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<v Speaker 1>Welcome to Destiny. Now here's your host, Cliff Dunning. Hey,

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<v Speaker 1>how you doing. This is Cliff, your host of Destiny,

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<v Speaker 1>and I do hope you're doing well today, you know.

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<v Speaker 1>Right now, and this is being pre recorded, I am

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<v Speaker 1>climbing pyramids in Guatemala, at Tical and Elmador. I'll be

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<v Speaker 1>reporting back with a number of interviews of various people

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<v Speaker 1>that I see there, as well as some interesting video.

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<v Speaker 1>I have a camera I'm going to strap onto my

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<v Speaker 1>backpack as I'm climbing these pyramids. A couple of them

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<v Speaker 1>and the Tacoll Archaeological Park have staircases. And when you

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<v Speaker 1>see these staircases, they're in I mean it's like one

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<v Speaker 1>hundred and plus feet in the air. And these aren't

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<v Speaker 1>the staircases that are part of the stone pyramid. These

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<v Speaker 1>are metal staircases that have been built that are alongside

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<v Speaker 1>the pyramid so that you can easily get up and

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<v Speaker 1>down without climbing the sensitive stonework that has been laid

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<v Speaker 1>and carved into the to the pyramid. But they're very

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<v Speaker 1>carefully positioned next to the pyramid so as you climb

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<v Speaker 1>excuse me, as you climb the stairs, you can see

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<v Speaker 1>the pyramid on your right. It's too steep and the

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<v Speaker 1>angle is too severe, and the possibilities of falling are huge,

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<v Speaker 1>even for the most abled individual. So I'm going to

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<v Speaker 1>strap like a video camera onto my backpack can see

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<v Speaker 1>me as I'm climbing this pyramid. This is one of

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<v Speaker 1>my bucket list visits because I've been to a number

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<v Speaker 1>of Mayan sights, but as I've mentioned before, they're all

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<v Speaker 1>in Mexico. In Mexico, other than a handful of archaeological

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<v Speaker 1>parks with pyramids, it doesn't let you touch the pyramids.

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<v Speaker 1>This is a real serious problem, and it looks like

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<v Speaker 1>the Catholic Church not only has restricted the ability to

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<v Speaker 1>meditate or perform services with a shaman. With a Mayan shaman,

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<v Speaker 1>it could be an Aztec shaman, or could be any

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<v Speaker 1>miser American shaman. They don't want any kind of connection.

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<v Speaker 1>They're so threatened by these indigenous practices that you will

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<v Speaker 1>be removed from the park if they suspect that you

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<v Speaker 1>are meditating, chanting, praising, whatever shamanistic ritually you're doing. Will

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<v Speaker 1>be is a serious no. No, I don't think that

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<v Speaker 1>they give you tickets which would result in a payment,

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<v Speaker 1>but I do know that in a recent situation, someone

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<v Speaker 1>a woman climbed El Castillo, the main pyramid at Chichinitsa

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<v Speaker 1>in Yucatea, Mexico, and not only was she dragged and

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<v Speaker 1>placed in jail, she was given us something like a

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<v Speaker 1>twenty five hundred dollars fine. She just walked underneath the

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<v Speaker 1>fence that surrounded the pyramid and she started climbing it

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<v Speaker 1>and people were shocked. Now that has been closed for

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<v Speaker 1>coming on twenty years. I had a chance to climb

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<v Speaker 1>El Castillo twice before they closed it down, and that

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<v Speaker 1>was the night first time nineteen ninety six, and then

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<v Speaker 1>the second time, I think it was I want to

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<v Speaker 1>say nineteen ninety nine or two thousand, and they just

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<v Speaker 1>decided that they weren't going to have any more people

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<v Speaker 1>climbing it, and they just started doing this across the board.

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<v Speaker 1>I missed out on Ushmol, which is one of my

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<v Speaker 1>favorite parks in Yucatam, and you can't do anything about it.

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<v Speaker 1>And this is why I'm so excited to be visiting Guatemala,

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<v Speaker 1>because not only is there a number of Mayan branches

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<v Speaker 1>there with different dialects, but the museums are world class,

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<v Speaker 1>and also the access to these wonderful pyramids that are

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<v Speaker 1>made to interact with. In the future programs, we'll talk

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<v Speaker 1>about that. But you're supposed to interact with the pyramids.

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<v Speaker 1>You're supposed to sit there next to them and meditate.

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<v Speaker 1>But we'll get into that. So I'm actually climbing pyramids

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<v Speaker 1>right now and I'll report back to you. But today's

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<v Speaker 1>program is a special one. We haven't talked about nightmares.

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<v Speaker 1>We've talked about dreams quite a bit. But there are

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<v Speaker 1>a number of clinics and the one we're featuring today

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<v Speaker 1>is in the Midwest, and the guest today is doctor

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<v Speaker 1>Greg Mayor, and he's a psychiatrist that runs this clinic.

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<v Speaker 1>There's a number of people, a growing number of people

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<v Speaker 1>who are traumatized by frequent and disruptive nightmares. Now I

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<v Speaker 1>have not personally had that many nightmares that I can remember,

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<v Speaker 1>but according to Greg, there are people who are so

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<v Speaker 1>disrupted by nightmares that they have to have two things happen.

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<v Speaker 1>Number One, they don't sleep, and disruptive sleep is devastating.

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<v Speaker 1>If you cannot sleep, your body's rhythms go nuts. You're

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<v Speaker 1>just you're ruined. You have to close your eyes and

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<v Speaker 1>you have to get rest. The other situation is that

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<v Speaker 1>people are given drugs that shifts their brain chemistry to

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<v Speaker 1>an effect that doesn't allow them to dream. I think

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<v Speaker 1>that's just as bad as not sleeping. But we'll hear

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<v Speaker 1>how that's a solution today. And there are other remedies

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<v Speaker 1>as well. Many of them are more natural, learning how

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<v Speaker 1>to meditate, how to eat and exercise more often, and

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<v Speaker 1>also to use intention before you go to sleep. But

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<v Speaker 1>that's something that is really a challenge. Now we're also speaking.

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<v Speaker 1>We're also covering the series of new dream Wisdom Oracles,

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<v Speaker 1>which are cards that you can used to tune into

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<v Speaker 1>your own dream states, so you can actually change the

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<v Speaker 1>type of dream you're having. But we are talking about nightmares,

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<v Speaker 1>and nightmares are not fun. So today's program is Nightmares

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<v Speaker 1>and the Dream Wisdom Oracle, and my guest is doctor

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<v Speaker 1>Greg Mayer. You know, I've been talking about our frames

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<v Speaker 1>going on. But what's even better is It's the perfect

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<v Speaker 1>We've had a few different dream researchers on the program,

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<v Speaker 1>but today we have someone from the allopathic academia side

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<v Speaker 1>of things who has not only written a great deal,

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<v Speaker 1>but also has developed some new cards and a guidebook.

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<v Speaker 1>And I've always fascinated in dreams. I try to keep

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<v Speaker 1>a dream journal, but I don't know I'm not taking

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<v Speaker 1>it serious enough, and I think I should have. Given

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<v Speaker 1>the situation in our current reality here in the United States.

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<v Speaker 1>My guest today is doctor Greg Maher, who is a psychiatrist.

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<v Speaker 1>He is teaching in research acute trauma and nightmares. He

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<v Speaker 1>has one of the only nightmare clinics in the country.

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<v Speaker 1>We're going to learn a little more about that. And

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<v Speaker 1>he's also the author of The Wisdom of Dreams, Science

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<v Speaker 1>Synchronicity in the Language of the Soul, and he's coming

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<v Speaker 1>to us today from Michigan and I'm looking forward to

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<v Speaker 1>this interview. So Greg, welcome to Destiny. Great to have

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<v Speaker 1>you on the program.

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<v Speaker 2>Thanks a lot, it's pleasure to be here.

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<v Speaker 1>Let's go back a little bit into your interest in dreams.

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<v Speaker 1>I saw a Ted talk which was very well done.

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<v Speaker 1>By the way, that must have been a little nerve wracking.

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<v Speaker 1>But in that talk you mentioned that you have been

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<v Speaker 1>collecting dreams from a very young age. What got you,

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<v Speaker 1>I should say, what's the motivation for collecting dreams?

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<v Speaker 2>That's a good question, something that I always found fascinating.

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<v Speaker 2>But it must have been some kind of intuitive pull

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<v Speaker 2>to look inward that I've had since childhood, because I

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<v Speaker 2>started recording them since I was about ten or so.

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<v Speaker 2>Not it's just kind of sporadic, but I have a

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<v Speaker 2>files now of thousands and thousands, probably four or five

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<v Speaker 2>thousand dreams, and I got interested in dreams in high

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<v Speaker 2>school in a kind of an academic way. I started

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<v Speaker 2>reading Freud and Jung and just sort of got interested

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<v Speaker 2>in trying to understand what dreams meant. And because I

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<v Speaker 2>had this intuitive sense that they were telling me something

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<v Speaker 2>important but something mysterious that I didn't quite know what

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<v Speaker 2>it meant. And I think that was very enthralling to me.

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<v Speaker 2>So there was that whole for the mystery of it,

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<v Speaker 2>and I think I decided to do med school and psychiatry.

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<v Speaker 2>I think I imagined naively that psychiatrists would be really

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<v Speaker 2>interested in dreams and things like that, but they weren't.

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<v Speaker 2>So it was kind of a suppressed interest that I

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<v Speaker 2>had kind of like a closet interest for throughout a

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<v Speaker 2>lot of my career. But what actually happened is I

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<v Speaker 2>had a serious heart attack about fifteen or twenty years ago,

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<v Speaker 2>and I decided, after the heart attack, you know, I'm

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<v Speaker 2>just going to do what I want to do. And

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<v Speaker 2>then I sort of got more. I started exploring it

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<v Speaker 2>more academically and more sort of openly. That's when I

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<v Speaker 2>started writing the book, the first book.

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<v Speaker 1>Right, so, how many dreams have you collected? And we

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<v Speaker 1>just talked offline before we started that you are, I

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<v Speaker 1>guess digitizing them. You're using a talk AI system that

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<v Speaker 1>you're going to collect them, But what how many dreams

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<v Speaker 1>are there? And have you categorized them?

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<v Speaker 2>They're just by date and it's probably about it's something

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<v Speaker 2>like thousand, probably, And there're like old notebooks from when

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<v Speaker 2>I was a kid, like those old spiral bound notebooks,

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<v Speaker 2>and there's some interspersed with little diaries and stuff. So

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<v Speaker 2>it's hard to know what to do with. And I

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<v Speaker 2>don't even read my own handwriting that well anymore twenty

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<v Speaker 2>years ago. So I did find some software online that

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<v Speaker 2>is like a transcription software that is in the process

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<v Speaker 2>of kind of learning to read my hand rough So

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<v Speaker 2>once I, once I work out the bugs in that,

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<v Speaker 2>then I'll be able to have a file that then

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<v Speaker 2>I can use more sophisticated AI tools to look at

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<v Speaker 2>themes and maybe look at core. There's cool scales you

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<v Speaker 2>can use to look at like life stresses at different

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<v Speaker 2>times in your life, and you can I can see

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<v Speaker 2>if there's correlations with nightmares or certain kinds of dream images,

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<v Speaker 2>or have dreams changed over time. It'll be an interesting,

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<v Speaker 2>large project that I'm working on right now.

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<v Speaker 1>You mentioned you're Youngian psychiatrist does young bring into the

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<v Speaker 1>therapeutic approach the use of dreams. Does he identify dreams

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<v Speaker 1>as an important factor in UH patient research?

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<v Speaker 2>He does so very much. He's different than Freud. I mean,

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<v Speaker 2>Freud had a lot of really good ideas, but he

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<v Speaker 2>saw dreams more as symptoms, where Jung saw dreams as messages.

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<v Speaker 2>And that's kind of how I've always viewed dreams to

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<v Speaker 2>this It's it feels like they have something to say,

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<v Speaker 2>and something very very important to say. And Freud kind

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<v Speaker 2>of understood that. He called dreams the royal road to

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<v Speaker 2>the unconscious, but he saw it in a different way.

