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Speaker 1: Welcome to Thrilling Threads, the show where we pull on

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one thread and watch a whole universe unravel.

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Speaker 2: Today, we're definitely doing more than just unraveling. We are

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tracing a global mystery that well, it begins with some

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really terrifying events right here on Earth.

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Speaker 1: It does, and it ends up pointing toward a complete

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rewrite of human history, a history that might just lead

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us straight to the stars.

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Speaker 2: That's the mission. We're going to unpack the proposed links

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between these bizarre modern animal mutilations and, believe it or not,

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the foundational myths of ancient civilizations.

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Speaker 1: The idea here is that all of it, all these

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disparate points suggest a hidden history of well of extraterrestrial

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design and contact.

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Speaker 2: And our main source for this incredible deep dive comes

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from excerpts of the video When Dragons Ruled the Skies

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from the History YouTube channel. It really tries to tie

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it all together into one cohesive and I have to say,

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pretty wild narrative.

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Speaker 1: Okay, let's untack this then, because what starts with a

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single horse in a quiet part of Colorado, a case

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that just seems to defy any earthly explanation, apparently leads

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us to the exact star system that may have seeded

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life on this very planet.

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Speaker 2: It's a huge leap, but let's see where the thread

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takes us.

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Speaker 1: We have to start by setting the scene. We're in Alamosa, Colorado.

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The date is September seventh, nineteen sixty seven, right, and.

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Speaker 2: A rancher guy named Harry King. He reports that his

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three year old horse, who had the nickname Snippy, has

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gone missing.

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Speaker 1: Now a few days later, Snippy is found and the

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scene is well, it's just horrifyingly bizarre.

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Speaker 2: It's so strange that the local authorities are called in

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immediately and they can tell right away this is not

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a predator attack, not a mountain lion, not a bear.

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Speaker 1: No, what they saw was something that could only be

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described with one word surgical.

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Speaker 2: That's it. The source material details this, and it's really specific.

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The skin and the flesh around the neck and shoulder

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area were removed with these incredibly neat, almost clinical cuts.

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Speaker 1: And here's the detail that defines this entire phenomenon. Were

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described as being completely bloodless.

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Speaker 2: No blood. Think about that, no blood at the scene,

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no blood around the wounds. On top of that, key

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internal organs were gone.

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Speaker 1: The heart had been removed, and even more disturbingly, a

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huge portion of the animal's brain was just gone.

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Speaker 2: And maybe the most unsettling detail from that initial investigation.

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Speaker 1: I think, I know what you're gonna say about autopsy.

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Speaker 2: It revealed this strange formaldehyde like odor coming from the remains,

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and somehow her spinal fluid had been removed.

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Speaker 1: Just think about the skill that would require to drain

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spinal fluid from a dead horse without destroying all the

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surrounding tissue. That's beyond a predator. It's beyond most humans

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with a scalpel, way beyond.

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Speaker 2: So the local community, law enforcement, they were just stunned.

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It's still a landmark cold case. But the real point here,

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the reason Snippy is so.

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Speaker 1: Important, is that it wasn't a one off event.

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Speaker 2: Exactly Snippy's case became the prototype, the first major, well

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documented example of a pattern that has continued for days gates.

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We often call them cattle mutilations now because cows are

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the most frequent target.

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Speaker 1: And since nineteen sixty seven, this just exploded. It went global.

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The sources estimate that we're looking at something like fifty

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thousand similar reported events.

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Speaker 2: Fifty thousand all over the world. Cattle horses, other domestic animals,

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all with that same signature.

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Speaker 1: Bloodless clinical cuts, often the removal of soft tissues you know, tongues, eyes,

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reproductive organs, And that.

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Speaker 2: Is where the whole story pivots. It goes from a local,

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albeit bizarre crime to something in the realm of the

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truly unexplained.

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Speaker 1: By the mid seventies, it's a fixture in euphology. The

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question becomes inescapable. If this isn't natural, and it isn't

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a conventional human.

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Speaker 2: Crime, what is performing these incredibly technical bloodless procedures on

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living creatures? And that mystery right there is a foundation

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for this entire ancient astronaut theory.

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Speaker 1: And there's one person who has been tracking this just relentlessly.

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UFO investigator Linda molten House. She spent what over thirty

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years on this.

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Speaker 2: At least she has compiled this staggering database photos, testimonies,

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all showing the same disturbing, repetitive pattern.

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Speaker 1: These almost laser like.

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Speaker 2: Cuts precisely on the jaws, the ears, the organs. She's

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the one who really documented the lack of blood coagulation

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and importantly the absence of footprints.

