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<v Speaker 1>This is an interesting week we're having right now. I

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<v Speaker 1>am on my way to Chile, Santiago, Chile for overnight,

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<v Speaker 1>and I'm going to be meeting with our group for

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<v Speaker 1>our tour of Rapa Nui starting that weekend. And this

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<v Speaker 1>is pre recorded, obviously, but I am looking forward to

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<v Speaker 1>reporting back to you exactly what I experienced on Easter Island,

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<v Speaker 1>otherwise known as Rapa Nui. And I gotta tell you,

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<v Speaker 1>I'm excited, and I'm very very excited simply because I

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<v Speaker 1>never really expected to go to Easter Island ever. I mean,

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<v Speaker 1>I've been interested. I've talked to Graham Hancock about it.

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<v Speaker 1>I've talked to Robert Schock, who wrote extensively about his

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<v Speaker 1>experience there. And we're really fortunate to be going to

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<v Speaker 1>the island with Ed Barnhardt. And Ed, as you know,

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<v Speaker 1>is an archaeologist who has spent a great deal of

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<v Speaker 1>time there. In fact, he was there just before COVID

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<v Speaker 1>hit around twenty nineteen and had worked with the local

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<v Speaker 1>administration to survey and really plot what was known and

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<v Speaker 1>what is not known about the settlements on the island.

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<v Speaker 1>What he told me, and we're going to have him

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<v Speaker 1>back on the program. Actually We did have him talk

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<v Speaker 1>about Easter Island in the past, but if you remember,

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<v Speaker 1>he did some work with the previous administration and then

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<v Speaker 1>when the COVID hit, that administration left and there's a

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<v Speaker 1>new administration. So part of the trip that we're visiting

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<v Speaker 1>and going to take is including a reconnection with the

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<v Speaker 1>new administration so he can finish his work. So I

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<v Speaker 1>don't know what that entails, and we'll have on to

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<v Speaker 1>Ed on the program to talk more about what he

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<v Speaker 1>discovered during his survey, but also what he's gonna discover,

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<v Speaker 1>what he's gonna do while we're on this tour with him.

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<v Speaker 1>So it's gonna be fun. I guess what that means

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<v Speaker 1>is he's gonna do a little work along with touring

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<v Speaker 1>and showing us what the island's all about. You know,

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<v Speaker 1>I've always seen these amazing pictures of these moai, these

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<v Speaker 1>huge fifty eighty ton stone sculptures that are at the

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<v Speaker 1>perimeter and all over. They're skeedtered all over the place.

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<v Speaker 1>I've always wondered what they look like up close and personal.

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<v Speaker 1>It's gonna happen. It's gonna happen. I'm bringing all my

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<v Speaker 1>equipment to show you as much details as possible, so

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<v Speaker 1>look forward to that. Hey, this is Cliff, your host

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<v Speaker 1>of Earth Ancients, and I hope you're doing well today.

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<v Speaker 1>You know, it's a great deal of fun to visit

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<v Speaker 1>these places. And if you've ever wondered and ever wanted

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<v Speaker 1>to come along with a good tour, Earth Ancients does

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<v Speaker 1>usually about three tours a year, and we have one

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<v Speaker 1>coming up in Turkey. It's June twenty second through July second,

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<v Speaker 1>and it includes a number of archaeologists, includes a number

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<v Speaker 1>of private visits the places like go Beckley, Teppy, Carahan Teppe,

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<v Speaker 1>and then we'll have a guide take us down into

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<v Speaker 1>the underground city of darren Kuru. So we're doing tons

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<v Speaker 1>of stuff on this tour. We're about halfway full. If

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<v Speaker 1>you're interested in touring whatsoever, and I gotta tell you

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<v Speaker 1>Earth Ancients is really a great place to start. Consider us.

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<v Speaker 1>Consider Earth Ancients for the Turkey tour. And also I've

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<v Speaker 1>just finished a dialogue with uh Lydia Di Leong and

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<v Speaker 1>her husband Arturo. We're going to do a Sacred Pyramid

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<v Speaker 1>tour in Guatemala December first, that first week of December

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<v Speaker 1>twenty twenty five. And this has just been somewhat completed

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<v Speaker 1>in terms of an understanding of what we want to do.

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<v Speaker 1>The itinerary won't be out for another couple of weeks,

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<v Speaker 1>but if you have interest in any of the tours

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<v Speaker 1>that we're doing, send me an email, send it to

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<v Speaker 1>earth Ancients for you at gmail dot com and I'll

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<v Speaker 1>get right back to you. Now. For all the details

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<v Speaker 1>on all of our tours, go to earth Ancients dot com,

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<v Speaker 1>forward slash Tours. You can see all the itinerary. This

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<v Speaker 1>Turkey tour, we only take twenty people. We don't want

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<v Speaker 1>to take more than that because we want to get

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<v Speaker 1>everybody in one bus. We want everybody to be comfortable.

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<v Speaker 1>We want everybody to be able to see all the

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<v Speaker 1>sites and all the details of every place we go to.

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<v Speaker 1>So check it out earth Ancients dot com, forward slash too,

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<v Speaker 1>and consider Earth Ancients for your upcoming tour. You know,

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<v Speaker 1>and let's say I'm gonna mention is that our tours

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<v Speaker 1>are literally half the typical price. We don't scamp. The

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<v Speaker 1>food is excellent, the travel is excellent, the guides are excellent.

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<v Speaker 1>They're a five star tour across the board, but not

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<v Speaker 1>for the typical price. And you'll be surprised. Do some

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<v Speaker 1>comparisons compare to compare other organizations with Earth Ancients. So

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<v Speaker 1>Earth Ancients dot com for Slah tour. All right, enough

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<v Speaker 1>about that. Today's program is with best selling author Joshua Hammer.

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<v Speaker 1>He wrote a book a couple of years ago called

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<v Speaker 1>The Badass Librarians of Timbuck II, and that was about

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<v Speaker 1>a historical moment in Europe. Today's program has to do

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<v Speaker 1>with the discovery in the eighteen fifties of these cuneiform

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<v Speaker 1>these clay tablets that have these spikes in them, that

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<v Speaker 1>they used stylists a piece of reed and they would

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<v Speaker 1>right into these clay tablets. It's the discovery of what

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<v Speaker 1>at that time was thought to be a lot of

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<v Speaker 1>civilization of the Assyrians. Now we've had an seriologist, Irving

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<v Speaker 1>Finkel on the program to describe just how sophisticated the

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<v Speaker 1>Assyrians were and the Babylonians the later culture. But the

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<v Speaker 1>Assyrians come out of nowhere and in eighteen fifty in

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<v Speaker 1>Iraq present day Iraq, they found a complete library of

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<v Speaker 1>these cuneiforms. They also found huge walls of beautiful reliefs

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<v Speaker 1>and other artifacts that just blew everybody, Wait, what's amazing

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<v Speaker 1>and this is what the story is all about, is

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<v Speaker 1>the fact that the entire European collective Germany, It's Italy, France,

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<v Speaker 1>England and so forth, were on their seat, on the

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<v Speaker 1>edge of their seats with these discoveries. I mean, the

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<v Speaker 1>papers were publishing them. There were columns, and oddly enough,

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<v Speaker 1>this is just before cameras photography was in the use.

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<v Speaker 1>They would send out illustrators to illustrate the artifacts that

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<v Speaker 1>were found. They would send illustrators to show these cuneiforms,

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<v Speaker 1>and it was a fabulous period of time, you know,

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<v Speaker 1>even though the technology isn't anything close to what we

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<v Speaker 1>would consider cool. But Josh talks about this, this riddle

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<v Speaker 1>that they I mean, they're trying to decipher this, and

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<v Speaker 1>what they did is pure genius. So today's program is

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<v Speaker 1>the Mesopotamian Riddle. An archaeologist, a soldier, a clergyman, and

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<v Speaker 1>the race to decipher the world's oldest writing. And my

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<v Speaker 1>guest today is Joshua Hammer. He's coming to us from Berlin, Germany. Hey,

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<v Speaker 1>spring is just around the corner where there's going to

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<v Speaker 1>be getting better and better as we continue on into

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<v Speaker 1>the year. And this means it's time to think about

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<v Speaker 1>getting away on a vacation. Earth Ancients has the best

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<v Speaker 1>tours you could ever imagine, and we are talking about

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<v Speaker 1>Turkey in summer June twenty second through July second. This

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<v Speaker 1>is our second annual tour to this amazing city. We

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<v Speaker 1>all land and meet in Istanbul and for eleven days

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<v Speaker 1>we tour some of the most amazing sights in all

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<v Speaker 1>of Middle East. We're talking the underground city of darren Kuru, Cappadocia,

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<v Speaker 1>go Beckley Tepe and even Carahan Teppy. This is a

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<v Speaker 1>place that is very much off limits to a lot

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<v Speaker 1>of people except Earth Ancients. Our tours are literally half

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<v Speaker 1>fifty percent less than what you typically would pay for

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<v Speaker 1>an all inclusive Lemon Dade tour with our host Mohammed

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<v Speaker 1>Imbraheim and a variety of archaeologists, geologists and scientists who

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<v Speaker 1>are providing information on the latest discoveries in this part

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<v Speaker 1>of the world. The Earth Ancient's second annual Turkey Tour

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<v Speaker 1>is not to be missed. For the full light itenerary

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<v Speaker 1>and more information, go to Earth ancients dot com forward

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<v Speaker 1>slash tours. Click on the banner and you'll see the

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<v Speaker 1>full eight tenerary and all the details. Remember If you

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<v Speaker 1>want a fantastic tour at half the normal fee, think

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<v Speaker 1>about Earth Ancients Tours. We've been doing them for many,

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<v Speaker 1>many years and they are a blast. Earthanses dot Com

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<v Speaker 1>forward slash Tours. Come out and join us. We've got

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<v Speaker 1>a new one for you this week, my friends. Typically

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<v Speaker 1>we are dealing with historical events in real time, we're

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<v Speaker 1>gonna feature something quite new. It has historical ramifications, but

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<v Speaker 1>it's got a twist. It's a I would call it

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<v Speaker 1>a historical fiction, but we're gonna ask the author here

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<v Speaker 1>in the second a little more about it. But it's

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<v Speaker 1>got I mean, from what I've captured so far, it's

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<v Speaker 1>it's a good one. The author is Joshua Hammer. He

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<v Speaker 1>is a New York Times best selling author of six books,

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<v Speaker 1>including The Badass Librarians of Timbuck two, I Gotta Catch You,

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<v Speaker 1>I Gotta Find That one, and his writing has appeared

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<v Speaker 1>in New York Times Magazine, GQ, Atlantic, The New Yorker,

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<v Speaker 1>and The National Geographic. And he's coming to us from Berlin.

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<v Speaker 1>The book we're talking about today is called The Mesopotamian Riddle.

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<v Speaker 1>An archaeologist, a soldier, a clergyman and the race to

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<v Speaker 1>decipher the world's oldest writing, and we're going to get

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<v Speaker 1>into it right now. So Hey, Josh, great to see

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<v Speaker 1>how you doing.

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<v Speaker 2>Good to be here. Thank you.

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<v Speaker 1>Talk a little bit about constructing a historical novel that

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<v Speaker 1>has a fictional platform. How do you how do you

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<v Speaker 1>pull that?

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<v Speaker 2>Well, first of all, I must correct you. It is nonfiction.

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<v Speaker 1>Oh, it's actual. Well, the actual facts are lined up

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<v Speaker 1>in terms of historical events. But is it is it

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<v Speaker 1>a how would you describe the book?

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<v Speaker 2>I would describe it as a faithful rendering of what

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<v Speaker 2>actually happened. So I guess that qualifies his nonfiction.

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<v Speaker 1>Okay, so it is nonfiction. Excuse me. I'm glad that

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<v Speaker 1>we made that correction. It's it's fascinating to me because

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<v Speaker 1>at the time that we're talking about, we're talking about

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<v Speaker 1>the eighteen fifties, there seemed to be a hell of

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<v Speaker 1>a lot more interest in historical discoveries worldwide, and you

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<v Speaker 1>kind of capture the discovery of cuneiforms in what is

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<v Speaker 1>known at that time as Mesopotamia, which is present day.

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<v Speaker 1>It can be Iraq, Syria, Turkey, Iran in those areas,

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<v Speaker 1>So what was mostly Iraq?

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<v Speaker 2>I'd say mostly Iraq finds a rock.

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<v Speaker 1>Talk about the collection of data and how this was formed,

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<v Speaker 1>how this book was pulled together.

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<v Speaker 2>WHOA, It was a pretty complicated process. I mean, well, essentially,

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<v Speaker 2>the book is about two different quests. One was an

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<v Speaker 2>archaeological quest. There's been rumors about a lost civilization, great

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<v Speaker 2>civilization of Assyria floating around for years, decades, centuries even,

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<v Speaker 2>I mean no, actually going back to the ancient Greeks

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<v Speaker 2>who went by the desert around Mosul and saw sort

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<v Speaker 2>of ill defined mounds and suspected that there was this

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<v Speaker 2>civilization of Nineveh, the Assyrian civilization might be buried up there,

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<v Speaker 2>but nobody really had gotten around to it, you know.

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<v Speaker 2>Except for some peripheral digging around the edges of these mounds,

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<v Speaker 2>nobody really tried to explore them. Oddly enough, it wasn't

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<v Speaker 2>really until the eighteen forties that that archaeological quest began

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<v Speaker 2>in earnest thanks to one one in two individuals, basically

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<v Speaker 2>a Frenchman and an Englishman.

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<v Speaker 1>UH.

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<v Speaker 2>And then the other quest was the intellectual, the detective,

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<v Speaker 2>the linguistic detected detective story to UH decipher these strange

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<v Speaker 2>inscriptions and had written in some dead language that were

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<v Speaker 2>found on the inscribed on the walls of these palaces

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<v Speaker 2>that they were uncovering this times. So you had these

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<v Speaker 2>really these two this confluence of of quests going on

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<v Speaker 2>and exactly the same, well, one one catalized the other. Obviously,

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<v Speaker 2>although there had been a few, you know, over the

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<v Speaker 2>years of decades, there had been some qneiform inscriptions had

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<v Speaker 2>surfaced in various places. You know, a diplomat might pull

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<v Speaker 2>up some slab lying under uh, you know, in the

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<v Speaker 2>dust in Babylon, and and and so things were there,

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<v Speaker 2>you know, but they they really did not dominate thinking

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<v Speaker 2>about the ancients like the Egyptians did, you know. So

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<v Speaker 2>what really wasn't until the eighteen forties that they began

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<v Speaker 2>to discover the ruins of Assyria. This whole lost empire

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<v Speaker 2>came back to life. And that's when I was really

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<v Speaker 2>resurrected from the dead, and that's when the real effort

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<v Speaker 2>to figure out what these ancients were saying began. So

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<v Speaker 2>basically was a question of following both of these quests

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<v Speaker 2>and then kind of weaving the stories together structurally and

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<v Speaker 2>also trying to understand get my brain around how these

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<v Speaker 2>decipherers worked.

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<v Speaker 1>Right, And what I love about this story is. It's

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<v Speaker 1>a detective story, but it's also a race to decipher

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<v Speaker 1>these cuneiforms. The characters are fascinating. You have Austin Lanyard,

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<v Speaker 1>Henry Rawlingson, Edward Higgs Higgs as the three main figure

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<v Speaker 1>points that are pulling together or their knowledge, pulling together

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<v Speaker 1>their resources to actually begin uh deciphering this this uh

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<v Speaker 1>these cuneiform what are? What are? The countries were involved

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<v Speaker 1>in this, and we know Germany had a big hand

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<v Speaker 1>in this, but who else is.

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<v Speaker 2>In Which aspect are we talking about? You mean the

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<v Speaker 2>archaeological aspect or the actual decipherment or well, okay, so

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<v Speaker 2>really yeah, it's such a complicated tale because like, unlike

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<v Speaker 2>the hieroglyphs, which had one language and one writing system,

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<v Speaker 2>uniform was a writing system that was used to write

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<v Speaker 2>a lot of different a lot of different ancient languages.

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<v Speaker 2>So you have people working on all these You had

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<v Speaker 2>you had Germans, you had some Germans, you had Danes,

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<v Speaker 2>you had English, British, Irish, French. It was a multi

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<v Speaker 2>national effort working on a lot of different different scripts,

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<v Speaker 2>h and languages, but all written aostentially in these with

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<v Speaker 2>these weird wedge shaped characters that we now know, originated

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<v Speaker 2>in Sumer like thirty four hundred BC, and then kind

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<v Speaker 2>of proliferated around the Near East, you know, over the

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<v Speaker 2>over the millennia and really kept going for thirty five

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<v Speaker 2>hundred years in various forms.

