1
00:00:00,400 --> 00:00:03,720
Speaker 1: All right, Taylor hit us with some chat GBT predictions.

2
00:00:05,240 --> 00:00:08,480
Speaker 2: Okay, this one, this one got a bit weird.

3
00:00:12,279 --> 00:00:13,960
Speaker 3: Bucky and John begin to fuck.

4
00:00:14,839 --> 00:00:15,960
Speaker 2: Let's just right to start.

5
00:00:16,320 --> 00:00:17,920
Speaker 3: Yeah.

6
00:00:17,960 --> 00:00:23,600
Speaker 2: So it's called Thunderbolt's Twilight Protocol. It's the name, all.

7
00:00:23,559 --> 00:00:27,160
Speaker 1: Right, sounds like a fucking call duty, battle pass, but sure.

8
00:00:27,960 --> 00:00:30,920
Speaker 2: Uh so. The prologue, the man who fell from light

9
00:00:31,559 --> 00:00:35,799
deep beneath the ice and a forgotten Soviet facility. Yep,

10
00:00:36,439 --> 00:00:41,399
they found him. Elena stood before the crowdpod breath fogging

11
00:00:41,399 --> 00:00:43,600
the cold glass as her gloved hand hovered above the

12
00:00:43,600 --> 00:00:47,000
controls inside a manly frozen in time, skin pale and

13
00:00:47,039 --> 00:00:50,880
glowing with a strange golden light. When the chamber hissed opened,

14
00:00:50,920 --> 00:00:59,039
he awoke, slowly, disoriented and quietly. Impossibly beautiful. Was seven.

15
00:01:01,240 --> 00:01:02,880
Speaker 3: His ball's perfectly round.

16
00:01:07,560 --> 00:01:12,280
Speaker 2: His eyes fluttered open, and then he smiled, the most

17
00:01:12,319 --> 00:01:16,879
puckered you've ever seen. I dreamed, I destroyed everything, he whispered,

18
00:01:16,920 --> 00:01:19,239
his voice like a distant echo. There was a tragic

19
00:01:19,280 --> 00:01:21,239
peace in his words that stirred something.

20
00:01:21,079 --> 00:01:24,079
Speaker 3: Deeper and revealed Hitler.

21
00:01:28,120 --> 00:01:31,120
Speaker 2: Bucky Barnes stepped forward cautiously. People don't smile when they

22
00:01:31,159 --> 00:01:34,159
wake up from that kind of sleepy muttered, his instincts flaring,

23
00:01:34,400 --> 00:01:37,400
but Elena didn't feel fear. She felt something else, something.

24
00:01:37,200 --> 00:01:40,159
Speaker 3: Wise, that puckered asshole.

25
00:01:44,480 --> 00:01:48,120
Speaker 2: Chapter one, The Way of Power. Bob Robert Reynolds, the

26
00:01:48,120 --> 00:01:50,840
man who was both god and ghost wrapped in human skin.

27
00:01:51,480 --> 00:01:53,359
He was polite, soft spoken, the kind of man who

28
00:01:53,439 --> 00:01:55,680
apologized when he bumped into a wall, and always seemed

29
00:01:55,680 --> 00:01:57,480
to carry the weight of the world and his gaze.

30
00:01:57,640 --> 00:02:00,400
But there was something tragic about him, something fragile. Yelena

31
00:02:00,400 --> 00:02:05,359
couldn't stop herself from being drawn to him. I like

32
00:02:05,480 --> 00:02:06,400
this movie.

33
00:02:07,920 --> 00:02:10,360
Speaker 1: That's why it adds a really different Marvel movie. Like

34
00:02:10,400 --> 00:02:12,520
we watched Thunderbolts. It's like a fifty shades of gray,

35
00:02:12,560 --> 00:02:15,159
like the whole time her embolber, just having this, like

36
00:02:15,280 --> 00:02:16,960
this chemistry, the Red Room.

37
00:02:17,039 --> 00:02:19,800
Speaker 3: The Red Room means something different Marvel movie.

38
00:02:23,479 --> 00:02:25,520
Speaker 2: Drawing him at night, she would find him sitting alone,

39
00:02:25,560 --> 00:02:29,199
stirring into nothing, his expression haunted. You're a weapon, she said,

40
00:02:29,240 --> 00:02:32,360
once stepping into the room. Her voice is rough, unpracticed,

41
00:02:32,439 --> 00:02:35,520
but I don't think you know it. Bob didn't respond immediately.

42
00:02:35,560 --> 00:02:38,280
He didn't need to. His silence was louder than any words.

