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Speaker 1: Welcome to the Great Detectives of Old Time Radio from Boise, Idaho.

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This is your host, Adam Graham. In a moment, we're

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going to bring you this week's episode of yours truly

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Johnny Dollar. But first I do want to encourage you.

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If you are enjoying this podcast, please follow us using

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your favorite podcast software. And a reminder as you're making

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your travel plans, remember Johnny Dollar air dot Com. Johnny

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Dollar Air dot is a prosline affiliate length, so part

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of your purchase price supports the great detectors of Old

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Time Radio at no additional cost to you. So remember

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when making your travel plans, check Johnny Dollar air dot

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Com first. But now, from January fourth, nineteen fifty nine,

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here is the Hollywood Mystery.

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Speaker 2: Manner from Hollywood. It's time now for Johnny Dollar.

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Speaker 3: Mister Dollar, my name is Parley Barron. I'm calling from.

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Speaker 2: Hollywood, Hollywood. What insurance company, mister burn None?

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Speaker 3: You handle all investigations for Eastern liability in trust?

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Speaker 2: Yeah, I guess I do well.

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Speaker 3: I am sure that they'll be calling you in shortly.

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What about, sir, A little matter of embezzlement. Oh nearly

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ten thousand dollars. It's been stolen from the Berkeley Furniture

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manufacturing company there in Hartwood.

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Speaker 2: You're connected with Berkeley Furniture.

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Speaker 3: No, No, actually I am not.

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Speaker 2: Then what's your connection with this investment?

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Speaker 3: I suggest you check with Berkeley and of course the

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insurance company.

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Speaker 2: Of course, when you have learned the.

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Speaker 3: Facts from them, I am sure you will find it

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of the utmost importance to contact me.

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Speaker 2: You sent in Hollywood?

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Speaker 3: Yes, goodbye, mister Dollar.

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Speaker 2: Yeah, but where in HOLLYO? Hello? Hello, Oh, he's a

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lot of help. Bob Bailey and the Exciting Adventures of

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the Man with the Action Fact Expense account America's fabulous

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freelance insurance investigators Trulee Shahnny Dollar, and I'll act one

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of yours, truly Johnny Dollar. Expense account submitted by a

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special investigator Johnny Dollar to the Eastern Liability and Trust

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Company Home Office, Hartford, Connecticut. Following is an account of

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expenses encourage during my investigation of the Hollywood Mystery matter

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expense account, I had won ten cents for a phone

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called a hal Spidel. Who's my regular contact at Eastern

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Liability and Trust.

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Speaker 3: Well, Hi, Johnny, nice to talk to you again.

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Speaker 2: Yeah, nice to talk to you.

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Speaker 4: Hall.

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Speaker 2: Listen, have you received a report of loss from the

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Berkeley Furniture Manufacturing Company?

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Speaker 3: Well, they're a client of ours, but no, what make

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you ask a thing like that?

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Speaker 2: A phone call I just got.

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Speaker 3: They called you direct.

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Speaker 2: Now, somebody did, a man by the name of Party Cool,

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old everything, Johnny, I'm holding.

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Speaker 3: Hey, what did you say? When we'll find out how much?

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Speaker 1: Johnny?

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Speaker 2: Yeah, you've got an assignment boy, and it's Berkeley Furniture

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Manufacturing Company s Pusselman. Ye, ten thousand.

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Speaker 3: How you found out about it? Listen, I just found

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out about it themselves. So get on over there and

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see what goes, will you?

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Speaker 2: Well, we'll do. Yeah. My informant, the man who'd called me,

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had really known something, but how to locate him? Idem

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to a dollar forty five taxi to the Berkeley Plan

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on the northwest edge of town. It's a small company,

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but an old one. When I flashed my credentials to

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the receptionist, I was immediately shown into the office of

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the high end money himself. I must see your insurance

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company acts very properly, mister Dollar. It's anouncer. Thanks, mister Berkeley.

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I'll get straight to the point, sir, we've suffered a

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considerable lots. Yeah, so I understand from hell spial at

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Eastern Liability and Trust. Ten thousand dollars, wasn't it? Yes,

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maybe ten thousand dollars, But I don't recall mentioning the

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amount of mister spidel. In any event, mister Dollar, what

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I want is that money back. I don't care what

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you do with the beat, all right? Have you any

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idea who took it? Mister Berkeley? I certainly have a

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young great boosir, one of our bookkeepers, a gentleman who

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had been with the company over thirty years. Hey, what

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are you smiling about, miss Dollar? Well, he's stolen this

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money from you, But you still call him a gentleman

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because I always thought he was. Did his job, never complain,

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that's your measure of a gentleman. Hey, what's that? How

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much money did he earn, mister Berkeley? Sixty sixty five

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dollars a week? What difference does it make? Just wondered

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an old man living alone, there's plenty for him, unless,

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of course, he was gambling something like that. Gambling him

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of course, not never had enough money. Trouble at home?

