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<v Speaker 1>Now that, Watson, how about your new Shallock Holmes story,

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<v Speaker 1>The Adventure of the Scarlet Worm, where.

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<v Speaker 2>Mister Bell that singer affair took place in Paris.

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<v Speaker 3>I supposed the story really began on an October evening.

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<v Speaker 4>In Baker Street, a long long time ago.

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<v Speaker 2>I've been more than usually busy with my practice that day,

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<v Speaker 2>and I returned to our lodging shortly after nine.

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<v Speaker 4>I remember as I entered.

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<v Speaker 2>The living room, Sherlock Holmes was seated at his side table,

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<v Speaker 2>clad in his dressing.

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<v Speaker 3>Gown, and working hard over a chemical investigation. A large

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<v Speaker 3>curved rick trot was boiling.

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<v Speaker 2>Furiously in the bluish flame of a Bunsen burner.

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<v Speaker 3>Finally, he brought a test tube containing a solution.

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<v Speaker 2>Over to the table. In his right hand he held

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<v Speaker 2>a slip of liftless paper.

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<v Speaker 5>You will come at a crisis, Watson. If this flip

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<v Speaker 5>mustafer remains blue, all is well. If it turns red,

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<v Speaker 5>it means a man's life with Lord Holme's really ah,

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<v Speaker 5>as I thought it turns red, an out of center

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<v Speaker 5>telegram was cutton jat and I need have no further

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<v Speaker 5>connection with the case.

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<v Speaker 4>Well, you didn't tell me if you were working on

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<v Speaker 4>a UK's home.

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<v Speaker 5>It was a shot, a little affair. My dear Watson,

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<v Speaker 5>an orthopedic shoemaker Wapping became somewhat fretful with his wife.

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<v Speaker 5>He added poison to her morning pot of tea and

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<v Speaker 5>was stupid enough to leave a sample of the deadly brew.

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<v Speaker 5>It's purely a routine matter. Let's forget it. You wiok

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<v Speaker 5>tried old jab.

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<v Speaker 3>Visit.

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<v Speaker 5>I hope you won't be too tired to accompany me

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<v Speaker 5>to Paris tomorrow.

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<v Speaker 3>To Paris.

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<v Speaker 5>Why this afternoon I received a very rare visitor in

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<v Speaker 5>these rooms? My brother Microft all is not well at

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<v Speaker 5>the Foreign Office. They need our help.

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<v Speaker 4>What's wrong? Home?

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<v Speaker 5>And international spiring is at work. In the past few

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<v Speaker 5>months important secrets have leaked out, vital secrets that might

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<v Speaker 5>bring this country to the bird of war. Is two

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<v Speaker 5>of the Foreign Officer's brightest young men have committed to

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<v Speaker 5>his side. Rather than about how they betrayed their trust,

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<v Speaker 5>Microft tells me he has reason to suspect a beautiful

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<v Speaker 5>and dangerous young lady in Paris who inspired these men

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<v Speaker 5>in these men a loyalty even about Patrick.

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<v Speaker 3>And they want you to try and Trapper?

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<v Speaker 5>Is that it no Watson, they want us, oh micraft,

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<v Speaker 5>and I agree that you would be perfect faith to

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<v Speaker 5>use in such a trap. Right, it just sounds like

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<v Speaker 5>a piece of cheese, only metaphorically. Watson. You must agree

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<v Speaker 5>that your imposing appearance, your open countenance and hearty manner

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<v Speaker 5>would attract the attention of any female spy.

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<v Speaker 4>Yes, I see what you mean. But if you're right, in.

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<v Speaker 5>Any case, we shall make you doubly desirable by entrusting

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<v Speaker 5>you with a certain invaluable naval secret Master.

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<v Speaker 2>Master, you will entrust me with uctually worthless documents, spread

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<v Speaker 2>the stories that are valuable, and wait for the woman

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<v Speaker 2>to approach me precisely.

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<v Speaker 5>I shall accompany you as a bodyguard, but leave you

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<v Speaker 5>largely to your own devices. Yes, Watson, I have high

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<v Speaker 5>hopes of this trip to Paris. With you as the

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<v Speaker 5>worm and me as the hook. I think we may

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<v Speaker 5>snare this evil loveliness, miss Holmes. Doctor Watson, sure me

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<v Speaker 5>your credentials and explain your mission. We are aware of aspiring.

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<v Speaker 5>We are on concert watch, but I think you would

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<v Speaker 5>have done better to have stayed in your own country.

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<v Speaker 5>We of the Paris Police are perfectly capable of handling

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<v Speaker 5>such an affair. Ourselves. I are sure you, Inspectory go.

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<v Speaker 5>The fact remains that two foreign office men died here

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<v Speaker 5>under sinister circumstance.

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<v Speaker 3>And as the business you know prettice officials.

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<v Speaker 6>Monsieur, I myself investigated the deaths. They were both self inflicted.

