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Speaker 1: Countdown for blast off x minus five minus four minus

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three minus two x.

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Speaker 2: Minus one fire.

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Speaker 1: From the far horizons of the unknown come tales of

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new dimensions in time and space. These are stories of

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the future adventures in which you'll live in A million

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could be years, on a thousand would be worlds. The

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National Broadcasting Company presents X minus one to Night's story

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The Man in the Moon. Attention, Attention.

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Speaker 3: This is the Federal Bureau of Missing Persons calling all

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local agencies attention. This is a coded report nationwide missing

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since nine o'clock this morning. The following persons Smigley Jonathan,

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five feet eight inches tall, brown hair, brown eyes, mastoid

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scar behind right ear last scene, wearing blue top coat

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and tan cap. Wanted by Los Angeles. Hello, get off

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this wavelength. This is a restricted band. Hello Earth, whoever

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you are, You're on a coded wavelength.

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Speaker 4: Tune out.

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Speaker 3: This frequency is reserved for the Federal Bureau of Missing Persons.

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Speaker 5: Earth the Moon calling Earth.

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Speaker 6: Hello, This guy's looney.

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Speaker 5: Is in transmission, Jake.

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Speaker 3: This Charlie of the Code Room. Some crackpot is on

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our frequency.

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Speaker 5: Yeah, I heard him, Charlie. I've got CQ trying to

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trace a source now we should have a triangulation any.

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Speaker 3: Second'll hurry it up, will you some Amazon for a

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good stiff fine by the FCC?

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Speaker 2: Yeah, I gotta take.

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Speaker 5: His license away. Here comes Lending with the direction fix. Right, thanks, Honnye.

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What's this? This is impossible?

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Speaker 6: What's going on down there? How about it?

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Speaker 4: Get that ham out of my kilicycles?

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Speaker 5: Oh, listen, Charlie and list This is a gag. That

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interference is being beamed from two hundred and forty thousand

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miles away.

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Speaker 3: Oh not, Jake, You know there ain't no such thing

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as two hundred and forty thousand miles away.

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Speaker 5: Yes there is, Charlie, straight up.

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Speaker 7: I'll wait a minute, Charlie.

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Speaker 5: That signal is coming from the moon.

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Speaker 2: Are you nuts?

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Speaker 5: Somebody might be bouncing it like a radar signal.

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Speaker 2: Radar on this frequency?

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Speaker 4: Where'd you study basic radio?

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Speaker 8: Now?

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Speaker 5: Listen, flathead, you asked for a fix. I gave the

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best fix. Our instruments confine, take it or leave it.

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Somebody on the moon is calling the Bureau of Missing Person.

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Speaker 2: What's the sweat, Charlie? Shouldn't you be broadcasting?

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Speaker 3: It's a mister timpty, you know, on the sober right

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Reber once have I broadcast with the smell of alcohol

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on my breath? Right in all your twelve years here

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at the Bureau, did I once?

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Speaker 5: Never matter?

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Speaker 3: Charlie, we're picking up a message on our wavelength.

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Speaker 2: Did you report to the FCC?

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Speaker 4: I ain't got the.

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Speaker 6: Nerve, But what's wrong?

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Speaker 3: You'll scream when you hear this, mister Timpkin, you'll jump

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right out the window. But we are getting an SOS

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from the moon. All that city started on voice and

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switched to Mars. The way the signal repeats sounds like

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a phonograph record or automatic center of some sort of

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what's it say?

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Speaker 4: Let's see here?

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Speaker 2: Can you read me?

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Speaker 7: Help?

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Speaker 4: Otter Burn.

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Speaker 3: We'll contact when Moona's in phase.

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Speaker 6: Let's have that again.

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Speaker 3: Can you read me help? Otter Burn. We'll contact when

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Moona's in phase.

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Speaker 6: Hotter Burn. That sounds like a name, otter Burn, hotter

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Wait a minute, something registered car? Needias utter Burn? Only jump?

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Speaker 4: Where are you gone talk to the chie?

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Speaker 6: Wait a minute?

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Speaker 4: What are you gonna tell him?

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Speaker 3: We just gotta seek you from the man the moon.

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Speaker 2: That's exactly what I am gonna tell him, Chartie.

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Speaker 7: Just too much for me, Washington style.

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Speaker 4: Let me have O'Brien on city desk.

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Speaker 3: O'Brien, Seamous Charlie Starbuck down at the Missing Person's flower.

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You want a hot one? No kidding, this will cost

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your beer.

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Speaker 2: Okay, all right, shoot no, I'll stay on your wavelength

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for thirty seconds.

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Speaker 3: Okay, we just got a radio message.

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Speaker 6: From the moon. Yep from the moon.

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Speaker 5: Call me back when you're sober.

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Speaker 2: Okay, Seamus.

