1 00:00:03,919 --> 00:00:17,679 Speaker 1: The CBS Radio Mystery Theater Presents. 2 00:00:07,960 --> 00:00:24,559 Speaker 2: Come in. 3 00:00:27,120 --> 00:00:29,160 Speaker 1: Welcome, I'm E. G. 4 00:00:29,440 --> 00:00:29,839 Speaker 3: Marshall. 5 00:00:30,920 --> 00:00:35,240 Speaker 1: Welcome to the halls of Mystery, the corridors of terror, 6 00:00:35,439 --> 00:00:41,159 where the impossible becomes the probable and the unexpected becomes 7 00:00:41,200 --> 00:00:42,399 the accepted. 8 00:00:43,280 --> 00:00:45,079 Speaker 3: Because in this exciting. 9 00:00:44,719 --> 00:00:48,840 Speaker 1: Theater of the mind, the things you don't see but 10 00:00:49,039 --> 00:00:54,960 imagine are far more terrifying than anything we might show you. Oh, 11 00:00:55,119 --> 00:01:00,280 you hear strange things, and these will conjure pictures that 12 00:01:00,399 --> 00:01:05,280 only you can produce. For starters, let's listen in on 13 00:01:05,319 --> 00:01:09,680 a phone conversation between electronics engineer Roy Watson and his 14 00:01:09,879 --> 00:01:11,640 boss Andy Carter. 15 00:01:12,159 --> 00:01:14,519 Speaker 4: And hel Roy, I know it's ten o'clock at night, 16 00:01:14,560 --> 00:01:16,840 but I've got something strange over here at the lab. 17 00:01:17,120 --> 00:01:17,959 Speaker 5: Can you come right over? 18 00:01:18,280 --> 00:01:20,000 Speaker 3: Well? Sure, Andy, Well, what's up? 19 00:01:20,319 --> 00:01:23,239 Speaker 5: It's something on the L forty three tape recorder. 20 00:01:23,079 --> 00:01:24,480 Speaker 3: The one I brought home the other night. 21 00:01:24,680 --> 00:01:27,079 Speaker 5: Yeah, and while you were using it, it picked up 22 00:01:27,120 --> 00:01:28,159 those sounds you've. 23 00:01:28,079 --> 00:01:29,840 Speaker 3: Been telling me about, Well, the mice. 24 00:01:30,359 --> 00:01:32,319 Speaker 5: I don't know what you've got in those walls of yours, 25 00:01:32,319 --> 00:01:33,959 but they're sure not mice. 26 00:01:34,799 --> 00:01:45,280 Speaker 4: I want you to get over here and listen to them. 27 00:01:45,439 --> 00:01:49,959 Speaker 1: Our mystery drama Sagamore Cottage was written especially for the 28 00:01:50,040 --> 00:01:54,640 Mystery Theater by Bob Duran and stars Bob Caliban and 29 00:01:54,760 --> 00:02:08,639 Carmen Matthews. I'll be back shortly with that one. Large 30 00:02:08,719 --> 00:02:15,879 houses have large shadows and large secrets far out on 31 00:02:15,960 --> 00:02:16,800 Long Island. 32 00:02:16,599 --> 00:02:19,520 Speaker 3: New York. Since a large house with. 33 00:02:19,759 --> 00:02:24,800 Speaker 1: Very large shadows. The Sagamore estate once the show. 34 00:02:24,560 --> 00:02:25,520 Speaker 3: Place of the island. 35 00:02:26,240 --> 00:02:29,960 Speaker 1: The estate still stands, but the happy days have died 36 00:02:30,000 --> 00:02:34,639 with the generations. To make ends meet in maintaining the estate, 37 00:02:35,159 --> 00:02:39,479 Miss Eleanor Sagamore, the last remaining family member, rents out 38 00:02:39,520 --> 00:02:44,560 a small cottage, the caretaker's cottage in better days. And 39 00:02:44,680 --> 00:02:48,639 it's to this cottage and this foreboding estate that young 40 00:02:48,719 --> 00:02:53,879 Roy and Peggy Watson are now traveling. Two destinies are 41 00:02:53,960 --> 00:02:59,199 fast approaching each other, and what will happen? Only time 42 00:02:59,719 --> 00:03:00,479 can hell. 43 00:03:02,240 --> 00:03:04,479 Speaker 6: Only ought to be within sight of it soon. The 44 00:03:04,520 --> 00:03:07,240 real estate agent said it was only ten miles. Nor 45 00:03:07,479 --> 00:03:10,879 did you think he acted funny about our renting the cottage, Yes, 46 00:03:11,919 --> 00:03:14,719 frankly I did. He insisted they were better and more 47 00:03:14,759 --> 00:03:17,000 attractive places, but not for the price. 48 00:03:17,479 --> 00:03:18,599 Speaker 7: We don't have to take it. 49 00:03:19,120 --> 00:03:21,840 Speaker 8: Oh there up ahead. That must be it. 50 00:03:21,840 --> 00:03:23,960 Speaker 6: It has to be it from the description we got, 51 00:03:24,000 --> 00:03:25,000 and we'll be there in a minute. 52 00:03:26,199 --> 00:03:30,479 Speaker 7: I don't see any cottage yet, it not be behind the house. 53 00:03:30,560 --> 00:03:31,560 Speaker 3: Yea, it probably is. 54 00:03:32,000 --> 00:03:34,879 Speaker 6: The gatehouses were near the front of the estates. The 55 00:03:34,919 --> 00:03:36,639 caretakers lived back in the gardens. 56 00:03:36,759 --> 00:03:39,719 Speaker 7: Who there's been some time since anyone cared for these grouse. 57 00:03:39,919 --> 00:03:42,439 Speaker 6: Well, I imagine the old girl has little enough to 58 00:03:42,520 --> 00:03:45,080 live on without expensive gardeners. 59 00:03:45,439 --> 00:03:49,240 Speaker 7: Oh, the house doesn't look too bad. I'm sure it's 60 00:03:49,360 --> 00:03:50,240 nothing like it was. 61 00:03:50,919 --> 00:03:53,400 Speaker 3: Let's go. She must have seen us arriving. 62 00:03:55,120 --> 00:03:56,039 Speaker 8: It's so still. 63 00:03:57,360 --> 00:03:59,159 Speaker 7: How does she stand it all alone? 64 00:03:59,319 --> 00:04:09,960 Speaker 3: That's her problem? Come on, you didn't have to ring. 65 00:04:11,039 --> 00:04:14,599 Speaker 6: I saw you, Miss Sagamore. Were the people about renting 66 00:04:14,599 --> 00:04:15,199 the cottage? 67 00:04:15,479 --> 00:04:18,360 Speaker 3: I know it? Who else would be coming. 68 00:04:18,160 --> 00:04:19,120 Speaker 7: Up to Sagamore? 69 00:04:19,680 --> 00:04:19,720 Speaker 1: Or? 70 00:04:19,839 --> 00:04:21,319 Speaker 3: Uh? Can we see it? 71 00:04:22,000 --> 00:04:26,240 Speaker 9: You'll have to see Miss Sagamore first. She must decide 72 00:04:26,319 --> 00:04:26,920 if you're. 73 00:04:26,879 --> 00:04:27,680 Speaker 10: Right for it. 74 00:04:28,759 --> 00:04:29,680 Speaker 3: Well, then you're not. 75 00:04:30,079 --> 00:04:31,759 Speaker 10: I'm Margaretta. 76 00:04:32,240 --> 00:04:32,759 Speaker 2: Show the men. 77 00:04:32,920 --> 00:04:34,879 Speaker 7: Margaretta. Don't stand there crabbing. 78 00:04:35,600 --> 00:04:36,199 Speaker 3: You heard us? 79 00:04:36,920 --> 00:04:41,120 Speaker 7: I mean, I'm miss Sagamore. 80 00:04:41,879 --> 00:04:42,399 Speaker 3: How do you do? 81 00:04:43,519 --> 00:04:44,879 Speaker 7: That? Will be all Margaretta? 82 00:04:45,399 --> 00:04:46,639 Speaker 3: Yes, Miss Sagamore. 83 00:04:47,879 --> 00:04:51,839 Speaker 7: Shall we retire to the library. Actually even I could 84 00:04:51,839 --> 00:04:54,319 answer the door faster than Margaretta. But she's been here 85 00:04:54,360 --> 00:04:57,920 so long. I couldn't hurt her feelings. I have to 86 00:04:58,000 --> 00:05:03,399 allow her the chores. It's nice of you. We arrived 87 00:05:03,439 --> 00:05:06,360 at sagam All the very same day she came to 88 00:05:06,399 --> 00:05:09,480 work as a housemaid the day I was both. But 89 00:05:09,519 --> 00:05:11,439 you're interested in the cottage not enough. 90 00:05:11,800 --> 00:05:14,879 Speaker 3: Well, we would like to see it. Please sit down. 91 00:05:16,680 --> 00:05:20,560 Speaker 7: What brings you to the island, mister Watson? 92 00:05:20,839 --> 00:05:21,199 Speaker 3: Is it? 93 00:05:21,279 --> 00:05:21,560 Speaker 1: Yes? 94 00:05:22,040 --> 00:05:25,720 Speaker 6: I'm starting a new job out here with Crown Electronics. 95 00:05:25,720 --> 00:05:29,720 Speaker 7: Oh that ghastly building two miles down. I've heard they 96 00:05:29,720 --> 00:05:31,079 do evil things in there. 97 00:05:31,240 --> 00:05:35,560 Speaker 3: No, No, it's an electronics research firm, ray guns and 98 00:05:35,600 --> 00:05:39,720 weapon and not quite. We're experimenting with a new transistor. 99 00:05:40,399 --> 00:05:43,120 I've been hired to head a team. It's my specially. 100 00:05:43,560 --> 00:05:46,639 Speaker 7: I know nothing about it except it's evil. But I 101 00:05:46,680 --> 00:05:47,800 won't hold it against you. 102 00:05:48,680 --> 00:05:49,519 Speaker 8: I like you both. 103 00:05:51,079 --> 00:05:57,079 Speaker 7: You know, missus Watson, you strongly resemble Mary Antoinette. Has 104 00:05:57,120 --> 00:06:02,120 anyone ever told you that we know a striking resemblance? 