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Speaker 1: Close your eyes all right, seriously, just for a moment,

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if you're listening right now. I want to build something

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in your mind. And I really need a blank canvas

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for this.

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Speaker 2: Okay, my canvas is blank. Let's do this.

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Speaker 1: I want you to visualize a stone block. But I

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don't want you picturing you know, a brick you'd buy

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at a hardware store, or a cinder block, or even

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one of those nice landscaping rocks you'd put out in

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your garden.

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Speaker 2: Right, nothing you could pick up exactly.

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Speaker 1: I want you to picture a single, perfectly solid block

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of granite, and I want you to scale it up

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in your mind until it is the exact size of

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a semi truck.

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Speaker 2: Wow, that is I mean, that is just a massively

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heavy image to start with. It is we were talking

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about something so dense, so unyielding, Yeah, and just incredibly imposing.

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Speaker 1: I think gets heavier. Now, imagine cutting that block out

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of a mountain, a solid mountain of bedrock granite. You

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can't just slice it like cheese. This is literally one

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of the hardest stones on planet Earth. Then after you

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somehow cut it, you have to move it miles. You're

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dragging the semi truck sized rock across shifting sand across

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uneven really rocky terrain where modern wheels would just sink in,

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modern steel axles would snap in half.

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Speaker 2: Yeah, nature does not want that rock to move.

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Speaker 1: It doesn't. And finally, the absolute kicker here, you have

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to lift it hundreds of feet into the air and

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set it down with absolute laser like precision.

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Speaker 2: And just to set the difficulty level to basically impossible,

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let's add the constraints from our history books.

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Speaker 1: Right.

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Speaker 2: You have to do all of that without a wheel,

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no wheels, without a pulley system, and without a single

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iron tool.

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Speaker 1: It sounds like a riddle, or like a physics problem

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that a cruel professor designed to be completely unsolvable. Yeah,

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it sounds like something straight out of a fantasy novel.

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But this is the actual reality of some of the

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ancient world's most famous monuments. Welcome to Thrilling Threads.

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Speaker 2: It is so good to be here, And honestly, that

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introduction really sets the stage for the sheer magnitude of

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what we are discussing today.

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Speaker 1: I'm so incredibly ready to pull at this thread today

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because it is one of those topics that just completely

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breaks my brain in the best way possible, of course,

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Oh absolutely, we are looking at impossible engineering. It's the

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kind of stuff that makes you look at a massive

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steel skyscraper today and think, well, that's easy compared to

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what they managed to pull off back then.

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Speaker 2: It is certainly a topic that forces us to confront

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the very real limits of our historical understanding, because you know,

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we often have this very comfortable, very linear view of human.

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Speaker 1: History, right, the straight line of progress exactly, that.

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Speaker 2: We started with sticks and stones, and that we slowly

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figured out bronze, then iron, then steal, and we just

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slowly got smarter and smarter until we invented the smartphone.

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We really like to think of progress as an unbroken

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line moving straight up.

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Speaker 1: We do.

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Speaker 2: But the engineering seats we are looking at today they

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suggest a massive curveball in.

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Speaker 1: That timeline, a massive granite curveball. And today our mission

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is to unred mystery using a very specific lens. We

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are analyzing a source from the History Channel's Ancient Aliens,

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specifically diving into season one. Now, before anyone listening rolls

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their eyes or expects us to start talking about, you know,

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flying saucers.

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Speaker 2: Right, let's just be extremely clear upfront, please, the source

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material we are discussing today focuses heavily on the actual

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engineering arguments presented in that series. We are entirely stripping

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away the speculation about extraterrestial biology or UFOs, and we

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are focusing strictly on the hard data, the measurements, the

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tool marks, the material science, and the.

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Speaker 1: Physics, just the physical evidence exactly.

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Speaker 2: The source features researchers and authors like Robert Bovol, engineers

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like Christopher Dunn, and actual working Stonemasons. These guys aren't

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talking about little green men. They are impartially comparing ancient

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sites like the Giza Plateau and Balbeck to what we

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can actually achieve today with our absolute best modern construction capabilities.

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Speaker 1: And that is exactly where the tension lies. That's the

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core conflict of this whole discussion, because mainstream archaeology basically says, look,

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it was manpower, it was ropes, it was wooden sledges,

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it was copper chisels, and it was just a whole

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lot of time. The mainstream view is just lots and

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lots of people pulling really really hard for a really

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long time.

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Speaker 2: And the experts featured in our source material are looking

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at the math, the physics, and the material science. And

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they are saying, wait a.

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Speaker 1: Minute, the numbers don't work.

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Speaker 2: The numbers do not add up at all. They're saying,

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this looks distinctly like advanced technology. They're arguing that the

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brute force explanation completely fails to account for the unbelievable

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precision and the sheer scale of these projects.

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Speaker 1: So let's get right into it. Let's go to Egypt.

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When you think of impossible ancient building, everyone immediately thinks

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of the Great Pyramid. Right. It's the icon.

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Speaker 2: Naturally, I mean, it is the last remaining wonder of

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the ancient world for a reason. It's the absolute poster

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child for ancient engineering. It's the first thing you see

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on any post guard from Egypt.

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Speaker 1: But our source, typically the author Robert Bouvall, points out

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that while the pyramids are obviously impressive, there is something

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else right there at Giza that is even more baffling.

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He points directly to the Valley temples.

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Speaker 2: This is such a crucial distinction, and honestly, it's one

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that often gets lost in all the noise about the pyramids.

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Speaker 1: Yeah, people overlook it.

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Speaker 2: They do because the pyramids themselves are largely built out

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of limestone, and limestone is a sedimentary rock. It's relatively sold.

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You can literally scratch limestone with a good pocket knife.

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Speaker 1: It's workable, very workable.

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Speaker 2: But the Valley Temples, those are a completely different beast Entirely,

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they are built with a mix of granite and limestone,

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but the core structural blocks are massive.

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Speaker 1: Bauvall breaks down the weight comparison here, and this is

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the part that really blew my mind when I was

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reviewing this source. The average block in the Great Pyramid

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weighs about two to.

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Speaker 2: Three tons, which is heavy. Certainly, that's the weight of

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a large suv or a heavy duty pickup truck. It

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is managible if you have enough guys. You can sort

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of imagine twenty strong guys with thick ropes dragging a

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Toyota Tundra across a field. It's incredibly hard work, but

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it's a type of physics that we can intuitively.

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Speaker 1: Understand, right, it makes logical sense in our brains. But

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the blocks in the Valley Temples, the ones right mixed door,

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they don't weigh two to three tons. They range from

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one hundred to two hundred tons.

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Speaker 2: That is an exponential leap in difficulty.

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Speaker 1: It's insane.

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Speaker 2: It's not just quote unquote harder. It is a completely

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different class of engineering problem. It is quite literally the

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difference between lifting a bag of groceries and lifting a car.

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Speaker 1: Bo Value uses this analogy and the source that I

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just love because it really forces you to put into perspective.

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He says, to truly understand the weight of a one

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hundred ton block, you have to imagine taking one hundred

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typical family cars and squeezing them down into a single

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solid cube.

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Speaker 2: That is a terrifyingly dense image. Just try to image

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the sheer gravity of that object sitting in front of.

