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Speaker 1: And now mystery thin.

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Speaker 2: Come in Welcome.

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Speaker 1: I'm E. G. Marshall.

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Speaker 2: Most people look upon their own everyday lives as being

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routine without much excitement, but that shouldn't stop anyone from

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having an active imagination. This is why we make our

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escape from the humdrum with stories of adventure, mystery and murder.

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Another mental activity most people enjoy is fitting together the

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pieces of a puzzle. The stranger the shapes, the more

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challenging that puzzle becomes. Our present puzzle concerns a young

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man who has called upon to use all his wits

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in figure figuring out the whereabouts of a string of

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deadly pearls.

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Speaker 1: Now, it's absolutely essential, Keith, that you understand the importance

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of this assignment. I believe I do, sir. If those

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pearls aren't recovered and recovered soon, it's an established fact

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that someone else will die. I understand. And no matter

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what happens, no one on that island must have any

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idea who you really are, what you're doing there. Check

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you'd better be a good actor. I think I can

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manage that. What do I have to lose? You could

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lose your life.

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Speaker 2: Our mystery drama, the Deadly Pearls was written especially for

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the mystery theater by Elizabeth Pennell and stars Paul Hecht

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and Kate Reid. Although the FBI and the Honolulu Police

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were in on the case, because of certain peculiar circumstances,

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it was important that the criminal be apprehended by a

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private investigator. This hazardous assignment went to Keith Spencer, a

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young man who had proved his physical courage in wartime service,

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but other qualifications were required for the job, as explained

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when Keith had his final briefing in San Francisco with

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the head of the Gordon Investigating Service, Freid, we've.

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Speaker 1: Given you a rough time these past few days. I didn't, Minzer,

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only I am anxious to get going. You do type,

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don't you for sure? Well, I'm afraid you'll have to

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prove it. So let's do two things at once. Take

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over this typewriter and I'll dictate some paragraphs. Okay, shoot,

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and I Keith Spencer, unmarried, with no living relatives and

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no dependence. From this day forward and until the completion

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of this assignment, I have assumed the identity of Robert Keith, writer,

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and under no circumstances will I reveal my true identity? True?

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Is that all? Yeah, if you'll sign it? Sure, I

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got a pen here. Oh I suppose you should have

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signed a statement about your ability to play bridge. What

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you did assure us that you play at least an

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average game of contract? Was sure of it. I didn't

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realize it was all that important. It could be crucial.

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Our three suspects are avid bridge players when they can

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find a fourth. Okay, and before I leave, let's go

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over the basic facts once more. All right, The missing

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pearls were cultured a single strand about twenty four inches,

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so they'd hang down about twelve inches if someone was

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wearing them. They don't sound very spectacling, Yeah, but they are.

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Jonathan Colemyer, who bought them, was a partner in a

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watch company which made radium dials, and somehow he managed

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to have the pearls treated with radium so they would

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glow in the dark. When he first thought up this scheme,

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did he have an ulterior motive? Who knows? It was?

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What happened later that we care about it. And you

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don't think he started out as a murderer, Oh, that's

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beside the point. He became one. And when he found

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out how easy it was, he did it again three times.

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A Clonian who did he bump off first? The first

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woman he gave the pearls to was said to be

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very frail. When she died in an accident, cole Meyer

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was in a state of shock, so no one accused

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him of complicity in her debt. Yeah, but apparently he

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did retrieve whatever presence he'd given her. Oh yeah, he

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was that type. Then he got married. He gave the

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pearls to his bride, who wore them constantly. She loved

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that string of pearls. How long did she last? A

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radium be a slow death, but it caught up with

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her after a while. And when she was dying, the

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doctors suspected radium poisoning. So why didn't they nail her

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husband right then? It never occurred to any wanted to

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suspect the pearls. How could any smart murderer pull the

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same stunt again? He fell in love with a young

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and brainless beauty, just really liked her because he didn't

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give her the pearls for a long time, not till

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he retired and they moved to Hawaii. What did she

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do to deserve such a present started playing around with

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another man. I did it. Cole Meyer gave her the pearls.

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She moved out, went off with the pearls and her

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new boyfriend to a scarcely inhabited island, a small one,

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well offshore from Oahu, And when she developed an unexplained malady,

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the boyfriend left her big hearted guy. Well after her

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death was an autopsy and this time no question radium poisoning.

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Oh why didn't the police move in and confiscate the

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pearl There were no pearls to be found. Isn't it

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possible that coal Meyer had been there in gott it?

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No way coal Meyer committed suicide without returning to the

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island without a confession about what he'd done. Good lord, No,

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he was a respected business man. Now you think the

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pearls are still on the island, We're sure of it.

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But more than that, Keith, we've narrowed down to three

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people who lived nearest the cottage where the last victim died.

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So my job then is to make friends with these

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three people and find out quietly which one of them

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has the deadly pearls. You make it sound too easy.

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Each of these people is highly eccentric, the few people

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who come and go from that island are under constant surveillance,

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including me. Naturally, the pearls were usually kept in a

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narrow box. It looked like an ordinary jeweler's box, but

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it was made of lead. Protection against the radium, of course,

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means it would be heavier than most boxes that size. Well,

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that makes it seem more elegant. The boxes covered with

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purple velvet and lined with satin our original. It won't

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look much different from any jewel box you've ever seen.

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I can't help thinking how useful a Geiger counter would be.

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That's totally out of the question. When you bring a

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Geiger near a suspected object, it starts ticking. You're sure,

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I know, no gadgets to make life easier, just your

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own ingenuity, and it'd better be damn good. Well, there's

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not much more I can say except to wish you luck.

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I did my homework, and the more I read about

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those three characters on the island, the more curious I

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was to meet them. The Honolulu police cleared me, and

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then I was completely on my own. With a photograph

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of the cottage and a map that showed how to

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find it. I was given a putt butt stock with

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a supply of canned goods, stowed the typewriter and duffel bag,

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and at last I was off. It was a cloudless

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day and I found the beaching cove on the island

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without any trouble. You couldn't see the cottage from the beach,

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but I knew how to follow directions. Plugging my big

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canvas bag, I headed up a steep and winding path

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and there it was a neat modern cottage with an

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enormous deck, from which there must be quite a spectacular view.

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But I had a spectacular view myself just then, because

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on that deck was a dazzling blonde, obviously sunbathing. She

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sprang to her feet in all her glory, and I

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would have been speechless, except I knew I couldn't be.

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Oh this is the Colemyer Cottage, isn't it?

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Speaker 3: What business is that of yours?

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Speaker 1: I'm the new tenant. This place is not for red No,

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well that's right, not anymore. I've signed the papers. It's

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mine for at least a year.

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Speaker 3: Who are you?

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Speaker 1: I'm sorry, how rude of me not to introduce me?

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I saif I'm Robert Keith, a writer in search of

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a quiet place to hang a typewride.

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Speaker 3: I don't believe you. The last thing we need around

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here is a writer.

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Speaker 1: Lady, I am planning to live here.

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Speaker 3: Not if I can help it.

