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<v Speaker 1>Worried about the United Nations, anxious about those bills piling up.

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<v Speaker 1>I want to get away from it all.

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<v Speaker 2>CBS offers you escape.

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<v Speaker 1>You are the victim of a native witch doctor, pursued

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<v Speaker 1>from the west coast of Africa to the West end

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<v Speaker 1>of London by the grinning face of a dead man.

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<v Speaker 1>You are under the curse of a poorer man.

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<v Speaker 2>The Columbia Broadcasting System and its affiliated stations present Escape,

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<v Speaker 2>produced and directed by William N. Robeson, and carefully plotted

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<v Speaker 2>to free you from the four walls of to day

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<v Speaker 2>for a half hour of high adventure.

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<v Speaker 1>To night, we escaped to the dark lowlands of West

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<v Speaker 1>Africa and the mind of a man who scoffed at

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<v Speaker 1>native magic. As H. G. Wells painted in his gripping

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<v Speaker 1>story Pollock and the Poorer Man.

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<v Speaker 3>I had spent considerable time in Africa, but I have

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<v Speaker 3>given little credence to the many superstitions of the natives there,

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<v Speaker 3>voodoo curses, weird incantations of which doctors and the like

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<v Speaker 3>had always seemed a pretty silly business to me. But

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<v Speaker 3>that was before the affair of Pollock and the Poorer Man.

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<v Speaker 3>Even then, while the thing was happening, I took little notice.

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<v Speaker 3>Twas only when I got back to England some months

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<v Speaker 3>later and went to see Pollack climbing up the three

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<v Speaker 3>flights of stairs to his lonely bedroom that I began

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<v Speaker 3>to realize the ghastly truth of it. One look at

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<v Speaker 3>him was enough. I had never before seen a man

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<v Speaker 3>so unnaturally wasted, so prematurely aged and broken, so eerily mad,

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<v Speaker 3>This man lying on the bed looking up at me

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<v Speaker 3>with haggard eyes. It was. It was good of you

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<v Speaker 3>to come water house, nonsense, old chap. I just thought

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<v Speaker 3>i'd look you up and say hello. But I had

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<v Speaker 3>no idea I would find you will ill?

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<v Speaker 4>Yes, I I suppose I am ill. I suppose that's

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<v Speaker 4>what you'd call it. What in Heaven's name is the matter, Pollock?

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<v Speaker 4>I said, come closer, will you barely see you?

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<v Speaker 3>Yes? Of course, I just drop a chair. No, take

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<v Speaker 3>it away, take it away? What are you talking about?

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<v Speaker 3>What is it? Then? Ting in your hand? Take it away?

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<v Speaker 2>Please?

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<v Speaker 3>If I heaven't say take it in my hand, the Pollock,

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<v Speaker 3>this is only my hat? Why? Yes, of course, just

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<v Speaker 3>an ordinary black homboy style is offensive to know. I

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<v Speaker 3>just put it on the table, the floor somewhere where

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<v Speaker 3>I can't see it. Please? Of course, old, I suppose

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<v Speaker 3>you think I'm may I don't know you do.

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<v Speaker 4>Everybody does, because I'm used to it now. The worst

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<v Speaker 4>of it is perhaps I am, I say, Pollock. I

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<v Speaker 4>mean I don't think so, because I do see it.

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<v Speaker 4>I don't care if no one else does. I can

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<v Speaker 4>see it. See what a head that hid des face,

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<v Speaker 4>following me everywhere, grinning at me and always upside down?

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<v Speaker 3>Pollock, what are you talking about?

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<v Speaker 4>You don't believe me either? Well, look at my wrist.

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<v Speaker 4>It's broken and the bandage is still on it. That's

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<v Speaker 4>real enough, isn't it. Yes, of course broken? You say,

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<v Speaker 4>yes it did, and my other accent. And when I

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<v Speaker 4>first got back to England, they said I walked in

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<v Speaker 4>front of a bus. But I know better it did

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<v Speaker 4>that tool ahead exactly. You wouldn't expect to see a

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<v Speaker 4>man's head come rolling down the middle of a busy

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<v Speaker 4>street in London, now, would you know?

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<v Speaker 3>Poll You'd better lie back rest a bit. I'll call

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<v Speaker 3>a doctor.

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<v Speaker 4>You too, And I thought you might understand, after all,

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<v Speaker 4>you were with me when it started.

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<v Speaker 3>It was you who first warned me, who sent me home.

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<v Speaker 3>You don't mean that the business with a parlor man.

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<v Speaker 3>Oh yes, yes, of course you remember how it started.

