1
00:00:09,000 --> 00:00:11,279
Speaker 1: What's up you bitches? This is good morning from Hell.

2
00:00:11,439 --> 00:00:14,320
All right, this is a podcast coming live from Hell.

3
00:00:15,080 --> 00:00:16,800
I've got what what?

4
00:00:16,559 --> 00:00:17,199
Speaker 2: What are you?

5
00:00:17,679 --> 00:00:18,359
Speaker 3: What are you doing?

6
00:00:18,480 --> 00:00:20,280
Speaker 1: I'm trying to have something new. I'm trying. I'm trying

7
00:00:20,280 --> 00:00:21,920
to you know, I'm trying to amp people up and

8
00:00:21,920 --> 00:00:23,480
get them excited. Is that not working?

9
00:00:23,679 --> 00:00:24,719
Speaker 3: No? You call them bitches?

10
00:00:24,839 --> 00:00:29,559
Speaker 1: Okay? Sorry? All right? Take two? All right? What's up? Motherfuckers? Clayton?

11
00:00:30,000 --> 00:00:30,440
Good morning?

12
00:00:30,760 --> 00:00:31,239
Speaker 2: What?

13
00:00:31,239 --> 00:00:34,200
Speaker 1: What? What? How is that better? I don't know. I'm

14
00:00:34,240 --> 00:00:35,960
just trying. I'm trying to get people excited. I'm trying,

15
00:00:36,000 --> 00:00:38,280
you know, it's you know, you know, like a reggae horn.

16
00:00:38,320 --> 00:00:40,200
I'm trying to be like a you know, a person

17
00:00:40,439 --> 00:00:42,920
in reggae horn form to raise their spirits.

18
00:00:42,920 --> 00:00:46,960
Speaker 3: A reggae horn with horns. No, no, I don't think

19
00:00:46,960 --> 00:00:47,439
it's working.

20
00:00:47,640 --> 00:00:49,200
Speaker 1: Okay, you do another one?

21
00:00:49,320 --> 00:00:50,799
Speaker 3: Yeah, all right, what's up?

22
00:00:50,920 --> 00:00:54,320
Speaker 1: Coun Sorry? Well okay, sorry, all right, all right, this

23
00:00:54,359 --> 00:00:57,000
is good morning from Hell. I'm Clayton. This is Chris.

24
00:00:57,479 --> 00:00:58,679
Take it away, Chris, you're better at this.

25
00:00:59,399 --> 00:01:03,600
Speaker 3: So this is Hell's number one podcast. I'm Chris. I

26
00:01:03,679 --> 00:01:07,120
died recently and my eternal punishment is to do this

27
00:01:07,200 --> 00:01:11,319
Show with the Vice President of Hell A Clayton.

28
00:01:11,519 --> 00:01:14,200
Speaker 1: Four more years, four more years? Stay with me, Chris,

29
00:01:14,239 --> 00:01:16,519
four more years? No, four more? Have we already done

30
00:01:16,560 --> 00:01:17,760
a spit in a previous episode?

31
00:01:17,840 --> 00:01:19,599
Speaker 3: I don't know, but you just called everyone cunts, So

32
00:01:19,680 --> 00:01:21,359
let's just try and move past that.

33
00:01:21,400 --> 00:01:23,079
Speaker 1: We might just bleep that out. But then if we

34
00:01:23,120 --> 00:01:25,120
bleep it out, then someone they might think we said

35
00:01:25,159 --> 00:01:25,920
another word.

36
00:01:26,400 --> 00:01:29,400
Speaker 3: Oh what's what would be worse than cunts?

37
00:01:29,760 --> 00:01:33,200
Speaker 1: I mean, you can start rattling off words. No, no, no, no, no, no

38
00:01:33,640 --> 00:01:35,400
no no no, I insist you want to go ahead

39
00:01:35,400 --> 00:01:37,359
and start start listening to the words that you think

40
00:01:37,400 --> 00:01:37,799
are worse.

41
00:01:37,959 --> 00:01:39,319
Speaker 3: No, no, I know this is Hell, but it gets

42
00:01:39,319 --> 00:01:42,120
distributed on Earth too, so I want to it's not sure?

43
00:01:42,200 --> 00:01:43,840
Speaker 1: Okay, all right, what are we doing? Are we doing? Q?

44
00:01:43,920 --> 00:01:44,079
And A?

45
00:01:44,319 --> 00:01:46,680
Speaker 3: Yeah, I got a quick question from audience.

46
00:01:47,359 --> 00:01:49,480
Speaker 1: Read it as fast as you can. Okay.

47
00:01:49,719 --> 00:01:52,239
Speaker 3: This is from Cliffy Silver sixty six from the Good

48
00:01:52,239 --> 00:01:55,599
Morning from Hell's subreddit. Clayton, are there any online video

49
00:01:55,640 --> 00:01:57,159
games in Hell? And if so, do you have any

50
00:01:57,159 --> 00:01:58,719
games from the Earth realm? And do you play with

51
00:01:58,719 --> 00:01:59,799
people who are still alive?

52
00:02:00,040 --> 00:02:01,760
Speaker 1: That was very fast, but yeah, there's plenty of games

53
00:02:01,799 --> 00:02:05,120
down hell. You know, we got Superman sixty four, we

54
00:02:05,159 --> 00:02:07,959
got we got Toma Gotchi's, got lots of those. Yeah.

55
00:02:08,000 --> 00:02:10,360
A little known fact whenever your Tomagotchi died in grade

56
00:02:10,360 --> 00:02:12,400
school because your your teacher, you know, put it in

57
00:02:12,439 --> 00:02:14,639
her desk drawer when she caught you played with it. Uh,

58
00:02:14,719 --> 00:02:17,000
your Toma GOATCHI went to hell after it died. So

59
00:02:17,000 --> 00:02:18,879
we got all your tomag Gotchi's down here, all your

60
00:02:18,919 --> 00:02:21,520
childhood toma Gotchi's. And then we also got all of

61
00:02:21,919 --> 00:02:24,960
Xbox's library of Connects games.

62
00:02:25,120 --> 00:02:27,840
Speaker 3: Oh so yeah, wait, wait, what do you mean.

63
00:02:27,800 --> 00:02:29,199
Speaker 1: You're so disappointed? That's that's great?

64
00:02:29,400 --> 00:02:32,560
Speaker 3: Yeah, no, I mean everyone loves the Xbox connect Yeah.

65
00:02:32,680 --> 00:02:34,400
Speaker 1: No, you like the one where it's it's the Star

66
00:02:34,439 --> 00:02:42,759
Wars and it's dancing like Han Solo's Han Solo anything else? Actually,

67
00:02:42,759 --> 00:02:45,400
this one, this last one might surprise you. Bible Adventures,

68
00:02:45,479 --> 00:02:47,879
but I know, Bible Adventures. I know it seems backwards.

69
00:02:47,919 --> 00:02:49,800
We would have that in Hell, but it's it's actually

70
00:02:49,800 --> 00:02:51,439
really challenging and awful.

71
00:02:51,879 --> 00:02:54,919
Speaker 3: So yeah, I played that as a kid. It's like,

72
00:02:55,120 --> 00:02:58,000
I'm sure you did any game with where you play

73
00:02:58,199 --> 00:03:00,680
like as Noah and stuff that's really bad.

74
00:03:00,879 --> 00:03:03,400
Speaker 1: Yeah. I really feel bad for their marketing team because

75
00:03:03,400 --> 00:03:05,919
they were just like scratching their heads for weeks looking

76
00:03:05,919 --> 00:03:08,000
at the game and they're like, what are we gonna

77
00:03:08,039 --> 00:03:08,719
get to sell this?

78
00:03:09,039 --> 00:03:11,120
Speaker 3: I guess it's ironic that it did best in Hell.

79
00:03:11,280 --> 00:03:11,479
Speaker 2: Yeah.

80
00:03:11,520 --> 00:03:13,680
Speaker 1: No, we loved it down here, that's why. That's Yeah,

81
00:03:13,719 --> 00:03:15,759
all the employees, we brought them down, they're gonna be

82
00:03:15,800 --> 00:03:20,120
making the follow up. It's gonna be uh, Clayton Bible Adventures.