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Speaker 4: If you don't know a story, when you see one.

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Speaker 9: I'll send you the name of a good psychiatrist.

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Speaker 5: So long, Orson Wells.

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Speaker 1: How do you like that.

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Speaker 6: You don't believe me? Otter Burn? Mister Wade, Now does

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that name ring a bell?

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Speaker 2: You're the man with a photographic memory, Henry? What about

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Ottobur Cornelius Otterburn, a comic physicist reported missing from his

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home in Baltimore on June fifth, nineteen forty five, just

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five years ago?

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Speaker 6: Vanished completely?

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Speaker 2: Are you trying to tell me you really think there's

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something to this man of the Moon business, Henry, I'm

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surprised at you. This is some crackpot trying to jam

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the airwa Is it? The name outter Burn is so

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unusual a lot of names, and I have a theory

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that I was afraid of Henry. You will always have

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a theory. Let's see, what was it last year?

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Speaker 9: Oh?

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Speaker 2: Yes, that people disappear an occupational site.

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Speaker 4: But it's true.

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Speaker 2: Please, Henry, I'm a busy man. Expect me to believe

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that this otter of burn is sitting up on the

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moon sending out short wave messages. He might be on

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Earth bouncing the messages off the moon, but who's to

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say he isn't.

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Speaker 7: On the move.

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Speaker 4: Henry is chief of this bureau.

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Speaker 2: I have my hands full trying to coordinate reports from

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forty eight states on Alaska. I have no time to

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include the moon. Mister wade out, Henry, mister wade out

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time busy? Yes, Oh here, take this folder of reports

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for the dead file. Yes, and no more nonsense, he Henry. Yes,

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I appreciate that you have a very dull job filing

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all missing person's reports, and I appreciate that you take

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an active interest in the affairs of the bureau.

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Speaker 4: What no more nonsense, sir, No, sir, no more nonsense.

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Speaker 10: Pardon me? Hmm you are mister Henry Timpkin.

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Speaker 4: That's my name.

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Speaker 10: Omit me Jefferson file of Scientific feature writer.

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Speaker 6: Oh, how do you do well, are you a newspaper man.

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Speaker 11: Not exactly. I write as a hobby. Occasionally the papers

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give me leads on an assignment. If I may have

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a moment of.

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Speaker 6: Your time, certainly just sit down my desk over here.

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Speaker 2: Thank you, my, that's quite a stack of papers filing.

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I'm the record's custodian the bureau twelve years and never

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misplaced a record.

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Speaker 10: Magnificent.

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Speaker 11: I admire the precise mind mister uh Timkin.

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Speaker 4: Of course.

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Speaker 11: Now, mister Timkin, mister O'Brien, the editor of the Star.

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I just said I might drop by and investigate a room,

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only a room. Remind you that a message from the moon.

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Speaker 2: Well, we aren't certain it's from the moon. It may

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be a bounce. They have bounced radar waves off the moon.

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Speaker 11: You know, yes, I know, I wrote the first newspaper

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article on it.

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Speaker 6: Really i'd be understood to read it.

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Speaker 10: I must have a copy. On my point.

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Speaker 11: I don't bother hypo, but I insist, Oh, yes, there

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you are. I'll leave it on your desk, thank you

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very much. Now about this message from the moon, mister Timko.

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Speaker 2: And now we don't know for sure, as I said,

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but I believe that this message, wherever it originates is

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from Cornelius Utterburn, the physicist.

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Speaker 6: Would you know him?

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Speaker 11: I once wrote an article on his contribution to nuclear mechanics.

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A brilliant man out of Burn, years ahead of his contemporaries.

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Speaker 2: Well, whoever is sending those signals, if he isn't on

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the moon, is at least using the moon as a

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sounding board bouncing the signal. But why, mister Timpkins, Why

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and if you will come here tomorrow night at eight,

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mister Filo, we may learn the answer to that question.

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I've arranged with Charlie, our radio man, to let me

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use the equipment.

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Speaker 10: May I consider this an invitation?

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Speaker 5: Very well.

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Speaker 10: Until tomorrow night.

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Speaker 6: Then goodbye, mister Filo.

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Speaker 4: Mm hmm.

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Speaker 2: Let's see now, Aiken Amblage, Abramson, Ronald Atch.

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Speaker 6: That's funny.

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Speaker 2: Where did this list of names come from? Paul Aron's

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astro mathematician, Robert Simon's electronic engineer, Carl Parker mining specialist. Well,

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this must have got mixed up with the papers on

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my desk by accident.

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Speaker 6: Peculiar list.

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Speaker 2: Good morning, Charlie two kid, see we made the papers.

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Speaker 6: Oh and how is the chief steamed up about it?

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Speaker 4: He really gave me one for what did the papers say?

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Speaker 10: Almostly ha ha.