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Speaker 1: Around the sites, even in snow or mud right.

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Speaker 2: Which led her and a lot of other people to

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believe that whatever was doing this had to be airborne.

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Speaker 1: So what about law enforcement? I mean, these are practical

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boots on the ground people. What did they make of

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it all?

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Speaker 2: Well, that's what's so critical. How collected testimony from dozens

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of rural sheriffs, people who are first on the scene and.

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Speaker 1: Not people prone to you know, flights of fancy.

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Speaker 2: Not at all, and she says they told her they

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just systematically ruled everything out. Predators are out, Predators are messy,

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they leave blood everywhere. Disease, natural death also ruled out.

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They even looked into the whole satanic cult theory that

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was popular in.

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Speaker 1: The eighties and found nothing, no.

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Speaker 2: Ritualistic evidence to support it. They hit a brick wall

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with every single earthly explanation.

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Speaker 1: Okay, behold on a second. If they ruled out every

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terrestrial explanation, how do they then make that jump to

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the extraterrestrial hypothesis. I mean that feels like a massive leap.

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Speaker 2: It is a massive leap, especially.

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Speaker 1: For you know, an official, uniformed perspective.

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Speaker 2: And that's the tension at the heart of the source material.

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How claims that after they exhausted every other possibility. These sheriffs,

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the guys who had to face the angry farmers, they

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reluctantly conceded that the only conclusion left was, well, something extraterrestrial.

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Speaker 1: He actually said that.

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Speaker 2: She says that they allegedly told her we are dealing

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with creatures from outer space, and that just changes the

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whole conversation. It's no longer about pathology, it's about non

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human intent.

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Speaker 1: Which brings us to the why why would they do this?

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The sources lay out three main theories, right.

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Speaker 2: The first one is the most straightforward, food. Maybe they're

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looking for an easy, reliable food source.

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Speaker 1: But that doesn't quite track, does it. If you're looking

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for food, you take the big muscles, the bulk meat.

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You don't just take an eyeball in a tongue exactly.

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Speaker 2: It contradicts the evidence. So the second possibility is study

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information gathering, like they're.

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Speaker 1: Using these animals as biological data sets, studying Earth's ecosystem

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or evolution, that kind of thing.

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Speaker 2: A planetary survey in a way. And then there's the

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third explanation, and this is the one the source material

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really zeros in on as the driver for the whole

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ancient astronaut theory.

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Speaker 1: They're seeking genetic material systematically.

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Speaker 2: Yeah, for some kind of large scale, ongoing experimentation.

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Speaker 1: And this is where Linda Molton Howe's investigation gets this

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incredibly pointed and frankly chilling answer.

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Speaker 2: From a man she only ever refers to as a

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purported government.

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Speaker 1: Source, someone who allegedly had access personal knowledge of these activities.

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Speaker 2: And according to her, this source gave her the most

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direct explanation possible. She asked him about the intent behind

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all these mutilations, and his reply was just stark.

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Speaker 1: It's a genetic harvest.

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Speaker 2: A genetic harvest. That one phrase reframes everything. It's not random,

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it's a project. It implies something long term, systematic, almost

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like farming DNA.

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Speaker 1: The precision, the lack of a mess, the consistency over decades,

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it all points to an organized operation.

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Speaker 2: But if it is a harvest, that just opens up

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a Pandora's box of new questions.

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Speaker 1: Right. The source material basically demands that we ask, why

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a genetic harvest from Earth? What are they making with

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this material?

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Speaker 2: And to what end? What is the ultimate goal of

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all this? The theory is that you can't solve this

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modern mystery.

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Speaker 1: By looking forward, you have to look back thousands of

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years back to see the results of maybe a previous

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genetic experiment.

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Speaker 2: It's the perfect conceptual bridge. If they're collecting genes, now,

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what were they doing when human civilization was just starting.

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Speaker 1: Did our ancestors witness the results of an earlier harvest

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and did they record it?

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Speaker 2: The theory is that they absolutely did. It suggests that

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this modern genetic harvest is just a continuation of a very,

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very old project. And the answer to what is being

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made well, it's found in the archaeological.

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Speaker 1: Records, in these bizarre, sometimes monstrous creatures that pop up

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in early civilizations. We're talking about chimeras hybrids.

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Speaker 2: Let's start with ancient Egypt. We find texts and art

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that specifically describe the gods creating mixed beings, human and

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animal characteristics all blended together.