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Speaker 1: You, and that is just one block. And they built

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entire temples out of these things, stack them on top

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of each other. The question Bovall asks, and I think

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it's the most basic logical question anyone could possibly ask.

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Speaker 2: Is why, exactly why on Earth would you choose to

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do that?

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Speaker 1: Right?

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Speaker 2: In engineering, there is always this underlying concept of efficiency,

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the path of least resistance. Good engineers are basically lazy

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in the smartest way possible. They want to achieve the

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structural goal with the absolute least amount of energy expenditure

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and the lowest possible risk.

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Speaker 1: If you can already build a four hundred foot pyramid

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with two ton blocks, and that is already a massive,

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era defining achievement that lasts for thousands of years, why

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would you turn around for the temple next door and say,

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you know what, let's make this way harder. Let's use

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two hundred ton blocks of solid granite.

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Speaker 2: It completely defines the path of least resistance. Balvall's central

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argument here is that it makes absolutely no sense to

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intentionally choose the most difficult possible way to build something

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unless and this is the absolute key to his whole theory,

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unless it actually wasn't difficult for them.

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Speaker 1: Oh I really like that. Unpack that for me a

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bit more.

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Speaker 2: Well, think about how we construct buildings today. We build

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massive towers with steel girders. Why not because working with

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steel is inherently easy for a human being, but because

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we have the massive cranes and the mechanized steel mills

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to make the whole process highly efficient. It is standard

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operating procedure for us.

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Speaker 1: We have the infrastructure for it.

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Speaker 2: Exactly now, if you only had copper chisels, some hemp ropes,

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and human muscle, intentionally choosing to quarry and move a

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two hundred ton block is completely illogical. It is basically

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suicide for your workforce.

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Speaker 1: Yeah, people are going to get crushed.

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Speaker 2: They absolutely would. It slows down the entire project. It

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drastically increases the risk of catastrophic accidents. It makes every

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single step exponentially harder. So choosing to use two hundred

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ton blocks strongly suggests that they possessed a technology that

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made moving one hundred as relatively easy as moving a

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small brick.

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Speaker 1: That is the big aha moment right there. It's like,

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if you have a hydraulic forklift, moving a heavy pallet

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of brakes is easy. If you don't have a forklift,

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it's a complete nightmare. It fundamentally changes the perceived difficulty

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of the task based entirely on your available tool set.

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If I have a heavy lift crane, a two hundred

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ton block is just another heavy lift for the day.

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If I only have a piece of rope, it is

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a physically impossible object.

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Speaker 2: Precisely and beaulvol compares this ancient reality to a modern

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stone quarry. He says, if you go to a commercial

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quarry today and look at the actual machines required to

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move stone of that specific size. They are megamachines.

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Speaker 1: Oh yeah, we've all seen them on those extreme engineering documentaries,

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those massive, bright yellow monsters with tires that are twice

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the size of a grown man.

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Speaker 2: They are essentially giant man made creatures that completely dwarf

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the humans operating them inside the caps, massive hydraulic excavators,

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multi axle flatbeds, towering cranes. We rely entirely on that

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level of mechanical advantage.

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Speaker 1: The hydraulics, the gearing, the massive diesel engines.

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Speaker 2: Yes, to do this work today, we absolutely require that technology.

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The source suggests that logically the agents must have had

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some sort of equivalent. Maybe it wasn't a diesel engine,

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maybe it wasn't paid to yellow, but they had to

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have an equivalent mechanical advantage.

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Speaker 1: And that perfectly brings us to our next expert featured

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in the source, And honestly, this guy is probably my

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favorite part of this entire discussion, Christopher Dunn.

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Speaker 2: Christopher Dunn is such a fascinating and vital voice in

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this specific debate because he is not an archaeologist, he's

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not an egyptologist, he's not a historian. He honestly doesn't

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care about the dynastic timelines or translating the religious texts.

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He is an mechanical engineer and a master ex machinist.

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He spent his entire career in advanced manufacturing, making incredibly

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precise parts for the aerospace industry.

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Speaker 1: He looks at these ancient monuments and he doesn't see

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culture or religion first. He sees manufacturing. He sees tooling

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and machining. When he walks up to a giant statue,

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he's looking at exactly how the stone was cut, not

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which farroh it represents.

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Speaker 2: He brings a very tragmatic, hands on, blue collar perspective

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to this grand historical mystery. He looks at the mainstream

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toolkit that Egyptologists universally claim was used, and he essentially

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just asks, from a machinist's perspective, does this tool actually

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make this specific mark.

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Speaker 1: Let's talk about their mainstream toolkit. Let's really unpack that.

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What are we formally told they used? Because you know,

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when I picture ancient Egypt from the textbooks, I just

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picture lots of guys in loincloths pulling ropes on wooden sledges.

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Speaker 2: Well, the standard historical narrative, if you open literally any

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university textbook on the subject is that the ancient Egyptians

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used stone balls stone ball, yes, specifically dull right pounders

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basically just hard round rocks. Along with those, they used

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simple copper chisels, hollow copper tubes for drilling, and ordinary

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sand for grinding away the stone.

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Speaker 1: Sand and copper against solid grains, yes, and.

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Speaker 2: Against dirite, which is even harder and denser than granite.

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Speaker 1: Now, for the listener who might not be a geologist

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or a material scientist, explain why that is such a

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massive problem. Why can't I just take a copper chisel

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and cut granite.

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Speaker 2: It all comes down to the Mose scale of mineral hardness.

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The Mose scale, right, it's a standardized one to ten

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scale using geology to classify how hard minerals are. Diamond

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sits at the very top at a perfect ten. Granite,

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depending on its exact quartz content, usually sits right around

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a six or seven.

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Speaker 1: Okay, so six or seven pretty hard, and copper copper

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is a three three. So it's literally like trying to

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cut a frozen steak with a soft banana, huh.

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Speaker 2: Essentially, yes, or like trying to saw your way through

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a thick steel pipe using a wooden stick. There's a

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fundamental mismatch of materials. If you repeatedly hit solid granite

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with a copper chisel, the copper just bends and blints immediately.

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The granite wins every single time. So the mainstream workaround

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theory is that they used.

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Speaker 1: Sand because sand has quartz in it.

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Speaker 2: Exactly. Sand is mostly which has a hardness of seven,

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so it can act as a natural abrasive. The theory

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is they were taking the copper tools, putting sand down

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and furiously rubbing the copper against the stone with the

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sand trapped in between, to slowly grind it away.

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Speaker 1: Which, okay, that works theoretically, right. You can technically sand

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down a rock. Water erosion wears down entire canyons over

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millions of years.

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Speaker 2: It works in theory, yes, but it's excruciatingly slow and done.

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Basically looks at that theoretical list of tools and says

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absolutely no way. He argues that the physical information perfectly

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preserved in the stone itself directly argues against the notion

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of such simple primitive tools.

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Speaker 1: It's the precision, isn't it.

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Speaker 2: It comes down entirely to precision and efficiency. Yes, You

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can slowly sand a rock down over months, but can

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you sand it perfectly flat to within a thousandth of

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an inch? Can you sand a perfect internal right angle?

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Speaker 1: Let's really get into the logistics of that, because Doun

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brings up the Great Pyramid again here to prove his point.

