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<v Speaker 1>Bonus.

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<v Speaker 2>Hey, this is Brian, and before we begin, I want

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<v Speaker 2>to set up the start of this bonus episode. Before

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<v Speaker 2>we'd hit record, Zachie read me a message he'd received,

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<v Speaker 2>playfully stating that in our Odyssey review he had gone

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<v Speaker 2>pretty hard on people who had been bad mouthing the

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<v Speaker 2>movie before they'd seen it. This led to a conversation

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<v Speaker 2>between Zachi and I about performative bad mouthing and negativity

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<v Speaker 2>on the internet, and well, it pretty much picks up

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<v Speaker 2>right about there.

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<v Speaker 1>It's it's interesting because because I think what we saw,

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<v Speaker 1>and this is something I talked about on our show,

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<v Speaker 1>you know, several years ago, how there was a tendency

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<v Speaker 1>towards what I call like performative wokeness, and I found

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<v Speaker 1>that very phony and hollow too, right, So I mean,

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<v Speaker 1>to me, this is like two peas in a pod, right,

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<v Speaker 1>These are like, these are the extremes that need each other.

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<v Speaker 2>Yeah, I mean so much of it is performative now,

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<v Speaker 2>I mean even the stuff, there's the obvious stuff.

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<v Speaker 3>You know, I talk about this all the time.

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<v Speaker 2>I don't want to lump all influencers in with this,

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<v Speaker 2>but many influencers have this thing where it's like, Okay,

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<v Speaker 2>a studio has paid me to go watch this movie.

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<v Speaker 2>So I'll go in here and put this hat they

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<v Speaker 2>gave me on, and I'll act like this was the

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<v Speaker 2>most transcendent night of my life. Yeah, you know, and

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<v Speaker 2>when it's extra phony and performative and they're playing like

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<v Speaker 2>a character almost like you know what they're doing, they're

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<v Speaker 2>act I think these things are directed at adults. I

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<v Speaker 2>have to imagine, but they're acting like a character out

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<v Speaker 2>of like a Blues Clues TV show, you know, Like,

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<v Speaker 2>you know.

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<v Speaker 3>I saw this movie tonight. You won't believe what it is.

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<v Speaker 3>It was amazing. My life's different now.

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<v Speaker 2>And it's like, dude, I you know, like and so

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<v Speaker 2>that stuff kind of drives me crazy. But I do

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<v Speaker 2>think then there are other people, to your point, who

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<v Speaker 2>aren't acting like they're genuinely angry about certain things, which

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<v Speaker 2>they aren't. They just know it's going to get them

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<v Speaker 2>engagement clicks, money, right, and to use your phrase, they

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<v Speaker 2>are for their own selfish profit microwaving people's brains.

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<v Speaker 1>Yeah, Like you know, I've used this example before. But

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<v Speaker 1>back in nineteen eighty nine, there was a movie came

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<v Speaker 1>out called Batman. I think you've heard of it, and

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<v Speaker 1>you had a character called Harvey Dent played by a

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<v Speaker 1>guy called Billy D. Williams. Yes. Now, I'm not gonna

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<v Speaker 1>speak for you here, but me personally, I saw the

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<v Speaker 1>movie and then later on I found out that, oh,

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<v Speaker 1>Harvey Dent is the character two face, and I was like, oh,

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<v Speaker 1>oh that's cool, you know, And that was the extent

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<v Speaker 1>of my reaction. At a ten year.

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<v Speaker 3>Old Lando could be two face cool.

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<v Speaker 1>That was the extent of my reaction. And I have

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<v Speaker 1>a feeling very broadly that was the extent of most

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<v Speaker 1>people's reactions.

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<v Speaker 3>Yeah.

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<v Speaker 1>Right, now, cut to you know, twenty twenty six, and

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<v Speaker 1>we have the Master's of Universe movie. You come out

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<v Speaker 1>and you have Adris Elba, who is at least as

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<v Speaker 1>good an actor as Billy D. Williams, at least as

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<v Speaker 1>respected cast as Man at arms. And what do we

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<v Speaker 1>see online? Oh, look at how they're making this woke?

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<v Speaker 1>I know, I know, right, So this is to me

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<v Speaker 1>a perfect evocation of how our discourse has, you know,

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<v Speaker 1>de evolved.

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<v Speaker 3>Yeah, we didn't used to be like this, That's what

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<v Speaker 3>I'm saying.

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<v Speaker 1>It's strange, That's what I'm saying.

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<v Speaker 2>You know. I was even recently thinking about the movie

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<v Speaker 2>Independence Day, and just how diverse that cast is. And

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<v Speaker 2>when that movie came out in nineteen ninety six, I

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<v Speaker 2>wasn't thinking about how diverse that.

