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<v Speaker 1>Lucky Land Casino asking people what's the weirdest place you've

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<v Speaker 1>Ah, in my dentist's office more than once.

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<v Speaker 2>Actually do I have to say?

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<v Speaker 1>Lucky Land Casino, asking people what's the weirdest place you've

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<v Speaker 1>gotten lucky?

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<v Speaker 2>Lucky in line at the Delhi I guess.

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<v Speaker 1>Ah, in my dentist's office more than once.

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<v Speaker 2>Actually do I have to say?

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<v Speaker 1>Yes?

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<v Speaker 3>You do?

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<v Speaker 1>In the car before my kid's PTA meeting? Really? Yes?

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<v Speaker 1>Excuse me? What's the weirdest place you've gotten lucky?

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<v Speaker 4>I never win?

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<v Speaker 1>And tell Well, there you have it. You could get

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<v Speaker 1>free right now? Are you feeling lucky? No, We're just

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<v Speaker 1>necessary boda. We're gonna be my long eighteen plus terms

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<v Speaker 1>conditions of plus what's everydas?

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<v Speaker 5>You are now listening to True Murder The most shocking

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<v Speaker 5>killers in true crime history and the authors that have

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<v Speaker 5>written about them Gasey Bundy, Dahmer, The Night Stalker DTK.

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<v Speaker 5>Every week another fascinating author talking about the most shocking

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<v Speaker 5>and infamy killers in true crime history. True Murder with

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<v Speaker 5>your host journalist and author Dan Zufanski. Good evening in

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<v Speaker 5>Mummy Dead and Dearest, Provocative documentarian Aaron Lee Carr HBO's

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<v Speaker 5>Thought Crimes. The Case of the cannibal cop explores a

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<v Speaker 5>grizzly tale where nothing is quite what it seems. Following

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<v Speaker 5>Dete's brutal murder, a mysterious status end up on her

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<v Speaker 5>Facebook page announcing the bitch is Dead, which investigators used

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<v Speaker 5>to track her daughter, Gypsy, to a house in Wisconsin.

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<v Speaker 5>Gypsy had been ill and confined to a wheelchair for nearly.

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<v Speaker 6>Her entire life was a subject of much concern in

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<v Speaker 6>their community, but once she was brought into the courthouse,

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<v Speaker 6>everybody was shocked to discover that she could walk after all.

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<v Speaker 6>The inspiring tale of a mother and her sick daughter

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<v Speaker 6>turned into something much darker than anybody anticipated. With Gipsy

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<v Speaker 6>a victim of one of psychology's most controversial conditions, Munchausen

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<v Speaker 6>by proxy. Car digs deeper into this rabbit hole of

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<v Speaker 6>deception with unprecedented access and weaves a tale that proves

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<v Speaker 6>that truth really is stranger than fiction. The subject tonight

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<v Speaker 6>is the documentary documentary Mummy, Dead and Dearest, with my

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<v Speaker 6>special guest, Aaron Lee Carr, director and writer Aaron Lee Carr.

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<v Speaker 6>Welcome to the program, and thank you very much for

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<v Speaker 6>this interview.

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<v Speaker 4>Aaron Lee Carr, wonderful, so happy to be talking with you.

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<v Speaker 6>Thank you very much, very very congratulations of just a

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<v Speaker 6>start on a very very powerful and very provocative and

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<v Speaker 6>very very unique and interesting documentary. Now let's get to

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<v Speaker 6>how this came about. You talk about your co producer,

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<v Speaker 6>one of your co producers, Alison Burne. So tell us

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<v Speaker 6>how and when this came to be that you were

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<v Speaker 6>interested in this story. How you came to be interested

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<v Speaker 6>in this story. Tell us about that.

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<v Speaker 7>Yeah, of course.

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<v Speaker 4>So I made my first film for HBO called Thought Cremes,

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<v Speaker 4>and it was, you know, it was this case about

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<v Speaker 4>this guy that was was convicted of conspiring to kidnap, rape,

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<v Speaker 4>torturing women. He did it online, and so it was

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<v Speaker 4>this really weird, kind of unique intersection between crime and

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<v Speaker 4>the internet. And following the release of that film, you know,

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<v Speaker 4>I wanted to stay in that space. I thought, you know,

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<v Speaker 4>this is what's interesting to me and I think that

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<v Speaker 4>I think there's a.

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<v Speaker 7>Lot more to sort of uncover and investigate. And so

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<v Speaker 7>I basically was working with Alison, as you.

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<v Speaker 4>Said, and she was researching stories where people confessed online

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<v Speaker 4>and Gypsy Rose blanchert this case came up.

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<v Speaker 7>But when she started telling me about it. I thought

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<v Speaker 7>it was sort of a joke.

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<v Speaker 4>It didn't make sense. I had never heard of anything

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<v Speaker 4>like it, And you know, we just kind of sat

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<v Speaker 4>and talked about it for an hour, and we saw

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<v Speaker 4>it on a thought catalog piece, an article written by

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<v Speaker 4>a writer named Megan Pack and we started the very

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<v Speaker 4>very slow, painful but ultimately successful process of trying to

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<v Speaker 4>get people to speak with us.

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<v Speaker 6>Now, when Alison spoke to you, and you're and your

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<v Speaker 6>producer Andrew Rossi as well, when you discussed this, what

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<v Speaker 6>did you know? What was the outline of the story?

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<v Speaker 6>You said you learned much more, obviously, and obviously that's

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<v Speaker 6>what this film is about. So tell us what you knew.

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<v Speaker 6>What was that initial outline that said this is fascinating,

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<v Speaker 6>I've got to do this.

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<v Speaker 7>That's a good question.

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<v Speaker 4>I think that it just was the pure The question

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<v Speaker 4>that loomed for me was how could you, as a

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<v Speaker 4>human being, day in a wheelchair for fourteen years?

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<v Speaker 7>Like, what does that even mean?

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<v Speaker 4>If you're psychologically sort of stuck in a chair, you know, confined,

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<v Speaker 4>like you don't even have access to your you know,

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<v Speaker 4>access to your body. So I just I just didn't

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<v Speaker 4>know really what to make of it, and I didn't

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<v Speaker 4>know who Gypsy was.

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<v Speaker 7>She was sort of this cipher. Nobody knew how she

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<v Speaker 7>sort of felt about it.

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<v Speaker 4>And you know, because I was able to work with HBO,

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<v Speaker 4>I had the confidence to reach out directly to her.

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<v Speaker 6>Now, talk about that you corresponded with her in prison,

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<v Speaker 6>but she didn't immediately was not able to work with you.

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<v Speaker 6>So tell us about this process, how long this took,

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<v Speaker 6>and what was that process to be able to get

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<v Speaker 6>access to her and be able to interview her.

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<v Speaker 7>So basically we started.

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<v Speaker 4>I started out and I wrote her a letter in prison,

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<v Speaker 4>and I sort of introduced myself and talked about the

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<v Speaker 4>things that I'm interested in her case. And I remember

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<v Speaker 4>I was at my apartment in Brooklyn and I got

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<v Speaker 4>a letter.

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<v Speaker 7>Back, and I was so excited.

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<v Speaker 4>And I have a like a sort of a tradition

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<v Speaker 4>of like how I open.

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<v Speaker 7>These letters, these access letters. I'm a little bit superstitious.

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<v Speaker 4>And I opened it, and you know, in this this

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<v Speaker 4>very sort of unique handwriting, she wrote to me and

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<v Speaker 4>she said, hello, miss miss Aaron, thank you so much

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<v Speaker 4>for your interest. I really want to talk to you.

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<v Speaker 4>And I'm paraphrasing, by the way, and and she just said,

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<v Speaker 4>you know, I'm going to talk to Mike Stanfield and see,

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<v Speaker 4>you know how best to do this. And I was

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<v Speaker 4>so excited. I was like, could it be this easy?

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<v Speaker 4>I mean, like, you know that that was so quick.

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<v Speaker 4>And then, of course, a couple of days later I

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<v Speaker 4>received another letter from that in that similar handwriting, and

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<v Speaker 4>she said, you know, I spoke with my lawyer, Mike Stanfield,

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<v Speaker 4>and now is not the right time to talk. You know,

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<v Speaker 4>at the time, she was facing a potential death penalty.

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<v Speaker 4>It was a death penalty case that they were deciding.

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<v Speaker 4>And you know I understood, you know, filmmaking and making television,

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<v Speaker 4>even you know, if it's for HBO, can't get in

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<v Speaker 4>the way of a legal case. And so I had

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<v Speaker 4>to be I had to be patient and figure out

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<v Speaker 4>other ways to tell the story while waiting to see

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<v Speaker 4>if I.

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<v Speaker 7>Could get access to her.

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<v Speaker 6>Now, let's go back for our audience that knows nothing

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<v Speaker 6>about this story, and you're introducing this story. It's going

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<v Speaker 6>to be debuting May fifteenth on HBO on Monday, on Monday,

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<v Speaker 6>so very very soon. Now take us back to Springfield,

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<v Speaker 6>Missouri and the crime itself. What was initially reported Before

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<v Speaker 6>we talk about the relationship that people saw the mother

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<v Speaker 6>and daughter and what they thought of that relationship, and

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<v Speaker 6>what that those two people, the mother and daughter presented

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<v Speaker 6>as the sick child and the reasons for that. So

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<v Speaker 6>take us back to Springfield, Missouri and the crime scene

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<v Speaker 6>itself before we go backwards for any kind of reasoning

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<v Speaker 6>for some of this.

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<v Speaker 7>Of course.

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<v Speaker 4>So the crime scene was a very graphic one. It

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<v Speaker 4>was so basically they had this pink habitat for humanity,

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<v Speaker 4>a habitat for humanity house, and it was small, but queint.

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<v Speaker 7>There were five wheelchairs.

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<v Speaker 4>In the house. There was you know, their Gypsy had

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<v Speaker 4>her own room, Dedie had her own room, but they

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<v Speaker 4>often slept in the same bed and that just you know,

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<v Speaker 4>and they're their crime scenes that opened this film.

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<v Speaker 7>It's it's kind of hard for me to you know,

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<v Speaker 7>even think about.

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<v Speaker 4>But in the dead of night, a co conspirator of

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<v Speaker 4>Gypsy snuck in, was handed a large, very large knife,

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<v Speaker 4>and he went into Beattie's room and stabbed her back,

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<v Speaker 4>slashed her neck.

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<v Speaker 7>She woke up and said.