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We mentioned the two ton blocks earlier, but we didn't

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mention exactly how many of those blocks there actually are.

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Two and a half million, two and a half million blocks. Yeah,

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I feel like we just say that huge number in documentaries,

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but we need to really let it sit. That is

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a literal city made of stone, just.

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Speaker 2: In the Great Pyramid alone. That's not counting the paving stones,

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the temples, the enclosure walls.

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Speaker 1: Done actually does the math on the pure logistics, if

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you will. He calls it the stat problem, and I

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think this is the exact moment where the brutal manpower

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argument really starts to totally crumble under its own weight.

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Speaker 2: It really becomes a simple, undeniable scheduling problem. Mainstream history

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definitively tells us the Great Pyramid was built in roughly

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twenty years during the reign of the Farokufu.

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Speaker 1: Twenty years to quarry, move and stack two and a

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half million blocks.

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Speaker 2: If you sit down and do the math on that,

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And this is assuming they work twelve hours a day,

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three hundred and sixty five days a year, absolutely no holidays,

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no sick days, no breaks for weather. That means they

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had to fully quarry, transport, shape, lift, and perfectly place

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a block every couple of minutes.

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Speaker 1: Every couple of minute, like literally every two or three minutes.

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Speaker 2: That immediately, it implies a relentless just in time delivery

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system on a scale that honestly rivals our most advanced

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modern manufacturing. Think about a modern highly automated car factory. Today,

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a finished car rolls off the assembly line roughly every minute.

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But that requires an army of precise robots, perfectly synchronized computers,

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and massive global supply chains.

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Speaker 1: And here we are talking about multi ton blocks of

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solid stone. You physically cannot have a dozen guys sitting

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around pounding a rock with a round dolerite ball for

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three weeks to shape just one block. If the foreman

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needs to place thousands of blocks a day just to

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meet the twenty year dubline.

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Speaker 2: Exactly, it's a massive bottleneck. If it takes a team

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of stone masons a full week to shape just one

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casing stone using dolrite, powders and sand. You would need

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literally millions of highly skilled stone masons working simultaneously just

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to keep up with that required rate. And the Giza

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plateau itself isn't physically big enough to hold that many

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people working at once.

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Speaker 1: Right, where do they stand? Where do they sleep? How

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do you feed millions of workers in the desert if

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you're really just pounding rocks with rocks? The pyramid doesn't

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get finished in twenty years. It gets finished in yeah, never, or.

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Speaker 2: Maybe five hundred years. Yeah Done argues this required output

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demands high efficiency cutting and placement. It absolutely requires a

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process that is rigorously standardized, incredibly rapid, and fully mechanized.

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You need an industrial factory floor, not a disorganized group

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of guys with hand tools.

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Speaker 1: And the thing about Done is he isn't just sitting

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in an armchair speculating about this. He actually went to

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Egypt looking for physical proof of these machines, and he

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found what he called is a literal smoking gun. But

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the crazy part is it wasn't even at the Great Pyramid. No.

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Speaker 2: He traveled a few miles north of the main Giza

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Plateau to a much lesser zone site called Abu roh Wash.

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It's a bit more desolate out there. It's far more

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ruined and excavated, But sometimes that is exactly where the

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underlying secrets are exposed. The polished facade is gone.

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Speaker 1: Okay, tell us everything about Abu Rahwash. What exactly did

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he find out there in the desert.

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Speaker 2: He found a granite block, but not just any random block.

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This specific piece of granite had a very deep cut

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running through it pronounced slid. It literally looks like someone

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started cutting right into the stone and then just stopped

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halfway through the job.

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Speaker 1: And this is where that trained machinist's brain of his

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totally kicks in right. He sees this cut and it

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just haunts him.

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Speaker 2: He describes literally waking up at three am in a

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cold sweat, just scratching his head over it. He couldn't

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figure it out. He was obsessively puzzling over the exact

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geometry of this specific cut for days.

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Speaker 1: I honestly loved that image, just this highly technical guy

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in the middle of the night, staring at his hotel ceiling,

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completely obsessing over a broken rock in Egypt. It really

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shows you how deeply this kind of anomaly bothers a

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mind trained in precision engineering.

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Speaker 2: Well, that is exactly how major breakthroughs happen. You instinctively

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know something is terribly wrong with the official historical story

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because the physical physics of the object sitting right in

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front of you doesn't sit right in your head. And

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eventually he finally realized something crucial about the curvature of

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that cut.

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Speaker 1: The curve. Explain this to me, because this seems to

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be the lynchpin. Why is the curve of the cut

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so important?

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Speaker 2: Think about how a handsaw works. Ideally, if you were

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using a flat hand saw, like a long, flat copper

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blade being pulled back and forth by two guys with sand,

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the bottom of the cut channel should be perfectly flat,

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or if the metal blade SAgs slightly in the middle

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from gravity, it might be slightly curved upwards.

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Speaker 1: In the center right like a lumberjacksaw.

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Speaker 2: But if the bottom of the cut channel is curved concavely,

384
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plunging deeper into the stone in a perfect arc, it

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means the cutting tool itself was circular. The cut in

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the stone perfectly mirrors the physical shape of the tool

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it made it.

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Speaker 1: Oh, like pushing a pizza cutter down into a thick dough.

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Speaker 2: That is exactly it. The cut matches the continuous arc

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00:18:56,839 --> 00:18:59,599
of the spinning blade, and based on measuring the exact

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depth the cut and projecting the radius of that specific

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00:19:02,440 --> 00:19:06,720
concave curve done mathematically calculated exactly what kind of tool

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00:19:06,799 --> 00:19:09,960
must have made it, and the final verdict A circular saw.

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Speaker 1: A circular saw in ancient Egypt, where we are told

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they supposedly only had primitive copper chisels.

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Speaker 2: But it gets crazier. It was not a handheld circular

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saw like you'd buy a hardware store. This is the

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truly staggering part. Based on the geometry of the curvature

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00:19:26,680 --> 00:19:29,839
he measured, the circular saw blade would have to have

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been thirty five feet in diameter.

401
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Speaker 1: Thirty five feet that is, I mean, that's the size

402
00:19:35,000 --> 00:19:36,720
of a ferris wheel. That's the height of a three

403
00:19:36,759 --> 00:19:37,480
story building.

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00:19:37,640 --> 00:19:41,680
Speaker 2: It is unfathomably massive, and the engineering implications of a

405
00:19:41,720 --> 00:19:44,000
blade that size are just staggering.

406
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Speaker 1: I mean, seriously, just think about that for a second.

407
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If you have a solid thirty five foot saw blade,

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you aren't spinning that thing by hand. You aren't just

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wrapping a hemp rope around the axle and having some

410
00:19:54,039 --> 00:19:55,119
guy's pulling correct.

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Speaker 2: A circular saw of that immense scale implies a massive,

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00:19:58,960 --> 00:20:04,000
continuous power source. It implies incredibly rigid, heavy duty machinery

413
00:20:04,400 --> 00:20:06,799
just to hold the blade steady so it doesn't wobble

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00:20:06,799 --> 00:20:09,480
and shatter. You can't just casually hold a thirty five

415
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foot blade against granite. It needs a massive structural chassis.

416
00:20:13,480 --> 00:20:17,039
It needs heavy duty bearings that can withstand immense torque.

