WEBVTT

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<v Speaker 1>Worried about income tax, wonder if spring will ever come?

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<v Speaker 1>Want to get away from it all?

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<v Speaker 2>We offer you Escape.

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<v Speaker 1>You were alone in your book line study, listening to

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<v Speaker 1>the idiot gibberings of a parrot, and beside you caressing

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<v Speaker 1>you is an invisible thing, a loathsome thing from which

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<v Speaker 1>you must escape.

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<v Speaker 3>Escape produced and directed by William N. Robeson, and carefully

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<v Speaker 3>contrived to free you from the four walls of to

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<v Speaker 3>day for a half hour of high adventure.

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<v Speaker 1>Ah to night we escaped to the West end of London,

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<v Speaker 1>to a little house just off Hyde Park, where lived

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<v Speaker 1>a man who didn't like people. Tonight we escape In

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<v Speaker 1>the remarkable tale of Robert Hitchins, Our love came to

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<v Speaker 1>Professor guilia.

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<v Speaker 4>It has been said that no knight ever passes over

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<v Speaker 4>London town that sees not some strange and curious event,

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<v Speaker 4>some occurrence too incredible to bear repeating in the light

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<v Speaker 4>of day. How horribly true are those words. It's been

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<v Speaker 4>over a year now since the night I first met

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<v Speaker 4>the amazing Professor Gilia. I had delivered a sermon at

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<v Speaker 4>the Rectory of Saint Swithin in the East End, and

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<v Speaker 4>was passing through the foyer and departure when I was

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<v Speaker 4>accosted brusquely by an odd little man, remarkably sharp featured,

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<v Speaker 4>his face adorned by a pointed black Goateee.

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<v Speaker 5>Please I believe your father Murchison. Yes, that's right, but

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<v Speaker 5>I don't think i've had the pleasure. Perhaps you've heard

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<v Speaker 5>of me. My name's Guildia, Professor Guildia, Guildia Way. Yes,

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<v Speaker 5>you're the famous psychologist. Yes, a psychologist, biologist, anthropologist, philosopher,

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<v Speaker 5>and that takes care of that, Sir. I never attend

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<v Speaker 5>religious services.

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<v Speaker 4>It appears you've done so tonight.

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<v Speaker 5>It came for one reason to hear you find out

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<v Speaker 5>why anotherwise normal colleague of mine thinks you're the most

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<v Speaker 5>convincing speaker he's ever listened to.

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<v Speaker 4>And did you find out?

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<v Speaker 5>No, your talk was intelligent, logical, therefore could never convince

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<v Speaker 5>anybody of anything.

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<v Speaker 4>Thank you.

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<v Speaker 5>You're a direct man, Professor Guildier, your time to be

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<v Speaker 5>anything else. I'd like to have you dine with me,

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<v Speaker 5>Father Murchison, say a week from tonight seven o'clock. I

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<v Speaker 5>live at one hundred Hyde Park in the West End.

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<v Speaker 5>Can't we make it two weeks? I'm reaching at Saint

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<v Speaker 5>Saviour's that night, just round the corner.

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<v Speaker 4>From the park, and I am afraid it'll have to

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<v Speaker 4>be nearer eight thirty than seven.

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<v Speaker 5>The service isn't over so well, we can't even agree

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<v Speaker 5>on a time for dinner. Very well, eight thirty two

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<v Speaker 5>weeks Good night, sir.

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<v Speaker 4>Perhaps if I had known then what, But no matter,

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<v Speaker 4>I kept the appointment. Of course, that's an excellent dinner.

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<v Speaker 4>We climbed the stairs to Gilda's study, a large, book

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<v Speaker 4>lined room running the width of the house, with windows

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<v Speaker 4>at the end, overlooking the park. In front of those

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<v Speaker 4>windows stood the one incongress thing in the room, a

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<v Speaker 4>cage holding a large gray parrot. In fact, as I recall,

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<v Speaker 4>it was the parrot that was responsible for my first

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<v Speaker 4>becoming aware of what exact opposites Guildia and I really were,

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<v Speaker 4>the same parrot that was responsible for so many other

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<v Speaker 4>things that happened later.

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<v Speaker 5>Quiet, Napoleon, Quiet, one day, that infernal squawking of yours

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<v Speaker 5>will drive me to wring your neck.

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<v Speaker 4>Somehow, it surprises me, Guildia, I mean you're keeping a pet.

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<v Speaker 5>I possess a parrot for the murchison. That's all made

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<v Speaker 5>a study of the imitative faculties of animals some months ago,

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<v Speaker 5>bought the bird, then never got rid of it. I see,

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<v Speaker 5>started the bad habit of scratching the fool thing's head

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<v Speaker 5>and loves it. You see, m five minutes he'll be

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<v Speaker 5>screaming for more of it. Why would it surprise you

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<v Speaker 5>so much if I kept a pet?

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<v Speaker 4>Because I believe you're the most self sufficient man I

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<v Speaker 4>ever met.

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<v Speaker 5>More than that. Actually, I detest affection, any display of sentimentality.

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<v Speaker 4>But you do feel the need of close human sympathy

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<v Speaker 4>in your life, none whatsoever reasonable amount of companionship, naturally,

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<v Speaker 4>But that's all, mother Murchison.

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<v Speaker 5>I'm one person who does not love his fellow men.

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<v Speaker 4>Nonetheless, some of your discoveries have been of great benefit

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<v Speaker 4>to mankind.

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<v Speaker 5>Oh, entirely accidental.

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<v Speaker 6>I thought you'd be liking your coffee.

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<v Speaker 2>Now, sir.

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<v Speaker 5>Oh, yes, Pitting put it there on the table, please,

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<v Speaker 5>thank you, sir. Will there be anything else? No, that's

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<v Speaker 5>all Pitting, Yes, sir, an excellent servant.

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<v Speaker 7>There.

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<v Speaker 5>I know nothing of Pitting's thoughts of feelings, nor he

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<v Speaker 5>of mine. Perfect relationship, and if a crisis occurred, if

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<v Speaker 5>you needed to call on him as a friend, it

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<v Speaker 5>would take a considerable crisis.