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<v Speaker 4>We were camped at that little village on the lagoon

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<v Speaker 4>behind the turn of Peninsula. It was swampy and hot,

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<v Speaker 4>and I was bored to tears. Maybe that's why I

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<v Speaker 4>did it. But anyway, when when I got back, you

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<v Speaker 4>were furious with me.

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<v Speaker 3>Loon. No, no, you're a fool pollock. You've got to

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<v Speaker 3>take it back immediately, you hear, or what possible difference?

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<v Speaker 3>Get it neck waterhouse. Why all this fuss, old boy,

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<v Speaker 3>It's only a little wooden statue. Can't be worth anything

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<v Speaker 3>except for curial. You're not that stupid pollock. You know

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<v Speaker 3>very well this is a porah idol. You must have

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<v Speaker 3>stolen it from the hut of a witch dog, don't

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<v Speaker 3>you see? To them this is sacred, as sacred as

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<v Speaker 3>an altar cross to a Christian. You've not only committed

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<v Speaker 3>a crime in their eyes, but a terrible sacrilege as well.

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<v Speaker 3>Don't tell me they're going to sit their painted gods

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<v Speaker 3>on me. I should be frightened dead before they can

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<v Speaker 3>do anything. You're going to take this back where you

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<v Speaker 3>found it and apologize to the poro man, apologize to

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<v Speaker 3>an illiterate black witch manner you create, Pollock, I've had

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<v Speaker 3>about as much of you as I can stand. You're

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<v Speaker 3>one of those infernal fools who think a black man

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<v Speaker 3>isn't a human being. I can't turn my back. Which

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<v Speaker 3>you're running crossways to them, getting your some scraper over

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<v Speaker 3>the third time this month, and this time it's serious.

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<v Speaker 3>Are you telling me you're going to send me home?

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<v Speaker 3>I honestly think it would be best. As a matter

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<v Speaker 3>of fact, I'm all for it, very happy to get

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<v Speaker 3>out of this sticky, dirty, god forsaken place. Very well.

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<v Speaker 3>But before you go, Pollock, for the good of the expedition,

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<v Speaker 3>you've got to take a thing back and apologize. Oh

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<v Speaker 3>I didn't think i'd better. Why not? Well, tell the truth.

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<v Speaker 3>I don't think they'd give me a chance to apologize,

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<v Speaker 3>all right, tell me what happened?

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<v Speaker 4>Oh, nothing very much, except well, as I was carrying

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<v Speaker 4>the thing away and when of those chaps popped up

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<v Speaker 4>and saw it, started yelling trying to take it from me.

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<v Speaker 3>Yes, go on, Well we had a bit of a tussle.

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<v Speaker 3>I got away. Go on, Pollock. We uh we were

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<v Speaker 3>on the bank of the river, and I toppled him

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<v Speaker 3>over that song. He fell into the river. Yes, I

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<v Speaker 3>think he may have hit the rocks first. Was he

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<v Speaker 3>badly hurt? I don't know. I didn't stop to find

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<v Speaker 3>out he was dead, wasn't he I really don't know,

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<v Speaker 3>you fool. It was an accident. I had an accident

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<v Speaker 3>a lot. They care bad enough with the idol, but

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<v Speaker 3>you've probably killed a man. We're in for it now. Well,

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<v Speaker 3>there's nothing to be frightened about. Nothing. In the first place,

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<v Speaker 3>I should think even your conscience would suffer a little.

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<v Speaker 3>The second, you don't seem to understand about this poror business.

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<v Speaker 3>It rules the country. It's the law, religion, medicine, everything

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<v Speaker 3>in these porror are the most vindictive men on earth.

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<v Speaker 3>The one whose idol you've stolen, whose follower you killed,

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<v Speaker 3>will be duty bound to do something about it, and

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<v Speaker 3>there's no telling what he will all come. Now, you

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<v Speaker 3>don't believe in these voodoo curses and things, of course not.

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<v Speaker 3>I'm thinking of something much more real than that. Mean

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<v Speaker 3>you might try something rough. I can only advise you

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<v Speaker 3>to lie low until we can get you out of here.

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<v Speaker 3>In the morning. I'll take you as far as Sulima

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<v Speaker 3>and see you safer boarders. You needn't I can go

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<v Speaker 3>alone from here, not far. You still don't understand this business.

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<v Speaker 3>You wouldn't get a quarter of a mile from this

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<v Speaker 3>camp alone.

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<v Speaker 4>I still thought you were making a mountain out of

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<v Speaker 4>the mole Hill waterhouse. But I must admit I didn't

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<v Speaker 4>sleep much that night. I lay there on the mat

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<v Speaker 4>in my hut.

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<v Speaker 3>And listened to the sounds of the village and then

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<v Speaker 3>later to the noises of the of the night wakening jungle.