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Maybe is he married. No, never be able to support

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a wife after thirty years with your company. I paid

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him as much as I thought he was worth. Yeah,

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or as little as you thought you could get away

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with it. That is really no concern to yours. Return

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of the money is all right. Where does he live,

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mister Berkeley, in a small apartment on the north side

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of town. I why did you ask see him yesterday?

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Yesterday morning? Said he had to see his doctor in

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the afternoon. Yes, it's against my usual practice, but I

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let him off. But of course you decided the doc

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his pay. Naturally, I have to keep discipline in a

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place like this. Oh sure. In this morning, when I

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opened the safe, I discovered that the money was missing

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nine thousand, nine hundred and eighty four seventy five the

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case that we had on hand for emergencies. I also

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discovered that he hadn't come to the office, so I

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phoned his apartment and I learned that our respected gentleman

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bookkeeper left town yesterday afternoon, bag and baggage. That doesn't

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necessarily mean that he took the money. I'd like to

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know why not, or was he the only one who

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had access to the safe? Of course, not all of

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the bookkeepers have how many of them? Others? I made three?

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But you think for one minute they'd dared take that

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money and then come back here and face me. Maybe

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you got a point there. What have you notified the

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police of this loss? No, I prefer that the whole

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thing be kept as quiet as possible for the sake

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of my company's reputation. Please remember that, sir, whatever you're saying,

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mister Berkeley, that's why I have no desire to prosecute him,

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why I refuse to even file charges as long as

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I get the money back. Yeah. Now, what's his address?

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Eleven thirty one North Maple Street. But as I told you,

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he isn't there. He's left town. Yeah, you told me

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how hold him? Man? Is he in his sixties? But

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what difference does that make? Oh and mister dollar, Yeah,

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just how did you happen to know about this so soon?

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I mean the amount that was stolen from somebody who

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called me on the phone, somebody who apparently knew a

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good deal about it. If I can locate him, get

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in touch with him, he can probably be a lot

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of help and running down this come to think of it,

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you have I'm doing what his name is the bookkeeper Nambler, Yeah,

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Barons her, Yes, Harley barn Act two of yours, truly

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Johnny Dollar in a moment, and now Act two of yours,

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truly Johnny Dollar and the Hollywood mystery matter. So the

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embezzler of the ten thousand dollars was Parley Baron, the

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same man who'd called me on the phone, apparently called

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me before the company even knew the money was missing,

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and he'd had the audacity to inform me that I

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should contact him, Yeah, somewhere in Hollywood, which is like

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saying the needle is somewhere in the haystack. I had

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him three two fifty for a taxi to the little

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apartment house in North Maple Street. I paid off the

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driver and then walked into the open foyer and looked

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for the usual bank of mailboxes to find out which

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apartment was Parley Baron's.

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Speaker 5: Not.

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Speaker 2: Sorry, driver, you go ahead if you want him. Let's

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see Davis Parrots. Oops, excuse me, that's all right, spailing

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Pierce ropes and oh here we are Baron, Apartment one

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old same.

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Speaker 4: Yes, I've been a young man. Are you a salesman?

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Speaker 3: No?

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Speaker 2: I was just looking up the apartment number of mister

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Parley Baron.

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Speaker 4: He ain't here, mister, sure, no, sir, he left your

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bagging baggage yesterday afternoon.

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Speaker 2: Any idea where he wants? Who are you cops or something?

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Speaker 4: Here?

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Speaker 2: My credentious.

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Speaker 4: Johnny Dollar insurance?

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Speaker 2: Yeah that's right now. Look I want you to let

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me into his apartment.

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Speaker 4: Where's the right his work? Something wrong, mister Dollar?

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Speaker 2: Just a routine investigation. O.

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Speaker 4: Yes, I was sure he'd done nothing wrong.

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Speaker 2: Oh why do you say that?

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Speaker 4: Nice quiet old man and like him?

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Speaker 2: Why should he only excitement he ever has is when

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his niece.

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Speaker 4: Comes to visit with him.

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Speaker 2: His niece, yes, sir, names Virginia Jenny Lockhart, wonderful girl

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sort of drops in here to look after him once.

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Speaker 4: In a while, cook him a good meal.

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Speaker 2: Now here we are, m well, it sure looks like

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he left in a hurry. Closets open, the doors pulled out?

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Where can I find this niece you mentioned?

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Speaker 4: Why didn't you see her when you just came in?

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Speaker 2: That girl who bumped into me down on the lobby,

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That was Jenny Lockheart must have been, Yes, she dropped

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in for a visit with her uncle, found him gone,

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and then looked out again, and I didn't have sense

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enough to get a good look at her. Here's a

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picture of her, mister, said he to him from her

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vacation last winter, vacation blue sky and palm trees down Hollywood.