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<v Speaker 4>Gypsy's name, and you know she she was, you know, murdered.

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<v Speaker 7>In cold blood.

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<v Speaker 4>They piled the blankets on top of her Nicholas had

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<v Speaker 4>ordered Gypsy to be in the bathroom.

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<v Speaker 7>Naked, and when the deed.

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<v Speaker 4>Was done, he said, come out here. And it was

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<v Speaker 4>her job to, you know, to scrub the bathroom for

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<v Speaker 4>evidence because there were drops of blood.

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<v Speaker 6>Wow, now, how was it that Let's let's go backwards here,

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<v Speaker 6>because we're going to talk about a relationship and how

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<v Speaker 6>this ever came to be, So we might as well

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<v Speaker 6>go backwards and talk about you as you do. You

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<v Speaker 6>have an interview with a friend who a neighbor who

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<v Speaker 6>believes she's a good friend of Gypsy Rose, and so

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<v Speaker 6>she understands, or at least at that time, believed that

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<v Speaker 6>she had certain ailments. What are some of the ailments

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<v Speaker 6>that people around her, people at school, people in the

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<v Speaker 6>community believe that Gypsy has.

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<v Speaker 7>So Gypsy and.

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<v Speaker 4>Dda were well known in the community for being this

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<v Speaker 4>this lovely, polite, super youthful mother daughter duo. You know,

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<v Speaker 4>they were often wearing plush slippers or sweatpants. Gypsy always

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<v Speaker 4>had like a knitted cap on. She was she was

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<v Speaker 4>sort of balding, but well her mother had like actually

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<v Speaker 4>shaved her head. And you know, you mentioned Aliyah. So

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<v Speaker 4>this was a neighbor somebody that lived in the same

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<v Speaker 4>community that Dedie and Gypsy lived in, and you know,

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<v Speaker 4>she just said they were the kind of the best

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<v Speaker 4>people around. And you know, Aliyah, being a good person,

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<v Speaker 4>would offer to help Dedy and Gypsy with things. And

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<v Speaker 4>you know, it always seemed weird to her that Gypsy

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<v Speaker 4>and her never had alone time. Her mom was always

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<v Speaker 4>always next to her, and you know, I think that,

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<v Speaker 4>you know, it just it was this very strange thing,

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<v Speaker 4>but Aliyah didn't really think about it because she was

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<v Speaker 4>just helping this young handicapped girl who was also mentally challenged.

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<v Speaker 7>Around the community.

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<v Speaker 4>It was thought that Gypsy had muscular dystrophe. She was

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<v Speaker 4>a keemia survivor. She was mentally incapacitated a case, she

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<v Speaker 4>was slow, She was taken out of school when she

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<v Speaker 4>was in the second grade.

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<v Speaker 7>She had epilepsy.

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<v Speaker 4>Her she would take a drug called tegritol and her

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<v Speaker 4>heith would fall out. She wore these giant glasses because

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<v Speaker 4>she or her vision was terrible. She had hearing problems,

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<v Speaker 4>and oh yeah, she had a feeding tube put in

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<v Speaker 4>her body because she was underweight. You know, it was

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<v Speaker 4>it is remarkable how many illnesses or ailments, as you say,

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<v Speaker 4>that Deedy sort of placed upon Gypsy.

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<v Speaker 6>Now in this documentary, you truly do go the extra

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<v Speaker 6>yard and investigate and have access to all these players

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<v Speaker 6>in this incredible story. So where is the father of

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<v Speaker 6>Gypsy Rose? And how is it that he doesn't see

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<v Speaker 6>any of this?

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<v Speaker 4>Yeah, I mean that's what a lot of people have

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<v Speaker 4>sort of wondered. So like, you know, this is his child,

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<v Speaker 4>how did he not know that she could walk? And

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<v Speaker 4>you know, would had to go back to the beginning,

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<v Speaker 4>which was, you know, they lived in a small rural

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<v Speaker 4>part of Louisiana.

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<v Speaker 7>Rod left d D before Gypsy was born.

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<v Speaker 4>Uh, Dede immediately implied that Gypsy was a sick baby,

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<v Speaker 4>and you know, it just it just sort of escalated

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<v Speaker 4>from there, and you know, they they got divorced. There

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<v Speaker 4>was you know sort of like child support and custody

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<v Speaker 4>issues and d D harassed you know, Rod in the

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<v Speaker 4>court system. And so after Hurricane Katrina, uh, you know,

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<v Speaker 4>Gypsy and d D you know, left Louisiana and moved

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<v Speaker 4>to Missouri and they were given this this this really

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<v Speaker 4>this habitat for Humanity House and Dee Dee realized this

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<v Speaker 4>was like the perfect this was the perfect ruse, like

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<v Speaker 4>she could make over her life.

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<v Speaker 6>Now with this you talk about this ruse, what did

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<v Speaker 6>this include in terms of perks for d D What

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<v Speaker 6>was the motivation in terms of at least at least superficially,

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<v Speaker 6>what did it look like? What kind of perks did

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<v Speaker 6>they get besides a home?

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<v Speaker 7>Yeah, of course, so they they were given.

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<v Speaker 4>You know, it ranged from as small as tickets to

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<v Speaker 4>the movie theater to uh, you know, to trips flying

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<v Speaker 4>to Disney World, private uh private, private flights to hospitals

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<v Speaker 4>in Kansas City, thousands of dollars from celebrities that had

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<v Speaker 4>met them at concerts, uh, you know, cash donations coming

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<v Speaker 4>in from the internet fundraisers.

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<v Speaker 7>I mean, it just you know this.

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<v Speaker 4>I mean, it wasn't a giant amount of money. Like

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<v Speaker 4>they weren't living off the hogs, you know what I mean.

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<v Speaker 4>But you know, they got disability benefits from the government,

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<v Speaker 4>they got donations. Uh, you know, DEDI did not have

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<v Speaker 4>to work, they.

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<v Speaker 7>Got child support. It's it's you know, they were living comfortably.

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<v Speaker 6>Now, let's also talk about, as you do this Munchausen

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<v Speaker 6>by proxy syndrome. Just briefly, not again not to give

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<v Speaker 6>too much away, but explain for an audience that doesn't

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<v Speaker 6>know what this is. What this is.

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<v Speaker 4>So Munchausen by proxy is a psychological disorder where a

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<v Speaker 4>caregiver or a parent stands illness in a child to

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<v Speaker 4>garner attention or financial benefit. Sometimes it's Munchausen is just

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<v Speaker 4>when you're feigning illnesses in yourself. Like you know, there's

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<v Speaker 4>been a couple of, you know, really intense cases where

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<v Speaker 4>people saying that they have cancer, they shave their heads,

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<v Speaker 4>they take you know, they go to doctors for medication.

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<v Speaker 7>You know, it is a mental illness.

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<v Speaker 4>But I do believe that participants know what it, you know,

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<v Speaker 4>like the difference between right and wrong. I mean, actually

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<v Speaker 4>maybe I know this this is a live interview, but

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<v Speaker 4>it is my consideration that I think Dede knew what

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<v Speaker 4>she was.

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<v Speaker 7>Doing was wrong.

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<v Speaker 4>But that might not be all the you know, the

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<v Speaker 4>case with everyone.

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<v Speaker 6>Right now, let's get to how police are alerted in

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<v Speaker 6>what manner are they alerted to d D's death. Tell

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<v Speaker 6>us about the discovery. Well, we talked about the crime

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<v Speaker 6>scene itself, but what alerts police specifically, and we mentioned

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<v Speaker 6>it in the introduction about Facebook, So tell us about

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<v Speaker 6>that Facebook post? What was said in there and what

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<v Speaker 6>was the reaction and what did it all lead to?

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<v Speaker 4>Yeah, of course there was a Facebook post that was

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<v Speaker 4>that was posted on DDE and Gypsy's joint Facebook page.

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<v Speaker 4>The first the first post that that bitch is dead,

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<v Speaker 4>and the second post is and I fucking slashed that

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<v Speaker 4>fat pig and raped her sweet innocent daughter. Her scream

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<v Speaker 4>was so fucking loud lol, And people were like on

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<v Speaker 4>the Facebook, they were like, what, like, you know, its

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<v Speaker 4>just they had never heard any of these women ever

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<v Speaker 4>talk like that. Gypsy was a child, Beatie would never

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<v Speaker 4>never swore. Nobody ever heard her swear in her life.

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<v Speaker 4>So people thought that Facebook was hacked, you know.

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00:18:28.000 --> 00:18:28.519
<v Speaker 7>It wasn't.

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00:18:28.599 --> 00:18:31.559
<v Speaker 4>It was Gypsy admitting, you know, she said she told

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<v Speaker 4>me that she wanted people to find her mom's body quicker.

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<v Speaker 4>I don't know that that does not seem I don't

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<v Speaker 4>I don't know if that that sort of reasoning holds up.

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<v Speaker 6>Doesn't sound like it to me. So with these posts continue,

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<v Speaker 6>how I mean, obviously that's how all of these stories

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<v Speaker 6>were hew. Police track everything cell phone analysis and posts,

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<v Speaker 6>and so what did they discover?

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<v Speaker 4>So they traced the IP address of the Facebook post

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<v Speaker 4>back to a town called Big Ben Wisconsin, and Aliah

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<v Speaker 4>was actually one of the first to tell authorities that

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<v Speaker 4>she knew that Gypsy had a boyfriend. How she knew

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<v Speaker 4>Gypsy had a boyfriend was that they talked on Facebook

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<v Speaker 4>in a secret account that Gypsy had and Gypsy, in

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<v Speaker 4>a very sort of girly fashion, was just like, you know,

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<v Speaker 4>I have a boyfriend. His name is Nicholas.

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<v Speaker 7>We want to get married.

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<v Speaker 4>We both love Disney. And she said, you know, I

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<v Speaker 4>think he was from Wisconsin, so it's you know, they

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00:19:38.519 --> 00:19:45.079
<v Speaker 4>said they thought potentially that that Nick had killed the

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<v Speaker 4>mom and kidnapped Gypsy, right, so.

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00:19:49.920 --> 00:19:53.759
<v Speaker 6>Obviously they realize with some questioning. And you talk about

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<v Speaker 6>because you have again the incredible access to have the

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00:19:58.200 --> 00:20:05.039
<v Speaker 6>interrogation interviews of this Nick go to John and it

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00:20:05.160 --> 00:20:07.640
<v Speaker 6>is fascinating. I gotta say it is when we I

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00:20:07.680 --> 00:20:10.359
<v Speaker 6>don't want to give too much away, but he does.

