1 00:00:04,200 --> 00:00:09,320 Speaker 1: You're listening to mattconnorton UNLEASHT W M and H ninety 2 00:00:09,320 --> 00:00:42,759 five point three. 3 00:00:28,280 --> 00:00:31,160 Speaker 2: To him, and I'm still waiting. 4 00:00:32,439 --> 00:00:38,799 Speaker 3: I will find about unlateness, even though I have to 5 00:00:38,920 --> 00:00:48,759 be alone thinking about the point of hope. And one 6 00:00:48,920 --> 00:00:54,320 day I'll give up smoke. And even though I never 7 00:00:54,759 --> 00:00:55,600 learn to. 8 00:00:55,799 --> 00:01:06,439 Speaker 4: Run, work card, Impress all the people on you that 9 00:01:06,879 --> 00:01:12,879 test you, go by close for one of that, then 10 00:01:12,959 --> 00:01:14,120 you'll never win. 11 00:01:14,680 --> 00:01:17,040 Speaker 5: A getting you go get. 12 00:01:16,920 --> 00:01:19,760 Speaker 6: Drunk for guy. 13 00:01:20,760 --> 00:01:25,159 Speaker 4: All the people on you were fedding you wick a bar, 14 00:01:25,719 --> 00:01:33,560 your role, feeling no, feeling no, and pushing thirty. 15 00:01:34,959 --> 00:01:36,840 Speaker 5: I'm leaving early. 16 00:01:40,959 --> 00:01:46,480 Speaker 7: Always see my loved ones hate me, have no rock 17 00:01:46,680 --> 00:01:52,840 pres and see the ev roll and through my bo 18 00:01:57,040 --> 00:02:02,959 hardly averse my best right the teint and blame is lacking. 19 00:02:03,439 --> 00:02:10,080 Speaker 2: I've been drowning in my roding in my. 20 00:02:10,400 --> 00:02:14,719 Speaker 8: Back, feeling no world. 21 00:02:19,039 --> 00:02:26,120 Speaker 4: Work hard, Impress all the people on you and test you. 22 00:02:26,520 --> 00:02:31,919 Go buy cloth for what of that? Then you'll have 23 00:02:32,199 --> 00:02:35,360 I'm win. I'm getting you, go. 24 00:02:35,159 --> 00:02:38,759 Speaker 6: Get drunk for guy. 25 00:02:39,479 --> 00:02:43,199 Speaker 4: All the people on you a fedding you it go 26 00:02:43,639 --> 00:02:51,479 bo your role, seeing no, feeling no, You're pushing thirty. 27 00:02:53,560 --> 00:02:55,479 I'm leaving ned. 28 00:02:59,520 --> 00:03:02,520 Speaker 9: Ben Turner over show. 29 00:03:03,400 --> 00:03:09,280 Speaker 10: I like the car Ji confection wish and not see 30 00:03:09,400 --> 00:03:19,919 clean by got on certain boundaries, take something sh two 31 00:03:20,240 --> 00:03:23,039 people see things differ from. 32 00:03:23,039 --> 00:03:36,240 Speaker 4: Both just learning how feet by car Emperor. All the 33 00:03:36,400 --> 00:03:37,360 people on you. 34 00:03:37,719 --> 00:03:40,120 Speaker 5: That test you go by. 35 00:03:40,159 --> 00:03:46,639 Speaker 4: Coach for one of them, then you never even getting 36 00:03:46,759 --> 00:03:49,599 you gonna get drunking. 37 00:03:49,080 --> 00:03:55,120 Speaker 5: On your forging. All the people that you slept when. 38 00:03:55,319 --> 00:04:02,639 Speaker 4: We go bod your own feeling no feling. No, I'm 39 00:04:02,639 --> 00:04:12,159 pushing third only then and I'm pushing thirty. 40 00:04:14,240 --> 00:04:15,560 Speaker 9: I'm lave him no. 41 00:04:24,680 --> 00:04:28,120 Speaker 11: Welcome everybody to Matt Connorton Unleashed and we are live 42 00:04:28,360 --> 00:04:31,519 from the studios of wm NH ninety five point three 43 00:04:31,600 --> 00:04:34,240 FM and Glorious Manchester, New Hampshire. Of course, you can 44 00:04:34,240 --> 00:04:37,759 stream the show live from anywhere. Go to Matt connorton 45 00:04:37,800 --> 00:04:40,920 dot com slash live for all your streaming options, social 46 00:04:40,920 --> 00:04:44,000 media links, contact info, show archives, et cetera, et cetera. 47 00:04:44,160 --> 00:04:46,680 If you are listening to the show live, today is Saturday, 48 00:04:46,879 --> 00:04:49,680 January twenty four, twenty twenty six. We have an exciting 49 00:04:49,680 --> 00:04:51,920 show for you today. In a few minutes, we're gonna 50 00:04:51,920 --> 00:04:54,240 hear some world radio premieres. We get a bunch of 51 00:04:54,279 --> 00:04:56,680 new music to share with you. But the track we 52 00:04:56,920 --> 00:04:59,839 just heard that is called Pushing thirty. To open up 53 00:04:59,839 --> 00:05:02,319 this this week's show, the artist is and I'm gonna 54 00:05:02,319 --> 00:05:03,680 bring him in a moment. I'm gonna ask me if 55 00:05:03,680 --> 00:05:06,399 I'm saying his name correctly, because it's not a name 56 00:05:06,439 --> 00:05:09,079 I'm used to saying ca hal Fits. I don't. I 57 00:05:09,079 --> 00:05:10,480 don't know if I'm saying that right. Let's go ahead 58 00:05:10,480 --> 00:05:12,800 and bring him in though he's joining us via Microsoft Teams. 59 00:05:13,079 --> 00:05:14,000 Speaker 12: Hello, are you there? 60 00:05:15,519 --> 00:05:17,439 Speaker 13: I'm there, my friend, har Are you? You did a 61 00:05:17,560 --> 00:05:19,519 very very good stob of my name? I must say 62 00:05:19,519 --> 00:05:20,680 I'm very very impressed. 63 00:05:21,680 --> 00:05:22,680 Speaker 11: Well, I had to look it up. 64 00:05:22,839 --> 00:05:23,000 Speaker 7: You know. 65 00:05:23,040 --> 00:05:25,120 Speaker 11: It's amazing on You can go on YouTube and just 66 00:05:25,160 --> 00:05:26,959 type in how to pronounce and just put in whatever 67 00:05:27,040 --> 00:05:29,480 name you're looking for, and someone's inevitably posted a video 68 00:05:30,160 --> 00:05:32,600 explaining it. But you know, and I should. 69 00:05:32,639 --> 00:05:32,839 Speaker 14: You know. 70 00:05:32,879 --> 00:05:35,519 Speaker 11: I am of Irish descent myself, so I should have 71 00:05:35,600 --> 00:05:37,480 had a I should have had a clue, but I 72 00:05:37,519 --> 00:05:39,720 really didn't until I actually looked it up. 73 00:05:40,759 --> 00:05:43,240 Speaker 8: Do you have any idea where your Irish descendants come from? 74 00:05:43,439 --> 00:05:43,879 I do not. 75 00:05:44,279 --> 00:05:47,399 Speaker 11: I do not. I need to research that. I haven't. 76 00:05:47,480 --> 00:05:49,600 I just know that I've got some Irish in me, 77 00:05:51,639 --> 00:05:53,759 not only because my you know, my dad was of 78 00:05:53,759 --> 00:05:56,439 Irish descent, but also if I go out into the 79 00:05:56,480 --> 00:05:58,920 sun in the summer without sunscreen, I burn immediately. So 80 00:05:58,920 --> 00:06:01,120 I'm definitely I'm definitely irish. 81 00:06:01,560 --> 00:06:03,439 Speaker 13: You'd become one of those red and white sweets that 82 00:06:03,480 --> 00:06:06,720 we have over here, you know when white one was read. Yeah, 83 00:06:06,720 --> 00:06:10,360 we're very that's the telltale sign that you've writed genetics 84 00:06:10,360 --> 00:06:11,879 that you don't do the sun very well. 85 00:06:11,959 --> 00:06:13,759 Speaker 8: And we also don't do the rain very well. 86 00:06:13,759 --> 00:06:15,759 Speaker 13: It always rains here and no one ever has any 87 00:06:15,800 --> 00:06:17,480 proper rain gear, so we're just kind of stuck in 88 00:06:17,480 --> 00:06:21,600 this middle of people wearing shorts in December, and so yeah, 89 00:06:21,600 --> 00:06:22,199 it's good. 90 00:06:22,000 --> 00:06:24,079 Speaker 8: Fun though long here it's a lovely place. 91 00:06:24,199 --> 00:06:27,800 Speaker 11: Oh that's interesting. Yeah. Yeah, So I love the song 92 00:06:28,199 --> 00:06:31,680 Pushing thirty, although as someone who pushed thirty quite a 93 00:06:31,680 --> 00:06:35,160 while ago, it makes me feel a little well we'll 94 00:06:35,240 --> 00:06:37,439 talk about that, but it is a great song. Can 95 00:06:37,480 --> 00:06:39,000 you tell us about it. I know that this came 96 00:06:39,040 --> 00:06:41,000 out in November, but you're getting a lot of traction 97 00:06:41,079 --> 00:06:41,759 with this single. 98 00:06:42,680 --> 00:06:44,879 Speaker 8: Yeah, Like it's doing well, and I suppose a lot. 99 00:06:44,800 --> 00:06:47,879 Speaker 13: Of my songs in general, like I started writing music 100 00:06:47,959 --> 00:06:50,319 in July twenty twenty four. I used to be a 101 00:06:50,319 --> 00:06:53,959 personal trainer. I left that job to start writing music. 102 00:06:54,000 --> 00:06:56,199 I just had some sort of away thing where I 103 00:06:56,240 --> 00:06:57,399 was like, this is what I want to do. And 104 00:06:57,959 --> 00:07:00,319 most of my songs and especially Pushing thirty, was a 105 00:07:00,360 --> 00:07:05,079 reflection of people around me and also myself that I 106 00:07:05,120 --> 00:07:07,639 think because of everything the way the world has gone, 107 00:07:07,759 --> 00:07:11,319 that I think people in their latest twenties and early 108 00:07:11,399 --> 00:07:13,480 like they still feel like teenagers, you know, and we're 109 00:07:13,519 --> 00:07:15,279 still kind of stuck in these routes that a lot 110 00:07:15,319 --> 00:07:17,920 of us in Earland can't get houses. We can't, you know, 111 00:07:18,040 --> 00:07:20,240 like everything's expensive, and I think you can. If you're 112 00:07:20,279 --> 00:07:22,519 living without purpose, you can get caught in that rut 113 00:07:22,560 --> 00:07:24,519 of you know, let's go out and number selves on 114 00:07:24,519 --> 00:07:27,600 the weekend and let's adhere to social peer pressure of 115 00:07:27,680 --> 00:07:31,680 you know, the latest trendy clothes or the latest exposed, 116 00:07:31,720 --> 00:07:33,839 and you just get stuck in the rot. And I 117 00:07:33,920 --> 00:07:36,040 suppose I saw that in myself, and I saw. 118 00:07:35,839 --> 00:07:36,959 Speaker 8: That in people around me. 119 00:07:37,000 --> 00:07:39,759 Speaker 13: And I'm very lucky that since I started doing this 120 00:07:39,800 --> 00:07:42,920 that I have the most amazing support network of producers 121 00:07:42,959 --> 00:07:45,639 and managers and everything that it's all kind of falling 122 00:07:45,680 --> 00:07:47,800 into place. But yeah, it's a special song and it 123 00:07:47,839 --> 00:07:50,079 took me four or five minutes to write and it's 124 00:07:50,120 --> 00:07:53,160 having good impact, which is what I want from my music, 125 00:07:53,240 --> 00:07:55,279 just for someone to listen to it and no matter 126 00:07:55,279 --> 00:07:57,439 how old they after pushing sixty, you're pushing thirty. 