'm going through that, I start,

743
00:50:12.679 --> 00:50:15.519
<v Speaker 4>I don't know if I can pick this up and

744
00:50:15.599 --> 00:50:19.519
<v Speaker 4>show you guys real quick. Another really strange that this

745
00:50:19.519 --> 00:50:24.519
<v Speaker 4>this book is batshit crazy. Can you see that? Do

746
00:50:24.559 --> 00:50:27.440
<v Speaker 4>you see? This is the table of contents, right, do

747
00:50:27.480 --> 00:50:30.559
<v Speaker 4>you see? Just take a quick look at the numbers

748
00:50:30.559 --> 00:50:33.159
<v Speaker 4>of the pages, and what you'll notice is like the

749
00:50:33.199 --> 00:50:36.679
<v Speaker 4>tempest starts at page one, but then all the other

750
00:50:36.760 --> 00:50:39.400
<v Speaker 4>page numbers are out of order. You can be on

751
00:50:39.519 --> 00:50:42.639
<v Speaker 4>page two hundred and fifty, flip over two pages and

752
00:50:42.679 --> 00:50:46.079
<v Speaker 4>you're on page forty five and then and that's that's

753
00:50:46.079 --> 00:50:48.360
<v Speaker 4>something that people have brought up about this. I mean,

754
00:50:48.400 --> 00:50:51.079
<v Speaker 4>here's page ninety three. I go back a big chance,

755
00:50:56.280 --> 00:50:58.840
<v Speaker 4>back to fifty way back here. I'm back to fifty five.

756
00:50:59.360 --> 00:51:03.559
<v Speaker 4>I mean, and I've always thought that that meant something,

757
00:51:04.239 --> 00:51:08.360
<v Speaker 4>but I'm not mathematically minded. So whatever codes that you know,

758
00:51:08.440 --> 00:51:11.519
<v Speaker 4>Petro Aminsen and the Oak Island boys are figuring out like,

759
00:51:11.599 --> 00:51:15.840
<v Speaker 4>I don't have the wherewithal. But what I did notice

760
00:51:16.639 --> 00:51:24.559
<v Speaker 4>was that the very last, the very last play in

761
00:51:24.599 --> 00:51:31.440
<v Speaker 4>the Shakespearean First Folio, starts on page three sixty nine,

762
00:51:31.559 --> 00:51:33.760
<v Speaker 4>and it's only about five or six pages long, right,

763
00:51:35.719 --> 00:51:37.960
<v Speaker 4>So that puts me around three hundred and seventy five.

764
00:51:38.800 --> 00:51:41.440
<v Speaker 4>And so I start looking around, like, what from sixteen

765
00:51:41.440 --> 00:51:45.480
<v Speaker 4>to eleven, what was Bacon involved in that might match

766
00:51:45.519 --> 00:51:48.199
<v Speaker 4>to that? Well, three sixty nine is like a perfect number.

767
00:51:48.599 --> 00:51:51.400
<v Speaker 4>I can't remember I went through all that, but I

768
00:51:51.440 --> 00:51:53.760
<v Speaker 4>try to stay away from the numerology as much as

769
00:51:53.800 --> 00:51:59.440
<v Speaker 4>I can. But I start looking around, and what I

770
00:51:59.519 --> 00:52:05.599
<v Speaker 4>find is that Proverbs in the Bible has exactly three

771
00:52:05.719 --> 00:52:11.960
<v Speaker 4>hundred and seventy five proverbs. So Solomon wrote Proverbs. We

772
00:52:12.039 --> 00:52:16.840
<v Speaker 4>all know that Francis Bacon was obsessed with Solomon. The

773
00:52:16.920 --> 00:52:20.360
<v Speaker 4>Masons are obsessed with Solomon. And I'm like, maybe this

774
00:52:20.400 --> 00:52:25.159
<v Speaker 4>is a match. And since we have this whole table

775
00:52:25.440 --> 00:52:30.199
<v Speaker 4>of random numbers, almost this random number generator, I was like,

776
00:52:30.239 --> 00:52:35.400
<v Speaker 4>there's no way that these these numbers could match up

777
00:52:35.559 --> 00:52:40.119
<v Speaker 4>to the corresponding the play with the corresponding proverb. And

778
00:52:40.159 --> 00:52:42.639
<v Speaker 4>so when I say three hundred and seventy five proverbs.

779
00:52:43.039 --> 00:52:47.360
<v Speaker 4>These proverbs are things like, let's see here, a wise

780
00:52:47.400 --> 00:52:50.079
<v Speaker 4>son maketh a glad father, but a foolish son is

781
00:52:50.079 --> 00:52:53.519
<v Speaker 4>the heaviness of his mother. They're like two line little

782
00:52:53.559 --> 00:52:57.159
<v Speaker 4>pieces of wisdom that Solomon wrote down. And the crazy

783
00:52:57.239 --> 00:53:00.880
<v Speaker 4>thing is is that nobody in the history of the

784
00:53:00.920 --> 00:53:04.920
<v Speaker 4>Bible has ever took Everybody talks about how amazing advice

785
00:53:05.599 --> 00:53:10.320
<v Speaker 4>this solemnnic these proverbs are, but nobody wants has ever

786
00:53:10.400 --> 00:53:14.400
<v Speaker 4>gone and just pulled them out in order and just

787
00:53:14.480 --> 00:53:17.199
<v Speaker 4>put one, two, three, four, five, Nobody all the way

788
00:53:17.199 --> 00:53:19.639
<v Speaker 4>down to three seventy five. So I had to open

789
00:53:19.679 --> 00:53:23.159
<v Speaker 4>the Bible and go through three hundred and seventy five

790
00:53:23.239 --> 00:53:26.519
<v Speaker 4>proverbs in order and write them down right, And I'm

791
00:53:26.519 --> 00:53:32.159
<v Speaker 4>glad I did because so And what you'll see with

792
00:53:32.199 --> 00:53:35.440
<v Speaker 4>the way these map in the beginning degrees just like

793
00:53:35.480 --> 00:53:40.320
<v Speaker 4>the degrees are in masonry. It's a little light. The

794
00:53:40.400 --> 00:53:43.559
<v Speaker 4>symbolism fits, but it might be a little bit tangential

795
00:53:44.320 --> 00:53:46.960
<v Speaker 4>and a little fluffy and not real. There's not a

796
00:53:47.000 --> 00:53:52.119
<v Speaker 4>whole lot of like weight on it. And then as

797
00:53:52.159 --> 00:53:55.679
<v Speaker 4>we get further and further and further in, it becomes

798
00:53:55.760 --> 00:54:00.159
<v Speaker 4>more exact and more perfectly matched up with everything to

799
00:54:00.159 --> 00:54:05.239
<v Speaker 4>the point where the proverb that matches up with Titus

800
00:54:05.320 --> 00:54:10.239
<v Speaker 4>Andronicus Titus Andronicus is a is a tragedy play by Shakespeare,

801
00:54:10.360 --> 00:54:13.679
<v Speaker 4>and at one point somebody cuts the tongues out of

802
00:54:13.719 --> 00:54:17.039
<v Speaker 4>his daughter, or the tongue out of it to either

803
00:54:17.079 --> 00:54:20.320
<v Speaker 4>two daughters, and anyway, somebody gets a tongue cut out,

804
00:54:20.679 --> 00:54:25.639
<v Speaker 4>and the proverb that matches up. And remember we're not

805
00:54:25.679 --> 00:54:29.280
<v Speaker 4>just going in order one through thirty three proverbs. We're

806
00:54:29.320 --> 00:54:33.880
<v Speaker 4>going from proverb one to proverb twenty to proverb thirty

807
00:54:33.880 --> 00:54:36.320
<v Speaker 4>eight to proverbs sixty one, and they match up bank

808
00:54:36.360 --> 00:54:38.840
<v Speaker 4>bang bang bang, And the proverb that matches up with

809
00:54:38.880 --> 00:54:45.159
<v Speaker 4>Titus Andronicus literally talks about cutting someone's tongue out. So

810
00:54:45.880 --> 00:54:50.280
<v Speaker 4>I beyond that. So I find this stuff, and I

811
00:54:50.519 --> 00:54:53.840
<v Speaker 4>map out all these dang proverbs, and then I move

812
00:54:53.920 --> 00:54:57.360
<v Speaker 4>on because obviously the number thirty three is popping up

813
00:54:57.400 --> 00:54:59.079
<v Speaker 4>over and over and over and over and over again.

814
00:54:59.480 --> 00:55:07.159
<v Speaker 4>And the other piece of this Bacon Shakespeare Mason kind

815
00:55:07.199 --> 00:55:12.039
<v Speaker 4>of salad is always kabbala. You always hear, you know,

816
00:55:12.360 --> 00:55:17.599
<v Speaker 4>the kabbala is basically a basis for masonry, and that

817
00:55:17.800 --> 00:55:21.840
<v Speaker 4>everything kind of distills in each degree kind of distills

818
00:55:21.880 --> 00:55:28.599
<v Speaker 4>back to a Kabbalistic principle. And I've asked master Masons.

819
00:55:29.079 --> 00:55:32.440
<v Speaker 4>I asked the the worshipful master of a lodge, like, hey,

820
00:55:32.440 --> 00:55:34.519
<v Speaker 4>what do you know about the Kabbala? This is a

821
00:55:34.559 --> 00:55:37.280
<v Speaker 4>thirty two degree, a thirty second degree Mason. He's like,

822
00:55:37.599 --> 00:55:40.559
<v Speaker 4>I've never even heard of it. Now, I know the

823
00:55:40.599 --> 00:55:44.119
<v Speaker 4>guy pretty well, and if he was, you know, if

824
00:55:44.159 --> 00:55:48.000
<v Speaker 4>he was bullshitting me, I feel like i'd have known it.

825
00:55:48.079 --> 00:55:49.920
<v Speaker 4>But I've asked other people, and you can go online

826
00:55:50.000 --> 00:55:52.719
<v Speaker 4>to forums and stuff like that and you'll see you'll

827
00:55:52.719 --> 00:55:56.079
<v Speaker 4>see Masons all day be like nothing to do with Kabbala, like,

828
00:55:56.800 --> 00:56:00.440
<v Speaker 4>but it's absolutely clear that it is. And if you

829
00:56:00.480 --> 00:56:04.320
<v Speaker 4>read Morals and Dogmen anything by Albert Pike, the Kabbala

830
00:56:04.639 --> 00:56:11.760
<v Speaker 4>was Pikes. That was his preferred kind of esoteric kind

831
00:56:11.760 --> 00:56:16.639
<v Speaker 4>of framework. So it is in there, specifically in Scottish

832
00:56:16.679 --> 00:56:20.719
<v Speaker 4>righte freemasonry. So I start looking around into the Kabbala.

833
00:56:21.079 --> 00:56:22.920
<v Speaker 2>Oh real quick, I just want to say, like, uh,

834
00:56:23.119 --> 00:56:26.119
<v Speaker 2>I know for a fact that well, I mean, that's

835
00:56:26.119 --> 00:56:28.639
<v Speaker 2>what they even admit it, but it maybe maybe it's

836
00:56:28.639 --> 00:56:32.880
<v Speaker 2>not true, but yeah, Eestra morgentum even if you look

837
00:56:32.960 --> 00:56:38.079
<v Speaker 2>up their initiatives, I guess degree system. They even show

838
00:56:38.119 --> 00:56:41.719
<v Speaker 2>you how like their degrees matched the tree. Yeah, you know,

839
00:56:41.760 --> 00:56:43.000
<v Speaker 2>they kind of make it. Oh, they kind of like,

840
00:56:43.880 --> 00:56:45.920
<v Speaker 2>you know, in explaining it, it's quite obvious.

841
00:56:46.039 --> 00:56:51.320
<v Speaker 4>Well, so does the what I found is? So does

842
00:56:51.440 --> 00:56:54.480
<v Speaker 4>it match with the degrees the thirty three degrees of

843
00:56:54.519 --> 00:56:59.880
<v Speaker 4>freemasonry and the thirty three plays of William Shakespeare? And

844
00:57:01.039 --> 00:57:03.280
<v Speaker 4>so I found this thing called the thirty two paths

845
00:57:03.280 --> 00:57:10.840
<v Speaker 4>of wisdom in Kabbala. It comes from the Book of Formation,

846
00:57:11.199 --> 00:57:14.320
<v Speaker 4>and it describes the thirty two paths of wisdom as

847
00:57:15.000 --> 00:57:18.320
<v Speaker 4>these are the ten sepharat. So one through ten is

848
00:57:18.320 --> 00:57:20.800
<v Speaker 4>the ten sepharat on the tree of life, and then

849
00:57:20.880 --> 00:57:23.800
<v Speaker 4>below that is the twenty two letters of the Hebrew alphabet.

