WEBVTT

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<v Speaker 1>Bet up with the everyday grind, tired out by the

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<v Speaker 1>dull routine, you want to get away from it all.

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<v Speaker 1>We offer you Escape.

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<v Speaker 2>Escape Transcribe to free you from the four walls of

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<v Speaker 2>today for a half hour of high adventure.

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<v Speaker 1>You're aboard the Orient Express, rushing through the European night,

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<v Speaker 1>bound for Istanbul, and in your compartment with you a

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<v Speaker 1>gun pointed at your head, A small, mysterious stranger. It's

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<v Speaker 1>about to take your life.

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<v Speaker 2>Today we escape from reality to the tense world of

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<v Speaker 2>Balkan intrigue, as Graham Green pictured it in his famous

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<v Speaker 2>novel Orient Express.

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<v Speaker 1>My name is Gregory Myatt. In nineteen thirty two, I

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<v Speaker 1>had to go to Istanbul on business and I decided

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<v Speaker 1>to take the Orient Express. After an uneventful trip across

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<v Speaker 1>the Channel, I found myself at the station in Austin, Belgium,

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<v Speaker 1>where the Orient Express began. The porter took my bags

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<v Speaker 1>an overcoat to my first class compartment while I lingered

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<v Speaker 1>on the platform, and inevitably somebody bumped into me. Oh

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<v Speaker 1>I'm sorry, Oh, that's quite all right.

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<v Speaker 3>Which way are the second class coaches passed that way?

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<v Speaker 1>I think your suitcase looks heavy, may I? Oh?

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<v Speaker 3>No, thanks, I can manage your right.

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<v Speaker 1>She had a very nice figure, trim and erect. I

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<v Speaker 1>wondered whether she was going as far as Eton Bull Express.

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<v Speaker 1>I made my way down the platform to my coach.

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<v Speaker 1>But there was a stranger in my compartment going through

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<v Speaker 1>my overcoat. Young man, you have the wrong compartment, and

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<v Speaker 1>you have the wrong overcoat. Quote is mine? Also this

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<v Speaker 1>compartment number seven, it happens to be number rates eight.

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<v Speaker 4>I have made a mistake. Ay, thousand apologies, sir.

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<v Speaker 1>That's all right, thank you.

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<v Speaker 4>You are going to Belgrade.

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<v Speaker 1>P No, no, I'm for resta bu so allow me.

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<v Speaker 1>My name is Richard John. Are you doing? My name's

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<v Speaker 1>mayat Greg remined.

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<v Speaker 4>I am grateful you are a fellow countryman. These little

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<v Speaker 4>mistakes can be so difficult to explain fellow countrymen.

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<v Speaker 1>But I'm American.

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<v Speaker 4>I also I am a naturalized American all these many years.

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<v Speaker 4>But the accent remains.

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<v Speaker 1>Yes, I suppose it does.

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<v Speaker 4>Well. We are under way. I will go to my compartment.

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<v Speaker 4>A most pleasant journey, sir, and again a thousand apologies.

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<v Speaker 1>I looked at the landscape for a while, and then

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<v Speaker 1>got out of book and settled on to read, and

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<v Speaker 1>at that moment, of course, we run into a string

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<v Speaker 1>of tunnels, all of them pitch black. I was just

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<v Speaker 1>about to ring for the guard who asked to have

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<v Speaker 1>the lights switched on, but the train was crashing to

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<v Speaker 1>a stop. We were on a tonnel. I got up

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<v Speaker 1>and broke for the door and went into the corridor

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<v Speaker 1>just as the lights went on. Lying on the floor

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<v Speaker 1>was the girl who had bumped into me. Excuse me, please,

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<v Speaker 1>one side, please excuse me, please, madame.

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<v Speaker 5>Conductor madity to inform you it is not allowed for

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<v Speaker 5>a passenger to stop the orient.

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<v Speaker 1>Explain mister, if you will allow me, please, Oh, mister John,

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<v Speaker 1>had we better get a doctor.

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<v Speaker 4>I am a doctor. Mister Mayott allow me. So. There

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<v Speaker 4>is nothing wrong with this young lady. She has only fainted.

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<v Speaker 1>Oh good, good, give me a hand, mister John. Let's

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<v Speaker 1>get her into my compartment.

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<v Speaker 3>I'm all right now, really I am.

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<v Speaker 1>Here's a courser. Hey, yeah, drink this, it's brandy.

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<v Speaker 4>Drink it, young lady. It will help you.

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<v Speaker 3>Good. Hello. Why I fainted? I never did before.

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<v Speaker 4>When did you last have a decent meal?

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<v Speaker 1>Yesterday?

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<v Speaker 4>The day before?

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<v Speaker 3>I suppose it was the day before. That's my affair.

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<v Speaker 1>You have no money. No, how would you like to

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<v Speaker 1>have dinner with me? Well, please say yes.

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<v Speaker 3>I won't say no.

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<v Speaker 4>Fine, fine, will you join us, mister John No, I

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<v Speaker 4>prefer to remain in my compartment.

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<v Speaker 1>As we dined, I learned her name was Carol Musker.

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<v Speaker 1>She was a chorus girl and she had a job

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<v Speaker 1>waiting for her in estable. I felt a bit sorry

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<v Speaker 1>for her, but well, more than that, I I remembered

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<v Speaker 1>how she felt in my arms when I carried her

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<v Speaker 1>under my compartment, and I wanted to hold her again.

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<v Speaker 3>I hate a lot, mister May. I hope you can

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<v Speaker 3>afford the check.

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<v Speaker 1>I think I can do. Now, how about to breakfast

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<v Speaker 1>tomorrow and all the rest of your Mailst will rich estanbo.

