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<v Speaker 1>Had a hard day at the office, backache from bending

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<v Speaker 1>over a hot stove all day. Want to get away

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<v Speaker 1>from it all.

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<v Speaker 2>We offer you escape.

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<v Speaker 1>It is midnight and you are alone. Suddenly the room

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<v Speaker 1>is plunged into darkness. You sit frozen with terror because

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<v Speaker 1>something is there behind you, something you feared would come,

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<v Speaker 1>something from which you must escape.

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<v Speaker 3>Escape, produced and directed by William N. Robson, and carefully

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<v Speaker 3>plotted to free you from the four walls of today

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<v Speaker 3>for a half hour of high adventure.

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<v Speaker 1>To night we escaped to London and a world made

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<v Speaker 1>strange and terrifying by the workings of an ancient barbary curse,

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<v Speaker 1>as Montague R. James tells it in his weird story

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<v Speaker 1>Casting the Ruins.

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<v Speaker 4>My name is Edward Dudding. I'm a scientist. I'm used

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<v Speaker 4>to dealing with facts, not fairy tales. I'm regarded as

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<v Speaker 4>Britain's leading authority on medieval life, and as such I've

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<v Speaker 4>studied much of the ancient fears and barbaric superstitions of

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<v Speaker 4>those times. I should have been the first to scoff

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<v Speaker 4>at any suggestion of the ancient powers of evil. The

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<v Speaker 4>black magic of Teutonic days could be believed and practiced in.

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<v Speaker 2>The twentieth century.

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<v Speaker 4>A few weeks ago, I should have laughed had you

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<v Speaker 4>told me that a curse a hex could kill a man.

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<v Speaker 4>Today I cannot laugh. It has happened to a man

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<v Speaker 4>I know of, and now it's happening to me.

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<v Speaker 2>Oh.

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<v Speaker 4>My first presentment of danger came on that day a

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<v Speaker 4>few weeks ago, when I dropped in to see Alfred's smile,

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<v Speaker 4>secretary of the National Science Association, and found him in

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<v Speaker 4>a state of irritation, lasted all darning.

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<v Speaker 5>I almost wish you hadn't been so brutally honest in

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<v Speaker 5>your report on that Carswell paper.

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<v Speaker 2>Why what's the trouble? He's such a frightful fellow. He's

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<v Speaker 2>raising a terrible row. You mean Carswell himself.

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<v Speaker 5>Yes, it's bad enough of vicious charlatan like that calling

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<v Speaker 5>himself a scientist. But now he's taking all his vindictiveness

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<v Speaker 5>out on me.

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<v Speaker 2>Sorry, old Jap, really me, he'd liked to get at.

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<v Speaker 5>As a matter of fact, that's just what his last

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<v Speaker 5>letter was about. He wants to know what supposed authority

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<v Speaker 5>wrote the report rejecting his paper.

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<v Speaker 2>You didn't give him my name, Hiddens.

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<v Speaker 5>No, As a matter of fact, donning. I haven't and

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<v Speaker 5>I won't, and for a very special reason. Call it silly,

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<v Speaker 5>call it crazy, call it what you will. I have

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<v Speaker 5>an uncanny feeling about that man Castle. And why do

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<v Speaker 5>you know anything about him?

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<v Speaker 2>Nothing. I've never seen him. I only know that he

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<v Speaker 2>wrote a paper called The Truth of Alchemy. It was hopeless, precisely,

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<v Speaker 2>and why was it hopeless?

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<v Speaker 4>Well, besides being abominably written, was supposed to prove that alchemy,

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<v Speaker 4>black magic and such rat actually exists.

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<v Speaker 2>I think the man really believes it.

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<v Speaker 5>Undoubtedly he does, And that's what I mean. He lives

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<v Speaker 5>in an isolated old house in Warwickshire. He's rarely seen elsewhere,

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<v Speaker 5>and in his whole career he's written only two things,

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<v Speaker 5>this paper and The History of Witchcraft, published ten years ago.

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<v Speaker 2>Of course I remember now. So that's the.

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<v Speaker 5>Man, yes, and that was even worse than this paper.

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<v Speaker 5>The man has a warped mind. I'm sure he's tried

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<v Speaker 5>every unhealthy experiment in alchemy, witchcraft and black magic. There's

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<v Speaker 5>no telling to what lengths of vindictiveness a man like

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<v Speaker 5>that might go.

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<v Speaker 4>Well, does sound a bit queer, it's not queer, dunning evil.

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<v Speaker 4>Come man has a right to believe what he likes.

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<v Speaker 4>He is right to be angry with me here I've

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<v Speaker 4>blibly scoffed at the man's life's work.

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<v Speaker 5>Well, perhaps I'm being overly suspicious and imaginative, but I

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<v Speaker 5>think there's.

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<v Speaker 2>More than anger involved here, Edward.

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<v Speaker 5>This may sound fantastic to you, but well, John Harrington

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<v Speaker 5>wrote the report condemning that witchcraft book of Caswell's ten

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<v Speaker 5>years ago. Three months later Harrington was dead. But Alfred,

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<v Speaker 5>what's the connection? Harrington died under very peculiar circumstances. He

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<v Speaker 5>was walking home alone late one night, and suddenly he screamed,

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<v Speaker 5>broke into a run, lost his hat and stick, and

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<v Speaker 5>climbed up a tree. A dead branch gave way, he

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<v Speaker 5>fell and broke his neck. No one's ever been able

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<v Speaker 5>to explain.

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<v Speaker 2>Why heaven come now out with Jolie. Are not suggesting.