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Speaker 3: Here's a herold Listen, man on the moon contacts Missing

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Persons Bureau, missing atomic scientists sitting on the moon say,

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Bureau experts, et cetera, et cetera.

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Speaker 6: What an no wonder?

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Speaker 2: Mister Wade is hopping say about tonight?

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Speaker 6: Miss Now, you promised you would give you a key

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to the radio room.

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Speaker 4: Yeah, but I didn't expect.

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Speaker 6: I'll take full responsibility with mister Wade.

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Speaker 4: At the time for the morning broadcast. We got quite

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a list today.

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Speaker 2: Well mind, if I listen a while, we may hear

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auto burn I self conscious.

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Speaker 3: Just stick around. Attention, attention. This is the Federal Missing

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Persons Bureau calling all local agencies nationwide. This is a

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coded broadcast. The following persons are missing errands. Doctor Paul

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five feet five, brown hair, brown eyes, scar on left

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side of chin, thick glasses, occupation astro mathematician, missing since

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six o'clock this morning, being sought by bell Air police.

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Charlie repeat, Doctor Paul, hold it, delay one minute. Listen,

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mister Timpkin. It's okay to stay, but you can't interrupt.

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This is important.

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Speaker 2: Did you say, doctor Aarons was reported missing this morning

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six am.

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Speaker 3: We got the report from bel Air less than an

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hour ago. That are you certain, Charlie positive?

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Speaker 4: What is this, Charlie?

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Speaker 6: What's the next name on the list.

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Speaker 3: Uh, let's see Simon's Roberts engineer. What came in less

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than twenty minutes ago? Hey, what's the matter with you? You

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look like you've seen a ghost.

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Speaker 2: Nothing, Charlie, except that last night, quite by accident, someone

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left the list of names on my desk. And that

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list included the names of those two men who were

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reported missing within the last hour.

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Speaker 8: What.

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Speaker 4: Oh, that doesn't sound right to me.

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Speaker 6: It isn't right, Charlie. Jave's a big question to be answered.

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Speaker 2: Who would make up a list of missing persons before

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they were missing.

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Speaker 6: Not after?

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Speaker 2: And you say this list of names was left on

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your deskccidentally, I believe so, mister Wade. Do you have

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any ideas Henry, It's.

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Speaker 6: Hard to say. Mister Philo left some papers from his briefcase.

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Speaker 2: Mister Philo a science feature writer. See you were the

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leak on that story, then, yes, sir, I'm afraid I was.

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I didn't think it would be treated as a laughing matter.

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Speaker 4: I will deal with that later. Yes, what's this filo like?

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Speaker 2: Well, he's a strange old duck, bald, thin, glasses tall,

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He walks stooped over, seems to know a great deal

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about scientific data.

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Speaker 6: But of course, speaking a science writer.

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Speaker 4: He is there any other possibility?

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Speaker 2: I believe that this is all hooked up with the

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broadcast from Otterburn.

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Speaker 4: That seems to be a very remote possibility.

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Speaker 2: A Missing Person's Bureau deals in remote possibilities, mister Wade,

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I do not require a statement of policy. Yes, what's

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the theory? For some time now it has been my

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contention that in a country like ours, where even the

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cleverest criminal can be ferreted out and located eventually, there

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is no such thing.

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Speaker 4: As a missing person. I was afraid of that.

248
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Speaker 6: For twelve years now.

249
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Speaker 2: I have kept the central files, where information from all

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over the country is channeled and recorded.

251
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Speaker 6: I have made a private study.

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Speaker 4: This is beginning to sound familiar.

253
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Speaker 2: And I have discovered that each year, literally thousands of

254
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persons vanished, leaving no trace. They are never located, where

255
00:12:15,240 --> 00:12:21,000
do they go? Nobody knows? And they disappear in interesting cycles.

256
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Speaker 4: What sort of cycles? Occupations?

257
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Speaker 2: For example, one year we'll have a run on, say

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coal miners next year, the proportion of engineers increases, and

259
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then scientists.

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Speaker 4: And what do you think happens, Henry.

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Speaker 2: I don't know, mister Wade, but I'm beginning to suspect

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that somebody else has discovered the same phenomenon, even to

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the point perhaps of being able to predict who will turn.

264
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Speaker 4: Up among the missing next Filo.

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Speaker 6: Well, I don't know, but I would like to find out.

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Speaker 4: And you think ought to Burn may be a part

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of this.

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Speaker 2: Picture, mister Wade, I definitely do, Henry. Do you honestly

269
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expect me to buy an idea like that? It is

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more than I an idea that the two top men

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on this list are missing, and maybe so, but the

272
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rest of them aren't. Hawka Watson Gibbs. Why I saw

273
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Parker in the restaurant where I had lunched today. And

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if you think I'm going to make myself by laughing,

275
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start by accepting such a cracked brain, fear, well, excuse me?