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<v Speaker 3>Mister myatt, I hope you don't have any ideas about me?

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<v Speaker 1>Well, of course I have. You're very attractive.

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<v Speaker 3>Well, I don't know anything about you. For all I

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<v Speaker 3>know you're married and have six children.

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<v Speaker 1>I am not, and I haven't.

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<v Speaker 3>How about you, I have no one.

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<v Speaker 1>Well, then there's no reason why we shouldn't have ideas

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<v Speaker 1>about each other, is there? And by the way, my

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<v Speaker 1>first name is Gregory H M. Coffee? What does it wow? Then?

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<v Speaker 1>As soon as I paid it to myat. Oh, mister John,

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<v Speaker 1>excuse me, is this yours right? That's my pocket book.

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<v Speaker 4>I found it in the corridor outside my compartment. You

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<v Speaker 4>must have dropped it when you lifted this young lady.

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<v Speaker 1>He gave me my pocket book and left the dining car.

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<v Speaker 1>All my money was there. But one thing I knew,

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<v Speaker 1>I had not dropped my pocket book. Mister John had

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<v Speaker 1>taken it. Carol and I started through the train. It

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<v Speaker 1>was about nine o'clock and the lights were already dimmed,

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<v Speaker 1>and the second class coaches people were asleep sitting up

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<v Speaker 1>in the crowded compartments.

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<v Speaker 3>Mister myatt, here's my compartment. Thank you for dinner.

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<v Speaker 1>It's h very early. You have to go in.

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<v Speaker 3>Oh I'm tired.

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<v Speaker 1>Oh it's too crowded in there for comfortable sleeping. And besides,

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<v Speaker 1>you never know who's next to you.

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<v Speaker 3>But I do a little fat mancy. His name is

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<v Speaker 3>Joseph Grumlich. He introduced himself.

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<v Speaker 1>Oh he did, did he?

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<v Speaker 6>You're not jealous?

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<v Speaker 1>No, but what do you know about him? He might

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<v Speaker 1>be a thief or a bigger mission ridiculous?

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<v Speaker 3>Well, good night, mister Mighttt Gregory.

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<v Speaker 1>Carol, Yes, you might kiss me good night. No one

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<v Speaker 1>will notice, all right.

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<v Speaker 3>Well, oh, mister Grumley.

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<v Speaker 1>If you're going somewhere, sir, don't you go ahead?

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<v Speaker 4>Do not be angry, please, I was not spying.

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<v Speaker 1>Mister Mayer, how do you know my name?

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<v Speaker 7>We all heard of the gentleman gallant enough to take

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<v Speaker 7>miss Muscart to dinner at the good doctor's suggestion.

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<v Speaker 1>Doctor or doctor mister John. He's a doctor, is he not?

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<v Speaker 4>Now, if you'll please excuse me, I must get some water.

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<v Speaker 4>I'm quite chirsty.

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<v Speaker 1>I don't think I like that guy, Carol, how about.

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<v Speaker 3>Taking my compartment your compartment?

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<v Speaker 1>All right, I'll get you another one. We'll speak to

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<v Speaker 1>the conductor right now.

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<v Speaker 5>A first class compartment for young lady. Monsieur, you must

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<v Speaker 5>wait until I arrived at Cologne. No tickets are sold

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<v Speaker 5>board the Orient Express. We arrived in Cologne in let

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<v Speaker 5>me see precisely fifteen minutes, mcbam direct, you are next

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<v Speaker 5>press living in tute.

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<v Speaker 1>As we walked up to the first class ticket when

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<v Speaker 1>a woman elbowed us out of the.

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<v Speaker 6>Way, please excuse me. You don't mind if I go first,

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<v Speaker 6>or you might train for Paris leaves any minute, and

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<v Speaker 6>that case go right ahead, thank you, or Hans Haunts petition.

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<v Speaker 1>One.

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<v Speaker 6>My editor has got me.

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<v Speaker 1>She was a reporter. Apparently, while waiting for her change,

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<v Speaker 1>her eyes went past me to the Orient Express. Suddenly

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<v Speaker 1>they widened. I followed a glance. Mister John was just

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<v Speaker 1>stepping back into his compartments.

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<v Speaker 6>One moment, Haunts, change this ticket for us sleeper on

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<v Speaker 6>the Orient Express. Make it Bellgrad.

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<v Speaker 1>You are lucky, miss Warren. There is only one accommodation

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<v Speaker 1>on the Orient Express. Just a moment there, wait, wait here,

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<v Speaker 1>First I thought you were going to Paris.

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<v Speaker 6>Not when I see doctor Zinner on the Orient Express.

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<v Speaker 1>Doctor Zenner. The man you were looking at was Richard John.

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<v Speaker 6>That the name is using.

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<v Speaker 1>Now okay, thank you, Hans. Just a moment there. I'm

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<v Speaker 1>taking that ticket mine Hell, I regret, but the lady

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<v Speaker 1>asked for it before you did, and she is an

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<v Speaker 1>old customer. Here, here's the ticket, Miss Warren. Who is

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<v Speaker 1>it Gregory? Remind mister John. I'd like to talk to.

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<v Speaker 4>You for a moment. May we come in by yes? Yes,

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<v Speaker 4>of course you are feeling better, Miss Musker. You are

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<v Speaker 4>getting an oppress.

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<v Speaker 1>Yes, that's why we're here. Miss Musker is taking my compartment,

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<v Speaker 1>and I'm staying in here with you.

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<v Speaker 4>I wish I could oblige, but I prefer my privacy.

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<v Speaker 1>Why is that, doctor Sinner?