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<v Speaker 3>Cast was, right, it was just the cast.

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<v Speaker 2>It's strange, like I love that phrase, the microwaved our brains,

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<v Speaker 2>they have, and for some people it's scrambled their brains

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<v Speaker 2>in such a way that now they're spouting stuff that

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<v Speaker 2>I don't even know that they really feel. They're almost

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<v Speaker 2>like regurgitating exact and they're making me, who used to

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<v Speaker 2>not even think about this stuff, notice things where I'm like, oh,

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<v Speaker 2>so I's gonna get mad about that, and I don't

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<v Speaker 2>even like having that thought. I just want to watch

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<v Speaker 2>the damn movie.

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<v Speaker 1>Yeah, you know, it's it's funny because again, like using

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<v Speaker 1>Eat yourselb as an example, he is objectively one of

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<v Speaker 1>our great actors absolutely moment, right, and any rational person

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<v Speaker 1>is like, holy shit, you got Idris eld Up on

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<v Speaker 1>Men at Arms? Yeah right, right, that's crazy, right, And

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<v Speaker 1>by the way, he was great in that movie. And

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<v Speaker 1>and so again it's it like, you know, really, let's

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<v Speaker 1>drill down here, what is it in you? Not you,

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<v Speaker 1>not you, Brian? Just the general you point me while

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<v Speaker 1>I have you, Brian, you that would hear that casting

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<v Speaker 1>and you're you're just your reflexive go to reaction. The

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<v Speaker 1>base that you touch home to is oh this is woke. Yeah.

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<v Speaker 1>I don't think you even understand what that means.

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<v Speaker 2>You know, I know, And well it makes me think obviously,

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<v Speaker 2>well this the this.

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<v Speaker 3>The Odyssey. Sorry I was I was going to go

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<v Speaker 3>into like three different directions.

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<v Speaker 2>But speaking of the movie The Odyssey, where there was

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<v Speaker 2>this whole discourse about like, well I don't like this

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<v Speaker 2>actress being cast as this person. Yeah, well actually it

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<v Speaker 2>turns out they're pretty good in it. Well I don't

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<v Speaker 2>like that there are armor isn't historically accurate?

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<v Speaker 3>Okay, you know what I mean. Like, it's just like.

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<v Speaker 2>I'm just mad. That's what it distills down to. I'm

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<v Speaker 2>just mad. And this is my target now because other

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<v Speaker 2>people are telling me this is a target this week.

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<v Speaker 1>Well my my favorite because because what we're seeing right now,

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<v Speaker 1>right we're about a week into the Odyssey's run, and

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<v Speaker 1>it's it's it's well on its way to making all

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<v Speaker 1>the money. Yes, if there is money.

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<v Speaker 3>It will make it, yes, yes.

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<v Speaker 1>Uh So people are showing up there enjoying it. I

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<v Speaker 1>mean there's sellouts. I mean this it's it's objectively empirically

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<v Speaker 1>a massive, massive hit. And this this goes to something

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<v Speaker 1>you and I talk about all the time. I guess

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<v Speaker 1>what if you it, they will come make stuff people

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<v Speaker 1>want to see. They're gonna show for it. So now

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<v Speaker 1>during you know, the folks who had been decrying the

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<v Speaker 1>movie's release over the last to to you know, four months, now,

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<v Speaker 1>they're in kind of their version of the stop the

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<v Speaker 1>Steel moment where they're like, no, the theaters are faking

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<v Speaker 1>that they're full. I mean real kakamimi stuff.

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<v Speaker 2>I'm saying, well, I thank god I haven't seen any

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<v Speaker 2>of that stuff because I just it's I don't know

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<v Speaker 2>how I miss that.

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<v Speaker 3>So I see some of it, but not all of it.

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<v Speaker 1>I haven't set well, you have a healthy you know

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<v Speaker 1>what's funny, by the way, is I I like to

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<v Speaker 1>believe I have a healthy life online balance because I

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<v Speaker 1>don't spend too much time in this stuff in these trenches,

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<v Speaker 1>you know, but you know, you dip in and I

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<v Speaker 1>realized that I've like when I use Twitter, I've I've

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<v Speaker 1>got a plug in that basically really filters out a

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<v Speaker 1>lot of shit.

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<v Speaker 3>A plug in.

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<v Speaker 1>Yeah. Yeah, so I I don't use the app. I

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<v Speaker 1>use it in my browser, and I've got, like I said,

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<v Speaker 1>I just put in a plug in that really it

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<v Speaker 1>makes it It's still shitty, just to be clear, but

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<v Speaker 1>it makes it slightly less shitty.

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<v Speaker 3>Interesting.

