1 00:00:00,120 --> 00:00:03,359 Speaker 1: That is nothing's real. It's just a thing by Aaron Billadeau, 2 00:00:03,359 --> 00:00:05,400 who is here with us the new album Aaron and 3 00:00:05,480 --> 00:00:08,480 the Argonauts, and Aaron's going to play for us in 4 00:00:08,480 --> 00:00:10,640 a minute. Really looking forward to this. This is Matt 5 00:00:10,679 --> 00:00:14,560 Connorton Unleashed. We have entered our second hour on this Saturday, 6 00:00:14,640 --> 00:00:18,000 November twenty third, twenty twenty four. We are live from 7 00:00:18,039 --> 00:00:20,800 the studios of w m n H ninety five point 8 00:00:20,800 --> 00:00:24,600 three FM in Glorious Manchester, New Hampshire. Jenny is here 9 00:00:24,640 --> 00:00:29,320 at the news table and Aaron Billodeou is here. He 10 00:00:29,480 --> 00:00:31,440 is all set up. Now I'm going to turn this 11 00:00:31,559 --> 00:00:34,960 on and let's see if we can hear you. Hello, Eron, 12 00:00:35,159 --> 00:00:39,719 see I think I might. Oh, there we go say 13 00:00:39,759 --> 00:00:43,000 that one more time, Eron, Hello testing one two, there, 14 00:00:43,039 --> 00:00:45,880 we got we got you, We got you. Aaron is 15 00:00:46,039 --> 00:00:47,439 So for those of you, let me go ahead and 16 00:00:47,439 --> 00:00:50,240 put the camera on you. For those watching online, actually 17 00:00:50,359 --> 00:00:51,799 let me put on a little bit of a wider 18 00:00:51,799 --> 00:00:56,600 shot here, because Aaron is entirely self contained. He's got 19 00:00:56,600 --> 00:00:59,679 this whole setup and it's all but it all just 20 00:00:59,719 --> 00:01:03,000 plug into one channel on our board, which is amazing. 21 00:01:03,359 --> 00:01:05,560 And do you want to tell us any or or 22 00:01:05,760 --> 00:01:07,439 or do you prefer to keep the mistique of it all? 23 00:01:07,719 --> 00:01:13,200 It's pretty impressive. Soon's Aaron's gonna play some live songs 24 00:01:13,200 --> 00:01:15,200 for us and then uh, and then he's going to 25 00:01:15,439 --> 00:01:16,840 go over to the chair, and I kind of like 26 00:01:16,879 --> 00:01:18,439 the tonight show. He's gonna go over to the chair 27 00:01:19,519 --> 00:01:21,439 and we're going to talk. And Amy is here and 28 00:01:21,519 --> 00:01:23,599 Jay is here as well, and so looking forward to this. 29 00:01:23,680 --> 00:02:00,799 But I'm dying to hear you play and uh play 30 00:02:00,959 --> 00:02:02,760 the Yah. 31 00:02:03,319 --> 00:02:07,599 Speaker 2: You're the best seller. Frick we roll these. 32 00:02:07,560 --> 00:02:13,960 Speaker 3: Wag no tepication of man today God parents, old. 33 00:02:13,840 --> 00:02:17,520 Speaker 4: Brother without fears. 34 00:02:18,840 --> 00:02:23,000 Speaker 2: We sell the r I was like my. 35 00:02:23,159 --> 00:02:46,719 Speaker 5: Pride park outside the Serbec side. 36 00:02:47,520 --> 00:03:10,080 Speaker 4: There's something in the sa. 37 00:03:39,520 --> 00:03:46,439 Speaker 6: Fiter ro five fiveer. 38 00:03:47,240 --> 00:03:59,879 Speaker 7: We'll call you like fiveter fiter rock five fiveer from 39 00:04:00,080 --> 00:04:14,759 oil like fast fast roast bad fast, the bil life fast. 40 00:04:16,920 --> 00:04:22,360 Speaker 8: There that ship of a Sirens billies will never be. 41 00:04:23,000 --> 00:04:27,959 Speaker 4: For real, that dis God the matters of the heart. 42 00:04:28,079 --> 00:05:17,439 See still be my hair. I'm not forever carbon outside 43 00:05:18,240 --> 00:05:23,759 then the starboard side, right. 44 00:05:24,319 --> 00:05:24,600 Speaker 2: Thank you. 45 00:05:26,240 --> 00:05:29,480 Speaker 3: That song was called song and Temptation. This next song 46 00:05:29,560 --> 00:05:32,240 is called slow clap mm hmm. 47 00:05:35,439 --> 00:05:41,279 Speaker 1: Hold right, all right, I would be. 48 00:05:44,639 --> 00:06:07,120 Speaker 8: One the song don't still almost crag with the bowl 49 00:06:07,800 --> 00:06:10,800 No the void happiness. 50 00:06:20,199 --> 00:06:21,399 Speaker 6: Go by. 51 00:06:23,160 --> 00:06:27,399 Speaker 8: Through the night break A side echo back. 52 00:06:30,720 --> 00:06:31,560 Speaker 2: The void. 53 00:06:38,600 --> 00:06:43,279 Speaker 8: Wariness by. 54 00:06:47,040 --> 00:06:53,839 Speaker 2: Queen Yeah. 55 00:07:10,399 --> 00:07:13,519 Speaker 8: Godl wearness. 56 00:07:14,439 --> 00:07:16,439 Speaker 6: To the bar. 57 00:07:19,680 --> 00:07:22,839 Speaker 4: That be clean face. 58 00:07:24,079 --> 00:07:31,560 Speaker 7: Cards StarLAN wearness. 59 00:07:32,519 --> 00:07:34,720 Speaker 6: To the fire. 60 00:07:36,759 --> 00:07:53,439 Speaker 2: That be Please, which one is pall bad on the way. 61 00:08:37,039 --> 00:08:45,039 Speaker 4: On the wat I want to breas bump off the dods. 62 00:08:47,200 --> 00:08:52,639 It's the only think about my my heart, and never 63 00:08:52,960 --> 00:08:54,559 time to think of you. 64 00:08:56,840 --> 00:08:59,799 Speaker 2: It closed me away, It closed me. 65 00:09:00,039 --> 00:09:01,080 Speaker 6: Oh I had. 66 00:09:30,480 --> 00:09:35,440 Speaker 4: I wanna be stoned up that I hide. It's the 67 00:09:35,600 --> 00:09:40,679 only scene to cross my my hide. An got be 68 00:09:40,840 --> 00:09:49,600 the time to take off? He spose you all hidepose. 69 00:09:47,840 --> 00:09:48,919 Speaker 6: You know I hid. 70 00:09:50,279 --> 00:09:52,000 Speaker 2: I'm gared of Oh. 71 00:09:55,320 --> 00:10:01,600 Speaker 8: Well you understand I can't be crush? 