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<v Speaker 1>Hudson River Radio dot com.

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<v Speaker 2>It beats listening to nothing. My goodness, it's Frank being Frank,

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<v Speaker 2>where the only way to be is Frank. Hello everyone,

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<v Speaker 2>and welcome to being Frank. We're the only way to

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<v Speaker 2>be is well Frank. I'm your host, Frank Lebon, and

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<v Speaker 2>I'd like to thank you for joining us on what

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<v Speaker 2>we like to call the Intelligent Conversation Podcast, where no

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<v Speaker 2>conversations out of bounds, in all points of view are welcome.

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<v Speaker 2>Listeners are familiar with our routine. We record live to

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<v Speaker 2>tape and I give you the date so you have

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<v Speaker 2>some context and relevance. We're approaching Saint Patrick's Day. It's

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<v Speaker 2>the eleventh of March. And with that in mind, I've

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<v Speaker 2>always been amazed how much influence a small country the

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<v Speaker 2>size of Ireland could have on history and culture here

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<v Speaker 2>in America and around the world. This is especially true

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<v Speaker 2>in literature. The amount of great Irish writers like John Swifts,

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<v Speaker 2>Samuel Beckett, W. B. Yates, and James Joyce, to name

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<v Speaker 2>just a few, is vast and impressive. Plays, novels, and

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<v Speaker 2>poems written by both irishmen and women have become immortal.

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<v Speaker 2>Continuing in this tradition, in very much his own way

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<v Speaker 2>and joining us for some intelligent conversation. Is a man

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<v Speaker 2>whose own life is as interesting as the books he

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<v Speaker 2>now writes. Here are just some of his highlights. Born

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<v Speaker 2>in nineteen fifty six in Oman, Northern Ireland, where he

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<v Speaker 2>intended both Protestant and Catholic schools, he wanted to be

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<v Speaker 2>Jacques Cousteau, but wound up working in financial services until

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<v Speaker 2>his retirement in twenty twenty one. At that time he

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<v Speaker 2>began writing his first book, Dance Hall Days. It took

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<v Speaker 2>him four years to write and publish that one. His

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<v Speaker 2>second book, The Cruelest Month, was published in the autumn

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<v Speaker 2>of twenty twenty five. He uses his family and his

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<v Speaker 2>life experiences in Oma as the basis for his novels.

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<v Speaker 2>His wife May was diagnosed with MS multiple sclerosis in

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<v Speaker 2>twenty nineteen, and he donates all proceeds from the book

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<v Speaker 2>to MS research. He is in the process of writing

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<v Speaker 2>his third book in the series and says he has

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<v Speaker 2>a whole new lease on life at seventy. Please welcome

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<v Speaker 2>live from Carrick Fergus, Northern Ireland. Mister Sam, you know Sam.

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<v Speaker 2>Thank you so much for joining us from so far away.

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<v Speaker 1>No problem, Frank, thank you very much for helping me,

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<v Speaker 1>for inviting me alone. Are you sure that was me

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<v Speaker 1>you were talking about there in the introduction.

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<v Speaker 2>I took it right from your I took it right

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<v Speaker 2>from your bios, so it's got to be true, right

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<v Speaker 2>to me.

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<v Speaker 1>The other person I'd like to thank right now is

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<v Speaker 1>my cousin, Quenton, who lives in New York, for introducing us. So, Quentin,

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<v Speaker 1>this is all your fault.

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<v Speaker 2>Yes, I know, Quin. I'll blame him later as well.

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<v Speaker 2>We'll make sure he gets the link to watch the program.

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<v Speaker 2>And I've really been looking forward to this. We've done

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<v Speaker 2>some preliminary meetings and I'm sure there's going to be

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<v Speaker 2>informative and fun. So let's let's start with the basics.

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<v Speaker 2>Tell us about Sam. How did you get where you are?

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<v Speaker 2>We gave kind of the nuts and balls. You were

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<v Speaker 2>financial planning, But how did you get to where you

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<v Speaker 2>are as an author?

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<v Speaker 1>Well, I suppose the books are set on Omas as

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<v Speaker 1>you as you rightly say, where I was born and

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<v Speaker 1>raised or just over seventy years ago. As you mentioned,

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<v Speaker 1>I was the third of four siblings. My parents were

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<v Speaker 1>both civil servants. That was a very uneventful sort of

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<v Speaker 1>childhood until I turned sixteen. And over here in the

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<v Speaker 1>UK we at sixteen you do exams called O levels

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<v Speaker 1>ordinary levels, so that's that's fifth form in secondary school.

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<v Speaker 1>And so I had just completed my O level and

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<v Speaker 1>I was always very good at exams, but it was

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<v Speaker 1>I was a very boisterous child, shall we say I was.

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<v Speaker 2>I get that, I say that.

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<v Speaker 1>And well, just after our exams, a couple of friends

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<v Speaker 1>of mine and I went to a pub to have

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<v Speaker 1>a few beers to celebrate. We weren't drunk, gronding. We

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<v Speaker 1>were only sixteen. We had maybe a couple of painting

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<v Speaker 1>in us. But on the way home we decided to

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<v Speaker 1>let off steam outside the school that we went to,

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<v Speaker 1>the academy, the Protestant school, which was about fifty meters

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<v Speaker 1>from where I lived in the middle of Homa, and

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<v Speaker 1>we had one of us had cans of spray paint

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<v Speaker 1>with him and he was actually bought them to spray

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<v Speaker 1>his bicycle. But we ended up writing graffiti all over

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<v Speaker 1>the walls of the school. Well, so, and we got

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<v Speaker 1>caught and I got expelled. And my mother worked in

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<v Speaker 1>the Department of Education.

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<v Speaker 2>Wow, big deal, that's a big deal. My mother worked

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<v Speaker 2>in the high school office couldn't get away with anything.

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<v Speaker 1>Yeah, So it was it was a major thing, and

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<v Speaker 1>my father was absolutely vivid, quite rightly. He actually hit

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<v Speaker 1>me very hard when he came home from work that

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<v Speaker 1>afternoon as the only time it ever happened. So that

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<v Speaker 1>was the first big event, and it was the first

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<v Speaker 1>evidence that I had of my mother's strength in that

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<v Speaker 1>in the summer because the Christian Brothers Catholic School was

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<v Speaker 1>about fifty yards from my house in the other direction,

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<v Speaker 1>so in the summer at that age, we played a

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<v Speaker 1>lot of soccer football, as we would call it. And

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<v Speaker 1>I knew a lot of people who went to the

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<v Speaker 1>Christian Brothers school and was friendly with quite a few

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<v Speaker 1>of them. So my options when I got expelled Protestant

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<v Speaker 1>school wise was to travel for an hour and a

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<v Speaker 1>half in one direction, but the other was to go

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<v Speaker 1>to where Oscar Wild School pertorer in a skilling and board,

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<v Speaker 1>all of which would have been very expensive and impossible

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<v Speaker 1>financially really, and I suggested I go to the Christian Brothers.

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<v Speaker 1>And this was mcgranny old fashioned Unionist father, unionist mother, Unionist.

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<v Speaker 1>This was unbelievably out there, but my mother saw the

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<v Speaker 1>sense in it, and she accompanied me for an interview

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<v Speaker 1>at the Christian Brothers with the head master, Brother O'shay,

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<v Speaker 1>and it went extremely well and I ended up that

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<v Speaker 1>September going to the Christian Brothers to do my A

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<v Speaker 1>levels for two years before going to university. And I

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<v Speaker 1>think if I hadn't gone to the Christian Brothers, I

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<v Speaker 1>wouldn't have passed me A levels. It settled me down

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<v Speaker 1>and I got to university and I was the only

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<v Speaker 1>Protestant in the school. And this was nineteen seventy two,

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<v Speaker 1>so it was the height of the troubles. Bloody Sunday

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<v Speaker 1>had been that January in nineteen seventy two, the massacre

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<v Speaker 1>in Londonderry, so that was a huge thing. But I

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<v Speaker 1>was treated very respectfully that the Christian Brothers have treated

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<v Speaker 1>very well and the teachers were absolutely brilliant. I said

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<v Speaker 1>I wouldn't have passed me exams if it stayed at

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<v Speaker 1>the academy. It was too wild. So that was that

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<v Speaker 1>was the first big event, the big influence on me

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<v Speaker 1>of my mother's strength as a person.

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<v Speaker 2>Yes, Sa, I mean, I think it's important, and again

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<v Speaker 2>I don't want to make this it's not about the

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<v Speaker 2>troubles and it's a huge political issue, but we have

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<v Speaker 2>to frame things in your experience, in your background, relative

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<v Speaker 2>to what you are today and how you write and

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<v Speaker 2>what you write. So what did that all mean? And

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<v Speaker 2>I think that as we spoke in prep, the important

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<v Speaker 2>lesson that you got from your mother by doing that,

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<v Speaker 2>it was there were many messages there obviously to continue

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<v Speaker 2>your education, but in a way, and you told me

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<v Speaker 2>something interesting and I'm just paraphrasing that your mother wanted

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<v Speaker 2>you in a sense also to learn it that Catholics

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<v Speaker 2>didn't have three heads. Uh So if you frame, if

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<v Speaker 2>you frame that, I think people will understand how important

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<v Speaker 2>that was. And as you mentioned, how rare it was

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<v Speaker 2>at that time because the animosity between the two groups

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<v Speaker 2>was literally killing one another. So I think it's important

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<v Speaker 2>to understand that and you will have.

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<v Speaker 1>Yeah, well, absolutely, well, I think it was more I

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<v Speaker 1>explained to my parents and their mother sort of lessoned that.

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<v Speaker 1>I told her that Catholics didn't have three heads, and

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<v Speaker 1>they didn't they didn't eat their children. They were the

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<v Speaker 1>same as basically they they wanted a job, they wanted

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<v Speaker 1>an education, they wanted to bring up their kids. And

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<v Speaker 1>my mother listened and and I think the thing at

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<v Speaker 1>the Christian real hard. People got through all that time

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<v Speaker 1>because there were a lot of bombs going off and

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<v Speaker 1>nom before the really big one in nineteen ninety eight,

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<v Speaker 1>the famous one where there was a lot of bomb

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<v Speaker 1>ordinary bombs if you want to call them, going off everywhere.

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<v Speaker 1>But the way people got through it and the way

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<v Speaker 1>it was dealt without the Christian Brothers school is just

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<v Speaker 1>it was never discussed ever. We went in, we did lessons,

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<v Speaker 1>we went home. I never played any sport at the

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<v Speaker 1>Christian Brothers. I was a very keen rugby player. At

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<v Speaker 1>the Academy, they didn't play rugby at the Brothers. They

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<v Speaker 1>played Gaelic football, which I wasn't say it wasn't allowed

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<v Speaker 1>to play, but I was too old at that stage

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<v Speaker 1>even just started learning Gaelic football. So we didn't play

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<v Speaker 1>any sport at all. So there's no after school stuff.