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I understand. Is that where she's headed for? Now?

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Speaker 4: Well, now you got me there.

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Speaker 2: Wait a minute, Yeah, that you picked up, mister, I said, No,

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I guess yeah. It's addressed to her Jenny, my dear,

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the doctor you had me see has finally told me

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the truth. Is this his handwriting? Eh? That is all right,

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it's finally told me the truth. I have less than

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a week to live, and so, for the first time

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in my life, except for some happy moments with you,

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I'm going to really live make up for some of

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the things I've had to miss all these years. Say. Yes,

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you may have some idea where I've gone, but please, please, dear,

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don't try to follow me. You are loving Holly. Yeah,

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like I said, that's what she ran off of the

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taxi I had. Oh you want me to call you

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a taxi, mister, I sure do, Brother and fast Item

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four seven fifty for a trip to the airport that

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should have got the cabby locked up for life. We

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ran every stoplight along the way. So what happened? I

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got there just in time to see a plane taking off,

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and the man at the ticket counter politely informed me

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that Virginia Lockhart was among the passengers headed for New

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York and where would she go from there? Hollywood, I'd

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bet my last nickel on it. Yeah, and she could

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lead me to the man I was after I checked

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the schedules of all the airlines leaving New York. If

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I took the next plane out of Hartford, I could

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barely make a flight out of New York to the

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West Coast. In other words, Hollywood item five for a

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through ticket. When we arrived in New York, where I

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had only seconds to change planes, I was the first

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one off, and then I saw she was boarding a

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plane from another ramp. By breaking a couple of records

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for the one hundred yard dash and pulling my way

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through the gate, I managed to climb aboard just as

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the doors were being closed. A quick flash at my

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credentials kept the stewardess and throwing me often. In a

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couple of minutes, we were airborne.

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Speaker 5: Now I guess we'd better make some arrangement about your ticket, sir.

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Speaker 2: Eh tickets, yes, sir, oh no here, I already have

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any Hey, oh thank you.

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Speaker 1: I'll just.

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Speaker 3: Mister Dollar.

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Speaker 6: Yeah, I'm sorry, but this ticket is for Los Angeles.

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Speaker 2: Sure, sure, that's where I'm going.

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Speaker 5: Well, not on this plane. I'm afraid this is a

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non stop flight to Miami. What yes, sir, Miami.

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Speaker 2: Florida, Act three of yours, truly Johnny Dollar. In a moment, no,

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Act three of yours, truly Johnny Dollar and the Hollywood

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mystery matter. Wait a minute, this plane is headed for Florida.

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Speaker 5: Yes, sir, non stop flight to Miami.

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Speaker 2: But I thought this was Look, I got to get

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to Los Angeles to Hollywood.

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Speaker 3: I'm sorry, mister Dollard.

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Speaker 2: Oh not half as sorry as I am. So what

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do I do now?

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Speaker 4: I'm afraid there isn't much you can do.

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Speaker 5: So why don't you go up in the cabin where

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there's one extra seat and well, I'll just relax and

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enjoy it.

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Speaker 2: Okay, Miss Great. I've been so sure it was Virginia Lockhart.

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I'd seen climb aboard this plane, that she'd leave me

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to her uncle in Hollywood do wherever he was in Hollywood?

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So what happened. I was stuck aboard a plane to Miami,

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all right. I took the advice of the stewardess and

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walked forward into the cabin to find a seat, And

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for once, luck was with me. The one vacant seat

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in that whole plane was right next to Yeah, you

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00:14:44,960 --> 00:14:49,759
guessed it to Jenny Lockhart. But why Miami? Could she

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00:14:49,919 --> 00:14:52,519
possibly know that I was on the trail of Parley Barn?

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Was this a trick to leave me office trail? I

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decided there was only one thing to do. Play it

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like I hadn't the least idea in the world who

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she was, And at the tay same time, see if

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I could learn anything from her. As uh, as long

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as we're uh seat mates on this trip, we may

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as well know each other. My name's Johnny, Uh Johnny Dollar. Ms.

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Speaker 4: Uh how do you do, mister Dollar?

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Speaker 2: Be uh kind of nice to get on down south

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and away from all of snow and cold on it?

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Would would you like some champagne? I I understand. All

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I have to do is flag down the stewardess. She'll

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be uh how about it?

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Speaker 6: Uh no, thank you?

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Speaker 2: Uh well, uh excuse me for saying so, But you

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look worried about something.

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Speaker 4: I'm sure it wouldn't interest you.

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Speaker 2: Oh no, maybe not, but uh, you know, sometimes it

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does a lot of good to cry on somebody's shoulder.