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Speaker 1: Okay, I've answered your questions. How about answering one for me?

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Who are you out.

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Speaker 3: Of your business? Since you claim the house as yours?

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I'll see you open the door.

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Speaker 1: Just what I was about to do. I understand it

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takes two keys, and here they are, both of them.

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Speaker 3: Where'd you get those keys?

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Speaker 1: Now? Do you believe me?

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Speaker 3: Big deal? You opened the door, and now I know

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who you are. You're a policeman. They sent you here

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to spy on us. Well, I'm not going to stand

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for it.

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Speaker 4: The supply boat comes around tomorrow, I'll send a message

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back to my lawyer. No Penny Anti Flunky is going

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to be spying on me.

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Speaker 1: I assure you I'm not want to.

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Speaker 4: Unpack your things, Robert Keith, because tomorrow, Really, miss Missus Wash,

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this is Barbara Walsh, and you'll find that I have

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protection against people like you.

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Speaker 1: The gorgeously sun tanned Missus Walsh slipped her feet into sandals,

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picked up her beach towel from the deck and started

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along the path which led from the north side of

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the cottage. You must understand that during our entire conversation,

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Barbara Walsh was completely in the buck, no bikini, nothing

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except around her neck and dangling in long loops over

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her well formed body. Not pearls, but necklaces made of

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those decorative native seeds strung together, ropes and ropes of them.

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Speaker 2: Robert Keith may have thought he was prepared for anything,

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but this introduction to his new home was an unsettling

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experience he hadn't counted on. He has now had a

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most revealing look at one of the three suspects. We'll

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be there for his encounter with the others. When we

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returned shortly with that, two knew Robert Keith found the

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cottage very much to his liking. He had expected something

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rather dark and sinister, but one wall of the living

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room had a big picture window, and in the bedroom

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there was a slanting skylight directly over the bed. It

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was certainly no place to hide, and Keith realized that

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whatever he did could be watched at close range if

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anyone cared about what he was doing. He spent the

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first evening getting settled, and after a late supper of

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can goods, he turned in for the night. At about

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three o'clock in the morning, he was sleeping soundly when.

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Speaker 1: What the devil? Hey, hey, who's out there? Well, bless

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my soul, Now, would you mind pointing that gun in

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another direction? Not until I find out what's are up to?

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I was sound asleep. I am living here. No one

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lives in this house. Put up your head. I'll put

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down your gun. Would you say? I am a man

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of honor, Colonel George Medicines the name Army retired and

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no one sets foot on this island without reporting to me. Yeah, well,

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I was sorry. I didn't know that, colonel, And if

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you'll come in, I'll show you my credentials. What the

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hell's that is? Is there someone else out there? No? No,

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for any minutes. I'll check you out later. Right now,

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I recommend you go back to bed. There's a wild

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ball under the deck and I aim to get him.

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When the sun came up, it was another cloudless day,

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and after breakfast, I decided to pay a visit, not

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eager to encounter either the gun happy colonel or the

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wild eyed lady with no clothes. It seemed wise to

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seek a formal introduction to the third Island resident. The

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path to her property was overgrown with luxuriant shrubbery, but

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it opened up into an area dotted with palm trees.

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Surrounding a small stone house. Squatting in the midst of

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a flower bed was a gnome of a woman wearing

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one of those loose garments the Hawaiians call moo moos.

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Speaker 3: I wondered when you were coming.

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Speaker 1: You were you were expecting me?

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Speaker 3: Of course you're the writer who's moved into the death cottage.

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Speaker 1: I moved into the water.

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Speaker 3: Oh surely the rental agent told you that the three

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former tenants died there.

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Speaker 1: I think you're just trying to frighten me. I don't

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scare easily.

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Speaker 3: I'm very sure of yourself, aren't you, mister Keith?

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Speaker 1: Oh you know my name. Well, since we're going to

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be neighbors, perhaps you'll tell me.

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Speaker 3: I am not a babcock and if you'll help me up,

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we'll go to my porch where the coffee is parking.

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Speaker 1: I assisted Miss Babcock to her feet. The aging body

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was stooped and slow moving, and her hands were badly crippled,

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yet she used them capably to pour the coffee when

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we were seated at a wicker table on her porch.

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Speaker 3: Oh, yes, mister Keith, I've lived on this island for

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a long time. That house was just a shack when

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the poor man, a writer like yourself, was stabbed to

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death in a ghastly pool of blood. The cottage was

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rebuilt before an unfortunate woman was strangled there, and then

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it was fixed up with all that glass to let

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the sun in. But nothing could save the last dear lady,

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who simply wasted away.

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Speaker 1: Well, he was hoping I'll have better luck.

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Speaker 3: That depends. When were you born, mister Keith.

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Speaker 1: You mean what year? No?

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Speaker 3: No, no, no, the date, the day hour?

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Speaker 1: Oh, I was born in August, fourteenth of August. Oh,

243
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you sound disappointed.

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Speaker 3: You certainly don't look like Leo the Lion, and I

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would have thought that a writer.

246
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Speaker 1: But no matter.

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Speaker 3: There may be other factors. You belong to the northern

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sign of the zodiac, the middle point of the magnet

249
00:15:22,799 --> 00:15:24,200
of the fire triplicity?

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00:15:25,000 --> 00:15:25,840
Speaker 1: Is that a fact?

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Speaker 3: Or you'd better not laugh at me, mister Keith. I'll

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tell you right now that you and I are destined

253
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to be enemies. You belong with Sagittarius, Libra or ares.

254
00:15:35,360 --> 00:15:38,000
Speaker 1: Come on, miss Babcock, I'm really not so bad. Now

255
00:15:38,039 --> 00:15:39,159
tell me about your sign.

256
00:15:39,440 --> 00:15:43,679
Speaker 3: I'm Gemini, the positive people of the air triplicity.

257
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Speaker 1: You mean you mean air and fired or.

258
00:15:45,919 --> 00:15:51,000
Speaker 3: Mixed dangerously, mister Keith, very dangerously. Your sign is governed

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by the sun, and your gems are Knelian and Sardonyx.

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Speaker 1: I wouldn't know a Sardonics if I stumbled over one.

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Speaker 3: My governing planet is Mercury. Emeralds, moonstones, and pearls are

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my sign, and I have a very special affinity for pearls.

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Speaker 1: Missus Walsh had obviously passed along word of my arrival,

264
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which was why the colonel had come trying to flush

265
00:16:20,120 --> 00:16:23,039
me out, and the reason Miss Babcock knew my name

266
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and occupation. So that afternoon I became a spy hidden

267
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in the underbrush with binoculars train on the three of

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them walking along the beach. I was darn sure they

269
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were planning some strategy to get me evicted. Then Colonel

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00:16:38,799 --> 00:16:42,440
Madison left the two ladies and headed up the trail

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toward my house. I went quickly to the typewriter and

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00:16:46,120 --> 00:16:50,639
pretended to be busily at work. Oh no, mister Keith,

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I hope I'm not disturbing you. Beautiful day, isn't it, yes, sir,

274
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that it is? How are you? Colonel? Could be better?