127 00:07:57,240 --> 00:07:58,079 Speaker 8: Say I like that. 128 00:07:58,279 --> 00:08:00,959 Speaker 13: It's it feels familiar, it feels relatable. 129 00:08:01,639 --> 00:08:03,680 Speaker 11: Just for the record, I'm not pushing sixty. That's not 130 00:08:03,759 --> 00:08:10,279 what I meant, just to clarify. No, But so I'm curious, like, 131 00:08:10,399 --> 00:08:13,439 was there a specific moment that kind of sparked the song, 132 00:08:13,879 --> 00:08:17,240 or was this something that was kind of building up 133 00:08:17,279 --> 00:08:19,519 in you over time or because it sounds like it 134 00:08:19,560 --> 00:08:26,040 sounds like you haven't been necessarily actively pursuing music for 135 00:08:26,160 --> 00:08:28,519 very long, or maybe you have, but from what you said, 136 00:08:28,519 --> 00:08:31,000 it kind of sounded like or at least on this level, 137 00:08:31,040 --> 00:08:31,920 this is kind of new. 138 00:08:32,840 --> 00:08:37,440 Speaker 13: No, It's like, like July twenty twenty four, I quit 139 00:08:37,480 --> 00:08:39,720 my job to do pub covers, like literally just playing 140 00:08:39,759 --> 00:08:42,799 a few covers in a few wow, in a few pubs, 141 00:08:42,840 --> 00:08:45,960 you know. And then last January my missus was saying 142 00:08:46,000 --> 00:08:48,039 to me She's like, you know, you're too good and 143 00:08:48,080 --> 00:08:50,200 too talented to be a pub singer, so you need 144 00:08:50,240 --> 00:08:53,039 to push yourself. So I released my first song last January, 145 00:08:53,120 --> 00:08:56,720 and since then, I've like I've wrote, I've written fourteen 146 00:08:56,759 --> 00:08:58,799 songs or something. In the last two three weeks, I've 147 00:08:58,840 --> 00:09:02,679 another twenty twenty five recorded, and it's just. 148 00:09:02,639 --> 00:09:03,360 Speaker 8: Flowing out of me. 149 00:09:03,440 --> 00:09:06,679 Speaker 13: And I just cannot tell you how much I love it, 150 00:09:06,759 --> 00:09:09,080 Like I just I've never again I picked up a 151 00:09:09,080 --> 00:09:11,000 guitar like again a year and a half ago, having 152 00:09:11,039 --> 00:09:12,720 not played it. I used to strumble in my bedroom 153 00:09:12,720 --> 00:09:15,399 at home four or five chords. But I've just found 154 00:09:15,399 --> 00:09:17,519 something that for the first time in my life, I've 155 00:09:17,559 --> 00:09:20,440 haven't given up on Yeah, And like you know, I've 156 00:09:20,440 --> 00:09:23,159 bounced around loads of different jobs. I'm kind of like 157 00:09:23,159 --> 00:09:25,679 that typical Australian man with a highvas jacket. You'd think 158 00:09:25,679 --> 00:09:27,799 of doing anything that used to be me, you know really, 159 00:09:28,159 --> 00:09:31,320 but I found music, and that song in particular is 160 00:09:31,360 --> 00:09:33,600 almost just a flow consciousness. I sit down with a 161 00:09:33,639 --> 00:09:37,039 guitar five time minutes later the song written. It's not 162 00:09:37,080 --> 00:09:38,279 like that all the time. Like I've got a few 163 00:09:38,320 --> 00:09:41,000 weeks where you know, you just you don't have anything 164 00:09:41,080 --> 00:09:44,519 to say, but I found that I've channeled music into 165 00:09:44,919 --> 00:09:46,720 the craziness in my head and the thoughts I have. 166 00:09:48,080 --> 00:09:50,000 It gives me a platform to allow me to say 167 00:09:50,039 --> 00:09:52,240 what I need to say to myself and maybe to 168 00:09:52,279 --> 00:09:53,840 the world. And if someone gets something from it, then 169 00:09:53,840 --> 00:09:54,600 that's a bonus too. 170 00:09:54,799 --> 00:09:57,559 Speaker 11: Yeah, that's fantastic you mentioned too. You know, the miss 171 00:09:57,600 --> 00:09:59,320 is it's great that you have a supportive partner who 172 00:09:59,440 --> 00:10:02,320 encourages you to do that, because that makes a huge difference, 173 00:10:02,440 --> 00:10:05,240 you know, obviously. I mean, and I'm sure you don't 174 00:10:05,240 --> 00:10:08,200 take that for granted, because that's I'm sure you know. 175 00:10:08,240 --> 00:10:10,120 She's very proud of you. 176 00:10:10,159 --> 00:10:12,639 Speaker 13: No, she's she's incredible. She's actually inside now minding the 177 00:10:12,639 --> 00:10:14,360 small fellow with my mum. So shout out to my 178 00:10:14,440 --> 00:10:16,000 mum as well. So I looked away for ten minutes 179 00:10:16,000 --> 00:10:20,120 from parenting duties to. 180 00:10:18,600 --> 00:10:19,919 Speaker 8: Take my world famous rocks. 181 00:10:19,960 --> 00:10:22,720 Speaker 13: There prem here of pushing Kurty, you know, but no, look, 182 00:10:23,559 --> 00:10:25,919 it's almost like it's all meant to happen that, you know, 183 00:10:26,039 --> 00:10:26,559 my partner. 184 00:10:26,639 --> 00:10:27,879 Speaker 8: My parents are very supportive. 185 00:10:28,639 --> 00:10:30,960 Speaker 13: My dad was that typical kind of Irish dad where 186 00:10:31,200 --> 00:10:32,879 you know, you get a job now and you stay 187 00:10:32,879 --> 00:10:35,799 here and you have security. And when I told him 188 00:10:35,799 --> 00:10:36,799 I was going to be a musician, he was a 189 00:10:36,840 --> 00:10:38,600 bit like Jesus, I don't know about that. 190 00:10:38,720 --> 00:10:40,360 Speaker 8: No, that's that's not. 191 00:10:40,360 --> 00:10:42,360 Speaker 13: Very secure as this, but he kind of sees that 192 00:10:42,399 --> 00:10:44,600 it's you know, it's it's going somewhere, like I'm talking 193 00:10:44,600 --> 00:10:46,320 to a radio station in the US, and he's kind 194 00:10:46,320 --> 00:10:47,720 of like, jee's. 195 00:10:47,440 --> 00:10:50,799 Speaker 8: Fair play, tore, that's brilliant. Yeah, yeah, it's cool. 196 00:10:50,840 --> 00:10:53,279 Speaker 13: It's cool, and yeah, it's supportive people, my producer, like 197 00:10:53,279 --> 00:10:55,639 I've met all these people very organically in the last 198 00:10:55,720 --> 00:10:58,519 year and a half, my producer, videographer, manager, and they're 199 00:10:58,559 --> 00:10:59,799 almost like the perfect. 200 00:10:59,440 --> 00:11:01,120 Speaker 8: Team for me to around. So I know I'm meant 201 00:11:01,159 --> 00:11:03,720 to be doing this based on just sleep around me. 202 00:11:04,000 --> 00:11:08,120 Speaker 11: Oh, that's fantastic. Do you feel any kind of you know, 203 00:11:08,159 --> 00:11:11,159 because I know there's sort of this Irish storytelling tradition 204 00:11:11,320 --> 00:11:13,799 and music. I mean, is that something that you're you're 205 00:11:13,840 --> 00:11:17,120 conscious of and your your approach to because you as 206 00:11:17,159 --> 00:11:19,240 you mentioned, you're you know, you're writing a lot of songs. 207 00:11:20,399 --> 00:11:24,039 Speaker 13: Yeah, So, like I think I actually went back to 208 00:11:24,240 --> 00:11:27,759 our native language is Guilgap, so it's I went back 209 00:11:27,799 --> 00:11:30,120 to study that about two years ago, so I'm kind 210 00:11:30,120 --> 00:11:33,200 of learning that. And the Irishness is a very very 211 00:11:34,519 --> 00:11:35,480 particular character. 212 00:11:36,519 --> 00:11:38,240 Speaker 8: We love to tell stories. 213 00:11:38,639 --> 00:11:41,320 Speaker 13: If you ask us for directions, right, the shot could 214 00:11:41,320 --> 00:11:43,039 be up on the right. We'll tell you on the 215 00:11:43,039 --> 00:11:44,799 way to the shop about that tree that's been there 216 00:11:44,840 --> 00:11:47,039 for ten thousand years and that was once, you know. 217 00:11:47,080 --> 00:11:49,039 And that's kind of part of our charm and part 218 00:11:49,080 --> 00:11:51,200 of our imprint. 219 00:11:50,799 --> 00:11:51,399 Speaker 8: On the world. 220 00:11:51,399 --> 00:11:53,000 Speaker 13: And what we have to offer is is kind of 221 00:11:53,000 --> 00:11:55,519 this unique way of looking at things. And I think 222 00:11:55,559 --> 00:11:57,879 as my songs progress in terms of my songwriting, the 223 00:11:57,960 --> 00:11:59,960 last few songs have written are a bit more metaphoric, 224 00:12:00,039 --> 00:12:02,480 a little bit more imagery based, a bit more trying 225 00:12:02,519 --> 00:12:06,279 to tell a story, and I'm trying to channel into that. 226 00:12:06,320 --> 00:12:07,919 I'm trying to lean into that. Like we're called the 227 00:12:08,000 --> 00:12:10,360 Lands of Saints and Scholars, you know, we've some of 228 00:12:10,399 --> 00:12:15,919 the most amazing English writers ever, you know, James Joyce 229 00:12:16,000 --> 00:12:19,200 and Seamus Heaney, all these amazing poets and scholars that 230 00:12:19,240 --> 00:12:20,799 have gone before me. And I feel like I have 231 00:12:21,480 --> 00:12:24,000 almost values upholds. 