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And since we'll probably never see each other again after

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this trip, and well, I I have a broad shoulders.

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Speaker 6: Thank you. But it's not necessary.

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Speaker 2: Oh sorry, I don't mean it going down to Florida

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for a vacation.

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Speaker 6: No, I'm going to Florida to try to save somebody's life. Oh,

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but I'd rather not talk about it.

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Speaker 2: And she didn't. How did she talk about anything else

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during the rest of the flight. As we came into Miami,

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I decided the only thing I could do was transfer

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to a plane for Los Angeles and hope for the best.

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But she was my only real lead to Parley Baron,

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and if I left her here, I went on to Hollywood.

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So I changed my mind. I decided to stay with her.

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I had them six nine dollars even for a taxi

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that followed hers out of Miami Airport, then headed north.

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And why do we end up Hollywood? Hollywood, Florida, Hollywood

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by the Sea and the Diplomat Hotel. I watched her

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00:17:01,360 --> 00:17:03,519
make inquiries at the desk heard the clerk teller room

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seven sixteen. I managed to get an elevator before she did,

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and by the time she reached the door of seven

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sixteen and raised her hand and knock, I was standing

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right beside her.

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Speaker 6: Mister Johnny, does.

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00:17:14,759 --> 00:17:15,880
Speaker 4: What are you doing here?

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Speaker 2: I've been following you, Jenny What to find your uncle

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00:17:20,039 --> 00:17:22,920
Parley Baron, who stole ten thousand dollars in the company

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00:17:23,039 --> 00:17:27,240
was working for He what? And unless I'm all wet,

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this is the door to his suite.

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Speaker 6: You say he's too.

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Speaker 2: I found the note he'd written to Eugenie back at

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his apartment in.

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Speaker 6: Hertford, mister dollar, Johnny.

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Speaker 2: And it all ties up, including his phone call to me.

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00:17:39,079 --> 00:17:42,079
It was to make me think he was headed for Hollywood, California,

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to throw me off. Give him time, please, She said

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that for once in his life, but the few remaining

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days of it, he was really going to live it up.

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So he came here to the Hollywood that you told

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him about. Came here for one last desperate, glorious flat.

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Speaker 6: That's what he thought. But don't you see you.

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00:18:03,599 --> 00:18:05,759
Speaker 2: The more I've thought about it, I thought about that

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00:18:06,200 --> 00:18:09,519
crummy penny pinching outfit that he worked for for thirty

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00:18:09,720 --> 00:18:14,079
miserable years. The more I hated this assignment, hated the

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00:18:14,119 --> 00:18:16,359
thought of having to deprive that poor old man of

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00:18:16,359 --> 00:18:19,400
this one last chance to get some fun out of life.

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00:18:19,799 --> 00:18:21,960
Because all I know about him is that he's a

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00:18:22,000 --> 00:18:23,880
decent sword who's been taking advantage of him.

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00:18:23,880 --> 00:18:26,759
Speaker 6: He's a wonderful man, and he's been a good man

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00:18:26,799 --> 00:18:27,559
all his life.

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Speaker 2: Jenny, don't you see unless I get him return the

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00:18:30,279 --> 00:18:32,240
ten thousand dollars to his friend, Johnny.

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Speaker 6: Listen, he can't have spent ten thousand dollars and I'll

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00:18:36,119 --> 00:18:40,359
make up the rest. Sorry, Jenny, you're not the police,

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00:18:41,000 --> 00:18:42,039
you're not the law.

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00:18:42,279 --> 00:18:44,039
Speaker 2: I have a job to do.

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Speaker 6: Does that dirty old company want the money or does

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00:18:47,440 --> 00:18:49,160
it want him?

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Speaker 3: Johnny? You want the sink of my company's reputation. That's

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00:18:53,000 --> 00:18:55,079
why I have no desire to prosecute.

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Speaker 2: Wow. I refused leaving file charges as long as I

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get the money, Johnny.

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Speaker 6: If I give you enough to take the ten thousand

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00:19:06,440 --> 00:19:07,359
dollars back to.

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00:19:07,400 --> 00:19:13,759
Speaker 2: Them, Oh, oh kay, Jenny, it's.

339
00:19:13,680 --> 00:19:15,359
Speaker 4: A dear Oh thank you.

340
00:19:17,079 --> 00:19:22,119
Speaker 6: I'm awfully glad. And because of something else, Johnny. The

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00:19:22,160 --> 00:19:25,279
reason why I was looking for him, what do you

342
00:19:25,359 --> 00:19:27,880
mean the new doctor. I'd had him go to a

343
00:19:27,880 --> 00:19:30,599
couple of weeks ago, my doctor. He gave him a

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00:19:30,599 --> 00:19:33,240
lot of tests. Then Uncle went back to see him

345
00:19:33,319 --> 00:19:36,400
yesterday afternoon. It was to find out the result of

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00:19:36,440 --> 00:19:39,480
the tests, and the doctor told him wrong. The lab

347
00:19:39,519 --> 00:19:40,799
reports had got mixed up.