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<v Speaker 1>We've had a cuneiform expert from the British Museum on

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<v Speaker 1>this program. We've had a couple of people and a

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<v Speaker 1>lot of these are these these tablets are daily activities,

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<v Speaker 1>you know, from you know, just doing you know, chores

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<v Speaker 1>and things like that had at this time when they

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<v Speaker 1>began deciphering deciphering them. Were there historical references that were

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<v Speaker 1>of any note in the early period of the finds.

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<v Speaker 2>Well, so there were there were two basic uh reference points.

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<v Speaker 2>The Bible, which the Old Testament, which talked about the

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<v Speaker 2>really only discussed the Assyrian Empire in context of the

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<v Speaker 2>It's it's, it's attacks on the Jews in Uh, Judea

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<v Speaker 2>and Samaria. So there were long Book of Kings for instance,

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<v Speaker 2>Second Book of Kings has lots of passages about the

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<v Speaker 2>the Assyrian kings and their attempts to conquer Jerusalem and

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<v Speaker 2>and the the dispersal of the Ten Tribes. So that

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<v Speaker 2>was one point, and then the Greeks, people like Herodotus.

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<v Speaker 2>The ancient Greek historians wrote about the Assyrians, but from

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<v Speaker 2>the perspective of people who lived hundreds of years later,

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<v Speaker 2>so they didn't really have a contemporaneous knowledge and a

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<v Speaker 2>lot of what they wrote about. I mean, Herodotus was,

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<v Speaker 2>you know, the father of history, but he was also

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<v Speaker 2>known as a great, a great, a great fabuloust, so

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<v Speaker 2>so a lot of people didn't trust what he wrote about.

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<v Speaker 2>But that that's basically what you had. You had the Greeks,

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<v Speaker 2>and you had the classical historians, and that was the

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<v Speaker 2>sum of knowledge about these people. It wasn't very much,

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<v Speaker 2>but yeah, it gave it gave a ground that, it

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<v Speaker 2>gave some reference points.

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<v Speaker 1>The idea of a lot of civilization seems to be

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<v Speaker 1>a theme in the book that is grasping the imaginations

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<v Speaker 1>of the people at that time. And one of the

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<v Speaker 1>things that I found was interesting that is not really

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<v Speaker 1>a focal point for today's society is they would these

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<v Speaker 1>archaeologists would take huge sections, if not entire buildings Hallom

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<v Speaker 1>back to Europe, rebuild them and have these daily exhibits

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<v Speaker 1>where they you know, it's like you're back in them

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<v Speaker 1>in the Mediterranean. It's really amazing what they did.

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<v Speaker 2>Yeah, you know, the thing is about these things that

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<v Speaker 2>those like the one of the reasons that the that

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<v Speaker 2>the Egyptians maintained a greater hold on the public imagination

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<v Speaker 2>and the Assyrians did because you Egyptians built in stone

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<v Speaker 2>and these things lasted for you know, for thousands of years.

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<v Speaker 2>The the Mesopotamians built in mud brick. That stuff disintegrated,

285
00:20:10.599 --> 00:20:14.680
<v Speaker 2>but they did panel these mud brick buildings with incredible

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00:20:15.519 --> 00:20:22.559
<v Speaker 2>carved bar reliefs, you know, obsidia alabaster limestone bar reliefs.

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00:20:23.359 --> 00:20:25.880
<v Speaker 2>Often these like thin layers spread over these mud So

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00:20:25.960 --> 00:20:29.599
<v Speaker 2>those survived, a lot of them survived. The buildings themselves

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00:20:29.920 --> 00:20:36.880
<v Speaker 2>were destroyed when they tried to recreate the lost Kingdom

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<v Speaker 2>of Assyria, you know, or Nineveh, the great capital of

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<v Speaker 2>Nineva back in England for like a World's Fair exhibition

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<v Speaker 2>in the eighteen fifties. It was all like completely complete

293
00:20:46.200 --> 00:20:49.000
<v Speaker 2>fantasy because they didn't really know what these things look like.

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<v Speaker 2>They just used you know, they used motifs, they used

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<v Speaker 2>Doric you know, Greek columns. I mean, just like a

296
00:20:54.799 --> 00:20:59.200
<v Speaker 2>weird mishmash of architectural ancient architectural designs that you know,

297
00:20:59.400 --> 00:21:03.160
<v Speaker 2>really came out of layers imagination and the imagination of

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<v Speaker 2>his architectural partner whose name mentioned in the book, but

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<v Speaker 2>a case. But anyway, but what they did have with

300
00:21:12.000 --> 00:21:15.640
<v Speaker 2>these so they had these these these alabaster bar reliefs

301
00:21:15.680 --> 00:21:18.720
<v Speaker 2>that were pretty detailed and gave kind of an amazing

302
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<v Speaker 2>view of walled cities that were conquered by the Assyrians

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<v Speaker 2>and battlefields and its incredible stuff. You know, really gave

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<v Speaker 2>you feeling for I mean, just imagine like there was

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00:21:29.960 --> 00:21:32.880
<v Speaker 2>no not you know, really very little knowledge about these people.

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00:21:32.920 --> 00:21:36.480
<v Speaker 2>It's certainly no pictorial evidence, right, and then suddenly they're

307
00:21:36.519 --> 00:21:41.960
<v Speaker 2>just digging up like voluminous images of what life was like,

308
00:21:42.000 --> 00:21:44.240
<v Speaker 2>even you know, with really incredible detail, down to the

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<v Speaker 2>way that these people and their enemies were dressed. I mean,

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<v Speaker 2>really got to find the chariots, what the chariots looked like,

311
00:21:51.200 --> 00:21:54.720
<v Speaker 2>their horses, the actual sacking of the city. They had

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00:21:54.759 --> 00:21:57.400
<v Speaker 2>like a cinematic sense of this stuff. So it really

313
00:21:57.480 --> 00:22:01.160
<v Speaker 2>opened up insight into a world it was only more

314
00:22:01.319 --> 00:22:05.160
<v Speaker 2>you know, vaguely understood or known about. But the buildings

315
00:22:05.200 --> 00:22:07.640
<v Speaker 2>themselves were gone, there was nothing left of those.

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<v Speaker 1>So so you mentioned Laird as the one who's building

317
00:22:12.519 --> 00:22:17.480
<v Speaker 1>these exhibits is I mean, they found these uniforms in

318
00:22:18.000 --> 00:22:20.759
<v Speaker 1>an ancient library, but it was not really a library.

319
00:22:20.799 --> 00:22:22.839
<v Speaker 1>It was more like a hole in the.

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<v Speaker 2>Ground because that was pretty much where it was left, right.

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<v Speaker 1>Yeah, because it was all this, like you said.

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<v Speaker 2>There's different there are different things. So the first things

323
00:22:30.720 --> 00:22:36.079
<v Speaker 2>they found were these stone alabaster bar releafs with these

324
00:22:36.119 --> 00:22:41.880
<v Speaker 2>incredible inscriptions, you know, chiseled into the stone. Right, that

325
00:22:42.000 --> 00:22:45.720
<v Speaker 2>was like the first wave of findings. And then later

326
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<v Speaker 2>Layer kept going back. He stumbled into you're kind of right,

327
00:22:50.519 --> 00:22:53.000
<v Speaker 2>it is a library. It was a repository of all

328
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<v Speaker 2>the documents from this particular long raining power, powerful Assyrian king.

329
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<v Speaker 2>Everything was accumulated in a couple of rooms and the

330
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<v Speaker 2>walls had collapsed, and so Layer just stumbled into this

331
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<v Speaker 2>the remains of this of this corner of the palace,

332
00:23:12.599 --> 00:23:17.599
<v Speaker 2>and just found like thousands of clay tablets, broken tablets, coupled.

333
00:23:17.640 --> 00:23:19.599
<v Speaker 2>Some of them were intact, many of them were broken,

334
00:23:19.960 --> 00:23:25.200
<v Speaker 2>but like an astonishing array of of of material, all

335
00:23:25.240 --> 00:23:29.079
<v Speaker 2>written in the same cuneiform writing that was on the

336
00:23:29.119 --> 00:23:31.279
<v Speaker 2>walls of the temples. But that one was that that

337
00:23:31.359 --> 00:23:33.640
<v Speaker 2>was sort of much clear you know, written in stone

338
00:23:34.000 --> 00:23:36.240
<v Speaker 2>chiseled in there easier to read. This was a little

339
00:23:36.279 --> 00:23:39.559
<v Speaker 2>bit trickier. Some of these things were incredibly minial. One

340
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<v Speaker 2>of the things that the Assyrians liked to do was

341
00:23:42.720 --> 00:23:47.839
<v Speaker 2>to create these cylinders like were maybe like the size

342
00:23:47.880 --> 00:23:50.720
<v Speaker 2>of a bowling pin a bow, and they would and

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<v Speaker 2>they would chisel inscribed with these incredibly fine instruments, these

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<v Speaker 2>cuneiform symbols, like basically telling the same stories that were

345
00:24:01.319 --> 00:24:05.079
<v Speaker 2>on the palace walls, but in miniature, I mean incredible miniature.

346
00:24:05.599 --> 00:24:08.319
<v Speaker 2>So and then they were and then they would bury

347
00:24:08.400 --> 00:24:11.759
<v Speaker 2>them like twenty feet or ten feet underground. It's almost

348
00:24:11.839 --> 00:24:15.880
<v Speaker 2>like a time capsule for future kings to discover. And

349
00:24:15.960 --> 00:24:18.319
<v Speaker 2>that they would excavate these things, and then that was

350
00:24:18.319 --> 00:24:23.039
<v Speaker 2>a tremendous challenge to read those ones, much more difficult

351
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<v Speaker 2>than the inscriptions on the walls.

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<v Speaker 1>Talk a little about a bit about the cuneiform. You

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00:24:29.160 --> 00:24:33.519
<v Speaker 1>describe the writing as arrows, different arrows.

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<v Speaker 2>Arrow ahead is the way they used to be called.

355
00:24:36.359 --> 00:24:39.039
<v Speaker 1>Yeah, and that's because the tool is a stylist, right.

356
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<v Speaker 2>Well, it's like it's like it's a it's a thick

357
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<v Speaker 2>read that grows in the Middle East. And then they

358
00:24:46.839 --> 00:24:49.920
<v Speaker 2>would pull off the stalk and they would split it,

359
00:24:50.680 --> 00:24:53.359
<v Speaker 2>and it would because it was it would split naturally.

360
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<v Speaker 2>And then each one of those stalks would end. You

361
00:24:55.720 --> 00:24:59.880
<v Speaker 2>would end up with a wedge shaped end, and then

362
00:25:00.119 --> 00:25:03.440
<v Speaker 2>you would wouldn't you weren't like Carvey. You were just

363
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<v Speaker 2>basically placing this onto wet clay. This is the wet

364
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<v Speaker 2>claim method. I'm not talking so, so the chronology is

365
00:25:11.519 --> 00:25:13.440
<v Speaker 2>that they came up with this wet claim method where

366
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<v Speaker 2>they would just just put the the wedge shaped edge

367
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<v Speaker 2>of the stylist, press it onto the clay and then

368
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<v Speaker 2>and that's how they would write. And then later on

369
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<v Speaker 2>when they created these giant palaces in Mesopotamia, they took

370
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<v Speaker 2>those same signs and they chiseled them into the walls,

371
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<v Speaker 2>but the clay never really just appeared. That was always

372
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<v Speaker 2>a medium for for for for writing as well. So

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<v Speaker 2>this is like began and this began, you know, a

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<v Speaker 2>thirty four hundred b c. Or so, and evolved over

375
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<v Speaker 2>the over the centuries.

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<v Speaker 1>I don't want to give the book away, but uh,

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<v Speaker 1>what were the references used to begin uh decipherment of

378
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<v Speaker 1>these cuneiforms?

379
00:25:59.200 --> 00:25:59.480
<v Speaker 2>Wow?

380
00:25:59.640 --> 00:26:02.240
<v Speaker 1>Okay, not that you had to do it all away

381
00:26:02.240 --> 00:26:02.799
<v Speaker 1>because that's a lot.

382
00:26:03.000 --> 00:26:08.319
<v Speaker 2>No, no, no, I'll try to. One of the reference points was

383
00:26:08.920 --> 00:26:14.359
<v Speaker 2>the Rosetta Stone, which was a different, different writing, different

384
00:26:14.440 --> 00:26:17.960
<v Speaker 2>language entirely, but some of the techniques from the Rosetta

385
00:26:18.039 --> 00:26:22.039
<v Speaker 2>Stone were also employed in this. This dicipherment came next.

386
00:26:22.599 --> 00:26:26.079
<v Speaker 2>So what the Rosetta Stone was, in case many of

387
00:26:26.119 --> 00:26:30.599
<v Speaker 2>your people watching this don't don't quite get it, It

388
00:26:30.640 --> 00:26:35.319
<v Speaker 2>was a slab discovered by the French. It was a

389
00:26:35.359 --> 00:26:39.480
<v Speaker 2>proclamation about the new king, and it was written because

390
00:26:39.680 --> 00:26:43.759
<v Speaker 2>Egypt there was about seventy or eighty. It was a

391
00:26:43.799 --> 00:26:45.880
<v Speaker 2>couple maybe one hundred couple one hundred or two hundred

392
00:26:45.920 --> 00:26:49.799
<v Speaker 2>years before Christ and Egypt was a Greek colony. So

393
00:26:49.839 --> 00:26:53.039
<v Speaker 2>you had ancient Greek written in one level, and you

394
00:26:53.119 --> 00:26:55.400
<v Speaker 2>had higher glyphs on another level, and you had something

395
00:26:55.400 --> 00:26:59.839
<v Speaker 2>called demotic script, which was like a shorthand version of hieroglyphs.

396
00:27:00.160 --> 00:27:03.960
<v Speaker 2>And ancient Greek was a living language, I mean, it

397
00:27:04.000 --> 00:27:07.039
<v Speaker 2>was a dead language, but the writing was understood, right,

398
00:27:07.079 --> 00:27:10.160
<v Speaker 2>I mean, people studied ancient Greek in class in London,

399
00:27:10.240 --> 00:27:13.359
<v Speaker 2>in English boarding schools all over the world. They were

400
00:27:13.359 --> 00:27:16.279
<v Speaker 2>able to take that known language and kind of match

401
00:27:16.359 --> 00:27:22.319
<v Speaker 2>it up against these unknown languages, try to find parallels.

402
00:27:22.359 --> 00:27:24.880
<v Speaker 2>The word king. They would see the word, you know,

403
00:27:25.079 --> 00:27:28.720
<v Speaker 2>the name of a particular king Ptolemy appeared like fourteen

404
00:27:28.839 --> 00:27:32.240
<v Speaker 2>times in the Greek. They looked at in the higher glyss,

405
00:27:32.240 --> 00:27:35.480
<v Speaker 2>what other you know, what do we see anything here

406
00:27:35.519 --> 00:27:38.279
<v Speaker 2>like a similar pattern if some similar characters being used

407
00:27:38.319 --> 00:27:41.079
<v Speaker 2>fourteen you know, fourteen times, And they matched them up

408
00:27:41.119 --> 00:27:43.359
<v Speaker 2>that way and were able to sort of slowly get

409
00:27:43.400 --> 00:27:47.839
<v Speaker 2>the sounds out. Well. The same thing was done with cuniform.

410
00:27:48.039 --> 00:27:50.400
<v Speaker 2>It was. It was a question of except in this

411
00:27:50.480 --> 00:27:54.359
<v Speaker 2>case it's more complicated, much more complicated than the Rosetta stone.

412
00:27:54.400 --> 00:27:57.960
<v Speaker 2>But still it was the idea of taking a known

413
00:27:58.039 --> 00:28:02.880
<v Speaker 2>language because they were written like three. The ancient scribes

414
00:28:03.000 --> 00:28:06.680
<v Speaker 2>wrote three languages side by side, and they did the

415
00:28:06.720 --> 00:28:09.960
<v Speaker 2>same kind of thing, match them up, get the sounds.

416
00:28:10.559 --> 00:28:14.400
<v Speaker 2>The thing is, it was much more complicated because the

417
00:28:14.480 --> 00:28:18.400
<v Speaker 2>Syrian Babyloni wasn't just a phonetic language it was it

418
00:28:18.440 --> 00:28:23.519
<v Speaker 2>was a It had phonetic syllables, and it also had logograms,

419
00:28:23.559 --> 00:28:27.839
<v Speaker 2>which were just symbols meaning you know, things, and it

420
00:28:27.960 --> 00:28:30.440
<v Speaker 2>was all just sort of thrown together without any real

421
00:28:30.680 --> 00:28:33.559
<v Speaker 2>understanding rhyme or reason. Nobody quite knew, and so it

422
00:28:33.599 --> 00:28:37.440
<v Speaker 2>took them a long time to figure all this. How

423
00:28:37.440 --> 00:28:39.359
<v Speaker 2>do you know what is a phonetic character? How do

424
00:28:39.400 --> 00:28:41.799
<v Speaker 2>you know what's a logogram? You know, how do you

425
00:28:41.880 --> 00:28:44.680
<v Speaker 2>pronounce the logograms? There were just like a million questions

426
00:28:44.680 --> 00:28:46.480
<v Speaker 2>that they had to kind of work their way through.