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Speaker 1: Right the friction would be unbelievable.

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Speaker 2: It implies a level of advanced industrial engineering that is

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completely one hundred percent absent from the accepted archaeological record,

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except of course, for these specific marks left in the stone.

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Speaker 1: This is a gergantuan deviation from the Copper Chisels narrative.

422
00:20:34,200 --> 00:20:36,400
We just went from pounding rocks with other rocks to

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a full blown industrial power saw in one.

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Speaker 2: Massive leap, and Doune was absolutely convinced. He states clearly

425
00:20:43,640 --> 00:20:47,319
in the source that to his EXPERTI that is unmistakably

426
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a machine mark. The parallel striations left in the cut,

427
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the constant feed rate of the blade, the polish on

428
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the inside of the cut channel, It all screams high

429
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powered machinery.

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Speaker 1: But the skeptics, and I know you're the expert here,

431
00:20:59,079 --> 00:21:00,480
so I want you to play a devil's advocate for

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a second. The mainstream skeptics would immediately say, well, where

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00:21:03,480 --> 00:21:06,079
the machines, Chris, If they really had thirty five foot

434
00:21:06,119 --> 00:21:09,319
power saws, surely would find a giant, rusty blade buried

435
00:21:09,359 --> 00:21:12,400
somewhere in the sand, or a massive gear, or even

436
00:21:12,440 --> 00:21:13,599
just a large metal bolt.

437
00:21:13,839 --> 00:21:16,839
Speaker 2: That is the most valid and common counter argument. We

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00:21:16,920 --> 00:21:21,240
simply have not found the actual machines. But Dun's rebuttal

439
00:21:21,279 --> 00:21:26,480
to that is really interesting and quite practical. He essentially says, look,

440
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I see the mark. I know exactly what kind of

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00:21:29,119 --> 00:21:32,839
physical tool makes that specific mark. Just because I can't

442
00:21:32,880 --> 00:21:36,000
currently find the tool itself buried in the sand doesn't

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mean the mark on the stone is lying to me.

444
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Speaker 1: It's like finding a deep tire track from a tractor

445
00:21:40,640 --> 00:21:43,279
in the mud. You might not see the tractor anywhere around,

446
00:21:43,319 --> 00:21:44,880
but you know for a fact a kid on a

447
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bicycle didn't make that massive track.

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Speaker 2: Precisely, you logically infer the tool from the definitive market

449
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leaves behind. In modern forensics, investigators do this all the time,

450
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you look at a unique wound profile, and you can

451
00:21:56,720 --> 00:21:59,319
determine the exact type of weapon used, even if you

452
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never find the gun under the knife. Yeah, Dunn is

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basically performing forensic engineering on ancient stone, and once he

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realized this, he started aggressively looking for other evidence. He

455
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started entirely reinterpreting the ancient landscape itself.

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Speaker 1: And this naturally brings us to the famous boat pits. Now,

457
00:22:16,519 --> 00:22:18,599
I have seen pictures of these things. They were these

458
00:22:18,640 --> 00:22:23,640
incredibly long, deep, rectangular trenches perfectly cut directly into the

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solid bedrock all around the Giza plateau, and mainstream archaeology

460
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confidently calls them boat pits.

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Speaker 2: Yes. The prevailing theory is that they were either strictly ceremonial,

462
00:22:33,960 --> 00:22:37,680
meant to symbolically hold magical solar barges for the pharaoh's

463
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spiritual journey into the afterlife, or they were functional, perhaps

464
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holding actual physical wooden boats used during the funeral. And

465
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to be perfectly fair to the archaeologists, they actually have

466
00:22:48,680 --> 00:22:51,680
found dismantled wooden ships buried in some of them, which

467
00:22:51,759 --> 00:22:54,000
obviously lends massive credence to that idea.

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Speaker 1: But Dunn looks at a thirty five foot circular saw.

469
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And then he looks down at these massive de excavated

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pits and a giant light bulb goes off in his head.

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Speaker 2: He speculates that these deep bedrock depressions are the absolute

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perfect size, shape and depth to structurally mount those thirty

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five foot saws.

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Speaker 1: He hypothesized, So they weren't boat garages at all, They

475
00:23:14,119 --> 00:23:15,200
were actually saw pits.

476
00:23:15,559 --> 00:23:20,400
Speaker 2: Imagine it. Imagine the massive saw machinery secular mounted inside

477
00:23:20,400 --> 00:23:24,000
the bedrock pit to give it absolute stability. The bedrock

478
00:23:24,039 --> 00:23:28,359
acts as the rigid chassis. Then, using tracks or rollers,

479
00:23:28,599 --> 00:23:31,279
you run the massive, rough granite blocks right through the

480
00:23:31,279 --> 00:23:34,839
spinning machine, rapidly cutting them to perfect size before moving

481
00:23:34,839 --> 00:23:36,680
them over to the pyramid for final placement.

482
00:23:36,920 --> 00:23:39,359
Speaker 1: Wow, that actually makes the whole two and a half

483
00:23:39,359 --> 00:23:43,079
million blocks problems seem a lot more realistically solvable. It

484
00:23:43,160 --> 00:23:47,240
completely turns the Giza plateau into an industrial factory floor.

485
00:23:47,400 --> 00:23:50,519
Speaker 2: It really does. It radically changes the entire context of

486
00:23:50,559 --> 00:23:53,960
the site. It shifts it from a purely quiet religious

487
00:23:54,000 --> 00:23:58,200
monument built by pious workers to a loud, mechanized construction

488
00:23:58,359 --> 00:24:02,400
site of immense in dufat scale. It explains the rapid

489
00:24:02,440 --> 00:24:07,400
speed of construction It perfectly explains the rigorous standardization, because

490
00:24:07,400 --> 00:24:10,000
if you're cutting blocks with a giant fixed machine, of

491
00:24:10,000 --> 00:24:11,920
course they are all going to be the exact same size.

492
00:24:12,039 --> 00:24:15,480
Of course they fit together perfectly. The machine guarantees the uniformity.

493
00:24:15,559 --> 00:24:17,640
Speaker 1: But he didn't stop out in the desert, did he.

494
00:24:17,640 --> 00:24:21,440
He actually took this forensic mindset indoors. He went into

495
00:24:21,519 --> 00:24:24,279
the museum, specifically the Luxur museum.

496
00:24:24,519 --> 00:24:27,759
Speaker 2: Yes he did. He is always hunting for tool marks.

497
00:24:28,200 --> 00:24:31,599
He's looking for the distinct signature left behind by a machine,

498
00:24:31,920 --> 00:24:35,920
because machines, when they fail or slip, make entirely different

499
00:24:35,920 --> 00:24:37,480
types of mistakes than human hands do.

500
00:24:37,920 --> 00:24:40,759
Speaker 1: And he actually found one of these mistakes on a

501
00:24:40,839 --> 00:24:43,880
beautiful statue of the god a Moon. Now, listener, I

502
00:24:43,960 --> 00:24:47,200
really need you to picture this. It is a gorgeously carved,

503
00:24:47,319 --> 00:24:51,960
highly polished statue sitting in a museum, but Dunn entirely

504
00:24:52,000 --> 00:24:54,519
ignores the face, He ignores the higher glyphs, and he

505
00:24:54,640 --> 00:24:57,400
zooms in on a very specific weird.

