1 00:00:28,800 --> 00:00:35,280 Speaker 1: Welcome to the Great Detectives of Old Time Radio from Boise, Idaho. 2 00:00:35,600 --> 00:00:39,280 This is your host, Adam Graham. In a moment, we're 3 00:00:39,320 --> 00:00:44,439 going to bring you this week's episode of The Saint. 4 00:00:44,679 --> 00:00:47,359 But first I do want to encourage you. If you're 5 00:00:47,479 --> 00:00:52,679 enjoying the podcast, please follow us using your favorite podcast software. 6 00:00:53,159 --> 00:00:55,159 Our program is brought to you in part by the 7 00:00:55,159 --> 00:00:58,000 financial support of our listeners, and I do want to 8 00:00:58,000 --> 00:01:01,560 thank our latest Patreon supporters. Thank you de Larry supporting 9 00:01:01,600 --> 00:01:05,640 the program at the Detective Sergeant level of seven dollars 10 00:01:05,640 --> 00:01:09,000 and fourteen cents or more per month, to Steve supporting 11 00:01:09,040 --> 00:01:13,439 the podcast at the Shawmas level of four dollars per month, 12 00:01:13,799 --> 00:01:17,120 and Amy Sue supporting the podcast at the rookie level 13 00:01:17,200 --> 00:01:20,400 of two dollars per month. But now from November six, 14 00:01:20,680 --> 00:01:38,079 nineteen forty nine, here is the Case of the Unhappy Homicide. 15 00:01:43,760 --> 00:01:55,359 Speaker 2: The Adventures of the Saint starting thencent prices based. 16 00:01:55,040 --> 00:01:59,760 Speaker 3: On characters created by Leslie Chargers and civilians from Books Magazine, 17 00:01:59,799 --> 00:02:03,280 from Ocean Pictures, the Robert Hood of Modern Crime. Now 18 00:02:03,319 --> 00:02:06,840 come to radio, Darling Hollywood's Brilliant and telling to Doctor 19 00:02:06,959 --> 00:02:08,080 Him Christ by. 20 00:02:13,000 --> 00:02:13,319 Speaker 4: Waiter. 21 00:02:13,759 --> 00:02:17,039 Speaker 5: Yes, Waiter will you tell the chef of this unhappy 22 00:02:17,120 --> 00:02:22,560 restaurant that he'd make a better shoemaker. Get this miserable concotton. 23 00:02:22,639 --> 00:02:23,560 It's called a salad. 24 00:02:24,039 --> 00:02:24,800 Speaker 4: Don't but me. 25 00:02:25,520 --> 00:02:28,319 Speaker 5: I have something to take. Yes, someone is looking for 26 00:02:28,400 --> 00:02:30,560 you at another temple. I'll get back to him at once. 27 00:02:30,680 --> 00:02:33,280 Warn him against eating anything in this establishment. Tell him 28 00:02:33,319 --> 00:02:36,319 his life is in danger. There is something change about 29 00:02:36,319 --> 00:02:38,360 the simple moment. I think he has a gun in 30 00:02:38,439 --> 00:02:42,159 his pocket. More severe critic of food than I am. Well, 31 00:02:42,159 --> 00:02:43,759 tell the chef you better flee for his life. 32 00:02:43,960 --> 00:02:45,240 Speaker 4: Do you wish the chef? 33 00:02:45,360 --> 00:02:47,439 Speaker 5: No, he'll have to look out for himself. Not the chef, 34 00:02:47,879 --> 00:03:00,639 the little man. He's little. How do you do you 35 00:03:00,759 --> 00:03:01,400 wish to see me? 36 00:03:01,719 --> 00:03:03,319 Speaker 4: Mister Templer? My name is Potts. 37 00:03:03,400 --> 00:03:05,199 Speaker 6: How do you do I need help? 38 00:03:05,759 --> 00:03:08,639 Speaker 4: I'm the senior partner Potts and Carter Jeweler's extraordinary. 39 00:03:08,919 --> 00:03:15,560 Speaker 5: So earlier this season, mister Carter was, mister Templer. 40 00:03:15,400 --> 00:03:16,479 Speaker 4: It wasn't an accident. 41 00:03:16,639 --> 00:03:20,479 Speaker 5: Oh, he was murdered, and the police they're picking you 42 00:03:20,560 --> 00:03:22,879 for queen of the man. You want me to prove 43 00:03:22,919 --> 00:03:26,280 you didn't murder Carter? Oh no, mister Templer, No, no, 44 00:03:26,560 --> 00:03:27,840 I want you to prove I did. 45 00:03:43,759 --> 00:03:46,240 Speaker 4: It's no use, mister Templar, I did kill Carter. 46 00:03:46,479 --> 00:03:48,960 Speaker 5: Why wouldn't the police believe you? Because they couldn't find 47 00:03:48,960 --> 00:03:51,479 the course? There's usually one around after a murder. 48 00:03:51,520 --> 00:03:53,199 Speaker 4: You know, somebody stole this one. 49 00:03:53,439 --> 00:03:56,960 Speaker 5: Eating constant is a rather restricted profession. Where did you 50 00:03:57,039 --> 00:03:58,120 kill your partner in. 51 00:03:58,120 --> 00:03:59,919 Speaker 4: Our establishment on Russia Boulevard? 52 00:04:00,159 --> 00:04:03,199 Speaker 5: That's the nice place for it. When earlier this evening 53 00:04:03,280 --> 00:04:05,319 and then you've gone the police from the shop, No. 54 00:04:05,439 --> 00:04:08,319 Speaker 4: I couldn't bear the sight of Carter's body. 55 00:04:08,800 --> 00:04:10,639 Speaker 5: I walked over to a nearby hotel and made my 56 00:04:10,680 --> 00:04:12,960 call from there, and then I returned to the shop. 57 00:04:13,560 --> 00:04:14,599 Speaker 4: I didn't go into. 58 00:04:14,360 --> 00:04:17,759 Speaker 5: The back where the shooting had taken place. Yes, I 59 00:04:17,839 --> 00:04:18,839 waited for the police. 