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<v Speaker 2>And what I love about Jung two is Jung sides

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<v Speaker 2>like the associations, your personal associations. He he thought that

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<v Speaker 2>we were connected to a deeper collective realm of images

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<v Speaker 2>and symbols, and that those come up in dreams even

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<v Speaker 2>though you don't even know about it. Like an example

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<v Speaker 2>that comes to mind is I I had a think

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<v Speaker 2>about witches when I was a kid. I had a

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<v Speaker 2>lot of knifemares about witches and I still occasionally dream

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<v Speaker 2>about witches. And a couple of years ago, I had

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<v Speaker 2>a dream and a woman was helping me protect myself

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<v Speaker 2>against witches, and she she told me to put rosemary

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<v Speaker 2>above my door. So I woke up and I said, well,

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<v Speaker 2>that's that's weird. And only after I looked it up

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<v Speaker 2>that I learned that rosemary historically has been used used

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<v Speaker 2>to keep which is a way. So somehow I knew

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<v Speaker 2>that without my conscious ego knowing that, which fits a

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<v Speaker 2>kind of union model. But we connect to this deeper realm.

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<v Speaker 1>Right, So let's really quickly talk about your education. You're psychiatrist,

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<v Speaker 1>which means that you're an MD who can prescribe medicines

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<v Speaker 1>and recommend surgical procedures in the allopathic mode. What did

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<v Speaker 1>you face as a student, I mean, if you're interested

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<v Speaker 1>in dreams, what did you face as a young student

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<v Speaker 1>in medical school?

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<v Speaker 2>Well, I sort of I like that part of psychiatry too.

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<v Speaker 2>I think there's important things, and I did a lot

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<v Speaker 2>of hospital work, and you know, there's medications and breaking

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<v Speaker 2>people's confused, and that was all valid and that was

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<v Speaker 2>my day job, which I did well, and I did

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<v Speaker 2>a lot of teaching and things like that. But I

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<v Speaker 2>had the interest in dreams kind of on the side,

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<v Speaker 2>so I didn't really It took me a while to

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<v Speaker 2>sort of figure out how to use it. Actually, when

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<v Speaker 2>I was very early in my career, I happened to

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<v Speaker 2>share a floor in the hospital building with our sleep

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<v Speaker 2>research department, so I got to know that the guy

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<v Speaker 2>who ran that department a little bit. I was chatting

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<v Speaker 2>with him, telling him I was really interested in dreams

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<v Speaker 2>and stuff, and he kind of, in a very fatherly way, said, Greg,

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<v Speaker 2>there's no future in that. He kind of meant, there's

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<v Speaker 2>no grants, there's no money, You're not you know, forget

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<v Speaker 2>about that. That's not going to help you in your career.

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<v Speaker 2>So that's interesting that that that kind of attitude. But

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<v Speaker 2>but I sort of kept the interest and then gradually,

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<v Speaker 2>like after the heart attack, started doing things more directly

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<v Speaker 2>with dreams and started working on the book and things

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<v Speaker 2>like that.

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<v Speaker 1>So the heart attack was a transitional period. It sounds

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<v Speaker 1>like it sounds like you were kind of on the

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<v Speaker 1>fence about diving in and then this health issue happened

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<v Speaker 1>and you're like, I'm going to more fully investigate.

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<v Speaker 2>It's kind of like, maybe the easiest way to describe

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<v Speaker 2>it's kind of like an alarm clock went off in

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<v Speaker 2>my head, like, oh, I don't have forever to wait,

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<v Speaker 2>you know, I better start doing what matters to me.

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<v Speaker 1>Wow. Yeah, interesting. All right, let's talk about dreams. Everybody dreams, right,

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<v Speaker 1>So if we dream, what is a dream? And should

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<v Speaker 1>we be paying attention to our dreams?

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<v Speaker 2>I think there's we're actually unusual as a culture that

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<v Speaker 2>we don't pay attention to dreams. If you look historically

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<v Speaker 2>and geographically at other cultures, we were kind of the

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<v Speaker 2>out We think of ourselves as we're the normal ones,

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<v Speaker 2>but we're really the outliers that that ignore dreams. Dreams

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<v Speaker 2>have always been felt to be important. There's a there's

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<v Speaker 2>a bunch of dreams, and there's like twenty one dreams

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<v Speaker 2>in the Bible. They say that in Jesus's time there

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<v Speaker 2>were fifty like freelance dream interpreters in the temple areas.

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<v Speaker 2>So it's als something that has always been people have

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<v Speaker 2>always considered interesting and important and important in the sense

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<v Speaker 2>of sending messages. Now they're often viewed as like prophetic messages,

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<v Speaker 2>and there's there's some interesting truth to that, but they

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<v Speaker 2>also carry internal messages about who we are as people

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<v Speaker 2>and what we need to work on, and and it's

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<v Speaker 2>like it's like we have this friend inside that keeps

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<v Speaker 2>wanting to help us and share wisdom with us, and

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<v Speaker 2>we keep ignoring him. But he's there, he or she

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<v Speaker 2>probably she, but in any case, but I think that's

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<v Speaker 2>a good way to think about dreams. And we we

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<v Speaker 2>do dream a lot more than we remember. Dreams are

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<v Speaker 2>very easy to forget, and I think our brains are

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<v Speaker 2>probably wired that way that we forget dreams. But you know,

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<v Speaker 2>the we usually are better at remembering them if we

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<v Speaker 2>pay attention, like almost like set an intention. And I

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<v Speaker 2>sometimes do this, like, especially when i haven't remembered a

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<v Speaker 2>dream in a while, when I'm going to bed, I'll

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<v Speaker 2>kind of tell myself, you know, pay attention tonight, you know,

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<v Speaker 2>and kind of tell my in herself to talk to

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<v Speaker 2>me because I'm ready and listening.

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<v Speaker 1>Yeah, this nightmare clinic is really unique. I think before

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<v Speaker 1>we started you mentioned that you you think there's probably

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<v Speaker 1>other clinics, but I have not heard of a of

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<v Speaker 1>a clinic that's focused specifically on nightmares. I would say

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<v Speaker 1>that's two sided. One sided would be that the nightmares

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<v Speaker 1>are so disruptive that people are getting poor sleep. That's

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<v Speaker 1>that's the medical side of it. And then the other

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<v Speaker 1>side of it would be what is the message. Why

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<v Speaker 1>why I clinic like this, Greg? And what what is

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<v Speaker 1>the what is the what's the goal?

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<v Speaker 2>Well, it's it's actually been a wonderful thing to do.

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<v Speaker 2>And because I've seen a number of patients who've been

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<v Speaker 2>having nightmares for many years that are very disruptive and

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<v Speaker 2>cause them a great deal of pain and anxiety, and

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<v Speaker 2>they don't know what to do with it. They don't

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<v Speaker 2>many of them have never told anyone before about the nightmares,

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<v Speaker 2>and sometimes they're recurring nightmares. So in terms of treatment,

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<v Speaker 2>I don't even want to call it treatment. I let's

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<v Speaker 2>call it like understanding and exploration. You want to make

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<v Speaker 2>sure there's nothing medical. But most patients are referred to

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<v Speaker 2>me by sleep doctors, so there isn't really anything medical

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<v Speaker 2>going on. So I try to explore the dream with them.

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<v Speaker 2>I have them tell me about the dream in detail,

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<v Speaker 2>and we sort of try to understand it together. What

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<v Speaker 2>the message might be. Oh interesting, And then sometimes sometimes

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<v Speaker 2>it's something to be listened to. But sometimes it's almost

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<v Speaker 2>like something's gone a little haywire. And especially after trauma.

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<v Speaker 2>About half of people after trauma, like if you're in

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<v Speaker 2>a bad car accident or an assault or something like

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<v Speaker 2>that half of people will have nightmare. So it's like

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<v Speaker 2>the it seems to be the mind's way of processing

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<v Speaker 2>that kind of trauma. So and it may be that

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<v Speaker 2>sometimes that kind of processing kind of goes haywire, it

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<v Speaker 2>goes on and on. So there's a techniques you can

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<v Speaker 2>use about reimaging the dream, like like imagining a different

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<v Speaker 2>ending and thinking about that different ending like to almost

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<v Speaker 2>like to induce a different dream. And that's that's very

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<v Speaker 2>helpful too. So both the understanding and the kind of

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<v Speaker 2>reimagining can be really helpful.

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<v Speaker 1>Can you give us an example of a patient that

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<v Speaker 1>you were working with that had these traumatic dreams or

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<v Speaker 1>these nightmares that you were that you you know, processed.

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<v Speaker 2>Yeah, with I'll kind of alter the story so it's

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<v Speaker 2>not anyone in particular, and I'm not violating anyone's confidentiality,

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<v Speaker 2>But well, I can give you a couple examples. One

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<v Speaker 2>that analysts friend of mine, she wouldn't mind my sharing

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<v Speaker 2>this because she shares it often, but she had a

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<v Speaker 2>recurring dream of being chased by a wolf and she

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<v Speaker 2>was terrified and running away from the wolf. That she

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<v Speaker 2>was talking about her with her therapist and one day

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<v Speaker 2>the therapist told her, when are you going to feed

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<v Speaker 2>that wolf? And she never had the nightmare again. It's

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<v Speaker 2>like she realized that that was part of herself that

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<v Speaker 2>she needed to nurture and take care of. So that's

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<v Speaker 2>that's one example. And I've had a sometimes people misinterpreted

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<v Speaker 2>dream like there was someone after after a very serious trauma,

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<v Speaker 2>that had a and they were telling me about what

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<v Speaker 2>they called a nightmare, and it was like and it

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<v Speaker 2>was they were telling me this family member was sitting

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<v Speaker 2>on their bedside and talking to them very kindly, and

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<v Speaker 2>and so I asked them, why why is that a nightmare?

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<v Speaker 2>They said, well, because the person's dead. So they interpreted

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<v Speaker 2>that as though they were going to die.

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<v Speaker 1>Ah.

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<v Speaker 2>But when I was able to talk to them, well,

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<v Speaker 2>and that's it's not that that it's it's someone's visiting

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<v Speaker 2>to to help and people. Another common thing that you

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<v Speaker 2>can help people understand about nightmares is the the you

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<v Speaker 2>in the nightmare is like, that's not you as that's

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<v Speaker 2>not Greg mah, that's this actor that's playing Greg Maher

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<v Speaker 2>and that's some aspect of Greg Mars. So people get

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<v Speaker 2>very scared when they die in the dream or something

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<v Speaker 2>terrible happens to them. And that that's sometimes a very

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<v Speaker 2>good thing. Sometimes that's part of them that should die,

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<v Speaker 2>you know, and when that part of them dies is

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<v Speaker 2>maybe that's something to celebrate. So that's what I mean

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<v Speaker 2>by sometimes re exploring and reinterpreting dreams, and this is.

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<v Speaker 1>You know, I'm listening to you, and it sounds like

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<v Speaker 1>as a physician, as a therapist, you're helping people realize

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<v Speaker 1>and understand and decipher what they're experiencing in their dreams.

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<v Speaker 2>Yeah, or the way I like to think about it,

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<v Speaker 2>I don't like to think of it as like puzzle salting,

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<v Speaker 2>and I don't like to think of it as like

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<v Speaker 2>your ego needs to find the answer. I like to

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<v Speaker 2>think about it as I want to help people develop

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<v Speaker 2>a relationationship with their inner cells. And as you kind

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<v Speaker 2>of have this relationship with your inner self, then you

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<v Speaker 2>can understand each other each other better. So it's a

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<v Speaker 2>matter of kind of developing this relationship. And part of

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<v Speaker 2>that is understanding that this inner friend has a different

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<v Speaker 2>language and has a language of images and kind of

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<v Speaker 2>says things in different complicated ways that you wouldn't wouldn't understand.

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<v Speaker 2>Like it's a good example in that that I use

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<v Speaker 2>in the ted talk of my dad at the end

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<v Speaker 2>of his life when I was sharing with him the

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<v Speaker 2>book I wrote, and he was like a hundred by that,

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<v Speaker 2>and he was, you know, commending me and saying, geez,

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<v Speaker 2>that nice job, congratulations and stuff. But then he said,

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<v Speaker 2>just because he's part of the culture, he said, oh,

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<v Speaker 2>but aren't dreams just nonsense? And then he did what

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<v Speaker 2>people always do when they say that, They say, for example,

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<v Speaker 2>last night, and then he told me this dream about

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<v Speaker 2>that my mother was still alive on the porch and

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<v Speaker 2>he was mowing the lawn and my mother was criticizing

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<v Speaker 2>him that the rows weren't even and he was like,

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<v Speaker 2>isn't that nonsense? And I'm thinking, because I know him

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<v Speaker 2>and I knew my mother and how critical she was,

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<v Speaker 2>I'm thinking, oh, this, this is not nonsense. This is

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<v Speaker 2>this beautiful depiction of your life. This is your life, dude.