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I'm sorry of her last night. I wouldn't want you

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to think we're not hospitable around her. Do you mind

277
00:17:07,119 --> 00:17:10,160
if I sit down? Please? Please do? I was beginning to

278
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feel like an outcast. I gather you've met the ladies.

279
00:17:14,200 --> 00:17:17,440
They didn't exactly give me a warm welcome. Oh, pay

280
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no attention, batty old babcock won't be a problem. She's

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usually off in outer space, you know, jogging to the stars.

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I gather she's hipped on astrology. Mad is a hatter,

283
00:17:30,480 --> 00:17:32,480
even though she does play a good game of bridge.

284
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You say you're also acquainted with the Barbara Walsh If

285
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you mean? Have I had a good look at her?

286
00:17:39,599 --> 00:17:45,799
You're darn right studying, isn't it you said it? Tell me, colonel,

287
00:17:46,240 --> 00:17:48,599
what's a woman like that doing all by herself way

288
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out here? But if this were a British colony, I'd

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00:17:51,960 --> 00:17:55,400
say she's a remittance woman. She's been paid to stay away,

290
00:17:56,200 --> 00:17:59,799
being paid very well. The big man in her life

291
00:17:59,880 --> 00:18:05,359
is of mafia type they nabbed him. My guess is

292
00:18:05,400 --> 00:18:08,599
the family is afraid she'll talk unless she's kept well

293
00:18:08,640 --> 00:18:11,000
out of the way until he's released from Joel. What's

294
00:18:11,039 --> 00:18:14,559
the info? No drug traffic I think I don't know,

295
00:18:15,200 --> 00:18:19,640
dealing in stolen goods. Let's talk about you, mister Keith.

296
00:18:20,319 --> 00:18:23,640
You write a fellow's interest me. What's your special subject?

297
00:18:23,720 --> 00:18:27,240
I'm a novelist. Science fiction sometimes were mostly light stuff.

298
00:18:28,160 --> 00:18:34,960
Know anything about pearls? No, not much. How would you

299
00:18:35,039 --> 00:18:36,640
like to come over to the other side of the

300
00:18:36,680 --> 00:18:40,799
island and watch the pearl divers? Pearl divers here? Oh well,

301
00:18:40,799 --> 00:18:44,599
it's not like Salon or the surlu Sea, but they

302
00:18:44,640 --> 00:18:47,200
go through the motions here twice a week during the season.

303
00:18:47,759 --> 00:18:51,759
Occasionally they come up with a creditable pearl. Come along

304
00:18:51,799 --> 00:18:54,880
if you want to, I'd like that very much. Fine. Oh,

305
00:18:55,400 --> 00:18:58,279
where are some stout walking shoes and I'll pick you up.

306
00:18:58,279 --> 00:19:07,720
About about an hour the colonel arrived in his old

307
00:19:07,839 --> 00:19:12,160
army uniform, carrying a sturdy walking stick. We started off

308
00:19:12,160 --> 00:19:14,720
on a barely marked trail, and I marveled at the

309
00:19:14,839 --> 00:19:18,279
beauty of the place, with its lush flowers and brightly

310
00:19:18,400 --> 00:19:22,160
colored birds. Not that way, mister Keith, we take a

311
00:19:22,200 --> 00:19:25,599
sharp turn over here, go up the hills just a minute.

312
00:19:25,960 --> 00:19:28,440
This island must be more populated than I thought. I

313
00:19:28,480 --> 00:19:32,720
hear music. Oh, it's just Barbara Walsh with her radio

314
00:19:32,799 --> 00:19:37,440
gang chares it on all day long. That or a stereo.

315
00:19:38,480 --> 00:19:45,319
Come along. Get ready for a steep climb. The path

316
00:19:45,480 --> 00:19:48,160
went straight up, and I had to scramble to keep

317
00:19:48,200 --> 00:19:51,599
the Colonel from getting too far ahead. But quite suddenly

318
00:19:51,960 --> 00:19:54,839
all the lush greenery ended and we came out on

319
00:19:54,920 --> 00:20:01,599
a rocky promontory overlooking the sea. Eh, we made it.

320
00:20:03,119 --> 00:20:07,440
That's quite a view. Hey. Now you see those small

321
00:20:07,599 --> 00:20:11,359
birt's way out there. Yeah, those are the oyster fishermen.

322
00:20:12,279 --> 00:20:16,200
The flat bottomed boats are dragging knits. Huh. And from

323
00:20:16,319 --> 00:20:19,880
those kayak looking things you may be able to see

324
00:20:19,920 --> 00:20:22,960
the young men diving. Won't they come closer to shore? No?

325
00:20:23,000 --> 00:20:25,759
Not not much close up. It's too treacherous for the

326
00:20:25,799 --> 00:20:27,799
tides who are running as high as they are today.

327
00:20:28,480 --> 00:20:30,799
Go on out on that big rock so you can

328
00:20:30,839 --> 00:20:35,000
get a better look. Is it steady, Oh, like Gibraltar.

329
00:20:36,039 --> 00:20:41,200
Go on, mister Keith, out further, held me Afred. Watch

330
00:20:41,240 --> 00:20:46,759
A step is to kick merciful happen. Now help me, colonel,

331
00:20:47,000 --> 00:20:50,160
we help me. Hang on, cheap, hang on, try to

332
00:20:50,160 --> 00:20:54,079
get a foot on. Here he grab my walking stick.

333
00:20:57,640 --> 00:21:00,240
I grabbed the stick because I had to, even though

334
00:21:00,240 --> 00:21:02,400
I knew it was the same stick that had been

335
00:21:02,440 --> 00:21:06,240
pushed into the middle of my back just a moment before.

336
00:21:11,960 --> 00:21:14,839
I'll say, you're a brave man, Keith. I like the

337
00:21:14,880 --> 00:21:17,119
way you handled yourself back there on the rocks. I

338
00:21:17,160 --> 00:21:20,720
wouldn't say I had much alternative. It was all the

339
00:21:20,839 --> 00:21:23,680
fault of your shoes, mister Keith. That's what it was.

340
00:21:24,160 --> 00:21:29,400
I warned you to wear walking shoes. I say, mister Keith,

341
00:21:30,279 --> 00:21:33,000
why don't we stop by to see Barbara right now?

342
00:21:33,319 --> 00:21:36,839
Why not? We need to drink, and she has a

343
00:21:37,000 --> 00:21:39,519
good liquor as a blade. I think I'd better get

344
00:21:39,519 --> 00:21:42,000
back and tend to these scratches. Just take a look

345
00:21:42,000 --> 00:21:44,160
at my clothes. I'm in no condition to go visiting.