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Speaker 4: Yes, hello, wait, speaking, yeah, yeah, I see what name?

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Speaker 2: In just a moment, Henry, let me see that list

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here you are, go ahead, I see, I'll get back

279
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to you.

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Speaker 4: He yuh, I guess I owe you an apology, Henry.

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Speaker 2: Sir Carl Parker was just reported missing Parker, third man

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on your list, Holy Macro. Exactly, Henry. For a good

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many years now, I've ridiculed these theories of yours. I

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don't know. Perhaps I have underestimated you. Maybe this time

285
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you've really stumbled onto something.

286
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Speaker 6: What do you intend to do, mister Wade, I don't know.

287
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Speaker 4: I haven't thought it out yet.

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Speaker 2: I was planning to listen for another broadcast tonight in

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the hope that Ootterburn might try to contact us again.

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Speaker 4: Good idea, I believe I'll join you.

291
00:14:07,440 --> 00:14:10,960
Speaker 2: I also invited mister Fidol the feature. Oh, I'll be

292
00:14:11,000 --> 00:14:14,000
glad to meet him. I'm beginning to get interested in

293
00:14:14,039 --> 00:14:17,279
your mister Filo. Wait, you don't think he's mixed up

294
00:14:17,279 --> 00:14:19,960
in this? Yes, I don't know, Henry, but it suddenly

295
00:14:19,960 --> 00:14:21,840
strikes me that we don't know very much about him.

296
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Speaker 6: Really we ought to contact the police.

297
00:14:24,600 --> 00:14:27,200
Speaker 2: No, Henry, I think we're better off keeping this between

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00:14:27,200 --> 00:14:30,159
ourselves for the moment. We're dealing with the unknown, and

299
00:14:30,200 --> 00:14:32,240
in solving an equation for the X factor, it's often

300
00:14:32,240 --> 00:14:35,559
easier to limit the number of terms. Follow me we

301
00:14:35,600 --> 00:14:37,600
don't know, mister Wadeye, there may be more danger in

302
00:14:37,600 --> 00:14:39,039
what you have discovered than you are aware of.

303
00:14:39,720 --> 00:14:42,399
Speaker 4: Let's keep it quiet. You agree.

304
00:14:42,879 --> 00:14:45,320
Speaker 6: Maybe you're right, mister Wade. I I haven't thought of

305
00:14:45,360 --> 00:14:46,480
the danger involved.

306
00:15:00,200 --> 00:15:05,600
Speaker 4: Hit o'clock. When mister Filo was late.

307
00:15:05,639 --> 00:15:07,399
Speaker 2: He said he'd be here. He strikes me as a

308
00:15:07,440 --> 00:15:10,240
man who keeps appointments. Look out the window. Yes, the

309
00:15:10,279 --> 00:15:12,919
moon is almost in direct phase. It don't work much longer.

310
00:15:13,200 --> 00:15:15,159
Speaker 6: That's a perfectly clear knighte for transmission.

311
00:15:15,480 --> 00:15:17,519
Speaker 2: If anybody's sending we ought to pick it up with this.

312
00:15:17,519 --> 00:15:19,039
Speaker 4: Equipment, you'd better switch on the set.

313
00:15:20,559 --> 00:15:23,320
Speaker 2: I never realized how eerie this office could be when

314
00:15:23,320 --> 00:15:24,639
it was empty. I loved the light in the hall.

315
00:15:24,720 --> 00:15:27,440
Mister Filo, when it comes, are you getting anything?

316
00:15:28,200 --> 00:15:29,120
Speaker 6: Just some foreign stuff?

317
00:15:29,159 --> 00:15:33,120
Speaker 4: I think.

318
00:15:33,639 --> 00:15:37,480
Speaker 3: The British part of Night's programming from Johannesburg sell.

319
00:15:37,559 --> 00:15:40,039
Speaker 5: Then we continue in April.

320
00:15:45,000 --> 00:15:50,480
Speaker 6: That's a peculiar transmission sound that sounds like something. See

321
00:15:50,480 --> 00:15:51,799
if I can work the selected.

322
00:15:51,559 --> 00:15:52,440
Speaker 4: The moon is in phase?

323
00:15:53,320 --> 00:15:56,159
Speaker 7: Hello U can you clear me?

324
00:15:56,399 --> 00:15:58,360
Speaker 6: I try to return Hello? Hello?

325
00:15:58,519 --> 00:15:58,879
Speaker 1: Hello?

326
00:15:59,720 --> 00:16:00,600
Speaker 6: Hello? Oh do you hear me?

327
00:16:01,600 --> 00:16:03,039
Speaker 5: I get you now? Thank God?

328
00:16:03,200 --> 00:16:03,840
Speaker 2: Who are you?

329
00:16:03,840 --> 00:16:04,440
Speaker 6: Can you hear me.

