WEBVTT

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<v Speaker 1>Hey there, fellow travelers. Right now, I have one major

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<v Speaker 1>goal for The Tolkien Road to finish my next book.

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<v Speaker 1>While I'm doing that, I want to invite you to

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<v Speaker 1>read through The silmar Million with The Tolkien Road this year.

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<v Speaker 1>Over the next several months, we'll be revisiting the thirty

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<v Speaker 1>episode series that Greta and I recorded back in twenty

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<v Speaker 1>twenty two. And while you're listening, check out silm Guide

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<v Speaker 1>dot com. That's Silmguide dot com. For guides to individual chapters.

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<v Speaker 1>You can find a link in the show notes. The

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<v Speaker 1>first episode is an overview of the Silmarillion in including

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<v Speaker 1>its background, structure, and themes. To support our work here,

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<v Speaker 1>please visit patreon dot com slash Tolkien Road Enjoy. Hey there,

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<v Speaker 1>fellow travelers. Welcome to The Tolkien Road, Episode two seventy two. Greta, Hey, Hey, Greta,

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<v Speaker 1>you ready to start a new journey?

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<v Speaker 2>Always I'm always up for a new.

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<v Speaker 1>Journey, always up for a new journey. I like it.

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<v Speaker 2>Yeah.

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<v Speaker 1>In this episode, we were returning to the Silmarillion. Over

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<v Speaker 1>the last seven years, we've learned a ton about Tolkien,

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<v Speaker 1>Middle Earth, and the art of podcasting, and we're excited

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<v Speaker 1>to bring that knowledge to bear as we journey through

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<v Speaker 1>the Selm Million once again. Yes, so, and let's let's

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<v Speaker 1>just say we're extra excited that we're going to have

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<v Speaker 1>so many people along for the journey from the start

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<v Speaker 1>this time.

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<v Speaker 2>Yes, yes, yes.

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<v Speaker 1>We did this so the last time we did the

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<v Speaker 1>Silm Million, like this was literally our first episode baby podcasters,

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<v Speaker 1>just baby podcasters. So yeah, so not only have we

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<v Speaker 1>learned a lot about podcasting since then, not only do

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<v Speaker 1>we don't have video of any of that stuff back then,

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<v Speaker 1>so we have all that. Plus we have all you

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<v Speaker 1>guys along for the journey this time, right, listening in

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<v Speaker 1>real time. So pretty exciting. Yes, yeah, so I'm just

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<v Speaker 1>I'm just like, I don't know, I'm gonna start gushing

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<v Speaker 1>about it if I let myself go on. But let's

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<v Speaker 1>just say this is going to be extra fun this time.

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<v Speaker 1>I think, even more fun than the first time through.

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<v Speaker 3>I totally agree. I totally agree. So yeah, I think

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<v Speaker 3>it's gonna be it's gonna be really good. And I

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<v Speaker 3>feel like, you know, sometimes I feel like rereads again.

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<v Speaker 2>I'm like, well, there's so many.

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<v Speaker 3>Great books in the world, Like, why waste your time

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<v Speaker 3>reading one they've already read?

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<v Speaker 2>But there are a few out there, excuse me, that

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<v Speaker 2>I think are get it.

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<v Speaker 1>You're getting for climped, I'm getting for climed.

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<v Speaker 3>Yes, But I think there's definitely several works of literature

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<v Speaker 3>out there that are definitely worth reading over multiple times,

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<v Speaker 3>and the Silm Marillion is one of them. And I

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<v Speaker 3>think it's gonna be I think it's gonna be even

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<v Speaker 3>better the second time through for me, because the first

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<v Speaker 3>time I was just kind of I was really new

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<v Speaker 3>to most things Tolken. So I'm really excited to approach

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<v Speaker 3>it with a more informed and knowledgeable brain, and also

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<v Speaker 3>with just a little bit with our community as well.

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<v Speaker 2>I think it's gonna be really good.

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<v Speaker 1>Boom.

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<v Speaker 2>Yeah.

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<v Speaker 1>So in k in case you haven't gotten the message

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<v Speaker 1>that we're excited word word all right, before we get started,

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<v Speaker 1>we'd like to give a double up air five to

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<v Speaker 1>our patrons. Gotta put that coffee down. You're gonna need

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<v Speaker 1>both hands for this, Okay, three two one O Boom special.

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<v Speaker 1>Thanks to this episode's executive producers, John R. And Kitlin

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<v Speaker 1>of T with Tolkien, Thank you guys, and a shout

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<v Speaker 1>out to Andrew T who annualized his pledge awesome. Thank

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<v Speaker 1>you all.

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<v Speaker 2>Yes, thank you guys.

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<v Speaker 1>Hey, become a patron by visiting Patreon dot com slash

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<v Speaker 1>Tolkien Road. Becoming a patron is easy and lands you

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<v Speaker 1>a bunch of cool perks like episodes early in ad

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<v Speaker 1>free uh and then twenty percent off all merchandise purchased

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<v Speaker 1>through trumanthspress dot com, which you should go check out.

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<v Speaker 1>And this is a brand new perk just announce on

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<v Speaker 1>this episode access to our monthly live stream Q and A.

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<v Speaker 1>So more on that at the end of this episode.

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<v Speaker 1>So we've got a plan for our patrons only to

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<v Speaker 1>do a live stream Q and A with them, and

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<v Speaker 1>in order to get access to that live you're gonna

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<v Speaker 1>have to be a patron, so boom.

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<v Speaker 2>I like live streams.

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<v Speaker 1>It was fun. We had a lot of fun during

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<v Speaker 1>that one last month.

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<v Speaker 3>Yeah, for sure, we've done a couple, right. Our last

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<v Speaker 3>one was before this past one, I think was a

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<v Speaker 3>while ago. But the feod that we've done I've really

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<v Speaker 3>really enjoyed for sure.

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<v Speaker 1>Yeah, and no, forget right now and for the rest

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<v Speaker 1>of January. You can now make an annual pledge and

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<v Speaker 1>get two months free. So two months of Patreon free,

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<v Speaker 1>So save yourself two months. You're gonna want to become

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<v Speaker 1>a patron for the rest of your life anyway, so

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<v Speaker 1>you might as well save two months per year, right

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<v Speaker 1>as well.

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<v Speaker 2>Win win.

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<v Speaker 1>All right, we've done this before, but I wanted to

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<v Speaker 1>kind of refresh this. I like this idea since we're

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<v Speaker 1>going through the film Million from the start. This time,

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<v Speaker 1>we're going to offer a token quote of the week

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<v Speaker 1>which is going to have some relevance, you know, for

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<v Speaker 1>to kind of kick off each episode, set the tone

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<v Speaker 1>for each episode.

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<v Speaker 2>It.

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<v Speaker 1>Yeah, good. So this week's quote of the week comes

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<v Speaker 1>from letter one A two written in nineteen fifty six

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<v Speaker 1>to Anne Barrett of Houghton Mifflin Co. Which I thought

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<v Speaker 1>was appropriate since since you know, here's my first edition

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<v Speaker 1>right here of the Selm Million, and it's got Houghton

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<v Speaker 1>Mifflin right there.

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<v Speaker 2>Oh that's cool, yep, on the first edition.

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<v Speaker 1>There we go. See. Yeah, well, the first edition it

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<v Speaker 1>was actually you know, this book was actually on my

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<v Speaker 1>parents' bookshelf since I was a little kid. So I

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<v Speaker 1>remember just seeing this name jer R. Tolkien and seeing

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<v Speaker 1>this book on that bookshelf with the Selm million. This

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<v Speaker 1>this is the one, right, So seeing it sitting on

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<v Speaker 1>that bookshelf and just wondering, like, you know, what is

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<v Speaker 1>that book? And then when I read The Hobbit, I

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<v Speaker 1>was like, what's the Selmer Million? And I just it

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<v Speaker 1>seemed I can remember it. That name just seeming so

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<v Speaker 1>bizarre to me, like what is that? Right, and then

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<v Speaker 1>reading Lord of the Rings, being like, still, what is

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<v Speaker 1>this Silm million? So little? What little did I know? Right?

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<v Speaker 1>Little did I know the destiny that the Selm realion,

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<v Speaker 1>that that I was on a date, I was on

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<v Speaker 1>a crash course with destiny when it came to the

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<v Speaker 1>Silm Million.

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<v Speaker 2>So yeah, I'm trying to figure out this cover, I

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<v Speaker 2>you know.

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<v Speaker 1>I don't. I don't know, but I think it's there's

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<v Speaker 1>the cover right there. I think it's I think it's

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<v Speaker 1>actually supposed to. To me, it looks like it's seen

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<v Speaker 1>from the Hobbit, right. I think it might be a

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<v Speaker 1>scene from the Hobbit where they're up in the misty mountains,

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<v Speaker 1>right and the storm's going on. Yes, but yeah, it's

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<v Speaker 1>a good question. I don't know for sure. Anyway, let's

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<v Speaker 1>talk about this quote of the week. All right, let's

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<v Speaker 1>do that. So here we go. I shall certainly now

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<v Speaker 1>if I am allowed publish the parts of the great

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<v Speaker 1>history that was written first and reject it. But the

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<v Speaker 1>to me very surprising success of The Lord of the

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<v Speaker 1>Rings will probably cause that rejection to be reconsidered, though

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<v Speaker 1>I do not think it could have the appeal of

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<v Speaker 1>the Lord of the Rings. No Hobbits. So we see

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<v Speaker 1>here the Tolkien himself recognize one of the chief problems

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<v Speaker 1>that The Selm Million would face when it came to

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<v Speaker 1>the general public, which is no Hobbits. So let's just

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<v Speaker 1>say that from the very start, for those of you

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<v Speaker 1>who are new to The Selm Million, you're not going

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<v Speaker 1>to find any Hobbits in the Lord of the Ring

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<v Speaker 1>and the Selm Million. Now, you will find them within

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<v Speaker 1>the confines of this book, but not in the Selm

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<v Speaker 1>Million itself, the Selm Million proper as you will, as

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<v Speaker 1>we will come to refer to it. We'll explain why

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<v Speaker 1>that's true here in just a few moments. Okay, So

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<v Speaker 1>you want to read The Selm Million if you have

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<v Speaker 1>any interest in Middle Earth. It's only natural, especially for

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<v Speaker 1>those who have completed The Lord of the Rings No

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<v Speaker 1>small Feet in and of itself. It's the most logical

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<v Speaker 1>next step. Right, You've read the hobbit. If you haven't

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<v Speaker 1>read The Lord of the Rings, need to read Lord

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<v Speaker 1>of the Rings. If you've read both, then need to

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<v Speaker 1>read the selm Million. Right, that's the next logical step. However,

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<v Speaker 1>if you're expecting a story like The Lord of the Rings,

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<v Speaker 1>you've probably already figured out that the Silmarrillion ain't it.

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<v Speaker 1>In fact, you won't even encounter a familiar species until

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<v Speaker 1>several chapters in, and when you do, it will likely

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<v Speaker 1>be several more chapters until you finally get a grasp

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<v Speaker 1>on what's actually happening.

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<v Speaker 2>Is this a sales pitch because if it is failing?

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<v Speaker 1>Okay, well it's I mean, no, it's a it's a

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<v Speaker 1>sobering I know. It's not a sales I know. It's

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<v Speaker 1>a sales pitch for listening to this podcast, right and

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<v Speaker 1>getting yourself beefed up because it's.

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<v Speaker 2>Challenging, right, it is very challenging.

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<v Speaker 1>Yeah, here's our promise to you. Here's comes a sales pitch.

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<v Speaker 1>If you'll stick with us on this journey over the

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<v Speaker 1>next several months, it will all start to make sense,

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<v Speaker 1>and eventually you will see how it all connects to

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<v Speaker 1>the Lord of the Rings as well as the hobbit

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<v Speaker 1>and makes the experience of reading them both remarkably richer. Right, So, uh, Greta,

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<v Speaker 1>I mean, would you would you concur with that, like,

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<v Speaker 1>you know, having gone through the podcast the first time

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<v Speaker 1>around yourself as a having and you never read the

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<v Speaker 1>selm Marillion at that point, right right? Yeah? Yeah, So

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<v Speaker 1>did you come to did you come to appreciate and

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<v Speaker 1>understand the silm Million through that journey? Would you say,

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<v Speaker 1>through the journey of the podcast?

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<v Speaker 3>Yeah, oh yeah, absolutely absolutely.

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<v Speaker 1>How many people we heard from over the last seven

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<v Speaker 1>years about you know, being being able to finally kind

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<v Speaker 1>of make it through the selm Arillion and really understand

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<v Speaker 1>the silm Million after listening to our first go through.

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<v Speaker 2>Yeah, a lot a lot of you. Because it's not.

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<v Speaker 3>It's not an easy read. It's really not. It's not

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<v Speaker 3>a you know, definitely not a beach read. And I

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<v Speaker 3>would argue it's also not really a curl it by

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<v Speaker 3>the fire and drinking a glass of wine read either,

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<v Speaker 3>Like you kind of got to be on your game

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<v Speaker 3>when you're reading this sul Marillion.

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<v Speaker 1>Although I want to take issue with something you said,

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<v Speaker 1>I think I think Olmo would say it is a

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<v Speaker 1>bee tread that's actually so true. Say there's a bee tread. Yeah,

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<v Speaker 1>as well as those who were inspired to build large

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<v Speaker 1>kingdoms because of being close to the water and hearing

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<v Speaker 1>the the mystical sounds of Almo. Yeah yeah, all right.

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<v Speaker 1>So you know, for me, I wanted to read the

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<v Speaker 1>silm Merillion from the moment I finished Lord of the Rings.

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<v Speaker 1>And I can remember picking this very book right here,

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<v Speaker 1>this copy right here, taking it off of my parents'

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<v Speaker 1>bookshelf after reading Lord of the Rings. This is probably

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<v Speaker 1>back in two thousand and one, and starting out and

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<v Speaker 1>just being like getting into idol Ndola and just being like,

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<v Speaker 1>first of all, what is the I knew Lindale and

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<v Speaker 1>what is going on? This is all about some music?

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<v Speaker 1>Like there's nothing here that is relatable to me from

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<v Speaker 1>a Lord of the Rings or Hobbit perspective, right, I

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<v Speaker 1>don't recognize. I even was like, okay, maybe I'll look

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<v Speaker 1>at the map and maybe this will help me get

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<v Speaker 1>get it all figured out here. And I open up

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<v Speaker 1>the map and it's just like, that's not Middle Earth.

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<v Speaker 1>I don't know what this Belrian place is, but this

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<v Speaker 1>that's not Middle Earth, you know, I don't know what's

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<v Speaker 1>going on here? So it's all you know, You're like,

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<v Speaker 1>oh great, I want to read the you know, this

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<v Speaker 1>prequel to Lord of the Rings, and you very quickly

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<v Speaker 1>find out that this is this is not like watching

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<v Speaker 1>the prequels for Star Wars, right, where you know you

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<v Speaker 1>immediately meet a younger version of Obi Wan Kenobi. Right,

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<v Speaker 1>there's literally nobody who you even recognize, no place names

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<v Speaker 1>that you tend to recognize for a long time. There

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<v Speaker 1>are a couple of very minor exceptions in Valaquinta, the

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<v Speaker 1>second section of the book, but even there, it's brief.

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<v Speaker 1>It's just brief, right, It's very brief. Uh, and you

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<v Speaker 1>don't actually, you know, see some of those characters come

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<v Speaker 1>back until much later. Okay, So this is a challenge, right,

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<v Speaker 1>it's a challenge. I know it. I've been there, Greta's

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<v Speaker 1>been there, and together we're gonna make it through and

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<v Speaker 1>we're really gonna enjoy reading this and you guys are

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<v Speaker 1>gonna love it. Right, there's so much good stuff in

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<v Speaker 1>the summarion. So it's a challenge, but it's so worth it,

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<v Speaker 1>and you get bragging rights, yeah you will.

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<v Speaker 3>I mean, I can't tell you how many people have

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<v Speaker 3>you know, mentioned that I read the Silmar Allion too,

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<v Speaker 3>and they're like.