427
00:28:46.960 --> 00:28:50.720
<v Speaker 2>And I can't profess to understand eight is the l

428
00:28:50.799 --> 00:28:52.319
<v Speaker 2>it was done, but I have a little bit of

429
00:28:52.359 --> 00:28:54.559
<v Speaker 2>an understanding of how they got started anyway.

430
00:28:54.720 --> 00:28:58.440
<v Speaker 1>It's that's the real challenge of this this book, is

431
00:28:58.599 --> 00:29:01.160
<v Speaker 1>how in the hell they were able to decipher this

432
00:29:01.839 --> 00:29:07.039
<v Speaker 1>without artificial intelligence. We're talking about AI today using and

433
00:29:07.480 --> 00:29:13.759
<v Speaker 1>beginning to uh seek and define things we can't understand.

434
00:29:13.839 --> 00:29:18.160
<v Speaker 2>You know, I've always loved the challenge, I really have

435
00:29:18.319 --> 00:29:21.200
<v Speaker 2>since I've read I've read a few books about deciphering

436
00:29:21.200 --> 00:29:23.920
<v Speaker 2>ancient scripts, and I've always found it really fascinating. So

437
00:29:23.960 --> 00:29:26.480
<v Speaker 2>that's why I was drawn to this one, because I

438
00:29:26.519 --> 00:29:30.440
<v Speaker 2>hadn't really read a good account of how it was done,

439
00:29:30.440 --> 00:29:32.559
<v Speaker 2>and this wasn't you know, this was the oldest language

440
00:29:32.559 --> 00:29:34.799
<v Speaker 2>in them all. You know, you haven't really been no

441
00:29:34.920 --> 00:29:37.359
<v Speaker 2>popular account at this store of this tale.

442
00:29:37.759 --> 00:29:40.480
<v Speaker 1>But I love it. Yeah, you have a whole chapter

443
00:29:40.599 --> 00:29:43.839
<v Speaker 1>on the black obelisk. How does that play a part

444
00:29:43.880 --> 00:29:46.599
<v Speaker 1>in this uh discovery?

445
00:29:46.960 --> 00:29:50.480
<v Speaker 2>H Well, the black obelists. So that was an amazing

446
00:29:50.799 --> 00:29:54.640
<v Speaker 2>artifact that was discovered in one of these by layered

447
00:29:54.720 --> 00:29:56.799
<v Speaker 2>in one of these ancient palaces. I believe it was

448
00:29:56.920 --> 00:30:01.559
<v Speaker 2>any lost city of Nimroud, so like Wood was one

449
00:30:01.599 --> 00:30:06.920
<v Speaker 2>of the oldest Assyrian cities, dating back to about I

450
00:30:07.079 --> 00:30:11.920
<v Speaker 2>want to say, about nine hundred BC, and buried ten

451
00:30:11.960 --> 00:30:19.160
<v Speaker 2>feet underground, as these objects often were, was this black

452
00:30:19.519 --> 00:30:24.599
<v Speaker 2>limestone monument an obelisk, I guess it was about seven

453
00:30:24.680 --> 00:30:27.319
<v Speaker 2>feet long. It was buried sideways, but it was meant

454
00:30:27.359 --> 00:30:31.319
<v Speaker 2>to stand, and it contained a series of very well

455
00:30:31.359 --> 00:30:38.279
<v Speaker 2>defined pictures of what looked to be like a bunch

456
00:30:38.279 --> 00:30:44.519
<v Speaker 2>of the Assyrian king being visited and paid tribute to

457
00:30:44.720 --> 00:30:50.440
<v Speaker 2>by conquered vassals, all bearing gifts. So they had each

458
00:30:51.079 --> 00:30:55.640
<v Speaker 2>each side had I think five of these really intricate

459
00:30:57.960 --> 00:31:05.319
<v Speaker 2>barralings showing guys bringing you know, bacty in two humped camels, monkeys, elephants,

460
00:31:05.440 --> 00:31:10.400
<v Speaker 2>precious jewels, wood whatever, bundles of wood. But it just

461
00:31:10.480 --> 00:31:16.480
<v Speaker 2>gave this incredible one of the most vivid pictures found

462
00:31:16.519 --> 00:31:19.519
<v Speaker 2>to that point of life in the Assyrian court and

463
00:31:19.680 --> 00:31:25.079
<v Speaker 2>each each panel had a canea form inscription next to it.

464
00:31:25.240 --> 00:31:29.039
<v Speaker 2>So it was really invaluable for the for the deciphers

465
00:31:29.039 --> 00:31:32.599
<v Speaker 2>because they now had, you know, at least a start here.

466
00:31:32.680 --> 00:31:34.759
<v Speaker 2>You know, they had the pit, the image, and they

467
00:31:34.799 --> 00:31:38.000
<v Speaker 2>had the qunea form and obviously there was a connection

468
00:31:38.079 --> 00:31:41.880
<v Speaker 2>between them. It was like a graphic novel from the

469
00:31:41.880 --> 00:31:47.240
<v Speaker 2>eighth the ninth century BC and uh and it was

470
00:31:47.720 --> 00:31:50.279
<v Speaker 2>because it was also like an incredible magnificent It was

471
00:31:50.559 --> 00:31:54.359
<v Speaker 2>incredibly well preserved, so it was like the best preserved

472
00:31:54.359 --> 00:31:58.279
<v Speaker 2>piece of of relic from the Assyrian Empire that had

473
00:31:58.319 --> 00:32:00.960
<v Speaker 2>at that up to that point been discovered. So it

474
00:32:01.000 --> 00:32:03.920
<v Speaker 2>was really treasured. And when it came finally in forty

475
00:32:03.960 --> 00:32:07.200
<v Speaker 2>you had this like long dramatic story that's in the

476
00:32:07.200 --> 00:32:13.400
<v Speaker 2>book of how it was transported from Basra at the

477
00:32:13.400 --> 00:32:17.680
<v Speaker 2>southern end of Iraq all the way around India and

478
00:32:17.759 --> 00:32:20.640
<v Speaker 2>finally to London, and how it was it ran into

479
00:32:20.680 --> 00:32:25.720
<v Speaker 2>a major hurricane, the ship toppled over for months, they

480
00:32:25.759 --> 00:32:28.720
<v Speaker 2>had no word about the fate of the obelisk. Finally,

481
00:32:28.759 --> 00:32:31.640
<v Speaker 2>like in October, after it was left in February, in

482
00:32:31.640 --> 00:32:37.480
<v Speaker 2>October the ship arrived it somehow managed to pull itself

483
00:32:37.519 --> 00:32:40.880
<v Speaker 2>together and arrived at port and the Obelist turned out

484
00:32:40.880 --> 00:32:43.480
<v Speaker 2>to have been saved. So it was really sort of

485
00:32:43.519 --> 00:32:47.039
<v Speaker 2>a national celebration because people had seen images of this

486
00:32:47.119 --> 00:32:50.440
<v Speaker 2>thing draw a graphic artist had sent pictures of it

487
00:32:50.519 --> 00:32:53.079
<v Speaker 2>back to London, So there was a lot of interest

488
00:32:53.079 --> 00:32:55.799
<v Speaker 2>in this thing, and then when it was saved, of

489
00:32:55.799 --> 00:32:57.240
<v Speaker 2>course there was a lot of rejoicing that it had

490
00:32:57.319 --> 00:33:00.160
<v Speaker 2>been took a place. Still it's at the British.

491
00:33:00.400 --> 00:33:02.599
<v Speaker 1>I'm just going to ask you it's still there.

492
00:33:02.880 --> 00:33:06.160
<v Speaker 2>It's not the British Museum. Okay, very cool to see. Yeah,

493
00:33:06.200 --> 00:33:09.640
<v Speaker 2>it's not huge. It's not like the giant you know,

494
00:33:09.799 --> 00:33:13.400
<v Speaker 2>winged colosside that guard the palace case, which are like

495
00:33:13.440 --> 00:33:15.920
<v Speaker 2>seventeen some of them are seventeen eighteen feet tall, you know,

496
00:33:15.960 --> 00:33:19.920
<v Speaker 2>the wing buff half men, half beast, half lion, half bull. No,

497
00:33:20.039 --> 00:33:23.920
<v Speaker 2>it's small, but it's it's the colors are very vibrant,

498
00:33:24.480 --> 00:33:28.680
<v Speaker 2>the pick, the images are a vibrant. Everything about it

499
00:33:28.440 --> 00:33:32.640
<v Speaker 2>is lustrous and detail and kind of amazing.

500
00:33:35.359 --> 00:33:37.119
<v Speaker 1>We're going to take a short break to allow our

501
00:33:37.200 --> 00:33:42.000
<v Speaker 1>sponsors to identify themselves and we will return shortly with

502
00:33:42.039 --> 00:33:45.880
<v Speaker 1>my guest today, Josh Hammer. Discussing his latest book, The

503
00:33:45.920 --> 00:34:29.519
<v Speaker 1>Mesopotamian Riddle. Will be right back. My guest today is

504
00:34:29.559 --> 00:34:32.960
<v Speaker 1>best selling author Josh Hammer, who is presenting a new

505
00:34:33.000 --> 00:34:36.559
<v Speaker 1>book called The Mesopotamian Riddle. This is the story of

506
00:34:36.679 --> 00:34:42.400
<v Speaker 1>the Cuneiform decipherment, these Assyrian tablets that are used to

507
00:34:42.519 --> 00:34:48.559
<v Speaker 1>document daily activities, various laws, rulings, and also the cosmology

508
00:34:48.719 --> 00:34:53.599
<v Speaker 1>of the Assyrians. Yeah, it's funny because I was at

509
00:34:53.639 --> 00:34:55.440
<v Speaker 1>the British Museum a couple of years ago and I

510
00:34:55.480 --> 00:35:00.559
<v Speaker 1>actually saw the Rosetta Stone itself, and I I can

511
00:35:00.599 --> 00:35:03.159
<v Speaker 1>see why the Egyptians want it back, as well as

512
00:35:03.280 --> 00:35:07.440
<v Speaker 1>other artifacts. It's like the British Museum has all this

513
00:35:07.559 --> 00:35:11.280
<v Speaker 1>booty from the period of when they were the world's uh,

514
00:35:12.000 --> 00:35:16.440
<v Speaker 1>I guess elite. You might say, how do we look

515
00:35:16.480 --> 00:35:21.159
<v Speaker 1>at that today when we when we have these artifacts

516
00:35:21.199 --> 00:35:25.199
<v Speaker 1>that are you know, not really the you know, belong

517
00:35:25.280 --> 00:35:26.840
<v Speaker 1>to the Brits.

518
00:35:27.760 --> 00:35:30.239
<v Speaker 2>Well, there are lots of argument. Obviously, the British Museum

519
00:35:30.280 --> 00:35:32.960
<v Speaker 2>is under like intense fire right now, like you know,

520
00:35:33.039 --> 00:35:38.320
<v Speaker 2>from all from all sides. The Nigerians want the bronzes back,

521
00:35:38.519 --> 00:35:42.480
<v Speaker 2>the Greeks want the Eligion marbles back, the Turks want

522
00:35:42.480 --> 00:35:46.960
<v Speaker 2>the bodrum marbles back marbles meaning freezes, you know, beautiful

523
00:35:47.000 --> 00:35:52.199
<v Speaker 2>freezes that were basically well plundered out of out of

524
00:35:52.239 --> 00:36:01.440
<v Speaker 2>these countries by British archaeologists who you know, under circumstances

525
00:36:01.480 --> 00:36:09.719
<v Speaker 2>that that remain even now a bit unclear, clearly bribery.

526
00:36:09.800 --> 00:36:14.039
<v Speaker 2>You know, contracts were signed, pasha's and the Ottoman Sultan

527
00:36:14.559 --> 00:36:18.719
<v Speaker 2>turned over these artifacts legally at the time to many

528
00:36:18.760 --> 00:36:22.320
<v Speaker 2>of you know, under under the under Ottoman law or

529
00:36:22.440 --> 00:36:25.599
<v Speaker 2>under the decree of the of the Sultan, these things

530
00:36:25.599 --> 00:36:29.440
<v Speaker 2>were handed over. How much duress was involved, it's all

531
00:36:29.599 --> 00:36:33.800
<v Speaker 2>very murky, you know, but clearly there's a move now,

532
00:36:34.320 --> 00:36:37.719
<v Speaker 2>a big push to bring and including the liar stuff

533
00:36:37.719 --> 00:36:40.239
<v Speaker 2>that was taken from Iraq. The Iraqis want that stuff back.

534
00:36:41.079 --> 00:36:43.960
<v Speaker 2>So they have legitimate reasons. They've built museums. They they

535
00:36:44.119 --> 00:36:46.760
<v Speaker 2>they they can house these artifacts and these relics in

536
00:36:47.079 --> 00:36:52.239
<v Speaker 2>relatively uh secure and beautiful facilities. Now they were hiring

537
00:36:52.599 --> 00:36:57.440
<v Speaker 2>find you know, architects to do the work. But you know,

538
00:36:57.599 --> 00:37:01.039
<v Speaker 2>the British, the British Museum has been very resistant to this.

539
00:37:01.440 --> 00:37:04.840
<v Speaker 2>Needless to say, there are some and there's a lot

540
00:37:04.880 --> 00:37:06.920
<v Speaker 2>of sentiment on both sides. You know, a lot of

541
00:37:06.920 --> 00:37:09.599
<v Speaker 2>people believe that the British Museum is British Museum has

542
00:37:09.599 --> 00:37:13.480
<v Speaker 2>a lot of defenders. They say, it's it's it's it's

543
00:37:14.239 --> 00:37:18.599
<v Speaker 2>repository for the world it has, you know, it's it's

544
00:37:18.760 --> 00:37:21.119
<v Speaker 2>it's visited by I don't know the number of millions

545
00:37:21.119 --> 00:37:23.320
<v Speaker 2>of people that visited every year, but clearly you're not

546
00:37:23.360 --> 00:37:25.239
<v Speaker 2>going to get that kind of audience. It's to see

547
00:37:25.280 --> 00:37:27.840
<v Speaker 2>wing bulls at the museum, and you know, shouldn't wing

548
00:37:27.880 --> 00:37:31.440
<v Speaker 2>bulls be brought back to most plus moscil in Iraq

549
00:37:31.519 --> 00:37:34.800
<v Speaker 2>has had a history of incredible violence and FAOs and

550
00:37:34.840 --> 00:37:38.239
<v Speaker 2>attacks by ISIS, and so how secure is a place

551
00:37:38.360 --> 00:37:42.480
<v Speaker 2>like that. There are arguments to be made for for

552
00:37:42.480 --> 00:37:45.039
<v Speaker 2>for just going with the status quo.

553
00:37:45.760 --> 00:37:47.639
<v Speaker 1>I mean, I've been to the met in New York

554
00:37:47.679 --> 00:37:52.039
<v Speaker 1>and they have entire temples that have been uh disassembled

555
00:37:52.039 --> 00:37:57.079
<v Speaker 1>and re erected in the inside there. Yeah, the Berlin

556
00:37:57.199 --> 00:38:01.079
<v Speaker 1>Museum has amazing artifacts, and I went to the in France,

557
00:38:02.039 --> 00:38:05.880
<v Speaker 1>another place that has complete temples that have been disassembled

558
00:38:05.920 --> 00:38:09.360
<v Speaker 1>and reassembled. This is I mean, you're making a good

559
00:38:09.400 --> 00:38:14.079
<v Speaker 1>point as to why these artifacts are there. They're protected,

560
00:38:15.280 --> 00:38:18.559
<v Speaker 1>but still as I mean, I go to Egypt, every

561
00:38:18.599 --> 00:38:22.880
<v Speaker 1>year on tour with my listeners, and they're very adamant

562
00:38:22.880 --> 00:38:27.639
<v Speaker 1>about getting artifacts back from the Brits and the and

563
00:38:27.679 --> 00:38:29.039
<v Speaker 1>the Germans and the Americans.

564
00:38:30.360 --> 00:38:37.400
<v Speaker 2>So well, they've got the very charismatic archaeologist Zaki Howas

565
00:38:37.440 --> 00:38:40.639
<v Speaker 2>now leading the Yeah, I guess, leading the effort to

566
00:38:40.719 --> 00:38:45.760
<v Speaker 2>get both the Rosetta stone from the British Museum and

567
00:38:46.000 --> 00:38:52.719
<v Speaker 2>the extremely well known bust of Nefertiti from the Noise

568
00:38:52.880 --> 00:38:58.079
<v Speaker 2>Museum in Berlin. They want that back. Nothing is I

569
00:38:58.119 --> 00:39:01.039
<v Speaker 2>mean they I believe they're either they're a new museum

570
00:39:01.320 --> 00:39:06.159
<v Speaker 2>in Giza, either under construction or finished. I'm not really sure.