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<v Speaker 1>It was just home, which wasn't very far away, which

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<v Speaker 1>was the big thing. So yeah, it was the fact

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<v Speaker 1>that I was the only Protestant in the place was

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<v Speaker 1>mind blowing at the time, and my friends at the

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<v Speaker 1>academy really almost couldn't believe it. But I started a

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<v Speaker 1>trend the other way, because I started to meet parents

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<v Speaker 1>of friends at the Christian Brothers and their children were

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<v Speaker 1>going through what I had gone through at the Academy,

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<v Speaker 1>and quite a few of them went the other way

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<v Speaker 1>and migrated to the academy. So I was. I like

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<v Speaker 1>to think I was a pioneer of integrated education. And

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<v Speaker 1>I'm a big fan of integrated education because I don't

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<v Speaker 1>believe you can hit your teammate in the football team

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<v Speaker 1>or the person that you're doing who's doing your homework

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<v Speaker 1>for you if you want. So you know, the hatred

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<v Speaker 1>is embedded and continues because both sides have a vested

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<v Speaker 1>interest in keeping it embedded. Well that's my personal view,

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<v Speaker 1>but I think a lot of people might agree. So, yeah,

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<v Speaker 1>it was. It was. It was incredibly unique, But it

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<v Speaker 1>was the best thing ever happened to me because I've

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<v Speaker 1>got really good friends now from both schools that I've

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<v Speaker 1>kept in touch with all this time, and they're still

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<v Speaker 1>friends and will be forever.

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<v Speaker 2>Women have played a big role in your life in

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<v Speaker 2>your novels. Talk about that a little bit, your mother,

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<v Speaker 2>your wife, your sisters. I know I'll play big roles.

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<v Speaker 2>Explain why in hell?

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<v Speaker 1>Well, yeah, all the drama I mean the book. The

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<v Speaker 1>idea for the books started when my mother was, as

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<v Speaker 1>I describe it, fading away in the nursing home. I

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<v Speaker 1>knew that she had had major events in her life,

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<v Speaker 1>major trauma and things that you had to deal with,

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<v Speaker 1>but I didn't know the details again because they were

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<v Speaker 1>never really discussed. So as she was fading away, I

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<v Speaker 1>started visiting, driving down from Carrac Fergus to home every day,

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<v Speaker 1>not every day, once a week, and we started. I

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<v Speaker 1>started chatting and asking her questions and probing a bit,

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<v Speaker 1>and she's told me more and more, and the more

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<v Speaker 1>she told me, the more amazed I was by how

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<v Speaker 1>she had dealt with these things, and how her mother

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<v Speaker 1>before that had dealt with bringing up four children in

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<v Speaker 1>a two up, two down that flooded every autumn and

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<v Speaker 1>there was no help. There was no insurance, so there

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<v Speaker 1>was nothing. They just went upstairs and lived for two

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<v Speaker 1>three days, brought everything up, They hung the furniture up

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<v Speaker 1>on hooks on the ceiling and went upstairs and stayed

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<v Speaker 1>until the floods went down, and they went back down

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<v Speaker 1>and cleaned the place up and carried on. My granny

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<v Speaker 1>was cleaner. She had three jobs, work cleaning for three

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<v Speaker 1>businessmen in Noma. My granddad died before the war, so

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<v Speaker 1>she was a single parent who brought four of them

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<v Speaker 1>up on nothing, and they all had to start work

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<v Speaker 1>at fourteen because they couldn't afford to continue with education

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<v Speaker 1>and they couldn't afford not to start work. So my

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<v Speaker 1>mother's first job was as a secretary and a solicitor's office,

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<v Speaker 1>and she became incredibly good at shorthand and typing and

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<v Speaker 1>was very enthusiastic. Her two older sisters escaped, one to

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<v Speaker 1>Canada and one to England, and her younger brother joined

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<v Speaker 1>the Navy after he'd had trials for Manchester un edited.

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<v Speaker 1>He was a very good footballer, but he didn't make

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<v Speaker 1>it as a footballer. So those stories led me to think, well,

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<v Speaker 1>everybody escaped from Oma except my mother, who stayed because

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<v Speaker 1>of circumstances and ended up looking after her mother. And

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<v Speaker 1>it was the strength of my granny and then my

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<v Speaker 1>mother dealing with the things they dealt with, which involves

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<v Speaker 1>initially my the eldest of my two sisters, who I

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<v Speaker 1>knew her father wasn't the same as my father, but

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<v Speaker 1>that's about as much as I knew, and she didn't

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<v Speaker 1>live with us. She lived with my granny, but so

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<v Speaker 1>she was different, but she was my sister and that's

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<v Speaker 1>what we thought of her as. But so that there's

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<v Speaker 1>a huge story there how that happened. So I know

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<v Speaker 1>the facts, and I thought this, this, this has to

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<v Speaker 1>be written down. And then other tragedies happened, and they

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<v Speaker 1>say the more she told me, frankly more, I thought,

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<v Speaker 1>I have to write this down. I'm going to make this.

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<v Speaker 1>I've never written any of my life before. But the

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<v Speaker 1>two sisters, who you know, both previous, they both passed away.

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<v Speaker 1>I got my younger brother and we left now. But

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<v Speaker 1>the stories of the strength of these people and the

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<v Speaker 1>tragedies my mother and mc granny, what they dealt with,

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<v Speaker 1>I just thought, I'm going to write this down when

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<v Speaker 1>I retired. This is gonna be my project in retirement,

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<v Speaker 1>because I've never written anything before ever. And my mother

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<v Speaker 1>would have been horrified at the thought of it, because

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<v Speaker 1>she thought she was just an ordinary little woman who

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<v Speaker 1>worked and brought up her family, married, married with my

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<v Speaker 1>father and had an ordinary little life. But I thought

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<v Speaker 1>she wasn't ordinary, she was extraordinary. And then May came

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<v Speaker 1>in on the scene, and we've been married just over

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<v Speaker 1>thirty five years. May, Yeah, thirty six years this year

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00:15:50.679 --> 00:15:53.360
<v Speaker 1>we've been married. And she saved me in a way

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<v Speaker 1>as well, because I was I was still enjoying a

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<v Speaker 1>beer or two when I met Mey, just living the

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<v Speaker 1>life of a single one or two, a single of

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<v Speaker 1>a single man. So we met May and that settled

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<v Speaker 1>me down incredibly because she was a traveler. She'd been

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<v Speaker 1>traveling a lot before on her own before we met,

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<v Speaker 1>and the first as soon as a matter that summer

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<v Speaker 1>that first year, she she booked a holiday to Turkey

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00:16:20.200 --> 00:16:23.840
<v Speaker 1>to bodroom and and so I knew there was a

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<v Speaker 1>hotel room in boardroom books. So I just got on

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<v Speaker 1>a flight to boardroom and joined up with May. In Turkey.

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<v Speaker 1>We're on the beach for about one day and we're

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<v Speaker 1>board to tears. So we went on the local bus

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<v Speaker 1>to Stanbull overnight. We will only touristive white people on it.

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<v Speaker 1>And got off the bus saw Hilton Hotel, asked them,

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<v Speaker 1>I've had the room for a couple of nights. Where's

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<v Speaker 1>the blue mosque? And that was us. We never stopped

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00:16:46.279 --> 00:16:51.080
<v Speaker 1>after that, went long haul. We've traveled the whole entire world.

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<v Speaker 1>So May's influence was very calming, almost life saving, that's

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00:16:58.200 --> 00:17:01.440
<v Speaker 1>not too dramatic. So the both of the women, two sisters,

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<v Speaker 1>all their granny wife, all very very important parts in

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<v Speaker 1>my life. And the basis for the book and the

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00:17:10.400 --> 00:17:14.960
<v Speaker 1>link of obviously with the book was May was diagnosed

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00:17:14.960 --> 00:17:18.200
<v Speaker 1>with MS two days after my mother died, and the

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00:17:18.680 --> 00:17:21.319
<v Speaker 1>dots got joined immediately in my head that this is

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00:17:21.359 --> 00:17:23.359
<v Speaker 1>what I was going to do with even if we

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<v Speaker 1>so old one book, I'm going to give every penny

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00:17:26.279 --> 00:17:32.559
<v Speaker 1>to MS research and and and that's what happened. And

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00:17:32.680 --> 00:17:35.079
<v Speaker 1>luckily we've sown quite a lot more than than in

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00:17:35.279 --> 00:17:38.400
<v Speaker 1>one book. It's been, it's been very it's been it's

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00:17:38.400 --> 00:17:41.240
<v Speaker 1>been a great project and a great privilege to have

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00:17:41.240 --> 00:17:44.319
<v Speaker 1>been able to do it. And my favorite pund of

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00:17:44.319 --> 00:17:46.880
<v Speaker 1>all time is it's a novel way of fundraising.

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00:17:48.799 --> 00:17:50.519
<v Speaker 2>And we're going to talk about that in the novelty

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00:17:50.559 --> 00:17:55.200
<v Speaker 2>of it and all that in time. But another name

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00:17:55.319 --> 00:17:58.759
<v Speaker 2>that you that you mentioned that's very important in your

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00:17:58.799 --> 00:18:04.240
<v Speaker 2>life and you're reading is your hometown Oma. Why you

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00:18:04.440 --> 00:18:08.359
<v Speaker 2>keep saying it's it's different, Explain then, why it's it's

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<v Speaker 2>very in the forefront seemingly of your thinking. I guess

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00:18:12.559 --> 00:18:14.599
<v Speaker 2>as most of our hometowns are, but it seems like

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<v Speaker 2>a very special place to you.

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<v Speaker 1>Well, yeah, well it is. It's I mean, I left

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<v Speaker 1>Oma after I left the Christian Brothers and went to university.

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00:18:24.160 --> 00:18:26.279
<v Speaker 1>I never really went back and lived in Oma after that.

300
00:18:27.039 --> 00:18:31.400
<v Speaker 1>University was up on the north coast near Port Brush,

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00:18:31.400 --> 00:18:34.680
<v Speaker 1>which is the same as for the Giants causeways, and

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00:18:34.720 --> 00:18:37.240
<v Speaker 1>then it was easier. I met May and she was

303
00:18:37.680 --> 00:18:40.000
<v Speaker 1>she was from Fermana as well. She was a country guirer,

304
00:18:40.039 --> 00:18:42.599
<v Speaker 1>but she was living and working in Belfast. She worked

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00:18:42.599 --> 00:18:45.799
<v Speaker 1>in the hematology labs in the hospital in Belfast, so

306
00:18:45.839 --> 00:18:48.759
<v Speaker 1>she was kept very busy during the troubles of obviously

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00:18:48.799 --> 00:18:51.240
<v Speaker 1>working in the the blood bank and the blood labs,

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00:18:51.920 --> 00:18:53.680
<v Speaker 1>and she had a special pass to get through the

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00:18:53.680 --> 00:18:55.960
<v Speaker 1>barricades and the barriers and stuff. You know, they get

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00:18:56.000 --> 00:19:00.559
<v Speaker 1>into an essential worker. So we met additionally, seeming sense

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00:19:01.640 --> 00:19:04.079
<v Speaker 1>to staying up around Belfast because that's where the work was.

312
00:19:04.920 --> 00:19:08.519
<v Speaker 1>But Oma is always home. It's always referred to as home.

