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Speaker 8: Dot program Late Night to Light with DJ Mitas right

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here on w MNH Manchester because.

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Speaker 5: Saturdays and Sunday nights midnight to four am.

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Speaker 9: This hour on wm NH is sponsored by CGI Business Solutions,

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located at five Dartmouth Drive in Auburn. They serve all

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Speaker 10: Behold the harmony of airwaves as you immerse yourself in

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the captivating frequencies of w m NHLP the sonic cardets

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of Manchester twins sending through the ether ninety five point

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three megahertz frequency modulation. Our transmissions M and E from

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the zene at the one thousand Elm Street ensure into

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the hearts of our creative realm at one nineteen Canal Street,

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where innovation and sound collode bear the impro moder of

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Manchester public television service in the venerable city of Manchester,

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New Hampshire, USA. Enrich your auditory journey with the depth

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of our license to Wesden spent your missives. Do w

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m n H ninety five three at gmail dot com

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or traverse the virtual corridors of w mnhradio dot org.

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Engage with our sonic vibrations by communing with us through

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the digital channels or radio beconds, eager to enthrall you

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with its mesmerizing cadence and develop you as symphony of

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foundless auditories.

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Speaker 1: Won Dude, w m n H. Rip the novels.

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Speaker 7: This is eleanor Langthorn from Vices, Inc.

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Speaker 11: And you're listening to Matt Connorton unleashed on ninety five

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point three w m n H.

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Speaker 1: My point, please.

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Speaker 12: Command God, don't get supreme lead Maxwell.

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Speaker 13: Penny Magee so pedler very break now.

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Speaker 14: Pedal iss from town through the town.

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Speaker 1: In an old Johnty wagon and filled to the brim,

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freaking some treasures they would pile up in.

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Speaker 15: But he had one.

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Speaker 1: Jemmy naver, said.

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Speaker 14: Kathleen, me busy apple Dad, He's eye.

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Speaker 1: She had raven black hair.

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Speaker 16: I was blue as the sky.

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Speaker 17: The young girl's beauty was known far and wide for

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twenty yacht years.

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Speaker 1: She rode by his side. When Arthur somber, I.

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Speaker 15: I'm in love with the Faddler's daughter.

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Speaker 13: She mastered every trick and he taught her.

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Speaker 1: I swore and stop until I caught her.

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Speaker 15: But I'm in love with that your's daughter.

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Speaker 17: For three long years, I tried to catch her.

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Speaker 13: I needed to prove I was just some other guy.

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Speaker 17: So every week when they come to town, I grabbed

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my money and I.

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Speaker 15: Laid it down and I spent every shilling that I had.

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Speaker 1: Week after week.

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Speaker 18: We play that game.

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Speaker 1: She'd take all my money forget my name.

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Speaker 14: But I I wear her down until that did she

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find meg drums and around.

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Speaker 1: Shouldn't look at me, and she'll know.

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Speaker 15: I'm in love with the bad your daughter.

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Speaker 1: Like a drowning man, I'm trying to.

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Speaker 15: Treadwater like a lad be left to the slaughter.

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Speaker 7: I'm in love and that your daughter.

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Speaker 18: As hard as I tried, she is as good my charms.

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Speaker 15: Until last one night.

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Speaker 1: She fell into my arms.

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Speaker 14: In night sweet moments, she lay down the yard you

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can stand, you roll underneath the stars.

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Speaker 1: She looked deep into my eyes.

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Speaker 15: And I'm in love with the past daughter.

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Speaker 16: I lost every time that a partner, she sold, every gift,

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I every barn.

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Speaker 15: Stop, loved.

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Speaker 19: The peddler's daughter. That is the Pop Farmers and the

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Pop Farmers are here with us.

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Speaker 13: Live in studio.

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Speaker 19: Welcome everybody, as we have entered our number two new

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marrow dose of Matt Connorton unleashed on this Saturday morning.

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And of course, uh, Saint Patrick's Day does approach, which

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is why the Pop Farmers are here. I guess we're

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making this annual tradition, which I love.

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Speaker 13: This is great.

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Speaker 19: Jenny is here of course at the news table for yes,

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and we have the Pop Farmers and actually, well we

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have a one more member than we had we had.

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Speaker 13: Present with us last year, so this is great. These

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guys are gonna play live for us.

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Speaker 1: But let's do this.

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Speaker 13: Let's well, you all know the drill. We'll start in

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the corner. Uh, you can eat you.

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Speaker 19: I tell us who you are, what you do in

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the band, your involvement in the Pop Farmers, and any

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other pertinent details you'd like us to know.

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Speaker 1: All right, I'm Dan Moran and I play mandolin when

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we play the Irish songs and I played bass when

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we don't play the Irish songs, so yes, it's yeah,

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so kind of Gary and I switch off and he

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plays guitar and I played bass, and uh, yeah, it's

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kind of cool. We when we started doing playing the

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Irish bar as we well, one of us should learn mandolin,

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so it works out well, So that makes sense, that

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makes sense. Unfortunately Tyler is a better mandolin player than

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I am, but h he lets me play it.

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Speaker 19: So Tyler, And of course your name came up in

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the uh in the first hour, sorry because of Gary

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mentioned because of course Fox and the Flamingos. You're one

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of those guys who's in like all kinds.

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Speaker 20: How many bands are you in currently? Just technically one.

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I'm filling in with them for St. Patrick's. Oh okay,

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Box and the Flamingos is my only band.

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Speaker 13: Right now, right right? You don't have another project with Gary? No, Gary, Yeah,

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so many projects?

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Speaker 19: He confuses me, I think, I think because he he

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mentioned you, so then in my mind I connected that

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as oh so obviously they probably have ten bands that

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they do together. Okay, so you're Fox and the Flamingos,

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but you also help out in the pop Farmers okay, excellent, excellent?

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Was that was that the case last year too?

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Speaker 13: When you were I remember you were here?

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Speaker 1: Were you? He was a full time that way. Then

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he left and we philipp from uh glitter to oh yeah,

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he was replacing Tyler. Oh okay, but Bill's pretty busy

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and here Todd Tyler likes the combativeness of Saint Patrick's day,

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so we hire him to come and uh and duke

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it out with us during the muscle.

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Speaker 13: Excellent, excellent, Well, wonderful to see you and you sir.

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Speaker 20: Uh Jim mahoney and played drums and a little bit

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of singing.

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Speaker 1: And that's about it, all right, very good.

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Speaker 20: I'm not allowed, not allowed to be on the mic.

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Speaker 1: Okay, you know how drummers aren't I do?

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Speaker 21: I do?

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Speaker 13: And you, sir on the bass over there?

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Speaker 21: Yeah, Gary, I play bass, I play guitar, I sing,

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I do the set list sometimes.

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Speaker 1: Oh really, if he runs the sound, he makes us

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sound good.

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Speaker 19: Yeah, I try outstanding, outstanding. Well, I'm down to hear

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you guys play live. I know the audience is too,

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So why don't we if you want to play something,

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and then we'll we'll chat a little bit, catch up

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with what y'all are doing.

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Speaker 13: But uh, what do you what do you want to

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play for us first?

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Speaker 1: Yeah, we're gonna start off with Usually a lot of

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times we start our set list with this song, just

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because it's a fun one to play.

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Speaker 13: Tell me ma, all right, the pop farmers live in studio.

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Tell me mo when I get home.

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Speaker 11: The leave the girls alone runs on my home.

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Speaker 22: But that's all right.

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Speaker 18: Till I get home. She is handsome, she is pretty.

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She is a bell of belt City. She is a

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courtoon one two three?

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Speaker 1: Please can you tell me who is she?

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Speaker 17: Albert Mooney says he loves her. All the movies are

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fighting for her and not getting the door, ring the

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bellt singing up your love?

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Speaker 21: How are you well?

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Speaker 17: Ts cos and find that snow with bring Donna figures

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in the bells, don her toes o. Jennifer feasts. She'll

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die if you don't get the fellow with the room.

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Speaker 11: And I tell me mo, when I get home, the

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boys won't me The girls alone.

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Speaker 21: For my hair rest on my comb.

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Speaker 18: But that's all right till.

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Speaker 21: I get home.

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Speaker 11: She is anesome, she is pretty, She is the bell

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of Douf.

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Speaker 21: That's it.

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Speaker 18: She is a guardon one two three.

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Speaker 11: Please can you tell me who is she?

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Speaker 17: Little never rings in a hand, blow high and the

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stuff comes start leaking from this guy.

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Speaker 1: She's a sweet ass.

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Speaker 17: I will by if you get her wrong, look by

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and by when she get some man of her own.

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She won't tell them about when she gets home. Let

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them off, and as we will. It's Albert Muney.

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Speaker 22: She loves to tell me why when I get home

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the boys won't leave the girls alone with my hair

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and stuff my glove.

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Speaker 18: That's all right, Get on. She is handsome, she is great.

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She is the belle of buff I said she is

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a cartoon one two three?

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Speaker 11: Please gonna tell me who is she?

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Speaker 23: Now?

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Speaker 1: You me sense he loves her.

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Speaker 17: All the boys are fighting for her, and not get

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the doors ring the bell singing out too?

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Speaker 21: Love?

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Speaker 17: Are you will not combs one as home rings on

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the fingers and bells on his toes, Oh, Jennimer, Lisa,

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she'll die if you don't get the fellow with the room, And.

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Speaker 11: I tell him when I get home.

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Speaker 22: The boys the girls along, pull my hairs, Oh my

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com but that's all right till you home.

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Speaker 10: She is and some.

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Speaker 9: She is great.

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Speaker 21: She is a bell belt city.

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Speaker 18: She is a cartoon one, two, three?

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Speaker 13: Please can tell me who is she? You guys sound amazing. Yeah,

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that's amazing. The pop farmers here with us alive in

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studio on this Saturday morning. Uh so, what what are

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the Thanksgiving? Thanksgiving?