348
00:19:41,839 --> 00:19:45,119
Speaker 2: You mean that he isn't going to die?

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00:19:45,279 --> 00:19:48,519
Speaker 6: No, And the doctor tried to call him but couldn't

350
00:19:48,519 --> 00:19:51,200
reach him, so he called me. That's why I went

351
00:19:51,240 --> 00:19:53,720
to his apartment, but he'd left, so I came down

352
00:19:53,720 --> 00:19:57,039
here to try to find him. I tried to tell you, Johnny,

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because well, don't you see he's gonna be all right.

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00:20:03,319 --> 00:20:05,759
Speaker 2: Well, and Jenny, I guess that leads only one more

355
00:20:05,799 --> 00:20:11,119
thing to be done. What Johnny tell him the good news?

356
00:20:16,880 --> 00:20:17,039
Speaker 3: Oh?

357
00:20:17,119 --> 00:20:19,680
Speaker 2: I don't know. Maybe I'm just a sucker for a

358
00:20:19,680 --> 00:20:24,000
good looking girl, and maybe this makes me an accessory

359
00:20:24,039 --> 00:20:27,440
to the crime. But you know something, and you can

360
00:20:27,440 --> 00:20:30,400
blame it on the holiday season anything you like. I

361
00:20:30,400 --> 00:20:35,920
don't care expense account total, including the trip back to Hartford. Well,

362
00:20:35,920 --> 00:20:40,400
a happy New Year to you too, yours truly, Johnny Dollar.

363
00:20:53,440 --> 00:20:56,440
Our star will return in just a moment because of

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00:20:56,480 --> 00:21:00,240
another adventure in Hollywood, Florida. But that one you'll have

365
00:21:00,279 --> 00:21:03,480
to read about in the February issue of Harper's Bazaar.

366
00:21:04,039 --> 00:21:07,200
It's just out, so grab a copy, will you? Yours Truly,

367
00:21:07,920 --> 00:21:18,079
Johnny Dollar. Yours Truly Johnny Dollar, starring Bob Bailey, originates

368
00:21:18,079 --> 00:21:22,160
in Hollywood and has written, produced, and directed by Jack Johnstone.

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00:21:22,519 --> 00:21:26,000
Heard in our cast were Virginia Greg Geene Tatum, Harley Bear,

370
00:21:26,440 --> 00:21:30,160
Boris Lewis, Junius Matthews, and Frank Gerstool. Be sure to

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00:21:30,240 --> 00:21:33,440
join us next week, same time and station for another

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00:21:33,519 --> 00:21:37,400
exciting story of Yours Truly, Johnny Dollar. This is Dan

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00:21:37,480 --> 00:21:43,119
Cubberly speaking. Gun Smoke rises today on the CBS Radio.

374
00:21:42,839 --> 00:21:54,519
Speaker 1: Network, Welcome Back. Jack Johnstone wrote many scraps for Johnny Doller,

375
00:21:55,359 --> 00:22:02,079
but a scrap with a sentimental storyline that's key mystery

376
00:22:02,400 --> 00:22:06,720
involves the fact that there is a Hollywood, Florida is

377
00:22:06,960 --> 00:22:12,440
probably the most Jack Johnstone script idea ever. There's a

378
00:22:12,519 --> 00:22:15,400
lot I can say about this one. First of all,

379
00:22:15,440 --> 00:22:19,240
I do have to give it to poorly Baron that

380
00:22:19,519 --> 00:22:24,079
it was clever to send Johnny on a false trail.

381
00:22:24,279 --> 00:22:27,480
But you know what would have been even more clever

382
00:22:28,480 --> 00:22:31,920
not giving a clue at all, because here's the thing,

383
00:22:32,599 --> 00:22:38,279
this is a middle aged, downtrodden bookkeeper, not the Riddler.

384
00:22:38,559 --> 00:22:42,920
You don't have to call and give riddles and clues

385
00:22:42,960 --> 00:22:47,440
about your location. Also, this is the second episode with

386
00:22:47,599 --> 00:22:53,519
a character named Poorly Baron. There's the Poorly Baron matter

387
00:22:53,599 --> 00:22:57,359
from nineteen fifty seven, which was episode four four nine

388
00:22:57,519 --> 00:23:01,640
five for us, And in addition to the one of

389
00:23:01,680 --> 00:23:06,680
the lost episodes from nineteen fifty eight was the Perilous

390
00:23:06,839 --> 00:23:13,799
Parley matter, featuring a separate character named Parley. Although that

391
00:23:14,200 --> 00:23:17,119
does seem like there might have been some confusion, as