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00:20:10.240 --> 00:20:15.039
<v Speaker 4>Have it's close to air day, I said, careful, yeah,

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00:20:15.079 --> 00:20:16.079
<v Speaker 4>they're so close to the air day.

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<v Speaker 6>And I hope people, well, no, I'm going to say,

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<v Speaker 6>I'm just gonna want to give too much. I want

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<v Speaker 6>to say just alert people to say that this is

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<v Speaker 6>some of the most fascinating footage I've seen and you

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00:20:27.359 --> 00:20:32.880
<v Speaker 6>say he's confirmed artistic and has uh As Burgers. So

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<v Speaker 6>we'll just yes again, we we can say that anyway,

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<v Speaker 6>that it's a very interesting interview to say the least, totally.

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<v Speaker 4>I felt the same way. I you know, when we

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<v Speaker 4>got access to that, that was very lead in our

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<v Speaker 4>edit process, and I just I watched it over and

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<v Speaker 4>over again, you know, looking for clues about this man

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<v Speaker 4>that had murdered his online girlfriends mother. You know, that

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00:20:59.240 --> 00:21:00.759
<v Speaker 4>is a very drastic action.

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<v Speaker 7>Why would somebody do that?

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<v Speaker 4>You know, what were the signs that led up to this?

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<v Speaker 4>And you know, he had this very heightened prince charming

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00:21:09.079 --> 00:21:11.839
<v Speaker 4>gentleman thing where he thought it was his job to

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00:21:11.880 --> 00:21:16.119
<v Speaker 4>protect Gypsy and the only way that he could protect

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<v Speaker 4>Gypsy was if the mom was gone. And it's just

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<v Speaker 4>you know, it's it's he to me, in those interviews,

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<v Speaker 4>in the police interrogation tapes, he seems severely mentally ill.

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<v Speaker 4>He seems mentally ill in a way that Gypsy does

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<v Speaker 4>not sort of look or sound or act like, you know,

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<v Speaker 4>they feel like very different people to me.

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<v Speaker 6>I agree. And the other thing is what we didn't

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<v Speaker 6>talk about is and this is this is amazing to

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<v Speaker 6>me too. How childlike this girl was made to be

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<v Speaker 6>much younger. I don't know if we mentioned that she

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<v Speaker 6>was meant to act much younger. She was told, as

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<v Speaker 6>you about that she was retalkdar so, but she does.

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<v Speaker 6>The most profound thing is how childlike she sounds. Almost baby.

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<v Speaker 4>Yeah, I mean before I met her, I thought if

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<v Speaker 4>I wondered if the voice was a put on.

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<v Speaker 6>It's not.

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00:22:13.400 --> 00:22:15.799
<v Speaker 4>That's her real voice, her mother.

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<v Speaker 7>So she when she when the murder happened.

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<v Speaker 4>I believe she was twenty three, and she thought she

381
00:22:24.039 --> 00:22:27.559
<v Speaker 4>was about sixteen or seventeen, So that's a huge different

382
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<v Speaker 4>in age. You know, she does not look like she

383
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<v Speaker 4>was in her early twenties.

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<v Speaker 7>I mean, she could pass for thirteen.

385
00:22:37.839 --> 00:22:41.279
<v Speaker 6>Sure, seemed like it. And what do you also have

386
00:22:41.440 --> 00:22:45.559
<v Speaker 6>is this access to of course the texts and some

387
00:22:45.680 --> 00:22:49.920
<v Speaker 6>of the video of these people. We won't say when,

388
00:22:50.039 --> 00:22:58.519
<v Speaker 6>but incredible video footage of these people interacting this couple. Again,

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00:22:58.559 --> 00:23:00.599
<v Speaker 6>I can't even I don't even know how to describe

390
00:23:00.599 --> 00:23:06.440
<v Speaker 6>it except bizarre, very bizarre, and but very immature to

391
00:23:07.319 --> 00:23:16.680
<v Speaker 6>And that's the understatement of the week for sure. Now

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00:23:18.640 --> 00:23:21.160
<v Speaker 6>let's talk about you know, one thing that you do

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00:23:21.920 --> 00:23:25.559
<v Speaker 6>cover in the movie too, Is that that the mother

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00:23:26.319 --> 00:23:33.519
<v Speaker 6>herself is a master of manipulation? You do have you

395
00:23:33.559 --> 00:23:37.599
<v Speaker 6>do really present that in this documentary, don't you?

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00:23:38.799 --> 00:23:39.039
<v Speaker 3>Yeah?

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00:23:39.160 --> 00:23:45.079
<v Speaker 4>I mean I did. Is endlessly fascinating, you know, I don't.

398
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<v Speaker 4>I don't think any of I don't. I think very

399
00:23:47.200 --> 00:23:51.119
<v Speaker 4>few people could understand why someone would do that to

400
00:23:51.200 --> 00:23:54.680
<v Speaker 4>their child, you know, bring a child to a doctor

401
00:23:54.839 --> 00:23:58.279
<v Speaker 4>hundreds of times when you know there's nothing wrong with her.

402
00:23:59.279 --> 00:24:01.839
<v Speaker 4>You know, I I looked for clues for the whole

403
00:24:01.880 --> 00:24:04.160
<v Speaker 4>time I was making this movie about you know, what

404
00:24:04.200 --> 00:24:06.720
<v Speaker 4>were what were the science that she would be, that

405
00:24:06.799 --> 00:24:10.720
<v Speaker 4>she would lead to to becoming this person that could

406
00:24:10.720 --> 00:24:12.559
<v Speaker 4>do that? Was their abuse?

407
00:24:13.160 --> 00:24:13.599
<v Speaker 7>Was there?

408
00:24:14.000 --> 00:24:15.039
<v Speaker 4>Was their psychopathy?

409
00:24:16.079 --> 00:24:16.599
<v Speaker 7>Did you know?

410
00:24:16.720 --> 00:24:19.799
<v Speaker 4>We were there sort of murderous traits that arose earlier

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00:24:19.799 --> 00:24:23.519
<v Speaker 4>in her life. And so you know, talking with her

412
00:24:23.599 --> 00:24:27.319
<v Speaker 4>family members and talking with the community, who would go on.

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<v Speaker 7>And off the record.

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00:24:29.400 --> 00:24:31.880
<v Speaker 4>You know, it's just it's hard because Dedie isn't here

415
00:24:31.920 --> 00:24:34.720
<v Speaker 4>to tell us her side of the story, and to

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00:24:34.920 --> 00:24:37.160
<v Speaker 4>tell like basically, I mean, you know, she could be

417
00:24:37.279 --> 00:24:40.200
<v Speaker 4>very potentially mentally ill, which I'm sure she is, but

418
00:24:40.240 --> 00:24:43.680
<v Speaker 4>that's not really an excuse. I mean, all the big

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00:24:43.839 --> 00:24:46.240
<v Speaker 4>you know, the the you know, I listened to a

420
00:24:46.240 --> 00:24:48.960
<v Speaker 4>lot of true crime podcasts, and just because you're mentally ill,

421
00:24:49.000 --> 00:24:51.960
<v Speaker 4>it's not gold be a license to to act violent

422
00:24:52.039 --> 00:24:55.599
<v Speaker 4>towards other people. And the majority of people that that

423
00:24:55.839 --> 00:24:59.799
<v Speaker 4>survive with mental illness do not act out violently. So like,

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00:25:00.079 --> 00:25:02.279
<v Speaker 4>what made this case so much different and the fact

425
00:25:02.279 --> 00:25:04.799
<v Speaker 4>that she was a woman and just doing all these

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00:25:04.799 --> 00:25:07.640
<v Speaker 4>things that she was implicated by her family and the

427
00:25:07.680 --> 00:25:09.400
<v Speaker 4>death of her mother, and there's a you know, there's

428
00:25:09.400 --> 00:25:11.640
<v Speaker 4>a couple other stories that you'll hear in the film.

429
00:25:11.680 --> 00:25:13.880
<v Speaker 4>It's just this was not the first time that she

430
00:25:13.920 --> 00:25:18.359
<v Speaker 4>had done something criminal, right, right.

431
00:25:20.319 --> 00:25:27.599
<v Speaker 6>You also talk and this as well of just the

432
00:25:27.720 --> 00:25:32.519
<v Speaker 6>nature of I guess it's not not the biggest issue,

433
00:25:32.640 --> 00:25:35.200
<v Speaker 6>but just the nature of the internet. What is real

434
00:25:35.279 --> 00:25:38.160
<v Speaker 6>and what isn't real, what's the plan and what isn't.

435
00:25:38.200 --> 00:25:41.799
<v Speaker 6>What's somebody's word and what isn't. And when you're talking

436
00:25:41.799 --> 00:25:47.720
<v Speaker 6>about young people, teens or people like this that have disabilities,

437
00:25:47.759 --> 00:25:53.839
<v Speaker 6>we'll say, is that did I get that from this?

438
00:25:54.119 --> 00:25:54.680
<v Speaker 3>That yeah?

439
00:25:54.799 --> 00:25:54.960
<v Speaker 7>Thing?

440
00:25:55.000 --> 00:25:57.519
<v Speaker 4>No, definitely, I mean you see that in my first film.

441
00:25:57.559 --> 00:25:59.240
<v Speaker 7>There's this questioning about the.

442
00:25:59.279 --> 00:26:02.559
<v Speaker 4>Role of social media plays and our thought processes, and

443
00:26:02.599 --> 00:26:05.480
<v Speaker 4>like how we how we think and project our innermost

444
00:26:05.519 --> 00:26:09.720
<v Speaker 4>desires with with Gypsy, one of my sort of points

445
00:26:09.720 --> 00:26:12.799
<v Speaker 4>of fascination was that she was taken out of school,

446
00:26:12.839 --> 00:26:15.240
<v Speaker 4>as I said, when she was in second grade, and

447
00:26:15.319 --> 00:26:17.960
<v Speaker 4>she just would just watch Disney movies and she would

448
00:26:17.960 --> 00:26:21.119
<v Speaker 4>go online, she would go on Facebook. These were her

449
00:26:21.160 --> 00:26:24.680
<v Speaker 4>outlets for curiosity. And what does it mean when you

450
00:26:24.720 --> 00:26:26.640
<v Speaker 4>grow up and you're the only things that you have

451
00:26:26.720 --> 00:26:30.720
<v Speaker 4>to really learn from are these certain of archetypal Disney

452
00:26:30.759 --> 00:26:35.480
<v Speaker 4>movies with these heightened Prince charming narratives, or Facebook where

453
00:26:35.519 --> 00:26:39.920
<v Speaker 4>it's it's attention, it's about you know, about projecting her

454
00:26:40.160 --> 00:26:44.440
<v Speaker 4>mental and physical disabilities for people to be supportive of it.