83
00:03:19,840 --> 00:03:21,000
Speaker 3: Of the Story of Clayton.

84
00:03:21,159 --> 00:03:23,280
Speaker 1: Yeah, it's an expansion pack. So if you have Bible

85
00:03:23,319 --> 00:03:25,240
Adventures up on Earth, hold on your disc, hold on

86
00:03:25,280 --> 00:03:27,840
your download file. We're gonna have a patch. Okay, So

87
00:03:28,240 --> 00:03:31,159
so hold on tight all right, it's coming DLC baby.

88
00:03:31,319 --> 00:03:33,879
Speaker 3: Yeah, you know this was like an old cartridge. I

89
00:03:33,879 --> 00:03:35,560
don't think there were discs or no.

90
00:03:35,560 --> 00:03:37,840
Speaker 1: No, no, no, no, it's DLC's coming out. We're gonna,

91
00:03:37,840 --> 00:03:42,199
we're gonna we're gonna push it out. Push notifications okay, yeah,

92
00:03:42,560 --> 00:03:45,240
uh we love pushing notifications down in Hell. We love those.

93
00:03:45,240 --> 00:03:47,960
Speaker 3: We invented those, all right. So, uh, Clayton, who is

94
00:03:48,000 --> 00:03:48,960
our guest today?

95
00:03:49,120 --> 00:03:51,520
Speaker 1: Well, we uh, we have a family friend of mine

96
00:03:51,560 --> 00:03:54,439
actually coming down. You might actually know this guy. He was.

97
00:03:54,520 --> 00:03:56,719
He was down not too long ago doing some research

98
00:03:56,800 --> 00:03:58,520
on a on a roll that he was in, and

99
00:03:58,560 --> 00:04:01,879
I think he's he's back doing it again. It's Jack Nicholson.

100
00:04:02,000 --> 00:04:02,800
Come on in, Jack.

101
00:04:03,280 --> 00:04:05,879
Speaker 4: Hey boys, it's so nice of you to have me

102
00:04:05,919 --> 00:04:06,680
in today.

103
00:04:06,919 --> 00:04:07,759
Speaker 1: Great to see Jack.

104
00:04:07,840 --> 00:04:11,360
Speaker 3: Yeah, yeah, Jack Nicholson. Well you look good.

105
00:04:11,680 --> 00:04:12,439
Speaker 4: Oh, thank you.

106
00:04:12,879 --> 00:04:14,080
Speaker 3: I didn't know you were dead.

107
00:04:14,759 --> 00:04:17,720
Speaker 4: Oh I'm not dead. I just visit on occasion. I'm

108
00:04:17,800 --> 00:04:20,839
kind of scoping the landscape or where I retire to.

109
00:04:22,319 --> 00:04:25,000
Speaker 1: Yeah, okay, So are you were in the sunglasses?

110
00:04:25,000 --> 00:04:29,040
Speaker 4: I see, still got the sunglasses, no shirt, just living

111
00:04:29,160 --> 00:04:30,879
life in death.

112
00:04:31,040 --> 00:04:34,279
Speaker 1: Well you don't look a day past eighty one? So

113
00:04:34,720 --> 00:04:36,000
looking looking spry?

114
00:04:36,519 --> 00:04:39,399
Speaker 3: Caution mark looking good? No, he looks good. So are

115
00:04:39,439 --> 00:04:41,759
you planning on coming to Hell when you die? Or

116
00:04:42,199 --> 00:04:42,839
just visit?

117
00:04:42,959 --> 00:04:44,399
Speaker 4: I don't know, you know, I don't want to commit.

118
00:04:44,439 --> 00:04:45,920
I got to see where the ladies are.

119
00:04:47,000 --> 00:04:50,040
Speaker 1: Yeah, Jack Nicholson, he's quite the ladies man. Well, I'm

120
00:04:50,079 --> 00:04:52,319
pretty I'm pretty sure he's just gonna try to avoid

121
00:04:52,680 --> 00:04:55,680
anywhere that Shelley Devall is. Wherever she goes, he can't go.

122
00:04:56,480 --> 00:04:58,639
Speaker 3: Yeah, that makes sense. So Jack, how did you end

123
00:04:58,720 --> 00:05:01,920
up becoming friend with Clayton and his family?

124
00:05:02,160 --> 00:05:04,399
Speaker 4: You know, I was down here in the eighties, which

125
00:05:04,439 --> 00:05:07,319
was a wild time if you were there, Clayton was there,

126
00:05:07,839 --> 00:05:10,920
and I was doing this movie. I'm sure your audience

127
00:05:11,000 --> 00:05:13,879
is familiar with the Witches of Eastwick, and I was

128
00:05:14,160 --> 00:05:17,600
playing none other than the Devil. So I came down

129
00:05:17,639 --> 00:05:21,480
to Hell to do a little character shadowing and one

130
00:05:21,519 --> 00:05:24,240
thing led to another, and you know, the family really

131
00:05:24,279 --> 00:05:27,519
brought me in and it's been just a really warm,

132
00:05:27,879 --> 00:05:29,720
smug experience ever since.

133
00:05:29,959 --> 00:05:32,800
Speaker 1: Yeah, it's no, it's definitely warm. Done here because it's Hell,

134
00:05:32,800 --> 00:05:34,879
would also because we just couldn't stop hugging him. We

135
00:05:34,920 --> 00:05:37,079
love Jack, big big fan of his.

136
00:05:37,279 --> 00:05:39,639
Speaker 3: And what movie with the Witches of Eastwick?

137
00:05:39,920 --> 00:05:40,879
Speaker 1: Witches of east Wick?

138
00:05:40,920 --> 00:05:41,360
Speaker 3: That's right?

139
00:05:41,879 --> 00:05:44,000
Speaker 4: Nominated for an Academy Award.

140
00:05:44,199 --> 00:05:47,160
Speaker 3: Chris, Oh, I don't don't know if I've heard of it?

141
00:05:47,360 --> 00:05:48,199
What is it?

142
00:05:47,720 --> 00:05:51,639
Speaker 1: It's a movie, yes, Chris, it's it's okay movie. Okay, Sorry,

143
00:05:52,319 --> 00:05:54,399
you kids these days drive me crazy.

144
00:05:54,439 --> 00:05:57,519
Speaker 4: You think ludes are nude pictures on the internet when

145
00:05:57,519 --> 00:05:58,879
we used to pop a few.

146
00:05:58,879 --> 00:05:59,839
Speaker 1: Just to stay calm.

147
00:06:00,240 --> 00:06:03,000
Speaker 4: What the hell is wrong with your generation? Chris, you

148
00:06:03,040 --> 00:06:04,560
can't handle my movies.

149
00:06:05,079 --> 00:06:06,639
Speaker 3: I'm sorry. I'm sorry. I'm sorry.

150
00:06:06,720 --> 00:06:10,439
Speaker 1: It's got it's got share in Michelle Pfeiffer and Susan Sarandon.

151
00:06:10,839 --> 00:06:12,959
I'm not reading off the IMTV page on my phone.

152
00:06:13,000 --> 00:06:16,360
I remember this movie clearly. It's a great movie. Just

153
00:06:16,519 --> 00:06:17,759
go along with it, Chris, go along with it.

154
00:06:17,879 --> 00:06:20,600
Speaker 3: Yeah, no, I'm sure. I oh, man, I love it.

155
00:06:20,639 --> 00:06:23,000
I forgot how much I like it. So, and you

156
00:06:23,040 --> 00:06:26,199
played the devil on that So did you just follow

157
00:06:26,480 --> 00:06:27,600
around Satan?

158
00:06:27,720 --> 00:06:31,759
Speaker 4: We call that shadowing. It's a little shadowing gig. Maybe

159
00:06:31,759 --> 00:06:35,519
even understudy, you'd say. But you know, I'm pretty sure

160
00:06:35,560 --> 00:06:37,319
I taught him a few things as well.