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<v Speaker 2>And he didn't see it or didn't want to see it,

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<v Speaker 2>you know, But that's what I mean by dreams talk

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<v Speaker 2>to us in these images. Yeah. So it's like the

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<v Speaker 2>message to my dad was process, you know, under this

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<v Speaker 2>is you have time left to understand that, you know,

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<v Speaker 2>But maybe it wasn't ready to hear it, or maybe

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<v Speaker 2>he heard it in a different way that he didn't

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<v Speaker 2>share with him.

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<v Speaker 1>We're going to take a short commercial break to allow

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<v Speaker 1>our sponsors to identify themselves, and we will return shortly

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<v Speaker 1>with my guest today, doctor Greg Maher, discussing his work

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<v Speaker 1>in nightmares. We'll be right back. My guest today is

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<v Speaker 1>doctor Greg Mayer. He has been studying dreams but also

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<v Speaker 1>nightmares and they're traumatic effects. I think that's an important point,

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<v Speaker 1>you know, when you look at dreams from a generational

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<v Speaker 1>point of view. My parents, my father was a teacher

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<v Speaker 1>and almost an authoritarian in some ways. He would not

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<v Speaker 1>relate to dreams in the manner that you do. Whereas

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<v Speaker 1>my grandfather, who was a physician who immigrated from Germany,

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<v Speaker 1>who had a lot of stories of mythology and creatures

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<v Speaker 1>and things like that, was very much into dreams and

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<v Speaker 1>actually understood them in a way. So it's like it's

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<v Speaker 1>like the dream subject skips a generation or something. It's

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<v Speaker 1>funny that you're mentioning that, and I don't know if

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<v Speaker 1>that's true or not. I doubt it, but it's just

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<v Speaker 1>a funny point that you're making that I'm kind of

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<v Speaker 1>backing up when you talk about the inner friend or

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<v Speaker 1>the one who's is producing these dreams. Are you referring

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<v Speaker 1>to the soul or is it some other entity that

417
00:31:16.480 --> 00:31:18.279
<v Speaker 1>we have when we incarnate.

418
00:31:19.160 --> 00:31:25.680
<v Speaker 2>I let's I'd probably call it your deeper self, you know,

419
00:31:25.720 --> 00:31:28.359
<v Speaker 2>And if if you want to call it your soul,

420
00:31:28.480 --> 00:31:32.559
<v Speaker 2>that's fine. But I don't think you you don't. I

421
00:31:32.640 --> 00:31:36.079
<v Speaker 2>want to be inclusive because I don't think you have

422
00:31:36.119 --> 00:31:40.000
<v Speaker 2>to be religious to understand that. Yeah, it's your soul

423
00:31:40.880 --> 00:31:44.400
<v Speaker 2>or your your deeper self, or as you called it,

424
00:31:43.839 --> 00:31:46.599
<v Speaker 2>it's yourself with a capital S.

425
00:31:48.200 --> 00:31:51.799
<v Speaker 1>So it is the unconscious self or the conscious I mean,

426
00:31:51.799 --> 00:31:57.480
<v Speaker 1>because we can get into semantics here and consider the

427
00:31:57.599 --> 00:32:02.680
<v Speaker 1>self as you know, the unconscious that is overseeing everything

428
00:32:03.240 --> 00:32:07.039
<v Speaker 1>and is doing what I consider a dream data dump.

429
00:32:07.079 --> 00:32:10.960
<v Speaker 1>You know, These dreams are data dumps of information that

430
00:32:11.000 --> 00:32:13.720
<v Speaker 1>you don't get in your waking hours, but you're gonna

431
00:32:13.720 --> 00:32:18.160
<v Speaker 1>get because this overseer, which I call the soul, is saying, hey,

432
00:32:18.240 --> 00:32:21.519
<v Speaker 1>dude or lady, you need to pay attention here.

433
00:32:23.640 --> 00:32:30.160
<v Speaker 2>Yeah. So is that that self is probably mostly unconscious.

434
00:32:30.200 --> 00:32:33.640
<v Speaker 2>I think it appears in our conscious lives. It sometimes

435
00:32:34.000 --> 00:32:38.720
<v Speaker 2>appears in dreams as like a wise old man figure

436
00:32:39.079 --> 00:32:42.119
<v Speaker 2>like one one of these dreams I had when I

437
00:32:42.240 --> 00:32:46.400
<v Speaker 2>was like ten years old I happened to look at recently.

438
00:32:46.400 --> 00:32:48.279
<v Speaker 2>It was kind of an interesting dream that I was

439
00:32:50.200 --> 00:32:55.079
<v Speaker 2>going to my neighbor's house, but it wasn't It wasn't

440
00:32:55.119 --> 00:32:58.839
<v Speaker 2>the actual neighbor that lived there. There was this older man,

441
00:32:58.880 --> 00:33:02.119
<v Speaker 2>it's really very pleasant older man living there, and he

442
00:33:02.279 --> 00:33:06.599
<v Speaker 2>was showing me how to help these plants grow. And

443
00:33:06.640 --> 00:33:10.119
<v Speaker 2>I think he was that kind of self figure because

444
00:33:10.160 --> 00:33:12.839
<v Speaker 2>he was I mean, there's a couple of messages in

445
00:33:12.839 --> 00:33:15.799
<v Speaker 2>the dream. One that I wasn't going to learn how

446
00:33:15.799 --> 00:33:19.640
<v Speaker 2>to make these inner plants inside me grow at my

447
00:33:19.720 --> 00:33:22.400
<v Speaker 2>own house. I was going to have to go somewhere else,

448
00:33:23.079 --> 00:33:26.559
<v Speaker 2>and I would need the wisdom of someone like him

449
00:33:26.759 --> 00:33:32.240
<v Speaker 2>to teach me how to have those parts of me grow.

450
00:33:32.640 --> 00:33:35.599
<v Speaker 2>So I think he is an example of a kind

451
00:33:35.640 --> 00:33:39.240
<v Speaker 2>of that self figure with a capital S that appears

452
00:33:39.279 --> 00:33:41.839
<v Speaker 2>in dreams sometimes fascinating.

453
00:33:42.680 --> 00:33:45.680
<v Speaker 1>Let's talk about this clinic for a minute. What are

454
00:33:45.720 --> 00:33:51.640
<v Speaker 1>the protocols that you have developed for therapy for someone

455
00:33:51.640 --> 00:33:56.160
<v Speaker 1>who is recommended to this to the clinics, someone who's

456
00:33:56.200 --> 00:34:01.000
<v Speaker 1>got severe nightmares that are making their life.

457
00:34:01.079 --> 00:34:08.920
<v Speaker 2>Hell yeah. Part of what I don't like about psychiatry

458
00:34:08.920 --> 00:34:12.920
<v Speaker 2>and psychology nowadays is it's so protocol driven and everybody's

459
00:34:13.360 --> 00:34:16.440
<v Speaker 2>filling out forms and checklists and checking off the boxes.

460
00:34:17.400 --> 00:34:20.039
<v Speaker 2>So I just kind of full of school talk to

461
00:34:20.119 --> 00:34:23.159
<v Speaker 2>people and ask them what to dreft. I mean, I

462
00:34:23.199 --> 00:34:26.880
<v Speaker 2>have a certain kind of soft protocol in my mind.

463
00:34:27.239 --> 00:34:29.960
<v Speaker 2>I want to get a better basic sense of how

464
00:34:30.000 --> 00:34:34.280
<v Speaker 2>their sleep is. And because one thing people get with

465
00:34:34.400 --> 00:34:36.920
<v Speaker 2>nightmares is they get afraid of sleeping, so then they

466
00:34:36.960 --> 00:34:41.840
<v Speaker 2>sometimes develop bad sleep habits, like they wake up at

467
00:34:41.920 --> 00:34:45.119
<v Speaker 2>night and check their phone and do things that are

468
00:34:45.239 --> 00:34:48.639
<v Speaker 2>going to keep them awake more. So that basic sleep

469
00:34:48.719 --> 00:34:51.320
<v Speaker 2>hygiene stuff is important. So I talk to people about

470
00:34:51.320 --> 00:34:54.159
<v Speaker 2>bad but I talk to people about what the dream

471
00:34:54.239 --> 00:34:57.199
<v Speaker 2>is about and how long they've had it and what

472
00:34:57.280 --> 00:35:01.239
<v Speaker 2>they think it means, and so it thursday. Other people

473
00:35:01.280 --> 00:35:04.239
<v Speaker 2>have more of a protocol driven thing where they're doing

474
00:35:04.320 --> 00:35:07.280
<v Speaker 2>questionnaires and stuff like that. I don't do that. I

475
00:35:07.280 --> 00:35:11.119
<v Speaker 2>think that's yeah, I think that's I think that's actually bad.

476
00:35:11.400 --> 00:35:13.400
<v Speaker 1>But one of the things you said, Greg when we

477
00:35:13.440 --> 00:35:19.360
<v Speaker 1>first started is that you use intentionality. You will prepare

478
00:35:19.599 --> 00:35:22.519
<v Speaker 1>this is you personally, I don't know about your practice,

479
00:35:23.039 --> 00:35:28.559
<v Speaker 1>but you will use the intention to set the tone

480
00:35:28.760 --> 00:35:31.760
<v Speaker 1>for that evening for you. So that you have a dream,

481
00:35:31.880 --> 00:35:34.320
<v Speaker 1>is that something you recommend to your patients.

482
00:35:34.519 --> 00:35:39.000
<v Speaker 2>Oh, I think there's a really good literature, both scientific

483
00:35:39.199 --> 00:35:43.880
<v Speaker 2>and cultural throughout other cultures and religion, and so for

484
00:35:44.440 --> 00:35:50.280
<v Speaker 2>you can definitely incubate dreams, like like, if you think

485
00:35:50.320 --> 00:35:55.719
<v Speaker 2>about something when you're going to bed, you can incubate

486
00:35:55.880 --> 00:36:00.800
<v Speaker 2>thoughts and answers to that. And they've done study where

487
00:36:01.599 --> 00:36:04.760
<v Speaker 2>they've taken college students, for instance, in a math class,

488
00:36:05.159 --> 00:36:08.239
<v Speaker 2>and they had and they've had some student like half

489
00:36:08.280 --> 00:36:11.360
<v Speaker 2>the students think about math problems when they're going to

490
00:36:11.400 --> 00:36:14.199
<v Speaker 2>bed and the others not. And the people that thought

491
00:36:14.239 --> 00:36:18.760
<v Speaker 2>about the problems did better. And there's amazing stories about

492
00:36:19.039 --> 00:36:25.039
<v Speaker 2>how people solved certain problems during their sleep and got

493
00:36:25.239 --> 00:36:31.159
<v Speaker 2>creative insights from their dreams, like the maybe the most

494
00:36:31.199 --> 00:36:37.119
<v Speaker 2>famous example is the book Frankenstein was all from a

495
00:36:37.239 --> 00:36:43.760
<v Speaker 2>dream that Mary Shelley had and Beatles song Yesterday that

496
00:36:43.760 --> 00:36:48.159
<v Speaker 2>that came to Paul McCartney in a dream, and there's

497
00:36:48.400 --> 00:36:53.840
<v Speaker 2>the yeah, yeah, he woke up with with his court

498
00:36:53.920 --> 00:36:56.239
<v Speaker 2>progressions in his mind, and he played him on the

499
00:36:56.280 --> 00:36:59.119
<v Speaker 2>piano and wrote him down and he was sure he

500
00:36:59.159 --> 00:37:01.679
<v Speaker 2>must have heard it some where he kept asking people ete,

501
00:37:02.760 --> 00:37:05.400
<v Speaker 2>what song is this? And nobody knew. He realized finally

502
00:37:05.440 --> 00:37:09.719
<v Speaker 2>that this was something new, and there's still were I mean,

503
00:37:09.760 --> 00:37:12.440
<v Speaker 2>you still had to like craft the song, but the

504
00:37:12.480 --> 00:37:24.159
<v Speaker 2>actual inspiration and the mendelay of mendelay I developed the

505
00:37:24.599 --> 00:37:27.639
<v Speaker 2>periodic table of elements, a mendelay of that kind of

506
00:37:27.639 --> 00:37:30.039
<v Speaker 2>came to him in a dream. There's a number of examples,

507
00:37:30.079 --> 00:37:33.119
<v Speaker 2>both from science and from creative literature.