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<v Speaker 6>We of the Jersey and bro cannot fatten the mind

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<v Speaker 6>of a suicide quite. But I doubt if the deaths

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<v Speaker 6>were coincidental. Surely there must be some connecting link between them.

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<v Speaker 3>Inspecton.

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<v Speaker 6>The only facts I can give you, Monsieur Avis, both

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<v Speaker 6>men frequented an American owned gambling casino in Monow. The

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<v Speaker 6>name of it please slitters on hoom Forday. The only

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<v Speaker 6>other fact I can give you is that both that

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<v Speaker 6>dead men were seen there in the company of a

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<v Speaker 6>certain mademoiselle l Virah.

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<v Speaker 5>Micross pots of Can you describe her, Inspector, Oh, what

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<v Speaker 5>are a woman? Though she is very young, princes have

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<v Speaker 5>duel fire paper.

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<v Speaker 4>At the moment, the.

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<v Speaker 6>High official of the Bank de France lies in a

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<v Speaker 6>prison cell because he appropriated funds that he lavished on her.

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<v Speaker 6>She's a fatal massieu, but she is as elusive as

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<v Speaker 6>the win Well Watson.

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<v Speaker 5>Our first move is obvious tonight, WI shall visit Slater's

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<v Speaker 5>gambling casino on the Ruffontaine and try our luck.

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<v Speaker 3>I say, Holmes, is your our residing Paris.

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<v Speaker 2>At Knight, run our way to an American gambling casino

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<v Speaker 2>in the hopes of meeting a beautiful young spy named Elvera.

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<v Speaker 3>It's just like a novel.

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<v Speaker 5>Quite incidentally, since the young lady apparently moves in high society,

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<v Speaker 5>I think it wouldn't wisely if we give you a

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<v Speaker 5>more impressive name, a fictitious title, perhap.

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<v Speaker 4>Well how about the title I used once before?

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<v Speaker 5>So William Norton spend it? So William Norton itch will

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<v Speaker 5>be And I trust that Sir William remembers the role

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<v Speaker 5>he used to play.

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<v Speaker 3>Here's indeed, Holmes, if I do meet the young.

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<v Speaker 4>Lady, I'm to appear very susceptible to.

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<v Speaker 5>Her beauty and not too hard for you, I imagine, And.

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<v Speaker 7>I'm to drop dark hints about the valuable secrets that

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<v Speaker 7>I'm carrying precisely, Watson, And if the lady proves as

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<v Speaker 7>intrigued as I hope she will, you will follow the

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<v Speaker 7>matter through to its logical conclusions.

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<v Speaker 4>A good conclusion, Homes is how to take this.

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<v Speaker 5>Ah, here's the casino courage Watson and good luck, good evening.

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<v Speaker 5>I'm standing Slater, You gentlemen, haven't been here before. No,

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<v Speaker 5>mister Slator, my name is Charlocke Holmes, and this is

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<v Speaker 5>sir William Norton.

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<v Speaker 3>Now you know Holmes, Sherlock Holmes are detective.

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<v Speaker 5>Not here drumming up business. I oh no, just showing

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<v Speaker 5>Sir William some of the sites of Paris. Fine, then

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<v Speaker 5>relax and enjoy yourself. Gentlemen, forget your professionist to Holmes.

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<v Speaker 3>In Paris at night.

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<v Speaker 5>There's no crime, or as there is, the police are

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<v Speaker 5>conveniently blind to it.

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<v Speaker 3>Glad to have you plase Harms.

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<v Speaker 4>I think perhaps I'll take a little flat at the tables. Yes,

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<v Speaker 4>that do you?

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<v Speaker 5>You wish to speak to me as yes, I could

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<v Speaker 5>not help. But over here Slater mention your name. It

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<v Speaker 5>is a great honor to meet Shelock Holmes. He permit

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<v Speaker 5>see to introduce myself. I am Andrea Landon. How do

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<v Speaker 5>you do? And this is a William Norton.

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<v Speaker 3>That perhaps you have heard of me. My poetry has

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<v Speaker 3>been published in England Poetry.

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<v Speaker 5>No, mister Landon, I'm afraid it's escape me.

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<v Speaker 3>You have not heard my first as monk charon?

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<v Speaker 5>Do you not think quite?

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<v Speaker 4>Though?

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<v Speaker 5>The metaphor seems a little involved, if you don't mind

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<v Speaker 5>my saying, so, what do you think? So William, As

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<v Speaker 5>far as.

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<v Speaker 4>I'm concerned, there is only one language, not saying you

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<v Speaker 4>have born?

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<v Speaker 6>Then I shall recite a poem of mine in English

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<v Speaker 6>Translats monsieur, I said.

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<v Speaker 2>Hams, look at that stunning creature sitting by yourself at the.

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<v Speaker 4>Shamanda fir table.

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<v Speaker 5>She's smiling at your fortunate William. That is Mademoiselle elviera.

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<v Speaker 3>Oh nod and no gentlemen. In translation, Michaelin begins a.

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<v Speaker 6>Craves the grave August at August cheek, because I think.

