WEBVTT

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<v Speaker 1>We're Tom Lorenzo and this is the Pop Style Opinion

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<v Speaker 1>Fest Telekitt's Welcome back to another edition of the Pso

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<v Speaker 1>I'm the Tea and you're Tee Low Tom Fitzgerald, and

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<v Speaker 1>I'm here with the Low and your t less my

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<v Speaker 1>love husband, I do how.

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<v Speaker 2>We Hunter is here too. It's so funny. Every time.

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<v Speaker 1>Big twenty pounds boy cat, Yes, go ahead.

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<v Speaker 2>Every time we set up the equipment, he jumps on

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<v Speaker 2>the table and he wants to befart of it. So

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<v Speaker 2>it's really cute.

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<v Speaker 1>Sticks his butt right now, you and everyone. Every once

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<v Speaker 1>in a while someone will ask why we never hear him.

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<v Speaker 1>Tab is not now. He's a silent gentleman.

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<v Speaker 2>He's very gentle.

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<v Speaker 1>He's not a mewing cat. He mind's a little bit

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<v Speaker 1>every now and then, but he's not someone who's going

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<v Speaker 1>to be out into the mics thet all right. So

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<v Speaker 1>for this week's podcast, we are going to unpack the

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<v Speaker 1>season three finale of House of the Dragon, and that'll

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<v Speaker 1>be the back half of this podcast. But for the

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<v Speaker 1>front half of this podcast, we thought we'd talk about

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<v Speaker 1>a movie discussion that's been happening all week long and

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<v Speaker 1>it gets into larger discussions about the culture and about

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<v Speaker 1>generational differences and what we want out of our entertainment.

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<v Speaker 1>And I am talking about the film One Night Only

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<v Speaker 1>starring Callum Turner and Monica Barbara. Is it Barbara or barbaro?

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<v Speaker 2>Good?

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<v Speaker 1>You know, good question. I've never heard her name set

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<v Speaker 1>out loud.

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<v Speaker 3>Probably Barbara, Yeah, yeah, don't know, Okay, So I one

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<v Speaker 3>not only is the film that most people are referring

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<v Speaker 3>to as the sex spurge film, which the premise of

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<v Speaker 3>the film is that it's a it's a sex comedy,

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<v Speaker 3>it's a roman.

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<v Speaker 1>Actually it's a romantic comedy because there's not surprisingly, not

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<v Speaker 1>that much sex in it. And it's about two people

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<v Speaker 1>who meet on the one night of the year where

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<v Speaker 1>unmarried people are legally allowed to have sex. Yes, that's

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<v Speaker 1>as dumb as it sounds.

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<v Speaker 2>But it's KELLM. Turner.

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<v Speaker 1>The whole film hinges on this highly unlikely idea, and

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<v Speaker 1>it goes to certain lengths to explain the mechanism behind it,

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<v Speaker 1>like they people are fitted with sensors to make sure

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<v Speaker 1>that they're not you know, they're dopamines. Blah blah blah.

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<v Speaker 2>It's weird. It's just a weird setup. But yeah, and

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<v Speaker 2>there's not much story there. That's pretty much the story.

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<v Speaker 2>But there's KELLM. Turner, so the reason to watch it.

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<v Speaker 2>But the funny thing is that any discussion you see

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<v Speaker 2>about the movie is about sex, is about these people

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<v Speaker 2>having sex. And then the director, I forget his names,

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<v Speaker 2>gave bilg luck there you go, Will Cluck gave an

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<v Speaker 2>interview to Varietyvariety, Primary Variety and so talking about the

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<v Speaker 2>movie and all that, and then the interviewer said, recent

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<v Speaker 2>studies have found that gen Z and Jen Alpha don't

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<v Speaker 2>want to see sex on screen.

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<v Speaker 1>So can I just jump in here right right there? No, No,

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<v Speaker 1>I just I want to add something here, which is

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<v Speaker 1>that the film has gotten very poor reviews. I initially

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<v Speaker 1>had heard that it was getting good reviews, but actually

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<v Speaker 1>they were getting good Callum Turner and Monta Barbara were

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<v Speaker 1>getting good reviews. But most of the reviews have trashed.

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<v Speaker 1>I think it's something like twenty seven percent on No,

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<v Speaker 1>maybe it's not that low. I think I'm getting that

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<v Speaker 1>confused with The Last House, which I watched last night.

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<v Speaker 1>But I know the critics have drafted and one of

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<v Speaker 1>the things that have been you know, I'm gonna spoil

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<v Speaker 1>this about the film spoiler. They never have sex in

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<v Speaker 1>the film, the two lead characters. I mean they do.

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<v Speaker 1>They wait a year until the next night where they

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<v Speaker 1>are legally allowed to have sex. And I'm not gonna

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<v Speaker 1>get into criticisms of film that I haven't seen, but

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<v Speaker 1>there are there was a pretty uniform set of critiques

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<v Speaker 1>against this film, one of which is that the characters

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<v Speaker 1>don't actually have The lead characters don't actually have sex,

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<v Speaker 1>and the film doesn't make a very good argument as

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<v Speaker 1>to why that would be. It doesn't explain the world

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<v Speaker 1>that any of these people live in very well. And

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<v Speaker 1>I think there was there's been a lot of backlash,

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<v Speaker 1>and I think the director Will Gluck has been unprepared

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<v Speaker 1>for this. He seems a little defensive in some of

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<v Speaker 1>these interviews, and he says, you know, the stars are

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<v Speaker 1>are being forced to explain this too much, and blah

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<v Speaker 1>blah blah blah, and people just need to watch but

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<v Speaker 1>you know, you're not giving us a reason to watch it.

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<v Speaker 1>This story makes very very little sense right now. The

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<v Speaker 1>reason this has exploded as a topic and in the

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<v Speaker 1>discourse this week is that one of the things Will

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<v Speaker 1>Gluck said was that, as you noted, gen Zi and

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<v Speaker 1>jen A. Audiences typically do not want to have sex scene,

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<v Speaker 1>do not want to watch sex scenes in a movie theater,

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<v Speaker 1>in a mainstream film, and he admitted that he had

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<v Speaker 1>the film actually did have a lot more sex in it.

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<v Speaker 1>It does not sound like the main characters, I mean,

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<v Speaker 1>their arc remains the same. But he said there were

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<v Speaker 1>always people in the background having sex because that was

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<v Speaker 1>the point of the comedy, is that everyone was just

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<v Speaker 1>banging in the street because it's the one night that

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<v Speaker 1>they can do so. And he pulled all of that

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<v Speaker 1>out because test audiences didn't like it.

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<v Speaker 2>Interesting. Yeah, so he cut out all the sex scenes

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<v Speaker 2>and nudity and all that. And that's the explanation he gave,

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<v Speaker 2>which I don't know if the movie is about sex,

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<v Speaker 2>I mean there should be sex in the movie, that's

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<v Speaker 2>my mighty. And this whole thing about gen Z and

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<v Speaker 2>Jen Alfa not comfortable with, you know, sex scenes and stuff, well, yeah,

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<v Speaker 2>I explain heated ribery to me.

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<v Speaker 1>Well, no, I can explain that to you. That's not

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<v Speaker 1>in a movie theater. And he actually made that point.

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<v Speaker 1>Well Gluck made that point, and several other people have

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<v Speaker 1>made that point as well. It's the public aspect of it.

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<v Speaker 1>People now see sex as something that you watch at home,

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<v Speaker 1>or you watch on your phone, or you know that

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<v Speaker 1>sort of thing. It's not so much. And because the

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<v Speaker 1>rhetoric goes in one direction and everybody starts saying the

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<v Speaker 1>same thing over and over and so all week long

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<v Speaker 1>it's ben gen Z and Jen Alpha are a bunch

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<v Speaker 1>of prudes and prime example is something like heated rivalry,

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<v Speaker 1>not just that only fans. You know, like, there's plenty

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<v Speaker 1>of sexual material out there, and young people are accessing

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<v Speaker 1>it at the same level that previous generations were. What

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<v Speaker 1>they don't want is sex in a mainstream film.

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<v Speaker 2>So we're back to sex is dirty, and it should

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<v Speaker 2>be done in your price. It should be.

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<v Speaker 1>Done in the privacy of your home. Great, wonderful whatever.

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<v Speaker 1>I'm not here. I'm not sitting here to tresh I

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<v Speaker 1>mean whatever. I think it's an interesting development. And when

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<v Speaker 1>you talk and you know, it should be clear that

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<v Speaker 1>when you talk about gen Z and Jena Alpha, you

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<v Speaker 1>were talking about the only generation who literally grew up

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<v Speaker 1>with pornography. And by that, I mean it was accessible

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<v Speaker 1>to them when they were children. And we can all

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<v Speaker 1>pretend that that wasn't the case with the Internet but

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<v Speaker 1>pretty much anyone under the age of thirty can tell

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<v Speaker 1>you when they first saw full blown pornography, and it's

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<v Speaker 1>a lot younger than you might find acceptable.

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<v Speaker 2>I guess. I guess.

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<v Speaker 1>So we created the world that they're in, and we

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<v Speaker 1>can't start rolling our eyes and making fun of them

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<v Speaker 1>because they have different ideas about sex than say Gen

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<v Speaker 1>X or baby boomers.

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<v Speaker 2>That's that idea that you know, it's accessible, it's easy.

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<v Speaker 2>I don't see the big deal. That's why I don't

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<v Speaker 2>want to see it kind of thing. Maybe I don't know.

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<v Speaker 2>I do think that sometimes sex is necessary movie, or

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<v Speaker 2>it doesn't have to go on forever. In fact, sometimes

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<v Speaker 2>I think some sex can go on forever.

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<v Speaker 1>And I do think they're boring. Yeah, And I'm like,

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<v Speaker 1>all right, and.

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<v Speaker 2>Yes, I mean it is uncomfortable if I'm watching a

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<v Speaker 2>movie with my mother and somebody start banging somebody, no

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<v Speaker 2>matter what, gaye straight, forerever, there's always that uncomfortable feeling.

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<v Speaker 2>I joke about having a bunch of people here to

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<v Speaker 2>watch something I forget, and there was a lot of

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<v Speaker 2>texts and I was like, so uncomfortable I think with

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<v Speaker 2>family members and I'm like, oh, so, how was the

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<v Speaker 2>driving and I kept like talking while they were having texts,

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<v Speaker 2>like yo, was it easy to park around here? And

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<v Speaker 2>because I wasn't coomfortable with them sitting next to me.

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<v Speaker 2>So I kind of understand. But cutting out something from

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<v Speaker 2>a movie or TV show because you few blah blah blah,

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<v Speaker 2>I think that's completely bullshit and that shouldn't be done well.

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<v Speaker 1>I mean, if audiences didn't want it, that's very common.