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<v Speaker 4>But what about the parrot? Surely you must regard it

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<v Speaker 4>with some affection, otherwise you'd get rid of it.

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<v Speaker 5>Napoleon merely a specimen. The birds is devoid of sentimentality,

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<v Speaker 5>as I am can only imitate whatever he season hears.

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<v Speaker 4>Gildea, have you ever been in love?

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<v Speaker 5>Neither with anyone in particular, nor with love itself? Being

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<v Speaker 5>in love, as you put it, or having someone in

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<v Speaker 5>love with me would be the most monstrous and horrible

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<v Speaker 5>situation I can possibly imagine.

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<v Speaker 4>All of a sudden, I feel a very great sense

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<v Speaker 4>of pity for whom for you.

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<v Speaker 2>Ah.

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<v Speaker 4>Yet as different as we were, my life dedicated to

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<v Speaker 4>all humanity, Guildia's life stripped of its own humanity. I

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<v Speaker 4>called again at the house at Hyde Park many times,

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<v Speaker 4>and we became friends.

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<v Speaker 5>We talked away.

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<v Speaker 4>Many evening hours and the months that followed, sitting by

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<v Speaker 4>the book covered table in the long study, the gray

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<v Speaker 4>parrot chattering away in the background, with the lamplight barely

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<v Speaker 4>reaching the farther corners. It was on such a night,

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<v Speaker 4>not long ago, that the thing began. Guildia had seemed

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<v Speaker 4>uncommonly nervous since dinner, and had spent much of the

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<v Speaker 4>time pacing in front of the windows that faced.

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<v Speaker 5>The park confounded much, and I can't seem to relax tonight.

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<v Speaker 5>I ever feel a completely unaccountable presentiment, since that something

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<v Speaker 5>remarkable was about to happen.

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<v Speaker 4>And usually it never did. Turned out to be the

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<v Speaker 4>effect of too much coffee.

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<v Speaker 5>Oh, it's note, coffee doesn't bother me. Nothing does.

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<v Speaker 4>But then suppose you stop pacing the floor and sit down.

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<v Speaker 4>You're wearing me out.

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<v Speaker 5>Have you noticed how well Napoleon's learned to imitate your voice?

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<v Speaker 4>Yes, and it's almost insulting at times.

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<v Speaker 5>The worst thing is feeling such a strong compulsion to

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<v Speaker 5>do something which I know to be ridiculous.

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<v Speaker 4>Exactly what is it you're talking about?

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<v Speaker 5>Guilion fully sh even to mention it, But I wonder

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<v Speaker 5>if you'd pardon me for a few minutes. Of course,

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<v Speaker 5>I heard yourself to more coffee, bye, come by.

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<v Speaker 4>I walked over and stood stroking the feathers of the

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<v Speaker 4>parrot through the bars of his cage. I'd grown rather

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<v Speaker 4>fond of the ugly bird, but it always startled me

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<v Speaker 4>to hear him mimic some phrase of mine or Gilia's. Napoleon,

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<v Speaker 4>you're a true creature of the devil. I happened to

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<v Speaker 4>glance out the window toward the park across the street.

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<v Speaker 7>Ah.

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<v Speaker 4>The arc lamp at the corner threw a dim gleam

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<v Speaker 4>across a bench set just inside the paling, and I

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<v Speaker 4>was surprised to see Professor Gildea moving about the bench,

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<v Speaker 4>peering under it, behind it, staring into the shadows near by.

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<v Speaker 4>He kept this up for some minutes, then crossed the

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<v Speaker 4>street and came back toward the house. In a moment

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<v Speaker 4>I heard him ascending the stairs.

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<v Speaker 5>Ah, the merchison. Has anyone entered this room since I

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<v Speaker 5>went out?

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<v Speaker 4>Why? No, you mean pitting, of course, but he hasn't

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<v Speaker 4>been in Huh.

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<v Speaker 5>Strange, very strange.

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<v Speaker 4>I saw you across the street in the park.

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<v Speaker 5>What were you doing? I thought I saw something? Wondered

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<v Speaker 5>what it was?

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<v Speaker 7>That's all?

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<v Speaker 4>Did you find out?

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<v Speaker 7>Now?

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<v Speaker 5>What's wrong with that? Parroty never made a sound like

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<v Speaker 5>that before?

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<v Speaker 4>What you mean? He seems all right? Napoleon stopped that.

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<v Speaker 7>What was it?

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<v Speaker 4>You thought you saw thing?

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<v Speaker 5>As you said it most likely it was the coffee.

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<v Speaker 5>Only I'm very much afraid that now, in this daily age,

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<v Speaker 5>it's impossible.

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<v Speaker 4>It was nearly a week later that I received a

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<v Speaker 4>phone call in my quarters at the rectory, Father Murchison here.

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<v Speaker 6>This is Pitting, sir.

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<v Speaker 5>Professor Gilder's man, Oh, yes, Pitting.

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<v Speaker 4>How are you very well?

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<v Speaker 6>Thank you, sir. The Master would greatly appreciate your calling

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<v Speaker 6>at the house receivening if it's.

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<v Speaker 4>Convenient, sir, Oh, anything wrong?

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<v Speaker 6>I couldn't say, sir.

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<v Speaker 4>But why didn't he phone himself? He isn't ill.

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<v Speaker 5>I think not.

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<v Speaker 6>He suggested eight o'clock.

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<v Speaker 2>Sir?

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<v Speaker 6>May I tell him you come?

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<v Speaker 4>Yes? Yes, by all means, tell him I'll be there

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<v Speaker 4>at eight A.

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<v Speaker 5>No use beating about the bush, rather mechs and I

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<v Speaker 5>am nervous, of course, I am plenty of reason for it.

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<v Speaker 5>And you're working too hard now I'm working too hard.

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<v Speaker 5>The other night it was coffee. As a matter of fact,

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<v Speaker 5>it's neither one. Quiet Napoleon.