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Speaker 1: And the source material points to these incredible paintings. Some

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people call them ancient comic strips, and.

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Speaker 2: They seem to show a process, a step by step

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guide to biological recombination.

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Speaker 1: The detail is stunning. You see a panel with a

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human body, but the head is severed and there's this

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weird red tube like thing connected to the neck.

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Speaker 2: Right next to it you see the head of an animal,

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and then in the final.

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Speaker 1: Panel, the animal head has been seamlessly attached to the

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human body.

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Speaker 2: For an ancient astronaut theorist, this isn't symbolism, it's not

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a myth. It's a literal, almost journalistic depiction of something

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they witnessed cross species engineering, surgical grafting.

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Speaker 1: Visual evidence that this concept of hybridizing was part of

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their known reality, part of what the gods did.

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Speaker 2: And to figure out who these gods were, the theory

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makes us go back even further back to.

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Speaker 1: The beginning, to ancient Sumeria.

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Speaker 2: The earliest known civilization in Mesopotamia, and this is so

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critical because their cuneiform tablets give us an identity and

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origin story for these beings, the Anunaki, the Inernaki, and

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as the source points out, the translation of that name

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is incredibly specific. It means those who from the heavens came.

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Speaker 1: Not a lot of room for ambiguity, there none.

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Speaker 2: And the stories about them, like in the anuma elish

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they aligned perfectly with this genetic harvest idea. They say

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the Innaki came to Earth for a specific reason, to

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mind for gold, to mind for gold and other resources,

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but they needed a labor force. When their own workers

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rebelled against the harsh conditions. The story goes that the head.

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Speaker 1: Scientists Angie and Knewhersix.

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Speaker 2: They decided to create a subservient working class, and they

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did it by taking a pre existing hominid on Earth

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and mixing well the flesh and blood of a god

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with the.

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Speaker 1: Clay of the earth, the ultimate act of genetic engineering.

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They literally intervened in our evolution to create the Lulu,

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the primitive worker, the first modern humans.

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Speaker 2: So that's true humanity itself is the result of a deliberate,

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successful genetic harvest and modification project.

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Speaker 1: And if they did it once, why would they stop?

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Which brings us back to the big question. Is there

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any actual physical proof that these other experiments, these human

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animal hybrids actually existed.

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Speaker 2: Beyond carvings on a wall. Yes, and this leads us

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to a really bizarre and compelling.

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Speaker 1: Discovery Saquara, Egypt, hum of the oldest pyramid, the Step Pyramid.

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Speaker 2: A year is eighteen fifty one. The French Egyptologist August

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Mariette is exploring the Serapium. It's this massive underground tomb

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dedicated to the sacred to APIs bull.

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Speaker 1: He's expecting to find mummified bulls.

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Speaker 2: Right, preserved revered animals.

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Speaker 1: That's what he should have found. Instead, he finds two

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enormous sealed sarcophaguiy. The lids alone weighed about eighty tons

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each eighty tons, and inside it was just a shocking site,

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not a preserved mummy, not even the bones of a

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single creature.

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Speaker 2: It was that massive black mass of betamen or asphalt

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poured in to seal everything.

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Speaker 1: And mixed into that asphalt were bone fragments, but not

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from a bull. They were the crushed, almost pulverized bone

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fragments of seven different types of.

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Speaker 2: Animals, seven different animals, seven all crushed together. And the

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contrast here is just jarring. Everywhere else in Egypt they

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carefully mummify everything, cats, crocodiles, falcons. The goal is always

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preservation for the afterlife.

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Speaker 1: But here, at the oldest pyramid complex, a colossal effort

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was made to well to annihilate these remains, to permanently

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seal them away.

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Speaker 2: Why would you go to all that trouble hauling an

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eighty ton lid just to seal away crushed animal bones?

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It suggests well. It suggests a profound.

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Speaker 1: Fear or extreme secrecy.

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Speaker 2: The source material suggests that the texts found nearby mentioned

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some type of monsters that existed in the early days

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of Egypt.

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Speaker 1: So the theory is that the priests ordered these things

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to be utterly destroyed, ripped apart, bones crushed, sealed in

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a tomb built to last forever.

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Speaker 2: The implication is powerful. The ancient Egyptians did not want

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these specific creatures, these hybrid monsters, to ever return, to

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ever reach the afterlife.

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Speaker 1: It reads like a historical record of cleaning up a

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failed genetic experiment, a direct link from a modern genetic

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harvest back to a previous harvest that went horribly wrong.

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Speaker 2: And this whole idea of extraterrestrial genetic engineering of creating

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finished products takes us on a fascinating detour, now.