232 00:12:24,320 --> 00:12:24,519 Speaker 10: You know. 233 00:12:24,840 --> 00:12:26,759 Speaker 13: I'm very proud to be Irish. A lot of people 234 00:12:26,759 --> 00:12:28,759 will know that about me. You know, I learned the 235 00:12:28,799 --> 00:12:31,840 language I love where I'm from. In particular, Cork is 236 00:12:31,879 --> 00:12:35,440 where I'm from, and everyone from Cork loves being from Cork. 237 00:12:35,679 --> 00:12:37,960 That's just kind of you know, we have very special 238 00:12:38,000 --> 00:12:39,879 connections to the land. We have a very special connection 239 00:12:39,960 --> 00:12:43,559 to storytelling. And you know, over the last few hundred years, 240 00:12:43,600 --> 00:12:45,519 we weren't allowed to speak our language because of things 241 00:12:45,519 --> 00:12:47,240 that had gone on, and we had a very unique 242 00:12:47,240 --> 00:12:50,720 way of preserving that, which was keeping the you know, 243 00:12:50,759 --> 00:12:54,720 the spoken word alive and exaggerating stories to try and 244 00:12:54,720 --> 00:12:57,679 make it magical, you know. And that's kind of even 245 00:12:57,679 --> 00:12:59,559 what I'm doing now, the gift of the gap, you know. 246 00:12:59,720 --> 00:13:04,600 Speaker 11: Right exactly. And so so this track Pushing thirty that 247 00:13:04,639 --> 00:13:06,360 we played that came out in November, and then you've 248 00:13:06,399 --> 00:13:08,200 got another single which we're going to play at the 249 00:13:08,240 --> 00:13:10,759 end of our conversation called Enemy of Love, which is 250 00:13:11,279 --> 00:13:14,840 also a great song. But I'm curious, now, what are 251 00:13:14,960 --> 00:13:17,080 kind of your plans in terms of releasing music are 252 00:13:17,120 --> 00:13:19,679 you are you going to do continue to do singles? 253 00:13:19,679 --> 00:13:21,440 Do you have an ep in mind or an album 254 00:13:21,639 --> 00:13:24,440 or what's kind of the forward trajectory for you? 255 00:13:25,399 --> 00:13:27,240 Speaker 13: See, I'm kind of stuck in a bit of a 256 00:13:27,360 --> 00:13:30,399 crossroads at the moment, because the way music is in 257 00:13:30,440 --> 00:13:33,360 the industry is you know yourself that it's very dependent 258 00:13:33,399 --> 00:13:36,159 on algorithms and dependent on a single. 259 00:13:35,799 --> 00:13:36,480 Speaker 8: Getting picked up. 260 00:13:36,519 --> 00:13:39,879 Speaker 13: So I have loads of songs ready to go and written. 261 00:13:39,960 --> 00:13:42,240 My next song is coming out hopefully in the next 262 00:13:42,279 --> 00:13:44,320 four or five weeks. We'll have to submit it to 263 00:13:44,480 --> 00:13:48,360 Spotify and do all those bits. But I'm also I wrote, 264 00:13:48,879 --> 00:13:51,519 as I said, maybe twelve eleven, thirteen, fourteen songs, which 265 00:13:51,519 --> 00:13:53,399 I'm not exactly sure which ones are going to make 266 00:13:53,440 --> 00:13:55,360 it to production, but I wrote a good chunk of 267 00:13:55,399 --> 00:13:57,840 those in the last kind of three weeks, and I 268 00:13:57,879 --> 00:14:01,559 think I have a kind of in me to I 269 00:14:01,559 --> 00:14:03,960 have two studio up dates booked in February, and I 270 00:14:04,000 --> 00:14:07,399 want to record them live, completely live, Yeah, because I 271 00:14:07,399 --> 00:14:09,240 think the way AI is going at the moment in 272 00:14:09,320 --> 00:14:12,480 synthetic music, I think people are crying out for that 273 00:14:12,720 --> 00:14:15,679 authenticity and that wrongness, and even if a chord gets 274 00:14:15,720 --> 00:14:18,519 wrong when you're recording it, it's almost like magic now. 275 00:14:18,799 --> 00:14:21,919 Speaker 8: Imperfection is almost perfection now. So I'm kind of. 276 00:14:21,879 --> 00:14:25,879 Speaker 13: Leaning towards getting those eight songs recorded. 277 00:14:26,000 --> 00:14:26,919 Speaker 8: I feel they're very strong. 278 00:14:26,960 --> 00:14:29,759 Speaker 13: We'd record them live, and I may go against the 279 00:14:29,879 --> 00:14:32,200 arms and just push it as an album, because I 280 00:14:32,200 --> 00:14:34,759 think that's the music should be. If you're releasing single 281 00:14:34,799 --> 00:14:37,240 by single, the story of what music is supposed to 282 00:14:37,240 --> 00:14:39,240 be gets lost, Whereas if you have eight songs together, 283 00:14:39,600 --> 00:14:41,759 there's a whole narrative, there's a whole world to get 284 00:14:41,759 --> 00:14:44,320 engrossed in and feed into it for eight songs. 285 00:14:44,919 --> 00:14:46,679 Speaker 11: Yeah, that's something that comes up a lot on the 286 00:14:46,679 --> 00:14:49,960 show because you know, everyone kind of approaches it differently, 287 00:14:49,960 --> 00:14:51,840 and there's so many different you know, I'm old enough 288 00:14:51,879 --> 00:14:54,039 to remember when I was growing up, it was, you know, 289 00:14:54,240 --> 00:14:57,080 an artist would release an album. Well, actually first single 290 00:14:57,120 --> 00:14:58,879 would go to radio six to eight weeks before the 291 00:14:58,879 --> 00:15:01,120 album came out. Then the album comes out, and then 292 00:15:01,120 --> 00:15:03,480 if all goes according to plan, you know, maybe there's 293 00:15:03,480 --> 00:15:05,639 a second single. If things go really well, there's a third, 294 00:15:05,679 --> 00:15:07,320 et cetera. But that was kind of the set way 295 00:15:07,360 --> 00:15:09,559 of doing it. Now there's so many different ways to 296 00:15:09,600 --> 00:15:12,240 release music. You can you know, you can release singles, 297 00:15:12,240 --> 00:15:13,480 you can do an EP, you can do an album. 298 00:15:13,519 --> 00:15:15,720 You can do a series of singles that eventually coalesce 299 00:15:15,799 --> 00:15:18,240 into an EP or an album. Kind of the inverse 300 00:15:18,840 --> 00:15:21,879 of of what it used to be and uh, but 301 00:15:21,879 --> 00:15:24,440 but it's it's so interesting And then that's why I 302 00:15:24,440 --> 00:15:27,240 ask those questions because I'm always really curious, you know, 303 00:15:27,320 --> 00:15:30,799 what everyone I talk to, what their thought process is 304 00:15:30,840 --> 00:15:34,240 in terms of how they approach releasing music, because there 305 00:15:34,240 --> 00:15:38,039 are so many ways to do it now. Yeah, the 306 00:15:38,120 --> 00:15:40,159 other thing that, oh, yeah, go ahead. 307 00:15:40,399 --> 00:15:42,120 Speaker 13: So it's like I think for me with that, and 308 00:15:42,159 --> 00:15:44,559 you're very it's very interesting as well. Like I look 309 00:15:44,600 --> 00:15:47,120 at everyone else as an artist and I see what 310 00:15:47,120 --> 00:15:50,159 they're doing. And for me, I've had plenty conversations with 311 00:15:50,159 --> 00:15:52,679 my manager and I think I've decided, not in a 312 00:15:52,759 --> 00:15:56,480 very hippie nonchalant way, but the right thing will will 313 00:15:56,519 --> 00:15:59,399 provide itself when when the right moment arrives. So if 314 00:15:59,399 --> 00:16:01,919 an album feel is right, I'll do that. And I 315 00:16:01,919 --> 00:16:04,919 think the way my songs are written and the message 316 00:16:04,919 --> 00:16:07,600 and the meaning for me about my music is, you know, 317 00:16:08,039 --> 00:16:10,440 I wasn't supposed to be doing this, or maybe I was, 318 00:16:10,600 --> 00:16:12,080 and I don't really know where I am, and I'm 319 00:16:12,120 --> 00:16:14,159 just releasing music and having fun and if it means 320 00:16:14,440 --> 00:16:16,519 doing singles, great, If it means to an album, I 321 00:16:16,559 --> 00:16:19,559 just think the right thing will come along. But for me, 322 00:16:19,720 --> 00:16:21,879 like the first album I ever listened to was an 323 00:16:21,919 --> 00:16:24,399 Irish art is called Damien Rice and the album was 324 00:16:24,440 --> 00:16:27,240 called Oh and it was the most It's it's still 325 00:16:27,240 --> 00:16:31,120 a masterpiece. And when I think of releasing music, that's 326 00:16:31,159 --> 00:16:32,879 the standard I want to hold myself to. I want 327 00:16:32,879 --> 00:16:35,399 someone to listen to a full album and think, well, 328 00:16:35,480 --> 00:16:37,879 there's so much in that, there's so much to take 329 00:16:37,919 --> 00:16:39,440 on that you have to keep listening to it, and 330 00:16:39,440 --> 00:16:41,519 then you find your favorite song and then you say, oh, 331 00:16:41,559 --> 00:16:43,279 I love coming up to this part because there's three 332 00:16:43,279 --> 00:16:46,000 songs here which are really strong, and yeah, it's just 333 00:16:46,039 --> 00:16:48,879 a it's a whole it's a whole other universe of 334 00:16:48,919 --> 00:16:49,639 looking at music. 335 00:16:49,679 --> 00:16:51,960 Speaker 11: You know, is he your biggest influence? Would you say 336 00:16:52,240 --> 00:16:52,840 Damien Rice. 337 00:16:52,879 --> 00:16:55,320 Speaker 13: I think Damien Rice. I think Damien Rice. I think 338 00:16:55,360 --> 00:16:59,039 Tom Waits is another one. I absolutely love Tom Waits 339 00:17:00,240 --> 00:17:02,799 Cash And when I was growing up as well, I'm 340 00:17:02,879 --> 00:17:04,839 very lucky that my parents, my mom and dad had 341 00:17:04,880 --> 00:17:07,200 these CDs and tapes that we'd play on the car. 342 00:17:07,359 --> 00:17:10,160 Speaker 8: They were older music, and I just I love that. 343 00:17:10,240 --> 00:17:12,799 Speaker 13: I think I think Damien Rice and Tom Waits definitely 344 00:17:12,799 --> 00:17:14,759 as well. It would be would be two that I 345 00:17:14,960 --> 00:17:16,839 you know, if I had to have a dinner in 346 00:17:16,880 --> 00:17:18,720 the morning or a breakfast in the morning. It's invite 347 00:17:18,720 --> 00:17:20,440 two people to be to be the two of them, 348 00:17:20,480 --> 00:17:23,799 you know, that would be. 349 00:17:23,359 --> 00:17:25,720 Speaker 11: That would be interesting, Tom Waits, is uh what would 350 00:17:25,720 --> 00:17:29,160 be uh fascinating to uh to sit down with although 351 00:17:29,200 --> 00:17:31,200 probably probably a little hard to understand them at times. 