1
00:00:00,080 --> 00:00:01,760
Speaker 1: I don't know if you check it out yet. It's

2
00:00:01,960 --> 00:00:04,879
Arrow dot net a r r oe dot net, not

3
00:00:05,040 --> 00:00:08,759
just a podcast. It is twenty different podcasts to choose from.

4
00:00:08,880 --> 00:00:11,640
Maybe you need a daily inspiration, a shot in the arm,

5
00:00:11,679 --> 00:00:15,960
an affirmation. You'll find that on the Choice. Yeah, it's

6
00:00:15,960 --> 00:00:17,839
an opportunity for you to just kind of let your

7
00:00:17,879 --> 00:00:21,239
hair down and just be you without judgment. The choice

8
00:00:21,280 --> 00:00:24,480
only on Arrow dot net a r r o e

9
00:00:24,879 --> 00:00:29,440
dot net. Enjoy your exploration. Hello, and good morning everybody.

10
00:00:30,079 --> 00:00:33,640
Speaker 2: Good morning. All right, let me get the pronounce it arrow? Yes,

11
00:00:34,560 --> 00:00:36,840
all right, good to be with you.

12
00:00:37,200 --> 00:00:39,679
Speaker 1: How did you lean on arrow? Most people go, is

13
00:00:39,759 --> 00:00:41,119
it a rowie?

14
00:00:41,679 --> 00:00:42,039
Speaker 2: Is it?

15
00:00:42,159 --> 00:00:42,320
Speaker 1: Uh?

16
00:00:45,200 --> 00:00:49,439
Speaker 3: It's a good question, but no, I read it. I

17
00:00:49,479 --> 00:00:52,159
have kids with funny pronunciations. Their name, my last name Schlosberg,

18
00:00:52,159 --> 00:00:53,920
which can sometimes be very very amusing.

19
00:00:54,039 --> 00:00:55,880
Speaker 1: Oh, I see. It's moments like that that I wish

20
00:00:55,920 --> 00:00:58,320
I had a pen and a sheet of paper and

21
00:00:58,399 --> 00:01:00,960
sitting in a doctor's office or a dentist office, so

22
00:01:01,520 --> 00:01:04,000
I can just sit there and watch everybody's reaction when

23
00:01:04,000 --> 00:01:06,200
they come out there and do that. You're going, God, no,

24
00:01:06,319 --> 00:01:07,799
will they ever get this right?

25
00:01:08,719 --> 00:01:10,120
Speaker 2: Yep? Yep, No, it's not.

26
00:01:10,319 --> 00:01:13,439
Speaker 3: Uh, it's not fun, but uh, I'm glad I landed

27
00:01:13,480 --> 00:01:14,799
on it, and it's good to be with you.

28
00:01:15,200 --> 00:01:17,000
Speaker 1: Dude. You got to tell me about this book because

29
00:01:17,040 --> 00:01:19,439
I grew up in the nineteen seventies as a teenager,

30
00:01:19,480 --> 00:01:21,879
and this was the kind of story that I couldn't

31
00:01:21,920 --> 00:01:24,560
get enough of, because I mean, in the nineteen seventies,

32
00:01:24,640 --> 00:01:27,040
we really did think about the end of the world.

33
00:01:27,040 --> 00:01:29,280
And I think that's one of the reasons why day one,

34
00:01:29,359 --> 00:01:31,359
what was it, nineteen eighty or eighty one when it

35
00:01:31,400 --> 00:01:33,480
came out, I wanted to know what was going on

36
00:01:33,640 --> 00:01:36,120
afterwards as well. And that's your focus.

37
00:01:37,079 --> 00:01:40,239
Speaker 3: It will it is, and it was a I took

38
00:01:40,280 --> 00:01:43,000
a slightly different tact with it because we all see

39
00:01:43,000 --> 00:01:46,319
what happens in the dystopian societies where the nuclear bomb hits,

40
00:01:46,319 --> 00:01:48,239
where the meteor hits, and everybody's left, and I've read

41
00:01:48,239 --> 00:01:49,560
a bunch of books like that, and you know, I

42
00:01:49,560 --> 00:01:51,239
grew up in the nineties, so I've seen no shortage

43
00:01:51,239 --> 00:01:54,079
of movies about it. I wanted to take a different tack.

44
00:01:54,159 --> 00:01:55,799
I wanted to try to figure out what would happened

45
00:01:55,799 --> 00:01:58,840
when the missile hit, like you see Armageddon, where you know.