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<v Speaker 1>Okay, so a lot. So it's not really skewing my

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<v Speaker 1>algorithm very much. But you know, just from talking to

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<v Speaker 1>people whose whose heads are are are are ensconced in this,

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<v Speaker 1>you know, like they're dicking dipping their head in a pool,

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<v Speaker 1>they really see some of this. But I'm like, Ben,

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<v Speaker 1>I couldn't live like that, you know. Yeah, Like even

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<v Speaker 1>if I'm I'm paying attention just for critique, I'm like,

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<v Speaker 1>this is like Donnie Brasco territory, you know, like right right.

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<v Speaker 1>But I saw, in addition to this, the the oh,

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<v Speaker 1>the theaters are lying about about the seats being full,

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<v Speaker 1>which totally that sounds like something a MC would do, right,

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<v Speaker 1>Like if people want to watch The Odyssey, they'll be like, sorry,

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<v Speaker 1>it's sold out, wink, right, That's what Regal is all about,

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<v Speaker 1>you know. Yeah. But I saw somebody online was like,

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<v Speaker 1>uh it posted a picture of Elliott Page and the

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<v Speaker 1>Niango in the Odyssey and they're like, well, if their

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<v Speaker 1>screen time is so short, then why did the studio

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<v Speaker 1>put them all over the marketing? And it's like, bro,

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<v Speaker 1>they didn't.

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<v Speaker 3>No, that's you guys, that's y'all. Yes, yeah, I just

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<v Speaker 3>I don't know the anger.

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<v Speaker 1>It's so it's it's weird. I mean, there there's so

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<v Speaker 1>many see this. This is I had a conversation with

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<v Speaker 1>this about this rather with my friend with Jahalli over

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<v Speaker 1>over the weekend, and we were just talking about the

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<v Speaker 1>box office reception to The Odyssey and everything else, and

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<v Speaker 1>one thing I said is, I think this proves two things.

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<v Speaker 1>Number one, it proves how well two things. First, it

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<v Speaker 1>proves that that Elon Musk has utterly destroyed Twitter like

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<v Speaker 1>any utility it had right is gone. Right because because

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<v Speaker 1>by virtue of whatever he's done to that site, algorithmically,

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<v Speaker 1>he's shown that it has no it, It has no

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<v Speaker 1>bearing or reflection of the overwhelming majority of humanity.

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<v Speaker 3>Right, Yeah, good point.

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<v Speaker 1>The right. The stuff that people are pissed off about

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<v Speaker 1>on that hell site, other people are just living their

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<v Speaker 1>life and so you know, talk about talk about spending

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<v Speaker 1>four billion dollars and just throwing it down the drain.

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<v Speaker 1>So all of this is I mean, it's it's interesting

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<v Speaker 1>because the Odyssey, I'm gonna say, even ten years ago,

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<v Speaker 1>none of this woke discourse or anything would have even

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<v Speaker 1>plugged in. It would have been a standard four quadrant blockbuster, right,

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<v Speaker 1>And so again you see how things have changed, where

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<v Speaker 1>again everything is so it's you had you have engagement

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<v Speaker 1>farmers whose income, whose livelihood is contingent upon you getting

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<v Speaker 1>pissed off. Yeah, and we got to think about that,

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<v Speaker 1>you know. Yeah, yeah, I mean shit, I used to man,

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<v Speaker 1>I used to say this about talk radio back in.

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<v Speaker 3>The day, you know, yeah, but it didn't have like

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<v Speaker 3>the reach, you know.

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<v Speaker 2>I mean, now we all have the device in our pockets,

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<v Speaker 2>every single one of us.

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<v Speaker 1>I mean, it's it's just the next evolution of that,

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<v Speaker 1>you know.

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<v Speaker 2>Yeah, And you know, it taps into the way human

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<v Speaker 2>beings are wired. We're all susceptible to it. It's just

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<v Speaker 2>some people are able to recognize it and reject it,

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<v Speaker 2>whereas others just just the way they're wired or whatever

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<v Speaker 2>insidious way it's reached them, they might more easily fall

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<v Speaker 2>prey to it, you know, and then get their brains microwaved.

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<v Speaker 1>Well, that's the thing right, because because we really, I mean,

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<v Speaker 1>we seek validation, and sometimes that validation comes in some

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<v Speaker 1>random bot hitting like on whatever stupid nonsense we posted, right,

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<v Speaker 1>And and that's that's the problem. You could say something

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<v Speaker 1>just egregiously stupid, you know, you know, nine to eleven

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<v Speaker 1>happened because of Steve from Blues Clear, and most people

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<v Speaker 1>would be like, all right, let's just you know, walk

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<v Speaker 1>past this guy, you know, yeah, don't make eye contact.