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<v Speaker 4>Maybe you'd better tell me what is the matter, Guildia.

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<v Speaker 5>Do do you feel the presence in this room of

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<v Speaker 5>anyone beside the two of us?

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<v Speaker 4>Well, there's Napoleon of course.

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<v Speaker 5>Now now I don't mean the parrot. He senses it too, though,

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<v Speaker 5>senses what when you were here last week? I left

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<v Speaker 5>the house for a few minutes. You remember, I'd been

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<v Speaker 5>watching someone sitting on that bench across in the park,

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<v Speaker 5>a shadowy sort of figure. I had to find out.

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<v Speaker 4>What it was, but you found nothing. You told me

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<v Speaker 4>when you came back.

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<v Speaker 5>That's right. But I'd left the front door open, and

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<v Speaker 5>when I came back in, I felt suddenly that someone

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<v Speaker 5>or something had entered ahead of me. Oh now, really, Gil,

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<v Speaker 5>I knew also that they'd found their way to this room.

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<v Speaker 4>But I was here all the time. No one came in.

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<v Speaker 5>Father Murchison. Whoever whatever came into the house that night

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<v Speaker 5>came into this room is still here right.

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<v Speaker 4>Now, you Guilia a scientist.

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<v Speaker 5>Yes, ridiculous, isn't it?

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<v Speaker 7>But it's true.

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<v Speaker 5>I'm only able to feel its presence. Napoleon can see it.

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<v Speaker 5>Look at him now, wouldn't you say he was watching

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<v Speaker 5>something over there in that far corner of the room.

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<v Speaker 4>No, I'd say he was just being as foolish as

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<v Speaker 4>a parrot usually.

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<v Speaker 5>Is you skeptic about this? Yes, you've been working too hard.

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<v Speaker 5>You need a vacation. I haven't told you the worst

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<v Speaker 5>part of it. Would you say that I'm an attractive man?

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<v Speaker 4>Frankly?

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<v Speaker 2>No?

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<v Speaker 4>Oh, I suppose to a certain type of society woman.

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<v Speaker 5>No, no, no, no, that's not what I'm talking about.

219
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<v Speaker 4>Well, then what are you talking about?

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<v Speaker 5>I don't know whether this intruder is a woman, man, child, animal,

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<v Speaker 5>Whatever it is, it holds a vast affection for me.

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<v Speaker 5>What you imagine anything so utterly mon horrible Mutchison, The

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<v Speaker 5>thing is in.

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<v Speaker 2>Love with me.

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<v Speaker 5>Am.

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<v Speaker 4>I could not would not accept Guildia's belief, and yet

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<v Speaker 4>the alternative was even more frightful, for I could only

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<v Speaker 4>decide that the long hours of study and lecturing had

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<v Speaker 4>affected his mind and brought him, in fact, to the

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<v Speaker 4>verge of insanity. I persuaded him finally to get away

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<v Speaker 4>for a while, to leave the house and forget his

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<v Speaker 4>professional problems, take a short trip. I accompanied him to

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<v Speaker 4>Victoria's station, saw him off on the boat train, and

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<v Speaker 4>then caught up in my duties. I had little time

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<v Speaker 4>to consider the strange affair for nearly ten days. Father Murchison, here,

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<v Speaker 4>I hope I haven't disturbed John Professor Guildia. Then you're

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<v Speaker 4>back in London.

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<v Speaker 7>Yes, I've been back for three days.

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<v Speaker 4>You should have called me.

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<v Speaker 7>I was the trip quite pleasant. I took passage on

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<v Speaker 7>a channel coaster. See, I was wonderful.

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<v Speaker 4>You weren't troubled on the trip, not at all.

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<v Speaker 7>It waited here for me. What will you come over

244
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<v Speaker 7>here tonight?

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<v Speaker 4>Do you mean now?

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<v Speaker 7>Yes? If you could, you see I can prove.

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<v Speaker 4>It to you now very well, I'll come right over.

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<v Speaker 4>I stood there with the phone and shivered. The thing

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<v Speaker 4>had become so real to him now that he felt

250
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<v Speaker 4>he could go away and leave it, then come back

251
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<v Speaker 4>and find it waiting for him.

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<v Speaker 5>That's why I didn't call you when I first came back.

253
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<v Speaker 5>I wanted to be sure. So I've waited three days,

254
00:13:48.039 --> 00:13:49.919
<v Speaker 5>and every day has been worse than the one before.

255
00:13:50.039 --> 00:13:50.600
<v Speaker 5>In what way?

256
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<v Speaker 4>What do you mean?

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<v Speaker 5>I mean? The thing was waiting for me here, glad

258
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<v Speaker 5>I was back farmed or over me came more insistently

259
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<v Speaker 5>obnoxious all the time.

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<v Speaker 4>You mean you've seen this thing?

261
00:14:02.879 --> 00:14:03.039
<v Speaker 7>Oh?

262
00:14:03.120 --> 00:14:05.200
<v Speaker 5>No, I haven't seen it, haven't heard it. But I

263
00:14:05.320 --> 00:14:09.120
<v Speaker 5>know it's here. I can feel it, sense it. Try

264
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<v Speaker 5>to put it in words, it becomes absurd.

265
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<v Speaker 4>If you'd like some unsolicited advice, call in a doctor,

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00:14:15.279 --> 00:14:18.000
<v Speaker 4>have him look you over. And what doctor in London

267
00:14:18.080 --> 00:14:20.039
<v Speaker 4>knows any more about the human mind than I do?

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<v Speaker 5>I know?

269
00:14:20.840 --> 00:14:21.639
<v Speaker 4>But when it's your own.

270
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<v Speaker 5>Now, I know you're thinking of hysteria. Have you seen Nation?