455
00:26:44.640 --> 00:26:47.319
<v Speaker 4>Just it's just the Internet always plays a huge role

456
00:26:47.359 --> 00:26:48.599
<v Speaker 4>in things that I'm interested in.

457
00:26:51.160 --> 00:26:55.720
<v Speaker 6>It's interesting too that you actually have this incredible example

458
00:26:55.920 --> 00:27:01.000
<v Speaker 6>of what would happen if she did run off? What

459
00:27:01.119 --> 00:27:05.200
<v Speaker 6>if would happen if she told incredibly as much as

460
00:27:05.200 --> 00:27:07.400
<v Speaker 6>she wasn't told the truth about her own illness as

461
00:27:07.440 --> 00:27:14.279
<v Speaker 6>her own age, that she still was, like you say,

462
00:27:14.960 --> 00:27:17.279
<v Speaker 6>never alone to be able to tell anybody anything. And

463
00:27:17.359 --> 00:27:20.880
<v Speaker 6>when she did and so this is another profound example

464
00:27:20.920 --> 00:27:24.759
<v Speaker 6>in this movie where you know we don't have to

465
00:27:24.799 --> 00:27:27.920
<v Speaker 6>take anybody's word for it. That's a very profound moment.

466
00:27:28.519 --> 00:27:31.920
<v Speaker 6>To reinforce that. I don't want to give anything away,

467
00:27:31.960 --> 00:27:36.079
<v Speaker 6>but to reinforce this the helplessness that this woman felt

468
00:27:36.880 --> 00:27:40.559
<v Speaker 6>that no one, no one understood at the time previous

469
00:27:40.599 --> 00:27:43.119
<v Speaker 6>to this, if there ever was a surprise, I mean,

470
00:27:44.519 --> 00:27:48.359
<v Speaker 6>I don't care what anyone says. This is the definition

471
00:27:48.440 --> 00:27:51.359
<v Speaker 6>of surprise for this community and for people around them,

472
00:27:51.680 --> 00:28:00.640
<v Speaker 6>wasn't it totally Yeah, Now you talk about this year

473
00:28:00.839 --> 00:28:04.000
<v Speaker 6>or how this certain amount of length of time that

474
00:28:04.079 --> 00:28:08.000
<v Speaker 6>it took, just tell us a little bit about how

475
00:28:08.039 --> 00:28:13.559
<v Speaker 6>you managed to get access to Gypsy Rows for these interviews,

476
00:28:13.559 --> 00:28:16.519
<v Speaker 6>and including that you did contact the defense attorney, which

477
00:28:16.519 --> 00:28:19.400
<v Speaker 6>is unusual for a defense attorney to say anything except

478
00:28:19.839 --> 00:28:21.559
<v Speaker 6>never ever talked to a journalist.

479
00:28:22.839 --> 00:28:25.960
<v Speaker 4>Well, I mean, I think that's potentially a little bit

480
00:28:26.160 --> 00:28:29.960
<v Speaker 4>of the old guard that, you know, media can't be helpful.

481
00:28:30.960 --> 00:28:34.279
<v Speaker 4>You know, I think Mike Stanfield is a really rational,

482
00:28:34.359 --> 00:28:37.559
<v Speaker 4>really smart person, and you know, he knew that the

483
00:28:37.599 --> 00:28:40.759
<v Speaker 4>optics of the situation were favorable towards him. He was

484
00:28:40.799 --> 00:28:47.319
<v Speaker 4>dealing with someone who was battling abuse her whole life,

485
00:28:47.640 --> 00:28:52.319
<v Speaker 4>and you know, I come from I'm working on for HBO,

486
00:28:52.400 --> 00:28:54.880
<v Speaker 4>and he knew it was real, and so in terms

487
00:28:54.920 --> 00:28:57.599
<v Speaker 4>of the access, I could not talk to her until

488
00:28:58.079 --> 00:28:59.880
<v Speaker 4>a plea deal was reached. And I don't really want

489
00:28:59.880 --> 00:29:03.359
<v Speaker 4>to go and the specifics of that because that it'll

490
00:29:03.400 --> 00:29:05.279
<v Speaker 4>it'll kind of break the tension of a seeing we

491
00:29:05.319 --> 00:29:07.319
<v Speaker 4>have in the film. But you know, it just was

492
00:29:07.359 --> 00:29:11.240
<v Speaker 4>a really slow, long process of checking with the family,

493
00:29:11.440 --> 00:29:15.119
<v Speaker 4>not being pushy, but still being present. There were, of course,

494
00:29:15.160 --> 00:29:19.200
<v Speaker 4>other outlets that wanted the to get the story, and

495
00:29:19.599 --> 00:29:23.119
<v Speaker 4>you have to sort of balance this competitive side with

496
00:29:24.599 --> 00:29:28.839
<v Speaker 4>really sort of thinking about like these this is the

497
00:29:28.880 --> 00:29:31.519
<v Speaker 4>story about human beings, and like, you know, what purpose

498
00:29:31.559 --> 00:29:34.559
<v Speaker 4>would this film serve in Gypsy's life? And so it

499
00:29:34.599 --> 00:29:36.799
<v Speaker 4>was phone calls at first, it was letters with her.

500
00:29:36.960 --> 00:29:37.880
<v Speaker 4>I flew down to.

501
00:29:37.839 --> 00:29:39.039
<v Speaker 7>Go meet her in person.

502
00:29:40.119 --> 00:29:42.200
<v Speaker 4>You know, we did a non camera interview where I

503
00:29:42.279 --> 00:29:44.960
<v Speaker 4>learned more that would inform my actual interview.

504
00:29:45.839 --> 00:29:48.240
<v Speaker 7>You know, in a perfect world, that's.

505
00:29:48.039 --> 00:29:50.119
<v Speaker 4>What I would always do. I think it's really really

506
00:29:50.160 --> 00:29:54.119
<v Speaker 4>good to to go and spend time with someone without cameras.

507
00:29:53.640 --> 00:29:55.640
<v Speaker 7>So they feel comfortable with you and you can get

508
00:29:55.640 --> 00:29:56.200
<v Speaker 7>a feel.

509
00:29:56.000 --> 00:29:58.960
<v Speaker 4>For them, and like, you know, it might take some

510
00:29:59.000 --> 00:30:01.279
<v Speaker 4>of the surprise out of it, the elements surprise, but

511
00:30:01.400 --> 00:30:04.319
<v Speaker 4>I think that you know, it's important for interviews to

512
00:30:04.400 --> 00:30:08.680
<v Speaker 4>feel conversational, for the subject to feel safe, and those

513
00:30:08.720 --> 00:30:12.039
<v Speaker 4>are things that I really hope to bring to documentary filmmaking.

514
00:30:12.160 --> 00:30:15.160
<v Speaker 4>You know, in a long tradition of amazing HBO documentary

515
00:30:15.160 --> 00:30:16.559
<v Speaker 4>filmmakers that have done it.

516
00:30:18.200 --> 00:30:20.640
<v Speaker 6>Yes, and you've got the confidence from HBO to do this,

517
00:30:21.039 --> 00:30:23.880
<v Speaker 6>and yes, that's the unique element of it. You've just

518
00:30:23.960 --> 00:30:27.799
<v Speaker 6>explained it in that you've prepared these people instead of

519
00:30:28.000 --> 00:30:31.279
<v Speaker 6>surprised these people. And there is a lot of documentary

520
00:30:31.359 --> 00:30:33.960
<v Speaker 6>I was just watching one not so long ago and

521
00:30:34.440 --> 00:30:37.640
<v Speaker 6>the person was asking if the camera was rolling, so

522
00:30:38.519 --> 00:30:41.319
<v Speaker 6>you know, you know there was no preparation if they're

523
00:30:41.319 --> 00:30:45.640
<v Speaker 6>asking that question and you're using that footage. So an

524
00:30:45.640 --> 00:30:50.400
<v Speaker 6>incredible idea to really make people comfortable because as you've

525
00:30:50.400 --> 00:30:54.039
<v Speaker 6>probably known, and you do not want people so nervous

526
00:30:54.079 --> 00:30:56.759
<v Speaker 6>in front of that camera, regardless of what reaction they

527
00:30:56.839 --> 00:31:07.480
<v Speaker 6>might have. Now with this, you also debuted this at

528
00:31:07.480 --> 00:31:15.039
<v Speaker 6>the south By Southwest Festival Film Festival in March. Tell

529
00:31:15.079 --> 00:31:18.880
<v Speaker 6>us a little bit more about the HBO debut. This

530
00:31:18.920 --> 00:31:21.720
<v Speaker 6>is HBO is finding this very important. They have a

531
00:31:21.759 --> 00:31:24.799
<v Speaker 6>lot of confidence in you just tell us about the

532
00:31:24.880 --> 00:31:27.880
<v Speaker 6>debut on May fifteenth, Sure, so.

533
00:31:28.279 --> 00:31:33.319
<v Speaker 4>It is going to be at ten pm. We have

534
00:31:33.440 --> 00:31:37.599
<v Speaker 4>done a great amount of press. You know, it's in

535
00:31:37.759 --> 00:31:42.160
<v Speaker 4>People magazine today, the issue came out. We're going to

536
00:31:42.200 --> 00:31:44.960
<v Speaker 4>be on Good Morning America. Like it's important, you know,

537
00:31:44.960 --> 00:31:47.759
<v Speaker 4>I'm on this podcast. It's like very important to speak

538
00:31:47.799 --> 00:31:48.759
<v Speaker 4>to the certain.

539
00:31:48.559 --> 00:31:52.559
<v Speaker 7>Sects of people that are going to be interested in this.