330
00:16:04,759 --> 00:16:05,320
Speaker 2: Who are you?

331
00:16:05,600 --> 00:16:08,039
Speaker 5: This is Professor Cornelius Otterburn.

332
00:16:09,080 --> 00:16:09,879
Speaker 6: Go on, I hear you.

333
00:16:10,039 --> 00:16:11,120
Speaker 5: Not much time they're.

334
00:16:10,960 --> 00:16:11,320
Speaker 2: On to me.

335
00:16:11,879 --> 00:16:14,360
Speaker 5: They've located my sending point, do you hear me?

336
00:16:14,720 --> 00:16:15,639
Speaker 6: Go ahead, keep talking.

337
00:16:15,960 --> 00:16:18,879
Speaker 5: I'm only enough oxygen for a few minutes more.

338
00:16:19,120 --> 00:16:19,759
Speaker 6: Where are you?

339
00:16:20,000 --> 00:16:20,639
Speaker 2: I'm on the.

340
00:16:20,559 --> 00:16:25,679
Speaker 5: Earth side of the moon. You get that the Earth

341
00:16:26,080 --> 00:16:27,039
side of the Moon.

342
00:16:27,919 --> 00:16:32,360
Speaker 2: A volcanic crater could start that recorder, mister Wade, go on, explain,

343
00:16:32,440 --> 00:16:34,720
please explain, please closely.

344
00:16:35,679 --> 00:16:39,759
Speaker 8: There is an Earth Earth colony on the Moon. There

345
00:16:39,840 --> 00:16:42,360
is an Earth colony on the far side of the

346
00:16:42,360 --> 00:16:46,440
Moon made up of renegade scientists and criminals.

347
00:16:47,960 --> 00:16:49,279
Speaker 5: Professor Ernst Tolsman.

348
00:16:49,840 --> 00:16:51,759
Speaker 2: He died in an insanes side of in nineteen thirty eight.

349
00:16:51,840 --> 00:16:56,759
Speaker 12: Professor Ernst Hausmann discovered nuclear rocket power in nineteen thirty five,

350
00:16:57,799 --> 00:17:01,200
turned his plans over to escaped inmates of the asylum.

351
00:17:01,440 --> 00:17:05,079
They took off and set up a colony on the

352
00:17:05,079 --> 00:17:07,960
far side of the Moon in nineteen thirty eight.

353
00:17:08,200 --> 00:17:09,400
Speaker 6: Go ahead, we're recording you.

354
00:17:09,480 --> 00:17:10,759
Speaker 5: Each year they.

355
00:17:10,640 --> 00:17:17,960
Speaker 13: Recruit new colors colonists from Earth slave labor. Mostly I

356
00:17:18,160 --> 00:17:20,400
was kidnapped in nineteen forty five.

357
00:17:20,720 --> 00:17:21,880
Speaker 2: I know I'll keep talking.

358
00:17:22,079 --> 00:17:25,640
Speaker 5: They wanted me to work on atomic drive for their flying.

359
00:17:27,039 --> 00:17:27,759
Speaker 2: Still getting you go.

360
00:17:27,839 --> 00:17:31,559
Speaker 8: On last month, six others and I escaped.

361
00:17:31,279 --> 00:17:32,000
Speaker 6: To speak louder.

362
00:17:33,039 --> 00:17:37,519
Speaker 5: You got to stop them, stop them, stop the Moon.

363
00:17:37,440 --> 00:17:42,759
Speaker 13: Colony planning to take over the Earth invasion. Hang on

364
00:17:43,680 --> 00:17:52,839
and the oxygen to breathe listening. They have agents on Earth.

365
00:17:53,720 --> 00:17:54,960
Speaker 6: Yeah, agents on Earth?

366
00:17:55,319 --> 00:17:56,599
Speaker 2: Where who? Hello?

367
00:17:56,799 --> 00:17:57,160
Speaker 10: Hello?

368
00:17:57,359 --> 00:17:58,079
Speaker 5: Hello agians?

369
00:18:00,720 --> 00:18:04,799
Speaker 2: Someone to win to get down, Henry, Are you all right?

370
00:18:05,000 --> 00:18:10,720
I think so? His shots smashed the transmitter and the

371
00:18:10,759 --> 00:18:13,000
lights strike a matcher cava.

372
00:18:17,519 --> 00:18:18,079
Speaker 6: It was close.

373
00:18:18,200 --> 00:18:21,200
Speaker 2: I gotta look at him from the description, was your

374
00:18:21,200 --> 00:18:24,279
mister Filo. We got a recording anyway, but not the

375
00:18:24,319 --> 00:18:26,119
most important part of the message.

376
00:18:26,920 --> 00:18:29,400
Speaker 6: Poor unterbird suffocating to death.