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<v Speaker 1>If audiences didn't want it, then do you cut that

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<v Speaker 1>stuff out? But granted, the film's a flop, so I'm

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<v Speaker 1>not suggesting that, but I think the film is a flop,

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<v Speaker 1>not because you cut out these sex scenes, but because

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<v Speaker 1>it was such a confused idea I feel. I let

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<v Speaker 1>me just state this. I'm one hundred percent for sex

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<v Speaker 1>scenes when and you know, I was just about to

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<v Speaker 1>say when they're warranted. But even that, screw it. If

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<v Speaker 1>you just want to put hot people together on screen,

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<v Speaker 1>right and you think you can make something interesting out

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<v Speaker 1>of that, fine, put a sex scene in the middle

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<v Speaker 1>of a cop movie or something like that, science fiction

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<v Speaker 1>movie or anything like that. Not only that, sex is

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<v Speaker 1>a huge component of everyone's life. Not everyone, some people

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<v Speaker 1>don't have sex, but it is a huge component of life.

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<v Speaker 1>Generally speaking, most of it is a big part of

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<v Speaker 1>our lives. It is a big part of our development.

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<v Speaker 1>And the sexual act can range from something that's you know,

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<v Speaker 1>fun and dirty, to something that's very meaningful and emotional

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<v Speaker 1>and profound, for the two for the number of people

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<v Speaker 1>involved in it. I'm trying not to be heteronormative here

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<v Speaker 1>or anything like that, but my point being, if you're

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<v Speaker 1>telling stories of human existence, then yes, sex scenes need

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<v Speaker 1>to be part of that. And there's an argument to

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<v Speaker 1>be made that, well, you know, you don't show people shitting.

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<v Speaker 1>That's part of human experience and a there are there

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<v Speaker 1>are movies where people have been shown to actually, there

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<v Speaker 1>are plenty of movies like Bridesmaids. They're like shitting in

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<v Speaker 1>the street. But not only that. Sex is not a

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<v Speaker 1>bodily function. It's like, as I just said, it has

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<v Speaker 1>tremendous meaning, it has emotion, it has it can be

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<v Speaker 1>tremendously fun, and it can be demeaning. It can be

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<v Speaker 1>all of these things. Taking a poop is taking a poop.

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<v Speaker 1>It's not something that you know, whatever, If a filmmaker

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<v Speaker 1>has a reason to show it on the screen, fine,

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<v Speaker 1>But it's not comparable to a sex scene. That's silly.

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<v Speaker 2>I think. I think it's part of it's part of

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<v Speaker 2>the conversation. It's part of the story most of the time.

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<v Speaker 2>And I think you should they I think they should

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<v Speaker 2>show it. If you don't want to see it, then

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<v Speaker 2>don't see it.

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<v Speaker 1>But I just think it's silly to make a sex

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<v Speaker 1>comedy a film that is that's it. It's an old

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<v Speaker 1>school sex comedy and you are afraid to have sex

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<v Speaker 1>scenes in it. And like I said, test audiences didn't

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<v Speaker 1>like it. But clearly, with the film flopping, it wasn't

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<v Speaker 1>a good idea to take those scenes. It probably didn't

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<v Speaker 1>help the film to take those scenes, right, Because here's

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<v Speaker 1>the thing. The premise of this film is very stupid

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<v Speaker 1>and it makes no sense at all. Right, but if

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<v Speaker 1>there had been a lot of hot sex in it,

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<v Speaker 1>it would have been a huge hit. Like people would

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<v Speaker 1>I'm sorry, people would line up to watch Calm Turner,

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<v Speaker 1>Monica Barbara go for it.

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<v Speaker 2>But if things go that way, then you know it's

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<v Speaker 2>just gonna be stupid. Okay, So if you don't want

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<v Speaker 2>to see sex, go see a movie. You want to

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<v Speaker 2>see a lot of sex, go watch TV. It's just

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<v Speaker 2>like ridiculous. So we're like, Okay, we have we have

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<v Speaker 2>a story here that would like to develop, but we

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<v Speaker 2>can't do it for a movie, So we're gonna have

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<v Speaker 2>to do a TV show because nobody wants to see

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<v Speaker 2>sex in the in the movie theater. That's just so ridiculous.

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<v Speaker 2>I don't buy that. I don't buy those studies. I don't.

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<v Speaker 2>I don't. I don't know. I don't know if they're

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<v Speaker 2>actually one hundred per cent ecurate, But I don't know.

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<v Speaker 2>I you know, I don't know.

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<v Speaker 1>I think the the dislike of sex scenes is pretty

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<v Speaker 1>well documented among gen Z and Jena, So.

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<v Speaker 2>What the fuck is their problem.

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<v Speaker 1>I'm not doing a I'm sorry, I'm not doing it

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<v Speaker 1>generate if you want to trash people anyway, Yeah, you're

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<v Speaker 1>annoyed by I think it's a step back, to be

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<v Speaker 1>honest with you, I just think it's a development. I

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<v Speaker 1>just think again, we handed them the Internet when they

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<v Speaker 1>were ten years old. They've been looking at pornography their

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<v Speaker 1>whole lives. They can which they can get some of

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<v Speaker 1>the most sexually explicit television shows in the history of television,

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<v Speaker 1>and they love them. So it's really not about them

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<v Speaker 1>being prudes. It's simply about them having a preference as

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<v Speaker 1>to where they want those scenes.

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<v Speaker 2>But there's a much bigger picture here that goes beyond sex.

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<v Speaker 2>I mean, what I fear is that these people don't

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<v Speaker 2>want any interact or any public anything at all. Silly, silly,

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<v Speaker 2>it's not silly. It's a much bigger picture here that

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<v Speaker 2>the Yeah, I see what's going on out there, So

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<v Speaker 2>I feel like, yeah, the less outside the better. The

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<v Speaker 2>more inside your home and on your phone, you know.

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<v Speaker 1>Absolutely not doing one of those generational things. So you ahead, No, I'm.

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<v Speaker 2>I think it's beyond sex. I mean, sex is the

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<v Speaker 2>topic here, but I think it's beyond sex when it

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<v Speaker 2>comes to things they don't want to do anymore.

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<v Speaker 1>I think it's just a goofy film and a very

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<v Speaker 1>confused director who did know what he wanted out of it.

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<v Speaker 1>And I should note that he didn't write the film.

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<v Speaker 1>And I looked up the guy who did write the film,

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<v Speaker 1>and I don't want to trash someone's resume, but most

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<v Speaker 1>of his resume is children's television.

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<v Speaker 2>Right.

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<v Speaker 1>It's like Poppy dog Pals and monsters at work can

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<v Speaker 1>up at babies and maybe you maybe you don't graduate

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<v Speaker 1>from that stuff directly into an adult sex comedy if

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<v Speaker 1>you cannot handle the premise of it.

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<v Speaker 2>I just few and I'll repeat here. If that direction,

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<v Speaker 2>we're going, okay. If it's something we see in public

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<v Speaker 2>with other people, then we can't have sex, and if

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<v Speaker 2>something we see on your screen at home, then we

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<v Speaker 2>can have plenty of Second, that's stupid. I don't have

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<v Speaker 2>a creative speaking creative speaking, I mean, you know, in

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<v Speaker 2>terms of creating something entertainment, that's stupid. If that's the

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<v Speaker 2>conversation you're gonna have, we can't have more, say, we

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<v Speaker 2>can't have sex anymore in a movie theater, that's stupid.

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<v Speaker 1>Yeah, I don't. I don't think. I don't really have

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<v Speaker 1>an issue with that, especially since most people don't go

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<v Speaker 1>to movie theaters at all anymore. They watch everything at home.

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<v Speaker 1>So it's not a distinction that matters. That's my point.

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<v Speaker 1>It's not a distinction that matters.

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<v Speaker 2>Right.

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<v Speaker 1>If if there was evidence that you know, younger generations

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<v Speaker 1>are completely prudish about sex and don't want to watch

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<v Speaker 1>it in any form at all, then you have a

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<v Speaker 1>social issue that's worth discussing. But as as you said

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<v Speaker 1>at the top of this discussion, heated rivalry puts all

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<v Speaker 1>of that to rest. They have healthy attitudes towards sex.

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<v Speaker 1>They just don't want to sit in a movie theater

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<v Speaker 1>with strangers and be exposed to it. Oh, I don't

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<v Speaker 1>have an issue with it. I don't agree with it,

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<v Speaker 1>but it doesn't bother me. It doesn't bother me, right, it.

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<v Speaker 2>Bothers me creative as a speaking because then you are

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<v Speaker 2>restrain yourself from creating something.

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<v Speaker 1>No, you're not. You're just making it for television.

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<v Speaker 2>Yeah, well then I gain so.

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<v Speaker 1>No, but what's the difference between a you know, an

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<v Speaker 1>Apple TV movie and a movie.

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<v Speaker 2>Well, things are getting smaller and smaller and the same.

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<v Speaker 2>But no, But anyway, the lines are blurred when it

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<v Speaker 2>comes to movie and TV these days. But you're still saying,

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<v Speaker 2>you know, we can't do this for this form of

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<v Speaker 2>entertainment anyway, that's my thig.

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<v Speaker 1>I agree or I don't agree, but I agree. I

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<v Speaker 1>think it's an interesting discussion anyway. I would love to

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<v Speaker 1>know what all y'all feel about this. If you think

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00:16:25.639 --> 00:16:29.559
<v Speaker 1>this is a disturbing issue, a generational issue, or simply

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<v Speaker 1>a blip in culture happening right at the moment. And

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<v Speaker 1>I also want to say that I think some of this, honestly,

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00:16:37.039 --> 00:16:41.919
<v Speaker 1>is very wrapped up in COVID lockdown and all of that.

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00:16:42.120 --> 00:16:44.279
<v Speaker 1>I think our attitudes towards this sort of stuff has

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<v Speaker 1>changed a lot because of lockdown. But we'll see. All right,

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<v Speaker 1>let's take a short break and we'll come back and

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00:16:50.799 --> 00:16:55.480
<v Speaker 1>talk about House of the Dragon. Yes, we're back, and

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<v Speaker 1>then we're going to talk about the I was going

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<v Speaker 1>to say explosive season finale of House the Dragon, but

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00:17:00.639 --> 00:17:03.080
<v Speaker 1>I really wouldn't say it was explosive. I was a

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00:17:03.080 --> 00:17:05.200
<v Speaker 1>little surprised to see that some people thought it was

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00:17:05.279 --> 00:17:08.079
<v Speaker 1>anti climactic in the manner of last year's or last

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00:17:08.079 --> 00:17:11.079
<v Speaker 1>season's finale, but I don't actually think it was. In fact,

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00:17:11.079 --> 00:17:14.759
<v Speaker 1>there's so much happened that I have to get you know,

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00:17:14.880 --> 00:17:16.920
<v Speaker 1>I had to, you know, put together some those to

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00:17:17.000 --> 00:17:17.680
<v Speaker 1>keep track.