346
00:21:44,400 --> 00:21:46,960
And as Jewish, I leave it in at the foot

347
00:21:47,000 --> 00:21:51,039
of this hill. And oh, yes, yes, I've been meaning

348
00:21:51,079 --> 00:21:54,119
to ask you, Keith. Do you play bridge? Well I'm

349
00:21:54,160 --> 00:21:57,240
not the world's best, but yes I play. Oh I

350
00:21:57,319 --> 00:22:00,559
spread I'm rather out of practice. Well, Heaven's no, so

351
00:22:00,839 --> 00:22:05,519
we let's say my house Friday evening, come for supper

352
00:22:05,599 --> 00:22:09,119
around seven. Thank you dear me, mister Keith, you did

353
00:22:09,160 --> 00:22:13,559
get scratched up. Your hands are still bleeding. Perhaps I

354
00:22:13,559 --> 00:22:17,279
should go with you. I'll be all right. Yes, well,

355
00:22:17,599 --> 00:22:20,279
I'm off in to tell the ladies the good news.

356
00:22:20,839 --> 00:22:24,119
Good news why, yes, yes, the good news that we

357
00:22:24,240 --> 00:22:27,519
found a new bridge partner. And I might as well

358
00:22:27,559 --> 00:22:36,079
warn you to bring our fat wallet. Our steaks are high.

359
00:22:36,240 --> 00:22:39,519
After a shower and some soothing applications of witch Hazel

360
00:22:39,640 --> 00:22:43,519
and ointments, I rested on the big bed under the skylight.

361
00:22:43,759 --> 00:22:46,359
The front door was wide open for the benefit of

362
00:22:46,400 --> 00:22:52,200
a magnificent sea breeze. Suddenly I was on the alert someone.

363
00:22:52,559 --> 00:22:56,279
Someone was on the steps leading to the deck. Then

364
00:22:56,440 --> 00:23:00,720
there were slow, heavy footfalls and the tap of the cane.

365
00:23:01,200 --> 00:23:05,519
Speaker 4: Mister keys, mister Keys, are you all right?

366
00:23:05,880 --> 00:23:08,359
Speaker 1: Why? Hello, miss Babcock, Yes, come in.

367
00:23:08,680 --> 00:23:10,799
Speaker 4: I heard you'd had an accident, and I thought you

368
00:23:10,880 --> 00:23:13,440
might not be able to fix your own supper. So

369
00:23:13,519 --> 00:23:15,440
I've brought you some nice oyster stew.

370
00:23:15,559 --> 00:23:17,480
Speaker 1: Oh that's very thoughtful of you.

371
00:23:17,640 --> 00:23:20,000
Speaker 3: Yeah, it's one of my specialties.

372
00:23:20,720 --> 00:23:22,480
Speaker 1: Just warm it down, thank you, Thank you, very much.

373
00:23:22,839 --> 00:23:25,200
Sit down. Well, won't you share the stew with me?

374
00:23:25,359 --> 00:23:29,799
Speaker 3: No? No, I've had my dinner. Let me see your injury.

375
00:23:29,880 --> 00:23:32,079
Speaker 1: Are there nothing but scratches? I was lucky I.

376
00:23:32,000 --> 00:23:35,960
Speaker 3: Could be serious, and you are not lucky, mister Keith.

377
00:23:36,680 --> 00:23:39,680
I looked at the stars last night, and the heavens

378
00:23:39,720 --> 00:23:42,559
do not bode well for anyone born under the sign

379
00:23:42,640 --> 00:23:43,119
of Leo.

380
00:23:43,400 --> 00:23:46,119
Speaker 1: But you see me alive and well. I could have

381
00:23:46,160 --> 00:23:48,400
crashed all the way down those rocks and into the sea.

382
00:23:48,599 --> 00:23:52,160
Speaker 3: Look out for more danger ahead. That was simply the

383
00:23:52,200 --> 00:23:52,960
first warning.

384
00:23:57,519 --> 00:24:00,279
Speaker 1: Miss Babcock knew what she was talking about, and it

385
00:24:00,319 --> 00:24:03,480
had nothing to do with the stars. I heeded the

386
00:24:03,519 --> 00:24:06,240
oyster stew and it was delicious, in fact, the best

387
00:24:06,279 --> 00:24:10,160
I've ever tasted. But about an hour later I began

388
00:24:10,279 --> 00:24:13,759
to feel drained of all energy. I thought it was

389
00:24:13,839 --> 00:24:16,519
just a reaction from a rather strenuous day, and decided

390
00:24:16,559 --> 00:24:18,559
the best thing to do was go to bed and

391
00:24:18,720 --> 00:24:23,279
sleep it off. It was a tremendous effort to get undressed,

392
00:24:23,319 --> 00:24:27,640
but I managed to drag myself partially clothed onto the

393
00:24:27,640 --> 00:24:31,759
big bed in a prone position. I felt as though

394
00:24:31,799 --> 00:24:36,240
I were being suffocated, and panic was setting in I'd

395
00:24:36,240 --> 00:24:39,200
been poisoned, and no one was going to save my

396
00:24:39,319 --> 00:24:43,200
life this time unless I did it for myself. Literally.

397
00:24:43,279 --> 00:24:46,720
I crawled into the bathroom for the well stocked medicine kit,

398
00:24:47,640 --> 00:24:51,240
as I was prepared with antidotes for poison, but time

399
00:24:51,400 --> 00:24:54,559
was too short to figure out which one would be appropriate.

400
00:24:55,599 --> 00:24:59,200
By now, my hands and feet were growing numb, and

401
00:24:59,319 --> 00:25:04,680
breathing was getting more and more difficult. I mixed up

402
00:25:04,720 --> 00:25:09,000
a heavy pink liquid in a glass of water, and

403
00:25:09,279 --> 00:25:22,759
just before blacking out. I was very, very sick. When

404
00:25:22,799 --> 00:25:25,160
I came to, I was lying on the bathroom floor,

405
00:25:25,799 --> 00:25:30,400
weak but grateful to find I was still alive. Very

406
00:25:30,440 --> 00:25:34,519
slowly I got to my feet and staggered toward the bedroom,

407
00:25:34,599 --> 00:25:37,559
hoping at last to sleep off the effects of whatever

408
00:25:37,680 --> 00:25:42,799
had been in that poisonous stew. But my whole body sagged,

409
00:25:42,839 --> 00:25:45,559
and I knew i'd never make the bed, so I

410
00:25:45,720 --> 00:25:48,599
eased myself down on a narrow couch in the living

411
00:25:48,680 --> 00:25:55,799
room and fell instantly into a heavy slumber once again.

412
00:25:56,160 --> 00:25:58,920
It must have been about three o'clock in the morning

413
00:25:59,559 --> 00:26:04,440
when there was a sound which would have awakened the dead.

414
00:26:05,599 --> 00:26:09,200
The skylight in the bedroom back flat against the wall

415
00:26:09,680 --> 00:26:14,920
I waited for minutes that seemed like an eternity, no movement,

416
00:26:16,359 --> 00:26:21,519
absolute silence. So I crept into the next room, armed

417
00:26:21,519 --> 00:26:26,519
with a flashlight and cupping the beam, examined the bed.

418
00:26:28,160 --> 00:26:33,079
It was a mass of shattered glass in the darkness.