60 00:04:19,560 --> 00:04:21,959 Speaker 4: They arrived, I told him what had happened and. 61 00:04:22,000 --> 00:04:23,800 Speaker 5: Let them into the bank. But when you got there, 62 00:04:23,920 --> 00:04:27,600 covered with there, Yes, no one had heard the shot. Well, 63 00:04:27,720 --> 00:04:30,560 you see, it's a business neighborhood. It was easy stand 64 00:04:31,079 --> 00:04:34,480 may ask your questions. Are you tired of living? 65 00:04:34,879 --> 00:04:35,040 Speaker 4: Right? 66 00:04:35,920 --> 00:04:36,920 Speaker 5: Oh? Oh? To me? 67 00:04:37,199 --> 00:04:38,519 Speaker 4: Why am I so anxious to have. 68 00:04:38,480 --> 00:04:39,199 Speaker 5: The police leaving? 69 00:04:40,160 --> 00:04:43,160 Speaker 4: Because I shot Carter in self defense. He's a larger 70 00:04:43,199 --> 00:04:45,959 man than I am. He was threatening me with physical violence. 71 00:04:46,360 --> 00:04:47,839 I acted only in self defense. 72 00:04:48,000 --> 00:04:50,120 Speaker 5: I think, well, I'll drop you at your home and 73 00:04:50,639 --> 00:04:53,000 let's part You've got a job. Yes, you've got to 74 00:04:53,000 --> 00:04:55,920 find your partner's body. But I ask yourself where you'd 75 00:04:55,920 --> 00:04:59,680 go if you were no, No, he wouldn't be doing anywhere. 76 00:04:59,800 --> 00:05:02,639 Now you better spend some time thinking about your friends. 77 00:05:02,639 --> 00:05:04,399 One of them might have removed because in order to 78 00:05:04,439 --> 00:05:06,639 shield you, or think of your enemies. Are you married? 79 00:05:06,720 --> 00:05:08,120 Speaker 4: Yes, I am well? 80 00:05:08,160 --> 00:05:10,160 Speaker 5: Anyway, an enemy of yours might have moved the body 81 00:05:10,160 --> 00:05:13,199 to make the killing look like or like premeditated murder 82 00:05:13,720 --> 00:05:40,279 one way or another. Mister, you think about living room 83 00:05:40,319 --> 00:05:42,199 furniture trouting or are you. 84 00:05:43,879 --> 00:05:44,199 Speaker 4: Carter? 85 00:05:44,600 --> 00:05:44,800 Speaker 6: Yes? 86 00:05:45,079 --> 00:05:48,800 Speaker 5: Of hops Carter pot corner. One of us is in 87 00:05:48,800 --> 00:05:51,160 a bad way. Either you're dead or I'm crazy. I 88 00:05:51,160 --> 00:05:53,639 can assure you why I'm not very well. I'll be 89 00:05:53,680 --> 00:05:58,279 a psychiatrist in the morning and headhand block with your's 90 00:05:58,319 --> 00:06:01,680 been hating me, haven't you following pot? Or did he 91 00:06:01,759 --> 00:06:02,360 want nothing? 92 00:06:02,439 --> 00:06:02,759 Speaker 6: Really? 93 00:06:03,120 --> 00:06:06,079 Speaker 5: Really wanted to assure me that he kills you? He 94 00:06:06,399 --> 00:06:10,040 what kills you? Shot you. To amplify an already unbelievable remark, 95 00:06:10,360 --> 00:06:15,600 he said that he must see him, saying, well, extensive anyway, mister, 96 00:06:15,720 --> 00:06:18,759 kind of the situation is. Rather, a man confesses to 97 00:06:18,800 --> 00:06:21,360 a murder, the police do not believe him. He comes 98 00:06:21,360 --> 00:06:23,480 to me and asked me to approve him a murderer. 99 00:06:23,759 --> 00:06:26,600 I leave him and find myself confronting the man he 100 00:06:26,800 --> 00:06:32,120 claims fils murdered. Doesn't make sense. Yeah, that's it's not intensive. 101 00:06:32,680 --> 00:06:33,240 Speaker 6: What do you mean? 102 00:06:33,279 --> 00:06:36,279 Speaker 5: I suggest you go to the police, identify yourself to them, 103 00:06:36,319 --> 00:06:40,079 and ask complete protection for yourself. I don't need any protection. 104 00:06:40,480 --> 00:06:42,439 POT wouldn't harm a fly, but you're not a fly, 105 00:06:42,959 --> 00:06:45,120 DearS out of the possibility of pots really doing me 106 00:06:45,199 --> 00:06:47,560 harm is something I can't take. Seriously. Why not go 107 00:06:47,600 --> 00:06:50,240 to the police anyway? I couldn't without exposing parts for 108 00:06:50,319 --> 00:06:54,759 ridicule and solictitute for your partners. Rather touching, especially since 109 00:06:54,800 --> 00:06:58,279 he accused you of being a thief, of fealing from 110 00:06:58,279 --> 00:07:04,240 the firm. Said that, and I have something to think about. 111 00:07:04,360 --> 00:07:08,600 Do something to see you now. A man has already 112 00:07:08,639 --> 00:07:12,160 confessed to your murder and you're still alive. The confession 113 00:07:12,199 --> 00:07:16,959 may have been moved, like madness, may have been propaty 114 00:07:18,240 --> 00:07:40,480 good night, well, hello, Hello. The times they put out 115 00:07:40,519 --> 00:07:44,560 nowadays have rare and wonderful gadgets to pardon me, but 116 00:07:44,600 --> 00:07:47,079 I'm trailing a fellow, a man named Carter. 