105 00:06:02,920 --> 00:06:07,800 Turn your head a little to the side, even the profile. 106 00:06:09,879 --> 00:06:13,720 Perhaps we can see the cottage. Of course I get 107 00:06:13,720 --> 00:06:15,439 carried away sometimes. 108 00:06:15,439 --> 00:06:19,199 Speaker 1: Sure I knew I married a Green's quite remarkable. 109 00:06:19,680 --> 00:06:27,399 Speaker 7: Quite well, what do you think? 110 00:06:27,800 --> 00:06:29,360 Speaker 8: It's absolutely charming? 111 00:06:29,639 --> 00:06:31,600 Speaker 3: Suits me fun and. 112 00:06:31,519 --> 00:06:33,839 Speaker 7: Then you'll take it. I'm so glad the rent's only 113 00:06:33,839 --> 00:06:34,680 two hundred a month. 114 00:06:34,879 --> 00:06:36,399 Speaker 3: That's the best part about it. 115 00:06:36,879 --> 00:06:38,759 Speaker 7: We hope to have our own place by next summer. 116 00:06:38,800 --> 00:06:40,759 That living here will be at night. 117 00:06:40,920 --> 00:06:42,319 Speaker 3: It there's a lot of character. 118 00:06:42,680 --> 00:06:44,680 Speaker 7: Well, then let's go back to the main house and 119 00:06:44,759 --> 00:06:47,360 I'll give you a receipt for the first month's rent. 120 00:06:47,720 --> 00:06:50,000 I don't ask for release or anything like that. You 121 00:06:50,879 --> 00:06:57,480 look like reliable people, thank you, and desirable people, very desirable, 122 00:07:07,920 --> 00:07:13,360 even the China's extensive broy limos yet in a rental cotdye. 123 00:07:13,160 --> 00:07:17,480 Speaker 3: First class all the way. Look, you get settled in. 124 00:07:17,560 --> 00:07:20,319 Speaker 6: I'm gonna run over to the labs and let Andy 125 00:07:20,439 --> 00:07:21,240 know I've arrived. 126 00:07:21,439 --> 00:07:24,040 Speaker 7: Okay, the place is so clean, there's not much to do. 127 00:07:24,519 --> 00:07:28,279 Speaker 3: I'll see you later, My Queen Roy. 128 00:07:28,399 --> 00:07:30,560 Speaker 7: She gave me the creeps when she told me I 129 00:07:30,560 --> 00:07:31,959 looked like Marie Antoinette. 130 00:07:32,279 --> 00:07:34,600 Speaker 3: Why I thought it was a compliment, Well. 131 00:07:34,720 --> 00:07:38,959 Speaker 7: Probably was, but the way she looked at me scrutinized 132 00:07:39,040 --> 00:07:41,759 is the word I felt so uncomfortable. 133 00:07:42,160 --> 00:07:44,720 Speaker 3: Forget it. She probably won't mention it again. 134 00:07:52,680 --> 00:07:54,399 Speaker 1: Noy, I didn't expect you on Monday. 135 00:07:54,439 --> 00:07:56,360 Speaker 3: When'd you get in town yesterday? 136 00:07:56,600 --> 00:07:58,879 Speaker 6: We wanted to get settled first, so we drove in 137 00:07:58,920 --> 00:08:00,839 and got us a place to great. 138 00:08:01,000 --> 00:08:02,839 Speaker 1: But she don't have to be on the job on Monday. 139 00:08:02,879 --> 00:08:04,560 Speaker 6: Oh, I thought i'd take a couple of days to 140 00:08:04,560 --> 00:08:07,040 look around, get familiar with the plan ahead of time. 141 00:08:07,120 --> 00:08:08,480 Speaker 3: I like that kind of attitude. 142 00:08:08,600 --> 00:08:09,959 Speaker 1: I think we're gonna work well together. 143 00:08:10,519 --> 00:08:11,600 Speaker 3: That's why I took the job. 144 00:08:11,720 --> 00:08:14,800 Speaker 6: Come on this way, I'll show you your office where 145 00:08:14,800 --> 00:08:16,480 you're staying. Find an apartment in town. 146 00:08:16,519 --> 00:08:18,680 Speaker 3: All better than that. We took the cottage on the 147 00:08:18,720 --> 00:08:21,959 Sagamore Estate two miles down the road. Well, a Sagamore place. 148 00:08:22,000 --> 00:08:25,360 So that wacky old dame, she seemed okay to us. 149 00:08:25,600 --> 00:08:29,279 Peg loves the place, and I wish you weren't renting there. Why, 150 00:08:29,399 --> 00:08:31,480 Because miss Sagamore is different. 151 00:08:31,720 --> 00:08:35,240 Speaker 6: The last two tenants in that cottage, first an elderly man, 152 00:08:35,279 --> 00:08:39,879 and then after him, a young widow disappeared, disappeared. 153 00:08:40,080 --> 00:08:42,399 Speaker 3: They apparently left and never came back. 154 00:08:42,919 --> 00:08:45,519 Speaker 6: Nobody bothered about the old man But when the young 155 00:08:45,519 --> 00:08:48,159 widow disappeared, her folks came looking for They. 156 00:08:48,039 --> 00:08:50,440 Speaker 3: Were frantic, and she was never found. 157 00:08:50,840 --> 00:08:53,399 Speaker 1: No, no, no, never heard any more about it. Those 158 00:08:53,440 --> 00:08:54,440 three or four months ago. 159 00:08:54,639 --> 00:08:57,200 Speaker 6: They passed her picture out all over the place, hoping 160 00:08:57,320 --> 00:08:58,120 someone had seen her. 161 00:08:58,519 --> 00:09:00,960 Speaker 3: But surely they didn't. Missus Sagamore. 162 00:09:01,000 --> 00:09:03,720 Speaker 6: Oh no, she seemed as surprised as anyone else that 163 00:09:03,759 --> 00:09:04,240 they'd left. 164 00:09:05,120 --> 00:09:07,559 Speaker 1: In fact, I still have one of the pictures here, 165 00:09:08,039 --> 00:09:09,480 kept it just in case there was a way to 166 00:09:09,519 --> 00:09:10,200 help those people. 167 00:09:11,720 --> 00:09:15,360 Speaker 6: Ranky, isn't she? Yeah, just twenty six. Sort of looks 168 00:09:15,399 --> 00:09:17,639 like Marilyn Monroe in a way. 169 00:09:17,960 --> 00:09:21,360 Speaker 3: A little darker, though. I still wish you'd move out 170 00:09:21,399 --> 00:09:21,679 of there. 171 00:09:22,000 --> 00:09:25,559 Speaker 6: You find me two bedrooms, carpeting, fireplace and utilities for 172 00:09:25,639 --> 00:09:28,399 two hundred a month, and I will you win. 173 00:09:29,039 --> 00:09:29,879 Speaker 3: But watch your step. 174 00:09:30,559 --> 00:09:32,360 Speaker 6: I don't know what it is about that place, but 175 00:09:33,200 --> 00:09:34,720 I don't want to lose a good assistant. 176 00:09:40,919 --> 00:09:45,679 Speaker 7: Helloo, may I come up? Oh oh, miss Sagamore, of course, 177 00:09:46,159 --> 00:09:48,440 And I just got by to see if everything's all right. 178 00:09:48,559 --> 00:09:49,679 Speaker 3: It just perfect. 179 00:09:49,840 --> 00:09:53,600 Speaker 7: It's beautiful as it is, a charming cottage, and it's 180 00:09:53,600 --> 00:09:55,519 so nice to have someone in it again. It's been 181 00:09:55,600 --> 00:09:58,840 vacant for several months. I can't imagine why it's so 182 00:09:59,000 --> 00:10:03,799 lovely her people around here have strange ideas. So I 183 00:10:04,159 --> 00:10:08,159 did want to mention missus Watson not to let Margaretta 184 00:10:08,240 --> 00:10:12,799 bother you. Sometimes she says and does things that, Oh, well, 185 00:10:12,840 --> 00:10:16,320 she's she's getting on in years, I understand. Oh and 186 00:10:16,320 --> 00:10:19,440 by the way, should you hear music from the main 187 00:10:19,519 --> 00:10:22,919 house tonight. It's just a little party I'm having. I 188 00:10:22,919 --> 00:10:25,519 do hope you won't feel offended that I haven't invited you. 189 00:10:25,679 --> 00:10:29,960 It's just some very close friends. Oh of course I won't. 190 00:10:30,000 --> 00:10:32,799 We've only just met. I wouldn't expect. I do love 191 00:10:32,879 --> 00:10:36,759 my little parties. I'll have you and mister Watson over soon. 192 00:10:37,200 --> 00:10:39,960 Oh that's very kind, But I expect he'll be working 193 00:10:40,039 --> 00:10:42,320 late a lot with the new job. And as of course, 194 00:10:43,080 --> 00:10:47,120 well there's lots of time I must get back. I 195 00:10:47,120 --> 00:10:50,200 don't like to leave Margarette alone too long. Thanks for 196 00:10:50,240 --> 00:10:53,559 coming by. Oh, mister Watson's coming up the drive. Oh, 197 00:10:53,559 --> 00:10:56,720 he told earlier than I expect him. I'm so glad 198 00:10:56,720 --> 00:11:02,120 to have you both, my dear, my Antoinette. I hope 199 00:11:02,120 --> 00:11:02,840 you'll stay. 200 00:11:02,600 --> 00:11:04,639 Speaker 3: A long long time. 201 00:11:05,120 --> 00:11:07,200 Speaker 7: Certainly till we get a place of our own. 202 00:11:07,720 --> 00:11:09,159 Speaker 3: Bally Hi Raye. 203 00:11:09,480 --> 00:11:11,799 Speaker 7: Well, I'll leave you two to each other. Good day, 204 00:11:11,840 --> 00:11:12,639 missus Watson. 205 00:11:12,879 --> 00:11:15,360 Speaker 3: Oh hi, miss Sagamore, Good. 206 00:11:15,240 --> 00:11:16,679 Speaker 7: Day, mister Watson. 