377
00:18:29,440 --> 00:18:31,839
Speaker 4: Henry. We've got to get you out of here. He said.

378
00:18:31,839 --> 00:18:34,240
Speaker 2: They have agents. Filo was probably one of them. He'll

379
00:18:34,240 --> 00:18:35,599
be looking for you and not trying to kill you.

380
00:18:36,279 --> 00:18:37,880
The police. Do you think the police would believe a

381
00:18:37,880 --> 00:18:40,400
fantastic story like this, people being kidnapped to the Moon

382
00:18:40,400 --> 00:18:43,359
as slave labor. Moon Colony planning an invasion of the Earth.

383
00:18:43,400 --> 00:18:45,720
But Henry, believe me that they trap us into straight

384
00:18:45,799 --> 00:18:47,039
jackets before we could finish.

385
00:18:47,079 --> 00:18:48,039
Speaker 6: We've got to do something.

386
00:18:48,039 --> 00:18:50,279
Speaker 2: We need time time to get you don't think my

387
00:18:50,319 --> 00:18:52,839
theory was bunk thing. I know it wasn't, Henry. Right now,

388
00:18:52,880 --> 00:18:54,839
my only concern is for your safety. But we can't

389
00:18:54,880 --> 00:18:55,680
walk out of here.

390
00:18:55,759 --> 00:18:56,920
Speaker 6: Filo is probably waiting.

391
00:18:57,839 --> 00:19:00,359
Speaker 2: There's a service elevator that leads to the basement garage. Yeah,

392
00:19:00,400 --> 00:19:02,240
we can get down there. There are some delivery trucks

393
00:19:02,240 --> 00:19:05,039
parked there all night. We can probably get one started.

394
00:19:05,400 --> 00:19:07,680
The garage doors off the ramp work from the inside.

395
00:19:07,839 --> 00:19:09,079
We'll start the mechanism and make.

396
00:19:08,960 --> 00:19:09,440
Speaker 6: A run for it.

397
00:19:09,599 --> 00:19:09,960
Speaker 4: I don't know.

398
00:19:10,000 --> 00:19:11,359
Speaker 2: I think if we call the plot, by the time

399
00:19:11,359 --> 00:19:13,319
the police get here will be dead. You think Fido

400
00:19:13,359 --> 00:19:17,799
will wait outside all night? Come on, that's an order. Okay,

401
00:19:18,440 --> 00:19:20,720
what about the recording of Otterburn's notes. We'll leave that

402
00:19:20,759 --> 00:19:23,160
here in the safe in my office. They'll never get

403
00:19:23,160 --> 00:19:25,720
into that. Let's go. You bus the elevator while I

404
00:19:25,799 --> 00:19:26,440
hide the recording.

405
00:19:37,720 --> 00:19:40,559
Speaker 4: This is the basement. Come on, keep to the side.

406
00:19:40,799 --> 00:19:42,519
Speaker 2: Yes, sh.

407
00:19:44,000 --> 00:19:49,720
Speaker 4: Let's try that delivery truck over there. I'll get in.

408
00:19:52,079 --> 00:19:54,519
Speaker 2: All right, Henry, you start the mechanism to open the

409
00:19:54,519 --> 00:19:56,039
garage door, then jump onto the truck.

410
00:19:56,480 --> 00:19:57,319
Speaker 4: We'll make a dash for it.

411
00:19:57,720 --> 00:19:58,319
Speaker 6: Where can we go?

412
00:19:58,400 --> 00:20:01,200
Speaker 2: I have a farm outside Chevy Chase, private miles from

413
00:20:01,240 --> 00:20:03,079
the nearest neighbor and completely hidden by trees.

414
00:20:03,160 --> 00:20:06,000
Speaker 4: We'll run for that. Go ahead, stop the door, all right?

415
00:20:13,519 --> 00:20:14,559
Speaker 6: Quick jump in.

416
00:20:19,319 --> 00:20:36,640
Speaker 4: Let go closs her fingers. We made it out, all right?

417
00:20:37,440 --> 00:20:38,039
Anything doing?

418
00:20:38,480 --> 00:20:41,359
Speaker 2: There's a blue coop behind us, mister Wade, it's easree following.

419
00:20:41,400 --> 00:20:47,240
I'll cut or Pennsylvania Avenue now Route one, Todd Bolomaha,

420
00:20:48,240 --> 00:20:49,000
it is following.

421
00:20:49,319 --> 00:20:50,079
Speaker 4: He turned with us.

422
00:20:50,160 --> 00:20:52,119
Speaker 2: Can you go faster? How much faster he's gaining on us?

423
00:20:52,119 --> 00:20:56,799
I've got an idea. Hang on, Henry, fix, where'd you stop?

424
00:20:56,839 --> 00:20:57,720
I'll turn out the lights.

425
00:21:00,079 --> 00:21:09,160
Speaker 4: M It worked.