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<v Speaker 4>I'll climb my luck at the tables over there. I've

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<v Speaker 4>seen you lay at home much later, I hope, Sir William.

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<v Speaker 8>Ringia noting, is it not?

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<v Speaker 4>Yes? It is like, can't think how you recognize me?

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<v Speaker 3>Miss madame.

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<v Speaker 8>You may call me as you do? You know me,

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<v Speaker 8>Sam Slater, tell me who you were? He knows that

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<v Speaker 8>I have a certain pasha for distinguished English.

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<v Speaker 3>That's extremely flattering.

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<v Speaker 4>Perhaps you care to join me in glass of champagne.

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<v Speaker 8>Oh, yes, I would like that. Let's direct his teeth that.

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<v Speaker 4>Champagne bond Champagne too.

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<v Speaker 8>You are here in times I'm.

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<v Speaker 3>Doing me, yes impossibly.

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<v Speaker 4>You see, I'm.

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<v Speaker 2>Ending an extremely delicate and confidential matter of Libertish government.

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<v Speaker 8>And I suppose you would be too busy to let me.

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<v Speaker 8>Sure you're some of beside, I don't think.

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<v Speaker 4>So work no play enough. We're scared to escort you

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<v Speaker 4>with it.

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<v Speaker 8>Good then if we are to be then I can't go.

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<v Speaker 8>I'm calling you, sir William. I think I shall call

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<v Speaker 8>you really, think.

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<v Speaker 4>Well, we muster think of toast.

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<v Speaker 8>I suppose one to really a man of misty.

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<v Speaker 2>Oh, thank you, my dear, and I shall drink two

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<v Speaker 2>elder and to a better acquaintance.

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<v Speaker 8>Good night, Really, I shall see you tomorrow.

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<v Speaker 4>Have our breakfast.

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<v Speaker 8>Sign now it is, of course, Mada, that's an important

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<v Speaker 8>mission for the British government. When you are come to that.

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<v Speaker 4>Uh, good night, mother, come here really.

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<v Speaker 8>So good night?

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<v Speaker 3>Why so you'll kissed me, you little darling. Thanks awfully.

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<v Speaker 5>You're doing splendidly, Watson, spendidly.

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<v Speaker 3>Keep it up. She's a three little thing.

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<v Speaker 4>Homes.

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<v Speaker 3>It's hard to believe that she's a spy.

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<v Speaker 2>I tell her that I was here on a secret

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<v Speaker 2>and confidential mission. I even tell her that I was

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<v Speaker 2>carrying important naval plans. She didn't seem particularly interested.

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<v Speaker 5>Of course not. She is much too clever to as

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<v Speaker 5>the comesy approach. She'll work slowly, she will wait until

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<v Speaker 5>she thinks she's got you completely captivated before she goes

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<v Speaker 5>after that secret.

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<v Speaker 3>Then I'm just to carry on the world it last night.

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<v Speaker 5>Yes, okay? Oh good, wind her, dine her, send her flowers,

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<v Speaker 5>buy her jewelry, make I think your head over heels

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<v Speaker 5>in love with her.

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<v Speaker 4>I suspect that you.

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<v Speaker 5>Won't find the job to one second.

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<v Speaker 4>I'm sure for three days now there you've been showing

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<v Speaker 4>me first.

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<v Speaker 3>But this is the first time I've actually been in

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<v Speaker 3>your flirt.

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<v Speaker 8>You like it, really, I thought it would be much

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<v Speaker 8>prior to here. You know, you said you were going

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<v Speaker 8>to explain some of your important business to me. You're

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<v Speaker 8>going to show me what a secret treaty looks like.

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<v Speaker 3>Yes, I know I said that, but they're pretty good.

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<v Speaker 3>Like you wouldn't be interested in matters.

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<v Speaker 5>You have the treaty with you?

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<v Speaker 8>Yes, please let me see ye oh please, silly, I can't.

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<v Speaker 3>Go through this musquerde no longer musker.

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<v Speaker 1>What do you mean?

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<v Speaker 4>I've been really fun of you on these last few

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<v Speaker 4>days over I can't let you walk into a trap.

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<v Speaker 8>Chap, what are you talking about, Willie?

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<v Speaker 4>I'm not William. I'm not Sir William Nolton.

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<v Speaker 3>My name is Watson, Doctor John H.

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<v Speaker 5>Watson, like Truss's friend is the detective Sholock Holmes.

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<v Speaker 4>We came to Paris to.

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<v Speaker 2>Try and track your Oh, my dear girl, you're suspected

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<v Speaker 2>of being mixed up in Aspiring.

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<v Speaker 3>Well, that's why I pose is an important numbers from England.

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<v Speaker 8>Chap, are you dadding all food?

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<v Speaker 3>Put down that revolver I'm going to.

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<v Speaker 4>You're going to drop it, My dear, I can't do it.

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<v Speaker 8>I'm just a stupid, weak female Aussle. I've gone friend

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<v Speaker 8>of you too, bumbling on. You remind me of my father.

