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Speaker 1: Before we introduce our guests, we're going to play one

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of his studio tracks, and then he's gonna play live

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for us. We're gonna get to know Jack and Cora.

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Did I say right? I got it right? All right,

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very good. So check this out. This is really cool.

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This is called Wildside.

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Speaker 2: And she runs with fire.

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Speaker 1: Burning on her having.

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Speaker 3: Night out. Flyer Cario, keep bar queen. I'm in no

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school ridder turning up on some backroad traver when the

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work has been done. Baver around her, lov on a

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tree in the interceding not world. I'm a dog on

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her release.

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Speaker 4: Whoa that side keeps.

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Speaker 2: Cutting on through.

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Speaker 3: Ws like shouting on.

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Speaker 4: The wireway of a couple of those schools.

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Speaker 3: I'm along for the ride any day, any ninety.

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Speaker 4: It's true.

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Speaker 3: She's got the outside that's pulling me through, not on

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roadway hopping underground dice let us backstage knowing she's a

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good time.

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Speaker 5: And it'ser or any day.

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Speaker 3: She's a dancing machine.

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Speaker 5: And from my rodeo, oh.

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Speaker 6: I could cat on a bean.

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Speaker 7: Whoa that hick keeps cutting on food?

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Speaker 5: Who like showering on the wire with h cup through

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the spoons. Whoa, it's fire on I still sturning on foods.

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I'm along for the.

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Speaker 4: Ride any day any ninety.

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Speaker 5: It's true. She's got the light hot side. That's couldn't

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a loose? Whoa that n sack? He's cutting on through.

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Speaker 4: What like chatting on the wire with a couple of

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use crews.

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Speaker 8: Whoa they a lot?

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Speaker 5: He's cutting on?

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Speaker 3: Whoa it's following on us to spurning on food I'll

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belong for the ride any day in nineties. She's got

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the wildwood side that's cutting it loose.

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Speaker 4: Oh, she's gotten the wildwood side.

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Speaker 2: It's couldn't be living.

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Speaker 6: Thank you very much, thank you.

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Speaker 1: I can't believe we got all these people in here

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this morning. No, I'm just kidding. No, that was up.

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That was obviously recorded live, and we'll ask me about that.

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Jack and Cora is here with us live in studio.

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What a great song, Jack, Oh, thank you very much.

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Really like that a lot you? Uh Where did you

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record that?

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Speaker 6: That was at the Studio Portland in Portland, Maine. Now

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the Studio Portland they do these things called live sessions

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where they have six or seven, maybe eight musicians come

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in and then you get to do three songs performed

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live in front of an audience. Okay, Yeah, it's a

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good opportunity. It's the price is good, you know, compared

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to going into a studio and actually recording. Yeah, so

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it's it's definitely worth it.

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Speaker 1: Yeah, very cool. Is that something that you'll you'll do

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again in the future, like, well, they have you back

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or yeah?

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Speaker 6: I mean you can. You know, it's not like you

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have to get invited or anything. You can just oh wow,

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you just sign up for it. Yeah, that's my second

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time doing it. I'll probably do it again, but I

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think the next time I want to actually really do

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an actual recording session, no live audience.

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Speaker 1: Yeah, oh sweet Jack, I'm just gonna ask you to

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get get closer to that. Yeah, there we go. Oh,

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no problem, no problem. And you did. Now you sent

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us a few studio tracks. Were these all done there? Yes? Okay,

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they were okay, very good. Now you came to us

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through our friend Temple Mountain.

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Speaker 6: That's great.

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Speaker 1: I assume have you shared the stage with him? Have

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you guys played shows together or how do you How

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do you guys know each other?

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Speaker 6: He he's from the Keene area. I was doing a

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show in Keene, New Hampshire and he actually came out

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he'd heard about me. We both worked for the the

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NH Music Collective.

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Speaker 1: Oh okay, so that's.

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Speaker 6: How we kind of we knew each other from social

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media status. I guess. Yeah, he saw me. Uh we

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we hit it off. We talked for just talking music,

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you know. Yes, and actually we a couple of weeks

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about a month ago now, we did a songwriting competition

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together up in Guildford and I got to see him again.

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He plays first, I got second. So yeah, it was

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it was but it was a great it was you know,

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he's he's a great songwriter. It was I'd known about

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him and it was finally good to Yeah.

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Speaker 1: Oh yeah, yeah. We've had him on the show what

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three times now, Jenny something like that. A few, Yeah,

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because we've we've had him at least a couple of

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times here and a couple of times at the old studio,

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I think. So yeah, No, he's amazing and he's he's

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interesting too because you know, because of his his career,

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his day job so to speak. Well actually he's still

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going to school for it, for psychology. But yeah, he's

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just really remarkable to to talk with. Do you play

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out a lot? Do you do a lot of live shows.

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Speaker 6: Yeah, I'm out every week, three four shows a week, Yeah,

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every week.

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Speaker 1: Yeah, excellent.

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Speaker 6: My this is just what I do, you know, no

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other jobs. What I'm doing right now.

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Speaker 1: Good for you. That's outstanding. Yeah, yeah very much. How

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long have you been doing it kind of full time

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so to.

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Speaker 6: SPA, Yeah, I'd say probably the last two years. I'm

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like still very new to this whole music thing. I

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started playing during COVID. Yeah, that's when I picked it up.

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And then I got out in like twenty twenty one. Yeah,

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I was only doing like one show a weekend, but

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that's when I started getting out.

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Speaker 1: Yeah. Oh that's great. Yeah. So did you start Is

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that when you started learning to play guitar or in COVID.

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Speaker 6: Well, so, my father taught me guitar, but it was just,

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you know, just I grew up with a lot of

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Johnny Cash, so those three four chord songs. His father

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taught him, my grandfather, and so it's kind of been

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a tradition thing, and I never really had an interest

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for it in school. You know. He probably taught me

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when I was like eight. You know, I played, you know,

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maybe three times a year total, and then you know,

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Covid hit and I just had all that free time,

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and yeah, I'd always been a huge fan of music,

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you know, like anybody else, but yeah, I had the time,

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and I just fell in love with it.

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Speaker 1: Now, what about in terms of singing, are you self taught?

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Did you take lessons or singing?

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Speaker 6: No, I've I've never taken lessons, I guess just my

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only lessons are just cranking the radio up in the

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car and just blaring it out, you know. Yeah, that's

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really it. I was always scared to sing in front

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of people, so that was a big thing for me

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when I started singing. I wouldn't even sing in front

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of my parents. So I yeah, but I did it,

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and yeah, it's taking me take me pretty far since then.

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Speaker 1: So you've got a great voice, who would you who

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would you tend to listen to? Are there specific artists

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that you would tend to listen to and sing along

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to to really train your voice?

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Speaker 6: Yeah, you know, I mean, I my parents grew up

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in the nineties, so I grew up with all those

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nineties bans, you know, Parl jm Alice and Chains all

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that stuff. So those were like for me starting out singing,

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those were like my go tos. Yeah, maybe even like

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more match Bucks twenties kind of more my my style,

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Rob Thomas.

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Speaker 1: But I can hear I can hear that.

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Speaker 6: Yeah yeah, can you hear yeah? Yeah. But like when

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I the reason I got into music was like classic

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rock scene, you know, Zepling, Black Sabbath, That's that's really

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got me going. But I can't sing that that stuff exactly.

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I can try.

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Speaker 1: But yeah, And while this was happening during COVID, while

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you were learning to play guitar, and you know you

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obviously you've been training your voice singing, were you also

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did you start writing songs at the same time or

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did you already have song ideas or did that come later.

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Speaker 6: No, I've only been writing for less than a year,

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like last January, Yeah, till I started. I you know,

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it's it's a big confidence thing, you know, writing something

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and actually playing it in front of people. So it

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sind of took me a while to build that up.

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Speaker 9: Yeah.

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Speaker 6: Yeah, but yeah, no, I'm still like, you know, I

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don't know what kind of music I'm going to be

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reading this, you know, I don't know what my genre is.

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I'm still trying to figure it out. Yeah, I always experimenting,

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So yeah, still trying to find my voice.