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<v Speaker 1>Whoa, yeah, yeah, for sure, And here's the thing. You

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<v Speaker 1>want to read it now, because within by this time

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<v Speaker 1>next year, this thing called Latron Prime is going to

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<v Speaker 1>have happened. Right, That's how we refer to it here

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<v Speaker 1>on the Tolkien Road Lord of the Rings on Prime.

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<v Speaker 1>It's going to have happened, and everyone is going to

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<v Speaker 1>think they know all this stuff about the early history

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<v Speaker 1>of Middle Earth, and you're gonna be like, well, actually,

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<v Speaker 1>it happened this way because you've read the Silmar Allion already. Right.

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<v Speaker 1>So for those of you who are here for the

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<v Speaker 1>very noble and virtuous reason that you want to beef

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<v Speaker 1>up on all of this before Latron Prime hits, right,

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<v Speaker 1>you want to understand the background of that show before

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<v Speaker 1>it hits the screen. Welcome, right, this will be a

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<v Speaker 1>very worthwhile endeavor as we journey towards September two, twenty

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<v Speaker 1>twenty two. So and for those of you who will

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<v Speaker 1>be journeying through the Silm Million again, we're glad you're back, right,

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<v Speaker 1>absolutely glad you're back. Or if this I mean this

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<v Speaker 1>may be the first time listening to the podcast, but

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<v Speaker 1>you're reading it again. Right. You know, there's some of

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<v Speaker 1>you who may have read it dozens of times. We

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<v Speaker 1>have plenty of listeners who have done that, right, you know,

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<v Speaker 1>this is you know they they told us like they

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<v Speaker 1>listened to our podcast even though they'd read the Selm

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<v Speaker 1>million many times, and they really enjoy just kind of

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<v Speaker 1>having our perspective and the discussion. Right. And that's one

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<v Speaker 1>thing that we're all about on this show, right is

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<v Speaker 1>we want discussion, we want conversation. Most of our episodes

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<v Speaker 1>are going to be us talking to the microphone having

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<v Speaker 1>a conversation about these things together. But we love the correspondence.

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<v Speaker 1>And that's partly why we're doing this livestream Q and

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<v Speaker 1>A once a month now is we want to open

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<v Speaker 1>it up for those, you know, for those who are

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<v Speaker 1>patrons to really join in the conversation with us right live.

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<v Speaker 1>So yeah, and we're going to structure it those conversations

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<v Speaker 1>that way where we're going to kind of look back

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<v Speaker 1>at the previous month's episodes and we're gonna that's gonna

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<v Speaker 1>be the focus right now. Not to say we won't

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<v Speaker 1>maybe bring up some other interesting letters, but that's going

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<v Speaker 1>to be the focus for us. Awesome, all right, So

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<v Speaker 1>let's talk about some background of the Selm Million. So

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<v Speaker 1>the Selm Million was published in nineteen seventy seven, four

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<v Speaker 1>years after Tolkien's death and over two decades after The

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<v Speaker 1>Lord of the Rings and four decades after The Hobbit. However,

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<v Speaker 1>its genesis predates both works, going all the way back

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<v Speaker 1>to World War One and perhaps even before that. Right,

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<v Speaker 1>what we have with the Silm Million is not so

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<v Speaker 1>much one cohesive epic as it is a loosely connected

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<v Speaker 1>collection of stories taking place within the same secondary world,

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<v Speaker 1>the world that we know as Middle Earth. Though Tolkien

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<v Speaker 1>had hoped to publish The Selm Million during his lifetime,

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<v Speaker 1>he was not able to see it to completion, and

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<v Speaker 1>after his death in nineteen seventy three, his son Christopher

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<v Speaker 1>worked to complete The Selm Million. And what we hold

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<v Speaker 1>in our hands as the selm Merillion is the result

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<v Speaker 1>of that editorial process. All right, So let's break that

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<v Speaker 1>down a little bit, kind of rehash, just rehashed that briefly,

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<v Speaker 1>all right. The Silm Million published after Tolkien's death in

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<v Speaker 1>nineteen seventy seven, but it is actually the earliest of

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<v Speaker 1>all the Middle Earth works, right, It's the earliest. It's

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<v Speaker 1>the beginnings of it actually go back to twenty years

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<v Speaker 1>before the publication of The Hobbit, right, and predate the

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<v Speaker 1>publication of Lord of the Rings by close to four decades. Right.

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<v Speaker 1>So the Silmarillion is really this collection of stories that

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<v Speaker 1>book ends Tolkien's creative life, right, it's the early stories,

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<v Speaker 1>but it is the stories. What we see here is

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<v Speaker 1>the stories he came up with. Is he was working

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<v Speaker 1>out the background mythology for this thing called Middle Earth, right,

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<v Speaker 1>And you know when you read Lord of the Rings,

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<v Speaker 1>when you read The Hobbit, and it feels like there's

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<v Speaker 1>like this incredible background, there's this incredible history to it

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<v Speaker 1>all that goes way back. That's why, right, he had

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<v Speaker 1>because there was like he had worked out all of

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<v Speaker 1>these legends, the details of all of these legends, you know,

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<v Speaker 1>as he was creating before he created the stories, as

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<v Speaker 1>he was creating The Hobbit and Lord of the Rings,

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<v Speaker 1>and he continued to work them out afterwards. Right. He

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<v Speaker 1>did hope to have it published in his lifetime. It

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<v Speaker 1>just never happened. And so Christopher, who is one of

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<v Speaker 1>his children, Christopher Tolkien, published The silm Marillion in nineteen

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<v Speaker 1>seventy seven. He had to do this very heavy duty

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<v Speaker 1>work of going through his father's papers and really compiling them.

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<v Speaker 1>And he knew the stories pretty well already, right he was,

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<v Speaker 1>you know, he and his father had talked about these stories.

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<v Speaker 1>He had grown up with these stories. But he was

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<v Speaker 1>able to take them with the help of a writer

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<v Speaker 1>named Guy Gabriel Kay and a young writer at that time.

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<v Speaker 1>He was still a fantasy writer in his own right.

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<v Speaker 1>He was able to take those stories and kind of

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<v Speaker 1>edit them into what we have in the Selm Mirillion. Okay,

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<v Speaker 1>so that's some background, published in nineteen seventy seven, after

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<v Speaker 1>Tolkien died in nineteen seventy three. That's what we have

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<v Speaker 1>with this book, the Selm Marillion. How we got it?

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<v Speaker 1>All right? Any questions on that, Gretor No, I'm good,

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<v Speaker 1>all right, thanks. So let's talk about the contents now.

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<v Speaker 1>It's important to note that we are going to be

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<v Speaker 1>working from the second edition of The Selm Merillion, which

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<v Speaker 1>is the most recent. So this is the first edition

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<v Speaker 1>right here, all right, that I have right here, the

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<v Speaker 1>one originally published in nineteen seventy seven. However, there is

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<v Speaker 1>a second edition, and that is the one that you

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<v Speaker 1>probably have unless you've been lucky enough to come across

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<v Speaker 1>a first edition copy. The second edition, however, has some

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<v Speaker 1>you know, some minor some changes to it, nothing too

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<v Speaker 1>major in terms of the content. But there is one

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<v Speaker 1>very important thing that's added into the second edition, and

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<v Speaker 1>that is the Waldman Letter. More on that in just

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<v Speaker 1>a bit. All right, So you're looking at the table

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<v Speaker 1>of contents, Greta, let's maybe open it up on the

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<v Speaker 1>table right here, if we can make some room here,

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<v Speaker 1>watch out for that microphone. All right, So our table

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<v Speaker 1>of contents, and.

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<v Speaker 2>This is also available in paperback.

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<v Speaker 1>Is it is available in paperback? Yeah, the one I have,

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<v Speaker 1>the one we're using right here. I'm using a hardcover

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<v Speaker 1>because I have it, and it's really nice and it's

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<v Speaker 1>easier to lay out like this on a table, right

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<v Speaker 1>it doesn't want to close back up.

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<v Speaker 2>And not easier to read laying in bed.

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<v Speaker 1>Not easier to read laying in bed, although there are

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<v Speaker 1>some great so the art there. This is an illustrated version,

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<v Speaker 1>not like a graphic novel, but it has illustrations in it,

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<v Speaker 1>and the illustrations are done by noted Tolkien artist Ted Naysmith.

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<v Speaker 1>So very you know, this is a good copy to

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<v Speaker 1>get if you want yourself a nice hardcover edition of

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<v Speaker 1>the film million. I will link to it in the

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<v Speaker 1>show notes. So all right, there's a lot in this

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<v Speaker 1>table of contents. Okay, really two pages worth, two good

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<v Speaker 1>pages worth that we're looking at. Now. I want you

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<v Speaker 1>all to think about the table of contents in terms

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<v Speaker 1>of kind of three groups. All right, we have the

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<v Speaker 1>introductory material that includes these forwards right, so forward, and

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<v Speaker 1>then the preface to the second edition, and then this

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<v Speaker 1>from a letter by J. R. R. Tolkien. All right,

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<v Speaker 1>So that's the introductory material in this edition right here,

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<v Speaker 1>because it has illustrations. There's also a list of illustrations

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<v Speaker 1>in it. That's not going to be in the ones

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<v Speaker 1>if it doesn't have illustrations, obviously the next section. So

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<v Speaker 1>that's so we have. First section would be the introductory material.

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<v Speaker 1>The second section would be the stories, and so that's

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<v Speaker 1>going to be everything, starting where it says I know

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<v Speaker 1>Linda lay right, and that's how you say that word.

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<v Speaker 1>That's how you hear me say it, although there are

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<v Speaker 1>people who would say it differently, but I say, I

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<v Speaker 1>know de lay and then you go all the way through,

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<v Speaker 1>and let's jump down all the way to of the

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<v Speaker 1>rings of power and the third Age, all right, So

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<v Speaker 1>that is kind of the main chunk of the main

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<v Speaker 1>narrative chunk, right, of the story the content all right,

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<v Speaker 1>of the Selm million I know, lind delay all the

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<v Speaker 1>way through of the Rings of Power in the third Age.

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<v Speaker 1>So we'll just call that the stories, all right, And

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<v Speaker 1>so that's gonna be the main focus over the next

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<v Speaker 1>several months of this podcast, right, We're going to go

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<v Speaker 1>through those those chapter by chapter and really dig in

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00:19:55.880 --> 00:19:59.880
<v Speaker 1>deep and have fun exploring them. And then we've got

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<v Speaker 1>supporting materials, right, So supporting materials. So after that where

404
00:20:05.400 --> 00:20:09.279
<v Speaker 1>it says tables, you have genealogies, you have five different genealogies.

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<v Speaker 1>We'll talk about those on this episode and how to

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<v Speaker 1>understand and how those are useful. Then we have this

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<v Speaker 1>table called the Sundering of the Elves. That one is

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<v Speaker 1>really useful. Actually, that's that's probably the one that I

409
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<v Speaker 1>referred to the most and when I was first reading

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<v Speaker 1>this and kind of trying to get my mind wrapped

411
00:20:24.319 --> 00:20:29.000
<v Speaker 1>around this as really helpful for understanding elves, right, really

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<v Speaker 1>helpful table for understanding just the basics about elves. And

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<v Speaker 1>then we have notes on pronunciation or note on pronunciation

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<v Speaker 1>index of names, and then appendix elements and Quinya and

415
00:20:38.640 --> 00:20:42.480
<v Speaker 1>Sindarn names. Okay, so that's all supporting materials, right. All

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<v Speaker 1>that stuff from tables on to the end is what

417
00:20:44.400 --> 00:20:46.759
<v Speaker 1>i'd refer to as supporting materials. So we got group

418
00:20:46.839 --> 00:20:50.160
<v Speaker 1>one or section one, introduction material section two, the stories,

419
00:20:50.599 --> 00:20:54.960
<v Speaker 1>Section three supporting material Yeah, makes sense. That makes sense,

420
00:20:55.000 --> 00:20:58.400
<v Speaker 1>all right, So we're gonna spend the rest of this

421
00:20:58.440 --> 00:21:02.480
<v Speaker 1>episode dealing with the introductory supporting materials. Kind of ground

422
00:21:02.480 --> 00:21:05.319
<v Speaker 1>ourselves with those, understand how they're helpful, get them out

423
00:21:05.319 --> 00:21:08.200
<v Speaker 1>of the way. But let's take a few minutes real

424
00:21:08.279 --> 00:21:10.799
<v Speaker 1>quick just to consider the meat of the book. Right,

425
00:21:10.799 --> 00:21:15.559
<v Speaker 1>what's in section two the stories? All right, So in

426
00:21:15.599 --> 00:21:19.079
<v Speaker 1>most pred editions I've seen, you'll see things organize such

427
00:21:19.160 --> 00:21:22.160
<v Speaker 1>that I know, Linda Lay, valaquina A Kalabeate and the

428
00:21:22.240 --> 00:21:24.880
<v Speaker 1>Rinks of Power and the Third Age stand apart from

429
00:21:24.920 --> 00:21:27.480
<v Speaker 1>the rest of the text with this thing called Quintus

430
00:21:27.480 --> 00:21:34.079
<v Speaker 1>Silmarilion headlining twenty four distinct chapters. All right, so let's

431
00:21:34.079 --> 00:21:35.880
<v Speaker 1>talk about what those are. The first thing I know,

432
00:21:36.000 --> 00:21:38.039
<v Speaker 1>Linda de Lay, all right, I know Linda Lay is

433
00:21:38.079 --> 00:21:40.720
<v Speaker 1>the creation story of Middle Earth. That's what we're going

434
00:21:40.799 --> 00:21:44.920
<v Speaker 1>to discuss on the next episode. Okay. It is truly

435
00:21:45.400 --> 00:21:47.440
<v Speaker 1>one of my favorite things Tolkien wrote, and it is

436
00:21:47.960 --> 00:21:53.079
<v Speaker 1>very fascinating. Okay. The basic idea there is that middle

437
00:21:53.079 --> 00:21:57.319
<v Speaker 1>Earth is made of music. A right, Middle Earth is made.

438
00:21:57.079 --> 00:21:59.759
<v Speaker 2>Of music, made of music or from music.

439
00:22:00.319 --> 00:22:03.240
<v Speaker 1>Maybe both, definitely from music. I would go so far

440
00:22:03.279 --> 00:22:06.160
<v Speaker 1>as to say made of music, right. Okay, we'll talk

441
00:22:06.200 --> 00:22:10.680
<v Speaker 1>about that more on the next episode. Valaquainta vala quainta

442
00:22:10.759 --> 00:22:13.000
<v Speaker 1>catalog some of the most important characters in the early

443
00:22:13.079 --> 00:22:15.839
<v Speaker 1>chapters of The Silm Million. Okay, so it's not so

444
00:22:15.920 --> 00:22:19.240
<v Speaker 1>much a story as it is kind of a an explanation.

445
00:22:19.440 --> 00:22:22.359
<v Speaker 1>It's like an essay on some of the different characters

446
00:22:22.359 --> 00:22:25.119
<v Speaker 1>that we're gonna meet, some of the different species of

447
00:22:25.200 --> 00:22:27.960
<v Speaker 1>characters that we're gonna meet early on in this film. Million.

448
00:22:29.839 --> 00:22:32.400
<v Speaker 1>Then jumping down, we'll come back to Quentin Silm Million,

449
00:22:32.440 --> 00:22:35.119
<v Speaker 1>jumping down a calibath. This tells the story of middle

450
00:22:35.200 --> 00:22:37.319
<v Speaker 1>ER's second age and the downfall of Numer. So heads

451
00:22:37.359 --> 00:22:39.480
<v Speaker 1>up to all of you folks who are here because

452
00:22:39.839 --> 00:22:42.079
<v Speaker 1>you're excited about Lord of the Rings on Prime. Okay,

453
00:22:42.319 --> 00:22:45.720
<v Speaker 1>A Klabath is a must read, right, you have to

454
00:22:45.720 --> 00:22:48.279
<v Speaker 1>read a Klibeth to understand the story of the Second

455
00:22:48.359 --> 00:22:52.160
<v Speaker 1>Age and the Rings of Power. I'm sorry of Lord

456
00:22:52.160 --> 00:22:54.640
<v Speaker 1>of the Rings on Prime. Okay, that is the main

457
00:22:54.680 --> 00:22:58.680
<v Speaker 1>text for understanding the history of Numen or we won't

458
00:22:58.680 --> 00:23:02.319
<v Speaker 1>beginning to really diving into a Calibath until much later,

459
00:23:04.079 --> 00:23:05.880
<v Speaker 1>you know, in terms of our reading schedule, because it

460
00:23:05.920 --> 00:23:07.400
<v Speaker 1>does come very late in the book.