850
00:57:25.440 --> 00:57:29.280
<v Speaker 4>And so that gives you thirty two paths. But Kabbala

851
00:57:29.360 --> 00:57:32.840
<v Speaker 4>always speaks of the thirty third path that cannot be named,

852
00:57:33.159 --> 00:57:38.960
<v Speaker 4>the path beyond form, corresponding to ketter or einsoft It's

853
00:57:39.000 --> 00:57:43.559
<v Speaker 4>heavily emphasized in Lurianic Kabbala, Hermetic Kabala, which is of

854
00:57:43.639 --> 00:57:49.559
<v Speaker 4>Bacon's day sixteenth and seventeenth. The seventeenth century Christian novelists

855
00:57:49.639 --> 00:57:55.000
<v Speaker 4>and Rosa Cruscian manuscripts. So this particular kind of ladder

856
00:57:55.079 --> 00:58:00.880
<v Speaker 4>of thirty three pathways maps right onto the time and

857
00:58:01.000 --> 00:58:06.719
<v Speaker 4>place that that Francis Bacon was was was, you know,

858
00:58:06.800 --> 00:58:11.119
<v Speaker 4>messing around and working off of So I've gone through.

859
00:58:11.159 --> 00:58:13.199
<v Speaker 4>I'm not going to go through all thirty three plays,

860
00:58:13.239 --> 00:58:20.119
<v Speaker 4>but I do have some favorites. Trust me when I

861
00:58:20.159 --> 00:58:23.360
<v Speaker 4>say that they all match up pretty great. But I'm

862
00:58:23.400 --> 00:58:25.639
<v Speaker 4>gonna jump. So we went through the tempest a little bit.

863
00:58:28.480 --> 00:58:32.440
<v Speaker 4>Let's do much Ado about Nothing. That's the sixth degree.

864
00:58:34.639 --> 00:58:37.599
<v Speaker 4>Much Ado in About Nothing is the sixth play. It

865
00:58:37.760 --> 00:58:42.079
<v Speaker 4>is the the sixth degree of Scottish rape free Masonry

866
00:58:42.159 --> 00:58:46.719
<v Speaker 4>is the intimate secretary. The summary of the play, Beatrice

867
00:58:46.719 --> 00:58:50.480
<v Speaker 4>and Benedict engage in witty verbal combat, while Claudio and

868
00:58:50.599 --> 00:58:55.400
<v Speaker 4>Hero navigate betrayal and reconciliation. Love triumphs, but only after

869
00:58:55.519 --> 00:58:58.920
<v Speaker 4>truth is brought to light. In masonry, the degree centers

870
00:58:59.360 --> 00:59:03.599
<v Speaker 4>on confidence, service, accurate witnessing, and faithful transmission of truth.

871
00:59:04.360 --> 00:59:07.360
<v Speaker 4>So the sexton in the play is a character in

872
00:59:07.360 --> 00:59:11.239
<v Speaker 4>the play acts as a recorder, so literally this is

873
00:59:11.239 --> 00:59:16.079
<v Speaker 4>the intimate secretary. In the The sexton.

874
00:59:16.360 --> 00:59:18.159
<v Speaker 2>Like a astronomical device as well.

875
00:59:18.719 --> 00:59:24.519
<v Speaker 4>I believe, so yeah, the no sextant I think, yeah.

876
00:59:24.639 --> 00:59:28.400
<v Speaker 4>So they have a secretary is a and just so

877
00:59:28.480 --> 00:59:30.880
<v Speaker 4>you know, there's not a lot of secretary parts in

878
00:59:31.039 --> 00:59:34.400
<v Speaker 4>other shakespeare In plays, so it's interesting he acts for

879
00:59:34.760 --> 00:59:39.960
<v Speaker 4>as recorder for dogbery. He embodies the secretary role literacy,

880
00:59:40.000 --> 00:59:43.199
<v Speaker 4>truth keeping in the ability to discern fact from falsehood.

881
00:59:43.760 --> 00:59:48.760
<v Speaker 4>The central conflict heroes. Slander dramatizes the dangers of false reports,

882
00:59:48.800 --> 00:59:51.639
<v Speaker 4>a core lesson of the degree. So right there, core

883
00:59:51.719 --> 00:59:54.920
<v Speaker 4>lesson of the degree is mapped out right into the

884
00:59:56.480 --> 01:00:01.280
<v Speaker 4>right into the play there and then from morals and dogma.

885
01:00:01.519 --> 01:00:06.639
<v Speaker 4>The degree symbols two class hands, curtains, half drawn triangular

886
01:00:06.920 --> 01:00:10.400
<v Speaker 4>arrangement of secret letters red and white, which stand for

887
01:00:10.519 --> 01:00:14.760
<v Speaker 4>passion and purity, the way that mirrors in the play.

888
01:00:14.840 --> 01:00:18.480
<v Speaker 4>The entire plot revolves around broken trust rebuilding of confidence

889
01:00:18.519 --> 01:00:22.880
<v Speaker 4>between characters Hero, Claudio, Benedict and Beatrice. Everything is overheard

890
01:00:22.920 --> 01:00:27.400
<v Speaker 4>behind curtains, hedges, partial concealments, perfect symbol of the half

891
01:00:27.480 --> 01:00:31.719
<v Speaker 4>drawn veil, red and white. Obviously this is a All

892
01:00:31.760 --> 01:00:35.079
<v Speaker 4>his comedies are also love triangles. So red and white,

893
01:00:35.119 --> 01:00:41.519
<v Speaker 4>Hero's innocence stained by false accusation, Red Bam and then

894
01:00:41.519 --> 01:00:52.599
<v Speaker 4>we go to six on the proverbs much ado, Yeah,

895
01:00:52.880 --> 01:00:57.280
<v Speaker 4>that is proverb one oh one or proverbs for eighteen.

896
01:00:58.960 --> 01:01:01.960
<v Speaker 4>The wisdom of the prude is to understand his way,

897
01:01:02.000 --> 01:01:05.679
<v Speaker 4>but the folly of the fool is deceit. Aligns with

898
01:01:05.760 --> 01:01:10.239
<v Speaker 4>the sixth degree, the intimate secretary. The degree stresses discernment,

899
01:01:10.760 --> 01:01:15.239
<v Speaker 4>accurate record, truth versus deception accurate record. You're talking about

900
01:01:15.880 --> 01:01:18.760
<v Speaker 4>that secretary there. The wisdom of the prudence to understand

901
01:01:18.760 --> 01:01:24.199
<v Speaker 4>his way equals the secretary's duty. Folly is deceit. That's

902
01:01:24.280 --> 01:01:29.639
<v Speaker 4>the degree's warning. Don Pedro and Leonardo equal prudence and understanding.

903
01:01:29.760 --> 01:01:35.039
<v Speaker 4>Claudio is deceived. Benedict and Beatrice truth disguises wit, and

904
01:01:35.320 --> 01:01:40.880
<v Speaker 4>Don Don John folly is deceit incarnate. So the sixth

905
01:01:40.920 --> 01:01:44.360
<v Speaker 4>degree is about the ability to tell the truth from

906
01:01:44.400 --> 01:01:48.159
<v Speaker 4>falhood and the entire plays in June, and then you

907
01:01:48.239 --> 01:01:54.840
<v Speaker 4>run over here to the Kabbalah, and that particular play

908
01:01:55.199 --> 01:01:59.000
<v Speaker 4>lines up with number six, the sixth pathway, which is tifferet,

909
01:01:59.039 --> 01:02:05.159
<v Speaker 4>which means beauty or harmony or harmony after conflict. So

910
01:02:05.320 --> 01:02:10.480
<v Speaker 4>again tifferrett equals the heart. The heart equals Benedict and

911
01:02:10.920 --> 01:02:17.639
<v Speaker 4>Beatrice harmony restored through speech, misunderstanding, and reconciliation. So the

912
01:02:17.679 --> 01:02:23.440
<v Speaker 4>other great thing about the Shakespeare plays mapping onto the

913
01:02:23.480 --> 01:02:29.199
<v Speaker 4>degrees of freemasonry is that they go the first I

914
01:02:29.239 --> 01:02:39.239
<v Speaker 4>believe it's twelve plays. Let me make sure, all right,

915
01:02:39.239 --> 01:02:42.760
<v Speaker 4>I'll get to it. Oh, here we go. The first

916
01:02:42.800 --> 01:02:50.400
<v Speaker 4>fourteen plays in the in the Shakespeare folio are the comedies,

917
01:02:50.800 --> 01:02:57.800
<v Speaker 4>and they are all light love triangles, comedic. Right at

918
01:02:57.960 --> 01:03:01.800
<v Speaker 4>play number fifteen is where the histories and tragedies start

919
01:03:04.239 --> 01:03:08.119
<v Speaker 4>in freemasonry. The first fourteen degrees are the ineffable degrees

920
01:03:08.679 --> 01:03:12.119
<v Speaker 4>a little bit lighter. And then in the fifteenth degree,

921
01:03:12.400 --> 01:03:19.320
<v Speaker 4>that's right where the historical and religious degrees begin, and

922
01:03:19.400 --> 01:03:23.039
<v Speaker 4>so also where the histories and tragedies begin in the

923
01:03:23.079 --> 01:03:26.960
<v Speaker 4>first folio. So I'm gonna jump to where are my

924
01:03:27.159 --> 01:03:29.920
<v Speaker 4>stars at? Yeah, here we go. I'm gonsa jump to

925
01:03:30.000 --> 01:03:34.159
<v Speaker 4>the eighteenth degree. I find this one. This grouping of

926
01:03:34.199 --> 01:03:39.800
<v Speaker 4>these degrees and play is really interesting. So the play

927
01:03:39.840 --> 01:03:43.320
<v Speaker 4>that we're talking about is Henry the Fifth. We've jumped

928
01:03:43.320 --> 01:03:50.119
<v Speaker 4>to the the kind of nightly degrees, and we've jumped

929
01:03:50.119 --> 01:03:54.360
<v Speaker 4>to the histories. In the Shakespearean plays. The eighteenth degree

930
01:03:54.440 --> 01:03:56.559
<v Speaker 4>is the Night of the Rose Cross, the play is

931
01:03:56.599 --> 01:04:06.320
<v Speaker 4>Henry the Fifth. It's that also not only does is

932
01:04:06.360 --> 01:04:12.119
<v Speaker 4>this where the kind of knightly degrees start, but it's

933
01:04:12.119 --> 01:04:15.920
<v Speaker 4>also interesting that the first place that like rose Accrucianism

934
01:04:16.000 --> 01:04:19.239
<v Speaker 4>is mentioned within the degrees is the also the start

935
01:04:19.320 --> 01:04:23.480
<v Speaker 4>of the histories here. So Henry the Fifth follows King

936
01:04:23.480 --> 01:04:28.719
<v Speaker 4>Henry's transformation from reckless prince to a responsible and inspiring monarch.

937
01:04:28.840 --> 01:04:31.559
<v Speaker 4>The place centers on his leadership during the war with France,

938
01:04:31.639 --> 01:04:36.039
<v Speaker 4>especially the Battle of Agan Court. Themes include honor, duty, legitimacy,

939
01:04:36.079 --> 01:04:38.679
<v Speaker 4>and the burden of kingship, as well as the attempt

940
01:04:38.679 --> 01:04:42.960
<v Speaker 4>to reconcile former vices with present virtue. In masonry, in

941
01:04:43.119 --> 01:04:46.320
<v Speaker 4>the eighteenth degree, the Knight of the rose Cross degree

942
01:04:46.480 --> 01:04:49.559
<v Speaker 4>is the teachings of Jesus of Nazareth to illustrate universal

943
01:04:49.599 --> 01:04:54.639
<v Speaker 4>principles of life and morality. It emphasizes virtue over vice,

944
01:04:54.760 --> 01:05:00.360
<v Speaker 4>tolerance over love, the reconciliation of opposites, the discover of

945
01:05:00.400 --> 01:05:05.880
<v Speaker 4>the true word or logos within oneself. It's a degree

946
01:05:05.920 --> 01:05:09.480
<v Speaker 4>of inner transformation. In the play, Henry the Fifth can

947
01:05:09.480 --> 01:05:16.400
<v Speaker 4>be read as a monarch undergoing rose Cross transformation, as

948
01:05:16.400 --> 01:05:20.280
<v Speaker 4>far as reconciliation of opposites Henry is both pious and ruthless.

949
01:05:20.679 --> 01:05:25.039
<v Speaker 4>He speaks eloquently of honor and unity. Few we happy.

950
01:05:25.079 --> 01:05:30.039
<v Speaker 4>Few remember that line. Yet he threatens halfer and sanctions executions.

951
01:05:30.079 --> 01:05:33.719
<v Speaker 4>He wrestles with tensions between mercy and necessity. The true

952
01:05:33.760 --> 01:05:38.159
<v Speaker 4>word within is represented by Henry's transformation from Prince hal

953
01:05:38.320 --> 01:05:44.079
<v Speaker 4>to King. Henry suggests a man has aligned his outward

954
01:05:44.119 --> 01:05:47.480
<v Speaker 4>actions with an inner sense of calling and kingship, a

955
01:05:47.559 --> 01:05:52.280
<v Speaker 4>discovery of his royal logos tolerance and union. By seeking

956
01:05:52.320 --> 01:05:56.960
<v Speaker 4>to unite England and France, symbolized through his marriage to Catherine,

957
01:05:57.480 --> 01:06:00.639
<v Speaker 4>Henry attempts to heal divisions and build a broad unity

958
01:06:01.239 --> 01:06:04.360
<v Speaker 4>and echo of the degrees called to transcend sectarianism and

959
01:06:04.360 --> 01:06:10.880
<v Speaker 4>embrace a higher, reconcilitatory love. You jumped to the signs

960
01:06:10.880 --> 01:06:17.920
<v Speaker 4>and symbols of the eighteenth degree in freemasonry, and again

961
01:06:18.880 --> 01:06:21.559
<v Speaker 4>this is really cool. So the eighteenth degree of freemasonry

962
01:06:21.559 --> 01:06:24.119
<v Speaker 4>is the Knight of the Rose Cross. The play is

963
01:06:24.199 --> 01:06:27.320
<v Speaker 4>King Henry the Fifth. Henry the Fifth was the last

964
01:06:27.480 --> 01:06:33.320
<v Speaker 4>king before the War of Roses, and his son presided

965
01:06:33.639 --> 01:06:35.920
<v Speaker 4>was the King of England during the War of Roses.