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<v Speaker 2>I don't know what I'm suggesting.

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<v Speaker 5>I only know that after he reviewed Caswell's book, John

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<v Speaker 5>Harrington didn't have a moment's piece. Now you've written an

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<v Speaker 5>unfavorable review of this paper. If I were you, I

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<v Speaker 5>should keep that fact well hidden or help it.

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<v Speaker 4>Well, that's ridiculous. Yes, I laughed at Altwred Smile's fears.

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<v Speaker 2>How could I have known then that I.

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<v Speaker 4>As to feel the same terror, the same agonized fear

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<v Speaker 4>which gripped the heart of John Harrington as he crouched,

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<v Speaker 4>panting on the branch of a tree for another moment or.

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<v Speaker 2>Two of life.

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<v Speaker 4>While beneath him the thing came closer and closer. I'd

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<v Speaker 4>almost forgotten the incident when a few nights later I

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<v Speaker 4>was riding home on a late train. I was half

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<v Speaker 4>drowsing in my seat, barely keeping awake by looking idly

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<v Speaker 4>at the car card at worstness. Men directly opposite me

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<v Speaker 4>must have been doing the same, because suddenly I had been.

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<v Speaker 2>Saying, Hey, what can that want be advertising?

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<v Speaker 4>I followed his eyes to the window beside my head.

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<v Speaker 4>What I saw brought me bolt upright in my seat.

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<v Speaker 6>In memory of John Edrington Dodd September eighteenth, nineteen thirty seven,

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<v Speaker 6>by falling from a tree. Three months were allowed. Come,

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<v Speaker 6>won't you say that means her?

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<v Speaker 4>I don't know, but I did know Smife had been right.

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<v Speaker 4>The affair with carswell was not over, but only begun.

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<v Speaker 4>I asked the conductor about the card, but he was

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<v Speaker 4>as possitive as I was. He had never seen it before.

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<v Speaker 4>The card must have been put there expressly for me.

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<v Speaker 4>That meant that carswell knew it was I who would

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<v Speaker 4>reviewed his paper. How have you found out? I got

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<v Speaker 4>the answer the next day. I was in the select

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<v Speaker 4>manuscript department of the British Museum, doing some research in

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<v Speaker 4>the quiet, almost deserted room.

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<v Speaker 2>I had been working steadily for an hour.

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<v Speaker 4>And oblivious to my surroundings, when suddenly, adjusted at my shoulder,

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<v Speaker 4>I heard.

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<v Speaker 5>A voice Edward donning you were allowed three months.

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<v Speaker 2>I swung around my seat. There was no one within

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<v Speaker 2>twenty feet of me.

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<v Speaker 4>I sat for a moment, shaken, and then I stooped

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<v Speaker 4>to pick up the papers I had brushed to the floor.

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<v Speaker 4>I straightened up to find a stout, elderly gentleman standing

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<v Speaker 4>in front of me.

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<v Speaker 2>Excuse me, sir, Yes, may I give you this paper?

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<v Speaker 2>I think it should be yours? Well, yes, so it is.

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<v Speaker 2>I thought I had the more. This one seemed to

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<v Speaker 2>have slide across the floor. Thank you very much, not

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<v Speaker 2>at all, sir, Good afternoon. He walked slowly away and

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<v Speaker 2>out of the door.

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<v Speaker 4>A kindly, stout old gentleman, but there was something about

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<v Speaker 4>him that made me feel strange.

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<v Speaker 2>I went over to the attendant.

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<v Speaker 4>Yes, mister Dunning, did you notice that gentleman I was

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<v Speaker 4>just speaking to Oh, yes, of course, but can you

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<v Speaker 4>tell me his name?

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<v Speaker 1>Why?

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<v Speaker 5>That's mister Carswell. As a matter of fact, he was asking.

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<v Speaker 2>About you only the other day, asking about me.

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<v Speaker 5>Well, he asked who were the great authorities on medieval science?

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<v Speaker 5>Of course I told him you were the only one

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<v Speaker 5>in the country. Ah, I see, would you like to

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<v Speaker 5>meet him, mister Dunning, I'll see if I sell?

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<v Speaker 2>No, thank you.

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<v Speaker 4>Well it was as simple assay. Now Carswell knew what

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<v Speaker 4>would be his next move. What was I to expect?

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<v Speaker 4>I read tom at dusk and trouble stood on my

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<v Speaker 4>doorstep in the long face and stooped form of my family.

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<v Speaker 2>Doctor had to have.

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<v Speaker 5>Set your household arrangements. I'm sorry to say, Dunning. I've

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<v Speaker 5>had to send both your servants to hospital. But what happened?

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<v Speaker 5>Something like to main prisoning. I should think it's nothing serious.

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<v Speaker 2>Well, what could have caused it?

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<v Speaker 5>Well, that's the rather odd thing. They tell me. They

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<v Speaker 5>bought some shellfish from a hawker and headed for lunch.

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<v Speaker 5>I've made inquiries, but I can't find that a hawker

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<v Speaker 5>called it any other house on this street.

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<v Speaker 2>Was this the next move? If so, it had succeeded.

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<v Speaker 4>I was alone in the house, and my nervousness increased

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<v Speaker 4>as darkness closed in and the hours advanced toward midnight.

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<v Speaker 4>I went to bed, but almost immediately I thought I

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<v Speaker 4>heard something my study door opening downstairs. I went out

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<v Speaker 4>and leaned over the banister. There was nothing moving, nothing visible.

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<v Speaker 4>There was only a sudden, surprising gust of warm air.