508
00:37:34.280 --> 00:37:36.679
<v Speaker 1>But you make a very good point, Greg, You say

509
00:37:36.679 --> 00:37:41.360
<v Speaker 1>that a lot of these great inventions and thoughts and

510
00:37:41.800 --> 00:37:47.400
<v Speaker 1>music and whatever have the form of incubation period prior

511
00:37:47.760 --> 00:37:52.039
<v Speaker 1>to the actual dream itself. Is this something that you

512
00:37:52.159 --> 00:37:55.679
<v Speaker 1>recommend to people who are having nightmares, that perhaps let's

513
00:37:55.760 --> 00:38:02.119
<v Speaker 1>incubate or let's intent for either more clarity in our

514
00:38:02.239 --> 00:38:08.000
<v Speaker 1>dreams or less frightful dreams, more productive dreams, so that

515
00:38:08.039 --> 00:38:10.760
<v Speaker 1>we can get not only good sleep, which is critical

516
00:38:10.840 --> 00:38:16.960
<v Speaker 1>to functioning well, but also a creative resolution to these

517
00:38:17.280 --> 00:38:18.360
<v Speaker 1>horrible nightmares.

518
00:38:19.920 --> 00:38:26.000
<v Speaker 2>Yeah, very definitely. Like in that technique that's very well

519
00:38:26.079 --> 00:38:31.239
<v Speaker 2>documented of cognitive behavioral therapy for nightmares, you imagine a

520
00:38:31.280 --> 00:38:35.320
<v Speaker 2>different kind of ending and then think about it when

521
00:38:35.400 --> 00:38:38.480
<v Speaker 2>you're going to bed to kind of help your mind

522
00:38:39.119 --> 00:38:44.639
<v Speaker 2>let go of the pattern it's stuck in, if it's

523
00:38:44.679 --> 00:38:48.079
<v Speaker 2>like having the same bad dream over and over again.

524
00:38:48.679 --> 00:38:55.480
<v Speaker 2>And the kind of intentions that I've definitely seen be

525
00:38:55.599 --> 00:38:59.480
<v Speaker 2>helpful is with the intention of remembering your dream, the

526
00:38:59.519 --> 00:39:04.039
<v Speaker 2>intention and of when it's a problem that you can't

527
00:39:04.119 --> 00:39:07.360
<v Speaker 2>really see a solution to to kind of think about

528
00:39:07.360 --> 00:39:11.159
<v Speaker 2>that and ask ask for help with that. And that's

529
00:39:11.239 --> 00:39:16.320
<v Speaker 2>part of the I know, we'll talk about these cards later,

530
00:39:16.400 --> 00:39:19.199
<v Speaker 2>but the you know, the part part of what we

531
00:39:19.280 --> 00:39:21.840
<v Speaker 2>wanted people to be able to get from the card

532
00:39:22.199 --> 00:39:25.320
<v Speaker 2>was to be able to draw, you know, draw a

533
00:39:25.440 --> 00:39:28.320
<v Speaker 2>card like pick a card and think about it, and

534
00:39:28.360 --> 00:39:32.079
<v Speaker 2>that would give them, like a min their mind something

535
00:39:32.119 --> 00:39:35.719
<v Speaker 2>to kind of focus on, to help draw them inward

536
00:39:35.800 --> 00:39:36.880
<v Speaker 2>in that way.

537
00:39:37.960 --> 00:39:42.400
<v Speaker 1>Right you You prepared a good segue I was bringing

538
00:39:42.480 --> 00:39:44.920
<v Speaker 1>up with the cards. Next title of the cards is

539
00:39:45.039 --> 00:39:49.239
<v Speaker 1>Dream Wisdom Oracle forty six Cards and a Guidebook. So

540
00:39:50.239 --> 00:39:55.800
<v Speaker 1>what is the uh how did these cards come about?

541
00:39:55.880 --> 00:40:00.760
<v Speaker 1>Number one? And what was your goal a creating cards?

542
00:40:00.800 --> 00:40:04.880
<v Speaker 1>In fact, I think it's a fantastic departure from your

543
00:40:04.920 --> 00:40:10.039
<v Speaker 1>academia credit, Greg, because they are most most people that

544
00:40:10.440 --> 00:40:12.400
<v Speaker 1>and I've talked to a lot of psychics who create

545
00:40:12.760 --> 00:40:16.840
<v Speaker 1>wisdom cards and things like that, but it seems like

546
00:40:16.880 --> 00:40:22.039
<v Speaker 1>a very creative departure from what you're doing. I think

547
00:40:22.079 --> 00:40:24.880
<v Speaker 1>it's amazing, and I really want you to define these

548
00:40:24.880 --> 00:40:28.559
<v Speaker 1>cards for us and let us know what the inspiration was,

549
00:40:28.760 --> 00:40:31.119
<v Speaker 1>because you just did a big painting. To my mind,

550
00:40:31.159 --> 00:40:33.840
<v Speaker 1>you just did a great, big, beautiful rem brand or

551
00:40:34.000 --> 00:40:37.239
<v Speaker 1>we'll call it the Mar the original mar painting in

552
00:40:37.320 --> 00:40:37.880
<v Speaker 1>the cards.

553
00:40:39.000 --> 00:40:42.800
<v Speaker 2>Yeah. Well, the story of the cards is I wrote

554
00:40:42.880 --> 00:40:46.679
<v Speaker 2>that first book about dreams, which which is good and

555
00:40:46.760 --> 00:40:50.119
<v Speaker 2>fun and you know, there's a lot of important stuff there,

556
00:40:50.719 --> 00:40:56.360
<v Speaker 2>but it's it was written. It was an academic publisher,

557
00:40:56.559 --> 00:40:59.440
<v Speaker 2>so it was really expensive, and it wasn't you know,

558
00:41:00.360 --> 00:41:04.239
<v Speaker 2>it wasn't like in regular bookstores and stuff like that.

559
00:41:04.320 --> 00:41:08.679
<v Speaker 2>So I wanted, I wanted, I wanted to talk. I wanted,

560
00:41:08.800 --> 00:41:16.519
<v Speaker 2>like regular people, non non professionals, non therapists, to understand

561
00:41:16.559 --> 00:41:19.199
<v Speaker 2>some of the wisdom that's inside them. So I thought

562
00:41:19.320 --> 00:41:22.079
<v Speaker 2>it would be fun to kind of have some of

563
00:41:22.119 --> 00:41:27.599
<v Speaker 2>these ideas expressed them in a way that that was

564
00:41:27.719 --> 00:41:31.840
<v Speaker 2>understandable to folks. And I thought, you know, having an

565
00:41:32.280 --> 00:41:35.719
<v Speaker 2>art associated with associated with it, because that's like a

566
00:41:35.719 --> 00:41:39.360
<v Speaker 2>different part part of the brain. So, so I had

567
00:41:39.360 --> 00:41:42.880
<v Speaker 2>this idea of doing a guidebook with cars, and initially

568
00:41:42.920 --> 00:41:45.679
<v Speaker 2>it was kind of the idea was a little more

569
00:41:45.840 --> 00:41:49.280
<v Speaker 2>science y, like I actually looked up the most common

570
00:41:49.360 --> 00:41:51.920
<v Speaker 2>kind of dream images and those were going to be

571
00:41:51.960 --> 00:41:54.480
<v Speaker 2>all the chapters, and that kind of broke down a

572
00:41:54.559 --> 00:41:58.840
<v Speaker 2>little bit. But anyway, I called an artist friend of mine,

573
00:41:59.639 --> 00:42:04.079
<v Speaker 2>Heather Taylor Zimmermann, who lives out out in Seattle's and

574
00:42:04.159 --> 00:42:10.039
<v Speaker 2>she's like a very accomplished visionary artist, and I thought

575
00:42:10.239 --> 00:42:14.679
<v Speaker 2>she'd give me one of her her graduate students or something.

576
00:42:14.760 --> 00:42:16.480
<v Speaker 2>So I asked her, you do you know anybody who

577
00:42:16.559 --> 00:42:19.719
<v Speaker 2>might want to do these cards with me? And Heather said, well,

578
00:42:19.760 --> 00:42:21.960
<v Speaker 2>you know, I've always kind of been meaning to do

579
00:42:22.039 --> 00:42:24.480
<v Speaker 2>something like that. Why don't we just do it together?

580
00:42:25.239 --> 00:42:28.760
<v Speaker 2>So she did the art, I did the words, you know,

581
00:42:28.880 --> 00:42:32.199
<v Speaker 2>So each card core like the kind of just picking

582
00:42:32.199 --> 00:42:34.159
<v Speaker 2>what it ran. So the cards are kind of this

583
00:42:34.400 --> 00:42:38.880
<v Speaker 2>visionary art kind of they're beautiful, They're gorgeous, They're absolutely gorgeous,

584
00:42:38.920 --> 00:42:42.159
<v Speaker 2>and the back of the card is really beautiful with

585
00:42:42.199 --> 00:42:47.800
<v Speaker 2>this Luna moth. So she'd so each card man and

586
00:42:47.920 --> 00:42:50.480
<v Speaker 2>there's a like a paperback book that goes with it.

587
00:42:50.559 --> 00:42:53.519
<v Speaker 2>So I wrote, well, it was kind of each thing

588
00:42:53.639 --> 00:42:57.639
<v Speaker 2>was kind of a dialogue, Like I'd write something, she'd

589
00:42:58.280 --> 00:43:01.320
<v Speaker 2>find or do an image, and then I'd kind of

590
00:43:01.320 --> 00:43:04.800
<v Speaker 2>reflect on the image and the words, and she'd kind

591
00:43:04.840 --> 00:43:08.519
<v Speaker 2>of alter the image. So she and I were in

592
00:43:08.800 --> 00:43:12.719
<v Speaker 2>constant dialogue. And it seemed like the art and the

593
00:43:12.760 --> 00:43:15.840
<v Speaker 2>words were in dialogue too. So that's kind of the

594
00:43:15.880 --> 00:43:18.280
<v Speaker 2>story of the book.

595
00:43:18.440 --> 00:43:21.920
<v Speaker 1>So you must have finished most of the book or

596
00:43:21.960 --> 00:43:23.719
<v Speaker 1>were you working on the book, and you would send

597
00:43:23.760 --> 00:43:27.199
<v Speaker 1>her a chapter and she would have put together a

598
00:43:27.360 --> 00:43:28.639
<v Speaker 1>graphic for that chapter.

599
00:43:28.840 --> 00:43:32.360
<v Speaker 2>Yeah, each chapter is about like an image. So she'd

600
00:43:32.400 --> 00:43:35.920
<v Speaker 2>either she had a lot of existing stuff so we'd

601
00:43:35.960 --> 00:43:38.880
<v Speaker 2>find stuff that sort of matched, or some of the

602
00:43:38.920 --> 00:43:41.719
<v Speaker 2>stuff she had to create something new.

603
00:43:42.280 --> 00:43:49.880
<v Speaker 1>Wow, that's fantastic. Okay, So give us some examples. Well,

604
00:43:49.880 --> 00:43:51.840
<v Speaker 1>first of all, how do we use the cards? Do

605
00:43:51.920 --> 00:43:57.119
<v Speaker 1>we sit and think and ruminate about the problem, talk

606
00:43:57.119 --> 00:43:58.079
<v Speaker 1>about the process.

607
00:43:58.599 --> 00:44:00.719
<v Speaker 2>Well, there's a couple of ways to do it. The

608
00:44:00.719 --> 00:44:04.480
<v Speaker 2>way the way the way I imagined that people would

609
00:44:04.559 --> 00:44:08.320
<v Speaker 2>use it was they dream about a forest, for instance,

610
00:44:08.360 --> 00:44:12.119
<v Speaker 2>and they'd find the forest card and look at it,

611
00:44:12.159 --> 00:44:16.119
<v Speaker 2>and that would like help them understand it would kind

612
00:44:16.119 --> 00:44:18.880
<v Speaker 2>of stir their mind about their own dream and then

613
00:44:18.920 --> 00:44:23.119
<v Speaker 2>they'd read my little section about forests and they'd start

614
00:44:23.199 --> 00:44:26.159
<v Speaker 2>making more connection in their own mind. So that's what

615
00:44:26.320 --> 00:44:30.159
<v Speaker 2>I sort of envisioned what people like I want to

616
00:44:30.360 --> 00:44:33.159
<v Speaker 2>want to do, which because it's the pre or some

617
00:44:33.199 --> 00:44:36.280
<v Speaker 2>pre orders have come out, and when I would tell

618
00:44:36.320 --> 00:44:38.159
<v Speaker 2>people about it, what they wanted to do is like

619
00:44:38.599 --> 00:44:45.039
<v Speaker 2>draw cards and to and you can also like pull

620
00:44:45.079 --> 00:44:48.920
<v Speaker 2>a card, and you can pull a card to do

621
00:44:49.039 --> 00:44:52.679
<v Speaker 2>this kind of incubation, like, oh, let's say you pull

622
00:44:52.760 --> 00:44:56.079
<v Speaker 2>a Com'm just going to randomly pull a card, so, oh,

623
00:44:56.119 --> 00:44:58.440
<v Speaker 2>I happened to pull a card about numbers, which is

624
00:44:58.559 --> 00:45:02.480
<v Speaker 2>very very beautiful card, and so I'd maybe put that

625
00:45:03.239 --> 00:45:06.320
<v Speaker 2>beside me when I'm going to bed, and maybe there's

626
00:45:06.360 --> 00:45:09.840
<v Speaker 2>something about numbers that I need to think about and

627
00:45:10.800 --> 00:45:14.599
<v Speaker 2>you can. We've we kind of ended because everybody wanted

628
00:45:14.599 --> 00:45:20.320
<v Speaker 2>to make these to roll like spreads. We decided to

629
00:45:20.559 --> 00:45:23.280
<v Speaker 2>go with that. The cards seemed to wanted to want

630
00:45:23.320 --> 00:45:24.360
<v Speaker 2>to go in that direction.