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<v Speaker 4>My name is Richard John Where did you hear otherwise?

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<v Speaker 1>I'm a newspaper reporter who saw you in the station

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<v Speaker 1>at Cologne. I don't know what it's all about, and

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<v Speaker 1>I don't much care, but miss Musker is going to

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<v Speaker 1>have my compartment, and I'm going to move into this

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<v Speaker 1>one with you. Any objections, or in fact, both of

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<v Speaker 1>you shall stay here with me. What the devil?

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<v Speaker 4>Gently mister Meyert, Yes a gun, I am an excellent shot.

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<v Speaker 4>Believe me, we shall all stay. I insist lock the door,

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<v Speaker 4>mister Mayatt. That's fine. Now, just who are you? Mister Mayatt?

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<v Speaker 4>Who am I police spy here to keep me from

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<v Speaker 4>getting to Belgrade? Let's you surely don't expect me to

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<v Speaker 4>believe your story about some time?

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<v Speaker 1>Mister Day, that sounds like the reporter from Cologne.

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<v Speaker 4>Tell her she has made a mistake. Tell her Mayatt.

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<v Speaker 1>Go away. You've got the wrong compartment. My name is Myatt.

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<v Speaker 3>I'm a reporter.

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<v Speaker 6>Maybe warret mon Aglaria Myatt.

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<v Speaker 4>Put your arm around this, Muska open the door pathway

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<v Speaker 4>just enough for her to see both of you. I

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<v Speaker 4>shall be behind the door, and remember I have a gun. I.

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<v Speaker 6>Oh, you're not the man I'm after all you.

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<v Speaker 1>My name is myatt. I haven't the slightest idea where

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<v Speaker 1>you can find your mister John Well.

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<v Speaker 6>I'll find him. He's on the Orient Express somewhere. Excuse

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<v Speaker 6>me for interrupting you. Rah, excuse me for interrupting you.

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<v Speaker 6>Good night, mister Miat.

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<v Speaker 4>Both the door please. Ah. Perhaps you really are only

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<v Speaker 4>an American businessman, mister Mayott. In that case, I owe

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<v Speaker 4>you an explanation. Sit down.

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<v Speaker 1>He told us a fantastic story. He was a political

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<v Speaker 1>exile from his own country. He'd been forced to leave

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<v Speaker 1>five years ago, and now he was going back to

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<v Speaker 1>lead a rebellion to overthrow the government by a kudattar.

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<v Speaker 1>And to me it made very little sense. Had it

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<v Speaker 1>not been for the gun in his hand, I might

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<v Speaker 1>have laughed in his face.

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<v Speaker 4>If I am captured before this train gets to Bergrade,

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<v Speaker 4>I will be executed once in Blgrad. However, I am safe.

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<v Speaker 4>I am very popular. I know the city. There are

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<v Speaker 4>thousands ready to hide me.

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<v Speaker 1>And that's very interesting, eh. Now that you believe we're

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<v Speaker 1>who we say we are. You could put that gun away.

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<v Speaker 1>I'll bump here with you, and miss Musk can go

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<v Speaker 1>to my compartment.

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<v Speaker 4>I cannot allow that. Among the passengers and distrainer many

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<v Speaker 4>of my countrymen. Some would be loyal if they knew

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<v Speaker 4>about me, but others would not.

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<v Speaker 3>Doctor Zinner will tell no one.

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<v Speaker 4>I am sure you would not intentionally, but it might

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<v Speaker 4>slip out. No, I cannot permit you to leave this compartment.

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<v Speaker 1>I'm warning you. If I can, I am going to

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<v Speaker 1>take that gun away from you.

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<v Speaker 4>Don't try it, my friend.

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<v Speaker 1>You're older than I am, Doctor Zinner. You're tired. Just

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<v Speaker 1>how long can you stay awake? I sat with Carroll

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<v Speaker 1>on one seat. He was across from us, the revolver

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<v Speaker 1>in his hand. And it got later and later and later.

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<v Speaker 1>I'm tired, Gregg, I disclosure eyes that Carroll. Are you sleepy?

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<v Speaker 1>Doctor Zinner not yet asked.

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<v Speaker 6>That my.

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00:13:00.840 --> 00:13:04.960
<v Speaker 1>Carol was asleep on my shoulder. I thought to keep

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<v Speaker 1>my eyes open. I dozed off, and then somehow I

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00:13:08.879 --> 00:13:11.799
<v Speaker 1>came awake. I lifted my head. Doctor Zenna was asleep.

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<v Speaker 1>I reached a cross and grabbed the gun. Aw it's

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<v Speaker 1>all right, Carol, I've got it well, doctor Zenner.

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<v Speaker 4>You are right, sir. I tried to stay awake.

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<v Speaker 1>But stay here, Carol. I'm going to locate the conductor.

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<v Speaker 1>I'm going to tell him what's been going on.

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<v Speaker 4>No, you must not. I shall never get the bell cluk.

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<v Speaker 1>No, we're still outside his country. He won't be hurt.

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<v Speaker 4>But if you report me to the conductor, I shall

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<v Speaker 4>be put off the tray.

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<v Speaker 1>Allan shot, No harm done. I'll be back soon, Carol.

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<v Speaker 1>I left the compartment and started down the corridor. I

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00:13:46.639 --> 00:13:48.440
<v Speaker 1>heard a noise behind me, and as I turned, I

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00:13:48.480 --> 00:13:51.000
<v Speaker 1>caught a glimpse of a shadowy figure. One arm raised

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<v Speaker 1>high above my head. And then the arm swung down

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00:13:53.480 --> 00:13:57.519
<v Speaker 1>and something hard and heavy crashed against my skull and

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<v Speaker 1>I fell into a pool of blackness. Yes, and I

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00:14:01.000 --> 00:14:12.000
<v Speaker 1>knew nothing more. In just a moment.