161
00:06:38,519 --> 00:06:40,800
Speaker 1: I know I learned a few things for sure. Check

162
00:06:40,839 --> 00:06:42,639
this out. Chris, come here, come here, Uh huh. I'm

163
00:06:42,639 --> 00:06:46,680
gona massage your shoulders. Uh huh, Hey, Chris, my number

164
00:06:46,680 --> 00:06:49,160
one guy. That's my favorite.

165
00:06:49,279 --> 00:06:49,480
Speaker 3: Yeah.

166
00:06:49,519 --> 00:06:51,439
Speaker 1: Jackieused to do that to everybody. It really creeped him out.

167
00:06:51,439 --> 00:06:54,160
Speaker 3: He's great, Okay, that was a nice and nice massage.

168
00:06:54,319 --> 00:06:57,079
Speaker 1: Yeah, it's from Batman. Yeah.

169
00:06:57,120 --> 00:06:59,199
Speaker 3: So, uh, you got to be friends with the family,

170
00:06:59,240 --> 00:07:01,040
and so you just visit often.

171
00:07:01,199 --> 00:07:04,120
Speaker 4: Yeah, you know, every few years, I take my yacht out.

172
00:07:04,160 --> 00:07:06,839
You know, there's a secret back entrance to Hell. It's

173
00:07:06,839 --> 00:07:10,040
called Florida, and you drive your boat through and it

174
00:07:10,120 --> 00:07:13,279
gets your right into Satan's Cove and it's really nice.

175
00:07:13,319 --> 00:07:15,920
And you know what's great about it is it's really

176
00:07:15,959 --> 00:07:19,439
inspired my work over the years as well. Clayton, big

177
00:07:19,519 --> 00:07:23,160
fan of mine, mentioned Batman, a moving picture I was

178
00:07:23,160 --> 00:07:27,240
in in nineteen eighty nine, and during that movie, I

179
00:07:27,240 --> 00:07:30,160
improvised a line, Hey, if you ever danced with the

180
00:07:30,240 --> 00:07:31,839
devil in the Pale Moonlight?

181
00:07:32,639 --> 00:07:33,319
Speaker 3: Because I have?

182
00:07:33,480 --> 00:07:34,879
Speaker 1: And I said, hey, ask me that.

183
00:07:35,480 --> 00:07:37,759
Speaker 4: I said ask me that on set, and people would

184
00:07:37,759 --> 00:07:40,000
ask me and I'd say, fuck, yeah, I have. I'm

185
00:07:40,079 --> 00:07:44,839
Jack fucking Nicholson. But then they didn't quite didn't quite work,

186
00:07:44,920 --> 00:07:46,879
so you know, they had to massage the script and.

187
00:07:47,639 --> 00:07:50,519
Speaker 1: It's in there though it's classic line that no one understood.

188
00:07:50,680 --> 00:07:52,839
But you know, they danced a lot in the Pebblum

189
00:07:53,120 --> 00:07:54,279
Moon to Night. He's great.

190
00:07:54,360 --> 00:07:56,920
Speaker 4: Oh he loves sitting. Oh God does he love it?

191
00:07:57,079 --> 00:07:59,279
Speaker 3: Do y'all still dance regularly?

192
00:07:59,399 --> 00:08:00,000
Speaker 1: Or yeah?

193
00:08:00,000 --> 00:08:02,000
Speaker 4: I know, like I said, we pop some ludes and

194
00:08:02,040 --> 00:08:02,839
we go dancing.

195
00:08:03,480 --> 00:08:07,240
Speaker 1: Holy shit, what kind of dancing style do you? I

196
00:08:07,240 --> 00:08:09,720
can't recall it's been so long. Is it choreographed?

197
00:08:09,839 --> 00:08:10,079
Speaker 2: Is it?

198
00:08:10,079 --> 00:08:10,519
Speaker 1: Clayton?

199
00:08:11,040 --> 00:08:14,279
Speaker 4: You know I never kiss and tell and I kiss

200
00:08:14,279 --> 00:08:19,120
a lot, So is there is that why you're here today?

201
00:08:19,199 --> 00:08:21,120
Speaker 3: You're just visiting for Like are you going out in

202
00:08:21,120 --> 00:08:23,079
the town go dancing or what?

203
00:08:23,399 --> 00:08:27,399
Speaker 4: Actually, Christopher, I've got a little bit of inside baseball.

204
00:08:28,079 --> 00:08:33,039
Jack Jack Nikky Scoop turns out, the entertainment industry, as

205
00:08:33,080 --> 00:08:38,679
you might know, it is producing a Devil biopic three

206
00:08:38,919 --> 00:08:42,000
parter and I am up for the lead role.

207
00:08:42,279 --> 00:08:46,200
Speaker 1: Wait what what haven't I heard of this is? That's

208
00:08:46,360 --> 00:08:48,159
that's big news. I feel like they would have contacted

209
00:08:48,159 --> 00:08:48,639
me about that.

210
00:08:48,679 --> 00:08:50,919
Speaker 3: Wait, so is it biopic or biopic?

211
00:08:51,120 --> 00:08:53,600
Speaker 1: I've always referred to it as biopic.

212
00:08:53,879 --> 00:08:55,360
Speaker 3: Okay, yeah, I'm not.

213
00:08:55,480 --> 00:08:58,919
Speaker 4: Shakespeare here, Chris Sniper, I just read it all right,

214
00:08:59,240 --> 00:09:01,840
I'm just the cool How did this come about?

215
00:09:01,879 --> 00:09:01,960
Speaker 2: Like?

216
00:09:01,960 --> 00:09:03,519
Speaker 3: Who's producing it? How did this happen?

217
00:09:03,639 --> 00:09:05,799
Speaker 4: Well, you know, I mean it's like a lot of

218
00:09:05,840 --> 00:09:09,360
things in the entertainment industry, it's about timing. And you know,

219
00:09:10,159 --> 00:09:13,200
I had this deal with the Devil. Well it's being

220
00:09:13,200 --> 00:09:15,120
worked out still technically it's a deal with the Devil

221
00:09:15,120 --> 00:09:18,279
that's going back and forth between my agent and his agent,

222
00:09:18,360 --> 00:09:20,559
And I'm just happy it's moving forward. You know, I'm

223
00:09:20,559 --> 00:09:21,960
glad to be a part of it. And it's been

224
00:09:21,960 --> 00:09:23,320
in the works for you.

225
00:09:23,200 --> 00:09:25,159
Speaker 1: Know, thirty years, and I.

226
00:09:25,159 --> 00:09:27,240
Speaker 4: Think everyone's as excited for this as they are for

227
00:09:27,279 --> 00:09:28,759
Avatar too. I'll say that.

228
00:09:29,039 --> 00:09:30,879
Speaker 1: I mean, this one might be coming out sooner, even

229
00:09:30,879 --> 00:09:33,120
though I just now heard about it. How far back

230
00:09:33,279 --> 00:09:36,720
you said, you know, biopic? Biopic? You know where's it

231
00:09:36,759 --> 00:09:39,559
gonna start? You know, like he's gonna talk about Satan's family, Like,

232
00:09:39,720 --> 00:09:42,120
am I gonna be in it? Or who's playing me?

233
00:09:42,399 --> 00:09:44,200
Speaker 4: You know, the thing holding up this movie for so

234
00:09:44,360 --> 00:09:47,759
long was attaching just the right cast. You're not gonna

235
00:09:47,759 --> 00:09:51,480
believe who we got as Satan's younger brother, Clayton Wow.

236
00:09:51,600 --> 00:09:53,559
Speaker 1: I mean, I've got so many ideas, or you could

237
00:09:53,559 --> 00:09:55,759
play Who's he gonna be? Is it? You know, Marlon Brando,

238
00:09:56,080 --> 00:10:00,000
James Dean, Steve McQueen. Tell me it's not Elvis. He's handsome,

239
00:10:00,039 --> 00:10:02,679
but he's not he's not the best actor. Is Arnold

240
00:10:02,679 --> 00:10:04,039
coming down? Schwarzeneggers?

241
00:10:04,480 --> 00:10:05,000
Speaker 5: Is Arnold?

242
00:10:05,320 --> 00:10:07,639
Speaker 1: Tell me? Tell me Jack all right? Here we go?