72 00:10:01,840 --> 00:10:02,360 Speaker 3: What is that. 73 00:10:04,919 --> 00:10:06,039 Speaker 9: You won't come to me? 74 00:10:32,240 --> 00:10:32,919 Speaker 4: I'm a lad. 75 00:10:37,639 --> 00:10:40,399 Speaker 6: I wanna be drunk up a high. 76 00:10:42,399 --> 00:10:47,320 Speaker 4: It's the old mis thing across my my hide to 77 00:10:47,559 --> 00:10:49,279 man every time I think or go. 78 00:10:52,039 --> 00:10:56,320 Speaker 6: It bots be away. Suppose you I had. 79 00:11:42,440 --> 00:11:42,879 Speaker 2: M hm. 80 00:11:59,080 --> 00:12:00,840 Speaker 9: Six, I was called do you had a son? 81 00:12:15,200 --> 00:12:16,080 Speaker 8: Your second? 82 00:12:19,840 --> 00:12:20,480 Speaker 6: Big God? 83 00:12:22,679 --> 00:12:27,320 Speaker 4: Where by. 84 00:12:28,720 --> 00:12:32,360 Speaker 6: Okay big had a son? 85 00:12:39,039 --> 00:12:40,080 Speaker 2: You travel. 86 00:12:42,039 --> 00:12:54,159 Speaker 6: So far away? Father? Now body. 87 00:12:57,559 --> 00:13:14,399 Speaker 2: Big on the fund. 88 00:13:09,080 --> 00:13:15,799 Speaker 6: A side hold on time so you don't die. 89 00:13:17,639 --> 00:13:23,799 Speaker 8: If you want to go, go horrah, just take your 90 00:13:24,000 --> 00:13:25,759 thumb up to die. 91 00:13:35,320 --> 00:13:35,720 Speaker 10: Be me. 92 00:13:37,799 --> 00:13:39,720 Speaker 8: Ap to the guy. 93 00:13:42,480 --> 00:13:47,200 Speaker 6: Wh ray lie. 94 00:13:49,480 --> 00:14:02,440 Speaker 4: Not he has a sign mm hmm deep. 95 00:14:04,720 --> 00:14:20,879 Speaker 6: From this world one man, Tony hot be had the 96 00:14:21,200 --> 00:14:36,519 side got holdni. 97 00:14:37,039 --> 00:14:42,960 Speaker 2: Do you want to go to? 98 00:14:45,519 --> 00:14:48,240 Speaker 6: Just be your comb up to this guy. 99 00:14:54,600 --> 00:14:55,679 Speaker 2: Tack it with the alience. 100 00:15:08,720 --> 00:15:12,200 Speaker 3: All right, I have one more song to you called Grind. 101 00:15:12,759 --> 00:15:14,240 This is gonna be a clean version. 102 00:15:14,759 --> 00:15:18,080 Speaker 2: If you like this song, the official video for it 103 00:15:18,320 --> 00:15:19,519 just went up at ten o'clock. 104 00:15:23,440 --> 00:15:24,480 Speaker 9: We'll catch it on YouTube. 105 00:16:00,639 --> 00:16:05,320 Speaker 4: Okay, I don't know. 106 00:16:05,360 --> 00:16:10,320 Speaker 8: What head well my head pay every day every day? 107 00:16:11,399 --> 00:16:14,759 Speaker 10: Why every day? 108 00:16:15,720 --> 00:16:23,720 Speaker 4: Ride a day crime and the day every day? Every day? 109 00:16:24,679 --> 00:16:34,519 Speaker 6: Ride at day, ride every day? Cry well my head. 110 00:16:37,080 --> 00:16:37,960 Speaker 7: As day. 111 00:16:38,159 --> 00:16:41,480 Speaker 2: You know where tay what I mean? 112 00:16:44,080 --> 00:16:44,720 Speaker 11: What the heck? 113 00:16:45,240 --> 00:16:49,919 Speaker 2: I apostasy a day every day? 114 00:16:52,200 --> 00:16:54,320 Speaker 9: And you proy crime? 115 00:16:55,519 --> 00:16:58,600 Speaker 8: You pron tesday crime, you. 116 00:16:58,679 --> 00:17:02,840 Speaker 9: Proun from. 117 00:17:04,960 --> 00:17:29,119 Speaker 10: West bare. 118 00:17:20,720 --> 00:17:27,279 Speaker 4: Day from a jay. 119 00:17:29,720 --> 00:17:39,319 Speaker 8: Wow glass. 120 00:17:42,240 --> 00:17:49,279 Speaker 6: Well that film I'll be first. 121 00:17:49,000 --> 00:18:01,720 Speaker 1: To all right, thank you you. The great Aaron Billado 122 00:18:01,839 --> 00:18:03,680 is here with us live in studio. We're gonna play 123 00:18:03,680 --> 00:18:07,000 another studio track. While Aaron gets uh settled in, We're 124 00:18:07,039 --> 00:18:09,400 gonna talk a bit about the new project and uh 125 00:18:09,799 --> 00:18:12,559 and all that goes with it. So, uh, check this out. 126 00:18:12,640 --> 00:18:15,079 This is called the End of Time. This is from 127 00:18:15,119 --> 00:20:41,000 the album Aaron and the Argonautsture. 128 00:19:33,200 --> 00:19:38,160 Speaker 4: Still be. 129 00:20:00,359 --> 00:21:26,720 Speaker 1: Come all right, that is the end of Time. That's 130 00:21:26,720 --> 00:21:29,160 from the new album Aaron and the Argonauts. Aaron Bildeo 131 00:21:29,559 --> 00:21:32,119 is here with us, and Aaron, you brought a couple 132 00:21:32,160 --> 00:21:33,319 of fine people with you as. 133 00:21:33,240 --> 00:21:34,279 Speaker 9: Well, Yes, yes I did. 134 00:21:34,480 --> 00:21:38,039 Speaker 3: I brought the drummer of this album, Jason Staples and 135 00:21:38,680 --> 00:21:39,720 my wife, Amy Bildto. 136 00:21:40,119 --> 00:21:43,200 Speaker 1: Well, welcome to everyone. Welcome Aaron. So tell us more 137 00:21:43,200 --> 00:21:44,920 about so the video. We want to make sure people 138 00:21:44,960 --> 00:21:47,000 know about this. So the video for Grind that just 139 00:21:47,119 --> 00:21:47,920 dropped today. 140 00:21:47,920 --> 00:21:50,039 Speaker 3: Yes, that just dropped that at the beginning of this 141 00:21:50,200 --> 00:21:53,279 interview at ten o'clock. Excellent, So as of now, I 142 00:21:53,960 --> 00:21:56,000 wanted to put it up as soon as like I 143 00:21:56,079 --> 00:21:56,400 played it. 144 00:21:56,759 --> 00:21:57,960 Speaker 9: Yeah, yeah, yeah, no. 145 00:21:58,079 --> 00:22:02,000 Speaker 1: That's perfect. That's perfect. And the video now, so Amy, 146 00:22:02,279 --> 00:22:04,480 we're gonna make you talk because you had said something, 147 00:22:04,680 --> 00:22:06,920 you had said something off air about how much fun 148 00:22:07,000 --> 00:22:09,559 it was to make that video. Oh it was a blast. 149 00:22:10,000 --> 00:22:12,319 So what what do you like? Are you do you direct? 150 00:22:12,440 --> 00:22:13,359 Do you film everything? 