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Speaker 1: Yeah in that sense. Yeah, well you've got that. There's

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that singer songwriter genre which is very sort of broad,

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but you know, obviously you fit into that and I

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and you know, I can imagine, I mean at radio

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in terms of format you'd fit in, well, you know,

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in the Americana format. I would think, like, I don't

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know if you've been played on or if you've submitted

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any music to the River in Boston. I have not

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known that that's the station that I can imagine, you know,

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a commercial station that would pick you up. And I

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think you do very well at college radio as well.

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But now that's that's great. How many how many songs

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have you written? Can you put a number on it? Yeah,

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because I bet once you really started writing, it took off.

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I would imagine you've written a lot of songs since then.

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Speaker 6: It's probably been like twenty, but there's probably three or

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four that I would actually play live. Really, it's just

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those first ones are just I don't think they're ever

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going to be good for I mean maybe for some

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people they write one song and it's great, but yeah,

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you know, it's it's like playing it's like learning guitar,

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you know, it's like it you get it gets better

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and better as you keep on doing it. Yeah, at

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least for me.

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Speaker 1: Yeah, you do a lot of covers to fill out.

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Speaker 6: The yet yep, I mean that's what I started doing. Yeah,

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so I mean now it's like, you know, I would

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be practicing covers when I first started all the time.

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Now it's like I don't even I have my three

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hours of covers and now it's just kind of focus

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on songwriting and getting better on the guitar.

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Speaker 1: And yeah, yeah, you want to play something for us

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dining here? You to play live?

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Speaker 9: Yeah?

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Speaker 1: If you're just joining us Jack and Cora? Am I

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saying it?

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Speaker 5: Right?

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Speaker 6: And you got it?

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Speaker 1: Jack and Cora is here with this live in studio.

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Jack has one of those last names a n CEO

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R A where it's like you could probably pronounce it

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a few different ways and and any any one of

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them would sound credible. But uh, but it is Jack

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and Cora. But you probably get anchor a quite a bit, right.

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Speaker 6: Yeah. I had a whole bunch of things.

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Speaker 1: Yeah, what are you gonna play for us?

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Speaker 6: This is a song called I'll Get By. I wrote

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this song about being a musician, playing out on the

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road a lot most of my weekends. I don't get

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home till very late. So yeah, I guess I wrote

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it about that. Yeah, that's about it. All, that's very simple.

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Speaker 1: All right. Here we go.

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Speaker 4: Riding along, don't staying hound if.

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Speaker 5: No home place from my head till I'll get.

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Speaker 10: By thirty ones in a few straight down, turning my

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sink one across the track off and I'll get by.

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Speaker 4: I'll get by.

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Speaker 3: Rusty strings, god, a drunken charm. Folk don't care and

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I sor don't mind to get me by.

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Speaker 8: Getting So I'll get by him some back of body

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I find.

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Speaker 4: Piece down some awesome highway.

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Speaker 3: I'll be funny because I'll do it my way, young

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and broke.

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Speaker 4: Well, I still got time. I'll get back. Ain't the

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shop for a suit in time, she says, boy, way,

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still got time. Now, I'll get by her. I'll getting

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by it. Then she'll sit there and ask me why

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take a slice of a bigger pie?

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Speaker 11: Will get by, will get by?

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Speaker 3: They'll get by him some background bottom you'll find working

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in some local shadowy they'll be finding because we're you

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hit all.

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Speaker 4: A way, young and broke very still got time. Friends,

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don't put your wording on me.

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Speaker 5: So I'll be fine if I get there one.

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Speaker 4: Time, pay my bills with my song in my room,

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I'll get mine and I'll get it. So I'll get.

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Speaker 5: By you on some background by the way.

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Speaker 3: I'll find peace down some long highway. I'll be fighting because.

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Speaker 4: I do in my way, young and broke, well, I

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still got time.

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Speaker 8: I'll get by you some background by way.

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Speaker 4: Ah fatiayah, being.

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Speaker 12: Fatny south and lovely young and bros.

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Speaker 5: You got.

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Speaker 1: Love it. Wow wow, wow wow. Absolutely, Jack and Cora

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is here with us live in studio on this Saturday morning.

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Here tell us talk about you know, we talked about

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influences in terms of your singing and what about songwriting.

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Who are some of the artists who've influenced you that way?

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Because I love your songs and you know again, I've

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listened to all three tracks that you sent us and

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this is really really good, So I'm curious about who

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your influences are. Yeah.

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Speaker 6: For songwriting, oh geez, I mean it's so vast. I mean,

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if we're talking like today's songwriting, Chris Stapleton's really like

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the pinnacle for me. I think personally, I think his

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songwriting is.

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Speaker 1: Just that name comes up a lot when I asked

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this question. Yeah, it's interesting.

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Speaker 6: He's just I mean, to begin with, he before he

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was famous and you know, released his own stuff, he

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was writing songs in Nashville for other artists, and so

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he's just a maestro in that aspect. I mean, he

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really knows what he's doing. I personally think lyrically, vocally,

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and he's a great guitar player too. He doesn't get

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much shine for his guitar playing. He's a great guitar player.

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So I mean, yeah, if I'm looking up to someone

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or if I'm trying to take notes for someone, it's

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going to be Stapleton.

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Speaker 1: Okay, okay, anybody else you can think of offhand.

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Speaker 6: I mean, you know, it's funny. I played. So I

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played in a band, a three piece band. We were

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a classic rock band. So like a lot of like

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what we were doing in terms we would write songs.

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We would do some blue stuff, we do some hard

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rock stuff. So in that sense, it was like the Zeppelin,

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the Sabbath, even tool we would go, you know, we

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would write some two like songs. So I mean on

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the setting, you know, I you know, I like the

295
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new stuff in terms of inspiration that the old stuff too,

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you know. It's yeah, it's all over the place. Really.

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Speaker 1: Yeah. Yeah, what was the band called?

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Speaker 6: We were called Young Guns. We broke up, but we're

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actually getting back together. Oh in a couple of months.

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So yeah, our first shows in January again. Oh okay, yeah, yeah,

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we're very excited.

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Speaker 1: Are you Are you just doing like a one offer?

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Are you jumping back into that and going full scene with.

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Speaker 6: It or yeah, it's just gonna be you know, like

305
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for fun, like you know, maybe once a month toice

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a month. We played, we do a lot. I'm from

307
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Lacony in Hampshire. We do a lot during bike week. Yeah,

308
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we play a lot of shows then, so that's kind

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of our big shabam. But yeah, it's just gonna be

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a you know, once a month, toys a month thing,

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just for fun.

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Speaker 1: What are you doing that? Do you play guitar and singer?

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Speaker 9: Yeah?

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Speaker 6: I played guitar. It's a three piece. I play guitar

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and sing. But uh, we're looking at a new singer.

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I've always thought, you know, man, you know we do

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all these Zeppelin songs, these high pitched stuff. If we

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could get a girl singer.

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Speaker 1: Oh yeah, we'd be on fire.

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Speaker 6: Yeah no, yeah, we got a girl. She's very interested.

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We're gonna try her out. We're very excited. So yeah, yeah, yeah.

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Speaker 1: Oh that's excellent. That's excellent. When you play, when you

323
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play out, you know, because it sounds like you're very busy,

324
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Like do you play all around New England? Have you

325
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done anything outside of New England or you?

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Speaker 6: Yeah? I so I play. I mean a lot of

327
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it's in New Hampshire. I'm trying to get down in

328
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mass mar I do a few stuff in mass I

329
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go up to Maine as well, but outside of New England.

330
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I got the chance to play in New York City

331
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in August. Do you want me to do you mind

332
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if I tell the story?

333
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Speaker 5: Oh?

334
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Speaker 1: No, go ahead, yeah please.

335
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Speaker 6: I was at the Foundry right across the street here

336
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in this this this actor his name was Elias Cacavas.

337
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He came up to me. He was like, hey, man, yeah,

338
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I think you're great. We have a band, we're called

339
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the Vanity. We're going to be playing at the Rex

340
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Theater in a few weeks or whatever it was. And

341
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I said, okay, yeah, I'll open for you. He said,

342
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he asked me to open. I said sure, I mean,

343
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I'm not going to turn that down. It's the Rex Theater.

