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Speaker 1: And now Mystery Theater.

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Speaker 2: Come in.

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Speaker 1: Welcome, I'm g.

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Speaker 2: Marshall.

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Speaker 3: Outside the Straits of Gibraltar, to the northwest of Cuddies

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lies some of Spain's most beautiful beaches, protected by island

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sand bars, and to the south of Cuddies, the towering

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mountains begin to rise, on one of which Montelegre, is

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the hacienda which holds the heart of this story. Approaching

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it by car at this moment are Chad Reynolds and

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Elizabeth Monroe.

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Speaker 4: But you haven't told me about the Senora at Golbine La.

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Speaker 5: Donna to give her a full title. She's not to

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be mentioned because she is dead. You remember that little lodger

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I showed you cut into the mountain the wedding present.

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It turned out to be her tombstone. Also our mystery drama,

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The Devil's Meat was written especially for the Mystery Theater

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by Ian Martin and stars Mercedes McCambridge. All men love

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beauty in a woman. America has worshiped a long line

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of beauty queens, sex symbols, love goddesses, and today, as

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of moment, one of the perhaps the best loved, is

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Elizabeth Monroe, sitting with her agent, Mark Burns, a longtime friend,

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at a table at Madrid's brightest, newest and most expensive nightclub,

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La Ronda.

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Speaker 6: What's the matter is what you're not?

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Speaker 7: Eight?

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Speaker 4: Oh no, no, I don't stop worrying about me.

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Speaker 1: I'm washed out. He shouldn't let me book you into

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this place.

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Speaker 4: Oh, don't be silly. I was here for retakes on

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the picture, and I had this well, I wanted to

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sing again, Mark, I mean in front of people.

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Speaker 8: Listen, you could go home, take the Hollywood brawl and

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fell out and get your heart's desired.

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Speaker 4: But why all right now, I didn't mean that. I meant, oh,

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oh hey, you spilled it.

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Speaker 1: I'm sorry. Oh no, no, no, no, I'm the one sorry.

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Well why did you start so turn away like that?

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Speaker 4: I just didn't want that boy crossing the dance floor

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to see me.

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Speaker 1: I mean Joe College or whatever he is.

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Speaker 4: I mean don Pedro. It's Gobard the beardmon.

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Speaker 8: Oh okay, so outside of his name, what's this particular problem.

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Speaker 1: It's just that he hates me. He's male, and he

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hates you enough to kill me, and with reason.

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Speaker 4: When I think of what I once had to do

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to that boy, Mark, I can't stay here, Colin, I'll

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have to go back to my dress here.

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Speaker 1: Okay, well, let's h bring the dinner back here. Why

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the sudden flight?

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Speaker 4: I told you, Mark, it's that boy.

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Speaker 1: Are you really afraid of him?

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Speaker 2: Maybe I better?

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Speaker 4: No, no, not physically. It isn't like that. I if

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he's going to be in the audience tonight, I don't

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wanna sing.

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Speaker 8: Ah, it's not in my contract with was two shows

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and eye. I had dinner and supper at a queen stipend.

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Not enough for you, but it's what you insisted on signing.

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You should be taking a rest between pictures.

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Speaker 1: Who needs this?

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Speaker 4: I told you I had an unstoppable end to go

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back to my beginnings, to be with people, something that

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lives and breathes and reacts so that you can feel it.

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Speaker 1: It began a long time before you found me.

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Speaker 4: I couldn't get anywhere at home, but here in Europe

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they liked me as a singer. And it was here

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in Spain, in Cadis, that I had my first.

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Speaker 1: Really big success.

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Speaker 4: What was I then, Well, not all that young, really,

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I was twenty seven, I guess. Never been in Cadis, Mark,

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in the height of summer, the waters and dancing fire,

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sparkling a thousand colors under that burnished sun. The skies

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are high and blue and cloudless, and the faces of

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the people shine with love and lafty. One night at dusk,

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one of my most insistent shooters, a party boy from

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the American jet set with too much money into little ells,

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was driving me to a weekend party at the Asienda

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Monte which is the home of Donomilio Escobard Villamo. Oh, Chad,

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for heaven's sake, to get easy on the curves.

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Speaker 1: Have no fear, lady, I wouldn't risk a.

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Speaker 2: Hair on that bond and lovely head.

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Speaker 4: Well, I'm just a hard working nightclub singer who is

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looking for a RESTful weekend.

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Speaker 5: I don't promise your rest of Monte Leegro. It's hap

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to be more fiesta. I uh hope.

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Speaker 2: Well, it'll be a change of scene anyway.

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Speaker 4: Are we getting here?

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Speaker 1: Yeh very soon.

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Speaker 5: Now on this next vand hey, look up there at

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the mountain as we go across the bridge over the gorge.

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You see that little loggio up there like a like

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an eagle's nest.

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Speaker 1: Yes, Oh, it looks like it cut right out of

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the mountain.

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Speaker 2: It was by Don Emilio.

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Speaker 6: Wedding present for his wife.

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Speaker 5: Oh there's the most magnificent view from their caddies to

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the north that you brawled under the sound on the

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whole Atlantic, beyond the sandbars, stretching into infinity.

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Speaker 2: What a lovely wedding present.

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Speaker 5: Yeah, only backfired.

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Speaker 6: Turned out to be a pretty deadly one.

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Speaker 5: What do you mean, oh, but stop its What do

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I call my host? Well, if you want to be

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very formal, he senor Escobar more intimately or I mean informally,

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don't name you?

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Speaker 4: Well, which do you think, guest, that's up to you.

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Speaker 6: You're going to find him.

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Speaker 5: I'm bending remote and very much in the tradition of

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the Spanish grande.

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Speaker 4: And the rest of his household.

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Speaker 5: One son, his only son, don't pay. His nickname is perrygo.

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He he just came back from my years an exchanged

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student at Princeton. That's how I met the family through

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my kid brother knowing Perrygo. He's a strange guy. He's

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shy and intelligent, but he well, let's leap that he's strange.

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Speaker 1: Look how old is he?

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Speaker 6: What's something gena?

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Speaker 5: I guess he's kind of young in a lot of ways.

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Speaker 1: For his age seventeen.

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Speaker 4: I'm surprised his very young son for Donomilio, because he's

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not that young.

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Speaker 5: Oh he seems older than he is. He's had quite

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a bit of sadness in his life. But come on,

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was I don't want.

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Speaker 1: To depress you.

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Speaker 4: You haven't told me about Senora Escobi Ladogna.

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Speaker 6: Well, she's not to be mentioned.

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Speaker 5: Oh why not, because she's she's dead.

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Speaker 1: I'm sorry. Is it recently?

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Speaker 4: No?