243
00:10:07,960 --> 00:10:08,799
Getn't hear you?

244
00:10:09,120 --> 00:10:09,360
Speaker 4: Six?

245
00:10:09,440 --> 00:10:10,279
Speaker 1: Son of a bitch.

246
00:10:11,320 --> 00:10:13,600
Speaker 2: Well, hello fellows.

247
00:10:13,519 --> 00:10:15,480
Speaker 1: No, no, are you kidding me?

248
00:10:15,919 --> 00:10:18,840
Speaker 2: It's been so long I forgot what this place looks like.

249
00:10:19,360 --> 00:10:25,000
Speaker 3: Gambo Jamo, Hello, Chris, I missed you. Yeah, it's great

250
00:10:25,039 --> 00:10:27,639
to see you. I'm sorry that the picture deal we

251
00:10:27,679 --> 00:10:30,200
had with Harrison Ford. You know you guys stopped responding

252
00:10:30,240 --> 00:10:33,519
to my emails. But I'm glad that it went so well.

253
00:10:33,639 --> 00:10:36,320
I mean, I love the movie. Okay, So for listeners

254
00:10:36,360 --> 00:10:38,799
who may not be familiar, we had Gambo on the

255
00:10:38,840 --> 00:10:40,279
show several months ago.

256
00:10:40,440 --> 00:10:41,759
Speaker 2: It feels like a twanity.

257
00:10:42,080 --> 00:10:46,399
Speaker 3: Yeah, time really drags here in Hell, but Gambo is

258
00:10:47,159 --> 00:10:48,759
a mushroomy type.

259
00:10:49,240 --> 00:10:50,960
Speaker 2: I'm a I'm a demon down here in Hell.

260
00:10:51,159 --> 00:10:53,320
Speaker 1: Yeah, you're painting my ass, is what you are? Gambo?

261
00:10:53,360 --> 00:10:56,759
How dare you step foot in my recording studio and

262
00:10:56,840 --> 00:10:59,799
play me the balls on this guy? I mean, he's

263
00:10:59,799 --> 00:11:02,960
made of balls. But what are you doing? Let you

264
00:11:03,000 --> 00:11:03,360
play me?

265
00:11:03,720 --> 00:11:06,440
Speaker 2: Clayton? Did you not have breakfast this morning?

266
00:11:06,799 --> 00:11:08,159
Speaker 1: What? What does that even mean?

267
00:11:08,480 --> 00:11:10,279
Speaker 2: You seem a little gwompy buddy.

268
00:11:10,200 --> 00:11:16,039
Speaker 1: I'm cwumpy. You've you've you fucked up the last podcast

269
00:11:16,080 --> 00:11:18,919
episode with Harrison Ford. I'm still upset with how that

270
00:11:18,960 --> 00:11:20,039
turned out. I was supposed to.

271
00:11:20,120 --> 00:11:23,879
Speaker 2: Ford and I were forging a relationship. That's all should matter.

272
00:11:24,080 --> 00:11:26,559
Speaker 3: Well, so, Jack, how do you know Gambo?

273
00:11:26,799 --> 00:11:26,960
Speaker 1: Well?

274
00:11:26,960 --> 00:11:29,559
Speaker 4: I met him through Harrison initially, but I saw this

275
00:11:29,639 --> 00:11:33,080
guy made him my two favorite things, balls and mushrooms,

276
00:11:33,080 --> 00:11:34,799
and I said, that's a star.

277
00:11:35,440 --> 00:11:38,080
Speaker 2: It's all about networking in the film industry.

278
00:11:38,159 --> 00:11:41,759
Speaker 1: Wow. Oh great, glad we're taking networking lessons from Gambo.

279
00:11:42,360 --> 00:11:44,080
Speaker 2: One could say, one could say that he took a

280
00:11:44,159 --> 00:11:44,840
shining to me.

281
00:11:47,000 --> 00:11:51,480
Speaker 1: All right, that's pretty good. Now, wasn't bad? I don't

282
00:11:51,519 --> 00:11:55,639
get it. Uh so that joke, that joke is pretty

283
00:11:55,679 --> 00:11:57,679
pretty solid. That's probably as good as it gets.

284
00:11:58,840 --> 00:12:00,200
Speaker 2: Yeah, you know something's gone to get of.

285
00:12:00,759 --> 00:12:03,039
Speaker 4: Yeah, what the hell are you kids talking?

286
00:12:03,120 --> 00:12:05,000
Speaker 2: I'm just I'm just glad. I'm surrounded by a few

287
00:12:05,039 --> 00:12:05,399
good men.

288
00:12:05,480 --> 00:12:07,080
Speaker 1: You know, you go too fast.

289
00:12:07,200 --> 00:12:10,480
Speaker 3: I think that one flew over Jack Nicholson's cuckooss.

290
00:12:10,879 --> 00:12:15,759
Speaker 1: Yeah no, no, no, not even close, not even close. No, Okay, sorry,

291
00:12:16,279 --> 00:12:19,000
we're gonna have to ask you to leave the podcast.

292
00:12:19,039 --> 00:12:22,799
You're gonna have to be the departed. Yeah, curse. I'm

293
00:12:22,799 --> 00:12:23,720
getting really angry.

294
00:12:24,080 --> 00:12:25,440
Speaker 2: Are you gonna go Chinatown?

295
00:12:26,240 --> 00:12:26,320
Speaker 3: No?

296
00:12:26,399 --> 00:12:27,399
Speaker 1: I gotta get some anger.

297
00:12:27,519 --> 00:12:29,960
Speaker 2: Management is that a tom opendealment.

298
00:12:30,919 --> 00:12:33,600
Speaker 3: Okay, I got questions about this movie. Okay, not any

299
00:12:33,600 --> 00:12:36,639
of the ones we just mentioned, but Satan's biopic. What

300
00:12:36,840 --> 00:12:38,039
is the plot of this thing?

301
00:12:38,279 --> 00:12:38,399
Speaker 2: Like?

302
00:12:38,519 --> 00:12:41,000
Speaker 3: Besides, like Satan's life is it's like from kind of

303
00:12:41,000 --> 00:12:43,600
the beginning of hell up to his rise to power.

304
00:12:43,679 --> 00:12:44,720
What's the story?

305
00:12:44,840 --> 00:12:46,960
Speaker 6: Well, you know, we looked at a lot of biopics

306
00:12:47,000 --> 00:12:49,080
and so you know what what works best in a

307
00:12:49,120 --> 00:12:52,279
situation like this, And we're gonna take the Bahamian Rhapsody

308
00:12:52,320 --> 00:12:55,039
approach just kind of kind of be a greatest hits

309
00:12:55,080 --> 00:12:58,759
of all his victories, that time that he won the war.

310
00:12:58,559 --> 00:13:01,320
Speaker 4: Over Heaven and all those kinds of things, pretty great stuff.

311
00:13:01,320 --> 00:13:02,919
Speaker 3: I don't know if he won the war, that might

312
00:13:02,960 --> 00:13:04,759
be taking a few creative liberties.

313
00:13:04,919 --> 00:13:06,799
Speaker 1: Are you gonna have the bad editing too? Is that

314
00:13:07,279 --> 00:13:09,399
a part of the movie that you're gonna replicate as well?

315
00:13:09,440 --> 00:13:11,320
Speaker 4: We got the same editor. He won't believe it.

316
00:13:11,399 --> 00:13:13,440
Speaker 1: He's one. He's definitely down here.

317
00:13:14,080 --> 00:13:16,000
Speaker 4: You won't know what the fuck's going on?

318
00:13:16,240 --> 00:13:18,919
Speaker 3: All right? So as far as like Satan's family, Like,

319
00:13:18,960 --> 00:13:24,279
where does Clayton Gambo, your character come into the film.

320
00:13:24,159 --> 00:13:25,960
Speaker 1: How does that scene play out? Like do they have

321
00:13:26,039 --> 00:13:26,799
my birth in it?

322
00:13:26,840 --> 00:13:26,960
Speaker 2: Like?

323
00:13:27,000 --> 00:13:29,240
Speaker 1: What am I like a huge impact on his life

324
00:13:29,320 --> 00:13:30,200
or what? You know?