344
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And it went great. It was a lot of fun.

345
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They're actually from New York this band, he's from Manchester,

346
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but he lives down in New York City and they

347
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were like, we're doing another gig. You want to come down?

348
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Definitely New York City? Yeah yeah, yeah, yeah, So that's

349
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that's as far as I've been so far.

350
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Speaker 1: Yeah. Yeah, where in New York? What was the venue?

351
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Speaker 6: It was called the Delancey Rooftop. Okay, it's on the

352
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East Side, East Side, I guess.

353
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Speaker 1: Yeah, yeah, uh no, that's fantastic.

354
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Speaker 6: Yeah, they don't They don't play out much. I mean,

355
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I mean, like he's an actor, he's always out filming there.

356
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Speaker 1: Yeah.

357
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Speaker 6: They I think they only do a few shows a year.

358
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Speaker 1: Oh okay, okay, cool. Cool. Now when you play out

359
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do you usually do is it you do like a

360
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three hour set? Is it? Is it just you most

361
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of the time?

362
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Speaker 6: Just me kind of guitar?

363
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Speaker 1: Okay, okay, now is it always just you? In terms

364
00:19:37,680 --> 00:19:40,480
of like do you ever have guest musicians or anything,

365
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because obviously what you're doing would lend itself to that.

366
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You ever came up with anybody?

367
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Speaker 6: Oh yeah, I mean I had a gig at the

368
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Backyard Brewery last night and there's a guy that works

369
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in the same Anach music collective, and I was like,

370
00:19:52,319 --> 00:19:54,400
come on up and we singing like four songs. You know.

371
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Happened again the night before, a couple of artists I

372
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know that they played out and they ca to see

373
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me and had them come up.

374
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Speaker 1: Oh very cool.

375
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Speaker 6: Yeah, that's always fun.

376
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Speaker 1: Yeah, and it's nice to do something too. I would

377
00:20:06,000 --> 00:20:08,240
imagine where and I say I would imagine because I've

378
00:20:08,279 --> 00:20:10,519
never been in that situation. I used to play in

379
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a lot of bands, but it was never anything where

380
00:20:13,200 --> 00:20:15,440
like what you're doing where you can just have other

381
00:20:15,480 --> 00:20:17,599
people kind of join you, you know. I was just

382
00:20:17,680 --> 00:20:19,359
always in rock bands where it was, you know, just

383
00:20:19,400 --> 00:20:21,839
four dudes and we're just you know, doing the same

384
00:20:21,880 --> 00:20:24,279
thing every show, and there's not that flexibility to just

385
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have people come up. So I alway thought it'd be

386
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fun to do something like that. So that must be

387
00:20:28,240 --> 00:20:29,160
nice to be able to do that.

388
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Speaker 5: Yeah, it is.

389
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Speaker 6: But like you know, like you said, I totally understand

390
00:20:32,119 --> 00:20:34,400
that whole you know, rock you know, being in a

391
00:20:34,440 --> 00:20:36,400
band thing. You know, people will you know, if I

392
00:20:36,599 --> 00:20:38,480
get a request for a song when I'm alone, I

393
00:20:38,519 --> 00:20:40,440
can probably do it if I know it right. If

394
00:20:40,440 --> 00:20:42,759
you're in a band, though, it's right, you know, if

395
00:20:42,759 --> 00:20:44,000
you guys have never played it, it's.

396
00:20:43,839 --> 00:20:46,480
Speaker 1: Not happening right, exactly, exactly totally.

397
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Speaker 6: I get that.

398
00:20:47,200 --> 00:20:52,440
Speaker 1: Yeah, yeah, when you started playing because you were playing

399
00:20:52,440 --> 00:20:54,799
in the band. Let me make sure I've got the

400
00:20:54,839 --> 00:20:56,960
timeline right. Were you playing in the band before you

401
00:20:57,000 --> 00:20:58,920
started doing solo gigs? Live?

402
00:20:59,000 --> 00:20:59,759
Speaker 6: Started right? Both?

403
00:20:59,839 --> 00:21:01,799
Speaker 1: The oh you started both at the same time? Okay,

404
00:21:02,359 --> 00:21:05,920
did was playing in the band easier in some ways,

405
00:21:05,960 --> 00:21:08,400
like less pressure because I would always imagine because again

406
00:21:08,400 --> 00:21:10,920
I've never done what you do, but I would imagine

407
00:21:10,960 --> 00:21:13,680
because there's to me, like there was always a safety.

408
00:21:13,880 --> 00:21:15,720
There's a safety to being in a band when you're

409
00:21:15,759 --> 00:21:17,960
in a band and it's you and some other dudes

410
00:21:17,960 --> 00:21:20,480
and you're on stage, especially for someone like me. I'm

411
00:21:20,480 --> 00:21:23,240
a bass player. So if I'm playing in a metal

412
00:21:23,279 --> 00:21:26,279
band and it's loud, and if there's anyone in the

413
00:21:26,319 --> 00:21:28,039
band who can get away with making a mistake, it's

414
00:21:28,079 --> 00:21:30,079
the bass player, Like like oops, I played an A

415
00:21:30,160 --> 00:21:33,839
instead of an E. Nobody knows, but I would imagine

416
00:21:34,440 --> 00:21:37,519
that's a lot less pressure being in that band than

417
00:21:37,640 --> 00:21:41,720
being just you on stage, because then all the focus

418
00:21:41,799 --> 00:21:43,680
is on you. I mean, was that scary at first?

419
00:21:43,799 --> 00:21:44,640
Was that intimidating?

420
00:21:44,759 --> 00:21:46,880
Speaker 6: I really do see what you're saying with like the

421
00:21:46,960 --> 00:21:49,799
you know, the companionship of having a band. Honestly though,

422
00:21:49,880 --> 00:21:52,680
I felt like it was it was I felt more comfortable,

423
00:21:52,880 --> 00:21:56,839
really in this singing sense, being solo because I just

424
00:21:57,759 --> 00:22:00,720
I didn't have to focus on everybody else. Probably a

425
00:22:00,720 --> 00:22:02,480
three piece, I was the lead guitarist, so you know,

426
00:22:02,519 --> 00:22:05,599
it's like I had to really listen into everyone else

427
00:22:05,680 --> 00:22:07,799
with when I'm solo, I can just I'm just doing

428
00:22:07,799 --> 00:22:08,319
my own thing.

429
00:22:08,480 --> 00:22:09,680
Speaker 1: Yeah that makes sense.

430
00:22:10,119 --> 00:22:11,720
Speaker 6: But I mean, you know, playing with the band though,

431
00:22:11,720 --> 00:22:14,160
you know, getting to play with three other two other

432
00:22:14,240 --> 00:22:17,880
dudes that it's awesome, like you know, just it's it's

433
00:22:17,920 --> 00:22:22,039
a it's a it's a bond that is not even tangible,

434
00:22:22,039 --> 00:22:22,799
it's it's amazing.

435
00:22:23,160 --> 00:22:25,640
Speaker 1: Yeah. Yeah, I can imagine too that being a lot

436
00:22:25,640 --> 00:22:27,720
of pressure of being the lead guitarist and a three piece.

437
00:22:27,839 --> 00:22:30,359
You know, the small the smaller the it seems like

438
00:22:30,400 --> 00:22:33,400
the smaller the band, the less room there is for

439
00:22:33,440 --> 00:22:36,920
any kind of error. I don't know's I don't know,

440
00:22:38,039 --> 00:22:40,319
it makes sense. It's what I'm just thinking, though it's

441
00:22:40,319 --> 00:22:42,599
probably that's probably not even the right way to think

442
00:22:42,640 --> 00:22:44,440
about it, but that's that's how I used to think

443
00:22:44,440 --> 00:22:46,160
about it though some of these bands I played, and

444
00:22:46,200 --> 00:22:48,920
it was like, yeah, it's good when it's good to

445
00:22:49,000 --> 00:22:50,720
know that I can make a mistake and no one's

446
00:22:50,799 --> 00:22:51,400
likely to know.