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Speaker 2: Five years or so ago.

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Speaker 5: Look you remember that little ludgie I told you about.

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Speaker 1: The wedding present.

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Speaker 5: Oh yeah, it turned out to be her tombstone.

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Speaker 1: Also what.

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Speaker 5: The road down to it has closed up? No one

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goes there anymore. Natives think it's haunted, they.

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Speaker 2: Call it and south told to be up. I mean

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the devil's leap, that's right.

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Speaker 5: One night, five or six years ago, part of the

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balustrade gave way, and don Emilia's wife fell a thousand

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feet down the mountain.

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Speaker 4: From there they were deads Well, you're certainly making this

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weekend sound less and less attractive.

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Speaker 5: The compensate, I guess. Don Emilio has surrounded himself ever

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since his wife's death with color and gaiety and young

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people that's why I asked me to bring you. You'll see.

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Speaker 2: Oh look, look, look, Oh.

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Speaker 1: How gorgeous that is?

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Speaker 4: I do you know how to describe it?

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Speaker 5: Famous carnations of volunteer eggs. Oh don't his hobby. I

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suppose there isn't a color of variety he doesn't grow.

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They were her favorite club. They say that when she

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was found she had a blood red one m clasped

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in one hand.

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Speaker 4: And that was how I first came to the Ocienda Montelegre,

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the Happy Mountain, and my host, Don Emilio, I found

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to be gracious and foremo less cold than Chad had

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led me to be. And while he stood aloof from

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the merriment, it was not he who brought the chill

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with the coming of dusk, as if the ghosts of

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long gone day still lurked in the shadowed walls. You know,

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the most tragic ghost of walls was the pale, intense

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young man with the great liquid brown eyes who hovered

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on the edge of the gaiety, who is though haunted

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and unbearably said hello, Don Pedro, senorita.

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Speaker 1: We haven't had much of a chance to talk since

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going that.

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Speaker 6: I am not very very good talker.

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Speaker 2: I saw you talking to my father.

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Speaker 1: Yes, naturally he's my host.

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Speaker 4: Yes, but but hight, don't pro.

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Speaker 6: Please it is a former.

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Speaker 1: You will call me Pericho, perhaps, please, Senorita Monroe. All right,

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it's a very nice name.

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Speaker 4: And I am Elizabeth ELIZABETHA.

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Speaker 1: My friends call me Liz.

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Speaker 6: I want to be your friend.

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Speaker 4: Would you want to promenade in.

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Speaker 2: The garden before the light goes? Oh?

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Speaker 1: I love it so much.

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Speaker 4: Smoke in here and noise and those two things I

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want to get away from. Come with me, Senor, I

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mean Lis, I must talk with you, even in this

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fading light. They are still so beautiful. Los Clavalles a

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big bidon the coronations. They were my mother's favorite flower.

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Speaker 2: Would you like to see where she died?

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Speaker 6: Senoritalise?

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Speaker 1: Why?

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Speaker 4: I want to show you because I think you should

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live here tonight.

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Speaker 2: Now if I asked you to, would you.

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Speaker 4: Why, Perico, I can't. I'm guessed you will come with

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me so you will understand why you must live here.

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I went with him, almost mesmerized. I don't know why

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I should have thought of danger with this strange, intense,

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tightly round boys like the mainspring of a watch, ready

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to snap. Like an explosion waiting to occur. But there

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was something so appealing about him, so I followed him

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beyond carnations to a gap between the rocks, now boarded

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up by a heavy oaken door, but he veered to

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the left of it, and then after a moment, he

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moved aside a heavy rock that swung on a pivot,

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and we went through and down some steps in front

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of us, until we emerged onto a flat stage that

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hung almost suspended in space, with a summer house built

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against the mountain, and then a balustrade guarding the drop below.

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And with a start in the twilight, I realized that

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I was on the devil's leap the spot chatted shown

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me from the road below. Why why did you bring

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me here, Perrycho, Because I had to warn you there

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is death here, Lise.

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Speaker 2: My father desires you. I could see it in his eyes.

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Speaker 1: Done Emilio, Oh really, I.

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Speaker 2: Do not chock.

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Speaker 6: I know my father.

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Speaker 4: He kills everything he loves, and I do not want

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you to die as my mother died.

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Speaker 6: Come here to the balistad and I will show you.

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Speaker 3: In the half glow of twilight. There is something strange

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and terrifying about this tortured young man. What wild fancy

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has opened up his shyness and made him pick on

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Liz to bring to this deadly spot. I'll be back

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shortly with that too.

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Speaker 4: She.

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Speaker 1: Instinctively. Liz clings to the solid.

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Speaker 3: Safety of the low gier backed by the mountain, invitingly

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outlined by the last reflected glare of the sun which

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has just set. Perico stands by the low balustrade, a

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few scant inches from a plunge of over one thousand feet.

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Speaker 2: You are in danger here from your father.

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Speaker 1: I can't believe that.

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Speaker 2: Can you believe that?

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Speaker 4: Five years ago, by the time I was twelve, my

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mother laid down there eleven hundred twelve hundred feet down.

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Speaker 6: Crushed and broke them on the rocks.

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Speaker 4: Yes, I've heard that she had an accident, that the

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balustrade gave way.

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Speaker 6: It was no accident.

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Speaker 4: My father threw her off because he had tired of her.

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Speaker 2: The balustrade was broken.

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Speaker 6: Later to make it seem like an accident.

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Speaker 4: Harry, Oh, how can you think such things about your father? You,

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of all people, should be able to see how your

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mother's death very nearly destroyed him.

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Speaker 2: Modern death his guilt.

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Speaker 4: Well, how can I argue with you.

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Speaker 6: But I am sorry for you, sorry for me.

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Speaker 4: Why to live with such hate locked up inside you?

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Speaker 1: Oh? Look, Perico, look down at.

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Speaker 4: Those magnificent beaches for the best in all of Spain.

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And there are fiestas, festivals and bullfights and even this

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week a carnival. Oh yes, the carnival, Yes, and this

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year bigger than ever, with real side shows and a

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carousel and lots of games and the ferris wheel. I've

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never been up in one. We could we go together?

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Speaker 2: Karamba? How I would like that? Will you go with me?

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Speaker 6: Senori?

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Speaker 1: Liz?

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Speaker 2: Yes, Liz? Would you?

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Speaker 1: Oh?

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Speaker 4: We could have lots of excitement and fun, Huperico magnifico,

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Will you let me take you with me? I think

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that would be just magnifical, And exactly.

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Speaker 8: What is everybody's saying magnifical about?

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Speaker 2: Tomilio?

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Speaker 1: Ko?

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Speaker 6: You know who I am, Susan, and do me.