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<v Speaker 3>Some time after midnight, I must have dozed off, because

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<v Speaker 3>I awoke with a start. For a moment I was confused,

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<v Speaker 3>but I sensed something wrong, and then, framed against the

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<v Speaker 3>moonlight square of the door, I saw a handle praised

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<v Speaker 3>and in it a knife. Stop it stop Russhult, Stop

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<v Speaker 3>you you.

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<v Speaker 5>Hollo?

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<v Speaker 3>What is it? What happened? I missed the begger waters?

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<v Speaker 3>I missed who missed who?

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<v Speaker 2>What happened?

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<v Speaker 3>A poorer man waterhouse? He was in my hut. He

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<v Speaker 3>had a knife. He tried to kill. Now, wait a minute,

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<v Speaker 3>a minute, quit life, by delight. There you're right, man,

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<v Speaker 3>I'm all right. I just saw it in time rode

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<v Speaker 3>aside in him. Look, eh, in my bed. The knife.

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<v Speaker 3>That was a narrow one. Well, perhaps now you understand

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<v Speaker 3>the seriousness of this Waterhouse. I saw his face.

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<v Speaker 4>He stopped just at the door for a second. He

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<v Speaker 4>was crouched down, and he looked back at.

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<v Speaker 3>Me from under his arm. His face was edged clearly

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<v Speaker 3>in the moonlight. It it was upside down. I'll never

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<v Speaker 3>forget it. I'll get you are listen, Waterhouse listening. He

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<v Speaker 3>glared back at me with his painted face upside eye down,

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<v Speaker 3>and streaked with those hideous scars they cut in their cheeks.

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<v Speaker 3>See that in my dream? Steady on, old man, here

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<v Speaker 3>you are drink this all right? What the idol's gone?

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<v Speaker 3>I've just noticed the idol's gone. He took it. It's gone. Yes,

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<v Speaker 3>Well then it's all over. He got what he wants.

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<v Speaker 3>He well bother me again, will he? I am afraid

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<v Speaker 3>there's more to it than that. But he's got the

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<v Speaker 3>blasted idol back and he won't try it again. Oh, Willie,

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<v Speaker 3>I have just noticed something, too, Pollock, there's something here

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<v Speaker 3>on the floor. One of your shots clipped off the

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<v Speaker 3>tip of his little finger. It's too bad you aren't

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<v Speaker 3>a better shot. Why why do you say that? Because

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<v Speaker 3>I'm afraid we haven't seen the loss of this business yet.

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<v Speaker 3>You were more right than your new waterhouse. The next

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<v Speaker 3>morning was only the beginning. We were standing with the

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<v Speaker 3>river and supervising clocking. I'm glad we're getting out of here.

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<v Speaker 3>Something brewing or things wouldn't be so quiet. Oh what

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<v Speaker 3>would be brewing? A stink in the copper pot, probably

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<v Speaker 3>dancing in a circle of skulls putting curses on you

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<v Speaker 3>that what can he do? How the devil should I know?

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<v Speaker 3>The first five people? We know? A lot of rum dodges.

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<v Speaker 3>The best thing to look out work the man that's closer.

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<v Speaker 3>What was it? One of their beastly poisoned arrows? And

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<v Speaker 3>the tree behind you missed your head by inches came

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<v Speaker 3>from over there in the bush. Let's let's do something.

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<v Speaker 3>Let's chase him something no use now, never find him

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<v Speaker 3>in there. Best thing for us to do is to

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<v Speaker 3>get out of here quick. Well we go out, all right.

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<v Speaker 3>You remember how we went down the river, keeping as

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<v Speaker 3>far from the banks as possible. You thought I was

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<v Speaker 3>safe when you got me to Salima and said goodbye.

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<v Speaker 3>Didn't you water us? So did I? You said goodbye

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<v Speaker 3>and went back to the interior. Nothing happened for two days,

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<v Speaker 3>and I was beginning to feel that the whole thing

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<v Speaker 3>was just a nasty dream. And then then as I

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<v Speaker 3>was walking in the compound, I was hitting the arm

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<v Speaker 3>with a slug. It was a long shot, the bullet

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<v Speaker 3>was spent. I only got a flesh wound. But I

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<v Speaker 3>knew or he was there, and I decided to confide

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<v Speaker 3>in Berea, the little Portuguese who rented me a hutneys compound.

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<v Speaker 3>He took it seriously.

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<v Speaker 6>It is a personal question, you though. It is revenge, see,

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<v Speaker 6>and he must turry because you will leave the county.

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<v Speaker 3>Yes, I'll be on the boat of free Town in

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<v Speaker 3>three more days. Then I'll be rid of him forever.