540
00:31:52.839 --> 00:31:56.839
<v Speaker 4>And you know, I think that a lot of networks

541
00:31:56.839 --> 00:32:00.759
<v Speaker 4>would have maybe a difficult time telling the story making

542
00:32:00.839 --> 00:32:06.000
<v Speaker 4>it feel non exploitative. HBO always gave us the room

543
00:32:06.079 --> 00:32:09.359
<v Speaker 4>and ability to to sort of sus sus it out

544
00:32:09.359 --> 00:32:12.799
<v Speaker 4>and see how best to to to do it. And

545
00:32:12.880 --> 00:32:14.920
<v Speaker 4>I you know, a lot of the if when people

546
00:32:15.119 --> 00:32:18.440
<v Speaker 4>call it sort of non exploitative, it feels balanced, it

547
00:32:18.440 --> 00:32:21.559
<v Speaker 4>feels human. That's due in large part to our editor

548
00:32:21.599 --> 00:32:24.000
<v Speaker 4>Andrew Kaufman, who cut the film, who's the writer of

549
00:32:24.039 --> 00:32:28.839
<v Speaker 4>the film, And you know, he he really thought about it,

550
00:32:28.880 --> 00:32:30.720
<v Speaker 4>and he didn't it didn't take him a super long

551
00:32:30.759 --> 00:32:33.920
<v Speaker 4>time to cut it. He's a really fast editor. But

552
00:32:34.400 --> 00:32:36.319
<v Speaker 4>you know, I think there was a lot of thoughtfulness

553
00:32:36.319 --> 00:32:38.519
<v Speaker 4>put in about how to construct the story. And you know,

554
00:32:38.559 --> 00:32:40.839
<v Speaker 4>when do you reveal that she doesn't need the wheelchair?

555
00:32:41.839 --> 00:32:43.799
<v Speaker 4>You know, there's many different ways to make this.

556
00:32:43.720 --> 00:32:53.119
<v Speaker 6>Movie, right certainly now with this uh, with this filmmaking,

557
00:32:53.799 --> 00:32:56.680
<v Speaker 6>who else was involved? You talked about your editor Kaufman,

558
00:32:56.759 --> 00:32:59.759
<v Speaker 6>But who else was involved with this that you found

559
00:32:59.799 --> 00:33:03.599
<v Speaker 6>in the integral part of your team?

560
00:33:03.599 --> 00:33:03.920
<v Speaker 7>Sure?

561
00:33:04.039 --> 00:33:08.279
<v Speaker 4>So. The cinematographer, his name is Brian Starkanen. He would

562
00:33:08.279 --> 00:33:10.559
<v Speaker 4>do two or three cameras and sound.

563
00:33:11.119 --> 00:33:13.039
<v Speaker 7>We roll with the very small.

564
00:33:12.799 --> 00:33:16.519
<v Speaker 4>Crew because it's it's cost productive, but also it just

565
00:33:16.640 --> 00:33:21.000
<v Speaker 4>keeps our crews intimate. You know. He's amazing, and he

566
00:33:21.079 --> 00:33:23.400
<v Speaker 4>works largely with my producer on the project.

567
00:33:23.480 --> 00:33:26.799
<v Speaker 7>His name is Andrew Rossi. He's my producing partner.

568
00:33:26.400 --> 00:33:28.920
<v Speaker 4>For the HBO films that we work on. We're working

569
00:33:28.960 --> 00:33:32.039
<v Speaker 4>on a third one right now. And Andrew Rossi is

570
00:33:32.079 --> 00:33:37.880
<v Speaker 4>a prolific, amazing documentary filmmaker and director. And he made

571
00:33:37.960 --> 00:33:40.960
<v Speaker 4>page one a year in the New York Times Every tower,

572
00:33:41.160 --> 00:33:44.559
<v Speaker 4>first Monday in May. Eat this New York le cirque.

573
00:33:45.799 --> 00:33:49.880
<v Speaker 4>You know, he is just he does a lot of

574
00:33:49.880 --> 00:33:52.079
<v Speaker 4>different sort of things. He's not a true crime guy,

575
00:33:52.440 --> 00:33:54.279
<v Speaker 4>so this is sort of a little bit unusual that

576
00:33:54.359 --> 00:33:57.200
<v Speaker 4>he produces these films. But I think it shows the

577
00:33:57.319 --> 00:34:00.799
<v Speaker 4>length and you know, the variety that he can employ

578
00:34:00.960 --> 00:34:04.000
<v Speaker 4>as a as a producer and as director and as

579
00:34:04.000 --> 00:34:05.680
<v Speaker 4>a you know, a mentor of sorts.

580
00:34:06.160 --> 00:34:08.880
<v Speaker 6>Just tell us about some of the exclusive interviews that

581
00:34:08.920 --> 00:34:11.519
<v Speaker 6>may we may have not spoken about that are going

582
00:34:11.599 --> 00:34:14.679
<v Speaker 6>to be that are featured in Mommy, Dead and Dearest.

583
00:34:15.320 --> 00:34:18.039
<v Speaker 6>Some of the interrogation interviews and exclusions.

584
00:34:18.320 --> 00:34:22.840
<v Speaker 4>Yeah, you're gonna be never seen before interrogation footage. I

585
00:34:22.920 --> 00:34:25.760
<v Speaker 4>worked with and excuse me, I worked with Mike Stanfield

586
00:34:25.800 --> 00:34:27.440
<v Speaker 4>to gain access to those materials.

587
00:34:28.119 --> 00:34:29.159
<v Speaker 5>It is all.

588
00:34:29.119 --> 00:34:33.280
<v Speaker 4>Because of him, the defense attorney, and it was also

589
00:34:33.480 --> 00:34:36.920
<v Speaker 4>You're going to see archival VHS tapes of home movies

590
00:34:37.000 --> 00:34:40.280
<v Speaker 4>between d D and Gypsy that have never been seen before.

591
00:34:41.159 --> 00:34:46.679
<v Speaker 4>There's interviews with Dede's parents, Dede's nephew who's amazing. There's

592
00:34:46.760 --> 00:34:50.039
<v Speaker 4>Christie and Rod Blanchert. There's a Leah, there's doctors that

593
00:34:50.159 --> 00:34:54.239
<v Speaker 4>treated Gypsy. There is there's a journalists who wrote an

594
00:34:54.280 --> 00:35:00.519
<v Speaker 4>incredible article in BuzzFeed that got four million hits due

595
00:35:00.559 --> 00:35:02.400
<v Speaker 4>in large part to the strength of the writing but

596
00:35:02.480 --> 00:35:05.239
<v Speaker 4>also the craziness of the story. And you are going

597
00:35:05.280 --> 00:35:09.079
<v Speaker 4>to speak, you know, directly to Gypsy and hear her talk.

598
00:35:11.760 --> 00:35:18.400
<v Speaker 6>Incredible. You talk about in this documentary too, that very

599
00:35:18.400 --> 00:35:25.679
<v Speaker 6>incredibly that because of d D's constant bringing to the

600
00:35:25.880 --> 00:35:29.440
<v Speaker 6>various doctors and complaining about certain elements, even gets to

601
00:35:29.480 --> 00:35:33.320
<v Speaker 6>the point that she's operated on unnecessarily. At least you

602
00:35:33.599 --> 00:35:34.599
<v Speaker 6>seem to hint at.

603
00:35:34.440 --> 00:35:46.119
<v Speaker 4>That I, I, yes, I do believe that. I am sorry,

604
00:35:46.159 --> 00:35:52.400
<v Speaker 4>I'm feeling a little saint. I basically that she was.

605
00:35:52.480 --> 00:35:54.199
<v Speaker 7>She was, she was brought to the hospital.

606
00:35:54.199 --> 00:35:57.719
<v Speaker 4>Gypsy was brought to the hospital over a hundred times

607
00:35:57.840 --> 00:36:01.480
<v Speaker 4>while she was in Missouri, and you know, there are

608
00:36:01.519 --> 00:36:04.159
<v Speaker 4>a series of operations that were done that you know,

609
00:36:04.239 --> 00:36:08.800
<v Speaker 4>I believe we're not necessary. You know, it just it was.

610
00:36:09.199 --> 00:36:10.280
<v Speaker 7>It was constant.

611
00:36:10.360 --> 00:36:15.360
<v Speaker 4>This was an illness. It does not make rational sense.

612
00:36:18.440 --> 00:36:21.480
<v Speaker 6>Now you talk about there there's many sides of this

613
00:36:21.599 --> 00:36:24.400
<v Speaker 6>as well, in terms of you know, we just talked

614
00:36:24.400 --> 00:36:27.320
<v Speaker 6>about there was only one doctor that noticed anything was amiss,

615
00:36:27.519 --> 00:36:31.599
<v Speaker 6>and you have that person interviewed. But you also talk

616
00:36:31.639 --> 00:36:36.519
<v Speaker 6>about that this seems to be where things coincide. Tell

617
00:36:36.599 --> 00:36:39.719
<v Speaker 6>us what you think are the elements that coincide here

618
00:36:39.800 --> 00:36:43.039
<v Speaker 6>that the viewer is going to see with this documentary

619
00:36:43.880 --> 00:36:46.079
<v Speaker 6>just much more than this incredible story.

620
00:36:48.000 --> 00:36:50.079
<v Speaker 4>Well, I think it's up for the viewer to tell that.

621
00:36:50.840 --> 00:36:52.639
<v Speaker 4>I don't want to put my perspective on it.

622
00:36:52.920 --> 00:36:53.119
<v Speaker 7>You know.

623
00:36:53.239 --> 00:36:55.639
<v Speaker 4>I think that what I do as a filmmaker is

624
00:36:56.119 --> 00:36:59.800
<v Speaker 4>create a package and a film where people can sort

625
00:36:59.840 --> 00:37:03.639
<v Speaker 4>of they can experience it and react how they see fit.

626
00:37:04.440 --> 00:37:04.760
<v Speaker 4>I don't.

627
00:37:04.800 --> 00:37:05.559
<v Speaker 7>I don't have a.

628
00:37:05.519 --> 00:37:10.519
<v Speaker 4>Preconceived notion how people how people will react to things.

629
00:37:12.679 --> 00:37:14.960
<v Speaker 6>Well, what I meant was this, this is a you

630
00:37:15.039 --> 00:37:18.599
<v Speaker 6>speak to abuse, and you speak to mental illness. But

631
00:37:18.719 --> 00:37:21.400
<v Speaker 6>these are just a couple of issues that are involved

632
00:37:21.440 --> 00:37:23.480
<v Speaker 6>in this film, right.

633
00:37:25.679 --> 00:37:27.199
<v Speaker 7>Yeah, I mean it.

634
00:37:26.880 --> 00:37:30.079
<v Speaker 4>It runs the gambit, you know, It's just it's mental illness,

635
00:37:30.199 --> 00:37:34.239
<v Speaker 4>it's abuse, it's on social media, it's Disney, it's the

636
00:37:34.239 --> 00:37:40.599
<v Speaker 4>burgeoning of sexuality, it's mattricide, it's you know why this happened,

637
00:37:40.800 --> 00:37:43.159
<v Speaker 4>you know, to all of these in a very tight eighty.