571
00:39:06.639 --> 00:39:07.719
<v Speaker 1>It's partly open.

572
00:39:08.159 --> 00:39:10.920
<v Speaker 2>I haven't been to is it. I haven't been in many.

573
00:39:10.920 --> 00:39:17.519
<v Speaker 1>Fifty percent open fifty percent. It's a one billion dollar

574
00:39:17.639 --> 00:39:21.880
<v Speaker 1>museum that has had delays for almost eight years.

575
00:39:22.119 --> 00:39:26.000
<v Speaker 2>Okay, yeah, interesting. Uh So we'll see what happens when

576
00:39:26.000 --> 00:39:28.800
<v Speaker 2>that thing finally gets going and whether But I you know,

577
00:39:28.840 --> 00:39:32.079
<v Speaker 2>obviously I think that the I know, the Noise Museum

578
00:39:32.079 --> 00:39:34.719
<v Speaker 2>has no intention of turning that never TV over.

579
00:39:35.199 --> 00:39:36.719
<v Speaker 1>Oh that's that that's a classic.

580
00:39:36.960 --> 00:39:39.440
<v Speaker 2>Yeah, well it's their biggest draw, you know.

581
00:39:39.840 --> 00:39:43.079
<v Speaker 1>Yeah, Hey, talk a little bit about the dating. Uh,

582
00:39:43.639 --> 00:39:47.360
<v Speaker 1>procedures because in the eighteen fifties C fourteen was not

583
00:39:47.480 --> 00:39:51.920
<v Speaker 1>developed yet. Uh for for dating, Why how are they

584
00:39:52.039 --> 00:39:55.079
<v Speaker 1>coming up with these dates for for artifacts?

585
00:39:56.280 --> 00:39:59.239
<v Speaker 2>Yeah, this is pretty you're you're that's a really question.

586
00:39:59.320 --> 00:40:02.679
<v Speaker 2>That's an inexact science to say the least. I would

587
00:40:02.920 --> 00:40:05.440
<v Speaker 2>guess that they. I mean, first of all, they had

588
00:40:05.480 --> 00:40:09.880
<v Speaker 2>biblical biblical records. They knew you know, I mean certain.

589
00:40:10.159 --> 00:40:12.960
<v Speaker 2>I mean the book of the Book of some of

590
00:40:12.960 --> 00:40:16.159
<v Speaker 2>the books of the Prophets have been dated, have been

591
00:40:16.239 --> 00:40:21.000
<v Speaker 2>dated fairly reliably, so they could, uh there was there,

592
00:40:21.039 --> 00:40:23.440
<v Speaker 2>there are several kings. Once they were able to read

593
00:40:23.440 --> 00:40:25.880
<v Speaker 2>the king's names, they could match up the names of

594
00:40:25.920 --> 00:40:29.599
<v Speaker 2>these kings on the palace walls with the uh, with

595
00:40:29.760 --> 00:40:34.000
<v Speaker 2>the passages in in in the in the profit in

596
00:40:34.039 --> 00:40:37.599
<v Speaker 2>the books of the Prophets, and get a rough idea

597
00:40:38.239 --> 00:40:41.400
<v Speaker 2>of the century. But they You're right, they they were

598
00:40:41.440 --> 00:40:47.039
<v Speaker 2>able to get this down to uh, you know, to

599
00:40:47.039 --> 00:40:50.960
<v Speaker 2>to the to to with an exactitude in terms of

600
00:40:51.039 --> 00:40:54.519
<v Speaker 2>the genealogy of the kings and what years that they reigned.

601
00:40:54.719 --> 00:40:57.360
<v Speaker 2>I don't you got me stumped there. I don't know

602
00:40:57.400 --> 00:40:58.119
<v Speaker 2>how they were.

603
00:40:59.159 --> 00:41:03.199
<v Speaker 1>I'm asking, Josh, is that that I was wondering as

604
00:41:03.239 --> 00:41:06.079
<v Speaker 1>you were writing the book, you were looking at documents

605
00:41:06.360 --> 00:41:11.480
<v Speaker 1>where there was a comparative steady of one artifact to another,

606
00:41:11.599 --> 00:41:14.519
<v Speaker 1>and perhaps, as you're saying, there was the picture of

607
00:41:14.559 --> 00:41:18.159
<v Speaker 1>a king that was duplicated over, you know, and the

608
00:41:18.199 --> 00:41:21.679
<v Speaker 1>time period was relatively well known of that.

609
00:41:21.960 --> 00:41:24.639
<v Speaker 2>But also, as I'm thinking about, the Assyrians would have

610
00:41:24.679 --> 00:41:27.239
<v Speaker 2>known the you know, the reign, the dates of a

611
00:41:27.280 --> 00:41:30.639
<v Speaker 2>particular king's reign, and whatever date system they were using,

612
00:41:31.519 --> 00:41:34.039
<v Speaker 2>that would have been in the inscriptions the the the

613
00:41:34.039 --> 00:41:37.400
<v Speaker 2>they could read, I mean very quickly. They modern day

614
00:41:37.599 --> 00:41:41.559
<v Speaker 2>deciphers knew how to read Assyrian numbers. So given that

615
00:41:41.639 --> 00:41:43.920
<v Speaker 2>information they could sort of figure and they could they

616
00:41:43.920 --> 00:41:45.960
<v Speaker 2>could get an order of the kings and look at

617
00:41:45.960 --> 00:41:49.360
<v Speaker 2>the years that they reigned, number of years, and assemble

618
00:41:49.400 --> 00:41:52.519
<v Speaker 2>a genealogy that way. So once you had that a sign,

619
00:41:52.559 --> 00:41:55.000
<v Speaker 2>and then if you figured out specific date of one king.

620
00:41:55.000 --> 00:41:56.599
<v Speaker 2>I don't know how they came up with an exactly

621
00:41:56.840 --> 00:42:00.800
<v Speaker 2>an exact date to begin this whole process, but once

622
00:42:00.800 --> 00:42:04.039
<v Speaker 2>you had a fixed date nailed down, then the rest

623
00:42:04.079 --> 00:42:07.679
<v Speaker 2>of it would fall into place, right, So it couldn't

624
00:42:07.719 --> 00:42:10.480
<v Speaker 2>have been easy, but you know, and at the beginning,

625
00:42:10.519 --> 00:42:12.800
<v Speaker 2>I think they were floundering. They didn't really even know

626
00:42:13.159 --> 00:42:18.280
<v Speaker 2>whether the Assyrian temples and palaces they were digging up

627
00:42:18.760 --> 00:42:24.239
<v Speaker 2>like predated the Persian Empire, the Okamenid Empire, or followed it.

628
00:42:24.239 --> 00:42:27.519
<v Speaker 2>And the Persians ruled like Darius and Cyrus. They ruled

629
00:42:27.960 --> 00:42:31.639
<v Speaker 2>in about the sixth in the sixth century BC, and

630
00:42:31.679 --> 00:42:34.559
<v Speaker 2>they it turned out that they followed the Assyrians, you know,

631
00:42:34.679 --> 00:42:37.599
<v Speaker 2>by but nobody knew that at the time, right, So

632
00:42:37.679 --> 00:42:39.840
<v Speaker 2>they were they were at a loss in the early days.

633
00:42:39.840 --> 00:42:43.000
<v Speaker 2>But obviously they put it all together within you know, ten,

634
00:42:43.199 --> 00:42:46.000
<v Speaker 2>ten twenty years, they were able to get a pretty

635
00:42:46.280 --> 00:42:47.239
<v Speaker 2>good chronology.

636
00:42:47.639 --> 00:42:51.639
<v Speaker 1>Would you say after finishing this book that they have

637
00:42:51.800 --> 00:42:56.480
<v Speaker 1>the dates fairly well established or there's still question marks

638
00:42:56.719 --> 00:42:59.599
<v Speaker 1>about some of the I mean, because we're talking about

639
00:42:59.840 --> 00:43:03.119
<v Speaker 1>very early days three three thousand, four hundred BC.

640
00:43:04.719 --> 00:43:06.960
<v Speaker 2>Yeah, I don't know about well, that's all. That's all

641
00:43:07.079 --> 00:43:09.320
<v Speaker 2>very rough, right when you go back that far. Nobody's

642
00:43:09.400 --> 00:43:13.360
<v Speaker 2>nailing down dates, that's true. Nobody is nailing down dates.

643
00:43:14.000 --> 00:43:16.559
<v Speaker 2>And how they even got those dates thirty four hundred BC,

644
00:43:16.800 --> 00:43:20.400
<v Speaker 2>I don't know. You messed off asking a real sumerology

645
00:43:20.519 --> 00:43:23.079
<v Speaker 2>sumer sumerologist about that, but I can tell you that

646
00:43:23.559 --> 00:43:28.480
<v Speaker 2>as you know, as as Assyria entered. It's kind of

647
00:43:28.760 --> 00:43:33.360
<v Speaker 2>the the Neo Assyrian Empire phase, which was from about

648
00:43:33.400 --> 00:43:38.159
<v Speaker 2>the beginning of the ninth century BC until the destruction

649
00:43:38.679 --> 00:43:44.519
<v Speaker 2>of Ninevah in six' TWELVE. Bc those like three hundred

650
00:43:44.599 --> 00:43:49.039
<v Speaker 2>years were pretty well. Documented they they're able to date

651
00:43:49.079 --> 00:43:52.039
<v Speaker 2>those pretty, exactly even to the point of knowing exactly

652
00:43:52.079 --> 00:43:56.440
<v Speaker 2>like the month that nineva was destroyed by The babylonians

653
00:43:56.480 --> 00:43:59.760
<v Speaker 2>and The, meads you, know and that's definitely fixed at

654
00:43:59.800 --> 00:44:02.880
<v Speaker 2>six TWELVE bc as far AS i can. Remember how

655
00:44:02.880 --> 00:44:05.480
<v Speaker 2>they got that exact, Date i'm really not, sure but

656
00:44:05.559 --> 00:44:07.000
<v Speaker 2>that's kind of become the accepted.

657
00:44:07.039 --> 00:44:13.719
<v Speaker 1>Wisdom you have to applaud our, ancestors who you, know

658
00:44:14.079 --> 00:44:22.239
<v Speaker 1>layered In rollingson And hitticks as very bright, people extremely

659
00:44:22.280 --> 00:44:26.119
<v Speaker 1>bright without the use of, computers without the use of

660
00:44:26.159 --> 00:44:29.559
<v Speaker 1>any kind of data, storage they were able to pull

661
00:44:29.599 --> 00:44:30.000
<v Speaker 1>this all.

662
00:44:30.039 --> 00:44:35.280
<v Speaker 2>Together the maddening thing about these, guys and also the

663
00:44:35.320 --> 00:44:40.840
<v Speaker 2>deciphers of hieroglyphs Of champollion and being the most well

664
00:44:40.880 --> 00:44:46.800
<v Speaker 2>known of, those is that they did not write about their.

665
00:44:46.840 --> 00:44:50.480
<v Speaker 2>Methodology most of the. Time they did not explain like

666
00:44:50.559 --> 00:44:52.760
<v Speaker 2>how they got from point a to POINT b to POINT,

667
00:44:52.800 --> 00:44:55.800
<v Speaker 2>c and the decipher, yes, really which makes things really

668
00:44:55.800 --> 00:44:58.400
<v Speaker 2>tricky if you're trying to get inside their heads and explain.

669
00:44:58.480 --> 00:45:01.519
<v Speaker 2>IT i had a hard that was a real stumbling.

670
00:45:01.559 --> 00:45:04.039
<v Speaker 2>BLOCK i kept talking to these BECAUSE i had Some

671
00:45:04.079 --> 00:45:09.440
<v Speaker 2>assyrian really like philologists and the seriologists THAT i would

672
00:45:09.639 --> 00:45:13.119
<v Speaker 2>consult on a regular, basis AND i just kept asking,

673
00:45:13.159 --> 00:45:15.280
<v Speaker 2>them you, know where are the, records where's the, diary

674
00:45:15.320 --> 00:45:18.280
<v Speaker 2>where are the? Diaries? Where, dude where do these guys

675
00:45:18.360 --> 00:45:21.559
<v Speaker 2>explain how they did? It and you're just left with

676
00:45:21.800 --> 00:45:24.719
<v Speaker 2>fragments here and there that you have to you kind

677
00:45:24.719 --> 00:45:26.920
<v Speaker 2>of have to piece it all together on the basis

678
00:45:26.920 --> 00:45:29.599
<v Speaker 2>of a few. Fragments they just didn't really feel the

679
00:45:29.679 --> 00:45:34.679
<v Speaker 2>need to explain it to. People quite quite. Maddening that's.

680
00:45:34.719 --> 00:45:39.239
<v Speaker 1>Amazing we've Had Irving finkel on a number of times

681
00:45:39.400 --> 00:45:43.679
<v Speaker 1>in a seriologists at The British museum And i've always,

682
00:45:43.840 --> 00:45:46.960
<v Speaker 1>wondered And i'm curious about your thinking on this if

683
00:45:47.519 --> 00:45:50.760
<v Speaker 1>the decipherment is, correct because he, SAYS i, mean we've

684
00:45:50.800 --> 00:45:55.119
<v Speaker 1>had people on the, show people like Not, zachharacisian but

685
00:45:55.159 --> 00:46:00.599
<v Speaker 1>people like, that who have misinterpreted the cuneiform. Tablets, yeah

686
00:46:00.639 --> 00:46:03.440
<v Speaker 1>and not necessarily got the dates, wrong but got the

687
00:46:03.559 --> 00:46:10.400
<v Speaker 1>actions or the lives of various kings. Incorrect so what

688
00:46:10.440 --> 00:46:14.119
<v Speaker 1>you're saying is that this team that you feature in

689
00:46:14.159 --> 00:46:18.800
<v Speaker 1>this book had it together pretty pretty. Closely but have

690
00:46:18.960 --> 00:46:20.679
<v Speaker 1>you talked To Irving finkel at?

691
00:46:20.679 --> 00:46:25.320
<v Speaker 2>All? Yeah of, course of. Course. YEAH i MEAN i

692
00:46:25.360 --> 00:46:27.679
<v Speaker 2>didn't ask him that. Question he wasn't particularly helpful to,

693
00:46:27.760 --> 00:46:30.719
<v Speaker 2>me BUT i HAD i turned to other seriologists who

694
00:46:30.719 --> 00:46:38.239
<v Speaker 2>were far more. Helpful AND i think bit territorial you might, say.

695
00:46:38.159 --> 00:46:41.079
<v Speaker 1>Well, yeah and it's like my version is the best

696
00:46:41.199 --> 00:46:43.239
<v Speaker 1>version you know of the.

697
00:46:43.400 --> 00:46:46.079
<v Speaker 2>Story, LOOK i mean they you, know that's what they

698
00:46:46.119 --> 00:46:49.280
<v Speaker 2>had in THIS i begin the book with this eighteen

699
00:46:49.360 --> 00:46:53.960
<v Speaker 2>fifty seven challenge because there was so much skepticism about

700
00:46:54.559 --> 00:46:59.559
<v Speaker 2>whether the writing system could ever be, deciphered that they

701
00:46:59.599 --> 00:47:02.960
<v Speaker 2>held a basically ad contest where they got four philologists,

702
00:47:02.960 --> 00:47:07.760
<v Speaker 2>together four supposed experts in The Syria babylonian, language and

703
00:47:07.840 --> 00:47:11.360
<v Speaker 2>had them all trends take the lithographs of one particular

704
00:47:12.039 --> 00:47:15.639
<v Speaker 2>cylinder from eleven HUNDRED bc home with, them not the

705
00:47:15.639 --> 00:47:18.599
<v Speaker 2>actual cylinder but. Lithograph it gave him like a couple

706
00:47:18.599 --> 00:47:21.079
<v Speaker 2>of months to work on, it and then sent a

707
00:47:21.119 --> 00:47:25.760
<v Speaker 2>sealed packet to The Royal asiatics, side and if they

708
00:47:25.840 --> 00:47:29.760
<v Speaker 2>matched up more or, less it would be considered you

709
00:47:29.800 --> 00:47:33.039
<v Speaker 2>could safely say that the, language that the writing and

710
00:47:33.079 --> 00:47:37.239
<v Speaker 2>the language had been, cracked that it was. Understood and

711
00:47:37.320 --> 00:47:40.960
<v Speaker 2>they did effectively do. That they got it pretty. Close

712
00:47:41.039 --> 00:47:43.239
<v Speaker 2>but there were lots of, gaps you, know there were

713
00:47:43.280 --> 00:47:49.840
<v Speaker 2>because because there were logograms, pictograms they just didn't understand

714
00:47:50.280 --> 00:47:55.320
<v Speaker 2>there were multiple ways of reading a single sign that

715
00:47:55.440 --> 00:48:00.840
<v Speaker 2>were confounding to. People there were lots of. Ways in,

716
00:48:00.880 --> 00:48:03.440
<v Speaker 2>fact the reason that they had that there was so much.