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<v Speaker 1>But you put that on Twitter, you're gonna have like

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<v Speaker 1>three people who hit, like three or three accounts that

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<v Speaker 1>hit like and suddenly you're like, all right, look at this,

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<v Speaker 1>I got some takers for my shit, you know. Yeah,

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<v Speaker 1>And that's a problem, you know.

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<v Speaker 2>I mean, if you've got enough people willing to kill

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<v Speaker 2>themselves thinking they'll join a spaceship behind a comet, that's right.

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<v Speaker 3>Obviously enough people.

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<v Speaker 2>Are wired in such a way that they will see

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<v Speaker 2>that comment to go interesting, you know, that's right. And

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<v Speaker 2>also I want to say I was making I think

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<v Speaker 2>what I was just saying right before you were speaking.

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<v Speaker 2>You know, people who see this stuff and then maybe

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<v Speaker 2>they're susceptible and then they get sort of converted or something.

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<v Speaker 3>I'm making it sound like they're all innocent. Some of

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<v Speaker 3>them may be, and then they.

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<v Speaker 2>Do get their their wires fried. But other people they

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<v Speaker 2>have this darkness in their heart already and they're just

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<v Speaker 2>being emboldened. So I don't want to make it sound

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<v Speaker 2>like all these people are innocent. It is making some

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<v Speaker 2>people who have these things inside go oh, I can

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<v Speaker 2>say the quite part loud now, right.

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<v Speaker 1>I mean, yeah, there is. You know, there has historically

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<v Speaker 1>been sort of like social regulation. Right, You exist among people,

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<v Speaker 1>and and by virtue of having to interact in your

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<v Speaker 1>day to day existence, you kind of figure out, you know,

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<v Speaker 1>the proper way to conduct yourself. And you can call

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<v Speaker 1>it censorship, self censorship, or just like coexisting, but it's

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<v Speaker 1>that same thing, right, like, just just how to be right.

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<v Speaker 1>And far too often social media has actually fed our

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<v Speaker 1>our anti social instincts, where it's like, well, I just

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<v Speaker 1>want to say whatever I want and if you don't

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<v Speaker 1>like it, tough, you know, without any any cost attached, right,

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<v Speaker 1>And and that's kind of what we're seeing right. Like again,

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<v Speaker 1>a lot of these folks on the internet, the rage farmers,

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<v Speaker 1>well they've they've built they've built their brain and they've

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<v Speaker 1>built their livelihood around it. So they're doing fine, but

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<v Speaker 1>the people who follow in their footsteps maybe not so much.

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<v Speaker 1>You know, I think that the success of the the

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<v Speaker 1>unquestionable success of the Odyssey is maybe this is this

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<v Speaker 1>is the optimist in me here. Maybe it's the thing

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<v Speaker 1>that finally breaks this this mass delusion that somehow social

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<v Speaker 1>media matters.

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<v Speaker 3>Yeah.

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<v Speaker 1>Yeah, you know, because I think there's a lot of

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<v Speaker 1>folks who are like tweeters who maybe just kind of

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<v Speaker 1>listen to These folks are going to watch this movie

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<v Speaker 1>and be like, I don't know, man, what's the big deal?

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<v Speaker 3>Yeah? Yeah, I have seen some people do that.

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<v Speaker 1>So you know, maybe maybe it maybe it took Christopher

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<v Speaker 1>Nolan to make this happen, you know.

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<v Speaker 2>Yeah, he was the He's the chosen one, the chosen

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<v Speaker 2>one for this moment new we Actually I want to

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<v Speaker 2>ask you were going to see it a second time?

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<v Speaker 2>Did that pan out?

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<v Speaker 1>I'm trying, Okay, it's I've had this convergence off. You know,

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<v Speaker 1>we have guests staying over, plus it's a three hour movie,

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<v Speaker 1>plus trying to get into I'm not even bothering trying

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<v Speaker 1>to get into a seventy millimeter I just wanted to

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<v Speaker 1>get into the Fomax in my neighborhood. M Yeah, but

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<v Speaker 1>even that has been somewhat challenging, so I expect it'll

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<v Speaker 1>probably be sometime next week hopefully.

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<v Speaker 3>Yeah.

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<v Speaker 2>I've I've spoken with people who are trying to do

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<v Speaker 2>the IMAX thing and they're like, yeah, no's it's it's

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<v Speaker 2>booked through August.

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<v Speaker 1>Yeah, and it's tough because I'm telling people, look, just

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<v Speaker 1>go see it, go see it on a big screen.

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<v Speaker 1>You'll be fine.

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<v Speaker 3>That's what I was saying. I was like, would that

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<v Speaker 3>be nice? Would that be cool?

