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Speaker 1: You're listening to w M N H w m N

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H riped the novels.

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Speaker 2: The Commander, Don't get Suppreme Lida madzill Comy Drups on

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a sumer day trying to take my heart Bacon something

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cake and my my start bringing me down, thinking.

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Speaker 3: By dry.

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Speaker 4: Stick a.

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Speaker 5: Way for me, my idea. Won't you take me back?

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And we can't.

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Speaker 2: It's a bear, but you a call Backy's breaking me down,

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thinking my die.

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Speaker 6: Now I'm saying, oh my god, I hate boy, somehow

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how bad you rais.

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Speaker 1: Raine chops might come back you?

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Speaker 6: Oh my god, oh my god, I hate boys, saying

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how about half bad ris Raine shops might not back

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for you?

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Speaker 1: Oh my Baptist.

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Speaker 2: Jack on a summerday, trying to take my heart make

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me insuper cake in my mind, bringing me down, think of.

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Speaker 7: My job.

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Speaker 4: Sticking out.

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Speaker 8: I said, oh my god, boy, I sing out about

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half back Ray Range jobs might come back.

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Speaker 6: They Oh my god, he said, oh my god, I

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hate the wist.

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Speaker 8: I'm saying out loud, half back to me, Raine chops

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might come back.

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Speaker 6: The Yule Oh my god, he said.

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Speaker 9: The boy, that's a nice sound. I like that. A

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lot that is called rain drops. The band is Veil's

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End and they're here with us in studio. We're going

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to speak with them in just a moment and they're

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gonna play live for us, So really looking forward to that.

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But yeah, that's a great song, very very catchy. If

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you are just joining us, we have entered our number

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three new Marrow trace of Matt Connorton Unleashed and we

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are live from the studios of wm n H ninety

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five point three FM in Glorious Manchester, New Hampshire. Also,

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you can stream the show from anywhere if you go

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to Matt connorton dot com, slash live for all of

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your streaming options, social media links, contact infosho, archives, et cetera,

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et cetera. But today is Saturday, February one, two thoy

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twenty five, and I'm gonna go ahead and bring these

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mics up and we will introduce Vale's End. Welcome everybody.

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Let's see Emma. Let's start with you and we'll go

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around the room and you can each tell us who

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you are and what you do in the band.

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Speaker 10: So my name is Emma Maryannie. I am the lead

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singer of the band.

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Speaker 9: Okay, welcome, Oh hang on, I can hear you, and

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I need to figure out why. And I think I

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might know why. Let's try that again. Oh, I found

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I found you, I found it, all right, cool, go ahead.

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Speaker 3: I am Nick Marianni. I play guitar and sing in

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the band.

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Speaker 9: All right, welcome.

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Speaker 11: I'm Joey Marianni. I played bass in the band.

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Speaker 9: All right, welcome.

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Speaker 12: I am clearly not a Mariannie, as you can tell.

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I'm Cam Robertson. I'm the drummer in the band.

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Speaker 9: Welcome, Welcome. Sorry, I'm just kind of adjusting this here

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as we go, so, uh, we cannot do a proper

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sound check, of course, I'm kind of doing this song

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why so yeah, so welcome everybody, and it's great to

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have here. And now that song rain drops, now, that's

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that's an unmixed version. That's a rough mix, yeah.

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Speaker 3: Rough mix of it. Should have a mixed version soon

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and we're planning to release it around April.

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Speaker 9: You know, it sounds really good though. I like the

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even you know, unmixed. It's like it's it's got a

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cool like it gives it a kind of a low

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fi vibe, you know. I really like that a lot.

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I don't know, if you know, Temple Mountain, Eric PALAMEDI

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I f'm saying his last name correctly. He goes for

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that kind of low fi thing with his music, and

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it's and it's cool, so I like the asthetic of it.

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It's very very catchy. I love that song, the vocals.

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Who sings again, Emma, you singing to have you sing together? Yeah?

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I love your vocals on that together? And I love

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the solo and appreciate that.

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Speaker 12: Is it?

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Speaker 9: Is it just a four of you? Is there anybody

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else in the band who's not here?

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Speaker 3: Or our guitar player Ryan Unfortunately last night was his

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last show with this, so he wasn't on.

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Speaker 7: The recording, and we had one of our friends, the

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lovely Sarah Bird, play keys.

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Speaker 13: On the track.

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Speaker 9: Okay You're okay, give me a favorite? Emma, can you

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pull that? Just pull that mic up a little? Yeah? Perfect?

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Speaker 10: Yeah, right there.

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Speaker 9: Yeah, these these mics are super u uni directional. Uh,

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some of them are those who aren't, but very cool. Now.

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Is that the first song that you've recorded as a band,

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the first original? Yes? We did, okay, Okay, do you

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have others that you just haven't recorded yet? Or I

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know you mainly do covers they're gonna do some covers

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for us here today, but we're.

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Speaker 3: Working on a couple excellent, just some ideas that we

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gotta you know, nail down and get finished up before

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we head into the studio with them.

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Speaker 14: Cool.

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Speaker 9: Where did you record rain Drops?

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Speaker 3: We recorded it at a Boardhouse Productions in Hollis or

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in Brooklyn.

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Speaker 9: That's a name that's come up.

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Speaker 10: Yeah, he does an awesome job.

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Speaker 15: Incredible.

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Speaker 9: Yeah, that names that name has come up a bunch

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of times. Yeah, no, it sounds really good. And then oh,

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by the way, so Philip from Glitter Tooth he's in

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the chat room. He's been in the chat room. He

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was very excited about today. Yeah, Glitter Tooth, they were

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great on the show. Love that absolutely, Yeah, that was.

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That was a couple of years ago now at least. Yeah,

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are they still playing they are? Yeah, yeah, good, good, excellent.

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Do you all want to play something for us? Dying

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to hear you play live? And uh, plus I can

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get let's see go in the pluck that base a little,

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if you would. I gotta I gotta figure out uh

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gotta put that into the mix. Okay, good, I found

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you just kind of anywhere that the mic will pick

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up that drum. That's that's the one thing I never

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have to worry about in this room. I find is

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that the mic is gonna pick up pick up that

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drum no matter what. So that's that that part's that

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part's easy. But yeah, if you are just joining us,

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that veil's end is here with us, live in studio

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and uh yeah, no, very glad, very glad that you're here.

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And uh I'm dying to hear you live.

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Speaker 11: All right, let's start, Jans.

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Speaker 2: She grew up in the Indiana town. I had a

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girl can up who's never around. She grew up Charn.

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She grew up ride with Maniana boys on an Indiana night.

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She moved down there at the age of eighteen. She

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blew them boys away. It was more than they see.

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Speaker 3: I was introducing.

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Speaker 2: We boys started a groom and she said, I didn't you, baby,

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But I gotta keep moving, keep moving on, lads.

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Speaker 1: Stands Mary Jane.

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Speaker 5: One't more time to kill the past.

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Speaker 16: I feel summer creeping in and out chide its tired

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of case.

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Speaker 15: Well out on't know, but I been so you left

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soap down you never go oh time.

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Speaker 2: Scuing now tired of going down, tired of myself and

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tired of this town.

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Speaker 5: Oh my mind?

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Speaker 2: Oh hell, is you gotta put on a party dresss

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buy me a drink, send me a song, take.

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Speaker 15: Me as a concause I can't stay long.

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Speaker 16: That's Danso, married Jane one more time to kill the pa.