631
00:45:24.599 --> 00:45:28.639
<v Speaker 1>They had their own mindset is the mind of their own,

632
00:45:28.760 --> 00:45:33.440
<v Speaker 1>so that is really it's kind of cool though, Greg.

633
00:45:33.320 --> 00:45:35.880
<v Speaker 2>Yeah, no, So we we had to kind of create

634
00:45:36.000 --> 00:45:39.079
<v Speaker 2>after the fact like ways of doing spreads and so

635
00:45:39.159 --> 00:45:42.039
<v Speaker 2>which are actually it was too late to have in

636
00:45:42.079 --> 00:45:43.880
<v Speaker 2>the some there's a little bit of that in the book,

637
00:45:43.920 --> 00:45:46.199
<v Speaker 2>but there's more on the website because some of that

638
00:45:46.320 --> 00:45:49.159
<v Speaker 2>was kind of what the card wanted that we didn't

639
00:45:49.199 --> 00:45:51.800
<v Speaker 2>realize until after they were out.

640
00:45:52.679 --> 00:45:57.079
<v Speaker 1>Uh, the cards were produced when it was a June

641
00:45:57.239 --> 00:45:58.400
<v Speaker 1>they came out.

642
00:45:59.079 --> 00:46:03.920
<v Speaker 2>No, they're just I got like these pre author copies.

643
00:46:04.760 --> 00:46:08.039
<v Speaker 2>It kept getting delayed. But they're they're going to be

644
00:46:08.079 --> 00:46:09.719
<v Speaker 2>out in mid November.

645
00:46:09.760 --> 00:46:12.480
<v Speaker 1>But oh, I was looking at because that's why I

646
00:46:12.519 --> 00:46:14.119
<v Speaker 1>didn't get a set of cards.

647
00:46:14.760 --> 00:46:16.320
<v Speaker 2>That's why, because they're.

648
00:46:17.559 --> 00:46:19.599
<v Speaker 1>I thought they ran out because they were so popular.

649
00:46:19.639 --> 00:46:22.400
<v Speaker 1>That's why I didn't get a get a debt.

650
00:46:22.559 --> 00:46:27.559
<v Speaker 2>I wish to just that out yet. So they're they're

651
00:46:27.559 --> 00:46:30.440
<v Speaker 2>now printed. They're sitting in a warehouse somewhere, but they're

652
00:46:30.480 --> 00:46:33.880
<v Speaker 2>going to be actually out and they can be pre

653
00:46:34.039 --> 00:46:36.119
<v Speaker 2>ordered now, but they won't be shipped till I think.

654
00:46:36.000 --> 00:46:38.719
<v Speaker 1>Yeah I saw them on Amazon. You can't. You can't

655
00:46:38.719 --> 00:46:41.880
<v Speaker 1>pre order them. So this is interesting. Talk a little

656
00:46:41.920 --> 00:46:44.440
<v Speaker 1>bit about the evolution and I think they haven't really

657
00:46:44.440 --> 00:46:48.000
<v Speaker 1>come out yet, but you've had test groups. I guess

658
00:46:48.039 --> 00:46:52.880
<v Speaker 1>look at them. Your initial idea was somebody has a

659
00:46:52.920 --> 00:46:56.679
<v Speaker 1>repeating kind of a dream. They pull a card that

660
00:46:56.880 --> 00:47:01.559
<v Speaker 1>is uh, part of the theme of the dream, perhaps.

661
00:47:02.199 --> 00:47:05.280
<v Speaker 2>Yeah, maybe the central image of the dream.

662
00:47:05.360 --> 00:47:08.639
<v Speaker 1>Yeah, central image. So and then you have them write

663
00:47:08.679 --> 00:47:13.800
<v Speaker 1>something down and then that's the incubator for the for

664
00:47:13.920 --> 00:47:21.119
<v Speaker 1>them to actually intend and move towards a more positive dream.

665
00:47:21.519 --> 00:47:24.039
<v Speaker 2>You could use it that way when I was thinking

666
00:47:24.039 --> 00:47:28.079
<v Speaker 2>of initially there would be more like a guide to exploration,

667
00:47:29.159 --> 00:47:32.079
<v Speaker 2>like I let's say I dreamt about a forest gel

668
00:47:32.159 --> 00:47:35.360
<v Speaker 2>that's interesting, or another card is lost, as that's a

669
00:47:35.400 --> 00:47:36.400
<v Speaker 2>real common dream.

670
00:47:36.719 --> 00:47:38.119
<v Speaker 1>Lost, I don't know where I am.

671
00:47:38.480 --> 00:47:41.079
<v Speaker 2>Yeah, yeah, so what does that mean? You know? And

672
00:47:41.800 --> 00:47:45.320
<v Speaker 2>so you look at the card and the images might

673
00:47:45.400 --> 00:47:48.679
<v Speaker 2>stir something unconsciously. You read stuff in the book and

674
00:47:48.719 --> 00:47:52.280
<v Speaker 2>I would give like historical examples of being lost and

675
00:47:52.360 --> 00:47:56.719
<v Speaker 2>some significant dreams about being lost. So that might stir

676
00:47:57.079 --> 00:48:00.599
<v Speaker 2>your own connections. Because one thing that has happens when

677
00:48:00.639 --> 00:48:06.519
<v Speaker 2>we're dreaming is it's it's like a psychedelic trip. We

678
00:48:06.599 --> 00:48:08.400
<v Speaker 2>just don't think of it that way, but there's the

679
00:48:08.480 --> 00:48:13.719
<v Speaker 2>same kind of brain activation and these new connections that

680
00:48:13.840 --> 00:48:18.360
<v Speaker 2>you would get on a psychedelic trip. So the dream

681
00:48:19.239 --> 00:48:24.239
<v Speaker 2>stirs up that state of mind allows for these new connections.

682
00:48:24.280 --> 00:48:28.360
<v Speaker 2>So you it's sometimes you have to kind of kick

683
00:48:28.440 --> 00:48:32.679
<v Speaker 2>it around in your mind to get where these connections

684
00:48:32.719 --> 00:48:33.239
<v Speaker 2>are going.

685
00:48:33.320 --> 00:48:36.559
<v Speaker 1>So you are you suggesting that dreams kind of create

686
00:48:36.559 --> 00:48:42.519
<v Speaker 1>a neuroplasicity and expand the mind a little bit.

687
00:48:44.000 --> 00:48:48.960
<v Speaker 2>Well, they cut your egos shut off, like this ego

688
00:48:49.039 --> 00:48:51.719
<v Speaker 2>that's where you and I are talking. That's kind of

689
00:48:51.760 --> 00:48:55.280
<v Speaker 2>shut off when we're dreaming, and that opens us up

690
00:48:55.360 --> 00:48:58.599
<v Speaker 2>to all this other stuff that's in our head and

691
00:48:58.639 --> 00:49:01.400
<v Speaker 2>in our unconscious that we don't even know about because

692
00:49:01.400 --> 00:49:04.400
<v Speaker 2>we kind of turn all that off just to get

693
00:49:04.440 --> 00:49:05.960
<v Speaker 2>along every day in the world.

694
00:49:08.679 --> 00:49:10.760
<v Speaker 1>We're going to take a short commercial break to allow

695
00:49:10.800 --> 00:49:14.960
<v Speaker 1>our sponsors to identify themselves, and we will return shortly

696
00:49:15.079 --> 00:49:19.039
<v Speaker 1>with my guest today, doctor Greg Maher, discussing his work

697
00:49:19.159 --> 00:50:09.880
<v Speaker 1>with trauma and nightmares. We'll be right back. My guess

698
00:50:09.880 --> 00:50:13.280
<v Speaker 1>today is doctor Greg Mahr. He is a sleep specialist

699
00:50:13.440 --> 00:50:17.199
<v Speaker 1>focusing on nightmares. He has just released a new series

700
00:50:17.239 --> 00:50:21.440
<v Speaker 1>of cards. Their oracle is called dream Wisdom Oracle that

701
00:50:21.559 --> 00:50:24.639
<v Speaker 1>is designed for you to understand your dreams but also

702
00:50:25.239 --> 00:50:34.039
<v Speaker 1>help you with your dream time. Wow, I've never heard

703
00:50:34.079 --> 00:50:37.559
<v Speaker 1>that before. So that so that's the the ego I

704
00:50:37.599 --> 00:50:38.639
<v Speaker 1>guess too, right.

705
00:50:38.719 --> 00:50:43.119
<v Speaker 2>Yeah, And if you want to use neurophysiological language, it's

706
00:50:43.239 --> 00:50:52.519
<v Speaker 2>it's the oh shoot, the default mode network, which is

707
00:50:52.599 --> 00:50:57.400
<v Speaker 2>kind of the system in your nervous connections that we

708
00:50:57.599 --> 00:51:01.800
<v Speaker 2>sort of maintained our every day, ordinary life in the world.

709
00:51:01.880 --> 00:51:04.519
<v Speaker 2>And when that gets shut down. I have a cool

710
00:51:04.599 --> 00:51:08.360
<v Speaker 2>slide that I show and talks. You see all these

711
00:51:08.480 --> 00:51:11.960
<v Speaker 2>different parts of the brain light up and get connected

712
00:51:12.000 --> 00:51:15.519
<v Speaker 2>that normally aren't. So that's why some of the imagery

713
00:51:15.599 --> 00:51:17.880
<v Speaker 2>is kind of weird and stuff like that. So that's

714
00:51:17.960 --> 00:51:23.119
<v Speaker 2>why I like the idea of sort of nurturing that

715
00:51:23.239 --> 00:51:27.760
<v Speaker 2>kind of connection or exploring that kind of connection. So

716
00:51:27.840 --> 00:51:30.920
<v Speaker 2>the idea with the visual image of the cards and

717
00:51:31.000 --> 00:51:34.719
<v Speaker 2>the words, the words are kind of evocative, so it's

718
00:51:34.800 --> 00:51:39.079
<v Speaker 2>to get you to walk around that spay that new

719
00:51:39.199 --> 00:51:40.360
<v Speaker 2>space in your head.

720
00:51:40.840 --> 00:51:47.320
<v Speaker 1>I like your psychedelic drug analogy because it's like the

721
00:51:47.400 --> 00:51:54.840
<v Speaker 1>cards are are the drug they're influencing the dream state,

722
00:51:55.400 --> 00:51:56.440
<v Speaker 1>is I think.

723
00:51:57.239 --> 00:52:01.679
<v Speaker 2>Or I think the dream is like a drug induced state,

724
00:52:01.960 --> 00:52:06.320
<v Speaker 2>and the card is something that you might be holding

725
00:52:06.559 --> 00:52:10.719
<v Speaker 2>to keep your attention in that date and focus your mind.

726
00:52:12.239 --> 00:52:14.639
<v Speaker 1>I mean, I don't think Sarah Toonam has been thought

727
00:52:14.639 --> 00:52:19.039
<v Speaker 1>of as a psychedelic. But you know, it's funny. I'm

728
00:52:19.079 --> 00:52:21.280
<v Speaker 1>trying to think of the paneal gland. The paneal gland

729
00:52:21.320 --> 00:52:27.599
<v Speaker 1>produces a drug like effect when it's stimulated, and I'm

730
00:52:27.599 --> 00:52:31.159
<v Speaker 1>wondering if the panial is part of this whole dream factor.