419
00:26:33,079 --> 00:26:36,920
Once more, I moved stealthily to the front door, opened

420
00:26:36,960 --> 00:26:43,480
it without a sound, and stared into total blackness. Slowly

421
00:26:43,519 --> 00:26:48,799
I raised the flashlight and then snapped it on full beam.

422
00:26:49,079 --> 00:26:55,319
Pointing straight down the path, facing directly toward me, stood

423
00:26:55,359 --> 00:27:01,720
the statuesque Missus Barbara Walsh fully closed a long dark cimonal,

424
00:27:03,079 --> 00:27:07,440
and over her breasts hung a necklace of gems which

425
00:27:07,599 --> 00:27:13,680
burst into life like Fourth of July sparklers.

426
00:27:17,160 --> 00:27:20,440
Speaker 2: I must warn you not to jump to conclusions. If

427
00:27:20,519 --> 00:27:23,640
you imagine that Missus Walsh was wearing the stolen pearls,

428
00:27:23,799 --> 00:27:28,799
think again. Diamonds are the jewels that glitter when exposed

429
00:27:28,799 --> 00:27:33,759
to light. A pearl is sometimes a gem of great value,

430
00:27:34,000 --> 00:27:37,400
but it is not a precious stone, and one can

431
00:27:37,480 --> 00:27:43,599
scarcely say that pearls sparkle while radium. Remember the dial

432
00:27:43,640 --> 00:27:45,599
on your watch or bedside clock.

433
00:27:46,519 --> 00:27:48,680
Speaker 1: Radium glows in the dark.

434
00:27:49,799 --> 00:28:04,200
Speaker 2: We'll be back shortly with act three. Mercifully for Robert Keith,

435
00:28:04,559 --> 00:28:08,480
the next two nights and three days were totally uneventful.

436
00:28:09,160 --> 00:28:12,559
He dozed in the sun, occasionally pecked at the typewriter,

437
00:28:13,440 --> 00:28:15,039
and did a great deal of thinking.

438
00:28:16,119 --> 00:28:17,319
Speaker 1: Keith looked forward.

439
00:28:17,039 --> 00:28:20,079
Speaker 2: Eagerly to the evening of Bridge, and as he approached

440
00:28:20,079 --> 00:28:23,400
the colonel's house for the first time, he found a charming,

441
00:28:23,559 --> 00:28:27,039
sprawling building with a table set out of doors on

442
00:28:27,119 --> 00:28:31,119
what the Hawaiians call a lanai. He was glad he

443
00:28:31,160 --> 00:28:34,680
had purchased a colorful sports shirt in Honolulu, although it

444
00:28:34,799 --> 00:28:37,680
paled beside the one Colonel Madison was wearing over his

445
00:28:37,720 --> 00:28:42,880
wife's lacks. Even Miss Babcock looked festive in her flowered mumo.

446
00:28:45,079 --> 00:28:48,240
Speaker 1: Hi ah, welcome, my boy, welcome.

447
00:28:48,680 --> 00:28:51,480
Speaker 4: You're looking much better, mister Keith, he quite recovered.

448
00:28:51,480 --> 00:28:53,680
Speaker 1: Thank you. This island air will cure.

449
00:28:53,519 --> 00:28:57,079
Speaker 3: Anything, anything but my authrighteous. Where's Barbara?

450
00:28:57,319 --> 00:29:01,240
Speaker 1: Oh is late? I suspect she's getting herself dicked out

451
00:29:01,799 --> 00:29:02,680
ready for the kill.

452
00:29:03,599 --> 00:29:07,680
Speaker 3: You expressed things so aptly, Colonel. If it's like old times,

453
00:29:07,720 --> 00:29:10,559
Barbara will come prepared for murder at the Bridge table.

454
00:29:11,119 --> 00:29:14,519
I'm speaking everybody, Oh.

455
00:29:14,400 --> 00:29:19,160
Speaker 1: Barbara, Well, you've outdone yourself. Hey, dazzling, simply.

456
00:29:18,880 --> 00:29:22,039
Speaker 3: Dais Colonel and Norah, Dear.

457
00:29:23,200 --> 00:29:24,960
Speaker 1: I believe you've met mister Keith.

458
00:29:25,400 --> 00:29:27,440
Speaker 3: My lawyer has verified that he exists.

459
00:29:27,559 --> 00:29:29,599
Speaker 1: Well, I'm glad to hear that, mister Keith.

460
00:29:29,640 --> 00:29:31,559
Speaker 3: You may have the right to live on this island.

461
00:29:31,559 --> 00:29:33,880
But that doesn't mean that I have to love my neighbors.

462
00:29:34,000 --> 00:29:35,359
Speaker 1: Oh no, no, now, Barbara.

463
00:29:35,599 --> 00:29:38,599
Speaker 4: However, since we have so little opportunity for social occasions,

464
00:29:38,599 --> 00:29:39,359
I propose.

465
00:29:39,160 --> 00:29:40,599
Speaker 3: We declare an armed truce.

466
00:29:41,000 --> 00:29:43,200
Speaker 1: But I'm not at war with you. Missus walls see

467
00:29:43,240 --> 00:29:43,839
for yourself.

468
00:29:44,200 --> 00:29:46,160
Speaker 3: Peace for the evening.

469
00:29:50,599 --> 00:29:54,720
Speaker 1: Dinner began with oysters on the half show, six enormous

470
00:29:54,759 --> 00:29:57,359
oysters for each of us. And I should be interested

471
00:29:57,400 --> 00:30:01,240
in your opinion of these Keiths, delivered by my favorite

472
00:30:01,279 --> 00:30:03,359
fisherman fresh from the beds this morning.

473
00:30:03,559 --> 00:30:07,960
Speaker 3: Colonel. Look, my horoscope said this would be a lucky day.

474
00:30:08,240 --> 00:30:09,920
Speaker 1: We'll bless my soul.

475
00:30:10,200 --> 00:30:13,039
Speaker 4: Noura has nothing on me. I found one too, but

476
00:30:13,119 --> 00:30:17,559
I suspect you, Colonel. Come on, confess all.

477
00:30:17,480 --> 00:30:22,319
Speaker 1: Right, I confess party favors. There's a pearl in every

478
00:30:22,359 --> 00:30:23,039
iceter show.

479
00:30:23,240 --> 00:30:26,920
Speaker 3: The rogue. I must say this is rather a good one.

480
00:30:27,000 --> 00:30:28,559
Nice she Oh, I.

481
00:30:28,759 --> 00:30:31,960
Speaker 4: Love them everyone they feel so good.

482
00:30:32,160 --> 00:30:33,960
Speaker 1: I thought the surprise was just for the ladies, but

483
00:30:34,039 --> 00:30:37,799
I see you included me. Very pretty colonel, let that

484
00:30:37,920 --> 00:30:41,359
be the beginning of your collection. I hope you won't

485
00:30:41,400 --> 00:30:44,559
mind if some of them are already pissed. You mean

486
00:30:44,640 --> 00:30:47,119
a pearl like this one has been removed from a string. Yes,

487
00:30:47,160 --> 00:30:50,240
that's right, part of my hobby. I seldom find a

488
00:30:50,279 --> 00:30:54,079
string that meets my standards for matchings. I rematch them

489
00:30:54,160 --> 00:30:57,319
and mix them. But come, let's finish our dinner so

490
00:30:57,359 --> 00:30:58,880
we can get on to the battle.