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Speaker 1: Away from ancient bones and into modern biology, to an

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insect that seems to defy the rules of evolution.

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Speaker 2: The Bombardier beetle.

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Speaker 1: The Bombardier beetle. It's a favorite example for ancient astronaut

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theorists like Eric Moondanika, and for good reason.

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Speaker 2: Its defense mechanism is an almost insurmountable problem for a gradual,

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step by step Darwinian evomission. It's an unbelievably complex piece

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of biological machinery.

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Speaker 1: The source calls it a chemical warrior, and that's not

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an exaggeration. This tiny beetle shoots boiling hot streams of

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toxic liquid.

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Speaker 2: A liquid that apparently has the same chemical properties as

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some rocket fuels, and it.

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Speaker 1: Can fire these streams at a rate of over five

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hundred bersts per second.

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Speaker 2: It's so fast you can't see it. The researchers at

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the venture A BioCenter in twenty seventeen they had to

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use a special high speed camera two thy five hundred

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frames per.

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Speaker 1: Second just to slow the action down enough to even

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understand what was happening inside this tiny insect.

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Speaker 2: Let's talk about the plumbing, because it's incredible. The beetle

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makes two separate chemicals inside its body. They're stored in

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these twin reservoirs.

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Speaker 1: The first is hydroquinone, which is an organic compound. The

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second is hydrogen.

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Speaker 2: Peroxide, the rocket fuel component.

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Speaker 1: Right, And the crucial step is when they combine. They're

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funneled into a central reaction chamber.

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Speaker 2: A chamber that contains enzymes that act as a catalyst,

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and that triggers this instant, violent, super hot explosion. It

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creates a pressurized blast of toxic chemicals.

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Speaker 1: But here's the part that just stumps the evolutionary model.

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The system has a critical one way.

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Speaker 2: Valve absolute necessity. If that boiling, pressurized, violent concoction blasted

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back into the beetle's own body, you could.

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Speaker 1: Instantly cook itself from the inside.

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Speaker 2: So that one way valve it has to be there.

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It's not an optional extra, it's a non negotiable requirement

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for survival.

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Speaker 1: And it's a weapon. It can aim. The little appendage

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it fires from can swivel and rotate.

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Speaker 2: Which brings us to the evolutionary quandary, the question the

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source material poses, and it's a good one. If evolution

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is purely step by step.

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Speaker 1: One beneficial mutation building on another, what was.

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Speaker 2: The intermediate stage for this? How did it not just

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blow itself up while it was experimenting over millions of years?

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Speaker 1: A partial system is lethal. If it just had the chemicals,

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they're useless. If it had the chemicals in the chamber

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but no.

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Speaker 2: Valve, boom, it's dead on the first try. You need

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the chemicals. The catalyst the chamber, and the safety valve

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to all appear simultaneously for this to work.

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Speaker 1: Which is why the ancient astronaut conclusion here is so compelling.

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They argue that this kind of complexity suggests the creature,

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or at least its genetic blueprint, was brought here in

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its finished form.

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Speaker 2: It's presented as proof of intelligent design, extraterrestrial design, a

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creature whose physiology is almost too perfect to have come

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about by chance.

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Speaker 1: And imagine if you scaled this up. The source mentions

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the gases can burn human skin. This could be an

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incredibly deadly chemical weapon, which.

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Speaker 2: Raises the question why leave a blueprint for a weapon

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system just lying around on Earth?

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Speaker 1: And that connects directly to this idea of biomimicry. The

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theory isn't just that they dropped off a finished beetle.

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Speaker 2: But that they dropped off a whole library of finished

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biological concepts, concepts that humanity would then nat truly reverse

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engineer as our own intelligence grew.

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Speaker 1: We've been doing it forever. The right brothers watching birds

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to create the airplane.

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Speaker 2: Or engineers studying a shark skin to design faster swimsuits,

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and both.

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Speaker 1: Holes military camouflage too, that comes from studying how squid

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and octopuses can instantly change their skin texture and color.

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Speaker 2: And sonar. The entire basis of modern sonar technology is

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lifted directly from the biological systems of dolphins, whales, and bats.

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Speaker 1: We've definitely borrowed a lot from the animal kingdom for

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our own tech.

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Speaker 2: But the theory takes it a step further. It proposes

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that this entire process our whole history of innovation.

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Speaker 1: It isn't random that we're just following clues unlocking a

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kind of intricate biological instruction manual left for us by

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non humans.