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<v Speaker 8>She was such a sentimental fool like you, just to

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<v Speaker 8>sweep You're young.

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<v Speaker 4>I know you don't really want to stay mixed up

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<v Speaker 4>with a bunch of criminals.

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<v Speaker 2>No, no, no, look here, you tell Sharock Homes and

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<v Speaker 2>me what you know about perspiring and we will see

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<v Speaker 2>that no harm comes to you.

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<v Speaker 8>My dear, I wanted to get out of it for months.

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<v Speaker 9>It was not a glamours and exciting at first, and

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<v Speaker 9>they paid me well, but I hate them now.

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<v Speaker 8>And yet when I told him I wanted.

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<v Speaker 4>To get away, this will take care of you.

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<v Speaker 3>Just tell us who's at the head of the organization.

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<v Speaker 9>That I don't know, but I can tell you a

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<v Speaker 9>lot about some of the members.

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<v Speaker 2>Let's spend it and step on your coat, up a

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<v Speaker 2>little bullet and we'll go over and talk to Shark

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<v Speaker 2>Homes and had him.

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<v Speaker 8>See me looking like this, lacking.

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<v Speaker 9>No, you're gon and doing him here.

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<v Speaker 8>That's the time you get back.

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<v Speaker 5>I'll be more presentable, all right, I'll go and get

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<v Speaker 5>him at once.

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<v Speaker 4>Watson.

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<v Speaker 5>I'm occasionally astonished at the many classics to your carrot.

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<v Speaker 3>Oh, thank you very much, Homes.

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<v Speaker 4>It's nice you to say so.

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<v Speaker 3>Your personal charm has apparent.

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<v Speaker 5>It's and vinced a dangerous woman. The crime does not pay.

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<v Speaker 5>It's remarkable if it's true. What do you mean If

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00:13:37.440 --> 00:13:40.120
<v Speaker 5>it's true, surely it must have occurred, even to a

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<v Speaker 5>man burning with a zeal of one who has snatched

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<v Speaker 5>a convert from the fiery flames, that this could be

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<v Speaker 5>a press for us to walk into the delay while

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<v Speaker 5>the young lady makes herself presentable, would provide an excellent

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<v Speaker 5>opportunity for her to summon her a social upon my

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<v Speaker 5>soul homes, your ugly cynical I don't believe you have

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<v Speaker 5>a heart, possibly not, but I do have a hit.

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<v Speaker 4>Oh here's her.

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<v Speaker 2>Place, now stop, kevitt, I met your hundred past to

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<v Speaker 2>a shilling, which she's still waiting for us and alone.

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<v Speaker 5>Long art buttons, very long hard.

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<v Speaker 3>Look look, look the concierge is sweeping up the steps.

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00:14:13.360 --> 00:14:15.000
<v Speaker 3>He'll be able to tell us if anyone's been here

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<v Speaker 3>since I left.

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<v Speaker 5>True, that's her, Yes, she.

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<v Speaker 4>Llow follows over the ooka we were we were calling

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<v Speaker 4>her Mademoiselle al Vera. Has anyone been to see her

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<v Speaker 4>in the last half an hour? We hey, man, she

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00:14:30.080 --> 00:14:31.720
<v Speaker 4>left ready only five minutes ago.

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<v Speaker 3>Do I do not think she wished to go?

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<v Speaker 5>You mean that she was taken away by for exactly issue.

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<v Speaker 4>But I could swear on this, so coulccur.

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00:14:41.320 --> 00:14:44.039
<v Speaker 3>The man who accompanied her was holding a pistol to

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<v Speaker 3>her by a.

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<v Speaker 4>Few a minute.

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<v Speaker 3>I think she has been you say, kidnap.

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<v Speaker 1>In just a moment, we'll rejoin Sherlock Holmes and doctor Watson.

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<v Speaker 1>Every man who takes pride in his appearance should know

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00:15:07.360 --> 00:15:10.519
<v Speaker 1>that handsome, healthy looking hair needs a hygienic scalp.

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00:15:11.200 --> 00:15:13.519
<v Speaker 5>That's why when you buy a hair tonic, be sure

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00:15:13.559 --> 00:15:13.879
<v Speaker 5>to get.

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00:15:13.799 --> 00:15:16.840
<v Speaker 1>Your money's worth. Don't settle for just any hair dressing

293
00:15:16.879 --> 00:15:19.759
<v Speaker 1>when you can enjoy the extra advantages of Cremmel hair tonic.

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00:15:20.519 --> 00:15:23.919
<v Speaker 1>This highly specialized hair tonic contains an amazing combination of

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00:15:24.000 --> 00:15:27.039
<v Speaker 1>hair grooming ingredients which is found in no other hair timeing.