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<v Speaker 6>Perhaps then there's this magic. Of course I don't believe

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<v Speaker 6>in it, superstition, but still it's not nice to think

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<v Speaker 6>that wherever you are, there's a black man spends a

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<v Speaker 6>moonlight night, sometimes dancing around a fire to send.

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<v Speaker 3>You bad dreams. You have any bad dreams there, keep

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<v Speaker 3>seeing the beggar's head upside down, grinning at me, showing

213
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<v Speaker 3>all his teeth the way he did not. It's nothing

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<v Speaker 3>to be afraid of.

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<v Speaker 6>It's not pleasant either, then, they say, potman, send snakes.

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<v Speaker 6>You seen any snakes lately?

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<v Speaker 4>Only one? I killed one this morning on the floor

218
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<v Speaker 4>under my hammock. Almost stepped on him when I got up.

219
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<v Speaker 6>Of course it is coincidence. Still I would keep eyes open.

220
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<v Speaker 6>Then there is the pains in the legs and arms.

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<v Speaker 3>I thought they were caused by miasma. Oh, probably they are.

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<v Speaker 3>When did they begin? Why? Three nights ago? The night? Ah, oh,

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<v Speaker 3>blast it, it's nonsense. If I could just meet the

224
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<v Speaker 3>stebber face to face, put a gun in my.

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<v Speaker 6>Hand, you might shoot him, But then he might shoot you.

226
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<v Speaker 6>I think he do not want to kill you anyway,

227
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<v Speaker 6>not yet. Their idea is scarce and worry a man

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<v Speaker 6>with their spells and narrow misses and pains and bad

229
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<v Speaker 6>dreams and all that until he's sick of life.

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<v Speaker 3>Of course it's all talk. See, you must not worry

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<v Speaker 3>about it. Oh no, no, no, no, of course nothing. But

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<v Speaker 3>I wonder what he'll be up to next. Perhaps it

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<v Speaker 3>is I who shall be up to something. What you mean?

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<v Speaker 3>Never mind? But I'm not one to just sit and

235
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<v Speaker 3>take this. That very afternoon I had a conversation with

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<v Speaker 3>her rough necked men, thy tribesmen.

237
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<v Speaker 4>I found there in Salima. He showed me a little

238
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<v Speaker 4>iron dagger and demonstrated how one struck at the back

239
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<v Speaker 4>of the neck. He agreed to do the job for

240
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<v Speaker 4>the price of a double barrel gun with an ornamental lock.

241
00:15:27.720 --> 00:15:30.320
<v Speaker 4>I went back to Pereers feeling better than I had

242
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<v Speaker 4>in days. That night, the Portuguese and I was sitting

243
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<v Speaker 4>in his living room playing cards, when suddenly the men

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<v Speaker 4>die Rough strode in without so much as is it?

245
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<v Speaker 3>What do you want? Oh? Won't you have done? What

246
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<v Speaker 3>you tell me? Hell bru, what is it you have

247
00:15:46.440 --> 00:15:53.960
<v Speaker 3>in the package? Is that blood dripping rue? Yeah? His head?

248
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<v Speaker 3>Oh no, no, no, this man you want? No, I

249
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<v Speaker 3>get gone. You didn't have to bring this. I didn't

250
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<v Speaker 3>ask for such proof.

251
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<v Speaker 6>You mean, Senor Pollock. You got him killed. You did

252
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<v Speaker 6>not kill him yourself?

253
00:16:08.600 --> 00:16:11.080
<v Speaker 3>Why should I? But he will not be able to

254
00:16:11.120 --> 00:16:14.080
<v Speaker 3>take it off? Now, what do you mean take it off?

255
00:16:14.360 --> 00:16:17.759
<v Speaker 6>Look at the cards, they are all spoilt with this blood.

256
00:16:18.320 --> 00:16:20.279
<v Speaker 3>What do you mean take what off?

257
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<v Speaker 6>You must send me a new pack from Freetown. You

258
00:16:23.360 --> 00:16:24.200
<v Speaker 6>can't buy them there.

259
00:16:24.279 --> 00:16:25.080
<v Speaker 3>Take what off?

260
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<v Speaker 6>It is only a superstition I forgot. The natives say,

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<v Speaker 6>if the witch he was a witch. What did is

262
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<v Speaker 6>all rubbish? Go on, go on, well, they say you

263
00:16:36.559 --> 00:16:39.799
<v Speaker 6>must take make the boro man, take the curse off,

264
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<v Speaker 6>or kill him yourself.

265
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<v Speaker 3>It is very silly. Gone.

266
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<v Speaker 2>No, I'll make it.