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Speaker 15: I feel somehert creeping in u tide and it's time

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to case.

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Speaker 6: M hm.

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Speaker 2: This bicheon's down on Market Square. She's standing in her

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under it, looking down.

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Speaker 16: From old cell room. My foe will be coming zome.

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Oh my my old hell. Yes, you gotta be on

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that party dress and say what too? Gold to cawing

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and woke up along and my last.

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Speaker 5: Number walked to the road. That's dance and marry Jane.

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One much time to kill the pace.

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Speaker 15: I feel sunning creeping in and tied til again.

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Speaker 9: Great job, great job. That sounded really good. If you

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are just joining us, we have Veils End here with

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us alive and Sue Udio on this Saturday morning, sounding great.

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How long has Vale's End existed? Is this a relatively

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new project?

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Speaker 3: It'll be it was two years in December since the

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start of the band.

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Speaker 9: Okay, so new kind of new new ish newish, Yeah,

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and then that the track that we played earlier, rain Drops.

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Who wrote that? Did you all write that together? Or

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was that.

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Speaker 12: He just showed up one day of practice and was like, hey, guys,

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I wrote this song and we just started damming on it.

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Speaker 9: Yeah, oh that's cool. That's cool. And then for covers, like,

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how many covers do you know as a band?

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Speaker 3: Like at least one hundred or more?

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Speaker 9: I think for real, that's a lot.

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Speaker 3: We've done a couple of five hour shows where we've

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had to learn a lot of material at once.

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Speaker 9: Oh my god, five hour shows like where like, tell

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me about that.

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Speaker 3: We did one at Sahegan Valley Motorsports. They were doing

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like an event there, so then we ended up playing

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in for the five hours of that event. And then

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the other time was around six hours. It was Pumpkin

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Fest in Milford two years ago.

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Speaker 7: Now, wow, the band had canceled because of the rain,

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so we ended up playing through the first second.

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Speaker 9: Oh wow, Yeah, that's what I was going to ask, like,

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was it supposed to be that way or did something.

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Speaker 3: Weather?

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Speaker 8: Yeah?

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Speaker 9: Wow? Was was that was that challenging? I would imagine

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it would.

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Speaker 5: Be a little bit.

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Speaker 3: There's like a point where you're just kind of having

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to like learn songs super quick on the fly before

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we played them.

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Speaker 9: Oh wow, yeah, because you have to repeat some stuff.

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Speaker 3: A little bit. But you know, at that point it

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had been enough time that it didn't really matter.

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Speaker 11: People kind of cycled through.

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Speaker 9: Yeah, yeah, no, that makes sense, that makes sense. Oh,

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you know a lot of songs. So do you play

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out a lot? Are you doing a lot of shit?

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Speaker 17: Oh?

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Speaker 3: Yeah, yeah, primarily like three times a month right now?

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Speaker 9: Okay, okay, good, just about. Do you have some favorite

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places to play?

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Speaker 4: Probably so.

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Speaker 7: Our big places are Station Station one on one in Milford,

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Brick House in Milford, Riley's Place in Milford.

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Speaker 4: They all do an awesome job.

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Speaker 7: We just played out Old Town Tavern in Milford for

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the first time last night.

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Speaker 10: Okay, they were an awesome place.

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Speaker 9: Okay. And a lot of shows in Milford. Are you

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all from that area?

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Speaker 5: Yes?

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Speaker 9: Okay. It's funny because it's not Milford is not like

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a big city or anything, and yet it sounds like

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they've got a lot of really good venues there, a.

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Speaker 7: Lot of amazing venues, a lot of amazing musicians from

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the area that play in the area.

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Speaker 9: Yeah, that's really cool. It's funny because now that I'm

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thinking about it, Milford does come up a lot on

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the show when people talking about venues where they play.

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And again, it's a small it's not technically a city, right,

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it's a it's a small place.

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Speaker 12: Changed a lot. It used to be really small and

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now it's like it's it's definitely got a lot of venues.

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Speaker 9: It sounds like, yeah, there's a lot going on there.

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That's that's really cool. That's very cool. Jeez, you could

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just play play Milford time.

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Speaker 10: To go anywhere else?

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Speaker 9: Yeah, that's that's awesome. Have you Uh has it always

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been really busy, like right from the beginning with a

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spand or did it take some time to It took a.

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Speaker 10: Little bit of time. A really started at Riley's place.

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Speaker 7: That was really where we got our following, got our start,

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and then slowly started branching out to other open mics

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and through there met people found out about other places

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that have live music.

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Speaker 9: Yeah, yeah, excellent. Do you want to play another one?

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You sound great, dying to hear your dying to hear more?

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If you are just joining us, we have veils End

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with us live in studio. Uh sounding amazing and uh

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they're gonna play another one for us, all right, very

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good to.

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Speaker 10: Practice, Centuria.

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Speaker 18: I know Crystal Ball, I had a million dollars, but

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I I stands it off.

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Speaker 19: If I could find a Hannah in that Sancho as.

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Speaker 18: She's found at Papa Captain Sancho and I slap her down.

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Speaker 4: Oh I really want to know.

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Speaker 19: My baby. Oh, I really want to say, I Canty fine.

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Speaker 4: It's the Sanny.

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Speaker 13: Oh my soul had to eat jacket back.

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Speaker 19: By Hannah, my own god, he's gonna.

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Speaker 4: Live on and all.

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Speaker 13: I feel a break, feel a breaking, the breaking. I

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gotta live it up. Oh a hume, Well that's where

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did I have?

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Speaker 15: Oh?

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Speaker 4: I really want to know my baby.

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Speaker 19: Oh I really you want to see Canty fine?

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Speaker 4: That love for making f Oh my soul has to Oh.

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Speaker 19: Oh I really want to see my baby.

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Speaker 15: Oh.

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Speaker 19: I really want to say, is I got my.

276
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Speaker 20: I'm making a time coming up? Tell Santy too, and

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he knows what it's good for him. Best for running part.

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Speaker 13: Daddy's got a new forty fast.

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Speaker 4: And I won't think for acoustic.

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Speaker 20: I felt straight down Sancho, So believe me when I

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say that I got something for punk out.

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Speaker 4: But I really want to know, my baby, what I

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really want to say?

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Speaker 13: There first one way back and I'm.

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Speaker 4: Yeah, I don't have to wait.

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Speaker 9: There are outstanding outstanding If you're just joining us, we

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have veils End here with us alive in studio on

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this Saturday morning.

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Speaker 16: Uh.

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Speaker 9: Sounding great? And are there any are there any covers

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that you' all do that are that are challenging? Particularly

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like what what are some things that have been hard

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to learn? I mean, with with that many songs, because

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you said over one hundred, I mean, there's gotta be

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something that really give you give you a problem or

296
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maybe not, I don't know.

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Speaker 11: I remember one for me in particular was The Trooper.

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Speaker 21: Oh really yeah, no kidding, Yeah, that was definitely a

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bit challenging.