717
00:48:03.440 --> 00:48:10.440
<v Speaker 2>Skepticism one particular, scholar An irish, scholar looked at the

718
00:48:10.559 --> 00:48:15.480
<v Speaker 2>signs for the name of the king Nebucud, nezzer The

719
00:48:15.480 --> 00:48:20.920
<v Speaker 2>babylonian king Nebucud, nezzer which one of these Fellows hanks

720
00:48:20.920 --> 00:48:24.159
<v Speaker 2>had translated as Nebukud, nezzer but at the same time

721
00:48:24.199 --> 00:48:27.039
<v Speaker 2>the whole way of. Talking one of the find of

722
00:48:27.320 --> 00:48:31.039
<v Speaker 2>one of the findings as they were delving into into

723
00:48:31.119 --> 00:48:33.920
<v Speaker 2>quiform was that a lot of these characters had a

724
00:48:34.039 --> 00:48:37.320
<v Speaker 2>multiplicity of. Meanings they could be read, five, six seven different.

725
00:48:37.320 --> 00:48:41.360
<v Speaker 2>Ways and this scholar pointed, out, well if you use that,

726
00:48:41.440 --> 00:48:44.639
<v Speaker 2>PRINCIPLE i could look at this this these six characters

727
00:48:44.639 --> 00:48:48.000
<v Speaker 2>that supposedly form the word Nebucud, nezzer there are actually

728
00:48:48.039 --> 00:48:52.800
<v Speaker 2>three hundred and seventeen thousand other ways THAT i could

729
00:48:53.239 --> 00:48:59.159
<v Speaker 2>write this. Name so your theories are. Crap you, know

730
00:49:00.239 --> 00:49:02.519
<v Speaker 2>this is just a. Hoax you were just. Us you

731
00:49:02.559 --> 00:49:05.079
<v Speaker 2>could come up with any name and make me and

732
00:49:05.119 --> 00:49:07.679
<v Speaker 2>try to make me believe. It so that was kind

733
00:49:07.719 --> 00:49:10.440
<v Speaker 2>of the thinking going on that led to this conference

734
00:49:10.480 --> 00:49:12.519
<v Speaker 2>in eighteen fifty seven where they just, said, well we

735
00:49:12.639 --> 00:49:18.039
<v Speaker 2>need some way because those who supported the discipherment would say, that,

736
00:49:18.079 --> 00:49:20.360
<v Speaker 2>well you, know you look at these things in. Context

737
00:49:20.800 --> 00:49:24.480
<v Speaker 2>there are ways to narrow down exactly how these characters

738
00:49:24.519 --> 00:49:27.480
<v Speaker 2>are being, used and experts can figure it. Out it is,

739
00:49:27.559 --> 00:49:30.119
<v Speaker 2>complicated but there are ways to figure it. Out and

740
00:49:30.159 --> 00:49:32.480
<v Speaker 2>that's what this competition was all, about just sort of

741
00:49:32.559 --> 00:49:35.159
<v Speaker 2>proving that we can get it pretty. Close and they

742
00:49:35.199 --> 00:49:38.599
<v Speaker 2>did get it pretty, close you, know close. Enough it.

743
00:49:38.639 --> 00:49:41.159
<v Speaker 2>Was it was with The annals of A king from

744
00:49:41.760 --> 00:49:45.400
<v Speaker 2>eleven HUNDRED, bc you, know very complex written in these,

745
00:49:45.480 --> 00:49:51.119
<v Speaker 2>tiny tiny characters on that bowling pin sized, cylinder talking

746
00:49:51.119 --> 00:49:56.440
<v Speaker 2>about you, know lion hunts and building consecrating temples and

747
00:49:56.599 --> 00:50:02.960
<v Speaker 2>military campaigns In, syria what is An syria and giving, gifts,

748
00:50:03.079 --> 00:50:06.320
<v Speaker 2>vassals giving, gifts lots of description in, here thousands and

749
00:50:06.360 --> 00:50:09.920
<v Speaker 2>thousands Of canaan form, characters and you, know you could

750
00:50:09.920 --> 00:50:11.760
<v Speaker 2>have taken that in any number of. Directions so it

751
00:50:11.800 --> 00:50:14.760
<v Speaker 2>was really a great, challenge, right which is why they picked.

752
00:50:14.760 --> 00:50:18.519
<v Speaker 2>It and the four guys got together and they presented

753
00:50:18.639 --> 00:50:22.440
<v Speaker 2>Fair although there were lots of, gaps the findings were

754
00:50:22.519 --> 00:50:24.840
<v Speaker 2>close enough that they did, say, well we're coming to

755
00:50:24.880 --> 00:50:28.320
<v Speaker 2>an understanding of. This BUT i do believe that the

756
00:50:28.360 --> 00:50:31.320
<v Speaker 2>decipherment process went on for, LIKE i think it's still. Going,

757
00:50:32.199 --> 00:50:34.679
<v Speaker 2>YEAH i think there's still doubts, about you, know certain.

758
00:50:34.719 --> 00:50:36.920
<v Speaker 2>Things it's not like a cut and dried issue at.

759
00:50:36.960 --> 00:50:38.880
<v Speaker 2>All it's not like because hiering. GLYPHS i think it's

760
00:50:38.920 --> 00:50:43.239
<v Speaker 2>fairly well done. Now But i'm pretty Sure i'm not

761
00:50:43.280 --> 00:50:47.039
<v Speaker 2>in a, syriologist But i'm pretty sure that there's still some.

762
00:50:47.159 --> 00:50:52.039
<v Speaker 1>Questions oh, yeah there. Is what did we learn about

763
00:50:52.079 --> 00:50:55.199
<v Speaker 1>These syrians in terms of their? Education they seem to

764
00:50:55.239 --> 00:51:00.239
<v Speaker 1>be a very literate, culture and this comes out in this.

765
00:51:00.320 --> 00:51:03.880
<v Speaker 1>Decipherment but talk a little bit about what this uh

766
00:51:04.639 --> 00:51:10.639
<v Speaker 1>the team finds in terms of these, people they seemed

767
00:51:10.719 --> 00:51:11.519
<v Speaker 1>LIKE i, said very.

768
00:51:11.559 --> 00:51:15.840
<v Speaker 2>Literate, well you, know the literacy dates back To one

769
00:51:15.880 --> 00:51:20.199
<v Speaker 2>of the facts THAT i found really amazing was going

770
00:51:20.239 --> 00:51:23.280
<v Speaker 2>back all further back To, summer which is where it all,

771
00:51:23.320 --> 00:51:27.639
<v Speaker 2>began you, know further south in the southernmost corner of

772
00:51:27.679 --> 00:51:32.239
<v Speaker 2>what is Now, iraq and that they would archaeologists would

773
00:51:32.239 --> 00:51:34.920
<v Speaker 2>pour through the remains of these how of houses in

774
00:51:35.039 --> 00:51:37.880
<v Speaker 2>various you, know ancient sites dating back to about twenty

775
00:51:37.880 --> 00:51:41.039
<v Speaker 2>five HUNDRED, bc and virtually every one of these houses

776
00:51:41.039 --> 00:51:44.719
<v Speaker 2>they would find tablets with writing on. Them so this

777
00:51:44.960 --> 00:51:50.760
<v Speaker 2>was an incredible sign of how literate this particular society.

778
00:51:50.960 --> 00:51:55.320
<v Speaker 2>WAS i, mean there were there were schools that taught

779
00:51:55.320 --> 00:51:58.119
<v Speaker 2>writing to, scribes but not just the, elite elite government

780
00:51:58.559 --> 00:52:02.519
<v Speaker 2>or religious. SCRIBES i mean that, writing that literacy trickled

781
00:52:02.559 --> 00:52:05.800
<v Speaker 2>down well beyond just the elite of that. Society AND

782
00:52:05.840 --> 00:52:10.679
<v Speaker 2>i would assume That, Assyria, assyria which borrowed the signs

783
00:52:10.920 --> 00:52:14.159
<v Speaker 2>from the from The sumerians but gave them different. Values

784
00:52:14.760 --> 00:52:17.480
<v Speaker 2>BUT i would assume that that society was pretty much,

785
00:52:17.920 --> 00:52:23.119
<v Speaker 2>this you, know at a similar level of, literacy and that,

786
00:52:25.039 --> 00:52:29.159
<v Speaker 2>YES i mean they wrote about everything from well what

787
00:52:29.159 --> 00:52:32.719
<v Speaker 2>what what? Rawson sorry what? Well? Rawls and anla. Are

788
00:52:32.760 --> 00:52:37.880
<v Speaker 2>discovered in these libraries were everything from, uh you, know

789
00:52:37.920 --> 00:52:41.039
<v Speaker 2>a lot of medical, stuff a lot of a lot

790
00:52:41.119 --> 00:52:48.840
<v Speaker 2>of routine bureaucratic, stuff medical treatises about how to cure various,

791
00:52:49.280 --> 00:52:59.920
<v Speaker 2>illnesses even Psychological council for psychological, problems astronomical, observations, calendars

792
00:53:00.400 --> 00:53:04.920
<v Speaker 2>uh scientific lots of, science lots of, science lots of

793
00:53:05.000 --> 00:53:07.800
<v Speaker 2>annals of fighting of wars of, coorts written by written

794
00:53:07.840 --> 00:53:12.760
<v Speaker 2>by the, kings, uh. Horoscopes they were extremely they were

795
00:53:12.760 --> 00:53:18.639
<v Speaker 2>both scientific. People they were also extremely uh. Superstitious you,

796
00:53:18.679 --> 00:53:20.800
<v Speaker 2>know some of this stuff is some of this stuff

797
00:53:20.880 --> 00:53:24.360
<v Speaker 2>is wildly this WHICH i didn't really know much, ABOUT i,

798
00:53:24.400 --> 00:53:29.079
<v Speaker 2>mean anything about the what how how the whole idea of,

799
00:53:29.199 --> 00:53:32.599
<v Speaker 2>exsicipacy you, KNOW i Think i'm pronouncing it, right which

800
00:53:32.639 --> 00:53:36.559
<v Speaker 2>is reading the entrails of dead.

801
00:53:36.360 --> 00:53:38.000
<v Speaker 1>She, yes, yes.

802
00:53:38.159 --> 00:53:43.639
<v Speaker 2>Right this was given incredible prominence in the royal court Of,

803
00:53:44.039 --> 00:53:47.559
<v Speaker 2>ashabanopal the most powerful king of The Syrian empire in

804
00:53:47.599 --> 00:53:53.960
<v Speaker 2>the mid seventh CENTURY. BC i think his father and

805
00:53:54.239 --> 00:54:00.000
<v Speaker 2>grandfather also uh subscribe to. This but they would uh

806
00:54:00.119 --> 00:54:02.920
<v Speaker 2>king would be present and the, soothsayer the entrail reader

807
00:54:02.920 --> 00:54:05.840
<v Speaker 2>would come. In questions would be whispered into the dead

808
00:54:05.880 --> 00:54:08.840
<v Speaker 2>sheep's ear and then the entrails would be read to

809
00:54:08.880 --> 00:54:11.239
<v Speaker 2>try to determine an answer.

810
00:54:12.480 --> 00:54:15.119
<v Speaker 1>And may that's classic, divination you.

811
00:54:15.159 --> 00:54:15.199
<v Speaker 2>Know.

812
00:54:15.440 --> 00:54:22.320
<v Speaker 1>Yeah, Yeah and here this very, literate highly evolved society

813
00:54:23.480 --> 00:54:28.360
<v Speaker 1>is using this form of, PROPHECY i guess and divination

814
00:54:28.519 --> 00:54:31.559
<v Speaker 1>to live their daily. Lives so you got to wonder

815
00:54:32.159 --> 00:54:33.079
<v Speaker 1>what the story is.

816
00:54:33.119 --> 00:54:36.679
<v Speaker 2>There maybe that was just specifically for the. KING i

817
00:54:36.679 --> 00:54:39.880
<v Speaker 2>don't think the king necessarily cared about you, know it

818
00:54:39.920 --> 00:54:42.639
<v Speaker 2>was his really his own. Welfare well, no but some

819
00:54:42.719 --> 00:54:45.880
<v Speaker 2>of this stuff was all about the you, know preserving

820
00:54:45.960 --> 00:54:48.519
<v Speaker 2>the kingdom and how, to how, to but a lot

821
00:54:48.599 --> 00:54:50.400
<v Speaker 2>of it was about his own, fate you.

822
00:54:50.440 --> 00:54:50.480
<v Speaker 1>Know.

823
00:54:50.880 --> 00:54:54.840
<v Speaker 2>Yeah and also the, uh you, know it wasn't just.

824
00:54:55.400 --> 00:54:59.119
<v Speaker 2>EXTICIACY i, mean reading the, planets reading the, movement reading the,

825
00:54:59.159 --> 00:55:01.280
<v Speaker 2>mood you, know the face of the, moon the, planets the.

826
00:55:01.320 --> 00:55:07.599
<v Speaker 2>Stars this was all incorporated into this elaborate web of

827
00:55:07.639 --> 00:55:12.639
<v Speaker 2>superstition that the king really these kings really subscribe. TO i,

828
00:55:12.719 --> 00:55:14.920
<v Speaker 2>mean it seems like they spent much of their days

829
00:55:14.960 --> 00:55:23.880
<v Speaker 2>consulting you, know fortune, tellers, astronomers astrologers to determine courses of.

830
00:55:23.920 --> 00:55:29.400
<v Speaker 1>Action, yeah. Fascinating it seems in the book that you

831
00:55:30.800 --> 00:55:35.880
<v Speaker 1>portray europe as excited about this, discovery and is there

832
00:55:36.400 --> 00:55:40.360
<v Speaker 1>articles in the paper that are like weekly opinions or

833
00:55:41.039 --> 00:55:45.719
<v Speaker 1>updates on what is happening in this. Discovery is this

834
00:55:45.840 --> 00:55:48.559
<v Speaker 1>an area that you were able to kind of tap

835
00:55:48.639 --> 00:55:50.559
<v Speaker 1>into for reference.

836
00:55:50.639 --> 00:55:54.159
<v Speaker 2>Material british M The British library has a great collection

837
00:55:54.239 --> 00:55:58.480
<v Speaker 2>of newspapers from the day and one of the most

838
00:55:58.480 --> 00:56:03.079
<v Speaker 2>popular and WHY i find the most fasting forgiving a

839
00:56:03.119 --> 00:56:06.119
<v Speaker 2>picture of life at that time was The victorian at

840
00:56:06.159 --> 00:56:10.440
<v Speaker 2>the height Of Victorian empire was The Illustrated London. News

841
00:56:11.440 --> 00:56:15.199
<v Speaker 2>Illustrated London news was like a broadsheet PUBLISHED i think

842
00:56:15.239 --> 00:56:18.679
<v Speaker 2>first issue was in eighteen forty, two and it had

843
00:56:18.719 --> 00:56:22.519
<v Speaker 2>before really before. Photography photography had just been. Invented but

844
00:56:22.679 --> 00:56:26.039
<v Speaker 2>they they must have had this amazing staff of artists

845
00:56:26.679 --> 00:56:31.039
<v Speaker 2>and they just did these incredible litho lithograph illustrations on

846
00:56:31.119 --> 00:56:34.920
<v Speaker 2>pretty much every other, page amazing detail of you, know

847
00:56:35.000 --> 00:56:38.199
<v Speaker 2>the coronation Of queen beerw, whatever of the visit Of

848
00:56:38.280 --> 00:56:42.360
<v Speaker 2>Queen victoria to The Crystal Palace World's fair, exhibit just

849
00:56:42.400 --> 00:56:46.039
<v Speaker 2>with you, know, everything with hundreds of people, everyone you,

850
00:56:46.039 --> 00:56:49.360
<v Speaker 2>know finally drawn war, scenes The battle of you, know

851
00:56:49.400 --> 00:56:54.000
<v Speaker 2>The Crimean. War this is WHERE i found the famous

852
00:56:56.440 --> 00:57:00.079
<v Speaker 2>picture that's actually in the book of one of The,

853
00:57:00.840 --> 00:57:04.079
<v Speaker 2>lamasus the winged, bulls or maybe it was a wing

854
00:57:04.159 --> 00:57:09.039
<v Speaker 2>lion being brought up the stairs on a ramp at

855
00:57:09.079 --> 00:57:13.000
<v Speaker 2>The British. MUSEUM i mean that thing weighs. Tons, yeah,

856
00:57:13.119 --> 00:57:16.400
<v Speaker 2>Yeah so it was like they had seventeen horses carrying

857
00:57:16.440 --> 00:57:19.360
<v Speaker 2>this thing through the streets Of london from the docks

858
00:57:19.360 --> 00:57:22.199
<v Speaker 2>of near The tower Of, london brought it to the,

859
00:57:22.239 --> 00:57:25.519
<v Speaker 2>museum constructed a ramp that carried the thing up the

860
00:57:25.559 --> 00:57:28.119
<v Speaker 2>stairs into the down AND i think it went down

861
00:57:28.199 --> 00:57:31.280
<v Speaker 2>to the, basement Which layered was very unhappy about because

862
00:57:31.599 --> 00:57:33.559
<v Speaker 2>The British museum was not they were they were just

863
00:57:33.599 --> 00:57:36.760
<v Speaker 2>grabbing so much stuff around the world that and bringing

864
00:57:36.800 --> 00:57:39.239
<v Speaker 2>it back To london that The British museum wasn't able

865
00:57:39.320 --> 00:57:43.480
<v Speaker 2>to keep up with the flow of good of, artifacts

866
00:57:43.480 --> 00:57:46.760
<v Speaker 2>so they had to Stash layered stuff in a dimly

867
00:57:46.840 --> 00:57:50.360
<v Speaker 2>lit basement, room which he really was unhappy about and

868
00:57:50.400 --> 00:57:55.599
<v Speaker 2>complained quite bitterly. About but so this was a you,

869
00:57:55.639 --> 00:57:58.239
<v Speaker 2>know a regular feature of The Illustrated London. News they

870
00:57:58.239 --> 00:58:05.639
<v Speaker 2>were often reproducing pages and pages and reproductions of the

871
00:58:05.000 --> 00:58:07.960
<v Speaker 2>the relics That laired was. FINDING i think The Black

872
00:58:08.000 --> 00:58:11.199
<v Speaker 2>obelist first appeared or is in The Black obelists may

873
00:58:11.199 --> 00:58:13.000
<v Speaker 2>have first appeared in the in the illustrated end the.