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<v Speaker 1>We live in carract Fergus have done for a long time,

314
00:19:11.680 --> 00:19:15.319
<v Speaker 1>but it will never really be home. Oma is home

315
00:19:15.519 --> 00:19:21.200
<v Speaker 1>and that's where all my you know, if if I

316
00:19:21.359 --> 00:19:23.240
<v Speaker 1>wanted or was going to end up in a nursing

317
00:19:23.279 --> 00:19:25.279
<v Speaker 1>home somewhere. I would like it to be Oma, because

318
00:19:25.279 --> 00:19:29.160
<v Speaker 1>that's where all my real friends are, my lifelong friends.

319
00:19:30.799 --> 00:19:34.359
<v Speaker 1>It has changed a lot, obviously over time, but a

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00:19:34.359 --> 00:19:36.000
<v Speaker 1>lot of the pubs that I used to go to

321
00:19:36.079 --> 00:19:38.160
<v Speaker 1>are still there, a lot of the buildings that I

322
00:19:38.599 --> 00:19:41.960
<v Speaker 1>used to go to are still there. And it's just

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00:19:42.079 --> 00:19:44.160
<v Speaker 1>it's a it's a it's a human thing rather than

324
00:19:44.200 --> 00:19:47.079
<v Speaker 1>the geography or the buildings of Oma. It's where all

325
00:19:47.119 --> 00:19:52.079
<v Speaker 1>my real mates are. That from both schools. Whenever I

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00:19:52.119 --> 00:19:54.240
<v Speaker 1>was doing the launch of the first book and Oma

327
00:19:54.319 --> 00:19:57.359
<v Speaker 1>Library that turned that, I was overwhelmed by the turnout

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00:19:57.400 --> 00:20:00.480
<v Speaker 1>of people from both schools. People I hadn't seen for

329
00:20:00.519 --> 00:20:05.000
<v Speaker 1>fifty years, people who worked with me mother were there,

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00:20:05.160 --> 00:20:07.759
<v Speaker 1>and they said it was overwhelming and that could never

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00:20:07.839 --> 00:20:13.880
<v Speaker 1>happen anywhere else, only only Oma, simply because that's where

332
00:20:13.920 --> 00:20:19.240
<v Speaker 1>it all happened. That's where the protagonists all lived. I

333
00:20:19.279 --> 00:20:23.440
<v Speaker 1>think the books could have been set really anywhere. The

334
00:20:23.519 --> 00:20:26.079
<v Speaker 1>universal sort of love story type thing that could have

335
00:20:26.079 --> 00:20:28.160
<v Speaker 1>be set anywhere, but it couldn't be set in a

336
00:20:28.319 --> 00:20:32.359
<v Speaker 1>different time because attitudes to things now would be completely different.

337
00:20:33.160 --> 00:20:37.720
<v Speaker 1>So the time is unique. The situation that the place

338
00:20:38.200 --> 00:20:40.799
<v Speaker 1>is simply because that was the place.

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00:20:42.400 --> 00:20:45.960
<v Speaker 2>Now. And you've mentioned you were not trained as a writer.

340
00:20:46.119 --> 00:20:49.920
<v Speaker 2>You have no real formal training, if you will, yourself taught,

341
00:20:50.200 --> 00:20:54.400
<v Speaker 2>and it took you four years to write and publish

342
00:20:54.480 --> 00:20:58.160
<v Speaker 2>your first work. What were some of the real challenges

343
00:20:58.640 --> 00:21:01.400
<v Speaker 2>that you faced? Obviously create of writing being one, But

344
00:21:01.400 --> 00:21:03.279
<v Speaker 2>but it's more than that. Talk a little bit about

345
00:21:03.279 --> 00:21:06.400
<v Speaker 2>the challenges of writing a book, especially for someone who

346
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<v Speaker 2>doesn't come from that world.

347
00:21:09.279 --> 00:21:13.680
<v Speaker 1>But I think my ignorance of what was involved, I

348
00:21:13.720 --> 00:21:17.279
<v Speaker 1>would probably might not have started if I'd known I

349
00:21:17.440 --> 00:21:18.079
<v Speaker 1>was involved.

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<v Speaker 2>That's a good advice for you. Don't think, don't don't

351
00:21:24.720 --> 00:21:25.599
<v Speaker 2>think too.

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00:21:25.559 --> 00:21:30.160
<v Speaker 1>Much, just just start. Just yeah, that's what I did

353
00:21:30.359 --> 00:21:35.880
<v Speaker 1>about about an a four pad and a box of pens,

354
00:21:36.000 --> 00:21:39.000
<v Speaker 1>and I just started writing. I was lucky in a way,

355
00:21:39.000 --> 00:21:41.279
<v Speaker 1>amost because I knew the story. I didn't have to

356
00:21:41.319 --> 00:21:47.400
<v Speaker 1>make up a story. But I quickly learned the only

357
00:21:47.480 --> 00:21:49.759
<v Speaker 1>the only book I read about how to write and

358
00:21:49.799 --> 00:21:51.839
<v Speaker 1>how not to write was by Stephen King, you know,

359
00:21:51.880 --> 00:21:54.720
<v Speaker 1>his book on writing, And I learned things like, you know,

360
00:21:55.480 --> 00:21:57.839
<v Speaker 1>cut out all the adverbs and make the sentences shorter,

361
00:21:57.920 --> 00:22:04.359
<v Speaker 1>and don't put it's short chapters. Keep it as tight.

362
00:22:04.480 --> 00:22:08.240
<v Speaker 1>But that's easier said than done. So I mean, I

363
00:22:08.279 --> 00:22:12.079
<v Speaker 1>was just writing The Ring Longhand, and I very quickly

364
00:22:12.119 --> 00:22:14.759
<v Speaker 1>learned that fiction is fantastic because you can make things up.

365
00:22:15.920 --> 00:22:18.480
<v Speaker 1>You know, if you don't know anything, just make it up.

366
00:22:20.079 --> 00:22:23.400
<v Speaker 1>And the other thing was the research, because because of

367
00:22:23.440 --> 00:22:26.640
<v Speaker 1>when it was set, you couldn't you know, I had

368
00:22:26.640 --> 00:22:29.839
<v Speaker 1>to know what her cars were available. I made a

369
00:22:29.880 --> 00:22:31.759
<v Speaker 1>few mistakes and then you look it up and say

370
00:22:31.799 --> 00:22:34.000
<v Speaker 1>what it was? There wasn't it an austin A three

371
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<v Speaker 1>in nineteen fifty six? They didn't come out until nineteen

372
00:22:36.440 --> 00:22:39.720
<v Speaker 1>fifty seven. So and movies, what was what were on?

373
00:22:39.799 --> 00:22:43.400
<v Speaker 1>What was on in the cinema, and how much things wear?

374
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<v Speaker 1>So I loved all.

375
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<v Speaker 2>These things you don't think of, and so you really

376
00:22:47.119 --> 00:22:49.720
<v Speaker 2>sit down and let yourself in that.

377
00:22:49.759 --> 00:22:53.240
<v Speaker 1>Period, I really really looked into it and what the

378
00:22:53.400 --> 00:22:55.799
<v Speaker 1>what the fashions were, what sort of dress should have

379
00:22:55.839 --> 00:23:00.359
<v Speaker 1>worn to the star ballroom where she went dancing again?

380
00:23:00.480 --> 00:23:04.880
<v Speaker 1>And and it was I was muddling away and writing,

381
00:23:04.920 --> 00:23:07.319
<v Speaker 1>and I've written a lot of stuff. And then there's

382
00:23:07.359 --> 00:23:09.799
<v Speaker 1>a lady I got to know in the local bookshop

383
00:23:09.839 --> 00:23:14.440
<v Speaker 1>in Carrick Fergus the Secret Bookshelf Joe, the lady there

384
00:23:14.759 --> 00:23:17.559
<v Speaker 1>who's written a few, quite a few science fiction novels.

385
00:23:17.680 --> 00:23:21.000
<v Speaker 1>And I was chatting to her about saying, I've just well,

386
00:23:21.000 --> 00:23:24.319
<v Speaker 1>I've just started writing the book myself. You know, any advice,

387
00:23:24.440 --> 00:23:29.079
<v Speaker 1>and she said, get an editor immediately. First best thing.

388
00:23:29.880 --> 00:23:32.519
<v Speaker 1>Get somebody who knows what they're doing. And she introduced

389
00:23:32.519 --> 00:23:36.279
<v Speaker 1>me to a lady called al Avril Buchanan. And that

390
00:23:36.440 --> 00:23:40.119
<v Speaker 1>was when things really started to take shape because Avril's

391
00:23:40.160 --> 00:23:43.400
<v Speaker 1>first question. But in the meantime, May had decided I

392
00:23:43.440 --> 00:23:45.680
<v Speaker 1>needed to start typing this up on a laptop. So

393
00:23:45.960 --> 00:23:48.839
<v Speaker 1>the laptop we're doing this on now is the laptop

394
00:23:48.920 --> 00:23:53.000
<v Speaker 1>I bought to my two finger typing to catch up

395
00:23:53.000 --> 00:23:55.240
<v Speaker 1>with all the scribbles. And that was the first editor,

396
00:23:55.240 --> 00:23:57.279
<v Speaker 1>I suppose, because when you're when you're moving it across

397
00:23:57.279 --> 00:23:59.799
<v Speaker 1>from the scribbles to the laptop, you changed things. You know.

398
00:24:00.079 --> 00:24:03.119
<v Speaker 1>I wouldn't say that, and that's not how that would anyway.

399
00:24:03.920 --> 00:24:10.160
<v Speaker 1>So the Averil's first question was how many words before winning?

400
00:24:10.160 --> 00:24:12.160
<v Speaker 1>For how many words have you written so far? And

401
00:24:12.200 --> 00:24:14.279
<v Speaker 1>I was that stupid before I didn't even know how to.

402
00:24:14.640 --> 00:24:17.960
<v Speaker 1>I said, how do you tell and she said, bottom

403
00:24:18.039 --> 00:24:21.240
<v Speaker 1>left corner of your screen, there'll be a number of

404
00:24:21.599 --> 00:24:26.519
<v Speaker 1>a number. So I said, that's you really started from

405
00:24:26.559 --> 00:24:32.440
<v Speaker 1>scrip was a real a real dummy. Yeah, it says

406
00:24:32.519 --> 00:24:35.400
<v Speaker 1>ninety eight thousand and forty. And she said, well you

407
00:24:35.440 --> 00:24:37.000
<v Speaker 1>need to stop now. Do you know what that looks

408
00:24:37.039 --> 00:24:39.200
<v Speaker 1>like in an A five paperback? And I said no,

409
00:24:39.599 --> 00:24:42.000
<v Speaker 1>and said that's about four hundred pages. So you've written

410
00:24:42.000 --> 00:24:43.079
<v Speaker 1>a book already.

411
00:24:43.519 --> 00:24:43.799
<v Speaker 2>Wow.

412
00:24:44.319 --> 00:24:46.480
<v Speaker 1>And I said, well, I've only got to nineteen fifty,

413
00:24:46.920 --> 00:24:48.359
<v Speaker 1>you know, I've got a long way to ago.

414
00:24:48.559 --> 00:24:49.279
<v Speaker 2>You're editing.

415
00:24:50.880 --> 00:24:54.759
<v Speaker 1>That's that's how it ended up being becoming a trilogy really,

416
00:24:55.720 --> 00:24:58.400
<v Speaker 1>but yeah, so that was it was a steep learning curve.