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<v Speaker 2>Absolutely, and if you get an opportunity, that would be great.

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<v Speaker 2>But really truly, at the heart of it, it's a

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<v Speaker 2>great story, Yeah, told in a really exciting and epic way,

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<v Speaker 2>and just go to the theater and you're you're gonna

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<v Speaker 2>get that, yeah.

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<v Speaker 1>You know, I mean, I guess they've done the work

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<v Speaker 1>of making people really want to see the the you know,

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<v Speaker 1>the seventy millimeters. I'm a so kudos on the marketing.

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<v Speaker 3>Absolutely, yeah, and it will be a.

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<v Speaker 1>Great experience for sure, you know. And I I I

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<v Speaker 1>didn't see Odyssey in seventy million, but I saw Oppenheimer

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<v Speaker 1>and seventy miliary and it was fantastic, So I I

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<v Speaker 1>know you will get something special, but the movie itself

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<v Speaker 1>is special too. Yeah. Yeah, I'm I'm hoping, hoping, hoping

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<v Speaker 1>to catch my second viewing sometime in the coming week. Uh.

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<v Speaker 1>And of course we got we got Spider Man brand

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<v Speaker 1>new day coming up. So it's like it's I'm sort

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<v Speaker 1>of balancing many plates because you know, I have kids

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<v Speaker 1>who want to watch this and I'm gonna I have

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<v Speaker 1>like multiple screenings of Spider Man uh in the barrel.

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<v Speaker 1>Mm hmm. These are these are good problems to have.

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<v Speaker 1>But yeah, this is because because my wife wants to

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<v Speaker 1>watch Odyssey and I want to go see it with her.

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<v Speaker 1>And you know, again it's it's you know, having somebody

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<v Speaker 1>watch the baby for three hours can be more challenging,

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<v Speaker 1>you know.

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<v Speaker 3>Oh man, I can't even imagine.

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<v Speaker 2>Yeah, I mean three hours, that's just the film, and

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<v Speaker 2>it's getting to the theater and getting back and you

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<v Speaker 2>know previews if you're.

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<v Speaker 1>Yeah, I mean in that sense, we are very fortunate

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<v Speaker 1>because and you know this because our movie theater is

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00:16:10.360 --> 00:16:12.639
<v Speaker 1>like less than a five minute drive.

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<v Speaker 3>Yeah, both of us are really lucky, all right.

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00:16:15.639 --> 00:16:19.759
<v Speaker 1>So it's like I'm able to budget based on like, okay,

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<v Speaker 1>I know exactly when to park so I can roll

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<v Speaker 1>into the theater just as the trailers are ending. You know,

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<v Speaker 1>I'm and this also helps me in that I know

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<v Speaker 1>this is something you complain about, Like I keep seeing

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<v Speaker 1>this trailer again and again. I'm like, man, I don't

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<v Speaker 1>ever see the trailers.

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<v Speaker 2>Really, Oh my gosh, there, yeah, the cat and the hat.

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<v Speaker 2>If I had to hear him say did you say

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<v Speaker 2>two to fart one more time?

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<v Speaker 3>I was gonna lose it.

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<v Speaker 1>I've not seen it even once.

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<v Speaker 3>Oh really?

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<v Speaker 1>Yeah?

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<v Speaker 3>Oh wow?

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<v Speaker 1>Okay, And I know there's like a Jessica Tastain movie

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00:16:48.960 --> 00:16:51.759
<v Speaker 1>that I guess. Oh yes, what's the story behind this?

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<v Speaker 1>By the way, so it's called Other Mommy, I think okay.

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<v Speaker 1>And I was like, other Mother was right there, right,

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00:16:58.320 --> 00:17:00.840
<v Speaker 1>it was right there. It drives me crazy. I've seen

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00:17:00.879 --> 00:17:01.519
<v Speaker 1>it twice now.

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00:17:01.799 --> 00:17:03.799
<v Speaker 2>And the way they do it is it's like an

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<v Speaker 2>all white screen and it's just like oh t h

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<v Speaker 2>E R.

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00:17:09.200 --> 00:17:11.319
<v Speaker 3>And I was like, oh, other Mother, genius.

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<v Speaker 2>If I worked at a studio and you dropped a

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<v Speaker 2>script on my desk and said other Mother, I'd read

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<v Speaker 2>it immediately.

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<v Speaker 3>I don't know why. It's just a great title, but

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<v Speaker 3>then it's like other Mommy. I was like, no, what,

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00:17:24.160 --> 00:17:26.200
<v Speaker 3>so is this like a horror picture? Yeah?