117 00:07:47,160 --> 00:07:48,360 Speaker 3: Do you know him? 118 00:07:48,600 --> 00:07:51,360 Speaker 5: Do I know? You should? I? What do you think 119 00:07:51,560 --> 00:07:54,439 Carter's cab is well in sight? Just a moment, I'll 120 00:07:54,439 --> 00:07:57,120 take my eyes off the cab for a moment, and 121 00:07:57,639 --> 00:08:03,120 I should that's me. I'm Simon. No, I only bought 122 00:08:03,120 --> 00:08:06,240 this ky yesterday. Are you part of the standard of person? No? 123 00:08:06,399 --> 00:08:08,839 Speaker 7: I go with this bluff model, though, I'm so glad 124 00:08:08,839 --> 00:08:11,439 I said for the extra there what doesn't? 125 00:08:11,959 --> 00:08:14,639 Speaker 5: And then where we're going? What we do when we 126 00:08:14,680 --> 00:08:17,519 get there? This is a nice quiet see. Hey, hey, 127 00:08:17,600 --> 00:08:20,560 wait a minute, that's the ignition key. I know you've 128 00:08:20,560 --> 00:08:26,079 got the key. Well, may I borrow? No? Cott is 129 00:08:26,160 --> 00:08:31,439 cad is out of sight? I listen, Lily size, and 130 00:08:31,480 --> 00:08:53,519 now it's Simons a think. I think, oh, hello, officer. 131 00:08:54,519 --> 00:08:58,440 Speaker 8: Now this may be a residential neighborhood, but it is. 132 00:08:59,240 --> 00:09:02,080 Speaker 5: But that doesn't mean you should play house. Well, we 133 00:09:02,080 --> 00:09:05,639 weren't exactly paying house office that I were trying to 134 00:09:05,639 --> 00:09:11,559 persuade the ladies who return that affect. Lady giving back 135 00:09:11,600 --> 00:09:17,639 your ignition? All right, off here you are, thank you? 136 00:09:17,679 --> 00:09:20,080 Now you take that ignition key and stick it in 137 00:09:20,159 --> 00:09:21,799 a lot. That's right. 138 00:09:22,240 --> 00:09:26,200 Speaker 8: Now you're trying it. So you're doing very nicely. Now 139 00:09:26,240 --> 00:09:32,080 you've pushed a little button over there. Oh jolly, Now 140 00:09:32,120 --> 00:09:33,679 you shift the gear at the first. 141 00:09:33,799 --> 00:09:37,840 Speaker 5: You release the hand break. You're a bright boy. The 142 00:09:37,879 --> 00:09:39,360 next time you go out with the girl and make 143 00:09:39,399 --> 00:09:41,879 sure your ignition key isn't showing. 144 00:09:42,840 --> 00:09:45,000 Speaker 8: Now step on the gass and get the heir gotta. 145 00:09:58,879 --> 00:10:02,559 Speaker 5: Simon. Are you angry with me for delaying me? Not? Especially? 146 00:10:03,320 --> 00:10:06,200 Where are you taking jewelry? Oh? You really shouldn't. 147 00:10:06,240 --> 00:10:07,200 Speaker 6: You don't know me well enough? 148 00:10:07,320 --> 00:10:12,559 Speaker 5: Which pots? And you know the My husband was half 149 00:10:13,320 --> 00:10:18,559 huh hot door corner. You must have a nice assortment 150 00:10:18,559 --> 00:10:22,399 of stone. What makes you hot? Doesn't that in your lace? 151 00:10:22,519 --> 00:10:22,759 Speaker 6: Daisy? 152 00:10:23,159 --> 00:10:25,600 Speaker 5: Not in his own marriage. I'm not so sure that's 153 00:10:25,639 --> 00:10:32,559 a cop. Huh, because I think there's a light in 154 00:10:32,679 --> 00:10:35,559 the back. Are you coming with me? No? Why not? 155 00:10:35,960 --> 00:10:36,720 Speaker 6: You think you're happy? 156 00:10:36,840 --> 00:10:45,480 Speaker 5: Might be there? I'm broody, all right? Just don't hatch anything. 157 00:10:45,679 --> 00:10:55,399 Open the door? How right you are the do you want? 158 00:10:55,480 --> 00:11:00,279 Let's go inside? I said inside? I mean, but I 159 00:11:00,320 --> 00:11:02,159 know you weren't expecting company. 160 00:11:02,200 --> 00:11:03,039 Speaker 6: The house is a net. 161 00:11:03,120 --> 00:11:04,360 Speaker 4: What made you think i'd be here. 162 00:11:04,399 --> 00:11:07,000 Speaker 5: I wasn't sure, but it was a possibility, so I came. 163 00:11:07,120 --> 00:11:09,159 Now that you're here, i'd like to take a look 164 00:11:09,200 --> 00:11:11,480 in that back room where the light is. Where the 165 00:11:11,600 --> 00:11:14,399 light and I'd rather suspect the balls. I don't have 166 00:11:14,440 --> 00:11:16,919 the sense no, but I've got a feeling you're going 167 00:11:16,960 --> 00:11:23,200 to Let's get on with it. Let's both check. Wait 168 00:11:23,240 --> 00:11:27,080 a minute, you might understand, give me a chance. I 169 00:11:27,159 --> 00:11:28,919 don't want you to come in keep walking? 170 00:11:30,279 --> 00:11:33,279 Speaker 6: Oh all right, what you idiot? 171 00:11:33,279 --> 00:11:41,360 Speaker 5: If you think about putting the lights out? You Claire? 172 00:11:41,600 --> 00:11:54,159 The light switches in the door, lying half across the doorway, 173 00:11:54,440 --> 00:11:59,759 I do, I'm a milk good it's blood leaking out 174 00:11:59,799 --> 00:12:06,120 from London. Let's take a look at the background. Huh yeah? 175 00:12:06,480 --> 00:12:10,120 Back in all so much for that? 176 00:12:13,279 --> 00:12:14,559 Speaker 4: Can you worry about that man? 177 00:12:15,279 --> 00:12:16,639 Speaker 5: Dead men before before? 