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Speaker 1: The courtesy of addressing me correctly? Oh yes me, Padre?

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What are you doing here? And now? Are these places

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00:16:39,279 --> 00:16:39,799
for a million?

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Speaker 2: How did you know I was here?

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Speaker 1: Beside the point? You have not answered my question?

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Speaker 2: Why do you have to spoil everything? Always?

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Speaker 1: You forget yourself in front of a guest.

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Speaker 2: Leave us.

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Speaker 4: It's all right this you'll be safe. I know you're here, Pericho,

280
00:17:03,440 --> 00:17:03,840
what do you.

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Speaker 8: I must apologize for my son. I hope she would

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forgive him.

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Speaker 1: Senorita, mnoo, there's nothing to forgive.

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Speaker 4: I found him charming until.

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Speaker 8: Aunty I appeared that he it's Banada.

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Speaker 1: There's not difficult to know that you.

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Speaker 8: Were missing, and Baker is always on my mind. I

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had a sudden uneasiness when I saw the rock was

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out of place. I thought I might find you here.

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Speaker 4: Well, I should be the one who apologizes, really, but

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00:17:48,440 --> 00:17:50,559
Terry Cook was so anxious to bring me here that

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I didn't want to him.

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Speaker 8: And I don't know Baker what you hear or what

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00:17:57,319 --> 00:17:58,640
he has been telling you, or.

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Speaker 4: He's been telling me that he has never been to

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a carnival and that he would like to escort me

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to the one in Cadiz, said Herita.

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Speaker 1: I would not want to impose on my guests, and.

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Speaker 4: So I've already accepted, subject, of course, to your approval.

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Speaker 8: What guys say, Hey, Oly, sorry that I am not

301
00:18:19,759 --> 00:18:21,440
the one to be your escort.

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00:18:23,799 --> 00:18:28,759
Speaker 1: Ah, the wind is rising. Yes, it's not a good

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00:18:28,799 --> 00:18:32,799
place to be. You'd forgive me as a bad host, but.

304
00:18:34,440 --> 00:18:38,920
Speaker 8: Dand this place herita as salto di diablo, where.

305
00:18:40,920 --> 00:18:44,160
Speaker 1: Well name sireta?

306
00:18:44,640 --> 00:18:49,960
Speaker 4: What is it with that lovely recarnation? You've crushed it

307
00:18:50,759 --> 00:18:51,400
in your hand.

308
00:18:52,200 --> 00:18:56,880
Speaker 8: Ah, I'm sorry, us meant for you.

309
00:18:58,599 --> 00:19:05,279
Speaker 1: We will find you another On the way back. I

310
00:19:05,400 --> 00:19:07,240
lay awake for a long time that night.

311
00:19:08,640 --> 00:19:15,200
Speaker 4: I wondered about that long ago accidents or suicide, or yes,

312
00:19:15,279 --> 00:19:20,079
I wondered too, if some guilty secret had laid its

313
00:19:20,119 --> 00:19:24,200
pall over this uneasy house. But washing all that out

314
00:19:24,240 --> 00:19:27,400
of my mind was a wave of pity for two

315
00:19:27,440 --> 00:19:32,880
lonely people, a proud, unbending older man and a shy,

316
00:19:33,160 --> 00:19:36,519
hurt boy whose world had been shadowed before it had

317
00:19:36,559 --> 00:19:39,079
even had time to build it. Both of them were

318
00:19:39,160 --> 00:19:43,079
haunted by a tragedy that should have brought them closer together,

319
00:19:43,920 --> 00:19:53,920
but which instead had driven them apart.

320
00:19:56,319 --> 00:20:00,440
Speaker 2: No clean, Look, here is a man moving fine?

321
00:20:01,079 --> 00:20:01,799
Speaker 1: How can knock?

322
00:20:02,920 --> 00:20:04,680
Speaker 2: It doesn't seem to what?

323
00:20:04,880 --> 00:20:06,519
Speaker 6: The torch is burning the paper?

324
00:20:08,119 --> 00:20:10,319
Speaker 4: I love you?

325
00:20:10,519 --> 00:20:15,319
Speaker 2: Don't look a lot a woman miss back his con.

326
00:20:17,799 --> 00:20:22,200
Speaker 4: It was hard to recognized this excited well boy, but

327
00:20:22,279 --> 00:20:24,759
that's what he was like. To imagine him as he

328
00:20:24,839 --> 00:20:27,920
was now full of bubbling good spirits, as being the

329
00:20:27,960 --> 00:20:34,079
same person as the pale, retiring, tortured Pericho. And as

330
00:20:34,119 --> 00:20:36,559
I followed him from booth to booth at the carnival,

331
00:20:37,200 --> 00:20:39,720
I found that I was feeling as young and is

332
00:20:39,759 --> 00:20:41,119
full of life and laughter? Is he.

333
00:20:42,680 --> 00:20:43,119
Speaker 8: Ncome?

334
00:20:43,480 --> 00:20:44,880
Speaker 2: We must ride the Setter's wheel.

335
00:20:48,839 --> 00:20:51,119
Speaker 4: We entered our little cage at the bottom of a

336
00:20:51,200 --> 00:20:56,319
huge wheel, and seconds later we were hurling upwards, And

337
00:20:56,400 --> 00:21:00,200
suddenly Perico's hand was grasping mine, his eyes darting out

338
00:21:00,200 --> 00:21:04,640
the carnival below, all eager and pleased, And then, just

339
00:21:04,680 --> 00:21:08,440
as suddenly, as we stopped at the crest, his grip

340
00:21:09,079 --> 00:21:10,480
was agonizingly strong.

341
00:21:11,400 --> 00:21:12,480
Speaker 1: What what? What is it?

342
00:21:12,599 --> 00:21:13,839
Speaker 4: Very good? Right?

343
00:21:14,680 --> 00:21:15,519
Speaker 6: I am afraid.

344
00:21:16,480 --> 00:21:20,200
Speaker 4: There's nothing to be afraid of. It is like el

345
00:21:20,359 --> 00:21:24,480
soo del diablo so I, oh no, no, forget about that.

346
00:21:25,160 --> 00:21:28,519
Speaker 6: You don't understand. It is when I am on heights,

347
00:21:28,640 --> 00:21:29,039
I have this.

348
00:21:30,000 --> 00:21:34,640
Speaker 4: I want to throw myself over or no, you're not

349
00:21:34,680 --> 00:21:39,240
going to fall, not while I'm with you. If only

350
00:21:39,319 --> 00:21:43,880
you could always be with me this, but then nobody's nobody.

351
00:21:43,920 --> 00:21:47,559
Speaker 6: I I'm sorry.

352
00:21:47,039 --> 00:21:47,920
Speaker 2: You're sorry for what?