43
00:02:38,560 --> 00:02:40,759
Later that evening, after a mission, they stood under the

44
00:02:40,800 --> 00:02:43,800
stars together, the chill of the air drawing them closer.

45
00:02:44,599 --> 00:02:48,759
She found herself touching his arm. Why didn't you write,

46
00:02:50,319 --> 00:02:51,919
ferd asshole.

47
00:02:54,159 --> 00:02:55,960
Speaker 3: Also looks quite nice? Century?

48
00:02:57,360 --> 00:03:00,439
Speaker 2: She found herself touching his arm, just lightly, her fingers

49
00:03:00,520 --> 00:03:03,400
grazing his skin. His eyes darkened, and for the first

50
00:03:03,439 --> 00:03:06,719
time he looked looked at her. He saw her like

51
00:03:06,759 --> 00:03:08,080
you truly understood the aching.

52
00:03:09,560 --> 00:03:12,599
Speaker 1: Stop Stop, I asked you. You didn't answer me. What the

53
00:03:12,599 --> 00:03:14,080
fuck did you raise a poem for them?

54
00:03:14,439 --> 00:03:16,199
Speaker 2: Let me go back and see what I wrote here.

55
00:03:16,240 --> 00:03:19,400
Speaker 3: Why are you getting? Are you getting like a sex brother?

56
00:03:22,240 --> 00:03:22,360
Speaker 2: Like?

57
00:03:23,120 --> 00:03:25,039
Speaker 3: Yeah, write me a juicy.

58
00:03:26,360 --> 00:03:28,479
Speaker 2: Write me a story about the thunderbolts. Don't forget to

59
00:03:28,479 --> 00:03:32,360
include Bob Aka Century. Keep this in line, keep this

60
00:03:32,479 --> 00:03:35,400
in line with the mc U cannon. Feel free to

61
00:03:35,479 --> 00:03:38,400
include other Marvel characters we haven't seen a long time.

62
00:03:38,439 --> 00:03:43,280
But remember this is a segue into an upcoming Avengers project.

63
00:03:43,800 --> 00:03:49,439
Speaker 1: Okay, I continue then, Sorry, So we're at the glazing.

64
00:03:49,560 --> 00:03:52,439
It was gazing eyes or something like that, glazing.

65
00:03:52,520 --> 00:03:57,599
Speaker 2: Yes, his eyes darkened. I'm not the monster you think

66
00:03:57,680 --> 00:04:00,560
I am, he said voicelow, almost a whist. For it

67
00:04:00,639 --> 00:04:10,319
felt like an invitation. She swallowed her.

68
00:04:10,759 --> 00:04:13,360
Speaker 1: Like I had a girl, you know, don't We don't

69
00:04:13,360 --> 00:04:15,319
accept spinners. Here he's swallow, but.

70
00:04:17,319 --> 00:04:22,560
Speaker 2: There there was a comma, the.

71
00:04:22,519 --> 00:04:24,600
Speaker 3: Thunderbll just look at the fat and just you're laying

72
00:04:24,680 --> 00:04:28,199
it going down. Hold up, my god, good John.

73
00:04:28,759 --> 00:04:31,959
Speaker 2: Her heart hammering in her chest. You're you're not, but

74
00:04:32,079 --> 00:04:35,000
you can destroy everything. Then let me be yours first,

75
00:04:35,040 --> 00:04:39,279
he replied. And there's something in his voice, something desperate, fragile,

76
00:04:39,560 --> 00:04:42,040
that made her almost take a step closer, almost let

77
00:04:42,079 --> 00:04:42,800
herself fall.

78
00:04:43,920 --> 00:04:47,560
Speaker 1: Just we love the actual movie and the audience just like,

79
00:04:47,759 --> 00:04:48,240
what the.

80
00:04:48,240 --> 00:04:51,720
Speaker 3: Fucker we want? First ten minutes into the movie, have

81
00:04:51,720 --> 00:04:55,959
a Marvel movie. Everyone's like, I'm not saying Doomsday. What

82
00:04:56,079 --> 00:04:56,879
the fuck is this?

83
00:05:00,120 --> 00:05:04,800
Speaker 2: Marvel? Chapter two, faint sparks, he swallowed.

84
00:05:04,839 --> 00:05:07,879
Speaker 1: What a what a pause? One of the best pauses

85
00:05:07,920 --> 00:05:09,000
ever for Sisty.

86
00:05:09,319 --> 00:05:10,959
Speaker 3: She swallowed.