966
01:06:36.320 --> 01:06:39.239
<v Speaker 4>So the degree symbols are the Rose cross, the Pelican

967
01:06:39.760 --> 01:06:44.159
<v Speaker 4>equal sacrifice, the eagle, which eagles, vision, the lamb in

968
01:06:44.239 --> 01:06:48.199
<v Speaker 4>seven seals, and red and white and the way you

969
01:06:48.239 --> 01:06:51.440
<v Speaker 4>find those. In the play, Henry repeatedly cast himself as

970
01:06:51.440 --> 01:06:55.039
<v Speaker 4>the sacrificial leader, bearing the sins of his army, his

971
01:06:55.119 --> 01:06:59.159
<v Speaker 4>transformation from how is a rose cross resurrection, and Asian

972
01:06:59.199 --> 01:07:02.960
<v Speaker 4>Court is framed as the red and white miracle. And

973
01:07:03.000 --> 01:07:06.079
<v Speaker 4>then that proverb, this is where the proverbs start to

974
01:07:06.119 --> 01:07:14.519
<v Speaker 4>get a little bit more on the nose, even eighteen

975
01:07:15.159 --> 01:07:21.840
<v Speaker 4>he this is again sixty nine page I'm sorry, play

976
01:07:21.880 --> 01:07:26.800
<v Speaker 4>starts on page sixty nine. The proverb, the sixty ninth

977
01:07:26.880 --> 01:07:31.960
<v Speaker 4>proverb is he that diligently seeketh good, procureth favor. But

978
01:07:32.039 --> 01:07:36.199
<v Speaker 4>he that seeketh mischief, it shall come unto him, alignment

979
01:07:36.239 --> 01:07:41.000
<v Speaker 4>with Henry the fifth. Henry diligently seeks good on her

980
01:07:41.119 --> 01:07:44.559
<v Speaker 4>unity victory the French, and the French or the traders

981
01:07:44.639 --> 01:07:48.960
<v Speaker 4>seek mischief in return to destroy them. So it's kind

982
01:07:48.960 --> 01:07:52.000
<v Speaker 4>of it's almost a perfect alignment from virtue to favor

983
01:07:52.039 --> 01:07:58.639
<v Speaker 4>to mischief to defeat. And then that mapping onto.

984
01:07:59.239 --> 01:08:02.920
<v Speaker 2>The spies, even on the keystone too for Merita pillars.

985
01:08:03.000 --> 01:08:09.159
<v Speaker 4>Yeah, And then in Kabbala eighteen. The path there is

986
01:08:09.239 --> 01:08:12.800
<v Speaker 4>represented by the letter pe p e h. The mouth

987
01:08:13.000 --> 01:08:18.800
<v Speaker 4>or speech the great thing about I love that in

988
01:08:18.840 --> 01:08:23.199
<v Speaker 4>this play. Do you remember the It's in movies and

989
01:08:23.279 --> 01:08:28.359
<v Speaker 4>things like that, the famous Shakespearean speech once More onto

990
01:08:28.399 --> 01:08:32.640
<v Speaker 4>the Breach. It's like a famous like rallying like thing.

991
01:08:33.680 --> 01:08:38.680
<v Speaker 4>The two most famous like monologue like speeches in Shakespearean

992
01:08:40.439 --> 01:08:44.159
<v Speaker 4>plays are contained within Henry the Fifth this one play.

993
01:08:44.520 --> 01:08:48.600
<v Speaker 4>So it's the once More into the Breach speech and

994
01:08:48.600 --> 01:08:52.119
<v Speaker 4>then the Saint Crispin's Day speech. You look any of

995
01:08:52.119 --> 01:08:54.560
<v Speaker 4>those up. They've been quoted a million times in a

996
01:08:54.600 --> 01:09:00.399
<v Speaker 4>million movies about war and whatnot, And specifically the path

997
01:09:00.479 --> 01:09:03.920
<v Speaker 4>in the Kabbalah on that thirty three run ladder of

998
01:09:04.039 --> 01:09:14.159
<v Speaker 4>this cabalistic system means mouth or speech obviously, speeches, power

999
01:09:14.159 --> 01:09:19.520
<v Speaker 4>of the word and the logos thing. Nineteenth degree is

1000
01:09:19.880 --> 01:09:25.760
<v Speaker 4>the nineteenth degree is the Grand Pontiff. The play that

1001
01:09:25.840 --> 01:09:30.439
<v Speaker 4>corresponds as Henry the sixth play. Summary Across the Henry

1002
01:09:30.439 --> 01:09:33.920
<v Speaker 4>the Sixth trilogy, England's Fortunes Decline Abroad and at Home.

1003
01:09:34.439 --> 01:09:36.800
<v Speaker 4>Part one shows the loss of France and the rise

1004
01:09:36.840 --> 01:09:39.720
<v Speaker 4>of Joan of Arc and Talbot. Part two depicts the

1005
01:09:39.840 --> 01:09:44.840
<v Speaker 4>escalating factionalism and civil unrest. Part three plunges fully into

1006
01:09:44.880 --> 01:09:48.239
<v Speaker 4>the Wars of the Roses, with brutal battles between Lancaster

1007
01:09:48.359 --> 01:09:51.920
<v Speaker 4>and York culminating in the Shattered Realm and the rise

1008
01:09:51.960 --> 01:09:55.680
<v Speaker 4>of Richard the Third. Themes include collapse of legitimate authority,

1009
01:09:55.720 --> 01:09:58.640
<v Speaker 4>the cost of war, the legacy of nobility, and heroism

1010
01:09:59.199 --> 01:10:05.520
<v Speaker 4>in masonry. The grand pond of Degree stresses the continuity

1011
01:10:05.560 --> 01:10:09.159
<v Speaker 4>and influence of the past on the present future. The

1012
01:10:09.199 --> 01:10:17.199
<v Speaker 4>play is all things that result from from past deeds,

1013
01:10:17.840 --> 01:10:20.159
<v Speaker 4>the struggle between light and darkness, good and evil, the

1014
01:10:20.199 --> 01:10:24.640
<v Speaker 4>idea that good ultimately triumphs Mason's responsibility to uplift future

1015
01:10:24.680 --> 01:10:28.279
<v Speaker 4>generations and to think beyond his own era. So in

1016
01:10:28.319 --> 01:10:31.520
<v Speaker 4>the play moral ambiguity and struggle, Henry the Six is

1017
01:10:31.520 --> 01:10:35.920
<v Speaker 4>personally devout and gentle but politically weak, while figures like

1018
01:10:36.119 --> 01:10:42.079
<v Speaker 4>Margaret and York display ruthless ambition. The past shaping the

1019
01:10:42.079 --> 01:10:46.319
<v Speaker 4>future the wars betrayals misjudgments in Henry the Six plant

1020
01:10:46.319 --> 01:10:50.239
<v Speaker 4>the seeds for him or for Richard the Third, who

1021
01:10:50.359 --> 01:10:54.680
<v Speaker 4>is the next play In the next the next example,

1022
01:10:56.439 --> 01:11:00.399
<v Speaker 4>the entire are echoes of the nineteenth degree insistence that

1023
01:11:00.479 --> 01:11:03.720
<v Speaker 4>the past is never dead. It is the foundation of

1024
01:11:03.800 --> 01:11:09.479
<v Speaker 4>that will be built good or ill. Let's see here,

1025
01:11:09.880 --> 01:11:15.079
<v Speaker 4>you've got the this is cool in the nineteen degree

1026
01:11:15.239 --> 01:11:18.479
<v Speaker 4>symbols and signs that you've got a triple cross, the meter,

1027
01:11:18.960 --> 01:11:23.239
<v Speaker 4>the censor, and the crown of stars. The play revolves

1028
01:11:23.279 --> 01:11:28.359
<v Speaker 4>around corrupted spiritual authority, contested legitimacy, and priestly overtones. The

1029
01:11:28.439 --> 01:11:31.640
<v Speaker 4>triple cross tensions appear in the War of the Roses.

1030
01:11:31.680 --> 01:11:36.119
<v Speaker 4>There are three overlapping factions in that particular historic conflict.

1031
01:11:37.079 --> 01:11:40.359
<v Speaker 4>So you got those three crosses representing the three parties

1032
01:11:40.399 --> 01:11:43.920
<v Speaker 4>of the War of the Roses. And then Henry the

1033
01:11:44.159 --> 01:11:49.439
<v Speaker 4>six is the metered king. He's pious but ineffective real quick.

1034
01:11:49.479 --> 01:11:53.760
<v Speaker 4>That proverb righteousness keep it keepeth him that is upright

1035
01:11:53.800 --> 01:11:58.399
<v Speaker 4>in the way, but wickedness overthrow with the center. That

1036
01:11:58.479 --> 01:12:04.680
<v Speaker 4>one's pretty self explanatory. The proverbs overthrow is literally the

1037
01:12:04.720 --> 01:12:09.159
<v Speaker 4>War of the Roses. Nineteen we've got resh, which meets

1038
01:12:09.199 --> 01:12:19.840
<v Speaker 4>head or leadership, collapse of leadership, chaos of many heads.

1039
01:12:22.880 --> 01:12:26.479
<v Speaker 4>Here we go, and again the more you go through these,

1040
01:12:26.520 --> 01:12:28.880
<v Speaker 4>the more on the nose they get. The twentieth degree

1041
01:12:29.439 --> 01:12:33.039
<v Speaker 4>is the master of the symbolic Lodge. Play that corresponds

1042
01:12:33.079 --> 01:12:37.399
<v Speaker 4>is Richard the Third. Play summary. Richard of Gloucester schemes,

1043
01:12:37.439 --> 01:12:40.640
<v Speaker 4>lies and murders his way to the throne. His manipulation

1044
01:12:41.199 --> 01:12:44.680
<v Speaker 4>of appearances, oaths, and loyalty creates a reign of terror

1045
01:12:44.720 --> 01:12:48.319
<v Speaker 4>that ultimately collapses and he is defeated by Henry Tudor

1046
01:12:49.159 --> 01:12:55.760
<v Speaker 4>Henry the seventh. Roussalo's ambition conscience, legitimacy, and divine justice

1047
01:12:55.800 --> 01:12:59.640
<v Speaker 4>and Masonry the degree focuses on the responsibilities. Is the

1048
01:12:59.640 --> 01:13:03.720
<v Speaker 4>master to embody and teach truth, justice, and tolerance the

1049
01:13:03.800 --> 01:13:09.880
<v Speaker 4>central virtues of leadership, restoring masonry and symbolically any institution

1050
01:13:10.119 --> 01:13:15.680
<v Speaker 4>to its original purity. It's interesting because it ends with

1051
01:13:15.800 --> 01:13:20.359
<v Speaker 4>a tutor the end of this play, Henry the Seventh,

1052
01:13:21.039 --> 01:13:24.920
<v Speaker 4>the father of Henry the Eighth, who ends up being

1053
01:13:25.000 --> 01:13:30.840
<v Speaker 4>Elizabeth's father, takes over. So this is where it drops

1054
01:13:31.560 --> 01:13:35.920
<v Speaker 4>from Richard the Third and this is exactly where that

1055
01:13:36.079 --> 01:13:42.479
<v Speaker 4>Maravingian line kicks back in, and it's where Bacon at

1056
01:13:42.479 --> 01:13:44.920
<v Speaker 4>the end of this play, what's coming next is Bacon,

1057
01:13:45.000 --> 01:13:52.279
<v Speaker 4>Elizabeth and all that whatnot. You've got keys and golden

1058
01:13:52.359 --> 01:13:55.119
<v Speaker 4>circles that all tie into the play that those are

1059
01:13:55.159 --> 01:14:00.319
<v Speaker 4>the signs the proverb the beginning strife is as when

1060
01:14:00.560 --> 01:14:04.359
<v Speaker 4>one letteth out water. Therefore leave off contention before it

1061
01:14:04.399 --> 01:14:08.039
<v Speaker 4>be meddled with warns against tyranny, conflict, and moral decay,

1062
01:14:08.119 --> 01:14:11.079
<v Speaker 4>all the things that got Richard the Third deposed and

1063
01:14:11.119 --> 01:14:16.119
<v Speaker 4>the tutors in there. Play begins with strife unleashed by Richard.

1064
01:14:16.239 --> 01:14:18.560
<v Speaker 4>The war the roses let out the water that drowns

1065
01:14:18.600 --> 01:14:22.479
<v Speaker 4>the kingdom. Richard is the archetype of the degrees warning,

1066
01:14:22.640 --> 01:14:25.079
<v Speaker 4>unchecked strife, catastrophic.

1067
01:14:24.439 --> 01:14:29.880
<v Speaker 2>Collapse, huge strife, a lot loving the strife.