731
00:52:31.760 --> 00:52:38.440
<v Speaker 2>Well, it's It certainly sets our sleep wake schedule, and

732
00:52:39.840 --> 00:52:43.920
<v Speaker 2>we kind of mess up our pineal gland because we're

733
00:52:44.440 --> 00:52:48.360
<v Speaker 2>we're like in modern culture, we're always like pretending it's

734
00:52:48.400 --> 00:52:52.280
<v Speaker 2>summer and pretending it's daytime, and we have we want

735
00:52:52.280 --> 00:52:54.360
<v Speaker 2>to be as productive as possible, so we have all

736
00:52:54.400 --> 00:52:58.440
<v Speaker 2>these electric lights so we can pretend it's daylight all

737
00:52:58.480 --> 00:53:02.960
<v Speaker 2>the time. Yeah, and we're sort of pretending like that

738
00:53:02.960 --> 00:53:06.840
<v Speaker 2>our night world of dreams and stuff doesn't matter. But

739
00:53:06.960 --> 00:53:11.199
<v Speaker 2>it does. And they like, if you take people and

740
00:53:11.239 --> 00:53:14.559
<v Speaker 2>put them like away from lights in a cave and

741
00:53:14.559 --> 00:53:18.079
<v Speaker 2>stuff like that, they'll sleep longer, and they'll interestingly have

742
00:53:18.199 --> 00:53:23.840
<v Speaker 2>these buy it's called a bi phasic night pattern where

743
00:53:23.840 --> 00:53:26.880
<v Speaker 2>they'll sleep for a few hours and then they'll wake

744
00:53:27.000 --> 00:53:28.880
<v Speaker 2>up like at two in the morning for an hour

745
00:53:28.960 --> 00:53:32.039
<v Speaker 2>or two and then go back to bed. And that's

746
00:53:32.079 --> 00:53:37.719
<v Speaker 2>an interesting state because people are like you're, they're more creative.

747
00:53:37.760 --> 00:53:42.679
<v Speaker 2>They think that's maybe when the cave paintings were done

748
00:53:42.880 --> 00:53:47.000
<v Speaker 2>and things like that. I have a poet friend who

749
00:53:47.119 --> 00:53:51.599
<v Speaker 2>like wakes himself up intentionally with an alarm clock at

750
00:53:51.719 --> 00:53:54.800
<v Speaker 2>two in the morning because he feels like he writes

751
00:53:54.840 --> 00:53:58.480
<v Speaker 2>better then. And then make makes sense because I think

752
00:53:58.519 --> 00:54:03.440
<v Speaker 2>you're more connect that default mode network is more shut down,

753
00:54:03.480 --> 00:54:07.119
<v Speaker 2>and you're more connected to that inner world. So I

754
00:54:07.199 --> 00:54:11.199
<v Speaker 2>think that's what dreams are are part of that inner

755
00:54:11.239 --> 00:54:15.079
<v Speaker 2>world trying to talk to us. And I like the

756
00:54:15.440 --> 00:54:19.119
<v Speaker 2>kind of the idea behind the cards and the book

757
00:54:19.239 --> 00:54:23.840
<v Speaker 2>is to to help help us connect connect with that

758
00:54:23.960 --> 00:54:26.320
<v Speaker 2>world and make us feel more comfortable.

759
00:54:26.440 --> 00:54:30.800
<v Speaker 1>Yeah, and you've made some important points here that our society,

760
00:54:30.880 --> 00:54:35.119
<v Speaker 1>Western culture is what I'm referring to. We're over stimulated.

761
00:54:35.960 --> 00:54:38.679
<v Speaker 1>We're overstimulat because we're we're looking at our phones all

762
00:54:38.719 --> 00:54:41.840
<v Speaker 1>the time, and we're watching TV too late, and we

763
00:54:42.000 --> 00:54:46.079
<v Speaker 1>drink alcohol and we are stimulating our body so that

764
00:54:46.280 --> 00:54:52.800
<v Speaker 1>our subtle thoughts and energy is depleted. You know. It's weird.

765
00:54:53.400 --> 00:54:56.440
<v Speaker 2>Yeah, And we don't pay attention that we're you know,

766
00:54:58.039 --> 00:55:00.079
<v Speaker 2>to those that we're trying to be productive all the

767
00:55:00.119 --> 00:55:06.280
<v Speaker 2>time and make money and then yeah, it's kind of sad.

768
00:55:06.679 --> 00:55:10.920
<v Speaker 2>Really we're kind of trading away the most important things

769
00:55:11.079 --> 00:55:15.800
<v Speaker 2>for stuff that doesn't really matter. And that's kind of

770
00:55:15.800 --> 00:55:18.079
<v Speaker 2>what I realized after my heart attack, that some of

771
00:55:18.079 --> 00:55:21.119
<v Speaker 2>the stuff that I thought was so important wasn't really

772
00:55:21.119 --> 00:55:26.039
<v Speaker 2>so important. Like I remember in the nurses when I

773
00:55:26.079 --> 00:55:32.800
<v Speaker 2>went to the cardiologist and they did my EKG and stuff,

774
00:55:32.800 --> 00:55:35.480
<v Speaker 2>like even I could see, even not mischiagist, I could

775
00:55:35.480 --> 00:55:39.519
<v Speaker 2>tell that there wasn't a good looking EKG. And she

776
00:55:39.719 --> 00:55:41.400
<v Speaker 2>was saying, Oh, you're you're gonna We're gonna have to

777
00:55:41.440 --> 00:55:45.039
<v Speaker 2>take you for a caf And I was like, oh,

778
00:55:45.199 --> 00:55:47.599
<v Speaker 2>I have to finish these I'm just going to run

779
00:55:47.639 --> 00:55:49.679
<v Speaker 2>back to my office because I'll tell you take a while.

780
00:55:49.719 --> 00:55:51.199
<v Speaker 2>I got to finish these notes and stuff.

781
00:55:51.360 --> 00:55:53.519
<v Speaker 1>Did you have your heart attack on campus on the

782
00:55:54.039 --> 00:55:54.800
<v Speaker 1>in the hospital?

783
00:55:55.119 --> 00:55:57.719
<v Speaker 2>No, but I the doctor was in the hospital where

784
00:55:57.719 --> 00:56:01.239
<v Speaker 2>I worked at But but I was, And she she

785
00:56:01.320 --> 00:56:04.440
<v Speaker 2>looked at me like, no, you're not going to go

786
00:56:04.519 --> 00:56:07.039
<v Speaker 2>back to your office. And then I realized, oh, yeah,

787
00:56:07.360 --> 00:56:10.159
<v Speaker 2>you're right that this is more important. You know that

788
00:56:10.880 --> 00:56:15.840
<v Speaker 2>kind of paying attention to our inner selves is very important.

789
00:56:17.360 --> 00:56:22.280
<v Speaker 1>I want to use these cards in a couple of

790
00:56:22.400 --> 00:56:26.920
<v Speaker 1>seconds here and and hear what you come up with.

791
00:56:27.079 --> 00:56:31.480
<v Speaker 1>Let's pull uh one or two cards, and let's have

792
00:56:31.599 --> 00:56:38.599
<v Speaker 1>you read the theme and what you would say would

793
00:56:38.599 --> 00:56:41.239
<v Speaker 1>be the recommendation of the car to call it that.

794
00:56:43.039 --> 00:56:48.559
<v Speaker 2>Yeah, So I'm just randomly drawing a card and the

795
00:56:49.000 --> 00:56:49.960
<v Speaker 2>card is water.

796
00:56:50.679 --> 00:56:53.360
<v Speaker 1>Water Okay, beautiful?

797
00:56:54.079 --> 00:56:59.360
<v Speaker 2>Yeah, And water is water is actually a really common image.

798
00:56:59.360 --> 00:57:02.639
<v Speaker 2>It's kind of an interesting choice because that's one of

799
00:57:02.639 --> 00:57:06.400
<v Speaker 2>the most common images in my own personal dreams. So

800
00:57:06.440 --> 00:57:08.840
<v Speaker 2>maybe that's why I drew that car, because I have

801
00:57:08.920 --> 00:57:11.920
<v Speaker 2>water dreams like all the time. Like I've been in

802
00:57:12.000 --> 00:57:15.239
<v Speaker 2>this dream exploration group for years and everybody always lasts,

803
00:57:15.280 --> 00:57:17.800
<v Speaker 2>and I'll always dream. I'm always walking by a river

804
00:57:18.000 --> 00:57:21.480
<v Speaker 2>or swimming or kayaking or looking at an aquarium. That's

805
00:57:21.760 --> 00:57:28.000
<v Speaker 2>so water usually has to do with the unconscious because

806
00:57:28.039 --> 00:57:31.360
<v Speaker 2>you're kind of immersed in it, and it depends like

807
00:57:31.400 --> 00:57:34.960
<v Speaker 2>if you're in a little water thing like a pool,

808
00:57:35.119 --> 00:57:38.199
<v Speaker 2>for instance, that's often like you're personal unconscious, where if

809
00:57:38.239 --> 00:57:41.679
<v Speaker 2>you're swimming in the ocean, then you're in this big

810
00:57:41.840 --> 00:57:47.880
<v Speaker 2>collective body of water. So I don't remember what I

811
00:57:47.920 --> 00:57:51.480
<v Speaker 2>wrote in the book, but I can look, well, you can,

812
00:57:51.679 --> 00:57:55.480
<v Speaker 2>but I'm sure I said something like that, and I

813
00:57:55.599 --> 00:58:00.599
<v Speaker 2>probably explored that image because there's you know, the the

814
00:58:00.639 --> 00:58:05.280
<v Speaker 2>way the water appears can be very different in different

815
00:58:05.360 --> 00:58:08.599
<v Speaker 2>dreams and different and important ways. Like if you're on

816
00:58:08.679 --> 00:58:12.159
<v Speaker 2>the water but you're in a cruise ship, then that's

817
00:58:12.199 --> 00:58:19.079
<v Speaker 2>a very collective way, whereas if you're in a kayaking

818
00:58:19.920 --> 00:58:22.840
<v Speaker 2>then that's it's a different kind of way. You're not

819
00:58:23.039 --> 00:58:27.000
<v Speaker 2>immersed in the water, you're skimming along the top of it.

820
00:58:27.280 --> 00:58:29.760
<v Speaker 2>And I have a lot of dreams where I'm swimming

821
00:58:29.840 --> 00:58:34.840
<v Speaker 2>where I'm actually immersed in the water, and maybe that's

822
00:58:35.079 --> 00:58:38.639
<v Speaker 2>because I love trying to connect with the unconscious so

823
00:58:38.760 --> 00:58:41.920
<v Speaker 2>much that But somebody.

824
00:58:41.639 --> 00:58:44.559
<v Speaker 1>Who's having the dream of being in the ocean, either

825
00:58:44.599 --> 00:58:47.519
<v Speaker 1>swimming or on a boat, and they're having a repeat

826
00:58:47.960 --> 00:58:55.760
<v Speaker 1>version of that, what does that signify.

827
00:58:53.000 --> 00:58:57.679
<v Speaker 2>That sometimes dreams keep repeating because we're not listening to them,

828
00:58:57.760 --> 00:59:01.519
<v Speaker 2>so they have to keep knocking, as it were. So

829
00:59:01.960 --> 00:59:06.880
<v Speaker 2>maybe there's something in their unconscious that they haven't connected

830
00:59:06.960 --> 00:59:10.480
<v Speaker 2>with that they need to listen to in a different way.

831
00:59:10.960 --> 00:59:14.639
<v Speaker 1>Okay, and what is the book? What can you read

832
00:59:14.679 --> 00:59:22.199
<v Speaker 1>like the first paragraph of the water because I'm thinking

833
00:59:22.280 --> 00:59:26.159
<v Speaker 1>that the book denotes some form of decode. Is that

834
00:59:26.320 --> 00:59:31.360
<v Speaker 1>my right interpretation or no, just my.

835
00:59:31.360 --> 00:59:34.280
<v Speaker 2>Only objection was decode sound real.

836
00:59:34.360 --> 00:59:36.599
<v Speaker 1>So I'm sorry. Whatever language you want to use.

837
00:59:36.800 --> 00:59:42.920
<v Speaker 2>I would say, it's a exploration exploration water. So I'm

838
00:59:43.000 --> 00:59:45.679
<v Speaker 2>looking at that page two of three to two.

839
00:59:45.679 --> 00:59:48.679
<v Speaker 1>Oh, sub you don't have to read the whole thing,

840
00:59:48.800 --> 00:59:53.360
<v Speaker 1>just like the paragraph or two, so that we get

841
00:59:53.360 --> 01:00:01.760
<v Speaker 1>a sense of what you're trying to achieve by these well,

842
01:00:01.800 --> 01:00:08.800
<v Speaker 1>I mean dream interpretation. There you go interpreting the dream.