267
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<v Speaker 3>Two guns if you'll take that beastly thing away. No

268
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<v Speaker 3>one gun? No, all right, rayah, that gun. You have

269
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<v Speaker 3>to say, I'll give it to him. Have the money

270
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<v Speaker 3>right here over here, take it and go.

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<v Speaker 6>It is funny how the head sits upside down, just

272
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<v Speaker 6>the way I.

273
00:17:10.599 --> 00:17:13.599
<v Speaker 3>Saw him that night, just the way I see him

274
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<v Speaker 3>in my dreams, like it.

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<v Speaker 6>Was waited that way. You will take him with you

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<v Speaker 6>when you go. Maybe take him now. My cards are

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<v Speaker 6>all spoiled. There is a man sells them in Freetown.

278
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<v Speaker 6>You should have killed him yourself.

279
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<v Speaker 3>It stop it, stop it.

280
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<v Speaker 4>I took the thing to my hut, and no matter

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<v Speaker 4>what I did, it always came to rest, upside down

282
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<v Speaker 4>and glaring at me.

283
00:17:46.039 --> 00:17:48.799
<v Speaker 3>I got a shovel. I buried it in the soft

284
00:17:48.880 --> 00:17:52.440
<v Speaker 3>earth behind the hut. But in the middle of the

285
00:17:52.559 --> 00:17:56.519
<v Speaker 3>night I was awakened by some sound in my room.

286
00:17:56.960 --> 00:17:58.799
<v Speaker 3>Oh what is it? Who's there?

287
00:17:59.400 --> 00:17:59.920
<v Speaker 7>Speak up?

288
00:18:00.079 --> 00:18:04.839
<v Speaker 3>I shoot? Oh a dog?

289
00:18:05.960 --> 00:18:24.200
<v Speaker 8>Only a dog, Yes, it was only a doll. But

290
00:18:25.000 --> 00:18:28.799
<v Speaker 8>in the morning, when I awoke and started to get

291
00:18:28.880 --> 00:18:35.640
<v Speaker 8>out of bed, there it was in the center of

292
00:18:35.680 --> 00:18:38.079
<v Speaker 8>the floor, glaring at me upside down.

293
00:18:39.039 --> 00:18:42.680
<v Speaker 3>It was uncanny until I remembered the dog. I found

294
00:18:42.720 --> 00:18:44.920
<v Speaker 3>these paw prints and the dug up earth outside, and

295
00:18:44.960 --> 00:18:48.200
<v Speaker 3>I knew how it got there. I took the thing

296
00:18:48.240 --> 00:18:50.480
<v Speaker 3>down to the river. I threw it as far as

297
00:18:50.519 --> 00:18:53.400
<v Speaker 3>I could into the current. At last i'd be rid

298
00:18:53.440 --> 00:18:57.759
<v Speaker 3>of it. That morning.

299
00:18:58.920 --> 00:19:06.359
<v Speaker 4>I killed two snakes. But late in the afternoon the

300
00:19:06.440 --> 00:19:08.920
<v Speaker 4>little steamer arrived. They would take me away from this

301
00:19:09.119 --> 00:19:13.720
<v Speaker 4>insane land of the borrow and freak down and civilization.

302
00:19:16.039 --> 00:19:19.440
<v Speaker 3>Ay. It almost begun to feel gay.

303
00:19:20.839 --> 00:19:24.000
<v Speaker 4>As that boat carried me swiftly away from the shores

304
00:19:24.039 --> 00:19:27.640
<v Speaker 4>of the Perora. Then at last I would be free,

305
00:19:27.680 --> 00:19:31.519
<v Speaker 4>and soon I'd be back where borow and curses and nightmares.

306
00:19:30.960 --> 00:19:35.000
<v Speaker 3>Would be forgotten. I was standing at the rail, sighing

307
00:19:35.039 --> 00:19:37.960
<v Speaker 3>with relief, when the captain of the steamer, whom I'd

308
00:19:37.960 --> 00:19:40.960
<v Speaker 3>met before I, strolled up and began to make conversation.

309
00:19:42.440 --> 00:19:47.440
<v Speaker 3>After the usual exchange of pleasantries, he said, I picked

310
00:19:47.480 --> 00:19:50.640
<v Speaker 3>up a ramcyrio on the beach. This go thee thing

311
00:19:50.720 --> 00:19:53.160
<v Speaker 3>I never saw done this out of injury before. Why

312
00:19:53.160 --> 00:19:55.720
<v Speaker 3>is that so? Eh? The aid of one of these

313
00:19:55.799 --> 00:19:59.519
<v Speaker 3>poro chips, all ornamented with knife cuts. I see, what's

314
00:19:59.559 --> 00:20:03.039
<v Speaker 3>the matter? Chip, agreed in the face. I wouldn't have

315
00:20:03.079 --> 00:20:06.279
<v Speaker 3>took you for a bit sail. I'm quite all right.