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<v Speaker 2>Playing about my legs.

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<v Speaker 4>I went back into my room and locked the door.

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<v Speaker 4>Suddenly the lights went out. No doubt it was only

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<v Speaker 4>a blown fuse, but the chills were playing up and

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<v Speaker 4>down my spine. I went over to the bed and

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<v Speaker 4>reached for my watch under the pillow. I suppose I

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<v Speaker 4>want to find out the time. I don't know why,

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<v Speaker 4>But fumbling on the pillow, my hand touched something far

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<v Speaker 4>different from a watch. It was like a mouth with

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<v Speaker 4>sharp teeth and hair around it. Not human at all.

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<v Speaker 4>I fled from my bedroom and spent a long and

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<v Speaker 4>miserable night locked in the spare room, my ear to

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<v Speaker 4>the door, but nothing came. I was not disturbed to

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<v Speaker 4>gain In the morning, I searched the house and found

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<v Speaker 4>nothing unusual, but the mark of fear must have been

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<v Speaker 4>stamped on my face.

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<v Speaker 2>Smife noticed it next day.

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<v Speaker 5>Because if you hadn't slept for weeks, is anything wrong?

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<v Speaker 4>I don't know, Alfred, I, yes, there is Carswell knows

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<v Speaker 4>how they told him at the museum.

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<v Speaker 5>Of course we should have thought of that. Has anything

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<v Speaker 5>happened yet?

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<v Speaker 2>I don't know.

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<v Speaker 4>It's too fantastic. It's probably my mind hypnotic suggestion of something.

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<v Speaker 4>But like that man Harrington, I have three months left.

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<v Speaker 4>Edward must have been hearing things.

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<v Speaker 2>I'm all on age. I don't know what to think.

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<v Speaker 5>John Harrington had a brother, Henry. Perhaps I'd better get

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<v Speaker 5>you in touch with him. He might know more about

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<v Speaker 5>this man Cars.

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<v Speaker 2>Yes, yes, do it and quickly. Three months there's not

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<v Speaker 2>a lot of time. It was arranged.

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<v Speaker 4>That night I found myself walking down the dark street

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<v Speaker 4>that led from the railway station to the Harrington home.

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<v Speaker 4>It must have been along the same street that John

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<v Speaker 4>Herrington had walked that last night where.

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<v Speaker 2>He had broke and run.

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<v Speaker 4>It must have been one of these trees bordering the

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<v Speaker 4>lonely road in which he had spent his last horrible moments.

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<v Speaker 4>The way was dark, and there was no living soul

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<v Speaker 4>in sight, and suddenly.

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<v Speaker 2>Complete terror gripped me.

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<v Speaker 4>Somehow, I knew that I was being followed. At first

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<v Speaker 4>I only felt it, and then I heard it. I

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<v Speaker 4>walked steadily on for a moment, my stomach like ice.

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<v Speaker 4>It was getting louder, coming closer. Unconsciously, my step quickened.

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<v Speaker 4>I could fairly control myself. I wanted to scream and run.

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<v Speaker 2>The thing came.

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<v Speaker 4>Closer, closer. Yes, I broke and ran, ran madly for

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<v Speaker 4>my life. I was at a little side street I

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<v Speaker 4>turned down at doubling back to the railway station. I

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<v Speaker 4>thought I would never make it, But finally, bright lights

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00:13:09.200 --> 00:13:10.879
<v Speaker 4>loomed before my eyes, and I think that I never have.

219
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<v Speaker 2>Been so grateful for human companionship.

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<v Speaker 1>There's no need to run, Sir the I thought he

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<v Speaker 1>won't be along for another five minutes.

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<v Speaker 2>I felt very foolish.

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<v Speaker 4>I couldn't bring myself to walk back down that street

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<v Speaker 4>to Harrington's. I could only take the train home furtively

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<v Speaker 4>and call Harrington next morning to beg his forgiveness. He

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<v Speaker 4>seemed very understanding and asked no questions, and doubted his

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<v Speaker 4>smile had told him something about me. At any rate,

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<v Speaker 4>he agreed to visit me at a place two nights later,

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<v Speaker 4>and when he arrived and was made welcome, he began

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<v Speaker 4>to talk about his brother.

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<v Speaker 5>Yes, mister Dunning, John was in a very bad state

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<v Speaker 5>for weeks before the accident. If that's what it was.

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<v Speaker 5>The principal thing seemed to be the notions he was

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<v Speaker 5>being followed became an obsession.

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<v Speaker 2>Yes, I know, I don't think his death was an accident.

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<v Speaker 5>Then perhaps you can explain it.

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<v Speaker 2>No, but I have one clue.

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<v Speaker 4>Your brother reviewed a book very severely not long before

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<v Speaker 4>he died. Just lately, I happened to cross the path

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<v Speaker 4>of the man who.

241
00:14:17.360 --> 00:14:18.000
<v Speaker 2>Wrote that book.

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<v Speaker 5>And his name, of course is Carswell. That's right, for

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<v Speaker 5>as far as I'm concerned.

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<v Speaker 2>That does it.

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<v Speaker 5>Before he died, John was beginning to feel, much against

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<v Speaker 5>his will, that Carswell was at the bottom of his trouble.

247
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<v Speaker 5>Why well, it doesn't make sense, None of this does.

248
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<v Speaker 2>But tell me.

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<v Speaker 5>My brother liked music. He went to all the concerts

250
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<v Speaker 5>in town, and he made a hobby of collecting the programs.