300
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Speaker 12: I don't know, It's kind of hard to say. For

301
00:23:43,200 --> 00:23:45,480
like drums, I remember when I first joined because I

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originally was I played rhythm when I first joined, and

303
00:23:48,599 --> 00:23:51,559
it was like crazy training. I drove myself literally crazy

304
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trying to learn that song, no kidding, But drums wise,

305
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i'd probably say a lot of the like we play

306
00:23:58,279 --> 00:24:00,480
like a lot of a big mix of like metal

307
00:24:00,559 --> 00:24:03,119
to like like low fi indie music, and a lot

308
00:24:03,200 --> 00:24:06,200
of the like the slow indie stuff is a little

309
00:24:06,240 --> 00:24:07,920
bit harder for me because I use I'm I come

310
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from just like raw punk drumming. You know, I'm not

311
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really that technical, but like so it's kind of hard

312
00:24:13,640 --> 00:24:16,279
for me to play like the slower vibe stuff.

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Speaker 9: Oh interesting, interesting, Yeah.

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Speaker 21: I definitely agree with that. Sometimes I do want to

315
00:24:20,680 --> 00:24:23,839
get carried away and just rock out. Yeah we're playing

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the Beatles.

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Speaker 11: We should.

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Speaker 9: Yeah, that's funny.

319
00:24:29,359 --> 00:24:31,079
Speaker 11: Oh no, for sure, for sure.

320
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Speaker 9: Is there anything that you've learned as a band that

321
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turned out to be easier than you thought it was

322
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going to be, Like something that you thought was going

323
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to be really challenging that.

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Speaker 21: I think when it comes to like the instrumentals, like

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for making music, I feel like every practice we come

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up with five new like little jams that we could

327
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start working on. I definitely thought that was gonna be

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a lot more challenging, I guess getting into it.

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00:24:52,839 --> 00:24:56,599
Speaker 12: Yeah, yeah, yeah, I definitely think, like the chemistry with

330
00:24:56,759 --> 00:24:59,200
us is like it's unreal. I mean, obviously they're they're

331
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all brothers and sis, but like I grew up with

332
00:25:01,079 --> 00:25:04,279
them too, Like whenever we play together, it's like, yeah,

333
00:25:04,400 --> 00:25:06,640
literally every time we even whether it's jamming a song,

334
00:25:06,759 --> 00:25:08,880
like we like to make our stuff our own, Like, yeah,

335
00:25:09,160 --> 00:25:12,319
we don't play songs one to one usually, we kind

336
00:25:12,359 --> 00:25:13,960
of like to make it our own a little bit. Sure,

337
00:25:15,319 --> 00:25:17,119
but yeah, we just always throw something on there and

338
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we're just like, it's ridiculous. We've got this song we're

339
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writing that. It's like it's almost twelve minutes long now.

340
00:25:22,200 --> 00:25:24,039
It's just really if the jam doesn't end, it doesn't

341
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it just we just keep adding stuff to it.

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00:25:25,799 --> 00:25:29,599
Speaker 9: Yeah, So is that how it happens with the songwriting

343
00:25:29,640 --> 00:25:33,359
You're you're well, you wrote rain Drops is yours, but

344
00:25:33,440 --> 00:25:35,359
it sounds like you're working on new stuff where it's

345
00:25:35,359 --> 00:25:37,000
all of you together. Yeah. Yeah, okay.

346
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Speaker 3: Usually we just kind of like he'll play like a

347
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riff on the bass, or I'll play something on guitar

348
00:25:41,440 --> 00:25:43,519
and we kind of just jam it and write as

349
00:25:43,599 --> 00:25:46,039
we are jamming on and figure out different parts and

350
00:25:46,079 --> 00:25:46,599
stuff like that.

351
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Speaker 9: Yeah. Yeah cool, what uh let's yeah, I don't Yeah,

352
00:25:54,319 --> 00:25:55,799
we have time you want to you want to play

353
00:25:55,839 --> 00:25:56,200
another one?

354
00:25:56,319 --> 00:25:56,519
Speaker 4: Sure?

355
00:25:57,400 --> 00:25:59,039
Speaker 9: If you're just joining us. A Veil's End is here

356
00:25:59,079 --> 00:26:02,119
with us live and studio, and uh, I can attests

357
00:26:02,119 --> 00:26:04,240
they sound great because I really enjoyed Santria and I've

358
00:26:04,319 --> 00:26:07,079
never liked that song, but but I liked it, no,

359
00:26:07,200 --> 00:26:08,920
for real, but I like hearing you all play it,

360
00:26:09,000 --> 00:26:11,319
so that was that was great. I don't I never

361
00:26:11,519 --> 00:26:15,319
liked Sublime. I'm like Sublime, I never liked I remember

362
00:26:15,359 --> 00:26:18,519
when I vividly remember when they were huge. They had

363
00:26:18,559 --> 00:26:20,559
that and what I got were the two big hits,

364
00:26:20,559 --> 00:26:21,920
and I never I just never liked them.

365
00:26:22,000 --> 00:26:25,079
Speaker 10: They definitely get better than those songs, go deeper into.

366
00:26:24,960 --> 00:26:26,279
Speaker 9: Them, That's what people tell me.

367
00:26:26,440 --> 00:26:26,640
Speaker 19: Yeah.

368
00:26:26,839 --> 00:26:31,200
Speaker 12: Yeah, but we cover a lot of yeah, a lot

369
00:26:31,279 --> 00:26:32,880
of their B sides, though not just like we do

370
00:26:33,000 --> 00:26:34,799
Sandari obviously because everyone loves that song.

371
00:26:34,880 --> 00:26:36,759
Speaker 9: But yeah, yeah, a lot of their early stuff is

372
00:26:37,160 --> 00:26:40,440
pretty rocket. Okay, okay, interesting.

373
00:26:41,559 --> 00:26:42,039
Speaker 8: All right.

374
00:26:43,720 --> 00:26:44,039
Speaker 16: Boys?

375
00:26:44,680 --> 00:26:52,519
Speaker 10: Mm hmm house little tuning song.

376
00:26:52,599 --> 00:26:55,599
Speaker 9: Oh yeah, no worries. Veils End is here with us

377
00:26:55,680 --> 00:26:58,359
live and studio on this Saturday morning. By the way,

378
00:26:58,440 --> 00:27:02,240
Miriam Vanishing the shat Room said, uh, chill inducing voice.

379
00:27:03,079 --> 00:27:07,359
I assume she means that as a compliment. Chill inducene

380
00:27:07,400 --> 00:27:09,039
could be taken different ways, but I think she I

381
00:27:09,079 --> 00:27:10,240
think she means it as a compliment.

382
00:27:10,640 --> 00:27:11,039
Speaker 11: Are good.

383
00:27:13,640 --> 00:27:16,079
Speaker 5: H m hm.

384
00:27:20,480 --> 00:27:56,359
Speaker 19: Mm hmmm. How sawy.

385
00:27:58,720 --> 00:28:03,799
Speaker 22: They eat her as in size.

386
00:28:06,480 --> 00:28:07,480
Speaker 4: Then it's been.

387
00:28:08,839 --> 00:28:13,400
Speaker 19: You of many of more boy.

388
00:28:14,839 --> 00:28:19,440
Speaker 4: And I know why I'm one.

389
00:28:34,200 --> 00:28:43,599
Speaker 22: Mys a tailor, Sea.

390
00:28:44,400 --> 00:28:50,240
Speaker 4: My boy, my.

391
00:28:54,720 --> 00:29:23,559
Speaker 22: Gamelyn down newly Hm silly only pay a gamblarning.

392
00:29:25,519 --> 00:29:40,720
Speaker 23: It's a u pasing, not drunk, silly only time he satispy.

393
00:29:41,640 --> 00:30:06,960
Speaker 4: This lin, he's not not drunk. Woman, Your children.