271
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<v Speaker 5>I know all the symptoms. It's not that simple anywhere

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<v Speaker 5>I told you, I prove it to you. You'll notice

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00:14:31.080 --> 00:14:33.399
<v Speaker 5>I've thrown a cover over Napoleon's cage years I've been

274
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<v Speaker 5>wondering about it. Is part of my proof. He's been here,

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00:14:36.480 --> 00:14:38.120
<v Speaker 5>you know, all the time I was gone here in

276
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<v Speaker 5>this room. Yes, but I still I want you to

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00:14:40.159 --> 00:14:43.120
<v Speaker 5>get behind those curtains with me. Then I'll reach out

278
00:14:43.159 --> 00:14:45.600
<v Speaker 5>and pull the cloth off his cage. I don't want

279
00:14:45.679 --> 00:14:48.200
<v Speaker 5>him to see us. I don't know what you're hoping

280
00:14:48.240 --> 00:14:57.120
<v Speaker 5>to prove, but all right, come on ready, I'll uncover him.

281
00:14:57.720 --> 00:15:01.519
<v Speaker 2>Ah.

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<v Speaker 4>We crouched there behind the curtains, watching the parrot. He

283
00:15:05.159 --> 00:15:08.159
<v Speaker 4>protested a while, being so rudely disturbed.

284
00:15:07.600 --> 00:15:11.080
<v Speaker 5>By some unseen agency, then climbed about the cage with

285
00:15:11.159 --> 00:15:12.279
<v Speaker 5>claws and beak.

286
00:15:12.559 --> 00:15:19.360
<v Speaker 4>Pecked at crumbs and appeared entirely normal. After time, he

287
00:15:19.399 --> 00:15:22.799
<v Speaker 4>began to fix his attention on a spot across the room.

288
00:15:23.320 --> 00:15:24.799
<v Speaker 5>There was nothing there watch him.

289
00:15:25.360 --> 00:15:25.919
<v Speaker 4>Look at him.

290
00:15:25.960 --> 00:15:26.159
<v Speaker 7>Now.

291
00:15:26.279 --> 00:15:28.960
<v Speaker 4>In the parrot's mind, at least some one or some

292
00:15:29.200 --> 00:15:32.759
<v Speaker 4>thing was approaching the cage and yet the room was empty.

293
00:15:38.120 --> 00:15:41.480
<v Speaker 4>Whatever it was apparently had reached the cage now, and

294
00:15:41.600 --> 00:15:46.720
<v Speaker 4>Napoleon welcomed with friendly chalkling. The hair rose on the

295
00:15:46.720 --> 00:15:49.919
<v Speaker 4>back of my neck, for the bird was cooling and

296
00:15:50.039 --> 00:15:52.519
<v Speaker 4>gurgling as he did of an eye or Guildia scratched

297
00:15:52.519 --> 00:15:55.759
<v Speaker 4>the feathers on his head. I could almost fancy that

298
00:15:55.799 --> 00:15:59.159
<v Speaker 4>I saw long, white, gristly fingers reaching through the bars.

299
00:15:58.919 --> 00:16:02.559
<v Speaker 5>Of the cage. And listen to him. He's talking to

300
00:16:02.600 --> 00:16:09.279
<v Speaker 5>the thing, imitating. It's see what you'll think.

301
00:16:14.360 --> 00:16:17.559
<v Speaker 4>The bird was moving about in the cage now, nodding

302
00:16:17.600 --> 00:16:20.519
<v Speaker 4>his head in a very peculiar manner, uttering the most

303
00:16:20.559 --> 00:16:26.120
<v Speaker 4>extraordinary sounds. I began to realize he was imitating the

304
00:16:26.159 --> 00:16:29.759
<v Speaker 4>thing he saw standing by his cage, and then the

305
00:16:29.799 --> 00:16:32.679
<v Speaker 4>full horror of it came over me. I tried to

306
00:16:32.720 --> 00:16:35.879
<v Speaker 4>hide the thought from Guildea, but he'd already seen it

307
00:16:35.919 --> 00:16:36.519
<v Speaker 4>in my eye.

308
00:16:36.600 --> 00:16:38.799
<v Speaker 5>So you see it too. That's all I wanted to

309
00:16:38.879 --> 00:16:43.159
<v Speaker 5>know that I wasn't imagining it, No quite in hiding

310
00:16:43.159 --> 00:16:46.120
<v Speaker 5>there any longer. That was my proof. But perhaps someone

311
00:16:46.279 --> 00:16:48.600
<v Speaker 5>was here while you were gone. I have questioned Pitting

312
00:16:48.639 --> 00:16:50.679
<v Speaker 5>and the cook. No one has been here, but it

313
00:16:50.720 --> 00:16:53.720
<v Speaker 5>can't be such a thing, can't be. It is? But

314
00:16:53.840 --> 00:16:54.600
<v Speaker 5>where where is it?

315
00:16:54.639 --> 00:16:55.840
<v Speaker 4>Now? Can you tell me where it is?

316
00:16:55.919 --> 00:16:55.960
<v Speaker 2>Not?

317
00:16:56.039 --> 00:16:58.799
<v Speaker 5>Exactly somewhere here in the room, not too far away.

318
00:16:59.200 --> 00:17:01.919
<v Speaker 5>I can feel that. Napoleon, of course can see it.

319
00:17:02.360 --> 00:17:04.640
<v Speaker 4>There is some rational explanation.

320
00:17:04.759 --> 00:17:06.680
<v Speaker 5>There has to be. Oh whistling in the dark. Father,

321
00:17:06.759 --> 00:17:08.480
<v Speaker 5>you recognize the same thing I did.

322
00:17:09.079 --> 00:17:10.200
<v Speaker 4>I know what you mean.

323
00:17:10.240 --> 00:17:12.039
<v Speaker 5>Of course, Well, I can't stand much more of it.

324
00:17:12.440 --> 00:17:14.680
<v Speaker 5>If it were only something I could fight, strike out head.

325
00:17:15.119 --> 00:17:17.720
<v Speaker 5>I'm not a coward, but I can't see it, hear it.