151 00:22:13,440 --> 00:22:16,440 Speaker 9: Do you know Aaron did all of it. She's the 152 00:22:16,559 --> 00:22:19,400 female voice that the song. 153 00:22:19,519 --> 00:22:21,599 Speaker 1: Oh you're on the song yeah, yeah, yeah. 154 00:22:21,480 --> 00:22:23,559 Speaker 9: And then yeah, you can hear her in the video. 155 00:22:23,680 --> 00:22:24,920 It's explicit, so. 156 00:22:25,119 --> 00:22:27,839 Speaker 3: You can hear it swear right right, all those all 157 00:22:27,880 --> 00:22:30,960 those clicks yard, Oh, I got you edit. 158 00:22:31,200 --> 00:22:36,119 Speaker 1: Yes, yeah, I appreciate that. Appreciate that. And then so now, Jason, 159 00:22:36,160 --> 00:22:38,799 how did you get involved in this project? You're you're 160 00:22:38,839 --> 00:22:39,599 one of the Argonauts. 161 00:22:39,640 --> 00:22:44,640 Speaker 11: I yeah, since since band mix. Aaron reached out to 162 00:22:44,759 --> 00:22:50,720 me lastly a year and a half ago and about 163 00:22:51,079 --> 00:22:53,240 about doing a project. And at the time, my house 164 00:22:53,440 --> 00:22:57,920 was under construction and stuff like that, so I couldn't 165 00:22:57,920 --> 00:22:59,559 do anything. So I'm like, I'll get back to you. 166 00:22:59,640 --> 00:23:02,000 I get I'm like, but you know, I kept we 167 00:23:02,119 --> 00:23:05,440 kept bouncing back and forth like hey, like, my I'm 168 00:23:05,480 --> 00:23:07,440 still not back in my house yet, but once as 169 00:23:07,480 --> 00:23:08,599 soon as I am, I'll let you know. 170 00:23:08,920 --> 00:23:11,640 Speaker 1: Yeah, I got back in my house and he did, yeah. 171 00:23:12,000 --> 00:23:14,440 Speaker 3: You know, and I went right to his house and 172 00:23:14,480 --> 00:23:16,799 he his his wife was all freaked out because the 173 00:23:17,000 --> 00:23:18,599 stranger was showing up. 174 00:23:18,799 --> 00:23:20,440 Speaker 1: Right right parrel house. 175 00:23:23,119 --> 00:23:26,839 Speaker 3: Yeah, and then we just started, uh playing from brand 176 00:23:26,880 --> 00:23:28,519 new songs from scratch. We played a couple of my 177 00:23:28,599 --> 00:23:31,400 old songs, just you know, to get the groove down, 178 00:23:31,480 --> 00:23:33,440 and then we just started writing and writing and writing, 179 00:23:33,440 --> 00:23:35,160 and it really took most of the year. 180 00:23:36,559 --> 00:23:39,079 Speaker 9: To write and record. 181 00:23:39,480 --> 00:23:42,640 Speaker 1: Yeah, what's the meaning of like what is an argonaut? 182 00:23:42,880 --> 00:23:46,000 Speaker 3: So so that's that's that's the old Greek stories. Uh 183 00:23:47,319 --> 00:23:49,920 uh there a group of travelers. One of them was Hercules, 184 00:23:50,440 --> 00:23:54,039 uhh and you know they were set off on on 185 00:23:54,200 --> 00:23:57,160 on a quest. It's the old movies like Clash of 186 00:23:57,240 --> 00:24:00,759 the tight Ends, U Jason and the Argonauts, Hercules, the 187 00:24:00,799 --> 00:24:04,359 old fifties sixties movies with the stop motion. I used 188 00:24:04,359 --> 00:24:07,000 to really like those when I was a kid, and uh, 189 00:24:07,960 --> 00:24:09,920 you know, I was just sitting there smoking and uh 190 00:24:10,160 --> 00:24:11,559 it just came, you know, it came to me and 191 00:24:11,599 --> 00:24:13,920 I thought it sounded neat and I went with it. 192 00:24:14,160 --> 00:24:14,839 Speaker 1: Yeah, yeah, you know. 193 00:24:15,039 --> 00:24:18,559 Speaker 3: And then so like the album has a three songs 194 00:24:18,640 --> 00:24:21,559 on it that are kind of loosely based on like 195 00:24:21,680 --> 00:24:26,119 the old movies. Uh, Like the intro overture for the Argonauts, right, 196 00:24:26,240 --> 00:24:29,519 and it starts off with like drums in the background 197 00:24:29,559 --> 00:24:31,880 and it builds up the horns and war. 198 00:24:32,240 --> 00:24:35,240 Speaker 9: Yeah, it's awesome, and it's like the opening. 199 00:24:35,000 --> 00:24:37,400 Speaker 3: Credits to those old movies, you know, because they had 200 00:24:37,440 --> 00:24:39,240 all the credits at the beginning. Yeah, back in the 201 00:24:39,279 --> 00:24:42,039 old movies, and they would have all this epic music 202 00:24:42,240 --> 00:24:44,759 and then these cards like you know, changing around of 203 00:24:44,839 --> 00:24:46,160 like different gods and stuff. 204 00:24:46,599 --> 00:24:49,000 Speaker 9: You know, So that's that was kind of you know, 205 00:24:49,079 --> 00:24:52,759 it was all very loosely based off of that old stuff, 206 00:24:53,000 --> 00:24:53,599 right right. 207 00:24:53,880 --> 00:24:54,519 Speaker 1: Oh, very cool. 208 00:24:54,640 --> 00:24:54,799 Speaker 9: Yes. 209 00:24:55,319 --> 00:24:57,920 Speaker 1: Now, so when you play a lot now, obviously, as 210 00:24:58,119 --> 00:25:01,920 as we said here, you're entirely self contained, which is 211 00:25:02,079 --> 00:25:05,279 which is pretty cool. But when you when you play 212 00:25:05,400 --> 00:25:07,519 live in venues, obviously we don't have a lot of 213 00:25:07,599 --> 00:25:10,480 room here, so this is necessary. But do do jay 214 00:25:10,559 --> 00:25:13,960 and and and you're amy perform with you No, No, 215 00:25:14,519 --> 00:25:16,079 it's it's the same. 216 00:25:16,640 --> 00:25:18,720 Speaker 9: Well, I've never performed on a song except for Grind. 217 00:25:18,799 --> 00:25:21,480 Speaker 1: Oh so maybe when so when he plays Grind, maybe 218 00:25:22,720 --> 00:25:27,240 that's something we've died. And yeah, the little stage right, Oh, 219 00:25:27,519 --> 00:25:28,160 she doesn't really have. 220 00:25:28,160 --> 00:25:30,519 Speaker 3: A stage fright because uh, we we had like a 221 00:25:30,640 --> 00:25:34,000 performance part of the Grind video, right and she she 222 00:25:34,279 --> 00:25:36,400 uh was up there performing with me and we had 223 00:25:36,640 --> 00:25:39,960 like a whole crew of people, yeah, you know, dancing 224 00:25:40,039 --> 00:25:40,480 and everything. 