352 00:17:31,240 --> 00:17:38,720 But I'm curious too because you did mention AI and 353 00:17:38,759 --> 00:17:41,200 that's another subject that I as you can imagine, comes 354 00:17:41,279 --> 00:17:44,680 up a lot on the show and its impact on music. 355 00:17:44,759 --> 00:17:47,519 And I'm curious. I mean, is that something you're you're 356 00:17:47,559 --> 00:17:50,680 concerned about or you sounded you struck I felt like 357 00:17:50,759 --> 00:17:53,400 kind of an optimistic tone about it when you said, 358 00:17:53,480 --> 00:17:57,039 you know, it's almost like music that is made entirely 359 00:17:57,079 --> 00:17:59,400 by humans. If it's got little flaws in it, that's 360 00:17:59,440 --> 00:18:01,880 okay because that's what people really want. They want the 361 00:18:02,359 --> 00:18:04,640 humanity of it and not sort of you know, just 362 00:18:04,680 --> 00:18:07,920 completely synthetic music. But I'm curious if you can expand 363 00:18:07,920 --> 00:18:09,640 on that a little bit, and how concerned are you 364 00:18:09,680 --> 00:18:11,160 about AI and music. 365 00:18:12,359 --> 00:18:14,920 Speaker 13: Like I think if you had said thirty years ago, 366 00:18:15,079 --> 00:18:18,519 artists and you know about synthetic drums and synthetic you know, 367 00:18:18,720 --> 00:18:21,920 like synthesizers or like using you know, they'll say even 368 00:18:22,000 --> 00:18:25,079 laptops or computers for card music, people who said, no, 369 00:18:25,119 --> 00:18:29,160 we've our eight tracks and right, so like, I can't 370 00:18:29,200 --> 00:18:30,519 remember who said it, but I was listened to a 371 00:18:30,559 --> 00:18:32,119 video the other day and it was really really interesting. 372 00:18:32,119 --> 00:18:35,279 They were talking about AI music and your man asked him, 373 00:18:35,279 --> 00:18:38,559 He was like, you know, how worried are you about people, 374 00:18:38,920 --> 00:18:41,920 you know, gravitating towards AI music and getting lost? And 375 00:18:42,160 --> 00:18:44,799 he said, well, you can go to a supermarket and 376 00:18:44,839 --> 00:18:47,880 you can buy organic, fair trade bananas, and you can 377 00:18:47,920 --> 00:18:51,200 buy five's bananas that are grown, you know, in a 378 00:18:51,200 --> 00:18:54,519 greenhouse down the road. It's your choice, you know, And 379 00:18:54,559 --> 00:18:56,880 I suppose I would probably lean into the market that 380 00:18:57,160 --> 00:18:58,960 I would want to make music for the people who 381 00:18:58,960 --> 00:19:00,799 want to buy the organic, free trade bananas. 382 00:19:01,039 --> 00:19:02,759 Speaker 8: And I think there's always going to be a market 383 00:19:02,759 --> 00:19:04,599 for that. I think there's always going to be a market. 384 00:19:04,359 --> 00:19:08,000 Speaker 13: For imperfection for you know, seeing someone live and all 385 00:19:08,000 --> 00:19:10,960 the different instruments and even someone making a bum note 386 00:19:10,960 --> 00:19:13,640 on everyone in the crowd laughing, because it's just, you know, 387 00:19:13,920 --> 00:19:14,759 that's what music is. 388 00:19:14,799 --> 00:19:16,400 Speaker 8: It's a gathering, it's a celebration. 389 00:19:16,519 --> 00:19:18,880 Speaker 13: It's someone that you know, you look up to who 390 00:19:19,000 --> 00:19:21,240 is able to speak words that you may not able 391 00:19:21,319 --> 00:19:23,319 to speak yourself, but you can listen to them say 392 00:19:23,319 --> 00:19:24,960 it and it hit something with you, you know. And 393 00:19:25,400 --> 00:19:27,799 if that and even my opinion is is that if 394 00:19:27,839 --> 00:19:30,559 AI music does that for you, then you know, at 395 00:19:30,640 --> 00:19:32,960 least you're conceiving music. It may not be the music 396 00:19:33,000 --> 00:19:34,680 I enjoy or may not be the music I'd like 397 00:19:34,759 --> 00:19:38,359 to make. But and there's I think again, like there's 398 00:19:38,440 --> 00:19:40,680 tools you can take from AI. You know, I actually 399 00:19:40,839 --> 00:19:43,680 use it for Like I'll say to chat Ebt, can 400 00:19:43,720 --> 00:19:48,440 you make me a two week calendar for my content ideas? 401 00:19:48,519 --> 00:19:51,680 You know, I'll ever music for music directly, but I 402 00:19:51,680 --> 00:19:54,079 think there's ways that we can't. If you duck your 403 00:19:54,079 --> 00:19:55,920 head in the sand and say it's not happening, it's 404 00:19:55,920 --> 00:19:57,880 not happening, then you're going to get lost behind. 405 00:19:58,759 --> 00:20:02,079 Speaker 8: And I just think if you can use certain twoes. 406 00:20:02,480 --> 00:20:04,599 Speaker 13: You know, there's a great book by Kyle Newport called 407 00:20:04,599 --> 00:20:07,960 Digital Minimalism, and it's like, you know, use technology to 408 00:20:08,000 --> 00:20:08,759 your advantage. 409 00:20:08,839 --> 00:20:11,079 Speaker 8: You'll make it work for you. So you know, I 410 00:20:11,079 --> 00:20:11,920 don't really care too. 411 00:20:11,920 --> 00:20:14,119 Speaker 13: Much, to be honest, I'll go and play shows to 412 00:20:14,160 --> 00:20:16,400 twenty people and they pay twenty quid for a ticket 413 00:20:16,400 --> 00:20:19,319 and I'll be laughing, you know, right, it doesn't You know, 414 00:20:19,799 --> 00:20:21,359 people will always want to hear what you want to 415 00:20:21,359 --> 00:20:23,759 hear if you're saying the right thing, right right. 416 00:20:23,640 --> 00:20:26,000 Speaker 11: I agree, and I fundamentally agree with what you said, 417 00:20:26,599 --> 00:20:28,519 you know, and it's not like you can't hold back 418 00:20:28,559 --> 00:20:31,720 technology anyway. You know that toothpaste is already all the 419 00:20:31,720 --> 00:20:34,160 way out of the tube. It's here, and you know, 420 00:20:34,160 --> 00:20:36,160 and it's been with us longer than people realize too. 421 00:20:36,200 --> 00:20:38,880 I mean, you know, every major recording studio that is, 422 00:20:39,400 --> 00:20:42,160 you know, sort of technologically up to date, shall we say, 423 00:20:42,240 --> 00:20:45,160 is already using AI and a lot of its software 424 00:20:45,240 --> 00:20:47,880 and you don't necessarily realize it, but you know, you've 425 00:20:47,880 --> 00:20:50,880 got programs that can you know, pitch correct, and you 426 00:20:50,960 --> 00:20:55,279 got all kinds of AI already happening anyway. Of course, 427 00:20:55,319 --> 00:20:56,839 now you can go on some of these apps and 428 00:20:56,880 --> 00:21:00,359 just create songs out of whole cloth, not even whole cloth. 429 00:21:00,400 --> 00:21:01,799 You put in a prompt, you tell what you want, 430 00:21:01,839 --> 00:21:04,319 it spits out something that in some cases is actually 431 00:21:04,480 --> 00:21:05,400 very high quality. 432 00:21:06,559 --> 00:21:07,799 Speaker 8: I'll tell you a funny story. 433 00:21:07,880 --> 00:21:10,279 Speaker 13: I was actually on holidays and alant or Ali caan't 434 00:21:10,319 --> 00:21:13,559 they no Albifera this year and we were sat there 435 00:21:13,559 --> 00:21:15,640 and having a cup of tea and someone was playing 436 00:21:15,720 --> 00:21:17,880 music and a speaker next to me, and I said, 437 00:21:17,920 --> 00:21:20,839 what that sounds like Mumford and Sons or something that's incredible. 438 00:21:21,319 --> 00:21:22,640 Speaker 8: And I went up to them and I was like, 439 00:21:22,839 --> 00:21:24,839 who's that. They were like, oh, it's our friend. He's 440 00:21:24,839 --> 00:21:27,200 her neighbor. He makes music. And I was like wow 441 00:21:27,240 --> 00:21:27,599 and he was. 442 00:21:27,599 --> 00:21:30,119 Speaker 13: They were like, yeah, it's all done through Ai and 443 00:21:30,160 --> 00:21:31,319 I was like, oh, I've been caught. 444 00:21:31,519 --> 00:21:34,680 Speaker 8: I've been caught. 445 00:21:34,720 --> 00:21:38,839 Speaker 13: But look, yeah, just look it's something's sounds sonically great 446 00:21:38,839 --> 00:21:41,079 on our ears. And you know there's a niche that 447 00:21:41,119 --> 00:21:43,440 needs to be scratched there too, So you know, I 448 00:21:43,799 --> 00:21:45,920 kind of had to I kind of had to take 449 00:21:46,079 --> 00:21:47,960 take the l there as the as the young kids 450 00:21:47,960 --> 00:21:51,119 would say, and yeah, I was like, you know, sure, look, 451 00:21:51,160 --> 00:21:52,440 it's it's it's it's happening. 452 00:21:52,440 --> 00:21:52,799 Speaker 8: It's here. 453 00:21:52,880 --> 00:21:54,759 Speaker 13: We can embrace it, we can use it, we cannot 454 00:21:54,799 --> 00:21:56,880 use it. You can complain about it, but you know, 455 00:21:56,920 --> 00:21:58,640 at the end of the day, there's a message out there, 456 00:21:58,960 --> 00:22:00,759 which I feel what music is supposed to do, and 457 00:22:01,160 --> 00:22:02,799 you know, just let it happen. 458 00:22:02,920 --> 00:22:03,960 Speaker 8: Let it happen lean into it. 459 00:22:04,200 --> 00:22:06,200 Speaker 11: Yeah, I agree with you. I absolutely agree with you. 460 00:22:06,240 --> 00:22:08,759 And by the way, so you mentioned playing live. Are 461 00:22:08,799 --> 00:22:09,880 you doing a lot of shows? 462 00:22:11,000 --> 00:22:13,200 Speaker 13: Yeah, So I'm kind of in this weird position where 463 00:22:13,400 --> 00:22:15,920 I do cover gigs most nights of the week and 464 00:22:15,960 --> 00:22:18,000 I'm really lucky that I'm really busy, you know, and 465 00:22:18,079 --> 00:22:22,400 that finances bills and like the studio time and everything. 