874
00:58:13.039 --> 00:58:14.920
<v Speaker 2>News they weren't the only ones doing, it BUT i

875
00:58:14.920 --> 00:58:19.159
<v Speaker 2>think it was like a very popular hit paper with

876
00:58:19.199 --> 00:58:21.280
<v Speaker 2>about a circulation of one hundred thousand at the, time

877
00:58:21.320 --> 00:58:22.199
<v Speaker 2>which is pretty.

878
00:58:21.920 --> 00:58:24.239
<v Speaker 1>Good for you, know, yes ninth.

879
00:58:24.280 --> 00:58:29.840
<v Speaker 2>Century there were other publications The, athenaeum, uh some OTHER

880
00:58:30.000 --> 00:58:32.400
<v Speaker 2>i mean a bunch of popular magazines and then literary

881
00:58:32.440 --> 00:58:35.199
<v Speaker 2>magazines that paid a lot of attention to hints and

882
00:58:35.280 --> 00:58:38.599
<v Speaker 2>rollins and the, decipherment their speeches at The Royal Asiatic,

883
00:58:38.679 --> 00:58:41.719
<v Speaker 2>society their reports. There you, know there was a lot of.

884
00:58:41.760 --> 00:58:44.960
<v Speaker 1>Stuff were any of those illustrators With laird as they

885
00:58:44.960 --> 00:58:47.039
<v Speaker 1>were excavating the, sites and, yeah.

886
00:58:46.880 --> 00:58:49.880
<v Speaker 2>There's some, stuff there's some there's lots of excavation art as,

887
00:58:49.880 --> 00:58:53.360
<v Speaker 2>well sketches as. Well they all Had laired went THROUGH

888
00:58:53.400 --> 00:58:59.079
<v Speaker 2>i think three different illustrators who accompanied him into the

889
00:58:59.280 --> 00:59:02.280
<v Speaker 2>couple of The actually one traveled with him From london

890
00:59:02.320 --> 00:59:06.840
<v Speaker 2>on this really kind of difficult journey overland To assyria

891
00:59:06.920 --> 00:59:09.760
<v Speaker 2>and was with him for some time as he was

892
00:59:09.800 --> 00:59:12.800
<v Speaker 2>making these. Discoveries so there's some great material that shows

893
00:59:12.960 --> 00:59:17.199
<v Speaker 2>the excavations in. Progress we're going to.

894
00:59:17.199 --> 00:59:21.239
<v Speaker 1>Take a short commercial break to allow our sponsors to identify,

895
00:59:21.280 --> 00:59:23.960
<v Speaker 1>themselves and we will return shortly with my guest, Today

896
00:59:24.039 --> 00:59:29.360
<v Speaker 1>Josh hammer discussing his let us release The Mesopotamian. Riddle

897
00:59:30.960 --> 01:00:14.639
<v Speaker 1>will return with you. Shortly we're learning about the cuneiforms

898
01:00:15.000 --> 01:00:18.519
<v Speaker 1>that when they were first discovered in the eighteen. Fifties

899
01:00:19.519 --> 01:00:23.079
<v Speaker 1>just how the world perceived this, discovery really a lost

900
01:00:23.119 --> 01:00:27.599
<v Speaker 1>civilization that comes to, light and the race to decipher

901
01:00:28.519 --> 01:00:33.679
<v Speaker 1>exactly what they had. DISCOVERED i think one of the

902
01:00:33.760 --> 01:00:37.440
<v Speaker 1>QUESTIONS i was thinking about WHEN i was reading about

903
01:00:37.480 --> 01:00:43.679
<v Speaker 1>their Lives rawlingson And hicks and later is did they

904
01:00:43.800 --> 01:00:51.360
<v Speaker 1>publish anything of fund outstanding regarding this? Work in other,

905
01:00:51.400 --> 01:00:55.320
<v Speaker 1>words If, LAIRED i, mean are they publishing actual? Books?

906
01:00:55.679 --> 01:00:58.920
<v Speaker 2>Oh? No, actually So laired was the popular.

907
01:00:59.199 --> 01:01:01.079
<v Speaker 1>Author that's WHAT i. Thought he.

908
01:01:01.159 --> 01:01:07.639
<v Speaker 2>Wrote he was a prolific, writer and he just churned out, letters,

909
01:01:08.199 --> 01:01:13.800
<v Speaker 2>diaries several volumes of, memoirs the first of which Was

910
01:01:14.559 --> 01:01:20.360
<v Speaker 2>the memoirs are, enthralling filled with, illustrations some of WHICH

911
01:01:20.360 --> 01:01:22.480
<v Speaker 2>i think he did. Himself it seems like everybody in

912
01:01:22.519 --> 01:01:25.679
<v Speaker 2>those days was like schooled and. DRAWING i don't quite you.

913
01:01:25.760 --> 01:01:28.119
<v Speaker 2>KNOW i, Mean rawlinson too was quite a good. Artist

914
01:01:28.159 --> 01:01:32.039
<v Speaker 2>he wrote these stumbled across these diaries that he had

915
01:01:32.039 --> 01:01:35.480
<v Speaker 2>written for his kids years, later bringing back his days

916
01:01:35.519 --> 01:01:38.800
<v Speaker 2>as a fighter In afghan warrior In afghanistan and at

917
01:01:38.800 --> 01:01:41.360
<v Speaker 2>The British embassy In. Baghdad and he wrote with these

918
01:01:41.440 --> 01:01:44.039
<v Speaker 2>the kind of nink drawings that were really quite, good

919
01:01:44.519 --> 01:01:47.880
<v Speaker 2>and a couple of THEM i reproduced in the. Book so,

920
01:01:47.960 --> 01:01:50.039
<v Speaker 2>YEAH i Mean layard was ABSOLUTELY i mean he was

921
01:01:50.039 --> 01:01:53.119
<v Speaker 2>a popular. Writer his stuff sold tens of thousands of.

922
01:01:53.159 --> 01:01:59.960
<v Speaker 2>Copies rawlinson did not, REALLY i, mean there is a

923
01:02:00.400 --> 01:02:03.480
<v Speaker 2>biography Of, rolinson contemporary, biography but it's written by his.

924
01:02:03.599 --> 01:02:07.719
<v Speaker 2>Brother so he never really did What lair did at.

925
01:02:07.719 --> 01:02:09.960
<v Speaker 2>All there was there were short articles that he. Wrote

926
01:02:10.280 --> 01:02:15.360
<v Speaker 2>there were very dense reports on the decipherment that he

927
01:02:15.440 --> 01:02:21.679
<v Speaker 2>did for The Royal Asiatic. Society there were, letters but

928
01:02:21.840 --> 01:02:25.639
<v Speaker 2>nothing like Like. Laird and the same goes For. Hanks

929
01:02:25.639 --> 01:02:27.599
<v Speaker 2>he didn't REALLY i mean he wrote a lot of,

930
01:02:27.679 --> 01:02:29.719
<v Speaker 2>letters but he didn't really tell a. Story But Leo

931
01:02:30.440 --> 01:02:34.800
<v Speaker 2>hanks didn't have the kind of, piicresque you, know adventurous

932
01:02:34.880 --> 01:02:37.519
<v Speaker 2>dramatic life that the other two guys.

933
01:02:37.559 --> 01:02:44.440
<v Speaker 1>Did but you write very, Well, josh about these, individuals

934
01:02:44.480 --> 01:02:48.159
<v Speaker 1>And i'm wondering did any one of them have a

935
01:02:48.280 --> 01:02:52.920
<v Speaker 1>column in These british papers where they were paid to,

936
01:02:53.159 --> 01:02:57.320
<v Speaker 1>write you, know their Expedition they did not want.

937
01:02:57.679 --> 01:02:59.440
<v Speaker 2>Them pretty.

938
01:02:59.480 --> 01:03:05.000
<v Speaker 1>Amazing let's talk a little bit about a city that's, fascinating.

939
01:03:06.639 --> 01:03:09.239
<v Speaker 2>Whichcuse.

940
01:03:09.320 --> 01:03:13.599
<v Speaker 1>Me, uh when it was uncovered and, excavated it was

941
01:03:13.880 --> 01:03:15.079
<v Speaker 1>a pretty big, deal wasn't.

942
01:03:15.119 --> 01:03:18.480
<v Speaker 2>It but it was, no it was never. Uncovered it

943
01:03:18.559 --> 01:03:25.840
<v Speaker 2>was always, there per being The Persian king's you, know

944
01:03:25.960 --> 01:03:30.159
<v Speaker 2>showcase a city in in what's Now iran and like Southern,

945
01:03:30.159 --> 01:03:33.440
<v Speaker 2>iran that, PLACE i don't. KNOW i think because of

946
01:03:33.480 --> 01:03:36.000
<v Speaker 2>its position in the in the in this, valley the,

947
01:03:36.039 --> 01:03:40.480
<v Speaker 2>winds it was never climactic. Reasons it was never covered.

948
01:03:40.559 --> 01:03:44.559
<v Speaker 2>Over so people have been writing About persepolis for two

949
01:03:44.599 --> 01:03:50.440
<v Speaker 2>thousand years describing, it and it WAS i, mean it

950
01:03:50.599 --> 01:03:55.800
<v Speaker 2>began to attract regular visitors From europe IN i mean

951
01:03:55.800 --> 01:03:59.400
<v Speaker 2>the Ancient greeks showed up, there described, it people like,

952
01:04:00.360 --> 01:04:04.039
<v Speaker 2>Uh Theodora, siculus some of These greek historians them two,

953
01:04:05.159 --> 01:04:09.599
<v Speaker 2>three and then and then you had another wave like

954
01:04:09.639 --> 01:04:14.039
<v Speaker 2>beginning around the sixteenth century of of, travelers diplomats from

955
01:04:14.039 --> 01:04:17.519
<v Speaker 2>the wet from From europe coming to See, Persepolis so

956
01:04:17.559 --> 01:04:22.199
<v Speaker 2>it never disappeared from view the meaning of the writing

957
01:04:22.239 --> 01:04:24.960
<v Speaker 2>on the walls Of persepolis that was. Lost nobody knew

958
01:04:24.960 --> 01:04:28.719
<v Speaker 2>what that. Was, uh that was the first writing that

959
01:04:28.719 --> 01:04:31.559
<v Speaker 2>it was, deciphered and that's actually what led to the

960
01:04:31.599 --> 01:04:35.559
<v Speaker 2>others being. Deciphered but it's it's it's not like it

961
01:04:35.599 --> 01:04:40.679
<v Speaker 2>wasn't Like nineveh Or nimrod Or babylon in that which

962
01:04:40.719 --> 01:04:45.320
<v Speaker 2>were basically just covered over by sand and these mounds

963
01:04:45.360 --> 01:04:48.840
<v Speaker 2>formed around. Them and that's a very good. Question why is?

964
01:04:48.880 --> 01:04:50.519
<v Speaker 2>That AND i don't have THE i don't have the

965
01:04:50.599 --> 01:04:56.079
<v Speaker 2>answer Why persepolis was never? Lost but never does it.

966
01:04:56.000 --> 01:05:00.039
<v Speaker 1>Come up in references that in the cuniform that the

967
01:05:00.039 --> 01:05:04.599
<v Speaker 1>these researchers are passing, over you, know or is it

968
01:05:04.719 --> 01:05:06.320
<v Speaker 1>thought of this myth in the eighteen.

969
01:05:06.400 --> 01:05:10.320
<v Speaker 2>Fifties oh while you, talk are we talking about As

970
01:05:10.719 --> 01:05:15.599
<v Speaker 2>assyria or? What, yeah the lost the lost cities Of. Assyria, Right,

971
01:05:15.679 --> 01:05:20.599
<v Speaker 2>yeah it's like this gray, zone you, know it's like

972
01:05:21.239 --> 01:05:29.559
<v Speaker 2>there's an there's enough documentation over the millennia handed, DOWN

973
01:05:30.719 --> 01:05:36.960
<v Speaker 2>i mean Ancient greek travelers who would pass By mosil

974
01:05:37.440 --> 01:05:41.400
<v Speaker 2>or along The tigris and see the ruins of a

975
01:05:41.480 --> 01:05:46.199
<v Speaker 2>city right in about four hundred four HUNDRED, bc and

976
01:05:46.239 --> 01:05:49.920
<v Speaker 2>then Another greek visitor like three hundred years later would, say, oh,

977
01:05:49.920 --> 01:05:52.880
<v Speaker 2>well that, guy you know that that's. GONE i don't

978
01:05:52.920 --> 01:05:55.239
<v Speaker 2>even see any remains of that city now it's just a.

979
01:05:55.320 --> 01:05:58.719
<v Speaker 2>Mound and then over the, centuries you keep having these

980
01:05:58.760 --> 01:06:03.360
<v Speaker 2>references to this in this. Mound and Then layer gets

981
01:06:03.400 --> 01:06:06.199
<v Speaker 2>there in eighteen forty and he's like, utterly you, know

982
01:06:06.239 --> 01:06:09.199
<v Speaker 2>he's he's basically like a back the equivalent of a

983
01:06:09.679 --> 01:06:12.800
<v Speaker 2>backpacker making his way Across, asia you, know and he,

984
01:06:13.000 --> 01:06:15.400
<v Speaker 2>just you, know he shows up at the mounds and

985
01:06:15.440 --> 01:06:17.840
<v Speaker 2>he just sees, this and he's kind of he's utterly.

986
01:06:17.880 --> 01:06:21.559
<v Speaker 2>Transfixed he's, like he's, like, well all the historians are

987
01:06:21.599 --> 01:06:24.239
<v Speaker 2>telling us that this that there, was the greatest city

988
01:06:24.360 --> 01:06:27.760
<v Speaker 2>of the ancient, world was right at this. Spot so

989
01:06:28.000 --> 01:06:30.559
<v Speaker 2>there's this mound here and nobody's paying any attention to.

990
01:06:30.599 --> 01:06:32.039
<v Speaker 2>IT i, see you, know every once in a while

991
01:06:32.079 --> 01:06:35.719
<v Speaker 2>somebody would come up with a little fragment of. Cuniform

992
01:06:36.960 --> 01:06:39.639
<v Speaker 2>but he was just sort of baffled and blown away

993
01:06:39.760 --> 01:06:44.119
<v Speaker 2>and awed by the utter disappearance of any trace of

994
01:06:44.159 --> 01:06:46.599
<v Speaker 2>a great. City so but he, assumed you, Know i'll,

995
01:06:46.599 --> 01:06:50.800
<v Speaker 2>bet he, SAID i will bet that there. Is if

996
01:06:50.800 --> 01:06:53.719
<v Speaker 2>we can get the resources together and begin, digging we

997
01:06:53.800 --> 01:06:57.519
<v Speaker 2>will find we will find. Something he was utterly. Convinced

998
01:06:57.960 --> 01:07:00.800
<v Speaker 2>and it's funny that nobody else had the same it

999
01:07:00.880 --> 01:07:04.760
<v Speaker 2>really that happened in eighteen, forty so nobody had the,

1000
01:07:04.800 --> 01:07:09.159
<v Speaker 2>initiative curiosity whatever to do it before he. Did but he,

1001
01:07:09.280 --> 01:07:10.960
<v Speaker 2>schemed and you, know he didn't have any money at the.