225 00:25:40,559 --> 00:25:42,519 Speaker 9: It was it was kind of like a mock performance, 226 00:25:42,599 --> 00:25:44,119 but she was getting into it. 227 00:25:44,440 --> 00:25:47,039 Speaker 3: Yeah, you know, so I think she'll just she'll be fine, 228 00:25:47,079 --> 00:25:49,880 you know if I make an edit, yeah, for when 229 00:25:49,920 --> 00:25:52,200 she wants to join me, right right, you'll pull out 230 00:25:52,200 --> 00:25:53,519 her vocals and then she can do it. 231 00:25:53,680 --> 00:25:56,160 Speaker 1: There you go, There you go. Now is there anyone 232 00:25:56,200 --> 00:25:56,960 else on the album? 233 00:25:57,519 --> 00:25:57,680 Speaker 4: Uh? 234 00:25:57,960 --> 00:25:58,000 Speaker 10: So? 235 00:25:58,519 --> 00:26:03,640 Speaker 9: Uh you know, it's just it's Jay. It's Gary Smith. 236 00:26:03,720 --> 00:26:04,480 Speaker 1: Oh Gary Smith. 237 00:26:04,599 --> 00:26:07,599 Speaker 9: Yeah, yeah, from Fox and the Flamencos and various other 238 00:26:07,799 --> 00:26:09,759 Oh my god, like RDV. 239 00:26:10,079 --> 00:26:11,480 Speaker 1: He's one of the busiest people I know. 240 00:26:11,640 --> 00:26:14,799 Speaker 3: Yeah, he's like in six bands right off the top 241 00:26:14,839 --> 00:26:16,720 of my head, Cosmic Bloss and he's in like all 242 00:26:16,759 --> 00:26:19,880 of them. Yeah, and so thing the get Gos on 243 00:26:20,000 --> 00:26:23,680 this album, he's on He's been on Everything's Destroyer. Yeah, 244 00:26:23,960 --> 00:26:25,359 and of course my wife Amy. 245 00:26:25,640 --> 00:26:28,640 Speaker 1: Yes, yes, very good, very good. This is not your 246 00:26:28,799 --> 00:26:29,759 first full length. 247 00:26:29,799 --> 00:26:33,319 Speaker 3: No no, no no, it's my fourth, your fourth okay 248 00:26:33,480 --> 00:26:36,000 yeah yeah, and my fourth full length. And then I 249 00:26:36,039 --> 00:26:39,599 also have an EP out there and a collab album 250 00:26:39,680 --> 00:26:42,240 as well with he Oh okay, right right, Yeah, I 251 00:26:42,279 --> 00:26:43,480 got a bunch of stuff out there. 252 00:26:43,839 --> 00:26:46,319 Speaker 1: Yeah, you know, if you like it, yeah, yeah, Are 253 00:26:46,400 --> 00:26:47,480 you playing out. 254 00:26:47,400 --> 00:26:51,920 Speaker 3: Much or a little bit I guess some shows coming up. Yeah, yeah, yeah, 255 00:26:52,319 --> 00:26:54,880 let's see here. Okay, So December seventh, I'm playing at 256 00:26:55,119 --> 00:26:59,240 the Pophole Theater in Shelburne, Falls, mass And it's a 257 00:26:59,400 --> 00:27:01,839 it's a movie. So I'm gonna be opening up an 258 00:27:01,880 --> 00:27:04,519 old nineteen seventy five film called A Face in the 259 00:27:04,559 --> 00:27:07,599 Crowd I've never seen. It's an Andy Griffith movie. It's 260 00:27:07,599 --> 00:27:10,039 a black and white, but I'm gonna be opening I'm 261 00:27:10,079 --> 00:27:13,240 gonna be doing a half hour before that movie starts, 262 00:27:13,759 --> 00:27:14,960 and then this one's cool. 263 00:27:15,000 --> 00:27:15,880 Speaker 9: This one was just added. 264 00:27:15,960 --> 00:27:18,720 Speaker 3: So December fourteenth, at eight pm, I'm gonna be doing 265 00:27:18,799 --> 00:27:23,359 the Jimmy's Deadheads X mess in Hell at Terminus. Okay, 266 00:27:23,440 --> 00:27:26,799 So I'm gonna be doing a set at Terminus December fourteenth. 267 00:27:27,079 --> 00:27:29,200 And this is this is gonna be a benefit show 268 00:27:29,319 --> 00:27:32,480 for my friend Ben, who has he's been doing an 269 00:27:32,519 --> 00:27:36,240 annual toy Drive now for the last eighteen years. You 270 00:27:36,359 --> 00:27:38,759 know Ben from Change the Season. Yes, yes, he was 271 00:27:38,799 --> 00:27:41,079 the singer of Changing Season and he's been doing this 272 00:27:41,319 --> 00:27:43,839 like since we were in the band. Like his first 273 00:27:44,319 --> 00:27:47,559 toy Drive was a show we did at the Spider Room, 274 00:27:48,039 --> 00:27:51,599 No kidding, Yeah, called a clause for rock oh wow. 275 00:27:51,720 --> 00:27:53,839 Speaker 9: And you know, I don't know how much he raised it. 276 00:27:53,880 --> 00:27:54,880 I don't think it was that much. 277 00:27:54,960 --> 00:27:57,599 Speaker 3: Maybe a couple hundred bucks sure, But last year he 278 00:27:57,720 --> 00:27:59,160 raised seven thousand dollars. 279 00:27:59,319 --> 00:27:59,559 Speaker 7: Wow. 280 00:28:00,200 --> 00:28:01,160 Speaker 2: Yeah, yeah he he. 281 00:28:01,480 --> 00:28:04,279 Speaker 3: He used to like make videos of himself going shopping 282 00:28:04,359 --> 00:28:06,640 at like toys, r US and all that, make a 283 00:28:06,680 --> 00:28:09,039 big production of it. I think he still does because 284 00:28:09,039 --> 00:28:11,720 he's got he's got a channel called Bike's Beards and Bruce. 285 00:28:12,480 --> 00:28:14,680 Speaker 1: I remember checking it out after you. I was like, 286 00:28:14,720 --> 00:28:15,640 oh my god, there's Ben. 287 00:28:15,839 --> 00:28:16,039 Speaker 9: Yeah. 288 00:28:16,240 --> 00:28:16,440 Speaker 4: Yeah. 289 00:28:17,240 --> 00:28:22,440 Speaker 3: So anyways, Uh, they're uh they're raising money for child 290 00:28:22,559 --> 00:28:25,640 health uh the Child Health Services. 291 00:28:25,279 --> 00:28:26,000 Speaker 9: Here in Manchester. 