491
00:31:04,680 --> 00:31:05,759
Speaker 3: Right, I'll have to pass.

492
00:31:06,480 --> 00:31:10,440
Speaker 1: I say, three no trump? Well four hearts?

493
00:31:11,400 --> 00:31:14,400
Speaker 3: Five no trump? Barbara? Do you have a ring on

494
00:31:14,640 --> 00:31:18,319
every finger? Only on eight? I wish I could wear them,

495
00:31:19,039 --> 00:31:22,000
my poor crippled Oh shut up, Nora, you're just trying

496
00:31:22,039 --> 00:31:24,240
to distract me. I have a contract to make.

497
00:31:28,920 --> 00:31:31,920
Speaker 1: It was a cutthroat game, no question about it. Only

498
00:31:32,119 --> 00:31:35,920
strangely we were quite evenly matched. We played three rubbers,

499
00:31:35,960 --> 00:31:38,400
so I had my chance with each one as a partner.

500
00:31:38,920 --> 00:31:42,480
By this time we were on a first name basis. Well,

501
00:31:42,640 --> 00:31:45,799
that's it, and as usual, top honors go to the

502
00:31:45,880 --> 00:31:53,559
ladies in points, which Barbara's first and Norah followed by Bob,

503
00:31:54,400 --> 00:31:58,200
and as he's proper for a gracious host, I'm lost.

504
00:31:59,079 --> 00:32:01,359
It'd take a minute to figure out who is what here.

505
00:32:02,000 --> 00:32:04,039
Speaker 3: I think the prize should go to Robert and me

506
00:32:04,200 --> 00:32:08,000
for that last small slam. I wouldn't have dreamed that

507
00:32:08,200 --> 00:32:09,839
Leon and Gemini could work.

508
00:32:09,680 --> 00:32:14,240
Speaker 4: So well together. And tell me, mister, I mean Robert,

509
00:32:14,920 --> 00:32:18,279
never Bob. Isn't this some way you could find out

510
00:32:18,359 --> 00:32:19,759
the owl of your birth?

511
00:32:19,920 --> 00:32:20,000
Speaker 1: What?

512
00:32:20,319 --> 00:32:20,640
Speaker 3: Rubbi?

513
00:32:20,839 --> 00:32:23,000
Speaker 1: Well, if it will please you, miss Nora, I suppose

514
00:32:23,039 --> 00:32:25,079
I could write and ask my mother, will you do that?

515
00:32:25,720 --> 00:32:26,960
Speaker 3: It's very important.

516
00:32:27,880 --> 00:32:30,039
Speaker 1: Speaking of my mother, You've all given me a very

517
00:32:30,039 --> 00:32:32,480
good idea, but I'd like to send her.

518
00:32:32,319 --> 00:32:35,000
Speaker 3: A present, A present for your mother.

519
00:32:35,440 --> 00:32:38,880
Speaker 1: You'll think i'm sentimental. Many years ago, my dad gave

520
00:32:38,880 --> 00:32:42,359
her a string of pearls as an anniversary present, and

521
00:32:42,400 --> 00:32:45,000
they were her greatest treasure. It has been dead a

522
00:32:45,000 --> 00:32:47,759
long time now, and she was heartbroken when the pearls

523
00:32:47,759 --> 00:32:50,799
were stolen from her New York apartment. Oh well, we'll

524
00:32:50,799 --> 00:32:53,920
say no more. I'll fix you up. How much do

525
00:32:53,960 --> 00:32:55,799
you want to pay? But now, just a minute, Colonel,

526
00:32:55,960 --> 00:32:58,720
I'm afraid you deal in merchandise that's too rich for

527
00:32:58,799 --> 00:33:02,440
my blood. Talking about a simple string of cultured pearls

528
00:33:02,480 --> 00:33:04,799
couple of hundred dollars. Now you're on the right track.

529
00:33:05,000 --> 00:33:09,640
Speaker 3: Ridiculous. Excuse me, everybody, but I'm very tired. Time to

530
00:33:09,680 --> 00:33:10,079
go home.

531
00:33:10,200 --> 00:33:11,839
Speaker 1: I'll be happy to escort the ladies.

532
00:33:12,039 --> 00:33:12,839
Speaker 3: Don't bother with me.

533
00:33:13,359 --> 00:33:15,839
Speaker 4: Perhaps you're not aware that I've spent most of every

534
00:33:15,960 --> 00:33:18,279
night wandering around the island alone.

535
00:33:18,480 --> 00:33:20,839
Speaker 1: Oh, go with them, Barbara, will you'll have to help

536
00:33:20,880 --> 00:33:21,839
me with the dishes.

537
00:33:21,920 --> 00:33:22,400
Speaker 3: That does it.

538
00:33:26,839 --> 00:33:30,559
Speaker 1: Walking with Nora Babcock was a tortuous business, and I

539
00:33:30,640 --> 00:33:33,279
had a feeling she was in pain every step of

540
00:33:33,319 --> 00:33:36,400
the way. And we lost sight of Barbara, although she

541
00:33:36,440 --> 00:33:39,720
had an unsettling trick of appearing on the path, sometimes

542
00:33:39,759 --> 00:33:43,519
in front of us, sometimes behind when we reached the

543
00:33:43,599 --> 00:33:45,119
door of Nora's house.

544
00:33:46,759 --> 00:33:50,039
Speaker 3: She's out there somewhere, and I don't want her to hear.

545
00:33:51,359 --> 00:33:54,680
If you'll come to my house tomorrow afternoon, i'd like

546
00:33:54,759 --> 00:33:57,160
to talk to you about those pearls.

547
00:33:56,680 --> 00:34:01,559
Speaker 1: For your mother. Fine, what time around two o'clock. I

548
00:34:01,559 --> 00:34:02,400
can't be seeing you.

549
00:34:02,400 --> 00:34:05,400
Speaker 3: Good night, and now you may have the pleasure of

550
00:34:05,440 --> 00:34:06,319
seeing me home.

551
00:34:06,720 --> 00:34:10,559
Speaker 1: Oh uh, yeah, this is a pleasure and a surprise.

552
00:34:11,280 --> 00:34:13,119
Speaker 3: You want to know what I have against you, don't you?

553
00:34:13,480 --> 00:34:14,599
Speaker 1: I am curious.

554
00:34:15,000 --> 00:34:18,360
Speaker 4: Well, come to my house for nightcap, and I'll tell you.

555
00:34:24,679 --> 00:34:27,280
Speaker 1: What do you think of my pad exotic luxury.

556
00:34:28,039 --> 00:34:32,400
Speaker 3: You writers have away with words. You don't fit the pattern.

557
00:34:32,920 --> 00:34:34,119
Speaker 1: And what pattern is that?

558
00:34:35,320 --> 00:34:36,760
Speaker 3: Novelists? I despise.