461
00:23:08.599 --> 00:23:11.079
<v Speaker 2>But for a little taste, we did do a yes,

462
00:23:11.200 --> 00:23:12.039
<v Speaker 2>a little bit of a reread.

463
00:23:12.119 --> 00:23:15.079
<v Speaker 1>Good point. We've done actually plenty of episodes on a Calabath.

464
00:23:15.119 --> 00:23:17.400
<v Speaker 1>We we did a reread earlier this year where Gretta.

465
00:23:17.920 --> 00:23:19.559
<v Speaker 1>Greta kind kind of led the charge. You know, we

466
00:23:19.599 --> 00:23:20.680
<v Speaker 1>never really did your second part.

467
00:23:20.839 --> 00:23:22.519
<v Speaker 2>Never did it, and I kind of told some people

468
00:23:22.559 --> 00:23:22.920
<v Speaker 2>we were.

469
00:23:22.799 --> 00:23:24.960
<v Speaker 1>Going through it will be that as a bonus episode

470
00:23:25.000 --> 00:23:28.799
<v Speaker 1>at some point, but we did. We have we did

471
00:23:28.799 --> 00:23:30.880
<v Speaker 1>our first read through the of a Calibath. If you

472
00:23:31.119 --> 00:23:32.480
<v Speaker 1>just can't wait and you want to go back and

473
00:23:32.519 --> 00:23:34.319
<v Speaker 1>listen to that, it's it's way back. I'll try to

474
00:23:34.319 --> 00:23:37.680
<v Speaker 1>remember a link to that. And we've also I have

475
00:23:37.720 --> 00:23:44.079
<v Speaker 1>a collection of several several episodes on our YouTube page

476
00:23:44.119 --> 00:23:47.039
<v Speaker 1>and you can go back into our into our podcast

477
00:23:47.039 --> 00:23:50.200
<v Speaker 1>feed as well. But we've done several just on the

478
00:23:50.480 --> 00:23:53.079
<v Speaker 1>on the Second Age in general. We we actually did

479
00:23:53.119 --> 00:23:55.640
<v Speaker 1>a Calibath reread a few years ago where it was

480
00:23:55.680 --> 00:23:59.039
<v Speaker 1>four parts, and we've done lots of other episodes on

481
00:23:59.160 --> 00:24:01.480
<v Speaker 1>the Second Age and the lore of the Second Age

482
00:24:01.480 --> 00:24:03.440
<v Speaker 1>and the history of the Second Age. So we've got

483
00:24:03.480 --> 00:24:08.480
<v Speaker 1>plenty of content back from the past on on this topic.

484
00:24:08.640 --> 00:24:09.759
<v Speaker 1>If you want to beef up on that.

485
00:24:09.880 --> 00:24:12.240
<v Speaker 2>You wants, you know what your appetite.

486
00:24:11.799 --> 00:24:14.640
<v Speaker 1>Absolutely absolutely you know if you If you have trouble

487
00:24:14.680 --> 00:24:16.480
<v Speaker 1>find it, feel feel free to reach out to us

488
00:24:16.599 --> 00:24:19.119
<v Speaker 1>so and I'll be happy to point you in the

489
00:24:19.200 --> 00:24:22.200
<v Speaker 1>right direction. So easiest place to go to is probably

490
00:24:22.480 --> 00:24:25.839
<v Speaker 1>like Twitter or Facebook, or just email us whatever right,

491
00:24:26.200 --> 00:24:28.839
<v Speaker 1>or go onto YouTube. Right, go onto YouTube and and

492
00:24:28.920 --> 00:24:30.680
<v Speaker 1>drop me a comment. You can usually search for just

493
00:24:30.720 --> 00:24:32.640
<v Speaker 1>search for Tolkien Road a kalab eight or something like

494
00:24:32.680 --> 00:24:35.160
<v Speaker 1>that and you'll probably come up. And then of the

495
00:24:35.240 --> 00:24:38.400
<v Speaker 1>Rings of Power in the Third Age, this is this

496
00:24:38.519 --> 00:24:42.160
<v Speaker 1>is a pretty interesting one. It gives a relatively short

497
00:24:42.200 --> 00:24:44.200
<v Speaker 1>account of the creation of the Rings of Power all

498
00:24:44.200 --> 00:24:46.039
<v Speaker 1>the way through the destruction of the one ring at

499
00:24:46.039 --> 00:24:48.000
<v Speaker 1>the end of the Third Age. So this is like

500
00:24:48.359 --> 00:24:52.400
<v Speaker 1>almost like a bird's eye view of the entire story

501
00:24:52.519 --> 00:24:55.119
<v Speaker 1>of the Rings from when the rings were created all

502
00:24:55.160 --> 00:24:59.640
<v Speaker 1>the way to to the one rings destruction at Mount Doom, right. So,

503
00:25:00.079 --> 00:25:01.480
<v Speaker 1>and it's and it's the kind of thing you can

504
00:25:01.519 --> 00:25:03.319
<v Speaker 1>read in one or two sittings. It's a pretty short

505
00:25:03.400 --> 00:25:05.759
<v Speaker 1>version of it. So that one's pretty fun, especially, you know,

506
00:25:06.039 --> 00:25:08.720
<v Speaker 1>especially if you're coming to the Selmer Million having just

507
00:25:08.720 --> 00:25:10.319
<v Speaker 1>read The Lord of the Rings, you're probably really going

508
00:25:10.359 --> 00:25:12.559
<v Speaker 1>to enjoy reading of the Rings of Power in the

509
00:25:12.559 --> 00:25:16.319
<v Speaker 1>Third Age. So all right, now, let's go back to

510
00:25:16.359 --> 00:25:18.480
<v Speaker 1>this thing, quinta Silm Million right where we've got twenty

511
00:25:18.519 --> 00:25:23.960
<v Speaker 1>four chapters. All right, So quinta silm Merillion is basically

512
00:25:24.480 --> 00:25:26.720
<v Speaker 1>that that's really what the Selm Million is. Right when

513
00:25:26.720 --> 00:25:29.000
<v Speaker 1>we talk about when when Tolkien would have been talking

514
00:25:29.000 --> 00:25:32.680
<v Speaker 1>about the Silm Million, that's that's the main thing he

515
00:25:32.720 --> 00:25:35.319
<v Speaker 1>would have been referring to. Is this. It's this saga.

516
00:25:35.559 --> 00:25:37.799
<v Speaker 1>It's this collection of stories that kind of presents this

517
00:25:38.000 --> 00:25:43.519
<v Speaker 1>history of these things called the silm Merells. It it's

518
00:25:43.519 --> 00:25:46.279
<v Speaker 1>gonna tell everything from the first awakening of the elves

519
00:25:46.559 --> 00:25:48.640
<v Speaker 1>Uh to the creation of the three Selmer Ells, the

520
00:25:48.759 --> 00:25:51.480
<v Speaker 1>numerous wars that result over them, and the coming of

521
00:25:51.480 --> 00:25:53.720
<v Speaker 1>men into the world and really so much more. I mean,

522
00:25:53.720 --> 00:25:55.559
<v Speaker 1>it's it's not just one story, but it's kind of

523
00:25:55.599 --> 00:25:58.599
<v Speaker 1>a collection of many stories that are part of a

524
00:25:58.680 --> 00:26:02.559
<v Speaker 1>larger saga, all right. And you know, the comparison has

525
00:26:02.599 --> 00:26:04.880
<v Speaker 1>been made to the Old Testament before, because it's that

526
00:26:04.960 --> 00:26:07.279
<v Speaker 1>same kind of thing, right, some of these you know,

527
00:26:07.519 --> 00:26:10.039
<v Speaker 1>different characters can be involved. It covers a long period

528
00:26:10.079 --> 00:26:13.680
<v Speaker 1>of history, but you know, it's all really telling. It's

529
00:26:13.720 --> 00:26:16.359
<v Speaker 1>all part of kind of one big story, right, It's

530
00:26:16.359 --> 00:26:19.160
<v Speaker 1>just not always necessarily easy to see how it all

531
00:26:19.160 --> 00:26:24.720
<v Speaker 1>connects until later, right. The the Silmariles, let's define that

532
00:26:24.759 --> 00:26:28.680
<v Speaker 1>real quick, all right, The Silmarills. There's three of them,

533
00:26:29.039 --> 00:26:32.039
<v Speaker 1>and they are these holy jewels. We're gonna learn a

534
00:26:32.039 --> 00:26:36.960
<v Speaker 1>lot more about them. But they are essentially these three

535
00:26:37.039 --> 00:26:41.079
<v Speaker 1>jewels that contain a blessed light. And at some point,

536
00:26:41.119 --> 00:26:44.519
<v Speaker 1>this blessed light becomes something that's no longer available, right,

537
00:26:44.799 --> 00:26:47.240
<v Speaker 1>and so the three Silmarills are the only way of

538
00:26:47.279 --> 00:26:52.079
<v Speaker 1>getting access to this holy light. Right. So that might

539
00:26:52.119 --> 00:26:54.640
<v Speaker 1>seem all very like hard to understand if you're coming

540
00:26:54.680 --> 00:26:57.000
<v Speaker 1>to this new like, what what's this big deal about

541
00:26:57.000 --> 00:26:59.640
<v Speaker 1>holy light? But we'll understand that, right, we're gonna get

542
00:26:59.680 --> 00:27:01.960
<v Speaker 1>into all that and what that's all about once we

543
00:27:02.000 --> 00:27:02.960
<v Speaker 1>get into these stories.

544
00:27:03.039 --> 00:27:07.680
<v Speaker 3>So the title being the soil Marillion, is that kind

545
00:27:07.680 --> 00:27:09.839
<v Speaker 3>of I'm just trying to think of the connection. Obviously

546
00:27:09.960 --> 00:27:13.400
<v Speaker 3>it comes like Silmriile as part of sil Marillion. Yeah,

547
00:27:13.480 --> 00:27:17.480
<v Speaker 3>so can we kind of translate Silmrillion as like the

548
00:27:17.519 --> 00:27:19.880
<v Speaker 3>Tale of the Silmrales or.

549
00:27:20.279 --> 00:27:22.200
<v Speaker 1>Yeah, I think that's probably right now, that might not

550
00:27:22.279 --> 00:27:25.119
<v Speaker 1>be the exact translation. One thing to remember, one thing

551
00:27:25.160 --> 00:27:27.680
<v Speaker 1>you need to remember about Tolkien is he was a philologist.

552
00:27:28.319 --> 00:27:33.400
<v Speaker 1>He he loved language. Literally, he was a philologist in

553
00:27:33.440 --> 00:27:35.640
<v Speaker 1>terms of loving language, and literally he was a philologist

554
00:27:35.640 --> 00:27:39.839
<v Speaker 1>in terms of that was his profession, right, so, uh

555
00:27:40.160 --> 00:27:44.759
<v Speaker 1>he he loved language, and uh so I'm not sure

556
00:27:44.759 --> 00:27:47.559
<v Speaker 1>if that's the exact translation of the Silmarillion, but I

557
00:27:47.599 --> 00:27:49.079
<v Speaker 1>think that's a good way of referring to it, right,

558
00:27:49.119 --> 00:27:51.759
<v Speaker 1>It's like of the soil Marles or the tale the

559
00:27:51.880 --> 00:27:56.480
<v Speaker 1>Tale of the Silmrles, Right, Yeah, so yeah, good question things.

560
00:27:56.559 --> 00:27:58.759
<v Speaker 3>Yeah, I was just like, was basically it's Silmarill with

561
00:27:58.880 --> 00:28:01.039
<v Speaker 3>Ioan on the end, and so I'm trying to figure

562
00:28:01.079 --> 00:28:07.160
<v Speaker 3>out what ion like, how that what the relation of

563
00:28:07.240 --> 00:28:09.960
<v Speaker 3>the ending to the words sill Morill is like how

564
00:28:10.000 --> 00:28:12.880
<v Speaker 3>it relates, but clearly, I mean the sill Morrills are

565
00:28:13.000 --> 00:28:15.960
<v Speaker 3>kind of a focus of most of the stories.

566
00:28:16.079 --> 00:28:18.559
<v Speaker 1>They're what all the trouble is about, indeed.

567
00:28:18.759 --> 00:28:21.519
<v Speaker 2>Indeed, and they're beautiful, so I mean it makes sense.

568
00:28:21.599 --> 00:28:23.960
<v Speaker 1>However, they don't show up until several chapters ten.

569
00:28:24.319 --> 00:28:27.680
<v Speaker 2>So you got to be committed people, you do, You're going.

570
00:28:27.680 --> 00:28:29.960
<v Speaker 1>To find that's a theme this is. This is a

571
00:28:30.160 --> 00:28:32.880
<v Speaker 1>story that you got to be committed. You got to

572
00:28:32.920 --> 00:28:34.559
<v Speaker 1>be kind of committed to getting into it. But once

573
00:28:34.599 --> 00:28:36.559
<v Speaker 1>you get into it and you commit, it's worth.

574
00:28:36.400 --> 00:28:37.519
<v Speaker 2>It, right, totally worth it.

575
00:28:37.519 --> 00:28:40.519
<v Speaker 1>And here's the thing. How much in life is that true? Of?

576
00:28:40.640 --> 00:28:43.559
<v Speaker 1>Oh so right, yep, the really worthwhile things you got

577
00:28:43.599 --> 00:28:45.720
<v Speaker 1>to commit to, and once you commit to them, you're

578
00:28:45.720 --> 00:28:53.920
<v Speaker 1>happy you did, right, absolutely, yes, all right, So let's

579
00:28:53.960 --> 00:28:59.400
<v Speaker 1>go back to this thing called the Waldman Letter. So

580
00:29:01.039 --> 00:29:04.400
<v Speaker 1>this is good. This is really helpful in terms of

581
00:29:04.559 --> 00:29:10.319
<v Speaker 1>introducing some of the themes. Actually, let me circle back

582
00:29:10.319 --> 00:29:12.599
<v Speaker 1>first to this introduction to our forwards. Right, so, our

583
00:29:12.599 --> 00:29:15.319
<v Speaker 1>forward to the first edition, our forward to the second edition.

584
00:29:15.559 --> 00:29:17.799
<v Speaker 1>The forward from the first edition is written by Christopher.

585
00:29:18.880 --> 00:29:21.240
<v Speaker 1>I want to read this opening paragraph from actual I'm

586
00:29:21.240 --> 00:29:23.839
<v Speaker 1>gonna read it over here. I want it. This is

587
00:29:23.880 --> 00:29:27.319
<v Speaker 1>a better place to read it. Here we go, all right,

588
00:29:27.880 --> 00:29:28.920
<v Speaker 1>this is from the first edition.

589
00:29:29.039 --> 00:29:30.880
<v Speaker 2>This is from the first edition, right, so not the

590
00:29:31.000 --> 00:29:32.000
<v Speaker 2>edition we're working out of.

591
00:29:32.079 --> 00:29:34.519
<v Speaker 1>Well, it's also in that. Oh, it's in both, right,

592
00:29:34.559 --> 00:29:37.240
<v Speaker 1>but it was it was part of the first editiontcha. Okay,

593
00:29:38.559 --> 00:29:41.279
<v Speaker 1>so Christopher says. The silm Million, now published four years

594
00:29:41.279 --> 00:29:43.160
<v Speaker 1>after the death of its author, is an account of

595
00:29:43.160 --> 00:29:46.079
<v Speaker 1>the Elder Days, or the First Age of the world,

596
00:29:46.319 --> 00:29:48.400
<v Speaker 1>and the Lord of the Rings were narrated the great

597
00:29:48.400 --> 00:29:50.519
<v Speaker 1>events at the end of the Third Age, but the

598
00:29:50.519 --> 00:29:53.160
<v Speaker 1>tales of the Silmarillion are legends deriving from a much

599
00:29:53.200 --> 00:29:56.400
<v Speaker 1>deeper past, when more Goth, the first dark Lord, dwelt

600
00:29:56.400 --> 00:29:59.079
<v Speaker 1>in Middle Earth and the high Elves made war upon

601
00:29:59.200 --> 00:30:02.160
<v Speaker 1>him for the rec recovery of the selmer El's all right,

602
00:30:02.640 --> 00:30:05.279
<v Speaker 1>so break down a little bit of that for you.