296
00:15:27.799 --> 00:15:31.240
<v Speaker 1>Crammel keeps dry, stubborn hair neatly in place all day

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00:15:31.840 --> 00:15:34.879
<v Speaker 1>and always gives hair such your natural, well groomed appearance,

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00:15:35.120 --> 00:15:38.879
<v Speaker 1>never sticky or greasy. But men, Crammel does lots more

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00:15:38.960 --> 00:15:42.279
<v Speaker 1>than keep hair looking handsome. Trammel leaves your scalp feeling

300
00:15:42.360 --> 00:15:45.879
<v Speaker 1>alive and tingling. At the same time it removes itchy,

301
00:15:45.960 --> 00:15:49.159
<v Speaker 1>loose dandris It's simply great to lubricate a dry scalp,

302
00:15:49.840 --> 00:15:51.799
<v Speaker 1>and if your hair is so dry it breaks and

303
00:15:51.919 --> 00:15:55.320
<v Speaker 1>falls when you comb it, Cremell actually helps condition the

304
00:15:55.399 --> 00:15:58.399
<v Speaker 1>hair in that it makes it feel softer, more pliable.

305
00:15:58.960 --> 00:16:01.879
<v Speaker 1>So men a bottle of Cremel at any drug counter

306
00:16:02.759 --> 00:16:03.919
<v Speaker 1>for an application.

307
00:16:03.519 --> 00:16:04.320
<v Speaker 5>At your barbershop.

308
00:16:04.919 --> 00:16:08.840
<v Speaker 1>Let Kremmel, help keep your scalp HYGIENI your hair always

309
00:16:08.879 --> 00:16:12.919
<v Speaker 1>looking handsome, always looking at the very best k R

310
00:16:13.279 --> 00:16:14.279
<v Speaker 1>E M L.

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<v Speaker 5>Kremmel hair. Time.

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00:16:17.440 --> 00:16:19.200
<v Speaker 1>Well, doctor Watson, once again you left me on the

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00:16:19.279 --> 00:16:21.559
<v Speaker 1>edge of my chair. So when you went back to

314
00:16:21.639 --> 00:16:23.159
<v Speaker 1>the girl's flat, she'd been kidnapping.

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00:16:23.320 --> 00:16:24.080
<v Speaker 5>What did you do next?

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00:16:24.200 --> 00:16:26.600
<v Speaker 3>Well, Fortunately the concierge was able to give us a

317
00:16:26.600 --> 00:16:27.399
<v Speaker 3>good description of the.

318
00:16:27.440 --> 00:16:30.559
<v Speaker 2>Cab driver, and with the aid of Inspector Rego, we

319
00:16:30.639 --> 00:16:31.679
<v Speaker 2>were able to find the man.

320
00:16:31.879 --> 00:16:32.399
<v Speaker 3>Question him.

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00:16:33.080 --> 00:16:34.840
<v Speaker 4>He'd give him the couple. He told us to.

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00:16:34.960 --> 00:16:39.360
<v Speaker 2>Valla pashe Den in the Elizamo mark a club known

323
00:16:39.399 --> 00:16:40.919
<v Speaker 2>as the Scarlet Worm.

324
00:16:41.840 --> 00:16:43.200
<v Speaker 4>Holmes and I, accompanied by.

325
00:16:43.159 --> 00:16:46.159
<v Speaker 2>The French inspector, lost no time in taking a cab

326
00:16:46.279 --> 00:16:47.960
<v Speaker 2>to places.

327
00:16:48.600 --> 00:16:52.720
<v Speaker 6>I should not admit you to visit lever Scarlet Worm,

328
00:16:52.720 --> 00:16:55.440
<v Speaker 6>as you would say, without my protection, Hunt, it is

329
00:16:55.559 --> 00:16:58.879
<v Speaker 6>a cesspool of evil. Underweller may have been known to

330
00:16:59.080 --> 00:17:01.799
<v Speaker 6>enter there, make their exit by back door.

331
00:17:02.279 --> 00:17:03.559
<v Speaker 5>It burst into the sewers.

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00:17:03.759 --> 00:17:05.440
<v Speaker 4>Lord, they've taken a poor little girl.

333
00:17:05.799 --> 00:17:09.359
<v Speaker 5>Inspector. It go as I said. Mademoiselle Alvira told my

334
00:17:09.519 --> 00:17:11.240
<v Speaker 5>friend that she does not know who is at thehead

335
00:17:11.240 --> 00:17:15.759
<v Speaker 5>of this organization. Have you any suspicion? Yes, but little less,

336
00:17:15.839 --> 00:17:16.319
<v Speaker 5>my friends.

337
00:17:17.160 --> 00:17:20.000
<v Speaker 6>One thing, we are sure this man of mystery, the

338
00:17:20.519 --> 00:17:24.960
<v Speaker 6>brain behind these caminals, is not French, probably.

339
00:17:24.799 --> 00:17:27.240
<v Speaker 4>Is English, and englishman Or says sure not.

340
00:17:28.240 --> 00:17:32.920
<v Speaker 6>That Lebet Carlott is waiting for m See on the alert,

341
00:17:33.079 --> 00:17:35.400
<v Speaker 6>my friends, and keep close to me.