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Speaker 2: A greater hidden extraterrestrial initiative designed to see to technological

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and human revolution.

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Speaker 1: So if the bombardier beetle is the finished product from

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their genetic lab, then the scare a beetle might be

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the blueprint for how to use it, how to navigate

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the cosmos.

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Speaker 2: The skin arab or dung beetle is amazing. For thousands

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of years, we just saw as this simple creature rolling

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a ball of dun across the desert.

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Speaker 1: But then in twenty thirteen, modern science delivered this absolute bombshell.

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Biologists confirmed the scareb is the only insect on Earth

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that navigates by using the light from the Milky Way galaxy.

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Speaker 2: It literally uses the center of our galaxy to steer.

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It's just mind blowing. Yeah, we figured that out a

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decade ago with the modern tech.

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Speaker 1: And yet five thousand years ago, the ancient Egyptians held

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this insect as sacred as a direct link between Earth

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and the heavens.

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Speaker 2: How did they know, that's the question. You see the

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scab everywhere in their culture. At the Temple of Karnak,

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there's a huge detailed monument to a scare a beetle.

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It represents the god Kepri, and Kepri.

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Speaker 1: Was the god who moved the Sun across the sky.

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Speaker 2: Right, they saw the Beatles rolling their dunballs, and they

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saw the sun moving across the sky, and they made

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the connection. Kepri became the pilot of rosgreat Sunship.

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Speaker 1: The theory here is that this powerful image Kapria as

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a man with a scab head was inspired by actual contact.

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Speaker 2: Contact with some kind of otherworldly, maybe insectoid like being

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that had this advanced cosmic knowledge. Their image gets entrined

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in history as the god who guides.

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Speaker 1: Us, and it wasn't just in temples. The scareb was

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central to their most sacred rituals, their funerary practices.

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Speaker 2: Absolutely. Look at King Tut's tomb, the incredible treasures they found.

384
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His famous frestplate as.

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Speaker 1: A magnificent scaab right in the center.

386
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Speaker 2: And the material that's made from is was so significant.

387
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It's this brilliant yellow silica glass.

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Speaker 1: Which was created when a massive comet or meteorite hit

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the Sahara Desert twenty eight million years ago exactly.

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Speaker 2: So you have an insect symbolizing the pilot god of

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the sunship.

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Speaker 1: This celestial navigator, shrafted from.

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Speaker 2: Material created by a cataclysmic cosmic event and placed directly

394
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over the heart of the pharaoh for his journey to

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the afterlife.

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Speaker 1: It's an incredibly powerful connection, and.

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Speaker 2: The scaab was physically part of the mummification process. They

398
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would place a hard scab directly on the chest of

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the deceased.

400
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Speaker 1: The belief was that the scab was essential for resurrection.

401
00:19:07,839 --> 00:19:09,720
It was thought to carry the soul of the dead

402
00:19:09,759 --> 00:19:12,920
person along the path to the next life, the next.

403
00:19:12,680 --> 00:19:15,880
Speaker 2: Dimension, which is where the theory gets really intriguing. That

404
00:19:15,960 --> 00:19:19,319
the scab wasn't just an insect or a symbol, but

405
00:19:19,400 --> 00:19:23,480
a representation of some kind of device, a device that

406
00:19:23,519 --> 00:19:25,480
actually allows for dimensional travel.

407
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Speaker 1: And then there's the mummification process itself. The source points

408
00:19:28,960 --> 00:19:33,079
out how closely it mirrors insect metamorphosis.

409
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Speaker 2: The cocooning of a caterpillar before it becomes a butterfly.

410
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The similarities are presented as being too striking to be

411
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a coincidence.

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Speaker 1: The hypothesis is that they were trying to cocoon the

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human beings so that when the Pharaoh emerged in the

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next life, they would.

415
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Speaker 2: Be transformed into something greater, more powerful, and epically more beautiful,

416
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just like a moth emerging from its chrysalis, a directed,

417
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beneficial transformation.

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Speaker 1: So if the beetles are the genetic tech and the

419
00:20:00,079 --> 00:20:05,000
navigation system, than the dragon, the flying serpent, that's the vehicle, that's.

420
00:20:04,839 --> 00:20:07,119
Speaker 2: The ship they arrived in, then the dragon is a

421
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global archetype. It's everywhere. The source argues, it's a profound

422
00:20:10,839 --> 00:20:12,039
historical mistranslation.

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00:20:12,240 --> 00:20:16,079
Speaker 1: Let's go to meso America to Quetzelcotal, the feathered serpent,

424
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a creator god revered by multiple.