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<v Speaker 2>So it's you know, this is one of those unique

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<v Speaker 2>things where I don't think people would be talking about

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00:17:30.960 --> 00:17:35.039
<v Speaker 2>this trailer except Odyssey is such a phenomenon that so

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<v Speaker 2>many people have experienced that everyone is now seeing this

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<v Speaker 2>particular trailer, and so it's getting talked about like it is. Basically,

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<v Speaker 2>it starts with Jessica Chestain is this sort of Stepford

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<v Speaker 2>Wives seeming mother like, oh, hi, do you want some

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00:17:49.640 --> 00:17:52.680
<v Speaker 2>ice cream? You know, like being really sweet to the girl.

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<v Speaker 2>But then you realize there's something kind of off, and

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<v Speaker 2>then it turns out that's not really her mom, and

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<v Speaker 2>it's like some sort of duplicate and the I think

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<v Speaker 2>the moment everyone's talking about is the girl then walks

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<v Speaker 2>into the kitchen in another scene and doesn't see the

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00:18:06.000 --> 00:18:08.200
<v Speaker 2>mom at the counter, and then she looks down and

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<v Speaker 2>the Chestain character is all contorted in a weird sort

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<v Speaker 2>of spidery exorcist sort of way under the counter and

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00:18:16.039 --> 00:18:18.440
<v Speaker 2>it's like a jump scare. Okay, but she's got this

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<v Speaker 2>big Stepford smile on her face.

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<v Speaker 1>Hmm. So you know, I don't know, it's like it's

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<v Speaker 1>scary or funny that moment.

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<v Speaker 3>To me, Uh, it's creepy. I don't know, Like it didn't.

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<v Speaker 2>It takes a lot, I think, to really scare me

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<v Speaker 2>or make me jump these days.

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<v Speaker 3>But like I understand in a.

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<v Speaker 1>Fat like inadvertently funny is what I'm asking.

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<v Speaker 3>Well, you know, that's a good point.

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<v Speaker 2>If people find it ridiculous, I would in my experience

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<v Speaker 2>people actually jumped because they're expecting it.

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<v Speaker 1>Gotcha, It okay, But.

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<v Speaker 3>That is funny that it's become sort of a thing.

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<v Speaker 2>I'm actually loving, like all the shared conversation about the

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<v Speaker 2>experiences of watching this, and like the memes I've been

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<v Speaker 2>sending you a lot of the memes. Yeah, the one

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00:19:03.440 --> 00:19:06.799
<v Speaker 2>that cracked me up the most was James Franco from

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<v Speaker 2>Spider Man two playing Harry Osbourne.

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<v Speaker 1>Oh that was very funny.

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<v Speaker 3>He's like walking out of rubble and from the movie.

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<v Speaker 3>This is his line in the movie. He goes, I'm ruined.

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00:19:15.480 --> 00:19:18.000
<v Speaker 2>Oh no, no, over the top, it says me after

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00:19:18.079 --> 00:19:21.240
<v Speaker 2>watching the Odyssey, and then it's Harry Osbourne being.

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<v Speaker 3>Like, I'm ruined. I have nothing left except Spider Man

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00:19:26.799 --> 00:19:29.200
<v Speaker 3>wrecked by the Odyssey. Bring on Spider Man.

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<v Speaker 1>What is kind of funny is it seems like the

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<v Speaker 1>Spider Man marketing is leaning on this is something like

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<v Speaker 1>smaller scale and lower key to unwind after the odyssey, right, right, right,

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<v Speaker 1>I mean they're really leaning hard into just ground level

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00:19:53.680 --> 00:19:56.240
<v Speaker 1>Spider Man antics. And isn't that nice? You know?

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00:19:56.599 --> 00:19:56.839
<v Speaker 3>Right?

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00:19:58.119 --> 00:19:59.839
<v Speaker 1>And I have a feeling it's gonna work. I mean,

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00:19:59.839 --> 00:20:01.400
<v Speaker 1>I I have no reason to think that movie is

398
00:20:01.440 --> 00:20:05.559
<v Speaker 1>not going to perform like Gangbusters, but that is interesting

399
00:20:05.599 --> 00:20:10.279
<v Speaker 1>how the center of gravity has shifted, you know, and

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00:20:10.279 --> 00:20:12.240
<v Speaker 1>and you know what, this is Nolan's moment. It's not

401
00:20:12.279 --> 00:20:13.240
<v Speaker 1>gonna last forever.

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00:20:14.319 --> 00:20:17.000
<v Speaker 3>Yes, we've talked about that in recent months.

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00:20:17.279 --> 00:20:20.119
<v Speaker 2>I mean, with Spielberg in Disclosure Day, like he he

404
00:20:20.240 --> 00:20:22.759
<v Speaker 2>was the indisputable king of the world when it came

405
00:20:22.799 --> 00:20:27.640
<v Speaker 2>to movies. And and even if you weren't a film person,

406
00:20:28.599 --> 00:20:32.200
<v Speaker 2>like you saw the new Spielberg movie and you could

407
00:20:32.279 --> 00:20:33.799
<v Speaker 2>count on it making all the money.