325
00:13:30,240 --> 00:13:32,080
Speaker 2: I've been studying the role for quite a bit now.

326
00:13:32,159 --> 00:13:34,879
I've been studying Clayton behind the scenes. She didn't want

327
00:13:34,960 --> 00:13:36,519
him to know about it, to make sure that he

328
00:13:36,559 --> 00:13:38,919
didn't try to adjust anything while I studied for the role.

329
00:13:39,000 --> 00:13:42,000
Speaker 1: You've been following me? What you have you been stalking me?

330
00:13:42,360 --> 00:13:42,720
Speaker 2: Yeah?

331
00:13:42,799 --> 00:13:44,440
Speaker 1: I feel like it's been smelling for a while.

332
00:13:44,519 --> 00:13:45,120
Speaker 3: Oh, thank you.

333
00:13:45,200 --> 00:13:47,200
Speaker 2: I've actually been trying a new perfume, so I'm glad

334
00:13:47,200 --> 00:13:47,799
that you noticed.

335
00:13:47,960 --> 00:13:49,840
Speaker 1: It's awful. It's awful. To keep it up, it's great,

336
00:13:49,879 --> 00:13:51,360
thank you. Well, that explains a lot.

337
00:13:51,600 --> 00:13:53,559
Speaker 2: Just wanted to make sure I got the character right

338
00:13:53,639 --> 00:13:57,159
and got all of his anger issues really showing at

339
00:13:57,159 --> 00:14:00,879
the forefront, and just how much the double is really

340
00:14:01,039 --> 00:14:03,360
completely interfected by his brother in every way.

341
00:14:03,519 --> 00:14:03,879
Speaker 3: I don't know.

342
00:14:03,879 --> 00:14:06,360
Speaker 1: There seems to be some inaccuracies in this film already.

343
00:14:06,600 --> 00:14:07,080
Speaker 3: Well, i'll tell you.

344
00:14:07,120 --> 00:14:08,159
Speaker 1: I'll tell you what. Clayton.

345
00:14:08,159 --> 00:14:10,960
Speaker 4: There's a scene early on and you're gonna like it's

346
00:14:10,960 --> 00:14:13,600
gonna move you to tears, You're gonna love it. But

347
00:14:13,960 --> 00:14:16,720
he's sitting there talking. Actually, Yeah, go ahead and feed

348
00:14:16,759 --> 00:14:18,480
me the like you feed the line and I'll give you.

349
00:14:18,679 --> 00:14:21,399
Oh well, we'll do a little little minos scene.

350
00:14:22,080 --> 00:14:23,879
Speaker 3: Oh wow, yeah, wow ye.

351
00:14:24,240 --> 00:14:25,960
Speaker 2: All right, you want to call action for me?

352
00:14:26,200 --> 00:14:26,399
Speaker 3: Yeah?

353
00:14:26,759 --> 00:14:32,919
Speaker 2: Uh, action, Satan, it's me get I mean Clayton. Wow,

354
00:14:33,320 --> 00:14:35,679
oh god, that's actually part of the script.

355
00:14:37,120 --> 00:14:40,120
Speaker 1: The fumble and all people love a good blooper.

356
00:14:39,720 --> 00:14:42,480
Speaker 2: Reel, Satan. I have to tell you something.

357
00:14:42,799 --> 00:14:44,120
Speaker 4: What is it? Brother?

358
00:14:44,519 --> 00:14:46,840
Speaker 2: I feel like I'm a failure in everything I do.

359
00:14:47,200 --> 00:14:52,279
Speaker 4: Hugh and hell what oh Clayton, let me tell you something.

360
00:14:52,919 --> 00:14:53,919
You inspire me.

361
00:14:54,399 --> 00:14:54,960
Speaker 1: Do you know why?

362
00:14:55,720 --> 00:14:57,840
Speaker 4: Because you make me want to be a better man

363
00:14:58,200 --> 00:15:01,759
than you, because you're a piece of And after that,

364
00:15:01,840 --> 00:15:03,960
he goes on. He goes on to great success.

365
00:15:04,000 --> 00:15:06,960
Speaker 1: That's all. You're gonna love it. Holy cut, got cut.

366
00:15:07,080 --> 00:15:09,440
I need some rewrites in this thing, all right? Who's

367
00:15:09,480 --> 00:15:10,679
this script writer? Huh?

368
00:15:10,879 --> 00:15:13,639
Speaker 4: The entertainment industry in Hell's a lot like LA, except

369
00:15:13,639 --> 00:15:16,200
it goes through ten other committees. So we put together

370
00:15:16,279 --> 00:15:18,440
a crack team of writers for this. We got the

371
00:15:18,440 --> 00:15:21,399
guy who did Transformers, the second one with where the

372
00:15:21,519 --> 00:15:24,679
robot had the balls, and then we got the guy

373
00:15:24,919 --> 00:15:28,240
who wrote the first and half of the second Deuce Bigelow,

374
00:15:28,600 --> 00:15:32,320
and we're capping that off with a biblical scholar going

375
00:15:32,360 --> 00:15:34,720
over everything, Sir mel Gibson.

376
00:15:35,000 --> 00:15:38,159
Speaker 1: Oh oh wait, is he a sir? He got knighted?

377
00:15:38,720 --> 00:15:41,320
He is? To me? Sorry, that's the biggest takeaway that

378
00:15:41,320 --> 00:15:43,039
I took from mel Gibson being on the script.

379
00:15:43,240 --> 00:15:45,080
Speaker 3: So yeah, I guess he did write the Passion of

380
00:15:45,120 --> 00:15:47,159
the Christ, so he knows the material.

381
00:15:47,360 --> 00:15:49,600
Speaker 1: Yeah, I guess. Are they bringing back Jim Caviezel to

382
00:15:49,600 --> 00:15:51,960
play Jesus or is it gonna be like, yeah, is

383
00:15:52,039 --> 00:15:53,240
Jesus in this? Yeah?

384
00:15:53,279 --> 00:15:55,720
Speaker 4: You know they're using some of that fancy technology from

385
00:15:55,799 --> 00:15:58,399
the Marvel movies. They're gonna deage him and make him looky.

386
00:15:58,399 --> 00:16:00,960
They're gonna get baby Jesus out of him. They're gonna

387
00:16:01,000 --> 00:16:01,919
get kid Jesus.

388
00:16:01,960 --> 00:16:02,559
Speaker 1: It's gonna be a.

389
00:16:02,559 --> 00:16:06,519
Speaker 4: Whole lot of caveasle in your face. He's a minor character,

390
00:16:06,639 --> 00:16:09,279
I would say, Jesus. You know he gets more screen

391
00:16:09,320 --> 00:16:11,879
time than Clayton, because who the fuck doesn't. But he

392
00:16:11,919 --> 00:16:13,159
won't be in it too much.

393
00:16:13,399 --> 00:16:14,919
Speaker 1: Do I at least get to be on set for

394
00:16:14,960 --> 00:16:18,039
my scenes to just like, you know, advise or something.

395
00:16:18,159 --> 00:16:19,919
Can I be like an associate producer.

396
00:16:20,320 --> 00:16:22,240
Speaker 2: You could come on set if you want to give

397
00:16:22,240 --> 00:16:24,480
gamble massages in between takes.

398
00:16:24,799 --> 00:16:28,480
Speaker 4: Oh, give me very funny jack that little Jackie massage.

399
00:16:28,559 --> 00:16:29,639
I touch you?

400
00:16:29,679 --> 00:16:31,840
Speaker 1: No, No, I don't even know where to touch him.

401
00:16:31,840 --> 00:16:34,279
Look at his body. It's all gross and mushie.

402
00:16:34,399 --> 00:16:36,399
Speaker 2: You could touch me anywhell Clayton, all right.

403
00:16:36,320 --> 00:16:41,159
Speaker 1: Please stop anywhere? Nope? So what why is this all

404
00:16:41,200 --> 00:16:43,480
being fast tracked? And why haven't I heard about it

405
00:16:43,519 --> 00:16:45,759
until now? This is this is really unfair? All right?