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<v Speaker 2>We will return to escape, but first. The blazing billboard

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<v Speaker 2>for CBS's ten Great Sunday Night Shows has an especially

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<v Speaker 2>big blaze of lights near the top of the list.

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<v Speaker 2>That's where the names of Spike Jones, Jack Benny and

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<v Speaker 2>Amos and Andy are found in succession. Spike Jones, Jack Benny,

256
00:14:29.679 --> 00:14:33.200
<v Speaker 2>Amos and Andy. The most unusual sequence of top rating comedy

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<v Speaker 2>in radio. Don't miss a single second of their ninety

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00:14:36.799 --> 00:14:40.720
<v Speaker 2>NonStop minutes of Mirth Tomorrow Night on CBS's Great Sunday

259
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<v Speaker 2>Night ten Amos Andy and Spike Jones come to you

260
00:14:43.919 --> 00:14:46.879
<v Speaker 2>over most of these same CBS stations, and Jack Benny

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00:14:47.159 --> 00:14:50.799
<v Speaker 2>is heard over them all. And now with our star

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<v Speaker 2>Bill Conrad, we returned the second act of Escape and

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<v Speaker 2>the Orient Express.

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<v Speaker 1>How much later it was when I opened my eyes,

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<v Speaker 1>I don't know whoever had hit me had done an

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00:15:10.600 --> 00:15:17.639
<v Speaker 1>expert job. Might have been Zenner or or even Carol

267
00:15:18.519 --> 00:15:21.360
<v Speaker 1>had no way of knowing the gun was gone. I

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00:15:21.480 --> 00:15:23.679
<v Speaker 1>dragged myself to my feet and stumbled down the corridor

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00:15:23.720 --> 00:15:26.480
<v Speaker 1>back to a compartment number seven. But it was empty.

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<v Speaker 1>Perhaps they moved to my compartment, I hurried to it. No, no,

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00:15:32.000 --> 00:15:34.080
<v Speaker 1>there was nothing in my compartment. My bags were gone,

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<v Speaker 1>even my overcoat. Inside I began to feel a strange,

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00:15:37.919 --> 00:15:42.639
<v Speaker 1>unreasoning fear. Why was it so quiet? What were all

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00:15:42.639 --> 00:15:47.840
<v Speaker 1>the other passengers along the entire corridor. I opened every

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00:15:47.879 --> 00:15:54.759
<v Speaker 1>door in the coach them was completely empty. I felt

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00:15:54.759 --> 00:16:09.440
<v Speaker 1>as as if I were going crazy. I lost consciousness again. Yeah,

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<v Speaker 1>here you, mister wake got we got Who are you?

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<v Speaker 1>I sha, I am the rakeman. No tell me what

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00:16:21.600 --> 00:16:24.600
<v Speaker 1>happened to everyone? This coach was full. I got on

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<v Speaker 1>at Austin. Dozens of people got on at Austin. Oh no, sir,

281
00:16:29.080 --> 00:16:32.320
<v Speaker 1>this coach is empty and it comes only from Wagensport

282
00:16:32.399 --> 00:16:35.720
<v Speaker 1>wagons man. No, it's it's from Austin, I tell you,

283
00:16:36.559 --> 00:16:40.000
<v Speaker 1>But compartment eight. This was mine, My bag's my overcoat.

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<v Speaker 1>They were here and now they've disappeared. What was that?

285
00:16:44.480 --> 00:16:47.120
<v Speaker 1>That is only the switch engine. We're on the yards

286
00:16:47.120 --> 00:16:50.679
<v Speaker 1>outside Vienna. This coach is a deadhead. It was put

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00:16:50.720 --> 00:16:53.320
<v Speaker 1>on at the Orient Express at Reagan's broken. Now we

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00:16:53.399 --> 00:16:57.559
<v Speaker 1>take it off. Dead head? You mean no, it's not

289
00:16:57.679 --> 00:17:01.240
<v Speaker 1>my coach at all. The regular coaches the Orient Expresses

290
00:17:01.279 --> 00:17:03.399
<v Speaker 1>in front of us. If you do not wanted to

291
00:17:03.480 --> 00:17:06.400
<v Speaker 1>leave without you, you had better HORIZI don't worry, I'll

292
00:17:06.400 --> 00:17:11.640
<v Speaker 1>make it. The Orient Express was just getting underway when

293
00:17:11.640 --> 00:17:13.039
<v Speaker 1>I dropped off in front of the dead head. I

294
00:17:13.039 --> 00:17:15.440
<v Speaker 1>had plenty of time to run up alongside and swing aboard.

295
00:17:15.880 --> 00:17:17.640
<v Speaker 1>I made my way through the train to my coach

296
00:17:17.720 --> 00:17:23.079
<v Speaker 1>and knocked on the door of Center's compartment. Open up

297
00:17:23.119 --> 00:17:29.319
<v Speaker 1>and there Gregory Meyer opened the door. Please, lying on

298
00:17:29.359 --> 00:17:32.400
<v Speaker 1>the berth bound and gagedos the reporter Miss Warren, and

299
00:17:32.480 --> 00:17:36.319
<v Speaker 1>standing beside her gun in hand was not doctor Zinner

300
00:17:36.440 --> 00:17:37.720
<v Speaker 1>but Joseph Grundlish.

301
00:17:38.440 --> 00:17:41.599
<v Speaker 4>We have a very tough skull, mister Mayer. I should

302
00:17:41.640 --> 00:17:42.880
<v Speaker 4>have hit you a little harder.