326
00:17:18.240 --> 00:17:20.880
<v Speaker 5>I can only feel it trying to touch me somehow,

327
00:17:20.920 --> 00:17:23.799
<v Speaker 5>trying to get close to me, drooling with desire and affection,

328
00:17:24.039 --> 00:17:26.640
<v Speaker 5>fondness for me, And I can't given away. It gets

329
00:17:26.640 --> 00:17:27.440
<v Speaker 5>closer all the time.

330
00:17:27.480 --> 00:17:29.200
<v Speaker 4>Eli, You've got to get hold of yourself.

331
00:17:28.960 --> 00:17:31.640
<v Speaker 5>A hold of myself. You saw the way that perativitated

332
00:17:31.640 --> 00:17:36.160
<v Speaker 5>this thing, those mannerisms, that gibberish. You know what it

333
00:17:36.279 --> 00:17:37.279
<v Speaker 5>means as well as I do.

334
00:17:37.480 --> 00:17:39.160
<v Speaker 4>I saw it. But it can't possibly.

335
00:17:39.240 --> 00:17:41.039
<v Speaker 5>Don't you feel how hideous.

336
00:17:40.640 --> 00:17:41.240
<v Speaker 7>It is for me?

337
00:17:41.880 --> 00:17:45.200
<v Speaker 5>I can't stop it. The thing makes love to me,

338
00:17:45.400 --> 00:17:48.880
<v Speaker 5>caresses me in whatever it is. It has no mind.

339
00:17:49.480 --> 00:17:54.039
<v Speaker 5>You saw that that thing is a slaverign idiot.

340
00:18:01.319 --> 00:18:05.559
<v Speaker 4>I walked home at a late hour, trying desperately to

341
00:18:05.599 --> 00:18:08.640
<v Speaker 4>think of some reasonable answer to the whole strange affair.

342
00:18:09.680 --> 00:18:12.440
<v Speaker 4>I could not accept Guildea's explanation of the actions of

343
00:18:12.480 --> 00:18:16.559
<v Speaker 4>the parrot, though the bird had produced an extraordinary illusion

344
00:18:16.559 --> 00:18:20.640
<v Speaker 4>of an invisible presence in that room. In a day

345
00:18:20.680 --> 00:18:23.440
<v Speaker 4>gone by, perhaps I might have been called in to

346
00:18:23.519 --> 00:18:28.920
<v Speaker 4>deal with an evil spirit. I thought of retribution. Guildia

347
00:18:28.920 --> 00:18:33.240
<v Speaker 4>had always borne an unnatural distaste for human love? Was

348
00:18:33.279 --> 00:18:37.000
<v Speaker 4>he now being forced to endure the unnatural love of

349
00:18:37.000 --> 00:18:41.960
<v Speaker 4>a monstrous being as punishment? I cast such thoughts away

350
00:18:41.960 --> 00:18:45.000
<v Speaker 4>from me. Yet I could not quite accept the only

351
00:18:45.039 --> 00:18:51.519
<v Speaker 4>other reasonable solution, and my friend was insane. It was

352
00:18:51.680 --> 00:19:00.920
<v Speaker 4>very late when I fell asleep. The following evening, I

353
00:19:01.000 --> 00:19:03.799
<v Speaker 4>preached at Warwick Chapel and returned to my quarters about nine.

354
00:19:04.759 --> 00:19:07.160
<v Speaker 4>I found the Pitting had called a short time before,

355
00:19:07.200 --> 00:19:10.440
<v Speaker 4>and left a rather puzzling message, implore that you come

356
00:19:10.480 --> 00:19:14.160
<v Speaker 4>to Hyde Park at once, otherwise I cannot answer for

357
00:19:14.200 --> 00:19:24.319
<v Speaker 4>the consequences. But what is it you're trying to say?

358
00:19:24.359 --> 00:19:24.640
<v Speaker 7>Pitting?

359
00:19:24.720 --> 00:19:27.119
<v Speaker 4>He's not himself? In what way is he not himself?

360
00:19:27.240 --> 00:19:30.039
<v Speaker 6>I can only suggest sir that you talked to him.

361
00:19:30.359 --> 00:19:34.440
<v Speaker 6>Here we are, yes, I'll leave you.

362
00:19:34.400 --> 00:19:37.319
<v Speaker 5>Now, sir, Oh Maison, come in.

363
00:19:37.759 --> 00:19:38.240
<v Speaker 3>To tell you.

364
00:19:38.519 --> 00:19:40.119
<v Speaker 4>What did the name of Heaven is wrong?

365
00:19:40.279 --> 00:19:42.920
<v Speaker 5>Pitting said that you'd been a se in human machine.

366
00:19:43.039 --> 00:19:43.680
<v Speaker 5>What happened?

367
00:19:43.680 --> 00:19:44.279
<v Speaker 7>What did he do?

368
00:19:44.319 --> 00:19:44.680
<v Speaker 5>You think?

369
00:19:45.319 --> 00:19:46.119
<v Speaker 7>Just it nothing?

370
00:19:46.160 --> 00:19:47.079
<v Speaker 4>But I I don't know.

371
00:19:47.359 --> 00:19:49.839
<v Speaker 5>You warn me about it once said i'd meet a crisis,

372
00:19:49.920 --> 00:19:52.920
<v Speaker 5>need him as a friend and he wouldn't be there. Well,

373
00:19:52.960 --> 00:19:53.480
<v Speaker 5>it happened.

374
00:19:53.640 --> 00:19:56.160
<v Speaker 4>Ok here, I am going to call a doctor. I've

375
00:19:56.160 --> 00:19:57.000
<v Speaker 4>never seen you in a state.

376
00:19:57.079 --> 00:19:57.200
<v Speaker 7>Man.

377
00:19:57.279 --> 00:19:59.359
<v Speaker 5>Now Now I don't need a doctor. I'm all right

378
00:19:59.400 --> 00:20:03.000
<v Speaker 5>now a little while anyway, at least I think I am.

379
00:20:03.119 --> 00:20:04.839
<v Speaker 4>Then what was it? What happened?

380
00:20:04.880 --> 00:20:09.359
<v Speaker 5>That thing touched me? Rarely touched me, I mean for

381
00:20:09.400 --> 00:20:12.559
<v Speaker 5>the first time, it's only been trying to before.