316
00:20:06.359 --> 00:20:06.559
<v Speaker 2>Eh.

317
00:20:06.839 --> 00:20:09.440
<v Speaker 3>Well, this here I was telling you about. He's a

318
00:20:09.440 --> 00:20:12.559
<v Speaker 3>bit queer in a way. I've got it Najoral spirits

319
00:20:12.599 --> 00:20:14.640
<v Speaker 3>in my cabin, you know. I mean, if you don't

320
00:20:14.680 --> 00:20:24.200
<v Speaker 3>float upside down, you're our chip. What's the matter? That

321
00:20:24.799 --> 00:20:25.839
<v Speaker 3>was the last straw.

322
00:20:25.920 --> 00:20:32.440
<v Speaker 4>I suppose something seemed to snap in my brain, And

323
00:20:32.559 --> 00:20:34.640
<v Speaker 4>for the rest of the voyage I laid there in

324
00:20:34.720 --> 00:20:39.519
<v Speaker 4>the bunk, staring at the ceiling, and I had.

325
00:20:39.480 --> 00:20:44.400
<v Speaker 3>The strange sensation that the boat was made of glass, transparent.

326
00:20:45.200 --> 00:20:48.279
<v Speaker 3>And then I could see up through the ceiling into

327
00:20:48.359 --> 00:20:52.440
<v Speaker 3>the captain's cabin, see the poorer man's face floating in

328
00:20:52.480 --> 00:20:58.680
<v Speaker 3>a jar of alcohol, upside down, grinning at me. Was

329
00:20:58.799 --> 00:21:01.200
<v Speaker 3>the actually head is still in the captain's cabin in

330
00:21:01.279 --> 00:21:04.079
<v Speaker 3>free Town. But it didn't matter that poorer Man's work

331
00:21:04.119 --> 00:21:08.920
<v Speaker 3>had been done by then, because now I carried it

332
00:21:08.960 --> 00:21:18.039
<v Speaker 3>with me everywhere in my brain. I sew it everywhere anywhere.

333
00:21:19.279 --> 00:21:21.720
<v Speaker 3>Any object that was round, like a hat or a

334
00:21:21.799 --> 00:21:24.559
<v Speaker 3>pillar of oars suddenly developed features when I looked at it,

335
00:21:25.720 --> 00:21:31.079
<v Speaker 3>ugly scarred features with a grinning mocking mouth. Features turned

336
00:21:31.200 --> 00:21:36.720
<v Speaker 3>upside down when I when I docked in London, I

337
00:21:36.960 --> 00:21:39.160
<v Speaker 3>went straight to my banker's office in corn here.

338
00:21:39.400 --> 00:21:41.920
<v Speaker 5>And the security is not an order, mister Pollock. You

339
00:21:41.920 --> 00:21:43.839
<v Speaker 5>shall have to watch things, of course, but all on oiler.

340
00:21:43.839 --> 00:21:45.920
<v Speaker 5>You shall have enough to live quite comfortably and to

341
00:21:46.000 --> 00:21:50.480
<v Speaker 5>enjoy a reasonable amount of freedom. Then to mm, I say, Pollock,

342
00:21:50.519 --> 00:21:52.359
<v Speaker 5>what are you staring at so fixedly.

343
00:21:53.319 --> 00:21:56.160
<v Speaker 3>That thing hanging from your mantelpiece?

344
00:21:56.240 --> 00:21:58.680
<v Speaker 5>Oh yes, I see the potted fern. Rather pretty one,

345
00:21:58.720 --> 00:22:02.000
<v Speaker 5>isn't it. Oh yes, yes, yes, very I must do

346
00:22:02.039 --> 00:22:04.160
<v Speaker 5>something about it. Though it's always dripping water down on

347
00:22:04.200 --> 00:22:05.279
<v Speaker 5>the fender of the fireplace.

348
00:22:05.279 --> 00:22:09.519
<v Speaker 3>Makes it rusty. I was wondering about that. It looks red,

349
00:22:09.680 --> 00:22:11.279
<v Speaker 3>almost like like blood.

350
00:22:11.559 --> 00:22:15.240
<v Speaker 4>Rust You enough, yes, By the way, that reminds me,

351
00:22:15.559 --> 00:22:20.279
<v Speaker 4>can you recommend the physician for mental troubles? I've got

352
00:22:20.279 --> 00:22:24.559
<v Speaker 4>a little uh what do you call it, eh, hallucination?