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<v Speaker 5>One night, about three months before his death, he brought

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<v Speaker 5>one home and showed it to me. I nearly missed

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<v Speaker 5>this one, he said, it seems he'd lost his and

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00:14:50.919 --> 00:14:53.159
<v Speaker 5>was hunting for it under his seat, and a neighbor,

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<v Speaker 5>a rather stout, elderly gentleman, off to give John his.

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<v Speaker 2>The kind gentleman was mister Caswell.

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<v Speaker 5>I started to lead through the program and noticed on

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<v Speaker 5>the second page some rather curious letters, carefully written there

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00:15:06.799 --> 00:15:09.600
<v Speaker 5>and black and red ink. Mother of us couldnake much

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00:15:09.639 --> 00:15:13.159
<v Speaker 5>of it, except that the letters seemed to be runic ruins.

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<v Speaker 2>Ruins. Of course, for John thought it might.

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<v Speaker 5>Be important, and debated whether he shouldn't try to return

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00:15:20.399 --> 00:15:22.919
<v Speaker 5>the program to the stout gentleman. But just then the

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<v Speaker 5>door blew open, and a gust of air, of strangely

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00:15:26.279 --> 00:15:28.919
<v Speaker 5>warm air, blew into the room in a fresh It

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<v Speaker 5>took the proge and blew it straight into the fire.

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<v Speaker 2>Yes, your brother was right, he should have returned it.

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<v Speaker 5>There was nothing to be done then, perhaps none.

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<v Speaker 2>But do you know what runic letters mean.

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<v Speaker 5>Well, their old pre Druid script. I believe the kind

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<v Speaker 5>of writing the Barbaric tribes used long before the Romans

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<v Speaker 5>invaded britainly says.

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<v Speaker 4>Right, casting the ruins. They used to call it in

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<v Speaker 4>the old days, casting the ruins?

275
00:15:54.720 --> 00:15:55.320
<v Speaker 5>What do you mean?

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<v Speaker 4>But it was a curse a hex In primitive England,

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00:15:59.600 --> 00:16:02.159
<v Speaker 4>people thought by casting the runes, that is, handing a

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00:16:02.200 --> 00:16:04.600
<v Speaker 4>person a piece of paper with certain runic letters on it,

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00:16:04.679 --> 00:16:07.000
<v Speaker 4>that he could put that person out of the way,

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00:16:07.240 --> 00:16:07.840
<v Speaker 4>destroy him.

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00:16:08.320 --> 00:16:09.360
<v Speaker 2>It's an old superstition.

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<v Speaker 4>The only way to lift the curse was to return

283
00:16:12.080 --> 00:16:13.360
<v Speaker 4>the paper to the one who gave it to you,

284
00:16:14.200 --> 00:16:15.639
<v Speaker 4>to give it back without.

285
00:16:15.399 --> 00:16:19.080
<v Speaker 2>His knowing it. I don't believe that kind of nonsense,

286
00:16:20.200 --> 00:16:20.679
<v Speaker 2>neither do I.

287
00:16:21.480 --> 00:16:23.200
<v Speaker 5>Then, what was it to kill John?

288
00:16:23.799 --> 00:16:24.279
<v Speaker 2>I don't know.

289
00:16:25.919 --> 00:16:28.679
<v Speaker 4>Perhaps his fear of the runs, perhaps brooding about it,

290
00:16:28.960 --> 00:16:32.159
<v Speaker 4>becoming neurotic, thinking he saw things and heard things, and

291
00:16:33.559 --> 00:16:35.759
<v Speaker 4>touched things that weren't there.

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00:16:36.919 --> 00:16:39.639
<v Speaker 2>Perhaps his own mind drove him to death. And what's

293
00:16:39.720 --> 00:16:44.000
<v Speaker 2>the difference on your dead? No difference at all? Casting

294
00:16:44.120 --> 00:16:51.039
<v Speaker 2>the ruins what rubbish, yes, of course, But good heavens,

295
00:16:51.200 --> 00:16:53.879
<v Speaker 2>what is it? I just remembered that day at the

296
00:16:53.879 --> 00:16:57.519
<v Speaker 2>British Museum he cast the runs on me.

297
00:17:00.240 --> 00:17:01.240
<v Speaker 6>Well, why.

298
00:17:06.039 --> 00:17:08.759
<v Speaker 2>I went swiftly to the writing table Harrington close behind me.

299
00:17:09.799 --> 00:17:11.960
<v Speaker 4>My portfolio was there, full of the scribbled notes I

300
00:17:12.000 --> 00:17:14.640
<v Speaker 4>had been working on that day in the museum. And

301
00:17:14.720 --> 00:17:16.720
<v Speaker 4>as I took it from my shaking hands and began

302
00:17:16.799 --> 00:17:20.079
<v Speaker 4>leaping desperately through them. One strip of thin white paper

303
00:17:20.160 --> 00:17:22.680
<v Speaker 4>slipped and fluttered toward the open window with uncanny quickness.

304
00:17:22.960 --> 00:17:25.039
<v Speaker 4>But Harrington was even quicker and slammed the window.

305
00:17:24.799 --> 00:17:27.079
<v Speaker 2>Shut just in time. Got it well, Thank heaven.

306
00:17:28.400 --> 00:17:30.720
<v Speaker 5>If it were lost, are destroyed like your brothers, then

307
00:17:30.799 --> 00:17:34.400
<v Speaker 5>you wouldn't be able to return it to mister Carswer. Yes,

308
00:17:35.240 --> 00:17:38.599
<v Speaker 5>look at it. It's identical with the one jart gout.