207 00:11:17,840 --> 00:11:18,600 Speaker 8: You're back early. 208 00:11:19,039 --> 00:11:21,200 Speaker 6: I'm not really Annie and I went over the plant 209 00:11:21,200 --> 00:11:23,159 and I'll go back early tomorrow. 210 00:11:24,759 --> 00:11:26,039 Speaker 3: What did missus Sagamore want? 211 00:11:26,080 --> 00:11:26,879 Speaker 7: I don't just to see it. 212 00:11:26,879 --> 00:11:27,679 Speaker 8: Everything was all right? 213 00:11:28,440 --> 00:11:31,679 Speaker 3: Oh, it matter nothing. 214 00:11:31,720 --> 00:11:34,759 Speaker 8: Why you look well? 215 00:11:35,240 --> 00:11:36,960 Speaker 7: A cloud passed over your face. 216 00:11:37,279 --> 00:11:40,960 Speaker 3: Ah, just thinking about the new job. I guess. Come on, 217 00:11:41,639 --> 00:11:42,639 let's go out for dinner. 218 00:11:47,840 --> 00:11:49,679 Speaker 10: You should eat your potatoes. 219 00:11:49,840 --> 00:11:53,159 Speaker 7: I'm not hungry. You know I never eat very much 220 00:11:53,279 --> 00:11:56,559 before a party. I don't know why you insist on 221 00:11:56,600 --> 00:11:58,799 filling my peat with a lot of food. I won't 222 00:11:58,799 --> 00:11:59,200 eat me. 223 00:12:00,080 --> 00:12:01,120 Speaker 8: It's not the party. 224 00:12:01,840 --> 00:12:03,559 Speaker 7: It's them, isn't it. 225 00:12:05,200 --> 00:12:05,399 Speaker 3: Yes? 226 00:12:06,879 --> 00:12:09,720 Speaker 10: Do you think it's wise so soon? 227 00:12:10,639 --> 00:12:11,240 Speaker 7: I don't care. 228 00:12:12,159 --> 00:12:13,000 Speaker 3: I must. 229 00:12:14,720 --> 00:12:14,879 Speaker 7: Do. 230 00:12:14,960 --> 00:12:18,559 Speaker 8: You want me to begin, you can start. 231 00:12:18,279 --> 00:12:21,720 Speaker 7: The preparations, but I want to think a little more 232 00:12:21,840 --> 00:12:29,759 about him. Oh, I'm bushed. I'm not even gonna watch 233 00:12:29,799 --> 00:12:30,759 the news. 234 00:12:30,559 --> 00:12:32,720 Speaker 6: That sounds as though things are in full swing at 235 00:12:32,759 --> 00:12:35,240 the main house since she was having a party. 236 00:12:35,320 --> 00:12:39,240 Speaker 7: Huh and close. Then she apologized for not inviting us. 237 00:12:40,240 --> 00:12:41,399 Speaker 8: That's funny. 238 00:12:42,279 --> 00:12:44,159 Speaker 7: I didn't see any kinds parked out there. 239 00:12:44,639 --> 00:12:47,679 Speaker 6: I'll get the light. I wonder why she has a 240 00:12:47,720 --> 00:12:51,879 party on the second floor. Looks like there's dancing going 241 00:12:51,919 --> 00:12:52,960 on behind the curtains. 242 00:12:53,279 --> 00:12:56,039 Speaker 7: With a house outside, She's probably got ten living rooms 243 00:12:57,039 --> 00:12:58,679 and sit please, I. 244 00:12:58,639 --> 00:13:00,559 Speaker 3: Want to get an early start tomorrow. 245 00:13:01,039 --> 00:13:04,480 Speaker 7: I still wonder why there weren't any cars out front right. 246 00:13:04,879 --> 00:13:08,159 If Miss Sagamore is having a party, wouldn't they be taught? 247 00:13:08,639 --> 00:13:10,679 Speaker 3: I didn't think so. Who knows. 248 00:13:11,279 --> 00:13:15,039 Speaker 6: Maybe they all came in one car parked in the garage. 249 00:13:15,840 --> 00:13:17,360 Speaker 3: I'm too tired to care. 250 00:13:18,559 --> 00:13:21,000 Speaker 7: Maybe I'll take the train into New York City next week. 251 00:13:21,440 --> 00:13:22,879 I'm dying to see Fifth Avenue. 252 00:13:22,919 --> 00:13:25,840 Speaker 3: Oh you love it? You ready for the lighthouse? 253 00:13:26,080 --> 00:13:27,440 Speaker 8: I was ready an hour ago. 254 00:13:30,519 --> 00:13:34,480 Speaker 7: Listen, you're lucky. I'm not afraid of mice. Sounds like 255 00:13:34,480 --> 00:13:37,639 we have a visitor. 256 00:13:38,720 --> 00:13:41,240 Speaker 3: It's behind her in the wall. 257 00:13:42,000 --> 00:13:44,440 Speaker 7: Oh, I guess the fields is full of them. 258 00:13:44,480 --> 00:13:46,360 Speaker 8: Oh, he's not bothering you. He won't bother me. 259 00:13:47,159 --> 00:13:48,279 Speaker 7: They're kind of cute anyway. 260 00:13:49,480 --> 00:13:52,080 Speaker 3: M Okay, night, honey. 261 00:13:52,120 --> 00:13:58,600 Speaker 6: Nice persistent little character. 262 00:13:59,399 --> 00:14:10,759 Speaker 1: Mm. It seems that Sagamore Cottage has more than Peggy 263 00:14:10,759 --> 00:14:15,000 and Roy Watson for tenants. But then, as Peggy said, 264 00:14:15,440 --> 00:14:20,159 field my sar kind of cute. They're really not undesirable, 265 00:14:20,679 --> 00:14:24,240 and they generally mind their own business. So Roy and 266 00:14:24,279 --> 00:14:27,240 Peggy really have nothing to worry about with a field 267 00:14:27,279 --> 00:14:31,480 mouse in the walls, that is, if it is only 268 00:14:31,559 --> 00:14:36,120 a field mouse. We will return to Sagamore Cottage shortly 269 00:14:36,559 --> 00:14:43,559 with Act two. Skinering in the walls of your bedroom 270 00:14:43,799 --> 00:14:48,000 is not exactly conducive to sleep, and for Peggy and 271 00:14:48,080 --> 00:14:51,879 Roy Watson it was a restless night. The rustling in 272 00:14:51,919 --> 00:14:55,480 the bedroom walls stopped after a while. But the next 273 00:14:55,559 --> 00:14:59,799 day at Roy's office, oily, Roy, ayy, why the long? 274 00:15:00,399 --> 00:15:04,360 Speaker 3: Oh not much lead? Last night? Oh mice kept us 275 00:15:04,360 --> 00:15:09,519 awake half the night. Mice in the walls, rustling and squeaking. 276 00:15:09,679 --> 00:15:11,480 Speaker 1: Yeah, I told you shouldn't have read at that place. 277 00:15:11,679 --> 00:15:13,960 Speaker 6: And PEG's going in to get some traps when she 278 00:15:14,039 --> 00:15:17,120 goes shopping. A cat's better if they're field mice, and 279 00:15:17,279 --> 00:15:19,759 they probably are. They can grab that bait without setting 280 00:15:19,799 --> 00:15:20,360 off the trap. 281 00:15:20,759 --> 00:15:23,480 Speaker 3: They don't weigh half an hour, But a cat, now, 282 00:15:23,519 --> 00:15:25,799 he'll take care of them. Maybe you got a point. 283 00:15:26,360 --> 00:15:28,679 I'll talk to peg about it tonight. I feel like 284 00:15:28,720 --> 00:15:32,120 starting on that transistor scheme today. Sure fine, I'll have Ja. 285 00:15:32,120 --> 00:15:34,679 Speaker 1: McDonald's at you up and say you might check with 286 00:15:34,799 --> 00:15:35,559 him about a cat. 287 00:15:35,799 --> 00:15:38,200 Speaker 6: His house usually has a litter or too. His wife 288 00:15:38,200 --> 00:15:39,600 has a soft heart for strays. 289 00:15:40,159 --> 00:15:41,720 Speaker 3: Okay, I'll get me a cat. 290 00:15:46,879 --> 00:15:48,080 Speaker 7: Oh isn't he sweet? 291 00:15:48,120 --> 00:15:51,360 Speaker 3: Hey, Jimson, he's almost a year just right from mouthing. 292 00:15:51,600 --> 00:15:54,360 Speaker 7: Well, the trap didn't catch anything in two days. Maybe 293 00:15:54,399 --> 00:15:56,399 just having the cat around both scare the mice off. 294 00:15:56,919 --> 00:15:59,840 Speaker 8: Oh you beautiful, I'm gonna call. 295 00:15:59,759 --> 00:16:04,960 Speaker 10: You because you're such a ferocious look as I love 296 00:16:05,000 --> 00:16:06,000 you already. 297 00:16:06,559 --> 00:16:09,960 Speaker 8: There, don you go and scarce some mice. 298 00:16:10,559 --> 00:16:11,519 Speaker 3: You want some help with dinner? 299 00:16:11,679 --> 00:16:14,279 Speaker 7: Nope, everything's ready mixed with a cocktail. 300 00:16:15,639 --> 00:16:19,159 Speaker 8: What's the matter, tiger? Oh, he's backing away in something. 301 00:16:19,240 --> 00:16:20,879 But why oh. 302 00:16:20,639 --> 00:16:23,480 Speaker 3: Great, our first cat and he's afraid of mice. 303 00:16:23,799 --> 00:16:25,159 Speaker 7: I'll come here, tiger. 304 00:16:25,759 --> 00:16:26,519 Speaker 8: What's the matter? 305 00:16:28,240 --> 00:16:29,679 Speaker 3: She seemed to be calming down a little. 306 00:16:30,200 --> 00:16:31,399 Speaker 7: Something frightened him. 307 00:16:31,519 --> 00:16:34,919 Speaker 3: Well, he's supposed to do the frightening. The sounds haven't 308 00:16:34,919 --> 00:16:36,720 been too bad for the past couple of nights, though, 309 00:16:37,399 --> 00:16:39,799 you seen anything of missus sagramore? Oh? 310 00:16:40,080 --> 00:16:43,679 Speaker 7: She dropped by this afternoon with some flowers. Pathetic little violet, 311 00:16:43,759 --> 00:16:47,000 she said, she grew herself. I think they're growing wild 312 00:16:47,080 --> 00:16:48,600 all around the property. 