1068
01:14:30.520 --> 01:14:37.920
<v Speaker 4>Yeah, So that Hebrew letter is tav or the seal

1069
01:14:38.159 --> 01:14:46.159
<v Speaker 4>or completion. Henry the seventh. Let's see here. Henry the

1070
01:14:46.199 --> 01:14:50.680
<v Speaker 4>seventh was the son of Edward the third, who was

1071
01:14:50.720 --> 01:14:55.479
<v Speaker 4>a plantagene His wife, Elizabeth of York, was a plantagenet.

1072
01:14:56.800 --> 01:14:59.920
<v Speaker 4>So that's where the true divine right, like I was saying,

1073
01:15:00.479 --> 01:15:06.439
<v Speaker 4>begins again. And I will skip on to the twenty

1074
01:15:08.439 --> 01:15:13.840
<v Speaker 4>twenty first degree. This one's kind of interesting. I'll just

1075
01:15:13.880 --> 01:15:16.760
<v Speaker 4>go through key things because I know this is a

1076
01:15:16.800 --> 01:15:22.039
<v Speaker 4>lot of me just reading. But so the twenty first

1077
01:15:22.039 --> 01:15:26.359
<v Speaker 4>degree is the Noah Kite or Prussian Night, and the

1078
01:15:26.439 --> 01:15:30.800
<v Speaker 4>play there is Henry the Eighth So we're now on

1079
01:15:30.960 --> 01:15:34.520
<v Speaker 4>to Queen Elizabeth. The first Dad noah Kite is a

1080
01:15:34.600 --> 01:15:38.720
<v Speaker 4>non Jew who follows the seven Noah Hyde laws. So

1081
01:15:38.800 --> 01:15:41.359
<v Speaker 4>it's a non Jew who follows the seven like kind

1082
01:15:41.399 --> 01:15:49.079
<v Speaker 4>of Jewish laws, and it's also embodied. Those seven laws

1083
01:15:49.119 --> 01:15:53.399
<v Speaker 4>are embodied in the lower Sufferer of the Kabalistic Tree

1084
01:15:53.399 --> 01:15:58.479
<v Speaker 4>of Life. Let's see here. So Henry the Eighth portrays

1085
01:15:58.520 --> 01:16:01.640
<v Speaker 4>the political and personal entry of Henry's reign, especially as

1086
01:16:01.680 --> 01:16:09.640
<v Speaker 4>marriage to amberleyn descendant of Edward the first Plantagenet, includes ambition,

1087
01:16:09.800 --> 01:16:15.159
<v Speaker 4>religious and political change, the personal cost of royal decisions

1088
01:16:17.159 --> 01:16:22.439
<v Speaker 4>let's see here, arrogance and humility, courtesy and dignity. What

1089
01:16:22.520 --> 01:16:28.880
<v Speaker 4>are we on number twenty one? I mean, I can

1090
01:16:28.960 --> 01:16:34.000
<v Speaker 4>keep going through these things, but I'd love to find

1091
01:16:34.039 --> 01:16:37.000
<v Speaker 4>some of these proverbs that are incredible.

1092
01:16:39.520 --> 01:16:43.560
<v Speaker 1>I was wondering this, Ernie, this is amazing a series

1093
01:16:43.600 --> 01:16:45.560
<v Speaker 1>of correspondences.

1094
01:16:45.680 --> 01:16:46.720
<v Speaker 4>I was wondering, if.

1095
01:16:46.640 --> 01:16:52.800
<v Speaker 1>You'll share the thirty three somewhere online, Maybe not the entirety,

1096
01:16:52.800 --> 01:16:54.920
<v Speaker 1>but just the correspondences maybe just.

1097
01:16:55.359 --> 01:16:57.920
<v Speaker 4>Yeah, that was that was kind of my plan to

1098
01:16:57.920 --> 01:17:00.760
<v Speaker 4>get done before here and be able to like throw

1099
01:17:00.840 --> 01:17:03.079
<v Speaker 4>them up instead of me just not.

1100
01:17:03.039 --> 01:17:05.840
<v Speaker 1>Necessarily for us, But I just mean for you and

1101
01:17:05.880 --> 01:17:09.039
<v Speaker 1>the other folks that might be interested in this, because

1102
01:17:09.119 --> 01:17:12.560
<v Speaker 1>you really nailed some interesting things.

1103
01:17:12.640 --> 01:17:15.960
<v Speaker 4>I think here, yeah, and it's when I'm not rambling

1104
01:17:16.039 --> 01:17:19.199
<v Speaker 4>and you're looking at this and the words by side

1105
01:17:19.239 --> 01:17:23.119
<v Speaker 4>by side by side, it's it's a little more incredible

1106
01:17:23.159 --> 01:17:23.960
<v Speaker 4>than my uh.

1107
01:17:24.159 --> 01:17:27.960
<v Speaker 1>And then I say, I see the incredibleness of it,

1108
01:17:28.159 --> 01:17:32.199
<v Speaker 1>because I'm sure other people do too. But one one

1109
01:17:32.319 --> 01:17:35.600
<v Speaker 1>thing that this all kinds of kind of weaves together,

1110
01:17:36.199 --> 01:17:41.319
<v Speaker 1>at least in my humble opinion. There's there's the masonry,

1111
01:17:41.359 --> 01:17:42.800
<v Speaker 1>there's the King James.

1112
01:17:42.439 --> 01:17:44.800
<v Speaker 4>Bible, and there's.

1113
01:17:44.439 --> 01:17:49.640
<v Speaker 1>The Shakespeare stories. As you're bringing together these and these

1114
01:17:49.680 --> 01:17:54.680
<v Speaker 1>are all, as you pointed out, foundational to our culture today.

1115
01:17:55.960 --> 01:18:02.479
<v Speaker 1>Shakespeare still is so influential to people's mind states. We

1116
01:18:02.520 --> 01:18:07.000
<v Speaker 1>don't even realize it. And and it all makes me

1117
01:18:07.119 --> 01:18:12.720
<v Speaker 1>think because of d and Bacon and there incredibleness and

1118
01:18:12.720 --> 01:18:18.199
<v Speaker 1>and all the weird hidden aspects that they encoded with

1119
01:18:18.279 --> 01:18:23.479
<v Speaker 1>everything and and put forth all these sometimes wonderful lessons really,

1120
01:18:24.159 --> 01:18:28.880
<v Speaker 1>but it makes it makes me think about in the Republic,

1121
01:18:29.800 --> 01:18:36.079
<v Speaker 1>there is an aspect of the dialogues where he there

1122
01:18:36.239 --> 01:18:38.760
<v Speaker 1>I forget who is talking, forgive me, but they're talking

1123
01:18:38.760 --> 01:18:44.039
<v Speaker 1>about the ideal nation or city state, and they are

1124
01:18:44.159 --> 01:18:46.720
<v Speaker 1>talking about how there would have to be a vanguard

1125
01:18:46.840 --> 01:18:52.920
<v Speaker 1>and so on, and there would have to be a mythos,

1126
01:18:53.039 --> 01:18:55.880
<v Speaker 1>there would have to be these stories, and there would

1127
01:18:55.960 --> 01:19:02.880
<v Speaker 1>have to be also this religion. And it's it's fascinating

1128
01:19:02.920 --> 01:19:06.520
<v Speaker 1>that all that the three streams, and maybe more even

1129
01:19:06.560 --> 01:19:12.279
<v Speaker 1>but the Masonry, Shakespeare, and King James Bible come together

1130
01:19:12.520 --> 01:19:15.520
<v Speaker 1>right at the same time, where there's this whole New

1131
01:19:15.560 --> 01:19:19.920
<v Speaker 1>world and it and in one sense, maybe it was

1132
01:19:20.119 --> 01:19:23.680
<v Speaker 1>just Virginia that they were trying to make this their

1133
01:19:23.800 --> 01:19:27.199
<v Speaker 1>little city state in a sense, as you alluded to

1134
01:19:27.279 --> 01:19:31.119
<v Speaker 1>in the beginning, and more broadly the colonies in the

1135
01:19:31.159 --> 01:19:34.239
<v Speaker 1>New World at large. But it just makes me think

1136
01:19:34.239 --> 01:19:38.479
<v Speaker 1>that they really were trying to do what was put

1137
01:19:38.520 --> 01:19:41.920
<v Speaker 1>forth in the Republic, and you're finding this stream that

1138
01:19:42.039 --> 01:19:43.239
<v Speaker 1>really hits on it.

1139
01:19:43.199 --> 01:19:46.920
<v Speaker 4>And then later echoed in Francis Bacon's short story The

1140
01:19:46.960 --> 01:19:49.760
<v Speaker 4>New Atlantis. I mean, I think that that the New

1141
01:19:49.800 --> 01:19:55.000
<v Speaker 4>Atlantis has become almost old hat in in conspiracy circles

1142
01:19:55.000 --> 01:20:00.159
<v Speaker 4>because it's just the same old points have been have

1143
01:20:00.239 --> 01:20:03.640
<v Speaker 4>been brought up for decades about the New Atlantis, but

1144
01:20:03.720 --> 01:20:08.159
<v Speaker 4>it really is what this country ended up being. And

1145
01:20:08.880 --> 01:20:12.920
<v Speaker 4>if you really look at this, it really truly reads

1146
01:20:13.079 --> 01:20:18.600
<v Speaker 4>like the Bacons or these Merovingians this idea for this

1147
01:20:18.600 --> 01:20:21.640
<v Speaker 4>this republic, because they kept trying it. I mean, the

1148
01:20:22.600 --> 01:20:26.680
<v Speaker 4>Meyrivingians start in one area and they move all over Europe.

1149
01:20:27.119 --> 01:20:30.279
<v Speaker 4>They move into Scotland, they move into you know, throughout

1150
01:20:30.319 --> 01:20:34.159
<v Speaker 4>the connected bloodlines. They move everywhere, and they change things

1151
01:20:34.159 --> 01:20:37.720
<v Speaker 4>a little bit, even down to Henry the Eighth splitting

1152
01:20:37.880 --> 01:20:42.920
<v Speaker 4>away from the Roman Catholic Empire, right, and then the

1153
01:20:43.600 --> 01:20:46.439
<v Speaker 4>Anglican Church ends up being the same kind of oppressive

1154
01:20:46.479 --> 01:20:50.920
<v Speaker 4>force that the Holy Roman Empire was in England to

1155
01:20:51.039 --> 01:20:54.199
<v Speaker 4>the Catholics who end up being in England. They oppressed

1156
01:20:54.199 --> 01:20:58.439
<v Speaker 4>them the same way the Catholics were oppressing this upstart

1157
01:20:58.560 --> 01:21:04.880
<v Speaker 4>kind of Protestant Protestantism. And then these Puritans and Calvinists

1158
01:21:04.880 --> 01:21:09.640
<v Speaker 4>come over to the New World, and so it feels

1159
01:21:09.720 --> 01:21:12.279
<v Speaker 4>like they're just jumping out of these places that are

1160
01:21:12.279 --> 01:21:19.439
<v Speaker 4>a little you know, once their their enlightenment ideals get

1161
01:21:19.640 --> 01:21:23.159
<v Speaker 4>like kind of exposed for not being in line with

1162
01:21:23.239 --> 01:21:27.079
<v Speaker 4>the church or or or culture at the time. You know,

1163
01:21:27.119 --> 01:21:31.119
<v Speaker 4>it's like the it's like the Templars who who factor

1164
01:21:31.159 --> 01:21:36.039
<v Speaker 4>into this as well. Once they once, you know, they

1165
01:21:36.079 --> 01:21:38.840
<v Speaker 4>become too powerful and maybe their ideas are a little

1166
01:21:38.840 --> 01:21:41.399
<v Speaker 4>bit too enlightened. All of a sudden, the Pope and

1167
01:21:41.439 --> 01:21:44.800
<v Speaker 4>the French King want them gone. You know, where do

1168
01:21:44.880 --> 01:21:49.760
<v Speaker 4>they go? They go to Scotland and hang out with

1169
01:21:50.560 --> 01:21:55.159
<v Speaker 4>the precursor to the Bruce Klan and help the Bruce

1170
01:21:55.279 --> 01:22:00.399
<v Speaker 4>Klan win the independence of Scotland from England, who at

1171
01:22:00.399 --> 01:22:05.960
<v Speaker 4>the time was Catholic. And they even Scotland at that

1172
01:22:06.119 --> 01:22:11.199
<v Speaker 4>time gets uh like excommunicator. Bishops get excommunicated from the

1173
01:22:11.239 --> 01:22:14.439
<v Speaker 4>Catholic Church. So actually, when Henry the Eighth just a

1174
01:22:14.439 --> 01:22:18.119
<v Speaker 4>short time later split from the Catholic Church, Scotland was like,

1175
01:22:18.359 --> 01:22:21.680
<v Speaker 4>we've been split for a while. But I don't need

1176
01:22:21.680 --> 01:22:26.760
<v Speaker 4>to go through like any more questions, but like, this

1177
01:22:26.920 --> 01:22:29.199
<v Speaker 4>is kind of another.

1178
01:22:28.920 --> 01:22:31.439
<v Speaker 1>Question, and I would ask you to do one more

1179
01:22:31.600 --> 01:22:38.279
<v Speaker 1>because I I'm maybe a plain Jane of the Shakespearean world.