303
00:17:43.000 --> 00:17:47.920
<v Speaker 1>No, where is Carol? Where is doctor Sinner? Why have

304
00:17:47.960 --> 00:17:48.839
<v Speaker 1>you tied up this reporter?

305
00:17:49.000 --> 00:17:50.319
<v Speaker 4>Please? Please not so fast.

306
00:17:50.839 --> 00:17:53.759
<v Speaker 7>First, as to Miss Warren, I have tied her to

307
00:17:53.880 --> 00:17:57.599
<v Speaker 7>prevent her from interfering with doctor Sinner, and I allowed

308
00:17:57.599 --> 00:18:00.839
<v Speaker 7>her to file her newspaper story. Doctor Sinner would never

309
00:18:00.880 --> 00:18:04.759
<v Speaker 7>get to Beograd. I happen to be anrd and follower

310
00:18:04.759 --> 00:18:08.000
<v Speaker 7>of doctor Zinna. I was standing watch last night when

311
00:18:08.000 --> 00:18:11.079
<v Speaker 7>you dashed into the corridor. Mister myatt you had this

312
00:18:11.319 --> 00:18:14.440
<v Speaker 7>very gun in your hand. You had obviously broken away

313
00:18:14.519 --> 00:18:18.079
<v Speaker 7>from doctor Zinna. Fortunately I had a black chain.

314
00:18:18.160 --> 00:18:20.960
<v Speaker 1>Whereas Carol and doctor Senner, do.

315
00:18:20.960 --> 00:18:24.000
<v Speaker 7>You promise to do nothing to interfere with doctor Sinna's plan?

316
00:18:24.160 --> 00:18:25.640
<v Speaker 1>I promise nothing, no bit.

317
00:18:25.559 --> 00:18:28.640
<v Speaker 7>Reason of the Orient Express will soon cross the border

318
00:18:28.640 --> 00:18:31.839
<v Speaker 7>into my own country. It makes only one stop at

319
00:18:31.839 --> 00:18:36.359
<v Speaker 7>the border for passport identification. After that you are involved

320
00:18:36.400 --> 00:18:37.839
<v Speaker 7>no longer By be stubborn.

321
00:18:39.319 --> 00:18:41.519
<v Speaker 1>All right, grunleichh, I want to.

322
00:18:41.359 --> 00:18:45.119
<v Speaker 7>Say, mister Mayett, I think you may go now. Doctor

323
00:18:45.200 --> 00:18:48.279
<v Speaker 7>Zinner and miss Moscow our next door in your compartment.

324
00:18:52.680 --> 00:18:55.319
<v Speaker 1>Doctor Zenna was seated on one birth dozing, and Carol

325
00:18:55.359 --> 00:18:58.680
<v Speaker 1>lay on the opposite berth, fast asleep. Traces of tears

326
00:18:58.680 --> 00:19:02.359
<v Speaker 1>on her cheeks. She shivered. I covered it with my

327
00:19:02.400 --> 00:19:03.680
<v Speaker 1>overcoat and she woke up.

328
00:19:04.880 --> 00:19:08.880
<v Speaker 3>Gregory, Gregory, I didn't know where you wish go back

329
00:19:08.920 --> 00:19:09.319
<v Speaker 3>to sleep?

330
00:19:09.359 --> 00:19:09.480
<v Speaker 1>Oh?

331
00:19:09.519 --> 00:19:11.960
<v Speaker 3>I searched every wheel. I didn't know what to do,

332
00:19:12.440 --> 00:19:13.480
<v Speaker 3>and I came back here.

333
00:19:14.200 --> 00:19:14.359
<v Speaker 1>Oh.

334
00:19:14.359 --> 00:19:17.519
<v Speaker 3>I was so tired. Doctor's dinner made me go to sleep.

335
00:19:17.599 --> 00:19:20.559
<v Speaker 1>Everything's all right. In a few hours, everything will be fine.

336
00:19:21.200 --> 00:19:29.000
<v Speaker 1>Now close your eyes and go back to sleep. I

337
00:19:29.079 --> 00:19:31.440
<v Speaker 1>left the compartment and went to the second class coach.

338
00:19:32.079 --> 00:19:34.799
<v Speaker 1>With both Carol and grundlich Gon. There was space for me.

339
00:19:35.519 --> 00:19:38.519
<v Speaker 1>I slept until I was awakened by a Hungarian passport inspector.

340
00:19:39.119 --> 00:19:42.160
<v Speaker 1>The train had stopped in a town named Schubotica, just

341
00:19:42.240 --> 00:19:45.519
<v Speaker 1>inside the border. I assured him my passport. Then I

342
00:19:45.519 --> 00:19:48.839
<v Speaker 1>went to the dining car. The breakfast rush was just starting,

343
00:19:48.880 --> 00:19:50.559
<v Speaker 1>so I gave a waiter a pound note and had

344
00:19:50.640 --> 00:19:53.319
<v Speaker 1>him get me breakfast for two. By the time the

345
00:19:53.359 --> 00:19:56.440
<v Speaker 1>Orient Express was ten minutes out of Schobotica. We were

346
00:19:56.480 --> 00:19:59.759
<v Speaker 1>going down the corridor. The loaded tray tinkling is the

347
00:19:59.759 --> 00:20:04.319
<v Speaker 1>way followed me. We arrived at my compartments, but it

348
00:20:04.400 --> 00:20:07.440
<v Speaker 1>was empty. No sign of Sinner, no sign of Carol.