425
00:20:18,839 --> 00:20:22,200
Speaker 2: Civilizations, right the Olmes, the Toultecs, and to you to

426
00:20:22,279 --> 00:20:24,200
walk in. They build the massive Temple of the Feathered

427
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Serpent to him around two point fifty a d.

428
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Speaker 1: And he was a god who brought everything civilization, agriculture,

429
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the arts, high wisdom.

430
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Speaker 2: And the myths explicitly say he arrived as a human,

431
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fair skinned and bearded a revagon, a raft of serpents.

432
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Speaker 1: Then we see the same deity at Chichenitza with the Maya.

433
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They called him.

434
00:20:44,160 --> 00:20:47,960
Speaker 2: Kukulcan and the Pyramid of Kukulcan. There is this astronomical

435
00:20:48,000 --> 00:20:50,519
marvel twice a year on the equinoxes.

436
00:20:50,559 --> 00:20:52,400
Speaker 1: The light and shadow effect it makes it look like

437
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a giant serpent is slithering down the staircase.

438
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Speaker 2: The traditional view is that this shows the god descending

439
00:20:57,319 --> 00:21:00,319
to be with his people, but the ancient astronaut theory

440
00:21:00,400 --> 00:21:01,799
says this isn't just a calendar.

441
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Speaker 1: It's a commemoration of a spacecraft landing, of a craft.

442
00:21:04,920 --> 00:21:07,759
Speaker 2: Landing or emerging. The shadow play is an engineered memory.

443
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The serpent is the vehicle, the feathers mean flight, the

444
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body is the shape of the craft.

445
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Speaker 1: So the dragon God is a misinterpreted flying machine, and

446
00:21:17,359 --> 00:21:20,079
that idea gets reinforced when we go across the ocean

447
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to Greece.

448
00:21:20,839 --> 00:21:23,119
Speaker 2: To the perplexing dragon houses of Mount Ochi.

449
00:21:23,440 --> 00:21:25,839
Speaker 1: On this remote Greek island, there are twenty five of

450
00:21:25,839 --> 00:21:28,720
these megalithic structures. The main one is at the summit,

451
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almost five thousand feet.

452
00:21:30,079 --> 00:21:32,680
Speaker 2: Up, and the name of the mountain Ochi comes from

453
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an ancient word meaning to descend and to drive.

454
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Speaker 1: So right away it's about arrival and departure, and the

455
00:21:38,960 --> 00:21:42,319
building itself. It's made of these huge stone blocks, some

456
00:21:42,400 --> 00:21:45,920
weighing ten tons. Why build that with so much effort

457
00:21:45,920 --> 00:21:47,839
in such a remote, high altitude place.

458
00:21:48,000 --> 00:21:50,839
Speaker 2: Local legend says a giant dragon built into owners Zeus,

459
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who descended from the heavens onto that mountain. And in

460
00:21:53,640 --> 00:21:57,559
ancient Greek, the word for dragon dragon wasn't just for monsters.

461
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Speaker 1: It was also used for powerful human like god with

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superhuman abilities.

463
00:22:01,799 --> 00:22:03,920
Speaker 2: So the conclusion in the source is that this wasn't

464
00:22:03,960 --> 00:22:07,400
a temple. It was a meeting place, a landing spot

465
00:22:07,400 --> 00:22:09,599
for the beings our ancestors called dragons.

466
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Speaker 1: The dragon wasn't the beast. The dragon was the craft, the.

467
00:22:12,839 --> 00:22:16,880
Speaker 2: Vehicle that the teachers the creators, emerged from. Our ancestors

468
00:22:16,960 --> 00:22:20,039
lacked the words for aerospace tech, so they described a

469
00:22:20,119 --> 00:22:21,839
powerful flying serpent.

470
00:22:22,119 --> 00:22:24,920
Speaker 1: A problem of translation, and maybe the best example of

471
00:22:24,920 --> 00:22:26,119
this comes from ancient China.

472
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Speaker 2: Gwandi the Yellow Emperor, the mythical founder of Chinese civilization.

473
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Speaker 1: He's credited with bringing all this impossibly advanced knowledge the

474
00:22:34,680 --> 00:22:38,759
compass acupuncture written language. He was known as the Son of.