406
00:16:46,080 --> 00:16:47,360
Speaker 3: I mean, what do you want, Clayton.

407
00:16:47,360 --> 00:16:49,559
Speaker 4: We're not gonna get. You're not gonna get the below

408
00:16:49,639 --> 00:16:52,240
the line talent to sign off on a gig like this?

409
00:16:53,519 --> 00:16:55,639
Speaker 1: What the fuck? I mean? I'm below the line because

410
00:16:55,679 --> 00:16:58,639
I'm in Hell. All right, We're all below the line.

411
00:16:59,159 --> 00:16:59,519
All right?

412
00:17:00,080 --> 00:17:02,039
Speaker 3: Well, do you not need to like get him to

413
00:17:02,080 --> 00:17:03,759
sign away his afterlife rights?

414
00:17:04,039 --> 00:17:07,079
Speaker 1: Yes? Thank you, Chris. Yeah, that's right. I can sue

415
00:17:07,119 --> 00:17:09,759
because you're using my likeness even though it's gambon. He

416
00:17:09,759 --> 00:17:10,720
doesn't look anything like me.

417
00:17:11,200 --> 00:17:12,920
Speaker 2: That's of the beholder.

418
00:17:12,960 --> 00:17:15,759
Speaker 4: I believe the thing is, Chris, when you know there's

419
00:17:15,799 --> 00:17:18,599
a lot of technicalities, and believe me, Hell loves technicalities.

420
00:17:18,599 --> 00:17:20,960
But the thing is if you look in the fine print,

421
00:17:21,160 --> 00:17:24,640
every contract that someone signs to sign away their soul

422
00:17:24,720 --> 00:17:28,559
to the devil has an appearance clause in it, in perpetuity.

423
00:17:29,000 --> 00:17:31,480
Speaker 1: I didn't sign my soul away to the devil. Oh wait,

424
00:17:31,640 --> 00:17:33,640
there was that one time I was really I was

425
00:17:33,759 --> 00:17:38,359
really hankering for a Klondike bar. So damn damn you guys.

426
00:17:38,400 --> 00:17:42,480
Speaker 2: Also haven't even heard my impression yet of Clayton. Yeah,

427
00:17:42,680 --> 00:17:45,759
I was trying to reserve my my vocal codes since

428
00:17:45,799 --> 00:17:47,759
I'm a genuine acto.

429
00:17:47,880 --> 00:17:50,160
Speaker 1: Now let's hear it. That's right.

430
00:17:50,160 --> 00:17:52,359
Speaker 4: You've been working with that voice, coach. It's been real

431
00:17:52,440 --> 00:17:53,279
lovely all that.

432
00:17:53,400 --> 00:17:55,160
Speaker 5: Here we go, Thank me, Clayton.

433
00:17:55,440 --> 00:17:57,640
Speaker 1: Oh god, what's the worst that I thought?

434
00:17:57,920 --> 00:17:58,920
Speaker 3: I think you nailed it.

435
00:17:59,279 --> 00:18:04,000
Speaker 1: No, he didn't. This is not even close, not even close. No,

436
00:18:04,359 --> 00:18:05,480
stop mimicking me.

437
00:18:06,039 --> 00:18:07,039
Speaker 5: Stop mimicking me.

438
00:18:07,319 --> 00:18:10,559
Speaker 1: Stop saying the words that I am saying. Stop you boys,

439
00:18:10,799 --> 00:18:11,559
I'm saying.

440
00:18:11,920 --> 00:18:14,440
Speaker 4: Oh my god, Chris, Chris, try and exercise may close

441
00:18:14,519 --> 00:18:16,279
your eyes and see if you can tell who's talking.

442
00:18:16,480 --> 00:18:18,480
Speaker 1: Alright, no, you know which one is talking, Chris.

443
00:18:18,519 --> 00:18:20,680
Speaker 5: Don't even Chris, you know which one it is.

444
00:18:20,839 --> 00:18:24,599
Speaker 1: So Cambo, stop I'm talking this is clear. Dump it.

445
00:18:24,720 --> 00:18:28,519
Speaker 5: I'm Clayton. Fuck. Look how small my pis is?

446
00:18:28,680 --> 00:18:31,440
Speaker 1: No? No, no, it's huge. It's huge.

447
00:18:31,720 --> 00:18:33,160
Speaker 3: I can't tell who's who it is.

448
00:18:33,240 --> 00:18:35,359
Speaker 1: Mike Wris comic, No, stop playing into this.

449
00:18:35,519 --> 00:18:36,799
Speaker 5: The smallest pigis in hell.

450
00:18:37,319 --> 00:18:44,279
Speaker 3: Nope, Marco Polo. So wait, this is a three part movie,

451
00:18:44,359 --> 00:18:45,559
three part like a trilogy.

452
00:18:45,880 --> 00:18:47,720
Speaker 4: Oh yeah, you know it's it's a lot of story,

453
00:18:47,839 --> 00:18:50,519
funny enough, like The Hobbit. It started as a children's

454
00:18:50,519 --> 00:18:53,480
book and we decided to expand it into three fucking movies.

455
00:18:54,160 --> 00:18:56,559
Speaker 3: Well that mean that worked out great for that. So

456
00:18:56,599 --> 00:18:58,319
I don't see how it could go wrong. Is there

457
00:18:58,400 --> 00:19:01,200
gonna be like toys? How big of an ip are

458
00:19:01,200 --> 00:19:02,119
we talking about here?

459
00:19:02,200 --> 00:19:02,400
Speaker 2: Yeah?

460
00:19:02,480 --> 00:19:04,079
Speaker 1: I mean do well? I see my face on a

461
00:19:04,119 --> 00:19:05,039
Cereal box or.

462
00:19:05,200 --> 00:19:06,480
Speaker 2: You see Gambo's face.

463
00:19:06,680 --> 00:19:09,359
Speaker 1: No, no, your face looks nothing like my face.

464
00:19:09,640 --> 00:19:10,960
Speaker 2: I will be come to New Clayton.

465
00:19:11,319 --> 00:19:12,279
Speaker 1: That's not true, Clayton.

466
00:19:12,359 --> 00:19:14,039
Speaker 4: Let me put it like this. You're gonna be in

467
00:19:14,160 --> 00:19:16,920
the cereal box. Okay, but you're gonna be that one toy,

468
00:19:17,400 --> 00:19:20,000
the one in eight chance. You're the one no one wants.

469
00:19:20,359 --> 00:19:21,519
Speaker 1: You know, everyone wants.

470
00:19:21,240 --> 00:19:23,839
Speaker 4: The big figure, everyone wants the they're gonna want Satan.

471
00:19:24,119 --> 00:19:26,119
But every once in a while, you're gonna get that

472
00:19:26,240 --> 00:19:29,119
goddamn Clayton figure in your cereal box and it's just

473
00:19:29,160 --> 00:19:30,359
gonna ruin your morning.

474
00:19:30,640 --> 00:19:33,119
Speaker 1: No, No, it's gonna be a special edition and people

475
00:19:33,160 --> 00:19:35,680
are gonna be clamoring for it, clamoring Jack.

476
00:19:36,039 --> 00:19:38,319
Speaker 3: And so when does this actually come out or the

477
00:19:38,319 --> 00:19:38,880
first one?

478
00:19:39,160 --> 00:19:42,880
Speaker 4: You know, Chris, you know, we're having some problems up top,

479
00:19:43,119 --> 00:19:45,480
a lot of people not going to movie theaters right now.

480
00:19:45,559 --> 00:19:47,119
And uh huh we had a date but it was

481
00:19:47,160 --> 00:19:50,319
clashing with Minyon seven and so, uh, you know, we're

482
00:19:50,319 --> 00:19:52,400
gonna bring it down, but we decided we're gonna bring

483
00:19:52,440 --> 00:19:54,680
it down below. We're gonna bring it in sin on demand.

484
00:19:54,880 --> 00:19:57,160
People are gonna bring it right into their living rooms.

485
00:19:57,559 --> 00:19:59,920
And oh, Chris, we got so many plans for this friend.