638
00:37:42.960 --> 00:37:43.679
<v Speaker 7>Two minute film.

639
00:37:46.800 --> 00:37:49.239
<v Speaker 6>Now, for those that are listening to this as well,

640
00:37:49.559 --> 00:37:56.639
<v Speaker 6>we talked about Nicholas Goldiejohn. This film doesn't have as

641
00:37:56.719 --> 00:38:01.960
<v Speaker 6>much to do with him and his case as Gypsy

642
00:38:02.079 --> 00:38:05.000
<v Speaker 6>Rose Blanchard's case. Is that correct, right?

643
00:38:05.360 --> 00:38:05.519
<v Speaker 4>Right?

644
00:38:08.519 --> 00:38:08.760
<v Speaker 6>Yeah?

645
00:38:08.800 --> 00:38:11.760
<v Speaker 4>I think that you know, Nicholas was the co conspira

646
00:38:11.920 --> 00:38:14.519
<v Speaker 4>that Gypsy, you know, was an online boyfriend that she

647
00:38:14.599 --> 00:38:18.119
<v Speaker 4>had met on a Christian dating site, and you know,

648
00:38:18.199 --> 00:38:20.519
<v Speaker 4>they talked for a year and a half before they met.

649
00:38:21.199 --> 00:38:23.519
<v Speaker 4>And you know, I reached out to Nick. I sent

650
00:38:23.599 --> 00:38:25.480
<v Speaker 4>him a letter much in the same way that I

651
00:38:25.519 --> 00:38:29.199
<v Speaker 4>spoke with Gypsy, and it was returned back to me unopened.

652
00:38:30.320 --> 00:38:35.679
<v Speaker 4>And you know, I emailed his lawyer several times.

653
00:38:35.719 --> 00:38:37.840
<v Speaker 7>I did not receive a response back.

654
00:38:38.480 --> 00:38:41.199
<v Speaker 4>And you know, like you said, potentially he might be

655
00:38:41.280 --> 00:38:43.360
<v Speaker 4>part of the older Guard and just you know, this

656
00:38:43.480 --> 00:38:45.480
<v Speaker 4>is not for me. We don't want to get involved.

657
00:38:45.880 --> 00:38:47.320
<v Speaker 4>But I never received any.

658
00:38:47.159 --> 00:38:47.760
<v Speaker 7>Sort of comment.

659
00:38:47.840 --> 00:38:50.000
<v Speaker 4>I reached out to the family only once, I believe

660
00:38:50.079 --> 00:38:52.719
<v Speaker 4>Nicholas's family and did not receive comments.

661
00:38:55.760 --> 00:39:01.119
<v Speaker 6>Now, is there other than that? Is there any other

662
00:39:01.280 --> 00:39:04.920
<v Speaker 6>reason why you would not in the future, or is

663
00:39:04.960 --> 00:39:10.239
<v Speaker 6>there any plan to because this story is a is

664
00:39:10.280 --> 00:39:13.400
<v Speaker 6>a documentary, not a series, not part of a series.

665
00:39:16.280 --> 00:39:20.360
<v Speaker 6>Is there any interest whatsoever of Again, I don't want

666
00:39:20.360 --> 00:39:23.880
<v Speaker 6>to give anything away, but is there any talk of

667
00:39:24.480 --> 00:39:28.519
<v Speaker 6>following what happens with Godie John?

668
00:39:30.360 --> 00:39:33.039
<v Speaker 4>No? Not for me. I mean, maybe there is another

669
00:39:33.079 --> 00:39:37.559
<v Speaker 4>filmmaker out there, you know, I think there's incredible cases

670
00:39:37.559 --> 00:39:40.320
<v Speaker 4>that are happening in real time. And you know, I

671
00:39:40.320 --> 00:39:45.119
<v Speaker 4>think Nicholas's case, although interesting because he you know, was

672
00:39:46.119 --> 00:39:48.599
<v Speaker 4>it was not a victim of sorts, but he did

673
00:39:48.639 --> 00:39:50.840
<v Speaker 4>get it was a difficult.

674
00:39:50.440 --> 00:39:52.480
<v Speaker 7>Ending for him, you know.

675
00:39:52.639 --> 00:39:57.320
<v Speaker 4>I just I think Gypsy was, for me personally, was

676
00:39:57.400 --> 00:40:00.800
<v Speaker 4>the far more interesting case. And so the access that

677
00:40:00.840 --> 00:40:02.639
<v Speaker 4>I got, and that's the access that I worked on.

678
00:40:02.840 --> 00:40:04.679
<v Speaker 4>So that's what I chose to follow.

679
00:40:07.559 --> 00:40:13.320
<v Speaker 6>What was the most surprising thing. The surprising element of

680
00:40:13.599 --> 00:40:18.199
<v Speaker 6>your interviews with Gypsy rose something that you had not

681
00:40:18.800 --> 00:40:20.119
<v Speaker 6>anticipated whatsoever.

682
00:40:21.320 --> 00:40:23.960
<v Speaker 4>Yeah, I mean, every time we talk, something sort of

683
00:40:24.000 --> 00:40:28.280
<v Speaker 4>interesting happens. You know, she is a keeper of secrets

684
00:40:28.599 --> 00:40:31.840
<v Speaker 4>and a lot of her life has been kept a secret.

685
00:40:32.360 --> 00:40:35.320
<v Speaker 4>And so one of the more interesting things for me

686
00:40:35.480 --> 00:40:37.760
<v Speaker 4>that I wasn't able to actually include in the film

687
00:40:37.880 --> 00:40:41.639
<v Speaker 4>was that Gypsy and Ddie shared the same bed every night.

688
00:40:41.760 --> 00:40:44.760
<v Speaker 4>Gypsy had her own room in the house, had her

689
00:40:44.760 --> 00:40:48.079
<v Speaker 4>own bed, but Dede liked for her to sleep close,

690
00:40:48.159 --> 00:40:51.320
<v Speaker 4>and so they spent you know, most of their time

691
00:40:51.360 --> 00:40:52.800
<v Speaker 4>together and they slept in the same bed.

692
00:40:52.880 --> 00:40:54.960
<v Speaker 7>I found that completely and totally shocking.

693
00:40:56.480 --> 00:41:01.280
<v Speaker 6>Yeah, yeah, you talk about something else which interesting and

694
00:41:01.320 --> 00:41:04.280
<v Speaker 6>you supported it too, which is that you said that

695
00:41:04.719 --> 00:41:07.519
<v Speaker 6>we talked about she was always around, even matter of

696
00:41:07.559 --> 00:41:10.280
<v Speaker 6>his friend or someone else. But you show in the

697
00:41:10.280 --> 00:41:15.960
<v Speaker 6>footage something a little more even disturbing and interesting. Once

698
00:41:16.000 --> 00:41:18.000
<v Speaker 6>you know that fact that seems to be in all

699
00:41:18.000 --> 00:41:25.039
<v Speaker 6>the video footage, say that one more time, we talked

700
00:41:25.039 --> 00:41:29.559
<v Speaker 6>about her being constantly around Gypsy rows the mother, Right,

701
00:41:29.599 --> 00:41:32.840
<v Speaker 6>but you also highlight something where it's a little even

702
00:41:32.840 --> 00:41:36.719
<v Speaker 6>more disturbing in that you highlight even the closer contact we'll.

703
00:41:36.519 --> 00:41:38.719
<v Speaker 7>Say, right, Yeah, I mean the.

704
00:41:40.960 --> 00:41:45.840
<v Speaker 4>Footage showed that they were always together and that you know,

705
00:41:46.000 --> 00:41:48.559
<v Speaker 4>Dede was had her eye on her, and you know,

706
00:41:48.639 --> 00:41:55.360
<v Speaker 4>even when they are alone, even when they're alone, you know,

707
00:41:55.960 --> 00:41:58.880
<v Speaker 4>Gypsy was saying that her you know, like that her

708
00:41:58.960 --> 00:42:01.880
<v Speaker 4>legs weren't working. She would be shown like moving her

709
00:42:01.960 --> 00:42:04.119
<v Speaker 4>legs around in a way that she that showed that

710
00:42:04.159 --> 00:42:05.119
<v Speaker 4>she was immobile.

711
00:42:08.800 --> 00:42:11.599
<v Speaker 6>Yeah. And the other thing what I was trying to

712
00:42:11.639 --> 00:42:15.000
<v Speaker 6>get at was that she always seemed to have contact

713
00:42:15.079 --> 00:42:18.519
<v Speaker 6>with the hand holding a hand, but holding a hand,

714
00:42:18.519 --> 00:42:20.760
<v Speaker 6>oh yeah, broad manner as well.

715
00:42:21.800 --> 00:42:25.039
<v Speaker 4>Yeah, I mean it's just I'm just I'm getting into

716
00:42:25.440 --> 00:42:28.159
<v Speaker 4>two weird subjects because it's like I don't really want

717
00:42:28.199 --> 00:42:31.440
<v Speaker 4>to give all of it away. You know, it's like

718
00:42:31.559 --> 00:42:35.320
<v Speaker 4>maybe we should have planned it for after the screen,

719
00:42:35.480 --> 00:42:38.400
<v Speaker 4>like the when it goes on HBO. But yeah, there

720
00:42:38.480 --> 00:42:41.920
<v Speaker 4>was a there was a very sort of manipulative behavior

721
00:42:41.960 --> 00:42:44.360
<v Speaker 4>that when they were in front of cameras, you know,

722
00:42:44.480 --> 00:42:47.639
<v Speaker 4>Gypsy and DV would be holding hands and it was

723
00:42:47.639 --> 00:42:50.880
<v Speaker 4>inferred that if something was said that Dane didn't like,

724
00:42:50.960 --> 00:42:52.079
<v Speaker 4>she would grab her hand.

725
00:42:53.760 --> 00:42:59.480
<v Speaker 6>Right now, you say that this how long? How many

726
00:42:59.599 --> 00:43:03.239
<v Speaker 6>hours or how long did you interview Gypsy Rose over

727
00:43:03.280 --> 00:43:06.280
<v Speaker 6>what period of time? How long was that period?

728
00:43:06.679 --> 00:43:07.280
<v Speaker 7>It was two and a.