87
00:05:12,319 --> 00:05:20,639
Speaker 2: Chapter two, Oh my gosh, Okay. She spent hours with him,

88
00:05:20,639 --> 00:05:41,560
trying to oh no, sorry, I'm sorry you okay, back

89
00:05:41,720 --> 00:05:47,399
back a sentence. It wasn't just Jillie who felt it.

90
00:05:47,639 --> 00:05:51,160
A star Ghost felt it too.

91
00:05:54,639 --> 00:05:58,920
Speaker 3: Get a Sea chapter She snuck into the room. She's

92
00:05:58,959 --> 00:06:01,680
a ghosting early Ghost see you there.

93
00:06:02,279 --> 00:06:05,319
Speaker 2: So Ghost spent hours with him, trying to understand his power.

94
00:06:05,399 --> 00:06:08,759
His energy buzzed in the air like electricity, close enough

95
00:06:08,800 --> 00:06:10,839
to taste. There's something magnetic.

96
00:06:11,959 --> 00:06:12,959
Speaker 3: She's fallowed.

97
00:06:16,399 --> 00:06:19,120
Speaker 2: There's something magnetic about him, something that made her forget

98
00:06:19,120 --> 00:06:21,279
the constant ache of her in existence. And in the

99
00:06:21,399 --> 00:06:24,040
quiet moments when they stood close enough for their fingers

100
00:06:24,040 --> 00:06:26,759
to touch, there is unspoken pole between.

101
00:06:30,720 --> 00:06:33,319
Speaker 3: Is he just fucking them all? It's the same thing

102
00:06:33,399 --> 00:06:37,079
they close, their fingers are about to touch. Oh my god,

103
00:06:37,279 --> 00:06:39,000
my ribs literally right.

104
00:06:41,480 --> 00:06:43,800
Speaker 2: Ava was the first to kiss him. It was a

105
00:06:43,920 --> 00:06:46,839
kiss that wasn't born from affection. But the Ava, the

106
00:06:46,879 --> 00:06:50,639
ghost ghost. Her name's Ava, Ava Star is what it

107
00:06:50,680 --> 00:06:52,879
says here. That's a porn.

108
00:06:52,920 --> 00:06:59,319
Speaker 1: Next chapters, Red Guardian got closest.

109
00:07:00,120 --> 00:07:03,319
Speaker 3: You'd never seen a man like this before. He swallowed.

110
00:07:05,959 --> 00:07:08,720
Speaker 2: Something that buzzed between them, electric and consuming. But when

111
00:07:08,720 --> 00:07:09,759
the kiss ended.

112
00:07:09,680 --> 00:07:12,120
Speaker 3: Happened in this movie, My god.

113
00:07:11,519 --> 00:07:14,639
Speaker 2: I don't know. When the kiss ended, she didn't feel

114
00:07:14,639 --> 00:07:17,439
the relief she expected. She felt emptier, like a part

115
00:07:17,439 --> 00:07:19,480
of her had been torn out, And as she stepped away,

116
00:07:19,519 --> 00:07:22,199
she couldn't stop herself from asking, what am I to you.

117
00:07:22,360 --> 00:07:24,920
Bob didn't have an answer. He never did ever.

118
00:07:27,279 --> 00:07:29,839
Speaker 3: You don't put your shit on me, I just you.

119
00:07:30,839 --> 00:07:34,480
Speaker 2: Uh. Chapter three, The Void within Madrapoor was meant to

120
00:07:34,480 --> 00:07:37,040
be a simple mission for treves, stolen tech, eliminated for

121
00:07:37,279 --> 00:07:40,240
few threats, but nothing was ever simple with Bob. The

122
00:07:40,319 --> 00:07:43,199
coltists there recognized them immediately. They fell to their knees,

123
00:07:43,279 --> 00:07:56,199
chanting in strange, twisted reverence. The man they swallowed, the

124
00:07:56,279 --> 00:07:58,439
man who had once been their salvation, was another end.

125
00:07:58,800 --> 00:08:01,439
And when Bob stepped forward, something inside him snapped. His

126
00:08:01,439 --> 00:08:03,480
golden light dimmed, and the shadows of the void within

127
00:08:03,560 --> 00:08:05,959
him stirred, pulling at the edges of his mind. He

128
00:08:06,079 --> 00:08:09,279
was no longer Robert Reynolds. He was the Sentry, the

129
00:08:09,360 --> 00:08:12,480
unstoppable force of light, the harbor dr of destruction. Elena

130
00:08:12,560 --> 00:08:14,519
saw it in his eyes, that flicker of darkness. It

131
00:08:14,560 --> 00:08:16,759
was there, just beneath the surface, and he couldn't control

132
00:08:16,800 --> 00:08:19,800
it anymore. She didn't know why she followed him. She

133
00:08:19,800 --> 00:08:22,079
should have stayed back, but something in her couldn't resist

134
00:08:22,120 --> 00:08:24,480
the pole. She found herself standing close to him, watching

135
00:08:24,519 --> 00:08:27,480
the devastation unfold.