466 00:22:22,400 --> 00:22:25,559 And I got signed with a management just before Christmas, 467 00:22:25,559 --> 00:22:27,640 which was really cool considering it's been like you know, 468 00:22:27,720 --> 00:22:29,359 we say, it was ten months since I had started 469 00:22:29,359 --> 00:22:32,880 releasing music and then I got picked up by a manager, 470 00:22:32,920 --> 00:22:36,079 and even last year I played countless support slots to 471 00:22:36,240 --> 00:22:40,119 quite big artists in Ireland and we're yeah, I'm currently 472 00:22:40,200 --> 00:22:43,640 organizing an Irish and kind of UK tour which is 473 00:22:43,640 --> 00:22:46,319 going to be starting in April, hopefully, myself a manager 474 00:22:46,359 --> 00:22:49,519 in close contact doing all of that. And I just 475 00:22:49,599 --> 00:22:53,720 I love performing, like I'll always be someone that just 476 00:22:53,799 --> 00:22:56,759 I love performing to people in a room, and like, 477 00:22:56,839 --> 00:23:00,319 you know, my ambitions from music is you know, obviously 478 00:23:00,400 --> 00:23:02,599 there's a nice monetary reward down the line when you 479 00:23:02,599 --> 00:23:04,519 put in the graph, but as long as I'm just 480 00:23:04,559 --> 00:23:06,039 playing music to people who want to hear for the 481 00:23:06,079 --> 00:23:07,880 rest of my life and I'm able to, you know, 482 00:23:08,039 --> 00:23:09,720 live comfortably and have a roof over my head. 483 00:23:09,759 --> 00:23:14,079 Speaker 8: I really am happy, you know. I just I love performing. 484 00:23:14,160 --> 00:23:16,440 Speaker 13: I Like the first gig I ever did, I got 485 00:23:16,440 --> 00:23:19,640 a buzz from people, you know, it was actually in 486 00:23:19,680 --> 00:23:21,440 a restaurant, you know, it like a lunchtime slot in 487 00:23:21,480 --> 00:23:23,799 a restaurant, and people's you know, turned around, put down 488 00:23:23,839 --> 00:23:25,640 the knife and fork for a minute and watched me, 489 00:23:25,720 --> 00:23:28,359 and I was like, wow, I have that impact with 490 00:23:28,400 --> 00:23:31,079 my voice, and you know, so yeah, I just love 491 00:23:31,119 --> 00:23:33,400 performing life. I constantly just pick up the guitar at 492 00:23:33,400 --> 00:23:35,799 home and then, like each cover gig I do, I 493 00:23:35,960 --> 00:23:38,519 try my best to make it seem like it's my. 494 00:23:38,519 --> 00:23:41,160 Speaker 8: Last gig, you know. Yeah, yeah, you never know, and 495 00:23:41,839 --> 00:23:43,279 you know, you know, I could be. 496 00:23:43,279 --> 00:23:45,319 Speaker 13: Paralyseed smart and not be able to play the guitar again, 497 00:23:45,400 --> 00:23:48,000 and I'd be kicking myself if I didn't, even if 498 00:23:48,000 --> 00:23:50,039 I was playing a pub. Just just give people in 499 00:23:50,079 --> 00:23:53,160 there something to remember, because you never know who's watching, 500 00:23:53,279 --> 00:23:53,480 you know. 501 00:23:54,000 --> 00:23:58,359 Speaker 11: That is absolutely true, Absolutely one. No, that's great, that's great. 502 00:23:59,079 --> 00:24:01,559 So where's where should people go online? Where's the best 503 00:24:01,559 --> 00:24:03,440 place to go online to keep up with everything that 504 00:24:03,480 --> 00:24:03,960 you're doing. 505 00:24:05,240 --> 00:24:06,440 Speaker 8: Like, there's just the usual. 506 00:24:06,519 --> 00:24:11,079 Speaker 13: If there's Instagram, cahol fits music, Spotify, cahole fits, TikTok, 507 00:24:11,200 --> 00:24:14,240 cahol fits, you know the usual stuff. 508 00:24:14,240 --> 00:24:15,400 Speaker 8: You'll you'll find me somewhere. 509 00:24:15,440 --> 00:24:18,039 Speaker 13: If you do a Google starch Cahol Fitz music, you'll 510 00:24:18,039 --> 00:24:19,920 find me somewhere. And if people have been listening to 511 00:24:20,000 --> 00:24:21,519 this and they're like, you know what I have to 512 00:24:21,519 --> 00:24:23,759 say and they like the music, send me a message, 513 00:24:24,400 --> 00:24:26,880 connect and have a chat, and you know, it's all 514 00:24:26,920 --> 00:24:27,720 it's all gravy. 515 00:24:27,799 --> 00:24:28,599 Speaker 8: It's all gravy. 516 00:24:28,720 --> 00:24:32,000 Speaker 11: Absolutely. You should spell your name too for Americans who 517 00:24:32,400 --> 00:24:34,519 have no idea how to have no idea how to 518 00:24:35,039 --> 00:24:35,440 spell that. 519 00:24:37,519 --> 00:24:43,440 Speaker 13: So it's c A T h A L F I 520 00:24:43,880 --> 00:24:46,200 t Z. You'll find me there somewhere. 521 00:24:46,400 --> 00:24:49,400 Speaker 11: Excellent, excellent. Well, so, in a moment, we're gonna play 522 00:24:49,400 --> 00:24:52,079 this track Enemy of Love after we let you go. 523 00:24:52,480 --> 00:24:54,440 It's been wonderful speaking with you. What should we know 524 00:24:54,480 --> 00:24:57,039 about this song? Is this just the I know this 525 00:24:57,119 --> 00:25:01,640 is the previous single right right before pushing their Yeah, like. 526 00:25:01,559 --> 00:25:05,359 Speaker 13: This was like I would consider myself mostly kind of mind. 527 00:25:05,480 --> 00:25:07,519 The stuff that I'm writing now is quite a bit 528 00:25:07,519 --> 00:25:10,799 more folky and bit more stripped back. But again, I 529 00:25:10,839 --> 00:25:12,960 didn't want to tie myself to one genre because I 530 00:25:12,960 --> 00:25:16,079 think some people get to focus that I'm a focus singer, 531 00:25:16,079 --> 00:25:18,599 and I'm like, yeah, fantastic. But I went into the 532 00:25:18,599 --> 00:25:21,519 studio with a song I had been fingerpicking at home 533 00:25:21,640 --> 00:25:22,000 with my. 534 00:25:21,960 --> 00:25:24,440 Speaker 8: Guitar and my producer. I have to give him a 535 00:25:24,440 --> 00:25:24,799 shout out. 536 00:25:24,839 --> 00:25:26,839 Speaker 13: His name is Keel and Kenny is a magician that 537 00:25:26,880 --> 00:25:29,599 he's just he's so incredibly talented. And I went into 538 00:25:29,680 --> 00:25:31,839 him and I said, let's just make the funnest song 539 00:25:31,920 --> 00:25:34,079 possible we could out of what we have here. Yeah, 540 00:25:34,119 --> 00:25:36,319 and you know, he put down he got a drummer in. 541 00:25:36,400 --> 00:25:37,920 We put down some drums in it. I had never 542 00:25:37,920 --> 00:25:40,599 had drums on a song before, and I was like, interesting, 543 00:25:41,200 --> 00:25:44,160 we put some funky guitar on it, some funky mandolin, 544 00:25:44,200 --> 00:25:46,119 which is an Irish instrument that we use here, mandolin, 545 00:25:46,519 --> 00:25:47,160 And I just said. 546 00:25:47,319 --> 00:25:47,960 Speaker 8: I went into the. 547 00:25:47,920 --> 00:25:51,720 Speaker 13: Studio and said, the people, the session musicians, listen to 548 00:25:51,759 --> 00:25:56,079 the song once whatever comes to you naturally, let's track 549 00:25:56,119 --> 00:25:58,400 it down and let's just make something fun. And it 550 00:25:58,680 --> 00:26:00,720 turned out quite well, like it's it's a little bit 551 00:26:00,720 --> 00:26:03,000 different to what the direction I kind of have normally 552 00:26:03,039 --> 00:26:05,480 for songs. But again, I think if you tie yourself 553 00:26:05,519 --> 00:26:09,640 to one genre too much, you'll become closed off to 554 00:26:09,759 --> 00:26:11,880 different types of music. Like I started listening to like 555 00:26:12,039 --> 00:26:14,119 rap again, you know, And it's not that I'm a rapper, 556 00:26:14,160 --> 00:26:17,880 but I think music there's so many different genres, but. 557 00:26:17,880 --> 00:26:20,160 Speaker 8: It all says the same thing. It's expression, you know. 558 00:26:20,319 --> 00:26:21,519 So I just said, you know, let's just. 559 00:26:21,519 --> 00:26:24,000 Speaker 13: Make this fun, let's make it different, and you know 560 00:26:24,079 --> 00:26:27,200 it's it's done quite well locally, and like, you know, 561 00:26:27,359 --> 00:26:29,279 all this has happened really in the last year. So 562 00:26:29,440 --> 00:26:32,319 I'm not as happy with it as other songs, but 563 00:26:32,359 --> 00:26:34,839 I can also I'm so lucky that I was open 564 00:26:34,920 --> 00:26:36,880 minded enough to say, let's just go a little bit 565 00:26:36,880 --> 00:26:38,319 of a different route and see what happens. 566 00:26:38,599 --> 00:26:41,160 Speaker 11: Yeah, No, I love it. I think it's a great song. 567 00:26:41,440 --> 00:26:44,400 We're gonna play that for everybody in a moment. Call Fitz. 568 00:26:44,599 --> 00:26:46,920 Thank you so much for joining us today. This has 569 00:26:46,960 --> 00:26:49,000 been wonderful. Oh by the way, are you where are you? 570 00:26:49,079 --> 00:26:51,079 Do you have a show tonight? Are you playing anywhere tonight? 571 00:26:51,920 --> 00:26:54,720 Speaker 13: I'm playing again. It's a kind of local pub and cork. 572 00:26:54,799 --> 00:26:58,039 It's called the hideout. Probably not many Irish listeners here, 573 00:26:58,119 --> 00:27:01,079 but yeah, just my local one of the local pubs 574 00:27:01,079 --> 00:27:03,000 in Cork. I'm very lucky that we're all live in 575 00:27:03,039 --> 00:27:07,240 particular like in Ireland, that there's live music like seven 576 00:27:07,279 --> 00:27:09,559 nights a week in multiple different locations, so there's no 577 00:27:09,599 --> 00:27:11,559 shortage of work. So I just bounced around the different 578 00:27:11,559 --> 00:27:14,920 pubs and small live music venues. Excellent tune, get some 579 00:27:14,960 --> 00:27:15,640 money and go home. 580 00:27:15,799 --> 00:27:17,839 Speaker 11: That's fantastic. That's the way to do it. My friend, 581 00:27:17,960 --> 00:27:20,079 very very good. Well listen, Thank you so much. We 582 00:27:20,119 --> 00:27:22,119 will definitely do this again in the future, especially it 583 00:27:22,160 --> 00:27:23,839 sounds like you've got you've got a lot of new 584 00:27:23,880 --> 00:27:26,160 music coming, so we will. We'll have you on again 585 00:27:26,400 --> 00:27:28,400 and you know, and we'd love to as you're releasing 586 00:27:28,400 --> 00:27:30,200 new music, we'd love to continue to kind of be 587 00:27:30,279 --> 00:27:34,160 your your conduit into the American radio market here. 588 00:27:34,240 --> 00:27:36,279 Speaker 8: So I really appreciate it. In Ireland. 