1002
01:07:10.960 --> 01:07:13.639
<v Speaker 2>Time he was like twenty three years, old but he

1003
01:07:14.199 --> 01:07:16.880
<v Speaker 2>was a great you, know he was a great talker

1004
01:07:16.960 --> 01:07:21.599
<v Speaker 2>and a great. Operator and within five years he was back,

1005
01:07:21.599 --> 01:07:24.519
<v Speaker 2>there this time with some money from the turt from

1006
01:07:24.559 --> 01:07:28.199
<v Speaker 2>The british ambassador To Constantinople kubision of his own pocket

1007
01:07:28.199 --> 01:07:30.800
<v Speaker 2>and gave him enough to put together a diggy team

1008
01:07:30.840 --> 01:07:32.360
<v Speaker 2>and go to work and then the rest is.

1009
01:07:32.440 --> 01:07:37.519
<v Speaker 1>History. YEAH i love how you describe each of these main.

1010
01:07:37.599 --> 01:07:42.440
<v Speaker 1>Characters they're just really great. Writing was there any award

1011
01:07:42.559 --> 01:07:46.639
<v Speaker 1>given for the? DECIPHERMENT i, MEAN i. Don't typically in

1012
01:07:46.679 --> 01:07:50.559
<v Speaker 1>those days it was more recognition and then you'd get

1013
01:07:50.639 --> 01:07:53.400
<v Speaker 1>a scholarship and you'd be you, know part of a

1014
01:07:53.440 --> 01:07:57.000
<v Speaker 1>society or something like. That but were there awards given

1015
01:07:57.079 --> 01:08:02.719
<v Speaker 1>for all the work that was put into this decipher, man.

1016
01:08:03.559 --> 01:08:06.400
<v Speaker 2>You, KNOW i, Mean rawlinson was knighted and he was,

1017
01:08:06.559 --> 01:08:11.360
<v Speaker 2>praised and he was he received a lot OF i

1018
01:08:11.400 --> 01:08:14.559
<v Speaker 2>don't think there was any actually formal award given to.

1019
01:08:14.679 --> 01:08:18.479
<v Speaker 2>Him Steck to complained a little bit about that of

1020
01:08:18.560 --> 01:08:20.560
<v Speaker 2>some of his letters about The british government kind of

1021
01:08:20.600 --> 01:08:25.079
<v Speaker 2>snubbing him and not doing anything for. Him layard was

1022
01:08:25.720 --> 01:08:29.319
<v Speaker 2>feted and given various keys to the city and everything

1023
01:08:29.319 --> 01:08:36.520
<v Speaker 2>for his archaeological, discoveries And hanks was, ignored, basically even

1024
01:08:36.520 --> 01:08:39.000
<v Speaker 2>though a lot of people say that he was the

1025
01:08:39.039 --> 01:08:44.399
<v Speaker 2>guy who in this very intense rivalry between him And

1026
01:08:44.520 --> 01:08:48.239
<v Speaker 2>rawlinson for who who was could be considered the father

1027
01:08:48.359 --> 01:08:53.880
<v Speaker 2>of decipherment in canea. Form hanks pretty much now is

1028
01:08:53.960 --> 01:08:58.199
<v Speaker 2>recognized as the true father of, decipherment but he received

1029
01:08:58.199 --> 01:09:01.199
<v Speaker 2>no recognition in his, lifetime with the exception of a

1030
01:09:01.319 --> 01:09:06.439
<v Speaker 2>couple of, peers you, know close, colleagues fellow, philologists but

1031
01:09:06.840 --> 01:09:10.119
<v Speaker 2>nothing from the, government nothing from nothing, official.

1032
01:09:10.279 --> 01:09:12.840
<v Speaker 1>No university appointments at.

1033
01:09:12.880 --> 01:09:15.399
<v Speaker 2>All he wanted, this he desperately wanted. This he was

1034
01:09:15.479 --> 01:09:18.000
<v Speaker 2>kind of he was really kind of getting tired of

1035
01:09:18.000 --> 01:09:22.199
<v Speaker 2>being an anonymous churchman in this small, village in a

1036
01:09:22.279 --> 01:09:26.119
<v Speaker 2>small town in Northern, ireland and he felt for you,

1037
01:09:26.159 --> 01:09:28.359
<v Speaker 2>KNOW i mean a lot of people have this impression

1038
01:09:28.359 --> 01:09:32.720
<v Speaker 2>that he was just this sort of, shy reclusive character

1039
01:09:32.800 --> 01:09:36.039
<v Speaker 2>who didn't care about any international. RECOGNITION i, mean in,

1040
01:09:36.079 --> 01:09:39.439
<v Speaker 2>fact it was the actual. Opposite he really wanted to be.

1041
01:09:39.560 --> 01:09:43.560
<v Speaker 2>Famous he wanted to be, recognized and he hated the.

1042
01:09:43.600 --> 01:09:47.600
<v Speaker 2>Fact he Hated. Rawlinson you, know he hated That rawlinson

1043
01:09:47.720 --> 01:09:51.560
<v Speaker 2>was getting all the attention and he hated being like

1044
01:09:51.680 --> 01:09:55.399
<v Speaker 2>after a, while just stuck in. This. YEAH i mean

1045
01:09:55.399 --> 01:09:58.159
<v Speaker 2>he's a religious. Guy he. WAS i think he appreciate.

1046
01:09:58.159 --> 01:10:04.079
<v Speaker 2>You he appreciated and got great satisfaction out, of you,

1047
01:10:04.079 --> 01:10:07.760
<v Speaker 2>know his sermons and his tending to his, flock although

1048
01:10:07.760 --> 01:10:11.079
<v Speaker 2>that was also, controversial but, anyway you got into hot

1049
01:10:11.079 --> 01:10:14.880
<v Speaker 2>water with doing, that but not always very popular among his.

1050
01:10:14.880 --> 01:10:17.680
<v Speaker 2>Parishioners but, anyway but he also had. Aspirations he wanted

1051
01:10:17.680 --> 01:10:21.000
<v Speaker 2>to teach you at. University he kept asking People, layered you,

1052
01:10:21.000 --> 01:10:23.720
<v Speaker 2>know any one of his influential friends who were who Were,

1053
01:10:23.800 --> 01:10:27.640
<v Speaker 2>english to help get me a job At. Cambridge get

1054
01:10:27.960 --> 01:10:30.279
<v Speaker 2>it was like basically just straight. OVER i want a.

1055
01:10:30.359 --> 01:10:31.920
<v Speaker 2>JOB i want you To can you just like call

1056
01:10:31.960 --> 01:10:35.399
<v Speaker 2>your you, know get in touch with your friends on

1057
01:10:35.439 --> 01:10:38.600
<v Speaker 2>the trustees and get me a position they should have

1058
01:10:38.760 --> 01:10:41.720
<v Speaker 2>in a seriology position for. Me why can't you do?

1059
01:10:41.800 --> 01:10:45.760
<v Speaker 2>That and never. Happened it never, happened and he ended

1060
01:10:45.840 --> 01:10:48.880
<v Speaker 2>up you, know he did. WELL i, mean the saddest

1061
01:10:48.920 --> 01:10:52.960
<v Speaker 2>thing About hanks is that, eventually thanks To lair's, intervention

1062
01:10:53.119 --> 01:10:58.239
<v Speaker 2>he got himself a one year deal to translate to

1063
01:10:58.359 --> 01:11:03.359
<v Speaker 2>work at The British museum to translate The Black obelisk

1064
01:11:03.600 --> 01:11:07.840
<v Speaker 2>and other great. Artifacts and this isn't really this was

1065
01:11:07.880 --> 01:11:09.239
<v Speaker 2>like for him to pin at. Him you, know he

1066
01:11:09.279 --> 01:11:12.920
<v Speaker 2>had finally made, it and he trooped off To london

1067
01:11:13.079 --> 01:11:16.479
<v Speaker 2>and was given his position and went to work and

1068
01:11:16.520 --> 01:11:20.039
<v Speaker 2>then you, know translated voluminous amounts of, material put it

1069
01:11:20.079 --> 01:11:22.399
<v Speaker 2>all in, notebooks and then at the end of a

1070
01:11:22.560 --> 01:11:26.680
<v Speaker 2>year they fired him and snatched away his notebooks and

1071
01:11:26.720 --> 01:11:30.760
<v Speaker 2>basically just kicked him out of the. Museum and the

1072
01:11:31.079 --> 01:11:35.079
<v Speaker 2>theory never proven is that he believed That rawlinson had

1073
01:11:35.119 --> 01:11:38.399
<v Speaker 2>sabotaged him Because, rawlinson you, KNOW i really got into

1074
01:11:38.479 --> 01:11:40.960
<v Speaker 2>in the book THE i, MEAN i really tried to

1075
01:11:40.960 --> 01:11:43.640
<v Speaker 2>bring to life as much AS i, could the rivalry

1076
01:11:43.680 --> 01:11:46.560
<v Speaker 2>and the sort of the way these two got three guys,

1077
01:11:46.600 --> 01:11:49.279
<v Speaker 2>interacted BECAUSE i found that to be one of the

1078
01:11:49.279 --> 01:11:52.439
<v Speaker 2>most fascinating elements of this, story the person, did the

1079
01:11:52.479 --> 01:11:55.359
<v Speaker 2>different personalities and the competition and the way it played.

1080
01:11:55.359 --> 01:12:00.560
<v Speaker 2>Out And rawlinson probably sabotage takes because he was incredibly

1081
01:12:00.720 --> 01:12:03.760
<v Speaker 2>jealous and what you see it in the, letters like

1082
01:12:03.840 --> 01:12:08.840
<v Speaker 2>what is this clown? Doing you, know this pathetic Little irish,

1083
01:12:08.920 --> 01:12:11.359
<v Speaker 2>churchman who does he think he is coming into My

1084
01:12:11.880 --> 01:12:17.039
<v Speaker 2>british museum Where rowlinson had connections and influence and, power you,

1085
01:12:17.079 --> 01:12:21.239
<v Speaker 2>know and getting this job transcribing, my you, know my

1086
01:12:21.439 --> 01:12:25.439
<v Speaker 2>artifacts because he was he had been In baghdad for

1087
01:12:25.520 --> 01:12:29.239
<v Speaker 2>years And laired would ship him down these, artifacts first

1088
01:12:29.239 --> 01:12:32.800
<v Speaker 2>To baghdad Where laired would Where rawlinson would inspect them

1089
01:12:32.800 --> 01:12:35.159
<v Speaker 2>and then send them down To bostra to be shipped

1090
01:12:35.199 --> 01:12:37.479
<v Speaker 2>up to The British. Museum so he kind of, felt

1091
01:12:37.520 --> 01:12:40.479
<v Speaker 2>this is all my. STUFF i you, KNOW i shipped.

1092
01:12:40.520 --> 01:12:43.520
<v Speaker 2>IT i was a diplomat who arranged the transport of

1093
01:12:43.560 --> 01:12:47.520
<v Speaker 2>these delicate artifacts back To britain and now, hints you,

1094
01:12:47.560 --> 01:12:52.239
<v Speaker 2>know this puny irishman is in my. Place he hated

1095
01:12:52.279 --> 01:12:55.560
<v Speaker 2>it and so there's all sorts of evidence that he

1096
01:12:55.960 --> 01:12:58.960
<v Speaker 2>puts some pressure on his buddies at The British. Museum

1097
01:12:59.239 --> 01:13:02.359
<v Speaker 2>and not only did they And hanks after a year

1098
01:13:02.520 --> 01:13:05.840
<v Speaker 2>sent him packing back To, ireland which he never left,

1099
01:13:05.880 --> 01:13:09.159
<v Speaker 2>again but they also stole his notebooks and sent them

1100
01:13:09.199 --> 01:13:11.319
<v Speaker 2>To rowlinson to give him like a little heads up

1101
01:13:11.359 --> 01:13:13.640
<v Speaker 2>on how to you, know handle some of the more

1102
01:13:13.880 --> 01:13:19.319
<v Speaker 2>difficult cuneiform. Acipherment kind of. Treacherous it was Really hanks

1103
01:13:19.359 --> 01:13:24.359
<v Speaker 2>had quite a sad, yeah sad. Story but you, know,

1104
01:13:24.600 --> 01:13:31.279
<v Speaker 2>finally thanks to the revisionists looks being given by modern day,

1105
01:13:31.439 --> 01:13:35.840
<v Speaker 2>seriologists he's finally getting his, due you, know wait for.

1106
01:13:36.000 --> 01:13:39.000
<v Speaker 1>Him, yeah it's a great. Read the book we're talking

1107
01:13:39.000 --> 01:13:42.720
<v Speaker 1>about Is The Messicotanian. Riddle my guest today has Been Joshua.

1108
01:13:43.640 --> 01:13:46.479
<v Speaker 1>Hammer josh who is this book? FOR i, mean you

1109
01:13:46.600 --> 01:13:50.119
<v Speaker 1>wrote this last, Book timbuk, two that was A New

1110
01:13:50.239 --> 01:13:54.880
<v Speaker 1>York times. Bestseller it was so. Popular who are you writing?

1111
01:13:54.960 --> 01:13:58.840
<v Speaker 1>FOR i, think let's, say, so who would be interested in?

1112
01:13:58.920 --> 01:14:03.479
<v Speaker 1>This people who love ancient? History, yeah people who love decipherment.

1113
01:14:03.600 --> 01:14:07.960
<v Speaker 1>Stories people who, love you, know a dramatic, adventure BECAUSE

1114
01:14:08.000 --> 01:14:11.319
<v Speaker 1>i Mean liott layered story which is interwoven with his,

1115
01:14:11.439 --> 01:14:13.960
<v Speaker 1>cipherers is a great. ADVENTURE i, mean off the sky

1116
01:14:14.079 --> 01:14:16.640
<v Speaker 1>goes so the wilds Of asia in the eighteen, thirties you,

1117
01:14:16.680 --> 01:14:20.239
<v Speaker 1>know and it was like a just a totally, dangerous crazy,

1118
01:14:20.319 --> 01:14:23.079
<v Speaker 1>place and it doesn't get much better in the course

1119
01:14:23.119 --> 01:14:25.359
<v Speaker 1>of his ten years. There so there's you, know an

1120
01:14:25.760 --> 01:14:30.359
<v Speaker 1>outdoor adventure element to this. Story you, know it's just

1121
01:14:30.520 --> 01:14:33.039
<v Speaker 1>like a good. YARN i, MEAN i really tried, to.

1122
01:14:33.199 --> 01:14:37.760
<v Speaker 1>Didn't it didn't necessarily present itself immediately as a great,

1123
01:14:38.000 --> 01:14:40.840
<v Speaker 1>narrative but you, KNOW i THINK i found it in

1124
01:14:40.920 --> 01:14:45.039
<v Speaker 1>the course of researching. It SO i think although it's

1125
01:14:45.119 --> 01:14:48.399
<v Speaker 1>really for a lot of different people with a lot

1126
01:14:48.439 --> 01:14:52.000
<v Speaker 1>of different, interests it's very well, written very compelling and

1127
01:14:53.279 --> 01:14:57.399
<v Speaker 1>eye opening for that time of our. History just the

1128
01:14:57.520 --> 01:15:02.119
<v Speaker 1>brilliance of these men computers without artificial intelligence.

1129
01:15:02.319 --> 01:15:04.840
<v Speaker 2>Believable just to crack this is just.

1130
01:15:05.199 --> 01:15:08.920
<v Speaker 1>Fascinating josh give us some context to give us your

1131
01:15:08.960 --> 01:15:11.479
<v Speaker 1>website and how people can learn more about.

1132
01:15:11.520 --> 01:15:15.279
<v Speaker 2>You website, unfortunately due to my own, negligence has been,

1133
01:15:15.319 --> 01:15:18.199
<v Speaker 2>discontinued but you can google, Me Joshua. Hammer you can

1134
01:15:18.279 --> 01:15:21.119
<v Speaker 2>find me on The simon And schuster. Site you can

1135
01:15:21.479 --> 01:15:23.359
<v Speaker 2>just google me the name of the, book and you'll

1136
01:15:23.399 --> 01:15:26.680
<v Speaker 2>get voluminous amounts of material from you, know and in

1137
01:15:26.800 --> 01:15:29.119
<v Speaker 2>two weeks the reviews will start coming. In BUT i think, That,

1138
01:15:29.479 --> 01:15:32.520
<v Speaker 2>yeah The simon And, schuster my publisher, site has a

1139
01:15:32.600 --> 01:15:37.199
<v Speaker 2>really nice page where you'll find out a lot about,

1140
01:15:37.239 --> 01:15:40.680
<v Speaker 2>me a lot about my other, books and pretty, SOON

1141
01:15:40.800 --> 01:15:42.920
<v Speaker 2>i mean supposedly by. Now BUT i see it's still not.