309
00:17:39.480 --> 00:17:40.720
<v Speaker 2>I looked at the climsy paper.

310
00:17:41.720 --> 00:17:45.160
<v Speaker 4>The characters carefully traced in red and black were runs,

311
00:17:45.240 --> 00:17:49.079
<v Speaker 4>all right, that ancient language used for the Aborigines of

312
00:17:49.119 --> 00:17:50.039
<v Speaker 4>prehistoric Britain.

313
00:17:50.880 --> 00:17:51.880
<v Speaker 2>I couldn't decipher them.

314
00:17:52.599 --> 00:17:55.039
<v Speaker 4>But as Harrington and I stood looking into each other's eyes,

315
00:17:55.640 --> 00:17:59.440
<v Speaker 4>each of us could read the other's thoughts. Science or not,

316
00:18:00.359 --> 00:18:03.680
<v Speaker 4>twentieth century or not. This sheet of foolscap spells death

317
00:18:04.079 --> 00:18:04.880
<v Speaker 4>for its possessor.

318
00:18:05.119 --> 00:18:07.920
<v Speaker 2>It spells death for yours. Be returned.

319
00:18:08.319 --> 00:18:10.880
<v Speaker 4>Yes, I know, let's go back in such a way

320
00:18:10.920 --> 00:18:14.240
<v Speaker 4>that it doesn't. But he doesn't know he's received it.

321
00:18:14.319 --> 00:18:16.240
<v Speaker 4>That means we constantly mail it.

322
00:18:16.400 --> 00:18:17.519
<v Speaker 5>No, we can't.

323
00:18:17.880 --> 00:18:21.279
<v Speaker 2>We must do it personally. That'll take doing.

324
00:18:21.799 --> 00:18:23.960
<v Speaker 5>He knows you by sight doesn't take this. You must

325
00:18:23.960 --> 00:18:27.759
<v Speaker 5>shave your beard, re'll alter your appearance. He might strike

326
00:18:27.880 --> 00:18:28.440
<v Speaker 5>any time.

327
00:18:29.079 --> 00:18:33.119
<v Speaker 2>I had three months as with the warning said, we've got.

328
00:18:33.000 --> 00:18:35.799
<v Speaker 5>To make good on miss Dunning. I have searched ten

329
00:18:35.920 --> 00:18:40.400
<v Speaker 5>years for my brother's murderer, and now he must not escape.

330
00:18:48.839 --> 00:18:52.480
<v Speaker 4>I dare not go near carswell, so Harry volunteered to

331
00:18:52.559 --> 00:18:54.400
<v Speaker 4>keep a watch on him, to let me know when

332
00:18:54.440 --> 00:18:57.119
<v Speaker 4>our chance came to return the rooms, if it was

333
00:18:57.160 --> 00:18:57.880
<v Speaker 4>ever to come.

334
00:18:59.640 --> 00:19:00.599
<v Speaker 2>It is only a night or.

335
00:19:00.559 --> 00:19:04.079
<v Speaker 4>Two after Harrington was there that I arrived home and

336
00:19:04.200 --> 00:19:07.599
<v Speaker 4>found the calendar had come in the mail. When I

337
00:19:07.720 --> 00:19:12.400
<v Speaker 4>examined it, I found everything after November nineteenth had been

338
00:19:12.519 --> 00:19:17.440
<v Speaker 4>torn out. The next night I had another envelope of

339
00:19:17.480 --> 00:19:17.799
<v Speaker 4>the mail.

340
00:19:19.240 --> 00:19:21.000
<v Speaker 2>This time it was a woodcut an.

341
00:19:20.880 --> 00:19:24.680
<v Speaker 4>Illustration torn out of a book showing a dark moonlit

342
00:19:24.880 --> 00:19:28.680
<v Speaker 4>road and the man walking on it, and right behind

343
00:19:28.799 --> 00:19:33.839
<v Speaker 4>him came a huge dark shape some awful demon creature.

344
00:19:35.960 --> 00:19:38.440
<v Speaker 4>Under it were written some lines from the ancient Mariner,

345
00:19:39.440 --> 00:19:42.599
<v Speaker 4>And as I sat alone and read them aloud, I

346
00:19:42.720 --> 00:19:46.319
<v Speaker 4>felt that now familiar gust of warm air playing about

347
00:19:46.359 --> 00:19:53.720
<v Speaker 4>my legs. The man walks on and turns no more

348
00:19:53.839 --> 00:19:59.119
<v Speaker 4>his head, because he knows a frightful fiend duck close

349
00:19:59.279 --> 00:20:12.400
<v Speaker 4>behind him. True, now I knew the face of my terror,

350
00:20:13.400 --> 00:20:16.240
<v Speaker 4>and it was with me always walking down the dark

351
00:20:16.319 --> 00:20:19.920
<v Speaker 4>street at night. I heard its footsteps behind me in

352
00:20:20.039 --> 00:20:23.079
<v Speaker 4>my lonely house at midnight at rome the halls.

353
00:20:24.599 --> 00:20:27.400
<v Speaker 2>Like the ancient Mariner and John Harrington, I never turned

354
00:20:27.440 --> 00:20:31.079
<v Speaker 2>to look. I couldn't. My nerves were going, and I

355
00:20:31.119 --> 00:20:36.079
<v Speaker 2>could do nothing but wait the days. The week slipped by,

356
00:20:36.359 --> 00:20:37.759
<v Speaker 2>and still Harrington had no plan.