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00:17:17.480 --> 00:17:19.960
<v Speaker 2>Of it all. A lot happened. Some characters didn't show

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00:17:20.039 --> 00:17:23.519
<v Speaker 2>up at all. Yeah, Alison got hurt five seconds and

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<v Speaker 2>the dragon girl I forget her name now, Raina, Yes,

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00:17:28.559 --> 00:17:31.480
<v Speaker 2>they just did show up at all. Anyway, I saw

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00:17:31.480 --> 00:17:34.079
<v Speaker 2>a lot of discussion on line, especially book read. It's

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00:17:34.119 --> 00:17:38.200
<v Speaker 2>obviously about how they expected more in terms of the

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00:17:38.200 --> 00:17:40.680
<v Speaker 2>battle that the battle was kind of like low key

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<v Speaker 2>right then they were expecting more and a longer battle.

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<v Speaker 2>They thought it was a little short.

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<v Speaker 1>I don't Yeah, yeah, I don't agree with I mean,

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00:17:50.640 --> 00:17:52.319
<v Speaker 1>I don't know what a longer battle would have done.

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00:17:52.400 --> 00:17:54.480
<v Speaker 1>And I hear this all the time from book fans

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00:17:54.519 --> 00:17:57.680
<v Speaker 1>about well, they cut that battle shorter, they cut that

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00:17:57.720 --> 00:18:00.599
<v Speaker 1>battle out, And it's like, do you understand that long

336
00:18:00.680 --> 00:18:04.480
<v Speaker 1>battle scenes are first off, insanely expensive to shoot, which

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00:18:04.559 --> 00:18:08.039
<v Speaker 1>and this show has a budget. They also slow the

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00:18:08.079 --> 00:18:11.240
<v Speaker 1>story down, and not everybody wants to sit through twenty

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00:18:11.279 --> 00:18:15.519
<v Speaker 1>minutes of battle scenes. I think it's a smart idea

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00:18:15.559 --> 00:18:18.079
<v Speaker 1>to keep doing, especially since this whole Dance of the

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00:18:18.160 --> 00:18:21.880
<v Speaker 1>Dragons thing is nothing but battle after battles, skirmish after

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00:18:21.920 --> 00:18:25.799
<v Speaker 1>skirmish all over the place. You've got to condense some

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00:18:25.839 --> 00:18:28.400
<v Speaker 1>of that in order to have like drama, in order

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<v Speaker 1>to have a real story.

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<v Speaker 2>I agree. I don't like violence most of the time.

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<v Speaker 1>Yeah, so every time opposed to that.

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<v Speaker 2>No, I'm not opposed, but I personally don't like it.

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<v Speaker 2>So when there's a battle like that and people are

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<v Speaker 2>dying left and right and stab like, I usually just

350
00:18:42.440 --> 00:18:44.400
<v Speaker 2>wait until it's over. I'm just like, all right, I'm

351
00:18:44.440 --> 00:18:47.400
<v Speaker 2>just gonna wait until this is over because I'm just

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00:18:47.400 --> 00:18:50.079
<v Speaker 2>not uncomfortable with that thing. Not that I ask people

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<v Speaker 2>to not see that in a public a movie theater

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00:18:52.759 --> 00:18:57.880
<v Speaker 2>or something like that, just watch it on TV, but I, yeah,

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<v Speaker 2>that's just me. But I thought it was okay. The

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00:19:01.079 --> 00:19:02.920
<v Speaker 2>scene was okay. The bad the battle, I thought the

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00:19:02.920 --> 00:19:03.640
<v Speaker 2>battle was okay.

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<v Speaker 1>So the episode opens with Ryaniera having an absolute mountdown

359
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<v Speaker 1>because she finds out that Agon, the king who is

360
00:19:12.480 --> 00:19:15.480
<v Speaker 1>many people consider the rightful king, Agon, is alive and

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00:19:15.680 --> 00:19:19.920
<v Speaker 1>his dragon is alive. And I thought that was an

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00:19:19.960 --> 00:19:22.839
<v Speaker 1>interesting scene. Emma Darcy was great, well, Emma Darcy has

363
00:19:22.839 --> 00:19:26.920
<v Speaker 1>been great all season long, and they have to do

364
00:19:27.039 --> 00:19:33.519
<v Speaker 1>something that uh, you know what is his name? Emily

365
00:19:33.519 --> 00:19:35.759
<v Speaker 1>Clark could not pull off. And part of that was

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<v Speaker 1>because of the writing for Denaris and House of the Dragon.

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00:19:38.160 --> 00:19:41.880
<v Speaker 1>But she's doing or I'm sorry they're doing Emma Darcy

368
00:19:42.000 --> 00:19:45.440
<v Speaker 1>is doing a slow turn towards madness and h they're

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<v Speaker 1>making it extremely clear to the audience without being you know,

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<v Speaker 1>without and that was the problem with the Danaris turn.

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00:19:53.240 --> 00:19:55.640
<v Speaker 1>It was just she went from being kind of tense

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00:19:55.720 --> 00:20:00.279
<v Speaker 1>and to like this snorting super villain overnight and was

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00:20:00.759 --> 00:20:04.319
<v Speaker 1>it always felt weird here. We feel that encroaching sense

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<v Speaker 1>of targarian madness in her.

375
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<v Speaker 2>I think it has a lot to do with Emma

376
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<v Speaker 2>Dorsey's talents as an actor.

377
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<v Speaker 1>But I do think the writing's better.

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<v Speaker 2>The writing is better, and people love it. I mean,

379
00:20:15.000 --> 00:20:18.400
<v Speaker 2>if you read discussions online, they absolutely love this queen.

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<v Speaker 2>They think this queen the madness is what they're we

381
00:20:21.279 --> 00:20:23.920
<v Speaker 2>waiting for, right, Like they really wanted to see her

382
00:20:24.000 --> 00:20:26.559
<v Speaker 2>full blown, you know, crazy, and well they did.

383
00:20:27.160 --> 00:20:29.119
<v Speaker 1>What I thought was interesting about that opening scene though,

384
00:20:29.359 --> 00:20:32.559
<v Speaker 1>was that she I'm sorry, well she We're gonna talk

385
00:20:32.599 --> 00:20:35.920
<v Speaker 1>about the character. It's very different. It's very difficult because

386
00:20:37.200 --> 00:20:39.200
<v Speaker 1>I'm sort of going back and forth between the character

387
00:20:39.279 --> 00:20:44.039
<v Speaker 1>and the actor. They made a very good choice, very

388
00:20:44.079 --> 00:20:47.640
<v Speaker 1>smart choice, or a very interesting choice to play her

389
00:20:48.519 --> 00:20:53.960
<v Speaker 1>as weepy and nearly hysterical, right, And that is not

390
00:20:54.119 --> 00:20:57.200
<v Speaker 1>a great image of Ryani Era. It doesn't actually elevate

391
00:20:57.279 --> 00:21:00.519
<v Speaker 1>her as a very strong person or a capable It

392
00:21:00.640 --> 00:21:04.759
<v Speaker 1>actually makes her look completely overwhelmed by this job. And

393
00:21:04.880 --> 00:21:07.640
<v Speaker 1>as I said, I've been interested all season long in

394
00:21:07.759 --> 00:21:11.960
<v Speaker 1>the in the fact that the show and the story

395
00:21:12.079 --> 00:21:16.160
<v Speaker 1>comes very clearly down on the idea that she should

396
00:21:16.200 --> 00:21:18.759
<v Speaker 1>not be king. She's not capable of it.

397
00:21:19.960 --> 00:21:22.359
<v Speaker 2>I mean, the whole speech thing. You know, everybody was

398
00:21:22.440 --> 00:21:23.279
<v Speaker 2>just looking at her.

399
00:21:23.440 --> 00:21:27.720
<v Speaker 1>He was great, it was really good. Ranierra demands to

400
00:21:27.839 --> 00:21:31.960
<v Speaker 1>go to the sept and she's gonna demand to be

401
00:21:32.039 --> 00:21:34.720
<v Speaker 1>anointed by the High Sept and who had already turned

402
00:21:34.720 --> 00:21:38.039
<v Speaker 1>her down, and when and he turned her down even

403
00:21:38.160 --> 00:21:40.359
<v Speaker 1>more forcefully this time and came out and said that

404
00:21:40.440 --> 00:21:45.039
<v Speaker 1>Agon is the rightful king, which is treason to you know,

405
00:21:45.160 --> 00:21:48.039
<v Speaker 1>if you were standing there talking to the person who

406
00:21:48.119 --> 00:21:50.759
<v Speaker 1>actually does sit on the iron throne, then technically that

407
00:21:51.039 --> 00:21:58.039
<v Speaker 1>is treason. And I'll get to the speech in a second,

408
00:21:58.079 --> 00:22:00.880
<v Speaker 1>because we need to talk about Sir Allen of Hall, Yes,

409
00:22:01.119 --> 00:22:04.480
<v Speaker 1>who has turned well, there are lots of turns this episode,

410
00:22:04.519 --> 00:22:05.519
<v Speaker 1>which is interesting.

411
00:22:06.119 --> 00:22:10.640
<v Speaker 2>Again. People were talking about how fast he's changed. Happened, like,

412
00:22:10.839 --> 00:22:12.279
<v Speaker 2>you know, Sir Alan's changed.

413
00:22:12.359 --> 00:22:14.680
<v Speaker 1>I don't think so. I think that's really well documented.

414
00:22:14.720 --> 00:22:17.519
<v Speaker 1>There was so much resentment towards his father. Then his

415
00:22:17.680 --> 00:22:22.279
<v Speaker 1>father acknowledged him right and he got asked to sit

416
00:22:22.359 --> 00:22:25.400
<v Speaker 1>at the queen's table like he was a bastard. He

417
00:22:25.440 --> 00:22:28.440
<v Speaker 1>had no standing whatsoever. And now he's commanding men.

418
00:22:29.079 --> 00:22:31.920
<v Speaker 2>Yeah, so and his ambition, you know, like she wants,

419
00:22:32.039 --> 00:22:32.640
<v Speaker 2>he wants.

420
00:22:32.440 --> 00:22:38.440
<v Speaker 1>To want completely disappointed in him, and yeah, he steps

421
00:22:38.480 --> 00:22:41.039
<v Speaker 1>over a line and he kills the sept the Sceptin

422
00:22:41.519 --> 00:22:45.400
<v Speaker 1>on her command, and that's you've made your choice. And honestly,

423
00:22:46.640 --> 00:22:48.720
<v Speaker 1>I don't think his father would be happy with him

424
00:22:48.759 --> 00:22:50.519
<v Speaker 1>for that. In fact, I know he wouldn't because his

425
00:22:50.559 --> 00:22:53.440
<v Speaker 1>father seems to be pretty much turning against the whole thing,

426
00:22:53.599 --> 00:22:56.880
<v Speaker 1>the whole thing. So that's an interesting turn. And then

427
00:22:57.000 --> 00:22:59.880
<v Speaker 1>Ryanira comes out and stands in front of this whole

428
00:23:00.079 --> 00:23:05.160
<v Speaker 1>out and gives a completely insane, insane Hitler speech. First off,

429
00:23:05.240 --> 00:23:06.960
<v Speaker 1>she gives most of it in high Valirian, and I

430
00:23:07.000 --> 00:23:08.960
<v Speaker 1>don't think any of those people could speak it, so

431
00:23:09.039 --> 00:23:13.160
<v Speaker 1>they're just watching someone babble weirdly up there. Got to

432
00:23:13.200 --> 00:23:16.079
<v Speaker 1>say her costume is amazing, Yes, yes.