136
00:08:28,680 --> 00:08:31,079
Speaker 3: She's just chilling killed.

137
00:08:32,399 --> 00:08:37,759
Speaker 2: Wow. Centry in a moment of madness, when everything was breaking,

138
00:08:37,879 --> 00:08:39,480
she reached for him. She didn't think about it, she

139
00:08:39,480 --> 00:08:43,279
didn't question it. Her lips pressed against.

140
00:08:45,159 --> 00:08:50,240
Speaker 3: This movie. He just commits a sign and she's like, oh,

141
00:08:50,279 --> 00:08:51,759
I fucking.

142
00:08:51,120 --> 00:08:53,720
Speaker 2: Somebody's gonna kiss Bob for sure. I don't know who

143
00:08:53,799 --> 00:09:01,320
it is, but someone's gonna kiss Bob. And he responded hesitantly,

144
00:09:01,360 --> 00:09:03,639
but with intensity. She could feel the weight of his

145
00:09:03,720 --> 00:09:15,600
power pressing against her, like the ocean threatening to drown her.

146
00:09:16,399 --> 00:09:21,440
Speaker 3: That has the biggest orgasm ever. He just loaded up

147
00:09:21,480 --> 00:09:28,679
with semen, scary movie style. Oh my god, oh shit.

148
00:09:35,919 --> 00:09:38,759
Speaker 2: His kiss was like fire, dangerous and desperate, and yet

149
00:09:38,759 --> 00:09:40,799
when he pulled away, his face was nothing but sorrow.

150
00:09:41,080 --> 00:09:44,519
I'm sorry, he whispered her eyes, her eyes burning with guilt.

151
00:09:44,960 --> 00:09:47,120
She didn't know if he was apologizing for the kiss

152
00:09:47,159 --> 00:09:49,279
or what he had become. She didn't know if it mattered.

153
00:09:49,320 --> 00:09:51,399
In that moment, all she could feel was the pull

154
00:09:51,440 --> 00:10:00,799
between them. Okay, Chapter four, Torn Between Worlds the movie.

155
00:10:01,159 --> 00:10:02,919
Speaker 3: I think this would kill the Marble brand.

156
00:10:03,440 --> 00:10:06,399
Speaker 2: It would they would be dead. They'd make money though

157
00:10:06,399 --> 00:10:07,720
it make money. Peop would go out and.

158
00:10:10,600 --> 00:10:13,799
Speaker 3: A tsunami against her throat Jesus Christ.

159
00:10:15,279 --> 00:10:18,000
Speaker 2: Days turned into weeks. Bob, now consumed by the void,

160
00:10:18,039 --> 00:10:21,039
became a walking nightmare, but there were moments, glimmers when

161
00:10:21,080 --> 00:10:23,120
he was still Robert. In the quietest hours, he would

162
00:10:23,120 --> 00:10:26,080
speak to Elena in soft tones, asking her to help

163
00:10:26,120 --> 00:10:26,840
him find peace.

164
00:10:27,480 --> 00:10:37,440
Speaker 1: I'm broken, she just gets the text.

165
00:10:37,879 --> 00:10:39,240
Speaker 3: You help me find peace tonight.

166
00:10:41,679 --> 00:10:45,320
Speaker 2: I'm broken, he confessed one night, his voice raw destroyed

167
00:10:45,360 --> 00:10:48,639
everything I've ever touched. But she didn't believe him. He

168
00:10:48,759 --> 00:10:53,399
wasn't broken, he was just lost. And in those moments,

169
00:10:53,440 --> 00:10:55,000
when their faces were close and the way to the

170
00:10:55,000 --> 00:11:00,480
world seemed to slip away, they shared an unspoken connectionness

171
00:11:00,480 --> 00:11:02,480
that was both fragile and all consuming.

172
00:11:02,919 --> 00:11:06,720
Speaker 3: Hey, what are the other Thunderbolts doing? Movie? So far,

173
00:11:07,000 --> 00:11:09,759
it's just been Lena and him. Ghost came and kiss

174
00:11:09,840 --> 00:11:12,080
him on d and like that, and then she left.