506
00:24:57,160 --> 00:24:58,440
Speaker 2: Spot the buttocks.

507
00:24:58,559 --> 00:25:02,400
Speaker 1: Ah, Yes, the buttocks, specifically the exact corner where the

508
00:25:02,440 --> 00:25:04,839
buttock of the statue meets the flat bench that the

509
00:25:04,880 --> 00:25:05,759
figure is sitting on.

510
00:25:06,039 --> 00:25:07,759
Speaker 2: It sounds a bit funny to focus on, but that

511
00:25:07,799 --> 00:25:11,160
tiny detail is absolutely critical to this theory because right there,

512
00:25:11,200 --> 00:25:13,839
in that tight corner, there is a distinct undercut in

513
00:25:13,880 --> 00:25:14,599
the hardstone.

514
00:25:14,839 --> 00:25:17,559
Speaker 1: Describe this undercut for us. Why does a little groove

515
00:25:17,599 --> 00:25:18,359
matter so much?

516
00:25:18,680 --> 00:25:21,400
Speaker 2: Because it strongly looks like a tool slip, a slip,

517
00:25:21,759 --> 00:25:24,880
like a mistake, a slip of a powered tool. Now

518
00:25:24,880 --> 00:25:27,920
think about manual carving. If you are a stone mason

519
00:25:28,079 --> 00:25:31,039
slowly tapping away at hard stone with a chisel in

520
00:25:31,119 --> 00:25:35,480
a mallet, you are working very, very deliberately, tap, tap, tap.

521
00:25:35,759 --> 00:25:37,720
If you happen to make a mistake or swing too hard,

522
00:25:37,759 --> 00:25:39,920
you might ship off a piece of the stone, But

523
00:25:40,000 --> 00:25:43,400
you don't accidentally slip deep into the material in a smooth,

524
00:25:43,640 --> 00:25:44,680
continuous line.

525
00:25:44,799 --> 00:25:48,640
Speaker 1: Right Because you have total physical control over every single strike,

526
00:25:49,039 --> 00:25:52,640
you aren't implying a massive amount of continuous, unstoppable force.

527
00:25:52,880 --> 00:25:55,960
You literally pause after every single hit of the mallet, exactly.

528
00:25:56,559 --> 00:25:59,240
Speaker 2: But if you are using a high speed, high powered

529
00:25:59,319 --> 00:26:01,839
rotary tool like a modern router or an angle grinder,

530
00:26:02,200 --> 00:26:04,119
and your hand slips just a fraction of an inch

531
00:26:04,359 --> 00:26:07,640
where the machine suddenly jumps off the surface, what happens.

532
00:26:07,400 --> 00:26:10,440
Speaker 1: It aggressively gouges the material, It cuts way deeper than

533
00:26:10,480 --> 00:26:12,640
you ever intended. Before you can even react and pull

534
00:26:12,680 --> 00:26:13,559
your hands back.

535
00:26:13,640 --> 00:26:17,039
Speaker 2: Exactly, the machine keeps spinning and cutting. Dunn argues that

536
00:26:17,119 --> 00:26:19,720
this specific mark on the side of the Omlind statue,

537
00:26:19,759 --> 00:26:24,400
this deeply cut, perfectly smooth undercut, is the undeniable signature

538
00:26:24,480 --> 00:26:28,240
of a high speed tool. Slipping it heavily implies mechanized

539
00:26:28,240 --> 00:26:33,039
efficiency and continuous power, not slow manual chipping. To a machinist,

540
00:26:33,119 --> 00:26:35,880
it looks exactly like a rapidly spinning rotary tool that

541
00:26:36,000 --> 00:26:38,079
just got away from the operator for a split second

542
00:26:38,079 --> 00:26:39,160
and bit into the bench.

543
00:26:39,519 --> 00:26:42,440
Speaker 1: It is always those tiny little details that really grab you.

544
00:26:42,640 --> 00:26:45,319
It's not just the giant, obvious pyramids. It's the small

545
00:26:45,920 --> 00:26:49,680
human mistakes, the little oops, moments frozen in stone that

546
00:26:49,759 --> 00:26:52,119
fully reveal the hidden process behind the perfection.

547
00:26:52,400 --> 00:26:55,920
Speaker 2: It strongly suggests the ancient craftsman was moving very fast

548
00:26:56,359 --> 00:26:59,319
using a tool that cut through the hard stone almost effortlessly.

549
00:27:00,079 --> 00:27:02,279
Wasn't desperately fighting the stone with a piece of copper.

550
00:27:02,559 --> 00:27:05,279
He was smoothly guiding a powerful tool right through it.

551
00:27:05,839 --> 00:27:09,160
Speaker 1: Okay, so we have theories of giant circular saws, massive

552
00:27:09,200 --> 00:27:12,640
industrial saw hits and high speed rotary routers in ancient Egypt.

553
00:27:12,799 --> 00:27:14,720
But the source material takes us on a road trip.

554
00:27:14,720 --> 00:27:17,720
For the next major section, we are officially leaving Egypt

555
00:27:17,759 --> 00:27:19,319
and heading north to Lebanon.

556
00:27:19,119 --> 00:27:22,319
Speaker 2: To the incredibly massive Temple of Jupiter at Belbeck.

557
00:27:22,680 --> 00:27:24,640
Speaker 1: Now, if you thought the two hundred ton blocks in

558
00:27:24,640 --> 00:27:28,119
the Egyptian Valley Temple were big, really buckle up, because

559
00:27:28,160 --> 00:27:31,799
Bellbeck genuinely makes the Giza Plateau look like a child's

560
00:27:31,920 --> 00:27:32,680
lego set.

561
00:27:32,920 --> 00:27:35,680
Speaker 2: Bell Beck is home to the real monsters of the

562
00:27:35,720 --> 00:27:40,039
ancient world. The three absolute largest man made stones ever

563
00:27:40,119 --> 00:27:43,799
placed in a structure are found right here. They're collectively

564
00:27:43,839 --> 00:27:44,920
known as the Trialthon.

565
00:27:45,240 --> 00:27:47,519
Speaker 1: Give us the hard stats, make us really feel the

566
00:27:47,559 --> 00:27:48,440
weight of these things.

567
00:27:48,559 --> 00:27:52,559
Speaker 2: Each of these three stones weighs and estimated one thousand.

568
00:27:52,240 --> 00:27:54,160
Speaker 1: Tons one thousand tons.

569
00:27:53,960 --> 00:27:55,920
Speaker 2: That is two million pounds each.

570
00:27:56,200 --> 00:27:58,559
Speaker 1: That is I literally cannot even process that number in

571
00:27:58,599 --> 00:28:00,720
my head. That's what five hundred family.

572
00:28:00,359 --> 00:28:04,359
Speaker 2: Cars roughly, Yes, imagine five hundred cars perfectly compressed into

573
00:28:04,440 --> 00:28:08,960
one solid, rectangular block of stone. And the craziest part,

574
00:28:09,119 --> 00:28:11,279
they aren't just sitting on the ground. They were somehow

575
00:28:11,359 --> 00:28:14,960
lifted and precisely placed into a retaining wall twenty odd

576
00:28:14,960 --> 00:28:17,480
feet up in the air. Twenty feet up, yes, and

577
00:28:17,519 --> 00:28:21,519
they fit together so incredibly perfectly that you literally cannot

578
00:28:21,599 --> 00:28:24,160
slide a modern razor blade between the joints.