178 00:12:17,080 --> 00:12:17,559 Speaker 4: I don't care? 179 00:12:17,679 --> 00:12:23,960 Speaker 5: The husband might the police? Well I gotta go. He's 180 00:12:24,000 --> 00:12:26,120 got a job notifying the police. They wouldn't like it 181 00:12:26,159 --> 00:12:28,039 if you didn't. What are you going to do? What 182 00:12:29,559 --> 00:12:34,240 number that operator as the police headquarters and them all me. 183 00:12:34,440 --> 00:12:36,200 I'm going to visit with a man who confessed to 184 00:12:36,279 --> 00:12:39,480 a murder before it was committed. Curious to see whether 185 00:12:39,519 --> 00:12:40,279 he's going. 186 00:12:40,080 --> 00:13:06,480 Speaker 9: To assist to that confession. I want to see mister Pott. 187 00:13:07,000 --> 00:13:08,960 Speaker 5: Yes, I'm peculiar. I want to be mister part with 188 00:13:09,039 --> 00:13:11,799 this dollar. I'm sorry, but maybe you're a great counter 189 00:13:16,480 --> 00:13:18,840 putting me aside to night you win the badge for 190 00:13:18,879 --> 00:13:23,879 alt shut the door, very fie. I refuse to were 191 00:13:23,919 --> 00:13:26,639 not the usual, but the young big and you look 192 00:13:26,639 --> 00:13:29,759 as if you've got muscled. Let me push you aside 193 00:13:29,799 --> 00:13:32,399 as if you were a daughtering old man. Why my 194 00:13:32,519 --> 00:13:35,759 father was a fer before me and his father before him. 195 00:13:36,279 --> 00:13:39,279 We're accustomed to dealing with gentlemen. And let's be quite 196 00:13:39,279 --> 00:13:41,799 a come down talking to me. Very fine. He's not 197 00:13:41,879 --> 00:13:45,240 at home, sure quite, sir and mister look for him 198 00:13:45,240 --> 00:13:46,679 as though we didn't know he was out. But I 199 00:13:46,720 --> 00:13:48,919 assure you show. 200 00:13:48,759 --> 00:14:04,759 Speaker 6: Me well he's not in the house. 201 00:14:05,360 --> 00:14:09,080 Speaker 5: No, I don't look. Mother, missus Potts isn't in the 202 00:14:09,120 --> 00:14:11,399 house either. You knew that, sir before you look to 203 00:14:11,559 --> 00:14:14,679 tell me how does she feel about her husband? I 204 00:14:14,840 --> 00:14:17,279 thank your father? All right, all right, you've given me 205 00:14:17,360 --> 00:14:21,679 the proper outraged respond what's your name? And Anderson make 206 00:14:21,759 --> 00:14:22,320 a speech? 207 00:14:25,799 --> 00:14:27,080 Speaker 6: Well, my father or his. 208 00:14:27,159 --> 00:14:30,120 Speaker 5: Father beforehand, and I'll bet you they own you exactly 209 00:14:30,159 --> 00:14:32,200 what cooked with a master and mistress? So do you 210 00:14:32,279 --> 00:14:36,360 what cook? Well? Mister Potts is a very fine man. 211 00:14:36,440 --> 00:14:37,399 Speaker 6: Missus Potts is a. 212 00:14:37,360 --> 00:14:39,240 Speaker 5: Very fine woman. And you take the high road and 213 00:14:39,279 --> 00:14:44,080 I'll take the low road. Hey, company coming, I will 214 00:14:44,120 --> 00:14:46,600 take the low road. But who am I? 215 00:14:46,600 --> 00:14:47,039 Speaker 6: I don't know? 216 00:14:47,159 --> 00:14:49,600 Speaker 5: So good and tell the police all about them when 217 00:14:49,600 --> 00:14:50,039 they arrive. 218 00:14:51,759 --> 00:14:52,600 Speaker 6: They'll be here soon. 219 00:14:53,080 --> 00:14:55,399 Speaker 5: It'll give them something to think about besides mister pots. 220 00:14:55,519 --> 00:14:59,519 And yes, sir, you think about something besides Missy Pops too, 221 00:15:00,080 --> 00:15:00,519 thing like. 222 00:15:00,960 --> 00:15:24,279 Speaker 7: Murder's only Simon, Hello Simon, business as usual here at 223 00:15:24,320 --> 00:15:25,080 Pots from Kada. 224 00:15:25,759 --> 00:15:27,960 Speaker 5: Yes he's enough. I suppose of Karter line in the 225 00:15:28,000 --> 00:15:31,840 Morgan my husband where somebody knows that point? 226 00:15:33,000 --> 00:15:34,360 Speaker 4: Than whom have they in mind? 227 00:15:34,440 --> 00:15:35,720 Speaker 6: For Carter's murdered. 228 00:15:35,879 --> 00:15:37,519 Speaker 5: Burglar's obvious what happened last night? 229 00:15:37,559 --> 00:15:38,480 Speaker 6: Someone was burving the. 230 00:15:38,480 --> 00:15:42,399 Speaker 5: Ball card supplied him. There was a great and many 231 00:15:42,440 --> 00:15:46,879 pleasant aspects. It doesn't explain your husband's confession. Though he 232 00:15:47,000 --> 00:15:48,080 was overworked, he was tired. 233 00:15:48,120 --> 00:15:49,960 Speaker 4: I didn't know what he was saying, Lisa. 234 00:15:50,360 --> 00:15:53,039 Speaker 5: Maybe maybe he's lost his mind or something. Yeah, I 235 00:15:53,120 --> 00:15:56,759 like that or something better. Theory doesn't explain your husband's 236 00:15:56,840 --> 00:16:02,080 accusations against Carter. Accusations just fair. I don't know anything 237 00:16:02,080 --> 00:16:04,679 a bottle? Then why you're acting the car last night? 