353
00:22:28.880 --> 00:22:31.200
<v Speaker 4>The poorer man grinned at me fiendously, and I stared

354
00:22:31.200 --> 00:22:33.079
<v Speaker 4>back at him. The banker watched me very crueously for

355
00:22:33.119 --> 00:22:35.279
<v Speaker 4>a moment, and then he gave me the dress.

356
00:22:35.039 --> 00:22:36.599
<v Speaker 3>Of a doctrine. I left his office.

357
00:22:37.359 --> 00:22:40.759
<v Speaker 4>That's when my accident happened. To a man who's been

358
00:22:40.759 --> 00:22:43.559
<v Speaker 4>many months in the jungle of busy London streets, confusing enough,

359
00:22:44.400 --> 00:22:46.759
<v Speaker 4>but when a head comes rolling down the middle of

360
00:22:46.799 --> 00:22:49.039
<v Speaker 4>the street and between your legs.

361
00:22:48.759 --> 00:23:02.400
<v Speaker 3>No wood no. I was in the hospital for weeks.

362
00:23:02.680 --> 00:23:06.400
<v Speaker 3>The only permanent injury, however, was the loss of the

363
00:23:06.559 --> 00:23:12.519
<v Speaker 3>tip of my little finger, my strange coincidence, the same

364
00:23:12.720 --> 00:23:15.359
<v Speaker 3>fingertip of the left hand that i'd shot off the

365
00:23:15.400 --> 00:23:20.359
<v Speaker 3>borer man that first night. Even in the hospital, the

366
00:23:20.400 --> 00:23:24.160
<v Speaker 3>poorer man was with me all the time. Everywhere. The

367
00:23:24.240 --> 00:23:27.799
<v Speaker 3>doctors couldn't help me. My friends couldn't either. So I

368
00:23:28.839 --> 00:23:34.119
<v Speaker 3>tried cycling in the country, but that thing kept rolling

369
00:23:34.240 --> 00:23:37.440
<v Speaker 3>along beside me and getting tangled up in the wheels

370
00:23:37.440 --> 00:23:41.680
<v Speaker 3>and spilling me. That's how I've got the broken wrist.

371
00:23:42.319 --> 00:23:49.640
<v Speaker 3>It well. The the worst came only last week. I'd

372
00:23:49.680 --> 00:23:51.599
<v Speaker 3>just come back from a long walk, hoping to be

373
00:23:51.799 --> 00:23:56.039
<v Speaker 3>tired enough to go to sleep as usual. That bronze

374
00:23:56.119 --> 00:23:59.880
<v Speaker 3>vase was over there in front of the big French window,

375
00:24:01.160 --> 00:24:01.920
<v Speaker 3>and it.

376
00:24:03.559 --> 00:24:07.680
<v Speaker 4>Well, perhaps the poor man enjoys the view of the

377
00:24:07.759 --> 00:24:09.359
<v Speaker 4>street three floors below.

378
00:24:10.759 --> 00:24:14.400
<v Speaker 3>Anyway, this night I felt a little devil make care.

379
00:24:14.519 --> 00:24:17.079
<v Speaker 3>So I turned round towards and I looked him in

380
00:24:17.119 --> 00:24:20.319
<v Speaker 3>the eye, and I said, so you're still here, are you,

381
00:24:20.440 --> 00:24:30.839
<v Speaker 3>my ugly shadow? Yes, power, I am still here? What what? Who?

382
00:24:31.400 --> 00:24:37.880
<v Speaker 3>What did you say? I said, I am still here,

383
00:24:39.839 --> 00:24:43.720
<v Speaker 3>and I all ways will be.

384
00:24:47.039 --> 00:24:56.000
<v Speaker 8>No no, no, not that too, not that no no no.

385
00:24:57.920 --> 00:25:03.640
<v Speaker 3>So now you understand I not only see the poorer man,

386
00:25:03.759 --> 00:25:07.640
<v Speaker 3>I hear him too, polla culture. This is frightful. It

387
00:25:07.680 --> 00:25:10.240
<v Speaker 3>is rather, is it? I mean you are ill, man,

388
00:25:10.440 --> 00:25:14.039
<v Speaker 3>very ill. Now, surely there's something someone can do. Some doctor,

389
00:25:14.279 --> 00:25:16.920
<v Speaker 3>can any doctor do? Can he take off the poor

390
00:25:17.079 --> 00:25:20.839
<v Speaker 3>man's pollock? That's nonsense? And you know it is it?