426
00:21:09,640 --> 00:21:11,920
Speaker 2: We shot right past us. Now we'll double back and

427
00:21:12,000 --> 00:21:24,559
go out another route. Why I don't see anything? I

428
00:21:24,559 --> 00:21:25,319
think we've lost him.

429
00:21:25,400 --> 00:21:25,720
Speaker 5: Good.

430
00:21:26,680 --> 00:21:27,960
Speaker 2: I think everything is going to be all right.

431
00:21:27,960 --> 00:21:28,119
Speaker 4: Now.

432
00:21:28,880 --> 00:21:30,599
Speaker 2: You can bid my farm in less than an hour,

433
00:21:41,920 --> 00:21:45,039
not much longer. Now is anyone behind us? I thought

434
00:21:45,039 --> 00:21:47,000
I saw the blue poop again, but I was mistaken.

435
00:21:49,000 --> 00:21:50,839
This place is really hot in the wilder. We can

436
00:21:50,880 --> 00:21:53,039
stay here indefinitely to well figure out the next moment.

437
00:21:55,680 --> 00:21:58,920
Just up this stead road. Now there's the house up ahead.

438
00:21:59,359 --> 00:22:01,960
You're not going to no, I have a better idea.

439
00:22:02,640 --> 00:22:05,039
There's a big abandoned wheat salow on my grounds. It's

440
00:22:05,079 --> 00:22:06,680
down a hollow where it can't be seen except in

441
00:22:06,720 --> 00:22:09,480
the air, and even then the oak trees shielded.

442
00:22:10,039 --> 00:22:15,319
Speaker 4: We'll hide you out there now. We leave the truck

443
00:22:15,359 --> 00:22:17,519
here and I'll be seen. Man.

444
00:22:17,680 --> 00:22:23,759
Speaker 2: Yes, how did you ever find this place, mister Wade?

445
00:22:23,880 --> 00:22:26,960
I've always liked seclusion. I bought it about twelve years ago.

446
00:22:27,359 --> 00:22:28,680
Come up here in the summer time to get away

447
00:22:28,680 --> 00:22:33,119
from it all. There's the silo, certainly well hidden. There's

448
00:22:33,119 --> 00:22:36,160
a small door around the side. Come on the capital

449
00:22:36,200 --> 00:22:37,759
of those bushes. Oh, yes, it's hard to seem in

450
00:22:37,759 --> 00:22:43,119
the dark. Do you suppose Filo will find us? I

451
00:22:43,200 --> 00:22:45,480
assure you, Henry, mister follow will never find us here,

452
00:22:45,720 --> 00:22:47,160
not in a million years.

453
00:22:47,680 --> 00:22:55,279
Speaker 4: Here's the door. It's pitch dark. Oh, my arm I

454
00:22:55,319 --> 00:22:59,160
know the way. Just a few steps up and another door.

455
00:23:03,720 --> 00:23:07,799
Speaker 2: Steal. So this is an unusual silos, double walled wood

456
00:23:07,839 --> 00:23:12,160
outside and steal inside, completely fireproof. An army couldn't break it.

457
00:23:12,880 --> 00:23:20,319
We're inside the NHL. Carefully, you're in a circular room.

458
00:23:20,559 --> 00:23:22,839
Stay here a moment. I'll go outside and see if

459
00:23:22,839 --> 00:23:25,240
the coast is clear. In a moment, you rise what

460
00:23:25,359 --> 00:23:28,160
become accustomed to the darkness. I'll bring back some food

461
00:23:28,160 --> 00:23:32,079
and water. Don't be long, mister Wade. This place gives

462
00:23:32,119 --> 00:23:46,359
me the willies. Just a moment, mister Wade swearing, Mister Wade,

463
00:23:46,880 --> 00:23:47,119
what's that?

464
00:23:48,079 --> 00:23:49,799
Speaker 6: There is something good?

465
00:23:49,839 --> 00:23:50,079
Speaker 2: Wine?

466
00:23:50,559 --> 00:23:50,640
Speaker 8: There?

467
00:23:50,759 --> 00:23:54,160
Speaker 6: Someone in here? It's locked.

468
00:23:55,720 --> 00:23:58,640
Speaker 2: Get the way way to be out. I'm not alone

469
00:23:58,640 --> 00:24:00,000
in here.

470
00:24:00,039 --> 00:24:00,200
Speaker 8: Eight.

471
00:24:01,920 --> 00:24:04,960
Speaker 6: This must be a light switch. Thank god.

472
00:24:07,759 --> 00:24:14,880
Speaker 2: People, mister way down, we'll do you offer to shouting

473
00:24:16,039 --> 00:24:19,400
the wait? Where are you outside? Speaking over the enter?

474
00:24:19,400 --> 00:24:20,039
Speaker 4: Cons is the way.