392
00:23:17,160 --> 00:23:20,759
according to the notes in John Abbott's book Who Is

393
00:23:20,920 --> 00:23:24,359
Johnny Dollar Matter? Johnny at first thought it might have

394
00:23:24,400 --> 00:23:28,960
been a reference to a Parley at a racetrack, and

395
00:23:29,039 --> 00:23:32,359
someone did ask a while back when I kept referencing

396
00:23:32,480 --> 00:23:35,400
John Abbott for those and thought he might have been

397
00:23:35,440 --> 00:23:38,000
an actor of some sort. Well, not as far as

398
00:23:38,039 --> 00:23:43,359
I know. John Abbott is a radio historian who has

399
00:23:43,559 --> 00:23:47,519
done a lot of work on yours truly, Johnny Dollar,

400
00:23:47,759 --> 00:23:53,039
and in particular Life of Bob Bailey, also Charles Russell,

401
00:23:53,680 --> 00:23:58,519
and coming up with some great resources and information. Mister

402
00:23:58,640 --> 00:24:03,519
Abbot's books books, The Who is Johnny Dollar matter. Are

403
00:24:03,680 --> 00:24:09,039
reference books that I did refer to quite frequently regarding

404
00:24:09,079 --> 00:24:15,000
this series, and he actually went to at the time

405
00:24:15,160 --> 00:24:18,799
the scripts were at the Thousand Oaks Library. He went

406
00:24:18,920 --> 00:24:23,839
through all of those scripts and wrote down the plot

407
00:24:23,960 --> 00:24:27,000
details and captured them so we can actually find out

408
00:24:27,000 --> 00:24:30,400
what happened in the lost episodes, at least those that

409
00:24:30,440 --> 00:24:34,920
were from Hollywood. I will also say that the powers

410
00:24:35,079 --> 00:24:40,640
of an insurance investigator were really quite amazing. Yeah, if

411
00:24:40,680 --> 00:24:43,880
you're just an ordinary policeman and you show up and

412
00:24:43,920 --> 00:24:46,440
you say I'd like to search this room, I'll be like,

413
00:24:47,400 --> 00:24:51,480
you have a warrant. Uh, well no, then I can't

414
00:24:51,559 --> 00:24:54,160
let you in. But however, you come in as an

415
00:24:54,200 --> 00:24:58,440
insurance investigator and you show them that credential, They're like, oh, sure,

416
00:24:58,680 --> 00:25:03,920
go ahead, search room. You're an insurance investigator. And that

417
00:25:04,039 --> 00:25:08,119
means that, yeah, you can just search anything. And you

418
00:25:08,160 --> 00:25:12,680
can even board a plane. All right, you don't have

419
00:25:12,720 --> 00:25:16,119
a ticket for this plane and you're on board. I'm

420
00:25:16,240 --> 00:25:21,039
an insurance investigator. Well that changes everything. One point of

421
00:25:21,160 --> 00:25:25,880
curiosity in this episode, and it kind of cuts off here,

422
00:25:27,839 --> 00:25:31,799
is that there's a reference to an article in the

423
00:25:32,079 --> 00:25:37,720
February nineteen fifty nine issue of Harper's Bazaarre. It's a

424
00:25:37,799 --> 00:25:42,000
little unclear what that story that's set in Hollywood, Florida

425
00:25:42,039 --> 00:25:45,480
is about, whether it's time to Johnny Dollar or not.

426
00:25:46,119 --> 00:25:51,000
I was able to find a scan of the table

427
00:25:51,079 --> 00:25:55,720
of contents of that particular issue of Harper's Bizarre. And

428
00:25:56,039 --> 00:25:59,240
one thing to remember with magazines of all sorts back

429
00:25:59,279 --> 00:26:03,960
then is they did actually publish fiction, and Harper's Bazaar

430
00:26:04,279 --> 00:26:07,200
was no different. There's a lot of fashion stuff, but

431
00:26:07,240 --> 00:26:11,319
there were around five different stories in there. Now none

432
00:26:11,319 --> 00:26:15,759
of those actually scream Johnny Dollar or mystery to me.

433
00:26:16,319 --> 00:26:19,400
But I really do want to find out what was

434
00:26:19,440 --> 00:26:23,480
in that magazine, and I've got resources to go through.

435
00:26:23,559 --> 00:26:27,920
I decide I'm going to record this commentary first. I

436
00:26:28,039 --> 00:26:31,039
might even be able to find it at my local library.