433
00:23:16.480 --> 00:23:19.039
<v Speaker 2>I actually posted in the lounge one of the lounges.

434
00:23:19.079 --> 00:23:21.440
<v Speaker 1>Yes, yes, I think they talk about with the dragon

435
00:23:21.519 --> 00:23:23.440
<v Speaker 1>wings and gorgeous.

436
00:23:24.200 --> 00:23:24.359
<v Speaker 2>Yes.

437
00:23:25.279 --> 00:23:31.039
<v Speaker 1>But what's interesting about that is that rhani Era basically

438
00:23:31.240 --> 00:23:33.720
<v Speaker 1>gives away the whole Song of Ice and Fire, the

439
00:23:34.039 --> 00:23:36.680
<v Speaker 1>prince who was promised prophecy, all of that which has

440
00:23:36.720 --> 00:23:40.640
<v Speaker 1>been a family secret. Nobody knows about it. Granted she

441
00:23:40.720 --> 00:23:42.359
<v Speaker 1>did it in high Biliian, so I don't even know

442
00:23:42.400 --> 00:23:42.880
<v Speaker 1>if anybody.

443
00:23:44.000 --> 00:23:46.759
<v Speaker 2>They just looked at her and she's crazy, just.

444
00:23:46.920 --> 00:23:52.880
<v Speaker 1>Went out there, actually super fucking crazy. What what do

445
00:23:52.960 --> 00:23:55.880
<v Speaker 1>you want to talk about? Name a character, just name Helena.

446
00:23:56.480 --> 00:23:59.680
<v Speaker 2>Helene that that her whole thing is very sad, and

447
00:24:00.160 --> 00:24:03.119
<v Speaker 2>she knew what was going to happen. She knew was coming,

448
00:24:04.279 --> 00:24:06.559
<v Speaker 2>and you know, she knew she was going to die

449
00:24:06.559 --> 00:24:08.559
<v Speaker 2>at some point she saw the whole thing, right U,

450
00:24:08.839 --> 00:24:12.279
<v Speaker 2>And she chose to you know, in her life, which

451
00:24:12.960 --> 00:24:14.960
<v Speaker 2>it's interesting. And then you see the last scene. The

452
00:24:15.039 --> 00:24:18.680
<v Speaker 2>only time we see, you know, Alison is when she

453
00:24:19.039 --> 00:24:23.279
<v Speaker 2>see the butterfly and she understands that, you know, she's dead.

454
00:24:23.519 --> 00:24:27.039
<v Speaker 1>I know there's some butterfly imagery with Helena in the past.

455
00:24:27.119 --> 00:24:29.200
<v Speaker 1>I'm not sure if that was delibered or not. I

456
00:24:29.279 --> 00:24:32.119
<v Speaker 1>thought that was a little goofy as a way of

457
00:24:32.960 --> 00:24:35.319
<v Speaker 1>showing that show. I mean, it was Alison's only scene.

458
00:24:35.559 --> 00:24:38.359
<v Speaker 1>And also, where the hell are you? Who are these

459
00:24:38.400 --> 00:24:41.680
<v Speaker 1>people you're with? Literally ran out of her with nothing

460
00:24:41.720 --> 00:24:43.480
<v Speaker 1>but a dagger, so where are you?

461
00:24:43.680 --> 00:24:45.319
<v Speaker 2>Well, the uber didn't show up.

462
00:24:45.400 --> 00:24:48.000
<v Speaker 1>She had to walk well, actually, I do want to

463
00:24:48.000 --> 00:24:50.400
<v Speaker 1>say something about that is I think the show is

464
00:24:51.039 --> 00:24:55.960
<v Speaker 1>slightly falling into a trap of that house the Dragon

465
00:24:56.039 --> 00:24:58.440
<v Speaker 1>fell into in its last couple of seasons, which is

466
00:24:58.519 --> 00:25:00.519
<v Speaker 1>people are just bouncing around all of over the place,

467
00:25:00.640 --> 00:25:04.920
<v Speaker 1>and it's like as if they have cars or planes.

468
00:25:05.000 --> 00:25:07.359
<v Speaker 1>And I get that some of these people are dragon riders,

469
00:25:07.440 --> 00:25:09.839
<v Speaker 1>but again, you can't cross a continent on a dragon

470
00:25:10.079 --> 00:25:14.279
<v Speaker 1>in like a couple of hours, right, And people are

471
00:25:14.359 --> 00:25:17.759
<v Speaker 1>showing up and then disappearing, and it's happening a little

472
00:25:17.799 --> 00:25:20.799
<v Speaker 1>too easily, I think. And one of the things I

473
00:25:21.000 --> 00:25:23.759
<v Speaker 1>liked about the earliest seasons of Game of Thrones was

474
00:25:23.799 --> 00:25:26.319
<v Speaker 1>that when people needed to go somewhere, it took several

475
00:25:26.400 --> 00:25:29.720
<v Speaker 1>episodes and you went with them, like you camped with them,

476
00:25:29.880 --> 00:25:32.200
<v Speaker 1>you were on the roads with them. And you don't

477
00:25:32.200 --> 00:25:34.000
<v Speaker 1>really get that with this show because they've got so

478
00:25:34.119 --> 00:25:36.759
<v Speaker 1>much ground to cover, so they have to do it fast.

479
00:25:37.119 --> 00:25:42.880
<v Speaker 1>Helene's death was sad. I really don't understand. I don't

480
00:25:42.880 --> 00:25:45.000
<v Speaker 1>know if it's a book thing or whatever where she

481
00:25:45.319 --> 00:25:48.720
<v Speaker 1>saw the image of the horse and the cart or

482
00:25:48.839 --> 00:25:50.839
<v Speaker 1>she saw the horse and the cart that she saw

483
00:25:51.000 --> 00:25:52.960
<v Speaker 1>in her dream, but.

484
00:25:54.759 --> 00:25:55.839
<v Speaker 2>Yeah, what was that?

485
00:25:56.839 --> 00:25:58.920
<v Speaker 1>Did that have any meaning or is that just her

486
00:25:59.400 --> 00:26:01.519
<v Speaker 1>telling her it's time for you to kill yourself. I

487
00:26:01.759 --> 00:26:07.119
<v Speaker 1>didn't really get that. I did get all along that

488
00:26:07.279 --> 00:26:10.839
<v Speaker 1>the tapestry that we were watching during the opening credits

489
00:26:10.960 --> 00:26:12.680
<v Speaker 1>was the thing that she was working on the other

490
00:26:12.759 --> 00:26:14.759
<v Speaker 1>point that she was working on, which is interesting and

491
00:26:14.759 --> 00:26:16.119
<v Speaker 1>I don't know how much of it we're going to

492
00:26:16.160 --> 00:26:19.000
<v Speaker 1>get to see going forward, but apparently it was fairly prophetic.

493
00:26:19.119 --> 00:26:21.799
<v Speaker 1>The image of Rhiniera sitting on the throne and it

494
00:26:21.880 --> 00:26:25.400
<v Speaker 1>looks like she's surrounded by flames. So that's not good. No,

495
00:26:25.559 --> 00:26:28.839
<v Speaker 1>and she saw that, she she did, but the typical Ryania,

496
00:26:28.960 --> 00:26:30.839
<v Speaker 1>I think she's probably going to ignore it.

497
00:26:31.720 --> 00:26:33.839
<v Speaker 2>She ignores a lot of things. She's been ignoring a

498
00:26:33.880 --> 00:26:37.519
<v Speaker 2>lot of things lately. I do agon, I thought.

499
00:26:37.480 --> 00:26:39.400
<v Speaker 1>Before we get into Agon, I do want to say

500
00:26:39.559 --> 00:26:41.799
<v Speaker 1>Bayla because she only has a small scene and it's

501
00:26:41.799 --> 00:26:42.240
<v Speaker 1>a good one.

502
00:26:42.319 --> 00:26:42.880
<v Speaker 2>That was good.

503
00:26:43.039 --> 00:26:45.319
<v Speaker 1>That was a really well. It was good to see

504
00:26:45.480 --> 00:26:50.720
<v Speaker 1>her angry. Yes, no one's allowed to get angry with Rhinira, right,

505
00:26:50.920 --> 00:26:54.119
<v Speaker 1>but clearly everybody is, and it was good. This is

506
00:26:54.200 --> 00:26:57.359
<v Speaker 1>like her stepmother, This is her, Yeah, this is her

507
00:26:57.400 --> 00:26:59.160
<v Speaker 1>stepmother and also cousin.

508
00:26:59.000 --> 00:27:01.440
<v Speaker 2>And also her her whole family, her whole house is

509
00:27:01.599 --> 00:27:02.759
<v Speaker 2>it's falling apart.

510
00:27:03.000 --> 00:27:07.720
<v Speaker 1>And you know, Raniera has not been a good friend,

511
00:27:08.720 --> 00:27:10.799
<v Speaker 1>and they have been a good friend to her. So

512
00:27:11.240 --> 00:27:13.920
<v Speaker 1>I was really good, I'm sorry, very loyal to her.

513
00:27:14.000 --> 00:27:16.599
<v Speaker 1>So yeah, I was really glad to see be able

514
00:27:16.640 --> 00:27:21.880
<v Speaker 1>to have that moment and get to get to say that.

515
00:27:22.079 --> 00:27:25.359
<v Speaker 1>But again, it was a short vignette that really showed

516
00:27:25.359 --> 00:27:27.400
<v Speaker 1>you how far Rania is gone because she grabbed her

517
00:27:27.480 --> 00:27:31.799
<v Speaker 1>face rather violently and called her an insolent child, which

518
00:27:31.960 --> 00:27:34.759
<v Speaker 1>again that doesn't even sound like the Venia from last season.

519
00:27:34.920 --> 00:27:36.319
<v Speaker 1>This is how far she's gone.

520
00:27:36.359 --> 00:27:37.359
<v Speaker 2>But she's a mad queen.

521
00:27:37.440 --> 00:27:42.480
<v Speaker 1>Now she's a mad queen, let's see. And I do

522
00:27:42.599 --> 00:27:44.240
<v Speaker 1>want to get into agone, but I'm trying to do

523
00:27:44.400 --> 00:27:49.839
<v Speaker 1>all these side characters. Misaria, Oh yeah, that was interesting. Yes,

524
00:27:50.279 --> 00:27:54.119
<v Speaker 1>who didn't see that? Everyone saw that coming except MISSI do.