342
00:17:38.720 --> 00:17:42.799
<v Speaker 4>I tell you we didn't want to do the Tamon Slator,

343
00:17:42.920 --> 00:17:44.960
<v Speaker 4>the man who who owns the casino we went to

344
00:17:45.000 --> 00:17:45.519
<v Speaker 4>the other night.

345
00:17:45.759 --> 00:17:48.240
<v Speaker 5>Yes, and he seems to be involved in a violent argument.

346
00:17:48.640 --> 00:17:49.720
<v Speaker 4>Yeah, a rattle like that.

347
00:17:50.039 --> 00:17:53.119
<v Speaker 5>You don't know what you're doing, but you know what

348
00:17:53.200 --> 00:17:53.759
<v Speaker 5>you're in here.

349
00:17:54.559 --> 00:17:55.359
<v Speaker 4>Hang your uncle.

350
00:17:55.480 --> 00:17:57.920
<v Speaker 5>And this guy who's the man that Slater's argument with

351
00:17:58.000 --> 00:18:01.680
<v Speaker 5>inspector that is Shadea this establishments.

352
00:18:01.119 --> 00:18:03.559
<v Speaker 4>Later is leaving. I wonder what he was doing in

353
00:18:03.599 --> 00:18:04.279
<v Speaker 4>a place like this.

354
00:18:04.839 --> 00:18:07.640
<v Speaker 5>Come here, speak to Chavez and find out if I

355
00:18:11.079 --> 00:18:14.680
<v Speaker 5>am an with a visit from the place the teacher.

356
00:18:16.200 --> 00:18:18.359
<v Speaker 6>Since when does a visitor from the Jersey m Duro

357
00:18:18.480 --> 00:18:22.480
<v Speaker 6>have to explain his business? Shab Tell me why was

358
00:18:22.599 --> 00:18:25.680
<v Speaker 6>later here? And why did you argue that?

359
00:18:26.400 --> 00:18:29.799
<v Speaker 7>Sure you can't here to try and as some of

360
00:18:29.880 --> 00:18:33.960
<v Speaker 7>my appass he has traveled, electing his gambling beds.

361
00:18:34.599 --> 00:18:38.160
<v Speaker 5>I spit at him in his class meets that I

362
00:18:38.279 --> 00:18:44.119
<v Speaker 5>can't stick to their sands. I'm not positive there. Let's

363
00:18:44.119 --> 00:18:46.440
<v Speaker 5>set to the table. Shall win? Mycope is on?

364
00:18:46.519 --> 00:18:48.920
<v Speaker 6>The truth is a possible I shall I join you

365
00:18:48.960 --> 00:18:51.559
<v Speaker 6>in a moment, Missiew, I wish to make some investigation.

366
00:18:53.079 --> 00:18:55.799
<v Speaker 5>Wats you seem to be a positive magnet towards the

367
00:18:55.880 --> 00:18:59.039
<v Speaker 5>fair sex. Look at this young lady heading for.

368
00:18:59.119 --> 00:19:02.119
<v Speaker 4>You read hair, very painted face? Not my time.

369
00:19:02.160 --> 00:19:07.440
<v Speaker 3>I'm afraid one is you? Run along? Young ladio.

370
00:19:07.480 --> 00:19:08.039
<v Speaker 4>Don't sit there?

371
00:19:08.160 --> 00:19:11.279
<v Speaker 5>Oh no, no, Watson, where's your chivalry? Please sit down,

372
00:19:11.319 --> 00:19:11.880
<v Speaker 5>won't Joe.

373
00:19:14.160 --> 00:19:17.000
<v Speaker 8>Gener don't recognize no story formal.

374
00:19:16.759 --> 00:19:20.640
<v Speaker 5>Life, whereas I've been keeping silence. Mademoiselle al Vida help hera.

375
00:19:20.839 --> 00:19:23.759
<v Speaker 5>The wig is excellent in the use of makeup, superb mademoiselle.

376
00:19:24.240 --> 00:19:26.400
<v Speaker 5>But I recognized you at once by the confirmation of

377
00:19:26.440 --> 00:19:28.160
<v Speaker 5>your ear lobes vero.

378
00:19:28.519 --> 00:19:29.400
<v Speaker 4>Why are you disguised?

379
00:19:29.799 --> 00:19:30.599
<v Speaker 5>Why they bring you here?

380
00:19:31.279 --> 00:19:34.079
<v Speaker 8>I cannot speak now? You must get me away once,

381
00:19:35.279 --> 00:19:38.799
<v Speaker 8>be careful, and they watched. We can't let that the

382
00:19:38.880 --> 00:19:42.799
<v Speaker 8>front way. They're not back staircase that leaves Mosella. But

383
00:19:42.920 --> 00:19:43.759
<v Speaker 8>the ntic table.