313 00:16:48,879 --> 00:16:52,279 Speaker 10: She talks too much, but she's really very pleasant. 314 00:16:52,639 --> 00:16:55,919 Speaker 7: That housekeeper gives me the willy though. I don't know 315 00:16:55,960 --> 00:16:57,360 how she stands her. 316 00:17:03,039 --> 00:17:04,880 Speaker 10: Time for your team, Miss Sagamore. 317 00:17:05,000 --> 00:17:08,279 Speaker 7: Oh, I don't want it, Margarette. That doesn't matter. 318 00:17:08,960 --> 00:17:11,200 Speaker 3: It's time. Oh. 319 00:17:11,680 --> 00:17:14,640 Speaker 10: If things are to work, they must be done exactly. 320 00:17:15,400 --> 00:17:17,519 It's always been that way, you know it. 321 00:17:18,079 --> 00:17:20,680 Speaker 7: But I still can't see what my tea time has 322 00:17:20,720 --> 00:17:21,480 to do with it. 323 00:17:21,480 --> 00:17:24,119 Speaker 9: It has always worked, don't question it. 324 00:17:25,440 --> 00:17:28,799 Speaker 10: The violets are in the house, yes, if she. 325 00:17:28,759 --> 00:17:30,519 Speaker 7: Didn't seem surprised or anything. 326 00:17:31,119 --> 00:17:34,359 Speaker 9: No reason to be surprised over a few violets. 327 00:17:34,880 --> 00:17:39,319 Speaker 7: Is it ready yet? Almost? 328 00:17:39,960 --> 00:17:41,079 Speaker 3: I can hardly wait. 329 00:17:41,400 --> 00:17:41,759 Speaker 7: You know. 330 00:17:41,839 --> 00:17:45,680 Speaker 10: They all take time, and some are slower than others. 331 00:17:46,279 --> 00:17:49,400 Speaker 9: Uh, drink your tea, and I want you to stay 332 00:17:49,440 --> 00:17:50,559 in bed tomorrow. 333 00:17:50,960 --> 00:17:53,119 Speaker 10: But I was going to stay. 334 00:17:52,920 --> 00:17:58,680 Speaker 9: In bed tomorrow, Yes, Margaretta, I'll stay in bed. 335 00:18:12,880 --> 00:18:13,720 Speaker 8: Let's strange. 336 00:18:15,200 --> 00:18:17,240 Speaker 7: I was sure I closed the house door behind me 337 00:18:17,319 --> 00:18:23,119 when I left. Oh, hello, Tiger, Hey, you didn't open 338 00:18:23,160 --> 00:18:23,759 the door, did you? 339 00:18:25,000 --> 00:18:25,200 Speaker 3: Well? 340 00:18:25,440 --> 00:18:26,000 Speaker 8: It's a good thing. 341 00:18:26,000 --> 00:18:28,160 Speaker 7: I came back for the tape measures. I'll be sure 342 00:18:28,200 --> 00:18:29,000 to lock at this time. 343 00:18:30,440 --> 00:18:35,759 Speaker 10: Oh my gret her, Oh, missus Watson's. 344 00:18:35,920 --> 00:18:36,920 Speaker 8: What are you doing here? 345 00:18:37,000 --> 00:18:39,640 Speaker 9: But I I just came to see if everything was 346 00:18:39,720 --> 00:18:41,799 all right, if you needed anything. 347 00:18:42,319 --> 00:18:43,759 Speaker 10: I am the housekeeper. 348 00:18:44,039 --> 00:18:47,079 Speaker 7: I keep my own house. Thank you. I don't mean 349 00:18:47,119 --> 00:18:49,200 to be rude, but I I don't want you or 350 00:18:49,240 --> 00:18:51,400 miss Dagamore coming in here when we're not home. 351 00:18:51,400 --> 00:18:53,839 Speaker 10: Oh, I'm sorry if I've upset you. 352 00:18:53,960 --> 00:18:57,440 Speaker 9: Missus Watson, good morning, goodbye. 353 00:18:57,720 --> 00:19:00,240 Speaker 10: If there is a way I can be as it, 354 00:19:01,279 --> 00:19:02,279 please call. 355 00:19:04,000 --> 00:19:05,039 Speaker 8: That chance. 356 00:19:13,119 --> 00:19:14,440 Speaker 7: I don't like that woman. 357 00:19:15,359 --> 00:19:17,720 Speaker 10: The sooner things start working, the better. 358 00:19:18,440 --> 00:19:20,799 Speaker 7: It can't be too soon to soup. 359 00:19:21,799 --> 00:19:25,640 Speaker 9: I wish she hadn't surprised me in the cottage. It's 360 00:19:25,680 --> 00:19:28,319 just liable to make her too suspicious. 361 00:19:34,039 --> 00:19:37,160 Speaker 7: I suppose I was rude, but I didn't like her snooping, 362 00:19:37,720 --> 00:19:39,720 and I'm sure that's what it was, snooping. 363 00:19:40,039 --> 00:19:41,440 Speaker 3: You want me to speak in this sagma. 364 00:19:41,599 --> 00:19:43,319 Speaker 7: Oh no, I don't think we'll have any more trouble 365 00:19:43,359 --> 00:19:45,680 with Margaretta. I let her know how I felt. 366 00:19:47,160 --> 00:19:47,960 Speaker 8: What's the matter, dear? 367 00:19:48,880 --> 00:19:50,799 Speaker 3: Do you know that's a funny odor. 368 00:19:52,079 --> 00:20:00,559 Speaker 7: No, not really, sort of like uh seaweed, well a little, 369 00:20:00,880 --> 00:20:03,559 not that you've got me thinking about it. But this 370 00:20:03,839 --> 00:20:06,960 is Long Island, nothing but salt air and seaweed. 371 00:20:07,680 --> 00:20:11,839 Speaker 3: H I suppose I just hadn't noticed it before. Here's 372 00:20:11,880 --> 00:20:12,960 your drinking thanks. 373 00:20:14,119 --> 00:20:16,960 Speaker 8: Oh, good grief. My rings. 374 00:20:18,240 --> 00:20:21,000 Speaker 6: I've heard of throwing your weight around, but not your ring. 375 00:20:21,720 --> 00:20:24,480 Speaker 7: Oh that can never happen before my engagement and my 376 00:20:24,519 --> 00:20:27,160 wedding ring both. They just slipped off when. 377 00:20:27,000 --> 00:20:28,119 Speaker 8: I reached the glass. 378 00:20:28,400 --> 00:20:29,839 Speaker 3: Here they are, oh is They're. 379 00:20:29,720 --> 00:20:34,720 Speaker 7: Usually too snugged. Why look? How are they slide on 380 00:20:34,720 --> 00:20:37,799 my finger? I don't understand it all of a. 381 00:20:37,839 --> 00:20:39,200 Speaker 3: Sudden, beat me? Why? 382 00:20:39,400 --> 00:20:41,759 Speaker 7: I don't see how they could get larger just like that. 383 00:20:42,200 --> 00:20:45,039 Speaker 6: You'll have to have a jeweler put those dohickies on 384 00:20:45,119 --> 00:20:46,079 them to make them smaller. 385 00:20:46,759 --> 00:20:49,039 Speaker 7: I better keep them off for now. I lose them 386 00:20:49,079 --> 00:20:50,359 if I try to wear them like this. 387 00:20:51,440 --> 00:20:53,440 Speaker 3: I have some work to do tonight. That's got to 388 00:20:53,480 --> 00:20:54,359 be easier to do here. 389 00:20:55,279 --> 00:20:57,680 Speaker 7: Uh oh, there they go again. 390 00:20:58,160 --> 00:21:01,279 Speaker 3: Uh. I've given up on Tiger. We're just gonna have 391 00:21:01,359 --> 00:21:06,519 to live with those noises. Here. Look at this looks 392 00:21:06,559 --> 00:21:08,599 like a watch. No, the tape recorder. 393 00:21:08,880 --> 00:21:09,559 Speaker 7: You're kidding. 394 00:21:09,920 --> 00:21:10,559 Speaker 8: That's smart. 395 00:21:10,559 --> 00:21:13,440 Speaker 3: Oh, this is nothing to what we expect to do someday. 396 00:21:13,480 --> 00:21:16,920 Speaker 6: A recorder smaller than the diamond in that ring of yours. 397 00:21:17,799 --> 00:21:20,880 This one actually works, microphone, tape, speaker. 398 00:21:20,920 --> 00:21:23,680 Speaker 3: All in this little case. No bigger than a pocket watch. 399 00:21:23,920 --> 00:21:27,400 Speaker 7: Fascinating, but you have to work. I bet I get dinner. 400 00:21:28,240 --> 00:21:29,880 I'll have my second drink in the kitchen. 401 00:21:30,000 --> 00:21:32,000 Speaker 3: Oh, let me take it easy. 402 00:21:32,759 --> 00:21:35,079 Speaker 8: I'm all right. My right shoe just slipped off when 403 00:21:35,119 --> 00:21:35,759 I stood up. 404 00:21:44,119 --> 00:21:47,799 Speaker 7: Oh, good morning, missus Watson. I hope you don't mind 405 00:21:47,799 --> 00:21:51,160 a visit. No, course not. I want to apologize for 406 00:21:51,240 --> 00:21:54,960 Margaretta being here yesterday. As I told you, she's getting 407 00:21:55,000 --> 00:21:59,599 on in years, and sometimes she's said in her ways, 408 00:22:00,200 --> 00:22:02,839 always have to have someone or something to care for. 409 00:22:03,039 --> 00:22:05,200 So I'm sorry if I was rude to her, but 410 00:22:05,279 --> 00:22:08,400 I didn't like her being in the house that way. 411 00:22:09,400 --> 00:22:14,519 How are you feeling, see me? Why why you're looking 412 00:22:14,519 --> 00:22:15,319 a little thinner? 