417
00:24:58.440 --> 00:25:01.000
<v Speaker 1>I knew nothing. I knew nothing about publication. I just

418
00:25:01.039 --> 00:25:04.359
<v Speaker 1>thought I sent my manuscript off to you know, Penguin

419
00:25:04.440 --> 00:25:07.960
<v Speaker 1>and a few big names, and they fight over it

420
00:25:08.000 --> 00:25:10.640
<v Speaker 1>and sent me lots of money, and the next thing

421
00:25:10.720 --> 00:25:13.960
<v Speaker 1>is it's in the book shops and I get rich.

422
00:25:14.839 --> 00:25:18.160
<v Speaker 1>But that's not how it works, you know. Avrol explained

423
00:25:18.200 --> 00:25:20.880
<v Speaker 1>that you need an agent who might read your book

424
00:25:20.960 --> 00:25:23.960
<v Speaker 1>and might not, and it can take years, and you're

425
00:25:24.200 --> 00:25:27.640
<v Speaker 1>you're an unknown, you know, and so it's not going

426
00:25:27.720 --> 00:25:29.799
<v Speaker 1>to happen. It's not certainly not going to happen quickly,

427
00:25:29.880 --> 00:25:32.720
<v Speaker 1>and time wasn't a mys say, because I was retired

428
00:25:32.759 --> 00:25:35.480
<v Speaker 1>and all of it done. So that's where we went

429
00:25:35.839 --> 00:25:40.519
<v Speaker 1>self publishing through Amazon because it was quick and Avrol

430
00:25:40.599 --> 00:25:41.400
<v Speaker 1>knew how to do it.

431
00:25:41.599 --> 00:25:45.960
<v Speaker 2>So I just let her do it for me, you know.

432
00:25:46.079 --> 00:25:48.680
<v Speaker 2>And self publishing is kind of a misnomer in a

433
00:25:48.759 --> 00:25:50.599
<v Speaker 2>sense because you had a lot of help, and I

434
00:25:50.640 --> 00:25:53.359
<v Speaker 2>know that's important to you that you had a strong

435
00:25:53.440 --> 00:25:56.680
<v Speaker 2>support system. Yeah, that helped you. You mentioned a few

436
00:25:56.720 --> 00:25:59.720
<v Speaker 2>of the names, but who mentioned some of the people

437
00:25:59.759 --> 00:26:01.680
<v Speaker 2>and some of the support that you got along the

438
00:26:01.680 --> 00:26:03.799
<v Speaker 2>way to make this happen. Well.

439
00:26:03.880 --> 00:26:07.559
<v Speaker 1>Averrol was the main one, obviously because she knew everything

440
00:26:07.599 --> 00:26:13.279
<v Speaker 1>about grammar and typesetting and punctuation and blah blah blah.

441
00:26:15.039 --> 00:26:17.039
<v Speaker 1>But there's a lady in the local MS support group

442
00:26:17.039 --> 00:26:22.680
<v Speaker 1>here called Wendy who became my social media manager. So

443
00:26:22.720 --> 00:26:26.319
<v Speaker 1>everything you see on Facebook and all that stuff Wendy does.

444
00:26:27.000 --> 00:26:29.359
<v Speaker 1>I still don't know how to do it, she does it.

445
00:26:30.319 --> 00:26:33.039
<v Speaker 1>So she's been amazing. She loves all that she does.

446
00:26:33.240 --> 00:26:35.640
<v Speaker 1>Facebook work for for a lot of people, including her

447
00:26:36.759 --> 00:26:41.519
<v Speaker 1>through her work. So that was that was brilliant and

448
00:26:41.519 --> 00:26:44.720
<v Speaker 1>amaze encouragement, you know, keeping when I was too tired.

449
00:26:45.039 --> 00:26:47.000
<v Speaker 1>It's too nice a day, and need you know, there

450
00:26:47.039 --> 00:26:49.839
<v Speaker 1>was no come on, come on and creating deadlines for

451
00:26:49.960 --> 00:26:54.079
<v Speaker 1>me and and and the other people who who deserve

452
00:26:54.119 --> 00:26:56.559
<v Speaker 1>and mentioned because I think the artwork on the covers

453
00:26:56.519 --> 00:27:00.880
<v Speaker 1>of these two books is really really good, partly because

454
00:27:01.279 --> 00:27:05.039
<v Speaker 1>I thought of it myself, but also because the people

455
00:27:05.079 --> 00:27:08.000
<v Speaker 1>called More Visual over in the Leicester, who I found online,

456
00:27:08.279 --> 00:27:12.000
<v Speaker 1>turned my ideas into the pictures you see on the covers,

457
00:27:13.839 --> 00:27:16.279
<v Speaker 1>the picture of the Star Ballroom and dance whole days.

458
00:27:17.279 --> 00:27:19.440
<v Speaker 1>There are no pictures of the Star Ballroom, which was

459
00:27:19.440 --> 00:27:21.359
<v Speaker 1>a real ballroom, you know. Much was where my mother

460
00:27:21.400 --> 00:27:25.319
<v Speaker 1>went dancing, and it was in Sidana Avenue opposite where

461
00:27:25.319 --> 00:27:28.279
<v Speaker 1>she lived, so it was real. But we couldn't find

462
00:27:28.279 --> 00:27:32.240
<v Speaker 1>any photographs of it. So I told More Visual basic

463
00:27:32.519 --> 00:27:36.799
<v Speaker 1>art deco ballroom. And I'd seen a picture of a

464
00:27:36.240 --> 00:27:39.920
<v Speaker 1>on a pub gay book of a pub with the

465
00:27:40.000 --> 00:27:43.640
<v Speaker 1>yellow lights and a couple in silhouette outside it, and

466
00:27:43.680 --> 00:27:45.519
<v Speaker 1>I thought I sent them that, and I said I

467
00:27:45.559 --> 00:27:48.559
<v Speaker 1>wanted to look like this, but an art deco ballroom,

468
00:27:48.839 --> 00:27:52.640
<v Speaker 1>and then him lighting her cigarette outside, and they got

469
00:27:52.640 --> 00:27:57.119
<v Speaker 1>it virtually right first time and the second one. The

470
00:27:57.160 --> 00:28:00.640
<v Speaker 1>crewel this Month, I wanted to look thought was it

471
00:28:00.680 --> 00:28:04.519
<v Speaker 1>starts off on the left, everything's honky dory, all sweetness

472
00:28:04.519 --> 00:28:07.359
<v Speaker 1>and light, but then gradually the cake falls apartners from

473
00:28:07.359 --> 00:28:10.279
<v Speaker 1>that song like MacArthur Park, someone left the cake out

474
00:28:10.279 --> 00:28:13.000
<v Speaker 1>in the rain and all the sweet there's the green

475
00:28:13.160 --> 00:28:16.119
<v Speaker 1>icing or whatever. It's falling down and that's all The

476
00:28:16.160 --> 00:28:18.480
<v Speaker 1>symbols on the front of the Crew this Month become

477
00:28:18.559 --> 00:28:21.039
<v Speaker 1>very meaningful once you've read the book. The number twenty

478
00:28:21.119 --> 00:28:24.839
<v Speaker 1>three is very significant. The tree and the stork with

479
00:28:24.880 --> 00:28:29.200
<v Speaker 1>the baby's obviously, so I'm trying to describe that online

480
00:28:29.440 --> 00:28:31.119
<v Speaker 1>to somebody that was like move that up a bit,

481
00:28:31.160 --> 00:28:32.640
<v Speaker 1>move the train over a bit, do this, do that

482
00:28:32.880 --> 00:28:37.680
<v Speaker 1>so but they were brilliant. So those are those are

483
00:28:37.680 --> 00:28:41.920
<v Speaker 1>the main support people was Averal Wendy on the on

484
00:28:41.960 --> 00:28:45.039
<v Speaker 1>the social media side, May and the just general support

485
00:28:45.440 --> 00:28:49.000
<v Speaker 1>bringing cups of tea and turning your say, turn your

486
00:28:49.039 --> 00:28:51.920
<v Speaker 1>phone off, get on of that type of stuff, and

487
00:28:52.039 --> 00:28:55.119
<v Speaker 1>more visual with the artwork on the covers. So I

488
00:28:55.240 --> 00:28:58.680
<v Speaker 1>learned all of that, and I didn't know how to

489
00:28:58.680 --> 00:29:02.359
<v Speaker 1>do any of it three or four years ago. So

490
00:29:03.079 --> 00:29:06.839
<v Speaker 1>Steep learning Curve, but got their second book only took

491
00:29:06.880 --> 00:29:09.799
<v Speaker 1>took a year a bit compared with four years for

492
00:29:09.839 --> 00:29:10.359
<v Speaker 1>the first one.

493
00:29:10.720 --> 00:29:13.680
<v Speaker 2>You're learning. That's a good that's a good thing, you know.

494
00:29:14.000 --> 00:29:16.440
<v Speaker 2>One of the things that I found particularly interesting in

495
00:29:16.839 --> 00:29:22.359
<v Speaker 2>odd Well that is your fascination with guitarists and particularly

496
00:29:22.799 --> 00:29:27.400
<v Speaker 2>blues artists from Muddy Waters, some of the great American

497
00:29:27.440 --> 00:29:31.960
<v Speaker 2>blues artists showing up in these novels in Northern Ireland.

498
00:29:32.440 --> 00:29:35.039
<v Speaker 2>What's that about? Tell well that that was.

499
00:29:35.359 --> 00:29:37.960
<v Speaker 1>Initially had started off. I was looking for names for characters.

500
00:29:37.960 --> 00:29:41.920
<v Speaker 1>So I've quite a big vinyl collection and I started

501
00:29:41.960 --> 00:29:44.079
<v Speaker 1>just looking on the on the on the names of

502
00:29:44.079 --> 00:29:47.160
<v Speaker 1>the bad people band members and the on the records.

503
00:29:47.160 --> 00:29:49.079
<v Speaker 1>And I love the blues like I grew up listening

504
00:29:49.079 --> 00:29:53.400
<v Speaker 1>to led Zeppelin and Rordy Gallaher and Rody Galler was

505
00:29:53.400 --> 00:29:55.799
<v Speaker 1>the only person who played in Belfast during the troubles.

506
00:29:55.839 --> 00:29:58.799
<v Speaker 1>He did a concert of Christmas every year in the

507
00:29:58.880 --> 00:30:01.359
<v Speaker 1>Ulster Hall in Belfa and even though we were only

508
00:30:01.400 --> 00:30:05.119
<v Speaker 1>fourteen fifteen sixteen, we went up to see every every

509
00:30:05.200 --> 00:30:07.559
<v Speaker 1>year went up to see Rory Galler. So I grew up.