589 00:27:36,359 --> 00:27:38,160 Speaker 13: In Irish we have a phrase which says girl of 590 00:27:38,160 --> 00:27:40,799 Mela mahagods, which means one hundred thousand thank yous to you, 591 00:27:40,880 --> 00:27:43,599 So it's been an absolute pleasure to have to speak 592 00:27:43,640 --> 00:27:45,680 to you as well, So I really appreciate the time 593 00:27:45,720 --> 00:27:46,440 and opportunity. 594 00:27:46,640 --> 00:27:49,240 Speaker 11: Oh wonderful. All right, very very good. We're gonna hit 595 00:27:49,240 --> 00:27:51,200 this track Enemy of Love, and we'll let you go 596 00:27:51,319 --> 00:27:53,200 call hall Fits again. Thank you so much. We'll talk 597 00:27:53,200 --> 00:27:57,359 to you soon. You got it, Bye bye? All right. 598 00:27:57,400 --> 00:27:59,039 That is car hall Fits. I think I'm saying his 599 00:27:59,119 --> 00:28:01,839 name correctly. And give this a listen. This is called 600 00:28:01,920 --> 00:28:04,480 Enemy of Love. This is his previous single. And then 601 00:28:04,599 --> 00:28:07,480 right after that we're gonna go into our world radio premieres. 602 00:28:07,559 --> 00:28:11,200 We've got three brand new singles to play for you 603 00:28:11,480 --> 00:28:15,279 this week from various artists that at least one of 604 00:28:15,319 --> 00:28:19,920 them you can't hear anywhere else yet you can only 605 00:28:19,960 --> 00:28:22,680 hear it on this radio show. So and the others 606 00:28:22,960 --> 00:28:25,920 it'll be their first time on American radio. And then 607 00:28:26,160 --> 00:28:28,319 coming up in the second hour, we've got the puncturists 608 00:28:29,000 --> 00:28:31,079 coming up. In the third hour, we've got Brooklyn Mike. 609 00:28:31,160 --> 00:28:32,640 So we've got a great show for you today. But 610 00:28:32,759 --> 00:28:34,839 right now here it is this is call hall Fits 611 00:28:34,839 --> 00:28:36,319 and this is called Enemy of Love. 612 00:29:00,160 --> 00:29:02,400 Speaker 8: When you saw you. 613 00:29:02,480 --> 00:29:10,559 Speaker 2: Knew and offer and someone comes along who perfect, it 614 00:29:10,759 --> 00:29:14,680 makes you wanting to know why the constant loss. 615 00:29:15,440 --> 00:29:17,400 Speaker 8: Uh, try a. 616 00:29:19,480 --> 00:29:23,440 Speaker 15: Fighting man up and crowd bro out you up buying dollars. 617 00:29:24,240 --> 00:29:26,680 Speaker 2: Uh, fighting as. 618 00:29:28,240 --> 00:29:31,319 Speaker 8: Even though I'm prone to be in on my. 619 00:29:43,200 --> 00:29:49,440 Speaker 15: Trying, I never feeling Uh, I always had it wrong, 620 00:29:51,960 --> 00:29:52,599 soorw me. 621 00:29:54,400 --> 00:29:56,440 Speaker 4: Further out I cause. 622 00:29:56,319 --> 00:30:01,839 Speaker 15: And never was my plan. See y'all. 623 00:30:03,079 --> 00:30:06,920 Speaker 4: Try you on your y'all getting out the store. 624 00:30:07,720 --> 00:30:16,079 Speaker 15: So love it's some news, just trying to be out. 625 00:30:18,160 --> 00:30:18,960 Speaker 6: That's sad. 626 00:30:20,319 --> 00:30:24,279 Speaker 5: He had me of yutting me of love. 627 00:30:26,920 --> 00:30:33,039 Speaker 4: This yeah, a fighting bottle, a fighting cut off. 628 00:30:33,880 --> 00:30:43,079 Speaker 9: So we have another keeping up eating all that stuff out. 629 00:30:44,279 --> 00:30:45,319 Speaker 5: Fighting bad. 630 00:30:46,799 --> 00:31:01,880 Speaker 9: Nas him off of me cause I love you, he. 631 00:31:02,279 --> 00:31:08,200 Speaker 2: Said, never feeling not fight only mon in the dog. 632 00:31:10,519 --> 00:31:11,039 Speaker 6: Run me. 633 00:31:12,680 --> 00:31:24,400 Speaker 9: I've gone heaving no father, fondly deeper aside ten feet 634 00:31:24,519 --> 00:31:25,720 under song. 635 00:31:26,319 --> 00:31:28,279 Speaker 6: And your. 636 00:31:30,440 --> 00:31:31,200 Speaker 5: Every gun. 637 00:31:31,680 --> 00:31:37,160 Speaker 9: So the cube's head, yes. 638 00:31:37,200 --> 00:31:40,200 Speaker 4: Said the head of me up? 639 00:31:40,400 --> 00:31:42,359 Speaker 3: The heading me up? 640 00:31:45,480 --> 00:31:50,799 Speaker 4: Yes, yeah, a fididy a finding cat. 641 00:31:52,440 --> 00:32:03,440 Speaker 6: So we had another geting eating est find it. 642 00:32:05,319 --> 00:32:08,400 Speaker 5: He's a love not love it. 643 00:32:11,640 --> 00:32:17,119 Speaker 9: This it be had me of behind me of. 644 00:32:35,880 --> 00:32:59,759 Speaker 6: The character he had the crush. 645 00:33:02,680 --> 00:33:08,640 Speaker 1: You are listening to Matt Conterton Unleashed on wmnhnwenty five point. 646 00:33:08,559 --> 00:33:10,039 Speaker 5: Three right now. 647 00:33:10,119 --> 00:33:13,559 Speaker 11: It's the world radio premiere of the new single from BRSR, 648 00:33:13,839 --> 00:33:16,960 coming out January thirtieth Portals. 649 00:33:49,759 --> 00:33:54,000 Speaker 5: No craves, the. 650 00:33:54,119 --> 00:33:55,640 Speaker 6: Broken glass. 651 00:33:57,440 --> 00:34:05,279 Speaker 4: Around you, evls, the. 652 00:34:05,440 --> 00:34:07,640 Speaker 9: Few hides behind. 653 00:34:09,079 --> 00:34:12,159 Speaker 4: Blackouts and house shovels. 654 00:34:13,039 --> 00:34:21,559 Speaker 5: And homes where the tops highs scar bikes shift. 655 00:34:22,920 --> 00:34:36,760 Speaker 6: And black scenes aways, the scene bast shad shot actually 656 00:34:36,920 --> 00:34:55,039 telling now way way Brad and I wanta got from 657 00:34:55,400 --> 00:34:56,239 my car. 658 00:35:18,159 --> 00:35:20,880 Speaker 9: Home first and like cows. 659 00:35:22,079 --> 00:35:24,159 Speaker 6: Steal doors and fall out. 660 00:35:25,840 --> 00:35:27,159 Speaker 5: I saw the saber, the. 661 00:35:27,320 --> 00:35:38,760 Speaker 14: Light sound, so we're outside by side, I see's. 662 00:35:38,480 --> 00:35:47,960 Speaker 6: And all eyes the way comes you, falling skies till 663 00:35:48,239 --> 00:35:50,320 found by angels dust. 664 00:35:51,400 --> 00:35:53,400 Speaker 5: I'll just steal in to. 665 00:35:54,000 --> 00:36:22,880 Speaker 6: Us, said say no, my god. 666 00:37:06,239 --> 00:37:08,840 Speaker 5: The mercy of virtual. 667 00:37:13,559 --> 00:37:48,320 Speaker 6: Presents hass not long act Suspi SUPI. 668 00:38:26,239 --> 00:38:28,519 Speaker 11: And now at wmn H ninety five point three f 669 00:38:28,639 --> 00:38:31,760 M and Matt Connorton un Leashed Exclusive. You can't hear 670 00:38:31,880 --> 00:38:34,800 this anywhere else, not yet. The new single from Sepsis 671 00:38:35,000 --> 00:38:36,880 this is called No Kings. 672 00:39:03,280 --> 00:39:09,400 Speaker 16: Inside the Home Way He's charm be how the stay 673 00:39:09,760 --> 00:39:11,440 case reminder. 674 00:39:13,440 --> 00:39:18,920 Speaker 17: Be on the woman every the shrine of diy on 675 00:39:19,159 --> 00:39:21,079 the way did you do? 676 00:39:21,360 --> 00:39:22,159 Speaker 11: The ways. 677 00:39:26,039 --> 00:39:28,800 Speaker 5: A place for me to tend ship. 678 00:39:31,480 --> 00:39:33,800 Speaker 6: Never po. 679 00:39:36,519 --> 00:39:40,079 Speaker 5: Chat love my lt make. 680 00:39:39,960 --> 00:39:49,800 Speaker 18: It out, check case can sip capers. 681 00:39:50,679 --> 00:39:57,079 Speaker 5: No good gosh was God. 682 00:40:02,360 --> 00:40:31,079 Speaker 16: Blackcast talking to the shadow a bine a big gers 683 00:40:31,360 --> 00:40:34,119 mine to battle. 684 00:40:33,840 --> 00:40:35,280 Speaker 5: The nature of our. 685 00:40:36,800 --> 00:40:42,599 Speaker 19: This is food chain the boys combiber, We have the 686 00:40:43,000 --> 00:41:00,239 anger face and wish stock buck place for shaven fet yours? 687 00:41:00,360 --> 00:41:01,840 Speaker 5: Did you have my sad. 688 00:41:03,280 --> 00:41:03,719 Speaker 20: Get out? 689 00:41:04,920 --> 00:41:19,639 Speaker 5: Jack Kings can come last, My God. 690 00:41:31,679 --> 00:41:36,760 Speaker 1: You're listening to macconnorton Unleashed on wm n H ninety 691 00:41:36,840 --> 00:41:37,800 five point three. 692 00:41:38,760 --> 00:41:42,599 Speaker 11: Here's another exclusive coming out January thirtieth, the new single 693 00:41:42,639 --> 00:41:43,599 from Hallie Nang. 694 00:41:43,960 --> 00:41:58,800 Speaker 12: This is called nine Miles High, This. 695 00:41:59,159 --> 00:42:08,840 Speaker 21: Poison and there let inorder lead in Lord, if we 696 00:42:09,400 --> 00:42:10,519 believe you. 697 00:42:12,639 --> 00:42:18,679 Speaker 4: Nine min Hide, there's an I Am the sky plea. 698 00:42:18,679 --> 00:42:27,480 Speaker 6: See if side laid on Black of the view trip. 699 00:42:27,960 --> 00:42:36,559 Speaker 17: It's not so easy the side shine seems so fine men, 700 00:42:40,000 --> 00:42:47,119 say you say with me, just say me. 701 00:42:48,239 --> 00:42:50,039 Speaker 5: By my side. 702 00:43:13,840 --> 00:43:18,760 Speaker 17: They see when morning and they see you in the 703 00:43:19,000 --> 00:43:24,559 dark and you'll have way there if you take it 704 00:43:24,800 --> 00:43:25,639 all time. 705 00:43:27,800 --> 00:43:32,599 Speaker 5: Nine miles High Electric gets the night. 706 00:43:33,440 --> 00:43:36,320 Speaker 6: Live anywhere and everywhere. 