413 00:22:16,359 --> 00:22:19,119 Speaker 8: You notice me? Well, I'm afraid so that. 414 00:22:20,039 --> 00:22:23,319 Speaker 7: Oh then it's probably just to change the adjustment to 415 00:22:23,359 --> 00:22:28,119 a new life. I I have found that my clothes 416 00:22:28,279 --> 00:22:29,440 are my. 417 00:22:29,759 --> 00:22:30,759 Speaker 8: Wings are lucoro. 418 00:22:31,519 --> 00:22:32,599 Speaker 3: No, it's not so bad. 419 00:22:33,359 --> 00:22:37,559 Speaker 7: Overweight can be a problem, but I was never It 420 00:22:37,599 --> 00:22:42,519 doesn't matter. I'm I'm having another party next Saturday night. 421 00:22:43,000 --> 00:22:45,079 The last one didn't disturb you didn't. 422 00:22:45,160 --> 00:22:46,559 Speaker 3: Oh, no good. 423 00:22:47,359 --> 00:22:50,559 Speaker 7: One of these days you and mister Watson must come 424 00:22:50,599 --> 00:22:55,119 to the ballroom. You particularly. I know you'll find it enchanting. 425 00:22:55,400 --> 00:23:01,359 Some day you'll see. Yes, that's very nice, have you. Well, 426 00:23:02,519 --> 00:23:05,480 I must go. Margaretta gets nervous when I'm out of 427 00:23:05,480 --> 00:23:09,440 a site for too long. A good day, missus Watson. 428 00:23:13,359 --> 00:23:15,880 Speaker 6: Well, it's face at peg. We both got to see 429 00:23:15,880 --> 00:23:19,000 a doctor. This weight loss isn't natural. 430 00:23:19,400 --> 00:23:21,839 Speaker 8: I know I'm feeling weaker too. 431 00:23:22,160 --> 00:23:24,839 Speaker 6: My suits are all a size too big. We've been 432 00:23:24,920 --> 00:23:27,880 losing weight. Andy wants us to see the company doctor. 433 00:23:28,279 --> 00:23:30,640 He says she's great, and we don't know any other. 434 00:23:31,359 --> 00:23:35,200 She yeah, a lady doctor. She has a private practice 435 00:23:35,200 --> 00:23:37,400 in town, but she treats all the company employees. 436 00:23:37,799 --> 00:23:41,319 Speaker 7: Well, all right, maybe we better. Maybe it's a virus 437 00:23:41,440 --> 00:23:44,559 or something. I mean for both of us to be 438 00:23:44,640 --> 00:23:45,079 this way. 439 00:23:51,839 --> 00:23:55,720 Speaker 9: If we test is negative, mister Watson, no anemia, no tumors, 440 00:23:55,799 --> 00:24:00,440 no blood infection, no problem in the digestive tracts, nothing 441 00:24:00,440 --> 00:24:03,480 that would produce such a weight loss in you and 442 00:24:03,519 --> 00:24:04,160 missus Watson. 443 00:24:04,279 --> 00:24:07,960 Speaker 6: Well, it's encouraging doctor to know we're healthy, but we 444 00:24:08,039 --> 00:24:08,920 are getting thinner. 445 00:24:09,039 --> 00:24:12,279 Speaker 9: Yes, well, the only thing I can suggest is going 446 00:24:12,319 --> 00:24:14,319 into the hospital for extended observation. 447 00:24:14,720 --> 00:24:16,200 Speaker 3: Oh God, I can't do that. 448 00:24:16,400 --> 00:24:18,480 Speaker 9: I'm gonna give you the time off if I feel 449 00:24:18,480 --> 00:24:19,119 it's necessary. 450 00:24:19,160 --> 00:24:21,640 Speaker 6: I don't see what more you can do. You've made 451 00:24:21,640 --> 00:24:23,480 all the tests and there's nothing wrong. 452 00:24:23,559 --> 00:24:26,799 Speaker 9: Oh, there is something wrong, but we have to search 453 00:24:26,920 --> 00:24:29,559 further than the lab tests and X rays. There seems 454 00:24:29,559 --> 00:24:32,559 to be no pathological cause for your condition. 455 00:24:32,880 --> 00:24:35,079 Speaker 3: Well, I don't want to go into the hospital now. 456 00:24:35,319 --> 00:24:37,920 Speaker 7: We'll wait a while. If we keep losing, well, then 457 00:24:37,960 --> 00:24:41,240 we may think differently. But it's probably just fatigue Roy 458 00:24:41,319 --> 00:24:43,279 starting the new job and the change. 459 00:24:43,319 --> 00:24:47,319 Speaker 9: I mean, it's possible, but look, if the condition persists, 460 00:24:48,039 --> 00:24:49,160 I urge you to do. 461 00:24:49,079 --> 00:24:58,319 Speaker 7: It my way. 462 00:24:59,440 --> 00:24:59,880 Speaker 3: I'll get it. 463 00:25:02,519 --> 00:25:05,440 Speaker 4: Hello, Oh, Roy, I know it's ten o'clock at night, 464 00:25:05,480 --> 00:25:07,920 but I've got something strange over here at the lab. 465 00:25:08,200 --> 00:25:08,880 Speaker 5: Can you come over? 466 00:25:09,279 --> 00:25:10,440 Speaker 3: Well? Sure, what's up? 467 00:25:10,640 --> 00:25:13,400 Speaker 5: It's on that tape in the L forty three tape. 468 00:25:13,119 --> 00:25:15,440 Speaker 3: Recorder, were the one I brought home the other night. 469 00:25:15,720 --> 00:25:17,839 Speaker 4: Yeah, I don't know what you've got in those walls 470 00:25:17,839 --> 00:25:21,440 of yours, but they sure aren't mice. I want you 471 00:25:21,480 --> 00:25:26,319 to get over here and listen to them. 472 00:25:26,519 --> 00:25:27,000 Speaker 1: I beg. 473 00:25:27,480 --> 00:25:30,640 Speaker 7: I hope you don't mind mind tagging along. Andy, I'm curious. 474 00:25:30,400 --> 00:25:32,960 Speaker 3: Too, out of all, let's go on the lab. What's 475 00:25:33,000 --> 00:25:33,880 the sound? Andy? 476 00:25:34,039 --> 00:25:36,559 Speaker 1: I was testing the L forty three and discovered you 477 00:25:36,640 --> 00:25:37,799 must have had it going while. 478 00:25:37,640 --> 00:25:39,799 Speaker 3: You had it home. Yeah. I was showing it the peg. 479 00:25:40,000 --> 00:25:41,559 Speaker 6: Whether you knew it or not, you were taping the 480 00:25:41,599 --> 00:25:44,279 sounds in your walls. They came in very distinctly. 481 00:25:44,799 --> 00:25:47,200 Speaker 1: But when I played it back at half speed, it 482 00:25:47,960 --> 00:25:49,000 seemed to talk. 483 00:25:49,920 --> 00:25:51,200 Speaker 3: What we'll here. 484 00:25:51,480 --> 00:25:54,319 Speaker 1: Listen now, this is the sound at normal speed. 485 00:26:00,079 --> 00:26:07,640 Speaker 3: Now a half a human voice. 486 00:26:08,039 --> 00:26:09,920 Speaker 6: I don't know if it's human, but it is a 487 00:26:10,000 --> 00:26:13,880 voice saying something. We can't slow the L forty three anymore, 488 00:26:13,920 --> 00:26:17,119 but if we re record and slow the master take further, 489 00:26:17,440 --> 00:26:18,559 we might understand it. 490 00:26:18,599 --> 00:26:21,720 Speaker 7: But what can it be? There's no one behind the wall. 491 00:26:22,519 --> 00:26:25,119 Speaker 3: Unless there goes or coincidence. 492 00:26:26,079 --> 00:26:29,799 Speaker 6: Variable speeds on tape recorders can produce curious sounds. 493 00:26:29,920 --> 00:26:30,799 Speaker 3: I'd like to do some. 494 00:26:30,720 --> 00:26:33,880 Speaker 1: More taping in the cottage roy with more refined equipment. 495 00:26:34,079 --> 00:26:36,920 Speaker 3: I have no objections. How about tomorrow night. The sounds 496 00:26:36,920 --> 00:26:39,720 get going at nighttime, don't they Usually. I'll bring over 497 00:26:39,759 --> 00:26:42,160 the M twenty four hundred model. It's the most sensitive 498 00:26:42,160 --> 00:26:46,160 recorder we've got. Okay, well, there's no harm in experimenting. 499 00:26:46,240 --> 00:26:49,000 Speaker 7: If you too insist, then come for dinner Andy. You 500 00:26:49,000 --> 00:27:02,599 can have your fun over Brandy. I hope Andy likes 501 00:27:02,640 --> 00:27:04,880 sow dropping. I guess I should have asked. 502 00:27:05,000 --> 00:27:07,200 Speaker 6: I think he'll eat anything as long as it's home 503 00:27:07,319 --> 00:27:09,799 cooked and not his usual bachelor fare. 504 00:27:10,599 --> 00:27:12,400 Speaker 7: Well, there you are, Tiger. 505 00:27:12,759 --> 00:27:13,759 Speaker 8: You're in the corner. 506 00:27:13,880 --> 00:27:15,960 Speaker 3: Oh, his highness finally showed up. 507 00:27:16,079 --> 00:27:18,160 Speaker 7: H huh, Well he's not wet. He must have been 508 00:27:18,160 --> 00:27:19,920 in the bedroom. 509 00:27:20,119 --> 00:27:20,359 Speaker 1: Look. 510 00:27:20,960 --> 00:27:22,759 Speaker 8: Wait, he's got something in his mouth. 511 00:27:23,839 --> 00:27:27,000 Speaker 7: Oh, I'll bet he finally caught one of the Oh 512 00:27:27,680 --> 00:27:28,920 what would he catch? 513 00:27:29,160 --> 00:27:32,160 Speaker 3: Let's see. Once you got, Tiger, m gonna drop it? 514 00:27:32,960 --> 00:27:36,720 What is it? Tiger? That's the way to ask. Nothing 515 00:27:36,799 --> 00:27:42,039 but a hunk of straw? Oh, well, there's your seaweed. Smell. 