525
00:27:54.200 --> 00:27:57.680
<v Speaker 1>We don't understand this character, to be honest, if she

526
00:27:58.039 --> 00:28:00.680
<v Speaker 1>was some sort of mastermind, I would be like, all right,

527
00:28:00.759 --> 00:28:02.920
<v Speaker 1>I understand why we're paying attention to this character, but

528
00:28:03.000 --> 00:28:07.039
<v Speaker 1>she doesn't really do anything. What does she do? So

529
00:28:07.279 --> 00:28:09.640
<v Speaker 1>I don't understand why we're spending so much time with her,

530
00:28:09.839 --> 00:28:13.079
<v Speaker 1>Like I think the Mistress of Whispers is an interesting position.

531
00:28:13.759 --> 00:28:18.279
<v Speaker 1>I think if someone's really good at it, wasn't that

532
00:28:18.359 --> 00:28:21.119
<v Speaker 1>little Finger in the old wasn't he the Master of Whispers?

533
00:28:21.160 --> 00:28:23.599
<v Speaker 1>And I think if someone's good at it, they can

534
00:28:23.680 --> 00:28:26.880
<v Speaker 1>be an interesting character. She doesn't appear to be very

535
00:28:26.920 --> 00:28:29.759
<v Speaker 1>good at it, So I don't understand why why are

536
00:28:29.799 --> 00:28:31.839
<v Speaker 1>we spending so much time with this person who doesn't

537
00:28:31.839 --> 00:28:36.839
<v Speaker 1>seem to have much information. She's just constantly bad mouthing

538
00:28:36.960 --> 00:28:39.799
<v Speaker 1>Damon to her. I understood why she sent her away

539
00:28:40.680 --> 00:28:42.720
<v Speaker 1>even though they slept together at the end of the

540
00:28:42.839 --> 00:28:46.039
<v Speaker 1>last episode. It's I mean, that's scene at the beginning

541
00:28:46.160 --> 00:28:49.160
<v Speaker 1>with her melting down when she finds out that Eggon

542
00:28:49.319 --> 00:28:53.480
<v Speaker 1>is alive. I'm talking about right near her Damon gives

543
00:28:53.519 --> 00:28:56.279
<v Speaker 1>her that speech and Valerian where he's just like, it

544
00:28:56.359 --> 00:28:58.880
<v Speaker 1>doesn't matter, We're just gonna take it. We're just gonna

545
00:28:59.200 --> 00:29:02.799
<v Speaker 1>you know, it's the Targarian speech. Basically, we have the dragons,

546
00:29:02.920 --> 00:29:05.039
<v Speaker 1>we have the power, We're going to kill anyone who

547
00:29:05.119 --> 00:29:10.759
<v Speaker 1>stands in our way. And she's been spending all season

548
00:29:10.920 --> 00:29:13.440
<v Speaker 1>listening to Misaria whisper in her ear that you know,

549
00:29:13.880 --> 00:29:17.039
<v Speaker 1>Damon can't be trusted. That the small folks. You need

550
00:29:17.119 --> 00:29:20.440
<v Speaker 1>to worry about the small folks. So from a storytelling perspective,

551
00:29:20.480 --> 00:29:23.920
<v Speaker 1>I do understand that that Misaria represents, in some ways

552
00:29:24.279 --> 00:29:27.759
<v Speaker 1>one more thing that Ranier is turning away from right.

553
00:29:27.839 --> 00:29:29.640
<v Speaker 2>She doesn't want to hear any of that because it's

554
00:29:29.720 --> 00:29:30.119
<v Speaker 2>the truth.

555
00:29:30.279 --> 00:29:33.240
<v Speaker 1>I just wish Misaria had been had a couple wins

556
00:29:33.319 --> 00:29:36.240
<v Speaker 1>under her built, had done something to make us believe

557
00:29:36.400 --> 00:29:39.599
<v Speaker 1>that she's she's smart, she's manipulated, whatever.

558
00:29:41.200 --> 00:29:44.400
<v Speaker 2>I think that's the rush with the show. They have

559
00:29:44.559 --> 00:29:47.759
<v Speaker 2>so much to cover. Maybe we should have more seasons

560
00:29:47.799 --> 00:29:49.079
<v Speaker 2>like Game of Room to have like five.

561
00:29:49.160 --> 00:29:51.039
<v Speaker 1>I don't know. I am loving that this is ending

562
00:29:51.119 --> 00:29:54.880
<v Speaker 1>after next season. I really am. It's really energized the show,

563
00:29:55.599 --> 00:29:58.319
<v Speaker 1>and it I realized that for book fans things are

564
00:29:58.319 --> 00:30:00.920
<v Speaker 1>getting cut out left and right. But I also don't

565
00:30:00.960 --> 00:30:04.200
<v Speaker 1>think I would have sat through eight seasons of this story.

566
00:30:04.599 --> 00:30:08.200
<v Speaker 1>These are mad, crazy, violent people. There isn't a good

567
00:30:08.279 --> 00:30:11.440
<v Speaker 1>person in the lot. It's a fascinating story, but I

568
00:30:11.519 --> 00:30:13.640
<v Speaker 1>don't need it all drawn out. I don't need more

569
00:30:13.759 --> 00:30:15.440
<v Speaker 1>battle scenes and stuff like that.

570
00:30:15.559 --> 00:30:17.799
<v Speaker 2>Guy, I think what I liked in the beginning of

571
00:30:17.920 --> 00:30:21.200
<v Speaker 2>this show was how how is it was slow? Paid?

572
00:30:22.000 --> 00:30:25.359
<v Speaker 2>Very slow, a lot of conversations, you know, and all that.

573
00:30:26.519 --> 00:30:28.519
<v Speaker 2>I like that, but I understand you can't have that

574
00:30:28.680 --> 00:30:33.799
<v Speaker 2>forever for six seven seasons. But because these characters are terrible, right,

575
00:30:33.880 --> 00:30:36.480
<v Speaker 2>I mean, there's nobody rooting for or or that you like.

576
00:30:37.000 --> 00:30:39.640
<v Speaker 2>So maybe that's that's why with Game of Thrones, I mean,

577
00:30:39.680 --> 00:30:42.480
<v Speaker 2>you actually liked a bunch of people and you follow them.

578
00:30:42.960 --> 00:30:47.880
<v Speaker 1>So it's interesting to kind of wonder what's happening with

579
00:30:47.960 --> 00:30:53.640
<v Speaker 1>the Valerian family because Bela is on the ounce with

580
00:30:53.799 --> 00:30:56.720
<v Speaker 1>Rhanier or who I mean, Rhinier is not putting in

581
00:30:56.720 --> 00:30:59.839
<v Speaker 1>a redungeon or anything. She grounded her right like, she couldn't.

582
00:30:59.519 --> 00:31:01.279
<v Speaker 2>Fly, she couldn't go anywhere.

583
00:31:01.440 --> 00:31:05.279
<v Speaker 1>Alan of Hull is off killing Septans on her behalf,

584
00:31:06.480 --> 00:31:10.160
<v Speaker 1>and Corliss tried to negotiate a peace and then got

585
00:31:10.200 --> 00:31:13.440
<v Speaker 1>taken Damon's prisoner. I mean, they're heading back to King's landing.

586
00:31:13.519 --> 00:31:16.599
<v Speaker 1>But it'll be very interesting. There's you know, there's like

587
00:31:16.680 --> 00:31:19.000
<v Speaker 1>four people left in that family or no, and oh

588
00:31:19.240 --> 00:31:22.480
<v Speaker 1>there's then there's Raina, who is I guess she is

589
00:31:22.559 --> 00:31:26.960
<v Speaker 1>in a dungeon. So that whole family is completely splintered.

590
00:31:27.119 --> 00:31:30.160
<v Speaker 1>And actually I feel like they are wild cards, Like,

591
00:31:30.359 --> 00:31:32.559
<v Speaker 1>I really don't know where all of this is going

592
00:31:32.640 --> 00:31:35.279
<v Speaker 1>to go with that family in the endgame, because she

593
00:31:35.400 --> 00:31:38.000
<v Speaker 1>has screwed them over and there are so many competing,

594
00:31:39.000 --> 00:31:41.119
<v Speaker 1>you know, perspectives in that family that I feel like

595
00:31:41.240 --> 00:31:43.200
<v Speaker 1>it's really volatile, right anyway.

596
00:31:43.079 --> 00:31:46.400
<v Speaker 2>I don't think she I don't think she cares, you know,

597
00:31:46.960 --> 00:31:50.680
<v Speaker 2>Rinier the Queen. She wants power and she doesn't care.

598
00:31:50.759 --> 00:31:52.400
<v Speaker 2>And I don't think she's going to listen to anybody

599
00:31:52.440 --> 00:31:57.680
<v Speaker 2>anymore except Damon. Yeah anyway, and he's not going to

600
00:31:57.759 --> 00:32:00.920
<v Speaker 2>die anytime soon. I wish she did die. We'll see why.

601
00:32:00.839 --> 00:32:03.000
<v Speaker 1>Don't we take a break and come back, and we'll

602
00:32:03.079 --> 00:32:06.960
<v Speaker 1>come We'll cycle through the rest of the cast members.

603
00:32:07.039 --> 00:32:11.599
<v Speaker 1>We'll be right back. We're back to talk about my

604
00:32:11.799 --> 00:32:18.799
<v Speaker 1>favorite witch, Alice Rivers at Heron Hall. She had a

605
00:32:18.839 --> 00:32:22.200
<v Speaker 1>great scene this episode, played by Gil Rank, and I

606
00:32:22.240 --> 00:32:24.960
<v Speaker 1>should say where we got to hear Alice rivers whole

607
00:32:25.000 --> 00:32:28.839
<v Speaker 1>story story and it turns out she's a noble lady.

608
00:32:29.039 --> 00:32:31.160
<v Speaker 1>She's a lady of Parenhall, and in fact, she was

609
00:32:31.240 --> 00:32:33.079
<v Speaker 1>the mother of the heir to Aaron Hall who was

610
00:32:33.359 --> 00:32:37.920
<v Speaker 1>killed by Dragonfire. And of course that happened centuries ago.

611
00:32:38.119 --> 00:32:41.519
<v Speaker 1>Or a century ago and she's a witch. She's a

612
00:32:41.559 --> 00:32:42.640
<v Speaker 1>witch and she can't die.

613
00:32:44.319 --> 00:32:45.480
<v Speaker 2>I thought that was lovely.

614
00:32:45.640 --> 00:32:46.759
<v Speaker 1>It was a great scene.

615
00:32:46.839 --> 00:32:50.160
<v Speaker 2>Yeah, she's a fantastic actor, and uh and you get

616
00:32:50.240 --> 00:32:52.359
<v Speaker 2>to know more about her because you knew nothing.

617
00:32:52.440 --> 00:32:57.000
<v Speaker 1>You just I also like when these shows. One of

618
00:32:57.039 --> 00:32:58.799
<v Speaker 1>the things I didn't like about House of the Dragon

619
00:32:58.960 --> 00:33:02.400
<v Speaker 1>was how scared the show was of depicting anything supernatural,

620
00:33:02.480 --> 00:33:05.599
<v Speaker 1>even though George R. Or Martin put it all through there.