1180
01:22:38.680 --> 01:22:44.000
<v Speaker 4>I like Macbeth and also things line oh yeah, yeah,

1181
01:22:44.279 --> 01:22:46.840
<v Speaker 4>I'm still in the twenties here, let me let me.

1182
01:22:47.319 --> 01:22:51.640
<v Speaker 1>Yeah, what is the number of Macbeth?

1183
01:22:51.720 --> 01:22:56.319
<v Speaker 4>And could you break that one down? Yeah? And and Juliet,

1184
01:22:56.359 --> 01:23:00.279
<v Speaker 4>it's a really good one too. Tim and of Athens,

1185
01:23:00.399 --> 01:23:09.079
<v Speaker 4>Caesar and let Macbeth. Macbeth is twenty eight, so it's

1186
01:23:09.079 --> 01:23:11.560
<v Speaker 4>a twenty eighth degree Knight of the Sun or the

1187
01:23:11.600 --> 01:23:14.760
<v Speaker 4>Prince Adept. This is where they get really cool too, man,

1188
01:23:14.960 --> 01:23:16.960
<v Speaker 4>all right, So the play Summery is spurred by a

1189
01:23:17.000 --> 01:23:21.960
<v Speaker 4>prophecy that his wife's and his wife's urging, Macbeth murders

1190
01:23:22.039 --> 01:23:26.079
<v Speaker 4>King Duncan and seizes the Scottish throne. Haunted by guilt

1191
01:23:26.119 --> 01:23:29.600
<v Speaker 4>and driven by paranoia, he commits further atrocities until he's

1192
01:23:29.640 --> 01:23:34.680
<v Speaker 4>overthrown and killed. Themes ambition, prophecy, moral corruption, and the

1193
01:23:34.720 --> 01:23:38.680
<v Speaker 4>overturning of natural order in masonry. The twenty eighth degree

1194
01:23:38.800 --> 01:23:43.239
<v Speaker 4>Night of the Sun or Prince Adept involves universalism, intolerance,

1195
01:23:43.560 --> 01:23:47.800
<v Speaker 4>deep esoteric and symbolic study of alchemy, kabbala and cosmology,

1196
01:23:48.279 --> 01:23:55.000
<v Speaker 4>the pursuit of inter illumination the sun within duties of reflection, work, prayer, hope,

1197
01:23:55.039 --> 01:23:58.560
<v Speaker 4>and teaching hidden truths. So the way that's represented in

1198
01:23:58.600 --> 01:24:02.680
<v Speaker 4>the play obviously the occult and esoteric themes, that's the

1199
01:24:02.760 --> 01:24:11.239
<v Speaker 4>whole boil, boil, whatever and toil, you know. The witch scene.

1200
01:24:11.640 --> 01:24:17.119
<v Speaker 4>Witch is visions, prophetic apparisions, saturate Macbeth, making it Shakespeare's

1201
01:24:17.119 --> 01:24:23.000
<v Speaker 4>most overtly occult tragedy or other than A Midsummer Night's Dream.

1202
01:24:23.039 --> 01:24:25.560
<v Speaker 4>I think it's the most overtly occult play that he has.

1203
01:24:26.439 --> 01:24:29.039
<v Speaker 4>This aligns with the twenty eighth degrees fascination with the

1204
01:24:29.159 --> 01:24:33.960
<v Speaker 4>unseen and the symbolic perverted quests for secret knowledge. Macbeth,

1205
01:24:34.119 --> 01:24:38.279
<v Speaker 4>like a twisted adept, seeks advancement by violent shortcuts rather

1206
01:24:38.319 --> 01:24:42.319
<v Speaker 4>than genuine enlightenment, similar to those who in Masonic legends

1207
01:24:42.359 --> 01:24:46.920
<v Speaker 4>seek the master secrets through murder. The highrom Abyss story. Also,

1208
01:24:46.960 --> 01:24:50.239
<v Speaker 4>the thing you'll notice too in this mapping is that,

1209
01:24:50.399 --> 01:24:55.039
<v Speaker 4>again those first degrees, it's a little less weight on them.

1210
01:24:55.399 --> 01:24:58.000
<v Speaker 4>They're a little less heavy. But you also notice in

1211
01:24:58.039 --> 01:25:02.600
<v Speaker 4>the first degrees that they are allegory for how you

1212
01:25:02.640 --> 01:25:05.000
<v Speaker 4>should be. And then when once you get to the

1213
01:25:05.039 --> 01:25:09.439
<v Speaker 4>tragedies that switch at the same time the degrees change,

1214
01:25:10.000 --> 01:25:15.079
<v Speaker 4>they all become tales of like warning. All the plays

1215
01:25:15.119 --> 01:25:18.640
<v Speaker 4>are don't do this, don't be like this, you know

1216
01:25:18.680 --> 01:25:23.880
<v Speaker 4>what I mean? So all the all the the the

1217
01:25:26.880 --> 01:25:30.840
<v Speaker 4>So the first fourteen degrees are the comedies. The first

1218
01:25:30.880 --> 01:25:34.600
<v Speaker 4>fourteen plays, I'm sorry, the first fourteen plays are the comedies.

1219
01:25:34.600 --> 01:25:38.039
<v Speaker 4>The first fourteen degrees are the ineffable degrees, and then

1220
01:25:38.079 --> 01:25:42.520
<v Speaker 4>it switches to the chival ric and religious degrees after that.

1221
01:25:42.800 --> 01:25:45.239
<v Speaker 4>And once you get to the chivalric and religious degrees,

1222
01:25:45.560 --> 01:25:49.960
<v Speaker 4>that's when you start getting these these cautionary All the

1223
01:25:49.960 --> 01:25:52.800
<v Speaker 4>plays are like cautionary. Don't be like Macbeth, don't be

1224
01:25:52.920 --> 01:25:57.199
<v Speaker 4>like Romeo and Juliet, don't be like Richard the Third

1225
01:25:57.279 --> 01:26:03.880
<v Speaker 4>and and whatnot. But within the let me see, that's

1226
01:26:04.000 --> 01:26:09.359
<v Speaker 4>number twenty eight. So if we go to morals and dogma,

1227
01:26:09.600 --> 01:26:13.199
<v Speaker 4>the signs and symbols of the degree listed or the Sun,

1228
01:26:13.279 --> 01:26:18.399
<v Speaker 4>the zodiac wheel, the seven rays, and esoteric hermetic signs,

1229
01:26:19.800 --> 01:26:24.439
<v Speaker 4>and Macbeth attempts to control fate itself, sort of brushing

1230
01:26:24.520 --> 01:26:28.319
<v Speaker 4>up against the zodiac. The wis. The witches invoke hermetic

1231
01:26:28.359 --> 01:26:31.880
<v Speaker 4>and planetary forces, light versus darkness, which is the sun imagery,

1232
01:26:32.439 --> 01:26:38.079
<v Speaker 4>which matches to the symbols in that degree and its

1233
01:26:38.159 --> 01:26:42.960
<v Speaker 4>central tension. That proverb, if I'm not mistaken, it's a

1234
01:26:43.000 --> 01:26:49.000
<v Speaker 4>good one too. Let's see here. Wealth gotten, yeah, this

1235
01:26:49.119 --> 01:26:52.520
<v Speaker 4>is perfect. Wealth gotten by vanity shall be diminished, but

1236
01:26:53.000 --> 01:26:57.319
<v Speaker 4>he that gathered by labor shall increase. He literally kills

1237
01:26:57.359 --> 01:27:02.960
<v Speaker 4>the king and takes over his kingdom. So vanity decline,

1238
01:27:03.039 --> 01:27:08.880
<v Speaker 4>true labor increase macbeest kingship equals vanity seized unlawfully. Macbeth

1239
01:27:08.960 --> 01:27:13.319
<v Speaker 4>gains a crown by vanity, murder and prophecy. His reign

1240
01:27:13.399 --> 01:27:19.760
<v Speaker 4>diminishes instantly, just like the proverb says, Malcolm and McDuff

1241
01:27:20.560 --> 01:27:26.439
<v Speaker 4>represent lawful labor, a flawless symbolic match the proverbs warning

1242
01:27:26.840 --> 01:27:28.520
<v Speaker 4>is myth Beck's whole arc.

1243
01:27:30.159 --> 01:27:34.159
<v Speaker 1>And then that correspondence is so.

1244
01:27:35.239 --> 01:27:40.319
<v Speaker 4>And it as I mean, it gets ridiculous. Here we go.

1245
01:27:40.880 --> 01:27:45.319
<v Speaker 4>The path in the thirty three Pathways of the Kabbalah

1246
01:27:45.560 --> 01:27:51.920
<v Speaker 4>is nun or Nun, which is death and continuity. Death

1247
01:27:51.960 --> 01:27:56.640
<v Speaker 4>pursues the wicked death, fate, cycles, darkness, sorcery. That's what's

1248
01:27:56.760 --> 01:28:01.840
<v Speaker 4>encompassed in that. It's go back one because this one's

1249
01:28:01.920 --> 01:28:05.680
<v Speaker 4>really cool too, am I right?

1250
01:28:06.159 --> 01:28:07.520
<v Speaker 2>The one thing I do want to say, I just

1251
01:28:07.600 --> 01:28:09.159
<v Speaker 2>want to add, like I know, somebody had to ask,

1252
01:28:09.199 --> 01:28:12.279
<v Speaker 2>like at the beginning of the show about rituals being

1253
01:28:12.319 --> 01:28:13.880
<v Speaker 2>like plays or anything, and I was like, yeah, I

1254
01:28:13.880 --> 01:28:15.840
<v Speaker 2>think you know kind of they are. From my experience.

1255
01:28:16.439 --> 01:28:18.119
<v Speaker 4>You can write them out like that for sure.

1256
01:28:18.159 --> 01:28:23.319
<v Speaker 2>Yeah, but even from my experience with the oto thinking

1257
01:28:23.319 --> 01:28:25.920
<v Speaker 2>about taking you know, some of the initiations, well, any

1258
01:28:25.960 --> 01:28:28.319
<v Speaker 2>of the ones I did, they were fucking long and

1259
01:28:28.399 --> 01:28:31.359
<v Speaker 2>drawn out, Like there's multiple people in there. You could

1260
01:28:31.399 --> 01:28:33.920
<v Speaker 2>be answering and saying stuff to multiple people around you.

1261
01:28:34.000 --> 01:28:35.960
<v Speaker 2>It's just like, you know what it is.

1262
01:28:36.079 --> 01:28:38.359
<v Speaker 4>It is a play, right, Yeah.

1263
01:28:38.479 --> 01:28:40.359
<v Speaker 2>They all give you a context of like kind of

1264
01:28:40.399 --> 01:28:42.279
<v Speaker 2>like where you are and what's going on. You can

1265
01:28:42.319 --> 01:28:44.000
<v Speaker 2>figure it out from what people saying.

1266
01:28:44.119 --> 01:28:50.079
<v Speaker 4>Yeah, yeah, yeah, it's I It's kind of been clear

1267
01:28:50.079 --> 01:28:51.560
<v Speaker 4>to me in the back of my head that this

1268
01:28:51.600 --> 01:28:55.079
<v Speaker 4>could be the case, but I never thought it would,

1269
01:28:55.439 --> 01:28:59.319
<v Speaker 4>you know, stack up the way the way that it did.

1270
01:29:01.199 --> 01:29:08.520
<v Speaker 4>This one here twenty four is Titus Andronicus. This is

1271
01:29:08.560 --> 01:29:11.359
<v Speaker 4>the one that I was talking about with the tongue

1272
01:29:11.640 --> 01:29:16.600
<v Speaker 4>being cut out. Plot summary, Roman general Titus Andronicus returns

1273
01:29:16.680 --> 01:29:23.359
<v Speaker 4>victorious and sacrifices a Goth princess, sparking a revenge spiral

1274
01:29:23.439 --> 01:29:27.159
<v Speaker 4>between his family and Tamora, queen of the Goths. The

1275
01:29:27.239 --> 01:29:30.840
<v Speaker 4>play is famously violent and depicts mutilation, rape, and murder

1276
01:29:30.880 --> 01:29:36.159
<v Speaker 4>as revenge escalates without limit. The degree Prince of the Tabernacle.

1277
01:29:36.960 --> 01:29:41.119
<v Speaker 4>Number twenty four focuses on divine omnipresence, the immortality of

1278
01:29:41.119 --> 01:29:44.840
<v Speaker 4>the soul, serving God, country and brethren, faith and divine

1279
01:29:45.000 --> 01:29:49.439
<v Speaker 4>justice and spiritual reward. Apparent absence of the divine justice.

1280
01:29:49.560 --> 01:29:53.079
<v Speaker 4>Characters shoot characters shoot arrows with pleas to the gods,

1281
01:29:53.079 --> 01:29:56.920
<v Speaker 4>but no visible divine intervention arrives revenge instead of faith.

1282
01:29:58.720 --> 01:30:05.960
<v Speaker 4>Let's see here the signs altar, which is crazy. He

1283
01:30:06.399 --> 01:30:11.399
<v Speaker 4>sacrifices in the play. He sacrifices a Goth princess on

1284
01:30:11.479 --> 01:30:16.399
<v Speaker 4>an altar. The symbols of that particular degree in freemasonry.