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Speaker 21: Oh?

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Speaker 1: My god, I do that all the time, do you really? Yeah,

250
00:16:52,279 --> 00:16:54,279
it's like I don't know what it is about Thanksgiving

251
00:16:54,320 --> 00:16:56,320
in St. Patrick Day? Mix them up too, Yeah, yeah,

252
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what is it? What is it?

253
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Speaker 13: What have you got coming up for Saint Patrick?

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Speaker 23: Say?

255
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Speaker 13: What is the plan? Because if I remember correctly, so last.

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Speaker 19: Year when you guys were here, it was like you

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had like like two gigs or three gigs in one

258
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day or something.

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Speaker 1: Yeah, it's a nutty time. We could probably I was

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telling gener earlier. We probably play. We could probably play

261
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four or five times that day if we Yeah, just

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because well we can't. We can't because we can't stress

263
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ourselves out that far. But yeah, we played last night

264
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at the Pedlar's Daughter in Nashua, So that's why probably

265
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a little groggy. We got home at two thirty and

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then got here. Yeah, and then tomorrow tonight we're playing

267
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at the Pedlar's Daughter in Haverol, Okay. And then Saturdays.

268
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Second Sunday Sunday we're playing a great north Ale works

269
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in Manchester, Oh very nice. And then Monday we're playing

270
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from eleven to three at the Peddler's Daughter in Harol,

271
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Okay for real early in the morning, and then we're

272
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gonna boogey on over to Nashville and play from five

273
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to eight at the Peddler's Daughter. So there's our there's

274
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daughter world to our Yes, if they had more more venues,

275
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we could probably stretch it out, but they just have

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the two.

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Speaker 19: So for a band like the Pop Farmers, it's kind

278
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of like what Black Friday is to retail, right, Yes, yeah.

279
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Speaker 1: It's our busy time and yeah because we like so

280
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we first started, we were just we're just doing basic

281
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classic rock covers, but we played a lot of Irish bars,

282
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so if you got let's learn some Irish songs, and

283
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then it kind of became our niche. So we're not

284
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totally an Irish band, but we you know, we played

285
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a lot of mostly classic rock covers, but we sprinkle

286
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them in, like we can play as many or as

287
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little as Irish songs as we needed. Some some bars

288
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we don't play any at all, but just a few,

289
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but yeah, but yeah we could, we could we and

290
00:18:45,960 --> 00:18:48,119
we don't play like like a lot of the traditional

291
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rebel songs where you were, it's kind of like just

292
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drinking songs and yeah, typical Saint Patrick's Day stuff. But

293
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it's uh, it's fun to play and people seem to

294
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really like it.

295
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Speaker 19: So oh yeah, yeah, are are you guys as a

296
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band active pretty active the rest of the year too, or.

297
00:19:02,920 --> 00:19:06,799
Speaker 1: Like, yeah, we're we're booked out. We played at the

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beach at out of Hampton Beach in summer.

299
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Speaker 13: That must be fun.

300
00:19:11,319 --> 00:19:14,119
Speaker 1: Yeah, it's a it's a nuthouse out there too, because yeah,

301
00:19:15,480 --> 00:19:18,359
but yeah, we we're playing a couple of times a month,

302
00:19:18,480 --> 00:19:22,880
not not overly too much, but yeah we're getting there.

303
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Speaker 13: No, that's great.

304
00:19:23,920 --> 00:19:26,400
Speaker 19: That that is excellent if you are just joining us

305
00:19:26,480 --> 00:19:29,079
the Pop Farmers. The Pop Farmers are with us live

306
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in studio.

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Speaker 13: I'm struggling this morning. I can write some more water,

308
00:19:32,720 --> 00:19:34,319
but you guys want to play another one. I'm dying

309
00:19:34,359 --> 00:19:36,440
here more you guys. Sound sounds fantastic.

310
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Speaker 1: Gary's going to sing this one ready all right.

311
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Speaker 13: The Pop Farmers are live in studio.

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00:19:44,279 --> 00:19:48,559
Speaker 21: Go for it, one, two, three. As I was going

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over the far fam Carree mountains. I came upon Captain

314
00:19:53,119 --> 00:19:56,960
Farll and his money. He was counted. I first produced

315
00:19:57,079 --> 00:20:01,160
my and then produce my rape. Pers say stand in

316
00:20:01,359 --> 00:20:05,599
deliver before I am the ball. Deceive them cherena.

317
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Speaker 20: Black for the daddyo.

318
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Speaker 11: Black for the daddyo is whiskey in that jar.

319
00:20:14,079 --> 00:20:17,480
Speaker 21: I counted out his money and it made a pretty penny.

320
00:20:18,160 --> 00:20:20,759
I put it in my pocket and I took it

321
00:20:20,920 --> 00:20:24,680
on to Jenny. She said, and she swore that she

322
00:20:24,839 --> 00:20:28,079
never would deceive me. But the devil take the women,

323
00:20:28,440 --> 00:20:34,200
for they never can be easy. Uscherina dramada, whackpaw the

324
00:20:34,319 --> 00:20:36,880
daddy O whackpa the daddio.

325
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Speaker 1: There's whiskey in the jar.

326
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Speaker 21: I went into my chambers all to take a slumber.

327
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I dreamed of gold and jewels, and for sure it.

328
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Speaker 11: Was no wonder.

329
00:20:48,720 --> 00:20:51,759
Speaker 21: But Jenny took my charges and she filled them up

330
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with water, then sent for Captain Ferrell to be ready

331
00:20:55,799 --> 00:20:58,640
for the slaughter of Muscherina.

332
00:21:00,599 --> 00:21:03,319
Speaker 18: The dadio blackball the daddio.

333
00:21:03,559 --> 00:21:05,160
Speaker 1: There's whiskey in the jar.

334
00:21:06,759 --> 00:21:09,759
Speaker 21: It was early in the morning when I rose up

335
00:21:09,880 --> 00:21:13,880
for travel. The guards are all around me, and likewise

336
00:21:14,000 --> 00:21:17,920
Captain Farrell I first produced my pistol, for she stole

337
00:21:17,960 --> 00:21:21,759
away my rapier. I couldn't shoot the water, so a

338
00:21:21,920 --> 00:21:23,640
prisoner I was taking.

339
00:21:23,480 --> 00:21:30,279
Speaker 18: A charen dr Ramadi, blackball Dadio, black phone Daddio. There's

340
00:21:30,359 --> 00:21:31,680
whiskey in the jar.

341
00:21:33,319 --> 00:21:37,039
Speaker 11: If anyone can head me, it's my brother in the army.

342
00:21:37,519 --> 00:21:40,480
Speaker 21: If I can find his station in a corker and

343
00:21:40,680 --> 00:21:43,799
kill Carty, and if he'll come and see me, we'll

344
00:21:43,880 --> 00:21:47,039
go rom it in kill Kenny. I know he'll treat

345
00:21:47,119 --> 00:21:49,839
me better than my darling Sportland Jenny.

346
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Speaker 18: What scharene Amadi? Blackball Dadio, blackball Dadio.

347
00:21:56,640 --> 00:21:58,240
Speaker 1: There's whiskey in the jar.

348
00:21:59,759 --> 00:21:59,920
Speaker 23: Now.

349
00:22:00,119 --> 00:22:03,400
Speaker 21: Some men take the lie in the hurling in the booth,

350
00:22:03,599 --> 00:22:07,000
and the others take the lie in the gambling and

351
00:22:07,279 --> 00:22:11,200
the smoking. But I take the lie in the juice

352
00:22:11,279 --> 00:22:15,359
of the barley and courting. Pretty Fairmid's in the morning,

353
00:22:15,559 --> 00:22:17,359
brighton early ring.

354
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Speaker 18: Whack Paonda, whack pall the daddio.

355
00:22:23,240 --> 00:22:24,440
Speaker 1: There's whiskey in the.

356
00:22:24,640 --> 00:22:31,480
Speaker 18: Job, Black Dao, whackfall the daddio.

357
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Speaker 13: There's whiskey in the job. Oh that is really good.

358
00:22:37,880 --> 00:22:40,480
Speaker 19: The pop farmers here with us live in studio on

359
00:22:40,680 --> 00:22:43,960
this Saturday morning. Great job guys, great job.

360
00:22:44,680 --> 00:22:46,519
Speaker 13: Is it hard to sing this early in the day,

361
00:22:46,720 --> 00:22:50,359
I mean, I guess, I guess at uh at Saint

362
00:22:50,440 --> 00:22:53,200
Patrick's day time. You kind of have to force yourself

363
00:22:53,240 --> 00:22:53,920
to do it, right, but.

364
00:22:54,519 --> 00:22:56,000
Speaker 20: Not much of a choice. It's always hard for me

365
00:22:56,079 --> 00:22:56,359
to sing.

366
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Speaker 1: Is I'm not hitting the high notes this morning?

367
00:23:00,119 --> 00:23:00,160
Speaker 21: Know?

368
00:23:00,359 --> 00:23:04,400
Speaker 1: No, Gary is the singer in the band. We just

369
00:23:04,839 --> 00:23:05,720
we just followed Gary.

370
00:23:05,880 --> 00:23:06,039
Speaker 21: Yeah.

371
00:23:06,119 --> 00:23:11,119
Speaker 24: Yeah, and it's only day two, so yeah, oh yeahled

372
00:23:11,160 --> 00:23:11,640
by Guinness.

373
00:23:11,880 --> 00:23:17,640
Speaker 21: Yeah, it might sound a little bit different, right right.

374
00:23:17,960 --> 00:23:21,759
Speaker 1: Don't talk to us on Tuesday. You don't have any voices. Yeah.