46
00:01:58,959 --> 00:02:02,079
Speaker 2: Everything's okay, the world goes on. Okay, let's let's stay.

47
00:02:02,159 --> 00:02:03,799
Let's follow that for a second.

48
00:02:05,159 --> 00:02:08,360
Speaker 3: And I sort of tried to approach it from that angle,

49
00:02:08,479 --> 00:02:12,159
and the entire time I was really curious to try

50
00:02:12,159 --> 00:02:14,159
to examine how society would look.

51
00:02:14,039 --> 00:02:15,360
Speaker 2: And how screwed up things would be.

52
00:02:15,639 --> 00:02:19,199
Speaker 3: The irony for me from a personal perspective is it

53
00:02:19,199 --> 00:02:22,879
wound up being an unintentional COVID allegory because I started

54
00:02:22,879 --> 00:02:25,759
it before COVID but finished it after and realized it was.

55
00:02:26,159 --> 00:02:30,159
There were there's a lot of parallels in my book. Specifically,

56
00:02:30,159 --> 00:02:32,240
it's a young adult books, so focuses on a seventeen

57
00:02:32,319 --> 00:02:35,400
year old protagonist to the book ultimates with the world

58
00:02:35,719 --> 00:02:39,039
not ending and society trying to get back on track,

59
00:02:39,120 --> 00:02:41,719
so you have, you know, breakdowns in law and order

60
00:02:41,759 --> 00:02:44,120
and people trying to get up and running and essentially

61
00:02:44,120 --> 00:02:45,199
restore civilization.

62
00:02:46,360 --> 00:02:47,120
Speaker 2: My main character.

63
00:02:47,319 --> 00:02:49,960
Speaker 3: The book takes place on in a boarding school because

64
00:02:49,960 --> 00:02:51,960
I wanted to try to create an isolated environment to

65
00:02:52,000 --> 00:02:54,879
really examine what would happen within this petriot dish. So

66
00:02:55,400 --> 00:02:57,639
in the scenario highlight out, there's the rise of a

67
00:02:57,680 --> 00:03:01,080
cult because society broke everybody's miserable society was broken to

68
00:03:01,080 --> 00:03:03,240
begin with, and it's him trying to fight off this

69
00:03:03,319 --> 00:03:05,599
cult and get people to engage in the real world

70
00:03:05,680 --> 00:03:09,039
with real fact, real information and facing their problems head on.

71
00:03:09,759 --> 00:03:14,120
And again, I wasn't setting out to do COVID, but

72
00:03:14,360 --> 00:03:16,639
it sort of wound up being a parallel.

73
00:03:16,960 --> 00:03:19,360
Speaker 1: Yeah, well, do you think that's because that's all we've

74
00:03:19,360 --> 00:03:21,759
heard about for decades is that it's gonna happen. It's

75
00:03:21,759 --> 00:03:23,919
gonna happen, It's gonna happen, and then all of a sudden,

76
00:03:23,919 --> 00:03:26,280
when it finally does, we're gonna go that's it. Can

77
00:03:26,280 --> 00:03:28,520
you give me something a little bit stronger next time?

78
00:03:29,319 --> 00:03:29,599
Speaker 2: Yeah?

79
00:03:29,719 --> 00:03:32,879
Speaker 3: Yeah, well that's that is a very good way of

80
00:03:32,879 --> 00:03:35,520
putting it. And that was again kind of what I

81
00:03:35,639 --> 00:03:38,479
was going for there, try to figure out just how

82
00:03:38,560 --> 00:03:42,479
bad things would be if the world didn't end, And

83
00:03:42,960 --> 00:03:44,680
I was just trying to come up with a unique

84
00:03:44,680 --> 00:03:48,400
angle for dystopian fiction and wound up settling this way.

85
00:03:48,439 --> 00:03:51,639
Speaker 2: And I hope it's an interesting story. Well far so good, Mike.

86
00:03:51,719 --> 00:03:53,960
Speaker 1: You you give it a big spin here. This is

87
00:03:54,000 --> 00:03:56,879
where you really captivated my heart, and that is that

88
00:03:57,280 --> 00:04:00,680
what about those people that aren't ready to again, who

89
00:04:00,680 --> 00:04:02,199
the hell takes that kind of a look?

90
00:04:02,280 --> 00:04:02,759
Speaker 3: But you.

91
00:04:04,360 --> 00:04:06,360
Speaker 2: That was that was exactly what I was going for it.