603
00:30:06.240 --> 00:30:10.759
<v Speaker 1>That's a really good little summary of the selmar Million. Okay.

604
00:30:11.640 --> 00:30:14.680
<v Speaker 1>Lord of the Rings hobbit take place at the end

605
00:30:14.759 --> 00:30:17.680
<v Speaker 1>of the Third Age of Middle Earth. Okay, this three

606
00:30:17.759 --> 00:30:22.640
<v Speaker 1>thousand year period called the Third Age. New minor the

607
00:30:22.680 --> 00:30:25.160
<v Speaker 1>history of neumenor that is going to be the focus

608
00:30:25.160 --> 00:30:28.599
<v Speaker 1>of Lord of the Rings. That's the second age. That's

609
00:30:28.599 --> 00:30:33.119
<v Speaker 1>when the Rings of power were created. Okay, and the

610
00:30:33.240 --> 00:30:35.599
<v Speaker 1>end of this so the beginning of the second age

611
00:30:35.599 --> 00:30:38.480
<v Speaker 1>is the creation of New Minor, right. The end of

612
00:30:38.519 --> 00:30:44.279
<v Speaker 1>the second age is the downfall of New Minor along

613
00:30:44.359 --> 00:30:46.279
<v Speaker 1>with the last alliance of men. And L's right, So

614
00:30:46.319 --> 00:30:50.119
<v Speaker 1>that the first defeat, the first defeat of Souron really

615
00:30:50.119 --> 00:30:51.839
<v Speaker 1>not the first defeat, but one of the defeats of

616
00:30:51.880 --> 00:30:54.559
<v Speaker 1>Souron where he loses the one ring, right, he loses

617
00:30:54.559 --> 00:30:58.359
<v Speaker 1>the one ring and we think he's vanquished, and the

618
00:30:58.400 --> 00:31:01.200
<v Speaker 1>one ring comes into the possession of of is seal door. Right,

619
00:31:01.559 --> 00:31:04.119
<v Speaker 1>So you know that bit of legend, from that bit

620
00:31:04.160 --> 00:31:06.440
<v Speaker 1>of the legend from Lord of the Rings. Okay, So

621
00:31:06.799 --> 00:31:09.160
<v Speaker 1>third age into third Age, Lord of the Rings, end

622
00:31:09.160 --> 00:31:11.400
<v Speaker 1>of second age, kind of the inciting action of the

623
00:31:11.440 --> 00:31:15.079
<v Speaker 1>Lord of the Rings. First age is what the selm

624
00:31:15.079 --> 00:31:21.799
<v Speaker 1>me million is all about. Okay, More Goth? All right,

625
00:31:22.039 --> 00:31:24.839
<v Speaker 1>who's this guy? More Goth? Because you thought Sururn was

626
00:31:24.880 --> 00:31:27.160
<v Speaker 1>the bad guy, right, you thought Suron was the bad

627
00:31:27.160 --> 00:31:32.880
<v Speaker 1>guy of Middle Earth. Suron is a we'll show up

628
00:31:32.880 --> 00:31:34.920
<v Speaker 1>in the selm Merillion, but he is a lieutenant of

629
00:31:35.079 --> 00:31:37.960
<v Speaker 1>more Goth. Right, he is, he is a He learned

630
00:31:37.960 --> 00:31:42.200
<v Speaker 1>everything he knows from more Goth. Okay, more Goth will

631
00:31:42.200 --> 00:31:45.279
<v Speaker 1>not be known as more Goth until well into the

632
00:31:45.279 --> 00:31:47.599
<v Speaker 1>Selm me Million. Before that, he is going to be

633
00:31:47.640 --> 00:31:50.920
<v Speaker 1>known as Melcore. All Right, you're gonna we're gonna meet

634
00:31:50.960 --> 00:31:54.480
<v Speaker 1>him at Idol and Delay as melcoor okay, Melcor slash

635
00:31:54.519 --> 00:31:58.039
<v Speaker 1>more Goth is the chief bad guy of the Selm Million. Okay,

636
00:31:59.400 --> 00:31:59.880
<v Speaker 1>makes sense?

637
00:32:00.160 --> 00:32:00.640
<v Speaker 2>Makes sense?

638
00:32:00.680 --> 00:32:06.039
<v Speaker 1>All right? Yeah, so yes, uh, and the chief creatures

639
00:32:06.039 --> 00:32:08.519
<v Speaker 1>that were going to uh, they're going to kind of

640
00:32:08.559 --> 00:32:11.079
<v Speaker 1>be in focus in all this are the elves, right,

641
00:32:11.240 --> 00:32:13.400
<v Speaker 1>so you know, men will come to figure in it,

642
00:32:13.440 --> 00:32:15.880
<v Speaker 1>but not until much later, not until much later in

643
00:32:15.880 --> 00:32:22.720
<v Speaker 1>the film million. Okay. Christopher also notes in this forward

644
00:32:24.039 --> 00:32:25.960
<v Speaker 1>he he talks a lot about the challenges he faced.

645
00:32:25.960 --> 00:32:28.920
<v Speaker 1>So this is kind of interesting from a textual history,

646
00:32:29.079 --> 00:32:31.279
<v Speaker 1>not something you need to spend any time on or

647
00:32:31.279 --> 00:32:34.400
<v Speaker 1>get tripped up by unless you're super curious, Okay, But

648
00:32:34.440 --> 00:32:37.440
<v Speaker 1>basically he explains that putting this thing together was no

649
00:32:37.480 --> 00:32:42.440
<v Speaker 1>easy feat. All right. What you'll learn about Tolkien as

650
00:32:42.440 --> 00:32:44.799
<v Speaker 1>you learn more about him is that he was incredible.

651
00:32:44.839 --> 00:32:47.319
<v Speaker 1>He was an incredible genius, and like many incredible geniuses,

652
00:32:47.759 --> 00:32:50.720
<v Speaker 1>he was extremely disorganized, right he was. He was kind

653
00:32:50.720 --> 00:32:54.000
<v Speaker 1>of like, maybe not extremely disorganized, because he was organized

654
00:32:54.079 --> 00:32:56.039
<v Speaker 1>enough to have these papers in a place where his

655
00:32:56.079 --> 00:33:00.000
<v Speaker 1>son could work with him. Right. But he wrote a lot, right,

656
00:33:00.039 --> 00:33:02.000
<v Speaker 1>He wrote a lot, and he wrote many different versions

657
00:33:02.000 --> 00:33:04.799
<v Speaker 1>of these stories, and so Christopher had to like go

658
00:33:04.920 --> 00:33:08.079
<v Speaker 1>back and put together in some cases like the best

659
00:33:08.160 --> 00:33:15.279
<v Speaker 1>versions of the stories. Right. So, but one thing to

660
00:33:15.319 --> 00:33:18.000
<v Speaker 1>note is that everything that's included in here is according

661
00:33:18.039 --> 00:33:22.000
<v Speaker 1>to his father's explicit intention. Right. Christopher says that that

662
00:33:22.240 --> 00:33:25.839
<v Speaker 1>all works included are according to jerr Or Tolkien's explicit intention.

663
00:33:26.279 --> 00:33:28.279
<v Speaker 1>So it wasn't like he was just throwing things in Like.

664
00:33:28.319 --> 00:33:29.960
<v Speaker 1>It wasn't like he decided to throw in a kalabath

665
00:33:30.000 --> 00:33:31.920
<v Speaker 1>because he felt like, you know, it belonged in there

666
00:33:32.240 --> 00:33:37.799
<v Speaker 1>was that was his father's intention. So second edition forward

667
00:33:38.000 --> 00:33:42.440
<v Speaker 1>really very short. Basically, he just gives a little background

668
00:33:42.480 --> 00:33:45.240
<v Speaker 1>on why this introduction was added this Waltman letter, as

669
00:33:45.279 --> 00:33:49.720
<v Speaker 1>we're going to discuss the basic story. In nineteen fifty one,

670
00:33:49.839 --> 00:33:52.599
<v Speaker 1>as Tolkien was finalizing Lord of the Rings, he was

671
00:33:52.640 --> 00:33:54.759
<v Speaker 1>hoping to find a publisher who would agree to issue

672
00:33:54.759 --> 00:33:56.960
<v Speaker 1>both Lord of the Rings and the Selm Million, and

673
00:33:57.000 --> 00:33:59.799
<v Speaker 1>so he basically told the entire history of Middle Earth

674
00:34:00.079 --> 00:34:01.880
<v Speaker 1>from the very beginning all the way to the end

675
00:34:01.920 --> 00:34:08.800
<v Speaker 1>in this letter and the Waldman Letter. Yeah. Now, what

676
00:34:08.880 --> 00:34:12.800
<v Speaker 1>we have in the Waldman Letter is not the entire

677
00:34:12.840 --> 00:34:14.239
<v Speaker 1>Waldman Letter, all right, So what we have in this

678
00:34:14.280 --> 00:34:16.920
<v Speaker 1>introduction right here is not the entire Waldman Letter. You

679
00:34:16.960 --> 00:34:19.320
<v Speaker 1>can read the entire Waldman Letter if you get letters

680
00:34:19.519 --> 00:34:23.599
<v Speaker 1>the Letters of Jered are Tolkien. This bad boy right here,

681
00:34:23.599 --> 00:34:28.480
<v Speaker 1>which I highly recommend. Okay, one of my favorite Tolkien books.

682
00:34:28.480 --> 00:34:30.480
<v Speaker 1>For sure. It's more than just a reference. There's some

683
00:34:31.000 --> 00:34:33.599
<v Speaker 1>just so so good, so good. If you want to

684
00:34:33.679 --> 00:34:35.199
<v Speaker 1>understand the mind of Tolkien, you need the Letters of

685
00:34:35.239 --> 00:34:40.360
<v Speaker 1>Jared Orre Tolkien. But the Waldman Letter contained in its

686
00:34:40.440 --> 00:34:43.159
<v Speaker 1>entirety there and here, it's really just focused on the

687
00:34:43.199 --> 00:34:45.239
<v Speaker 1>first and second ages, all right, So it stops when

688
00:34:45.239 --> 00:34:51.920
<v Speaker 1>he gets to the third age. Okay. Waldman was worked

689
00:34:51.920 --> 00:34:56.760
<v Speaker 1>for Collins Publishers, who was one of the publishers that

690
00:34:56.840 --> 00:34:59.079
<v Speaker 1>he was talking to about publishing Lord of the Rings,

691
00:34:59.519 --> 00:35:02.480
<v Speaker 1>and and so he was hoping to say, hey, you know,

692
00:35:02.519 --> 00:35:05.079
<v Speaker 1>here's my Hobbit sequel. By the way, I'd really like

693
00:35:05.119 --> 00:35:06.800
<v Speaker 1>it if you'd published the Selm Million along with it.

694
00:35:06.840 --> 00:35:09.280
<v Speaker 1>And here's why you should. Right. Obviously it didn't work out.

695
00:35:10.760 --> 00:35:13.239
<v Speaker 1>Now publishers might look back and say, well, kind of

696
00:35:13.239 --> 00:35:15.199
<v Speaker 1>wish I kind of wish I had done that, right,

697
00:35:16.559 --> 00:35:20.400
<v Speaker 1>But yeah, roll the dice. Sometimes you win, sometimes you lose.

698
00:35:21.679 --> 00:35:25.760
<v Speaker 1>So the whole letter is quite worthwhile. But let's talk

699
00:35:25.800 --> 00:35:28.880
<v Speaker 1>about Let's talk about something that I think is really

700
00:35:28.880 --> 00:35:31.280
<v Speaker 1>important in this letter, and that's the themes. Okay, the

701
00:35:31.280 --> 00:35:34.840
<v Speaker 1>themes that he calls out in this letter. There are

702
00:35:34.880 --> 00:35:38.119
<v Speaker 1>three themes, three key themes of the Selm Million. The

703
00:35:38.199 --> 00:35:43.519
<v Speaker 1>first theme is fall. Tolkien says that fall occurs in

704
00:35:43.559 --> 00:35:47.920
<v Speaker 1>several modes, so we should understand this as having to

705
00:35:47.920 --> 00:35:50.119
<v Speaker 1>do with a fall from grace or from an exalted

706
00:35:50.159 --> 00:35:53.239
<v Speaker 1>state or a happy moral state. There are numerous instances

707
00:35:53.280 --> 00:35:56.599
<v Speaker 1>of characters falling. Sometimes the fall is from goodness into

708
00:35:56.639 --> 00:36:00.400
<v Speaker 1>a state of evil. Sometimes it's an impatient presumption, perhaps

709
00:36:00.480 --> 00:36:06.119
<v Speaker 1>more understandable and defensible, yet with real consequences. Nevertheless, always

710
00:36:06.280 --> 00:36:09.440
<v Speaker 1>we find Tolkien exploring how even the fall can be

711
00:36:09.480 --> 00:36:13.760
<v Speaker 1>worked by good powers to bring about a happy outcome. Right. So,

712
00:36:14.519 --> 00:36:23.679
<v Speaker 1>Tolkien's universe, although very dark, is not a fundamentally pessimistic universe. Okay. This,

713
00:36:23.679 --> 00:36:26.519
<v Speaker 1>this is something I really want to emphasize because I

714
00:36:26.519 --> 00:36:28.639
<v Speaker 1>think there's a lot of a lot of the popular

715
00:36:28.679 --> 00:36:31.840
<v Speaker 1>fantasy of our time tends to be very pessimistic, right,

716
00:36:32.239 --> 00:36:35.599
<v Speaker 1>it tends to be very like focused on the violent,

717
00:36:35.880 --> 00:36:39.559
<v Speaker 1>on the nihilistic. And I will say it, I'm looking

718
00:36:39.559 --> 00:36:41.320
<v Speaker 1>at you, Game of Thrones, although I will say I

719
00:36:41.320 --> 00:36:43.079
<v Speaker 1>don't know much about Game of Thrones, but everything I

720
00:36:43.199 --> 00:36:44.840
<v Speaker 1>understand about it and what I've been told by others,

721
00:36:44.920 --> 00:36:47.320
<v Speaker 1>is that it is very nihilistic and pessimistic. And I'm

722
00:36:47.320 --> 00:36:48.679
<v Speaker 1>not there to put it down. I'm not there to

723
00:36:48.679 --> 00:36:51.559
<v Speaker 1>say that there's no like you know that that's that

724
00:36:52.000 --> 00:36:53.960
<v Speaker 1>we're not We're not getting to do an ethical discussion

725
00:36:54.039 --> 00:36:57.800
<v Speaker 1>or a moralistic discussion about that. All I'm saying is

726
00:36:57.840 --> 00:36:59.880
<v Speaker 1>that you need to understand that Tolkien's universe is not

727
00:37:00.119 --> 00:37:03.519
<v Speaker 1>like that. Okay. Tolkien's universe, though often very dark, though

728
00:37:03.519 --> 00:37:07.679
<v Speaker 1>often very violent, they often very brutal, is a fundamentally

729
00:37:07.880 --> 00:37:10.119
<v Speaker 1>hopeful universe. Okay.

730
00:37:10.320 --> 00:37:11.360
<v Speaker 2>What has to be right?

731
00:37:11.480 --> 00:37:14.000
<v Speaker 3>Because I mean, if you've listened to any of our

732
00:37:14.320 --> 00:37:16.920
<v Speaker 3>episodes or know even a little bit about Tolkien, you're

733
00:37:16.920 --> 00:37:20.400
<v Speaker 3>familiar with the idea of you catastrophe, right, yep. So

734
00:37:20.840 --> 00:37:23.880
<v Speaker 3>I mean that's got that was just a fundamental.

735
00:37:23.280 --> 00:37:29.079
<v Speaker 2>Piece of his what of his storytelling?

736
00:37:29.320 --> 00:37:33.639
<v Speaker 1>Yeah, for sure, for sure. Well, while we're at it, Greta,

737
00:37:33.719 --> 00:37:36.119
<v Speaker 1>tell tell the listeners what you catastrophe is?