621
00:33:06.480 --> 00:33:10.200
<v Speaker 1>Dragons are supernatural, white walkers are supernatural. You know, the

622
00:33:10.359 --> 00:33:13.480
<v Speaker 1>children of the Forest are supernatural. But the show was

623
00:33:13.720 --> 00:33:18.240
<v Speaker 1>very you know, circumspect about depicting any any and still

624
00:33:18.319 --> 00:33:21.759
<v Speaker 1>to this, I mean, even House of the Dragon, it's

625
00:33:21.799 --> 00:33:23.000
<v Speaker 1>not depicting much in the way.

626
00:33:22.920 --> 00:33:24.759
<v Speaker 2>You meagine you made Game of Thrones in the beginning.

627
00:33:24.920 --> 00:33:26.720
<v Speaker 1>In the beginning, I was talking about Game of Thrones,

628
00:33:26.759 --> 00:33:31.240
<v Speaker 1>and now I'm saying that show never liked shit depicting magic,

629
00:33:31.319 --> 00:33:34.839
<v Speaker 1>even though right there's so much supernatural stuff in that world,

630
00:33:37.640 --> 00:33:40.720
<v Speaker 1>and Hou's of the Dragon. Similar issue. Although this story

631
00:33:41.000 --> 00:33:47.359
<v Speaker 1>is not nearly as supernatural in nature as Game of Thrones.

632
00:33:47.440 --> 00:33:49.319
<v Speaker 1>It's because Game of Thrones dealt with the prophecy that

633
00:33:49.400 --> 00:33:53.400
<v Speaker 1>dealt with you know, zombies and then encroaching apocalypse and

634
00:33:53.440 --> 00:33:56.160
<v Speaker 1>all this other stuff, and House of the Dragon is

635
00:33:56.240 --> 00:33:59.200
<v Speaker 1>just about its succession with dragons. It's just a family

636
00:33:59.319 --> 00:34:04.240
<v Speaker 1>fighting for the inheritance, so it doesn't have as much

637
00:34:04.279 --> 00:34:06.519
<v Speaker 1>of that scope of like it's not using you know,

638
00:34:06.640 --> 00:34:09.519
<v Speaker 1>the the Red Priestesses or any of that stuff that

639
00:34:09.679 --> 00:34:11.559
<v Speaker 1>was in House of the Dragon that was in Game

640
00:34:11.599 --> 00:34:14.519
<v Speaker 1>of Thrones, but it was nice to get this little

641
00:34:14.559 --> 00:34:18.400
<v Speaker 1>indication that, yes, there are supernatural things that happen in

642
00:34:18.480 --> 00:34:21.119
<v Speaker 1>this life, and she's one of those pople And actually,

643
00:34:21.199 --> 00:34:25.719
<v Speaker 1>I like, I like this idea that you know, almost

644
00:34:25.760 --> 00:34:29.239
<v Speaker 1>like the Jedi in Star Wars, where it's like people

645
00:34:29.480 --> 00:34:32.199
<v Speaker 1>know that those things exist, but when they actually encounter

646
00:34:32.280 --> 00:34:34.079
<v Speaker 1>someone who admits to being one hundred years old, like

647
00:34:34.119 --> 00:34:37.519
<v Speaker 1>Aiman was a little freaked out by that story, Like, yes,

648
00:34:37.800 --> 00:34:39.480
<v Speaker 1>they live in a world with that stuff, but it's

649
00:34:39.519 --> 00:34:42.840
<v Speaker 1>not like they're all walking around encountering supernatural stuff all

650
00:34:42.920 --> 00:34:45.280
<v Speaker 1>the time. That I mean, the thing with the Children

651
00:34:45.360 --> 00:34:47.280
<v Speaker 1>of the Forest in House of the in Game of

652
00:34:47.360 --> 00:34:50.159
<v Speaker 1>Thrones was that they were hard to find and almost

653
00:34:50.239 --> 00:34:54.960
<v Speaker 1>nobody had ever seen them. So I don't I'm not

654
00:34:55.079 --> 00:34:58.880
<v Speaker 1>wishing for some sort of supermagical dungeons and dragons style world.

655
00:34:59.000 --> 00:35:02.480
<v Speaker 1>But I do like when this world because, as I've said,

656
00:35:03.079 --> 00:35:06.280
<v Speaker 1>you have dragons, they don't exist in the real world,

657
00:35:06.679 --> 00:35:09.840
<v Speaker 1>and there is no biological explanation as to why those

658
00:35:09.920 --> 00:35:15.880
<v Speaker 1>things breathe fire, so clearly their magic right anyway, So

659
00:35:16.039 --> 00:35:18.400
<v Speaker 1>I yes, And Gail's Rankin is a great actress. And

660
00:35:18.519 --> 00:35:20.280
<v Speaker 1>what I love about Gail Rankin because she was she

661
00:35:20.400 --> 00:35:22.920
<v Speaker 1>used to be on the Orange is the New Black

662
00:35:23.840 --> 00:35:26.639
<v Speaker 1>or no, she was in Glow, Actually she was, Yes,

663
00:35:26.679 --> 00:35:28.960
<v Speaker 1>she was in Glower. Remember she was an Orange in

664
00:35:28.960 --> 00:35:31.639
<v Speaker 1>the Black House. And she always played weird, weird characters,

665
00:35:31.760 --> 00:35:33.679
<v Speaker 1>slightly weird. And this is one of the things I

666
00:35:33.840 --> 00:35:36.639
<v Speaker 1>like about Alice Rivers is that I think the last

667
00:35:36.679 --> 00:35:38.920
<v Speaker 1>season I said she was like this working class witch

668
00:35:39.840 --> 00:35:42.920
<v Speaker 1>because you know, the the impulses like to play like

669
00:35:43.039 --> 00:35:46.400
<v Speaker 1>Melissandra in you know, The Night is Dark and like

670
00:35:46.480 --> 00:35:50.599
<v Speaker 1>these matresses, these sorceresses. You know, there's a certain way

671
00:35:50.719 --> 00:35:53.199
<v Speaker 1>of playing that kind of cat. And she is a temptress,

672
00:35:54.239 --> 00:35:56.960
<v Speaker 1>Alice Rivers, and there's a certain way of playing that character,

673
00:35:57.039 --> 00:36:00.519
<v Speaker 1>like Calypso in the Odyssey and everything, but she doesn't

674
00:36:00.519 --> 00:36:03.199
<v Speaker 1>play her that way. She plays her as sort of sarcastic.

675
00:36:03.320 --> 00:36:06.079
<v Speaker 1>She's got all these little asides. She gets annoyed with everyone,

676
00:36:06.280 --> 00:36:09.880
<v Speaker 1>and she's not particularly alluring. She doesn't try to be

677
00:36:10.039 --> 00:36:12.760
<v Speaker 1>because she thinks everyone around her is kind of dumb.

678
00:36:13.000 --> 00:36:14.840
<v Speaker 2>And she's desperate, you know, like.

679
00:36:14.920 --> 00:36:17.440
<v Speaker 1>In a there is a certain desperation there, yeah, which

680
00:36:17.480 --> 00:36:20.679
<v Speaker 1>I like, which you don't get to see until other

681
00:36:20.719 --> 00:36:24.039
<v Speaker 1>people show up. So when Alison showed up last episode,

682
00:36:24.639 --> 00:36:26.480
<v Speaker 1>it was very clear she's like, I got to get

683
00:36:26.519 --> 00:36:28.039
<v Speaker 1>this pitch out of here. This is not good, this

684
00:36:28.159 --> 00:36:29.320
<v Speaker 1>is fucking up my plans.

685
00:36:29.440 --> 00:36:32.400
<v Speaker 2>Right, And and then the other one shows up.

686
00:36:32.639 --> 00:36:37.000
<v Speaker 1>Well, then Agon shows up and she's nervous, like you

687
00:36:37.039 --> 00:36:40.679
<v Speaker 1>can tell. Well, first off, okay, let's just unpack the scene.

688
00:36:40.880 --> 00:36:45.039
<v Speaker 1>Tom Glenn Carney, who plays Agon, has been doing spectacular

689
00:36:45.280 --> 00:36:46.840
<v Speaker 1>work all season.

690
00:36:47.039 --> 00:36:48.320
<v Speaker 2>No idea he could do that.

691
00:36:49.199 --> 00:36:54.000
<v Speaker 1>He just gets better with each episode. And that's the

692
00:36:54.159 --> 00:36:56.880
<v Speaker 1>thing is like, No, the show does not give you

693
00:36:57.000 --> 00:36:59.079
<v Speaker 1>someone to root for her. I am not rooting for Agon.

694
00:36:59.199 --> 00:37:01.079
<v Speaker 1>He is a slout, monster up.

695
00:37:01.119 --> 00:37:02.280
<v Speaker 2>Crazy like everybody else.

696
00:37:02.320 --> 00:37:05.760
<v Speaker 1>But he's fun to watch. And this was always my

697
00:37:05.880 --> 00:37:08.880
<v Speaker 1>complaint with Rania and Allison, when the show had made

698
00:37:08.960 --> 00:37:10.440
<v Speaker 1>them the center of the story. It was like, these

699
00:37:10.480 --> 00:37:13.559
<v Speaker 1>two women are not interesting or fun to watch. They're

700
00:37:13.719 --> 00:37:17.480
<v Speaker 1>morose and unpleasant, and you know, they do stupid things

701
00:37:17.480 --> 00:37:20.760
<v Speaker 1>all the time. You got to give me a villain

702
00:37:20.960 --> 00:37:23.480
<v Speaker 1>or a main character or someone that I'm like, all right,

703
00:37:23.559 --> 00:37:26.440
<v Speaker 1>I'm just on board with this freak show. And when

704
00:37:26.519 --> 00:37:29.039
<v Speaker 1>he he showed up and laughed in his brother's face,

705
00:37:29.280 --> 00:37:30.599
<v Speaker 1>it was perfect. I'm sorry.

706
00:37:30.679 --> 00:37:32.880
<v Speaker 2>I think he's very real, Like the whole thing when

707
00:37:32.960 --> 00:37:35.760
<v Speaker 2>he went on that journey, like how he would get

708
00:37:35.800 --> 00:37:39.159
<v Speaker 2>impatient with everybody because he was the king. You know, right,

709
00:37:39.280 --> 00:37:42.039
<v Speaker 2>that's real, Like he couldn't even hide it. And now

710
00:37:42.159 --> 00:37:45.679
<v Speaker 2>he's back and you know, facing his brother and the

711
00:37:45.760 --> 00:37:48.639
<v Speaker 2>whole thing was just hilarious. The brother started to polo jet.