559
00:34:36,960 --> 00:34:39,039
Speaker 1: Oh, come on, we're no different from anyone else.

560
00:34:39,119 --> 00:34:42,360
Speaker 4: My husband was a woman hater who wrote about women

561
00:34:42,400 --> 00:34:46,559
and knew nothing about them. Oh, that man crucified me

562
00:34:46,599 --> 00:34:51,840
in his books. I know you're different. I could tell

563
00:34:52,280 --> 00:34:57,960
from the way you talked about your mother. Come over here,

564
00:34:58,760 --> 00:35:08,639
said on the couch. That's better. Hold my hand. You know,

565
00:35:10,440 --> 00:35:12,559
you know it's been frantically dull around here.

566
00:35:13,679 --> 00:35:18,239
Speaker 1: Pretty hands. But don't your fingers get tired under all

567
00:35:18,239 --> 00:35:18,920
those rocks.

568
00:35:20,440 --> 00:35:23,360
Speaker 3: Take the rings off. It'll make you feel any more comfortable.

569
00:35:24,320 --> 00:35:33,880
Speaker 1: Let's see rubies, diamonds, sapphires. I suppose you'd never stoop

570
00:35:33,960 --> 00:35:36,119
to wearing something as simple as a pearl.

571
00:35:36,519 --> 00:35:39,039
Speaker 3: On the contrary, my most prized possession.

572
00:35:39,079 --> 00:35:43,159
Speaker 4: I own a string of priceless pearls over there in

573
00:35:43,159 --> 00:35:44,760
that velvet box.

574
00:35:45,239 --> 00:35:45,880
Speaker 1: May I see that?

575
00:35:47,039 --> 00:35:50,320
Speaker 4: I don't put them on display for just anybody. Oh,

576
00:35:52,239 --> 00:35:54,480
if you're a good boy, show them to you.

577
00:35:55,800 --> 00:35:58,480
Speaker 3: Here, let me freshen your drink.

578
00:35:59,199 --> 00:36:03,159
Speaker 1: You have some faston eating things in this room. That Buddha,

579
00:36:03,280 --> 00:36:07,159
for instance, it's carved from jade. And are these the

580
00:36:07,159 --> 00:36:10,639
pearls you said you'd show them to me.

581
00:36:11,000 --> 00:36:13,719
Speaker 3: It's locked and I have to get the key.

582
00:36:15,519 --> 00:36:21,320
Speaker 4: Oh yes, Bob, I said, I'd show you the pearls

583
00:36:22,119 --> 00:36:27,559
if you're a good boy, and I will to morrow morning,

584
00:36:29,119 --> 00:36:30,480
after you spent the night.

585
00:36:35,840 --> 00:36:38,719
Speaker 1: When I was having breakfast next morning in the sunshine

586
00:36:38,760 --> 00:36:42,239
on my deck, Yes, I was alone. I had not

587
00:36:42,400 --> 00:36:46,239
spent the night with Barbara Walsh. In my line of work,

588
00:36:46,320 --> 00:36:50,079
it has to be business before pleasure. There was no

589
00:36:50,159 --> 00:36:54,280
need to accept a bride. You see. When I picked

590
00:36:54,320 --> 00:36:58,480
up that purple velvet jewel box, it was light as

591
00:36:58,519 --> 00:37:04,199
a feather. But as I was saying while eating breakfast, well,

592
00:37:04,360 --> 00:37:07,440
good morning, you're a late rise. I went to a

593
00:37:07,440 --> 00:37:09,840
big party last night. Colonel. Come on, have a cup

594
00:37:09,880 --> 00:37:13,920
of coffee. I brought you something. I don't pay any

595
00:37:13,920 --> 00:37:16,360
attention to the looks of the box. The velvet's worn,

596
00:37:17,119 --> 00:37:21,000
it's been around for a while. It's what's inside that counts.

597
00:37:21,800 --> 00:37:24,800
I'd be glad to sell you the pearls open the

598
00:37:24,800 --> 00:37:31,280
box beautiful. Well, these are not the ones we were

599
00:37:31,280 --> 00:37:33,639
talking about last night. I mean this is a double

600
00:37:33,760 --> 00:37:38,239
strand obviously far more expensively. I know, I know it

601
00:37:38,320 --> 00:37:41,000
can be sold for several thousand dollars some day, but

602
00:37:41,079 --> 00:37:43,840
my price to you still stay on. No, no, no, colonel,

603
00:37:43,840 --> 00:37:46,639
I just can't accept it. My good man. I'm offering

604
00:37:46,679 --> 00:37:49,199
you the kind of bargain that comes once in a lifetime,

605
00:37:49,400 --> 00:37:52,199
but it'll never do for my mother. Don't you have

606
00:37:52,280 --> 00:37:55,440
something else? Yes, of course I do. I thought I

607
00:37:55,480 --> 00:37:59,039
owed you a favor. You owe me nothing. Please, Colonel,

608
00:37:59,119 --> 00:38:01,119
if you'll let me go to your house, perhaps you

609
00:38:01,159 --> 00:38:04,000
could show me another string. That would be I show

610
00:38:04,039 --> 00:38:09,800
you nothing right now, Good mornings. The colonel stopped off,

611
00:38:09,800 --> 00:38:11,960
and I knew I would have to change my approach

612
00:38:12,000 --> 00:38:14,519
if I wanted to look at his collection. And I

613
00:38:14,599 --> 00:38:17,199
think about that later, because my next appointment was with

614
00:38:17,320 --> 00:38:18,199
Nora Badcock.

615
00:38:18,599 --> 00:38:22,480
Speaker 3: Come in, Robert. Didn't we have a good time last night?

616
00:38:22,840 --> 00:38:25,639
Speaker 1: You can be my bridge partner anytime.

617
00:38:25,719 --> 00:38:32,519
Speaker 3: That's very sweet. I meant to ask you, how did

618
00:38:32,559 --> 00:38:34,079
you like my oyster stew?

619
00:38:34,239 --> 00:38:36,440
Speaker 1: Well? The taste was superb.

620
00:38:35,960 --> 00:38:38,840
Speaker 3: But didn't it help you to go to sleep?

621
00:38:40,119 --> 00:38:43,679
Speaker 1: Look a level with you, Miss b You put something.

622
00:38:43,400 --> 00:38:47,119
Speaker 4: In that stewdent you Oh, the usual dash of chili

623
00:38:47,159 --> 00:38:49,679
sawso and plenty of rich green No.

624
00:38:49,679 --> 00:38:55,960
Speaker 1: I mean I mean something, something bad. I don't understand

625
00:38:56,400 --> 00:38:58,119
that STU made me deathly ill.

626
00:38:59,000 --> 00:39:01,920
Speaker 3: Why I wanted you to sleep well after your accidents.

627
00:39:01,960 --> 00:39:04,599
So I did put in a drop or two of

628
00:39:04,639 --> 00:39:09,239
my sedatives, the kind that helps me, from one of

629
00:39:09,280 --> 00:39:14,079
those bottles. Perhaps it shouldn't have been combined with the seafood.