516 00:27:42,319 --> 00:27:43,720 Speaker 8: Let's see it. 517 00:27:43,720 --> 00:27:47,640 Speaker 7: It's a little straw dop. I wonder where he found it. 518 00:27:48,319 --> 00:27:52,559 Speaker 3: Seems to like it's his toy. Look at him play 519 00:27:52,640 --> 00:27:52,880 with it. 520 00:27:53,519 --> 00:27:55,039 Speaker 7: Well, I've got to look at the potato. 521 00:27:55,640 --> 00:27:57,079 Speaker 3: That's Andy, I'll get it. 522 00:28:00,079 --> 00:28:01,759 Speaker 1: All right, I say, worry, Oh. 523 00:28:01,759 --> 00:28:05,240 Speaker 3: No, never come out in. Where can I put this 524 00:28:05,359 --> 00:28:08,920 tape machine over here on the table. We'll set it 525 00:28:09,000 --> 00:28:11,960 up after dinner. Things have been quiet tonight. 526 00:28:12,160 --> 00:28:14,920 Speaker 7: Hi, Andy, the googo be with you for cocktails in 527 00:28:14,920 --> 00:28:15,400 a minute. 528 00:28:15,519 --> 00:28:17,960 Speaker 1: Good God, tell me a little place here? All right? 529 00:28:19,119 --> 00:28:21,279 Speaker 3: What's going on up to the main house or another 530 00:28:21,400 --> 00:28:25,240 of missus Sagamoy's parties, probably m I thought I heard 531 00:28:25,319 --> 00:28:25,920 music up there? 532 00:28:26,079 --> 00:28:29,880 Speaker 9: Takes the drinks ry, I'll be right in, Andy, Scotch 533 00:28:29,960 --> 00:28:32,319 is fine? 534 00:28:33,119 --> 00:28:33,680 Speaker 3: Something wrong? 535 00:28:34,720 --> 00:28:39,240 Speaker 6: Just an odor I've smelled somewhere before. Oh yeah, that's 536 00:28:39,279 --> 00:28:40,359 PEG's sour broaden. 537 00:28:40,599 --> 00:28:45,440 Speaker 3: No, that's not the what is it? Andy? You must 538 00:28:45,480 --> 00:28:49,240 have noticed it well, that damn seaweed smell. Yeah, and 539 00:28:49,400 --> 00:28:50,400 we have it all the time. 540 00:28:50,480 --> 00:28:52,480 Speaker 7: We've gotten used to it. You can't live near the 541 00:28:52,480 --> 00:28:53,559 beach without sea smew. 542 00:28:55,039 --> 00:28:56,599 Speaker 3: Andy, what's the many, for heaven's sake. 543 00:28:57,200 --> 00:29:02,400 Speaker 6: That's not seaweed. It's straw, an unmistakable odor. And there's 544 00:29:02,400 --> 00:29:05,759 only one thing that smellst like that, just exactly like that? 545 00:29:06,319 --> 00:29:09,839 Why the straw in a voodoo doll? 546 00:29:21,119 --> 00:29:24,880 Speaker 1: Things at Sagamore Cottage seems stranger. 547 00:29:24,319 --> 00:29:25,039 Speaker 5: All the time. 548 00:29:25,960 --> 00:29:31,200 Speaker 1: Noises in the walls, the Watson's weight problem, and now 549 00:29:31,640 --> 00:29:36,240 voodoo in the nineteen seventies of Long Island. 550 00:29:37,519 --> 00:29:40,200 Speaker 3: Well, they tell me it's not limited to Haiti. 551 00:29:41,000 --> 00:29:45,920 Speaker 1: But is it really a voodoo doll or just something 552 00:29:45,960 --> 00:29:50,160 that can't dragged in? We'll find out when I returned 553 00:29:50,160 --> 00:29:58,319 shortly with Act three. Good rentals are hard to come 554 00:29:58,359 --> 00:30:02,400 by these days. To get a delightful cottage on Long 555 00:30:02,440 --> 00:30:07,839 Island with wall to wall carpet in, fireplace utilities, two 556 00:30:07,920 --> 00:30:12,119 bedrooms furnished, and all for two hundred dollars a month, 557 00:30:13,480 --> 00:30:18,039 well you've got to expect some drawbacks, like noises in 558 00:30:18,079 --> 00:30:22,839 the walls and perhaps voodoo dolls the cat brings in. 559 00:30:23,359 --> 00:30:24,960 Speaker 3: Are you serious, Andy? 560 00:30:25,160 --> 00:30:27,079 Speaker 6: I had some experience with him when I was on 561 00:30:27,240 --> 00:30:30,400 college field training in the West Indies, and there's no 562 00:30:30,519 --> 00:30:31,599 smell quite like the. 563 00:30:31,599 --> 00:30:36,319 Speaker 1: Straw of a voodoo doll. It's quite unmistakable. But voodoo here? 564 00:30:36,920 --> 00:30:39,480 Speaker 7: Oh good lord, that thing Tiger brought in. 565 00:30:40,359 --> 00:30:44,279 Speaker 6: It was a hunk of straw, shaped like what the 566 00:30:44,720 --> 00:30:47,200 cat had a straw thing in here earlier. 567 00:30:47,480 --> 00:30:49,200 Speaker 3: Oh, we didn't think anything about it. 568 00:30:49,240 --> 00:30:49,799 Speaker 5: Where is it what. 569 00:30:49,880 --> 00:30:50,759 Speaker 8: Tiger was playing with? 570 00:30:50,799 --> 00:30:51,640 Speaker 3: It like a toy. 571 00:30:51,680 --> 00:30:52,920 Speaker 7: It must be around here some places. 572 00:30:52,960 --> 00:30:55,160 Speaker 3: Well, forget dinner for the moment, Police, I must see 573 00:30:55,200 --> 00:30:55,519 that thing. 574 00:30:55,599 --> 00:30:57,200 Speaker 7: Well, i'll see if tiger's in the bedroom. 575 00:30:57,519 --> 00:31:00,480 Speaker 3: He brought it into the kitchen first, that's right. And 576 00:31:00,599 --> 00:31:02,480 now you may think I'm making too much of it. Well, 577 00:31:02,519 --> 00:31:04,640 I don't know what to think. 578 00:31:04,680 --> 00:31:07,599 Speaker 6: But you don't expect me to believe Miss Sagamore and 579 00:31:07,640 --> 00:31:11,880 that weirdough made of hers are bewitching its guy smell 580 00:31:12,000 --> 00:31:15,039 something I don't like. You describe a straw doll a 581 00:31:15,160 --> 00:31:18,039 cat found. Now that's a he's no matter who's pulling 582 00:31:18,039 --> 00:31:18,799 it off somehow. 583 00:31:18,839 --> 00:31:21,519 Speaker 3: I just can't take this serious than. 584 00:31:21,400 --> 00:31:22,279 Speaker 7: The bedroom sleeping. 585 00:31:22,279 --> 00:31:24,799 Speaker 8: But I can't find that thing. I don't know what he. 586 00:31:24,759 --> 00:31:25,279 Speaker 7: Did with it. 587 00:31:25,359 --> 00:31:27,680 Speaker 3: You say it's not doing you any harm? Roy? What 588 00:31:27,759 --> 00:31:28,799 about your weight loss? 589 00:31:29,359 --> 00:31:29,440 Speaker 7: What? 590 00:31:30,000 --> 00:31:32,319 Speaker 3: Just a tension and fatigue? 591 00:31:32,440 --> 00:31:35,200 Speaker 1: Doctor Mason didn't think so she wanted more text. 592 00:31:35,319 --> 00:31:39,119 Speaker 3: You're suggesting our weight loss is due to a hex. 593 00:31:39,240 --> 00:31:41,599 Speaker 6: I suggest you both get out of this cottage as 594 00:31:41,640 --> 00:31:43,880 fast as you can now, forget the recording we were 595 00:31:43,880 --> 00:31:46,240 gonna do, forget looking for the straw thing back up, 596 00:31:46,240 --> 00:31:47,200 and get out tonight. 597 00:31:47,920 --> 00:31:49,640 Speaker 7: Why I'm fright. 598 00:31:49,599 --> 00:31:50,359 Speaker 3: And you better be. 599 00:31:50,759 --> 00:31:53,279 Speaker 6: I told you about the others, Roy what it I 600 00:31:53,359 --> 00:31:56,240 never told her? Anolder man who lived here before, then 601 00:31:56,279 --> 00:31:57,480 a young girl after him. 602 00:31:57,640 --> 00:32:01,559 Speaker 3: Booth disappeared, never a trace. That true. All I know 603 00:32:01,640 --> 00:32:04,920 is what Andy tells me. It's true. Our Worthy disappeared too. 604 00:32:04,960 --> 00:32:05,519 No one knows. 605 00:32:05,559 --> 00:32:09,319 Speaker 1: But there's something unholy here, and I want you too 606 00:32:09,359 --> 00:32:09,720 out of it. 607 00:32:10,000 --> 00:32:13,880 Speaker 7: Right that odor we thought with seaweed. We first noticed 608 00:32:13,880 --> 00:32:16,079 that the day after I surprised Margarette in the college. 609 00:32:17,000 --> 00:32:19,039 Speaker 3: Do you think she was flatting the doll here? 610 00:32:19,559 --> 00:32:21,839 Speaker 7: It could be and hidden in here all the time 611 00:32:22,319 --> 00:32:24,359 until Tiger found Okay. 612 00:32:23,960 --> 00:32:28,240 Speaker 3: Okay, let's not lose our scientific heads. I wouldn't wait 613 00:32:28,279 --> 00:32:28,559 for it. 614 00:32:29,039 --> 00:32:31,839 Speaker 1: Just leave your paid in advance, take my apartment. I'll 615 00:32:31,880 --> 00:32:33,319 bunk in with Jim mc donald. 616 00:32:33,359 --> 00:32:36,960 Speaker 3: Okay, and we will get out. But one morning night's 617 00:32:37,000 --> 00:32:38,200 not going to make any difference. 618 00:32:38,319 --> 00:32:39,640 Speaker 1: Okay, that's up to you. 619 00:32:40,119 --> 00:32:41,079 Speaker 3: But you're leaving the morning. 620 00:32:41,160 --> 00:32:52,880 Speaker 6: I'll tell Miss Sagamore first thing. 