579
00:28:24,440 --> 00:28:26,400
Speaker 1: But wait, it actually gets wilder because there's an even

580
00:28:26,400 --> 00:28:27,680
bigger one still sitting nearby.

581
00:28:27,799 --> 00:28:30,279
Speaker 2: Right. Yes, the famous Stone of the Pregnant Woman.

582
00:28:30,480 --> 00:28:33,079
Speaker 1: Such a great name, by the way, very evocative and

583
00:28:33,200 --> 00:28:34,480
ancient sounding.

584
00:28:34,319 --> 00:28:37,000
Speaker 2: It really is. It's located in a quarry just a

585
00:28:37,079 --> 00:28:40,519
short distance from the main temple complex. It was apparently

586
00:28:40,519 --> 00:28:43,240
never fully finished or completely moved out of the quarry pit,

587
00:28:43,599 --> 00:28:47,200
but it gives us a terrifyingly clear idea of their

588
00:28:47,279 --> 00:28:53,200
ultimate ambition. This single stone weighs twelve hundred tons.

589
00:28:53,400 --> 00:28:57,680
Speaker 1: Twelve hundred tons, just a giant, perfectly cut rectangular block

590
00:28:57,720 --> 00:29:00,960
of bedrock weighing two point four million pounds.

591
00:29:01,039 --> 00:29:03,920
Speaker 2: Now let's bring in the modern engineering comparison again, because

592
00:29:03,960 --> 00:29:07,480
the source material interviews Peter Poludakov, who is a highly

593
00:29:07,559 --> 00:29:11,519
experienced modern construction industry expert, and he poses a very

594
00:29:11,559 --> 00:29:14,960
simple practical question to the camera, how exactly would we

595
00:29:15,000 --> 00:29:17,400
try to move the Stone of the Pregnant Woman today?

596
00:29:17,559 --> 00:29:19,039
Speaker 1: What's the modern solution.

597
00:29:19,079 --> 00:29:21,519
Speaker 2: He calculates that just to lift the stone off the ground,

598
00:29:21,559 --> 00:29:24,559
you would need twenty one modern heavy lift construction cranes

599
00:29:24,799 --> 00:29:26,480
working in absolute perfect unison.

600
00:29:26,559 --> 00:29:29,400
Speaker 1: Twenty one massive cranes. Just to pick the thing up, just.

601
00:29:29,319 --> 00:29:31,920
Speaker 2: To lift it a few inches, you'd have to design

602
00:29:32,079 --> 00:29:35,680
and build a custom steel harness system that connects all

603
00:29:35,680 --> 00:29:39,400
twenty one cranes simultaneously to the block, and every single

604
00:29:39,440 --> 00:29:41,839
crane operator would have to communicate and pull at the

605
00:29:41,920 --> 00:29:44,160
exact same millisecond.

606
00:29:43,680 --> 00:29:45,519
Speaker 1: Because if one pulls early.

607
00:29:45,519 --> 00:29:48,359
Speaker 2: If one crane lifts slightly too fast or too slow,

608
00:29:48,720 --> 00:29:52,640
the two million pound load shifts, that tension transfers unequally,

609
00:29:53,119 --> 00:29:57,000
and absolute disaster happens. Cranes would topple like dominos.

610
00:29:57,279 --> 00:29:59,200
Speaker 1: But here is the real kicker that blew my mind.

611
00:30:00,039 --> 00:30:04,240
Ruodakov points out a massive logistical nightmare that we completely

612
00:30:04,240 --> 00:30:06,480
forget when we just look at the raw lifting numbers.

613
00:30:06,960 --> 00:30:09,400
To get twenty one heavy lift cranes up to a

614
00:30:09,480 --> 00:30:14,799
remote mountainous site like Baalbeck, you need infrastructure, You need roads,

615
00:30:15,000 --> 00:30:15,440
all right.

616
00:30:15,799 --> 00:30:18,960
Speaker 2: These modern cranes are unbelievably heavy machines themselves.

617
00:30:19,000 --> 00:30:21,799
Speaker 1: They are massive. He says, it's virtually impossible to do

618
00:30:21,920 --> 00:30:24,799
today because the existing mountain roads and the surrounding terrain

619
00:30:25,039 --> 00:30:28,400
simply cannot physically support the concentrated weight of the machinery

620
00:30:28,440 --> 00:30:31,160
needed to move the stone. The ground pressure from the

621
00:30:31,160 --> 00:30:34,039
crane treads would cause them to immediately sink deep into

622
00:30:34,079 --> 00:30:35,599
the dirt or completely tip over.

623
00:30:35,880 --> 00:30:39,240
Speaker 2: So we literally cannot even get our most advanced mechanical

624
00:30:39,319 --> 00:30:41,880
robots to the site just to try and lift the rock.

625
00:30:43,160 --> 00:30:46,920
But the ancients, who mainstream history insists didn't even possess

626
00:30:46,920 --> 00:30:50,119
the simple wheel at this time, somehow moved a thousand

627
00:30:50,240 --> 00:30:53,519
ton stones out of that quarry and hoisted them twenty

628
00:30:53,559 --> 00:30:54,359
feet into the air.

629
00:30:54,599 --> 00:30:59,880
Speaker 1: Without modern diesel cranes, without high pressure hydraulics, without pay

630
00:31:00,279 --> 00:31:01,240
asphalt roads.

631
00:31:01,279 --> 00:31:03,920
Speaker 2: It really makes the classic ropes and rolling logs theory

632
00:31:04,160 --> 00:31:06,839
just completely crumbled to dust, doesn't it. I mean, just

633
00:31:06,839 --> 00:31:09,240
imagine the sheer thickness of the hemp rope you would

634
00:31:09,240 --> 00:31:12,359
need to securely pull two million pounds without snapping.

635
00:31:12,599 --> 00:31:15,240
Speaker 1: The friction alone is just mind boggling to think about.

636
00:31:15,559 --> 00:31:18,759
Speaker 2: And if you are theoretically using wooden rollers, stripping hundreds

637
00:31:18,759 --> 00:31:20,920
of tree trunks and shoving them under a thousand ton weight,

638
00:31:21,319 --> 00:31:24,960
the logs would literally be crushed into woodpulp instantly. Standard

639
00:31:25,000 --> 00:31:28,160
wood simply cannot withstand that kind of concentrated point pressure.

640
00:31:28,240 --> 00:31:30,319
The logs would just explode under the stone.

641
00:31:30,559 --> 00:31:33,720
Speaker 1: It just doesn't physically work. The basic material limitations of

642
00:31:33,839 --> 00:31:36,799
natural wood and woven hemp rope make the whole endeavor

643
00:31:36,839 --> 00:31:38,920
practically physics defying, and.

644
00:31:38,839 --> 00:31:42,279
Speaker 2: That logical dead end leads us perfectly into the final

645
00:31:42,319 --> 00:31:45,160
section of our sources argument today, what they call the

646
00:31:45,200 --> 00:31:46,440
brutal man power myth.