408
00:20:34.400 --> 00:20:35.640
<v Speaker 3>And now it's kind.

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00:20:35.519 --> 00:20:38.759
<v Speaker 2>Of weird to see Disclosure Day be like okay, received,

410
00:20:38.799 --> 00:20:42.559
<v Speaker 2>all right, it performed okay, so yeah, but this is

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<v Speaker 2>Nolan's moment for sure.

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00:20:44.200 --> 00:20:46.920
<v Speaker 1>And enjoy it while at lasts and I think he

413
00:20:47.079 --> 00:20:51.400
<v Speaker 1>knows that to some extent, right, I mean, the red

414
00:20:51.440 --> 00:20:54.839
<v Speaker 1>carpet doesn't run infinitely into the horizon. You know.

415
00:20:55.200 --> 00:20:56.960
<v Speaker 3>He seems like a very perceptive person.

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00:20:57.400 --> 00:21:00.319
<v Speaker 1>Yeah, I mean I sent you this article. It was

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00:21:00.519 --> 00:21:06.359
<v Speaker 1>in Vulture listing like the hundred most powerful Directors. Oh yes, yes,

418
00:21:07.000 --> 00:21:08.440
<v Speaker 1>did you have a chance to glance at I did.

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00:21:08.480 --> 00:21:10.240
<v Speaker 2>Actually, I'm going to pull it up right now. I

420
00:21:10.240 --> 00:21:12.599
<v Speaker 2>didn't have it open for this, but I did, and

421
00:21:12.640 --> 00:21:13.480
<v Speaker 2>it was very interesting.

422
00:21:14.440 --> 00:21:17.240
<v Speaker 1>Yeah, certainly just in terms I mean, granted this is

423
00:21:17.279 --> 00:21:20.119
<v Speaker 1>filtered through the lens of the author of that piece,

424
00:21:21.079 --> 00:21:26.279
<v Speaker 1>but as a snapshot of Hollywood at this moment, I

425
00:21:26.319 --> 00:21:27.839
<v Speaker 1>found it, you know, instructive.

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00:21:29.480 --> 00:21:31.839
<v Speaker 2>Yeah, you know what, you just hit the nail on

427
00:21:31.880 --> 00:21:34.200
<v Speaker 2>the head because there were some people I was like, oh, interesting, really,

428
00:21:34.279 --> 00:21:38.599
<v Speaker 2>but actually, if you do look at this moment right

429
00:21:38.640 --> 00:21:45.039
<v Speaker 2>now and what certain people could wield. Don't even know

430
00:21:45.039 --> 00:21:46.519
<v Speaker 2>if it'll be the same in a year. Maybe it

431
00:21:46.559 --> 00:21:48.720
<v Speaker 2>wasn't the same five years ago, but right now, yeah,

432
00:21:48.720 --> 00:21:49.920
<v Speaker 2>I feel like it's pretty accurate.

433
00:21:51.000 --> 00:21:53.759
<v Speaker 1>Yeah. Well, and just sort of looking at the I mean,

434
00:21:54.079 --> 00:21:56.400
<v Speaker 1>the list is quite expansive, but just just looking at

435
00:21:56.400 --> 00:21:58.079
<v Speaker 1>the top ten, and when I sent it to you,

436
00:21:58.200 --> 00:22:00.599
<v Speaker 1>I was like, you know number one is without even

437
00:22:00.640 --> 00:22:03.640
<v Speaker 1>looking at it. Yeah, no, no suspense, it's Christopher Nolan.

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00:22:04.799 --> 00:22:08.160
<v Speaker 1>I think I think two through ten is just as interesting. Though.

439
00:22:08.599 --> 00:22:10.720
<v Speaker 3>Yeah, I'm opening up. It has a paywall, so I'm

440
00:22:10.720 --> 00:22:11.839
<v Speaker 3>like getting past the paywall.

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00:22:12.359 --> 00:22:13.480
<v Speaker 1>Oh gosh, I'm sorry.

442
00:22:13.599 --> 00:22:16.119
<v Speaker 2>I no, No, it's all good. It's all good, guys,

443
00:22:16.200 --> 00:22:18.279
<v Speaker 2>go ahead. I remember, I remember most.

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00:22:18.200 --> 00:22:22.680
<v Speaker 1>Well in the number two spot, we have Ryan Kugler. Yes, which,

445
00:22:22.720 --> 00:22:26.160
<v Speaker 1>certainly in terms of directors who you're like, well, if

446
00:22:26.160 --> 00:22:27.839
<v Speaker 1>that person is making a movie, I want to see

447
00:22:27.880 --> 00:22:28.759
<v Speaker 1>it mm hmm.