92
00:04:06,400 --> 00:04:08,520
Speaker 3: I appreciate that you've got the crux of the books

93
00:04:08,599 --> 00:04:10,879
are either you're smart or I did a halfway decent

94
00:04:10,960 --> 00:04:13,479
joggle explaining it well, But that was that was one

95
00:04:13,560 --> 00:04:18,279
hundred percent because we already like, let's lay out the

96
00:04:18,279 --> 00:04:20,160
scenario in my book. Because in my book, there's there's

97
00:04:20,199 --> 00:04:22,240
a four month period where the asteroid is coming and

98
00:04:22,279 --> 00:04:24,560
we're all probably going to die, and nobody actually thinks

99
00:04:24,560 --> 00:04:28,079
we're going to live. In that four months, you would

100
00:04:28,079 --> 00:04:31,000
have breakdowns the law and order, financial systems, nobody would

101
00:04:31,040 --> 00:04:33,959
actually show up at work anymore, and you'd have but

102
00:04:34,000 --> 00:04:36,279
you'd still at the same time, just like during COVID,

103
00:04:36,360 --> 00:04:39,279
you'd have heroes. You'd have people willing to face it

104
00:04:39,319 --> 00:04:41,279
and willing to try to fight back, and then you'd

105
00:04:41,279 --> 00:04:42,360
have everybody else who.

106
00:04:42,360 --> 00:04:43,879
Speaker 2: Just wanted to live their lives.

107
00:04:44,600 --> 00:04:47,480
Speaker 3: And we all, if this were to start right now,

108
00:04:47,519 --> 00:04:50,000
we already know there's no shortage of problems in our society,

109
00:04:50,279 --> 00:04:53,959
and just like with COVID, everything bad would get magnified,

110
00:04:54,319 --> 00:04:58,639
Everything problematic would get a trillion times worse, and trying

111
00:04:58,680 --> 00:05:02,199
to readjust in the aftermass of this massive collective trauma

112
00:05:02,319 --> 00:05:04,800
that impacted billions of people. I thought it would be

113
00:05:04,800 --> 00:05:06,000
an interesting story to tell.

114
00:05:06,600 --> 00:05:10,040
Speaker 1: Well, see, I kept thinking that when when you identify

115
00:05:10,120 --> 00:05:14,120
the cult, because I went through the COVID lockdown, I

116
00:05:14,519 --> 00:05:17,319
chose to go to an essential job because I just

117
00:05:17,360 --> 00:05:19,000
wanted to be with people. So I took a job

118
00:05:19,040 --> 00:05:21,279
at a grocery store, of all places, because I just

119
00:05:21,360 --> 00:05:23,319
wanted to be with people. But the one thing when

120
00:05:23,360 --> 00:05:25,600
I was thinking about your cult was I think it's

121
00:05:25,639 --> 00:05:28,000
coming from the people of homelessness, because they know how

122
00:05:28,040 --> 00:05:30,439
to survive, they know how to get through things and

123
00:05:31,079 --> 00:05:33,160
to help lead people. I'm going, oh my god, this

124
00:05:33,199 --> 00:05:35,160
is where he's going. This is where he's going. Yeah,

125
00:05:35,360 --> 00:05:38,399
but you're spot on because people will forget they've got

126
00:05:38,439 --> 00:05:40,240
their own mind and they would rather give it to

127
00:05:40,279 --> 00:05:42,720
somebody else to decide for them. I mean, you're spot

128
00:05:42,800 --> 00:05:44,160
on with this book, dude.

129
00:05:44,879 --> 00:05:47,839
Speaker 3: I appreciated that, and that that was exactly what I

130
00:05:47,879 --> 00:05:50,160
was going for. The struggle would be so and the

131
00:05:50,199 --> 00:05:52,759
way that the cult kind of evolves, it's and this

132
00:05:52,800 --> 00:05:54,839
is the way cult that thinking works in general. Right,

133
00:05:55,240 --> 00:05:57,240
you get a group of people who are for one

134
00:05:57,279 --> 00:05:59,680
reason or the other. They either get great normal people

135
00:05:59,680 --> 00:06:01,600
can get bringwatching.

136
00:06:01,120 --> 00:06:01,560
Speaker 2: Into a cult.