394
00:30:08,759 --> 00:30:09,480
Speaker 3: Not to do.

395
00:30:12,480 --> 00:30:14,039
Speaker 6: I have done.

396
00:30:17,200 --> 00:30:30,039
Speaker 14: Standon sensing and misery in the house suburbs in signs.

397
00:30:43,079 --> 00:30:52,559
Speaker 4: W the platform, Sandy.

398
00:30:53,759 --> 00:30:54,720
Speaker 15: The foot.

399
00:30:55,960 --> 00:30:57,000
Speaker 5: A train.

400
00:31:02,319 --> 00:31:10,519
Speaker 13: Back to Neworleans, Doweer, that bar.

401
00:31:12,079 --> 00:31:33,279
Speaker 24: Names ten Newlen.

402
00:31:35,119 --> 00:31:40,400
Speaker 4: They call the thing time.

403
00:31:43,039 --> 00:31:49,799
Speaker 13: And it's been thing of many of poor boys.

404
00:31:51,400 --> 00:31:53,720
Speaker 5: And I know.

405
00:31:55,279 --> 00:31:56,079
Speaker 15: M one.

406
00:31:59,720 --> 00:32:21,920
Speaker 5: H h.

407
00:32:26,359 --> 00:32:29,000
Speaker 11: H h.

408
00:32:34,920 --> 00:32:38,519
Speaker 9: Well done, everybody, well done. Veil's end is here with us,

409
00:32:38,640 --> 00:32:43,119
alive in studio on this Saturday morning. And if you

410
00:32:43,200 --> 00:32:45,920
are just joining us, uh they are they sound great?

411
00:32:46,400 --> 00:32:51,599
Uh excuse me, you're getting some feedback here too, some compliments.

412
00:32:51,920 --> 00:32:52,039
Speaker 7: Uh.

413
00:32:52,160 --> 00:32:54,799
Speaker 9: Sarah Kate in the chat room says love love, love love.

414
00:32:55,079 --> 00:32:58,480
I love you, Kate, she says, Oh, Emma, Mariannie, am

415
00:32:58,480 --> 00:33:01,480
I saying your last name? Christ There? She says, you

416
00:33:01,559 --> 00:33:06,960
sound incredible. Such a talented group of young musicians. Let's

417
00:33:06,960 --> 00:33:11,920
see we Also we got an instant message from Steve

418
00:33:12,000 --> 00:33:15,680
Hartwell who says so proud of Veil's end. Oh love

419
00:33:15,720 --> 00:33:19,839
you Steve and Jen and also Lloyd do so Junior

420
00:33:19,839 --> 00:33:22,000
if I'm saying that correctly, says it's Lloyd from Max

421
00:33:22,079 --> 00:33:25,440
Sound Productions, Charlie Hill, sound engineer. I don't know if

422
00:33:25,440 --> 00:33:27,200
you if you all know Lloyd or that might be

423
00:33:27,319 --> 00:33:29,359
a reference to a conversation I had with a previous

424
00:33:29,440 --> 00:33:31,599
guest earlier in the show. And I'm just getting the

425
00:33:31,640 --> 00:33:35,079
message now because Charlie still came up when I was

426
00:33:35,119 --> 00:33:36,880
talking with Data at Town earlier in the show. So

427
00:33:37,440 --> 00:33:40,880
I don't know if y'all, but Charlie Sill is apparently

428
00:33:40,920 --> 00:33:43,359
a pretty incredible venue. I'm hearing a lot about them.

429
00:33:44,079 --> 00:33:44,960
Speaker 10: I'll have to look into it.

430
00:33:45,079 --> 00:33:46,720
Speaker 9: Yeah, that name comes up a lot on the show.

431
00:33:46,839 --> 00:33:50,640
So yeah, yeah, absolutely. Where should people go online to

432
00:33:50,680 --> 00:33:52,200
keep up with what you all are doing?

433
00:33:52,359 --> 00:33:55,920
Speaker 10: We are on Instagram and Facebook, so it's v a l.

434
00:33:56,200 --> 00:33:57,680
Speaker 2: E s end.

435
00:33:58,240 --> 00:34:01,240
Speaker 10: We're on Instagram, Facebook, and we are on TikTok.

436
00:34:01,160 --> 00:34:06,279
Speaker 9: Okay very good. Did you all have a did your

437
00:34:06,279 --> 00:34:08,840
heart stop a moment when it looked like TikTok was gone?

438
00:34:10,079 --> 00:34:10,400
Speaker 4: Lightly?

439
00:34:10,480 --> 00:34:12,519
Speaker 10: I mean Instagram reels is kind of made up for it.

440
00:34:12,639 --> 00:34:14,559
Speaker 11: Okay, Yeah, I'll be honest.

441
00:34:14,679 --> 00:34:16,840
Speaker 21: I never got into TikTok too much because I felt

442
00:34:16,880 --> 00:34:19,199
like I already had my place on Instagram.

443
00:34:19,239 --> 00:34:19,920
Speaker 9: They knew well.

444
00:34:20,039 --> 00:34:21,599
Speaker 11: I was like, I don't want I want to have

445
00:34:21,639 --> 00:34:22,559
to build this back up.

446
00:34:22,800 --> 00:34:24,599
Speaker 9: Yeah, there you go. Yeah, I just I know a

447
00:34:24,639 --> 00:34:26,880
lot of people who are really upset when TikTok went dark,

448
00:34:26,920 --> 00:34:32,719
although it was it was very, very brief, very good.

449
00:34:33,000 --> 00:34:35,599
So what is are you playing a lot of Do

450
00:34:35,639 --> 00:34:36,719
you have a lot of shows coming up? Do you

451
00:34:36,719 --> 00:34:39,079
have anything this weekend that you're uh, we just played

452
00:34:39,199 --> 00:34:39,719
last night.

453
00:34:39,840 --> 00:34:41,639
Speaker 10: I think our next show is.

454
00:34:42,800 --> 00:34:46,280
Speaker 3: It'll either be February twenty first or February twenty second

455
00:34:46,320 --> 00:34:48,719
at Station one and one to celebrate four years of

456
00:34:48,760 --> 00:34:49,400
them being open.

457
00:34:49,559 --> 00:34:52,519
Speaker 9: Oh okay, and that's in Milford in Milfordham, Yeah, of

458
00:34:52,599 --> 00:34:58,760
course it is. Yeah, Yeah, no, that's that's cool. Though.

459
00:34:59,079 --> 00:35:01,039
Are you going to be Uh, when is the busiest

460
00:35:01,039 --> 00:35:02,440
time for you all? Is it summer? Do you play

461
00:35:02,440 --> 00:35:03,039
a lot in the summer?

462
00:35:03,039 --> 00:35:03,320
Speaker 10: Summer?

463
00:35:03,440 --> 00:35:03,639
Speaker 13: Fall?

464
00:35:03,840 --> 00:35:05,880
Speaker 7: Yeah, best weather to be outside, that's when all the

465
00:35:05,920 --> 00:35:07,039
outdoor venues are open.

466
00:35:07,320 --> 00:35:09,719
Speaker 9: Yeah, yeah, no doubt, now's.

467
00:35:09,320 --> 00:35:11,480
Speaker 7: The time to kind of hybridate and start working on

468
00:35:11,559 --> 00:35:12,400
some more originals.

469
00:35:12,559 --> 00:35:14,840
Speaker 9: There you go. Now are any of you also currently

470
00:35:14,880 --> 00:35:15,760
and other bands you have?