357
00:20:39.039 --> 00:20:41.079
<v Speaker 4>I checked off the days on the calendar cars while

358
00:20:41.160 --> 00:20:45.680
<v Speaker 4>had sent now the eight days remaining, then six, then three, two.

359
00:20:47.039 --> 00:20:53.079
<v Speaker 2>One. It was the evening of the eighteenth. My last

360
00:20:53.279 --> 00:20:56.160
<v Speaker 2>day on earth was to begin. At midnight.

361
00:20:58.680 --> 00:21:02.279
<v Speaker 4>I was sitting alone in my living room, daved in perspiration,

362
00:21:02.759 --> 00:21:04.319
<v Speaker 4>fighting to keep my nerves and check.

363
00:21:05.920 --> 00:21:11.559
<v Speaker 2>Suddenly I felt that warm gust of air. I listened.

364
00:21:13.160 --> 00:21:17.039
<v Speaker 4>There were soft footsteps, A shadow seemed to cross the

365
00:21:17.119 --> 00:21:21.079
<v Speaker 4>hall door, and then the footsteps landed into a loud banging.

366
00:21:21.759 --> 00:21:24.319
<v Speaker 5>No, no, not yet, I still jump one day more

367
00:21:24.400 --> 00:21:26.279
<v Speaker 5>knock yet, don't.

368
00:21:29.240 --> 00:21:30.759
<v Speaker 2>It's me? Oh?

369
00:21:32.000 --> 00:21:36.559
<v Speaker 5>Oh h then Harry, what's the matter, man? What is it?

370
00:21:37.200 --> 00:21:37.559
<v Speaker 2>It's you?

371
00:21:37.759 --> 00:21:40.680
<v Speaker 4>You can knock your footsteps is.

372
00:21:40.759 --> 00:21:45.119
<v Speaker 5>Of course, thank him, I thought, I look, man, you've

373
00:21:45.160 --> 00:21:48.640
<v Speaker 5>got to pull yourself together. It's tonight. We have our chance.

374
00:21:49.759 --> 00:21:51.519
<v Speaker 4>What chance?

375
00:21:51.960 --> 00:21:54.519
<v Speaker 5>Cars will leave Victoria station by boat train to night

376
00:21:54.599 --> 00:21:57.599
<v Speaker 5>at ten. I'll get on with him there. You take

377
00:21:57.680 --> 00:21:59.839
<v Speaker 5>the car I brought and drive to Croydon. Get on

378
00:22:00.079 --> 00:22:02.839
<v Speaker 5>a train there and be sure to bring the paper.

379
00:22:03.119 --> 00:22:04.519
<v Speaker 2>Yes, yes, I heard it.

380
00:22:04.799 --> 00:22:09.119
<v Speaker 5>You've shaved already. Good. Everything depends on his not recognizing

381
00:22:09.200 --> 00:22:10.160
<v Speaker 5>you this Harrington.

382
00:22:11.359 --> 00:22:14.440
<v Speaker 4>Suppose he changes his mind, Suppose he doesn't take that trip.

383
00:22:14.480 --> 00:22:15.640
<v Speaker 4>My time runs out tomorrow.

384
00:22:15.720 --> 00:22:19.119
<v Speaker 5>He'll be there and you'll do it. You'll do it well,

385
00:22:20.200 --> 00:22:20.839
<v Speaker 5>you've got to.

386
00:22:26.200 --> 00:22:28.240
<v Speaker 4>I stood on the platform across in my mind in

387
00:22:28.319 --> 00:22:30.839
<v Speaker 4>a daze. I thought the train would never come, but

388
00:22:31.000 --> 00:22:34.960
<v Speaker 4>it did. I saw Herrington at the window. He stared

389
00:22:35.000 --> 00:22:36.920
<v Speaker 4>coolly at me. Of course, there was to be no

390
00:22:37.000 --> 00:22:39.920
<v Speaker 4>sign of recognition. I entered the coach and slowly made

391
00:22:39.920 --> 00:22:41.799
<v Speaker 4>my way down the aisle to the compartment, where Harrington

392
00:22:41.880 --> 00:22:45.799
<v Speaker 4>sat opposite him, staring full into my face. Was car's well.

393
00:22:46.640 --> 00:22:49.599
<v Speaker 4>He looked up as I sat down, His eyes when

394
00:22:49.640 --> 00:22:53.000
<v Speaker 4>heavy did it, his face bland. It was impossible to

395
00:22:53.079 --> 00:22:58.039
<v Speaker 4>tell what he knew. The train started. The next stop

396
00:22:58.160 --> 00:23:00.519
<v Speaker 4>was Dover, at the end of the line. My last

397
00:23:00.680 --> 00:23:09.960
<v Speaker 4>chance that was trying to cast the rooms. There was

398
00:23:10.000 --> 00:23:13.119
<v Speaker 4>a strange riot. Caswell and I see the face to face,

399
00:23:13.160 --> 00:23:16.200
<v Speaker 4>staring into each other's eyes. Harrington off to the side,

400
00:23:16.240 --> 00:23:19.319
<v Speaker 4>pulling in his face and putting his fingers. If I

401
00:23:19.359 --> 00:23:21.000
<v Speaker 4>could have only had a few whispered and moments with

402
00:23:21.119 --> 00:23:24.559
<v Speaker 4>them to plan our statguy, but that was impossible. The

403
00:23:24.640 --> 00:23:29.119
<v Speaker 4>moments drank tortuously and no one moved. Then suddenly Caswell

404
00:23:29.200 --> 00:23:29.720
<v Speaker 4>leaned forward.

405
00:23:30.319 --> 00:23:35.640
<v Speaker 2>I beg your pardon, sir. Haven't we met that, matt Well?