738
00:37:37.119 --> 00:37:43.840
<v Speaker 3>Uh, you catastrophe simply put, is translated as the happy turn. Okay,

739
00:37:45.199 --> 00:37:48.920
<v Speaker 3>It's just when you know it's the whole, when everything

740
00:37:48.960 --> 00:37:52.920
<v Speaker 3>looks like it's done and it seems like the evil

741
00:37:53.079 --> 00:37:54.639
<v Speaker 3>and darkness is going.

742
00:37:54.400 --> 00:38:00.239
<v Speaker 2>To prevail, it's the happy turn. Right, It's the it's

743
00:38:00.280 --> 00:38:03.239
<v Speaker 2>the light shining through the darkness and.

744
00:38:05.039 --> 00:38:10.760
<v Speaker 3>Happy catastrophe, happy catastrophe, exactly, exactly. And I think Tolkien

745
00:38:10.840 --> 00:38:15.679
<v Speaker 3>himself says that the greatest you catastrophe of history is

746
00:38:15.719 --> 00:38:20.239
<v Speaker 3>the resurrection, right just when it appears that you know

747
00:38:20.880 --> 00:38:24.480
<v Speaker 3>that all is lost, God is dead, you know, we

748
00:38:24.559 --> 00:38:28.920
<v Speaker 3>have Easter. So yeah, I mean that can't you can't.

749
00:38:29.320 --> 00:38:33.280
<v Speaker 3>I mean that's just a fundamental piece of of of

750
00:38:33.360 --> 00:38:34.480
<v Speaker 3>Tolkien's creations.

751
00:38:36.079 --> 00:38:39.360
<v Speaker 1>You're you're one, right, And so as you read, as

752
00:38:39.360 --> 00:38:41.920
<v Speaker 1>you read Tolkien, I'd encourage you to read it through

753
00:38:41.920 --> 00:38:47.440
<v Speaker 1>that lens, right. So it is it is a universe

754
00:38:47.679 --> 00:38:50.320
<v Speaker 1>that even when things seem dark, even when things see

755
00:38:50.360 --> 00:38:52.920
<v Speaker 1>things seem like they're you know, it's just tragedy or

756
00:38:53.360 --> 00:38:57.559
<v Speaker 1>you know, evil is winning out that somehow good will

757
00:38:57.599 --> 00:39:01.800
<v Speaker 1>come right. The good will come all right. And in

758
00:39:01.800 --> 00:39:04.320
<v Speaker 1>some ways that's kind of the challenge, I'd say, Tolti

759
00:39:04.400 --> 00:39:06.360
<v Speaker 1>might even have seen it this way, that the challenge

760
00:39:06.400 --> 00:39:09.000
<v Speaker 1>of the fantasy writer in his mind, the writer of

761
00:39:09.039 --> 00:39:13.360
<v Speaker 1>the fairy tale, the challenge is to get their protagonists

762
00:39:13.360 --> 00:39:15.679
<v Speaker 1>into such a mess that it's like, how can they

763
00:39:15.679 --> 00:39:19.199
<v Speaker 1>possibly escape from this? Right? And when you're just like, well,

764
00:39:19.199 --> 00:39:20.760
<v Speaker 1>they're done, they're toast, right.

765
00:39:21.239 --> 00:39:23.519
<v Speaker 2>And then here come the eagles, yep, right.

766
00:39:24.000 --> 00:39:27.760
<v Speaker 1>And then here come the eagles swooping in. All right,

767
00:39:28.480 --> 00:39:30.440
<v Speaker 1>We're gonna learn about a lot about eagles on this, y'all.

768
00:39:30.639 --> 00:39:35.000
<v Speaker 1>We learned a lot about eagles. Mortality. Second theme, mortality,

769
00:39:35.880 --> 00:39:40.039
<v Speaker 1>he says, especially as it relates to creative desire. So

770
00:39:40.639 --> 00:39:43.320
<v Speaker 1>why do we have this impulse to create? Why does

771
00:39:43.360 --> 00:39:46.079
<v Speaker 1>it often seem to lead to a spirit of possessiveness?

772
00:39:48.760 --> 00:39:51.360
<v Speaker 1>This will also be manifest and the immortality of elves

773
00:39:51.360 --> 00:39:54.239
<v Speaker 1>and the mortality of men. Why these two paths for

774
00:39:54.719 --> 00:39:58.519
<v Speaker 1>creatures that are so similar? Is immortality really the favorite

775
00:39:58.519 --> 00:40:00.760
<v Speaker 1>gift that we mortals often think it would be. So

776
00:40:01.039 --> 00:40:04.079
<v Speaker 1>there's a couple of aspects to this with what Tolkien says.

777
00:40:05.280 --> 00:40:08.280
<v Speaker 1>First of all, we have elves and men. Elves immortal

778
00:40:09.000 --> 00:40:11.039
<v Speaker 1>by nature. Now that doesn't mean they can't die. It

779
00:40:11.119 --> 00:40:15.079
<v Speaker 1>just means that they won't naturally die, right, men, not

780
00:40:15.199 --> 00:40:19.079
<v Speaker 1>so much as we all know, right, Tolkien. There's a

781
00:40:19.079 --> 00:40:21.199
<v Speaker 1>bit of a speculative idea in this, right, like what

782
00:40:21.199 --> 00:40:23.159
<v Speaker 1>would it be like if we did live forever? Right,

783
00:40:23.159 --> 00:40:27.800
<v Speaker 1>if we were immortal creatures? Okay? And Tolkien explores that idea,

784
00:40:27.800 --> 00:40:31.519
<v Speaker 1>and he finds that well, actually, in a fallen world,

785
00:40:32.400 --> 00:40:35.719
<v Speaker 1>it may not be the blessing that you think it is, right,

786
00:40:35.840 --> 00:40:37.480
<v Speaker 1>and the fallen world, it may not be the blessing

787
00:40:37.480 --> 00:40:40.639
<v Speaker 1>that you think it is. So there's a lot of

788
00:40:40.639 --> 00:40:44.199
<v Speaker 1>that tension that Tolkien is exploring with this. And then

789
00:40:44.639 --> 00:40:47.639
<v Speaker 1>under this subject, under this theme of mortality, is this question,

790
00:40:47.719 --> 00:40:50.639
<v Speaker 1>this question of like the creative desire? Right, why do

791
00:40:50.639 --> 00:40:53.480
<v Speaker 1>we have this impulse to create? And I think Tolkien's

792
00:40:53.480 --> 00:40:57.000
<v Speaker 1>getting it maybe a few things with this right he

793
00:40:57.039 --> 00:40:59.519
<v Speaker 1>wants to he wants us to understand, like, first of all,

794
00:40:59.559 --> 00:41:02.840
<v Speaker 1>where does the like kind of creative desire come? From right,

795
00:41:03.440 --> 00:41:05.800
<v Speaker 1>if we live in a universe, it's like brutal and

796
00:41:06.199 --> 00:41:09.920
<v Speaker 1>just kind of beholden to nature, right, just just purely

797
00:41:10.000 --> 00:41:13.559
<v Speaker 1>beholden to like the kind of nature and death and

798
00:41:13.920 --> 00:41:15.800
<v Speaker 1>the rule of death. Then why do we have this

799
00:41:15.880 --> 00:41:18.320
<v Speaker 1>desire to create? Right? Why do we have this impulse

800
00:41:18.920 --> 00:41:21.320
<v Speaker 1>to want to leave behind beautiful things, to want to

801
00:41:21.360 --> 00:41:24.679
<v Speaker 1>make the world a more beautiful place? And why does

802
00:41:24.719 --> 00:41:27.480
<v Speaker 1>that often seem to lead to a spirit of possessiveness? Right?

803
00:41:27.519 --> 00:41:29.559
<v Speaker 1>Why does that cause us to have this like selfish

804
00:41:29.920 --> 00:41:36.199
<v Speaker 1>desire as a result the impulse of creativity? That The

805
00:41:36.239 --> 00:41:39.280
<v Speaker 1>philosophy of creativity is a very important one to Tolkien.

806
00:41:40.800 --> 00:41:43.960
<v Speaker 1>He lived it because he because he was incredibly creative.

807
00:41:45.199 --> 00:41:47.800
<v Speaker 1>He lived it throughout his life. But he also just

808
00:41:47.880 --> 00:41:50.480
<v Speaker 1>wondered about why we have this and where it came from.

809
00:41:51.079 --> 00:41:53.719
<v Speaker 1>One of the easiest things, one of the easiest ways

810
00:41:53.719 --> 00:41:55.679
<v Speaker 1>to start with understanding his view on that is to

811
00:41:55.760 --> 00:41:58.800
<v Speaker 1>understand that he viewed human beings as subcreators. Right, that

812
00:41:58.880 --> 00:42:02.400
<v Speaker 1>we make because we are because we are made by

813
00:42:02.400 --> 00:42:04.039
<v Speaker 1>the ultimate creator. Right, we are made to do so

814
00:42:04.079 --> 00:42:06.639
<v Speaker 1>by the ultimate creator. Right, So we are made right

815
00:42:06.679 --> 00:42:11.280
<v Speaker 1>by God and he made us human beings specifically to

816
00:42:11.400 --> 00:42:15.679
<v Speaker 1>have this similar creative desire that he has right, that

817
00:42:15.679 --> 00:42:19.440
<v Speaker 1>the that that God, that that the ultimate deity has right.

818
00:42:20.000 --> 00:42:22.480
<v Speaker 1>So we'll talk about that a lot, and it actually

819
00:42:22.519 --> 00:42:26.079
<v Speaker 1>works its way into the legendarium itself. There's a lot

820
00:42:26.119 --> 00:42:28.679
<v Speaker 1>about creativity within the story of the Selm Marilli in itself.

821
00:42:28.840 --> 00:42:31.599
<v Speaker 3>So and you think about this, the Silm Moriiles being

822
00:42:31.719 --> 00:42:34.639
<v Speaker 3>kind of the focus of all these stories, they themselves

823
00:42:34.639 --> 00:42:37.880
<v Speaker 3>were created objects, right, So.

824
00:42:38.360 --> 00:42:40.239
<v Speaker 1>It all kind of fits together, and that whole theme

825
00:42:40.280 --> 00:42:44.440
<v Speaker 1>of possessiveness also comes up with the right exactly. And

826
00:42:44.480 --> 00:42:48.079
<v Speaker 1>then finally the third theme actually kind of carries over

827
00:42:48.119 --> 00:42:52.519
<v Speaker 1>from this theme of creativity. Machine, or as Tolkien would say,

828
00:42:52.719 --> 00:42:56.719
<v Speaker 1>would also refer to it magic, right, So machine is

829
00:42:56.760 --> 00:43:02.239
<v Speaker 1>the modern form of magic. Here, magic is the shortcut

830
00:43:02.320 --> 00:43:05.159
<v Speaker 1>opposed to true art. So you know, when you think

831
00:43:05.199 --> 00:43:06.960
<v Speaker 1>of true art, think of like elvish, like what the

832
00:43:07.000 --> 00:43:09.679
<v Speaker 1>elves do, right, Like the elves, the elves seek to

833
00:43:09.679 --> 00:43:13.440
<v Speaker 1>take the natural world and to develop it further in

834
00:43:13.679 --> 00:43:16.800
<v Speaker 1>like to develop its nature further, right in a very

835
00:43:16.880 --> 00:43:21.079
<v Speaker 1>organic way that doesn't violate what what we've been given, right,

836
00:43:21.199 --> 00:43:24.280
<v Speaker 1>like what what we've kind of found there. Okay, Whereas

837
00:43:24.280 --> 00:43:25.800
<v Speaker 1>you think of like you know, just think of like

838
00:43:25.840 --> 00:43:29.199
<v Speaker 1>what Suron does, right, or Saramon when he's creating you know,

839
00:43:29.360 --> 00:43:32.280
<v Speaker 1>he's creating the Roukai, right, He's he's.

840
00:43:32.119 --> 00:43:33.079
<v Speaker 2>Like, it's a mockery.

841
00:43:33.159 --> 00:43:37.559
<v Speaker 1>Yeah, he's mock mocking things. Right, He's he's tearing down

842
00:43:37.599 --> 00:43:39.199
<v Speaker 1>the natural world in order to do this. He's not

843
00:43:39.239 --> 00:43:41.440
<v Speaker 1>beautifying the natural world. He's not further developing, and he's

844
00:43:41.480 --> 00:43:44.320
<v Speaker 1>just tearing it up. He's burning it right in order

845
00:43:44.320 --> 00:43:48.519
<v Speaker 1>to make it fuel. Right. Tolkien was not a fan

846
00:43:48.559 --> 00:43:53.119
<v Speaker 1>of cutting down trees, so that that's maybe a little

847
00:43:53.119 --> 00:43:56.760
<v Speaker 1>way to put this, but he would have much preferred

848
00:43:56.760 --> 00:43:59.559
<v Speaker 1>that like people built like cool like tree houses, tree

849
00:43:59.599 --> 00:44:04.519
<v Speaker 1>palaces right out of them. Right. So anyway, that's that's

850
00:44:04.559 --> 00:44:07.400
<v Speaker 1>the idea here. We might also take this one step

851
00:44:07.440 --> 00:44:12.760
<v Speaker 1>further and understand that Salon, in creating the One Ring, right,

852
00:44:12.840 --> 00:44:15.880
<v Speaker 1>creating his rings of power, that he was creating these machines.

853
00:44:15.920 --> 00:44:18.320
<v Speaker 1>He was creating these magic machines that he could use

854
00:44:18.719 --> 00:44:24.039
<v Speaker 1>to manipulate and rule over people. Right, So tools of domination. Okay,

855
00:44:24.599 --> 00:44:28.800
<v Speaker 1>so the machine is the falsification of true art, right,

856
00:44:28.920 --> 00:44:31.840
<v Speaker 1>and that it seeks to dominate, doesn't seem to beautify,

857
00:44:31.840 --> 00:44:34.760
<v Speaker 1>It doesn't seem to glorify and to bring to further

858
00:44:34.840 --> 00:44:37.159
<v Speaker 1>bring out the natural essence of a thing and beautify it,

859
00:44:37.559 --> 00:44:40.159
<v Speaker 1>but to dominate it and to use it for a

860
00:44:40.199 --> 00:44:46.079
<v Speaker 1>means to further power, right yep. So so those are

861
00:44:46.119 --> 00:44:47.719
<v Speaker 1>the three themes that we're really looking at when we

862
00:44:47.760 --> 00:44:49.360
<v Speaker 1>look at the Silm Rellion. There's a whole lot more

863
00:44:49.400 --> 00:44:52.840
<v Speaker 1>in this introduction if you're up for it, I highly

864
00:44:52.880 --> 00:44:55.599
<v Speaker 1>recommend reading it before you dive into Inolindela, though, don't

865
00:44:55.599 --> 00:44:57.000
<v Speaker 1>feel like you have to. It can actually be a

866
00:44:57.079 --> 00:44:59.360
<v Speaker 1>really good introduction to the history of the Silm Million

867
00:44:59.400 --> 00:45:02.000
<v Speaker 1>and kind of ground yourself in it. But again, if

868
00:45:02.039 --> 00:45:04.360
<v Speaker 1>you're just the type of person who doesn't want to

869
00:45:04.400 --> 00:45:06.360
<v Speaker 1>spend your time with an essay before you dive into this,

870
00:45:06.480 --> 00:45:09.920
<v Speaker 1>you can always come back to it later too. We

871
00:45:10.000 --> 00:45:13.239
<v Speaker 1>will be referring to it frequently, like just different parts

872
00:45:13.480 --> 00:45:16.480
<v Speaker 1>parts of it throughout because there's some clarifying statements that

873
00:45:16.679 --> 00:45:19.719
<v Speaker 1>you know that that Tolkien makes throughout it, that the

874
00:45:19.719 --> 00:45:24.159
<v Speaker 1>Waldman letter. Y yeah, so you know, do what you

875
00:45:24.199 --> 00:45:25.599
<v Speaker 1>will with it. If you're the type of person just

876
00:45:25.639 --> 00:45:28.400
<v Speaker 1>wants to dive right into the stories, go for it.

877
00:45:28.639 --> 00:45:31.119
<v Speaker 1>If you want to read the Waldman letter, it's worth

878
00:45:31.159 --> 00:45:31.519
<v Speaker 1>your time.