137
00:06:01,560 --> 00:06:04,360
Speaker 3: That happens all the time, but people are who are

138
00:06:04,439 --> 00:06:08,240
really susceptible to it tend to be the ones who

139
00:06:08,480 --> 00:06:11,680
have problems, who are predisposed to turn over aspects of

140
00:06:11,680 --> 00:06:16,040
their life to others. And in the instance of collective trauma,

141
00:06:16,079 --> 00:06:18,199
I think you'd really like the end of the world,

142
00:06:18,600 --> 00:06:20,199
or not the end of the world, almost the end

143
00:06:20,199 --> 00:06:22,160
of the world. I think you'd really see a lot

144
00:06:22,160 --> 00:06:26,319
of people who were much more interested in letting somebody

145
00:06:26,319 --> 00:06:28,360
else do the thinking in the heavy lifting form. And

146
00:06:28,439 --> 00:06:30,959
lord knows, there's never a shortage of Charlatan's in the world.

147
00:06:30,959 --> 00:06:31,759
Speaker 2: We see it all the time.

148
00:06:32,759 --> 00:06:34,600
Speaker 1: See. I would love to be that guy that sits

149
00:06:34,639 --> 00:06:36,600
down with Corey and just talks to him. I just

150
00:06:36,600 --> 00:06:39,800
just tell me what you're thinking, Corey, because it's like,

151
00:06:40,079 --> 00:06:42,120
even though he's such a young kid, as far as

152
00:06:42,120 --> 00:06:45,079
I'm concerned, they're wise. And now that he's gone through this,

153
00:06:45,279 --> 00:06:46,879
he's even more wise.

154
00:06:47,439 --> 00:06:47,680
Speaker 2: Yeah.

155
00:06:47,879 --> 00:06:51,600
Speaker 3: Yeah, well, And I also I kind of use Corey

156
00:06:51,639 --> 00:06:54,839
as a obviously as a huge contrast to everybody else's

157
00:06:54,839 --> 00:06:57,279
in the cult. But the backstory of the characters. He's

158
00:06:57,279 --> 00:06:59,040
grew up with a single mom because his dad was

159
00:06:59,079 --> 00:07:01,360
an abuser, and he almost kill them once and go

160
00:07:01,439 --> 00:07:04,079
through the collective trauma of that. And it shows how

161
00:07:04,120 --> 00:07:07,600
some people, and it's absolutely true, to use trauma for

162
00:07:07,680 --> 00:07:11,079
personal growth and to make themselves better and to orient

163
00:07:11,120 --> 00:07:13,920
themselves around others, whereas other people go through trauma and

164
00:07:14,439 --> 00:07:18,279
turn inward and are more likely to either be selfish

165
00:07:18,439 --> 00:07:20,839
or to just not adjust properly and not care about

166
00:07:20,879 --> 00:07:24,639
anything else. Toori is the best case scenario of society.

167
00:07:24,680 --> 00:07:26,040
Other characters in the book are the worst.

168
00:07:26,680 --> 00:07:29,800
Speaker 1: Please do not move. There's more with Mike Schwasberg coming

169
00:07:29,879 --> 00:07:33,920
up next, the name of his book, Almost the End

170
00:07:34,040 --> 00:07:37,279
of the World. We are back with author Mike Swasburg.

171
00:07:37,800 --> 00:07:40,399
What's really interesting is that everything that's been taking place,

172
00:07:40,480 --> 00:07:42,519
let's say, in the past five years, is you know

173
00:07:42,759 --> 00:07:45,800
how this we're going to react. I mean, the fires

174
00:07:45,839 --> 00:07:48,079
in California with everybody getting out there with their guns

175
00:07:48,120 --> 00:07:51,160
to protect their property. You've got Gaza, You've got Ukraine,

176
00:07:51,199 --> 00:07:53,199
which have been ripped apart with this is what the

177
00:07:53,199 --> 00:07:55,279
world is going to look like. And it's like, Wow,

178
00:07:55,439 --> 00:07:58,680
You're saying, hey, look, you know what's happened in your life,

179
00:07:58,959 --> 00:08:01,319
let's look at it this way, and and and so

180
00:08:01,439 --> 00:08:04,560
you just really invest in our imaginations.

181
00:08:05,360 --> 00:08:06,560
Speaker 2: Well, I'm glad you think so.

182
00:08:06,680 --> 00:08:10,160
Speaker 3: And that's it's there's there's a parallel to it to

183
00:08:10,319 --> 00:08:12,240
everything going on in the real world right now, and

184
00:08:12,279 --> 00:08:15,480
it's something and truly the irony. I wasn't going for

185
00:08:15,519 --> 00:08:17,480
that in the beginning, and then after Covid it became

186
00:08:17,879 --> 00:08:21,360
clear what was happening and that there were more parallels

187
00:08:21,360 --> 00:08:22,279
than I anticipated.