712
00:37:48.760 --> 00:37:51.039
<v Speaker 2>He's like, no, no, no, yeah, he was like, what,

713
00:37:52.079 --> 00:37:55.679
<v Speaker 2>I'm not expecting to. I I do think it's interesting.

714
00:37:55.760 --> 00:37:58.480
<v Speaker 1>Again, I don't know whether this is the plan or

715
00:37:58.800 --> 00:38:03.480
<v Speaker 1>or they know that they're doing this, but they're making

716
00:38:03.559 --> 00:38:06.119
<v Speaker 1>the argument that Agon should sit on the throne. They're

717
00:38:06.159 --> 00:38:09.280
<v Speaker 1>making the argument in this story that I mean, look

718
00:38:09.280 --> 00:38:12.119
<v Speaker 1>at him, look at all that he's overcoming. He came

719
00:38:12.199 --> 00:38:15.760
<v Speaker 1>back from death and he has scratched his way back

720
00:38:15.840 --> 00:38:17.920
<v Speaker 1>and he is command, and his brother is falling to

721
00:38:18.039 --> 00:38:20.960
<v Speaker 1>his feet, and Alice Rivers is nervous around him, and

722
00:38:21.280 --> 00:38:24.559
<v Speaker 1>Rhiniera can't even handle bad news without melting down, right,

723
00:38:25.039 --> 00:38:28.239
<v Speaker 1>It is making that point, Like, it's slightly making the

724
00:38:28.320 --> 00:38:31.079
<v Speaker 1>point that like Aimon would have been a bad king

725
00:38:31.119 --> 00:38:35.079
<v Speaker 1>because he's a psychopath, and Raniera is a bad king

726
00:38:35.119 --> 00:38:38.480
<v Speaker 1>because she's just you know, there's just a bundle of

727
00:38:38.599 --> 00:38:42.280
<v Speaker 1>issues psychological issues there, and it's making the point, well,

728
00:38:42.360 --> 00:38:45.559
<v Speaker 1>he probably should be king because he loves it and

729
00:38:45.840 --> 00:38:49.280
<v Speaker 1>he isn't like tortured over it, and yeah, he is

730
00:38:49.320 --> 00:38:51.400
<v Speaker 1>a psychopath because everyone in that family is a psycha.

731
00:38:51.440 --> 00:38:54.880
<v Speaker 1>I'm not really arguing for his you know, but whatever,

732
00:38:55.039 --> 00:38:57.639
<v Speaker 1>But I feel like this show is making the point

733
00:38:57.760 --> 00:38:59.599
<v Speaker 1>that if you need to put someone on the throne,

734
00:39:00.079 --> 00:39:03.280
<v Speaker 1>he's probably the best bet for it. He's the most

735
00:39:03.760 --> 00:39:06.840
<v Speaker 1>suited for it, and he has the most I'm not

736
00:39:06.920 --> 00:39:08.840
<v Speaker 1>saying that's how the story ends, because I do know

737
00:39:08.880 --> 00:39:11.760
<v Speaker 1>how the story ends, but I feel like the show

738
00:39:11.920 --> 00:39:13.960
<v Speaker 1>is making that argument with him, whether they intend to

739
00:39:14.159 --> 00:39:18.199
<v Speaker 1>or not. He seems the most kingly in that scene

740
00:39:18.280 --> 00:39:20.760
<v Speaker 1>with Amond and where he's shutting up Alice before she

741
00:39:20.840 --> 00:39:24.440
<v Speaker 1>can get her claws in It felt very kingly in

742
00:39:24.519 --> 00:39:25.159
<v Speaker 1>that old school.

743
00:39:25.199 --> 00:39:29.000
<v Speaker 2>And there's also the whole thing with the people. Everyone.

744
00:39:29.119 --> 00:39:32.039
<v Speaker 1>The people want him, thinking that he's a miracle or

745
00:39:32.280 --> 00:39:36.159
<v Speaker 1>the dragon resurrected the dragon and all that, so you know,

746
00:39:36.519 --> 00:39:38.719
<v Speaker 1>he might have their support. It was a mistake not

747
00:39:38.840 --> 00:39:41.079
<v Speaker 1>to make sure he was dead, and that's Damon's fault.

748
00:39:42.599 --> 00:39:46.440
<v Speaker 1>Speaking of Damon got his ass kicked and Dumbleton. That

749
00:39:46.599 --> 00:39:47.599
<v Speaker 1>was lovely to say.

750
00:39:47.960 --> 00:39:50.679
<v Speaker 2>God, finally, these people I kept saying all the time, Yeah,

751
00:39:50.679 --> 00:39:52.159
<v Speaker 2>you know, to you, Funny told me to shut up.

752
00:39:52.480 --> 00:39:54.960
<v Speaker 2>These people are not invincible. I mean they shouldn't be,

753
00:39:55.119 --> 00:39:57.840
<v Speaker 2>you know, like the people they just yeah, I mean,

754
00:39:58.000 --> 00:40:00.239
<v Speaker 2>get a few punchs here and there, people come on.

755
00:40:01.679 --> 00:40:05.159
<v Speaker 1>Yeah, that was a great scene to say. And it

756
00:40:05.239 --> 00:40:07.559
<v Speaker 1>was fine, you know, and you're right, especially when it

757
00:40:07.599 --> 00:40:10.239
<v Speaker 1>comes to someone like Damon, who you know, just walks

758
00:40:10.280 --> 00:40:13.239
<v Speaker 1>around all cocky like he's you know, Superman or something.

759
00:40:13.400 --> 00:40:16.360
<v Speaker 1>And there's no reason why someone can't beat the shit

760
00:40:16.440 --> 00:40:18.760
<v Speaker 1>out of that guy. And what is his name, sir

761
00:40:18.880 --> 00:40:20.760
<v Speaker 1>Roxon or whatever his name is the actor was on

762
00:40:20.880 --> 00:40:23.519
<v Speaker 1>and or he's a huge guy. So it was a

763
00:40:23.840 --> 00:40:27.039
<v Speaker 1>it was a believable route and it was it was

764
00:40:27.199 --> 00:40:30.360
<v Speaker 1>just really nice to see his face all bloody and

765
00:40:30.519 --> 00:40:34.079
<v Speaker 1>him looking scared. That was a great choice on Matt

766
00:40:34.119 --> 00:40:36.280
<v Speaker 1>Smith's part. I always want to call him Matt Damon

767
00:40:36.400 --> 00:40:39.840
<v Speaker 1>because the character's name is Damon and his name is Matt. Anyway,

768
00:40:39.840 --> 00:40:41.559
<v Speaker 1>it was a great choice on Matt Smith's part to

769
00:40:41.840 --> 00:40:45.239
<v Speaker 1>actually play him scared during it, like, oh shit, I'm

770
00:40:45.280 --> 00:40:45.840
<v Speaker 1>going to die here.

771
00:40:46.000 --> 00:40:47.679
<v Speaker 2>No, I have to say, I hate the character, but

772
00:40:47.760 --> 00:40:51.599
<v Speaker 2>he's doing a fantastic He's really good because I hate

773
00:40:51.719 --> 00:40:52.280
<v Speaker 2>that character.

774
00:40:52.519 --> 00:40:55.719
<v Speaker 1>And when I first saw Matt Smith and Doctor Who,

775
00:40:55.800 --> 00:40:59.199
<v Speaker 1>he was playing the most lovable children's show character he

776
00:40:59.280 --> 00:41:03.239
<v Speaker 1>could ever ever fine, and he is playing the sleepiest asshole.

777
00:41:04.719 --> 00:41:08.360
<v Speaker 1>So Tumbleton. Tumbleton was like the Helm's Deep scene, I know.

778
00:41:09.159 --> 00:41:11.559
<v Speaker 1>And it sort of gets to my point using that

779
00:41:11.679 --> 00:41:13.800
<v Speaker 1>reference of Helm's Deep, which of course I'm referring to

780
00:41:14.119 --> 00:41:18.199
<v Speaker 1>the Two Towers, the massive battle scene in the Two Towers.

781
00:41:20.000 --> 00:41:23.280
<v Speaker 1>You can't do a scene like that without everyone comparing

782
00:41:23.320 --> 00:41:24.920
<v Speaker 1>it to the I mean with the lining the kids

783
00:41:25.039 --> 00:41:27.920
<v Speaker 1>up on the wall, and this is very Helm's Deep,

784
00:41:28.800 --> 00:41:31.800
<v Speaker 1>and that's I'm not I'm not criticizing them for that.

785
00:41:31.960 --> 00:41:36.360
<v Speaker 1>Actually it was a good bit of character, you know,

786
00:41:36.519 --> 00:41:39.400
<v Speaker 1>info that Ormond would line the wall with little boys.

787
00:41:40.239 --> 00:41:42.679
<v Speaker 1>That's just what a shithead he is. But it goes

788
00:41:42.719 --> 00:41:46.079
<v Speaker 1>to my earlier point about you don't want to overdo

789
00:41:46.239 --> 00:41:49.000
<v Speaker 1>these battle scenes because you know they've been done and

790
00:41:49.119 --> 00:41:53.719
<v Speaker 1>you're gonna just get garner these comparisons to bigger, better scenes.

791
00:41:54.639 --> 00:41:56.440
<v Speaker 2>I guess if you read the books, you expect that

792
00:41:56.559 --> 00:41:58.400
<v Speaker 2>kind of thing, the same way people are expected when

793
00:41:58.480 --> 00:42:01.519
<v Speaker 2>they read the books. You know, Lord the I think

794
00:42:01.599 --> 00:42:02.480
<v Speaker 2>that's I'm.

795
00:42:02.400 --> 00:42:04.960
<v Speaker 1>Just saying you don't need to do episode long battle

796
00:42:05.000 --> 00:42:08.039
<v Speaker 1>scenes anymore. I'm fine with the Battle of Tumbleton only

797
00:42:08.159 --> 00:42:13.679
<v Speaker 1>taking up part of this episode. Real quick. I don't

798
00:42:13.719 --> 00:42:18.480
<v Speaker 1>see the point today, Ron, the the other king, the Ormond, Like,

799
00:42:18.559 --> 00:42:20.199
<v Speaker 1>I don't see the points of this character or where

800
00:42:20.239 --> 00:42:21.800
<v Speaker 1>he's going or whatever. I'm like, why are they gonna

801
00:42:21.880 --> 00:42:24.119
<v Speaker 1>kill this kid? But I mean, it was interesting that

802
00:42:24.199 --> 00:42:29.480
<v Speaker 1>GWayne high Tower and Hey went to Damon with a

803
00:42:29.639 --> 00:42:32.760
<v Speaker 1>plan behind Ormon's back, and that would have gotten them

804
00:42:32.800 --> 00:42:35.840
<v Speaker 1>both killed. But luckily for them, Ormond got killed in

805
00:42:35.880 --> 00:42:37.239
<v Speaker 1>the worst funniest.