353
00:21:48,400 --> 00:21:50,880
Speaker 6: And yet there you are?

354
00:21:51,000 --> 00:21:54,759
Speaker 4: You see now, there's nothing to worry about it. Here

355
00:21:54,799 --> 00:21:56,279
we go down again.

356
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Speaker 1: Everything is all right.

357
00:21:58,799 --> 00:22:06,599
Speaker 4: But everything was not all right. The shadow had passed

358
00:22:06,599 --> 00:22:10,519
across the bright day, and something twisted in this boy

359
00:22:11,279 --> 00:22:14,839
sprang back like a spring released to its original form,

360
00:22:16,319 --> 00:22:20,920
and that challenged me. I promised myself that before I

361
00:22:21,000 --> 00:22:31,079
left Cadiz, I would try to banish that shadow. In

362
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the next two weeks I saw a lot of Perico.

363
00:22:33,720 --> 00:22:37,599
We swam together from the golden beaches. We laughed and

364
00:22:37,720 --> 00:22:41,039
danced at fiesta. As we sat entranced.

365
00:22:40,599 --> 00:22:41,240
Speaker 6: At the bull ring.

366
00:22:42,720 --> 00:22:43,400
Speaker 1: I stayed to it.

367
00:22:43,440 --> 00:22:45,640
Speaker 4: Not early Gray a great deal, playing chess in the

368
00:22:45,680 --> 00:22:49,480
evening with ton Emilio, or dining at the great card

369
00:22:49,519 --> 00:22:52,920
of the table while he talked to poetry or the

370
00:22:52,920 --> 00:22:57,519
theater or the past glories of Spain party. But my

371
00:22:57,720 --> 00:22:59,880
time with father and son.

372
00:22:59,799 --> 00:23:00,720
Speaker 6: Was mostly divided.

373
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Speaker 1: I could not bring them.

374
00:23:03,160 --> 00:23:08,640
Speaker 4: Together, and at the last, at the end of my

375
00:23:08,799 --> 00:23:15,599
singing engagement, I had to leave monte Legre suddenly, without warning,

376
00:23:17,160 --> 00:23:19,960
and forever.

377
00:23:20,240 --> 00:23:20,839
Speaker 2: We had gone.

378
00:23:20,920 --> 00:23:23,759
Speaker 4: Perico and I that last day on a picnic far

379
00:23:23,839 --> 00:23:24,680
from the Accienda.

380
00:23:25,720 --> 00:23:28,079
Speaker 1: It was a drowsy, lazy.

381
00:23:27,920 --> 00:23:32,119
Speaker 4: Summer's day, and after the picnic lunch we lay back

382
00:23:32,720 --> 00:23:35,519
dozing in the shade of an orange grove.

383
00:23:36,799 --> 00:23:44,400
Speaker 1: Ki dammaraboso. I could die this moment. Thank you for

384
00:23:44,559 --> 00:23:45,240
the compliment.

385
00:23:46,279 --> 00:23:49,279
Speaker 2: I mean because I am so happy I am told.

386
00:23:51,119 --> 00:23:52,799
Speaker 4: What a pity it has to end?

387
00:23:54,519 --> 00:23:57,599
Speaker 1: Oh, yes, Perico, I can't be on vacation forever. I

388
00:23:57,680 --> 00:23:58,960
got to leave and get back to work.

389
00:23:59,359 --> 00:24:00,279
Speaker 6: You can on leave me.

390
00:24:00,920 --> 00:24:02,079
Speaker 2: I should I have done.

391
00:24:03,880 --> 00:24:04,119
Speaker 4: Well?

392
00:24:04,319 --> 00:24:07,119
Speaker 1: You go to college, find new friends.

393
00:24:07,119 --> 00:24:10,680
Speaker 4: I don't know mont new friends. Well, for your father's sake,

394
00:24:10,759 --> 00:24:11,680
I'll mention his name.

395
00:24:12,160 --> 00:24:12,960
Speaker 2: I hate my father.

396
00:24:13,039 --> 00:24:14,680
Speaker 1: Oh, I don't think that's true.

397
00:24:14,920 --> 00:24:15,480
Speaker 2: Killed my mother.

398
00:24:15,680 --> 00:24:17,039
Speaker 1: No, I don't think that's truly.

399
00:24:17,119 --> 00:24:19,240
Speaker 2: It is if you'll talk to my father. Have you

400
00:24:19,279 --> 00:24:19,759
asked him?

401
00:24:19,920 --> 00:24:23,559
Speaker 4: No, it's as hard to talk to him sometimes as

402
00:24:23,559 --> 00:24:27,200
it is to you. To me. Yes to you, even

403
00:24:27,200 --> 00:24:31,200
though you say we are friends friends, you are.

404
00:24:31,240 --> 00:24:32,000
Speaker 2: Not my friend.

405
00:24:32,039 --> 00:24:33,000
Speaker 1: You are I know what?

406
00:24:34,079 --> 00:24:34,200
Speaker 4: Oh?

407
00:24:34,400 --> 00:24:35,240
Speaker 2: Not to harass me?

408
00:24:36,519 --> 00:24:38,519
Speaker 4: Yeh, I adore you.

409
00:24:38,519 --> 00:24:42,200
Speaker 1: With all my heart? Job job y'ah.

410
00:24:42,240 --> 00:24:45,319
Speaker 4: No no no, no, no no no no no no

411
00:24:45,400 --> 00:24:46,559
not me verry go.

412
00:24:46,839 --> 00:24:49,200
Speaker 1: Oh no, Oh, what a fool I've been.

413
00:24:49,240 --> 00:24:55,880
Speaker 4: I should have known because I am so much older. No,

414
00:24:56,039 --> 00:24:57,640
when I've been with you, I've been thinking of you.

415
00:24:58,119 --> 00:25:02,319
Speaker 2: I'll say you he's my fault. Now I saw ruin.

416
00:25:03,039 --> 00:25:05,920
I never meant to tell you it's.

417
00:25:05,799 --> 00:25:10,400
Speaker 4: Hopeless, perical, Perico, Come here, don't touch my course, I'll

418
00:25:10,440 --> 00:25:10,759
touch you.

419
00:25:10,880 --> 00:25:16,200
Speaker 1: Come here now, there, here in my arms.

420
00:25:17,720 --> 00:25:18,440
Speaker 6: Listen to me.

421
00:25:21,000 --> 00:25:23,680
Speaker 1: There's nothing so terrible about love, Pericho.

422
00:25:24,319 --> 00:25:25,200
Speaker 6: Would you wait for me?

423
00:25:27,000 --> 00:25:30,839
Speaker 1: That's up to you. You have so many things to finish.