384
00:19:43.960 --> 00:19:46.599
<v Speaker 5>You take a watson, I'll guard the retreat. When the

385
00:19:46.680 --> 00:19:48.440
<v Speaker 5>music starts again, dance with her. When you get to

386
00:19:48.480 --> 00:19:50.440
<v Speaker 5>the back of the hall, slip out. I'll join you

387
00:19:50.519 --> 00:19:51.039
<v Speaker 5>at the hotel.

388
00:19:52.160 --> 00:19:54.480
<v Speaker 2>Look, look, look, homes, Look who's turm me to our table,

389
00:19:54.759 --> 00:19:55.839
<v Speaker 2>said gasted poet.

390
00:19:55.880 --> 00:19:57.519
<v Speaker 3>Fellow we met of the casino.

391
00:19:57.240 --> 00:20:00.559
<v Speaker 5>Andre Flandon, pay no attention. I'll the care you no

392
00:20:00.960 --> 00:20:02.319
<v Speaker 5>once again, I meet my friends.

393
00:20:02.319 --> 00:20:04.519
<v Speaker 3>Shall a home. I have a new poem that I've

394
00:20:04.559 --> 00:20:06.559
<v Speaker 3>composed in your especial.

395
00:20:06.599 --> 00:20:08.839
<v Speaker 5>Dance Watson and good luck, ride your home? Come on,

396
00:20:09.319 --> 00:20:12.519
<v Speaker 5>come on your friends, please, no, I shall tell you

397
00:20:12.640 --> 00:20:13.039
<v Speaker 5>my poet.

398
00:20:13.319 --> 00:20:20.160
<v Speaker 3>It begins, Oh my dear, I can't tell you how

399
00:20:20.200 --> 00:20:21.240
<v Speaker 3>relieved I am to find you.

400
00:20:21.319 --> 00:20:25.759
<v Speaker 8>All right, depend to dance some girl that you don't

401
00:20:25.839 --> 00:20:31.839
<v Speaker 8>know that dance me told that door in the corner.

402
00:20:35.279 --> 00:20:43.480
<v Speaker 8>That's the truth. Don't see a thing, follow me done,

403
00:20:43.559 --> 00:20:54.400
<v Speaker 8>stays here, careful, where's careful? Stairs? Turn here?

404
00:20:56.799 --> 00:21:01.400
<v Speaker 5>My god, I have the steps. You could live so easily.

405
00:21:01.559 --> 00:21:05.200
<v Speaker 5>Did you that I'm waiting for you?

406
00:21:06.480 --> 00:21:11.039
<v Speaker 4>And he can't step without his lantern? Run over?

407
00:21:11.240 --> 00:21:12.480
<v Speaker 3>I'll follow you. Run one round?

408
00:21:13.880 --> 00:21:17.400
<v Speaker 4>Oh won tie? How do you like that? You felt

409
00:21:17.440 --> 00:21:17.920
<v Speaker 4>his wine.

410
00:21:18.039 --> 00:21:18.880
<v Speaker 5>What's you all right?

411
00:21:19.319 --> 00:21:21.319
<v Speaker 4>Yes, Homes, I'm quite all right, and run over chap.

412
00:21:21.400 --> 00:21:23.000
<v Speaker 4>I'll take care of it and see that the girl

413
00:21:23.119 --> 00:21:23.400
<v Speaker 4>is safe.

414
00:21:32.880 --> 00:21:34.759
<v Speaker 2>Now that we're all safely back at you tell I

415
00:21:34.799 --> 00:21:36.160
<v Speaker 2>can tell your homes that I.

416
00:21:36.200 --> 00:21:39.000
<v Speaker 5>Hated leaving you in that fifty dead Inspector Gool had

417
00:21:39.000 --> 00:21:42.160
<v Speaker 5>a revolver. It's more efficient than the knife the inspect him.

418
00:21:42.279 --> 00:21:45.079
<v Speaker 5>It was near being with your homes. You fought bravely,

419
00:21:45.359 --> 00:21:45.920
<v Speaker 5>and so did you.

420
00:21:46.000 --> 00:21:49.640
<v Speaker 6>Are acumbent friend on the sofa, there only poet.

421
00:21:50.200 --> 00:21:51.759
<v Speaker 4>I wonder why you brought him back here.

422
00:21:52.119 --> 00:21:54.640
<v Speaker 5>For a poet, he uses his fists with surprising skill.

423
00:21:54.720 --> 00:21:55.440
<v Speaker 4>He must be hurt.

424
00:21:56.119 --> 00:21:57.319
<v Speaker 3>He seems to be unconscious.

425
00:21:57.440 --> 00:21:59.440
<v Speaker 5>I think he's suffering from the effects of a trifle

426
00:21:59.440 --> 00:22:02.960
<v Speaker 5>too much. I hadn't the heart to lead him. Ah,

427
00:22:03.359 --> 00:22:04.319
<v Speaker 5>there you are, mademoiselle.

428
00:22:04.480 --> 00:22:04.839
<v Speaker 3>Be around.

429
00:22:05.319 --> 00:22:09.240
<v Speaker 5>You're feeling no ill effects, I hope no, mister Holmes splendid. Then,

430
00:22:09.319 --> 00:22:11.640
<v Speaker 5>now that we're all assemble, supposing you tell us your story.