1285
01:30:16.399 --> 01:30:20.279
<v Speaker 4>The very first one is an altar, cherubim, flaming sword,

1286
01:30:20.800 --> 01:30:25.159
<v Speaker 4>veil of sanctuary. Titus is the grim priest of vengeance

1287
01:30:25.239 --> 01:30:28.720
<v Speaker 4>the killing of Lavinia. The they have this big feast

1288
01:30:28.760 --> 01:30:35.520
<v Speaker 4>of revenge. Alter sacrifices flaming sword, symbolizing or fits the brutality.

1289
01:30:37.399 --> 01:30:47.439
<v Speaker 4>See what that proverb is. Proverb is gonna be the

1290
01:30:47.479 --> 01:30:50.560
<v Speaker 4>mouth of the just, bring us forth wisdom, but the

1291
01:30:50.680 --> 01:30:55.039
<v Speaker 4>fraward tongue shall be cut out. The degree teaches the

1292
01:30:55.119 --> 01:30:59.800
<v Speaker 4>divine order exist even when unseen. The froward tongue describes

1293
01:30:59.840 --> 01:31:05.600
<v Speaker 4>the Gos Saturnius Tamora and Aaron Rome's mouth of the Just.

1294
01:31:06.720 --> 01:31:13.600
<v Speaker 4>Mutilated tongues literally become symbols in Lavinia's mutilation, that's his daughter.

1295
01:31:13.640 --> 01:31:17.760
<v Speaker 4>They cut her, cut her tongue out. Proverbs imagery manifests

1296
01:31:17.760 --> 01:31:23.560
<v Speaker 4>literally in a play speech, mutilation, justice, and divine silence.

1297
01:31:25.880 --> 01:31:30.479
<v Speaker 4>And then I'll do Romeo and Juliet because that one's

1298
01:31:30.520 --> 01:31:37.800
<v Speaker 4>pretty wild too. Fuck I'll find it real quick. But

1299
01:31:38.279 --> 01:31:41.359
<v Speaker 4>now you know what Antony and Cleopatra. That's the thirty

1300
01:31:41.399 --> 01:31:44.920
<v Speaker 4>second degree. So that is the highest degree in Scottish

1301
01:31:44.960 --> 01:31:47.800
<v Speaker 4>Rite freemasonry other than the thirty third degree, which you

1302
01:31:47.840 --> 01:31:52.640
<v Speaker 4>can only be invited to. It's an honorary degree. So

1303
01:31:53.640 --> 01:31:56.640
<v Speaker 4>thirty second degree Master of the Royal Secret. And that's

1304
01:31:56.640 --> 01:32:01.960
<v Speaker 4>the third that's Antony and Cleopatra place mark. Antony, one

1305
01:32:02.000 --> 01:32:04.359
<v Speaker 4>of the three rulers of Rome, is torn between his

1306
01:32:04.479 --> 01:32:08.119
<v Speaker 4>duty to Rome and his love for Cleopatra, Queen of Egypt.

1307
01:32:09.279 --> 01:32:13.479
<v Speaker 4>Political tensions with Octavius Caesar escalate into war. Antony and

1308
01:32:13.520 --> 01:32:17.760
<v Speaker 4>Cleopatra's choices lead to defeat and their suicides. The themes

1309
01:32:17.760 --> 01:32:21.439
<v Speaker 4>are love, duty, East versus West, public versus private identity,

1310
01:32:21.439 --> 01:32:29.640
<v Speaker 4>and the nature of greatness you've got in masonry. The

1311
01:32:29.720 --> 01:32:34.399
<v Speaker 4>Royal Secret of equilibrium, the balance of opposing forces, justice

1312
01:32:34.760 --> 01:32:39.279
<v Speaker 4>versus mercy, reason verse passion, spirit versus matter, harmony between

1313
01:32:39.319 --> 01:32:45.119
<v Speaker 4>heavenly and earthly duties, understanding the true sovereignty is intermastery

1314
01:32:45.239 --> 01:32:49.920
<v Speaker 4>and not just external. Literally the East and the West

1315
01:32:50.000 --> 01:32:54.680
<v Speaker 4>as opposites Roman Egypt, love and duty, Antony's downfall as

1316
01:32:54.720 --> 01:32:59.359
<v Speaker 4>a Roman who who chooses love over duty to his country,

1317
01:33:00.600 --> 01:33:06.359
<v Speaker 4>transfiguration and death. In the final scenes, Cleopatri reimagines Antony

1318
01:33:06.399 --> 01:33:13.239
<v Speaker 4>and herself in an almost mythic cosmic terms. Let's see,

1319
01:33:13.279 --> 01:33:17.560
<v Speaker 4>that's thirty two. So the sign the signs and symbols

1320
01:33:17.600 --> 01:33:25.119
<v Speaker 4>are really interesting. In this one. You've got a skull,

1321
01:33:25.319 --> 01:33:28.279
<v Speaker 4>a black dagger, a Teutonic cross. Oh wait, no, that's

1322
01:33:28.319 --> 01:33:30.640
<v Speaker 4>not I'm in the wrong one. Uh here it is

1323
01:33:30.920 --> 01:33:35.000
<v Speaker 4>a double headed eagle, a globe, a crown, black and

1324
01:33:35.039 --> 01:33:40.560
<v Speaker 4>white reconciliation. Literally Antony and Cleopatra are I just this

1325
01:33:40.760 --> 01:33:45.039
<v Speaker 4>just kind of hit me, the black and white reconciliation.

1326
01:33:45.199 --> 01:33:47.760
<v Speaker 4>You literally have a white Roman guy and you've got

1327
01:33:47.800 --> 01:33:54.359
<v Speaker 4>this this Egyptian princess. Anthony and Cleopatra are literally two

1328
01:33:54.399 --> 01:33:58.319
<v Speaker 4>heads on one imperial body. And think about the very

1329
01:33:58.359 --> 01:34:01.960
<v Speaker 4>first symbol in this degree of freemasonry is a two

1330
01:34:02.000 --> 01:34:06.159
<v Speaker 4>headed eagle. Their fates turned on control of the globe.

1331
01:34:06.439 --> 01:34:09.920
<v Speaker 4>The double eagle, symbol of unity and duality, fits them

1332
01:34:09.960 --> 01:34:25.840
<v Speaker 4>both perfectly. It's thirty two. Uh, you've got proverb. The

1333
01:34:26.000 --> 01:34:28.439
<v Speaker 4>rich rule is over the poor, and the borrow is

1334
01:34:28.439 --> 01:34:31.680
<v Speaker 4>the servant to the lender of the degree. Antony borrows

1335
01:34:31.680 --> 01:34:36.800
<v Speaker 4>Caesar's political stability becomes servant to Rome. Cleopatra borrows Antony's power,

1336
01:34:36.840 --> 01:34:41.880
<v Speaker 4>becomes servant to passion. Rome rules the poor. The proverb

1337
01:34:41.960 --> 01:34:45.920
<v Speaker 4>reflects psychological, political, and karmic debts at the heart of

1338
01:34:45.960 --> 01:34:55.039
<v Speaker 4>the play. Yeah, and then here we go.

1339
01:34:55.159 --> 01:34:55.680
<v Speaker 1>The uh.

1340
01:34:57.079 --> 01:35:01.760
<v Speaker 4>Cough is the cabalistic path, holiness or back of the head.

1341
01:35:01.920 --> 01:35:08.159
<v Speaker 4>The unseen, unseen motives hidden passion, rule Destiny Othello's a

1342
01:35:08.279 --> 01:35:15.960
<v Speaker 4>really crazy one too, that that degree and play are

1343
01:35:16.000 --> 01:35:21.720
<v Speaker 4>all about judging. I'll just read it. I got it right. Here,

1344
01:35:22.199 --> 01:35:23.880
<v Speaker 4>do one more. I'll do one more and then I'll

1345
01:35:23.880 --> 01:35:24.560
<v Speaker 4>shut my mouth.

1346
01:35:26.800 --> 01:35:27.479
<v Speaker 1>Uh.

1347
01:35:27.560 --> 01:35:31.760
<v Speaker 4>Let's see here. Yeah, thirty first degree is the inspector

1348
01:35:31.880 --> 01:35:37.359
<v Speaker 4>inquisitor Athello. The plot summary Othello, a Morris general in

1349
01:35:37.439 --> 01:35:44.560
<v Speaker 4>Venetian service, secretly marries Desdemona. His insign Iago drives, driven

1350
01:35:44.600 --> 01:35:48.600
<v Speaker 4>by envy and malice, manipulates events to convince Othello that

1351
01:35:48.680 --> 01:35:55.439
<v Speaker 4>Desdemona is unfaithful. Consumed by jealousy, Othello kills Desdemona and

1352
01:35:55.479 --> 01:36:00.359
<v Speaker 4>then himself when the truth is revealed. Trust, jealousy, race, manipulation,

1353
01:36:00.520 --> 01:36:05.920
<v Speaker 4>and the tragedy of misjudgment. In Masonry, the inspector inquisitor.

1354
01:36:07.720 --> 01:36:11.439
<v Speaker 4>This degree concerns moral self judgment and inner tribunal of

1355
01:36:11.520 --> 01:36:17.319
<v Speaker 4>conscious conscience, the duty to investigate motives with fairness and impartiality.

1356
01:36:17.840 --> 01:36:20.720
<v Speaker 4>He marks his wife because some dude told him some

1357
01:36:20.800 --> 01:36:25.079
<v Speaker 4>rumors about her banging somebody else. The danger of prejudice,

1358
01:36:25.960 --> 01:36:29.039
<v Speaker 4>I mean literally, Othello is the only like, hey, here's

1359
01:36:29.039 --> 01:36:30.960
<v Speaker 4>a black guy and a white woman play. I mean

1360
01:36:30.960 --> 01:36:34.800
<v Speaker 4>that was unheard of for that time, but for then

1361
01:36:34.920 --> 01:36:40.960
<v Speaker 4>the Masonic degree to literally deal in danger of prejudice,

1362
01:36:41.039 --> 01:36:44.800
<v Speaker 4>rash judgment, and Brian credulity and the need to balance

1363
01:36:44.960 --> 01:36:51.800
<v Speaker 4>justice with mercy. That one's pretty my mind blowing. The

1364
01:36:51.880 --> 01:36:52.840
<v Speaker 4>proverb is.

1365
01:36:53.880 --> 01:36:56.760
<v Speaker 3>Who's so, He's been one of my favorite plays.

1366
01:36:57.000 --> 01:36:59.560
<v Speaker 4>It's great. I've seen that two or three times, and

1367
01:36:59.600 --> 01:37:04.439
<v Speaker 4>it's all is one of the best. Whoso keepeth his

1368
01:37:04.520 --> 01:37:07.119
<v Speaker 4>mouth and his tongue keepeth his soul from troubles. The

1369
01:37:07.680 --> 01:37:11.760
<v Speaker 4>degree warns against deception and manipulation, and the control of

1370
01:37:11.840 --> 01:37:17.319
<v Speaker 4>speech is a core lesson of that degree matches perfectly

1371
01:37:17.359 --> 01:37:23.239
<v Speaker 4>with the proverb alignment with the play Iago the unkept

1372
01:37:23.239 --> 01:37:27.399
<v Speaker 4>tongue that causes ruin, so literally within the proverb it

1373
01:37:28.760 --> 01:37:33.720
<v Speaker 4>talks about talking crap and screwing stuff up. Othello fails

1374
01:37:33.760 --> 01:37:37.720
<v Speaker 4>to guard his mind or as speech Desdemona's innocence is

1375
01:37:37.760 --> 01:37:42.159
<v Speaker 4>destroyed by false words. The proverb literally predicts the tragedy.

1376
01:37:42.239 --> 01:37:50.000
<v Speaker 4>The tongue destroys the soul. And let's see here, Yeah, Othello,

1377
01:37:50.279 --> 01:38:00.000
<v Speaker 4>that is gonna be Zadi or the righteous one, and uh,

1378
01:37:59.840 --> 01:38:05.359
<v Speaker 4>the whole play is righteousness corrupted by deception. The inspector inquisitor.

1379
01:38:05.399 --> 01:38:10.760
<v Speaker 4>Also Othello becomes the inspector inquisitor of his wife, judge, jury,

1380
01:38:11.000 --> 01:38:15.760
<v Speaker 4>and executioner. So that one I forgot about that Othello

1381
01:38:15.880 --> 01:38:20.399
<v Speaker 4>lines up maybe more perfectly than any of them Macbeth, Hamlet,

1382
01:38:19.760 --> 01:38:24.319
<v Speaker 4>and it literally goes like that as you go down.

1383
01:38:25.079 --> 01:38:27.640
<v Speaker 4>And then also the thirty third degree, which is like

1384
01:38:27.680 --> 01:38:32.119
<v Speaker 4>this unknown degree you've got the very last play in

1385
01:38:32.199 --> 01:38:36.319
<v Speaker 4>the Shakespeare folio, Symboline, which is a play that a

1386
01:38:36.359 --> 01:38:39.560
<v Speaker 4>lot of people say, yeah, whoever wrote it, they out

1387
01:38:39.600 --> 01:38:42.640
<v Speaker 4>wrote all these, but maybe not this one. It seems

1388
01:38:42.760 --> 01:38:47.880
<v Speaker 4>Symboline seems like off from from the rest of them.

1389
01:38:48.079 --> 01:38:51.680
<v Speaker 4>It's the thirty third degree. It's on page three sixty nine.