406
00:23:35.680 --> 00:23:36.359
<v Speaker 2>I don't think so.

407
00:23:36.599 --> 00:23:43.400
<v Speaker 4>Was that not unless you're in the plumbing business. Plumbing, no, hardly,

408
00:23:44.880 --> 00:23:47.640
<v Speaker 4>I haven't planned it that way. The words the accent

409
00:23:47.920 --> 00:23:51.319
<v Speaker 4>just seemed to come by themselves, and Caswell sat back,

410
00:23:52.200 --> 00:23:56.119
<v Speaker 4>an enigmatic expression on his face. I wished desperately to

411
00:23:56.200 --> 00:23:59.079
<v Speaker 4>know what he was thinking. Then suddenly he got up

412
00:23:59.119 --> 00:24:01.839
<v Speaker 4>and went out into the color with this my child's.

413
00:24:02.319 --> 00:24:03.799
<v Speaker 4>I was about to slip over to his bags to

414
00:24:03.799 --> 00:24:05.759
<v Speaker 4>see if there were a ways to secrete the rules

415
00:24:05.759 --> 00:24:08.240
<v Speaker 4>within them when I caught Harrington's eye and read a warning.

416
00:24:08.319 --> 00:24:11.440
<v Speaker 4>Room Carswell from the corridor was watching, waiting to see

417
00:24:11.440 --> 00:24:15.079
<v Speaker 4>if we recognized each other. I muttered a prayer of thanks.

418
00:24:15.160 --> 00:24:19.119
<v Speaker 2>I hadn't moved. Caswell came back and took his seat.

419
00:24:20.319 --> 00:24:24.279
<v Speaker 4>As he did so, wild exultant hope surged up in

420
00:24:24.359 --> 00:24:27.039
<v Speaker 4>my throat for something slipped off his seat and dropped

421
00:24:27.079 --> 00:24:28.079
<v Speaker 4>noiselessly to the floor.

422
00:24:28.599 --> 00:24:30.599
<v Speaker 2>It was his ticket case, and he didn't see it.

423
00:24:33.400 --> 00:24:36.039
<v Speaker 2>It was a snow cardboard ticket case with a pocket

424
00:24:36.119 --> 00:24:36.519
<v Speaker 2>on the cover.

425
00:24:37.440 --> 00:24:39.279
<v Speaker 4>Yet I could just get to it and slip that

426
00:24:39.359 --> 00:24:40.920
<v Speaker 4>tiny piece of paper into that pocket.

427
00:24:42.240 --> 00:24:45.640
<v Speaker 2>For fifteen agonizing minutes, I sat there and stared at it.

428
00:24:46.680 --> 00:24:50.640
<v Speaker 4>If only Carswell would go out, but he sat stolidly,

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00:24:50.759 --> 00:24:54.359
<v Speaker 4>staring straight ahead. We were coming into the outskirts of Dover,

430
00:24:54.599 --> 00:24:58.480
<v Speaker 4>the train slowing down. Suddenly, Harrington stood up reached up

431
00:24:58.480 --> 00:25:00.720
<v Speaker 4>to the rack above Caswell to get his coat and bag.

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00:25:01.559 --> 00:25:03.640
<v Speaker 4>I stared at him blankly for a moment, surprised by

433
00:25:03.680 --> 00:25:06.319
<v Speaker 4>his sudden clumsiness, and then I realized what he was

434
00:25:06.400 --> 00:25:08.319
<v Speaker 4>up to. The bag, the coat of briefcase off came

435
00:25:08.359 --> 00:25:09.480
<v Speaker 4>tumbling down upon coast.

436
00:25:10.920 --> 00:25:13.039
<v Speaker 5>Say I'm sorry, I'm terribly sorry.

437
00:25:12.839 --> 00:25:14.680
<v Speaker 2>Comsy fool, you might have ventured me. What were you

438
00:25:14.759 --> 00:25:17.920
<v Speaker 2>trying to do? It is my only chance cast chasing.

439
00:25:18.880 --> 00:25:20.960
<v Speaker 4>I reached down and never got the ticket case, and

440
00:25:21.039 --> 00:25:23.039
<v Speaker 4>my trembling fingers slip the paper into the pocket.

441
00:25:23.599 --> 00:25:25.240
<v Speaker 2>He turned sharply to me, and I extended the case.

442
00:25:25.279 --> 00:25:27.880
<v Speaker 2>Tot uh excuse me, sir?

443
00:25:28.720 --> 00:25:29.359
<v Speaker 4>Is this yours?

444
00:25:29.720 --> 00:25:32.559
<v Speaker 2>Yes to my ticket case? But you find it here

445
00:25:32.640 --> 00:25:36.839
<v Speaker 2>on the floor? Master dropped off when this, I'm much

446
00:25:36.880 --> 00:25:40.880
<v Speaker 2>obliged to yourself. Not at all, not at all.

447
00:25:43.839 --> 00:25:47.000
<v Speaker 4>He looked at me fiercely, his rage at Harrington still

448
00:25:47.039 --> 00:25:48.920
<v Speaker 4>twisting his face into a devil's mask.

449
00:25:49.880 --> 00:25:53.079
<v Speaker 2>Then he glanced briefly into the ticket case and put

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00:25:53.119 --> 00:25:53.920
<v Speaker 2>it into his pocket.

451
00:26:00.839 --> 00:26:03.319
<v Speaker 4>On the railway pier of job, Harrington and I followed

452
00:26:03.319 --> 00:26:04.759
<v Speaker 4>a few steps behind Carswell.