510
00:30:07.680 --> 00:30:11.359
<v Speaker 1>Led Zeppelin was the first intro really and that led

511
00:30:11.400 --> 00:30:15.240
<v Speaker 1>me towards the Blues. So it was really starting off

512
00:30:15.240 --> 00:30:19.480
<v Speaker 1>just looking for names for characters, and so it was

513
00:30:19.680 --> 00:30:22.319
<v Speaker 1>then thought, I'll play a week game here with people

514
00:30:22.359 --> 00:30:25.279
<v Speaker 1>and just you know, see if anybody ever picks up

515
00:30:25.319 --> 00:30:27.559
<v Speaker 1>on it. And the only person who so far has

516
00:30:27.599 --> 00:30:29.640
<v Speaker 1>as a cousin of mine who's a musician. And the

517
00:30:29.640 --> 00:30:32.200
<v Speaker 1>thing that sparked him was when there was a character

518
00:30:32.200 --> 00:30:38.039
<v Speaker 1>in the first book called Derek Clapton, so he said, Sam,

519
00:30:38.319 --> 00:30:41.680
<v Speaker 1>Sam's at his work here He's so he started looking back,

520
00:30:42.359 --> 00:30:44.039
<v Speaker 1>but he missed a few. He didn't get them all.

521
00:30:44.640 --> 00:30:46.839
<v Speaker 2>You give us. If you can't give us, give us

522
00:30:46.839 --> 00:30:47.440
<v Speaker 2>a few of them.

523
00:30:47.480 --> 00:30:51.920
<v Speaker 1>Sea if you have well, the character called Walter is

524
00:30:51.960 --> 00:30:56.160
<v Speaker 1>Walter Green, and his father's called Peter, my favorite guitarist,

525
00:30:56.160 --> 00:30:59.960
<v Speaker 1>maybe Peter Green. There's other there's other people in it,

526
00:31:00.160 --> 00:31:05.599
<v Speaker 1>like Alvin Lee from ten years ten years after, another

527
00:31:06.240 --> 00:31:09.359
<v Speaker 1>big band of the sixties sort of thing. I managed.

528
00:31:09.400 --> 00:31:12.680
<v Speaker 1>I've managed to get blad Boy Fuller in there because

529
00:31:12.680 --> 00:31:17.240
<v Speaker 1>his real name was Alan Fulton, and Lightning Hopkins in

530
00:31:17.279 --> 00:31:20.119
<v Speaker 1>there because his real name was Sam Hopkins. So he

531
00:31:20.319 --> 00:31:23.200
<v Speaker 1>turned out to be a footballer playing for Spurs in

532
00:31:23.279 --> 00:31:28.119
<v Speaker 1>London who was very fast and known as Lightning. So

533
00:31:28.279 --> 00:31:30.319
<v Speaker 1>with some of the names like Muddy Waters you couldn't

534
00:31:30.319 --> 00:31:33.039
<v Speaker 1>put in or Otus Rush, you wouldn't have had anybody

535
00:31:33.079 --> 00:31:36.000
<v Speaker 1>in him in the fifties called Otus or Muddy or

536
00:31:36.119 --> 00:31:40.799
<v Speaker 1>blad Lemon. So I had to be careful who use

537
00:31:40.880 --> 00:31:44.359
<v Speaker 1>and who I couldn't because Otus Rush probably my favorite

538
00:31:44.400 --> 00:31:47.799
<v Speaker 1>track of all time. It's John Mayle's version of All

539
00:31:47.799 --> 00:31:50.920
<v Speaker 1>Your Love with Eric Clapton on guitar from the Beano album.

540
00:31:50.960 --> 00:31:53.000
<v Speaker 1>That's maybe one of my favorite tracks of all time.

541
00:31:53.240 --> 00:31:56.200
<v Speaker 1>But I couldn't put Otus Rush in the books really,

542
00:31:56.480 --> 00:31:59.680
<v Speaker 1>although I have managed to get Joe Bonamassa into Book three.

543
00:32:00.039 --> 00:32:04.599
<v Speaker 2>Okay, great modern guitarist plays quite a bit, Yeah, because your.

544
00:32:04.519 --> 00:32:07.279
<v Speaker 1>Your home Country in Italy features a bit in Book three,

545
00:32:07.359 --> 00:32:10.079
<v Speaker 1>so of du Bonamassa and as a as an Italian

546
00:32:10.359 --> 00:32:14.880
<v Speaker 1>Schoofer's clever.

547
00:32:15.480 --> 00:32:20.440
<v Speaker 2>You know you say many writers have a process. Uh.

548
00:32:20.759 --> 00:32:23.920
<v Speaker 2>You know, I was just phill be a Plath. For example,

549
00:32:23.920 --> 00:32:26.759
<v Speaker 2>we get up at four a m. Because she had children,

550
00:32:26.880 --> 00:32:29.599
<v Speaker 2>so she could have two or three hours of quiet

551
00:32:29.640 --> 00:32:30.960
<v Speaker 2>time before they got up.

552
00:32:31.440 --> 00:32:31.559
<v Speaker 3>Uh.

553
00:32:33.200 --> 00:32:35.920
<v Speaker 2>Many writers do you go? Some goes through a cabin,

554
00:32:36.519 --> 00:32:39.720
<v Speaker 2>They isolate themselves for weeks or whatever. Is there any

555
00:32:39.759 --> 00:32:42.799
<v Speaker 2>particular process that you followed to write.

556
00:32:44.200 --> 00:32:52.640
<v Speaker 1>Absolutely not. When I make plans, uh and then May

557
00:32:52.680 --> 00:32:54.759
<v Speaker 1>would say we have to go to we have to

558
00:32:54.759 --> 00:33:00.480
<v Speaker 1>go to Tesco's today this morning, or things have real

559
00:33:00.480 --> 00:33:02.640
<v Speaker 1>life happens. I mean everything else has to be done

560
00:33:02.680 --> 00:33:06.799
<v Speaker 1>as well. So I try and work in the mornings

561
00:33:07.680 --> 00:33:10.000
<v Speaker 1>rather than I'm at I'm a morning person. I'd rather

562
00:33:10.039 --> 00:33:13.240
<v Speaker 1>get up early and work rather than the afternoons. And

563
00:33:13.480 --> 00:33:17.400
<v Speaker 1>evening's definitely not so. It's it's a few hours here,

564
00:33:17.440 --> 00:33:20.759
<v Speaker 1>a few hours there. A good day would be would

565
00:33:20.799 --> 00:33:23.480
<v Speaker 1>be six hours three in the morning. And I've got

566
00:33:23.480 --> 00:33:27.000
<v Speaker 1>better working in the afternoons simply because the deadlines keep

567
00:33:27.039 --> 00:33:29.680
<v Speaker 1>looming and your mind gets concentrated. But I have no

568
00:33:29.759 --> 00:33:32.880
<v Speaker 1>real plan, I have no real system. It's just as

569
00:33:32.880 --> 00:33:38.079
<v Speaker 1>and when I can, I do, and yeah, it seems

570
00:33:38.119 --> 00:33:40.839
<v Speaker 1>it seems to work. Okay. I'm quite self motivated that

571
00:33:40.960 --> 00:33:44.240
<v Speaker 1>I don't need to be pushed that much because I

572
00:33:44.279 --> 00:33:47.519
<v Speaker 1>want to do it and I love doing it. I'll

573
00:33:47.519 --> 00:33:50.400
<v Speaker 1>fall in love with writing fiction because just making stuff

574
00:33:50.480 --> 00:33:51.680
<v Speaker 1>up is fantastic.

575
00:33:53.279 --> 00:33:55.640
<v Speaker 2>If I want your thoughts on one of my favorite

576
00:33:55.720 --> 00:33:59.720
<v Speaker 2>quotes from one of my favorite authors Dorothy Parker, who said,

577
00:34:00.640 --> 00:34:04.799
<v Speaker 2>I hate to write, I love having written. What are you?

578
00:34:04.920 --> 00:34:07.319
<v Speaker 2>What are your thoughts on that? I I can relate

579
00:34:07.400 --> 00:34:09.360
<v Speaker 2>to that. It's hard. You got to sit down, you

580
00:34:09.440 --> 00:34:11.519
<v Speaker 2>got to put time, and it's effort. It's no good.

581
00:34:12.079 --> 00:34:13.719
<v Speaker 2>And then when you see it and it's on the

582
00:34:13.760 --> 00:34:15.679
<v Speaker 2>page and you read it, you say, well, maybe it's

583
00:34:15.679 --> 00:34:16.480
<v Speaker 2>not so bad.

584
00:34:16.880 --> 00:34:20.000
<v Speaker 1>Yeah, I think actually she's absolutely hit the nail on

585
00:34:20.039 --> 00:34:24.599
<v Speaker 1>the head. Sometimes it's a slog and you read it,

586
00:34:25.280 --> 00:34:28.519
<v Speaker 1>and especially that's a scribbling stage, and you read it

587
00:34:28.559 --> 00:34:30.440
<v Speaker 1>back and you think, what a load of crap, What

588
00:34:30.519 --> 00:34:34.000
<v Speaker 1>a load of rubbish, And then and then and then

589
00:34:34.039 --> 00:34:36.320
<v Speaker 1>you move it across to the laptop and it tightens

590
00:34:36.400 --> 00:34:38.360
<v Speaker 1>up a bit. And then you read that back and

591
00:34:38.400 --> 00:34:41.079
<v Speaker 1>you think, that's not too bad. And I've had in

592
00:34:41.159 --> 00:34:44.559
<v Speaker 1>a bit more here, and you know, adding some music

593
00:34:44.639 --> 00:34:48.280
<v Speaker 1>there and somewhere, you know, but of humor here. Yeah,

594
00:34:48.440 --> 00:34:50.960
<v Speaker 1>I think she's absolutely right. It can be very a

595
00:34:51.000 --> 00:34:53.880
<v Speaker 1>great slog sometimes. And then there's other times I found

596
00:34:53.880 --> 00:34:55.880
<v Speaker 1>myself completely in the zone where May would make me

597
00:34:55.880 --> 00:34:57.960
<v Speaker 1>a cup of tea and it would still be sitting

598
00:34:57.960 --> 00:35:01.599
<v Speaker 1>there an earlier becau can't stop. It's just it's just

599
00:35:01.800 --> 00:35:04.639
<v Speaker 1>it's common and like.

600
00:35:04.599 --> 00:35:06.440
<v Speaker 2>You're just it's like you're consuming.

601
00:35:07.079 --> 00:35:10.280
<v Speaker 1>Yes, you're right, you're right in there in that room

602
00:35:10.320 --> 00:35:15.000
<v Speaker 1>with whatever is happening in that time. You're in Yeah,

603
00:35:15.039 --> 00:35:17.679
<v Speaker 1>wherever you wherever, wherever that but the book is at

604
00:35:17.679 --> 00:35:20.400
<v Speaker 1>the time, that's where you are. That's when it's great.

605
00:35:21.159 --> 00:35:24.199
<v Speaker 2>Do you feel there's a common theme or thread that

606
00:35:24.400 --> 00:35:27.079
<v Speaker 2>runs through your books, and if so, what would it be.

607
00:35:29.800 --> 00:35:31.559
<v Speaker 1>Yeah, I've been asked. I've been asked us a few

608
00:35:31.559 --> 00:35:33.880
<v Speaker 1>times obviously, and I think if I have to sum

609
00:35:33.880 --> 00:35:35.360
<v Speaker 1>it up in a couple of words, it would be

610
00:35:36.079 --> 00:35:41.239
<v Speaker 1>it's about tenacious love. It's the tenacity that my mother

611
00:35:41.320 --> 00:35:48.039
<v Speaker 1>showed not two take the easy path, uh, and the

612
00:35:48.079 --> 00:35:55.320
<v Speaker 1>tenacity she showed for other people in her life. It's

613
00:35:55.480 --> 00:35:57.559
<v Speaker 1>given too much away with what happens in the books.