175
00:11:12,399 --> 00:11:13,759
We've not seen any of the other one.

176
00:11:13,879 --> 00:11:15,200
Speaker 2: Bucky was in there at the start.

177
00:11:15,240 --> 00:11:17,320
Speaker 3: That was okay, I have a Lucky Saw and so

178
00:11:17,440 --> 00:11:19,960
much romance. I've been carried away.

179
00:11:21,080 --> 00:11:23,360
Speaker 2: A tenderness that is both fragile and all consuming, a

180
00:11:23,399 --> 00:11:26,720
momentary peace amongst the chaos. Elena didn't need to ask

181
00:11:26,759 --> 00:11:28,679
for answer. She didn't need to understand his pain. She

182
00:11:28,720 --> 00:11:30,519
just needed to be close to him, feel his warmth

183
00:11:30,519 --> 00:11:33,360
against her skin, to remind her that they weren't so different.

184
00:11:33,960 --> 00:11:37,679
I'll stay, she whispered one night, her fingers grazing his jaw.

185
00:11:37,799 --> 00:11:39,559
I'll stay until you remember who you are.

186
00:11:44,320 --> 00:11:45,919
Speaker 3: Fuck the memories back into you.

187
00:11:49,440 --> 00:11:51,759
Speaker 2: He didn't say anything, He didn't need to. His lips

188
00:11:51,759 --> 00:11:58,519
found hers again, a quiet promise. Chapter five, Heart of

189
00:11:58,519 --> 00:12:01,600
the Storm. The calm frontation came quickly, and it came

190
00:12:01,639 --> 00:12:15,879
to the fury. They tracked Bob to a temple beneath

191
00:12:15,879 --> 00:12:18,440
the ice of Iceland. There, the voids surged through him,

192
00:12:18,480 --> 00:12:21,879
threatening to tear everything apart, and for the first time,

193
00:12:21,960 --> 00:12:24,360
Elena stood beside him, not as an enemy, not as

194
00:12:24,360 --> 00:12:26,440
a soldier, but as a lover. She didn't know if

195
00:12:26,480 --> 00:12:28,960
she could save him, but she knew she couldn't walk away,

196
00:12:29,320 --> 00:12:29,879
not now.

197
00:12:31,759 --> 00:12:34,080
Speaker 3: Yeah, they fucked all night. His memories bag.

198
00:12:36,159 --> 00:12:39,080
Speaker 2: Please, she whispered, her voice shaking, don't do this. Bob's

199
00:12:39,080 --> 00:12:42,240
eyes burned. He reached for her, trembling. His skin flickered

200
00:12:42,279 --> 00:12:44,799
with golden light, but the void was too strong. It

201
00:12:44,879 --> 00:12:47,919
was pulling him under. For a moment, everything went still,

202
00:12:48,120 --> 00:12:50,559
She could feel his heart beat frantic against her chest,

203
00:12:50,639 --> 00:12:57,879
and then, without thinking, she kissed him again. This time

204
00:12:57,919 --> 00:12:59,960
it was slow, aching, a promise and a plea all

205
00:13:00,080 --> 00:13:02,759
at once. Stay with me, she murmured against his lips,

206
00:13:03,080 --> 00:13:05,279
But just as quickly it was over. The void ripped

207
00:13:05,279 --> 00:13:08,639
through him, and Bob collapsed into her arms, drained broken.

208
00:13:10,399 --> 00:13:10,799
Speaker 3: All right.

209
00:13:11,399 --> 00:13:13,360
Speaker 2: Epilogue, Quiet Apple.

210
00:13:17,879 --> 00:13:20,919
Speaker 1: In the epilogue, James going fucking Love.

211
00:13:20,960 --> 00:13:23,080
Speaker 3: Marvel put it on a movie like this, My God.

212
00:13:23,759 --> 00:13:26,279
Speaker 2: They locked Bob away somewhere no one could reach him,

213
00:13:26,320 --> 00:13:31,480
a vibranium vibranium cage with magic, but Elena couldn't forget him.

214
00:13:31,720 --> 00:13:33,759
Every night she sat by a cell that waited, her

215
00:13:33,799 --> 00:13:37,399
silent connection lingering in the air. She had given him

216
00:13:37,399 --> 00:13:39,120
a part of herself, a piece of her heart, but

217
00:13:39,159 --> 00:13:42,759
she wasn't sure if you'd ever remember it. Elsewhere, Ava

218
00:13:42,840 --> 00:13:45,039
moved in the shadows, waiting for a chance to reclaim

219
00:13:45,039 --> 00:13:48,200
what had always been hers, and Taskmaster, cold and distant,

220
00:13:48,200 --> 00:13:50,279
found herself thinking of John Walker in the way. She

221
00:13:50,320 --> 00:13:51,240
didn't understand.