447
00:22:54,880 --> 00:22:57,519
Speaker 6: But uh, you're the you're the backbone of the band

448
00:22:57,519 --> 00:23:00,119
though being a basis you know, like, yeah, you're like

449
00:23:00,160 --> 00:23:02,160
the most important person out there. You know, that's what

450
00:23:02,240 --> 00:23:02,839
keeps together.

451
00:23:03,000 --> 00:23:04,839
Speaker 1: Yeah, yeah, well there you go, there you go.

452
00:23:04,960 --> 00:23:05,880
Speaker 6: That's what I think at least.

453
00:23:05,960 --> 00:23:10,720
Speaker 1: Yes, yes, the songs that you play in that band

454
00:23:10,799 --> 00:23:13,279
or did play and we'll play again, do any of

455
00:23:13,279 --> 00:23:17,079
those make it into your solo set or like for

456
00:23:17,160 --> 00:23:19,319
covers or yeah, or even or I don't know if

457
00:23:19,319 --> 00:23:22,640
you had originals with them that yeah you brought.

458
00:23:22,440 --> 00:23:26,359
Speaker 6: Over sometimes you know, like I said, you know, like

459
00:23:27,880 --> 00:23:30,319
we for example, like if I were to play a

460
00:23:30,359 --> 00:23:32,279
led Zeppelin, so I know I keep bringing them up,

461
00:23:33,319 --> 00:23:35,079
but if I were to play a led Zeppelin song

462
00:23:35,720 --> 00:23:37,680
with the band, it'd probably be like rock and roll

463
00:23:37,759 --> 00:23:41,720
something yeah, going or you know, but if I'm playing solo,

464
00:23:41,799 --> 00:23:44,759
it might be going to California, Yeah for example. Yeah,

465
00:23:44,839 --> 00:23:47,200
so I mean same bands. It just like depends on

466
00:23:47,279 --> 00:23:49,720
you know, a lot of the times. It's it's very different.

467
00:23:49,440 --> 00:23:52,880
Speaker 1: Though, yeah than the band. Yeah that makes sense. If

468
00:23:52,880 --> 00:23:55,519
you're just joining us, Jack and Cora is here with

469
00:23:55,599 --> 00:23:57,759
us live in studio, and you want to play another one,

470
00:23:57,799 --> 00:23:59,400
I'd love to. Yeah, we'd love to hear you play

471
00:23:59,440 --> 00:24:03,240
live again. Jack is Uh, he brought his guitar. What

472
00:24:03,279 --> 00:24:04,200
are you gonna play for us?

473
00:24:04,480 --> 00:24:04,680
Speaker 3: Uh?

474
00:24:04,720 --> 00:24:06,799
Speaker 6: This is a little blue song I wrote. I was

475
00:24:08,039 --> 00:24:09,680
I was up late at night and I was on

476
00:24:09,759 --> 00:24:12,200
my phone and I saw a video of a blues

477
00:24:12,279 --> 00:24:14,920
artist playing on the acoustic guitar. Oh. I was like, Oh,

478
00:24:15,000 --> 00:24:17,839
I try something real quick. Okay, I write a little song.

479
00:24:17,880 --> 00:24:19,440
This is called Southbound Sugar.

480
00:24:19,599 --> 00:24:21,400
Speaker 5: All right.

481
00:24:22,319 --> 00:24:24,119
Speaker 6: It's gonna be a little quieter because I'm not using

482
00:24:24,119 --> 00:24:25,160
a pick, so it just heads up.

483
00:24:25,200 --> 00:24:49,519
Speaker 9: Okay.

484
00:24:28,359 --> 00:24:59,480
Speaker 12: M my baby, she's down in Georgia drinking sweet deep mixed.

485
00:25:01,440 --> 00:25:07,880
Oh my baby, She's down and old drinking sweete mixed

486
00:25:07,960 --> 00:25:14,720
with I ain't seen myself bound baby since God knows me,

487
00:25:18,480 --> 00:25:19,079
I've been.

488
00:25:19,039 --> 00:25:25,480
Speaker 13: There, baby, there's no doubt you're gonna cry every time myself.

489
00:25:26,920 --> 00:25:32,359
Speaker 4: I'm said, baby, there's no doubt it's your train's head.

490
00:25:32,839 --> 00:25:39,160
Oh you sound, baby, bring yourself bounce sugar of.

491
00:25:41,839 --> 00:26:04,680
Speaker 5: All right, m.

492
00:26:08,039 --> 00:26:21,200
Speaker 11: Hmm long, just thinking about you, your sound blues, just

493
00:26:21,440 --> 00:26:22,559
thinking about you.

494
00:26:27,359 --> 00:26:30,799
Speaker 4: I heard then Georgia peaches get kind of blues.

495
00:26:30,519 --> 00:26:31,720
Speaker 9: And dimes.

496
00:26:34,680 --> 00:26:36,000
Speaker 5: You're a peach, right.

497
00:26:36,200 --> 00:26:40,599
Speaker 4: And then on the town all the cats scrawled in

498
00:26:40,799 --> 00:26:44,519
out the house. You're a peach right.

499
00:26:44,640 --> 00:26:50,400
Speaker 13: And then on the town now scarling out his howl,

500
00:26:51,680 --> 00:27:01,200
baby bringing on south bound peaches on to me, my baby,

501
00:27:01,599 --> 00:27:09,480
she's down Jojo drinking Sweet Tea mixed gin. Yeah, my baby,

502
00:27:09,839 --> 00:27:17,400
she's down Joe drinking Sweet team mixed. I ain't seen

503
00:27:17,759 --> 00:27:30,160
mass south bound baby, and all again, very nice, very nice.

504
00:27:30,920 --> 00:27:35,359
Speaker 14: So like you are not who you are, Like somewhere

505
00:27:35,440 --> 00:27:38,559
in there is like an eighty year old person who

506
00:27:38,759 --> 00:27:42,400
has the most incredible you have an amazing lose voice.

507
00:27:42,599 --> 00:27:45,799
Speaker 1: Please, I'm not even kidding, Like, wow.

508
00:27:45,720 --> 00:27:47,880
Speaker 6: Those one's hurt. You know. That's when I have to

509
00:27:47,920 --> 00:27:51,039
get you know, people. For example, when I do cover stuff,

510
00:27:51,039 --> 00:27:52,200
people say play pearl.

511
00:27:52,079 --> 00:27:56,000
Speaker 1: Jam yeah, good jack good, Oh that's okay, yeah, or

512
00:27:56,039 --> 00:27:59,079
you can. Yeah, yeah, we've got if you are just

513
00:27:59,200 --> 00:28:02,319
joining us. Jack and Korra is here with us live

514
00:28:02,400 --> 00:28:04,720
in studio, and yeah, I was. I was kind of

515
00:28:04,759 --> 00:28:06,200
thinking the same thing as Jenny. It's like, you know,

516
00:28:06,240 --> 00:28:09,519
you got an old soul there. That's really good. You

517
00:28:09,640 --> 00:28:13,039
come from a musical family. I I kind of suspected.

518
00:28:13,160 --> 00:28:18,680
Speaker 6: Yeah, yeah, I mean from as young as I can remember.

519
00:28:19,039 --> 00:28:22,480
You know, Johnny Cash was like playing on the radio

520
00:28:23,079 --> 00:28:25,480
in the cars, and I grew up with that stuff.

521
00:28:26,799 --> 00:28:29,480
So I mean I'm an old soul when it comes

522
00:28:29,519 --> 00:28:31,480
to music. And yeah, I can think of my parents

523
00:28:31,519 --> 00:28:33,359
for that. I'm very grateful for it, you know. It's yeah,

524
00:28:33,480 --> 00:28:34,079
love that stuff.

525
00:28:34,319 --> 00:28:36,319
Speaker 1: So your parents are your parents musicians?

526
00:28:36,599 --> 00:28:42,200
Speaker 6: My dad plays guitar. Yeah, he taught me. My mom sings.

527
00:28:42,240 --> 00:28:44,680
They both sing, yeah, yeah, they're good singers.

528
00:28:46,480 --> 00:28:46,680
Speaker 5: Yeah.