448
00:22:29.240 --> 00:22:30.799
<v Speaker 3>And a studio wants to make it.

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00:22:31.640 --> 00:22:34.559
<v Speaker 1>Yeah. And and the fact that you know, with Sinners,

450
00:22:34.599 --> 00:22:36.960
<v Speaker 1>he was able to make a deal that essentially allowed

451
00:22:37.000 --> 00:22:40.400
<v Speaker 1>the movie to revert to him in what was like twenty.

452
00:22:40.160 --> 00:22:42.160
<v Speaker 3>Five years, thirty years, Yeah, something like that.

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00:22:42.839 --> 00:22:45.960
<v Speaker 1>I mean that that was him betting big on his

454
00:22:46.039 --> 00:22:49.640
<v Speaker 1>own talent and and and it paid off beautifully. H

455
00:22:50.079 --> 00:22:51.880
<v Speaker 1>And so you know you're going to see a lot

456
00:22:51.920 --> 00:22:55.400
<v Speaker 1>more directors trying to get the Coogler deal, you know, yep, yep.

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00:22:56.079 --> 00:23:00.480
<v Speaker 1>Number three is Dennis Villeneuve. Now that's fast to me

458
00:23:00.480 --> 00:23:03.599
<v Speaker 1>because here's a guy who I've watched just slowly but

459
00:23:03.680 --> 00:23:05.799
<v Speaker 1>steadily work his way up the rankings.

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00:23:06.440 --> 00:23:09.720
<v Speaker 3>Yeah, I would not have expected the director of Prisoners.

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00:23:10.079 --> 00:23:11.799
<v Speaker 1>Yeah, I was about to. I was gonna use a Prisoners.

462
00:23:11.799 --> 00:23:13.480
<v Speaker 1>I remember watching Prisoners.

463
00:23:13.039 --> 00:23:14.920
<v Speaker 3>And the phil Bad movie of the year.

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00:23:16.119 --> 00:23:18.440
<v Speaker 1>I mean, a freaking great movie. But not when I

465
00:23:18.799 --> 00:23:22.720
<v Speaker 1>can rewatch a ton you know, mm hmm, between Dune

466
00:23:23.039 --> 00:23:27.160
<v Speaker 1>and and you know his his James Bond Revival. I mean,

467
00:23:27.200 --> 00:23:33.799
<v Speaker 1>if if James Bond hits, then he's he's gonna have

468
00:23:33.920 --> 00:23:35.680
<v Speaker 1>his pick of whatever project he wants.

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00:23:35.799 --> 00:23:36.200
<v Speaker 3>Totally.

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00:23:36.839 --> 00:23:39.480
<v Speaker 2>Hey, this is Brian And that was a preview of

471
00:23:39.519 --> 00:23:42.920
<v Speaker 2>an hour long bonus episode where Zaki and I discussed

472
00:23:43.240 --> 00:23:46.519
<v Speaker 2>reactions to the Odyssey Vulture dot COM's ranking of the

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00:23:46.519 --> 00:23:49.519
<v Speaker 2>most powerful directors in Hollywood, and then we followed that

474
00:23:49.599 --> 00:23:52.519
<v Speaker 2>up with a pretty lengthy discussion about the new trailer

475
00:23:52.720 --> 00:23:56.279
<v Speaker 2>for Avengers Doomsday. If you'd like to hear the entire conversation,

476
00:23:56.519 --> 00:23:58.640
<v Speaker 2>head on over to our Patreon feed, which you can

477
00:23:58.640 --> 00:24:02.079
<v Speaker 2>find at patreon dot com Slash Movie Film Podcast. Once

478
00:24:02.079 --> 00:24:04.359
<v Speaker 2>you're there, subscribe for just five dollars a month and

479
00:24:04.400 --> 00:24:06.640
<v Speaker 2>you'll be able to access all of our commentaries and

480
00:24:06.759 --> 00:24:10.279
<v Speaker 2>all of our episodes without any ads or interruptions. Butting

481
00:24:10.319 --> 00:24:13.319
<v Speaker 2>in you'll also find bonus conversations like this one in

482
00:24:13.359 --> 00:24:16.279
<v Speaker 2>their entirety, dropping about twice a month, so head on

483
00:24:16.359 --> 00:24:20.039
<v Speaker 2>over to patreon dot com slash MOVIEFILM podcast and subscribe today.

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00:24:20.240 --> 00:24:23.039
<v Speaker 3>We'd be very grateful. Take care and see you next week.