375
00:23:25,119 --> 00:23:26,680
Speaker 13: Oh, and I just realized too. You guys are all

376
00:23:26,720 --> 00:23:27,240
wearing green.

377
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Speaker 19: I don't think I have anything green people are and

378
00:23:29,799 --> 00:23:31,599
I'm Irish, but I don't think I have any I

379
00:23:31,640 --> 00:23:33,039
don't think I have any green clothes at all.

380
00:23:33,200 --> 00:23:33,920
Speaker 13: It's funny though, too.

381
00:23:33,960 --> 00:23:36,960
Speaker 19: I was also uh noticing Jenny's name in the song

382
00:23:37,079 --> 00:23:39,759
and coincidentally, Jenny Jenny is not Irish, but she has

383
00:23:39,799 --> 00:23:40,160
red hair.

384
00:23:42,799 --> 00:23:46,599
Speaker 12: I also only have two articles of clothing. You what,

385
00:23:46,960 --> 00:23:49,279
I only have two articles and I've got one on

386
00:23:49,519 --> 00:23:50,319
one not on.

387
00:23:50,799 --> 00:23:53,440
Speaker 1: Yes, it's not a prerequisite.

388
00:23:53,759 --> 00:23:57,680
Speaker 13: Yeah, oh, I don't know. You're not like you don't.

389
00:23:57,720 --> 00:23:58,960
You don't look Irish.

390
00:24:00,079 --> 00:24:00,240
Speaker 1: There.

391
00:24:01,720 --> 00:24:04,160
Speaker 13: Yeah, but.

392
00:24:06,079 --> 00:24:08,559
Speaker 19: How many like when So when you guys play live

393
00:24:08,720 --> 00:24:12,599
for the Saint Patrick's Day shows, is it is it

394
00:24:12,720 --> 00:24:17,680
mostly like classic Irish songs or are there obviously.

395
00:24:17,359 --> 00:24:20,000
Speaker 13: You have originals too, right? So like what's kind of

396
00:24:20,039 --> 00:24:20,799
the ratio there?

397
00:24:21,920 --> 00:24:25,279
Speaker 1: It's it depends. Like when we play at the in Haverol,

398
00:24:26,039 --> 00:24:29,240
we play pretty much, it's four hours we play. We

399
00:24:29,359 --> 00:24:33,319
play mostly Irish stuff, but yeah, sometimes we have to

400
00:24:33,400 --> 00:24:35,400
repeat it because we don't you know, we don't have fun.

401
00:24:35,680 --> 00:24:38,119
You know, we have a lot, but not four hours worth.

402
00:24:38,240 --> 00:24:40,720
But but we play, but we mix in the classic

403
00:24:40,839 --> 00:24:43,240
rock stuff too and people seem to be okay with that,

404
00:24:43,640 --> 00:24:45,960
so it's not just four hours of Irish music.

405
00:24:46,119 --> 00:24:46,319
Speaker 13: Yeah.

406
00:24:46,440 --> 00:24:48,200
Speaker 1: Actually, one one of le bars we got hired at

407
00:24:49,759 --> 00:24:52,960
Tom McGirk up at Hampton Beach. He hired us because

408
00:24:53,039 --> 00:24:55,920
we played some Irish music, but not well, you know,

409
00:24:56,200 --> 00:24:59,200
three hours worth, because oh, you know, I don't know, well,

410
00:24:59,279 --> 00:25:01,480
I guess some people want to hear three hours or

411
00:25:01,480 --> 00:25:03,839
at Irish music. But he said at the beach they

412
00:25:03,880 --> 00:25:05,920
didn't want to hear three hours of Irish So we

413
00:25:05,960 --> 00:25:08,839
can play enough that if people request more irish we

414
00:25:08,880 --> 00:25:10,920
can do it. But if not, you know, like some

415
00:25:11,039 --> 00:25:12,759
bars don't they don't want to hear it at all.

416
00:25:12,920 --> 00:25:14,960
So that's fine. Yeah, yeah, we're good.

417
00:25:15,440 --> 00:25:17,200
Speaker 19: But I guess I guess if you're playing a four

418
00:25:17,240 --> 00:25:19,319
hour show though, too, there's nothing wrong with repeating some

419
00:25:19,400 --> 00:25:22,359
things later on because obviously that crowd is turning over anyway.

420
00:25:22,519 --> 00:25:22,720
Speaker 1: Sure.

421
00:25:23,039 --> 00:25:26,039
Speaker 20: Yeah, and frankly, on St.

422
00:25:26,039 --> 00:25:31,519
Speaker 12: Patrick's Day, everybody wants to hear like certain songs multiple timesicorns.

423
00:25:31,720 --> 00:25:37,119
Speaker 13: Yeah, yeah, that's a good point. Yeah, that's true. That's true.

424
00:25:37,119 --> 00:25:39,039
Speaker 12: They'll still scream out the ones even though we've already

425
00:25:39,039 --> 00:25:41,759
played them right now, that makes sense. It's like the

426
00:25:41,799 --> 00:25:43,519
one day we're like, all right, fine.

427
00:25:43,480 --> 00:25:48,039
Speaker 19: Yeah, what's the longest show you guys have played during uh,

428
00:25:48,519 --> 00:25:50,480
Saint Patrick's or at any time of the year.

429
00:25:50,519 --> 00:25:53,680
Speaker 13: Actually, what like because four hours.

430
00:25:53,960 --> 00:25:57,000
Speaker 1: More hours we played. We played a private party in

431
00:25:57,119 --> 00:25:59,559
Hampton Beach and I think were initially was a four

432
00:25:59,599 --> 00:26:02,799
hour game yep, And and then they kept saying can

433
00:26:02,839 --> 00:26:06,200
you play more? And so give us kept throwing throw

434
00:26:06,279 --> 00:26:09,839
money out, so money we did. It was like yeah,

435
00:26:09,839 --> 00:26:12,559
it was a six hour gig. And again but we

436
00:26:12,920 --> 00:26:15,000
I think could we play We think we played Drunken

437
00:26:15,079 --> 00:26:18,759
Sale or like eight times. That's what they wanted to hear. Like, okay,

438
00:26:19,200 --> 00:26:20,839
you got it. You keep throwing money on us, We'll

439
00:26:20,880 --> 00:26:21,079
play it.

440
00:26:21,720 --> 00:26:24,319
Speaker 13: Yeah, give them what they want. Yeah, no doubt, no doubt.

441
00:26:25,000 --> 00:26:25,880
You want to play another one?

442
00:26:27,160 --> 00:26:31,480
Speaker 1: Sure? Like Tyler said that this is one that people

443
00:26:31,559 --> 00:26:34,640
always actually request more. So we played like four or

444
00:26:34,680 --> 00:26:40,000
five times Ballwie Girl, and that's again we will play

445
00:26:40,079 --> 00:26:43,079
the song and then invariably ten minutes later, so somebody

446
00:26:43,119 --> 00:26:45,519
come up and say, can you play Gallway Girl? Okay,

447
00:26:47,160 --> 00:26:49,480
so this is it's not I guess it's it's an

448
00:26:49,519 --> 00:26:51,440
Irish song, but Steve Earl wrote it, so it's not.

449
00:26:51,880 --> 00:26:55,640
It's not you know, like an like a Dublin or

450
00:26:55,759 --> 00:26:57,480
song or something, but it's Steve Earl.

451
00:26:57,799 --> 00:26:58,480
Speaker 13: Nice nice.

452
00:26:59,519 --> 00:27:05,359
Speaker 1: So this is a p Fallway Girl. I'm gonna say

453
00:27:05,400 --> 00:27:18,759
Peddler's daughter a lot will it took a stroll down

454
00:27:18,839 --> 00:27:22,599
the old long walk on a d ay ay. I

455
00:27:22,720 --> 00:27:23,599
met a little.

456
00:27:23,400 --> 00:27:25,920
Speaker 17: Girl and we stopped to talk on a fine soft

457
00:27:26,000 --> 00:27:30,079
ye aye, And I ask my friends what a fellow

458
00:27:30,279 --> 00:27:34,599
to do his Her hair was black in a rise

459
00:27:34,720 --> 00:27:39,559
of blue and a new right. Then I'll be taking

460
00:27:39,640 --> 00:27:39,880
in the.

461
00:27:39,960 --> 00:27:44,680
Speaker 1: World around the salt till prom with a Galway girl.

462
00:28:01,799 --> 00:28:04,279
We would half played there when the ring came down

463
00:28:04,400 --> 00:28:08,319
on a day. Ay ay a middle little girl. Let

464
00:28:08,359 --> 00:28:09,359
me talk to talk.

465
00:28:09,440 --> 00:28:14,039
Speaker 17: I wanna find somefty aye it ask my friend, tell

466
00:28:14,079 --> 00:28:15,000
me what would you do.

467
00:28:17,079 --> 00:28:19,039
Speaker 1: If her hair was black and a rise?

468
00:28:19,160 --> 00:28:22,160
Speaker 17: So what the girl hand?

469
00:28:23,440 --> 00:28:27,839
Speaker 1: And I gave her reswirl And I lost my heart

470
00:28:27,920 --> 00:28:29,160
to a call away a girl.

471
00:29:06,920 --> 00:29:12,039
Speaker 17: When I woke up, I was all alone with a

472
00:29:12,119 --> 00:29:15,759
broken hard and a ticket home. Wanta find somety I

473
00:29:15,960 --> 00:29:19,960
ain't asked my friends, what's a fellow to do.

474
00:29:22,039 --> 00:29:22,079
Speaker 7: You?

475
00:29:22,200 --> 00:29:26,119
Speaker 17: Her hair was black and a rise blue to the

476
00:29:26,240 --> 00:29:32,039
traveled around, been all over this world, boys, I ain't

477
00:29:32,079 --> 00:29:34,240
never seen nothing like a Galway a girl.