529
00:28:46,720 --> 00:28:51,119
Speaker 6: It just music was always around as far back as

530
00:28:51,160 --> 00:28:51,720
I can remember.

531
00:28:51,839 --> 00:28:55,200
Speaker 1: So it's yeah, did your dad play a band or anything?

532
00:28:55,599 --> 00:28:58,000
Speaker 6: I think he So, he played in a band called

533
00:28:58,000 --> 00:29:00,200
the Lampey River Band. I played in this band. I

534
00:29:00,319 --> 00:29:02,960
was guitars. So yeah, this is actually how I first

535
00:29:03,039 --> 00:29:07,720
got started. My Bassis and I who we later playing

536
00:29:07,759 --> 00:29:11,759
the band Young Guns. Together. We go to this campground

537
00:29:11,759 --> 00:29:14,240
in Raymond, New Hampshire. We we have vacation there in

538
00:29:14,279 --> 00:29:18,079
the summer, and uh, these guys my father included, and

539
00:29:18,079 --> 00:29:20,519
we're like, let's start a band. So it was me,

540
00:29:20,960 --> 00:29:24,839
my father and three other guys in the bassis. His

541
00:29:24,960 --> 00:29:27,319
name's Kevin from my band, and we just started jamming

542
00:29:27,359 --> 00:29:29,279
and we played at the campground a bunch of times

543
00:29:29,319 --> 00:29:31,200
and me and my bassis were like, yeah, this is

544
00:29:31,920 --> 00:29:33,559
this is awesome. We got to start doing We had

545
00:29:33,640 --> 00:29:35,279
just started playing. We were like, we got this is

546
00:29:35,319 --> 00:29:37,039
right after COVID, we gotta start doing this.

547
00:29:37,359 --> 00:29:37,519
Speaker 1: Yeah.

548
00:29:37,799 --> 00:29:40,599
Speaker 6: So yeah, that's that's really the reason what you know

549
00:29:40,720 --> 00:29:41,319
inspired us.

550
00:29:41,359 --> 00:29:45,039
Speaker 1: But rh yeah, right, does your dad still play or

551
00:29:45,119 --> 00:29:46,960
does he still Is he so active musically?

552
00:29:47,359 --> 00:29:48,759
Speaker 6: Yeah, I mean, you know he's you know, he doesn't

553
00:29:48,759 --> 00:29:50,680
play out, but you know he's always down in the basement.

554
00:29:51,200 --> 00:29:53,000
You can always hear him strumming and singing down there.

555
00:29:53,039 --> 00:29:54,640
So yeah, he's always he's always playing.

556
00:29:54,720 --> 00:29:57,359
Speaker 1: Yeah, I'm not surprised that you have what about like,

557
00:29:57,440 --> 00:29:59,920
do you have siblings or cousins or anybody who's also

558
00:30:00,559 --> 00:30:01,319
musicians or.

559
00:30:02,039 --> 00:30:06,359
Speaker 6: I have two younger sisters my uh, the oldest of

560
00:30:06,440 --> 00:30:10,000
the youngest sisters she plays guitar. Okay, she's she just

561
00:30:10,039 --> 00:30:12,440
started not too long ago. She's getting pretty good.

562
00:30:12,880 --> 00:30:13,759
Speaker 1: Yeah yeah, yeah yeah.

563
00:30:14,359 --> 00:30:16,559
Speaker 6: And then the youngest one, she's she's starting to sing,

564
00:30:16,880 --> 00:30:19,880
no kidding, yeah yeah. It's if you're an anchor, it's

565
00:30:19,960 --> 00:30:22,240
just bound to happen. Yeah, you're gonna get sucked into it.

566
00:30:22,559 --> 00:30:24,920
Speaker 1: I always wonder. I don't know if anyone's researched it,

567
00:30:25,000 --> 00:30:26,799
if there's been any research on this, but I always

568
00:30:26,799 --> 00:30:29,440
wonder if there's any kind of a genetic component in

569
00:30:29,559 --> 00:30:32,279
terms of musicianship running in families. I don't know if

570
00:30:32,319 --> 00:30:34,319
there if there is something genetic to it, or if

571
00:30:34,359 --> 00:30:36,759
it's just if it just happens that way. Because if

572
00:30:36,799 --> 00:30:38,839
you're around, if you're growing up around music, then of

573
00:30:38,880 --> 00:30:41,880
course you're going to be more likely to want to

574
00:30:41,920 --> 00:30:44,880
be involved in it. It's just always interesting to me,

575
00:30:45,119 --> 00:30:47,039
Like I don't I don't feel like I meet very

576
00:30:47,079 --> 00:30:48,880
many musicians who want to interview them if I ask

577
00:30:48,960 --> 00:30:52,559
them that question, Like, like nobody ever says to me, no, nobody,

578
00:30:52,799 --> 00:30:54,799
nobody in my family ever really played an instrument. I

579
00:30:54,920 --> 00:30:56,799
just for some reason, I started, you know what I mean?

580
00:30:56,920 --> 00:30:58,480
Speaker 6: Sure, yeah, And that happens all the time. I mean

581
00:30:58,519 --> 00:31:01,319
that's my basis. Nobody music in his family and he

582
00:31:01,400 --> 00:31:03,799
just picked it up. Oh really, Yeah, that's a that's

583
00:31:03,799 --> 00:31:05,640
a great point. I've always wondered that too, if it

584
00:31:05,759 --> 00:31:08,880
is genetic, like, yeah, that's very deep and it's Yeah,

585
00:31:08,960 --> 00:31:09,680
that's a great point.

586
00:31:09,960 --> 00:31:13,720
Speaker 1: Now, what's kind of your forward trajectory? Obviously these songs,

587
00:31:13,880 --> 00:31:16,880
these studio tracks were recorded live. Do you have plans

588
00:31:16,920 --> 00:31:18,880
to release an album? Are you going into the studio

589
00:31:19,039 --> 00:31:21,759
or are you gonna put out singles or there's so

590
00:31:21,799 --> 00:31:24,680
many different ways to you know, to approach it in

591
00:31:24,799 --> 00:31:26,200
terms of releasing music, and.

592
00:31:26,640 --> 00:31:30,119
Speaker 6: There is Yeah, I think I'm gonna start with singles.

593
00:31:30,880 --> 00:31:33,559
I'm gonna go out soon. I have some I So

594
00:31:33,720 --> 00:31:37,119
there's a couple of different guys that are I plan

595
00:31:37,279 --> 00:31:39,839
to record me which I'm looking forward to. I'm gonna

596
00:31:39,839 --> 00:31:43,039
I think I'm gonna do singles. You know, I still

597
00:31:43,119 --> 00:31:45,440
have to talk to, you know, people like Eric who

598
00:31:45,519 --> 00:31:47,720
are very familiar with the release process, because you know,

599
00:31:48,079 --> 00:31:50,119
some people just throw their stuff on Spotify and it's

600
00:31:50,160 --> 00:31:52,559
like nothing happens. I think there's other steps you gotta

601
00:31:52,599 --> 00:31:55,160
tell Yeah, you know, so that's what I I don't

602
00:31:55,160 --> 00:31:56,920
want to be that person. That just you know, throws

603
00:31:56,920 --> 00:32:00,559
something out and it just gets lost. Right. So yeah,

604
00:32:00,599 --> 00:32:05,240
I think by twenty twenty five, January early twenty twenty five,

605
00:32:05,279 --> 00:32:08,279
I'll be releasing a single. Yeah, I mean, you know,

606
00:32:08,799 --> 00:32:11,519
depending on how busy the studios are. But that's that's

607
00:32:11,559 --> 00:32:12,279
my that's my goal.

608
00:32:12,519 --> 00:32:15,039
Speaker 1: Yeah. Yeah, And what about do you have plans to

609
00:32:15,079 --> 00:32:17,400
go out on tour like I do, a national tour.

610
00:32:17,799 --> 00:32:19,920
Speaker 6: I would like to do that. That sounds great if

611
00:32:19,920 --> 00:32:24,039
you want to set it up. I'm down here, yeah,

612
00:32:24,119 --> 00:32:25,319
you know, I would love to do that. You know,

613
00:32:25,559 --> 00:32:27,640
I want to do this the rest of my life. Yeah,

614
00:32:27,880 --> 00:32:29,400
that's the that's the bottom line of it.