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00:26:05.680 --> 00:26:06.839
<v Speaker 2>I felt like I might faint.

454
00:26:07.720 --> 00:26:10.319
<v Speaker 4>Carswell went straight to the gangway of the boat, and

455
00:26:10.480 --> 00:26:11.519
<v Speaker 4>there the purse are stopping?

456
00:26:11.839 --> 00:26:15.119
<v Speaker 2>Does have a ticket? Fred? What the devil you mean?

457
00:26:15.200 --> 00:26:16.000
<v Speaker 2>I'm traveling alone?

458
00:26:16.400 --> 00:26:16.920
<v Speaker 3>That's funny.

459
00:26:16.920 --> 00:26:19.839
<v Speaker 6>I could have sworn there was another gentleman right there beside.

460
00:26:19.519 --> 00:26:22.400
<v Speaker 2>You, walking just at your elbow. Well, there isn't. And

461
00:26:22.519 --> 00:26:25.200
<v Speaker 2>I suggest you see an oculist. Oh I didn't see.

462
00:26:25.319 --> 00:26:27.759
<v Speaker 2>I just felt sorry, sir.

463
00:26:27.839 --> 00:26:29.519
<v Speaker 6>It must have been your rugs my mistake.

464
00:26:31.279 --> 00:26:31.880
<v Speaker 2>I'm undone.

465
00:26:32.599 --> 00:26:33.519
<v Speaker 5>My jump's done.

466
00:26:41.440 --> 00:26:44.799
<v Speaker 4>I didn't sleep that night I lay awake and listened,

467
00:26:46.119 --> 00:26:48.920
<v Speaker 4>but there were no footsteps, no warm gusts.

468
00:26:48.960 --> 00:26:51.240
<v Speaker 2>Are there nothing to disturb me.

469
00:26:52.759 --> 00:26:56.599
<v Speaker 4>All day I felt remarkably free, although this was to

470
00:26:56.720 --> 00:26:58.400
<v Speaker 4>have been my last day on earth.

471
00:26:59.559 --> 00:27:01.640
<v Speaker 2>But only just now when Harrington came in. Could I

472
00:27:01.680 --> 00:27:02.359
<v Speaker 2>really relax?

473
00:27:03.240 --> 00:27:04.720
<v Speaker 5>Have you seen the afternoon paper yet?

474
00:27:04.799 --> 00:27:05.880
<v Speaker 2>I know not yet?

475
00:27:06.039 --> 00:27:09.039
<v Speaker 5>Well, here look at it. On the second page.

476
00:27:09.720 --> 00:27:16.920
<v Speaker 4>There Abbeyville, France, an English traveler examining the front of

477
00:27:16.960 --> 00:27:21.519
<v Speaker 4>Saint Wiltram's Cathedral today, was struck on the head and

478
00:27:21.880 --> 00:27:26.880
<v Speaker 4>killed instantly by a stone falling from the scaffolding. A

479
00:27:27.000 --> 00:27:29.480
<v Speaker 4>note of mystery was added by the fact that, although

480
00:27:29.559 --> 00:27:33.599
<v Speaker 4>the cathedral was undergoing repairs, no workman was on the

481
00:27:33.640 --> 00:27:37.200
<v Speaker 4>scaffolding at the time of the accident. The traveler was

482
00:27:37.240 --> 00:27:41.839
<v Speaker 4>identified by papers found on him as a mister Carswell

483
00:27:42.839 --> 00:27:43.559
<v Speaker 4>of Warwickshire.

484
00:27:45.359 --> 00:27:52.920
<v Speaker 5>Of course it could have been an accident, Yes, yes.

485
00:27:52.960 --> 00:27:53.799
<v Speaker 2>It could have been.

486
00:28:11.680 --> 00:28:15.119
<v Speaker 3>Escape is produced and directed by William M. Robson and

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00:28:15.200 --> 00:28:18.400
<v Speaker 3>Tonight Brought You Casting The Ruins by Montague R. James,

488
00:28:18.839 --> 00:28:21.799
<v Speaker 3>adapted for radio by Irving Rabbits and John Duncle, with

489
00:28:21.960 --> 00:28:25.720
<v Speaker 3>John McIntyre as Edward Dunning, Jon Wolfs Harrington and Bill

490
00:28:25.839 --> 00:28:29.400
<v Speaker 3>Conrad as Caswell. A special musical score was conceived and

491
00:28:29.440 --> 00:28:30.759
<v Speaker 3>conducted by Cyfure.

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00:28:33.559 --> 00:28:34.319
<v Speaker 2>Next week.

493
00:28:36.279 --> 00:28:39.960
<v Speaker 1>You are trapped in a hidden valley high in the Andes,

494
00:28:40.839 --> 00:28:46.960
<v Speaker 1>walled in by sheer rock precipices, and surrounding you. Closing

495
00:28:47.039 --> 00:28:51.359
<v Speaker 1>in on you is a band of blind men who

496
00:28:51.480 --> 00:28:52.279
<v Speaker 1>want your eyes.

497
00:29:01.880 --> 00:29:04.759
<v Speaker 3>Next week we escape with HG. Wells gripping story of

498
00:29:04.839 --> 00:29:07.319
<v Speaker 3>the Country of the Blind. Good Night, Then until the

499
00:29:07.440 --> 00:29:10.680
<v Speaker 3>same time next week when we again offer you escape.

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00:29:13.400 --> 00:29:16.119
<v Speaker 3>This is CBS, the Columbia Broadcasting System.