437
00:26:31,119 --> 00:26:34,720
Looks like the Harper's Bazaar should be on pro sources,

438
00:26:35,599 --> 00:26:39,240
but if not, I will go down other avenues and

439
00:26:39,279 --> 00:26:42,640
hopefully I'll report back to you on what was the

440
00:26:42,640 --> 00:26:46,680
big deal in that magazine. Listener comments and feedback now,

441
00:26:46,799 --> 00:26:50,519
and we have some comments on Facebook regarding the Double

442
00:26:50,680 --> 00:26:55,079
Trouble matter, and this is from Gigi who writes love

443
00:26:55,160 --> 00:27:00,279
those Sergeant Donald Bellweather auto safety commercials. I wondered for

444
00:27:00,359 --> 00:27:03,839
a long time who the actor was before I recognized

445
00:27:03,920 --> 00:27:08,680
him as her vigrant. Do you have any info on

446
00:27:08,799 --> 00:27:13,880
these PSAs? And specifically, she wants to know who played

447
00:27:13,920 --> 00:27:17,200
the wife in them. The PSAs were put out by

448
00:27:17,319 --> 00:27:23,400
the National Safety Council. I am horrible at identifying voices

449
00:27:23,480 --> 00:27:28,119
until I really get them down straight, and I think

450
00:27:28,160 --> 00:27:31,880
that can be doubly true for female voices. I did

451
00:27:32,079 --> 00:27:36,400
actually find an old thread discussing this on the Old

452
00:27:36,440 --> 00:27:45,200
Time Radio Researchers Facebook group, and one person stated that

453
00:27:45,279 --> 00:27:50,640
the Lilian Biaf was the wife, and honestly, I think

454
00:27:50,720 --> 00:27:54,200
that does sound about the quality of her voice, but

455
00:27:54,400 --> 00:27:59,079
I am open to other interpretations. And then Joey Wright's

456
00:27:59,240 --> 00:28:02,359
Thursday morning, while driving to work, I listened to Johnny

457
00:28:02,400 --> 00:28:05,759
Dollar and I was thinking it was Friday FLORTI instead

458
00:28:05,799 --> 00:28:09,440
of Thursday. Adam, you are messing with my routine. Well,

459
00:28:09,559 --> 00:28:12,200
I am so sorry. There was a little bit of

460
00:28:12,240 --> 00:28:17,119
a mistake where both Johnny Dollar and Dragnet released the

461
00:28:17,279 --> 00:28:20,799
same day, So so sorry for that little mix up.

462
00:28:21,319 --> 00:28:24,839
Appreciate your comment and your support, Joey. Then we turned

463
00:28:24,839 --> 00:28:29,079
to Spotify, where Peter Wrights I was surprised to see

464
00:28:29,160 --> 00:28:33,839
that Rhode Island still has the lowest driver fatality rate

465
00:28:33,920 --> 00:28:37,200
in the country. I was a little surprised by that too,

466
00:28:37,480 --> 00:28:40,519
because I'd watched a lot of well not a lot,

467
00:28:40,599 --> 00:28:44,319
but quite a few clips of that show that was

468
00:28:44,359 --> 00:28:50,599
on Caught in Providence, which was in essentially a traffic court,

469
00:28:50,960 --> 00:28:53,319
and it seemed like there were a lot of cases,

470
00:28:53,359 --> 00:28:56,279
although when I thought about it further, those seemed to

471
00:28:56,319 --> 00:29:00,799
deal more with parking rather than moving violation. I've never

472
00:29:00,880 --> 00:29:03,240
been to Rhode Island myself, so that was all I

473
00:29:03,279 --> 00:29:05,960
had to go off of. Then we turned to the

474
00:29:06,119 --> 00:29:10,400
site called x with a comment on the Gruesome Spectacles matter.

475
00:29:10,920 --> 00:29:16,640
Jonathan said, this police chief was not a credible professional.

476
00:29:16,880 --> 00:29:20,720
To be fair to Johnny Dollar, they were he wasn't

477
00:29:20,759 --> 00:29:25,400
really trying to capture the idea of the professional lawman,

478
00:29:26,200 --> 00:29:29,240
and there are quite a few episodes of Johnny Dollar

479
00:29:29,359 --> 00:29:36,960
where what they portray is not a professional lawman, somebody

480
00:29:37,240 --> 00:29:42,799
who kind of does police work on the side, and

481
00:29:42,880 --> 00:29:48,000
that would happen and may still happen today and very

482
00:29:48,039 --> 00:29:55,039
thinly populated bow crime areas. Everybody agrees law and order

483
00:29:55,519 --> 00:30:00,400
is important, but you don't get enough crime, and you

484
00:30:00,480 --> 00:30:05,119
don't have enough people to support a full time police force.

485
00:30:05,359 --> 00:30:10,240
So you have one person or two people who in

486
00:30:10,279 --> 00:30:13,519
the event of a crime or some sort of public

487
00:30:13,680 --> 00:30:18,200
safety emergency where a sheriff or police would be called for,

488
00:30:18,640 --> 00:30:22,559
would they would be willing to fill in. And so

489
00:30:23,119 --> 00:30:29,839
these policemen could in theory be a little less professional

490
00:30:30,240 --> 00:30:34,599
because it's not their full time profession and not the

491
00:30:34,640 --> 00:30:37,240
way they relate to the world most of the time.