349
00:20:08.119 --> 00:20:10.319
<v Speaker 1>A torn piece of paper was tucked under the cuff

350
00:20:10.319 --> 00:20:14.440
<v Speaker 1>of my overcoat. It was a note I have left

351
00:20:14.559 --> 00:20:19.720
<v Speaker 1>the doctor Zenna. I'm afraid this is goodbye. Sign Carol

352
00:20:19.799 --> 00:20:21.599
<v Speaker 1>musk see the breakfast.

353
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<v Speaker 4>Where shall I put the tray?

354
00:20:24.400 --> 00:20:29.440
<v Speaker 1>The breakfast? Oh? Take it back, I don't want it.

355
00:20:32.440 --> 00:20:35.480
<v Speaker 1>I sat near the window and watched the landscape drift past.

356
00:20:36.640 --> 00:20:40.400
<v Speaker 1>My suspicions had been right all along. Doctor Zenna had

357
00:20:40.440 --> 00:20:46.079
<v Speaker 1>played me for a fool, and so had Carol. After

358
00:20:46.160 --> 00:20:49.240
<v Speaker 1>a while, I became conscious of a tapping sound on

359
00:20:49.319 --> 00:20:52.279
<v Speaker 1>the wall of my compartment. It kept on, and suddenly

360
00:20:52.279 --> 00:20:54.279
<v Speaker 1>I realized that it was coming from the compartment next

361
00:20:54.319 --> 00:20:57.279
<v Speaker 1>to mine, someone's heel banging against the wall. It took

362
00:20:57.319 --> 00:20:59.640
<v Speaker 1>only a minute to get next door. It was miss

363
00:20:59.720 --> 00:21:02.119
<v Speaker 1>Waring and the reporter, while tied and gagged.

364
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<v Speaker 6>Oh thank goodness, I thought you'd never hear me Wes Grundley.

365
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<v Speaker 1>Where are the others?

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00:21:07.000 --> 00:21:09.039
<v Speaker 6>You mean you don't know what's happened. Zenna's going to

367
00:21:09.039 --> 00:21:11.400
<v Speaker 6>be executed, executed where they took him off the train?

368
00:21:11.440 --> 00:21:14.279
<v Speaker 6>At Supportica Gonlik arranged the whole thing. He's a government spy.

369
00:21:14.480 --> 00:21:15.400
<v Speaker 1>He can't be fully is.

370
00:21:15.400 --> 00:21:18.000
<v Speaker 6>They're probably holding a drumhead court martial on doctor Zenna

371
00:21:18.039 --> 00:21:19.400
<v Speaker 6>back in Suportica this minute.

372
00:21:19.680 --> 00:21:24.599
<v Speaker 1>I see, and Carol Musker's a government spy too. The girl, no,

373
00:21:25.160 --> 00:21:27.000
<v Speaker 1>she must be. They took her off the train, well.

374
00:21:26.839 --> 00:21:28.720
<v Speaker 6>They had to. They couldn't have any witnesses.

375
00:21:28.880 --> 00:21:29.799
<v Speaker 1>What will they do with her?

376
00:21:29.839 --> 00:21:32.319
<v Speaker 6>Probably kill her? Hey here, what are you doing? You

377
00:21:32.359 --> 00:21:34.559
<v Speaker 6>can't jump off? The train's going sixty at least.

378
00:21:34.799 --> 00:21:36.440
<v Speaker 1>I'm going back there to Supportica.

379
00:21:36.680 --> 00:21:37.359
<v Speaker 6>You're insane.

380
00:21:38.200 --> 00:21:39.880
<v Speaker 1>Look there's a small tin up ahead. I saw it

381
00:21:39.920 --> 00:21:41.839
<v Speaker 1>when I leaned out. Some cars aparked to the station.

382
00:21:41.960 --> 00:21:44.400
<v Speaker 1>I saw them. I'm going to pull the emergency cord.

383
00:21:44.680 --> 00:21:45.559
<v Speaker 1>Take one of those cars.

384
00:21:45.680 --> 00:21:47.240
<v Speaker 6>Can you possibly do in supporta car?

385
00:21:47.319 --> 00:21:48.400
<v Speaker 1>I don't know, but I'll do something.

386
00:21:49.279 --> 00:21:51.359
<v Speaker 6>Go ahead, mister Meyer, I'm going with you.

387
00:21:52.119 --> 00:21:54.759
<v Speaker 1>I pulled the emergency cord and in a matter of seconds,

388
00:21:54.759 --> 00:21:57.200
<v Speaker 1>the Orient Express was screeching to a halt. Right at

389
00:21:57.200 --> 00:21:59.400
<v Speaker 1>the station, I flung open the door, and with the

390
00:21:59.519 --> 00:22:02.359
<v Speaker 1>miss war close behind me, I ran toward the parked cars.

391
00:22:04.359 --> 00:22:08.960
<v Speaker 1>Here you you come here, you speak English?

392
00:22:09.319 --> 00:22:11.240
<v Speaker 4>Car gentleman's a car very cheap?

393
00:22:11.359 --> 00:22:15.440
<v Speaker 1>I want to go to I'll give you twenty pounds.

394
00:22:15.599 --> 00:22:17.240
<v Speaker 4>Yea King, General mons Getty.

395
00:22:21.160 --> 00:22:23.559
<v Speaker 1>We were at Stabotica inside of an hour. I had

396
00:22:23.599 --> 00:22:25.559
<v Speaker 1>the driver stopped just before we got into the center

397
00:22:25.599 --> 00:22:28.000
<v Speaker 1>of town and told him to wait. Ms. Warren and

398
00:22:28.039 --> 00:22:34.440
<v Speaker 1>I started down the main street. Mister Miat look in

399
00:22:34.519 --> 00:22:36.920
<v Speaker 1>the doorway of a small restaurant. His back to us,

400
00:22:37.000 --> 00:22:42.039
<v Speaker 1>talking to a chef was Joseph Grundlish. Just keep walking.