391
00:25:21.000 --> 00:25:24.440
<v Speaker 3>Of course, man, it's all in your mind or what

392
00:25:24.559 --> 00:25:28.359
<v Speaker 3>do they call it? To suggestion? The power of suggestion

393
00:25:28.480 --> 00:25:32.920
<v Speaker 3>is strong. You're impressionable. You let these stories prey on

394
00:25:32.960 --> 00:25:35.240
<v Speaker 3>your mind, and you've got to snap out all I

395
00:25:35.319 --> 00:25:38.200
<v Speaker 3>should have killed him myself. I'd do it too, with

396
00:25:38.319 --> 00:25:40.200
<v Speaker 3>my bare hands, if only I had the child. And

397
00:25:40.240 --> 00:25:43.400
<v Speaker 3>you're talking rot. Look at him there, look at him

398
00:25:43.480 --> 00:25:47.279
<v Speaker 3>grinning at me like that's only a bronze vase, always

399
00:25:47.359 --> 00:25:50.440
<v Speaker 3>grinning at me, more and more famously every day. Stop it,

400
00:25:50.519 --> 00:25:59.599
<v Speaker 3>Stop it you devin't stop it yourself? Lie back rest red, Yes, yes,

401
00:26:01.079 --> 00:26:04.720
<v Speaker 3>since that's what I mean. If I'd only known, I'd

402
00:26:04.759 --> 00:26:07.799
<v Speaker 3>never have left you there in sulima load, all this

403
00:26:07.960 --> 00:26:08.960
<v Speaker 3>might have been prevented.

404
00:26:09.839 --> 00:26:14.240
<v Speaker 4>Might it Listen what I asked? When you came in,

405
00:26:14.359 --> 00:26:17.319
<v Speaker 4>I was just lying here thinking I see him, I

406
00:26:17.480 --> 00:26:20.319
<v Speaker 4>hear him. My sense of sight and the hearings effected,

407
00:26:21.440 --> 00:26:25.000
<v Speaker 4>and some day my sense of touch will go too.

408
00:26:26.680 --> 00:26:30.440
<v Speaker 3>When it does, I know that will be the end.

409
00:26:31.359 --> 00:26:33.680
<v Speaker 3>I'll be finished, and.

410
00:26:33.720 --> 00:26:39.039
<v Speaker 4>The poorer man will finally have his revenge, won't he, Pollock,

411
00:26:39.119 --> 00:26:41.400
<v Speaker 4>old man? When you came in, I was lying here,

412
00:26:42.160 --> 00:26:44.519
<v Speaker 4>trying to get up the nerve to walk over there

413
00:26:44.559 --> 00:26:46.079
<v Speaker 4>and make the test.

414
00:26:47.559 --> 00:26:49.640
<v Speaker 3>And I'm going to do it. No, No, I won't

415
00:26:49.680 --> 00:26:52.119
<v Speaker 3>let you. You can't stop me, Waterhouse, Don't you see

416
00:26:52.160 --> 00:26:53.880
<v Speaker 3>I've got to I can't go on like this. I've

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<v Speaker 3>got to know. Have it over, whiled Pollocks beyond anything

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<v Speaker 3>you can do. Stand aside, but stand aside, please, no,

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<v Speaker 3>come back to bed. That window is open. If you haven't.

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<v Speaker 4>Never mind, this is just an ordinary bronze vase, isn't it, Waterhouse,

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<v Speaker 4>don't do it. I know it's only a bronze vase.

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<v Speaker 4>I know that when I I will feel only cold

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<v Speaker 4>metal when I reach out and touch it.

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<v Speaker 3>I know like this, Oh, hold out that window.

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<v Speaker 7>You're backing into that window.

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<v Speaker 2>Escape is produced and directed by William N. Robeson and

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<v Speaker 2>Tonight brought you Pollock and the Poorer Man by H. G. Wells,

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00:28:13.319 --> 00:28:17.519
<v Speaker 2>Adapted for radio by John Duncle, with Barton Yarborough as Pollock,

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<v Speaker 2>Louis van Ruten as Waterhouse, and Bill Conrad as Berea.

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<v Speaker 2>The special musical score was conceived and conducted by Cypurer.

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<v Speaker 1>Next Week, you are groping through the darkened corridors of

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<v Speaker 1>a gigantic department store in the dead of night, and

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<v Speaker 1>suddenly you realize you're not alone, and a hundred eyes

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00:28:43.119 --> 00:28:47.160
<v Speaker 1>are glaring at you from the shadows, a hundred hands

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00:28:47.960 --> 00:28:49.200
<v Speaker 1>reaching for your throat.

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<v Speaker 2>Next week Escape with John Collier's eerie story Evening Primrose,

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<v Speaker 2>Good Night. Then until this same time next week, when

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<v Speaker 2>CBS again offers you Escape. This is CBS, the Columbia

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<v Speaker 2>Broadcasting System