478
00:30:10,759 --> 00:30:13,640
Speaker 13: Very nice, very nice, nice Galway girl.

479
00:30:13,920 --> 00:30:16,839
Speaker 19: The Pop Farmers, so Steve Earl wrote that, yeah, oh yeah,

480
00:30:17,519 --> 00:30:18,279
I love Steve Earl.

481
00:30:19,240 --> 00:30:21,119
Speaker 13: Yeah, absolutely, absolutely yeah.

482
00:30:21,160 --> 00:30:22,599
Speaker 19: If you are just joining us, we have the Pop

483
00:30:22,680 --> 00:30:25,960
Farmers here with us alive in studio on this Saturday

484
00:30:26,039 --> 00:30:28,279
morning and sounding great.

485
00:30:28,839 --> 00:30:30,480
Speaker 13: By the way, I want to say thank you again.

486
00:30:30,480 --> 00:30:33,200
Speaker 19: Of course Cosmic Blossom joining us during the first hour

487
00:30:33,319 --> 00:30:35,599
and coming up in the third hour today. If you

488
00:30:35,640 --> 00:30:38,480
are listening live, we have Dog eight Dog. Uh so

489
00:30:38,839 --> 00:30:40,640
that's gonna be really cool. I love their sound, so

490
00:30:40,799 --> 00:30:43,680
looking forward to that. But the pop Farmers of course

491
00:30:43,960 --> 00:30:46,480
sounding great. We got all four of the guys here

492
00:30:46,519 --> 00:30:51,000
with us live in studio on this Saturday morning. Are

493
00:30:51,039 --> 00:30:53,359
there any Are there any of these songs that that

494
00:30:53,599 --> 00:30:55,960
you felt compelled to learn at a band that were

495
00:30:56,200 --> 00:30:59,640
particularly challenging or are they all kind of kind of

496
00:30:59,640 --> 00:31:01,480
easy to pick up? Is there anything that that you

497
00:31:01,519 --> 00:31:02,799
guys kind of struggled.

498
00:31:02,400 --> 00:31:03,160
Speaker 13: With a little bit or.

499
00:31:04,960 --> 00:31:09,720
Speaker 1: Chord wise, they're all fairly fairly easy, but but word wise,

500
00:31:10,359 --> 00:31:11,319
there's a lot of words.

501
00:31:11,720 --> 00:31:12,960
Speaker 13: Yeah, I've noticed that.

502
00:31:13,160 --> 00:31:15,599
Speaker 1: Yeah, yeah, and when you try to learn them, I

503
00:31:15,720 --> 00:31:20,079
think Gary can vouch for this. But when you're learning them,

504
00:31:20,200 --> 00:31:22,759
you go, Okay, this is the version I learned, and

505
00:31:22,839 --> 00:31:25,960
then you you hear somebody like Clanchy Brothers or somebody

506
00:31:26,440 --> 00:31:29,240
and the words are totally different or there's verses that

507
00:31:29,359 --> 00:31:31,839
we're in it that we don't play. So yeah, you

508
00:31:31,920 --> 00:31:34,720
could probably play them six or seven different ways.

509
00:31:34,759 --> 00:31:37,279
Speaker 13: But yeah, so that's in Builton Leeway there.

510
00:31:37,519 --> 00:31:39,559
Speaker 1: Yeah, yeah, pretty much everything.

511
00:31:39,640 --> 00:31:42,480
Speaker 21: It's definitely like an evolving art form, you know, it's

512
00:31:42,640 --> 00:31:46,400
constantly evolving. I think people put their own little spin

513
00:31:46,519 --> 00:31:49,400
on it and you know, take liberties with some of

514
00:31:49,440 --> 00:31:52,720
the verses or whatever. I mean, we do that with

515
00:31:52,920 --> 00:31:56,880
some of the stuff. Yeah, I know, it's it's it's fun.

516
00:31:58,119 --> 00:31:59,799
Speaker 19: Nobody comes up to you at a bar and says, hey,

517
00:32:00,319 --> 00:32:02,079
you don't play that the way it's That's not the

518
00:32:02,079 --> 00:32:02,759
way it was written.

519
00:32:04,160 --> 00:32:09,559
Speaker 1: The only time that press ever happened was with let's

520
00:32:10,559 --> 00:32:15,000
let's see. Sometimes I get bad with with titles the

521
00:32:15,359 --> 00:32:18,119
drop Kick Murphy song. We do that fields a bath

522
00:32:18,160 --> 00:32:19,880
and rye, Yeah, because we do it kind of drop

523
00:32:20,000 --> 00:32:22,240
kick Murphy style. But some you know, every now and

524
00:32:22,319 --> 00:32:24,680
then it's a it's a it's a folky song, but

525
00:32:25,119 --> 00:32:26,519
we we do that's the way we do it. And

526
00:32:27,079 --> 00:32:29,920
what in Havevor one year something like did you play

527
00:32:30,000 --> 00:32:32,839
it like more normal? And like, yeah, we we can

528
00:32:32,920 --> 00:32:34,720
do that, and these guys like, no, we can't, but

529
00:32:34,799 --> 00:32:38,680
it's like we can. So we did it, and it's

530
00:32:38,799 --> 00:32:42,440
it's you know, a lot of them they're like I said,

531
00:32:42,480 --> 00:32:45,400
we drew kind of drop kick Murphy's or Flogging Molly

532
00:32:45,480 --> 00:32:48,240
kind of style, but we can. We can tone it

533
00:32:48,279 --> 00:32:48,960
down if we have to.

534
00:32:49,240 --> 00:32:50,880
Speaker 13: Is that literally what they said? Can you play it

535
00:32:50,920 --> 00:32:51,440
more normal?

536
00:32:51,519 --> 00:32:54,079
Speaker 1: I forget what the word was, but it was more

537
00:32:54,200 --> 00:32:57,680
traditional maybe but maybe not normal. But but yeah, it's

538
00:32:58,359 --> 00:33:00,720
it's it's one of those ones we like. I like

539
00:33:00,799 --> 00:33:04,359
playing it, but yeah, we uh, either way, I can

540
00:33:04,400 --> 00:33:06,480
play it either we can play it either way. Yeah,

541
00:33:06,640 --> 00:33:11,279
but it's mostly mostly rocking, so yeah, yeah, oh that's funny.

542
00:33:11,400 --> 00:33:14,000
Speaker 13: That's funny. Does anybody ever ask you for for a

543
00:33:14,079 --> 00:33:16,000
song that you don't that you don't know, like.

544
00:33:16,039 --> 00:33:20,880
Speaker 1: Oh yeah, yeah, yeah, yeah yeah. There's so many Irish songs,

545
00:33:21,480 --> 00:33:26,720
even not even regular classic rock. Yeah yeah, play small

546
00:33:26,759 --> 00:33:27,319
Town Girl.

547
00:33:27,559 --> 00:33:30,519
Speaker 21: It's like playing road.

548
00:33:30,799 --> 00:33:33,920
Speaker 1: Yeah. We know a lot of them, but we don't

549
00:33:33,920 --> 00:33:36,519
know all of them. But at that point we just

550
00:33:36,599 --> 00:33:37,960
kind of give them the list and say here, this

551
00:33:38,079 --> 00:33:40,119
is what we do. Pick one. Yeah yeah, and they're

552
00:33:40,200 --> 00:33:42,160
usually pretty cool about it. Yeah, and if not, they

553
00:33:42,200 --> 00:33:45,319
can come back later, right yeah. Yeah.

554
00:33:45,880 --> 00:33:48,200
Speaker 19: Have you ever done a Saint Patrick stay show where

555
00:33:48,359 --> 00:33:50,160
things seem to get out of control, where like the

556
00:33:50,480 --> 00:33:52,279
like law enforcement had to come or anything.

557
00:33:52,160 --> 00:33:54,640
Speaker 1: Yeah, Jimmy, tell that story. The first Was it the

558
00:33:54,680 --> 00:33:57,640
first one we did? I think it was the first, right, yeah, yeah,

559
00:33:58,039 --> 00:33:58,720
go ahead.

560
00:33:58,480 --> 00:34:00,839
Speaker 20: Yeah, we were on break and I think it was.

561
00:34:01,000 --> 00:34:03,119
Speaker 24: It might have been a week night and we just

562
00:34:03,160 --> 00:34:06,599
wanted to go home, and the Haveril Police Department was

563
00:34:06,680 --> 00:34:09,199
coming just to look in and see, if you know,

564
00:34:09,440 --> 00:34:12,400
not over capacity or whatever. And as he was walking down,

565
00:34:13,159 --> 00:34:15,320
I'm like, hey, any chance you can shut this down now?

566
00:34:16,119 --> 00:34:18,760
Speaker 1: And he goes, now, we can't. I'm like, all right,

567
00:34:18,840 --> 00:34:19,480
well I tried.

568
00:34:20,039 --> 00:34:23,079
Speaker 24: So I go inside to use the bathroom and I

569
00:34:23,159 --> 00:34:26,639
come back outside and I'm sitting outside and I see

570
00:34:26,679 --> 00:34:29,920
this kid go flying out the door in a CoP's

571
00:34:29,960 --> 00:34:32,119
hand behind him, and then another kid go flying out

572
00:34:32,199 --> 00:34:35,199
the door, and within three minutes the place was empty.

573
00:34:36,519 --> 00:34:39,320
There was a fight and they said we're done, and

574
00:34:39,519 --> 00:34:41,039
they actually ended up closing it down.

575
00:34:41,239 --> 00:34:47,679
Speaker 13: You spoke it in new existence, Yeah, good that way. Yeah,

576
00:34:47,760 --> 00:34:49,199
that's funny.

577
00:34:49,320 --> 00:34:49,920
Speaker 1: That's funny.