647
00:31:46,759 --> 00:31:51,039
Speaker 1: Right, they interview Roger Hopkins, who is a highly experienced

648
00:31:51,200 --> 00:31:54,839
real world stonemason, and he shares a personal story that

649
00:31:54,880 --> 00:31:59,640
I think perfectly illustrates this massive disconnect between theoretical academic

650
00:31:59,680 --> 00:32:03,960
history and real world muddy boots construction reality.

651
00:32:03,559 --> 00:32:04,839
Speaker 2: The Palm Springs experiment.

652
00:32:05,039 --> 00:32:08,279
Speaker 1: Right. So, Hopkins is out working on a commercial landscaping

653
00:32:08,319 --> 00:32:11,400
project in Palm Springs modern day, and his crew is

654
00:32:11,440 --> 00:32:13,839
trying to move a large decorative stone.

655
00:32:13,880 --> 00:32:16,960
Speaker 2: He says it was a stone weighing quote well in

656
00:32:17,039 --> 00:32:20,240
excess of five tons, so let's call it roughly ten

657
00:32:20,279 --> 00:32:20,960
thousand pounds.

658
00:32:21,000 --> 00:32:23,400
Speaker 1: Okay, So let's just pause and frame this five tons

659
00:32:24,000 --> 00:32:26,279
compared to the one thousand tons sitting up at Baalbec.

660
00:32:26,400 --> 00:32:28,119
This rock is basically a pebble.

661
00:32:28,400 --> 00:32:31,319
Speaker 2: It is literally half of one percent of the weight

662
00:32:31,359 --> 00:32:34,440
of a single Ballbeck Trilton stone. It is barely a

663
00:32:34,519 --> 00:32:36,319
rounding error in ancient terms.

664
00:32:36,440 --> 00:32:39,200
Speaker 1: And Hopkins and his crew they have modern machinery on site.

665
00:32:39,440 --> 00:32:41,799
Speaker 2: Oh yeah, they rented one of the absolute largest diesel

666
00:32:41,839 --> 00:32:45,000
excavators available on the commercial market, a massive, state of

667
00:32:45,039 --> 00:32:46,319
the art hydraulic machine.

668
00:32:46,440 --> 00:32:47,759
Speaker 1: And what actually happened.

669
00:32:47,960 --> 00:32:52,160
Speaker 2: They profoundly struggled. Hopkins describes how they had an incredibly

670
00:32:52,200 --> 00:32:55,599
hard time just lifting it up enough to carefully load

671
00:32:55,640 --> 00:32:58,160
it onto the back of a flatbed truck. The heavy

672
00:32:58,240 --> 00:33:01,960
duty machine was audibly straining, the high pressure hydraulics were

673
00:33:02,000 --> 00:33:04,799
whining and pushing their maximum load limits. It was a

674
00:33:04,839 --> 00:33:09,119
genuinely difficult, dangerous operation for an experienced modern crew with.

675
00:33:09,079 --> 00:33:13,599
Speaker 1: A mere five ton rock and a massive modern machine. Yes,

676
00:33:13,880 --> 00:33:17,480
and yet mainstream history asks us to unquestioningly believe that

677
00:33:17,839 --> 00:33:20,759
ancient people smoothly moved stones that were two hundred times

678
00:33:20,759 --> 00:33:22,519
heavier than that entirely by hand.

679
00:33:22,599 --> 00:33:25,559
Speaker 2: Hopkins is extremely blunt about this. When he speaks, he

680
00:33:25,640 --> 00:33:29,359
directly critiques the comfortable academic view. He basically says, we

681
00:33:29,400 --> 00:33:33,319
are supposedly expected to blindly accept that ancient builders entirely

682
00:33:33,359 --> 00:33:37,240
without wheels, pulleys or iron brackets, achieve this using just

683
00:33:37,720 --> 00:33:39,960
brutal manpower and little pieces of.

684
00:33:39,960 --> 00:33:42,880
Speaker 1: Strength pieces of strength. I honestly love that phrasing. It

685
00:33:43,039 --> 00:33:46,559
so perfectly highlights the absolute absurdity of the proposed toolkit.

686
00:33:46,759 --> 00:33:49,559
Speaker 2: His final conclusion on the matter is pretty damning for

687
00:33:49,640 --> 00:33:53,680
the mainstream narrative. He just shrugs and says, quote, the

688
00:33:53,720 --> 00:33:55,319
context does not fit the evidence.

689
00:33:55,640 --> 00:33:59,000
Speaker 1: That is exactly the perfect summary line for this entire discussion.

690
00:33:59,279 --> 00:34:02,240
The context meaning that the primitive tools we are strictly

691
00:34:02,240 --> 00:34:05,720
told they had entirely fails to fit the physical evidence

692
00:34:05,759 --> 00:34:09,119
the absolutely massive stones we can clearly see they moved

693
00:34:09,159 --> 00:34:10,280
and precisely cut.

694
00:34:10,440 --> 00:34:14,159
Speaker 2: It is a massive, glaring discrepancy. On one hand, you

695
00:34:14,199 --> 00:34:16,960
have the undeniable physical objects sitting right there in front

696
00:34:17,000 --> 00:34:20,239
of you, a perfectly carved, one thousand done block of granite,

697
00:34:20,320 --> 00:34:22,280
and on the other hand, you have the accepted historical

698
00:34:22,360 --> 00:34:26,239
narrative copper chisels, sand and lots of sweating guys pulling ropes.

699
00:34:26,519 --> 00:34:29,119
The two realities simply do not intersect anywhere in the

700
00:34:29,119 --> 00:34:32,960
realm of physics. You absolutely cannot bridge that massive technological

701
00:34:32,960 --> 00:34:34,800
gap by just saying, well, they just use more people.

702
00:34:35,000 --> 00:34:37,559
Speaker 1: So really, where does that actually leave us. We've got

703
00:34:37,599 --> 00:34:40,559
deep cuts in hard granite that fundamentally look like they

704
00:34:40,559 --> 00:34:44,519
were carved by giant thirty five foot circular saws. We've

705
00:34:44,559 --> 00:34:47,679
got perfectly placed stone blocks that easily defy the lifting

706
00:34:47,719 --> 00:34:50,800
capacity of fleets of modern construction cranes. We've got a

707
00:34:50,960 --> 00:34:54,000
historical timeline that dictates these people were barely out of

708
00:34:54,000 --> 00:34:56,760
the hunter gatherer phase, with a little bit of basic

709
00:34:56,800 --> 00:35:01,719
agriculture and an architectural output that loud industrial revolution.

710
00:35:02,159 --> 00:35:05,360
Speaker 2: It leaves us deeply embedded in a mystery that stubbornly

711
00:35:05,400 --> 00:35:08,320
refuses to go away, no matter how much the textbooks

712
00:35:08,360 --> 00:35:11,559
try to gloss over it. The source material we review today,

713
00:35:11,639 --> 00:35:15,199
drawing heavily from the engineering investigations in ancient Aliens, obviously

714
00:35:15,320 --> 00:35:18,760
leans very strongly towards the idea that this required technology

715
00:35:18,880 --> 00:35:22,199
was external, or at the very least far far more

716
00:35:22,199 --> 00:35:24,840
advanced that we currently give human ancestors credit.