486
00:20:00,359 --> 00:20:03,160
We're talking spinoffs. We're talking the Holy MCU, you know,

487
00:20:03,240 --> 00:20:07,160
the s the SSU, the Satan Cinematic Universe not spelled

488
00:20:07,240 --> 00:20:11,480
right because whatever spell s. Oh God, damn, Camp we did.

489
00:20:11,599 --> 00:20:13,640
I knew you were on this movie for a reason.

490
00:20:14,119 --> 00:20:16,920
Speaker 5: Ah, yes, s n, Chris.

491
00:20:16,920 --> 00:20:19,480
Speaker 1: We got spinoff Skiller, we get spinoff movies. What like?

492
00:20:19,559 --> 00:20:23,319
What what could you possibly spin off from Satan's you

493
00:20:23,359 --> 00:20:27,160
know life like he he doesn't a trilogy encompass everything.

494
00:20:27,200 --> 00:20:28,519
Doesn't that cover at all the bases?

495
00:20:28,680 --> 00:20:31,359
Speaker 4: Clayton, What if I told you there was a spinoff

496
00:20:31,440 --> 00:20:33,400
movie where you have a featured role.

497
00:20:33,599 --> 00:20:36,119
Speaker 1: Can you recast the role? Can can I play myself?

498
00:20:36,279 --> 00:20:39,680
Speaker 4: Well here's the thing, Clayton, it's a spinoff, but it

499
00:20:39,759 --> 00:20:41,319
actually stars Chris.

500
00:20:41,480 --> 00:20:42,440
Speaker 3: Wait what wait?

501
00:20:42,480 --> 00:20:45,079
Speaker 1: What? Whos's Who's playing Chris? Yeah?

502
00:20:45,119 --> 00:20:45,920
Speaker 3: Who's playing? Wait?

503
00:20:45,920 --> 00:20:46,519
Speaker 1: It's about me?

504
00:20:46,839 --> 00:20:49,480
Speaker 4: Yeah, Chris would be the perfect character to headline our

505
00:20:49,599 --> 00:20:51,119
very first laser disc release.

506
00:20:51,160 --> 00:20:53,440
Speaker 3: It's very exciting lasers.

507
00:20:53,640 --> 00:20:56,759
Speaker 1: Such bullshit. He met Satan once, like they don't even

508
00:20:56,759 --> 00:20:59,359
have any crossover in their lives. Like the one time

509
00:20:59,400 --> 00:21:01,799
they met was it hates giving and Chris didn't know

510
00:21:01,799 --> 00:21:03,200
if he should go in for a handshake or a

511
00:21:03,240 --> 00:21:05,200
hug with my older brother and they ended up hugging

512
00:21:05,240 --> 00:21:07,559
him for Wait too long that they're gonna make a

513
00:21:07,599 --> 00:21:09,799
movie about that? What it was?

514
00:21:09,839 --> 00:21:12,519
Speaker 2: Cinly a very important moment in Satan's life.

515
00:21:12,880 --> 00:21:16,599
Speaker 1: Well, oh my god, it lasted like thirty seconds too long.

516
00:21:16,680 --> 00:21:19,599
But it wasn't even that's not a movie. That's nothing.

517
00:21:20,000 --> 00:21:21,000
It's a bad memory.

518
00:21:21,160 --> 00:21:23,720
Speaker 2: The cultural impact that Quis has had on the world

519
00:21:23,960 --> 00:21:24,640
is fun waiter?

520
00:21:25,119 --> 00:21:27,680
Speaker 1: Well, who they have playing Chris then? All right, I

521
00:21:27,680 --> 00:21:30,359
mean tell me it's some like loser who's ugly or something.

522
00:21:30,680 --> 00:21:34,400
Speaker 4: Well, actually, Clayton, we got the one Paul Walker playing

523
00:21:34,519 --> 00:21:35,319
CHRISTI here.

524
00:21:35,279 --> 00:21:36,039
Speaker 3: Paul Walker.

525
00:21:36,880 --> 00:21:38,799
Speaker 1: They look nothing alike playing me?

526
00:21:39,440 --> 00:21:42,799
Speaker 4: Yeah, I mean, is he a little more charismatic, sure,

527
00:21:42,839 --> 00:21:45,839
but that's the magic of entertainment. Also, we needed enough

528
00:21:45,880 --> 00:21:48,880
charisma to overcome how shitty of a character Clayton is.

529
00:21:49,000 --> 00:21:52,920
Speaker 1: You know, it's a give and take, it's a balance. Wow.

530
00:21:53,000 --> 00:21:56,359
What is the movie even about? I mean, seriously, what's like?

531
00:21:56,359 --> 00:21:59,559
What could possibly happen in Chris the movie?

532
00:21:59,880 --> 00:22:01,519
Speaker 4: I want to see it, you know, it's it's still

533
00:22:01,559 --> 00:22:03,799
being written, still being workshopped. I don't want to commit

534
00:22:03,839 --> 00:22:05,680
to too much, but let's just say it's about how

535
00:22:05,759 --> 00:22:08,799
Chris had the great idea to start a hit podcast.

536
00:22:09,079 --> 00:22:10,079
It's pretty exciting.

537
00:22:10,200 --> 00:22:13,279
Speaker 1: Wow, this is my podcast, all right, I'm the reason

538
00:22:13,400 --> 00:22:16,799
it's my podcast. Stop it, Cambo stop.

539
00:22:16,519 --> 00:22:18,319
Speaker 4: It Is there an echo in here?

540
00:22:18,799 --> 00:22:20,680
Speaker 3: Yeah? I can't tell who's saying what.

541
00:22:20,920 --> 00:22:24,799
Speaker 5: It's me Clayton and I fully endorse Christ movie.

542
00:22:25,119 --> 00:22:29,599
Speaker 1: Don't I don't know. I don't wow, Cambo Clayton, I'm Clayton, Chris,

543
00:22:29,599 --> 00:22:31,759
you really do get this character.

544
00:22:32,039 --> 00:22:34,680
Speaker 2: I've been practicing in them and Chris, your.

545
00:22:34,559 --> 00:22:37,720
Speaker 4: Movie is just the first. We've got a Lucifer spinoff,

546
00:22:37,759 --> 00:22:42,839
We've got a Sigmund Freud comedy. Saddam Hussein's coming in hot,

547
00:22:42,880 --> 00:22:45,279
you know, with his own Saddam Hussein is kind of

548
00:22:45,279 --> 00:22:47,480
what you think of the Hobbs and Shaw of the franchise.

549
00:22:47,519 --> 00:22:49,720
It's pretty exciting Hobbs and Freud.

550
00:22:50,319 --> 00:22:53,160
Speaker 1: Well, so like, if you know, continuing down this MCU

551
00:22:53,559 --> 00:22:56,559
parallels I, if Thanos was the big bad, then who

552
00:22:56,559 --> 00:23:00,519
could you possibly be fighting into the Satan cinematic universe?

553
00:23:00,640 --> 00:23:03,519
Speaker 3: Well, wait, wouldn't that just be like God Jesus.

554
00:23:03,640 --> 00:23:04,319
Speaker 1: Yeah, I don't know.

555
00:23:04,480 --> 00:23:07,559
Speaker 2: Well, gosh, it's actually Oprah Gambo gambo.

556
00:23:07,640 --> 00:23:09,880
Speaker 4: Shuts your mouth, all right, you're giving up this God,

557
00:23:09,960 --> 00:23:10,799
We're gonna get.

558
00:23:10,599 --> 00:23:13,519
Speaker 1: Sued again the way Oprah went. Why Oprah, It's not

559
00:23:13,599 --> 00:23:17,279
it's no one, It's it's more like Noprah. Don't don't

560
00:23:17,279 --> 00:23:21,440
repeat that. I edit this part out. Dance she's the

561
00:23:21,480 --> 00:23:24,039
big bad. I mean, I guess she's done a lot

562
00:23:24,039 --> 00:23:24,759
of good in the world.

563
00:23:24,880 --> 00:23:27,400
Speaker 2: So I didn't say anything. You didn't hear it for me?

564
00:23:28,640 --> 00:23:30,039
I got to cost him one real fast.