238 00:16:05,039 --> 00:16:10,919 I was worried about my husband. Always want. 239 00:16:13,080 --> 00:16:15,399 Speaker 6: What not? 240 00:16:15,480 --> 00:16:21,720 Speaker 5: A funny thing I can coldly likely miss some other time? 241 00:16:22,279 --> 00:16:24,639 Right now? What about anything? Your black friend? I don't 242 00:16:24,679 --> 00:16:27,240 trust him. I know it's not done this year mistrusted butter, 243 00:16:27,440 --> 00:16:29,519 but I have a speeding he knows more than he should, 244 00:16:29,799 --> 00:16:35,679 more than Why don't you find out by discussing things 245 00:16:35,679 --> 00:16:36,080 with him? 246 00:16:36,519 --> 00:16:36,799 Speaker 6: Warm? 247 00:16:37,639 --> 00:16:40,080 Speaker 5: I'm not so sure. I like that. I'm not making 248 00:16:40,080 --> 00:16:43,559 friends today, just influencing people. I can't imagine what Andison would. 249 00:16:43,559 --> 00:16:46,399 I wouldn't know. Emulate your imagination by going out of 250 00:16:46,480 --> 00:16:51,080 the house now and working on him. Very important. Run along, 251 00:16:52,720 --> 00:16:57,559 I'll lock up. You're going home staring up for friends, 252 00:16:58,679 --> 00:17:09,119 and you don't have to. Yeah, there's the back door 253 00:17:14,720 --> 00:17:27,920 lock and nont door no, no, yes, no, yes, got 254 00:17:27,960 --> 00:17:30,920 your heap over there, yeah yes, yeah, they take a care. 255 00:17:31,039 --> 00:17:33,319 I like my heath. Now, don't look now, but some 256 00:17:33,519 --> 00:17:37,480 low characters let the air out a couple of your tires. Well, 257 00:17:37,519 --> 00:17:39,599 then suppose we go for a ride in your cast 258 00:17:42,440 --> 00:17:46,640 thirty nine tell power drove. Okay, see, did you happen 259 00:17:46,640 --> 00:17:49,279 to notice the happy thanks to who deflated my tire? 260 00:17:49,799 --> 00:17:51,000 Speaker 6: Sure? I noticed it? 261 00:17:51,279 --> 00:17:54,480 Speaker 5: Why not? I'm under rady? Oh well, why didn't you 262 00:17:54,480 --> 00:17:54,960 stop her? 263 00:17:55,359 --> 00:17:55,640 Speaker 4: Mister? 264 00:17:55,759 --> 00:17:58,279 Speaker 5: I'm a married man. That means I'm cautious. 265 00:17:58,559 --> 00:18:00,880 Speaker 6: Who all I knew? Media the time the fella likes. 266 00:18:00,720 --> 00:18:02,440 Speaker 4: Your girl that the flats tires for him. 267 00:18:02,480 --> 00:18:05,920 Speaker 5: It depends on the circumstances. Gabby, not too early in 268 00:18:05,960 --> 00:18:06,359 the morning. 269 00:18:06,480 --> 00:18:08,319 Speaker 4: Okay, next time, I'll know. 270 00:18:08,400 --> 00:18:10,319 Speaker 5: You don't like a girl that the'll flates your tires 271 00:18:10,319 --> 00:18:11,079 for you in the morning. 272 00:18:11,680 --> 00:18:12,680 Speaker 4: You don't think it's. 273 00:18:12,480 --> 00:18:28,799 Speaker 5: Fun, No, I think it's murdered. Twenty nine Fel Tower 274 00:18:28,880 --> 00:18:35,119 driver Ben Okay, it's well over here. Okay I stop. Well, 275 00:18:35,160 --> 00:18:37,519 I should wait for him. We'll both wait for somebody 276 00:18:37,559 --> 00:18:40,559 to get to the hunt. No, for someone to leave it. Hey, hey, 277 00:18:40,599 --> 00:18:43,279 that's yeah, a guy leaving the house. Now getting into 278 00:18:43,319 --> 00:18:50,359 a car and follow the car. He goes, Well, we 279 00:18:50,519 --> 00:18:54,920 go too. Okay, you're going on a long trips. I 280 00:18:54,920 --> 00:18:56,839 ain't got too much gas in the tank. He's going 281 00:18:56,880 --> 00:18:59,039 on a very long tipp in your die. Don't think 282 00:18:59,079 --> 00:19:02,839 he's going to far. Those is relative daddy, remember what 283 00:19:02,920 --> 00:19:05,759 Hamlet's been. Well, I wasn't around at the time. I 284 00:19:05,759 --> 00:19:08,920 could be bounded by a nutshell. Yet count myself king. 285 00:19:10,240 --> 00:19:12,599 Oh yeah, yeah, I remember it now where it's nuts 286 00:19:12,599 --> 00:19:31,160 that I have? Nice guy Hamlet's I wonder and getting dark. 287 00:19:31,279 --> 00:19:36,480 I don't like these hills when it starts getting done. Hey, 288 00:19:36,480 --> 00:19:39,160 a guy would trailing to turn off the road, drivate driveway, 289 00:19:39,480 --> 00:19:43,000 pull up the root and start. Okay, the house is 290 00:19:43,039 --> 00:19:47,440 beyond the bend, right near the road Kenby. Yeah, I'm 291 00:19:47,519 --> 00:19:51,440 leaving you. Look, I want you to drive back to town. 292 00:19:52,000 --> 00:19:54,039 The instance you hit a place with a phone, called 293 00:19:54,039 --> 00:19:56,279 the police. Yeah, and tell him what to warm my 294 00:19:56,400 --> 00:19:59,400 cell for a murderer. They can pick the murderer up here. 295 00:20:00,000 --> 00:20:01,880 Speaker 6: Okay, how don't do that? 296 00:20:02,079 --> 00:20:16,200 Speaker 5: And where? Oh hello Anderson, fancy finding me here? Mister temper? 