382
00:20:13.480 --> 00:20:15.920
<v Speaker 4>The only way I can put it it it rubbed

383
00:20:15.960 --> 00:20:18.240
<v Speaker 4>itself against my soul.

384
00:20:19.240 --> 00:20:20.640
<v Speaker 5>Oh, it was horrible.

385
00:20:20.680 --> 00:20:22.160
<v Speaker 4>Now, Gilia, you don't.

386
00:20:21.880 --> 00:20:23.319
<v Speaker 5>Tell me to get hold of myself. I know what

387
00:20:23.319 --> 00:20:29.680
<v Speaker 5>I'm saying. Yeah, I'm sorry, But if you'd felt it

388
00:20:29.680 --> 00:20:31.119
<v Speaker 5>for yourself, you.

389
00:20:30.880 --> 00:20:31.720
<v Speaker 4>Know what I mean.

390
00:20:32.359 --> 00:20:37.240
<v Speaker 5>It was disgusting, filthy. If it lasted one more minute,

391
00:20:37.279 --> 00:20:39.359
<v Speaker 5>I know I should have gone screaming mad.

392
00:20:40.200 --> 00:20:43.519
<v Speaker 4>But you don't. You don't feel it now, No, no, no,

393
00:20:43.559 --> 00:20:44.039
<v Speaker 4>not now.

394
00:20:45.039 --> 00:20:48.119
<v Speaker 5>I lost my head. I guess I struck out with

395
00:20:48.160 --> 00:20:50.880
<v Speaker 5>my fists. I tore at myself, screamed for help. Pitting

396
00:20:50.960 --> 00:20:54.400
<v Speaker 5>came and thought I was drunk. But I could feel

397
00:20:54.440 --> 00:20:55.319
<v Speaker 5>it touching.

398
00:20:55.000 --> 00:20:57.960
<v Speaker 4>Me, sickening, soft and timber.

399
00:20:57.920 --> 00:20:59.200
<v Speaker 5>Inside of me.

400
00:20:59.400 --> 00:21:01.279
<v Speaker 4>But it left you then you forced it away.

401
00:21:01.359 --> 00:21:05.519
<v Speaker 5>Yes, but it's still in this room somewhere, but it

402
00:21:05.599 --> 00:21:07.200
<v Speaker 5>hasn't tried to touch me again.

403
00:21:08.119 --> 00:21:10.039
<v Speaker 4>Well, that setts it, Guilliea.

404
00:21:10.119 --> 00:21:13.279
<v Speaker 5>You're leaving here tonight. It didn't follow you when you

405
00:21:13.319 --> 00:21:14.880
<v Speaker 5>took that trip before. It stayed here.

406
00:21:15.359 --> 00:21:16.680
<v Speaker 4>That's one way you can be free of it.

407
00:21:16.799 --> 00:21:19.559
<v Speaker 5>Then you believe the thing too, believe it's real. It's

408
00:21:19.599 --> 00:21:20.039
<v Speaker 5>real for.

409
00:21:20.039 --> 00:21:23.160
<v Speaker 4>You, and that's enough. If I remember it. You're giving

410
00:21:23.200 --> 00:21:25.839
<v Speaker 4>a lecture at Oxford the last of the week. You're

411
00:21:25.839 --> 00:21:26.559
<v Speaker 4>going on up there.

412
00:21:26.640 --> 00:21:26.839
<v Speaker 2>Now.

413
00:21:26.920 --> 00:21:27.599
<v Speaker 4>I'll help you pack.

414
00:21:27.680 --> 00:21:29.440
<v Speaker 5>But I could do that. I could stay at the

415
00:21:29.440 --> 00:21:31.839
<v Speaker 5>Grosvenor tonight and take a train in the morning. It's

416
00:21:31.920 --> 00:21:33.880
<v Speaker 5>right near the station, and it's all agreed. I'll wait

417
00:21:33.920 --> 00:21:43.400
<v Speaker 5>a wait. Look at Napoleon's it's standing there by his canes.

418
00:21:43.480 --> 00:21:47.680
<v Speaker 5>He's talking to it, imitating it. Can you imagine what the.

419
00:21:47.799 --> 00:21:50.880
<v Speaker 4>Thing must from my mind? Let me help you start packing.

420
00:21:50.920 --> 00:21:53.440
<v Speaker 5>But I didn't tell you what it rarely did this evening.

421
00:21:54.079 --> 00:21:55.960
<v Speaker 5>What came the closest to driving me insane.

422
00:21:56.000 --> 00:21:56.640
<v Speaker 4>Doesn't matter.

423
00:21:57.119 --> 00:22:02.680
<v Speaker 5>The thing kissed me Marchison dart from the outside. What

424
00:22:03.079 --> 00:22:08.759
<v Speaker 5>I could feel it warm and wet, kissing my lips

425
00:22:09.000 --> 00:22:10.559
<v Speaker 5>from the inside.

426
00:22:18.160 --> 00:22:21.240
<v Speaker 4>Gilias stayed at the hotel that night, caught the train

427
00:22:21.240 --> 00:22:24.599
<v Speaker 4>out to Oxford the next morning. Four days later, I

428
00:22:24.640 --> 00:22:27.599
<v Speaker 4>received a wire from him. I am still feeling a

429
00:22:27.599 --> 00:22:31.359
<v Speaker 4>bit shaky, but everything else is all right. No sign

430
00:22:31.440 --> 00:22:35.039
<v Speaker 4>of any visitor. Why don't you try to come up

431
00:22:35.079 --> 00:22:38.119
<v Speaker 4>for the lecture Friday night and please get rid of

432
00:22:38.200 --> 00:22:43.599
<v Speaker 4>Napoleon for me, signed Guildea. On sudden impulse, I decided

433
00:22:43.640 --> 00:22:54.000
<v Speaker 4>to accept his invitation. My train was late, and I

434
00:22:54.079 --> 00:22:56.599
<v Speaker 4>arrived at Oxford with only time enough to go directly

435
00:22:56.640 --> 00:23:00.680
<v Speaker 4>to the seminar. I slid into my seat just Guildia

436
00:23:00.839 --> 00:23:04.119
<v Speaker 4>was introduced and began his talk. He was pale and

437
00:23:04.319 --> 00:23:07.880
<v Speaker 4>perhaps a bit drawn, but seemed otherwise composed and in

438
00:23:07.960 --> 00:23:12.960
<v Speaker 4>control of himself. As I sat there, my mind wandered

439
00:23:13.000 --> 00:23:17.839
<v Speaker 4>away from his talk, seeking some solution for the horrible problem,

440
00:23:17.880 --> 00:23:20.440
<v Speaker 4>which I regarded as being as much my own as Guildia's.