401
00:22:42.960 --> 00:22:44.000
<v Speaker 1>Try to hear what he's saying.

402
00:22:44.680 --> 00:22:46.480
<v Speaker 7>Two people have it sent to the rails.

403
00:22:49.039 --> 00:22:49.920
<v Speaker 1>Did you hear what he said?

404
00:22:50.079 --> 00:22:52.240
<v Speaker 6>Something about a last meal for two people to be

405
00:22:52.240 --> 00:22:53.319
<v Speaker 6>taken to the railroad station.

406
00:22:53.559 --> 00:22:58.799
<v Speaker 1>Don't turn your head, just keep walking. The railroad station

407
00:22:58.880 --> 00:23:01.519
<v Speaker 1>platform was empty, so to taket office, but through the

408
00:23:01.559 --> 00:23:03.400
<v Speaker 1>window we could see the waiting room, and beyond it

409
00:23:03.440 --> 00:23:05.720
<v Speaker 1>was a closed door to a baggage room. There was

410
00:23:05.759 --> 00:23:08.200
<v Speaker 1>a large old fashioned key in the lock, and standing

411
00:23:08.240 --> 00:23:12.079
<v Speaker 1>beside the door was a soldier with a rifle that's

412
00:23:12.119 --> 00:23:14.279
<v Speaker 1>why they must be in the baggage room. You don't

413
00:23:14.319 --> 00:23:17.640
<v Speaker 1>have a gun, I suppose no, neither do I the

414
00:23:17.720 --> 00:23:19.559
<v Speaker 1>keys in the lock if I can get to it

415
00:23:19.599 --> 00:23:22.640
<v Speaker 1>without the soldiers noticing. We've got to get the soldier

416
00:23:22.640 --> 00:23:26.480
<v Speaker 1>away from the door, Miss Warren. Oh, look, do you

417
00:23:26.480 --> 00:23:28.839
<v Speaker 1>see that telephone over there in the fire corner. If

418
00:23:28.839 --> 00:23:31.079
<v Speaker 1>we could somehow get the soldier over to the telephone,

419
00:23:31.119 --> 00:23:33.920
<v Speaker 1>his view of the baggage room door would be cut off. Look,

420
00:23:33.920 --> 00:23:36.480
<v Speaker 1>that'll be your job, miss Warring. Go into the waiting

421
00:23:36.519 --> 00:23:38.279
<v Speaker 1>room and up to the telephone booth. Smile at the

422
00:23:38.279 --> 00:23:40.799
<v Speaker 1>soldiers you go by. Then, pretend you're having some trouble

423
00:23:40.839 --> 00:23:42.799
<v Speaker 1>with the phone. Appeal to him for help. When he

424
00:23:42.880 --> 00:23:44.920
<v Speaker 1>joins you with the phone booth, keep him occupied while

425
00:23:44.920 --> 00:23:45.839
<v Speaker 1>I go in and let him out.

426
00:23:46.000 --> 00:23:46.880
<v Speaker 6>But he might go around.

427
00:23:47.000 --> 00:23:49.559
<v Speaker 1>Just talk to him, center, and Carol and I will

428
00:23:49.559 --> 00:23:50.359
<v Speaker 1>try to make the car.

429
00:23:50.640 --> 00:23:53.039
<v Speaker 6>You'll have to hurry, grew looking that last meal may

430
00:23:53.039 --> 00:23:53.799
<v Speaker 6>be here any minute.

431
00:23:53.960 --> 00:24:00.680
<v Speaker 1>We'll hurry all right through the grimy wonder why watched

432
00:24:00.680 --> 00:24:02.799
<v Speaker 1>does miss Warren cross the waiting room to the telephone,

433
00:24:02.799 --> 00:24:05.279
<v Speaker 1>smiling at the soldier. She left the booth and walked

434
00:24:05.279 --> 00:24:07.960
<v Speaker 1>over to him. Couldn't hear what they were saying. She

435
00:24:08.119 --> 00:24:10.960
<v Speaker 1>smiled at him again, putting her hand on his arm.

436
00:24:11.160 --> 00:24:14.000
<v Speaker 1>They went over the booth. He took a deep breath

437
00:24:14.039 --> 00:24:16.759
<v Speaker 1>and into the waiting room. I could hear them talking

438
00:24:16.799 --> 00:24:31.200
<v Speaker 1>as I started toward the baggage room. Cal no noise,

439
00:24:31.599 --> 00:24:35.960
<v Speaker 1>doctor Zinner, Carol, go to the station platform, now, no noise.

440
00:24:36.000 --> 00:24:44.680
<v Speaker 1>Come on. We started back toward the open door that

441
00:24:44.759 --> 00:24:46.839
<v Speaker 1>led to the station platform and went out slowly, not

442
00:24:46.880 --> 00:24:50.200
<v Speaker 1>making a sound. Miss Warren was still talking to the soldier,

443
00:24:50.480 --> 00:24:58.160
<v Speaker 1>and then suddenly their voices stopped. I glanced back. The

444
00:24:58.200 --> 00:25:03.599
<v Speaker 1>soldier's gun had fallen to the floor. He was kissing

445
00:25:03.640 --> 00:25:07.240
<v Speaker 1>Miss Warren. We got out to the platform and I

446
00:25:07.240 --> 00:25:10.759
<v Speaker 1>shut the door quietly. All right, follow me. The car

447
00:25:10.799 --> 00:25:13.279
<v Speaker 1>is two blocks away. Well, she's a reporter. They won't