471
00:35:16,639 --> 00:35:19,119
Speaker 3: I played drums in the kale and Costello band.

472
00:35:19,400 --> 00:35:25,159
Speaker 9: Oh okay, not familiar Kalen Costello Kaleen Costelo band. Yeah

473
00:35:25,320 --> 00:35:26,840
what what what kind of music is it?

474
00:35:27,039 --> 00:35:28,800
Speaker 3: It's a female fronted punk band.

475
00:35:29,119 --> 00:35:31,679
Speaker 9: Oh, very cool. Well we got to get you on

476
00:35:31,800 --> 00:35:32,840
with yeah.

477
00:35:32,920 --> 00:35:35,840
Speaker 7: Yeah, and then I'm in a band, The Twos, with

478
00:35:35,960 --> 00:35:37,639
my boyfriend Philip Corecos.

479
00:35:38,000 --> 00:35:40,000
Speaker 10: Okay, very an the area too.

480
00:35:40,480 --> 00:35:42,039
Speaker 9: Well, we've got to get you on with the Twos,

481
00:35:42,159 --> 00:35:46,840
I know. And what about uh, just just.

482
00:35:46,960 --> 00:35:50,199
Speaker 12: This, I mean me and him, Me and me and

483
00:35:50,320 --> 00:35:53,159
Joey go way back. We actually like made a rap

484
00:35:53,239 --> 00:35:55,000
album together when we were younger for real.

485
00:35:55,320 --> 00:35:55,519
Speaker 3: Yeah.

486
00:35:56,360 --> 00:35:59,599
Speaker 12: It was actually kind of professionally produced and stuff. I mean,

487
00:35:59,639 --> 00:36:00,519
this kid amazing?

488
00:36:00,679 --> 00:36:01,960
Speaker 9: Is it online? Yeah? It is?

489
00:36:02,079 --> 00:36:04,480
Speaker 12: Yeah, what's it called. It's actually me and my other

490
00:36:04,559 --> 00:36:07,320
friend Cam. It's called Nasty Habits Double Up. That's the

491
00:36:07,400 --> 00:36:09,280
name of the album. It's kind of like we kind

492
00:36:09,320 --> 00:36:11,320
of do this like battling, you know, back and forth thing.

493
00:36:11,360 --> 00:36:13,480
But oh he produced most of the album and yeah,

494
00:36:13,519 --> 00:36:15,880
it's that's kind of where I like, I mean, we

495
00:36:16,000 --> 00:36:21,360
spent hours together doing that, like a yeah, oh my god,

496
00:36:21,840 --> 00:36:22,800
so many hours doing that.

497
00:36:22,880 --> 00:36:23,639
Speaker 9: It was ridiculous.

498
00:36:23,679 --> 00:36:26,000
Speaker 12: But that's that's when like they started playing music too,

499
00:36:26,039 --> 00:36:27,760
So then I was like, okay, you know, I've been

500
00:36:27,800 --> 00:36:30,480
playing guitar my whole life, but I started playing drums recently.

501
00:36:30,239 --> 00:36:30,840
Speaker 9: So yeah.

502
00:36:31,079 --> 00:36:35,079
Speaker 12: Yeah, but yeah, like we've we've got a music history

503
00:36:35,199 --> 00:36:37,639
for that goes way back for this.

504
00:36:37,960 --> 00:36:40,440
Speaker 9: Yeah. Well that that helps, right, because that then there's

505
00:36:40,440 --> 00:36:44,559
something almost intuitive about what you're doing, you know. Yeah, yeah,

506
00:36:44,920 --> 00:36:46,719
very cool. Yeah, I'll have to check that out. I'm

507
00:36:46,719 --> 00:36:49,360
curious now, like is it good? Are you happy with it?

508
00:36:49,480 --> 00:36:49,599
Speaker 16: Oh?

509
00:36:49,719 --> 00:36:52,239
Speaker 12: Yeah, honestly, like what it comes on shuffles sometimes and

510
00:36:52,320 --> 00:36:53,320
I can't believe that.

511
00:36:53,440 --> 00:36:55,440
Speaker 9: Oh that's why we made it. Sometimes it's it's kind

512
00:36:55,480 --> 00:36:58,239
of crazy. Oh, very cool, very cool. Because sometimes I'll

513
00:36:58,280 --> 00:37:00,840
talk to musicians who you know, did something really different

514
00:37:00,920 --> 00:37:03,639
like early in their career, and they're like, who is

515
00:37:03,760 --> 00:37:06,960
the band? Oh, I had a band on oh a

516
00:37:07,039 --> 00:37:10,760
Scarecrow Hill And I don't know if you know them,

517
00:37:11,039 --> 00:37:13,679
but they've been around for a really long time. And

518
00:37:13,800 --> 00:37:16,159
I was actually surprised when they told me that, like

519
00:37:16,280 --> 00:37:19,559
some of their early stuff. They they like have suppressed it,

520
00:37:19,719 --> 00:37:22,440
like they've tried to have it removed from everything. They

521
00:37:22,440 --> 00:37:24,599
don't they don't want it out there because they feel

522
00:37:24,639 --> 00:37:27,679
like they've evolved so much. They're actually like, like they

523
00:37:27,719 --> 00:37:29,920
didn't use the word embarrassed, but they were like, we

524
00:37:30,239 --> 00:37:31,800
don't want any of the old stuff out there, which

525
00:37:32,280 --> 00:37:34,400
which I think would be like if I were in

526
00:37:34,440 --> 00:37:36,760
that position, I would be frustrated, Like I would want

527
00:37:37,119 --> 00:37:39,840
like if I made something, even if I wasn't the

528
00:37:39,960 --> 00:37:42,000
best or didn't represent what I was currently doing, iould

529
00:37:42,000 --> 00:37:43,199
still want people to be able to hear it, you

530
00:37:43,239 --> 00:37:43,599
know what I mean.

531
00:37:43,679 --> 00:37:45,559
Speaker 21: Yeah, you can kind of see the progression of yeah,

532
00:37:45,599 --> 00:37:47,800
that's come exactly exactly.

533
00:37:48,079 --> 00:37:50,000
Speaker 9: But yeah, they have a different mindset about it, which

534
00:37:50,000 --> 00:37:53,920
I found really interesting, and they actually try to suppress

535
00:37:53,960 --> 00:37:56,519
what they did. But yeah, well, do you want to

536
00:37:56,559 --> 00:37:59,239
play one more for us? If you're just joining us?

537
00:37:59,280 --> 00:38:01,440
We have Vales Hill Veil's End rather here with us

538
00:38:01,440 --> 00:38:02,840
in studio. Oh by the way, where does the name

539
00:38:02,880 --> 00:38:04,320
come from? As long as I'm tripping on the name,

540
00:38:04,320 --> 00:38:05,840
it's a good time now you Nick.

541
00:38:05,760 --> 00:38:10,000
Speaker 7: Actually named the band after a cemetery in Wilton, New

542
00:38:10,000 --> 00:38:13,519
Hampshire called veil End cemetery. Okay, if you're from New Hampshire,

543
00:38:13,519 --> 00:38:15,360
you've probably heard of the Blue Lady and that's where

544
00:38:15,519 --> 00:38:16,320
she is buried.

545
00:38:16,679 --> 00:38:17,360
Speaker 15: Yeah, I have not.