441
00:23:21.839 --> 00:23:23.839
<v Speaker 4>I decided I would try to persuade him to sell

442
00:23:23.880 --> 00:23:27.240
<v Speaker 4>the house in Hyde Park Place, since his strange fixation

443
00:23:27.359 --> 00:23:29.839
<v Speaker 4>seemed to be bound up with it, and try to

444
00:23:29.880 --> 00:23:35.279
<v Speaker 4>find lodgings elsewhere. Some ten minutes passed when suddenly I

445
00:23:35.359 --> 00:23:37.279
<v Speaker 4>noticed Gildia was becoming very nervous.

446
00:23:37.920 --> 00:23:41.640
<v Speaker 5>He faltered in his talk. He seemed to be confused.

447
00:23:43.079 --> 00:23:46.079
<v Speaker 5>He stood there on the platform deathly pagel, his.

448
00:23:46.160 --> 00:23:49.319
<v Speaker 4>Hands out as though pushing something away from him.

449
00:23:50.119 --> 00:23:51.319
<v Speaker 5>I knew what was wrong.

450
00:23:54.640 --> 00:23:57.519
<v Speaker 4>Pardon me, pardon me? Please? Could I get through? Pardon me?

451
00:23:58.160 --> 00:24:03.400
<v Speaker 4>Let me get to him, please, I'm his friend, Gilia, Gilia,

452
00:24:03.440 --> 00:24:09.119
<v Speaker 4>can you hear me, Father Murchison, Yes, everything's all right.

453
00:24:09.680 --> 00:24:16.279
<v Speaker 5>It came here, found me out. It drubbed up against

454
00:24:16.359 --> 00:24:20.559
<v Speaker 5>me on the platform. It's no use.

455
00:24:21.720 --> 00:24:33.960
<v Speaker 4>Take me back to London. We arrived back in London

456
00:24:34.039 --> 00:24:38.319
<v Speaker 4>Lake the next afternoon. Gilia was a broken old man.

457
00:24:39.200 --> 00:24:42.319
<v Speaker 4>He shivered, continually trembled, as though shaken by her chill.

458
00:24:43.240 --> 00:24:45.880
<v Speaker 4>He claimed to sense the awful presence of that thing

459
00:24:46.039 --> 00:24:50.119
<v Speaker 4>always near by us, accompanying us, and he was constantly

460
00:24:50.279 --> 00:24:52.519
<v Speaker 4>terror stricken U lest it might try to touch him again.

461
00:24:53.880 --> 00:24:56.000
<v Speaker 4>I stayed with him in the house in Hyde Park,

462
00:24:56.799 --> 00:24:58.720
<v Speaker 4>and as night drew on we sat in the long,

463
00:24:58.759 --> 00:25:03.960
<v Speaker 4>book filled study on the second floor. Pitting brought Coffy

464
00:25:04.119 --> 00:25:08.079
<v Speaker 4>to us, and then Withdrew. We found little to talk about,

465
00:25:08.599 --> 00:25:11.240
<v Speaker 4>and the silence of the room seemed doubly oppressive without

466
00:25:11.240 --> 00:25:13.319
<v Speaker 4>the familiar chatter of the parrot in the background.

467
00:25:13.319 --> 00:25:15.440
<v Speaker 5>What did you do with him? Matterson and Napoleon?

468
00:25:15.480 --> 00:25:17.319
<v Speaker 4>I mean I boarded him with a pet shop in

469
00:25:17.400 --> 00:25:19.599
<v Speaker 4>Chafts Pray Avenue. I thought you might want him back

470
00:25:19.640 --> 00:25:21.000
<v Speaker 4>again after you'd reconsider it.

471
00:25:21.000 --> 00:25:26.480
<v Speaker 5>Now, no, I won't want him back. You still can

472
00:25:26.559 --> 00:25:31.240
<v Speaker 5>feel its presence, can't you? No, Gelia, I'm afraid I can't.

473
00:25:31.839 --> 00:25:34.599
<v Speaker 5>I wish to have an eye, couldn't. It's been here

474
00:25:34.640 --> 00:25:38.680
<v Speaker 5>with a noow you know now, Please, it doesn't matter.

475
00:25:39.400 --> 00:25:41.799
<v Speaker 5>It's no use. I can't fight it any longer. There's

476
00:25:41.839 --> 00:25:42.599
<v Speaker 5>no way to fight it.

477
00:25:42.680 --> 00:25:45.519
<v Speaker 4>Perhaps that may be the answer to stop fighting it.

478
00:25:45.960 --> 00:25:47.920
<v Speaker 4>You said yourself that you felt it was fond of you,

479
00:25:47.960 --> 00:25:51.799
<v Speaker 4>meant you no harm, Then why not stop fighting? Try

480
00:25:51.839 --> 00:25:54.119
<v Speaker 4>to return. It's fun because it's love.

481
00:25:54.200 --> 00:25:56.920
<v Speaker 5>If you will, don't know what you're asking, even the

482
00:25:57.000 --> 00:26:01.359
<v Speaker 5>thought it sickens me. Fondness love for that thing.

483
00:26:01.640 --> 00:26:03.319
<v Speaker 4>Perhaps it may be the only way out.