578
00:34:51,199 --> 00:34:52,920
Speaker 13: If you're just joining us. We have the Pop Farmers

579
00:34:52,960 --> 00:34:54,440
here with us, live in studio. He dous want to

580
00:34:54,480 --> 00:34:55,039
play another one?

581
00:34:55,639 --> 00:34:57,000
Speaker 1: Sure? Gary? Would you want to do one?

582
00:34:58,119 --> 00:35:00,840
Speaker 21: Sure? Do you guys want to do Dirty gil Town?

583
00:35:03,079 --> 00:35:03,440
Speaker 18: All right?

584
00:35:03,519 --> 00:35:05,440
Speaker 13: The Pop Farmers live in studio.

585
00:35:07,920 --> 00:35:08,239
Speaker 21: Ready.

586
00:35:09,079 --> 00:35:10,760
Speaker 18: I met my love.

587
00:35:12,960 --> 00:35:22,159
Speaker 21: By the gasworks wall, Dream to dream by the old canal,

588
00:35:25,079 --> 00:35:26,559
Kiss my girl.

589
00:35:28,480 --> 00:35:30,519
Speaker 11: By the factory.

590
00:35:30,280 --> 00:35:37,719
Speaker 18: Wall, Dirty old, dirty, old.

591
00:35:40,599 --> 00:35:45,519
Speaker 11: Clouds, dripping across the moon.

592
00:35:48,480 --> 00:35:52,679
Speaker 18: Cats are prowling, prowling.

593
00:35:52,400 --> 00:36:01,559
Speaker 11: On the beach. Springs a girl from the streets at night.

594
00:36:03,920 --> 00:36:09,000
Speaker 18: Dirty old pads, dirty old pad.

595
00:36:11,679 --> 00:36:13,480
Speaker 11: Heard a siren.

596
00:36:15,480 --> 00:36:24,440
Speaker 21: From the docks, saw a train set the night on fire,

597
00:36:27,159 --> 00:36:36,400
smelled the spring on the smoky wind. Dirty old pads,

598
00:36:38,880 --> 00:37:17,480
dirty old pads. Mhm, gonna make me a big sharp

599
00:37:17,679 --> 00:37:28,639
axe shine instead, temp it in the fire. I'll chop

600
00:37:28,800 --> 00:37:37,239
you down like a dead old tree. Dirty old pans,

601
00:37:39,840 --> 00:37:47,239
dirty old pad. Met my love, met my love by

602
00:37:47,360 --> 00:37:50,719
the gasworks wall, gas works.

603
00:37:50,480 --> 00:37:52,880
Speaker 11: Wall, Dream to dream.

604
00:37:54,880 --> 00:38:01,639
Speaker 25: By the old canw canal, kiss my we kissed this

605
00:38:02,559 --> 00:38:06,159
by the factory wall, the factory wall.

606
00:38:06,840 --> 00:38:22,960
Speaker 23: Dirty old pad, dirty old, dirty old, dirty old, dirty old.

607
00:38:25,760 --> 00:38:27,079
Speaker 18: Dirty old town.

608
00:38:33,599 --> 00:38:33,760
Speaker 23: Hm.

609
00:38:34,599 --> 00:38:35,639
Speaker 13: Well done, well done.

610
00:38:36,039 --> 00:38:38,400
Speaker 19: We've got the pop farmers here with us, alive in

611
00:38:38,559 --> 00:38:44,400
studio on this Saturday morning, as Saint Patrick's Day approaches quickly.

612
00:38:44,920 --> 00:38:48,199
Speaker 13: So no, you guys, you guys sound great now? How

613
00:38:48,239 --> 00:38:50,400
many how many songs have you recorded as a band?

614
00:38:50,440 --> 00:38:50,960
How many songs?

615
00:38:51,079 --> 00:38:51,199
Speaker 23: Is it?

616
00:38:51,320 --> 00:38:51,440
Speaker 21: Is? It?

617
00:38:51,599 --> 00:38:53,159
Speaker 13: Just the two the popform.

618
00:38:53,960 --> 00:38:58,679
Speaker 1: When we came during during COVID, we were kind of

619
00:38:59,159 --> 00:39:02,400
like bands in the world. We all our gigs got canceled,

620
00:39:02,480 --> 00:39:04,840
so Tyler and I decided we were on a record

621
00:39:04,880 --> 00:39:07,920
an album, and so we did a project. We called

622
00:39:07,920 --> 00:39:12,320
it Miran Moran instead of Duran Duran I'm a Ran. Yeah,

623
00:39:12,360 --> 00:39:14,639
And so then we had these guys come in and

624
00:39:14,800 --> 00:39:16,519
we had a lot of our friends come in and

625
00:39:16,639 --> 00:39:20,119
the two I had written I have. I had like

626
00:39:20,239 --> 00:39:22,880
five or six songs that were partially written, and somehow

627
00:39:22,960 --> 00:39:25,599
we ended up getting two more Irish songs together. So

628
00:39:26,280 --> 00:39:30,199
I think the project is eight or nine songs, yeah,

629
00:39:30,639 --> 00:39:32,639
the Moran Moran. But and these guys play on some

630
00:39:32,760 --> 00:39:34,519
of it and uh but yeah, the only ones that

631
00:39:34,599 --> 00:39:39,320
are that were pop armer ones of those two. Okay, yeah,

632
00:39:39,360 --> 00:39:41,719
we we don't we don't do we have don't have

633
00:39:41,760 --> 00:39:44,599
a lot of originals, but we're hopefully get more.

634
00:39:44,719 --> 00:39:47,960
Speaker 13: But so the Moran Moran. So is that a full

635
00:39:48,000 --> 00:39:51,000
album that you guys did together or okay? Is that online?

636
00:39:51,039 --> 00:39:51,920
Is that on Spotify?

637
00:39:53,239 --> 00:39:53,360
Speaker 11: Oh?

638
00:39:53,480 --> 00:39:57,960
Speaker 1: Yeah, it's yeah. We did, like I said, we we

639
00:39:58,239 --> 00:40:00,519
we had I had some songs part shoot right and

640
00:40:00,639 --> 00:40:02,480
I said the tiler, hey did you finish these? And

641
00:40:02,639 --> 00:40:07,360
so they musically they were pretty done, you know, chord wise.

642
00:40:07,760 --> 00:40:09,360
Then we wrote I just had to come up with

643
00:40:09,480 --> 00:40:12,559
lyrics and that took a long time, but it was fun.

644
00:40:12,800 --> 00:40:14,719
And uh and then, like I said, it was all

645
00:40:14,800 --> 00:40:16,440
during COVID, so it was kind of it was. It

646
00:40:16,559 --> 00:40:18,920
was a weird time for everybody. So yeah, we call

647
00:40:19,039 --> 00:40:20,840
I called my friends, some of our friends and say

648
00:40:20,960 --> 00:40:23,920
come you know, and like the Peddler's daughter, we shipped

649
00:40:23,920 --> 00:40:26,719
out some friends of ours live in California and we

650
00:40:26,800 --> 00:40:28,559
shipped the tracks out to them and they put the

651
00:40:29,519 --> 00:40:32,760
squeeze box on it and the fiddle. So yeah, it was,

652
00:40:33,440 --> 00:40:34,840
it was. It was a cool project.

653
00:40:35,119 --> 00:40:39,199
Speaker 13: Yeah. Now, so on the brand Ran project, is it

654
00:40:39,360 --> 00:40:41,599
is it just the two of you or the other musicians?

655
00:40:41,679 --> 00:40:45,119
Speaker 1: No, we have it's a pretty a lot of music. Yeah, okay,

656
00:40:45,519 --> 00:40:47,519
he played, He played a lot of it. If you

657
00:40:47,599 --> 00:40:50,199
look at the track listing, you know, you know he

658
00:40:50,320 --> 00:40:53,039
plays a ton of instruments. And and then I would

659
00:40:53,159 --> 00:40:56,199
call up Gary is he's Gary play based on this?

660
00:40:56,320 --> 00:40:58,639
And he would and Jimmy came in and we yeah,

661
00:40:58,679 --> 00:41:01,000
it was, it was. It was a fun time. Okay, okay,

662
00:41:01,000 --> 00:41:03,159
it could kind of help the COVID then go buy faster.

663
00:41:03,519 --> 00:41:03,719
Speaker 6: Yeah.

664
00:41:04,559 --> 00:41:06,320
Speaker 19: Well the thing too that I always say is, you know,

665
00:41:07,039 --> 00:41:09,159
the pandemic was terrible but we have to find the

666
00:41:09,199 --> 00:41:11,239
silver lines where we can. Yeah, and one of them

667
00:41:11,360 --> 00:41:13,280
is it really kind of I think forced a lot

668
00:41:13,320 --> 00:41:15,000
of people, a lot of musicians.

669
00:41:14,599 --> 00:41:17,599
Speaker 13: To kind of find new ways to create or or

670
00:41:17,719 --> 00:41:18,679
even just using.

671
00:41:18,599 --> 00:41:23,039
Speaker 19: Existing technologies but embracing them further in terms of, you know,

672
00:41:23,199 --> 00:41:26,880
getting comfortable with sending tracks back and forth and collaborating

673
00:41:26,960 --> 00:41:29,760
with people you know anywhere really you know, in other

674
00:41:29,840 --> 00:41:31,480
parts of the country and other parts of the world,

675
00:41:31,599 --> 00:41:34,119
and you know, and that stuff we could already do. Obviously,

676
00:41:34,159 --> 00:41:36,320
we already had things like tropbox and Google Drive. But

677
00:41:36,400 --> 00:41:38,800
it really kind of forced a lot of people who

678
00:41:38,920 --> 00:41:41,880
hadn't thought to work that way to try working that way.