424
00:25:30,839 --> 00:25:36,359
First's colleagues, and when you want to go with your life.

425
00:25:36,079 --> 00:25:38,400
Speaker 4: You have a world to conquer. Or if I could,

426
00:25:38,680 --> 00:25:42,440
I would lay if that's your feet, so I think

427
00:25:42,480 --> 00:25:49,000
that you could, But first conquer it and yourself.

428
00:25:49,920 --> 00:25:51,839
Speaker 2: Then it is not hopeless.

429
00:25:51,880 --> 00:25:58,519
Speaker 4: Nothing, it's ever hopeless, Peryico, nothing in this whole wide world.

430
00:26:06,440 --> 00:26:08,000
Why did you bring me down here?

431
00:26:08,079 --> 00:26:12,440
Speaker 8: Donomillio, I don't quite not.

432
00:26:14,319 --> 00:26:14,759
Speaker 1: Accept.

433
00:26:14,799 --> 00:26:20,000
Speaker 8: It is a place where we can be completely alone.

434
00:26:20,960 --> 00:26:23,920
And this is your last night in Andalusia.

435
00:26:24,880 --> 00:26:31,559
Speaker 4: At least it's before twilight, and the view is indescribably lovely.

436
00:26:32,400 --> 00:26:37,480
Speaker 8: As you are, I can tell you one reason I

437
00:26:37,599 --> 00:26:42,319
brought you here. I have a story to tell you

438
00:26:42,359 --> 00:26:49,839
before I ask you to marry me, To marry you,

439
00:26:51,519 --> 00:26:55,160
but I know it's strange.

440
00:26:55,920 --> 00:26:58,319
Speaker 1: I never thought love could come to me again.

441
00:27:00,079 --> 00:27:01,000
Speaker 2: It has.

442
00:27:02,279 --> 00:27:08,720
Speaker 4: Well, if for no other reason for Pericho's sake. I

443
00:27:08,839 --> 00:27:15,319
can't mary you. He's in love with me too. Love

444
00:27:16,720 --> 00:27:23,240
a boy a shaw No, no, a young man. Your

445
00:27:23,319 --> 00:27:26,720
child has grown up very fast, on Emilio.

446
00:27:28,319 --> 00:27:33,559
Speaker 8: Why must something always stand between me and the one

447
00:27:33,599 --> 00:27:39,680
I love? This wretched prays the horr will disable himself

448
00:27:40,880 --> 00:27:46,039
even the moon rises in blood upon it. Well, then

449
00:27:47,200 --> 00:27:51,920
once again let it rise and sink on.

450
00:27:51,960 --> 00:28:01,440
Speaker 3: It with the same sudden violence, says yet earlier, crushed

451
00:28:01,440 --> 00:28:05,319
a blood red carnation in his hand, Don Emilio moves

452
00:28:05,359 --> 00:28:09,839
across the terrace towards Elizabeth Monroe, and he, in sudden

453
00:28:10,000 --> 00:28:14,319
and unanticipated terror, braces her back against the balustrade that

454
00:28:14,480 --> 00:28:18,680
is the only protection between her and the sheer drop below.

455
00:28:19,680 --> 00:28:32,200
I shall return shortly with Act three.

456
00:28:33,200 --> 00:28:36,000
Speaker 1: As Don Emilio moves fixedly.

457
00:28:35,640 --> 00:28:38,599
Speaker 3: Toward where she stands at the balustrade of the terrace,

458
00:28:38,799 --> 00:28:42,839
a thousand feet above the jagged rocks below, Liz's terror

459
00:28:43,000 --> 00:28:48,279
is only momentary, because almost simultaneously she sees that the

460
00:28:48,400 --> 00:28:51,880
Don's eyes are not fixed on her, but on the

461
00:28:51,960 --> 00:28:57,920
void beyond her, and instinctively she flings herself back against him,

462
00:28:58,240 --> 00:29:00,400
dragging him away from the awesome.

463
00:29:00,680 --> 00:29:02,400
Speaker 1: No no, done a media.

464
00:29:02,559 --> 00:29:05,160
Speaker 4: No, no, no, no, that's not the answer.

465
00:29:05,640 --> 00:29:06,559
Speaker 2: It's never the answer.

466
00:29:06,720 --> 00:29:10,279
Speaker 4: Me go, let me go and repeat your wife's mistake.

467
00:29:10,319 --> 00:29:12,599
Speaker 1: My wife's mistake.

468
00:29:12,720 --> 00:29:16,359
Speaker 2: Yes, do you know.

469
00:29:16,839 --> 00:29:17,519
Speaker 1: About my Why?

470
00:29:17,680 --> 00:29:20,119
Speaker 2: Nothing on?

471
00:29:20,359 --> 00:29:23,519
Speaker 4: It's obvious that between you and Pericho, who should know best,

472
00:29:24,559 --> 00:29:27,240
neither one of you thinks that her death was an accident.

473
00:29:27,799 --> 00:29:28,680
Speaker 2: How could you know that?

474
00:29:28,880 --> 00:29:33,799
Speaker 4: I don't know that. It's only my guess. Perico thinks

475
00:29:33,880 --> 00:29:37,279
you pushed her to her death, and I think that

476
00:29:37,359 --> 00:29:39,319
you believe that Pericho was the one who caused it.

477
00:29:39,960 --> 00:29:42,160
Speaker 1: Would you like to know the truth.

478
00:29:41,880 --> 00:29:44,559
Speaker 4: If it will help you and Pericho?

479
00:29:45,519 --> 00:29:50,160
Speaker 8: It would be relief to die it to someone, and

480
00:29:50,279 --> 00:29:59,440
perhaps just once, to be believed. She was very beautiful, Dolores,

481
00:30:00,880 --> 00:30:02,319
almost as lovely as you.

482
00:30:04,200 --> 00:30:07,519
Speaker 1: I loved her. How can one measure.

483
00:30:09,119 --> 00:30:09,160
Speaker 4: It?

484
00:30:09,200 --> 00:30:13,079
Speaker 1: Would have gladly died for her, And even though I

485
00:30:13,200 --> 00:30:20,000
was older, I thought she loved me. It came in

486
00:30:20,160 --> 00:30:20,799
summer like this.

487
00:30:22,480 --> 00:30:27,160
Speaker 8: Five years ago, when day was twelve, we had gone

488
00:30:27,200 --> 00:30:36,039
a day to a corrida. Namatador was instruments, very young, careless, Abius.

489
00:30:37,319 --> 00:30:40,440
Speaker 1: He watched Macnavison and The Ring, and.

490
00:30:40,559 --> 00:30:45,279
Speaker 4: Your wife Deloris fell in love with him.