484
00:26:03.400 --> 00:26:07.119
<v Speaker 5>Then there's no way out, I tell you, Murchison, I

485
00:26:07.119 --> 00:26:11.000
<v Speaker 5>have only one feeling for that creature, and that's hatred, hatred,

486
00:26:11.759 --> 00:26:12.960
<v Speaker 5>disgust and he.

487
00:26:13.079 --> 00:26:14.160
<v Speaker 4>Please try to be calm.

488
00:26:14.240 --> 00:26:21.759
<v Speaker 5>Wait, wait, what is it? Perhaps that's it? Listen, whatever

489
00:26:21.799 --> 00:26:22.799
<v Speaker 5>you are a beast of devil.

490
00:26:22.799 --> 00:26:24.440
<v Speaker 7>I hate you. Do you here? I hate you.

491
00:26:25.119 --> 00:26:27.759
<v Speaker 4>Mucheson, that's doing it.

492
00:26:27.759 --> 00:26:30.039
<v Speaker 5>It's recoiling withdrawing. I can feel it.

493
00:26:30.119 --> 00:26:31.440
<v Speaker 4>Gildia. Please, I hate you.

494
00:26:31.720 --> 00:26:35.240
<v Speaker 5>I hate you, Rotcheson. He wants to leave. It's beginning

495
00:26:35.240 --> 00:26:37.480
<v Speaker 5>to hate me too, but it wants to leave. Now

496
00:26:37.680 --> 00:26:39.880
<v Speaker 5>open the door. Go downstairs and open the front door.

497
00:26:40.079 --> 00:26:41.440
<v Speaker 5>Open the front door and let it.

498
00:26:41.359 --> 00:26:43.359
<v Speaker 4>Out, cried Gildia. If you'll feel better about it.

499
00:26:43.240 --> 00:26:44.839
<v Speaker 5>It wants to take me along, but I know how

500
00:26:44.880 --> 00:26:45.279
<v Speaker 5>to fight it.

501
00:26:45.279 --> 00:26:46.480
<v Speaker 7>Now go Matches and hurry.

502
00:26:47.119 --> 00:26:48.839
<v Speaker 5>I hate you, I hate you, I hate you.

503
00:26:49.079 --> 00:26:51.640
<v Speaker 4>I ran down the stairs and threw open the front door.

504
00:26:52.440 --> 00:26:56.119
<v Speaker 4>I stood there, breathing in an idea. It was clear

505
00:26:56.200 --> 00:27:00.000
<v Speaker 4>and cold, and the stars hung overhead. I looked across

506
00:27:00.119 --> 00:27:02.519
<v Speaker 4>to the park and saw the glow from the street

507
00:27:02.599 --> 00:27:05.960
<v Speaker 4>lamp falling on the empty bench directly opposite, and at

508
00:27:05.960 --> 00:27:12.079
<v Speaker 4>that moment came a sound of froze my blood with her.

509
00:27:12.319 --> 00:27:18.799
<v Speaker 4>I stood there, paralyzed, unable to move. Seconds past, perhaps minutes,

510
00:27:18.839 --> 00:27:20.680
<v Speaker 4>I don't know. I don't know how long I stood there.

511
00:27:21.640 --> 00:27:24.519
<v Speaker 4>I glanced across at the empty bench, and for one

512
00:27:24.599 --> 00:27:28.119
<v Speaker 4>moment thought I saw a shadow sitting on it, a

513
00:27:28.200 --> 00:27:32.240
<v Speaker 4>vague shadow, as guilty as it one night weeks before.

514
00:27:33.279 --> 00:27:35.799
<v Speaker 4>And then the bench was empty, and I heard Pitting

515
00:27:35.960 --> 00:27:37.119
<v Speaker 4>running down the stairs.

516
00:27:38.160 --> 00:27:41.880
<v Speaker 6>Come quickly, Professor Gildia hid it was his heart.

517
00:27:41.920 --> 00:27:46.759
<v Speaker 4>I think, yes, yes, I believe it was his heart.

518
00:27:46.960 --> 00:27:52.680
<v Speaker 6>But his father Murchison, he's he's lying up there, Sir, he's.

519
00:27:51.920 --> 00:28:03.079
<v Speaker 4>Dead, dead, dead Pitting. I hope so, I sincerely hope so.

520
00:28:14.519 --> 00:28:17.680
<v Speaker 3>Escape is produced and directed by William N. Robeson and

521
00:28:17.839 --> 00:28:20.720
<v Speaker 3>To Night Brought You How Love Came to Professor Gildia

522
00:28:20.920 --> 00:28:24.519
<v Speaker 3>by Robert Hitchins, adapted for radio by Less Crutchfield, with

523
00:28:24.640 --> 00:28:28.319
<v Speaker 3>Louis van Rutn as Professor Gildia, Hardy Bear as Father Murchison,

524
00:28:28.640 --> 00:28:31.920
<v Speaker 3>Harry bartellis Pitting, and Paul Frees as the parrot. Music

525
00:28:32.000 --> 00:28:34.000
<v Speaker 3>is conceived and conducted by Cyfure.

526
00:28:36.960 --> 00:28:42.240
<v Speaker 1>Next week, when you're tired out from doing nothing all

527
00:28:42.240 --> 00:28:46.079
<v Speaker 1>week end, when Blue Monday stares you in the face.

528
00:28:47.119 --> 00:28:50.440
<v Speaker 1>Next week, at this time when your problems just seem

529
00:28:50.599 --> 00:28:53.160
<v Speaker 1>too much for you, we are for you.

530
00:28:54.279 --> 00:29:00.160
<v Speaker 5>Escape.

531
00:29:03.240 --> 00:29:06.359
<v Speaker 3>Next week we bring you another exciting story of high adventure.

532
00:29:06.680 --> 00:29:09.039
<v Speaker 3>Good night, then until the same time next week, when

533
00:29:09.039 --> 00:29:14.519
<v Speaker 3>once again we offer you escape. This is CBS, the

534
00:29:14.519 --> 00:29:30.720
<v Speaker 3>Columbia Broadcasting System.