679
00:41:41,960 --> 00:41:43,599
And and I think a lot of great music came

680
00:41:43,639 --> 00:41:46,719
out of it, and a lot of creativity in other

681
00:41:46,840 --> 00:41:49,840
art forms as well. So so, but so it sounds

682
00:41:49,880 --> 00:41:52,719
like so essentially the pop Farmers grew out of Moran Moran,

683
00:41:52,920 --> 00:41:53,800
Is that fair to say?

684
00:41:54,039 --> 00:41:56,840
Speaker 1: No, the pop Farmers came first, or the pop Farmers

685
00:41:56,880 --> 00:41:59,599
came We've been together for twenty years now. This is

686
00:41:59,639 --> 00:42:03,719
our the anniversary. Yeah, Jimmy and I. Jimmy is the

687
00:42:04,079 --> 00:42:06,199
He's the only one that's been in the band forever. Oh,

688
00:42:06,559 --> 00:42:09,239
I left for like nine months to go to California

689
00:42:09,280 --> 00:42:11,760
with my wife. But Jimmy and I we we had

690
00:42:11,800 --> 00:42:14,960
a band called John Paul in the Absolutes, And when

691
00:42:15,000 --> 00:42:19,599
that band faded, Jimmy, al Carry and I stayed together

692
00:42:19,719 --> 00:42:23,039
and we we formed the Pop Farmers. It wasn't the

693
00:42:23,039 --> 00:42:26,719
Pop Farmers at first. We were we were called Naughty Pine.

694
00:42:26,760 --> 00:42:28,920
We did that at a while, I.

695
00:42:29,039 --> 00:42:31,480
Speaker 13: Remember, because I remember we talked about that year before.

696
00:42:31,559 --> 00:42:34,840
Speaker 1: Yeah, yeah, yeah, yeah, we had a different singer and

697
00:42:34,920 --> 00:42:37,159
then when he left, Gary joined. So Gary's been with

698
00:42:37,280 --> 00:42:40,199
us for a while fifteen years maybe, and then uh

699
00:42:40,960 --> 00:42:42,760
oh yeah, so it's been evolving.

700
00:42:43,079 --> 00:42:44,920
Speaker 13: This band has been around a lot longer than I realize.

701
00:42:44,960 --> 00:42:47,400
Speaker 1: Yeah, two thousand and five. We think we were not

702
00:42:47,559 --> 00:42:49,559
really positive, but we think it's two thousand and five

703
00:42:49,599 --> 00:42:50,239
when we started.

704
00:42:50,360 --> 00:42:50,599
Speaker 18: Wow.

705
00:42:51,239 --> 00:42:53,679
Speaker 1: Yeah, so we've been doing a long time, okay. And

706
00:42:53,760 --> 00:42:55,639
Tyler was just a little kid when we formed it.

707
00:42:55,880 --> 00:43:00,599
Speaker 13: Yeah yeah, oh wow, and he he was in Little Kid.

708
00:43:02,280 --> 00:43:03,960
Speaker 1: Tyler was in the band for a while and that

709
00:43:04,119 --> 00:43:05,679
was that was a fun lineup. And then when he

710
00:43:05,800 --> 00:43:07,760
left it to kind of go with Fox and the

711
00:43:07,800 --> 00:43:12,079
Fling Flamingos more. Philip from Glitter tooth to us, but

712
00:43:12,199 --> 00:43:14,719
he can't. He's in a situation where he has a

713
00:43:14,760 --> 00:43:17,840
family restaurant, so he can't play on Fridays. So we

714
00:43:17,960 --> 00:43:21,239
now have we had to find our Friday farmer. So

715
00:43:21,639 --> 00:43:24,360
one of our one of our original members, al Carry.

716
00:43:24,800 --> 00:43:26,880
He came out of retirement, so he's our Friday guy.

717
00:43:27,440 --> 00:43:30,880
Fills our Saturday guy. Okay, so now we can start

718
00:43:30,880 --> 00:43:34,760
booking Friday gigs and fills another guy with multiple uh yeah,

719
00:43:35,519 --> 00:43:36,480
fills awesome, yeah.

720
00:43:36,559 --> 00:43:40,239
Speaker 19: Multiple projects going, yeah yeah, uh oh. We definitely have

721
00:43:40,320 --> 00:43:41,480
time for another one. You want to you want to

722
00:43:41,480 --> 00:43:42,039
play another one?

723
00:43:42,119 --> 00:43:42,320
Speaker 1: Maybe?

724
00:43:42,360 --> 00:43:44,440
Speaker 13: Maybe want Maybe we'll get one or two more in. Okay,

725
00:43:45,079 --> 00:43:46,119
you gotta sound so good.

726
00:43:46,559 --> 00:43:48,599
Speaker 19: Thank you absolutely if you're just joining us, we have

727
00:43:48,639 --> 00:43:51,760
the pop Farmers here with us live in studio on

728
00:43:51,880 --> 00:43:52,840
this Saturday morning.

729
00:43:53,159 --> 00:43:54,039
Speaker 13: Just sounded amazing.

730
00:43:54,360 --> 00:43:56,400
Speaker 1: I'm sorry, what I got it?

731
00:43:59,559 --> 00:43:59,800
Speaker 21: Sure?

732
00:44:00,440 --> 00:44:05,000
Speaker 1: Black Velvet Ben all right here you go, ready, all right?

733
00:44:19,719 --> 00:44:25,079
Speaker 17: In a need little town, the calm Belfast Apprentice to Trade.

734
00:44:25,199 --> 00:44:31,400
I was bound ten many hours, sweet happiness husband in

735
00:44:31,639 --> 00:44:36,840
that sweet little town, till sad misfortune came over me

736
00:44:37,840 --> 00:44:41,840
and forced me to straight from the land, far away

737
00:44:42,079 --> 00:44:47,280
from my friends and relieations, to follow the black velvet band.

738
00:44:48,480 --> 00:44:52,599
Speaker 22: Her eyes, the shawl like the diamonds. You think she

739
00:44:53,000 --> 00:44:56,960
was seen up the land, and her hair hung over

740
00:44:57,280 --> 00:45:01,360
her shoulder. Holders tied up in the black velvet band.

741
00:45:07,800 --> 00:45:09,400
As I loved strolling.

742
00:45:09,519 --> 00:45:15,320
Speaker 17: One evening, not meaning to go very far, I met

743
00:45:15,400 --> 00:45:19,920
with the fickles, some hamsel. She was playing her trades

744
00:45:19,960 --> 00:45:23,760
and her bar. We don't want she to firm a

745
00:45:24,000 --> 00:45:28,960
customer and placed the trade into me, and and the

746
00:45:29,199 --> 00:45:33,199
line came in and arrested me. Bad luck to my

747
00:45:33,519 --> 00:45:39,480
black velvet band. Herries is so like the diamonds, you.

748
00:45:39,679 --> 00:45:42,960
Speaker 22: Think she was queen of all and she was, her

749
00:45:43,320 --> 00:45:48,920
hair hung over her should tib like velvet band.

750
00:45:55,159 --> 00:45:59,639
Speaker 17: The next morning, before judge and jury a trial, I

751
00:45:59,840 --> 00:46:03,920
was said to her beer and the judge she sends me,

752
00:46:04,119 --> 00:46:08,199
young fair hello, the case against you is quite clear,

753
00:46:09,320 --> 00:46:14,320
and seven londies is your sentence. You're headed for bond

754
00:46:14,320 --> 00:46:19,920
Eman's Land. Borrow away from your friends and relieations to

755
00:46:20,119 --> 00:46:22,119
follow the black velvet band.

756
00:46:23,360 --> 00:46:27,880
Speaker 18: Hories is shore life the islands. You'd think she was

757
00:46:28,000 --> 00:46:32,320
clean upland, and she was, and her hair all over her.

758
00:46:32,400 --> 00:46:43,280
Speaker 17: Shareholders tied up with a black velvet ban. Soon listen

759
00:46:43,480 --> 00:46:48,239
to bolly young fellows and plead heed this warning from me.

760
00:46:49,599 --> 00:46:54,079
Whenever rout on the liquor. He last, beware of the

761
00:46:54,280 --> 00:46:58,960
pretty incolleague woll. They'll fill you with whiskey and porter.

762
00:47:00,159 --> 00:47:02,440
Speaker 1: You're no longer able to stand.

763
00:47:03,400 --> 00:47:06,840
Speaker 17: And the very next thing, you know, I mean lace,

764
00:47:07,119 --> 00:47:09,440
you're heading for Bondyman's line.

765
00:47:10,559 --> 00:47:14,639
Speaker 8: Her rise they show like the diamonds. You think she

766
00:47:15,000 --> 00:47:17,599
was green of the and then she was ha a

767
00:47:17,840 --> 00:47:19,519
hair hung over her.

768
00:47:19,559 --> 00:47:23,320
Speaker 17: Should holders tied up along lack velvet fan.

769
00:47:24,559 --> 00:47:27,239
Speaker 18: Her rise is shall like the diamonds.

770
00:47:28,000 --> 00:47:30,599
Speaker 22: You think she was queen of the van and she

771
00:47:31,039 --> 00:47:35,639
was had her hair hungover her shoulders tied up with

772
00:47:35,800 --> 00:47:37,400
a black velvet bands.

773
00:47:38,400 --> 00:47:42,400
Speaker 18: Her rides we show like the islands. You think she

774
00:47:42,760 --> 00:47:46,079
was green of her land and she was had her hair.

775
00:47:46,159 --> 00:47:50,519
Speaker 8: Hung over her showholders tied up with a black velvet

776
00:47:50,760 --> 00:47:52,760
van tied up.

777
00:47:52,719 --> 00:47:56,119
Speaker 11: With the lack velvet ban tied up with.

778
00:47:56,159 --> 00:47:57,639
Speaker 15: A black velted ban.