475
00:22:38,759 --> 00:22:42,599
Speaker 2: Heaven, and the texts say his origin was celestial. Born

476
00:22:42,720 --> 00:22:45,119
under the radiance of a great star, he came to

477
00:22:45,160 --> 00:22:48,279
Earth in his vehicle, a flying dragon. He used it

478
00:22:48,319 --> 00:22:51,680
to travel his empire, and after ruling for one hundred years,

479
00:22:51,799 --> 00:22:55,000
he decided to leave. To do so, he installed a

480
00:22:55,039 --> 00:22:56,519
massive bronze cauldron.

481
00:22:56,680 --> 00:22:59,160
Speaker 1: The moment he did, the heavens opened and a yellow

482
00:22:59,200 --> 00:23:01,319
dragon came down and took him back to the stars.

483
00:23:01,680 --> 00:23:06,079
Speaker 2: That cauldron detail, it sounds like an antenna, a navigational

484
00:23:06,119 --> 00:23:07,559
beacon to summon his ride home.

485
00:23:07,680 --> 00:23:11,400
Speaker 1: And the descriptions of dragons always spewing fire and a

486
00:23:11,400 --> 00:23:11,720
lot of.

487
00:23:11,680 --> 00:23:13,960
Speaker 2: Smoke, which sounds a lot like a modern rocket launch,

488
00:23:14,000 --> 00:23:16,240
doesn't it. The exhaust, the fire, the smoke.

489
00:23:16,440 --> 00:23:20,640
Speaker 1: So these weren't fire breathing lizards, they were misunderstood powerful

490
00:23:20,640 --> 00:23:24,640
flying machines. A translation problem exactly. Okay, so we have

491
00:23:24,720 --> 00:23:28,519
the harvest the hybrids, the flying machines. Now for the

492
00:23:28,559 --> 00:23:32,079
final thread, the one that gives us a potential address

493
00:23:32,240 --> 00:23:35,119
for these dragons from the heavens.

494
00:23:34,839 --> 00:23:39,319
Speaker 2: The Draco constellation, which is of course Latin.

495
00:23:39,039 --> 00:23:42,279
Speaker 1: For dragon, and we start at angkor Wat in Cambodia.

496
00:23:42,599 --> 00:23:45,039
This colossal temple complex.

497
00:23:44,799 --> 00:23:48,519
Speaker 2: Built by a half human, half divine architect who supposedly

498
00:23:48,559 --> 00:23:50,759
traveled between Earth and the realm of the gods.

499
00:23:50,920 --> 00:23:53,599
Speaker 1: The crucial discovery was made in nineteen ninety six by

500
00:23:53,599 --> 00:23:55,240
a researcher named John Grigsby.

501
00:23:55,559 --> 00:23:58,759
Speaker 2: He showed that the entire ancor Watt complex isn't random,

502
00:23:59,039 --> 00:24:01,079
it's a precise me your image on the ground of

503
00:24:01,119 --> 00:24:02,960
the main stars of the Draco constellation.

504
00:24:03,319 --> 00:24:06,240
Speaker 1: You can literally overlay a star map of Draco and

505
00:24:06,279 --> 00:24:08,920
the temples line up perfectly with the stars. That cannot

506
00:24:08,960 --> 00:24:09,759
be a coincidence.

507
00:24:10,000 --> 00:24:13,240
Speaker 2: The theory is this was a deliberate calling card the visitors,

508
00:24:13,240 --> 00:24:15,599
making sure the locals knew exactly where they came from,

509
00:24:15,640 --> 00:24:18,079
an astronomical address left in stone.

510
00:24:17,839 --> 00:24:21,079
Speaker 1: And the temple is covered in these dragon like creatures,

511
00:24:21,119 --> 00:24:24,680
the nagas, just like kucom The theory is the nagas

512
00:24:24,720 --> 00:24:27,400
represent the craft used to travel between Earth and the

513
00:24:27,480 --> 00:24:28,240
Draco system.

514
00:24:28,319 --> 00:24:30,599
Speaker 2: And what makes this so powerful is that this Draco

515
00:24:30,640 --> 00:24:34,279
alignment isn't just in Cambodia, It's a global pattern.

516
00:24:34,359 --> 00:24:37,079
Speaker 1: You see it in North America. The Great Serpent Mound

517
00:24:37,119 --> 00:24:40,000
in Ohio is positioned to point directly to the rising

518
00:24:40,000 --> 00:24:40,519
of Draco.

519
00:24:40,799 --> 00:24:43,920
Speaker 2: And bringing us full circle back to Egypt, all the

520
00:24:43,920 --> 00:24:46,799
pyramids at Giza were built so their entrance passages were

521
00:24:46,839 --> 00:24:50,599
aligned to make Alpha draconas Draco's brightest star visible at night.