615
00:32:29,640 --> 00:32:29,880
Speaker 5: Yeah.

616
00:32:31,480 --> 00:32:33,200
Speaker 6: So yeah, I mean I'm just kind of in the

617
00:32:34,279 --> 00:32:36,480
I'm figuring it out still right right, I'm still very

618
00:32:36,519 --> 00:32:36,839
new to it.

619
00:32:37,039 --> 00:32:39,279
Speaker 1: Yeah, it sounds like you've got some help to New

620
00:32:39,279 --> 00:32:41,440
Hampshire our music collectorally, they're great.

621
00:32:41,519 --> 00:32:41,680
Speaker 6: Yeah.

622
00:32:41,799 --> 00:32:44,119
Speaker 1: John MacArthur, he was on the show a couple of

623
00:32:44,119 --> 00:32:46,319
months ago, a few months ago. Yeah, he's great to

624
00:32:46,359 --> 00:32:48,640
talk to you. And yeah, we had I'm sure you

625
00:32:48,720 --> 00:32:49,880
know Rebecca Turmel.

626
00:32:49,680 --> 00:32:50,720
Speaker 6: Yes, so she's wonderful.

627
00:32:50,799 --> 00:32:52,400
Speaker 1: Yeah, yeah, she was on with us last week. And

628
00:32:52,480 --> 00:32:55,359
that's actually Jenny and I met her at a at

629
00:32:55,400 --> 00:32:59,240
a NH Music Collective event and conquered. Yeah, so they're

630
00:32:59,279 --> 00:33:02,240
they're doing great things and really providing a lot of

631
00:33:02,319 --> 00:33:05,400
information and knowledge for young artists because you know, you

632
00:33:05,480 --> 00:33:11,319
can really get swallowed up, you know, it's uh actually yeah.

633
00:33:11,359 --> 00:33:13,440
We talked about that a lot last week too with Rebecca.

634
00:33:13,920 --> 00:33:16,000
So it's it's so important to be able to find

635
00:33:16,279 --> 00:33:18,759
people who are positive, people who are knowledgeable. So I

636
00:33:18,960 --> 00:33:20,599
think it's great that you're how did you How did

637
00:33:20,680 --> 00:33:22,400
you get connected with NH Music Collective.

638
00:33:23,880 --> 00:33:26,640
Speaker 6: I was doing a show in Laconia and some guy

639
00:33:26,720 --> 00:33:30,440
who knew John saw me play and he texted John said, hey,

640
00:33:30,480 --> 00:33:32,799
you got to see this kid play. And then John

641
00:33:33,160 --> 00:33:35,519
came to see me play at a show and that's

642
00:33:35,599 --> 00:33:36,440
how it started from there.

643
00:33:36,599 --> 00:33:41,559
Speaker 1: Yeah. Right, and then he approached you and yeah talking yeah, yeah, yeah, yeah,

644
00:33:41,599 --> 00:33:42,160
it's amazing.

645
00:33:42,279 --> 00:33:42,440
Speaker 5: You know.

646
00:33:42,519 --> 00:33:44,400
Speaker 1: What's really amazing to me is I was kind of

647
00:33:44,480 --> 00:33:46,000
stunned when we had him on and he told me

648
00:33:46,039 --> 00:33:49,920
how many events they do. I had no idea. I

649
00:33:50,079 --> 00:33:52,160
was and and you know, and a lot of them.

650
00:33:52,279 --> 00:33:54,400
You know, obviously there's a kind of a division of

651
00:33:54,519 --> 00:33:57,279
labor there, but a lot of these events he's you know,

652
00:33:57,400 --> 00:34:00,519
he's going to himself and and running things, and it's like, wow,

653
00:34:01,319 --> 00:34:02,680
you don't uh, you don't sleep much.

654
00:34:03,680 --> 00:34:05,880
Speaker 6: He's a workaholic, but yeah, sure, no, he's he's a

655
00:34:06,000 --> 00:34:09,119
very busy man and he they The thing about the

656
00:34:09,159 --> 00:34:12,360
collective is they really care about the musicians, you know. Yeah,

657
00:34:13,840 --> 00:34:15,679
I mean that's I think that's what makes the difference.

658
00:34:15,840 --> 00:34:19,440
Speaker 1: Yeah, yeah, absolutely. Before we run out of time, do

659
00:34:19,440 --> 00:34:20,599
you want to play one more for us?

660
00:34:20,760 --> 00:34:20,880
Speaker 8: Uh?

661
00:34:21,360 --> 00:34:22,920
Speaker 1: You can do another original, or if you want to

662
00:34:22,960 --> 00:34:23,719
do a cover you can?

663
00:34:24,000 --> 00:34:25,280
Speaker 6: Or do you mind if I do a cover?

664
00:34:25,440 --> 00:34:27,440
Speaker 1: Not at all, Not at all. If you are just

665
00:34:27,559 --> 00:34:30,239
joining us. Jack and Cora is here with us, alive

666
00:34:30,320 --> 00:34:33,519
in studio, love to hear him play this is This

667
00:34:33,679 --> 00:34:36,039
is really a treat right now. We've got Jack and

668
00:34:36,199 --> 00:34:38,000
Cora here with us, and what are you gonna play

669
00:34:38,000 --> 00:34:38,199
for us?

670
00:34:38,280 --> 00:34:40,599
Speaker 6: Jack? Well, we mentioned Stapleton, so I might as well

671
00:34:40,639 --> 00:34:42,199
show you where my inspiration comes from.

672
00:34:42,280 --> 00:34:42,599
Speaker 1: All right?

673
00:34:43,199 --> 00:34:44,360
Speaker 6: Stapleton sounds good?

674
00:35:07,320 --> 00:35:13,199
Speaker 3: Where the old lords are like, welcome mad to a

675
00:35:13,280 --> 00:35:19,760
better place in the world here. I ain't got no

676
00:35:20,199 --> 00:35:25,400
kind of plans I've had all down.

677
00:35:25,760 --> 00:35:26,840
Speaker 6: I can't stand.

678
00:35:29,719 --> 00:35:35,239
Speaker 3: I got friends out on the cold. We can jump

679
00:35:35,360 --> 00:35:40,880
in the water and see you out floor. We've been

680
00:35:41,039 --> 00:35:47,199
saving for any deed. Let's beat the storm and bill

681
00:35:47,320 --> 00:35:48,119
on that way.

682
00:35:51,280 --> 00:35:55,000
Speaker 4: It don't matter to me where if we ought's where.

683
00:35:54,840 --> 00:35:55,519
Speaker 6: I wanna be.

684
00:35:57,079 --> 00:36:00,039
Speaker 5: Orry for once in our lives stick out see.

685
00:36:00,119 --> 00:36:04,320
Speaker 4: Sen Herron to day. I can be old lucky.

686
00:36:04,519 --> 00:36:08,400
Speaker 1: Then you can be my for hoolie clover.

687
00:36:10,119 --> 00:36:24,079
Speaker 7: Starting on, Here's Amy not been, he's in time.

688
00:36:26,880 --> 00:36:29,400
Speaker 5: It's rifts the cross and here's the cry.

689
00:36:32,639 --> 00:36:34,159
Speaker 4: Some days we mind.

690
00:36:34,039 --> 00:36:35,079
Speaker 5: Father pall.

691
00:36:37,599 --> 00:36:37,639
Speaker 7: In.

692
00:36:37,920 --> 00:36:40,719
Speaker 2: Some night it's not feel cold and dollar.

693
00:36:43,559 --> 00:36:46,239
Speaker 5: Nobody wins a free to losing him.

694
00:36:48,440 --> 00:36:51,679
Speaker 4: And the Harrods are the one would choosing.

695
00:36:54,320 --> 00:36:56,960
Speaker 2: Some day would look back and smile.

696
00:36:59,280 --> 00:37:01,400
Speaker 1: And no it was worth dead.

697
00:37:01,559 --> 00:37:01,920
Speaker 9: And I.