222
00:13:51,960 --> 00:13:56,559
Speaker 3: What did you do? He wasn't done something? Are you?

223
00:13:56,720 --> 00:13:58,799
Are you not fucking with us? You didn't write like

224
00:13:58,879 --> 00:14:01,519
right of the Romance or something you must.

225
00:14:02,200 --> 00:14:05,200
Speaker 2: Okay, I will say. I put one more prompt in

226
00:14:05,360 --> 00:14:10,679
saying build up their relationships. He didn tell us that early.

227
00:14:11,559 --> 00:14:15,120
This is this is a fucking way out left field.

228
00:14:15,320 --> 00:14:19,679
Driva the relationships I didn't think I got swallowed and ship.

229
00:14:19,919 --> 00:14:20,919
Speaker 3: I don't put that again.

230
00:14:20,960 --> 00:14:29,960
Speaker 2: Now it's so funny. Okay, yeah, so task Master thinking

231
00:14:30,000 --> 00:14:34,000
of John Walker way she didn't understand. But Valentina Defonte

232
00:14:34,440 --> 00:14:41,879
watched it, all the pieces of a broken world falling

233
00:14:41,879 --> 00:14:46,440
into place, and behind her the name Doom loomed large,

234
00:14:46,480 --> 00:14:47,559
waiting for its time.

235
00:14:48,240 --> 00:14:52,360
Speaker 1: Just text Doom, just so like, oh, you fucking idiots,

236
00:14:52,399 --> 00:14:53,519
you get it, Doom's coming.

237
00:14:54,120 --> 00:14:59,120
Speaker 2: Okay, of course we got a post credit. Yeah, okay,

238
00:15:01,679 --> 00:15:06,159
so post credit has a name. It's called Tides of Temptation.

239
00:15:09,159 --> 00:15:11,559
So the scene opens with a soft ethrool global room,

240
00:15:11,679 --> 00:15:14,679
draped and shifting shadows. The walls are lined with strange artifacts,

241
00:15:14,679 --> 00:15:16,679
each flickering with an eerie energy that seems to hum

242
00:15:16,759 --> 00:15:23,440
in tune dark noise. The room feels both ancient and futuristic,

243
00:15:23,519 --> 00:15:26,320
as it as if it exists outside of time. The

244
00:15:26,360 --> 00:15:28,919
air is thick with anticipation, charged with the promise of

245
00:15:29,000 --> 00:15:33,240
something dangerous and powerful. Okay. A figure steps into the room.

246
00:15:33,480 --> 00:15:42,879
Sharon Carter her movements. Her movements deliberate and smoothish, power broker.

247
00:15:43,360 --> 00:15:46,240
She glides into the space, her gaze focus. She's no

248
00:15:46,279 --> 00:15:49,159
longer the agent the world once new time has shaped

249
00:15:49,159 --> 00:15:51,799
her into something far more dangerous and more cunning. The

250
00:15:51,840 --> 00:15:55,120
betrayals and losses have left their mark, but they've also

251
00:15:55,200 --> 00:15:58,759
made her stronger. Sharon stands in front of a large

252
00:15:58,759 --> 00:16:01,679
glass window, looking out at the city beyond. Her reflection

253
00:16:01,799 --> 00:16:04,120
is barely visible in the darkened glass, and her face

254
00:16:04,440 --> 00:16:07,360
set in a mask of determination, Yet there's a flicker

255
00:16:07,360 --> 00:16:09,759
of something else there, and emptiness. She's not quite ready

256
00:16:09,759 --> 00:16:12,879
to confront. The world around her feels colder, more distant.

257
00:16:13,559 --> 00:16:16,519
The mission, the power, the game. Everything is shifting from

258
00:16:16,559 --> 00:16:19,600
the shadows. A familiar voice breaks the silence. You're standing

259
00:16:19,639 --> 00:16:29,120
in the wrong place, Sharon says, zemo, his voice drifting

260
00:16:29,159 --> 00:16:32,240
with quiet menace. His figure emerges from the corner, moving

261
00:16:32,240 --> 00:16:35,799
with predatory gaze, the very air around him seeming to

262
00:16:35,879 --> 00:16:38,759
bend in his presence. There's something magnetic about him, something

263
00:16:38,879 --> 00:16:44,960
darkly alluring. Sharon doesn't turn her back still to him,

264
00:16:45,159 --> 00:16:48,039
but her shoulders stiffened I'm not here to play your game, Zemo,

265
00:16:48,159 --> 00:16:50,360
she says, her voice low and steady through the The

266
00:16:50,600 --> 00:16:52,639
tension is clear. I'm here for something bigger.