614
00:35:58.000 --> 00:36:00.559
<v Speaker 1>It's just the strength of her love for her mother,

615
00:36:01.440 --> 00:36:06.599
<v Speaker 1>for her children, for her husband. And they say she

616
00:36:06.840 --> 00:36:10.039
<v Speaker 1>wouldn't she didn't see that as being anything special, but

617
00:36:10.119 --> 00:36:14.039
<v Speaker 1>I thought it was amazing. So it's it's it's really

618
00:36:14.079 --> 00:36:15.840
<v Speaker 1>a lot. It's really a love story, and I think

619
00:36:15.920 --> 00:36:19.280
<v Speaker 1>take from it. Never give up. As a phrase here

620
00:36:19.320 --> 00:36:22.239
<v Speaker 1>in Northern Ironder Island generally is keep her let just

621
00:36:22.320 --> 00:36:25.719
<v Speaker 1>keep going and just do what you have to do.

622
00:36:26.000 --> 00:36:27.880
<v Speaker 1>And that's what she did. Got up every day, did

623
00:36:27.880 --> 00:36:30.360
<v Speaker 1>what you have to do, went to bed, got up

624
00:36:30.360 --> 00:36:34.079
<v Speaker 1>the next day and did it all again. And I

625
00:36:34.119 --> 00:36:37.840
<v Speaker 1>think it's that it's keep going, but it's it's her tenacity,

626
00:36:37.880 --> 00:36:41.360
<v Speaker 1>the tenacity of her love for for everybody that that

627
00:36:42.559 --> 00:36:43.199
<v Speaker 1>she could touch.

628
00:36:44.000 --> 00:36:46.639
<v Speaker 2>Wonderful, great theme, Sam, we can take a little bit

629
00:36:46.679 --> 00:36:47.880
<v Speaker 2>of a break. We come back and we got to

630
00:36:47.880 --> 00:36:51.280
<v Speaker 2>talk a little bit about your philanthropy, your your connection

631
00:36:51.360 --> 00:36:55.920
<v Speaker 2>to and we touched on it, but how you donate

632
00:36:56.000 --> 00:36:58.360
<v Speaker 2>all your money, how you sell your books not only

633
00:36:58.400 --> 00:37:03.840
<v Speaker 2>on Amazon, but actively and proactively at book fairs and markets,

634
00:37:03.840 --> 00:37:08.880
<v Speaker 2>et cetera. And talk about your new work. You're continuing

635
00:37:09.159 --> 00:37:11.000
<v Speaker 2>the trilogy. So then we talk a little bit about

636
00:37:11.039 --> 00:37:13.440
<v Speaker 2>that when we come back from the break. My very

637
00:37:13.480 --> 00:37:17.639
<v Speaker 2>special guest is author Sam Young with two books, Dance

638
00:37:17.679 --> 00:37:21.119
<v Speaker 2>All Days and The Cruelest Month. What a wonderful conversation

639
00:37:21.239 --> 00:37:24.079
<v Speaker 2>we have having. It's truly I like to call it

640
00:37:24.119 --> 00:37:27.960
<v Speaker 2>an intelligent conversation. And this certainly is this is being Frank.

641
00:37:28.000 --> 00:37:29.960
<v Speaker 2>I'm your host, FRANKL Borna. I don't go anywhere yet

642
00:37:29.960 --> 00:37:33.000
<v Speaker 2>and we'll be back right after these brief commercial messages.

643
00:37:33.239 --> 00:37:41.639
<v Speaker 3>This is Hudson River Radio dot com, Hudson River Radio

644
00:37:41.880 --> 00:37:57.840
<v Speaker 3>dot com. This is Hudson River Radio dot com.

645
00:37:53.800 --> 00:38:04.559
<v Speaker 2>Hudson River Radio dot com. Welcome back to Being Frank,

646
00:38:04.639 --> 00:38:09.440
<v Speaker 2>the Intelligent Conversation podcast. Thanks for sticking with us. I'm

647
00:38:09.440 --> 00:38:13.119
<v Speaker 2>your hosts, Frank Bubono and as always our engineer as

648
00:38:13.119 --> 00:38:16.960
<v Speaker 2>the mailman, mister Neil Richter. We bring our audience a

649
00:38:17.000 --> 00:38:21.119
<v Speaker 2>fresh topic every week and we stream from Hudson River Radio,

650
00:38:21.320 --> 00:38:25.679
<v Speaker 2>located and beautiful and historic Stony Point, New York. But remember,

651
00:38:26.079 --> 00:38:29.280
<v Speaker 2>you can catch Being Frank anywhere you get your favorite

652
00:38:29.280 --> 00:38:34.239
<v Speaker 2>podcasts like Apple, Spotify, iHeartRadio and all the others. And

653
00:38:34.320 --> 00:38:37.840
<v Speaker 2>because every Being Frank is archived, you can listen to

654
00:38:37.960 --> 00:38:41.519
<v Speaker 2>any of our programs anytime you like. You can find

655
00:38:41.519 --> 00:38:43.880
<v Speaker 2>a link to Being Frank on the Hudson River Radio

656
00:38:43.960 --> 00:38:49.840
<v Speaker 2>Facebook page or at our website Hudsonriverradio dot Com. Just

657
00:38:50.000 --> 00:38:54.039
<v Speaker 2>click and you're there. We're back with the author of

658
00:38:54.159 --> 00:38:58.480
<v Speaker 2>Dance Whole Days in the Cruelest Month. And keep in mind,

659
00:38:58.599 --> 00:39:02.199
<v Speaker 2>all proceeds from the all of those novels go to

660
00:39:02.719 --> 00:39:08.199
<v Speaker 2>MS Research. So welcome back. Say I'm young We've had

661
00:39:08.239 --> 00:39:11.400
<v Speaker 2>a wonderful first half of our conversation, interesting and fun,

662
00:39:11.920 --> 00:39:19.119
<v Speaker 2>so let's continue again. You're committed to all proceeds going

663
00:39:19.159 --> 00:39:20.960
<v Speaker 2>to MS research.

664
00:39:21.920 --> 00:39:28.719
<v Speaker 1>Explain that, Well, maybe we mentioned earlier, Frank, my mother

665
00:39:28.880 --> 00:39:35.239
<v Speaker 1>died on a Monday in September twenty nineteen, and the

666
00:39:35.320 --> 00:39:38.920
<v Speaker 1>following Wednesday, two days later, my wife May was diagnosed

667
00:39:38.920 --> 00:39:43.800
<v Speaker 1>with MS, and it was the only meeting with her

668
00:39:43.920 --> 00:39:47.039
<v Speaker 1>consultants and trying to find out what was causing her

669
00:39:47.119 --> 00:39:50.000
<v Speaker 1>the symptoms that you had. It was the only meeting

670
00:39:50.039 --> 00:39:53.760
<v Speaker 1>I missed because I was writing my mother's eulogy at

671
00:39:53.760 --> 00:39:56.840
<v Speaker 1>the time for the funeral on the Friday. So that

672
00:39:56.920 --> 00:39:59.760
<v Speaker 1>was a really bad week. But I knew I was

673
00:39:59.760 --> 00:40:04.000
<v Speaker 1>going to write the books anyway, and when May was diagnosed,

674
00:40:04.079 --> 00:40:06.400
<v Speaker 1>it just it was just a late ball moment that

675
00:40:07.239 --> 00:40:09.840
<v Speaker 1>whatever money I make from this, if it's one book

676
00:40:10.039 --> 00:40:13.159
<v Speaker 1>and we make one pound, I'm going to give it

677
00:40:13.199 --> 00:40:18.199
<v Speaker 1>to MS Research because I have no interest in doing

678
00:40:18.239 --> 00:40:22.400
<v Speaker 1>sponsored walks or jumping out of aeroplanes or a sailing

679
00:40:22.440 --> 00:40:27.119
<v Speaker 1>down the Eiffel Tower or doing anything like that. So

680
00:40:27.880 --> 00:40:30.039
<v Speaker 1>I was going to do this, and I was hoping

681
00:40:30.039 --> 00:40:33.960
<v Speaker 1>we could sell a few and make some money. And

682
00:40:34.079 --> 00:40:37.800
<v Speaker 1>that that just happened instantly before I'd written a word,

683
00:40:37.920 --> 00:40:40.159
<v Speaker 1>because I didn't start writing until I retired, didn't start

684
00:40:40.199 --> 00:40:44.960
<v Speaker 1>writing until twenty twenty, So that was a that was

685
00:40:45.000 --> 00:40:47.719
<v Speaker 1>a that was a done deal. That's my favorite pun

686
00:40:47.920 --> 00:40:50.960
<v Speaker 1>is a novel way of fundraising. It's it's hopefully a

687
00:40:51.000 --> 00:40:57.519
<v Speaker 1>bit different and I've put the effort in and it's yeah,

688
00:40:58.400 --> 00:41:01.199
<v Speaker 1>the rewards are there and it's it's been it's been great.

689
00:41:01.239 --> 00:41:03.599
<v Speaker 1>So yeah, it's just May's diagnosis at the same time

690
00:41:03.639 --> 00:41:04.440
<v Speaker 1>as my mother day.

691
00:41:06.039 --> 00:41:09.440
<v Speaker 2>It just seemed obvious, no same, And we're going to

692
00:41:09.440 --> 00:41:12.440
<v Speaker 2>give the information that the books are available via Amazon.

693
00:41:12.480 --> 00:41:15.000
<v Speaker 2>But you also have a unique way, a personal way

694
00:41:15.920 --> 00:41:19.440
<v Speaker 2>of selling books, uh that I'm sure is effective, But

695
00:41:19.480 --> 00:41:21.559
<v Speaker 2>I think you also like it beyond the idea of

696
00:41:21.599 --> 00:41:23.239
<v Speaker 2>just selling the books because I think you like to

697
00:41:23.280 --> 00:41:27.199
<v Speaker 2>meet people as well in exchange stores. I kind of

698
00:41:27.239 --> 00:41:29.639
<v Speaker 2>just get that feeling. So you sell them at book

699
00:41:29.840 --> 00:41:34.400
<v Speaker 2>fairs and marketplaces and malls and explain that a.

700
00:41:34.400 --> 00:41:38.679
<v Speaker 1>Little bit well again that that sort of was May's

701
00:41:38.920 --> 00:41:46.159
<v Speaker 1>influence in that we have a local shop it's a spa,

702
00:41:46.400 --> 00:41:49.519
<v Speaker 1>and you have spars shops in America or eurospars or whatever.

703
00:41:49.559 --> 00:41:52.559
<v Speaker 1>But it's a grocery store, decent size of a place

704
00:41:52.599 --> 00:41:56.480
<v Speaker 1>you can get everything type of shop. And we've we've

705
00:41:56.519 --> 00:41:58.159
<v Speaker 1>been going there for quite a long time, so we've

706
00:41:58.159 --> 00:42:00.719
<v Speaker 1>got to know the staff and the manager and stuff.