843
01:00:08.920 --> 01:00:14.199
<v Speaker 2>Oh well, it's I it's I looked up the page

844
01:00:14.239 --> 01:00:18.920
<v Speaker 2>for swimming, so it's similar. So the beginning is a

845
01:00:18.960 --> 01:00:22.079
<v Speaker 2>description in words of what's in the card. So the

846
01:00:22.760 --> 01:00:26.079
<v Speaker 2>card of I'm sorry, I'm trying to hurry and then

847
01:00:26.119 --> 01:00:28.360
<v Speaker 2>I'm messing up. So let me look at the other one,

848
01:00:28.360 --> 01:00:29.320
<v Speaker 2>which is two eighteen.

849
01:00:29.960 --> 01:00:30.599
<v Speaker 1>Take your time.

850
01:00:31.239 --> 01:00:36.960
<v Speaker 2>This is the actual swimming card. Okay, water. So so

851
01:00:37.079 --> 01:00:41.440
<v Speaker 2>I described the card a little bit, saying a figure

852
01:00:41.559 --> 01:00:44.159
<v Speaker 2>floats peacefully on his back and on the back of

853
01:00:44.199 --> 01:00:48.599
<v Speaker 2>a turtle. The turtle is a spirit guide carrying the

854
01:00:48.679 --> 01:00:52.679
<v Speaker 2>dream figure through the water. The water is born of spirit.

855
01:00:52.800 --> 01:00:56.440
<v Speaker 2>The sky is ablaze with a circular mondoli like mandola

856
01:00:56.639 --> 01:01:00.400
<v Speaker 2>like figure of the south. How far can we get

857
01:01:00.440 --> 01:01:02.639
<v Speaker 2>if we let the turtle bear us?

858
01:01:02.880 --> 01:01:07.119
<v Speaker 1>So it's interesting. So you're you're, you're, you're interpreting the

859
01:01:07.159 --> 01:01:15.320
<v Speaker 1>card's design as part of the dream and the people

860
01:01:15.480 --> 01:01:19.519
<v Speaker 1>and as the person's reading, what they're getting is information

861
01:01:20.159 --> 01:01:22.119
<v Speaker 1>that they reinterpret.

862
01:01:22.960 --> 01:01:26.960
<v Speaker 2>Yeah, I'm kind of that little paragraphs. First paragraph is

863
01:01:26.960 --> 01:01:29.920
<v Speaker 2>always about the card, and the idea of that is

864
01:01:29.920 --> 01:01:33.599
<v Speaker 2>to help people pay attention to the details in the card,

865
01:01:33.599 --> 01:01:37.199
<v Speaker 2>because the card is very thoughtfully drawn and painted. And

866
01:01:37.239 --> 01:01:39.840
<v Speaker 2>then I go on to say, a dream about water

867
01:01:40.000 --> 01:01:43.440
<v Speaker 2>is an invitation to a relationship with the unconscious. Do

868
01:01:43.519 --> 01:01:46.400
<v Speaker 2>we relate to water willingly? Or does it burst into

869
01:01:46.440 --> 01:01:49.320
<v Speaker 2>our lives? Do we dive in, wade in or tiptoe in?

870
01:01:50.159 --> 01:01:53.719
<v Speaker 2>Is the water clear or dirty? Flowing waters like rivers

871
01:01:53.760 --> 01:01:57.920
<v Speaker 2>represent the unconscious flow of life. Swimming pools represent a

872
01:01:57.960 --> 01:02:01.800
<v Speaker 2>more personal aspect of the unconscious. Big bodies like oceans

873
01:02:01.840 --> 01:02:06.559
<v Speaker 2>are deeper levels of the unconscious. Water cleans, as Beige baptizes,

874
01:02:06.960 --> 01:02:10.320
<v Speaker 2>our relationship to water and our dreams represents our relationship

875
01:02:10.320 --> 01:02:14.679
<v Speaker 2>to the unconscious. So the first pair, So then I

876
01:02:14.760 --> 01:02:17.960
<v Speaker 2>kind of go on at different length and different stories

877
01:02:18.000 --> 01:02:21.480
<v Speaker 2>about dreams about water. So the idea is to kind

878
01:02:21.480 --> 01:02:27.440
<v Speaker 2>of nurture that sort of exploration. Yeah, hide you into

879
01:02:27.519 --> 01:02:29.000
<v Speaker 2>and through that inner world.

880
01:02:29.400 --> 01:02:35.199
<v Speaker 1>No, I like it because you're you're defining with your

881
01:02:35.400 --> 01:02:40.360
<v Speaker 1>years of practice. You're going, this is what I see

882
01:02:40.400 --> 01:02:45.639
<v Speaker 1>in water, and here's the various aspects of it. Yeah,

883
01:02:45.840 --> 01:02:48.679
<v Speaker 1>this is how people used to interpret it, and so

884
01:02:48.719 --> 01:02:49.360
<v Speaker 1>forth and so on.

885
01:02:50.079 --> 01:02:55.039
<v Speaker 2>Between my own dreams and the dream group and all

886
01:02:55.079 --> 01:02:58.400
<v Speaker 2>the stuff I've read and all the people. Yes, I've

887
01:02:58.440 --> 01:03:01.800
<v Speaker 2>heard like thousands and thousands of dreams and I love them.

888
01:03:01.840 --> 01:03:04.360
<v Speaker 2>I just love listening to them because they're so beautiful.

889
01:03:04.480 --> 01:03:07.079
<v Speaker 2>They're like little works of art, like my father's dream.

890
01:03:07.119 --> 01:03:09.960
<v Speaker 2>But it's such a beautiful little work of art and

891
01:03:09.960 --> 01:03:12.599
<v Speaker 2>in a single image captures this whole life. I mean,

892
01:03:12.599 --> 01:03:15.280
<v Speaker 2>how could you do that? I couldn't. I couldn't do

893
01:03:15.400 --> 01:03:17.960
<v Speaker 2>that if I tried to. But that's that's the point

894
01:03:18.000 --> 01:03:20.280
<v Speaker 2>when you try to mess it up, but when it

895
01:03:20.440 --> 01:03:21.199
<v Speaker 2>just you.

896
01:03:21.119 --> 01:03:25.800
<v Speaker 1>Know, what's interesting, Greg is the fact that you're in practice. Now,

897
01:03:26.039 --> 01:03:29.719
<v Speaker 1>can you use these in your practice? Or is it

898
01:03:29.880 --> 01:03:33.400
<v Speaker 1>not copasetic because it's not a drug or a therapy

899
01:03:33.440 --> 01:03:33.960
<v Speaker 1>of some gain?

900
01:03:34.679 --> 01:03:38.440
<v Speaker 2>Oh the cards you mean? Yeah, Oh, I probably that

901
01:03:38.480 --> 01:03:41.880
<v Speaker 2>would make me feel a little self serving to use.

902
01:03:41.920 --> 01:03:44.800
<v Speaker 1>Well, no, if it's helpful, you know, and it's.

903
01:03:44.639 --> 01:03:47.639
<v Speaker 2>True, you know, I that's an interesting idea. I haven't

904
01:03:47.679 --> 01:03:48.440
<v Speaker 2>thought about it.

905
01:03:48.559 --> 01:03:50.599
<v Speaker 1>Oh my god, I thought you were. You're going to

906
01:03:50.719 --> 01:03:52.880
<v Speaker 1>use these in your as a therapy for your OW.

907
01:03:53.639 --> 01:03:55.760
<v Speaker 2>I never thought of it that way. But as the

908
01:03:55.840 --> 01:03:58.679
<v Speaker 2>more the more people look at the cards, the more

909
01:03:58.719 --> 01:04:00.920
<v Speaker 2>ideas I get, like said, they kind of have a

910
01:04:00.960 --> 01:04:01.760
<v Speaker 2>mind of their own.

911
01:04:02.039 --> 01:04:04.920
<v Speaker 1>And all the years of your study and practice, and

912
01:04:05.480 --> 01:04:09.000
<v Speaker 1>you're you're documenting your dreams as a kid. You got

913
01:04:09.039 --> 01:04:13.199
<v Speaker 1>five thousand dreams. You're you're the forefront of the of

914
01:04:13.239 --> 01:04:13.920
<v Speaker 1>the industry.

915
01:04:14.000 --> 01:04:17.559
<v Speaker 2>My friend, Well, using cards was never part of my

916
01:04:17.719 --> 01:04:18.480
<v Speaker 2>medical school.

917
01:04:19.719 --> 01:04:22.119
<v Speaker 1>Well, that's my question is that you may not be

918
01:04:22.239 --> 01:04:27.480
<v Speaker 1>allowed to introduce the cards in your practice because of

919
01:04:27.559 --> 01:04:32.400
<v Speaker 1>some AMA protocol or some kind I don't know.

920
01:04:32.480 --> 01:04:35.360
<v Speaker 2>The nice thing about being as old as I am

921
01:04:35.480 --> 01:04:36.880
<v Speaker 2>is I can kind of do what I want. No

922
01:04:36.920 --> 01:04:38.079
<v Speaker 2>one's going to do anything to me.

923
01:04:38.679 --> 01:04:40.000
<v Speaker 1>I think they're a great solution.

924
01:04:41.000 --> 01:04:43.639
<v Speaker 2>No, I like that idea. And actually, what one of

925
01:04:43.679 --> 01:04:47.079
<v Speaker 2>the people I shared the deck with is a is

926
01:04:47.119 --> 01:04:51.079
<v Speaker 2>a Torot card readers, and he was very excited about them.

927
01:04:51.079 --> 01:04:53.280
<v Speaker 2>He said, Oh, I'm going to use these tomorrow, you know,

928
01:04:53.719 --> 01:04:57.679
<v Speaker 2>and as supplementing is to row cards or something.

929
01:04:57.800 --> 01:05:00.840
<v Speaker 1>So I think I think there's motivation on two sides.

930
01:05:00.880 --> 01:05:03.719
<v Speaker 1>First of all is nightmares, which is what you're all

931
01:05:03.760 --> 01:05:10.239
<v Speaker 1>about in your research, And the other is instigating, influencing

932
01:05:10.440 --> 01:05:15.679
<v Speaker 1>and cultivating dreams. And this is the problem that I have.

933
01:05:15.880 --> 01:05:18.320
<v Speaker 1>I have so much on my mind that I forget

934
01:05:18.360 --> 01:05:20.920
<v Speaker 1>to set an intention to when I'm in bed to

935
01:05:20.960 --> 01:05:24.880
<v Speaker 1>have dreams, but I miss the interpretation. And I have

936
01:05:25.119 --> 01:05:27.440
<v Speaker 1>dream journals from years ago, but I haven't been doing

937
01:05:27.440 --> 01:05:30.199
<v Speaker 1>it for you know, many years, because I'm just so

938
01:05:30.360 --> 01:05:33.639
<v Speaker 1>caught up. And those cards it's not like a great

939
01:05:33.719 --> 01:05:34.920
<v Speaker 1>way to kickstart.

940
01:05:36.239 --> 01:05:39.719
<v Speaker 2>The intention is really important. Like we've this has happened

941
01:05:39.760 --> 01:05:43.880
<v Speaker 2>several times with the dream group that I do. People

942
01:05:43.920 --> 01:05:47.559
<v Speaker 2>will come because they're interested in dreams. They'll come kind

943
01:05:47.599 --> 01:05:50.360
<v Speaker 2>of apologizing, saying, yeah, is it okay if I just

944
01:05:50.440 --> 01:05:54.400
<v Speaker 2>come and listen, I don't really remember dreams, and we'll say, sure,

945
01:05:54.880 --> 01:05:57.760
<v Speaker 2>you know, that's cool. And then but then like two

946
01:05:57.800 --> 01:06:01.320
<v Speaker 2>weeks later, the fact of them having gone to group.

947
01:06:01.320 --> 01:06:03.360
<v Speaker 2>Two weeks later, they'll come back and say, oh, I

948
01:06:03.880 --> 01:06:08.159
<v Speaker 2>had two dreams last week. Yeah, but that's the kind

949
01:06:08.199 --> 01:06:13.239
<v Speaker 2>of like setting that intention or paying attention, yeah, or

950
01:06:13.320 --> 01:06:16.280
<v Speaker 2>beginning that relationship is another.