630
00:39:14,360 --> 00:39:16,679
Speaker 1: Perhaps I thought you were trying to poison me.

631
00:39:17,920 --> 00:39:21,039
Speaker 4: Could you have such thoughts about a poor old lady?

632
00:39:21,119 --> 00:39:22,239
Speaker 1: I take them all back.

633
00:39:24,239 --> 00:39:26,000
Speaker 3: When is your mother's birthday?

634
00:39:26,920 --> 00:39:28,559
Speaker 1: It's in June, like yours.

635
00:39:28,840 --> 00:39:32,400
Speaker 3: I knew it. I knew it. My pearls were a

636
00:39:32,480 --> 00:39:36,519
present and nothing would please me more than giving them

637
00:39:37,000 --> 00:39:37,760
to a Gemini.

638
00:39:37,960 --> 00:39:40,400
Speaker 1: Well that's very generous of you, but I please.

639
00:39:40,159 --> 00:39:43,599
Speaker 3: Get the pearls for me. Robert on that cabinet over there. Okay,

640
00:39:44,000 --> 00:39:45,840
you'll find the box is rather heavy.

641
00:39:46,760 --> 00:39:48,920
Speaker 1: You say, these pearls were given to you.

642
00:39:49,079 --> 00:39:53,760
Speaker 4: Yes, yes, by the dear lady who lived in your cottage.

643
00:39:54,199 --> 00:39:57,039
Speaker 3: I don't care of a poor thing. And before she

644
00:39:57,159 --> 00:40:01,679
died she gave me her dearest treasure. Open the box

645
00:40:01,719 --> 00:40:02,760
and tell me what you think.

646
00:40:05,039 --> 00:40:06,119
Speaker 1: I think they're perfect.

647
00:40:06,559 --> 00:40:10,559
Speaker 3: Oh, you don't know the best part. These pearls have

648
00:40:10,599 --> 00:40:14,800
a magical quality. Just wait until you see what happens

649
00:40:14,800 --> 00:40:18,039
to them at night. Pick them up, examine them.

650
00:40:19,320 --> 00:40:21,119
Speaker 1: I like the way they look against the satin.

651
00:40:21,800 --> 00:40:24,719
Speaker 4: Oh, how I love them.

652
00:40:25,199 --> 00:40:28,840
Speaker 1: No, Just when do you wear these pearls?

653
00:40:28,880 --> 00:40:32,000
Speaker 3: Oh they're not for wearing, at least not for me.

654
00:40:33,280 --> 00:40:37,039
I like to fondle them, and before my hands got

655
00:40:37,159 --> 00:40:41,320
so so bad, I use them the way the Greeks.

656
00:40:41,360 --> 00:40:46,199
Do you know worry beads. I've often taken them to

657
00:40:46,239 --> 00:40:46,800
bed with me.

658
00:40:48,559 --> 00:40:50,719
Speaker 1: These hands of yours, it's not my hands.

659
00:40:51,719 --> 00:40:54,760
Speaker 3: You see how hard it is for me to get around.

660
00:40:54,840 --> 00:40:57,480
Speaker 1: Yes, I know. Have you been to a doctor?

661
00:40:57,599 --> 00:41:01,800
Speaker 4: Values I have my medicines, though they don't do much good.

662
00:41:02,079 --> 00:41:04,800
Speaker 1: I know a fine doctor in Honolulu. I think he

663
00:41:04,840 --> 00:41:07,480
can help you. Will you let me take you to him? Oh?

664
00:41:07,480 --> 00:41:11,199
Speaker 3: I couldn't let you do that. Robert knocking the stars?

665
00:41:11,639 --> 00:41:14,760
How many times have I told you? I've been warned

666
00:41:14,800 --> 00:41:15,280
never to.

667
00:41:15,280 --> 00:41:19,000
Speaker 1: Trust to Leo look Norah for reasons. I won't trouble

668
00:41:19,039 --> 00:41:21,519
you with them. Then, of course I wouldn't want the

669
00:41:21,559 --> 00:41:24,920
Colonel or Barbara to know I am not the person

670
00:41:24,960 --> 00:41:28,639
I've pretended to be. Would it make any difference to

671
00:41:28,719 --> 00:41:31,000
you if I told you I was actually born on

672
00:41:31,119 --> 00:41:32,440
January the second?

673
00:41:32,719 --> 00:41:35,719
Speaker 3: Why all the difference in the world.

674
00:41:35,880 --> 00:41:38,440
Speaker 1: I should have known we.

675
00:41:38,239 --> 00:41:40,920
Speaker 3: Were destined to be friends from the very beginning.

676
00:41:41,000 --> 00:41:46,760
Speaker 1: Mister Keith, Yes, just Keith, that's my real first name.

677
00:41:48,239 --> 00:41:51,840
Speaker 3: I'll go with you wherever you want me to go.

678
00:41:57,239 --> 00:41:58,360
Speaker 1: Case closed.

679
00:41:59,199 --> 00:42:03,760
Speaker 2: Miss Babcock's destiny was not written in the stars, even

680
00:42:03,800 --> 00:42:07,159
though she went to her grave believing it was. The

681
00:42:07,239 --> 00:42:11,519
deadly pearls were taken out of circulation, and ra Babcock

682
00:42:11,639 --> 00:42:15,360
was given the best of care in a hospital where

683
00:42:15,360 --> 00:42:17,239
they did what they could to ease the pain.

684
00:42:17,400 --> 00:42:20,079
Speaker 1: During the short time she had left to live.

685
00:42:20,920 --> 00:42:24,079
Speaker 2: It was thought best not to shatter her dream, so

686
00:42:24,119 --> 00:42:27,920
she never knew that Keith Spencer was an orphan, or

687
00:42:27,960 --> 00:42:31,719
that her treasured pearls had been anything but a comfort.

688
00:42:32,519 --> 00:42:33,519
Speaker 1: I'll be back shortly.

689
00:42:45,119 --> 00:42:47,880
Speaker 2: Keith Spencer found a good deal more on that island

690
00:42:48,119 --> 00:42:51,559
than the missing pearls. He stepped into the lives of

691
00:42:51,639 --> 00:42:55,360
three people whose philosophies did not agree with his, Yet

692
00:42:55,360 --> 00:42:59,159
with each he had at least one point of mutual understanding.

693
00:43:00,400 --> 00:43:03,760
Our mystery was solved with the apprehension of a victim

694
00:43:03,840 --> 00:43:08,280
rather than a culprit. Our cast included Kate Reid, Paul Hect,

695
00:43:08,320 --> 00:43:12,519
Grace Matthews and Court Benson. The entire production was under

696
00:43:12,519 --> 00:43:13,840
the direction of Hyman Brown.

697
00:43:14,039 --> 00:43:14,599
Speaker 1: This is e g.

698
00:43:14,800 --> 00:43:18,039
Speaker 2: Marshall inviting you to return to our Mystery Theater for

699
00:43:18,119 --> 00:44:06,199
another adventure in the macabre. Until next time, pleasant dreams.