707
00:42:01.360 --> 00:42:04.840
<v Speaker 1>And it was when Dance All Days came out and

708
00:42:05.280 --> 00:42:09.360
<v Speaker 1>May asked Stevie the manager, husband's written a book, is

709
00:42:09.480 --> 00:42:12.360
<v Speaker 1>given all the money to MS, could we sell some

710
00:42:12.840 --> 00:42:17.199
<v Speaker 1>in the shop here, and he said, yeah, whenever you like,

711
00:42:17.239 --> 00:42:19.719
<v Speaker 1>come down some Saturday morning, I'll set up a table

712
00:42:19.760 --> 00:42:23.360
<v Speaker 1>for you. And that's that was the very first time

713
00:42:23.360 --> 00:42:26.159
<v Speaker 1>we did that. We bought boxes of books off Amazon,

714
00:42:27.000 --> 00:42:28.599
<v Speaker 1>which we can get at cost price, so it's the

715
00:42:28.599 --> 00:42:31.280
<v Speaker 1>most profitable way of doing it because we still sell

716
00:42:31.320 --> 00:42:34.000
<v Speaker 1>them at ten pounds even though we're buying them at

717
00:42:34.079 --> 00:42:36.679
<v Speaker 1>think four or something. So there's a lot more there

718
00:42:36.719 --> 00:42:40.960
<v Speaker 1>than royalties from Amazon for online seals, but they're a

719
00:42:41.039 --> 00:42:43.360
<v Speaker 1>lot less work. So yeah, it was the first time

720
00:42:43.400 --> 00:42:45.239
<v Speaker 1>we did it. We just set some pile of books

721
00:42:45.280 --> 00:42:47.960
<v Speaker 1>up on the table and people come in and I started,

722
00:42:48.719 --> 00:42:50.719
<v Speaker 1>you know, doing what we're doing in an hour here.

723
00:42:50.760 --> 00:42:53.360
<v Speaker 1>I tried to get that into thirty seconds. You've got

724
00:42:53.360 --> 00:42:56.039
<v Speaker 1>eye contact, you're trying, you know, you elect to buy

725
00:42:56.079 --> 00:42:57.800
<v Speaker 1>a good, good book. What can I tell you about

726
00:42:57.840 --> 00:43:03.320
<v Speaker 1>the book? And then I started telling them and amazingly

727
00:43:03.400 --> 00:43:06.480
<v Speaker 1>people started giving me ten points and taking a book.

728
00:43:07.079 --> 00:43:10.079
<v Speaker 1>And that was a great feeling. Was it was up

729
00:43:10.119 --> 00:43:12.000
<v Speaker 1>there with the first time I got a proof copy

730
00:43:12.039 --> 00:43:14.000
<v Speaker 1>in my hands with my book with my name on it.

731
00:43:14.039 --> 00:43:16.599
<v Speaker 1>Because seeing people walking around the shop with my book

732
00:43:16.639 --> 00:43:17.880
<v Speaker 1>in their basket.

733
00:43:17.599 --> 00:43:22.119
<v Speaker 2>And what does it feel like? What does this feel like?

734
00:43:22.400 --> 00:43:25.559
<v Speaker 1>It was amazing because like I was going round and

735
00:43:25.800 --> 00:43:28.199
<v Speaker 1>in the queue, when we were at the end, we said, look,

736
00:43:28.280 --> 00:43:31.480
<v Speaker 1>that's my book. That's my book in her shopping bass,

737
00:43:31.519 --> 00:43:34.400
<v Speaker 1>beside the tomatoes and the bacon and the stuff. That's

738
00:43:34.760 --> 00:43:37.159
<v Speaker 1>she has my book in there. So it was it

739
00:43:37.239 --> 00:43:42.159
<v Speaker 1>was an incredible feeling and blossom from there. We we

740
00:43:42.159 --> 00:43:44.440
<v Speaker 1>we ended up last year we even got a stall.

741
00:43:44.679 --> 00:43:48.000
<v Speaker 1>There's a very very famous market in Belfast call Saint

742
00:43:48.039 --> 00:43:53.400
<v Speaker 1>George's Market. It's a permanent craft and food and stuff market,

743
00:43:53.960 --> 00:43:57.559
<v Speaker 1>arts and everything, and it's where a lot of tourists

744
00:43:57.559 --> 00:43:59.519
<v Speaker 1>where it's on the tourist trail because it's a it's

745
00:43:59.519 --> 00:44:01.760
<v Speaker 1>a big thing. The cruise ships come in and one

746
00:44:01.800 --> 00:44:04.280
<v Speaker 1>of the stops us in Georgia's Market, so we even

747
00:44:04.280 --> 00:44:07.039
<v Speaker 1>got a stall in there one Saturday, and people a

748
00:44:07.039 --> 00:44:09.400
<v Speaker 1>bit are really really keen because once I explained to

749
00:44:09.480 --> 00:44:11.360
<v Speaker 1>the manager of the market what it was all about

750
00:44:11.400 --> 00:44:13.480
<v Speaker 1>and what we were doing, it gave us a stall

751
00:44:13.599 --> 00:44:15.760
<v Speaker 1>for nothing for the whole day.

752
00:44:17.360 --> 00:44:18.519
<v Speaker 2>And the only.

753
00:44:18.320 --> 00:44:20.920
<v Speaker 1>Difficulty was in Georgie's market was really hard to get to,

754
00:44:21.079 --> 00:44:23.880
<v Speaker 1>you know, to hold the books to the market.

755
00:44:24.079 --> 00:44:30.400
<v Speaker 2>Was even all the books to clear carrying the books

756
00:44:31.679 --> 00:44:32.239
<v Speaker 2>in the books.

757
00:44:32.320 --> 00:44:37.400
<v Speaker 1>Yeah, so yeah, then we we started asking garden centers

758
00:44:38.719 --> 00:44:42.960
<v Speaker 1>of their shops and although we we go und all

759
00:44:43.000 --> 00:44:45.239
<v Speaker 1>the other MS support groups in Northern Ireland, we go

760
00:44:45.280 --> 00:44:50.000
<v Speaker 1>to their meetings or their Christmas lunches, their whatever and

761
00:44:50.559 --> 00:44:52.960
<v Speaker 1>sell books there. And as you said, I just I

762
00:44:53.039 --> 00:44:55.440
<v Speaker 1>just loved the banter. I love the crack of chatting

763
00:44:55.440 --> 00:45:00.360
<v Speaker 1>to people. You've got literally ten or fifteen, twenty thirty

764
00:45:00.400 --> 00:45:05.719
<v Speaker 1>seconds maybe to explain everything to them. And uh, you know,

765
00:45:05.800 --> 00:45:07.679
<v Speaker 1>all the all the all the you can make on

766
00:45:07.760 --> 00:45:10.440
<v Speaker 1>Black Freddy with a special deal, like they're ten pounds

767
00:45:10.440 --> 00:45:12.639
<v Speaker 1>each or two for twenty and you can see them,

768
00:45:12.719 --> 00:45:15.280
<v Speaker 1>you can see their mains going two for twenty. That's

769
00:45:15.280 --> 00:45:15.719
<v Speaker 1>a good day.

770
00:45:17.440 --> 00:45:23.719
<v Speaker 4>Oh, I don't know, that's you know, we've got to

771
00:45:23.800 --> 00:45:26.320
<v Speaker 4>let people know they don't necessarily have to fly to

772
00:45:26.400 --> 00:45:28.199
<v Speaker 4>Belfast to get your not well.

773
00:45:28.239 --> 00:45:32.880
<v Speaker 2>It is available on aage to well. So we're going

774
00:45:32.920 --> 00:45:35.440
<v Speaker 2>to give that information in just a minute. But I

775
00:45:35.480 --> 00:45:38.760
<v Speaker 2>know you're also working. Then this is part of the

776
00:45:38.800 --> 00:45:40.920
<v Speaker 2>first two books will be part of a trilogy, right,

777
00:45:41.000 --> 00:45:44.480
<v Speaker 2>you're working. They're all related, as I understand. So the

778
00:45:44.599 --> 00:45:47.639
<v Speaker 2>third book tell us about that that's in the works, correct.

779
00:45:47.960 --> 00:45:52.119
<v Speaker 1>Yeah, I was working on that today when when you

780
00:45:52.199 --> 00:45:53.840
<v Speaker 1>contacted me, I.

781
00:45:53.840 --> 00:45:56.880
<v Speaker 2>Rually interrupted you because the time was off because you

782
00:45:56.920 --> 00:45:59.039
<v Speaker 2>guys are on a whole different schedule over there in

783
00:45:59.199 --> 00:46:00.559
<v Speaker 2>UK we are here.

784
00:46:00.599 --> 00:46:03.400
<v Speaker 1>But then I wasn't sleeping. I was actually I was

785
00:46:03.440 --> 00:46:06.199
<v Speaker 1>actually trying to write stuff. But yeah, so book three

786
00:46:06.360 --> 00:46:08.360
<v Speaker 1>are there are a trilogy. They're all the same story.

787
00:46:08.559 --> 00:46:12.119
<v Speaker 1>They're all my mother's story. It's like I said, dance

788
00:46:12.119 --> 00:46:16.360
<v Speaker 1>whole days. I only got to nineteen fifty so and

789
00:46:16.440 --> 00:46:22.239
<v Speaker 1>it started in nineteen forty six. So the second one,

790
00:46:22.360 --> 00:46:24.840
<v Speaker 1>the Cruelest Month, goes from there right up to nineteen

791
00:46:24.880 --> 00:46:28.800
<v Speaker 1>seventy seven, which was was another hugely traumatic event in

792
00:46:28.840 --> 00:46:31.719
<v Speaker 1>the mother's life, and it ends there and then the

793
00:46:31.800 --> 00:46:34.159
<v Speaker 1>last part is from nineteen seventy seven up until her

794
00:46:34.159 --> 00:46:37.280
<v Speaker 1>death in twenty nineteen. So I mean, I know how

795
00:46:37.320 --> 00:46:39.320
<v Speaker 1>it ends, and I know what happens in between.

796
00:46:40.679 --> 00:46:43.480
<v Speaker 2>I haven't working title for against Sam for the third.

797
00:46:44.119 --> 00:46:46.559
<v Speaker 1>Working title is going to be something like it because

798
00:46:46.559 --> 00:46:49.400
<v Speaker 1>it's going to be a bit more upbeat maybe than

799
00:46:49.400 --> 00:46:53.400
<v Speaker 1>the first, because you know, her life was tough, so

800
00:46:53.440 --> 00:46:55.280
<v Speaker 1>it's going to be a bit more happy. And so

801
00:46:55.360 --> 00:46:58.639
<v Speaker 1>it's going to be golden years or glory years because

802
00:46:58.679 --> 00:47:01.800
<v Speaker 1>it was dancehold Days and then cruelest months. So it's

803
00:47:01.800 --> 00:47:07.039
<v Speaker 1>going to be something years but glory or golden or

804
00:47:07.960 --> 00:47:11.679
<v Speaker 1>something upbeat and optimistic because the end of her life

805
00:47:12.000 --> 00:47:13.360
<v Speaker 1>was incredible.