492
00:30:37,519 --> 00:30:42,039
And Johnny Doller that the series loves to include those

493
00:30:42,079 --> 00:30:45,960
sort of characters, so I wouldn't consider it a black

494
00:30:46,119 --> 00:30:49,039
mark against the series. It goes to the type of

495
00:30:49,160 --> 00:30:53,440
person that's being portrayed. Now, I don't know for certain

496
00:30:53,759 --> 00:31:00,400
how common these sort of arrangements were in nineteen fifty

497
00:31:00,440 --> 00:31:04,759
eight or fifty nine, or whether, as Johnstone sometimes did,

498
00:31:04,839 --> 00:31:09,200
he was taking things that he experienced in his youth

499
00:31:09,359 --> 00:31:11,880
and writing about them as if they were current even

500
00:31:11,920 --> 00:31:14,920
though they weren't. All right, well, now it's time to

501
00:31:14,960 --> 00:31:17,240
thank our Patreon supporter of the day, and I want

502
00:31:17,240 --> 00:31:21,359
to thank John Patreon supporter since September twenty fifteen, currently

503
00:31:21,359 --> 00:31:25,400
supporting the podcast at the Shawmus level of four dollars

504
00:31:25,480 --> 00:31:27,960
or more per month. Thanks so much for your support, John,

505
00:31:28,079 --> 00:31:31,359
and that will do it for today. If you're enjoying

506
00:31:31,400 --> 00:31:36,119
the podcast, please follow us using your favorite podcast software,

507
00:31:36,599 --> 00:31:39,319
and be sure to rate and review the podcast wherever you.

508
00:31:39,359 --> 00:31:40,400
Speaker 3: Download it from.

509
00:31:40,880 --> 00:31:44,200
Speaker 1: We'll be back next Friday with another episode of Yours Truly,

510
00:31:44,279 --> 00:31:47,880
Johnny Dollar, but join us back here tomorrow as we

511
00:31:47,960 --> 00:31:52,480
give way to Counterspine, the great adventurers of old time

512
00:31:52,599 --> 00:31:53,480
radio ware.

513
00:31:55,640 --> 00:32:00,599
Speaker 7: This is Eliza gun A Loganbury Point me caught me

514
00:32:00,680 --> 00:32:01,200
a spy?

515
00:32:04,279 --> 00:32:05,039
Speaker 3: You say that again.

516
00:32:05,680 --> 00:32:10,839
Speaker 7: I'm Liza god A Loganberry Point Me and I've caught

517
00:32:10,920 --> 00:32:13,000
me a spy.

518
00:32:13,960 --> 00:32:17,279
Speaker 3: Actually, I'm a little Where.

519
00:32:17,079 --> 00:32:17,319
Speaker 5: Is he.

520
00:32:18,799 --> 00:32:20,440
Speaker 7: Lying on the sofa over there?

521
00:32:21,160 --> 00:32:22,640
Speaker 3: Did he here's you? Why doesn't he get up?

522
00:32:23,119 --> 00:32:25,599
Speaker 7: What you ain't see? The condition?

523
00:32:25,759 --> 00:32:27,920
Speaker 4: He's in the unconscious?

524
00:32:28,319 --> 00:32:32,480
Speaker 3: Very How do you know he's a spy?

525
00:32:32,720 --> 00:32:37,599
Speaker 8: Well he told me about rowing alone and hearing our

526
00:32:37,720 --> 00:32:41,519
bellboy at the narrows, and then rowing an hour and

527
00:32:41,599 --> 00:32:47,200
landing on our beach. Well, I was born here and

528
00:32:47,359 --> 00:32:51,200
I know this coast, and there ain't nobody rowing from

529
00:32:51,200 --> 00:32:54,079
the bell boy at the reef to this shore running

530
00:32:54,160 --> 00:32:56,440
ebb tide in one hour.

531
00:32:56,960 --> 00:32:59,160
Speaker 7: He's a pervaricator.

532
00:33:00,119 --> 00:33:02,240
Speaker 1: You with us then, in the meantime, do send your

533
00:33:02,279 --> 00:33:07,559
comments to Box thirteen at Greatdetectives dot net, follow us

534
00:33:07,680 --> 00:33:13,200
on Twitter at Radio Detectives, and check us out on Instagram, Instagram,

535
00:33:13,279 --> 00:33:17,759
dot com slash Great Detectives From Boise, Idaho. This is

536
00:33:17,799 --> 00:33:20,279
your host, Adam Graham signing off.