951
01:06:16.039 --> 01:06:21.119
<v Speaker 1>Language, fantastic. The cards are called Dream Wisdom Oracle forty

952
01:06:21.159 --> 01:06:23.519
<v Speaker 1>six cards in guidebook. My guest today has been doctor

953
01:06:23.559 --> 01:06:28.280
<v Speaker 1>Greg mar. I want to have you pick another card

954
01:06:28.320 --> 01:06:34.239
<v Speaker 1>as we conclude, Greg and give us a further sense

955
01:06:34.280 --> 01:06:39.480
<v Speaker 1>of this collection. Forty six cards. So forty six cards

956
01:06:39.519 --> 01:06:42.000
<v Speaker 1>is a lot. That's a lot of different topics.

957
01:06:42.760 --> 01:06:46.440
<v Speaker 2>Yeah, the four or five of the cards are like tips,

958
01:06:46.519 --> 01:06:49.920
<v Speaker 2>They're like word cards with like twelve tips to remember

959
01:06:50.000 --> 01:06:53.679
<v Speaker 2>your dreams. And oh so it's like five of them

960
01:06:53.719 --> 01:06:55.000
<v Speaker 2>are those kind of cards.

961
01:06:55.079 --> 01:06:57.440
<v Speaker 1>So it's more like forty one cards and.

962
01:06:57.679 --> 01:07:01.800
<v Speaker 2>Are yeah, okay, okay, well that's interesting. The card I

963
01:07:01.880 --> 01:07:07.599
<v Speaker 2>picked is death, so maybe that was referring to the

964
01:07:07.679 --> 01:07:12.960
<v Speaker 2>end of the interview. And yeah, and death, like we

965
01:07:13.079 --> 01:07:16.000
<v Speaker 2>talked about, is kind of one of those scary nightmare

966
01:07:16.079 --> 01:07:20.599
<v Speaker 2>images that often doesn't mean death, that means death of

967
01:07:20.679 --> 01:07:24.639
<v Speaker 2>a part of yourself. So let me see what I

968
01:07:24.679 --> 01:07:32.599
<v Speaker 2>said in the death in the card. Death is in

969
01:07:32.679 --> 01:07:35.519
<v Speaker 2>the card. Death is contained in a box, but a

970
01:07:35.559 --> 01:07:38.719
<v Speaker 2>spacious one where he has room to move and even

971
01:07:38.840 --> 01:07:43.000
<v Speaker 2>dance with him in the box. Are Kala lilies in

972
01:07:43.039 --> 01:07:46.599
<v Speaker 2>Greek mythology that Kayla lily was created from drops of

973
01:07:46.679 --> 01:07:51.280
<v Speaker 2>milk from the breast of hair US's Zeus's wife Us

974
01:07:51.360 --> 01:07:55.280
<v Speaker 2>had Zeus had fathered Hercules with a mortal woman. Hercules

975
01:07:55.320 --> 01:07:57.239
<v Speaker 2>would be mortal because he was born of a woman

976
01:07:57.760 --> 01:07:59.960
<v Speaker 2>unless fed by milk from the breath of a guy.

977
01:08:01.280 --> 01:08:05.119
<v Speaker 2>And then I the box is surrounded by pink, mob

978
01:08:05.239 --> 01:08:09.480
<v Speaker 2>and green colors of life energy. Surrounding Death's coffin are

979
01:08:10.960 --> 01:08:14.679
<v Speaker 2>images of the lushness of life. And just to go on,

980
01:08:15.199 --> 01:08:17.079
<v Speaker 2>I won't go on with all that, but just the

981
01:08:17.119 --> 01:08:21.399
<v Speaker 2>beginning of the actual material about death. To dream of

982
01:08:21.439 --> 01:08:24.560
<v Speaker 2>death is to dream of rebirth. Every night, our waking

983
01:08:24.640 --> 01:08:27.840
<v Speaker 2>self dies as we sleep and a deeper self comes

984
01:08:27.840 --> 01:08:30.359
<v Speaker 2>to life. A death dream is a call to the

985
01:08:30.479 --> 01:08:33.520
<v Speaker 2>night world, where the everyday self is dead but the

986
01:08:33.560 --> 01:08:37.000
<v Speaker 2>inner self is alive. And well, so what that is

987
01:08:37.000 --> 01:08:41.560
<v Speaker 2>a very fitting way to close the interview.

988
01:08:42.119 --> 01:08:45.279
<v Speaker 1>Yeah, very excellent. Good. I mean, that's a good one

989
01:08:45.279 --> 01:08:46.760
<v Speaker 1>because a lot of people think, oh my god, I

990
01:08:46.800 --> 01:08:48.439
<v Speaker 1>pulled the death card. I'm in it.

991
01:08:49.560 --> 01:08:54.680
<v Speaker 2>Yeah, you're dead. Nightmares sometimes our interpretation of a dream

992
01:08:54.720 --> 01:08:57.640
<v Speaker 2>that has an important positive message.

993
01:08:58.279 --> 01:09:02.920
<v Speaker 1>Yeah, fantastic. Uh, Greg thank you for joining me. That

994
01:09:03.079 --> 01:09:06.520
<v Speaker 1>was insightful. And uh, I'm gonna have to ask inner

995
01:09:06.520 --> 01:09:10.640
<v Speaker 1>traditions to get a deck of cards because I've been

996
01:09:11.239 --> 01:09:11.399
<v Speaker 1>you know.

997
01:09:11.720 --> 01:09:11.840
<v Speaker 2>Uh.

998
01:09:12.000 --> 01:09:16.039
<v Speaker 1>I know Gail Towards your publicist, and she's a good one. Uh,

999
01:09:16.399 --> 01:09:19.920
<v Speaker 1>but I never got the cards even early. I typically

1000
01:09:19.960 --> 01:09:23.399
<v Speaker 1>get an early set as a test set, you know,

1001
01:09:23.479 --> 01:09:23.920
<v Speaker 1>and so.

1002
01:09:24.359 --> 01:09:26.439
<v Speaker 2>Just because they haven't been out yet. But if you

1003
01:09:26.439 --> 01:09:28.720
<v Speaker 2>don't get them for her, just email me. I'll just

1004
01:09:28.840 --> 01:09:30.560
<v Speaker 2>mail it to you.

1005
01:09:30.960 --> 01:09:33.760
<v Speaker 1>Yeah, fantastic. I think you got something. I think you're

1006
01:09:33.840 --> 01:09:38.399
<v Speaker 1>I think you're onto something here and I appreciate the

1007
01:09:38.399 --> 01:09:43.880
<v Speaker 1>inner site and the I should say insight and what

1008
01:09:43.880 --> 01:09:49.840
<v Speaker 1>what develops from these cars because it's so unique for

1009
01:09:51.399 --> 01:09:54.960
<v Speaker 1>a psychiatrist to present these. So you're I think your

1010
01:09:55.079 --> 01:09:59.199
<v Speaker 1>child is coming out on this one and really doing

1011
01:09:59.239 --> 01:10:01.600
<v Speaker 1>a number. He's he's got his crayons in hand, he's

1012
01:10:01.600 --> 01:10:02.159
<v Speaker 1>doing a number.

1013
01:10:03.199 --> 01:10:05.199
<v Speaker 2>That's that's a nice image. I like that.

1014
01:10:05.680 --> 01:10:08.960
<v Speaker 1>All right, Hey, congratulations and thanks for joining me.

1015
01:10:09.720 --> 01:10:10.079
<v Speaker 2>Thank you.

1016
01:10:19.199 --> 01:10:24.600
<v Speaker 1>Dreams are really critical to a lot of creativity. In fact,

1017
01:10:24.760 --> 01:10:29.560
<v Speaker 1>I know artists that cultivate their dreams. They'll have a

1018
01:10:30.640 --> 01:10:34.000
<v Speaker 1>intention before they go to sleep, have their journal by

1019
01:10:34.039 --> 01:10:39.279
<v Speaker 1>their by their bed and kind of work with the

1020
01:10:39.399 --> 01:10:46.239
<v Speaker 1>unconscious to cultivate and develop dreams, to answer questions, to

1021
01:10:47.039 --> 01:10:51.960
<v Speaker 1>solve problems. And this is something that needs to be

1022
01:10:52.039 --> 01:10:55.920
<v Speaker 1>really worked on even more because I for a lot

1023
01:10:55.920 --> 01:10:59.199
<v Speaker 1>of people, dreaming isn't possible because they're just so exhausted,

1024
01:11:00.279 --> 01:11:03.119
<v Speaker 1>or they don't have trouble they have trouble sleeping, which

1025
01:11:03.159 --> 01:11:07.600
<v Speaker 1>is a problem. So the Dream Wisdom Oracle cards are

1026
01:11:07.640 --> 01:11:13.520
<v Speaker 1>now available. If you go to Amazon and look up

1027
01:11:13.600 --> 01:11:18.920
<v Speaker 1>doctor Greg maher m AhR, you'll see the cards and

1028
01:11:19.039 --> 01:11:21.239
<v Speaker 1>check them out. It might be something you want to try.

1029
01:11:22.319 --> 01:11:24.479
<v Speaker 1>So thank you Greg, it was nice to have him

1030
01:11:24.479 --> 01:11:29.880
<v Speaker 1>on the program. Yeah, I got a perfect gift for you.

1031
01:11:30.319 --> 01:11:34.239
<v Speaker 1>It's a self gift for twenty twenty six. It is

1032
01:11:34.760 --> 01:11:38.720
<v Speaker 1>joining our Grand Egyptian Tour April twenty eight through May tenth.

1033
01:11:39.199 --> 01:11:43.560
<v Speaker 1>This is a special event because we have access private

1034
01:11:43.600 --> 01:11:48.239
<v Speaker 1>access to a number of sites, including temples, the pyramids,

1035
01:11:48.239 --> 01:11:53.439
<v Speaker 1>a notable pyramid being the Kufu Pyramid, as well as

1036
01:11:53.439 --> 01:11:56.680
<v Speaker 1>a number of ancient sites that will visit privately without

1037
01:11:56.680 --> 01:12:00.359
<v Speaker 1>the general public. This is unheard of and this is

1038
01:12:00.399 --> 01:12:04.439
<v Speaker 1>why we call the Grand Egyptian Tour a diplomatic tour.

1039
01:12:04.520 --> 01:12:09.000
<v Speaker 1>Which means that you are special. You are given special access,

1040
01:12:09.119 --> 01:12:13.399
<v Speaker 1>special permission, and it is very rare that you get

1041
01:12:13.399 --> 01:12:17.079
<v Speaker 1>this kind of access on any kind of Egyptian tour.

1042
01:12:17.520 --> 01:12:20.720
<v Speaker 1>For the full itinerary and more details, go to earth

1043
01:12:20.720 --> 01:12:24.520
<v Speaker 1>Ancients dot com forward slash Tours, check it out, join me.

1044
01:12:24.560 --> 01:12:26.640
<v Speaker 1>If you have any questions whatsoever, send me an email.

1045
01:12:26.800 --> 01:12:29.520
<v Speaker 1>Send it to earth Ancients the number four of the

1046
01:12:29.600 --> 01:12:32.800
<v Speaker 1>letter you at gmail dot com. The price is going

1047
01:12:32.840 --> 01:12:35.479
<v Speaker 1>to hold until the end of the month. But I

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01:12:35.479 --> 01:12:39.640
<v Speaker 1>gotta tell you, our tour prices are about fifty percent

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01:12:40.119 --> 01:12:43.159
<v Speaker 1>less than what the general tours are, and we actually

1050
01:12:43.199 --> 01:12:46.479
<v Speaker 1>pack in a lot of details, a lot of extras

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01:12:46.520 --> 01:12:50.399
<v Speaker 1>that you won't get when you're touring with the general public. Again,

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01:12:50.439 --> 01:12:54.520
<v Speaker 1>it's the Grand Egyptian Tour April twenty eighth through May tenth.

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01:12:55.279 --> 01:12:58.039
<v Speaker 1>For more information, go to earth Ancients dot com Forward

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01:12:58.479 --> 01:13:03.520
<v Speaker 1>slash tool ours. All right, that's it for this show.

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01:13:03.560 --> 01:13:06.039
<v Speaker 1>I want to thank my guests today doctor doctor Greg

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01:13:06.079 --> 01:13:10.039
<v Speaker 1>mar coming to us from Wisconsin as always, a team

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01:13:10.079 --> 01:13:16.479
<v Speaker 1>of Gail Tour, Mark Foster, and Faya Pavar. You guys

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01:13:16.960 --> 01:13:19.359
<v Speaker 1>rock all right, take care of you well, and we

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01:13:19.399 --> 01:13:21.079
<v Speaker 1>will talk to you next time.