297 00:20:16,319 --> 00:20:18,160 Whatever would your grandfather say? 298 00:20:18,240 --> 00:20:18,839 Speaker 6: What do you want? 299 00:20:18,960 --> 00:20:21,680 Speaker 5: I'm admiring the country home of the pot by the way, 300 00:20:21,720 --> 00:20:24,640 Where is mister Pott? I don't know who's had a 301 00:20:24,680 --> 00:20:25,160 big friend. 302 00:20:25,359 --> 00:20:26,359 Speaker 6: Stay away from that door. 303 00:20:26,400 --> 00:20:28,279 Speaker 5: Nonsense, it looks like a charming door. 304 00:20:28,680 --> 00:20:29,200 Speaker 10: Work to. 305 00:20:31,039 --> 00:20:35,440 Speaker 5: Mister tied and gags. I don't accept a vice graciously, 306 00:20:35,519 --> 00:20:40,920 nor do I care for large landon jawn. But landon 307 00:20:41,000 --> 00:20:41,960 Johns are handy to hit. 308 00:20:42,640 --> 00:20:45,200 Speaker 11: Now for you, mister Pott, we'll get the gag out 309 00:20:45,200 --> 00:20:51,960 of your mouth. You better or don't rush your hands 310 00:20:52,960 --> 00:20:58,559 nice look out behind. 311 00:20:59,519 --> 00:21:06,359 Speaker 5: Oh hello, I'm glad you dropped in. You are, Remember 312 00:21:06,400 --> 00:21:08,599 I warned you about your butler. It was he who 313 00:21:08,640 --> 00:21:13,039 brought your husband here. You think you should ask me 314 00:21:13,079 --> 00:21:17,400 why I suspected? All right, I'll tell you. When I 315 00:21:17,480 --> 00:21:19,680 visited your house and met Anderson for the third time, 316 00:21:19,680 --> 00:21:21,960 we had a little chat in the course of which 317 00:21:22,000 --> 00:21:24,119 he's a market I knew you weren't in the house 318 00:21:24,160 --> 00:21:28,319 before I searched him. Why because how did he know 319 00:21:28,400 --> 00:21:37,559 I'd seen you outside the house? Unless let me help you. 320 00:21:35,000 --> 00:21:36,480 Speaker 4: Help restore circular. 321 00:21:40,680 --> 00:21:44,599 Speaker 5: Less player? You told him? Why should I told him? Obviously? 322 00:21:44,680 --> 00:21:46,759 Because you and he were in on this little pot 323 00:21:46,799 --> 00:21:49,720 together to kill Carter and frame your husband for the 324 00:21:49,799 --> 00:21:53,160 murder that she would inherit the business and the butler 325 00:21:55,400 --> 00:21:57,480 shop fantastically. 326 00:21:58,680 --> 00:21:59,359 Speaker 1: You're employ again. 327 00:21:59,400 --> 00:22:02,400 Speaker 5: I can't kill No, No, you'll go to the gas chambers. 328 00:22:05,200 --> 00:22:06,519 Soda was shot from the back room. 329 00:22:06,559 --> 00:22:08,359 Speaker 4: I was out front with you, you at the front door. 330 00:22:08,480 --> 00:22:10,839 Speaker 5: That's true, Tarda was shot as we because he was 331 00:22:10,920 --> 00:22:14,559 going into the back room. His back therefore was too much. 332 00:22:14,640 --> 00:22:16,480 And yet, if you remember he was shot in the back. 333 00:22:17,119 --> 00:22:19,599 Afterwards we remarked how he lay faced up with the 334 00:22:19,640 --> 00:22:23,440 blood coming out from underneath the fool. 335 00:22:24,599 --> 00:22:27,960 Speaker 11: Oh dear, I was wondering how long it would be 336 00:22:28,039 --> 00:22:29,359 before you produced the business. 337 00:22:30,079 --> 00:22:31,839 Speaker 5: Mister Potts, Can you stand alone? 338 00:22:32,079 --> 00:22:36,960 Speaker 4: I can't fall the wife your gun? 339 00:22:37,079 --> 00:22:41,680 Speaker 5: If you please, thanks, that's a good deal better. The 340 00:22:41,720 --> 00:22:45,400 police will be here short and that will be that relaxed. 341 00:22:46,599 --> 00:22:49,799 You've fallen to rise again. But your wife, I'm afraid 342 00:22:50,680 --> 00:23:09,279 as deflated their last time. Here you are, mister Potts, 343 00:23:09,359 --> 00:23:09,960 in good health. 344 00:23:10,240 --> 00:23:12,839 Speaker 4: Mister templar, How could I have killed Carter and not 345 00:23:13,079 --> 00:23:13,359 killed it? 346 00:23:13,519 --> 00:23:16,720 Speaker 5: Simplicity itself? Mister Potts, your gun had been carefully loaded 347 00:23:16,759 --> 00:23:19,519 with flanks. Carter pretended to be dead, But why should 348 00:23:19,559 --> 00:23:21,799 he have done that? Your wife must have persuaded him 349 00:23:21,839 --> 00:23:23,960 that by doing that he would escape going to jailor 350 00:23:24,000 --> 00:23:26,039 professed she'd have a hold over you. 351 00:23:26,359 --> 00:23:27,599 Speaker 4: He's not a very nice woman. 