621 00:32:50,599 --> 00:32:56,119 Speaker 7: Oh what a heavenly morning makes last night seem like 622 00:32:56,160 --> 00:32:56,920 a nightmare. 623 00:32:57,000 --> 00:32:59,759 Speaker 3: Yeah, I'll go up and tell Miss Sagamore we're leaving. 624 00:33:00,680 --> 00:33:01,119 You don't have to. 625 00:33:01,240 --> 00:33:02,839 Speaker 7: They're not leaving me alone. 626 00:33:03,920 --> 00:33:04,319 Speaker 3: Too bad. 627 00:33:04,400 --> 00:33:07,480 Speaker 6: We couldn't get any more tapings last night. Not a 628 00:33:07,599 --> 00:33:08,720 sound in the walls. 629 00:33:08,759 --> 00:33:12,720 Speaker 7: Frankly, I don't care. I'm sorry to leave this charming cottage. 630 00:33:13,119 --> 00:33:15,440 We won't find another one. Is pretty, but I hope 631 00:33:15,480 --> 00:33:17,599 we don't find another one as sinistery. 632 00:33:17,240 --> 00:33:20,720 Speaker 6: Oh, come on, peg, I don't think there's anything sinister here. 633 00:33:21,759 --> 00:33:25,359 I really don't understand Andy for scientists like him to 634 00:33:25,400 --> 00:33:28,119 go ape over what he thinks might be voodoo. 635 00:33:28,680 --> 00:33:30,119 Speaker 8: That is what frightens me. 636 00:33:31,119 --> 00:33:36,119 Speaker 7: Andy's a reasonable logical man and he's concerned. He's no 637 00:33:36,319 --> 00:33:37,440 superstitious koop. 638 00:33:38,440 --> 00:33:42,440 Speaker 3: Well, we'll have done with it. Goodbye, Miss Sagamore. 639 00:33:43,880 --> 00:33:44,519 Speaker 7: I looked all. 640 00:33:44,440 --> 00:33:48,279 Speaker 8: Over for that straw thing this morning. I couldn't find it. 641 00:33:48,319 --> 00:33:50,279 Speaker 6: Oh, Tiger probably took it out in the rain, and 642 00:33:50,319 --> 00:33:50,799 it's gone. 643 00:33:52,400 --> 00:33:54,279 Speaker 7: I can't believe neither of them aren't home. 644 00:33:55,039 --> 00:34:01,960 Speaker 3: I'll try the door. It's not locked, Miss Sagamore. 645 00:34:03,079 --> 00:34:08,639 Speaker 10: Hello, gonna listen to Miss Sagamore. 646 00:34:10,079 --> 00:34:10,719 Speaker 8: Should we go in? 647 00:34:11,000 --> 00:34:13,199 Speaker 3: Oh? No, no reason to huh. I'll leave a note 648 00:34:13,199 --> 00:34:13,800 in the cottage. 649 00:34:14,079 --> 00:34:17,039 Speaker 7: Well, they're evidently not here, but I would love to 650 00:34:17,039 --> 00:34:18,519 see upstairs before we go. 651 00:34:18,960 --> 00:34:20,199 Speaker 3: No, who's snooping? 652 00:34:20,639 --> 00:34:23,480 Speaker 7: Feel right, But let's take a peek. 653 00:34:23,519 --> 00:34:24,000 Speaker 8: Huh. 654 00:34:24,039 --> 00:34:30,000 Speaker 6: Okay, maybe they're upstairs and didn't hear us. I still 655 00:34:30,039 --> 00:34:31,559 think we should leave a note. 656 00:34:32,039 --> 00:34:33,480 Speaker 7: Miss sagamore. 657 00:34:34,480 --> 00:34:36,000 Speaker 3: Place is like a museum. 658 00:34:36,480 --> 00:34:37,920 Speaker 7: I can't imagine living here. 659 00:34:37,960 --> 00:34:38,960 Speaker 8: How does she stand it? 660 00:34:39,239 --> 00:34:42,320 Speaker 3: Huh? I guess in the today it was fantastic. Now 661 00:34:42,400 --> 00:34:44,119 it's just old and dingy. 662 00:34:44,639 --> 00:34:46,119 Speaker 8: I let's go upstairs. 663 00:34:46,599 --> 00:34:57,599 Speaker 7: I've just gotta see that balls. Oh right, what a room. 664 00:34:59,400 --> 00:35:00,840 Speaker 8: Must be, hundreds of them. 665 00:35:01,519 --> 00:35:03,280 Speaker 3: Is this where she holds her parties? 666 00:35:03,920 --> 00:35:06,239 Speaker 7: I don't see how she's dare with all this china, 667 00:35:07,199 --> 00:35:09,400 hundreds and hundreds of figurines. 668 00:35:09,719 --> 00:35:13,880 Speaker 3: But we saw people dancing? Who shadows on the curtains. 669 00:35:14,719 --> 00:35:17,039 Speaker 7: Maybe this isn't the same room or has to be Come. 670 00:35:17,079 --> 00:35:21,599 Look on the table by the window. The clowns Cairo 671 00:35:21,719 --> 00:35:25,000 and Tariette from the old Italian Comedia de Larte. 672 00:35:25,880 --> 00:35:29,400 Speaker 3: Figures are so lifelike, so small. 673 00:35:29,840 --> 00:35:31,039 Speaker 8: I wouldn't touch it if I were you. 674 00:35:33,480 --> 00:35:37,000 Speaker 3: Oh, some music box they dance. 675 00:35:37,960 --> 00:35:40,599 Speaker 7: Those must have been the shadows we saw against the curtains. 676 00:35:41,639 --> 00:35:44,960 Speaker 6: These are Miss Sagamore's party guests. 677 00:35:45,599 --> 00:35:49,199 Speaker 7: Or she's an old woman lost in her memories and souvenirs. 678 00:35:49,960 --> 00:35:53,639 Speaker 3: I am. I think we ought to get going. 679 00:35:53,960 --> 00:35:56,119 Speaker 8: These things are all so beautiful. 680 00:35:57,519 --> 00:36:01,119 Speaker 7: This table seems to be all fairy tale characters, and 681 00:36:01,159 --> 00:36:04,599 over there a complete English drawing room. 682 00:36:04,599 --> 00:36:09,679 Speaker 6: Well even bo Peep's sheep look real except for the size. 683 00:36:10,039 --> 00:36:12,840 Speaker 7: Oh, I'm gonna take a chance and hold both peep. 684 00:36:14,199 --> 00:36:15,719 Speaker 8: It's just perfect. 685 00:36:16,639 --> 00:36:20,039 Speaker 7: But no name usually the designer's market on the bottom, 686 00:36:20,639 --> 00:36:26,320 but such perfect features. She sort of looks like Malyn Monroe, 687 00:36:26,440 --> 00:36:27,199 only darker. 688 00:36:29,119 --> 00:36:31,039 Speaker 3: What what's the matter? 689 00:36:32,079 --> 00:36:33,239 Speaker 7: You've gone white as a sheep? 690 00:36:33,519 --> 00:36:34,079 Speaker 3: Let me see that? 691 00:36:34,920 --> 00:36:39,039 Speaker 7: Well, be careful with it. Why what is it for? 692 00:36:39,159 --> 00:36:39,920 Heaven's safe? 693 00:36:40,519 --> 00:36:43,079 Speaker 6: When Andy told me about the girl who had the 694 00:36:43,159 --> 00:36:47,199 cottage before us, the one who disappeared, he showed me 695 00:36:47,239 --> 00:36:49,360 a picture her parents had sent around. 696 00:36:50,960 --> 00:36:53,280 Speaker 3: Come on, we got to get out of your fast 697 00:36:53,400 --> 00:37:00,800 and SI hurry and just hurry, don't pass. Just get 698 00:37:00,840 --> 00:37:02,800 the stuff out of the car as fast as you can. 699 00:37:03,000 --> 00:37:03,719 Speaker 8: I'm hurrying. 700 00:37:05,159 --> 00:37:09,239 Speaker 7: Get out of the way, Tiger, What is it in 701 00:37:09,400 --> 00:37:09,800 the door? 702 00:37:10,519 --> 00:37:11,239 Speaker 10: Another dog? 703 00:37:11,360 --> 00:37:13,480 Speaker 9: Don't touch it, it wouldn't matter. 704 00:37:14,159 --> 00:37:18,800 Speaker 3: The spell is cover. How did you get in here? 705 00:37:19,360 --> 00:37:22,159 Speaker 4: Very no escape? 706 00:37:22,760 --> 00:37:23,039 Speaker 7: Boy? 707 00:37:23,840 --> 00:37:28,119 Speaker 8: What's happening? Very no game? 708 00:37:28,920 --> 00:37:29,559 Speaker 9: By? 709 00:37:30,360 --> 00:37:31,159 Speaker 8: I'm shrinking? 710 00:37:32,239 --> 00:37:38,000 Speaker 7: Does shrinking scrubs How did you worry my cat? 711 00:37:39,599 --> 00:37:44,920 Speaker 8: My cat hard? 712 00:38:00,079 --> 00:38:04,239 Speaker 1: Oh you'll be all right. I'm lucky I got you 713 00:38:04,239 --> 00:38:06,519 in here. Sorry, I couldn't get your wife in time. 714 00:38:08,440 --> 00:38:12,480 Speaker 3: What it is? Where am I behind. 715 00:38:12,159 --> 00:38:13,880 Speaker 1: The baseboard in the bedroom? 716 00:38:14,079 --> 00:38:16,119 Speaker 3: What? You're only four. 717 00:38:15,960 --> 00:38:21,599 Speaker 1: Inches high as I am. Margaretta's voodoo works. Well, I'm 718 00:38:21,599 --> 00:38:24,159 sorry about your wife, though. She got to her before 719 00:38:24,199 --> 00:38:24,679 I could help. 720 00:38:25,480 --> 00:38:32,119 Speaker 3: She Margaretta, And I'm dreaming. I'm in the middle of 721 00:38:32,119 --> 00:38:37,000 the nightmares. It's too much listening to Andy. It is nightmarish. 722 00:38:37,199 --> 00:38:38,960 I tried so hard to warn you. 723 00:38:39,599 --> 00:38:41,519 Speaker 8: Who who are you? 724 00:38:42,320 --> 00:38:45,599 Speaker 1: George Stibert's the name. I've been hiding from them for 725 00:38:45,639 --> 00:38:49,880 more than a year. You mean you, I was one 726 00:38:49,960 --> 00:38:50,840 of the former tenants. 