698
00:37:05,239 --> 00:37:06,360
Speaker 5: It don't matter to.

699
00:37:06,440 --> 00:37:11,400
Speaker 2: Me wherever we aut s where I wanna be honey, If.

700
00:37:11,280 --> 00:37:13,440
Speaker 5: I won't in our lives stick.

701
00:37:13,239 --> 00:37:14,960
Speaker 4: Our chicks interrupt with the die.

702
00:37:16,480 --> 00:37:18,199
Speaker 5: How can you be a lucky?

703
00:37:18,400 --> 00:37:22,559
Speaker 2: Can you can be my forehney cool bird?

704
00:37:24,000 --> 00:37:51,280
Speaker 5: Starting on, starting on, it don't matter to me wherever

705
00:37:51,559 --> 00:37:55,280
we all swear, I want to be honey. If I

706
00:37:55,400 --> 00:37:57,480
won't in our lives stick our.

707
00:37:57,480 --> 00:38:02,519
Speaker 4: Chins inter roup over die Here, I can be old lucky.

708
00:38:02,360 --> 00:38:13,960
Speaker 2: Petty, you can be my fly starting starting.

709
00:38:44,079 --> 00:38:47,000
Speaker 1: Yeah, I get it. I can see it. Yeah, Chris Stapleton,

710
00:38:47,119 --> 00:38:47,800
that works for you.

711
00:38:49,280 --> 00:38:50,000
Speaker 5: That's beautiful.

712
00:38:51,039 --> 00:38:51,440
Speaker 9: Yeah yeah.

713
00:38:51,679 --> 00:38:55,159
Speaker 1: If you're just joining us on this Saturday morning, Jack

714
00:38:55,280 --> 00:38:58,159
and Cora is here with us alive in studio. You

715
00:38:58,320 --> 00:39:01,880
mentioned too, so he was he's kind of your biggest

716
00:39:01,920 --> 00:39:05,079
influence there from what you were saying earlier. What is

717
00:39:05,119 --> 00:39:08,199
it about him? Is that something that you can verbalize

718
00:39:08,440 --> 00:39:10,239
or is it an intangible thing that's hard to really

719
00:39:10,320 --> 00:39:12,920
pin down. I'm especially curious because, like I said, his

720
00:39:13,039 --> 00:39:15,480
name comes up a lot when I talk to artists

721
00:39:15,519 --> 00:39:18,199
like you about influences. I hear Chris Stapleton's name all

722
00:39:18,239 --> 00:39:18,519
the time.

723
00:39:18,599 --> 00:39:22,199
Speaker 6: Sure, yeah, okay, Well, I mean to me, with songwriting,

724
00:39:22,320 --> 00:39:25,639
my thing is like, I feel like you need to

725
00:39:26,519 --> 00:39:32,000
have something that connects to the audience immediately, whether it's

726
00:39:32,480 --> 00:39:35,360
a melody, or it's the lyrics, or it's the message.

727
00:39:35,440 --> 00:39:37,719
I think that it needs to be immediate because that's

728
00:39:37,719 --> 00:39:39,280
when you got him. When you got him, you got him.

729
00:39:39,360 --> 00:39:39,559
Speaker 1: Yeah.

730
00:39:40,159 --> 00:39:42,719
Speaker 6: And that's the thing about Stapleton, you know, it's just like,

731
00:39:43,119 --> 00:39:46,079
especially in his lyrics, in the messages of his songs,

732
00:39:47,079 --> 00:39:50,199
it's so it's so relatable in a way. I mean,

733
00:39:51,400 --> 00:39:53,760
even if it's a song, he could be talking about

734
00:39:54,199 --> 00:39:56,320
whatever and it may have never happened to you, but

735
00:39:56,400 --> 00:39:58,920
you believe him. You believe what he's saying, and I

736
00:39:59,000 --> 00:40:03,079
think that's what's so that's what makes him so Stapleton,

737
00:40:03,119 --> 00:40:03,440
I guess.

738
00:40:03,559 --> 00:40:04,960
Speaker 1: Yeah, yeah, no, that makes sense.

739
00:40:05,199 --> 00:40:05,400
Speaker 6: Yeah.

740
00:40:05,840 --> 00:40:10,079
Speaker 1: Interesting. Interesting do you play? Do you play more than

741
00:40:10,119 --> 00:40:11,679
one of his songs when you play out?

742
00:40:11,920 --> 00:40:12,119
Speaker 6: Yeah?

743
00:40:12,119 --> 00:40:14,320
Speaker 1: I do a couple of his Yeah, figure it out.

744
00:40:14,440 --> 00:40:16,639
Speaker 6: He's he's a very talented vocalist, so I can't do

745
00:40:16,719 --> 00:40:17,639
all of his songs.

746
00:40:17,400 --> 00:40:21,559
Speaker 14: But yeah, oh I think, Oh I think you could.

747
00:40:22,039 --> 00:40:23,119
Speaker 1: You probably could.

748
00:40:23,159 --> 00:40:26,960
Speaker 14: You have an amazing voice, you really short, really do.

749
00:40:27,199 --> 00:40:30,840
Speaker 1: Yeah, absolutely absolutely. Who who do you cover who you

750
00:40:30,880 --> 00:40:33,880
find especially challenging? Is there somebody that you cover who

751
00:40:34,000 --> 00:40:37,480
you really had to kind of figure out how to

752
00:40:37,559 --> 00:40:38,239
pull that one off?

753
00:40:38,400 --> 00:40:38,599
Speaker 4: Yeah?

754
00:40:38,920 --> 00:40:41,840
Speaker 6: Oh god, that's a hard I mean if you're doing

755
00:40:41,960 --> 00:40:44,360
like Alice in Chains and stuff like that, because I

756
00:40:44,400 --> 00:40:47,000
play a lot of places where nineties is what the

757
00:40:47,039 --> 00:40:50,039
people want to hear. Yeah, yeah, you know, that's that's

758
00:40:50,119 --> 00:40:54,079
tough because sometimes with Alice in Chains you have like, uh,

759
00:40:55,280 --> 00:40:58,360
Jerry can't tell you have him on the harmony too. Yeah, yeah,

760
00:40:58,360 --> 00:41:00,519
that's where it's hard to be like, Okay, sometimes you

761
00:41:00,599 --> 00:41:02,679
want to sing that harmony, right, but you also want

762
00:41:02,679 --> 00:41:04,360
to sing the lead. So it's it's it's kind of

763
00:41:04,440 --> 00:41:08,400
hard to pick one, yeah, because sometimes without like a

764
00:41:08,480 --> 00:41:10,119
song like if you know the song No Excuses?

765
00:41:10,199 --> 00:41:10,920
Speaker 1: Oh yeah, of course.

766
00:41:11,039 --> 00:41:13,320
Speaker 6: Yeah, it's if you just sing it alone, it doesn't

767
00:41:13,360 --> 00:41:16,039
sound right right, you know. Right, So that's a tough one,

768
00:41:16,119 --> 00:41:19,440
you know, picking out harmonies like that. It's it's hard.

769
00:41:19,480 --> 00:41:21,480
I mean there's a song by the band The Weight,

770
00:41:22,039 --> 00:41:24,320
you know, take a Load Off, and yeah, that's you know,

771
00:41:24,400 --> 00:41:26,239
that's a hard one too, because all the harmonies during

772
00:41:26,280 --> 00:41:28,159
the chorus, it's like which one do I sing?

773
00:41:28,239 --> 00:41:33,079
Speaker 1: I could sing the lead, but interesting Yeah yeah, yeah, you.

774
00:41:33,079 --> 00:41:35,159
Speaker 6: Know I've heard people do you know stuff like that

775
00:41:35,239 --> 00:41:37,119
and they actually are just singing the harmony alone and

776
00:41:37,199 --> 00:41:39,440
it sounds great, right you know. So I guess it

777
00:41:39,599 --> 00:41:41,480
just depends on what you like and what you can do.

778
00:41:41,760 --> 00:41:43,960
Speaker 1: Yeah, yeah, is that? What do you play?

779
00:41:44,079 --> 00:41:44,760
Speaker 5: No Excuses?

780
00:41:44,840 --> 00:41:45,599
Speaker 1: By a Trains?