1390
01:38:53.039 --> 01:38:57.279
<v Speaker 4>There's a correlation between thirty three and three sixty nine.

1391
01:38:57.319 --> 01:39:03.119
<v Speaker 4>It's I'm sure there's I mean, this is just notes.

1392
01:39:03.600 --> 01:39:06.399
<v Speaker 4>This is more that I've typed out since I was

1393
01:39:06.439 --> 01:39:09.840
<v Speaker 4>in high school. For God's sakes, there's probably a book

1394
01:39:09.960 --> 01:39:13.680
<v Speaker 4>in this kind of mapping these things together. But there's

1395
01:39:13.760 --> 01:39:15.760
<v Speaker 4>there's tons more there. I'm pretty sure.

1396
01:39:17.760 --> 01:39:19.680
<v Speaker 3>I wonder if it has anything to do with like

1397
01:39:19.760 --> 01:39:20.960
<v Speaker 3>the Keys of Solomon.

1398
01:39:21.880 --> 01:39:27.279
<v Speaker 4>Well, Solomon wrote, I mean, yeah, Solomon wrote Proverbs and

1399
01:39:27.439 --> 01:39:32.239
<v Speaker 4>most of you know, all a lot of Shakespeare's works

1400
01:39:32.359 --> 01:39:35.600
<v Speaker 4>deal with the Middle Ages. And I believe that's when

1401
01:39:37.000 --> 01:39:39.640
<v Speaker 4>you know, templars are coming back and people are coming

1402
01:39:39.680 --> 01:39:42.279
<v Speaker 4>back from the Crusades in the Holy Land. I think

1403
01:39:42.279 --> 01:39:49.279
<v Speaker 4>that's really when Europe got saturated with actual texts from

1404
01:39:49.520 --> 01:39:56.119
<v Speaker 4>those Middle Eastern occult practices and whatnot. That's when all

1405
01:39:56.119 --> 01:39:59.640
<v Speaker 4>the grimoires show up. Now, they don't have anything older

1406
01:39:59.640 --> 01:40:04.000
<v Speaker 4>than the Ages that is publicly known about, but all

1407
01:40:04.039 --> 01:40:08.880
<v Speaker 4>this esoteric wisdom from the East pops up in the

1408
01:40:08.920 --> 01:40:13.479
<v Speaker 4>Middle Ages and starts being practiced like in earnest and

1409
01:40:13.600 --> 01:40:16.000
<v Speaker 4>it just so happens that coincides with the end of

1410
01:40:16.119 --> 01:40:23.680
<v Speaker 4>the Crusades and the end of the Templars. So yeah,

1411
01:40:24.119 --> 01:40:26.520
<v Speaker 4>any questions anymore.

1412
01:40:26.680 --> 01:40:32.039
<v Speaker 1>Well, fascinating stuff. I just think those the miss ordered

1413
01:40:32.199 --> 01:40:39.239
<v Speaker 1>numbers are definitely interpret uh, presenting something uh with with

1414
01:40:39.279 --> 01:40:41.640
<v Speaker 1>what I've seen. The hints as far as like they

1415
01:40:41.760 --> 01:40:48.600
<v Speaker 1>left behind in relation to geometry and numerology kind of

1416
01:40:48.600 --> 01:40:51.800
<v Speaker 1>are what led people to go, Wait, Shakespeare is not real,

1417
01:40:51.920 --> 01:40:55.279
<v Speaker 1>it was this guy. It was these So I'm sure

1418
01:40:55.560 --> 01:40:58.640
<v Speaker 1>I would bet anyway that those page numbers are communicating

1419
01:40:58.720 --> 01:41:02.600
<v Speaker 1>something uh. And I wonder maybe if they're it's as

1420
01:41:02.640 --> 01:41:06.000
<v Speaker 1>simple as possibly with the Fibonacci sequence.

1421
01:41:07.600 --> 01:41:13.520
<v Speaker 4>It's not look close, it's actually close like the Fibonacci

1422
01:41:15.079 --> 01:41:17.800
<v Speaker 4>I was thinking off by like a number here or there.

1423
01:41:17.880 --> 01:41:22.640
<v Speaker 1>It's weird, Okay, interesting, I was wondering, Yeah, if they

1424
01:41:22.640 --> 01:41:28.279
<v Speaker 1>were each kind of their own little cipher related.

1425
01:41:27.920 --> 01:41:33.359
<v Speaker 4>To something too, that they come together well interesting anyway.

1426
01:41:33.720 --> 01:41:37.720
<v Speaker 4>I have a theory, and again I'm not mathematically minded

1427
01:41:37.760 --> 01:41:40.880
<v Speaker 4>to take it all the way, And I'd like to

1428
01:41:40.880 --> 01:41:45.039
<v Speaker 4>find somebody who could work with me, and I haven't

1429
01:41:45.039 --> 01:41:47.640
<v Speaker 4>found where anybody's ever ever tried to do it. But

1430
01:41:48.439 --> 01:41:52.199
<v Speaker 4>in the book The New Atlantis by Francis Bacon, it's

1431
01:41:52.239 --> 01:41:56.039
<v Speaker 4>almost unreadable because the amount of numbers that are listed

1432
01:41:56.039 --> 01:41:59.359
<v Speaker 4>in it, like it it's like all numbers. It's like

1433
01:41:59.720 --> 01:42:02.359
<v Speaker 4>they're There were eight men and they were on two boats,

1434
01:42:02.399 --> 01:42:04.520
<v Speaker 4>and they rowed out to us, and they stayed five

1435
01:42:04.600 --> 01:42:06.880
<v Speaker 4>hundred feet away, and they asked us how many were

1436
01:42:06.920 --> 01:42:09.439
<v Speaker 4>on the boat, and we told them fifty. And they

1437
01:42:09.560 --> 01:42:12.239
<v Speaker 4>put are sick in two rooms, and they put us

1438
01:42:12.279 --> 01:42:15.880
<v Speaker 4>in seventeen rooms. And I mean, it's the whole it's

1439
01:42:15.920 --> 01:42:17.600
<v Speaker 4>almost unreadable because of it.

1440
01:42:17.880 --> 01:42:21.560
<v Speaker 3>That's exactly how it is. It's like exhausting, and it's like,

1441
01:42:21.640 --> 01:42:24.039
<v Speaker 3>what the fuck is this supposed to mean?

1442
01:42:25.399 --> 01:42:28.720
<v Speaker 4>So I took I went through that book and I

1443
01:42:28.800 --> 01:42:34.800
<v Speaker 4>recorded every number in order and ran it through an

1444
01:42:34.800 --> 01:42:40.159
<v Speaker 4>AI program just to see if there was anything anything there.

1445
01:42:40.800 --> 01:42:43.720
<v Speaker 4>And I mean and I ran it through like three

1446
01:42:43.760 --> 01:42:48.039
<v Speaker 4>different AI programs and they all each one said, yes,

1447
01:42:48.039 --> 01:42:52.279
<v Speaker 4>there's something here. The markers for a code are are here.

1448
01:42:52.319 --> 01:42:55.960
<v Speaker 4>And then when I plugged in, hey, what about like

1449
01:42:56.079 --> 01:42:59.760
<v Speaker 4>Baconian code? Because he had specific ciphers like the Baconian

1450
01:42:59.760 --> 01:43:06.079
<v Speaker 4>side for that he he created himself. And then when

1451
01:43:06.119 --> 01:43:09.039
<v Speaker 4>I did that, all of them were like, well, yeah,

1452
01:43:09.199 --> 01:43:11.039
<v Speaker 4>you have to do this, and then they want to

1453
01:43:11.079 --> 01:43:14.840
<v Speaker 4>run all these It just goes beyond my capability. But

1454
01:43:14.880 --> 01:43:19.439
<v Speaker 4>there's something in that. Yeah, there's no way, there's even

1455
01:43:19.520 --> 01:43:26.039
<v Speaker 4>like the in the first paragraph the words patience and deliverance. Now,

1456
01:43:26.079 --> 01:43:29.600
<v Speaker 4>this is a book about Christians who are lost at

1457
01:43:29.640 --> 01:43:32.319
<v Speaker 4>sea and just happened to bump into an island that

1458
01:43:32.359 --> 01:43:36.239
<v Speaker 4>nobody ever knew of that's filled with other Christians that

1459
01:43:36.279 --> 01:43:39.960
<v Speaker 4>save their lives, and the words patients and deliverance are

1460
01:43:40.039 --> 01:43:42.399
<v Speaker 4>used on like the first page and never used again

1461
01:43:42.479 --> 01:43:45.039
<v Speaker 4>in the rest of the book, which those are two

1462
01:43:45.079 --> 01:43:47.119
<v Speaker 4>like I looked up the odds of that, and it's

1463
01:43:47.159 --> 01:43:50.359
<v Speaker 4>it's pretty astronomical considering like the speech of the time.

1464
01:43:51.279 --> 01:43:54.000
<v Speaker 4>But the two ships, remember I told you that when

1465
01:43:54.000 --> 01:44:01.800
<v Speaker 4>they crash landed on Bermuda, they took apart the old

1466
01:44:01.800 --> 01:44:05.560
<v Speaker 4>ship and built two ships, and they named those two

1467
01:44:05.560 --> 01:44:11.079
<v Speaker 4>ships the Patients and the Deliverance. And the new Atlantis

1468
01:44:11.119 --> 01:44:15.319
<v Speaker 4>came out in sixteen I believe it was sixteen twenty six,

1469
01:44:16.119 --> 01:44:21.359
<v Speaker 4>So you've got The Tempest being written in sixteen ten.

1470
01:44:21.560 --> 01:44:25.640
<v Speaker 4>The King James Bible in sixteen eleven. Sixteen twenty three

1471
01:44:26.039 --> 01:44:30.800
<v Speaker 4>is the first folio, and then sixteen twenty six is

1472
01:44:30.880 --> 01:44:35.439
<v Speaker 4>I believe when Bacon dies and The New Atlantis is

1473
01:44:35.960 --> 01:44:42.800
<v Speaker 4>published posthumously. Posthumously, Yeah, so I think there's something something

1474
01:44:42.840 --> 01:44:46.640
<v Speaker 4>in there, and I think that particular book connects as well.

1475
01:44:48.960 --> 01:44:51.720
<v Speaker 4>And one of those ships that disappeared just happened to

1476
01:44:51.720 --> 01:44:54.520
<v Speaker 4>have fifty people on it, which is the exact number

1477
01:44:54.560 --> 01:44:57.439
<v Speaker 4>of the people in the New Atlantis on the ship

1478
01:44:58.279 --> 01:45:03.239
<v Speaker 4>that were lost at sea. So it's interesting too. And

1479
01:45:03.439 --> 01:45:06.359
<v Speaker 4>if you look back, the captain of that particular ship

1480
01:45:06.359 --> 01:45:09.359
<v Speaker 4>that went missing forever was a guy named Matthew Fitch.

1481
01:45:09.880 --> 01:45:12.399
<v Speaker 4>But if you look back, if your nerd like me

1482
01:45:12.640 --> 01:45:20.279
<v Speaker 4>and you have the complete works of John Smith, Matthew

1483
01:45:20.319 --> 01:45:23.840
<v Speaker 4>Fitch was one of the original mariners who came over

1484
01:45:23.920 --> 01:45:26.840
<v Speaker 4>in sixteen oh seven, and in July of sixteen oh

1485
01:45:26.840 --> 01:45:29.359
<v Speaker 4>seven he was killed by a Native. And then in

1486
01:45:29.399 --> 01:45:31.960
<v Speaker 4>sixteen oh nine he's all of a sudden the captain

1487
01:45:32.159 --> 01:45:37.279
<v Speaker 4>of the ship the catch in the supply mission that

1488
01:45:37.319 --> 01:45:40.960
<v Speaker 4>goes missing forever, that has fifty people on it. And

1489
01:45:41.000 --> 01:45:44.800
<v Speaker 4>then Bacon's Knew Atlantis comes out with a book about

1490
01:45:45.079 --> 01:45:48.720
<v Speaker 4>fifty people lost at sea on a ship and a

1491
01:45:48.760 --> 01:45:52.039
<v Speaker 4>dead guy was supposedly the captain of Yeah, it's weird,

1492
01:45:52.119 --> 01:45:56.880
<v Speaker 4>and they specifically say in the history that the captain

1493
01:45:57.000 --> 01:46:00.600
<v Speaker 4>of that particular ship that went missing the catch was

1494
01:46:00.920 --> 01:46:06.359
<v Speaker 4>the mariner Matthew Fitch, who was on the original sixteen

1495
01:46:06.399 --> 01:46:13.119
<v Speaker 4>oh seven mission, but right clearly in John Smith's works,

1496
01:46:13.159 --> 01:46:16.399
<v Speaker 4>he talks about going out on a hunting expedition in

1497
01:46:16.439 --> 01:46:20.520
<v Speaker 4>the woods around Jamestown and he gets Matthew Fitch gets

1498
01:46:20.560 --> 01:46:24.640
<v Speaker 4>mortally wounded by an arrow from a native. There's all

1499
01:46:24.720 --> 01:46:28.199
<v Speaker 4>kinds of weird crap in Virginia and Jamestown, Bacon and

1500
01:46:28.239 --> 01:46:28.960
<v Speaker 4>stuff like that.