188
00:08:22,639 --> 00:08:25,040
Speaker 1: So, now was that a wineglass moment? Because I always

189
00:08:25,079 --> 00:08:28,040
bring that up in the way that there's strange things

190
00:08:28,079 --> 00:08:30,360
happen when you go back in to do an edit

191
00:08:30,839 --> 00:08:32,399
and all of a sudden you have a glass of

192
00:08:32,440 --> 00:08:34,320
wine or you've got something besides you. You go, I'm

193
00:08:34,360 --> 00:08:36,840
just going to take a chance. I've got the courage

194
00:08:36,879 --> 00:08:37,840
to take a chance.

195
00:08:38,799 --> 00:08:43,960
Speaker 3: So, like many many other writers, Covid unintentionally gave me

196
00:08:44,039 --> 00:08:48,440
the clarity on this one. Absolutely it reshaped the book.

197
00:08:48,480 --> 00:08:51,639
And I will say, I am so my day job

198
00:08:51,720 --> 00:08:53,519
is I'm actually a politician. That's what I do for

199
00:08:53,559 --> 00:08:58,879
a living. So I'm a state representative in Pennsylvania. And yeah,

200
00:08:58,919 --> 00:09:02,480
it's a it's a weird contrast but it put me

201
00:09:02,519 --> 00:09:05,480
in a position really to see the best and the

202
00:09:05,480 --> 00:09:08,200
worst of COVID. But because I'm a politician, I can

203
00:09:08,240 --> 00:09:10,320
sometimes get a little bit too esoteric. And the book

204
00:09:10,360 --> 00:09:13,159
originally was kind of going in a different direction where

205
00:09:13,200 --> 00:09:16,120
it was talking about how the students and how the

206
00:09:16,120 --> 00:09:19,320
students reacted with the school administration.

207
00:09:19,039 --> 00:09:21,480
Speaker 2: And then I was like, Jesus, nobody cares about this.

208
00:09:21,600 --> 00:09:24,279
Speaker 3: So I did wind up changing the book from that

209
00:09:24,320 --> 00:09:27,039
direction and hopefully hitting themes that appeal a little bit Bader.

210
00:09:27,120 --> 00:09:29,639
Speaker 1: Yeah, well it does, and that's it, and that's why

211
00:09:29,720 --> 00:09:31,600
it's it's going to be so fun to sit there

212
00:09:31,600 --> 00:09:33,559
and look at the books that that that that these

213
00:09:33,600 --> 00:09:35,639
young adults are going to be carrying in their book bags,

214
00:09:35,679 --> 00:09:37,559
or you just or if they come through that grocery

215
00:09:37,559 --> 00:09:39,960
store and go, what are you reading man? The day

216
00:09:39,960 --> 00:09:41,759
that they say almost the end of the world. I'm

217
00:09:41,759 --> 00:09:43,919
gonna let me tell you right now what's going on here,

218
00:09:46,200 --> 00:09:49,480
because it's that kind of story, because it's got mystique.

219
00:09:49,480 --> 00:09:52,039
It's got if you really see down and think about

220
00:09:52,039 --> 00:09:54,639
it and you let your imagination grow. I see the

221
00:09:54,679 --> 00:09:58,759
animation happening, I see everything that's going on, which would

222
00:09:58,759 --> 00:10:01,120
attract that younger reader. But but at the same time, I

223
00:10:01,159 --> 00:10:04,480
also see the adults tapping into this because you ya,

224
00:10:04,519 --> 00:10:07,519
writers have got a language right now that every age

225
00:10:07,559 --> 00:10:08,720
group is listening to.

226
00:10:11,799 --> 00:10:13,919
Speaker 3: Yes and that is that's say that it's that is

227
00:10:13,960 --> 00:10:17,759
exactly the point. And I will absolutely say that Hya

228
00:10:18,120 --> 00:10:22,120
is read by more than just young kid.

229
00:10:23,559 --> 00:10:27,320
Speaker 2: I think of Y is read by adults absolutely.

230
00:10:27,559 --> 00:10:30,879
Speaker 1: Because it's safe. You allow us to have that imagination.

231
00:10:31,039 --> 00:10:34,320
You put us in places that we're thinking about or ooh,

232
00:10:34,360 --> 00:10:36,799
I never thought about that. I mean it's because you

233
00:10:36,960 --> 00:10:39,679
guys take chances. And that's why I've always wondered, what

234
00:10:39,720 --> 00:10:42,120
does it play out like on on that on that

235
00:10:42,159 --> 00:10:45,399
flat screen of your computer, because it's just they're just

236
00:10:45,519 --> 00:10:48,679
words until you step in there and put yourself into

237
00:10:48,720 --> 00:10:49,679
that thought process.