707 00:43:36,719 --> 00:43:48,079 Speaker 5: You're I try, but it's not so easy, sunshine. 708 00:43:48,480 --> 00:43:56,960 Speaker 6: See your so fin be h stay if you stay 709 00:43:58,360 --> 00:44:02,119 with me, just us. 710 00:44:02,199 --> 00:45:00,719 Speaker 5: Be by my side, Chad. 711 00:45:00,960 --> 00:45:15,599 Speaker 17: But it's not so easy scene so fine, stay say. 712 00:45:19,199 --> 00:45:23,800 Speaker 6: Say side. 713 00:45:37,559 --> 00:45:39,440 Speaker 11: I love that howling Hank. I can't wait to get 714 00:45:39,480 --> 00:45:41,519 them on the Actually they are booked to be on 715 00:45:41,559 --> 00:45:45,840 the show, I believe maybe next weekend, if I'm not mistaken. Uh, 716 00:45:45,960 --> 00:45:48,920 there's your new music block for this week, and if 717 00:45:48,920 --> 00:45:50,840 you missed any of it, of any of our world premieres, 718 00:45:50,880 --> 00:45:53,639 we will repeat that of course in the second hour 719 00:45:53,840 --> 00:45:56,079 for those of you listening live. Of course, this is 720 00:45:56,199 --> 00:45:59,320 Matt Connorton Unleashed and we are live from the studios 721 00:45:59,360 --> 00:46:01,800 of w and H ninety five point three FM and 722 00:46:01,840 --> 00:46:08,320 Glorious Manchester, New Hampshire. Actually very very cold. I was 723 00:46:08,519 --> 00:46:11,800 not looking forward to getting up this morning. I was 724 00:46:11,840 --> 00:46:13,800 looking forward to Saturday mornings because I get to come 725 00:46:13,840 --> 00:46:16,840 and do the show. But uh, definitely the highlight of 726 00:46:16,920 --> 00:46:20,480 my week. But this morning I was like, ugh, yikes. 727 00:46:21,920 --> 00:46:26,280 But I think I think the cold advisory ends at 728 00:46:26,320 --> 00:46:28,840 ten am, so by that point we'll be through the 729 00:46:28,920 --> 00:46:30,960 worst of it, and then we've got all this snow coming. 730 00:46:31,239 --> 00:46:33,079 We'll see you though, we'll see it might not be 731 00:46:33,199 --> 00:46:36,199 as bad. You know, they tend to they tend to 732 00:46:36,280 --> 00:46:40,400 overpromise and underdeliver. You know, I've noticed it's it's usually 733 00:46:40,480 --> 00:46:42,559 a little bit less than what they're predicting, I think 734 00:46:42,599 --> 00:46:45,360 because they don't want to under predict, and then we 735 00:46:45,519 --> 00:46:47,480 end up getting more, and then everyone's mad at the 736 00:46:47,920 --> 00:46:50,639 meteorologists who tell us what we're getting. So I am 737 00:46:50,960 --> 00:46:54,039 cautiously optimistic that it's not going to be you know, 738 00:46:54,079 --> 00:46:55,559 we're not gonna have like two feet of snow or 739 00:46:55,599 --> 00:46:58,360 anything in this area. I feel the people, I feel, 740 00:46:58,440 --> 00:46:59,800 you know, at least we're prepared for it. The people 741 00:46:59,840 --> 00:47:02,440 I've feel the most badly for our people in the 742 00:47:02,559 --> 00:47:08,559 South who are not prepared for anything like this, this monster, massive, 743 00:47:09,119 --> 00:47:11,480 goliath of a storm, you know, and then they get 744 00:47:11,559 --> 00:47:13,760 ice and they're not certainly not prepared for that. I 745 00:47:13,880 --> 00:47:15,880 was looking at something online last night about how there's 746 00:47:15,920 --> 00:47:18,719 you know, part of the South like Texas and Arkansas, 747 00:47:18,840 --> 00:47:21,000 and you know, they're they're just gonna have a lot 748 00:47:21,039 --> 00:47:23,440 of ice and they are not, you know, they're not 749 00:47:23,599 --> 00:47:27,079 used to that. But here in New Hampshire we kind 750 00:47:27,159 --> 00:47:29,360 of you know, I grew up here and the winters 751 00:47:29,360 --> 00:47:31,199 are definitely easier than not when I was a kid. 752 00:47:31,280 --> 00:47:35,400 And you know, again it's all it's all optimism. It's 753 00:47:35,440 --> 00:47:38,599 probably misplaced. It'll probably be a horrible, horrible storm, and 754 00:47:39,800 --> 00:47:42,159 but I'm trying to put some positive energy out there 755 00:47:42,199 --> 00:47:44,280 and say, yeah, it's not going to be that bad. 756 00:47:44,400 --> 00:47:46,320 And you know, if you've lived here for any length 757 00:47:46,360 --> 00:47:48,599 of time, you know it's winter. We'll deal with it, 758 00:47:48,679 --> 00:47:50,719 we'll handle it, we'll get through it. But at least 759 00:47:50,760 --> 00:47:53,280 the at least the worst part of this cold snap 760 00:47:53,519 --> 00:47:57,320 is going to be over relatively quickly. So and of course, 761 00:47:57,360 --> 00:47:58,920 you know, the show replays during the week, or you 762 00:47:59,000 --> 00:48:02,199 might listen to the podcast version of the show instead 763 00:48:02,199 --> 00:48:05,760 of listening live. And you know, all my predictions and 764 00:48:05,840 --> 00:48:07,880 my caustious optimism may turn out to have been for 765 00:48:08,000 --> 00:48:11,559 not so we'll see. But I'm trying to be trying 766 00:48:11,599 --> 00:48:15,159 to be positive. Don't get me wrong. I'm not looking 767 00:48:15,159 --> 00:48:17,960 forward to it. I'm not a winter guy. I like summer. 768 00:48:18,440 --> 00:48:21,400 I love summer. Actually I'm strange. Not only do I 769 00:48:21,480 --> 00:48:24,239 not mind the heat, I actually like the heat. I 770 00:48:24,440 --> 00:48:27,039 enjoy it. When it's ninety degrees outside, I think, I 771 00:48:27,079 --> 00:48:29,559 think that's just great. Even the humidity doesn't bother me 772 00:48:29,639 --> 00:48:32,760 that much. A dry heats always better. But even I 773 00:48:32,840 --> 00:48:34,119 can handle the humidity, you know. 774 00:48:34,360 --> 00:48:36,000 Speaker 12: But I mean, if it ever. 775 00:48:36,000 --> 00:48:38,639 Speaker 11: Starts to feel too oppressively hot in the summer. I 776 00:48:38,760 --> 00:48:41,000 just I think about winter and how much I don't 777 00:48:41,119 --> 00:48:42,719 like the cold, and then it's like I can deal 778 00:48:42,800 --> 00:48:45,719 with this. You can handle the heat. So I think, 779 00:48:45,800 --> 00:48:47,719 what we're gonna do right now, We're gonna seek one 780 00:48:47,760 --> 00:48:51,119 more track in this hour before we take a break 781 00:48:51,199 --> 00:48:53,360 and show some love to our amazing sponsors here at 782 00:48:53,519 --> 00:48:55,679 WM and H. But I want to play this track 783 00:48:55,960 --> 00:48:59,039 from Rivia, one of my favorite bands that we've had 784 00:48:59,079 --> 00:49:01,039 on the show, and this is the newest single, something 785 00:49:01,119 --> 00:49:02,239 in the Water. I think it's been out for a 786 00:49:02,280 --> 00:49:03,840 couple of months now, but we've played it on the 787 00:49:03,880 --> 00:49:05,800 show a bunch. But I still love this song. I 788 00:49:05,880 --> 00:49:07,320 listen to it now, I still love it as much 789 00:49:07,320 --> 00:49:08,559 as the first time I heard it. So we'll give 790 00:49:08,599 --> 00:49:10,679 this a spin, and then we will take a break 791 00:49:10,719 --> 00:49:12,679 and show some love to our amazing sponsors. When we 792 00:49:12,760 --> 00:49:14,239 come back in the second hour. For those of you 793 00:49:14,400 --> 00:49:17,519 listening live, we're gonna be joined by Dale, the bassist 794 00:49:17,599 --> 00:49:20,000 for the Puncturists. I think he's the only band member 795 00:49:20,079 --> 00:49:22,559 joining us, although I'm not sure, but as a as 796 00:49:22,559 --> 00:49:24,320 a bass player myself, you know, if I have to 797 00:49:24,400 --> 00:49:26,199 choose anybody in the band, I'm gonna choose a fellow 798 00:49:26,239 --> 00:49:29,719 bass player, right, But I love the Puncturists. I listened 799 00:49:29,719 --> 00:49:31,960 to the whole album. It is so so good. So 800 00:49:32,199 --> 00:49:33,840 looking forward to talking with him. And then in the 801 00:49:33,960 --> 00:49:36,039 third hour, Brooklyn Mike is going to be joining us 802 00:49:36,079 --> 00:49:37,880 live in studio. He's going to bring his guitar and 803 00:49:37,960 --> 00:49:41,599 play and we'll talk and always always enjoy hanging out 804 00:49:41,639 --> 00:49:45,039 with Brooklyn Mike. We might even have a surprise. I 805 00:49:45,159 --> 00:49:47,559 won't but I won't say anymore during the third hour 806 00:49:47,599 --> 00:49:51,599 because the mayor may not happen, So I probably shouldn't 807 00:49:51,599 --> 00:49:54,960 even hint at it because without being confident that it's 808 00:49:55,119 --> 00:49:59,400 likely to happen, it's probably unlikely to happen. But we'll see. 809 00:49:59,599 --> 00:50:02,000 But Brooke and Mike will be here. Uh So let's 810 00:50:02,039 --> 00:50:04,599 give this a spin again. This is Rivia something in 811 00:50:04,679 --> 00:50:07,480 the Water and I love this song so much. And 812 00:50:07,519 --> 00:50:09,039 then we will take a quick break and then we'll 813 00:50:09,039 --> 00:50:11,400 be back with our number two new Marrow dose of 814 00:50:11,480 --> 00:50:14,679 Matt Connorton unleashed. There's plenty more to come. Don't go anywhere. 815 00:50:34,239 --> 00:50:36,960 Speaker 5: You see me now, make it out with mate. You 816 00:50:37,199 --> 00:50:44,039 proud draw soft from Mama yesterday. One thing still not clear. 817 00:50:44,559 --> 00:50:47,679 How the hell a weekend here the last years of 818 00:50:47,880 --> 00:50:48,639 sen and Sue. 819 00:50:48,719 --> 00:50:57,159 Speaker 17: Ahhe sne there's nothing funny. 820 00:51:03,119 --> 00:51:04,719 Speaker 5: Frick got up the train? 821 00:51:05,039 --> 00:51:06,719 Speaker 6: What you want to look free? 822 00:51:08,039 --> 00:51:12,719 Speaker 5: Just as the Sultan. 