879
00:45:32.039 --> 00:45:33.840
<v Speaker 2>Personally, I'm a dive writing kind of person.

880
00:45:33.960 --> 00:45:37.000
<v Speaker 1>Yeah, I think most people probably are. I think I probably.

881
00:45:37.039 --> 00:45:38.559
<v Speaker 1>I think I probably do write in the first time

882
00:45:38.559 --> 00:45:39.679
<v Speaker 1>I read it, but then when I went back and

883
00:45:39.679 --> 00:45:40.800
<v Speaker 1>went back and read this thing, I was like, this

884
00:45:40.840 --> 00:45:46.039
<v Speaker 1>is awesome. So all right, so let's jump ahead to

885
00:45:46.079 --> 00:45:48.400
<v Speaker 1>the supporting material. So that's the introductory material. Let's now

886
00:45:48.400 --> 00:45:52.719
<v Speaker 1>look at the supporting material appendices and references. All right,

887
00:45:52.760 --> 00:45:56.880
<v Speaker 1>So we've got five tables, or really six tables if

888
00:45:56.920 --> 00:46:00.719
<v Speaker 1>you count the the the Elves table as one of those.

889
00:46:01.360 --> 00:46:04.800
<v Speaker 1>So let's jump ahead here, and these are on the back.

890
00:46:05.239 --> 00:46:07.840
<v Speaker 1>These are in the back after the main chunk of

891
00:46:07.880 --> 00:46:12.079
<v Speaker 1>the stories. Catcha, all right, we gotta kind of turn

892
00:46:12.079 --> 00:46:16.639
<v Speaker 1>it this way, Greta, Yes, we do. All right. So

893
00:46:16.679 --> 00:46:19.760
<v Speaker 1>the first table that you're gonna see is Fenway, right,

894
00:46:19.800 --> 00:46:22.400
<v Speaker 1>the House of Fenway and the Noldoran descent of l

895
00:46:22.519 --> 00:46:26.519
<v Speaker 1>Rond and l Ros. Okay, hey, you recognize the name there,

896
00:46:27.599 --> 00:46:31.360
<v Speaker 1>l Rond, Right, you see l Rond Yep, by the way,

897
00:46:32.360 --> 00:46:34.519
<v Speaker 1>look up where it says l Rond at the bottom

898
00:46:34.519 --> 00:46:36.840
<v Speaker 1>of the page, bottom right of the page there go

899
00:46:37.039 --> 00:46:41.280
<v Speaker 1>up about ten to maybe one o'clock from there. Follow

900
00:46:41.280 --> 00:46:44.920
<v Speaker 1>it up and you see another name you're going to recognize, Gladrail. Right,

901
00:46:45.000 --> 00:46:48.519
<v Speaker 1>So two names you recognize right there. Okay, we have

902
00:46:48.679 --> 00:46:51.280
<v Speaker 1>l Rond and Gladrail on this table. So this shows

903
00:46:51.519 --> 00:46:55.679
<v Speaker 1>that both l Rond and Gladrail are descended from an

904
00:46:55.679 --> 00:47:00.400
<v Speaker 1>individual named Fenway. All right. Fenway is the king of

905
00:47:00.719 --> 00:47:03.760
<v Speaker 1>is the high king of a group of elves called

906
00:47:03.760 --> 00:47:06.719
<v Speaker 1>the Noldor. All right, he's the high king of a

907
00:47:06.719 --> 00:47:10.760
<v Speaker 1>group of elves called the Noldor. And we're gonna learn

908
00:47:10.760 --> 00:47:12.360
<v Speaker 1>a lot about the old or then Old Door kind

909
00:47:12.400 --> 00:47:15.360
<v Speaker 1>of the main group of elves along with the Sindarron

910
00:47:15.400 --> 00:47:17.760
<v Speaker 1>that we're going to be very focused on in this story.

911
00:47:17.760 --> 00:47:20.519
<v Speaker 1>We're gonna learn where the Nooldor come from, what their

912
00:47:20.559 --> 00:47:27.199
<v Speaker 1>tendencies are, and we're gonna learn a lot about many Noldor. Okay,

913
00:47:27.599 --> 00:47:33.880
<v Speaker 1>all right. The next table we have here is the

914
00:47:33.920 --> 00:47:37.719
<v Speaker 1>descendants of Oldway and Elway. All right, So these are

915
00:47:38.519 --> 00:47:42.039
<v Speaker 1>what a group of elves called the Tillary. Okay, The

916
00:47:42.119 --> 00:47:46.360
<v Speaker 1>Tillary at some point split into the Tillary and the Sindarn. Okay.

917
00:47:47.440 --> 00:47:50.280
<v Speaker 1>You will also see here that el Rond is in

918
00:47:50.360 --> 00:47:55.360
<v Speaker 1>this table as well as is glad rail. Okay, and

919
00:47:55.440 --> 00:47:58.239
<v Speaker 1>you'll look down a little further and who do we see?

920
00:47:58.239 --> 00:48:04.360
<v Speaker 1>There are Wind and what boom? We know them, yeah,

921
00:48:04.400 --> 00:48:09.199
<v Speaker 1>we know them. Okay, So starting to see how okay, okay,

922
00:48:09.239 --> 00:48:11.440
<v Speaker 1>I can see this. This is like an ancient history

923
00:48:11.440 --> 00:48:14.679
<v Speaker 1>of like actual characters that I already do know. All right,

924
00:48:14.880 --> 00:48:19.599
<v Speaker 1>So yep, there you go, all right? Table three here

925
00:48:19.960 --> 00:48:23.440
<v Speaker 1>move your h I know is headphone cord? Here?

926
00:48:23.519 --> 00:48:24.480
<v Speaker 2>There we go, we.

927
00:48:24.519 --> 00:48:27.880
<v Speaker 1>Go, all right. So Table three is the house of

928
00:48:27.880 --> 00:48:31.480
<v Speaker 1>Bayor and the mortal descent of l Rond and el Rose. Okay,

929
00:48:31.679 --> 00:48:34.440
<v Speaker 1>so again we're getting a lot of history on where

930
00:48:34.519 --> 00:48:40.400
<v Speaker 1>l Ron came from. Beyor is a man, okay. Beor

931
00:48:40.519 --> 00:48:43.840
<v Speaker 1>is a mortal, and he is one of the heads

932
00:48:43.840 --> 00:48:47.039
<v Speaker 1>of the great houses of men that come into the

933
00:48:47.079 --> 00:48:50.960
<v Speaker 1>story later on in the Selm Marillion. Okay, and l

934
00:48:51.079 --> 00:48:55.079
<v Speaker 1>Rond is descended from him as well, right, because remember

935
00:48:55.199 --> 00:48:59.440
<v Speaker 1>l Rond is half Elvin. L Rond is half elf,

936
00:48:59.480 --> 00:49:04.039
<v Speaker 1>half human, half man, right, So that shows his descent

937
00:49:04.119 --> 00:49:06.000
<v Speaker 1>from the men's side.

938
00:49:06.280 --> 00:49:08.559
<v Speaker 2>I also real quick want to mention that in both

939
00:49:08.599 --> 00:49:12.400
<v Speaker 2>of those last two tables that you mentioned, there's also Luthian.

940
00:49:12.800 --> 00:49:13.239
<v Speaker 1>Luthian.

941
00:49:13.400 --> 00:49:17.920
<v Speaker 3>Yes, so if you are familiar with John's first book.

942
00:49:19.519 --> 00:49:22.400
<v Speaker 2>Here's your first one, yep, yep, that which is focused

943
00:49:22.400 --> 00:49:24.480
<v Speaker 2>on the story of Baron and Luthian. Then that's another

944
00:49:24.559 --> 00:49:25.320
<v Speaker 2>name that you would know.

945
00:49:25.800 --> 00:49:26.320
<v Speaker 1>Boom.

946
00:49:26.440 --> 00:49:28.039
<v Speaker 2>Also my favorite story in the summer Early.

947
00:49:28.280 --> 00:49:31.320
<v Speaker 1>Yes, well, mine too, and it's a great story. I

948
00:49:31.320 --> 00:49:32.599
<v Speaker 1>can't wait till we get to it. It's gonna be

949
00:49:32.599 --> 00:49:34.280
<v Speaker 1>a little while. But if you if you want to

950
00:49:34.360 --> 00:49:36.639
<v Speaker 1>check out my book, it's called Tolkien's Requim. It's also

951
00:49:36.760 --> 00:49:38.639
<v Speaker 1>you know, some people have actually used that as an

952
00:49:39.000 --> 00:49:41.400
<v Speaker 1>as an introduction into the world of the summarily because

953
00:49:41.400 --> 00:49:43.559
<v Speaker 1>it kind of collect connects a lot of the threads

954
00:49:43.639 --> 00:49:47.079
<v Speaker 1>and it's a very short read. So yeah, you can.

955
00:49:47.280 --> 00:49:49.400
<v Speaker 1>You can actually get a copy of that if you

956
00:49:49.440 --> 00:49:53.360
<v Speaker 1>sign up at the five dollars level on Patreon, and

957
00:49:54.119 --> 00:49:56.840
<v Speaker 1>or you can buy a copy of it from trumanspress

958
00:49:56.880 --> 00:49:59.719
<v Speaker 1>dot com, or it's available on Amazon.

959
00:50:00.039 --> 00:50:00.960
<v Speaker 2>Aimless self promotion.

960
00:50:01.239 --> 00:50:01.840
<v Speaker 1>Well you did it.

961
00:50:01.920 --> 00:50:04.360
<v Speaker 2>I did. I totally opened the door, open the door

962
00:50:04.360 --> 00:50:05.440
<v Speaker 2>to I own it.

963
00:50:05.960 --> 00:50:10.480
<v Speaker 1>Yeah, well done, all right, well done, grita all right.

964
00:50:11.079 --> 00:50:14.800
<v Speaker 1>Table four the House of Hador of dor Lomin Uh

965
00:50:14.880 --> 00:50:17.360
<v Speaker 1>and this is Uh and then we also have five

966
00:50:17.480 --> 00:50:22.119
<v Speaker 1>the people of Halleth the Halidin of Breathel. So it's

967
00:50:22.119 --> 00:50:24.639
<v Speaker 1>not explicitly called out here, but we see Aarendale there

968
00:50:24.639 --> 00:50:27.280
<v Speaker 1>at the very bottom of this table. And Erindale is

969
00:50:27.320 --> 00:50:32.960
<v Speaker 1>the is the father of l Rond, right, so, uh,

970
00:50:33.079 --> 00:50:34.920
<v Speaker 1>that's how this all connects to everything else. But this

971
00:50:34.960 --> 00:50:38.440
<v Speaker 1>is another table of men here as well. All right,

972
00:50:39.760 --> 00:50:43.519
<v Speaker 1>This last table we have is uh, is kind of

973
00:50:43.519 --> 00:50:45.320
<v Speaker 1>different from the other tables, and that it's not like

974
00:50:45.360 --> 00:50:47.960
<v Speaker 1>a direct assent. But what this does is it shows

975
00:50:48.159 --> 00:50:50.719
<v Speaker 1>all of the different names of the groups of elves

976
00:50:50.840 --> 00:50:52.480
<v Speaker 1>and how they look like to one another. It is

977
00:50:52.639 --> 00:50:55.639
<v Speaker 1>very helpful. It's going to look like gibberish at first,

978
00:50:55.920 --> 00:50:59.239
<v Speaker 1>but let's break it down, all right. The Quindy Quindy

979
00:50:59.360 --> 00:51:02.719
<v Speaker 1>is the overall name for the elves, right, they are

980
00:51:02.760 --> 00:51:07.559
<v Speaker 1>the Quindi all elves. They're broken out into two main groups,

981
00:51:08.039 --> 00:51:11.840
<v Speaker 1>the Eldar on the left and the Avari on the right.

982
00:51:14.679 --> 00:51:18.800
<v Speaker 1>They Avari and the Eldar are distinguished by what happens

983
00:51:18.840 --> 00:51:21.039
<v Speaker 1>in one of the early chapters of the Selmer Million.

984
00:51:21.639 --> 00:51:26.079
<v Speaker 1>The basic question do they accept the summons to Valenore

985
00:51:26.360 --> 00:51:29.320
<v Speaker 1>or do they reject the summons to Valin or? Okay,

986
00:51:30.559 --> 00:51:36.559
<v Speaker 1>the Eldar accept the summons. The Avari reject the summons, right,

987
00:51:37.039 --> 00:51:39.960
<v Speaker 1>so they are the unwilling. The Avari are the unwilling,

988
00:51:40.280 --> 00:51:42.239
<v Speaker 1>and you can kind of see there's not a whole

989
00:51:42.280 --> 00:51:45.159
<v Speaker 1>lot more said about them, right, Not not that there

990
00:51:45.199 --> 00:51:47.000
<v Speaker 1>won't be more set about them, and there's not stuff

991
00:51:47.039 --> 00:51:50.199
<v Speaker 1>said about them otherwise, but that's that's kind of where

992
00:51:50.480 --> 00:51:54.480
<v Speaker 1>they're left behind. It's all. It's all defined by what

993
00:51:54.599 --> 00:51:56.719
<v Speaker 1>happens in terms of the journey to valleen Or. Early

994
00:51:56.760 --> 00:51:59.719
<v Speaker 1>in the book, the Eldar are broken out into three

995
00:51:59.760 --> 00:52:02.199
<v Speaker 1>main groups. So these are the people that do that

996
00:52:02.239 --> 00:52:05.400
<v Speaker 1>do accept the journey. They're broken out into the Vanyard,

997
00:52:05.480 --> 00:52:12.360
<v Speaker 1>the Noldor, and the Tillary. Okay, the Vanyard and the

998
00:52:12.400 --> 00:52:17.679
<v Speaker 1>Noldor all eventually complete the journey to Valinor. The Tillary

999
00:52:17.960 --> 00:52:22.960
<v Speaker 1>end up breaking into some different groups, Okay, the Tillary,

1000
00:52:23.039 --> 00:52:25.400
<v Speaker 1>and they're actually a very large group of elves. Some

1001
00:52:25.480 --> 00:52:28.280
<v Speaker 1>of the Tillary do make the journey, right, They make

1002
00:52:28.320 --> 00:52:31.760
<v Speaker 1>the journey on along with the Vanyard and the Noldor,

1003
00:52:31.800 --> 00:52:35.559
<v Speaker 1>and they arrive in the Blessed realm. The groups of

1004
00:52:35.920 --> 00:52:38.480
<v Speaker 1>elves together that become that arrive in the Blessed realm

1005
00:52:38.519 --> 00:52:41.280
<v Speaker 1>are the Calaquindi, right, That's why the Vonnyard, the Noldor

1006
00:52:41.280 --> 00:52:43.079
<v Speaker 1>and part of the Tillary kind of add up to that.