292 00:28:26,279 --> 00:28:26,519 Speaker 1: Yeah. 293 00:28:26,759 --> 00:28:29,240 Speaker 9: Uh and uh if you want, you know, just go. 294 00:28:29,480 --> 00:28:30,720 There's pictures of him. 295 00:28:30,680 --> 00:28:33,960 Speaker 3: Going there every year, videos of him going there every year. Uh, 296 00:28:34,000 --> 00:28:37,240 and and loading and filling this room up. You know, 297 00:28:37,400 --> 00:28:39,599 first it was just a couple of tables back in 298 00:28:39,640 --> 00:28:42,039 the day, and now it's the entire room. Yeah, he 299 00:28:42,400 --> 00:28:45,039 fills it up and it's a big production. So I 300 00:28:45,400 --> 00:28:48,480 definitely recommend donate to this charity. I don't like donating 301 00:28:48,559 --> 00:28:51,880 anybody else. Uh, nothing else goes anywhere else. He spends 302 00:28:51,920 --> 00:28:55,680 every dime on toys and then drops them off. Yeah, 303 00:28:55,839 --> 00:28:58,119 so this is a great charity. Go to the show 304 00:28:58,319 --> 00:29:03,279 Terminus Uhumber fourteenth, or just go to his website. 305 00:29:03,319 --> 00:29:05,519 Speaker 9: He's got to go fundme h. You can donate there. 306 00:29:06,039 --> 00:29:08,319 Speaker 1: Terminus is a great place, absolutely. 307 00:29:08,799 --> 00:29:10,000 Speaker 9: I haven't played there yet. 308 00:29:10,359 --> 00:29:11,519 Speaker 1: Oh you've been there. 309 00:29:11,680 --> 00:29:14,559 Speaker 9: I've been there. I've been there to see Atlanta Corvette. 310 00:29:14,720 --> 00:29:14,839 Speaker 10: Ye. 311 00:29:15,480 --> 00:29:17,240 Speaker 9: I was supposed to play that show, but I got 312 00:29:17,319 --> 00:29:19,920 sick over the summer. Yeah, so I could. I couldn't 313 00:29:19,960 --> 00:29:21,839 play that show at that point. 314 00:29:21,920 --> 00:29:26,680 Speaker 3: But I'm going to play now, so yeah, excellent, let's 315 00:29:26,680 --> 00:29:28,880 see here and then I don't have anything for a 316 00:29:28,960 --> 00:29:30,359 long time until October. 317 00:29:30,359 --> 00:29:33,359 Speaker 9: I'm going to be playing Grafton Palooza, which is a 318 00:29:33,440 --> 00:29:34,200 new show out there. 319 00:29:34,960 --> 00:29:38,440 Speaker 3: Really Yeah, yeah, so that's gonna be uh October eleventh, 320 00:29:38,480 --> 00:29:39,880 way way out then. 321 00:29:40,279 --> 00:29:42,119 Speaker 9: Yeah, those are my shows right now. 322 00:29:42,279 --> 00:29:45,880 Speaker 1: Okay, okay, excellent. Is it difficult to find because what 323 00:29:46,079 --> 00:29:47,920 you do is obviously very unique? 324 00:29:48,039 --> 00:29:52,599 Speaker 9: Yeah, so it's insanely difficult to find gigs. 325 00:29:53,839 --> 00:29:55,880 Speaker 3: I've been told I don't fit in a lot of places, 326 00:29:55,920 --> 00:29:58,759 and a lot of places just don't respond. Yeah, you know, 327 00:29:58,839 --> 00:30:00,559 and it's hard like I don't have like I don't 328 00:30:00,559 --> 00:30:03,400 have a live band with me and it's it's people 329 00:30:03,559 --> 00:30:06,920 just like don't understand it if you explain it right, 330 00:30:07,160 --> 00:30:08,960 you know, So I don't know, like, you know, I 331 00:30:09,079 --> 00:30:12,839 keep grinded, yeah, you know, and I get gigs here 332 00:30:12,880 --> 00:30:13,160 and there. 333 00:30:13,400 --> 00:30:17,000 Speaker 1: Yeah. And you know when you do play out though, 334 00:30:17,160 --> 00:30:19,039 like if you're on a show with other with with 335 00:30:19,200 --> 00:30:21,720 like full bands, I bet they love you, yeah, because 336 00:30:21,759 --> 00:30:23,160 you're set up and takedown. 337 00:30:23,400 --> 00:30:25,880 Speaker 9: So I'm great for opening any band. 338 00:30:26,039 --> 00:30:30,079 Speaker 3: Yeah, act because yeah, it's I'm I'm out in like 339 00:30:30,119 --> 00:30:32,799 a couple of minutes, you know, off on the side stage, 340 00:30:32,799 --> 00:30:33,079 and then it. 341 00:30:33,119 --> 00:30:35,240 Speaker 9: Takes me forever to pack up there. But right right, 342 00:30:35,359 --> 00:30:37,240 I can get everything off the stage within a couple 343 00:30:37,240 --> 00:30:39,440 of minutes. Yeah, you know, it's really nice. 344 00:30:39,680 --> 00:30:43,279 Speaker 1: Yeah, No, that's amazing. Is it easier doing it this 345 00:30:43,480 --> 00:30:46,039 way because it's all you or like, do you ever 346 00:30:46,119 --> 00:30:48,160 have moments where you think this would be easier with 347 00:30:48,279 --> 00:30:48,640 a band? 348 00:30:48,799 --> 00:30:48,920 Speaker 10: Oh? 349 00:30:49,079 --> 00:30:49,240 Speaker 9: Yeah? 350 00:30:49,839 --> 00:30:53,200 Speaker 3: So so the Erin and the Argonaut's idea first came about. 351 00:30:54,039 --> 00:30:57,839 I wanted a live band, yeah, to play this album. Yeah, 352 00:30:58,799 --> 00:31:01,960 And the idea was to form, you know, a live 353 00:31:02,039 --> 00:31:03,559 band and call that band. 354 00:31:05,119 --> 00:31:05,279 Speaker 1: OK. 355 00:31:05,960 --> 00:31:07,920 Speaker 9: And you know I tried, I. 356 00:31:07,960 --> 00:31:11,839 Speaker 3: Tried, I tried to try it and it just didn't happen. So, 357 00:31:12,359 --> 00:31:15,680 you know, like it's either that or don't play right, 358 00:31:15,839 --> 00:31:18,079 you know, So I do what I gotta do, yeah, 359 00:31:18,799 --> 00:31:20,039 to get my show out. 360 00:31:20,240 --> 00:31:23,480 Speaker 1: Yeah, exactly exactly. How did you, like, do you record 361 00:31:23,519 --> 00:31:24,279 this on your own. 362 00:31:24,200 --> 00:31:25,000 Speaker 9: Or a studio? 363 00:31:25,680 --> 00:31:26,200 Speaker 1: No kidding? 364 00:31:26,519 --> 00:31:28,759 Speaker 9: Yeah, I recorded, yeah, on a laptop. 