546
00:38:17,599 --> 00:38:18,920
Speaker 9: I don't know this the Blue Lady.

547
00:38:19,079 --> 00:38:21,199
Speaker 7: Yeah, so I guess the just is a woman that

548
00:38:21,360 --> 00:38:23,840
died in Wilton and she haunts a cemetery. People will

549
00:38:23,880 --> 00:38:25,760
go there at night and see like a blue orb

550
00:38:26,119 --> 00:38:27,559
really sign that she's there.

551
00:38:27,880 --> 00:38:31,199
Speaker 21: Okay, yeah, so that I remember hearing ever since like

552
00:38:31,400 --> 00:38:34,679
second grade, no kidding. Yeah, do you have any of

553
00:38:34,760 --> 00:38:35,800
you seen the blue Orb?

554
00:38:36,000 --> 00:38:37,119
Speaker 10: I've never gone at night?

555
00:38:37,480 --> 00:38:40,599
Speaker 9: Yeah, yeah, cemeteries are scary at night, definitely.

556
00:38:40,599 --> 00:38:42,719
Speaker 3: I went to night once and I didn't wander too far.

557
00:38:43,280 --> 00:38:44,719
Speaker 11: Yeah, you gotta be careful.

558
00:38:47,039 --> 00:38:49,039
Speaker 9: Yeah. Plus, if you do that you don't see the

559
00:38:49,079 --> 00:38:50,639
blue orb, then you're gonna be disappointed.

560
00:38:52,599 --> 00:38:52,639
Speaker 12: You.

561
00:38:52,800 --> 00:38:54,840
Speaker 9: But do any of you know people who have seen

562
00:38:55,119 --> 00:38:56,519
or have pictures of the blue Orb?

563
00:38:56,639 --> 00:38:59,039
Speaker 10: I've read stories about it. I've want pictures online.

564
00:38:59,079 --> 00:39:01,400
Speaker 9: Wells always curious about this.

565
00:39:01,519 --> 00:39:04,039
Speaker 21: Iber One of my oldest friends, we were convinced that

566
00:39:04,119 --> 00:39:06,920
his sister was cursed by the Blue Lady. Really, yeah,

567
00:39:06,960 --> 00:39:10,920
because she did some not respectful things in that graveyard

568
00:39:11,039 --> 00:39:14,480
and there was always just weird stuff happening at the house,

569
00:39:14,559 --> 00:39:17,360
like a cup would randomly like fly off the counter

570
00:39:17,440 --> 00:39:18,400
and whatnot.

571
00:39:19,119 --> 00:39:20,119
Speaker 11: Yeah, a lot of weird stuff.

572
00:39:20,119 --> 00:39:22,800
Speaker 9: I remember. Oh that's cool, that's cool. You don't mess

573
00:39:22,840 --> 00:39:27,719
with the dad, I think, wat walk the other way.

574
00:39:27,800 --> 00:39:29,800
Speaker 12: Don't don't go down there the scary basement.

575
00:39:29,920 --> 00:39:30,039
Speaker 8: You know.

576
00:39:30,280 --> 00:39:31,199
Speaker 12: I avoid that stuff.

577
00:39:32,480 --> 00:39:34,000
Speaker 9: All right, what are you? What are you gonna play

578
00:39:34,039 --> 00:39:34,320
for us?

579
00:39:34,480 --> 00:39:36,960
Speaker 3: We're gonna do our rendition of Aino Sunshine.

580
00:39:37,159 --> 00:39:39,440
Speaker 9: Oh cool, this will be great, all right, very good.

581
00:39:39,519 --> 00:39:41,159
Veil's end live and studio.

582
00:39:41,400 --> 00:39:41,480
Speaker 6: M.

583
00:39:55,039 --> 00:40:05,079
Speaker 2: In no sushow And she's gone. It's not wants she's away.

584
00:40:07,880 --> 00:40:08,159
Speaker 15: At No.

585
00:40:08,440 --> 00:40:10,199
Speaker 6: Sunshine is gone.

586
00:40:11,280 --> 00:40:13,599
Speaker 4: She's outway's gone too long.

587
00:40:14,239 --> 00:40:16,639
Speaker 15: Any time she goes.

588
00:40:16,400 --> 00:40:27,599
Speaker 2: Away, wonder this time as she's gone, I wonder if

589
00:40:27,760 --> 00:40:30,239
she's gone to stay.

590
00:40:33,199 --> 00:40:38,360
Speaker 15: In No sunshine is gone in this house. Stain't no

591
00:40:38,639 --> 00:40:42,000
home any time she goes away.

592
00:40:56,960 --> 00:40:57,320
Speaker 6: M hm.

593
00:41:10,400 --> 00:41:13,159
Speaker 15: I know, I know, I know, I know, I know,

594
00:41:13,440 --> 00:41:16,639
I know, I know, no no I know, I no.

595
00:41:17,039 --> 00:41:20,559
Speaker 3: No no no, no, I know, I know, I know.

596
00:41:20,840 --> 00:41:21,119
Speaker 15: I know.

597
00:41:22,639 --> 00:41:27,360
Speaker 16: You otta leave you thing alone. He's ain't out sunshine

598
00:41:27,599 --> 00:41:29,159
when she's.

599
00:41:28,800 --> 00:41:35,440
Speaker 5: Gone, he said, we darkness. We day.

600
00:41:38,559 --> 00:41:44,360
Speaker 2: Ain't no sunshine is gone, she's out. He's gone too long.

601
00:41:44,920 --> 00:41:54,280
Anytime she goes away, under this town where she's gone.

602
00:41:57,400 --> 00:42:05,280
Wonder if she's gone to stay in the sunshine and

603
00:42:05,519 --> 00:42:07,800
stand this house.

604
00:42:08,000 --> 00:42:16,960
Speaker 17: You stay home any time she goes away, any time

605
00:42:17,679 --> 00:42:30,320
she goes away, anytime she goes away, any time she

606
00:42:30,719 --> 00:42:38,000
goes away, any time she goes.

607
00:42:42,079 --> 00:42:46,840
Speaker 9: Oh, that sounded so good. Great job, everybody, Great job.

608
00:42:47,280 --> 00:42:51,440
Veil's end live in studio with us on this Saturday morning.

609
00:42:51,639 --> 00:42:53,400
And by the way, I got a couple of more

610
00:42:53,559 --> 00:42:57,639
instant messages. Let's see. Taylor McCarthy says, I love you

611
00:42:57,679 --> 00:43:01,079
guys so much. You all, You're all amazing, and I'm

612
00:43:01,119 --> 00:43:05,320
so proud of you. Taylor. Very nice, very nice, And

613
00:43:05,760 --> 00:43:12,320
Uncle Darren says, sounds awesome. Biale's end. Very nice. Yes,

614
00:43:13,079 --> 00:43:18,239
very cool. Let's see. And we did have a request

615
00:43:18,519 --> 00:43:21,079
in the chat room in the Facebook chat room. Uh

616
00:43:21,440 --> 00:43:27,800
Philip from uh what's glitter tooth? Sorry, says Cam spit

617
00:43:27,920 --> 00:43:31,440
some rhymes. You gotta you gotta give the people what

618
00:43:31,519 --> 00:43:31,800
they want.

619
00:43:31,840 --> 00:43:32,159
Speaker 19: I don't know.

620
00:43:32,280 --> 00:43:38,079
Speaker 9: I don't think it's radio friendly understood. Never mind, I'm

621
00:43:38,119 --> 00:43:40,239
not like Will Smith. I can't do that right, right?