431
00:22:12.160 --> 00:22:13.200
<v Speaker 5>Who kidnapped you tonight?

432
00:22:13.359 --> 00:22:16.480
<v Speaker 9>It was one of Chavez's men. They made me disguise

433
00:22:16.599 --> 00:22:18.839
<v Speaker 9>myself and swear never to see either of you again,

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<v Speaker 9>on pain of death.

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<v Speaker 3>For the which we came to see you.

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00:22:22.119 --> 00:22:25.079
<v Speaker 5>We knew that Travia was connected with disguise. Mary, you're

437
00:22:25.119 --> 00:22:27.480
<v Speaker 5>safely under lock and key, but we still don't know

438
00:22:27.559 --> 00:22:30.039
<v Speaker 5>who is at the head of this organization. Can you

439
00:22:30.160 --> 00:22:31.480
<v Speaker 5>give us any clues, mademoiselle.

440
00:22:31.599 --> 00:22:34.640
<v Speaker 8>I think that the man you want was waiting in

441
00:22:34.759 --> 00:22:37.519
<v Speaker 8>the cab that took me to the Scarlet Worm. But

442
00:22:37.640 --> 00:22:39.160
<v Speaker 8>he was asked and he never spoke.

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<v Speaker 5>Can't you recall anything that might give us a clue?

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00:22:41.880 --> 00:22:46.480
<v Speaker 9>Oh, one incident, if it means anything, Shade's men said

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00:22:46.519 --> 00:22:50.599
<v Speaker 9>to him, we go to the scarlet worm. Eh that

446
00:22:50.839 --> 00:22:54.319
<v Speaker 9>is could you also you make a worm's no?

447
00:22:55.480 --> 00:22:58.519
<v Speaker 5>And then he laughs He said this in French, of course, yes,

448
00:22:58.599 --> 00:23:01.440
<v Speaker 5>yes he did. Then the case is I'm an idiot.

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00:23:01.759 --> 00:23:04.640
<v Speaker 5>I should have spotted it sooner. The man you want, Inspector,

450
00:23:04.720 --> 00:23:06.880
<v Speaker 5>is lying asleep on it. Look out, He's not asleep,

451
00:23:07.039 --> 00:23:07.880
<v Speaker 5>wasn't He's got a revolver?

452
00:23:08.039 --> 00:23:08.799
<v Speaker 2>I know you don't.

453
00:23:09.240 --> 00:23:11.119
<v Speaker 3>Oh, he's gone to sleep again.

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00:23:11.400 --> 00:23:15.319
<v Speaker 5>Really, what's in your insplendid form tonight? But monsieurs, why

455
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<v Speaker 5>do you say that man is the cubert you yourself

456
00:23:18.000 --> 00:23:20.279
<v Speaker 5>gave with the clue, Inspector when you told me that

457
00:23:20.400 --> 00:23:22.839
<v Speaker 5>the criminal was an Englishman posing as a Frenchman. You

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<v Speaker 5>are not the fall on two occasions, and then not

459
00:23:24.839 --> 00:23:26.839
<v Speaker 5>from all a few minutes it was long enough to

460
00:23:26.920 --> 00:23:29.920
<v Speaker 5>realize that Flanta was really an Englishman. The first time

461
00:23:30.000 --> 00:23:32.240
<v Speaker 5>we met him, he quoted a poem that he said

462
00:23:32.359 --> 00:23:36.400
<v Speaker 5>was translated from the French. The translation was grave as

463
00:23:36.440 --> 00:23:40.920
<v Speaker 5>the grave, August as august heat The poem could not

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00:23:41.039 --> 00:23:43.319
<v Speaker 5>have been translated from the French, because both of those

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00:23:43.440 --> 00:23:45.599
<v Speaker 5>puns are possible only in the English language.

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<v Speaker 8>But how did my repeat in the conversation in the

467
00:23:47.759 --> 00:23:50.480
<v Speaker 8>cab give you a clue, mister Horn.

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<v Speaker 5>Because it was another pun in French. The word for

469
00:23:53.759 --> 00:23:57.799
<v Speaker 5>worms and for verses is the same. There spelt a

470
00:23:57.880 --> 00:23:58.440
<v Speaker 5>v rs.

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<v Speaker 4>I see it now.

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<v Speaker 7>When the man in the cab said you make worms,

473
00:24:03.039 --> 00:24:07.240
<v Speaker 7>he also meant you make verses, precisely wanton, and thereby

474
00:24:07.359 --> 00:24:08.599
<v Speaker 7>pointed directly at the police.

475
00:24:08.680 --> 00:24:08.839
<v Speaker 3>There.

476
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<v Speaker 5>With Andre Flanton or whatever his real name is, in prison,

477
00:24:13.680 --> 00:24:15.880
<v Speaker 5>I'm sure my craft will have no more trouble with

478
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<v Speaker 5>his firing