522
00:24:51,000 --> 00:24:54,519
Speaker 1: That's just incredible. Cultures separated by thousands of miles and

523
00:24:54,599 --> 00:24:55,559
thousands of years.

524
00:24:55,720 --> 00:24:58,599
Speaker 2: Mayans, Chinese, Greeks, Egyptians all.

525
00:24:58,480 --> 00:25:01,200
Speaker 1: Share legends of flying star that came from the sky,

526
00:25:01,359 --> 00:25:04,160
and all linked their most important structures to the very

527
00:25:04,240 --> 00:25:05,200
same constellation.

528
00:25:05,440 --> 00:25:08,480
Speaker 2: The revelation presented here is that the entire framework of

529
00:25:08,519 --> 00:25:13,279
global dragon mythology, it's just a translated history, a history

530
00:25:13,319 --> 00:25:17,319
of contact with intelligent, powerful beings from a planet somewhere

531
00:25:17,319 --> 00:25:18,519
in the Draco constellation.

532
00:25:18,880 --> 00:25:21,960
Speaker 1: Here's where it gets really interesting. We have tracked a

533
00:25:22,000 --> 00:25:27,200
truly monumental and frankly bizarre thread today. We started right

534
00:25:27,279 --> 00:25:31,960
here in the present day with these chilling surgical animal mutilations.

535
00:25:31,440 --> 00:25:34,359
Speaker 2: Interpreted by some as an ongoing genetic harvest.

536
00:25:34,640 --> 00:25:37,880
Speaker 1: We followed that thread back to Sakhara, to those crushed

537
00:25:37,960 --> 00:25:41,599
hybrid bones sealed away forever, maybe the result of a

538
00:25:41,640 --> 00:25:42,880
failed harvest.

539
00:25:42,559 --> 00:25:45,880
Speaker 2: Which led us to the Bombardi your beetle, a biological anomaly,

540
00:25:46,119 --> 00:25:49,599
a finished product that seems to defy evolution, acting almost

541
00:25:49,640 --> 00:25:51,039
like a blueprint left on Earth.

542
00:25:51,119 --> 00:25:54,119
Speaker 1: We saw how the Egyptians took the scab, an insect

543
00:25:54,160 --> 00:25:56,440
that navigates by the Milky Way, and saw it as

544
00:25:56,440 --> 00:25:59,559
a device for traversing the cosmos. And finally, the global

545
00:25:59,599 --> 00:26:01,160
myths of the flying serpent.

546
00:26:01,000 --> 00:26:05,279
Speaker 2: What's so called ol kwangdi. Yeah, all just descriptions of powerful,

547
00:26:05,319 --> 00:26:08,440
misunderstood flying machines, a problem of translation.

548
00:26:08,720 --> 00:26:11,640
Speaker 1: And critically, all of these myths, these massive monuments, from

549
00:26:11,640 --> 00:26:14,400
ankor Watt to the Pyramids, they seem to align perfectly

550
00:26:14,440 --> 00:26:17,559
with one place in the sky, the Draco constellation.

551
00:26:18,039 --> 00:26:23,279
Speaker 2: It suggests this powerful sequential story the visitors, the dragons

552
00:26:23,279 --> 00:26:27,519
from Draco, first seated the planet with advanced biological concepts.

553
00:26:28,000 --> 00:26:31,039
Then they started this ongoing genetic harvest while their presence,

554
00:26:31,079 --> 00:26:34,319
their tech, and their home address were all recorded by

555
00:26:34,319 --> 00:26:36,599
our ancestors using the only tools.

556
00:26:36,319 --> 00:26:39,960
Speaker 1: They had mythology and astronomy exactly. So what does this

557
00:26:40,039 --> 00:26:44,680
all mean if civilizations all over the world, from Egyptians

558
00:26:44,759 --> 00:26:48,000
placing star stained scabs on their pharaohs to the Chinese

559
00:26:48,000 --> 00:26:51,200
building their entire society under the Yellow Emperor, if they

560
00:26:51,200 --> 00:26:54,960
were all seemingly guided by beings linked to Draco. Are

561
00:26:55,000 --> 00:26:57,720
we just subconsciously completing a blueprint that was laid out

562
00:26:57,720 --> 00:26:59,000
for us thousands of years ago.

563
00:26:59,119 --> 00:27:01,359
Speaker 2: What is your stand on this? Is global mythology just

564
00:27:01,400 --> 00:27:05,200
a translated codified history of extraterrestrial contact. Let us know

565
00:27:05,240 --> 00:27:05,680
what you think.