622
00:43:44,800 --> 00:43:45,239
Is that true?

623
00:43:45,719 --> 00:43:45,920
Speaker 13: Yeah.

624
00:43:46,320 --> 00:43:48,320
Speaker 12: We do a cover of Bulls Arm Parade where we

625
00:43:48,360 --> 00:43:50,880
all switch around playing drums and I do.

626
00:43:51,000 --> 00:43:54,159
Speaker 9: The I do the vocals on it. Oh that's cool.

627
00:43:55,000 --> 00:43:56,480
Speaker 12: The power the power went out.

628
00:43:57,360 --> 00:43:58,400
Speaker 10: My lovely friend Dean.

629
00:43:58,719 --> 00:44:00,400
Speaker 11: Yeah, yeah, awesome.

630
00:44:01,159 --> 00:44:06,320
Speaker 9: It was three o'clock in the morning, so it was okay, okay, yeah,

631
00:44:06,400 --> 00:44:12,800
Nobles on Braid at three am. You want to we

632
00:44:12,960 --> 00:44:14,360
we do have time. Do you want to play one more?

633
00:44:15,320 --> 00:44:16,039
Speaker 11: What do you want to do?

634
00:44:19,760 --> 00:44:21,599
Speaker 9: Bail's end us here with us live in studio. I'm

635
00:44:21,639 --> 00:44:26,440
kind of putting them on the spot just fine, but

636
00:44:27,079 --> 00:44:29,039
they just sounds so good. I selfishly want to hear

637
00:44:29,039 --> 00:44:29,480
another one.

638
00:44:30,039 --> 00:44:31,960
Speaker 10: You We're gonna play some grateful for you guys.

639
00:44:31,840 --> 00:44:32,719
Speaker 9: All right, very good?

640
00:44:58,599 --> 00:45:04,360
Speaker 18: This since run now she's standing there for get up

641
00:45:04,519 --> 00:45:11,760
and out out of the door. Lincold music on the

642
00:45:11,960 --> 00:45:16,679
bottom floor, drowns in your laughter.

643
00:45:17,360 --> 00:45:19,360
Speaker 4: In Dead to the cour.

644
00:45:20,760 --> 00:45:24,480
Speaker 13: There's a dragon with matches that's a loose on in town.

645
00:45:26,480 --> 00:45:30,440
It's a wool pail of fire just to cool him down.

646
00:45:30,760 --> 00:45:32,800
Speaker 5: Out usher fire.

647
00:45:34,039 --> 00:45:38,440
Speaker 24: Fire on the mountain, fire.

648
00:45:39,679 --> 00:45:40,320
Speaker 4: Fire on the.

649
00:45:40,480 --> 00:45:49,599
Speaker 25: Mountain, or ship fire, fire on the mountain, fire.

650
00:45:50,880 --> 00:45:52,119
Speaker 15: Fire on the mountain.

651
00:46:06,119 --> 00:46:12,039
Speaker 18: Almost a place so you don't feel the heat tixs

652
00:46:12,119 --> 00:46:17,679
all you got to stay on the peak, say you

653
00:46:17,960 --> 00:46:18,639
to living.

654
00:46:19,199 --> 00:46:20,800
Speaker 19: We all gotta eat.

655
00:46:22,880 --> 00:46:24,320
Speaker 4: Your hero love.

656
00:46:24,760 --> 00:46:25,960
Speaker 19: There's no one to come.

657
00:46:26,079 --> 00:46:34,360
Speaker 4: Pete mercies a business. I wish it for you more

658
00:46:34,480 --> 00:46:37,719
than just sashes. When your trees come true.

659
00:46:38,559 --> 00:46:45,719
Speaker 19: Russia fire, fire on the mountain, fire.

660
00:46:47,000 --> 00:46:56,960
Speaker 25: Fire on the mountain, or russif fire, fire on the mountain, fire.

661
00:46:58,239 --> 00:46:59,480
Speaker 13: Fire on the mountain.

662
00:47:35,119 --> 00:47:41,039
Speaker 18: Come distance, running arrow what you're holding out for? Parding

663
00:47:41,159 --> 00:47:46,360
some moll shine and a dash for the door. Slam

664
00:47:46,440 --> 00:47:49,519
from your stage has no spread to the floor.

665
00:47:51,719 --> 00:47:53,000
Speaker 19: Gave all you had?

666
00:47:53,440 --> 00:47:58,559
Speaker 4: Why you want to give more? More that you gave

667
00:47:59,079 --> 00:48:00,360
the more? Will say?

668
00:48:02,480 --> 00:48:06,400
Speaker 19: Do the thin line behind which you really can't faith?

669
00:48:07,119 --> 00:48:14,199
Speaker 4: I said, fire fire on the mountain, Fire.

670
00:48:15,440 --> 00:48:16,719
Speaker 19: Fire on the mountain.

671
00:48:17,800 --> 00:48:19,760
Speaker 15: Oh Sa, fire.

672
00:48:21,000 --> 00:48:27,880
Speaker 4: Fire on the mountain. H fire or fire on the mountain.

673
00:49:04,159 --> 00:49:25,840
Speaker 9: Thoughts, fantastic, fantastic, veils end live in studio. Great job, everybody,

674
00:49:26,599 --> 00:49:28,760
Thank you so much, appreciate you coming on. You' all

675
00:49:28,800 --> 00:49:31,519
sound great. Absolutely. Let's remind people one more time where

676
00:49:31,519 --> 00:49:33,679
should they go online to keep up with everything that

677
00:49:33,800 --> 00:49:34,199
you're doing.

678
00:49:34,400 --> 00:49:38,960
Speaker 7: Find us on Instagram, Facebook and TikTok v A l

679
00:49:39,239 --> 00:49:41,719
E s end Vales.

680
00:49:41,559 --> 00:49:44,920
Speaker 9: End, very good, very good, And when's the next show?

681
00:49:45,519 --> 00:49:48,079
Speaker 7: Our next show we'll post about it will either be

682
00:49:48,320 --> 00:49:51,960
February twenty first or twenty second at Station one on

683
00:49:52,039 --> 00:49:54,760
one in Milford celebrating their four year anniversary.

684
00:49:55,159 --> 00:49:57,559
Speaker 9: Very good, very good. By the way, Bill just sent

685
00:49:57,719 --> 00:50:01,760
us an instant message and says, great job guys, and

686
00:50:02,119 --> 00:50:05,519
Sarah Kate and the Facebook chat says, good lord, Nick Marianni,

687
00:50:05,719 --> 00:50:11,800
that voice with with many many hearts, many minutes, many hearts,

688
00:50:13,119 --> 00:50:15,480
very good. Well, thank you all so much, Thank you,

689
00:50:15,760 --> 00:50:18,000
and uh, I think what we'll do is, I think

690
00:50:18,039 --> 00:50:20,159
we'll end the segment with I'm gonna play rain Drops

691
00:50:20,199 --> 00:50:21,800
one more time because I love that. What a great

692
00:50:21,840 --> 00:50:24,480
Thank you so much, what a great studio track. And uh,

693
00:50:24,719 --> 00:50:26,280
if you missed any part of today's show, it will

694
00:50:26,280 --> 00:50:28,119
be up in just a little bit at WM andhradio

695
00:50:28,199 --> 00:50:30,719
dot org and on my website Matt Connorton dot com.