365 00:31:29,400 --> 00:31:31,240 Speaker 3: Most most of it's at my house and then I 366 00:31:31,319 --> 00:31:34,119 bring all my stuff over to his house and I 367 00:31:34,240 --> 00:31:34,759 record all his. 368 00:31:34,839 --> 00:31:36,839 Speaker 9: Drums there on drum days. 369 00:31:37,000 --> 00:31:41,799 Speaker 3: Okay, okay, this was quite an experiment that I've never 370 00:31:41,920 --> 00:31:44,720 recorded drums like this before. I've only done like two 371 00:31:44,839 --> 00:31:46,680 mics in a room before, and this was like a 372 00:31:46,720 --> 00:31:47,559 whole bunch of mics. 373 00:31:47,720 --> 00:31:50,759 Speaker 9: Yeah, for the first time. So like, uh, it was 374 00:31:50,799 --> 00:31:51,799 a lot of trial and error. 375 00:31:52,079 --> 00:31:56,559 Speaker 1: Yeah, no doubt. No, that's a great experience though. So Jason, 376 00:31:56,640 --> 00:31:59,119 in terms of your becoming a part of the project, 377 00:31:59,359 --> 00:32:01,480 have you ever done because this is, like I said, 378 00:32:01,480 --> 00:32:04,359 it's pretty unique, right, Yeah. Is this the most unusual 379 00:32:04,480 --> 00:32:07,000 thing you've done in terms of playing drums more or less? 380 00:32:07,119 --> 00:32:09,720 Speaker 11: Yeah, I mean I've figured I'm more like a I'm 381 00:32:09,799 --> 00:32:13,319 a I'm a prog like metal rock jazz, yeah, you know, 382 00:32:13,400 --> 00:32:16,119 And I mean I've played I played in everything from 383 00:32:16,240 --> 00:32:18,839 jazz bands to to metal bands. And actually we never 384 00:32:18,880 --> 00:32:22,599 played gigs. We never played gigs together, but actually played 385 00:32:22,599 --> 00:32:25,839 a lot of shows at my rock club. That changes, 386 00:32:25,920 --> 00:32:28,920 He's play in the day. I put in a band, 387 00:32:28,960 --> 00:32:29,640 Akila Dama. 388 00:32:30,079 --> 00:32:30,240 Speaker 10: You know. 389 00:32:30,400 --> 00:32:33,279 Speaker 11: So but as far as being as far as uniqueness, 390 00:32:33,400 --> 00:32:36,519 this is the most unique I've done, like band wise. 391 00:32:36,759 --> 00:32:36,960 Speaker 2: Yeah. 392 00:32:38,000 --> 00:32:40,920 Speaker 1: So, so how does that work in terms of like 393 00:32:41,079 --> 00:32:43,359 what you're going to play? Like Aaron, do you do 394 00:32:43,400 --> 00:32:45,720 you explain what you're looking for? Or Jason do you 395 00:32:45,799 --> 00:32:47,599 just kind of feel your way through it? Or I 396 00:32:47,680 --> 00:32:50,119 mean how does how does that work a little bit 397 00:32:50,160 --> 00:32:50,839 of both? Yeah? 398 00:32:51,119 --> 00:32:55,680 Speaker 3: Yeah, Sometimes it's jamming, yeah, and sometimes like I just 399 00:32:55,720 --> 00:32:57,880 write the songs at home and then I throw it 400 00:32:57,960 --> 00:32:59,599 on the Googles drive and I send it to him 401 00:32:59,640 --> 00:33:02,240 and then go to his house and I play it 402 00:33:02,319 --> 00:33:04,759 and we work it out. Yeah, you know, so it's 403 00:33:04,839 --> 00:33:06,079 kind of like a half and half thing. 404 00:33:06,599 --> 00:33:06,759 Speaker 9: You know. 405 00:33:06,920 --> 00:33:10,039 Speaker 3: Sometimes it's you know, just formed together and sometimes I 406 00:33:10,119 --> 00:33:10,599 bring him. 407 00:33:10,519 --> 00:33:14,880 Speaker 1: Songs, right, I would imagine too, So as you're as 408 00:33:14,960 --> 00:33:17,200 you're recording, and you know, and you're doing it yourself, 409 00:33:17,279 --> 00:33:20,960 using able to the songs probably change from what you 410 00:33:21,079 --> 00:33:23,720 originally had in mind, right, I would imagine that I write, 411 00:33:23,759 --> 00:33:24,279 I write like. 412 00:33:24,559 --> 00:33:27,960 Speaker 3: Drum machine stuff, yeah, you know, and enable him so 413 00:33:28,319 --> 00:33:31,480 you know, I'll do like a like a techno drum 414 00:33:31,559 --> 00:33:33,559 plate and then I bring it to him and he 415 00:33:33,680 --> 00:33:35,440 throws his drums on there. 416 00:33:35,559 --> 00:33:36,559 Speaker 9: You want to pull him out. 417 00:33:36,759 --> 00:33:38,720 Speaker 1: Yeah, But doing it the way you do it allows 418 00:33:38,759 --> 00:33:41,720 for a lot of experimentation obviously, you know, because I'm 419 00:33:41,720 --> 00:33:44,000 sure you have like when you first conceive of a song, 420 00:33:44,039 --> 00:33:45,519 I'm sure you have ideas of what it's going to be, 421 00:33:45,559 --> 00:33:46,880 and then it ends up being something. 422 00:33:46,759 --> 00:33:47,559 Speaker 9: I'm always open. 423 00:33:47,839 --> 00:33:49,319 Speaker 1: Yeah, that's that's kind of nothing. 424 00:33:49,440 --> 00:33:51,759 Speaker 9: Nothing is absolute, you know what it's going to be 425 00:33:51,920 --> 00:33:52,119 like this. 426 00:33:52,480 --> 00:33:55,000 Speaker 11: Right, that's kind of the adventure of it, right, Yeah, Yeah, 427 00:33:55,279 --> 00:33:57,359 but that was that was Hiding behind the Sun too, 428 00:33:57,440 --> 00:33:59,920 because I play I play a lot of like weird 429 00:34:00,119 --> 00:34:03,359 math stuff, like on my own practicing like nobody else 430 00:34:03,400 --> 00:34:05,799 but myself, like I record it, yeah you know, and 431 00:34:06,039 --> 00:34:08,000 on my go pros and stuff. And he saw one 432 00:34:08,079 --> 00:34:11,199 that I did, and he's just like, hold on and 433 00:34:11,320 --> 00:34:13,559 he went he wrote, he wrote Hiding behind the Sun, 434 00:34:13,639 --> 00:34:16,760 which changes from five to three to four and then 435 00:34:16,960 --> 00:34:19,920 back and back and forth and through. 