491
00:30:45,359 --> 00:30:50,359
Speaker 8: All that summer he was to fight and Andalusia cadi

492
00:30:50,519 --> 00:30:52,480
is Granada see.

493
00:30:54,440 --> 00:30:56,359
Speaker 1: Sometimes she followed.

494
00:30:56,039 --> 00:30:59,920
Speaker 8: Him, and when she didn't they met by nine.

495
00:31:01,000 --> 00:31:06,720
Speaker 1: He in this lodger in the shadow of my own roof,

496
00:31:08,279 --> 00:31:08,799
And all.

497
00:31:08,680 --> 00:31:12,880
Speaker 4: This time you stood by and said nothing.

498
00:31:14,079 --> 00:31:17,680
Speaker 8: She would not hear me. I kept thinking with ed

499
00:31:18,839 --> 00:31:22,200
she would see this empty treating pigeon for what he

500
00:31:22,440 --> 00:31:28,200
was and come back to me. Did at last, and you,

501
00:31:29,160 --> 00:31:30,279
I must end it.

502
00:31:30,799 --> 00:31:35,279
Speaker 4: You you don't mean that Pericle is right.

503
00:31:36,279 --> 00:31:41,319
Speaker 8: No, I bought this treating peacock on and not a

504
00:31:41,400 --> 00:31:45,839
dollar off as I should have in the beginning. He

505
00:31:45,920 --> 00:31:48,640
walked out without a backward look.

506
00:31:49,039 --> 00:31:50,359
Speaker 4: And your wife.

507
00:31:50,559 --> 00:31:53,799
Speaker 8: One night, the lorry stole from the house down here

508
00:31:53,839 --> 00:31:56,240
to the devil's platform.

509
00:31:56,559 --> 00:32:00,359
Speaker 1: I thought, perhaps I don't know what was in my mind.

510
00:32:01,839 --> 00:32:05,240
Speaker 8: I stumbled down here blindly, half expecting to find.

511
00:32:05,039 --> 00:32:08,079
Speaker 1: Them together again, and on the way I even have.

512
00:32:08,319 --> 00:32:10,960
Speaker 8: Memory of looking back and seeing Perico running in the

513
00:32:11,000 --> 00:32:17,680
shadow somewhere. And when I got here, I don't know

514
00:32:18,039 --> 00:32:22,160
what I might have done if i'd found them instead.

515
00:32:22,319 --> 00:32:22,880
Speaker 1: I far.

516
00:32:24,319 --> 00:32:28,160
Speaker 4: To the media. You'd better finish it now that.

517
00:32:28,160 --> 00:32:31,759
Speaker 1: You started, French, my soul.

518
00:32:35,640 --> 00:32:44,279
Speaker 8: I found myself alone under a blood red moon, until

519
00:32:44,359 --> 00:32:46,680
I looked over the parapet.

520
00:32:47,400 --> 00:32:48,359
Speaker 1: And there.

521
00:32:49,559 --> 00:32:58,920
Speaker 8: Far below she lay broke and blooded as the moon

522
00:32:59,680 --> 00:33:00,519
and the carnation.

523
00:33:01,920 --> 00:33:04,440
Speaker 1: We found in her hand.

524
00:33:05,000 --> 00:33:08,279
Speaker 4: An accident, I mean, the balustrade was.

525
00:33:08,240 --> 00:33:12,440
Speaker 8: Broken, wasn't it that had happened in their rain said

526
00:33:12,480 --> 00:33:13,480
day or so before?

527
00:33:14,799 --> 00:33:18,680
Speaker 4: So it was what I finally guessed as suicide.

528
00:33:19,720 --> 00:33:25,119
Speaker 8: I might have learned to live with that, but not not.

529
00:33:25,200 --> 00:33:29,559
Speaker 4: What. Oh, you can't think that Percho could possibly have

530
00:33:29,680 --> 00:33:30,559
We both.

531
00:33:30,480 --> 00:33:34,200
Speaker 1: Loved her, so anything is possible.

532
00:33:35,599 --> 00:33:39,440
Speaker 8: The curse of our heritage is too much pride, Too

533
00:33:39,519 --> 00:33:41,039
much pride.

534
00:33:42,039 --> 00:33:45,720
Speaker 4: You think that Pericle might somehow have found out about

535
00:33:45,720 --> 00:33:47,160
his money and that he had.

536
00:33:47,160 --> 00:33:50,880
Speaker 8: Cannot allow myself to think such a thing, And for

537
00:33:50,960 --> 00:33:53,960
the rest of my knowledge, he has never known, and

538
00:33:54,160 --> 00:33:57,279
does on to his day.

539
00:33:58,160 --> 00:34:00,920
Speaker 1: Well, now what is there left to say?

540
00:34:01,799 --> 00:34:07,039
Speaker 8: I have hoped, watching you and Pericho together, and from

541
00:34:07,039 --> 00:34:12,199
all the times we have been together, that somehow what

542
00:34:12,360 --> 00:34:16,920
has been lost could be found again. I had there

543
00:34:17,000 --> 00:34:20,280
to hope that you would marry.

544
00:34:20,000 --> 00:34:23,440
Speaker 4: Me, to bring you in Pericot together.

545
00:34:26,159 --> 00:34:30,079
Speaker 8: I am neither totally unselfish or incapable of love, no.

546
00:34:31,599 --> 00:34:37,960
Speaker 1: First for yourself than the other, but for you to

547
00:34:38,119 --> 00:34:40,079
marry Perico, marry you.

548
00:34:40,079 --> 00:34:43,599
Speaker 4: No, no, no no, I'm much too old for your son.

549
00:34:44,840 --> 00:34:48,039
As much as I love him, he will.

550
00:34:47,920 --> 00:34:54,880
Speaker 1: Have all his trust and confidence and his heart. I know.

551
00:34:55,000 --> 00:34:56,079
Speaker 4: I bring myself for that.

552
00:34:57,000 --> 00:34:57,440
Speaker 1: Yea that.

553
00:34:59,079 --> 00:35:03,320
Speaker 8: Forget, yes, bar for any There is nothing you can

554
00:35:03,360 --> 00:35:03,960
do for us?

555
00:35:05,320 --> 00:35:10,920
Speaker 4: Well, maybe I can, if I can face being cruel enough.

556
00:35:11,800 --> 00:35:14,239
Speaker 2: Okay, First love.

557
00:35:15,400 --> 00:35:19,239
Speaker 4: Is full of pain, and it is sometimes better to

558
00:35:19,280 --> 00:35:24,559
be cruel in order to be kind. I think perhaps

559
00:35:24,800 --> 00:35:31,719
what this situation needs is a new villain. Yes, that's

560
00:35:31,800 --> 00:35:35,559
the best thing I can do. What are you going

561
00:35:35,599 --> 00:35:41,199
to lose here? I'm going to help you try to

562
00:35:41,320 --> 00:35:51,679
find your son? Yes?