806
00:42:40.199 --> 00:42:43.599
<v Speaker 2>I love that man. He gave it a whole interview

807
00:42:43.639 --> 00:42:46.239
<v Speaker 2>about how he died. I think it's hysterical. I think

808
00:42:46.280 --> 00:42:49.480
<v Speaker 2>he's such a great actor and he's everywhere. I love him.

809
00:42:49.559 --> 00:42:50.679
<v Speaker 2>I love it as a guy, and I think he

810
00:42:50.719 --> 00:42:54.400
<v Speaker 2>did a good job. These costumes were insane too, So yeah,

811
00:42:55.239 --> 00:42:57.800
<v Speaker 2>good job there. And like I said, I'm not a

812
00:42:57.920 --> 00:43:00.320
<v Speaker 2>fan of battles and people dying, getting stabbed all that,

813
00:43:00.440 --> 00:43:03.239
<v Speaker 2>so I'm fine with the short version of it. I usually,

814
00:43:03.559 --> 00:43:06.559
<v Speaker 2>you know, that's just me. But I thought it was

815
00:43:07.079 --> 00:43:08.880
<v Speaker 2>kind of well done. And as you said, you know,

816
00:43:09.079 --> 00:43:12.559
<v Speaker 2>some of the fights and all that. I did think

817
00:43:12.719 --> 00:43:16.599
<v Speaker 2>was interesting that the dragon writer what's his name again,

818
00:43:17.199 --> 00:43:20.039
<v Speaker 2>completely went insane and killed everybody.

819
00:43:20.039 --> 00:43:22.679
<v Speaker 1>All the way. Yeah, and I do one of the

820
00:43:22.800 --> 00:43:25.239
<v Speaker 1>things I like, and I think it's a little bit

821
00:43:25.280 --> 00:43:27.480
<v Speaker 1>better in House of the Dragon, although it was a

822
00:43:27.559 --> 00:43:30.000
<v Speaker 1>good it was decent in Game of Thrones as well.

823
00:43:30.199 --> 00:43:36.480
<v Speaker 1>Is that sometimes disaster comes because there are just too

824
00:43:36.519 --> 00:43:40.000
<v Speaker 1>many moving pieces and someone doesn't have the correct information,

825
00:43:40.280 --> 00:43:43.039
<v Speaker 1>or someone makes an assumption that they shouldn't make, And

826
00:43:43.119 --> 00:43:45.480
<v Speaker 1>there's something about that that's very human that I like that.

827
00:43:45.639 --> 00:43:48.159
<v Speaker 1>So that's a very human way to tell these types

828
00:43:48.199 --> 00:43:52.719
<v Speaker 1>of stories. And in this instance, Ormond high Tower, so

829
00:43:53.079 --> 00:43:57.360
<v Speaker 1>high on his own supplies, so full of himself, thought

830
00:43:57.480 --> 00:44:00.400
<v Speaker 1>that he just had to slap off around the couple

831
00:44:00.480 --> 00:44:02.119
<v Speaker 1>of times, and he was going to do what it

832
00:44:02.280 --> 00:44:05.800
<v Speaker 1>was and that was your That was his downfall. The

833
00:44:06.000 --> 00:44:09.800
<v Speaker 1>Ormance downfall was partnering with Olf and then mistreating this

834
00:44:10.320 --> 00:44:16.639
<v Speaker 1>angry drunk. So it's interesting to see, I know, it'll

835
00:44:16.639 --> 00:44:18.199
<v Speaker 1>be interesting to see the fallout front of us.

836
00:44:18.239 --> 00:44:20.239
<v Speaker 2>What's gonna happen. Yeah, Hugh.

837
00:44:21.679 --> 00:44:24.119
<v Speaker 1>Was supposed to stay in King's Landing to guard the

838
00:44:24.280 --> 00:44:27.079
<v Speaker 1>dragon pit Hue the Hammer, and instead he flew his dragon.

839
00:44:27.559 --> 00:44:30.559
<v Speaker 1>Oh that's what I That's what I'm talking about. People

840
00:44:30.639 --> 00:44:33.880
<v Speaker 1>are like flying off to Tumbleton and what, hiding their

841
00:44:33.960 --> 00:44:37.559
<v Speaker 1>dragons in a in a garage and then walking into town.

842
00:44:37.800 --> 00:44:39.079
<v Speaker 1>Like how does that work?

843
00:44:39.440 --> 00:44:39.639
<v Speaker 2>I know?

844
00:44:40.159 --> 00:44:43.360
<v Speaker 1>Uh? And Old the White he was in town drunk,

845
00:44:43.519 --> 00:44:46.039
<v Speaker 1>uh huh. But then he's on his dragon and I'm like, okay,

846
00:44:46.119 --> 00:44:48.559
<v Speaker 1>so where was his dragon? He partnered close? I mean,

847
00:44:48.599 --> 00:44:51.800
<v Speaker 1>it would have taken him a day to walk to it. Similarly,

848
00:44:52.199 --> 00:44:55.239
<v Speaker 1>with Hugh the Hammer, it's like, well, somehow he got

849
00:44:55.280 --> 00:44:57.239
<v Speaker 1>inside the well. They did show him getting inside the

850
00:44:57.280 --> 00:45:02.280
<v Speaker 1>city walls last episode, but where you're dragon anyway, whatever,

851
00:45:03.679 --> 00:45:05.800
<v Speaker 1>There's gonna be a huge fallout from that because he

852
00:45:05.960 --> 00:45:07.880
<v Speaker 1>was supposed to be back in King's Landing and he

853
00:45:08.000 --> 00:45:10.840
<v Speaker 1>flew off, so it'll be Yeah, it's all falling apart

854
00:45:11.000 --> 00:45:14.639
<v Speaker 1>in kings Landing. But Tumbleton was a lot of fun.

855
00:45:15.599 --> 00:45:15.760
<v Speaker 2>Uh.

856
00:45:16.360 --> 00:45:18.719
<v Speaker 1>It was great to see Orman High Tower killed. I'm

857
00:45:18.719 --> 00:45:21.320
<v Speaker 1>trying to think, is there anything else that's it?

858
00:45:21.559 --> 00:45:25.239
<v Speaker 2>I'm I'm I think the final scene, we're near closing

859
00:45:25.280 --> 00:45:27.159
<v Speaker 2>the windows because she couldn't deal with the with the

860
00:45:27.280 --> 00:45:31.360
<v Speaker 2>disaster that she created. Yeah, very Telly, And I can't

861
00:45:31.400 --> 00:45:34.039
<v Speaker 2>wait to see Wendy come back. You know what's gonna happen.

862
00:45:34.119 --> 00:45:36.000
<v Speaker 2>She's going to be in denial. She still thinks she's,

863
00:45:36.519 --> 00:45:39.239
<v Speaker 2>you know, the best thing that ever happened, and she's

864
00:45:39.280 --> 00:45:44.039
<v Speaker 2>gonna go crazy and Damid's going to be playing her. Yeah,

865
00:45:45.000 --> 00:45:47.719
<v Speaker 2>and it'll be interesting to see how things, you know,

866
00:45:47.880 --> 00:45:51.719
<v Speaker 2>work from that point. Alison Beck, what's gonna happen to her?

867
00:45:51.960 --> 00:45:52.159
<v Speaker 2>You know?

868
00:45:53.679 --> 00:45:55.599
<v Speaker 1>Yeah, I mean I'm assuming Alice Well, I don't know

869
00:45:55.639 --> 00:45:58.079
<v Speaker 1>where Allison's gonna go. I thought she was going to

870
00:45:58.159 --> 00:45:59.519
<v Speaker 1>go to be among her people.

871
00:45:59.679 --> 00:46:02.400
<v Speaker 2>But maybe she'll support her son that she I don't

872
00:46:02.400 --> 00:46:04.880
<v Speaker 2>think she knows well at this point. Maybe she does

873
00:46:04.960 --> 00:46:06.440
<v Speaker 2>that her son is alive.

874
00:46:06.239 --> 00:46:09.000
<v Speaker 1>And no she knows, but she hasn't seen them since, so.

875
00:46:09.360 --> 00:46:12.800
<v Speaker 2>So maybe she will be back with him and support him,

876
00:46:12.840 --> 00:46:13.199
<v Speaker 2>and you know.

877
00:46:13.400 --> 00:46:17.239
<v Speaker 1>We'll say, but it's it was a good season. I

878
00:46:17.360 --> 00:46:20.360
<v Speaker 1>really I enjoy I was not into this season when

879
00:46:20.400 --> 00:46:22.639
<v Speaker 1>it started. I was like, whatever, this has been going

880
00:46:22.679 --> 00:46:24.400
<v Speaker 1>on too long and I don't even know if they

881
00:46:24.440 --> 00:46:26.880
<v Speaker 1>know what they're doing. But they really showed me that

882
00:46:26.960 --> 00:46:29.760
<v Speaker 1>they do know what they're doing, and I have a

883
00:46:29.880 --> 00:46:32.119
<v Speaker 1>lot of faith. I know the book fans are going

884
00:46:32.159 --> 00:46:34.239
<v Speaker 1>to be really pissed next season. I know they are,

885
00:46:35.400 --> 00:46:39.079
<v Speaker 1>but I have a decent amount of faith that the

886
00:46:39.239 --> 00:46:41.519
<v Speaker 1>creators of this show are going to create craft a

887
00:46:41.599 --> 00:46:44.639
<v Speaker 1>good ending to this television show that is not going

888
00:46:44.679 --> 00:46:45.960
<v Speaker 1>to match the ending to the books.

889
00:46:46.239 --> 00:46:48.599
<v Speaker 2>Well, they keep changing things every now and then, and

890
00:46:48.679 --> 00:46:51.880
<v Speaker 2>they have to. I mean it's necessary. I think they're

891
00:46:51.920 --> 00:46:53.320
<v Speaker 2>doing a good job. And I agree with you. In

892
00:46:53.360 --> 00:46:54.920
<v Speaker 2>the beginning, I was like, oh, I don't know, But

893
00:46:55.000 --> 00:46:57.599
<v Speaker 2>then he kept getting better and better and better. And

894
00:46:57.760 --> 00:47:00.440
<v Speaker 2>for someone who didn't read the books like me, I

895
00:47:00.519 --> 00:47:04.159
<v Speaker 2>think the explanations quote unquote explanations kept getting better and better,

896
00:47:04.239 --> 00:47:07.719
<v Speaker 2>you know, like, so you begin to understand more where

897
00:47:07.800 --> 00:47:08.760
<v Speaker 2>the characters came from.

898
00:47:10.320 --> 00:47:13.719
<v Speaker 1>Agreed, I think we have beat this one to death.

899
00:47:14.199 --> 00:47:17.000
<v Speaker 1>I think we've talked about pretty much every living character.

900
00:47:18.840 --> 00:47:22.039
<v Speaker 1>So we'll be back next week with whatever crosses our

901
00:47:22.079 --> 00:47:24.360
<v Speaker 1>eyes across our desk. Until then, take care of yourselves,

902
00:47:24.400 --> 00:47:25.719
<v Speaker 1>love you mean it. Bye bye bye