1501
01:46:29.079 --> 01:46:37.760
<v Speaker 2>So go on forever. That's that was weird, Okay. So

1502
01:46:37.840 --> 01:46:41.800
<v Speaker 2>it's sort of like wonders of why fake your death

1503
01:46:42.039 --> 01:46:46.479
<v Speaker 2>or you didn't? Yeah, like yeah, like like yeah, just

1504
01:46:46.479 --> 01:46:49.640
<v Speaker 2>the point of like, I don't know, was there any

1505
01:46:49.720 --> 01:46:52.680
<v Speaker 2>questions that you guys wanted to ask or anything or

1506
01:46:52.680 --> 01:46:56.039
<v Speaker 2>anything that you wanted to bring up? You know, I

1507
01:46:56.039 --> 01:46:58.840
<v Speaker 2>think that was pretty Uh, that was a lot of shit, dude.

1508
01:46:59.159 --> 01:47:03.079
<v Speaker 2>You really got one look at this Shakespeare's stuff. Dude.

1509
01:47:03.079 --> 01:47:05.920
<v Speaker 4>I'm telling you, it's it's old hat. The bit I

1510
01:47:05.920 --> 01:47:12.199
<v Speaker 4>feel like the the bacon Shakespeare, Mason things almost been

1511
01:47:12.239 --> 01:47:15.039
<v Speaker 4>beat to death to where like even us conspiracy folk

1512
01:47:15.119 --> 01:47:18.960
<v Speaker 4>are like, oh this again. But the more it all

1513
01:47:19.000 --> 01:47:23.800
<v Speaker 4>trickles back, I really do think Bacon and masonry is

1514
01:47:23.880 --> 01:47:26.600
<v Speaker 4>that connective tissue. As much as we want to look

1515
01:47:26.600 --> 01:47:29.239
<v Speaker 4>at like the Masons now, is these like fish fry

1516
01:47:29.319 --> 01:47:33.760
<v Speaker 4>community like leader guys. There is something There is a

1517
01:47:33.920 --> 01:47:38.720
<v Speaker 4>nugget in that that system that I really think is

1518
01:47:40.239 --> 01:47:44.520
<v Speaker 4>responsible for the stewardship of of the the kind of

1519
01:47:44.600 --> 01:47:50.520
<v Speaker 4>Bacon ideal and the new Atlantis plan.

1520
01:47:51.880 --> 01:47:56.039
<v Speaker 3>In the bloodlines too. It's just so weird.

1521
01:47:56.600 --> 01:48:00.239
<v Speaker 4>I mean, you can't keep those bloodlines going and the

1522
01:48:00.319 --> 01:48:07.119
<v Speaker 4>knowledge of them, you know, known publicly. You have to

1523
01:48:07.159 --> 01:48:09.640
<v Speaker 4>do it within a system like this, and that's the

1524
01:48:10.000 --> 01:48:14.479
<v Speaker 4>perfect system for for you know, the monarchy used to

1525
01:48:14.520 --> 01:48:16.800
<v Speaker 4>be one thing. But again that writing was on the wall.

1526
01:48:17.239 --> 01:48:25.279
<v Speaker 4>Monarchies were falling. Thank you, Thank you very much.

1527
01:48:25.319 --> 01:48:28.680
<v Speaker 2>Man. Yeah, that was a lot of stuff. You got

1528
01:48:28.720 --> 01:48:31.479
<v Speaker 2>me wondering about the OTO. But they have different number

1529
01:48:31.479 --> 01:48:32.199
<v Speaker 2>of degrees.

1530
01:48:33.960 --> 01:48:36.800
<v Speaker 4>But I mean, doesn't it I mean, it wasn't the OTO.

1531
01:48:37.319 --> 01:48:39.640
<v Speaker 2>I mean, well see that's the thing too, Yeah, yeah,

1532
01:48:39.720 --> 01:48:43.439
<v Speaker 2>it was, it was. It was originally more degrees and

1533
01:48:43.479 --> 01:48:45.439
<v Speaker 2>when Crowley took it over. He knocked out a fun

1534
01:48:45.560 --> 01:48:47.680
<v Speaker 2>one of them and also made a base on.

1535
01:48:47.640 --> 01:48:49.840
<v Speaker 4>The Book of the Law and Cray.

1536
01:48:50.039 --> 01:48:51.800
<v Speaker 2>But like some of the some of them, I do

1537
01:48:51.880 --> 01:48:57.800
<v Speaker 2>think what's going on in the initiations still follow to

1538
01:48:57.840 --> 01:48:58.319
<v Speaker 2>an extent.

1539
01:49:00.079 --> 01:49:03.399
<v Speaker 4>He was a thirty third degree mason out of Mexico.

1540
01:49:04.199 --> 01:49:07.279
<v Speaker 4>He went down to Mexico and studied masonry. I mean

1541
01:49:07.319 --> 01:49:10.119
<v Speaker 4>he was pretty he was pretty into it, but I

1542
01:49:10.159 --> 01:49:12.840
<v Speaker 4>mean he kind of did that with everything. He kind

1543
01:49:12.840 --> 01:49:16.479
<v Speaker 4>of had this pattern of joining in order and then

1544
01:49:17.279 --> 01:49:20.720
<v Speaker 4>causing chaos and then being like peace, I know, like

1545
01:49:20.920 --> 01:49:25.000
<v Speaker 4>going starting over again with another one.

1546
01:49:25.520 --> 01:49:29.640
<v Speaker 2>But yeah, before we wrap it up, I'll let U

1547
01:49:29.880 --> 01:49:33.159
<v Speaker 2>let everybody plug their stuff again, Julia. I want to

1548
01:49:33.199 --> 01:49:35.279
<v Speaker 2>remind everybody, but they can find all your amazing stuff.

1549
01:49:36.800 --> 01:49:39.119
<v Speaker 3>Yeah, thanks so much for having me. This one was

1550
01:49:39.159 --> 01:49:43.279
<v Speaker 3>really interesting. I knew it would be cosmic Peach podcast

1551
01:49:43.319 --> 01:49:47.439
<v Speaker 3>wherever you listen to podcasts. I got some cool min

1552
01:49:47.479 --> 01:49:50.479
<v Speaker 3>Ninda's brother stuff up right now that you can check out.

1553
01:49:51.479 --> 01:49:56.359
<v Speaker 3>But yeah, thanks for having me and loved the conversation.

1554
01:49:57.840 --> 01:50:01.560
<v Speaker 2>Yes, I actually got stuck so many thoughts. I was

1555
01:50:01.600 --> 01:50:04.760
<v Speaker 2>just like fuck, but like it was all I I

1556
01:50:04.760 --> 01:50:06.479
<v Speaker 2>don't know, I didn't want to go up on tangents.

1557
01:50:06.840 --> 01:50:09.119
<v Speaker 4>Yeah, that's what happens every time I'm that work, listening

1558
01:50:09.119 --> 01:50:10.119
<v Speaker 4>to the cult reject.

1559
01:50:10.159 --> 01:50:11.199
<v Speaker 2>I was even like, what when.

1560
01:50:11.159 --> 01:50:13.439
<v Speaker 4>You went on hearing you guys, and I'm like, oh, dude,

1561
01:50:13.439 --> 01:50:16.159
<v Speaker 4>I gotta and then I find another path that I'm

1562
01:50:16.239 --> 01:50:19.039
<v Speaker 4>like dying down for like three days.

1563
01:50:19.279 --> 01:50:21.520
<v Speaker 2>He said something like about what the roses like thirty

1564
01:50:21.560 --> 01:50:23.439
<v Speaker 2>minutes ago, and I was like kept on like thinking

1565
01:50:23.479 --> 01:50:29.319
<v Speaker 2>about something. So yeah, Ethan Indigo, please, sir, everybody know

1566
01:50:29.520 --> 01:50:32.279
<v Speaker 2>where they can find all the amazing book.

1567
01:50:32.680 --> 01:50:36.279
<v Speaker 1>Yeah, Nick, Julia and you guys rock Ernie, thank you

1568
01:50:36.359 --> 01:50:40.840
<v Speaker 1>so much. That was really interesting. I looked way great

1569
01:50:41.000 --> 01:50:45.079
<v Speaker 1>correspondence and lessons in that. I can't wait to look

1570
01:50:45.119 --> 01:50:50.439
<v Speaker 1>at it more. Honestly, Ethan Indigo Smith online. I'm u

1571
01:50:50.720 --> 01:50:54.800
<v Speaker 1>doing a podcast too with Headless and Ricardo on Sundays

1572
01:50:55.159 --> 01:50:59.199
<v Speaker 1>Sunday Trialogues, and I have a bunch of books available

1573
01:50:59.319 --> 01:51:03.279
<v Speaker 1>and write coming out frequently anyway, So and I appreciate

1574
01:51:03.520 --> 01:51:04.600
<v Speaker 1>everyone in the chat too.

1575
01:51:05.199 --> 01:51:11.159
<v Speaker 2>Thanks Nick, everyone, thank you, sir, thank you, and Ernie.

1576
01:51:11.359 --> 01:51:13.680
<v Speaker 2>Please let everybody know where they can find all your stuff.

1577
01:51:14.199 --> 01:51:20.199
<v Speaker 4>Yep, Virginia's for conspiracy lovers, podcasts everywhere podcasts are, and

1578
01:51:20.239 --> 01:51:23.359
<v Speaker 4>then we're over there on end Oh in YouTube, I

1579
01:51:23.399 --> 01:51:25.880
<v Speaker 4>think I forgot to say. We do have a YouTube

1580
01:51:27.279 --> 01:51:31.079
<v Speaker 4>page and a lot of a lot of my personal

1581
01:51:31.119 --> 01:51:35.560
<v Speaker 4>research is visual and so I throw up maps and

1582
01:51:35.600 --> 01:51:38.560
<v Speaker 4>diagrams and lay lines and stuff like that. So it's

1583
01:51:38.600 --> 01:51:41.119
<v Speaker 4>worth going to we've been We took about two months off,

1584
01:51:41.159 --> 01:51:44.079
<v Speaker 4>but we're about to start hitting it pretty hard again.

1585
01:51:44.199 --> 01:51:49.079
<v Speaker 4>So yeah, Virginia's for conspiracy lovers anywhere you can find

1586
01:51:49.399 --> 01:51:50.199
<v Speaker 4>weirdos like me.

1587
01:51:52.079 --> 01:51:54.760
<v Speaker 2>Well, so thank you for coming on again. That stuff

1588
01:51:54.800 --> 01:51:56.840
<v Speaker 2>as wild and even the people listen again, and I

1589
01:51:56.880 --> 01:51:59.800
<v Speaker 2>do say this a lot the people. If you're catching

1590
01:51:59.800 --> 01:52:02.239
<v Speaker 2>the play, check the chat with the people in the chat.

1591
01:52:02.239 --> 01:52:03.479
<v Speaker 2>A lot of a lot of stuff to add too.

1592
01:52:03.640 --> 01:52:06.720
<v Speaker 2>Got stuck on that too a couple of times. But

1593
01:52:06.880 --> 01:52:10.359
<v Speaker 2>uh again, Julia, I appreciate you coming on. It's always

1594
01:52:10.439 --> 01:52:12.479
<v Speaker 2>nice to have you here. For real. It's great to

1595
01:52:12.479 --> 01:52:14.800
<v Speaker 2>see you and Ethan appreciate it as well. I owed

1596
01:52:14.920 --> 01:52:16.880
<v Speaker 2>both you guys are on the seam like time zone,

1597
01:52:16.880 --> 01:52:19.239
<v Speaker 2>so yeah, I appreciate you guys dealing with this as well.

1598
01:52:19.800 --> 01:52:22.640
<v Speaker 2>And Ernie for real, for real, it's always a pleasure

1599
01:52:22.680 --> 01:52:24.560
<v Speaker 2>to have you on. You always welcome on. Anytime you

1600
01:52:24.640 --> 01:52:26.119
<v Speaker 2>got a topic, you know, you can always hit me

1601
01:52:26.119 --> 01:52:28.359
<v Speaker 2>on hell yeah, you know. It's always some wild shit.

1602
01:52:28.600 --> 01:52:31.640
<v Speaker 4>I got another one coming. I think Thomas Jefferson was

1603
01:52:31.640 --> 01:52:35.119
<v Speaker 4>a murderer, so oh okay, all right, easy with that.

1604
01:52:35.279 --> 01:52:37.319
<v Speaker 4>I'm pretty sure he killed his mentor the guy that

1605
01:52:37.359 --> 01:52:38.439
<v Speaker 4>made the booby flag.

1606
01:52:38.840 --> 01:52:42.840
<v Speaker 2>Oh okay, so that he could keep.

1607
01:52:42.760 --> 01:52:46.920
<v Speaker 4>Slavery in existence. That should be in cindiary.

1608
01:52:49.079 --> 01:52:51.039
<v Speaker 2>You all right, No, I look forward to that. H

1609
01:52:51.479 --> 01:52:53.039
<v Speaker 2>That's the end of this one, and again, thank you

1610
01:52:53.079 --> 01:52:55.800
<v Speaker 2>everybody in the chat. I appreciate that. And uh, until

1611
01:52:55.800 --> 01:52:57.760
<v Speaker 2>the next one, everybody be well

1612
01:52:58.039 --> 01:53:00.119
<v Speaker 4>Thank you, bye bye y