238
00:10:50,679 --> 00:10:52,679
Speaker 3: So it's funny that you say that because I am

239
00:10:52,679 --> 00:10:56,440
in a constant struggle. Like I said, I'm a politician,

240
00:10:56,559 --> 00:10:59,879
I'm naturally self centered. It's an occupational hazard, but I

241
00:11:00,120 --> 00:11:02,159
it's really you don't want.

242
00:11:02,000 --> 00:11:04,159
Speaker 2: The main character to be completely you. You've got to

243
00:11:04,200 --> 00:11:05,679
try to separate yourself from it.

244
00:11:06,200 --> 00:11:07,799
Speaker 3: And I like to think that Corey is also my

245
00:11:07,840 --> 00:11:10,279
best case scenario who in a dream world I would

246
00:11:10,320 --> 00:11:12,120
have been when I was a seventeen year old, he

247
00:11:12,279 --> 00:11:14,720
d But you've got to You've got to try to

248
00:11:14,759 --> 00:11:17,440
grab other heroes and mix them up. Otherwise you wind

249
00:11:17,480 --> 00:11:19,159
up writing the same thing over and over again, and

250
00:11:19,159 --> 00:11:21,000
we're about the same person over and over again, and

251
00:11:21,039 --> 00:11:21,759
nobody wants that.

252
00:11:22,799 --> 00:11:25,639
Speaker 1: So then who did you study to make these characters

253
00:11:25,679 --> 00:11:28,399
so authentic? Because were you out of Starbucks? Did you

254
00:11:28,440 --> 00:11:31,200
walk through a Target store? Where were you? Because these

255
00:11:31,240 --> 00:11:33,120
guys look so real.

256
00:11:34,039 --> 00:11:37,759
Speaker 2: I'm glad you think so. And you know, there's a

257
00:11:37,759 --> 00:11:38,679
lot of influences.

258
00:11:38,720 --> 00:11:41,159
Speaker 3: There's no doubt that the main female character, Page is

259
00:11:41,240 --> 00:11:45,279
unquestionably a rip on, and she's a riff on my wife.

260
00:11:45,519 --> 00:11:49,000
There's a more distilled version. Let's go with that one.

261
00:11:49,080 --> 00:11:51,679
The other characters, there's a lot of connections, I think

262
00:11:51,759 --> 00:11:54,159
with there's there's definitely influence with my kids and my

263
00:11:54,240 --> 00:11:56,519
kids friends. But there's also you draw upon your real

264
00:11:56,559 --> 00:11:58,679
world experience. I'm lucky enough that I get to interact

265
00:11:58,720 --> 00:12:01,000
with people all the time, and I will absolutely have

266
00:12:01,039 --> 00:12:04,039
conversations with folks, see what they're doing and be like, oh,

267
00:12:04,720 --> 00:12:07,559
that's a really, really good thing. And you kind of

268
00:12:07,600 --> 00:12:10,159
twisted and manipulated into something that works for a manuscript.

269
00:12:10,600 --> 00:12:14,120
Speaker 1: What are you going to do when something that's in

270
00:12:14,159 --> 00:12:17,039
this book becomes a subject you're going to be talking

271
00:12:17,039 --> 00:12:19,600
about doing your political thing. You're going to I mean,

272
00:12:19,639 --> 00:12:22,159
there's somewhere inside your head you're going to go. You know,

273
00:12:22,360 --> 00:12:25,519
I did some research on this. This is what I

274
00:12:25,759 --> 00:12:28,080
found so handidly.

275
00:12:28,279 --> 00:12:30,519
Speaker 3: There is an overlap with the way that people think

276
00:12:30,559 --> 00:12:34,360
and with the way that some let's say, bolt like

277
00:12:34,480 --> 00:12:39,679
thinking can sometimes overwhelm people's normal political beliefs. And I

278
00:12:39,720 --> 00:12:43,120
want to be careful and respectful of political viewers of

279
00:12:42,519 --> 00:12:45,679
all partisan persuasions at this point, so let's just talk

280
00:12:45,720 --> 00:12:46,639
about this broadly.

281
00:12:47,080 --> 00:12:50,279
Speaker 2: It can get really really easy.