729
00:43:07.239 --> 00:43:09.639
<v Speaker 4>Half hours and it was one day. Typically I would

730
00:43:09.719 --> 00:43:12.440
<v Speaker 4>like to do that a lot more, but she's in prison,

731
00:43:12.760 --> 00:43:14.559
<v Speaker 4>and you know, that was the time.

732
00:43:14.400 --> 00:43:16.559
<v Speaker 7>That I was given right.

733
00:43:17.000 --> 00:43:20.719
<v Speaker 6>And it's and and as you people will see in

734
00:43:20.760 --> 00:43:28.599
<v Speaker 6>this movie, she is is more than a fascinating subject

735
00:43:29.079 --> 00:43:31.280
<v Speaker 6>in that two and a half hours.

736
00:43:31.800 --> 00:43:33.920
<v Speaker 7>Yeah, definitely, I mean we use a lot of it.

737
00:43:34.760 --> 00:43:38.760
<v Speaker 7>You know, it's for me. For me, it felt so captivating.

738
00:43:39.719 --> 00:43:40.119
<v Speaker 2>Mm hmm.

739
00:43:43.559 --> 00:43:50.400
<v Speaker 6>Now, what was your trip like to Springfield, Missouri? Just

740
00:43:50.440 --> 00:43:52.639
<v Speaker 6>tell us a little bit about your impression there, not

741
00:43:52.840 --> 00:43:56.079
<v Speaker 6>of what exactly you did. Pardon me that you did there,

742
00:43:56.480 --> 00:43:59.280
<v Speaker 6>because those are some more exclusive interviews with the relatives,

743
00:43:59.280 --> 00:44:02.239
<v Speaker 6>but what was sort of the mood by the time

744
00:44:02.280 --> 00:44:06.760
<v Speaker 6>you got there filmmakers poking around in their little town.

745
00:44:08.000 --> 00:44:12.119
<v Speaker 4>So, yeah, Springfield, Missouri is a you know, is an

746
00:44:12.239 --> 00:44:16.960
<v Speaker 4>unusual is an unusual place in that it's in the

747
00:44:17.000 --> 00:44:20.000
<v Speaker 4>Ozark Mountain range, but it's still like kind of a

748
00:44:20.039 --> 00:44:22.800
<v Speaker 4>big city. There's around two hundred thousand people, if I'm

749
00:44:22.800 --> 00:44:27.480
<v Speaker 4>not mistaken. And this grewsome graphic murder had happened there

750
00:44:27.639 --> 00:44:31.440
<v Speaker 4>that most people knew about, but outside of Springfield, people

751
00:44:32.599 --> 00:44:36.199
<v Speaker 4>people didn't know didn't know about it. So it was

752
00:44:36.320 --> 00:44:39.239
<v Speaker 4>just like a lot of members of the community felt

753
00:44:39.440 --> 00:44:43.119
<v Speaker 4>some antagonism towards the reporters for coming in and painting

754
00:44:43.159 --> 00:44:47.920
<v Speaker 4>their town like this. You know.

755
00:44:48.039 --> 00:44:49.920
<v Speaker 7>My story it was that people were.

756
00:44:49.800 --> 00:44:52.880
<v Speaker 4>Really friendly, except you know, not a lot of the

757
00:44:52.920 --> 00:44:56.800
<v Speaker 4>neighbors wanted to go on the record, sure or any No,

758
00:44:56.800 --> 00:44:58.400
<v Speaker 4>none of the neighbors wanted to go on the record

759
00:44:58.400 --> 00:44:59.480
<v Speaker 4>beside Deliah.

760
00:45:00.679 --> 00:45:06.280
<v Speaker 6>Right and the story nationally from there. The information that

761
00:45:06.480 --> 00:45:09.480
<v Speaker 6>was had by Springfield, Missouri at that time, by the

762
00:45:09.480 --> 00:45:15.559
<v Speaker 6>police and the media. Again, there was just a fraction

763
00:45:15.719 --> 00:45:19.840
<v Speaker 6>of the information that you have on this documentary that

764
00:45:20.000 --> 00:45:22.840
<v Speaker 6>was and that's part of this most fascinating part of

765
00:45:22.840 --> 00:45:25.960
<v Speaker 6>the story is that what you thought you would find

766
00:45:26.039 --> 00:45:30.480
<v Speaker 6>and then what you actually discovered by speaking to the principles,

767
00:45:30.880 --> 00:45:32.480
<v Speaker 6>there was no other way to get this story. This

768
00:45:32.599 --> 00:45:36.519
<v Speaker 6>is one of those very unique stories where there is

769
00:45:36.559 --> 00:45:41.239
<v Speaker 6>only one There is really only one side here, and

770
00:45:41.280 --> 00:45:43.119
<v Speaker 6>there's not too many people to speak to, Like you say,

771
00:45:43.199 --> 00:45:48.440
<v Speaker 6>DD's gone and you have access to everyone. So what

772
00:45:48.519 --> 00:45:53.199
<v Speaker 6>was the national story and how lacking was it in

773
00:45:53.400 --> 00:45:56.840
<v Speaker 6>sort of details, and what was the optics of it

774
00:45:56.880 --> 00:45:57.480
<v Speaker 6>at that time?

775
00:45:58.760 --> 00:46:03.280
<v Speaker 4>You know, I think that people didn't know people didn't

776
00:46:03.320 --> 00:46:05.960
<v Speaker 4>know about this story. It just didn't break into the

777
00:46:06.079 --> 00:46:09.960
<v Speaker 4>national consciousness until the BuzzFeed piece came. And you know,

778
00:46:10.079 --> 00:46:12.679
<v Speaker 4>I don't really have a good idea as to why.

779
00:46:13.880 --> 00:46:16.119
<v Speaker 4>Maybe it's because it happened in the South. Maybe it's

780
00:46:16.280 --> 00:46:20.000
<v Speaker 4>because it happened to people that weren't famous, you know,

781
00:46:20.800 --> 00:46:24.800
<v Speaker 4>I I that's such a cool question, Like, I don't

782
00:46:25.159 --> 00:46:27.320
<v Speaker 4>I don't know how people felt about it. I just

783
00:46:27.400 --> 00:46:29.920
<v Speaker 4>knew it was There was a Gawker piece about it,

784
00:46:30.000 --> 00:46:32.719
<v Speaker 4>there was, you know, a couple of sort of local

785
00:46:32.760 --> 00:46:36.320
<v Speaker 4>papers that were covering it. But that's also what made

786
00:46:36.320 --> 00:46:39.559
<v Speaker 4>it so exciting for me was that there wasn't these

787
00:46:39.679 --> 00:46:43.000
<v Speaker 4>like giant, huge outlets later Nightline and twenty twenty I

788
00:46:43.039 --> 00:46:46.000
<v Speaker 4>believe were interested in the story and in Doctor phil

789
00:46:46.360 --> 00:46:52.000
<v Speaker 4>and and Doctor Oz, but like they have these incredibly talented,

790
00:46:52.079 --> 00:46:55.400
<v Speaker 4>sort of ferocious producers that know about crime stories all over.

791
00:46:56.360 --> 00:46:57.639
<v Speaker 7>But yeah, it was.

792
00:46:57.719 --> 00:47:00.679
<v Speaker 4>It was sort of interesting, like how people in the

793
00:47:00.800 --> 00:47:02.679
<v Speaker 4>town felt about it. But then when I would go

794
00:47:02.760 --> 00:47:04.840
<v Speaker 4>back home and sort of you know, maybe talk to

795
00:47:04.880 --> 00:47:06.840
<v Speaker 4>a couple of New Yorkers and tell them what I

796
00:47:06.880 --> 00:47:08.639
<v Speaker 4>was working on, they'd be like, oh, I've never heard

797
00:47:08.679 --> 00:47:09.000
<v Speaker 4>of that.

798
00:47:11.800 --> 00:47:14.559
<v Speaker 6>Yeah, I think it's a fascinating story without some of

799
00:47:14.599 --> 00:47:17.559
<v Speaker 6>the elements that seemed to be popular in the last

800
00:47:17.639 --> 00:47:22.000
<v Speaker 6>few years, that seemed to for that reason, captivate an audience,

801
00:47:22.760 --> 00:47:26.400
<v Speaker 6>the Casey Anthony and a couple of the cases, which

802
00:47:26.440 --> 00:47:31.559
<v Speaker 6>are attractive to people for much different reasons than this.

803
00:47:31.559 --> 00:47:35.159
<v Speaker 6>This is a in comparison, a very very sensitive story.

804
00:47:35.679 --> 00:47:38.719
<v Speaker 6>And so I congratulate you for bringing a story that

805
00:47:40.159 --> 00:47:42.000
<v Speaker 6>might not be so popular, like you say, with the

806
00:47:42.119 --> 00:47:47.079
<v Speaker 6>national press, because it doesn't fit all those salacious highlights.

807
00:47:47.119 --> 00:47:48.159
<v Speaker 6>I guess we'll.

808
00:47:48.000 --> 00:47:50.039
<v Speaker 4>Say, yeah, thank you so much for saying that.

809
00:47:50.039 --> 00:47:51.519
<v Speaker 7>That's really that's really thoughtful.

810
00:47:54.679 --> 00:47:58.800
<v Speaker 6>Now, how long was this entire process for this film?

811
00:47:59.039 --> 00:48:04.079
<v Speaker 6>And now that you have the HBO debut on May fifteenth,

812
00:48:04.239 --> 00:48:08.239
<v Speaker 6>what's next after that for this film? Just more promotion

813
00:48:08.400 --> 00:48:09.960
<v Speaker 6>for this film? Tell us about that.

814
00:48:11.320 --> 00:48:14.880
<v Speaker 4>Yeah, so the film comes out on Monday, you know, not.

815
00:48:14.960 --> 00:48:16.199
<v Speaker 7>Too much more promotion.

816
00:48:16.400 --> 00:48:16.800
<v Speaker 5>We've done.

817
00:48:17.159 --> 00:48:18.880
<v Speaker 4>We've done quite a bit of press. Now it's in

818
00:48:18.960 --> 00:48:21.519
<v Speaker 4>the hands of audiences. People are going to interact with it,

819
00:48:22.239 --> 00:48:24.920
<v Speaker 4>and you know, I just I think we're just going.

820
00:48:24.920 --> 00:48:27.519
<v Speaker 7>To wait to hear how it's how it goes.

821
00:48:28.119 --> 00:48:30.480
<v Speaker 4>I'm all in. I started working on it.

822
00:48:30.719 --> 00:48:34.119
<v Speaker 7>August twenty fifteen, so it's about.