1142
01:15:43.079 --> 01:15:46.199
<v Speaker 2>UP i did like A i shot a five minute

1143
01:15:46.319 --> 01:15:52.560
<v Speaker 2>video back In november about the. Book was that going

1144
01:15:52.640 --> 01:15:55.920
<v Speaker 2>to be on? YouTube it'll go to, YouTube, yeah but

1145
01:15:55.960 --> 01:15:59.399
<v Speaker 2>it should be initially on probably simultaneously on The it

1146
01:15:59.439 --> 01:16:02.159
<v Speaker 2>should be up by. NOW i keep asking, them where

1147
01:16:02.359 --> 01:16:05.600
<v Speaker 2>where's that? Video there? Was it was definitely supposed to

1148
01:16:05.640 --> 01:16:08.439
<v Speaker 2>be up by sort of toward the end Of. February

1149
01:16:09.640 --> 01:16:11.800
<v Speaker 2>but you, know they've gotten pretty sophisticated, Though simon and.

1150
01:16:11.840 --> 01:16:15.079
<v Speaker 2>SCHUSTERCER i did one for The Badass librarians that you can. See,

1151
01:16:15.479 --> 01:16:17.920
<v Speaker 2>yeah look see How i'd aged over the last eight.

1152
01:16:18.000 --> 01:16:20.239
<v Speaker 2>YEARS i did not do one for my last, One

1153
01:16:20.279 --> 01:16:25.479
<v Speaker 2>The Falcon. Thief but but they have uped it to

1154
01:16:25.600 --> 01:16:28.680
<v Speaker 2>like three different cameras and lots of. Editing so what

1155
01:16:28.800 --> 01:16:29.439
<v Speaker 2>are they calling?

1156
01:16:29.560 --> 01:16:32.000
<v Speaker 1>That josh are they calling that like a book preview

1157
01:16:32.319 --> 01:16:34.319
<v Speaker 1>on video or are you just kind of giving?

1158
01:16:34.439 --> 01:16:37.760
<v Speaker 2>Highlights they asked me a lot of Question it was

1159
01:16:37.840 --> 01:16:41.359
<v Speaker 2>done in a question and answered. Format oh, so and

1160
01:16:41.479 --> 01:16:45.680
<v Speaker 2>then they're, gonna you, KNOW i guess. Seamlessly one hopes

1161
01:16:45.800 --> 01:16:50.000
<v Speaker 2>edited to make it look, professional AND i think they

1162
01:16:50.039 --> 01:16:51.119
<v Speaker 2>are pretty professional over.

1163
01:16:51.159 --> 01:16:52.800
<v Speaker 1>There so, excellent Miss.

1164
01:16:53.000 --> 01:16:55.159
<v Speaker 2>Tam but, again keep looking. Forward it should be out

1165
01:16:55.159 --> 01:16:56.720
<v Speaker 2>in the day or. Two it's kind of a, summary you,

1166
01:16:56.800 --> 01:16:59.439
<v Speaker 2>KNOW i talk about well basically the same Stuff i've

1167
01:16:59.439 --> 01:17:01.640
<v Speaker 2>been talking to you, about but it compressed into about

1168
01:17:01.760 --> 01:17:02.640
<v Speaker 2>three three to five.

1169
01:17:02.720 --> 01:17:07.920
<v Speaker 1>Minutes, Fantastic, hey much success on this. BOOK i enjoyed.

1170
01:17:07.960 --> 01:17:11.800
<v Speaker 1>It i'm looking forward to finishing the. Work and you

1171
01:17:12.119 --> 01:17:13.319
<v Speaker 1>are just.

1172
01:17:13.399 --> 01:17:18.520
<v Speaker 2>Nonfiction it really. Happened it's the, real the real.

1173
01:17:18.640 --> 01:17:24.760
<v Speaker 1>McCoy, yeah it's. Fantastic thanks for joining. ME i appreciate.

1174
01:17:24.800 --> 01:17:26.520
<v Speaker 2>It thanks for having. ME i like your questions AND

1175
01:17:26.560 --> 01:17:28.760
<v Speaker 2>i like your curiosity about. This it's getting me fired.

1176
01:17:28.840 --> 01:17:30.279
<v Speaker 2>Up so about to go on a book tour in The,

1177
01:17:30.359 --> 01:17:34.920
<v Speaker 2>states so it's, great great getting me fired up about. It, Yeah.

1178
01:17:40.239 --> 01:17:42.520
<v Speaker 1>I'm still trying to get my mind around the fact

1179
01:17:42.560 --> 01:17:51.039
<v Speaker 1>that they were illustrating these, artifacts these field archaeological, digs

1180
01:17:51.600 --> 01:17:56.960
<v Speaker 1>excavations and the people around. Them you, know these characters

1181
01:17:57.199 --> 01:18:01.319
<v Speaker 1>That josh features in his book are. Illustrated there's no,

1182
01:18:01.760 --> 01:18:07.720
<v Speaker 1>photography and that's what they broadcast in their, papers SO i.

1183
01:18:07.840 --> 01:18:12.479
<v Speaker 1>CAN'T i, mean it's funny Because i'm an. Illustrator i'm

1184
01:18:12.520 --> 01:18:15.560
<v Speaker 1>a trained, illustrator and WHEN i used to see these

1185
01:18:15.680 --> 01:18:24.079
<v Speaker 1>guys that would scratch metal, plates it's amazing how gifted they.

1186
01:18:24.159 --> 01:18:30.000
<v Speaker 1>Were these, guys these artists are extremely gifted and able

1187
01:18:30.079 --> 01:18:36.439
<v Speaker 1>to reproduce a, scene create a, scene an illustrated scene

1188
01:18:37.359 --> 01:18:40.479
<v Speaker 1>that was transferred into a paper or a document or

1189
01:18:40.560 --> 01:18:43.880
<v Speaker 1>even a. Book we just don't do that. Anymore we're

1190
01:18:44.000 --> 01:18:47.880
<v Speaker 1>so reliant on our, cameras and of course now with

1191
01:18:48.079 --> 01:18:53.520
<v Speaker 1>these handheld iPhones or digital cell phones that have this

1192
01:18:54.000 --> 01:18:59.279
<v Speaker 1>camera built into. Them we take photographs for. EVERYTHING i,

1193
01:18:59.359 --> 01:19:01.800
<v Speaker 1>mean the DAY i WAS i, DELETED i must have

1194
01:19:01.840 --> 01:19:06.840
<v Speaker 1>deleted over two hundred photographs that were either duplicates OR

1195
01:19:07.600 --> 01:19:11.159
<v Speaker 1>i didn't think they were great or. Whatever it's very

1196
01:19:11.279 --> 01:19:18.479
<v Speaker 1>casual for. Us so, wow what a technological leap from

1197
01:19:18.600 --> 01:19:25.119
<v Speaker 1>scratching on metal, plates you, know lithograph and im pressing

1198
01:19:25.239 --> 01:19:30.520
<v Speaker 1>that into a piece of paper for an image to digital,

1199
01:19:31.399 --> 01:19:37.119
<v Speaker 1>images actual photographs of an an. Item it's just mind

1200
01:19:37.159 --> 01:19:39.079
<v Speaker 1>blowing where we've come. From and this is the eighteen.

1201
01:19:39.159 --> 01:19:42.399
<v Speaker 1>Fifties so, ANYHOW i hope you enjoyed that you get

1202
01:19:42.439 --> 01:19:46.439
<v Speaker 1>a sense of what's, happening if you, remember and if

1203
01:19:46.479 --> 01:19:50.199
<v Speaker 1>you want more information on, cuneiforms look up the podcast

1204
01:19:50.279 --> 01:19:54.399
<v Speaker 1>Where i'm Interviewing Irving, finkel Doctor finkel from The British.

1205
01:19:54.520 --> 01:19:58.680
<v Speaker 1>Museum he is a real great. Storyteller he tells the

1206
01:19:58.800 --> 01:20:03.960
<v Speaker 1>story of that the. Decipherment and, oh by the, Way

1207
01:20:04.560 --> 01:20:10.479
<v Speaker 1>josh mentioned that he had numerous conversations With finkel and

1208
01:20:11.159 --> 01:20:14.239
<v Speaker 1>his got his impression of just what happened during this.

1209
01:20:14.399 --> 01:20:18.119
<v Speaker 1>Period but you, know this is this is, amazing this is,

1210
01:20:18.239 --> 01:20:23.560
<v Speaker 1>fascinating and here you. Go now WHAT i really if

1211
01:20:23.600 --> 01:20:25.600
<v Speaker 1>we had more, TIME i wanted to ask him what

1212
01:20:25.840 --> 01:20:31.560
<v Speaker 1>he feels the placement of artificial, intelligences BECAUSE i keep

1213
01:20:31.680 --> 01:20:38.439
<v Speaker 1>hearing greater evidence of some of these archaeologists and, linguists

1214
01:20:39.600 --> 01:20:46.000
<v Speaker 1>perhaps Even assyrians as a seriologist using and programming artificial

1215
01:20:46.079 --> 01:20:51.960
<v Speaker 1>intelligence to you, know not only decipher, things but begin

1216
01:20:52.840 --> 01:20:57.920
<v Speaker 1>placing more emphasis on scripts and things like. That i'll

1217
01:20:57.960 --> 01:21:00.720
<v Speaker 1>tell You i'd love to see it with The maya

1218
01:21:01.880 --> 01:21:05.640
<v Speaker 1>because their language we have about ninety percent of, it

1219
01:21:06.720 --> 01:21:09.800
<v Speaker 1>but you, know we don't have as much as we

1220
01:21:09.960 --> 01:21:13.439
<v Speaker 1>have of The assyrians of The. Babylonians it's a great

1221
01:21:13.560 --> 01:21:17.720
<v Speaker 1>deal of. Fragmentation and remember we only have four books

1222
01:21:18.479 --> 01:21:22.800
<v Speaker 1>or what they call, codises and until we find more about,

1223
01:21:22.840 --> 01:21:26.439
<v Speaker 1>it we're completely guessing what the hell The maya were all.

1224
01:21:26.479 --> 01:21:29.920
<v Speaker 1>About And i'm writing about this and it's like really

1225
01:21:30.159 --> 01:21:35.520
<v Speaker 1>a challenge For mayanis archaeologists to figure out what the

1226
01:21:35.600 --> 01:21:38.560
<v Speaker 1>hell they were, thinking what their society was, about what

1227
01:21:38.680 --> 01:21:42.720
<v Speaker 1>their daily activities Get we have, Fragments we have. Fragments

1228
01:21:43.199 --> 01:21:47.119
<v Speaker 1>and what's even more, incredible and this has to. Happen you,

1229
01:21:47.199 --> 01:21:51.239
<v Speaker 1>know they use light r you, know five six years

1230
01:21:51.279 --> 01:21:57.560
<v Speaker 1>ago and found sixty thousand new untouched ruins In aigutamola,

1231
01:21:57.960 --> 01:22:04.079
<v Speaker 1>biasphere two hundred square mile scan series of scans uncovered

1232
01:22:04.119 --> 01:22:08.800
<v Speaker 1>these these, uh these. Ruins, now we just don't have

1233
01:22:08.920 --> 01:22:12.159
<v Speaker 1>the funds to go out and start digging and excavating those.

1234
01:22:12.199 --> 01:22:16.479
<v Speaker 1>Areas it's just it takes. Time and so, ANYHOW i,

1235
01:22:16.800 --> 01:22:22.880
<v Speaker 1>uh these ancient cultures are enigma And i'm wondering And

1236
01:22:22.920 --> 01:22:28.920
<v Speaker 1>i'm thinking that maybe artificial intelligence can really tighten the

1237
01:22:30.000 --> 01:22:37.000
<v Speaker 1>strings around understanding how these civilizations, functioned how they. Developed

1238
01:22:38.840 --> 01:22:44.720
<v Speaker 1>SO i hope you enjoyed. THAT I i enjoyed interacting With.

1239
01:22:44.840 --> 01:22:48.119
<v Speaker 1>Josh he was he was a lot of. Fun, hey

1240
01:22:48.119 --> 01:22:51.520
<v Speaker 1>if you're Enjoying Earth Ancient's destiny Or Earth Ancients Special

1241
01:22:51.680 --> 01:22:55.119
<v Speaker 1>Edition The, archives please consider becoming a Subscriber for as

1242
01:22:55.119 --> 01:22:58.680
<v Speaker 1>little as five. Bucks you can support the work we

1243
01:22:58.880 --> 01:23:04.039
<v Speaker 1>do here on these podcast and when you, subscribe we

1244
01:23:04.279 --> 01:23:06.640
<v Speaker 1>have a ton of gifts for. You the first thing

1245
01:23:06.720 --> 01:23:10.840
<v Speaker 1>we have is a ton of, books digital, books and you,

1246
01:23:10.920 --> 01:23:14.600
<v Speaker 1>know if you, want you can start your own. Library

1247
01:23:14.680 --> 01:23:17.119
<v Speaker 1>we have over thirty books from some of the best

1248
01:23:17.239 --> 01:23:21.640
<v Speaker 1>people out there talking about, ancient known and unknown civilizations

1249
01:23:21.640 --> 01:23:24.720
<v Speaker 1>from around the, world and that's part of the. Gift

1250
01:23:24.760 --> 01:23:28.560
<v Speaker 1>we all have some unpublished and, Interviews we have some.

1251
01:23:28.720 --> 01:23:31.279
<v Speaker 1>Galleries we got a lot of thank you gifts for.

1252
01:23:31.479 --> 01:23:36.159
<v Speaker 1>You so to, subscribe go To patreon AS P a

1253
01:23:36.359 --> 01:23:40.720
<v Speaker 1>T r E O n dot, Com forward Slash Earth

1254
01:23:40.760 --> 01:23:43.680
<v Speaker 1>ancients and just. Subscribe all you gotta do is give

1255
01:23:43.680 --> 01:23:46.000
<v Speaker 1>them YOUR atm or your credit. Card they take it.

1256
01:23:46.079 --> 01:23:49.920
<v Speaker 1>Out they deducted every month, five, ten, fifteen even twenty.

1257
01:23:50.000 --> 01:23:53.640
<v Speaker 1>Dollars makes a huge difference in our expenses and we

1258
01:23:53.760 --> 01:23:59.680
<v Speaker 1>really appreciate. It so go To patreon dot Com Forward

1259
01:23:59.760 --> 01:24:04.359
<v Speaker 1>Slash Earth. Ancients SO i want to thank the following

1260
01:24:04.479 --> 01:24:08.119
<v Speaker 1>people who have subscribed in the last thirty. DAYS i

1261
01:24:08.239 --> 01:24:18.760
<v Speaker 1>want to Thank Ian, nori Ben Terra, Blue Stephen eastman

1262
01:24:19.760 --> 01:24:24.119
<v Speaker 1>And Sandra. Win you guys are. AMAZING i want to

1263
01:24:24.159 --> 01:24:29.000
<v Speaker 1>thank you and you guys Rock patreon dot, Com Forward

1264
01:24:29.079 --> 01:24:33.640
<v Speaker 1>Slash Earth. Ancients all, right that's it for this. PROGRAM

1265
01:24:33.680 --> 01:24:37.600
<v Speaker 1>i want to think my guest Today Josh hammer and

1266
01:24:37.640 --> 01:24:42.600
<v Speaker 1>The Mesopotamian, riddle coming to us From, Berlin. Germany as

1267
01:24:42.600 --> 01:24:46.560
<v Speaker 1>always the team Of Gail, Tour Mark foster and everyone

1268
01:24:46.600 --> 01:24:51.560
<v Speaker 1>who makes this thing. Happen you guys, rock all, right

1269
01:24:51.680 --> 01:24:53.319
<v Speaker 1>take care of me well and we will talk to

1270
01:24:53.399 --> 01:25:07.600
<v Speaker 1>you next. Time the ague to.

1271
01:25:09.760 --> 01:25:13.960
<v Speaker 2>Begin, again and they amused to talk about and then.

1272
01:25:14.319 --> 01:25:21.640
<v Speaker 1>To the, area and they amused.

1273
01:25:21.319 --> 01:25:24.399
<v Speaker 2>Them became a.

1274
01:25:27.600 --> 01:25:46.159
<v Speaker 1>Fact and impact. Attention