436 00:34:19,880 --> 00:34:21,000 Speaker 9: Different time signatures. 437 00:34:21,039 --> 00:34:21,199 Speaker 10: In it. 438 00:34:21,639 --> 00:34:22,440 Speaker 1: How many three? 439 00:34:22,920 --> 00:34:26,199 Speaker 3: Yeah, yeah, five four and then three and then four four. 440 00:34:26,320 --> 00:34:29,679 Speaker 9: Yeah wow yeah and then back again. 441 00:34:30,000 --> 00:34:32,079 Speaker 3: Yeah, you know, I want I wanted to see if 442 00:34:32,079 --> 00:34:34,559 I could do it like Pink Floyd did it with money. Yeah, 443 00:34:34,719 --> 00:34:37,880 you know, so like they switched back and forth, true, 444 00:34:39,079 --> 00:34:40,519 from jazz times to rock time? 445 00:34:40,800 --> 00:34:40,960 Speaker 9: Right? 446 00:34:41,519 --> 00:34:44,719 Speaker 1: Has your approach changed over the years with uh, with 447 00:34:45,559 --> 00:34:47,079 with what you're doing with your solo work? 448 00:34:47,239 --> 00:34:49,679 Speaker 3: I mean, oh yeah, I mean every year it's different. Yeah, 449 00:34:49,920 --> 00:34:52,039 you know, every year you gross more, you want to 450 00:34:52,079 --> 00:34:54,360 try it. Like what one year I did a techno album, 451 00:34:54,760 --> 00:34:56,800 you know, you know, yeah, a couple of years ago, 452 00:34:56,920 --> 00:35:00,119 and uh, that was very different, you know, and my 453 00:35:00,199 --> 00:35:02,960 first album is very different from myself. I feel like 454 00:35:03,159 --> 00:35:07,800 everything's getting gotten more smooth as far as the sound, 455 00:35:08,239 --> 00:35:10,159 the songs themselves, that have been. 456 00:35:10,199 --> 00:35:12,239 Speaker 9: Better every year. 457 00:35:13,880 --> 00:35:18,679 Speaker 3: It's it's amazing. It's it's just it's like a reflection 458 00:35:19,159 --> 00:35:22,719 of your whole year. It's because I put out an 459 00:35:22,719 --> 00:35:26,440 album once a year. Now, it's my goal every fall 460 00:35:26,559 --> 00:35:27,440 put out a full length. 461 00:35:27,679 --> 00:35:29,440 Speaker 1: Okay, are you already working on the next one? 462 00:35:29,559 --> 00:35:29,599 Speaker 10: No? 463 00:35:29,800 --> 00:35:32,639 Speaker 9: No, no, I'm not. 464 00:35:33,239 --> 00:35:36,199 Speaker 3: I'm gonna be taking the old Christmas break right then 465 00:35:36,320 --> 00:35:38,719 and then come back and start fresh. Yeah, you have 466 00:35:38,800 --> 00:35:41,920 to take a couple of months off, you really do. Yeah, yeah, 467 00:35:42,000 --> 00:35:43,239 I learned that like right away. 468 00:35:43,440 --> 00:35:45,800 Speaker 1: Yeah, so grind is the first video? Do you have 469 00:35:45,880 --> 00:35:47,519 plans to make more videos from this album? 470 00:35:47,599 --> 00:35:49,920 Speaker 3: So that's not the first video that there's this video 471 00:35:50,039 --> 00:35:52,000 for the End of Time. That was the first video 472 00:35:53,480 --> 00:35:55,519 and that came out like a month ago. Oh I 473 00:35:55,559 --> 00:35:57,920 didn't realize. Okay, I'll go back and check that out. Yeah, 474 00:35:57,960 --> 00:36:00,199 the video is awesome. It's I want to to do 475 00:36:00,360 --> 00:36:05,719 a film noir look to it. So uh yeah me Jay. 476 00:36:06,119 --> 00:36:08,880 And then I got Gary on that video too, so cool. 477 00:36:09,599 --> 00:36:11,480 I made him climb through like a little covey up 478 00:36:11,519 --> 00:36:16,039 to my attic and filmed him in my attic, you know, 479 00:36:16,159 --> 00:36:17,400 with Dale sticking out of that. 480 00:36:18,719 --> 00:36:21,239 Speaker 9: You got to watch your ahead otherwise you're gonna need 481 00:36:21,280 --> 00:36:21,920 a tennis shot. 482 00:36:22,360 --> 00:36:22,519 Speaker 6: Right. 483 00:36:23,159 --> 00:36:26,519 Speaker 3: It's a great video. My wife thought it was my 484 00:36:26,599 --> 00:36:28,239 best video yet when I did it. 485 00:36:28,519 --> 00:36:32,480 Speaker 9: Yeah, I shoot some of it, Yeah, shoot some a 486 00:36:32,559 --> 00:36:34,559 little bit of it, all the all the scenes where 487 00:36:34,679 --> 00:36:35,840 the camera's floating on me. 488 00:36:36,119 --> 00:36:38,599 Speaker 1: Oh okay, okay, oh very cool. 489 00:36:38,679 --> 00:36:38,880 Speaker 9: Yeah. 490 00:36:38,920 --> 00:36:41,320 Speaker 1: Yeah, so I'll have to check that out. And that's 491 00:36:41,360 --> 00:36:43,760 cool that Gary Smith is in that. Yeah, he's been 492 00:36:43,800 --> 00:36:46,440 on the show a bunch of times and actually very cool. 493 00:36:46,760 --> 00:36:48,800 Is there anything we didn't mention that you have coming up? 494 00:36:48,880 --> 00:36:51,360 I only ask because you you came extra prepared. You 495 00:36:51,400 --> 00:36:52,320 brought a piece of paperwork. 496 00:36:52,599 --> 00:36:56,039 Speaker 9: No, no, I mean the big things that were the gigs. 497 00:36:56,280 --> 00:36:58,360 Speaker 1: Very good and so this is out on all the 498 00:36:58,360 --> 00:37:01,920 streaming platforms, correct, Yeah, yeah, any plans to make physical 499 00:37:01,960 --> 00:37:04,719 copies of anything or maybe you already have or that's 500 00:37:04,760 --> 00:37:07,239 something every every everybody agonizes over do we do that 501 00:37:07,400 --> 00:37:07,559 or not? 502 00:37:07,920 --> 00:37:09,599 Speaker 3: You know why because it because it because it's like 503 00:37:10,000 --> 00:37:13,199 fifteen hundred to three thousand dollars and then it's like 504 00:37:13,280 --> 00:37:16,280 a four to six month wait. Yeah, you know, it's 505 00:37:16,400 --> 00:37:20,320 just it's such a chore, right right, Like I want 506 00:37:20,400 --> 00:37:22,480 it and it's but it's it's a it's a lot. Yeah, 507 00:37:22,559 --> 00:37:24,920 they'd like to get it out on time, right, it 508 00:37:25,280 --> 00:37:27,360 just is the nightmare. It never happens, right. 