448
00:25:13.359 --> 00:25:16.920
<v Speaker 1>dare touch her. Now come on. In a few moments,

449
00:25:16.960 --> 00:25:18.839
<v Speaker 1>the station was behind us. The car was only a

450
00:25:18.839 --> 00:25:22.519
<v Speaker 1>block away. Now we turned the corner, and walking toward us,

451
00:25:22.519 --> 00:25:24.599
<v Speaker 1>not ten feet away was Joseph Grundley. Can have waited

452
00:25:24.599 --> 00:25:26.839
<v Speaker 1>from the restaurant before he could collect his wits. I

453
00:25:26.920 --> 00:25:29.720
<v Speaker 1>ran at him. He crumpled to the ground. Then I

454
00:25:29.759 --> 00:25:34.960
<v Speaker 1>hit the waiter all right, run for it. Bruntley cud

455
00:25:35.000 --> 00:25:37.440
<v Speaker 1>a few shots at us but hit no. And then

456
00:25:37.480 --> 00:25:39.839
<v Speaker 1>we were in the car and he fired at us

457
00:25:39.839 --> 00:25:56.480
<v Speaker 1>no longer. Oh what you? Goodbye? Doctor Zenna. You're sure

458
00:25:56.519 --> 00:25:57.319
<v Speaker 1>you won't come along?

459
00:25:57.559 --> 00:26:01.680
<v Speaker 4>Oh? I stay here? Shall be all right now, thanks

460
00:26:01.720 --> 00:26:01.960
<v Speaker 4>to you.

461
00:26:02.559 --> 00:26:15.440
<v Speaker 8>Goodbye, mister Byer, goodbye?

462
00:26:18.359 --> 00:26:18.680
<v Speaker 1>Hello?

463
00:26:19.279 --> 00:26:19.640
<v Speaker 3>Hello?

464
00:26:22.279 --> 00:26:26.039
<v Speaker 1>You mind if I sit down? No?

465
00:26:26.759 --> 00:26:27.279
<v Speaker 6>Not at all.

466
00:26:29.319 --> 00:26:34.799
<v Speaker 1>Well, we'll be in its donebul tomorrow a day late.

467
00:26:35.559 --> 00:26:37.599
<v Speaker 3>You know I probably lost that chorus.

468
00:26:37.720 --> 00:26:40.640
<v Speaker 1>Job. Have any idea what you'll do? Then?

469
00:26:41.119 --> 00:26:42.640
<v Speaker 3>I think so, I.

470
00:26:42.680 --> 00:26:43.400
<v Speaker 6>Have an idea.

471
00:26:45.160 --> 00:26:54.119
<v Speaker 1>Yeah, so by a very good idea. Come in.

472
00:27:13.359 --> 00:27:21.839
<v Speaker 2>Escape is produced and directed by Norman McDonald. Today we

473
00:27:21.880 --> 00:27:26.359
<v Speaker 2>have presented transcribed Orient Express by Graham Green, adapted for

474
00:27:26.519 --> 00:27:30.240
<v Speaker 2>radio by Sheldon Stark and Walter Newman, with editorial supervision

475
00:27:30.279 --> 00:27:33.960
<v Speaker 2>by John Duncle. Starred as Gregory, Myatt was Bill Conrad.

476
00:27:34.480 --> 00:27:39.559
<v Speaker 2>Featured players were Edgar Barrier, Hans Conrad, Gloria Grant, Harry Bartel,

477
00:27:39.920 --> 00:27:44.000
<v Speaker 2>Anne Morrison, Jack Prusian and John Dayner. The special music

478
00:27:44.039 --> 00:27:49.359
<v Speaker 2>was arranged and played by Ivant at Mars next week, You.

479
00:27:49.319 --> 00:27:53.000
<v Speaker 1>Are alone in the steaming jungle with three men. You

480
00:27:53.039 --> 00:27:55.160
<v Speaker 1>know that one of them is a desperate criminal the

481
00:27:55.240 --> 00:27:57.960
<v Speaker 1>man you've come here to arrest, but you don't know

482
00:27:58.000 --> 00:28:01.200
<v Speaker 1>which one. You'll have to find him before he can

483
00:28:01.279 --> 00:28:03.759
<v Speaker 1>save himself by killing you.

484
00:28:11.000 --> 00:28:14.839
<v Speaker 2>Next week we escape with LG. Blockman's exciting tale of

485
00:28:14.880 --> 00:28:19.400
<v Speaker 2>a manhunt Red Wine. Goodbye then, until the same time

486
00:28:19.519 --> 00:28:35.039
<v Speaker 2>next week, when once again CBS offers you escape. Looking

487
00:28:35.119 --> 00:28:38.759
<v Speaker 2>for more escape drama, There'll be more coming along on

488
00:28:38.880 --> 00:28:42.119
<v Speaker 2>CBS tonight, when most of these same CBS stations will

489
00:28:42.119 --> 00:28:46.400
<v Speaker 2>bring you the adventures of Philip Marlowe and Gangbusters. They're

490
00:28:46.440 --> 00:28:51.920
<v Speaker 2>both regular Saturday night features on CBS. Now, stay tuned

491
00:28:51.960 --> 00:28:54.400
<v Speaker 2>for five minutes of the latest news, to be followed

492
00:28:54.400 --> 00:28:57.519
<v Speaker 2>immediately by the Let's Pretend program over most of these

493
00:28:57.559 --> 00:29:11.039
<v Speaker 2>same CBS network stations. This is Roy Rod speaking for

494
00:29:11.400 --> 00:29:30.799
<v Speaker 2>CBS the Columbia Broadcasting System