727 00:38:50,920 --> 00:38:53,960 Speaker 8: Yes, I don't believe any of this. 728 00:38:54,599 --> 00:38:58,320 Speaker 1: Very well, look out there, then there through the opening 729 00:38:58,320 --> 00:39:00,239 of the baseboard. 730 00:39:00,360 --> 00:39:05,519 Speaker 7: Lord, that's the bedroom one hundred times as big. 731 00:39:06,320 --> 00:39:08,840 Speaker 3: Now you believe me. I tried to warn you. 732 00:39:09,599 --> 00:39:11,599 Speaker 1: I tried to warn that young girl a few months ago, 733 00:39:12,519 --> 00:39:14,920 but neither of you could understand my squeaks. 734 00:39:15,519 --> 00:39:20,960 Speaker 3: That was you we heard in the walls. Yes, Peggy 735 00:39:21,679 --> 00:39:22,119 whee is. 736 00:39:22,440 --> 00:39:27,199 Speaker 1: Peggy Margaretta got her before they cat did. That's all 737 00:39:27,199 --> 00:39:31,199 they wanted. I don't think they're interested in you yet. 738 00:39:31,960 --> 00:39:36,039 Speaker 3: I've got to find her, help her. That's impossible. 739 00:39:36,360 --> 00:39:37,599 Speaker 1: Don't dare vent her out. 740 00:39:37,800 --> 00:39:45,199 Speaker 3: I'm not staying here. Peggy's in danger. Wheah, Peg, it's Andy. 741 00:39:45,719 --> 00:39:47,239 Andy help us? 742 00:39:47,719 --> 00:39:55,440 Speaker 1: Why well you do Andy in here behind the baseboard. 743 00:39:56,000 --> 00:39:57,280 Speaker 7: You've got to help us. 744 00:39:57,559 --> 00:39:58,960 Speaker 3: You've got to find Peggy. 745 00:39:59,480 --> 00:40:02,599 Speaker 2: Fine, Peggy, it's. 746 00:40:02,079 --> 00:40:05,639 Speaker 3: No use, you know. All he can hear are your. 747 00:40:05,480 --> 00:40:10,480 Speaker 1: Little squeaks, little mouse squeaks, just like you heard from me. 748 00:40:11,000 --> 00:40:14,719 Speaker 3: I'm going out there. If you do your life in 749 00:40:14,760 --> 00:40:18,199 my life, don't be funny. I got to get to 750 00:40:18,239 --> 00:40:22,079 Peggy somehow. I'm not staying here. If Peggy's in danger, 751 00:40:22,519 --> 00:40:23,440 you can't help her. 752 00:40:23,679 --> 00:40:25,599 Speaker 1: I'll show you how to live in here, how to 753 00:40:25,599 --> 00:40:28,320 get food, how to avoid They're not a chance. 754 00:40:28,719 --> 00:40:30,920 Speaker 3: I'm going out there, Peggy. It's not just to watch it. 755 00:40:31,159 --> 00:40:33,320 Don't go out there. I'm going to find my wife. 756 00:40:33,800 --> 00:40:41,440 I don't care about anything else. Come back, please, I 757 00:40:41,480 --> 00:40:43,000 try to formun. 758 00:40:53,079 --> 00:40:57,559 Speaker 1: Yeah, miss Sagamore, Oh, you're from the weapons stacktree. 759 00:40:57,599 --> 00:40:58,320 Speaker 7: I'm an MBU. 760 00:40:58,599 --> 00:41:00,000 Speaker 3: Forget about our past differences. 761 00:41:00,679 --> 00:41:02,440 Speaker 1: I want to know what happened to the Watsons. 762 00:41:02,760 --> 00:41:03,440 Speaker 3: What happened? 763 00:41:04,000 --> 00:41:06,000 Speaker 1: What do you ownly play games, Miss Sagamore. 764 00:41:06,400 --> 00:41:08,079 Speaker 3: I was there in the cottage last night. 765 00:41:08,679 --> 00:41:12,960 Speaker 1: I know about the voodoo dolls, and now they're gone gone. 766 00:41:13,079 --> 00:41:15,159 I warned them to get out, but all their things 767 00:41:15,199 --> 00:41:17,559 are still in the cottage. They didn't leave of their 768 00:41:17,599 --> 00:41:18,719 own accord. 769 00:41:18,719 --> 00:41:21,079 Speaker 7: I'm sure I don't know. I don't keep track of 770 00:41:21,119 --> 00:41:22,360 my tenants coming and going. 771 00:41:23,400 --> 00:41:26,519 Speaker 6: Okay, Miss Sagamore, have a your way, But you haven't 772 00:41:26,559 --> 00:41:28,599 heard the end of this. They were friends of mine, 773 00:41:29,079 --> 00:41:30,239 and I'm following this one up. 774 00:41:35,159 --> 00:41:35,800 Speaker 10: You should have. 775 00:41:35,840 --> 00:41:37,960 Speaker 7: Let me handle them. 776 00:41:37,960 --> 00:41:38,760 Speaker 3: Perhaps I will. 777 00:41:39,360 --> 00:41:42,039 Speaker 7: He was always a bother, and now it appears he's 778 00:41:42,079 --> 00:41:47,360 becoming troublesome. Besides, I do need a taller Louis the 779 00:41:47,400 --> 00:41:57,000 fourteenth when I'm marry. Is she ready here? Ah, Margaretta, 780 00:41:57,880 --> 00:42:01,320 She's perfect, your best to date. 781 00:42:02,599 --> 00:42:08,440 Speaker 10: I'm pleased with it myself. The glaze is particularly good. 782 00:42:08,519 --> 00:42:11,239 Speaker 3: I think her, margaelis her? 783 00:42:12,719 --> 00:42:15,079 Speaker 10: Not it? 784 00:42:16,639 --> 00:42:25,679 Speaker 7: My Mary Antoinette, My beautiful Mary Antoine. Your court's waiting, 785 00:42:25,760 --> 00:42:32,119 my DearS over here by the window, And soon we'll 786 00:42:32,159 --> 00:42:37,239 have a nice, tall, handsome Louis. 787 00:42:36,920 --> 00:42:40,199 Speaker 3: The fourteen for you, and. 788 00:42:45,079 --> 00:42:49,599 Speaker 1: Well, at least this Marie Antoinette won't lose her head, unless, 789 00:42:49,639 --> 00:42:51,039 of course, she happens to. 790 00:42:51,000 --> 00:42:54,159 Speaker 3: Fall before, which seems unlikely. 791 00:42:53,840 --> 00:42:58,519 Speaker 1: Under Miss Sagamore's watchful eye and loving care. Her figurine 792 00:42:58,559 --> 00:43:03,840 collection is her life. I suppose for Peggy Watson it 793 00:43:04,079 --> 00:43:08,480 was her fate. She ended as she did for two reasons, really. 794 00:43:09,239 --> 00:43:12,320 The first she was the spitting image of Marie Antoinette. 795 00:43:13,000 --> 00:43:17,639 The second she made the mistake of renting sagamore cottage. 796 00:43:17,920 --> 00:43:26,480 Speaker 3: I'll be back shortly, and there lies our. 797 00:43:26,440 --> 00:43:31,679 Speaker 1: Tale, except for one thing that bothers me. A little tiger. 798 00:43:32,559 --> 00:43:34,920 Now that Roy and Peggy won't be around to care 799 00:43:34,960 --> 00:43:38,760 for him, he's going to find it tough going. I 800 00:43:38,960 --> 00:43:42,719 do hope someone remembers to feed him, poor kitten. 801 00:43:42,840 --> 00:43:44,880 Speaker 3: He hasn't had a thing since Roy. 802 00:43:46,400 --> 00:43:50,840 Speaker 1: Our cast included Bob Caliban, Carmen Matthews, Janet Waldle Briner, Rayburn, 803 00:43:50,880 --> 00:43:54,519 and Robert Maxwell. The entire production was under the direction 804 00:43:54,639 --> 00:43:59,559 of Hyman Brown and now a preview of our next tale. 805 00:44:00,239 --> 00:44:02,880 Speaker 7: I Am the Resurrection and the Life Save the Lord. 806 00:44:03,760 --> 00:44:05,719 Speaker 1: He don't believe it in me though he were dead? 807 00:44:05,800 --> 00:44:06,800 Yet shall he live? 808 00:44:07,199 --> 00:44:07,840 Speaker 3: What's happening? 809 00:44:08,800 --> 00:44:11,559 Speaker 1: I get up in my cries whose. 810 00:44:11,440 --> 00:44:14,360 Speaker 3: Voice is gone, sounds like my commanding author. 811 00:44:14,840 --> 00:44:18,920 Speaker 1: Whosoever liveth and believeth in me, shall never die. I 812 00:44:19,079 --> 00:44:21,760 know that my redeemer lives are the words of the 813 00:44:21,880 --> 00:44:27,599 burial circles. Though his body be destroyed. General, I see God. 814 00:44:27,719 --> 00:44:28,639 Speaker 3: Huge explosion. 815 00:44:29,199 --> 00:44:32,079 Speaker 1: That's it. An enemy shall must have hit the frame 816 00:44:32,159 --> 00:44:34,199 of the shed ransom, and I was standing on. 817 00:44:34,559 --> 00:44:35,159 Speaker 3: Just as I was. 818 00:44:35,079 --> 00:44:37,679 Speaker 1: About to pull the trigger of my rifle. The Lord 819 00:44:37,800 --> 00:44:41,960 Jave and the Lord have taken away. Blessed be the name. 820 00:44:41,840 --> 00:44:42,360 Speaker 5: Of the Lord. 821 00:44:43,119 --> 00:44:51,039 Speaker 1: May the Lord receive the soul of Jerome's searing burying me. Amen, No, 822 00:44:52,559 --> 00:44:53,440 it must not be. 823 00:44:54,159 --> 00:44:54,800 Speaker 3: This is E. G. 824 00:44:55,039 --> 00:44:58,519 Speaker 1: Marshall inviting you to return to our Mystery Theater for 825 00:44:58,639 --> 00:45:00,239 another adventure. 826 00:45:00,079 --> 00:45:01,360 Speaker 3: In the macabre. 827 00:45:02,000 --> 00:45:06,199 Speaker 1: Until next time, pleasant dreams.