282
00:12:49,759 --> 00:12:54,519
Speaker 3: To be overwhelmed by the way that somebody thinks, or

283
00:12:54,559 --> 00:12:58,080
by what somebody tells you, and it can allow you

284
00:12:58,120 --> 00:13:00,679
to ignore your own facts, to ignore what's in front

285
00:13:00,720 --> 00:13:03,200
of your own mind. And there's really overlap there. And

286
00:13:03,240 --> 00:13:05,679
again that wasn't explicitly what I was a set eighting

287
00:13:05,720 --> 00:13:08,159
out to do, but it wound up becoming an anthem

288
00:13:08,200 --> 00:13:09,759
for this environment in which we live. And you know,

289
00:13:09,759 --> 00:13:11,120
a couple of times in the book I touch on

290
00:13:11,159 --> 00:13:13,879
social media. I have viral kiktoks that are you know,

291
00:13:14,080 --> 00:13:17,159
based on fake news, as the term goes. And that

292
00:13:17,200 --> 00:13:19,519
was intentional because that's the real world, and that's the

293
00:13:19,559 --> 00:13:22,360
way a lot of people, including any adults, get their information.

294
00:13:22,840 --> 00:13:25,320
Speaker 1: Do you find yourself putting together a series of some

295
00:13:25,480 --> 00:13:28,399
sort because every one of these this is three part

296
00:13:28,679 --> 00:13:32,440
because I got that vibe because and I think it's

297
00:13:32,480 --> 00:13:35,320
because I'm a binge watcher, and so therefore I've got

298
00:13:35,320 --> 00:13:37,360
to have more than just a two hour movie. I

299
00:13:37,440 --> 00:13:39,399
better have something here that's gonna give me at least

300
00:13:39,399 --> 00:13:40,399
fifteen episodes.

301
00:13:41,159 --> 00:13:43,320
Speaker 3: Yeah, and there was this is a three part Yeah.

302
00:13:43,399 --> 00:13:45,480
Book book number twos with the editor. Book three is

303
00:13:45,519 --> 00:13:48,960
an outline stage. I enjoyed this way too much, and

304
00:13:49,000 --> 00:13:52,639
I like as as a writer, like you write for

305
00:13:52,679 --> 00:13:53,399
a lot of reasons.

306
00:13:53,440 --> 00:13:54,600
Speaker 2: I write for my own sanity.

307
00:13:54,720 --> 00:13:56,960
Speaker 3: I write so I can build a world that reminds

308
00:13:57,039 --> 00:13:58,440
me that there could really be a lot of reasons

309
00:13:58,440 --> 00:14:00,000
to be hopeful, which is so hard to find us,

310
00:14:00,039 --> 00:14:00,679
especially now.

311
00:14:01,200 --> 00:14:03,360
Speaker 1: How many books are sitting in that computer that you

312
00:14:03,360 --> 00:14:05,440
haven't even tested out here for the rest of us.

313
00:14:06,080 --> 00:14:09,759
Speaker 2: More more than a few I had I wrote.

314
00:14:09,879 --> 00:14:12,440
Speaker 3: I wrote a sci fi young adult mental health trilogy,

315
00:14:12,519 --> 00:14:14,759
and I only got got the first book, Out the Door,

316
00:14:15,440 --> 00:14:17,720
and there was a lot. That's a complicated story. I

317
00:14:17,759 --> 00:14:20,039
had another book, a young adult book.

318
00:14:19,840 --> 00:14:22,600
Speaker 2: And it's I find myself going, how do.

319
00:14:22,600 --> 00:14:25,240
Speaker 3: I keep writing in adult books? And the answer because

320
00:14:25,240 --> 00:14:26,919
it's kind of a weird saying to an exempt, but

321
00:14:26,960 --> 00:14:27,519
the answer.

322
00:14:27,960 --> 00:14:29,000
Speaker 2: There's a lot of answers.

323
00:14:29,480 --> 00:14:32,399
Speaker 3: I think the primary one that I've settled on is

324
00:14:32,480 --> 00:14:38,320
I think young adult books. I think they are that

325
00:14:38,360 --> 00:14:40,759
period of young adult is a really really interesting moment

326
00:14:40,759 --> 00:14:42,759
because you can explore so much. It's so easy to

327
00:14:42,879 --> 00:14:45,159
question and to find out who you are. But there's

328
00:14:45,159 --> 00:14:47,960
also so many parallels with themes that we still face

329
00:14:48,000 --> 00:14:52,039
as as adults, and I think that that overlap can

330
00:14:52,080 --> 00:14:53,600
make for really interesting stories.

331
00:14:53,679 --> 00:14:55,679
Speaker 1: Oh my god, I can just hear the people that

332
00:14:55,720 --> 00:14:58,960
you work with inside that that building of law and

333
00:14:59,000 --> 00:15:00,720
that is they're going to say, you know that Mike,

334
00:15:01,000 --> 00:15:03,600
he's he's in touch with those young voters. We need

335
00:15:03,600 --> 00:15:06,080
to get in to see what what is his studies?