806
00:47:13.079 --> 00:47:17.320
<v Speaker 2>Finished on a high note. Yes, very much. So again,

807
00:47:17.400 --> 00:47:21.159
<v Speaker 2>let's tell people without flying to a market in Belfast

808
00:47:21.280 --> 00:47:25.320
<v Speaker 2>or without doing that and would you.

809
00:47:25.280 --> 00:47:29.679
<v Speaker 5>Have Australia Italy believe it or not. But most of

810
00:47:29.719 --> 00:47:32.039
<v Speaker 5>them are here in little Old Rockland County, New York,

811
00:47:32.880 --> 00:47:34.559
<v Speaker 5>so they don't have to fly there. How can they

812
00:47:34.639 --> 00:47:38.800
<v Speaker 5>get the book for Amazon or or order or order elsewhere?

813
00:47:39.559 --> 00:47:39.760
<v Speaker 2>Well?

814
00:47:39.960 --> 00:47:43.079
<v Speaker 1>Well, Amazon, yeah, is they is the source. I think

815
00:47:43.079 --> 00:47:46.480
<v Speaker 1>if you just search on Amazon for Dancehole Days and

816
00:47:46.559 --> 00:47:49.679
<v Speaker 1>Danceholds All one word by Sam Young or the cruis month,

817
00:47:49.920 --> 00:47:54.280
<v Speaker 1>Sam Young, I have the numbers, but do you want

818
00:47:54.320 --> 00:47:56.519
<v Speaker 1>to read out the numbers? That is there any point not?

819
00:47:59.199 --> 00:48:02.000
<v Speaker 2>You can certainly if people will prepare them, guys, if

820
00:48:02.039 --> 00:48:04.400
<v Speaker 2>you have a penhandy, and we can also give that

821
00:48:04.440 --> 00:48:08.599
<v Speaker 2>information also afterwards when we shared online via Facebook, et cetera.

822
00:48:08.719 --> 00:48:15.119
<v Speaker 1>But go ahead, well, yeah, Dancehall days is one O six.

823
00:48:16.199 --> 00:48:23.400
<v Speaker 1>It's six four three one o two okay, Amazon correct publishing. Yeah,

824
00:48:23.440 --> 00:48:26.760
<v Speaker 1>and Churls month is one O six at six four

825
00:48:27.480 --> 00:48:29.679
<v Speaker 1>I see him three one one zero.

826
00:48:30.960 --> 00:48:35.199
<v Speaker 2>Great? And when when do you anticipate the publishing the

827
00:48:35.280 --> 00:48:36.360
<v Speaker 2>third in the trilogy?

828
00:48:37.880 --> 00:48:42.079
<v Speaker 1>Hopefully towards the end of the summer, early early autumn

829
00:48:42.639 --> 00:48:44.920
<v Speaker 1>or the fall, sorry, early fall.

830
00:48:46.679 --> 00:48:50.679
<v Speaker 2>And we'll look forward, Sam Young, author, Thank you so much.

831
00:48:50.840 --> 00:48:55.960
<v Speaker 2>This is really truly intelligent conversation being frank in every

832
00:48:56.000 --> 00:48:58.360
<v Speaker 2>sense of the word. Appreciate it, Sam, all the way

833
00:48:58.400 --> 00:49:01.800
<v Speaker 2>from Eric Fergus, Ireland. I think I said it right.

834
00:49:02.199 --> 00:49:02.760
<v Speaker 2>I got closed.

835
00:49:03.679 --> 00:49:05.039
<v Speaker 1>Thank you, Frank, thank you.

836
00:49:05.760 --> 00:49:08.920
<v Speaker 2>It's my pleasure. Don't go anywhere yet, because keeping with

837
00:49:09.039 --> 00:49:12.599
<v Speaker 2>your your renaissance ideal of doing many things, you're now

838
00:49:12.599 --> 00:49:14.559
<v Speaker 2>a rap artist and you've got your work on a

839
00:49:14.679 --> 00:49:18.159
<v Speaker 2>rap so I'm gonna let you introduce that as a

840
00:49:18.199 --> 00:49:20.760
<v Speaker 2>fund raiser at the end of the program, so don't

841
00:49:20.760 --> 00:49:23.039
<v Speaker 2>go anywhere yet. But of course we want to give

842
00:49:23.119 --> 00:49:25.440
<v Speaker 2>us special thanks to our listeners who take time to

843
00:49:25.480 --> 00:49:28.360
<v Speaker 2>give us a voice in their lives. Remember we offer

844
00:49:28.440 --> 00:49:32.800
<v Speaker 2>fresh topic every week. Catch us wherever and whenever you

845
00:49:32.840 --> 00:49:36.840
<v Speaker 2>get your favorite podcast that includes Apple, Spotify, all the others.

846
00:49:37.239 --> 00:49:40.440
<v Speaker 2>Check us out on the Hudson River Radio Facebook page.

847
00:49:40.519 --> 00:49:43.400
<v Speaker 2>Yes we have a Facebook page. Leave us a comment

848
00:49:43.480 --> 00:49:47.000
<v Speaker 2>and like us, consider being a follower for the program.

849
00:49:47.079 --> 00:49:49.159
<v Speaker 2>It helps us out a lot. Of course, you know

850
00:49:49.199 --> 00:49:51.800
<v Speaker 2>I always leave you with a little extra. At the end,

851
00:49:51.880 --> 00:49:55.360
<v Speaker 2>Sam is going to introduce his MS rap I call it.

852
00:49:55.800 --> 00:49:58.960
<v Speaker 2>But before that, yeah, an Irish proverb that I think

853
00:49:59.679 --> 00:50:02.400
<v Speaker 2>kind of suits our conversation, at least part of it.

854
00:50:02.639 --> 00:50:04.519
<v Speaker 2>And if you if you read between the lines, and

855
00:50:04.559 --> 00:50:07.719
<v Speaker 2>you'll understand what it means. And it says many a

856
00:50:07.760 --> 00:50:12.159
<v Speaker 2>good tree grew on shallow ground, and that means it

857
00:50:12.159 --> 00:50:14.360
<v Speaker 2>doesn't matter where you're from, as long as you're a

858
00:50:14.400 --> 00:50:17.639
<v Speaker 2>good person. That's what counts. At least that's what I

859
00:50:17.800 --> 00:50:18.480
<v Speaker 2>take from it.

860
00:50:19.280 --> 00:50:22.519
<v Speaker 1>Are you calling me shallow? No?

861
00:50:22.960 --> 00:50:28.000
<v Speaker 2>After that conversation, No way, all right, explain a little bit. Now,

862
00:50:28.400 --> 00:50:31.320
<v Speaker 2>now you're into rapping and you've got this rap song

863
00:50:31.480 --> 00:50:34.320
<v Speaker 2>to raise more money for MS, tell us a little

864
00:50:34.360 --> 00:50:35.679
<v Speaker 2>bit about it and then we'll hear it.

865
00:50:36.639 --> 00:50:38.960
<v Speaker 1>Well, yeah, I was. I was dueling one day and

866
00:50:39.599 --> 00:50:45.400
<v Speaker 1>started writing down words that rimed with slurtosis and I

867
00:50:45.480 --> 00:50:47.440
<v Speaker 1>ended up there was There was actually quite a few.

868
00:50:47.679 --> 00:50:51.360
<v Speaker 1>So I just thought that sounds like like a rap song.

869
00:50:51.360 --> 00:50:54.719
<v Speaker 1>I'm not into rap music at all, but so yeah,

870
00:50:54.760 --> 00:50:56.880
<v Speaker 1>I came up with us this.

871
00:50:56.599 --> 00:50:59.039
<v Speaker 2>Anybody that can rhyme anything with sclerosis.

872
00:50:59.559 --> 00:51:04.119
<v Speaker 1>Yes, there's a lot of words, right you can make well,

873
00:51:04.159 --> 00:51:06.599
<v Speaker 1>even if the words doesn't rhyme with slerosis, I ended

874
00:51:06.599 --> 00:51:07.400
<v Speaker 1>them in USUS.

875
00:51:07.960 --> 00:51:12.719
<v Speaker 2>So I'm not I think people are going to get

876
00:51:12.719 --> 00:51:15.039
<v Speaker 2>a kick out of it, and I'm sure they'll understand

877
00:51:15.039 --> 00:51:17.800
<v Speaker 2>where it's coming from. And again what it's not complete.

878
00:51:18.199 --> 00:51:21.400
<v Speaker 2>This is a market model, if you will. By the way,

879
00:51:21.440 --> 00:51:24.199
<v Speaker 2>Sam's looking for engineers, if anybody who wants to tackle

880
00:51:24.239 --> 00:51:25.840
<v Speaker 2>this as a project.

881
00:51:25.719 --> 00:51:28.039
<v Speaker 1>Rap artists, strop artist ring Frank.

882
00:51:28.239 --> 00:51:30.880
<v Speaker 2>There you go, contact me. We'll put you in touch

883
00:51:30.880 --> 00:51:34.400
<v Speaker 2>with Sam and man, that could be something really special. Well,

884
00:51:34.920 --> 00:51:37.400
<v Speaker 2>I really want to thank you again, Sam, Really is

885
00:51:37.480 --> 00:51:40.880
<v Speaker 2>this has been a pleasure, a really enjoyable and informative program.

886
00:51:40.920 --> 00:51:42.960
<v Speaker 1>Thank you, Thank you Frank.

887
00:51:43.880 --> 00:51:46.960
<v Speaker 2>Of course for our engineer mister Neil Richter, he is

888
00:51:47.280 --> 00:51:50.519
<v Speaker 2>always the mailman. I'm your host, Frank wi Bone. We

889
00:51:50.559 --> 00:51:52.840
<v Speaker 2>hope to have you join us on the next being. Frank,

890
00:51:52.880 --> 00:51:56.280
<v Speaker 2>We're the only way to be is Frank. Thanks everyone.

891
00:51:56.760 --> 00:51:59.800
<v Speaker 6>This is for everyone out there living with multiple sclerosis,

892
00:52:00.239 --> 00:52:05.119
<v Speaker 6>your caras in your family osis. She eventually got a diagnosis,

893
00:52:05.920 --> 00:52:10.159
<v Speaker 6>then there was prognosis. It wasn't a thrombosis. She had

894
00:52:10.159 --> 00:52:14.000
<v Speaker 6>a touch of helitosis, blame despicy smosis. Wasn't the psychosis

895
00:52:14.079 --> 00:52:18.400
<v Speaker 6>or tuberculosis. She hadn't a singlescrosis. My wife is multiple scrosis,

896
00:52:18.440 --> 00:52:23.159
<v Speaker 6>always tired as helosis forever headaxosis, a cetiosis. Need the

897
00:52:23.199 --> 00:52:25.239
<v Speaker 6>pe need the pe need the pe osis.

898
00:52:25.280 --> 00:52:26.440
<v Speaker 2>Suggest you BUYMA books of.

899
00:52:26.480 --> 00:52:29.639
<v Speaker 6>Proses, all the pennies and pezosis will help us, will

900
00:52:29.679 --> 00:52:32.079
<v Speaker 6>help us defeat multipookscrosis.

901
00:52:32.280 --> 00:52:49.480
<v Speaker 3>NA Hudson River Radio dot com