565
00:23:30,160 --> 00:23:32,759
Speaker 4: Hey, hey, everyone look under their chairs. There's a big

566
00:23:32,799 --> 00:23:34,519
cup of shut up about this Sunday.

567
00:23:35,400 --> 00:23:39,240
Speaker 3: Okay, sorry, sorry, we won't mention again. No one posts

568
00:23:39,240 --> 00:23:40,519
about that. Please.

569
00:23:40,880 --> 00:23:44,240
Speaker 4: Actually, Christian Clayton's asking for all these rewrites. I forgot

570
00:23:44,279 --> 00:23:46,720
you actually have a revisions thing in your clause. How

571
00:23:46,720 --> 00:23:49,000
would you like to come and put some creative input?

572
00:23:49,039 --> 00:23:51,319
And actually, how does executive producers?

573
00:23:51,519 --> 00:23:55,400
Speaker 3: Ohoned, Yeah, I would, I would love this. Yeah?

574
00:23:55,480 --> 00:23:56,519
Speaker 1: What am I? What am I?

575
00:23:56,599 --> 00:23:56,680
Speaker 2: What?

576
00:23:56,720 --> 00:23:59,400
Speaker 1: Am I going to be credited as director? You know,

577
00:23:59,519 --> 00:24:01,880
like i'll you know, I could. I could be in

578
00:24:01,920 --> 00:24:02,559
the writer's room.

579
00:24:02,759 --> 00:24:05,519
Speaker 2: You could be you could be Gambo's portional assistant. How

580
00:24:05,519 --> 00:24:11,240
about that? No, Gamble likes his coffee black. Uh, he

581
00:24:11,480 --> 00:24:14,519
likes the cool ranch to Rito's. Definitely not the nacho

582
00:24:14,559 --> 00:24:16,680
cheese to Rito's. Nice way to God, Clayton, I could

583
00:24:16,680 --> 00:24:18,359
bring me the wrong kind. I'm going to get angry.

584
00:24:18,519 --> 00:24:21,480
Speaker 1: Clayton. You're writing this down just doesn't make any sense, okay,

585
00:24:21,559 --> 00:24:24,519
because you know, on the set of Rocket Man, fucking

586
00:24:24,519 --> 00:24:28,799
Elton John wasn't bringing money, you know, food out to

587
00:24:29,279 --> 00:24:31,039
you know, what's his face? A little British kid.

588
00:24:31,200 --> 00:24:34,240
Speaker 2: Well, Gambles a big star, okay, And you can't look

589
00:24:34,279 --> 00:24:37,519
Gamble in the eyes if I become famous. All right,

590
00:24:38,079 --> 00:24:40,119
So anyways.

591
00:24:39,799 --> 00:24:41,599
Speaker 4: Because I don't know where your eyes are, it is

592
00:24:41,640 --> 00:24:44,039
hard to find your eyes. But you know that's what

593
00:24:44,119 --> 00:24:46,319
makes the performance so mysterious.

594
00:24:46,519 --> 00:24:47,920
Speaker 2: Right now, you're just looking at my balls.

595
00:24:49,000 --> 00:24:52,119
Speaker 4: There's everywhere, Gambo, my eyes are down here.

596
00:24:52,319 --> 00:24:54,680
Speaker 3: Well, if I get to be on the writing staff,

597
00:24:54,680 --> 00:24:56,559
could I take a look at what we got so far?

598
00:24:56,680 --> 00:24:57,920
Speaker 4: Would you like a sneak peek?

599
00:24:58,000 --> 00:24:58,240
Speaker 1: Chris?

600
00:24:58,240 --> 00:24:59,319
Speaker 4: Would that make your day?

601
00:24:59,680 --> 00:25:00,279
Speaker 1: Yeah?

602
00:25:00,319 --> 00:25:02,079
Speaker 4: Gambo, Let's take him into the room.

603
00:25:02,400 --> 00:25:03,000
Speaker 1: I'm going into the.

604
00:25:03,079 --> 00:25:05,960
Speaker 4: Rooms, the sex room first, and then the writer's room.

605
00:25:06,119 --> 00:25:12,839
Speaker 1: Whatever it takes. Sure, guys, got about me? Stop gambo, No, Chris,

606
00:25:12,839 --> 00:25:14,599
get the hell in here? Come on? Oh you got

607
00:25:14,599 --> 00:25:17,319
a script to me? Wait, guys, what about me? Can

608
00:25:17,319 --> 00:25:20,200
I can I come? They left?

609
00:25:21,400 --> 00:25:23,920
Speaker 2: Don't woo with clicking. I'm still here. We could be buddies.

610
00:25:24,119 --> 00:25:26,359
Speaker 1: No, we cannot be buddies. I guess we're gonna close

611
00:25:26,400 --> 00:25:31,720
out the show right, Uh? All right, stop that. Thanks

612
00:25:31,759 --> 00:25:38,000
for listening, Cambo. There's been another episode of Good Morning

613
00:25:38,039 --> 00:25:40,200
for Hell. I can't talk when you're talking.

614
00:25:40,319 --> 00:25:42,519
Speaker 5: Thanks for waking. Good Morning from Hell Stop.

615
00:25:42,680 --> 00:25:44,400
Speaker 1: This has been another episode of Good Morning from Hell.

616
00:25:44,720 --> 00:25:47,680
Make sure episode Make sure you subscribe to our channel

617
00:25:47,720 --> 00:25:52,480
subscribing button. Tell all your friends clicked the ellipses on

618
00:25:52,640 --> 00:25:58,440
Spotify your Apple podcasts. Don't forget tambo stop. Tell all

619
00:25:58,480 --> 00:26:07,480
your friends about a share Hail Clayton hal Clanking. We'd

620
00:26:07,480 --> 00:26:11,200
like to thank longtime guest Barbara Dunkleman for returning his

621
00:26:11,319 --> 00:26:15,480
gambo and then also Josh Flan again for playing Jack Nicholson. Josh,

622
00:26:15,559 --> 00:26:17,440
thanks for joining us. We've been working with you for

623
00:26:17,519 --> 00:26:18,599
quite some time, haven't.

624
00:26:18,400 --> 00:26:20,759
Speaker 4: We long time, many years, long years.

625
00:26:21,000 --> 00:26:25,480
Speaker 1: We've done what eleven Little Roosters Till Little Roosters Arizona

626
00:26:25,519 --> 00:26:28,240
Circle Day five. You're in day five?

627
00:26:28,519 --> 00:26:29,799
Speaker 2: Josh played me in a short.

628
00:26:30,640 --> 00:26:33,599
Speaker 3: Yeah, yeah, that's right. Where can people follow you on Twitter?

629
00:26:33,960 --> 00:26:37,839
Speaker 4: Josh the Flan again with an at sign at Twitter

630
00:26:37,880 --> 00:26:38,880
dot com at.

631
00:26:38,759 --> 00:26:42,680
Speaker 3: Twitter dot com and barbar always open Uh has come

632
00:26:42,720 --> 00:26:45,519
back for a new season and that's that's coming out

633
00:26:45,559 --> 00:26:45,960
now right.

634
00:26:46,119 --> 00:26:48,680
Speaker 2: Yeah, we're a couple episodes in at this point. Not

635
00:26:48,720 --> 00:26:50,359
sure when this episode will be out, but we'll probably

636
00:26:50,359 --> 00:26:53,039
be about midway to the further end of the season

637
00:26:53,039 --> 00:26:55,359
by then. But yeah, you can find it on YouTube

638
00:26:55,400 --> 00:26:56,200
dot com, slash.

639
00:26:56,279 --> 00:26:58,559
Speaker 3: Teeth, or anywhere you listen to podcasts. All right, thank

640
00:26:58,599 --> 00:26:59,720
you guys for coming on.

641
00:27:00,039 --> 00:27:03,160
Speaker 1: Thank you always nice having a married couple on together.

642
00:27:04,000 --> 00:27:06,920
Speaker 3: I think half of our reviews on Apple podcasts are

643
00:27:06,920 --> 00:27:07,680
requesting Gambo.

644
00:27:08,000 --> 00:27:12,680
Speaker 2: Well, guess what, everyone, You're welcome, he broke Loose