717
00:35:24,599 --> 00:35:28,440
Speaker 1: For right, and whether it was Aliens from another star system,

718
00:35:28,599 --> 00:35:32,440
or some highly advanced lost human civilization that got wiped out,

719
00:35:32,760 --> 00:35:36,000
or just really really incredibly smart Egyptians who discovered a

720
00:35:36,000 --> 00:35:40,400
fundamental principle of acoustic physics or levitation that we somehow

721
00:35:40,440 --> 00:35:44,039
completely lost. Honestly, the how is the real smoking gun

722
00:35:44,079 --> 00:35:44,920
here exactly?

723
00:35:45,679 --> 00:35:48,239
Speaker 2: We consider out a debate the theoretical who all day long?

724
00:35:48,400 --> 00:35:51,679
Was it Atlanteans? Was it extraterrestrials? Was it a lost

725
00:35:51,719 --> 00:35:54,679
Ice Age civilization? We honestly don't know for sure. But

726
00:35:54,719 --> 00:35:59,039
the how the required technology that isn't theoretical, that is

727
00:35:59,199 --> 00:36:02,519
entirely physical, that is tangible. You can physically walk up

728
00:36:02,519 --> 00:36:04,480
and touch the circular cut mark in the stone. You

729
00:36:04,519 --> 00:36:07,400
can literally calculate the sheer mass and weigh the stone.

730
00:36:07,440 --> 00:36:11,440
Speaker 1: And that undeniable physical evidence practically screams for an explanation

731
00:36:11,559 --> 00:36:14,119
that goes far, far beyond wow, they just pulled really

732
00:36:14,159 --> 00:36:14,840
hard on some ropes.

733
00:36:14,880 --> 00:36:18,519
Speaker 2: It absolutely forces us to fundamentally reconsider the entire upward

734
00:36:18,559 --> 00:36:19,880
trajectory of human history.

735
00:36:20,039 --> 00:36:22,280
Speaker 1: Here's a really provocative thought to leave you with today

736
00:36:22,280 --> 00:36:25,679
as we wrap this up. If these ancient civilizations truly

737
00:36:25,760 --> 00:36:29,679
had thirty five foot power saws, if they truly possess

738
00:36:29,719 --> 00:36:33,000
the mechanical ability to casually lift twelve hundred ton blocks

739
00:36:33,000 --> 00:36:36,559
of bedrock, where did all that massive machinery go.

740
00:36:36,800 --> 00:36:41,079
Speaker 2: Now, that is the great lingering question, because machines rust,

741
00:36:41,280 --> 00:36:45,320
iron decays, wood rots away to nothing, but stone stone

742
00:36:45,360 --> 00:36:46,079
remains forever.

743
00:36:46,239 --> 00:36:49,079
Speaker 1: Is it entirely possible that human history is actually cycle,

744
00:36:49,400 --> 00:36:51,480
that we rise up to a tremendous level of high

745
00:36:51,519 --> 00:36:54,119
tech capability, we build these impossible, massive things, and then

746
00:36:54,159 --> 00:36:56,239
some cataclysm happens and we fall right back down to

747
00:36:56,280 --> 00:36:58,920
the Stone Age, and thousands of years later, all that's

748
00:36:58,960 --> 00:37:01,199
left surviving the elements are really really big rocks.

749
00:37:01,280 --> 00:37:05,159
Speaker 2: It's entirely possible, and it's a humbling thought. We might

750
00:37:05,360 --> 00:37:08,599
literally be looking at the eroded remnants of a technological

751
00:37:08,599 --> 00:37:11,800
peak we didn't even know humanity had reached. Yeah, just

752
00:37:11,840 --> 00:37:15,639
imagine if our own modern civilization completely collapse tomorrow in

753
00:37:15,760 --> 00:37:19,519
ten thousand years. All the steel skyscrapers would be completely

754
00:37:19,599 --> 00:37:22,920
rusted away to nothing, the billions of computers and smartphones

755
00:37:23,079 --> 00:37:26,440
would just be toxic dust in the soil. But the

756
00:37:26,480 --> 00:37:31,280
Hoover Dam or Mount Rushmore, those massive stone and concrete

757
00:37:31,320 --> 00:37:35,559
structures might still be sitting there. And future primitive people

758
00:37:35,639 --> 00:37:37,599
might look up at the Hoover Dam and say, Wow,

759
00:37:37,639 --> 00:37:39,599
how did they build that with just plastic spoons and

760
00:37:39,599 --> 00:37:40,199
copper wire.

761
00:37:40,599 --> 00:37:42,920
Speaker 1: Oh man, it is such a haunting thought, but I

762
00:37:42,960 --> 00:37:45,639
will say it makes walking through a natural history museum

763
00:37:45,719 --> 00:37:47,840
or looking at ruins a whole lot more interesting.

764
00:37:48,039 --> 00:37:50,599
Speaker 2: It certainly does. Once you see it, you can't unsee it.

765
00:37:50,760 --> 00:37:53,199
You start looking at the ancient statues totally differently. You

766
00:37:53,239 --> 00:37:56,000
stop looking at the faces and you start actively looking

767
00:37:56,079 --> 00:37:58,320
for the slips. You start searching the corners for the

768
00:37:58,400 --> 00:37:59,320
hidden tool marks.

769
00:37:59,559 --> 00:38:02,480
Speaker 1: Speaking of which, listener, I really want to ask you directly,

770
00:38:03,119 --> 00:38:05,719
when we talked earlier about that weird little mark on

771
00:38:05,760 --> 00:38:08,960
the museum statue of a moon, that supposed slip of

772
00:38:09,000 --> 00:38:11,199
the high speed rotary tool right there on the buttock,

773
00:38:12,199 --> 00:38:13,719
what is your personal stand on that?

774
00:38:14,119 --> 00:38:17,960
Speaker 2: Yeah, do you see a definitive slip of a high

775
00:38:17,960 --> 00:38:22,719
powered mechanized tool, or do you genuinely just see a

776
00:38:22,880 --> 00:38:27,440
really unfortunate chisel error made by a tired manual worker.

777
00:38:27,920 --> 00:38:30,519
Speaker 1: Ponder that for a bit, Look up the pictures online,

778
00:38:30,599 --> 00:38:32,960
closely examine the tool marks for yourself, and please leave

779
00:38:32,960 --> 00:38:34,559
a comment to let us know exactly what you think.

780
00:38:34,599 --> 00:38:36,559
We genuinely want to hear your theories.

781
00:38:36,239 --> 00:38:40,800
Speaker 2: On this always, because the absolute best insights often come

782
00:38:40,840 --> 00:38:42,239
from fresh eyes looking at an.

783
00:38:42,119 --> 00:38:44,840
Speaker 1: Old problem, absolutely true. Thank you so much for joining

784
00:38:44,920 --> 00:38:46,800
us on this wild journey into the realm of the

785
00:38:46,800 --> 00:38:47,800
impossible today.

786
00:38:47,840 --> 00:38:50,079
Speaker 2: It has been an absolute pleasure to break this all

787
00:38:50,119 --> 00:38:50,559
down with you.

788
00:38:50,760 --> 00:38:53,480
Speaker 1: This has been thrilling. Threads keep pulling at those loose

789
00:38:53,559 --> 00:38:55,760
ends in the narrative. We will see you next time.