267
00:16:56,080 --> 00:17:01,559
Speaker 3: Ball. She's followed.

268
00:17:02,559 --> 00:17:06,519
Speaker 2: Zmo steps closer, his movements almost hypnotic, each step calculated.

269
00:17:06,799 --> 00:17:08,920
He reaches her side, close enough now that she can

270
00:17:08,920 --> 00:17:11,559
feel the heat of his presence. His gaze never leaves

271
00:17:11,599 --> 00:17:14,480
her as he stands silently for a moment, observing her.

272
00:17:14,720 --> 00:17:24,400
His lips curl into a slow, knowing smile. Bigger, It's just.

273
00:17:32,440 --> 00:17:36,440
Speaker 1: It literally is a porn parody of like butterbolts.

274
00:17:37,680 --> 00:17:45,640
Speaker 2: Oh my god, oh fuck, his voice rich with unspoken meaning.

275
00:17:45,839 --> 00:17:48,240
The world is changing, Sharon. You can feel it, can't you.

276
00:17:48,359 --> 00:17:54,599
There's power in the chaos, and it's right for the taking. Rabbit,

277
00:17:54,799 --> 00:17:55,960
grab it with both ends.

278
00:17:56,960 --> 00:17:57,960
Speaker 3: Give peace.

279
00:18:01,759 --> 00:18:04,240
Speaker 2: Sharon shifts slightly, her pulse quickening under the weight of

280
00:18:04,240 --> 00:18:07,200
his gaze. Not everything is worth taking, she replies, though

281
00:18:07,240 --> 00:18:09,720
the flicker of doubt in her eyes betrays her. She's

282
00:18:09,759 --> 00:18:13,759
caught between her instincts and something else, a curiosity, a pole.

283
00:18:13,880 --> 00:18:15,440
She's trying to resist.

284
00:18:15,599 --> 00:18:16,279
Speaker 3: What the fuck?

285
00:18:19,319 --> 00:18:22,279
Speaker 2: Zemo steps cloth her, his breath brushing against her ear,

286
00:18:22,799 --> 00:18:25,880
his voice low and tantalizing, but some things are worth

287
00:18:25,920 --> 00:18:30,119
losing yourself for. His fingers brushed ast her arm, and

288
00:18:30,200 --> 00:18:34,039
she flinches slightly. That touch both electric and n settling.

289
00:18:34,599 --> 00:18:38,440
There's a moment of tension, thick, in charge with unspoken desire.

290
00:18:38,839 --> 00:18:43,279
Sharon turns to face him, her eyes locking with his.

291
00:18:43,920 --> 00:18:46,000
Zemo's smirk widens as he leans in.

292
00:18:46,400 --> 00:18:52,400
Speaker 1: Could you imagine watching this credit like the kids?

293
00:18:57,799 --> 00:19:00,640
Speaker 2: That's just a bunch of perverts in there, just going

294
00:19:00,720 --> 00:19:01,720
at it.

295
00:19:02,160 --> 00:19:07,079
Speaker 3: What the fuck is going on wearing drums?

296
00:19:13,720 --> 00:19:19,880
Speaker 2: Oh my god? Okay, uh, the chemistry between them and

297
00:19:19,920 --> 00:19:22,119
I'm all magnetic. Okay, you could be more than you

298
00:19:22,160 --> 00:19:25,400
ever thought possible, Sharon, He whispers, his lips barely grazing

299
00:19:25,400 --> 00:19:27,920
her ear. You could be the one to shape the world,

300
00:19:27,960 --> 00:19:30,559
but only if you're willing to let go, to embrace

301
00:19:30,599 --> 00:19:35,079
the chaos. Sharon's breath catches as his hand slides slowly

302
00:19:35,079 --> 00:19:38,559
down her arm, but touch both possessive and intimate. There's

303
00:19:38,559 --> 00:19:41,640
something seductive in his words and his power, and despite herself,

304
00:19:41,680 --> 00:19:44,839
despite the danger, Sharon feels the lure her heart raises,

305
00:19:44,960 --> 00:19:47,640
or her thoughts clouded within me for something more and

306
00:19:47,680 --> 00:19:52,039
more power, more control, more freedom, this is fucking long.