563
00:35:51,760 --> 00:35:52,639
Speaker 1: Who is it? Thatta?

564
00:35:52,760 --> 00:35:52,800
Speaker 8: Go?

565
00:35:53,760 --> 00:35:55,880
Speaker 4: Oh, Perry, go all right?

566
00:35:55,960 --> 00:35:56,320
Speaker 2: Come on in?

567
00:35:57,719 --> 00:35:58,000
Speaker 4: When not?

568
00:35:58,119 --> 00:35:59,840
Speaker 6: D elie easily?

569
00:35:59,880 --> 00:36:00,719
Speaker 2: The beautiful day.

570
00:36:00,960 --> 00:36:02,880
Speaker 4: Everybody seems to be smiling.

571
00:36:03,920 --> 00:36:04,639
Speaker 2: What are you doing?

572
00:36:04,760 --> 00:36:08,199
Speaker 4: Well, as you can see, I am packing to leave, Yes,

573
00:36:08,400 --> 00:36:10,480
to leave yesterday.

574
00:36:10,480 --> 00:36:11,679
Speaker 2: You are not planning to leave?

575
00:36:11,920 --> 00:36:12,320
Speaker 1: Why now?

576
00:36:12,679 --> 00:36:16,079
Speaker 4: Oh? Don't you know about women in Perico? They're just

577
00:36:16,159 --> 00:36:20,599
like the weather. They're subject to change without notice. There

578
00:36:20,679 --> 00:36:24,480
is a man, the chad or someone you are in

579
00:36:24,519 --> 00:36:24,840
love with?

580
00:36:24,880 --> 00:36:25,480
Speaker 2: Another man.

581
00:36:25,480 --> 00:36:28,000
Speaker 4: Oh, don't be silly, Pericle.

582
00:36:27,800 --> 00:36:29,360
Speaker 2: Don't treat me like a child.

583
00:36:29,360 --> 00:36:30,480
Speaker 1: But then don't act like one.

584
00:36:30,880 --> 00:36:34,360
Speaker 4: But yesterday you said, I mean, I thought you were

585
00:36:34,400 --> 00:36:38,480
going to wait, I thought you loved me. Yesterday was

586
00:36:38,519 --> 00:36:41,559
another day that was sweet and amusing, and it suited

587
00:36:41,639 --> 00:36:42,159
my fancy.

588
00:36:42,199 --> 00:36:45,800
Speaker 1: But today I am going away.

589
00:36:45,840 --> 00:36:47,840
Speaker 4: Now, will you please lift that bag off the bed

590
00:36:47,960 --> 00:36:48,239
for me?

591
00:36:48,239 --> 00:36:52,400
Speaker 6: And yes, of course, But I cannot understand you.

592
00:36:52,480 --> 00:36:57,199
Speaker 4: But don't try, and I'm not going to apologize. Yes,

593
00:36:57,239 --> 00:36:59,840
I led you on, only to find that you are

594
00:37:00,079 --> 00:37:03,639
not ready for love, just as I did with your father.

595
00:37:04,119 --> 00:37:07,320
Speaker 1: My father. Oh, yes, you know he asked me to

596
00:37:07,320 --> 00:37:07,840
marry him.

597
00:37:08,280 --> 00:37:08,920
Speaker 4: He what?

598
00:37:10,519 --> 00:37:10,679
Speaker 1: Oh?

599
00:37:10,679 --> 00:37:11,480
Speaker 4: Why do you act like that?

600
00:37:11,559 --> 00:37:12,000
Speaker 1: Perry Call?

601
00:37:12,880 --> 00:37:15,119
Speaker 2: Your Father's only too Well, She's followed.

602
00:37:15,639 --> 00:37:16,599
Speaker 6: He got what he wanted.

603
00:37:16,679 --> 00:37:17,440
Speaker 1: Are you so sure?

604
00:37:18,719 --> 00:37:20,800
Speaker 4: Have you ever talked about it?

605
00:37:21,320 --> 00:37:21,719
Speaker 1: You too?

606
00:37:21,880 --> 00:37:25,280
Speaker 2: No, and I never will. Besides, he has nothing to

607
00:37:25,360 --> 00:37:28,039
do with this. What mattresses you and me?

608
00:37:28,280 --> 00:37:28,679
Speaker 1: Oh?

609
00:37:28,719 --> 00:37:32,480
Speaker 4: There never was a you and me, Perry Call, or

610
00:37:32,639 --> 00:37:35,679
me and your father. I'm sorry.

611
00:37:35,760 --> 00:37:38,440
Speaker 6: It was a long, hot summer. It amused me to

612
00:37:38,440 --> 00:37:39,239
play with both of you.

613
00:37:39,360 --> 00:37:43,159
Speaker 1: But now that game is over, I will kill myself.

614
00:37:43,239 --> 00:37:43,880
Oh I hope not.

615
00:37:46,199 --> 00:37:48,079
Speaker 4: Why don't you talk to your father about it first?

616
00:37:49,239 --> 00:37:53,360
You might learn something, alright, I will at least he

617
00:37:53,559 --> 00:37:55,960
is a man, a man you can't trust.

618
00:37:57,119 --> 00:37:59,519
Speaker 1: But I say one thing before I leave, senor reap

619
00:37:59,559 --> 00:38:00,039
the mom.

620
00:38:01,199 --> 00:38:04,440
Speaker 2: Yesterday, I say I love you with all my heart.

621
00:38:05,320 --> 00:38:09,719
I take back those words for day, with with all

622
00:38:09,800 --> 00:38:12,760
my heart and forever. I hate you.

623
00:38:14,960 --> 00:38:16,639
Speaker 1: And I don't blame you, Perrycho.

624
00:38:18,239 --> 00:38:22,199
Speaker 4: Right at this moment, I'm not very fond of myself.

625
00:38:30,760 --> 00:38:31,960
And that's the end of the story.

626
00:38:32,039 --> 00:38:32,280
Speaker 1: Mark.

627
00:38:33,360 --> 00:38:36,639
Speaker 4: It was the last time I saw Perrycho until he

628
00:38:36,719 --> 00:38:40,480
walked across the dance store tonight. And that's why I

629
00:38:40,599 --> 00:38:43,119
fled to my dressing room with you, because I was

630
00:38:43,199 --> 00:38:45,599
so afraid to face him.

631
00:38:45,639 --> 00:38:50,360
Speaker 1: But the story isn't finished. What happened is your gamble work?

632
00:38:50,480 --> 00:38:53,320
Speaker 4: I don't even know. I haven't heard from either one

633
00:38:53,360 --> 00:38:54,119
of them since I left.