336
00:15:06,080 --> 00:15:08,480
What can we learn from Mike? So I mean, I

337
00:15:08,480 --> 00:15:10,480
I totally see them reaching into your heart.

338
00:15:11,360 --> 00:15:14,279
Speaker 3: Yeah, that would that would that would be lovely if

339
00:15:14,320 --> 00:15:16,039
that's actually the case, and trying to get you know,

340
00:15:16,440 --> 00:15:18,200
you know, what though, Like again, that was kind of

341
00:15:18,200 --> 00:15:19,679
a theme of the book, that you have to care

342
00:15:19,720 --> 00:15:21,399
about the world around you, that the only way we

343
00:15:21,440 --> 00:15:24,440
survive is together, except for a privileged few who have

344
00:15:24,559 --> 00:15:26,919
the resources and the expertise to kind of put themselves

345
00:15:26,960 --> 00:15:31,840
on that'stians Island and go away. That's that's something I

346
00:15:31,879 --> 00:15:34,120
really I don't ever want to lose track of that

347
00:15:34,240 --> 00:15:35,679
in government and in politics.

348
00:15:35,960 --> 00:15:39,159
Speaker 1: Wow, where can people go to find out more about you? Mike?

349
00:15:39,200 --> 00:15:41,720
Because I want him to jump onto this train here.

350
00:15:42,559 --> 00:15:46,159
Speaker 3: I really appreciate that. In my website Mike Schlossburg author

351
00:15:46,200 --> 00:15:48,279
dot com. The book will be out in June, but

352
00:15:48,360 --> 00:15:51,000
I have more information on that and we'll have a

353
00:15:51,000 --> 00:15:53,120
pre order up shortly and take it from there.

354
00:15:53,200 --> 00:15:55,480
Speaker 1: All right, So where can people Is there something that

355
00:15:55,519 --> 00:15:58,080
they can read right now? Because I mean, I realized

356
00:15:58,159 --> 00:16:00,240
June's going to be here in the blink of an eye.

357
00:16:00,279 --> 00:16:04,320
But there's a drive about you that's just saying I

358
00:16:04,440 --> 00:16:05,919
need something now.

359
00:16:07,480 --> 00:16:10,840
Speaker 3: So the first book of my mental health sci fi trilogy,

360
00:16:11,519 --> 00:16:13,279
which is the hell of a combination, but Here we Are,

361
00:16:13,759 --> 00:16:14,919
is absolutely available.

362
00:16:14,919 --> 00:16:16,600
Speaker 2: You can find that on my website as well. Mike P.

363
00:16:16,600 --> 00:16:17,600
Schlosphgalthor dot com.

364
00:16:17,600 --> 00:16:19,559
Speaker 3: You can bite on Kindle to buy it on audible,

365
00:16:20,240 --> 00:16:21,639
or I can shift you a signed copy.

366
00:16:22,279 --> 00:16:24,840
Speaker 1: Listen to you, man, boy, you're really eying that game.

367
00:16:24,919 --> 00:16:27,799
Shake your hand. Here's those babies. Man, You've got that now.

368
00:16:28,000 --> 00:16:31,000
Speaker 2: Really well, look, I'm a politician. I'm really good at

369
00:16:31,039 --> 00:16:31,840
marketing myself.

370
00:16:32,919 --> 00:16:34,639
Speaker 1: Well, you got to come back to this show anytime

371
00:16:34,639 --> 00:16:36,840
in the future. In fact, as you get closer to

372
00:16:36,919 --> 00:16:39,360
that that June date, you got to come back on

373
00:16:39,440 --> 00:16:42,600
here so we can rejuvenate the listeners to get you

374
00:16:42,759 --> 00:16:43,759
to that page.

375
00:16:44,240 --> 00:16:46,159
Speaker 3: I am more than happy to and thank you very

376
00:16:46,240 --> 00:16:47,960
much for having me.

377
00:16:48,039 --> 00:16:50,120
Speaker 2: Thank you everybody who's listening. I'm looking forward to talking

378
00:16:50,120 --> 00:16:50,799
more in the future.

379
00:16:50,840 --> 00:16:52,080
Speaker 1: Will you be brilliant today?

380
00:16:52,120 --> 00:16:54,840
Speaker 2: Okay, mister Mike, likewise, Zaro, thank you, sir,