823
00:48:33.880 --> 00:48:36.159
<v Speaker 4>A year and a half a little bit over that.

824
00:48:36.559 --> 00:48:39.199
<v Speaker 4>And you know, it was it was a difficult process.

825
00:48:39.239 --> 00:48:41.199
<v Speaker 4>We weren't sure if we were going to get the access.

826
00:48:41.280 --> 00:48:44.719
<v Speaker 4>But you know, that's what makes doc filmmaking so fun.

827
00:48:44.840 --> 00:48:46.639
<v Speaker 4>It's kind of on the edge of your seat.

828
00:48:47.880 --> 00:48:53.639
<v Speaker 6>Right And what was south By Southwest like you debuted

829
00:48:54.199 --> 00:48:59.760
<v Speaker 6>Cannibal Cop Thought Crimes in Tribeca in twenty fifteen, What

830
00:48:59.840 --> 00:49:01.199
<v Speaker 6>was south By Southwest?

831
00:49:01.360 --> 00:49:07.119
<v Speaker 4>Like south By Southwest was totally fantastic. I recommend anybody going.

832
00:49:07.280 --> 00:49:10.599
<v Speaker 4>They had an incredible lineup of amazing films there this year.

833
00:49:11.320 --> 00:49:14.599
<v Speaker 4>Janet Pearson, who runs the festival, is a total taste

834
00:49:14.639 --> 00:49:16.880
<v Speaker 4>maker and she knows how to pick films that are

835
00:49:16.880 --> 00:49:21.599
<v Speaker 4>going to really generate sort of discussion. And uh, you

836
00:49:21.639 --> 00:49:23.519
<v Speaker 4>know when we got there, you know, when I excuse me,

837
00:49:23.559 --> 00:49:25.880
<v Speaker 4>when I was making this film, I immediately thought of

838
00:49:25.920 --> 00:49:29.360
<v Speaker 4>it as a South Buy film because it's it's it's

839
00:49:29.360 --> 00:49:33.239
<v Speaker 4>a documentary, it's it's a crime story. But there is

840
00:49:33.519 --> 00:49:37.159
<v Speaker 4>there is you know, there are elements that just make

841
00:49:37.199 --> 00:49:38.920
<v Speaker 4>it a little bit sort of funny, and so it

842
00:49:39.000 --> 00:49:41.519
<v Speaker 4>just felt like a really unique, really special mix for

843
00:49:41.639 --> 00:49:43.800
<v Speaker 4>South Buy. And then when we got in it was

844
00:49:43.880 --> 00:49:44.960
<v Speaker 4>just you know, it was kismet.

845
00:49:45.039 --> 00:49:45.760
<v Speaker 7>It was amazing.

846
00:49:46.320 --> 00:49:49.239
<v Speaker 4>And with Cannibal Cop Tribecca was also a good fit.

847
00:49:49.320 --> 00:49:51.559
<v Speaker 4>This was a New York story. You know, we got

848
00:49:51.599 --> 00:49:53.960
<v Speaker 4>a lot of coverage and papers and it just sort

849
00:49:54.000 --> 00:49:56.800
<v Speaker 4>of made sense. So with these two films, I would

850
00:49:56.800 --> 00:49:59.000
<v Speaker 4>say they've been pretty kind of tailor made for the

851
00:49:59.039 --> 00:50:01.719
<v Speaker 4>festivals that they that they showed at, and we've had

852
00:50:01.800 --> 00:50:03.760
<v Speaker 4>fantastic experiences working.

853
00:50:03.480 --> 00:50:06.280
<v Speaker 7>With the festivals.

854
00:50:06.480 --> 00:50:10.400
<v Speaker 6>Yes, and I think too that I think this audience

855
00:50:10.440 --> 00:50:13.880
<v Speaker 6>can attest to this that there is a growing sophistication.

856
00:50:14.840 --> 00:50:17.119
<v Speaker 6>And of course you see the resurgence in true crime

857
00:50:17.280 --> 00:50:23.559
<v Speaker 6>on cable, HBO, Netflix, original series, Making of a Murderer, Vice,

858
00:50:23.800 --> 00:50:29.199
<v Speaker 6>all kinds of things on This is in line with

859
00:50:30.559 --> 00:50:33.559
<v Speaker 6>the tastes that the people have for true crime. They

860
00:50:33.639 --> 00:50:39.199
<v Speaker 6>need something much better than I don't want to slag investigation, discovery,

861
00:50:39.199 --> 00:50:43.480
<v Speaker 6>but there is a new level, a new standard, and

862
00:50:43.519 --> 00:50:46.840
<v Speaker 6>I think and Mummy Dead and Dearest is right up there.

863
00:50:47.199 --> 00:50:49.320
<v Speaker 6>Very I think people are going to be very, very

864
00:50:49.599 --> 00:50:52.920
<v Speaker 6>very surprised and excited and interested in this Mummy Dead

865
00:50:52.960 --> 00:50:56.280
<v Speaker 6>and Dearest. I want to thank you for all the

866
00:50:56.320 --> 00:50:58.360
<v Speaker 6>work you've done on this and for coming on and

867
00:50:58.400 --> 00:51:04.000
<v Speaker 6>talking about Mummy Dead and Dearest. So maybe just before

868
00:51:04.039 --> 00:51:08.519
<v Speaker 6>we go, if you could just briefly describe what people

869
00:51:08.559 --> 00:51:12.800
<v Speaker 6>will see May fifteenth on Mommy Dead and Dearest.

870
00:51:13.760 --> 00:51:18.840
<v Speaker 4>Yeah, of course. So, Mommy Dead and Dearest is a

871
00:51:19.239 --> 00:51:23.719
<v Speaker 4>true true story about a case that a stranger than fiction.

872
00:51:24.320 --> 00:51:26.719
<v Speaker 4>It deals with a you know, as you talked about beginning,

873
00:51:26.760 --> 00:51:29.679
<v Speaker 4>a young woman who is confined to a wheelchair, and

874
00:51:29.800 --> 00:51:33.119
<v Speaker 4>instead of making it this sort of like you know,

875
00:51:33.400 --> 00:51:36.719
<v Speaker 4>this linear story, it is about you know, going back

876
00:51:36.760 --> 00:51:40.920
<v Speaker 4>in history, going to Louisiana and talking to talking to

877
00:51:40.960 --> 00:51:44.599
<v Speaker 4>the perpetrator of the abuse scam of you know, her

878
00:51:44.679 --> 00:51:47.519
<v Speaker 4>family and getting and trying to figure out who this

879
00:51:47.559 --> 00:51:51.000
<v Speaker 4>woman was and then who Gypsy is. And there's archival

880
00:51:51.559 --> 00:51:56.599
<v Speaker 4>VHS tapes, there's interrogation footage, there's text messages between Gypsy

881
00:51:56.639 --> 00:52:02.119
<v Speaker 4>and boyfriend Nick. There are you know, their interviews with

882
00:52:02.159 --> 00:52:04.800
<v Speaker 4>her parents where you know, excuse me or her stepmom

883
00:52:04.840 --> 00:52:07.280
<v Speaker 4>and her dad, where we see pictures of her and

884
00:52:07.360 --> 00:52:10.000
<v Speaker 4>at the hospital. I mean, it's just it is just

885
00:52:10.039 --> 00:52:14.960
<v Speaker 4>this totally you know, archival but new material driven film

886
00:52:15.199 --> 00:52:17.960
<v Speaker 4>that I hope Lee's you know, you're at the edge

887
00:52:18.000 --> 00:52:18.480
<v Speaker 4>of your seat.

888
00:52:18.519 --> 00:52:20.920
<v Speaker 7>You're not sure what goes into what happens next.

889
00:52:21.280 --> 00:52:23.320
<v Speaker 4>You know, that's you know, because of our editor, you

890
00:52:23.360 --> 00:52:24.599
<v Speaker 4>did a fantastic job.

891
00:52:24.679 --> 00:52:26.119
<v Speaker 7>You just don't know what's going to.

892
00:52:26.119 --> 00:52:28.559
<v Speaker 4>Happen next in the story. And you know that was

893
00:52:28.679 --> 00:52:30.360
<v Speaker 4>my experience when I was making it.

894
00:52:32.880 --> 00:52:36.440
<v Speaker 6>Yes, and thank you very much again a very powerful film,

895
00:52:36.599 --> 00:52:41.480
<v Speaker 6>and we hadn't mentioned and we didn't I didn't go

896
00:52:41.559 --> 00:52:44.000
<v Speaker 6>for it, so there's a surprise ending. So we just

897
00:52:44.079 --> 00:52:48.880
<v Speaker 6>wanted to tell people tune in to Mommy Dead and dearest.

898
00:52:49.320 --> 00:52:51.440
<v Speaker 6>Thank you very much Aaron Lee Carr.

899
00:52:51.360 --> 00:52:54.199
<v Speaker 4>For this, and I hope that I wasn't too coy

900
00:52:54.239 --> 00:52:57.079
<v Speaker 4>about my answers. I think that I'm you know, I'm

901
00:52:57.119 --> 00:52:59.079
<v Speaker 4>just trying to keep a couple of things sort of

902
00:52:59.119 --> 00:53:02.159
<v Speaker 4>under my hat. But I hope that that was okay

903
00:53:02.199 --> 00:53:05.360
<v Speaker 4>for you, Dan and for the oh people that are listening.

904
00:53:06.679 --> 00:53:09.480
<v Speaker 6>Well, absolutely, I'm just the most curious person out of

905
00:53:09.519 --> 00:53:13.679
<v Speaker 6>a whole case I can tell. So we'll be tuning

906
00:53:13.719 --> 00:53:16.199
<v Speaker 6>in because if we have any one detail that we

907
00:53:16.239 --> 00:53:17.920
<v Speaker 6>didn't get, we got to tune in. And so I

908
00:53:18.199 --> 00:53:21.280
<v Speaker 6>don't think we gave anything away. We just really really

909
00:53:21.360 --> 00:53:25.639
<v Speaker 6>hyped people about viewing Mummy Dead and Dearest on May

910
00:53:25.679 --> 00:53:29.000
<v Speaker 6>fifteenth on HBO. So thank you very much, Aaron Lee Carr.

911
00:53:29.159 --> 00:53:31.239
<v Speaker 6>You have a great evening. Thank you very much once.

912
00:53:31.079 --> 00:53:34.280
<v Speaker 7>Again, spectacular. Thank you, Dan, thank you.

913
00:53:34.400 --> 00:53:34.760
<v Speaker 6>Goodnight,