1007
00:52:43.400 --> 00:52:46.480
<v Speaker 1>Elves of light, that's what that means, literally, elves of light,

1008
00:52:46.519 --> 00:52:48.559
<v Speaker 1>the high eleves. They came to Aman in the days

1009
00:52:48.599 --> 00:52:51.360
<v Speaker 1>of the Two Trees. Now let's go back up to

1010
00:52:51.360 --> 00:52:54.199
<v Speaker 1>the Tilary. The Tilary break up into those who become

1011
00:52:54.199 --> 00:52:56.800
<v Speaker 1>the Calaquindi part of the Calaquiniti, and then we have

1012
00:52:56.840 --> 00:52:59.719
<v Speaker 1>the Sindar, the gray elves. These are the elves that

1013
00:52:59.719 --> 00:53:02.360
<v Speaker 1>remain balariond Okay, They're gonna play a big part in

1014
00:53:02.400 --> 00:53:05.280
<v Speaker 1>the story of the Summarillion. And then we have the

1015
00:53:05.360 --> 00:53:08.360
<v Speaker 1>non Door, those that left the march of the Tillarry

1016
00:53:08.480 --> 00:53:11.800
<v Speaker 1>east of the Misty Mountains. Misty Mountains. Hey, that's also

1017
00:53:11.880 --> 00:53:13.599
<v Speaker 1>something from that we recognize from the Lord of the

1018
00:53:13.679 --> 00:53:18.559
<v Speaker 1>Rings and some million. Yes, but the non Door are

1019
00:53:19.159 --> 00:53:21.960
<v Speaker 1>they're they're left further behind, right, so, and and the

1020
00:53:21.960 --> 00:53:24.119
<v Speaker 1>Misty Mountains do not show up on that map right

1021
00:53:24.440 --> 00:53:31.239
<v Speaker 1>of Valerions, Okay, yep. So they will come back into

1022
00:53:31.239 --> 00:53:33.800
<v Speaker 1>the story because they feed into it much later on,

1023
00:53:33.840 --> 00:53:36.480
<v Speaker 1>because they feed into the la Quindy, the green elves

1024
00:53:36.519 --> 00:53:40.719
<v Speaker 1>of Assyrian Okay, and then the oman Yar the Elder

1025
00:53:40.840 --> 00:53:44.679
<v Speaker 1>who were not of Aman Okay. So the non Door

1026
00:53:44.960 --> 00:53:47.159
<v Speaker 1>are kind of interesting because we can think of them

1027
00:53:47.239 --> 00:53:50.119
<v Speaker 1>as you know, the source for some of like many

1028
00:53:50.119 --> 00:53:52.760
<v Speaker 1>of the elves that maybe we don't like. So so

1029
00:53:52.800 --> 00:53:56.159
<v Speaker 1>when we think of like Legolists, for example, I'm kind

1030
00:53:56.159 --> 00:53:57.559
<v Speaker 1>of throwing this out there. I want to double check

1031
00:53:57.599 --> 00:53:59.440
<v Speaker 1>this because I didn't look this up beforehand, but I'm

1032
00:53:59.440 --> 00:54:02.880
<v Speaker 1>pretty sure Legolists and his father thron du Will are

1033
00:54:03.159 --> 00:54:07.199
<v Speaker 1>non Door, right. That would make sense because they live

1034
00:54:07.360 --> 00:54:10.639
<v Speaker 1>east of the Misty Mountains and the Third Age. So

1035
00:54:10.840 --> 00:54:15.360
<v Speaker 1>I'm double checking it here using trustee resource of Lord

1036
00:54:15.400 --> 00:54:22.320
<v Speaker 1>of the Rings wiki. Let's see here they might They're

1037
00:54:22.320 --> 00:54:29.440
<v Speaker 1>sometimes referred to as the Sylvan elves. Right, and looking

1038
00:54:29.679 --> 00:54:35.840
<v Speaker 1>for Legolis's name, not seeing him there, let's look up less.

1039
00:54:36.719 --> 00:54:40.880
<v Speaker 2>So all of these groups, they are the Cindar and

1040
00:54:40.920 --> 00:54:45.760
<v Speaker 2>the non Door. They both left. They they both quit

1041
00:54:45.760 --> 00:54:46.199
<v Speaker 2>the journey.

1042
00:54:46.199 --> 00:54:48.159
<v Speaker 1>They both quit the journey, but at different points, at

1043
00:54:48.159 --> 00:54:52.960
<v Speaker 1>different points, that's correct, gotcha? Uh? So let's see here

1044
00:54:55.119 --> 00:54:59.960
<v Speaker 1>thron du Will. Uh yeah, thron Duill was the only

1045
00:55:00.039 --> 00:55:01.840
<v Speaker 1>son of oo Fair, king of the Woodland realm. He

1046
00:55:01.920 --> 00:55:03.679
<v Speaker 1>was born during the First Age and lived in doriy

1047
00:55:03.679 --> 00:55:07.239
<v Speaker 1>Off at the some point prior to the second kin Sling. Well,

1048
00:55:07.280 --> 00:55:09.079
<v Speaker 1>it doesn't it doesn't spell out whether it's a nondor

1049
00:55:09.119 --> 00:55:12.400
<v Speaker 1>but I'm pretty sure he is. Of course, we got

1050
00:55:12.400 --> 00:55:14.320
<v Speaker 1>our live Q and A. We got a correspondence to

1051
00:55:14.320 --> 00:55:16.079
<v Speaker 1>correct me. You're gonna hear me say that a lot,

1052
00:55:16.280 --> 00:55:21.440
<v Speaker 1>because there's so much there's so much lore. There's so

1053
00:55:21.559 --> 00:55:24.440
<v Speaker 1>much to this legendarium that there's often things that even

1054
00:55:24.440 --> 00:55:25.960
<v Speaker 1>I knew at one point and I've forgotten or I'm

1055
00:55:26.000 --> 00:55:28.000
<v Speaker 1>just not sure if I'm getting that quite right. So

1056
00:55:28.119 --> 00:55:29.880
<v Speaker 1>and it's important to me to make sure we get

1057
00:55:29.880 --> 00:55:32.599
<v Speaker 1>it right. So help me out if if I'm wrong

1058
00:55:32.639 --> 00:55:39.519
<v Speaker 1>about that. All right, So that is the table of

1059
00:55:39.599 --> 00:55:40.039
<v Speaker 1>the Elves.

1060
00:55:40.079 --> 00:55:43.239
<v Speaker 3>So this relates to the sundering of the chapter or

1061
00:55:43.320 --> 00:55:44.280
<v Speaker 3>wait is this this?

1062
00:55:44.280 --> 00:55:45.880
<v Speaker 1>This is just the name of the table, the sundering

1063
00:55:45.920 --> 00:55:50.400
<v Speaker 1>of the elves and some of the not a chapter. Right, So,

1064
00:55:50.599 --> 00:55:52.920
<v Speaker 1>by the way, so we have cal it all kind

1065
00:55:52.920 --> 00:55:54.639
<v Speaker 1>of winds up. Kla Quindi are those who make the

1066
00:55:54.679 --> 00:55:56.159
<v Speaker 1>journey because they are the elves of the light. We're

1067
00:55:56.159 --> 00:55:58.760
<v Speaker 1>gonna understand why that is. And then we're gonna understand

1068
00:55:58.800 --> 00:56:01.519
<v Speaker 1>why uh, and understand the same time the mora a quindi,

1069
00:56:01.559 --> 00:56:05.719
<v Speaker 1>which means the elves of the darkness, right, That doesn't

1070
00:56:05.719 --> 00:56:09.519
<v Speaker 1>mean they're evil. That just means that they don't have

1071
00:56:09.639 --> 00:56:10.360
<v Speaker 1>the light, get.

1072
00:56:10.199 --> 00:56:12.480
<v Speaker 2>An't enter into the light. That's the land of light,

1073
00:56:12.800 --> 00:56:13.199
<v Speaker 2>that's right.

1074
00:56:13.679 --> 00:56:16.159
<v Speaker 3>I mean, just going over this table is making me

1075
00:56:16.320 --> 00:56:19.400
<v Speaker 3>really glad that I'm going to have you and the

1076
00:56:19.400 --> 00:56:21.320
<v Speaker 3>rest of our listeners with me.

1077
00:56:21.719 --> 00:56:24.280
<v Speaker 2>Yeah, because just this one table is blowing my mind.

1078
00:56:24.480 --> 00:56:27.599
<v Speaker 1>It does. There's a lot to this table for sure, hm.

1079
00:56:28.360 --> 00:56:30.800
<v Speaker 2>And it's just a very very very tip of the iceberg.

1080
00:56:31.719 --> 00:56:34.320
<v Speaker 1>All right. A couple of other useful things here in

1081
00:56:34.400 --> 00:56:39.760
<v Speaker 1>the supporting and the supporting content. We have note on pronunciation.

1082
00:56:41.000 --> 00:56:44.840
<v Speaker 1>So most names are not pronounced in a typically American

1083
00:56:44.920 --> 00:56:48.719
<v Speaker 1>or even British dialect. Right, this guy will help you

1084
00:56:48.760 --> 00:56:51.239
<v Speaker 1>figure out the right way of saying certain names. So

1085
00:56:51.559 --> 00:56:54.840
<v Speaker 1>a good example would be cured on of the Gray Havens, right,

1086
00:56:55.079 --> 00:56:57.239
<v Speaker 1>which is pronounced keared on right. You might look at

1087
00:56:57.239 --> 00:56:59.159
<v Speaker 1>that and want to pronounce it as seared on right,

1088
00:56:59.239 --> 00:57:01.000
<v Speaker 1>but it's actually cure done. Whenever you see a ce

1089
00:57:01.480 --> 00:57:03.280
<v Speaker 1>by itself like that, it is pronounced as a heart

1090
00:57:03.440 --> 00:57:06.719
<v Speaker 1>is a k sound right, kuh kredn of the Grey Havens.

1091
00:57:07.239 --> 00:57:09.079
<v Speaker 1>So there's a lot of examples in here like that.

1092
00:57:09.159 --> 00:57:12.159
<v Speaker 1>It's worth just taking a few minutes and reading through

1093
00:57:12.159 --> 00:57:15.320
<v Speaker 1>this so you can understand how to pronounce the names

1094
00:57:15.320 --> 00:57:17.079
<v Speaker 1>that you that you see throughout the story.

1095
00:57:17.280 --> 00:57:22.199
<v Speaker 3>Speaking of pronunciation, are you aware of a good maybe

1096
00:57:22.239 --> 00:57:25.000
<v Speaker 3>audiobook of the Filmarillion?

1097
00:57:25.280 --> 00:57:28.800
<v Speaker 1>Yeah? So, I mean, there's definitely the one on audible.

1098
00:57:29.400 --> 00:57:31.199
<v Speaker 1>I have one on Audible that I listened to from

1099
00:57:31.239 --> 00:57:31.800
<v Speaker 1>time to time.

1100
00:57:32.320 --> 00:57:34.360
<v Speaker 3>I just find that helpful when I'm reading something where

1101
00:57:34.400 --> 00:57:37.880
<v Speaker 3>I feel like it's hard to pronounce names.

1102
00:57:37.920 --> 00:57:40.280
<v Speaker 1>Now, I can't promise you that they pronounce everything correctly

1103
00:57:40.280 --> 00:57:43.960
<v Speaker 1>in that this is the thing. So but if I

1104
00:57:44.000 --> 00:57:46.119
<v Speaker 1>remember from what I listened to it before, I thought

1105
00:57:46.119 --> 00:57:46.960
<v Speaker 1>it was pretty accurate.

1106
00:57:47.440 --> 00:57:48.280
<v Speaker 2>So good to know.

1107
00:57:50.239 --> 00:57:51.960
<v Speaker 1>And hey, at the end of the day, there's sometimes

1108
00:57:52.000 --> 00:57:54.239
<v Speaker 1>I could be wrong about certain things, so you know,

1109
00:57:55.119 --> 00:57:59.159
<v Speaker 1>I mean, yeah, well I try to be I try

1110
00:57:59.199 --> 00:58:01.119
<v Speaker 1>really hard. I try really hard to get these things right.

1111
00:58:01.679 --> 00:58:04.039
<v Speaker 1>But sometimes it's even a little confusing with what's written

1112
00:58:04.039 --> 00:58:05.840
<v Speaker 1>in the in these guides.

1113
00:58:06.000 --> 00:58:08.159
<v Speaker 2>But again, that's why we have you guys, that's right.

1114
00:58:08.280 --> 00:58:10.280
<v Speaker 2>We have lots of people that that's.

1115
00:58:10.119 --> 00:58:13.079
<v Speaker 1>Why we have each other, one big, happy fellowship exactly right,

1116
00:58:13.159 --> 00:58:16.519
<v Speaker 1>exactly all right. And then we have an index of names.

1117
00:58:16.880 --> 00:58:19.760
<v Speaker 1>This is exactly what it says, helpful for determining meetings

1118
00:58:19.760 --> 00:58:22.199
<v Speaker 1>of various names. Okay, so you can go in here

1119
00:58:22.280 --> 00:58:27.280
<v Speaker 1>and you can find let's see, for example, Menas Tirith,

1120
00:58:27.679 --> 00:58:33.719
<v Speaker 1>Tower of Watch. There you go. We have Mythrondier, the

1121
00:58:33.800 --> 00:58:38.519
<v Speaker 1>Gray Pilgrim aka Gandalf right, So yeah, cool things like

1122
00:58:38.559 --> 00:58:40.760
<v Speaker 1>that that can tell us the actual meanings of certain

1123
00:58:40.840 --> 00:58:44.639
<v Speaker 1>names and places. And then the last thing is the

1124
00:58:44.639 --> 00:58:48.000
<v Speaker 1>appendix elements in Quinya and Sindar in names. So this

1125
00:58:48.039 --> 00:58:49.880
<v Speaker 1>is if you really want to nerd out on languages,

1126
00:58:50.239 --> 00:58:52.440
<v Speaker 1>this is a good place to go. Right. So, no

1127
00:58:52.559 --> 00:58:55.239
<v Speaker 1>book by Tolkien would be complete without something like this,

1128
00:58:55.440 --> 00:59:00.920
<v Speaker 1>right without a philology reference. So there you go. Boom awesome,

1129
00:59:01.199 --> 00:59:05.760
<v Speaker 1>boom awesome, awesome. All right. Maps, maps, all right, So

1130
00:59:05.760 --> 00:59:07.920
<v Speaker 1>we've talked about the map already a little bit. Here's

1131
00:59:07.920 --> 00:59:14.480
<v Speaker 1>the deal. This map is of bealariond. You're Bellarion is

1132
00:59:14.519 --> 00:59:16.920
<v Speaker 1>Middle Earth, okay, but it's not the Middle Earth you're

1133
00:59:16.960 --> 00:59:21.119
<v Speaker 1>familiar with. You'll understand how bil Areon relates to the

1134
00:59:21.119 --> 00:59:23.599
<v Speaker 1>rest of Middle Earth. As you get into the story.

1135
00:59:24.719 --> 00:59:26.239
<v Speaker 1>You can see my map of the Third Age of

1136
00:59:26.280 --> 00:59:31.199
<v Speaker 1>Middle Earth behind me. Right here, Bellarion lies to the

1137
00:59:31.679 --> 00:59:36.079
<v Speaker 1>west of what you see of Middle Earth. Right now,

1138
00:59:36.119 --> 00:59:38.199
<v Speaker 1>you're like, how can that be right because it looks

1139
00:59:38.239 --> 00:59:41.920
<v Speaker 1>like it's continuous. Well, we'll find out why that is,

1140
00:59:42.000 --> 00:59:46.800
<v Speaker 1>all right, Stay tuned, stay tuned, all right, And it's

1141
00:59:46.880 --> 00:59:48.639
<v Speaker 1>in the map of Belarion. Is not even going to

1142
00:59:48.679 --> 00:59:51.760
<v Speaker 1>be relevant until it's not going to be relevant in

1143
00:59:51.800 --> 00:59:55.239
<v Speaker 1>the first ten chapters. Right. There's a couple of parts

1144
00:59:55.239 --> 00:59:57.159
<v Speaker 1>where it actually is a little relevant early on, but

1145
00:59:57.199 --> 00:59:59.280
<v Speaker 1>it's not for very long. Most of the action in

1146
00:59:59.320 --> 01:00:01.119
<v Speaker 1>the first ten chapter happens in this place called the

1147
01:00:01.119 --> 01:00:03.199
<v Speaker 1>Blessed Realm, and we don't have a map for that.

1148
01:00:04.199 --> 01:00:07.239
<v Speaker 1>We don't have an official map for that. However, we

1149
01:00:07.280 --> 01:00:09.679
<v Speaker 1>will provide some links in the show notes to show

1150
01:00:09.800 --> 01:00:14.119
<v Speaker 1>some other artists renderings of the Blessed Realm and maybe

1151
01:00:14.360 --> 01:00:17.079
<v Speaker 1>just kind of how the whole world looks at that point.

1152
01:00:18.480 --> 01:00:21.639
<v Speaker 1>And don't forget, there's this great reference called the Atlas

1153
01:00:21.639 --> 01:00:26.400
<v Speaker 1>of Metal Earth by Karen Wynn Fonstad, And this thing

1154
01:00:26.639 --> 01:00:31.679
<v Speaker 1>is extremely useful. It's really well put together. I think

1155
01:00:31.719 --> 01:00:35.679
<v Speaker 1>it had Christopher Tolkien's blessing, but it's regardless, it is

1156
01:00:35.800 --> 01:00:38.480
<v Speaker 1>pretty accurate it and it does a great job of

1157
01:00:38.519 --> 01:00:42.119
<v Speaker 1>like showing lots of locations throughout the first age. It's

1158
01:00:42.119 --> 01:00:43.920
<v Speaker 1>great even if you're just a fan of the Third Age.