823 00:51:14,239 --> 00:51:14,679 Speaker 6: It's not. 824 00:51:17,960 --> 00:51:21,679 Speaker 5: Always chasing something. You got to something in of you? 825 00:51:22,360 --> 00:51:24,480 Am I going on my way? 826 00:51:26,800 --> 00:51:29,760 Speaker 21: Not want to hear the awful look that you never 827 00:51:29,920 --> 00:51:30,519 thought that you. 828 00:51:31,280 --> 00:51:34,199 Speaker 18: I am lunch to you and all you'll my games, 829 00:51:39,639 --> 00:51:41,639 I mean all there's nothing for me. 830 00:51:41,920 --> 00:51:49,159 Speaker 5: I So I don't want to tell Frick got up train? 831 00:51:50,079 --> 00:51:51,199 Speaker 6: You want to look free? 832 00:51:52,519 --> 00:51:57,079 Speaker 5: Just a cry the shelter. 833 00:51:58,719 --> 00:51:59,440 Speaker 6: It's not that. 834 00:52:36,800 --> 00:52:42,440 Speaker 5: I don't want to tie. I got about that train 835 00:52:42,639 --> 00:52:43,039 you away? 836 00:52:43,440 --> 00:52:44,480 Speaker 6: You want to do free? 837 00:52:45,400 --> 00:52:55,239 Speaker 5: It's just a dollar cry the Sultan. I don't want 838 00:52:55,320 --> 00:53:08,559 to tell the Sultan. This Southern. 839 00:53:17,800 --> 00:53:19,639 Speaker 22: Nana's Kitchen and Pizza Reeve. 840 00:53:20,360 --> 00:53:26,400 Speaker 21: From Nana's hands to your plate tradition, love and taste. 841 00:53:26,519 --> 00:53:34,719 Speaker 23: That's great, soough fermented dough flavor, so true, each bite, 842 00:53:34,800 --> 00:53:38,320 the story made just for you. 843 00:53:39,400 --> 00:53:43,119 Speaker 22: Six O three two three two nine three six six 844 00:53:43,960 --> 00:53:51,840 Nana's Kitchen and Pizza Reve fifteen Yartmouth Dry, Auburn, New Hampshires, Kitchen. 845 00:53:51,639 --> 00:53:53,400 Speaker 5: And Hissary. 846 00:53:56,840 --> 00:53:58,840 Speaker 24: Luigi's Pizza Barron grows. 847 00:54:00,920 --> 00:54:05,400 Speaker 13: Let's praise a slyesng hide with top and all the round. 848 00:54:05,920 --> 00:54:07,119 Speaker 6: It's a pizza. 849 00:54:06,840 --> 00:54:11,320 Speaker 24: Barr Line Luigi's Pizza Bar and Grill, seven to twelve 850 00:54:11,519 --> 00:54:14,840 Valley Street, Manchester. Come on in or call six two 851 00:54:14,920 --> 00:54:19,239 two one zero two one Luigi keeping the tradition alive 852 00:54:19,519 --> 00:54:21,280 since nineteen seventy five. 853 00:54:23,119 --> 00:54:24,920 Speaker 8: Pizza for every one. 854 00:54:25,599 --> 00:54:27,760 Speaker 5: Come join a beast to night. 855 00:54:28,440 --> 00:54:31,960 Speaker 8: With each lye sense of it, everything feels so. 856 00:54:32,280 --> 00:54:37,679 Speaker 20: Right in times of crisis. You need a law firm 857 00:54:37,760 --> 00:54:40,920 that stands by your side. With over forty years of experience, 858 00:54:41,079 --> 00:54:44,199 Craig and Getzulis is dedicated to fighting for your rights. 859 00:54:44,599 --> 00:54:47,599 As former state prosecutors, our attorneys have the knowledge and 860 00:54:47,679 --> 00:54:51,400 trial experience to provide an aggressive defense against any charge, 861 00:54:51,760 --> 00:54:56,000 from DUIs to homicides. If you've been injured, our compassionate 862 00:54:56,079 --> 00:54:58,639 team will assess your case and fight for the compensation 863 00:54:58,800 --> 00:55:02,440 you deserve. All of New Hampshire. Craigan Getzulis is here 864 00:55:02,480 --> 00:55:05,559 when you need us most. Visit Craigatzulis dot com for 865 00:55:05,639 --> 00:55:09,960 a free consultation. Craigan getsulus your advocates, your allies. 866 00:55:10,280 --> 00:55:14,599 Speaker 25: I'll bring your kitchen to life with Queen Citycabinetry, located 867 00:55:14,719 --> 00:55:18,159 at eighty seven Elm Street in the historic Sunbeam Wall 868 00:55:18,320 --> 00:55:22,039 in Manchester. Open Monday through Friday nine am to five 869 00:55:22,199 --> 00:55:26,400 thirty pm, in Saturdays ten am to two pm. They 870 00:55:26,480 --> 00:55:29,639 can be reached at six oh three two two two 871 00:55:30,039 --> 00:55:33,239 to zero zero seven. We're on the web at Queen 872 00:55:33,360 --> 00:55:39,760 Citycabinatree NH dot com. Come see the possibilities. Queen Citycabinetree, 873 00:55:40,039 --> 00:55:42,840 another crowd sponsor of WMNH. 874 00:55:43,159 --> 00:55:45,960 Speaker 26: Hey everyone, there's Rob Azevido, host of Grantite State of Mind, 875 00:55:45,960 --> 00:55:47,760 and I want to tell you about Pembroke City Limits 876 00:55:47,800 --> 00:55:51,079 in the historic Suncook Village. PCL's an award winning bar, 877 00:55:51,320 --> 00:55:54,280 restaurant and music venue where there's live music five days 878 00:55:54,320 --> 00:55:58,079 a week and twice on Saturdays, everything from blues, country, folk, funk, 879 00:55:58,159 --> 00:56:00,119 and a whole lot of jazz. We have two goo 880 00:56:00,119 --> 00:56:02,719 of craft beers on tap, dedicated the local brewers in 881 00:56:02,760 --> 00:56:06,000 the area and some of the friendliest bartenders around. Please 882 00:56:06,119 --> 00:56:08,840 come visit Pembrook City Limits at one thirty four Main Street, 883 00:56:08,920 --> 00:56:12,679 the historic sunk Cook Village, only six miles outside of Manchester. 884 00:56:13,079 --> 00:56:16,519 Open Tuesdays to Wednesdays four to ten. Thursday's a Sunday 885 00:56:16,719 --> 00:56:18,880 eleven to ten, Pembrook City Limits. 886 00:56:19,039 --> 00:56:20,239 Speaker 22: Where it's all about the music. 887 00:56:20,480 --> 00:56:23,119 Speaker 24: Disneys Cafe is the place to put a smile on 888 00:56:23,199 --> 00:56:25,639 your face. Judy and the crew will take care of you, 889 00:56:25,840 --> 00:56:29,599 bring your appetite and treat your taste. Bus right. Disney's 890 00:56:29,639 --> 00:56:33,719 Cafe is always a winning choice. Breakfast, lunch or supper 891 00:56:34,199 --> 00:56:38,480 Dizze's Cafe at eight sixty Elm Street in downtown Manchester. 892 00:56:38,960 --> 00:56:41,840 Dine in, take out or make a reservation call six 893 00:56:41,960 --> 00:56:45,920 oh three, six oh six two five three to two, Eat, 894 00:56:46,360 --> 00:56:49,159 drink and be happy Dizzney's Cafe. 895 00:56:49,480 --> 00:56:52,199 Speaker 27: When it comes to keeping WMNH on the air and 896 00:56:52,320 --> 00:56:56,079 your own personal or business computer needs, trust Roland Computers, 897 00:56:56,320 --> 00:56:59,920 located on Elm Street in Manchester. Groland handles computer ripa, 898 00:57:00,320 --> 00:57:03,199 virus removal and custom built systems. Are you looking for 899 00:57:03,280 --> 00:57:06,599 budget friendly options, check out our selection of fully inspected 900 00:57:06,719 --> 00:57:10,800 used computers. We offer tailored on site solutions no unnecessary 901 00:57:10,880 --> 00:57:14,480 expenses here. Visit Groland dot com or called Grolling Computers 902 00:57:14,599 --> 00:57:17,880 at six zero three six four five zero one zero 903 00:57:18,039 --> 00:57:21,039 one Your tech, your way. Trust Rolling Computers. 904 00:57:29,000 --> 00:57:32,920 Speaker 23: Seven times out of ten we listened to our music 905 00:57:33,159 --> 00:57:33,760 at night. 906 00:57:35,760 --> 00:57:38,960 Speaker 11: That's titled business program. 907 00:57:38,800 --> 00:57:41,199 Speaker 28: Late Night to Light with DJ Midas right here on 908 00:57:41,440 --> 00:57:42,840 WMNH Manchester. 909 00:57:43,000 --> 00:57:43,719 Speaker 5: Do you want to know why? 910 00:57:43,960 --> 00:57:48,679 Speaker 25: Because Saturdays and Sunday nights midnight to four am. 911 00:57:50,039 --> 00:57:55,480 Speaker 29: This hour on wm NH is sponsored by CGI Business Solutions, 912 00:57:55,840 --> 00:57:59,800 located at five Dartmouth Drive in Auburn. They serve all 913 00:58:00,199 --> 00:58:05,639 business needs including employee benefits, planning, corporate design and business administration, 914 00:58:06,079 --> 00:58:10,960 investments and wealth management and customized business insurance solutions. Their 915 00:58:11,000 --> 00:58:14,360 phone number is eight sixty six eight four one forty 916 00:58:14,400 --> 00:58:18,480 six hundred, or on the web at CGI business Solutions 917 00:58:18,760 --> 00:58:19,239 dot com. 918 00:58:22,280 --> 00:58:25,800 Speaker 28: Behold the harmony of airwaves as you immerse yourself in 919 00:58:25,840 --> 00:58:29,920 the captivating frequencies of w m nhlp the sonic card 920 00:58:30,039 --> 00:58:33,400 needs of Manchesters. They're transcending through the ether at ninety 921 00:58:33,440 --> 00:58:37,320 five point three megahertz frequency modulation or transmissions emanate from 922 00:58:37,360 --> 00:58:40,159 the ZM one thousand Elm Street to insure into the 923 00:58:40,239 --> 00:58:43,199 hearts of our creative realm at one nineteen Canal Street, 924 00:58:43,400 --> 00:58:47,239 where Innovation and Sound colobe. They're the impro moder of 925 00:58:47,360 --> 00:58:50,880 Manchester Public Television Service in the venerable City of Manchester, 926 00:58:51,000 --> 00:58:54,760 New Hampshire, USA. Enrich your auditory journey with the depth 927 00:58:54,840 --> 00:58:57,840 of our license to wesidents, WES spet your missives w 928 00:58:58,199 --> 00:59:01,800 MNH ninety five three at gmail dot com, or traverse 929 00:59:01,840 --> 00:59:05,920 the virtual corridors of wmnhradio dot org. Engage with our 930 00:59:06,000 --> 00:59:09,039 sonic vibrations by communing with us through the digital channels. 931 00:59:09,239 --> 00:59:13,000 Our radio beckonds, eager to enthrall you with its mesmerizing 932 00:59:13,079 --> 00:59:15,920 cadence and envelop you with a symphony of boundless audits. 933 00:59:16,039 --> 00:59:16,840 Ornes one dude,