779
00:48:10,599 --> 00:48:14,119
Speaker 19: Nice, very nice. The pop farmers are here with us

780
00:48:14,239 --> 00:48:18,480
alive in studio, and as you guys were playing that song,

781
00:48:18,679 --> 00:48:20,079
you know what occurred to me. We were talking earlier

782
00:48:20,079 --> 00:48:23,239
about how some of these songs have you know, they're

783
00:48:23,320 --> 00:48:26,840
very wordy, a lot of lyrics, and I realized is

784
00:48:27,480 --> 00:48:29,679
and is my imagination or do some of these like

785
00:48:29,840 --> 00:48:30,519
Irish songs?

786
00:48:30,639 --> 00:48:32,000
Speaker 13: Do some of them have four verses?

787
00:48:33,199 --> 00:48:35,519
Speaker 1: Yeah? Some of them have no choruses? Yees. Yeah, yeah,

788
00:48:35,960 --> 00:48:38,440
it's just like, yeah, I.

789
00:48:38,599 --> 00:48:39,840
Speaker 20: Have six, some have seven.

790
00:48:40,239 --> 00:48:40,440
Speaker 8: Yeah.

791
00:48:40,719 --> 00:48:44,039
Speaker 19: Yeah, I've never really thought about that before until until

792
00:48:44,199 --> 00:48:46,159
just now as you guys are playing that song, like see,

793
00:48:46,239 --> 00:48:47,039
there really are a lot.

794
00:48:47,000 --> 00:48:48,599
Speaker 13: Of words some of these songs.

795
00:48:48,679 --> 00:48:52,599
Speaker 12: They're usually like epic stories, yeah, yeah, the tales they

796
00:48:52,599 --> 00:48:54,119
would tell in the pubs and all that. So it's

797
00:48:54,199 --> 00:48:59,400
like sometimes it's ungodly yeah yeah, and to go on

798
00:48:59,480 --> 00:49:04,119
the lyrics, like sometimes it's almost impossible to remember the

799
00:49:04,320 --> 00:49:09,199
order unless you remember the story. Oh yeah yeah, keep

800
00:49:09,239 --> 00:49:11,880
track of the story while remembering the lyrics that tell

801
00:49:11,920 --> 00:49:12,239
the story.

802
00:49:12,719 --> 00:49:13,360
Speaker 1: It's like a lot.

803
00:49:13,559 --> 00:49:14,800
Speaker 20: Yeah that's what I don't think.

804
00:49:15,000 --> 00:49:18,519
Speaker 13: Yeah, yeah, yeah, I'd never thought about it before. But

805
00:49:18,599 --> 00:49:20,159
then as yeah, as you guys are playing that song,

806
00:49:20,280 --> 00:49:22,840
like yeah, there's a lot of oh wait, there's another verse.

807
00:49:23,239 --> 00:49:26,559
Speaker 1: Yeah, keep going on. Some of the ones we do

808
00:49:26,719 --> 00:49:30,480
that Gary he'll have you know, he'll do four verses,

809
00:49:30,599 --> 00:49:33,440
but then there's really like six or seven. This will

810
00:49:33,480 --> 00:49:34,119
be way too long.

811
00:49:34,679 --> 00:49:34,880
Speaker 13: Yeah.

812
00:49:35,079 --> 00:49:37,639
Speaker 1: Yeah, yeah, there's a lot. They're very wordy.

813
00:49:37,920 --> 00:49:38,119
Speaker 23: Yeah.

814
00:49:38,320 --> 00:49:41,239
Speaker 13: Yeah. You guys ever forgot you ever forget lyrics?

815
00:49:41,800 --> 00:49:42,599
Speaker 1: Yeah all the time.

816
00:49:42,760 --> 00:49:47,000
Speaker 21: Yeah, you know, repeat verses sometimes because we forgot one

817
00:49:47,079 --> 00:49:47,519
of them, you know.

818
00:49:47,800 --> 00:49:50,239
Speaker 1: Yeah, yeah, second verse, same as the first.

819
00:49:50,360 --> 00:49:50,559
Speaker 11: Yeah.

820
00:49:50,760 --> 00:49:52,920
Speaker 20: A lot of them are really really dark songs.

821
00:49:53,039 --> 00:49:55,480
Speaker 1: Yeah, they sound happy some of them, but if you

822
00:49:55,559 --> 00:49:57,960
listen to the lyrics, if some of them are sad

823
00:49:58,000 --> 00:49:58,480
and it's scary.

824
00:49:58,760 --> 00:50:01,840
Speaker 13: Yeah, yeah, no, I get that. I did notice that.

825
00:50:01,960 --> 00:50:02,639
I did notice.

826
00:50:02,719 --> 00:50:06,639
Speaker 19: Yeah, I guess if you have to repeat a verse

827
00:50:06,760 --> 00:50:09,000
or something or change the lyrics, I mean, if people

828
00:50:09,000 --> 00:50:10,079
are drinking nobody.

829
00:50:10,000 --> 00:50:12,199
Speaker 20: Yeah, it's that time of the year, you could say anything.

830
00:50:12,280 --> 00:50:16,840
Speaker 19: Really, does anybody ever call you guys on that, like, hey,

831
00:50:16,920 --> 00:50:19,840
that that's not how that goes, that's not what the.

832
00:50:19,960 --> 00:50:21,920
Speaker 13: What the lyrics are to that that song or you

833
00:50:22,039 --> 00:50:23,880
change the story or something to anybody.

834
00:50:23,559 --> 00:50:26,760
Speaker 20: Ever, No, I think I have a memory of somebody

835
00:50:26,840 --> 00:50:28,320
doing that. But they were really sober.

836
00:50:29,599 --> 00:50:31,599
Speaker 12: Yeah, so they were able to like really pay attention

837
00:50:31,679 --> 00:50:34,320
to the lyrics the time of the year, Like, if

838
00:50:34,360 --> 00:50:37,360
you're doing the right thing, you should just be able

839
00:50:37,400 --> 00:50:41,119
to just say the melody you know, really need the word.

840
00:50:41,079 --> 00:50:43,920
Speaker 13: Right right, all right, cut you off here.

841
00:50:44,320 --> 00:50:46,920
Speaker 21: Well, you know, it is like I said earlier, it's

842
00:50:47,000 --> 00:50:50,880
like an evolving, you know thing. Yeah, and I think

843
00:50:51,239 --> 00:50:54,840
people that are fans of Irish music know that it's

844
00:50:54,920 --> 00:50:57,519
going to be different, Like everyone's going to interpret it

845
00:50:57,639 --> 00:51:00,920
their way or put their little you know, they're a

846
00:51:00,920 --> 00:51:04,079
little special sauce on it or whatever. You know. I

847
00:51:04,159 --> 00:51:06,119
think I think the people that are, you know, true

848
00:51:06,159 --> 00:51:10,239
officionados of the of the genre, they're they're accepting of that.

849
00:51:10,400 --> 00:51:11,400
In fact, they expect that.

850
00:51:11,760 --> 00:51:12,000
Speaker 13: Yeah.

851
00:51:12,199 --> 00:51:14,360
Speaker 19: Yeah, I love your bass by the way, I love

852
00:51:14,440 --> 00:51:17,559
the That's an unusual design, but that's cool.

853
00:51:17,800 --> 00:51:21,599
Speaker 13: That's really cool. I don't know, how do you want

854
00:51:21,639 --> 00:51:24,639
to describe that? So obviously people can't see it on

855
00:51:24,679 --> 00:51:26,199
the radio, but I'm so taken what I think.

856
00:51:26,400 --> 00:51:30,159
Speaker 21: Officially it's called blue floral, okay, yeah, yeah, that's a

857
00:51:30,239 --> 00:51:30,800
cool design.

858
00:51:30,920 --> 00:51:31,119
Speaker 13: Yeah.

859
00:51:32,000 --> 00:51:35,639
Speaker 21: So in the in the sixties they had the blue

860
00:51:35,719 --> 00:51:39,840
floral basically it's it's a piece of wallpaper. And then

861
00:51:39,880 --> 00:51:42,840
they also had the pink Paisley. Like the pink Paisley

862
00:51:42,960 --> 00:51:47,760
was kind of made popular by what's his name, the

863
00:51:47,840 --> 00:51:52,599
guitar player for Elvis, Yes, James Burton. Yeah, he kind

864
00:51:52,639 --> 00:51:55,719
of popularized it because, oh, you know he's playing that

865
00:51:55,840 --> 00:51:56,519
hippie guitar.

866
00:51:56,679 --> 00:51:59,880
Speaker 13: You know, that's cool, that's cool.

867
00:52:00,800 --> 00:52:02,159
Speaker 19: We have time for one more, you guys want to

868
00:52:02,159 --> 00:52:02,960
play one more and then what.

869
00:52:03,039 --> 00:52:05,840
Speaker 21: We want to do? Whale whalia speaking of dark.

870
00:52:06,119 --> 00:52:10,039
Speaker 1: Yeah, this is this, This is a this is one

871
00:52:10,159 --> 00:52:13,639
I apparently this song. What I heard was that it's

872
00:52:13,719 --> 00:52:16,800
one of the things that parents, Irish parents would would

873
00:52:16,800 --> 00:52:19,440
sink to their kids so they would eat their vegetables

874
00:52:19,519 --> 00:52:22,840
or really better, it's kind of yeah, it's it's a

875
00:52:22,880 --> 00:52:24,039
scary dark song.

876
00:52:24,199 --> 00:52:25,320
Speaker 21: Oh, cautionary tale.

877
00:52:25,480 --> 00:52:27,360
Speaker 1: Cautionary tale. That's a good way to put it.

878
00:52:27,519 --> 00:52:32,800
Speaker 19: Okay, all right, now I'm very curious, all right, okay,

879
00:52:33,039 --> 00:52:35,719
all right, the pop farmers live in studio.