352 00:23:27,680 --> 00:23:31,799 Speaker 5: Issue. No, with Carter murdered, she was preparing to have 353 00:23:31,960 --> 00:23:34,640 you disappear permanently. It would seem to the police that 354 00:23:34,720 --> 00:23:37,240 you've killed Carter and colected the country. I can't thank 355 00:23:37,319 --> 00:23:39,880 your own father. It was firm. But in the future, 356 00:23:39,880 --> 00:23:43,160 mister Potts, before you confessed in murdering anyone, he's sure 357 00:23:43,160 --> 00:23:43,880 you murder him. 358 00:23:56,640 --> 00:23:59,039 Speaker 3: You've been listening to another adventure of the Spain, the 359 00:23:59,160 --> 00:24:01,720 robin Hood of modern crime, and all hears our starved 360 00:24:01,759 --> 00:24:02,559 and some prime. 361 00:24:02,480 --> 00:24:05,759 Speaker 5: Ladies and gentlemen. Freedom is everybody's job. The Bill of 362 00:24:05,880 --> 00:24:09,680 Rights established our freedom and protected. But freedom demands that 363 00:24:09,799 --> 00:24:12,200 each of us carry out our duties as the citizens, 364 00:24:12,680 --> 00:24:15,240 to vote in an informed way, so that the best 365 00:24:15,319 --> 00:24:16,920 man is placed in public. 366 00:24:16,680 --> 00:24:19,359 Speaker 6: Office, to serve on juries, to take. 367 00:24:19,240 --> 00:24:22,640 Speaker 5: An active interest in public issues. Remember, by making our 368 00:24:22,759 --> 00:24:27,079 form of government work better here, we strengthen democracy everywhere. 369 00:24:27,759 --> 00:24:30,279 This is intancise inviting you to join us again next 370 00:24:30,319 --> 00:24:33,880 week at the same time for another exciting adventure of 371 00:24:34,039 --> 00:24:49,920 the thing. My script of the Place is written by 372 00:24:50,000 --> 00:24:51,440 Louis our Cast, and so. 373 00:24:51,519 --> 00:24:54,200 Speaker 3: Is Betty lou Gerston, Stamily ferrar A. I'll bring Larry 374 00:24:54,279 --> 00:24:57,720 Dobkin and Tom Brown. The music was composed and conducted 375 00:24:57,759 --> 00:25:01,240 by Harry Zimmerman. The Place place on characters. 376 00:25:00,799 --> 00:25:02,079 Speaker 5: Created by Leslie Joiners. 377 00:25:02,279 --> 00:25:05,200 Speaker 3: Because the James Elsidere production man is directed by Thomas A. 378 00:25:05,359 --> 00:25:05,839 Speaker 4: Mcavinde. 379 00:25:06,640 --> 00:25:09,319 Speaker 3: Vincent's Price was so in devising in Robert Lifford's production 380 00:25:09,440 --> 00:25:10,559 of The Baron of Arizona. 381 00:25:11,480 --> 00:25:13,160 Speaker 4: All you Saints fans will be glad. 382 00:25:12,960 --> 00:25:15,400 Speaker 5: To know that the Saint's Coming Book are unfamed. 383 00:25:15,440 --> 00:25:20,519 Speaker 3: With all you said, you're an unmerl runn. This is 384 00:25:20,559 --> 00:25:22,400 a mutual broadcafting system. 385 00:25:30,240 --> 00:25:36,039 Speaker 1: Welcome back the fun episode. As always, I really love 386 00:25:36,599 --> 00:25:40,960 the dialogue of Vincent process the Saint. The comments on 387 00:25:41,240 --> 00:25:45,319 the restaurant at the beginning of the episode were pun 388 00:25:45,440 --> 00:25:50,039 intended chef's kiss, and we're so well delivered, in part 389 00:25:50,240 --> 00:25:56,160 because Vincent Price was actually really interested in cooking. Of course, 390 00:25:56,240 --> 00:25:58,519 if you've been listening to the program a little while, 391 00:25:58,599 --> 00:26:01,839 you heard the Processing Manner, which we played not too 392 00:26:01,960 --> 00:26:05,799 long ago, which highlighted his interest in painting. But he 393 00:26:05,880 --> 00:26:09,240 had a broader cultural interest. In fact, he and his 394 00:26:09,440 --> 00:26:13,279 wife in nineteen sixty five published a really important book 395 00:26:13,400 --> 00:26:18,000 called A Treasury of Great Recipes. And what it did 396 00:26:18,440 --> 00:26:25,480 is it took the most famous recipes from restaurants around 397 00:26:25,599 --> 00:26:31,200 the world and adapted them to a nineteen sixties home kitchen. 398 00:26:31,680 --> 00:26:34,799 Now you might have trouble finding the original edition, but 399 00:26:34,920 --> 00:26:39,319 there was actually a re release for the fiftieth anniversary, 400 00:26:39,559 --> 00:26:42,279 so you might look into it if you're interested in 401 00:26:42,519 --> 00:26:46,400 learning how to cook like a real mid century restaurant. 402 00:26:47,079 --> 00:26:50,440 The only issue you could have with this story, well, 403 00:26:50,680 --> 00:26:53,240 there are probably other issues, but the only one I 404 00:26:53,359 --> 00:26:58,119 could see is the Cave really strings along quite a 405 00:26:58,200 --> 00:27:03,359 bit as a assistant, given that he's just driving a cab. 406 00:27:03,880 --> 00:27:07,440 Although this sort of issue is somewhat resolved when we 407 00:27:07,599 --> 00:27:14,519 get into later episodes featuring a permanent recurring character in 408 00:27:15,119 --> 00:27:21,559 Louis Listener comments and feedback Now, and we start with Spotify, 409 00:27:22,079 --> 00:27:27,119 where CoA writes regarding the episode Murder on the High Seas, 410 00:27:27,319 --> 00:27:31,079 I have a difficult time telling navy blue from black. 