1159
01:00:43.920 --> 01:00:45.960
<v Speaker 1>I mean, there's like so many great maps in this thing,

1160
01:00:46.519 --> 01:00:48.800
<v Speaker 1>so I highly recommend picking up a copy. We'll also

1161
01:00:49.199 --> 01:00:54.559
<v Speaker 1>put a link to that in the show notes. So, Greta,

1162
01:00:54.639 --> 01:00:56.559
<v Speaker 1>that's it for the That's it for this introduction to

1163
01:00:56.599 --> 01:00:58.960
<v Speaker 1>this film. Million all your questions answered.

1164
01:00:59.159 --> 01:01:00.760
<v Speaker 2>Yep, I it has been wedded.

1165
01:01:00.880 --> 01:01:03.119
<v Speaker 1>Your appetite has been wetted. That's what I like to hear.

1166
01:01:03.440 --> 01:01:08.480
<v Speaker 3>I feel ready, right on, ready to tackle the Summarillium

1167
01:01:08.519 --> 01:01:09.239
<v Speaker 3>for the second time.

1168
01:01:09.440 --> 01:01:11.760
<v Speaker 1>Boom, ready for this journey.

1169
01:01:11.760 --> 01:01:12.719
<v Speaker 2>This was a good refresher.

1170
01:01:13.480 --> 01:01:16.000
<v Speaker 1>On the next episode, we'll be diving into delay the

1171
01:01:16.079 --> 01:01:19.039
<v Speaker 1>creation story of Middle Earth. And make sure to check

1172
01:01:19.079 --> 01:01:20.840
<v Speaker 1>out tolkien Road dot com for show notes and a

1173
01:01:20.840 --> 01:01:22.719
<v Speaker 1>whole bunch of very helpful links. Or if you're watching

1174
01:01:22.719 --> 01:01:25.960
<v Speaker 1>on YouTube, you can check the uh you can check

1175
01:01:26.039 --> 01:01:31.920
<v Speaker 1>the the notes down there, and if and if you're

1176
01:01:32.719 --> 01:01:35.119
<v Speaker 1>looking at watching or listening on a podcast app, you

1177
01:01:35.119 --> 01:01:36.400
<v Speaker 1>can probably see a lot of the notes in there

1178
01:01:36.440 --> 01:01:37.079
<v Speaker 1>as well. Dude.

1179
01:01:37.119 --> 01:01:38.920
<v Speaker 2>So yeah, we never did our air five.

1180
01:01:39.119 --> 01:01:40.960
<v Speaker 1>Yeah. Well, you know, we weren't getting a lot of

1181
01:01:41.079 --> 01:01:45.519
<v Speaker 1>ups back on on our YouTube channel, so you know why.

1182
01:01:46.159 --> 01:01:48.320
<v Speaker 1>It was an experiment. You know, we got a few

1183
01:01:48.480 --> 01:01:50.639
<v Speaker 1>over time, but if you want to bring it back,

1184
01:01:50.639 --> 01:01:52.480
<v Speaker 1>you just got to start doing. You got to start.

1185
01:01:52.960 --> 01:01:56.000
<v Speaker 2>Wow throwing down the YouTube. All right.

1186
01:01:56.079 --> 01:01:57.760
<v Speaker 1>Well, you know we try different things over the years.

1187
01:01:58.440 --> 01:01:59.920
<v Speaker 1>It's here and there see what people have fun with

1188
01:02:00.480 --> 01:02:02.480
<v Speaker 1>trial and error and speaking of experiments, one thing we

1189
01:02:02.519 --> 01:02:04.400
<v Speaker 1>did for a long time that people really liked and

1190
01:02:04.440 --> 01:02:07.039
<v Speaker 1>we stopped doing it. We're going to start doing again.

1191
01:02:07.880 --> 01:02:13.960
<v Speaker 1>Haiku hiku. So I did a I did a you know,

1192
01:02:14.000 --> 01:02:16.360
<v Speaker 1>this is intro. So you know it wasn't really one

1193
01:02:16.400 --> 01:02:18.599
<v Speaker 1>I thought we would do like a big haikus. I

1194
01:02:18.599 --> 01:02:20.679
<v Speaker 1>didn't ask credit to do one for this week, but

1195
01:02:20.719 --> 01:02:22.320
<v Speaker 1>I did do one. I did do one just because

1196
01:02:22.320 --> 01:02:24.119
<v Speaker 1>I want to kind of set the haiku tone. So

1197
01:02:24.159 --> 01:02:26.400
<v Speaker 1>here you go. You ready for this credit? All right?

1198
01:02:27.440 --> 01:02:32.239
<v Speaker 1>The silm Million not an easy book to read challenge scripture.

1199
01:02:32.400 --> 01:02:38.400
<v Speaker 2>Like I thought Silmarillion was five syllables.

1200
01:02:38.679 --> 01:02:41.519
<v Speaker 1>The Silma Rellion, I.

1201
01:02:41.440 --> 01:02:43.480
<v Speaker 2>Thought it was Silma Rellion.

1202
01:02:44.679 --> 01:02:49.400
<v Speaker 1>Well, I'm speaking in American style here, So okay, we

1203
01:02:49.440 --> 01:02:51.880
<v Speaker 1>can just say selm million not an easy book to read,

1204
01:02:52.280 --> 01:02:59.039
<v Speaker 1>challenge scripture like Boom fixed, I'll accept it. Well, the

1205
01:02:59.119 --> 01:03:02.559
<v Speaker 1>International Haiku Authority has accepted my haiku. This is an

1206
01:03:02.559 --> 01:03:03.320
<v Speaker 1>acceptable haiku.

1207
01:03:03.800 --> 01:03:05.119
<v Speaker 2>Oh I expect better next time.

1208
01:03:05.480 --> 01:03:08.639
<v Speaker 1>Very well? Yeah, well you better bring it pretty argoing.

1209
01:03:09.119 --> 01:03:10.559
<v Speaker 1>If you want to start out all critical like that,

1210
01:03:10.599 --> 01:03:12.039
<v Speaker 1>I'm going to be critical back at you.

1211
01:03:12.639 --> 01:03:13.920
<v Speaker 2>Challenge accepted, all right?

1212
01:03:15.480 --> 01:03:17.840
<v Speaker 1>All right, you want your hikup red in a future episode?

1213
01:03:18.199 --> 01:03:20.440
<v Speaker 1>Hook us up with your haiku. Each episode will be

1214
01:03:20.440 --> 01:03:22.760
<v Speaker 1>picking one out, one lucky listener to have their haiku

1215
01:03:22.840 --> 01:03:26.360
<v Speaker 1>red on air, So go ahead and get them in. Asaph,

1216
01:03:26.360 --> 01:03:26.840
<v Speaker 1>I'm so glad we.

1217
01:03:26.880 --> 01:03:27.440
<v Speaker 2>Do win this again.

1218
01:03:27.840 --> 01:03:31.280
<v Speaker 1>Me too too. It'sna be fun. So the deadline for

1219
01:03:31.320 --> 01:03:34.480
<v Speaker 1>I New Lind Delay is January fifth, twenty twenty two,

1220
01:03:34.880 --> 01:03:37.760
<v Speaker 1>So this episode releases on January third, though if you're

1221
01:03:37.800 --> 01:03:41.559
<v Speaker 1>watching on YouTube, you'll probably see it before then, and

1222
01:03:41.599 --> 01:03:43.599
<v Speaker 1>our patrons will see it before then. So hook us

1223
01:03:43.639 --> 01:03:47.599
<v Speaker 1>up with your haiku right January fifth, twenty twenty two.

1224
01:03:49.159 --> 01:03:51.159
<v Speaker 1>Even if you're not sure, still try to get it

1225
01:03:51.199 --> 01:03:53.000
<v Speaker 1>in and we'll you know it could we might not

1226
01:03:53.079 --> 01:03:56.000
<v Speaker 1>record that soon, and then our deadline for Valaquenta is

1227
01:03:56.079 --> 01:03:59.039
<v Speaker 1>January ninth, twenty twenty two, and we'll keep you posted

1228
01:03:59.079 --> 01:04:02.719
<v Speaker 1>as other deadlines them up, so just kind of stagger

1229
01:04:02.760 --> 01:04:04.559
<v Speaker 1>it based on a week after that. So probably the

1230
01:04:04.559 --> 01:04:07.840
<v Speaker 1>next one after that is January sixteenth, and even if

1231
01:04:07.840 --> 01:04:10.039
<v Speaker 1>we don't get them in on that particular episode, we'll

1232
01:04:10.039 --> 01:04:11.760
<v Speaker 1>probably get him in on our live Q and A. Right,

1233
01:04:11.760 --> 01:04:14.119
<v Speaker 1>we'll probably try and do a you know, go back

1234
01:04:14.119 --> 01:04:15.800
<v Speaker 1>and look at some haiku on our live Q and

1235
01:04:15.840 --> 01:04:18.880
<v Speaker 1>a Q and a later cool, cool, live high Q

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01:04:19.000 --> 01:04:24.559
<v Speaker 1>and a nice All right, y'all, so leave us a

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01:04:24.639 --> 01:04:27.320
<v Speaker 1>rating and review, subscribe, rate and review us on iTunes

1238
01:04:27.400 --> 01:04:29.800
<v Speaker 1>or the platform of your choice. If you are a

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01:04:29.840 --> 01:04:31.480
<v Speaker 1>five star fan of The Tolkien Road, you can really

1240
01:04:31.480 --> 01:04:33.159
<v Speaker 1>help us out by heading over to iTunes or your

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01:04:33.199 --> 01:04:35.119
<v Speaker 1>preferred source for the show and dropping us a rating

1242
01:04:35.119 --> 01:04:37.960
<v Speaker 1>and review. When you do that, it helps get the

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01:04:37.960 --> 01:04:39.679
<v Speaker 1>word out about The Tolkien Road, which helps us to

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01:04:39.760 --> 01:04:46.159
<v Speaker 1>keep on everring on and correspondence. So we're gonna save

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01:04:46.199 --> 01:04:48.920
<v Speaker 1>our correspondence. You know, in the past, we've done correspondents

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01:04:48.920 --> 01:04:51.519
<v Speaker 1>at the end of most episodes in order to make

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01:04:51.559 --> 01:04:53.239
<v Speaker 1>sure we get these episodes really right. We have a

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01:04:53.239 --> 01:04:56.719
<v Speaker 1>time time for we don't feel rushed. I want to

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01:04:56.719 --> 01:05:00.280
<v Speaker 1>save our correspondence, and you know, I'm gonna to be

1250
01:05:00.719 --> 01:05:03.760
<v Speaker 1>like picking the best correspondence that we receive and you know,

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01:05:03.920 --> 01:05:06.119
<v Speaker 1>really saving that for our monthly discussions, right, So our

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01:05:06.159 --> 01:05:08.800
<v Speaker 1>monthly Q and A, and we're going to respond to

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01:05:09.320 --> 01:05:12.159
<v Speaker 1>notes who receive and that kind of thing on the episode.

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01:05:12.239 --> 01:05:13.679
<v Speaker 1>I'm also going to do a better job of just

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01:05:13.760 --> 01:05:16.000
<v Speaker 1>keeping up with the shorter nice notes that you guys

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01:05:16.039 --> 01:05:18.239
<v Speaker 1>send us and everything. You might make it on the air,

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01:05:18.440 --> 01:05:20.719
<v Speaker 1>you might not, but no matter what, we always appreciate it.

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01:05:20.760 --> 01:05:23.239
<v Speaker 1>And I you know, Greta will tell you we get

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01:05:23.559 --> 01:05:24.960
<v Speaker 1>awesome notes from people all the time that I just

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01:05:25.039 --> 01:05:26.280
<v Speaker 1>forward to her and I'm just like, this is an

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01:05:26.280 --> 01:05:28.400
<v Speaker 1>awesome note. Yeah, right, yeah, because it puts the wind

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01:05:28.440 --> 01:05:29.239
<v Speaker 1>in our sales.

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01:05:28.960 --> 01:05:30.800
<v Speaker 2>To hear from y'all, it really does.

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01:05:32.079 --> 01:05:33.840
<v Speaker 1>So yeah, drop us a line. You can correspond with

1265
01:05:33.960 --> 01:05:36.960
<v Speaker 1>us in a number of ways. YouTube comments on any episode,

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01:05:37.320 --> 01:05:40.960
<v Speaker 1>tolkienrooad dot com, comments in private contact form, email Tolkien

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01:05:41.000 --> 01:05:44.079
<v Speaker 1>Roadpodcast at gmail dot com, Twitter at Tolkien Road, and

1268
01:05:44.119 --> 01:05:48.039
<v Speaker 1>you can also find us on Instagram and Facebook. So yeah,

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01:05:48.480 --> 01:05:50.519
<v Speaker 1>looking forward to these live Q and A episodes we do.

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<v Speaker 1>So let's let's make the correspondence awesome, folks, let's do

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01:05:53.440 --> 01:05:58.119
<v Speaker 1>it all right, Yes, okay, So this most livestream I

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01:05:58.119 --> 01:06:00.599
<v Speaker 1>think right now if I to go and put this

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01:06:00.599 --> 01:06:03.199
<v Speaker 1>out there, so I believe we have it scheduled for

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01:06:03.960 --> 01:06:07.840
<v Speaker 1>uh let's see here the nineteenth, So Wednesday, the nineteenth

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01:06:07.840 --> 01:06:10.800
<v Speaker 1>of January at seven pm Central Time, at eight pm Eastern,

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01:06:12.079 --> 01:06:15.159
<v Speaker 1>five pm Pacific. And that's going to be our plan.

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01:06:15.599 --> 01:06:17.039
<v Speaker 1>Become a if you want to join in that, make

1278
01:06:17.079 --> 01:06:18.960
<v Speaker 1>sure you become a patron of time and we will

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01:06:18.960 --> 01:06:21.400
<v Speaker 1>be sending out the link for that to our patrons.

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01:06:21.679 --> 01:06:24.440
<v Speaker 1>So sound good.

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01:06:24.320 --> 01:06:25.159
<v Speaker 2>That sounds amazing.

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01:06:25.280 --> 01:06:25.639
<v Speaker 1>All right.

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01:06:25.679 --> 01:06:27.639
<v Speaker 2>I'm really excited to be long for the rat.

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01:06:27.639 --> 01:06:31.800
<v Speaker 1>As am I as am I all right? Speaking of patrons,

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<v Speaker 1>thank you to these amazing patrons. John R.

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01:06:34.719 --> 01:06:37.960
<v Speaker 4>Caitlin of t with Tolkien mis Anonymous, Andrew T. RedHawks,

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01:06:37.960 --> 01:06:41.159
<v Speaker 4>Shannon S. Brian O, Emilio P Zeke F, James A,

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01:06:41.440 --> 01:06:44.679
<v Speaker 4>James L. Chrisell, Chuck f izv Ish of the Hammer,

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01:06:44.800 --> 01:06:45.320
<v Speaker 4>Teresa C.

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01:06:45.639 --> 01:06:48.119
<v Speaker 1>David of Pines with Jack Jonathan D, Eric S.

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01:06:48.320 --> 01:06:48.639
<v Speaker 2>Eric B.

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01:06:48.960 --> 01:06:51.000
<v Speaker 1>Johanna T. Mike M, Robert H.

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01:06:51.119 --> 01:06:51.440
<v Speaker 2>Paul D.

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01:06:51.800 --> 01:06:55.239
<v Speaker 1>Julia and as well as those celebrating their patron anniversary

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01:06:55.880 --> 01:06:59.440
<v Speaker 1>in January of twenty twenty two, twenty two, Tyler W,

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01:07:00.119 --> 01:07:05.639
<v Speaker 1>Mike M, Eleena Vee, Richard K, Melanie Scott W, Jason T.

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01:07:05.920 --> 01:07:06.400
<v Speaker 2>David G.

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<v Speaker 1>And John R. Thanks guys, Thanks y'all, and we will

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<v Speaker 1>We enjoyed this episode. We're looking forward to this journey

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<v Speaker 1>and we will talk at you next time.

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<v Speaker 2>Bye y'all, good bye,