509 00:37:29,199 --> 00:37:30,519 Speaker 9: Maybe next year? Yeah? 510 00:37:31,000 --> 00:37:32,639 Speaker 1: And do you have any other projects that you're doing 511 00:37:32,719 --> 00:37:34,800 or are you just focused on solo stuff? 512 00:37:34,800 --> 00:37:38,920 Speaker 3: That's it. It's been the solo stuff, you know. You know, 513 00:37:39,039 --> 00:37:41,199 I have friends and if they uh, if they asked 514 00:37:41,239 --> 00:37:42,960 me to come help home and stuff, you know, I 515 00:37:43,039 --> 00:37:46,199 will Yeah, but uh yeah, that's that's just been it 516 00:37:46,920 --> 00:37:47,320 very cool. 517 00:37:47,760 --> 00:37:47,840 Speaker 10: Oh. 518 00:37:47,920 --> 00:37:49,760 Speaker 3: Another thing about the grind video let me let me 519 00:37:50,280 --> 00:37:53,280 do this shout out is uh that was filmed at 520 00:37:53,519 --> 00:37:54,840 Jim Hurley's place. 521 00:37:57,159 --> 00:37:57,880 Speaker 9: Turbo Cats. 522 00:37:58,000 --> 00:38:00,440 Speaker 3: Oh you've met him, he was there in here not 523 00:38:00,519 --> 00:38:02,960 too long on the show, ye, and he Jim Hurley 524 00:38:03,000 --> 00:38:04,280 plays the grinder. 525 00:38:04,679 --> 00:38:07,480 Speaker 9: Yeah, so he plays he plays like the. 526 00:38:09,480 --> 00:38:14,800 Speaker 3: Antagonist, you know, yeah, chasing, chasing, chasing me around with 527 00:38:14,920 --> 00:38:15,559 his grinders. 528 00:38:16,320 --> 00:38:16,480 Speaker 10: You know. 529 00:38:16,920 --> 00:38:19,599 Speaker 9: So he did a great job doing that. 530 00:38:20,280 --> 00:38:22,280 Speaker 1: Jason, do you have any other Every drummer we have 531 00:38:22,400 --> 00:38:23,800 on the show is in like ten different bands. You 532 00:38:23,880 --> 00:38:24,440 must have something. 533 00:38:24,559 --> 00:38:27,599 Speaker 11: No, I'm honestly like, is this is it like I'm 534 00:38:27,639 --> 00:38:29,840 trying to find you know, I live, I live right 535 00:38:29,920 --> 00:38:32,920 on the mass New Hampshire border and nobody, nobody around 536 00:38:32,960 --> 00:38:36,039 me wants to play anything other than metal or like 537 00:38:36,239 --> 00:38:39,079 maybe blues or whatever, and you know, and I'm I'm 538 00:38:39,119 --> 00:38:42,280 I'm a weekend Warrior I have you know, so yeah, 539 00:38:42,360 --> 00:38:45,280 exactly that too. So it's just like and it's something 540 00:38:45,400 --> 00:38:49,079 like I have you'll see in the video. Then at 541 00:38:49,079 --> 00:38:51,400 the end of the time that my kit, like I 542 00:38:51,480 --> 00:38:53,679 don't travel with that like I don't. That's why I'm 543 00:38:53,719 --> 00:38:56,159 a studio drummer because I have my kit the way 544 00:38:56,199 --> 00:38:58,119 that I want to, you know, and it's just like 545 00:38:58,199 --> 00:39:02,360 and I when when we were getting the project together 546 00:39:02,840 --> 00:39:05,480 was when I was finalizing my room, you know, like 547 00:39:05,559 --> 00:39:07,760 I said, in other projects around my house. So it 548 00:39:07,880 --> 00:39:10,599 was like I already I built the I built the room, 549 00:39:10,639 --> 00:39:12,880 and I'm building the studio around my drum set. So 550 00:39:13,280 --> 00:39:16,920 you know what anybody is, He's available for studio work. Yeah, 551 00:39:17,400 --> 00:39:20,000 come to me, come to me, and I will play anything. 552 00:39:20,079 --> 00:39:22,559 Speaker 9: Yeah. And also he's got Jay Staples lessons. 553 00:39:22,840 --> 00:39:23,039 Speaker 1: Yeah. 554 00:39:23,199 --> 00:39:25,639 Speaker 9: Oh if if you're interested in drum lessons. 555 00:39:25,719 --> 00:39:29,519 Speaker 1: Oh okay, very cool, very cool. Yeah. The drummers are 556 00:39:29,840 --> 00:39:31,679 most of the drummers we know. They're they're in so 557 00:39:31,760 --> 00:39:34,119 many different bands. And you know, my theory has always 558 00:39:34,159 --> 00:39:36,760 been when you first have the conversation with the parents 559 00:39:36,800 --> 00:39:38,599 about you know, you want to play an instrument, and 560 00:39:38,679 --> 00:39:40,400 if you tell them the drums, they they try to 561 00:39:40,440 --> 00:39:42,559 talk you out of it because because they don't want 562 00:39:42,559 --> 00:39:43,199 all that sound. 563 00:39:44,239 --> 00:39:46,480 Speaker 11: My dad was blaring music when I was little. He's 564 00:39:46,480 --> 00:39:48,000 just like, nope, I'm turning the radio all. 565 00:39:47,960 --> 00:39:48,440 Speaker 1: The way up. 566 00:39:48,599 --> 00:39:48,800 Speaker 10: Yeah. 567 00:39:48,800 --> 00:39:50,280 Speaker 9: You know, my father was a drummer. 568 00:39:51,480 --> 00:39:55,400 Speaker 1: Yeah no, that's uh, that's good. That is uh, that 569 00:39:55,599 --> 00:39:57,320 is yes, excellent, excellent. 570 00:39:57,440 --> 00:39:58,440 Speaker 9: I played the clarinet. 571 00:40:00,039 --> 00:40:04,559 Speaker 1: Yuh oh, very good. All right, outstanding. Well we will 572 00:40:04,880 --> 00:40:07,599 will close out the segment. But thank you guy. Yeah, 573 00:40:08,000 --> 00:40:10,000 the time goes so quick, but thank you so much 574 00:40:10,079 --> 00:40:12,199 for coming in, all three of you. And you know, Aaron, 575 00:40:12,360 --> 00:40:15,360 I love what you're doing. It's it's very unique, it's cool, 576 00:40:15,719 --> 00:40:16,199 it's fun. 577 00:40:16,599 --> 00:40:17,880 Speaker 9: I'll definitely see you next year.