307
00:19:52,839 --> 00:19:57,279
But just as she leans in, a sharp noise shatters

308
00:19:57,319 --> 00:19:59,839
the moment. The air goes colder, the room's temperature drop

309
00:19:59,920 --> 00:20:03,079
in In an instant, a strange, almost electricum fills the space,

310
00:20:03,400 --> 00:20:05,920
and the ground shakes ever so slightly. Something is coming,

311
00:20:05,960 --> 00:20:10,279
something far more powerful than either of them. Zemo pauses,

312
00:20:10,319 --> 00:20:13,000
his smile, faltering for the brievious of moments as he

313
00:20:13,039 --> 00:20:15,359
looks toward the center of the room. The energy is shifting,

314
00:20:15,440 --> 00:20:19,119
something dark and terrible awakening. What's happening, Sharon asks, her

315
00:20:19,200 --> 00:20:22,200
voice sharp, This deduction fading from her expression is a reality.

316
00:20:22,240 --> 00:20:25,240
The situation sets in his Emo's eyes narrow as he

317
00:20:25,240 --> 00:20:27,440
steps away, moving toward the center of the room, where

318
00:20:27,440 --> 00:20:31,359
a strange, glowing object pulses on a pedestal. The light

319
00:20:31,440 --> 00:20:34,000
coming from it flickers erratically, like the heartbeat of something

320
00:20:34,079 --> 00:20:37,440
ancient and powerful. Suddenly, the figure of a man cloaked

321
00:20:37,480 --> 00:20:40,240
in darkness and rating pure energy appears in the reflection

322
00:20:40,279 --> 00:20:43,000
of the glass. His former flickers in and out of reality,

323
00:20:43,079 --> 00:20:46,400
of being a pure destructive force, of being a pure

324
00:20:46,400 --> 00:20:49,720
destructive force. His voice booms through the room, heavy with menace.

325
00:20:50,279 --> 00:20:53,240
You cannot stop the Zemo. The figure in tones, his

326
00:20:53,359 --> 00:20:57,400
voice awarding and a promise you will be consumed by

327
00:20:57,400 --> 00:21:01,599
the coming storm. Doomsday has already begun. Sharon stares at

328
00:21:01,640 --> 00:21:04,079
the reflection, her heart pounding in her chest. As the

329
00:21:04,119 --> 00:21:07,440
figure grows clear, more real, she feels the temperature drop further,

330
00:21:07,519 --> 00:21:10,799
a chill settling in her bones. Zemo steps back, his

331
00:21:11,000 --> 00:21:14,119
face a mask of resolve. There's an underlying fear in

332
00:21:14,160 --> 00:21:16,920
his eyes. He turns to Sharon, his gaze hardening. The

333
00:21:17,039 --> 00:21:19,799
end is here. Sharon takes a step forward, her hand

334
00:21:19,799 --> 00:21:23,759
out stretched, but the figures power pulses again, overwhelming her senses.

335
00:21:24,400 --> 00:21:26,920
The energy is too much to bear. No one can

336
00:21:26,960 --> 00:21:29,400
stop at Zemo murmurs under his breath. The light from

337
00:21:29,440 --> 00:21:32,359
the artifact flickers one last time before plunging the room

338
00:21:32,400 --> 00:21:33,720
into complete darkness.

339
00:21:34,519 --> 00:21:39,200
Speaker 1: There you go, Oh my god, that was quite the avenger.

340
00:21:39,240 --> 00:21:40,599
Well now you know it to never ask it for

341
00:21:40,640 --> 00:21:43,920
relationships again, No way, too overboard on the.

342
00:21:43,880 --> 00:21:46,799
Speaker 3: Fucking just sex and every like.

343
00:21:48,240 --> 00:21:51,480
Speaker 1: I guess I guess you could say friendship, baby, but yeah,

344
00:21:51,519 --> 00:21:54,039
relationship they just went way too It's went full on.

345
00:21:54,119 --> 00:21:57,319
Speaker 3: Romance not all. But oh that was great, that was right,

346
00:21:57,960 --> 00:22:00,240
My ribs like.

347
00:22:00,160 --> 00:22:02,480
Speaker 1: This camp from s bubs, Elena and Bob making out

348
00:22:02,480 --> 00:22:07,400
through next door to for there's like a glory hole

349
00:22:07,480 --> 00:22:10,640
that fucking friends in rocks. Oh my god, they're at

350
00:22:10,680 --> 00:22:13,720
it again. But all right, let's take a fucking out

351
00:22:13,799 --> 00:22:15,880
break and let's talk some actual naves to be right

352
00:22:15,920 --> 00:22:16,160
back