634
00:38:54,159 --> 00:38:54,559
Speaker 1: Pennie.

635
00:38:55,719 --> 00:38:59,079
Speaker 4: Oh lord, look at the time. I gotta get made

636
00:38:59,159 --> 00:39:00,880
up and ready. Would you get that for me?

637
00:39:00,960 --> 00:39:01,480
Speaker 1: Mark? Oh?

638
00:39:01,559 --> 00:39:07,039
Speaker 5: Sure, yeah, sure, sure, she'll be ready.

639
00:39:08,360 --> 00:39:13,039
Speaker 1: Why yeah, I sent 'em in. What is it is it?

640
00:39:13,079 --> 00:39:13,199
Speaker 8: Mike?

641
00:39:13,280 --> 00:39:14,760
Speaker 2: You nah? Relaxed?

642
00:39:14,760 --> 00:39:20,719
Speaker 1: You got a few minutes, okay, excuse me? Oh thanks

643
00:39:20,719 --> 00:39:22,119
so too. Oh, I'll handle 'em.

644
00:39:22,159 --> 00:39:23,039
Speaker 2: What is it.

645
00:39:24,440 --> 00:39:28,079
Speaker 8: Like about the biggest bunch of carnations I ever saw

646
00:39:29,280 --> 00:39:31,000
with a note note.

647
00:39:31,159 --> 00:39:33,360
Speaker 4: Well, I haven't time right now? Well what does the

648
00:39:33,400 --> 00:39:34,760
note say?

649
00:39:35,320 --> 00:39:37,000
Speaker 1: I think you better read the note yourself.

650
00:39:37,039 --> 00:39:38,800
Speaker 4: Oh dear, where's my fan and my gloves too?

651
00:39:38,840 --> 00:39:41,880
Speaker 1: Now you got time? I wait for you read the note? Okay,

652
00:39:41,960 --> 00:39:42,320
you hear me?

653
00:39:42,360 --> 00:39:49,079
Speaker 4: See, Oh dear Liz. The carnations are from my father,

654
00:39:50,000 --> 00:39:52,800
who has told me the whole story about how you

655
00:39:52,920 --> 00:39:56,360
left monde Leis. When I read that you were to

656
00:39:56,400 --> 00:39:59,400
sing it Lorenda in Madrid, I had to come to

657
00:39:59,440 --> 00:40:02,840
hear you. I wanted to thank you for giving me

658
00:40:02,920 --> 00:40:09,360
back my life and my father's. Would it be too

659
00:40:09,440 --> 00:40:11,960
much to hope that you might join all of us

660
00:40:12,000 --> 00:40:13,360
at our table afterwards?

661
00:40:14,960 --> 00:40:20,079
Speaker 2: Contorto me put us on veryical, all of us.

662
00:40:20,960 --> 00:40:23,559
Speaker 1: I A, there's a a PostScript there.

663
00:40:23,920 --> 00:40:29,800
Speaker 4: Oh yeah, for many reasons, mainly that I want you

664
00:40:30,519 --> 00:40:39,159
to meet my fiance. Oh Mark, I'm so glad it

665
00:40:39,360 --> 00:40:47,239
worked for them.

666
00:40:44,519 --> 00:40:47,360
Speaker 1: That's sir, intro. Maybe better get going alright?

667
00:40:48,360 --> 00:40:53,840
Speaker 4: Except why, oh Mark, I'm so tired of this, the

668
00:40:53,880 --> 00:40:58,360
pressure and always being on. I wanna be me just

669
00:40:58,519 --> 00:40:59,960
the way I was that summer.

670
00:41:00,760 --> 00:41:05,599
Speaker 1: Okay, Well we can arrange that too, if you want to.

671
00:41:06,039 --> 00:41:08,400
Speaker 4: Oh, if I want to.

672
00:41:09,119 --> 00:41:11,559
Speaker 1: It's always been an open contract between us.

673
00:41:11,480 --> 00:41:15,960
Speaker 4: All right, then I'm closing it right now, and we

674
00:41:16,000 --> 00:41:18,679
can announce our engagement when we join the escobte.

675
00:41:18,880 --> 00:41:20,119
Speaker 1: Oh, I don't wanna crowd you.

676
00:41:21,199 --> 00:41:22,360
Speaker 6: How can you get any closer?

677
00:41:24,559 --> 00:41:26,079
Speaker 4: I just woke up to what I should have known

678
00:41:26,079 --> 00:41:33,599
all alone. Your their daughter Duma Contdo caught us on.

679
00:41:40,400 --> 00:41:44,000
Speaker 3: The reunion with Pericho and Donomilio MM and the new

680
00:41:44,239 --> 00:41:47,719
young bride to be after the show was a warm

681
00:41:47,800 --> 00:41:52,119
and wonderful one, and Don Emilio, older and frailer now

682
00:41:52,880 --> 00:41:56,000
was exalted beyond belief by the coming marriage of his

683
00:41:56,079 --> 00:41:59,440
son and in a sense, his daughter.

684
00:42:00,400 --> 00:42:01,400
Speaker 2: I'll be back shortly.

685
00:42:11,920 --> 00:42:15,960
Speaker 3: There are some cynics who might phrase marriage as el

686
00:42:16,119 --> 00:42:20,639
salto de diablo, the devil's leap. I cannot answer for

687
00:42:20,719 --> 00:42:24,679
Perico and his bride because I lost track of them,

688
00:42:24,679 --> 00:42:27,760
But as for Liz and Mark, the leap was upwards,

689
00:42:28,199 --> 00:42:33,119
never down. Our cast included Mercedes mc cambridge, Robert Dryden,

690
00:42:33,519 --> 00:42:37,920
Ian Martin, and Christopher Tabori. The entire production was under

691
00:42:37,920 --> 00:42:41,599
the direction of Hyman Brown. Though inviting you to return

692
00:42:41,679 --> 00:42:45,800
to our mystery theater for another adventure in the macabre.

693
00:42:46,719 --> 00:42:56,719
Until next time, pleasant dreams.

694
00:43:22,159 --> 00:43:25,079
Speaker 7: Hi Tom Bodette, here with the burning question. Where the

695
00:43:25,159 --> 00:43:28,760
heck is Homer Alaska? Well, Homer's where America stops and

696
00:43:28,800 --> 00:43:31,679
the Frontier begins. Tune in each week to the End

697
00:43:31,719 --> 00:43:35,719
of the Road radio show on WISN. Meet some interesting people,

698
00:43:35,880 --> 00:43:38,960
swap some tunes, tell some stories, or just sit back

699
00:43:39,000 --> 00:43:40,719
and take a break at the end of the road.