696
00:50:31,159 --> 00:50:33,280
Thank you again, of course, day to attend who joined

697
00:50:33,360 --> 00:50:35,360
us in the second hour. Uh, if you happen to

698
00:50:35,400 --> 00:50:38,000
be in the Portland area, they are playing tonight. They're

699
00:50:38,000 --> 00:50:41,119
opening for Ace Frehley at the Aura. So proud of

700
00:50:41,159 --> 00:50:42,880
those guys. They've worked hard and they earned it and

701
00:50:42,920 --> 00:50:46,079
they brought me presents, so I appreciate that, and of

702
00:50:46,159 --> 00:50:48,440
course Molly Diago who joined us in the first hour,

703
00:50:48,880 --> 00:50:51,239
and don't forget to today we did the world radio

704
00:50:51,320 --> 00:50:54,000
premiere of the new track from Rivia Uh. They are

705
00:50:54,039 --> 00:50:57,360
going to be with us next week, skyping in from Liverpool.

706
00:50:57,920 --> 00:51:00,440
And just a quick reminder, this coming Monday, I will

707
00:51:00,480 --> 00:51:04,159
be on the Charles Richardson Show at eight pm Eastern.

708
00:51:04,519 --> 00:51:07,320
You can check that out. He streams on Facebook and YouTube.

709
00:51:07,400 --> 00:51:10,440
Go to the Charles Richardson Show page on either of

710
00:51:10,480 --> 00:51:13,199
those platforms, or you can go to Power one Radio

711
00:51:13,679 --> 00:51:16,119
dot com where the audio will be streaming as well.

712
00:51:16,719 --> 00:51:19,239
And that's gonna do it for us. And don't forget too.

713
00:51:19,920 --> 00:51:22,440
Jenny will most likely be back with me next week,

714
00:51:22,719 --> 00:51:24,920
but to keep track of everything that she's been doing,

715
00:51:25,000 --> 00:51:27,639
go to her website Jencoffee dot com because she's got

716
00:51:27,719 --> 00:51:30,599
a lot of amazing stuff going on. And Vale's end

717
00:51:31,039 --> 00:51:34,559
again vales end, I thank you again so much for

718
00:51:35,039 --> 00:51:40,679
joining us today. This has been wonderful. Absolutely we will

719
00:51:40,719 --> 00:51:43,079
do it again in the future and we will leave

720
00:51:43,119 --> 00:51:45,239
you with this great studio track. This is called rain

721
00:51:45,320 --> 00:51:46,400
Drops from vals End.

722
00:52:38,159 --> 00:52:44,639
Speaker 2: Drops on a summer day, trying to take my heart.

723
00:52:45,480 --> 00:52:55,760
Bacon something cake and my my start bringing me down, thinking.

724
00:52:55,679 --> 00:52:57,360
Speaker 11: By drop.

725
00:52:59,000 --> 00:53:56,199
Speaker 5: Stick way for me my idea.

726
00:53:57,199 --> 00:54:03,480
Speaker 2: Won't you take me back and we can't disappear, but

727
00:54:03,800 --> 00:54:11,840
you a call backys breaking me down, thinking my die.

728
00:54:13,920 --> 00:54:17,880
Speaker 15: Now I'm saying, oh my god.

729
00:54:17,840 --> 00:54:18,920
Speaker 6: I hate boys.

730
00:54:19,719 --> 00:54:21,280
Speaker 5: Say now about how.

731
00:54:21,320 --> 00:54:29,519
Speaker 1: Bad a chops might come back him? Oh my goddys, Oh.

732
00:54:29,480 --> 00:54:33,599
Speaker 6: My god, out hate boys saying, how about.

733
00:54:33,400 --> 00:54:38,679
Speaker 1: How bad and chops might come back for you? Oh

734
00:54:38,840 --> 00:55:33,159
my gobbys, Jack.

735
00:55:33,920 --> 00:55:37,440
Speaker 5: On a summer day, trying to.

736
00:55:37,760 --> 00:55:46,719
Speaker 2: Take my heart, make me insuper cake in my mind, say.

737
00:55:47,039 --> 00:55:51,800
Speaker 5: Bringing me down, think of my chick.

738
00:55:53,519 --> 00:55:54,639
Speaker 2: Stick around.

739
00:55:55,239 --> 00:56:00,880
Speaker 8: I said, oh my god, boy, I said about how

740
00:56:01,079 --> 00:56:06,760
vasculate Raine shops might come back with Oh my god,

741
00:56:06,920 --> 00:56:12,239
he said, oh my god, I hate bois my singing

742
00:56:12,360 --> 00:56:17,039
out loud, half vaculated A rain shops might come back with.

743
00:56:17,199 --> 00:56:20,559
Speaker 6: Your Oh my god, he said the bank.

744
00:58:16,239 --> 00:58:19,519
Speaker 5: We were just kids back then, just a little bit

745
00:58:19,760 --> 00:58:20,719
more then for us.

746
00:58:21,440 --> 00:58:23,920
Speaker 6: There was always a talbot and we're figuring it out

747
00:58:24,000 --> 00:58:24,199
with it.

748
00:58:24,360 --> 00:58:25,679
Speaker 15: Were just my major.

749
00:58:26,920 --> 00:58:30,239
Speaker 1: We were so coose, but sofa always each.

750
00:58:30,000 --> 00:58:31,559
Speaker 5: Other, the mama's part.

751
00:58:32,440 --> 00:58:34,639
Speaker 6: Yeah, we know all in answers so we try to

752
00:58:34,719 --> 00:58:37,639
jam because we chest my major cat.

753
00:58:37,519 --> 00:58:40,800
Speaker 1: Your laugh sext A T shirt on a night.

754
00:58:40,880 --> 00:58:46,880
Speaker 6: Like this probably won't ways you got me far around

755
00:58:48,360 --> 00:58:52,400
that feel song like guns work, joll around and around

756
00:58:52,519 --> 00:59:00,719
and he sorr Johns, wait you got me? Then you

757
00:59:00,800 --> 00:59:02,199
don't wear in chaste.

758
00:59:02,800 --> 00:59:04,800
Speaker 5: Neither one of us was tu blin.

759
00:59:05,400 --> 00:59:08,079
Speaker 6: Just couldn't figure it out, and so we ups around

760
00:59:08,159 --> 00:59:09,760
a set A just can't say this.

761
00:59:10,880 --> 00:59:12,440
Speaker 1: It's not the same sense.

762
00:59:12,199 --> 00:59:12,960
Speaker 3: Out big on.

763
00:59:13,679 --> 00:59:15,519
Speaker 1: We can walk when we see the moon.

764
00:59:15,639 --> 00:59:17,760
Speaker 5: Bo I got to see you with Jane.

765
00:59:17,840 --> 00:59:19,760
Speaker 9: I gotta try and but said it in the right

766
00:59:19,920 --> 00:59:21,800
back and square one got.

767
00:59:21,639 --> 00:59:25,079
Speaker 6: Your lips sixteen. Let's see shirt one more night like

768
00:59:25,239 --> 00:59:32,679
this probably won't way she got me fut.

769
00:59:31,320 --> 00:59:36,039
Speaker 1: That feels so right, But it's all jong around and.

770
00:59:36,239 --> 00:59:43,199
Speaker 6: Around and the side jo. So she got me, you know,

771
00:59:43,760 --> 00:59:49,559
come me, you cut me, you cut me, you kill me,