781
00:41:46,719 --> 00:41:49,199
Speaker 6: I just started practicing a friend of mine, his name's

782
00:41:49,199 --> 00:41:52,400
Willie Chase. He's actually a musician too. We jam together

783
00:41:52,440 --> 00:41:54,320
and he played that. I was like, oh, I forgot

784
00:41:54,360 --> 00:41:56,320
about that song. Yeah, to do that song. Yeah, so

785
00:41:56,360 --> 00:41:57,519
I'm kind of working on it right now.

786
00:41:57,679 --> 00:41:59,920
Speaker 1: Yeah, Jenny and I are old enough to remember when

787
00:41:59,920 --> 00:42:01,960
that song was that that was a huge like you

788
00:42:02,000 --> 00:42:02,920
couldn't get away from it.

789
00:42:05,199 --> 00:42:08,639
Speaker 6: Oh yeah, Rooster is one of those ye my son

790
00:42:09,239 --> 00:42:11,159
yeah yeah, yeah, yeah, such a good song.

791
00:42:11,239 --> 00:42:13,760
Speaker 5: But it's it's it's right exactly.

792
00:42:13,840 --> 00:42:15,320
Speaker 14: That's my son says the same thing.

793
00:42:15,400 --> 00:42:18,519
Speaker 1: It kills your boys. Yeah, that's hard to do. Yeah,

794
00:42:19,000 --> 00:42:21,119
I can imagine. And Lane Staley had such a unique

795
00:42:21,360 --> 00:42:26,159
voice too, that's nobody else really sounds like it's interesting.

796
00:42:26,400 --> 00:42:28,320
And then so do you have do you have anything

797
00:42:28,400 --> 00:42:30,199
this weekend that we should know about that we should plug?

798
00:42:30,840 --> 00:42:34,000
Speaker 6: Uh this weekend? I this is my last thing this weekend,

799
00:42:34,039 --> 00:42:36,440
this radio kidding. Yeah, yeah, I have the night off.

800
00:42:36,440 --> 00:42:38,559
Actually usually I don't have on you for having a

801
00:42:38,599 --> 00:42:41,079
little down time. Yeah, yeah, I'm want to go home

802
00:42:41,119 --> 00:42:44,119
and try to write something new this week. I'm doing

803
00:42:44,199 --> 00:42:47,960
a next week let me see here, let.

804
00:42:47,920 --> 00:42:50,280
Speaker 1: Me Yeah, yeah, that's the problem.

805
00:42:50,320 --> 00:42:52,079
Speaker 6: It's all the different shows.

806
00:42:52,280 --> 00:42:53,840
Speaker 14: But that's great that you're getting out and getting to

807
00:42:53,840 --> 00:42:54,639
play all these shows.

808
00:42:54,679 --> 00:42:57,199
Speaker 1: That's a good problem to have. That Wait a minute,

809
00:42:57,280 --> 00:42:58,079
let me see where.

810
00:43:00,079 --> 00:43:04,559
Speaker 6: Do you mind if I no, no, yeah, hawkaway. Thursday

811
00:43:05,079 --> 00:43:09,119
November fourteenth, I'll be at Kilkenny Pub in Keene, New Hampshire.

812
00:43:09,440 --> 00:43:15,239
It's a fun spot. Friday November fifteenth, I'll be at

813
00:43:15,239 --> 00:43:18,440
the Whiskey Tavern and Laconia, New Hampshire. And then Saturday

814
00:43:18,519 --> 00:43:21,519
I will be at Foster's Tavern in Alton Bay, New Hampshire.

815
00:43:21,679 --> 00:43:24,880
Speaker 1: Okay, okay, very good, very good. Do you Does your

816
00:43:24,920 --> 00:43:28,000
show schedule slow down at all in the winter Some

817
00:43:28,440 --> 00:43:31,360
some artists like to hibernate a little bit. Yeah, it's

818
00:43:32,000 --> 00:43:33,760
it's not as much fun in the winter as the summer,

819
00:43:34,079 --> 00:43:35,559
at least from from my perspective.

820
00:43:35,599 --> 00:43:39,360
Speaker 6: As far as during I totally agree with that. It's

821
00:43:39,480 --> 00:43:41,719
you know, I've been trying.

822
00:43:41,800 --> 00:43:41,960
Speaker 11: You know.

823
00:43:42,039 --> 00:43:43,440
Speaker 6: My My goal is like, if I can just get

824
00:43:43,480 --> 00:43:46,199
three gigs a week, I'm fine with that. I'll make

825
00:43:46,199 --> 00:43:49,119
it through the winter. Yeah. So, I mean it's been okay,

826
00:43:49,639 --> 00:43:51,679
you know, with the summer obviously it fills up a

827
00:43:51,679 --> 00:43:52,079
lot quick.

828
00:43:52,199 --> 00:43:52,400
Speaker 7: Yeah.

829
00:43:53,119 --> 00:43:57,000
Speaker 6: So I'm doing all right right now. I'm I should

830
00:43:57,039 --> 00:43:59,239
be able to do it. I'm hoping I can. Yeah,

831
00:44:00,559 --> 00:44:02,920
we'll see though. Yeah, last winter I didn't. I was

832
00:44:02,960 --> 00:44:05,360
doing maybe like two shows a week.

833
00:44:05,559 --> 00:44:07,719
Speaker 1: Oh no kidding, And you know that's that's how it

834
00:44:07,800 --> 00:44:10,239
is up here in the winter. Yeah, yeah it is. Yeah,

835
00:44:10,280 --> 00:44:13,159
it's hard. It's hard. You know, there's the unpredictability of

836
00:44:13,239 --> 00:44:15,840
the weather, and there's all kinds of factors cold and

837
00:44:15,880 --> 00:44:17,039
flu season and all of it.

838
00:44:17,559 --> 00:44:17,800
Speaker 5: Yeah.

839
00:44:20,199 --> 00:44:22,239
Speaker 1: What should people know about how to find you online?

840
00:44:22,280 --> 00:44:23,639
To keep up with everything that you're doing.

841
00:44:23,880 --> 00:44:27,320
Speaker 6: Yeah, you will give me a follow on Instagram. That's

842
00:44:27,440 --> 00:44:30,800
Jack and Cora J A C k A N C

843
00:44:31,039 --> 00:44:35,159
O r A. Same for Facebook, Jack and Cora. I

844
00:44:35,280 --> 00:44:38,239
post my shows, I post, you know, all the details

845
00:44:38,280 --> 00:44:40,719
on those, and then I always I'll be posting some

846
00:44:42,440 --> 00:44:45,639
updates on releasing singles and whatnot, and then that'll be

847
00:44:45,639 --> 00:44:46,360
in the near future.

848
00:44:46,480 --> 00:44:49,800
Speaker 1: Okay, okay, very good, Yeah, very good. Jack, thank you

849
00:44:49,880 --> 00:44:52,239
so much. This has been wonderful. We'll definitely have to

850
00:44:52,320 --> 00:44:53,360
do this again in the future.

851
00:44:53,760 --> 00:44:55,320
Speaker 6: I'd love to thank you for having me. I really

852
00:44:55,320 --> 00:44:57,039
appreciate it, you guys. This is what you guys are

853
00:44:57,039 --> 00:45:01,039
doing for musicians is so awesome. I really appreciate it.

854
00:45:01,480 --> 00:45:04,079
Speaker 1: Look, Locket, I am so spoiled.

855
00:45:04,119 --> 00:45:06,840
Speaker 14: I get to hang out here with Matt on Saturdays

856
00:45:06,880 --> 00:45:08,760
and have my own personal concerts.

857
00:45:09,960 --> 00:45:10,159
Speaker 4: Yeah.

858
00:45:10,320 --> 00:45:13,400
Speaker 14: Thanks, Yeah, we know I'm spoiled. I look at this

859
00:45:13,480 --> 00:45:14,239
as being spoiled.

860
00:45:14,599 --> 00:45:16,960
Speaker 1: Yeah yeah, no, we love it. We love it all right, Jack,

861
00:45:17,039 --> 00:45:19,800
thank you so much, and the great Jack and Cora