880
00:52:39,840 --> 00:52:45,320
Speaker 21: There wasn't old woman who lived in the woods. Well why,

881
00:52:46,599 --> 00:52:50,519
there wasn't old woman who lived in the woods by

882
00:52:50,800 --> 00:52:57,239
the river. She had a baby three months old, will

883
00:52:57,760 --> 00:53:03,039
Well Why she had a baby a pree months old

884
00:53:03,679 --> 00:53:09,039
the by the river. So she had a penknife long

885
00:53:09,280 --> 00:53:10,320
and sharp.

886
00:53:10,519 --> 00:53:14,480
Speaker 18: Willow Well Way, she had.

887
00:53:14,400 --> 00:53:19,039
Speaker 21: A penknife long and sharp the by the river. So

888
00:53:33,559 --> 00:53:36,639
she stuck the pennuff in the baby's heart.

889
00:53:37,159 --> 00:53:39,400
Speaker 18: Will Well Wall.

890
00:53:40,280 --> 00:53:44,280
Speaker 21: She stuck the pinnuff in the baby's herd, the by

891
00:53:44,480 --> 00:53:45,079
the river.

892
00:53:45,559 --> 00:53:50,960
Speaker 11: So three loud knocks came knocking on the door, will

893
00:53:51,079 --> 00:53:56,440
O well Way, three loud knocks came knocking on the

894
00:53:56,559 --> 00:54:01,239
door the by the river? So ay, are you the

895
00:54:01,599 --> 00:54:03,719
woman who killed the child?

896
00:54:04,199 --> 00:54:06,159
Speaker 22: Will Allay?

897
00:54:07,199 --> 00:54:11,360
Speaker 11: Are you the woman who killed the child now by

898
00:54:11,559 --> 00:54:12,159
the river?

899
00:54:12,639 --> 00:54:34,280
Speaker 21: Sia? Yes, time, no woman who killed the child? Yes,

900
00:54:34,519 --> 00:54:42,039
I'm no woman who killed the child. The rope was

901
00:54:42,239 --> 00:54:44,280
swung and she was hung.

902
00:54:44,840 --> 00:54:48,920
Speaker 18: Well, well, the rope was.

903
00:54:49,000 --> 00:54:53,360
Speaker 11: Swung and she was hung now by the river. So

904
00:54:54,639 --> 00:54:57,239
and that was the end of the woman in.

905
00:54:57,320 --> 00:55:02,920
Speaker 18: The woods, Willa well why and that was the end

906
00:55:03,079 --> 00:55:06,320
of the woman in the world by the river.

907
00:55:06,840 --> 00:55:19,920
Speaker 13: So yeah, you weren't kidding. It does get dark if

908
00:55:19,920 --> 00:55:20,719
you're just joining us.

909
00:55:20,760 --> 00:55:22,960
Speaker 19: We have the pop farmers live in studio and guys,

910
00:55:23,000 --> 00:55:24,960
this has been wonderful. Thank you all for coming today,

911
00:55:25,079 --> 00:55:27,840
Thank you for having absolutely this has been really, really good.

912
00:55:28,719 --> 00:55:31,159
Let's remind everybody what's coming up.

913
00:55:31,199 --> 00:55:33,280
Speaker 13: I know it's a lot. You've got a very busy,

914
00:55:33,880 --> 00:55:35,280
very busy few days ahead of you.

915
00:55:37,239 --> 00:55:40,599
Speaker 24: Tonight we will be in Haverol at the Pederlists Daughter

916
00:55:40,760 --> 00:55:45,599
from seven to ten tomorrow in Manchester at Great North

917
00:55:45,679 --> 00:55:49,639
Alworks from one to five, and then on Monday we

918
00:55:50,039 --> 00:55:53,000
go back to Haverol Pederler's Daughter from eleven to three,

919
00:55:53,239 --> 00:55:56,199
and then we shoot up to Nashua and play seven

920
00:55:56,239 --> 00:56:01,239
to eight and Tuesday we sleep there you go eight five.

921
00:56:01,159 --> 00:56:03,760
Speaker 20: To eight on seven eight one hour, five to eight.

922
00:56:05,199 --> 00:56:07,599
Speaker 19: I was gonna say that is a short show, all right, no,

923
00:56:07,840 --> 00:56:09,800
very very good. And where should people go online to

924
00:56:09,880 --> 00:56:13,039
keep up with everything that the Pop Farmers are doing is.

925
00:56:13,079 --> 00:56:17,159
Speaker 1: Going to be all over Facebook, the pop Farmers dot

926
00:56:17,239 --> 00:56:19,800
Com pH G p O P. We're not pot farmers.

927
00:56:20,920 --> 00:56:22,639
That's kind of a running joke as people think we

928
00:56:22,719 --> 00:56:25,760
say pot farmers. Oh yeah, yeah joke. If we are

929
00:56:25,800 --> 00:56:27,760
pot farmers would make more money and maybe dress a

930
00:56:27,760 --> 00:56:32,440
little better. But right, yeah, so it's th g E

931
00:56:32,599 --> 00:56:34,000
p op Farmers dot Com.

932
00:56:34,199 --> 00:56:36,639
Speaker 13: All right, very good, very good, guys, Thank you so much.

933
00:56:36,760 --> 00:56:40,400
Speaker 19: This has been incredible, and we will end the segment

934
00:56:40,519 --> 00:56:42,119
with another studio track.

935
00:56:42,679 --> 00:56:43,239
Speaker 13: This is great.

936
00:56:43,320 --> 00:56:45,679
Speaker 19: This is called Poor that Kid of Whiskey. And if

937
00:56:45,679 --> 00:56:48,599
you are listening live on Saturday, don't go anywhere. We've

938
00:56:48,599 --> 00:56:51,400
got Dog eight Dog coming up in the next hour.

939
00:56:51,559 --> 00:56:53,880
Really looking forward to that. But we will close out

940
00:56:53,920 --> 00:56:55,800
this segment with this. This is called poor that kid

941
00:56:55,840 --> 00:56:58,519
of whiskey by the pop farmers and guys.

942
00:56:58,599 --> 00:56:59,119
Speaker 13: Thanks again.

943
00:57:03,440 --> 00:57:07,039
Speaker 1: I drank my first whiskey when I was just the lad.

944
00:57:07,719 --> 00:57:10,400
Speaker 13: My mother sent me to the pub to try to

945
00:57:10,480 --> 00:57:11,400
find my dad.

946
00:57:11,920 --> 00:57:15,559
Speaker 1: We woke up Sunday morning. He was nowhere to be found.

947
00:57:16,119 --> 00:57:19,280
Speaker 14: He'd spent the whole nine before down and the fox

948
00:57:19,400 --> 00:57:26,039
said house. She said, bring your father home so we

949
00:57:26,199 --> 00:57:29,360
can go to mask. But I could tell just buy

950
00:57:29,440 --> 00:57:32,960
her tone shit like the kids asked. My father saw

951
00:57:33,159 --> 00:57:35,679
me coming because I walked in through the door.

952
00:57:36,320 --> 00:57:39,079
Speaker 13: He slapped the barkeep on the back and he roared

953
00:57:39,199 --> 00:57:40,280
the mine you roar.

954
00:57:41,400 --> 00:57:45,440
Speaker 18: He said, all that kid always put along my time.

955
00:57:46,239 --> 00:57:48,480
Speaker 13: I became my father that day.

956
00:57:48,519 --> 00:57:51,360
Speaker 20: He called me Dad or that kid.

957
00:57:51,280 --> 00:57:53,840
Speaker 13: Always making Tommy get straight.

958
00:57:54,360 --> 00:57:59,000
Speaker 1: Two days his birthday, and I'm pretty sure he's he.

959
00:58:02,599 --> 00:58:06,679
Speaker 14: He was knocking back pines at the pub with his mates,

960
00:58:07,119 --> 00:58:09,599
solving all the world's problems.

961
00:58:09,119 --> 00:58:13,559
Speaker 1: At a fantastic great I drank the whiskey down. My

962
00:58:13,719 --> 00:58:17,480
throat began to burn, my eyes began to water in

963
00:58:17,719 --> 00:58:19,320
my stomach. A good turn.

964
00:58:23,079 --> 00:58:26,400
Speaker 16: I held unto the bar as the room began to

965
00:58:26,519 --> 00:58:32,079
spend and I called out somebody please, I said, Dad,

966
00:58:32,159 --> 00:58:35,320
we have to get you home, because quickly as we can.

967
00:58:35,559 --> 00:58:38,360
Speaker 14: He said, Jesus married Joseph's uncitude.

968
00:58:38,559 --> 00:58:39,519
Speaker 1: You are a man.

969
00:58:40,840 --> 00:58:43,960
Speaker 18: He said that gain a whiskey and put it on

970
00:58:44,320 --> 00:58:44,880
my dad.

971
00:58:45,639 --> 00:58:49,039
Speaker 26: I gave my father the day he called me dad,

972
00:58:50,039 --> 00:58:53,320
or that kid a whiskey forgetting the beer and why

973
00:58:53,880 --> 00:58:58,719
to day his birthday, I think he might be nine,

974
00:59:19,159 --> 00:59:23,119
he said, pull a kid whiskey and put along my dad.

975
00:59:23,920 --> 00:59:27,360
I became a father to day he called me Dad,

976
00:59:27,920 --> 00:59:29,559
You pull a kid whiskey.

977
00:59:29,760 --> 00:59:30,400
Speaker 1: Don't you stop?

978
00:59:30,639 --> 00:59:30,960
Speaker 23: Live?

979
00:59:31,079 --> 00:59:33,920
Speaker 26: Say when today's his birthday?

980
00:59:35,079 --> 00:59:36,960
Speaker 1: Anath a little bastards tand