411 00:27:31,400 --> 00:27:35,160 My solution is to own no navy blue clothes. I'm 412 00:27:35,200 --> 00:27:39,279 sure this has been a typical technique for a long time. Well, 413 00:27:39,880 --> 00:27:44,480 definitely sounds like a reasonable one, CoA. Although I think 414 00:27:45,559 --> 00:27:51,640 your sort of issue is what is medically meant when 415 00:27:51,720 --> 00:27:55,839 people talk about color blindness. But obviously it is much 416 00:27:55,960 --> 00:27:59,519 more extreme in mysteries. As we discussed a week ago, 417 00:28:00,319 --> 00:28:03,440 Doctor who done it wrote, as a child of the eighties, 418 00:28:03,599 --> 00:28:06,839 I wore black shorts with neon dinosaurs on them, a 419 00:28:06,920 --> 00:28:10,279 hot pink shirt and a floral MAUI hat. I'm not 420 00:28:10,480 --> 00:28:14,400 color blind, I just had bad days. Why are you there? 421 00:28:15,000 --> 00:28:19,039 I liked a lot of colors, but I didn't always 422 00:28:19,240 --> 00:28:21,759 know how to match them. I picked up a few 423 00:28:21,920 --> 00:28:27,880 basic things. Definitely black helps. I operate under the assumption 424 00:28:28,119 --> 00:28:33,240 that if I match it with a black item, I'll 425 00:28:33,359 --> 00:28:37,759 probably be okay. Although if I put the orange dinosaurs 426 00:28:37,799 --> 00:28:39,880 on there, I don't know how that would turn out. 427 00:28:40,759 --> 00:28:46,200 And then finally, Mechanic sixty six right, it was obvious 428 00:28:46,319 --> 00:28:49,079 who the villain was. Well, thanks so much. I appreciate 429 00:28:49,200 --> 00:28:52,920 your comments, and now it is time to think. Our 430 00:28:53,160 --> 00:28:57,839 Patreon supporter of the day. Thank you to John, Patreon 431 00:28:57,920 --> 00:29:02,359 supporter since September twenty six, team currently supporting the podcast 432 00:29:02,960 --> 00:29:05,839 at the Shawmus level of four dollars or more per month. 433 00:29:06,119 --> 00:29:08,640 Thanks so much for your support and that will do 434 00:29:08,759 --> 00:29:12,240 it for today. If you're enjoying the podcast, please follow 435 00:29:12,359 --> 00:29:17,200 us using your favorite podcast software and be sure to 436 00:29:17,359 --> 00:29:20,279 rate and review the podcast wherever you download it from. 437 00:29:20,960 --> 00:29:24,119 We'll be back next Monday with another episode of The Saint, 438 00:29:24,279 --> 00:29:29,079 but join us back here tomorrow for a big story. 439 00:29:28,839 --> 00:29:31,920 Speaker 10: Where mister Norton, I wanted to talk. I'll do all 440 00:29:31,960 --> 00:29:33,839 the talking around here, Carlisle. 441 00:29:34,559 --> 00:29:37,200 Speaker 4: My daughter tells me you two are in love, yes, 442 00:29:37,519 --> 00:29:39,400 that you plan to marry her and take it away 443 00:29:39,440 --> 00:29:40,839 from here from me. 444 00:29:41,759 --> 00:29:47,799 Speaker 10: That's right, sir, with your permission. You don't have my permission, sorry, mister, 445 00:29:49,839 --> 00:29:51,599 But in that case, I guess we'll have to get 446 00:29:51,640 --> 00:29:52,240 married without it. 447 00:29:52,359 --> 00:29:56,240 Speaker 5: Do you try anything like that? You're young, question. Never know. 448 00:29:57,680 --> 00:29:59,680 Speaker 4: She belongs to me. You understand, she's my child. 449 00:30:00,000 --> 00:30:02,480 Speaker 10: But he's going to steal it from I don't get 450 00:30:02,519 --> 00:30:03,119 out of this house. 451 00:30:03,200 --> 00:30:03,480 Speaker 7: I know. 452 00:30:05,279 --> 00:30:08,519 Speaker 10: Oh I won't, not until I say what I came 453 00:30:08,599 --> 00:30:11,839 to say. You might as well face it, mister Morton. 454 00:30:11,920 --> 00:30:14,519 Jackie's nineteen, she's a grown woman. 455 00:30:15,119 --> 00:30:15,680 Speaker 5: We're in love. 456 00:30:15,720 --> 00:30:17,319 Speaker 10: When you're a guy to lose her, you know you're 457 00:30:17,359 --> 00:30:20,240 going to lose her. She's free him, just like any 458 00:30:20,279 --> 00:30:20,720 other person. 459 00:30:24,200 --> 00:30:27,240 Speaker 5: Mister Norton put on that gun. 460 00:30:27,319 --> 00:30:29,000 Speaker 4: Nobody's going to steal Jackie from me. 461 00:30:29,200 --> 00:30:32,480 Speaker 5: Nobody's going to take her from me. Mister Norton put 462 00:30:32,519 --> 00:30:36,920 down that gun. If I can't Jackie, nobody else will. 463 00:30:37,000 --> 00:30:37,279 Speaker 6: I know. 464 00:30:38,319 --> 00:30:40,519 Speaker 1: I hope you'll be with us. Then in the meantime, 465 00:30:40,920 --> 00:30:45,960 send your comment to box thirteen at great Detectives dot 466 00:30:46,160 --> 00:30:50,720 net from Boise, Idaho. This is your host, Adam Graham. 467 00:30:50,920 --> 00:30:51,519 Sign and off.