475
00:24:20,079 --> 00:24:22,279
Speaker 2: There are people in here, fifteen or twenty of them

476
00:24:22,279 --> 00:24:26,599
there sitting like statue, just just staring at me. They

477
00:24:26,640 --> 00:24:30,799
won't hurt you. They've all been drugged, even more helpless

478
00:24:30,799 --> 00:24:31,119
than you.

479
00:24:31,640 --> 00:24:34,720
Speaker 7: But who are they?

480
00:24:35,079 --> 00:24:38,359
Speaker 2: Met me to introduce them, since they're currently unable to

481
00:24:38,359 --> 00:24:41,720
introduce themselves. The gentleman seated before you, the one with

482
00:24:41,759 --> 00:24:46,920
the scar, is doctor Paul ERNs. The astro mathematician next

483
00:24:46,920 --> 00:24:49,759
to him is mister Robert Simon's electronic engineer. Names on

484
00:24:49,839 --> 00:24:53,799
the list, Yes, you're familiar with the rest. They've all

485
00:24:53,839 --> 00:24:58,759
been shall we say recruited. We'll work with Professor Horsman's

486
00:24:58,759 --> 00:25:05,599
group in the moon. Oom, mhm, you you're one of them,

487
00:25:05,680 --> 00:25:06,119
of course.

488
00:25:06,920 --> 00:25:10,599
Speaker 5: Oh yes, there's one whose name was not on our list.

489
00:25:11,079 --> 00:25:14,119
Speaker 2: If you'll turn around, Henry, you recognize the drug form

490
00:25:14,160 --> 00:25:15,920
of your old friend, mister Pilot.

491
00:25:17,519 --> 00:25:21,319
Speaker 5: Why but I thought that he was part of the conspiracy.

492
00:25:22,119 --> 00:25:22,480
Speaker 4: No.

493
00:25:22,839 --> 00:25:25,799
Speaker 2: On the contrary, his snooping made it necessary for us

494
00:25:25,839 --> 00:25:27,279
to include. He put the man in the window, the

495
00:25:27,279 --> 00:25:29,720
one who find the shot, an agent of mine. The

496
00:25:29,799 --> 00:25:33,759
pilot of this ship.

497
00:25:32,640 --> 00:25:36,279
Speaker 9: Missus Silah, was camouflaged for a rocket launching platform. In

498
00:25:36,359 --> 00:25:38,440
a moment, the roof will slide back from the rockets

499
00:25:38,440 --> 00:25:42,279
take on. In exactly seventy hours, you and your companions

500
00:25:42,319 --> 00:25:43,559
will join Professor.

501
00:25:43,240 --> 00:25:44,880
Speaker 5: Otterburn on the moon.

502
00:25:44,960 --> 00:25:49,359
Speaker 2: But you can't do this to me. I've done all

503
00:25:50,319 --> 00:25:52,759
you see, there was another name omitted in that list,

504
00:25:52,759 --> 00:25:57,240
which I carelessly mixed up with your papers, that Henry Timpkin.

505
00:26:00,240 --> 00:26:00,960
Speaker 5: Let you go there.

506
00:26:01,119 --> 00:26:05,279
Speaker 2: You can't be pay Let me out, Let me outweigh

507
00:26:05,440 --> 00:26:08,000
it can happen. Let me out.

508
00:26:08,599 --> 00:26:27,000
Speaker 14: Let's attention attention missing since eight o'clock last night.

509
00:26:27,119 --> 00:26:28,200
Speaker 5: The following persons.

510
00:26:29,079 --> 00:26:32,599
Speaker 3: Timpkin, Henry, age forty five, height.

511
00:26:32,559 --> 00:26:36,279
Speaker 14: Five feet eight one hundred and sixty five pounds, brown eyes,

512
00:26:36,440 --> 00:26:43,640
slightly bawling, occupation records, custodian repeat, Timpkin Henry age.

513
00:26:43,400 --> 00:27:02,079
Speaker 15: Forty five, fighte five feet eight, one hundred and sixty five.

514
00:26:56,599 --> 00:26:59,000
Speaker 1: In just a moment, a word about next week's adventure.

515
00:27:00,039 --> 00:27:03,240
Tonight by Transcription X minus one has brought you The

516
00:27:03,400 --> 00:27:06,839
Man in the Moon, an original radio drama written by

517
00:27:06,960 --> 00:27:11,319
George Lefferts featured in the cast where Lois van Ruton

518
00:27:11,359 --> 00:27:16,119
as Henry satos Ortega as the Chief, Ross Martin as Charlie,

519
00:27:16,599 --> 00:27:21,400
Sidney Smith as Otterburn, Bob Haig as Jake, Joe DeSantis

520
00:27:21,440 --> 00:27:25,759
as Filo, and Ed Latimer as O'Brien. You're announcer Fred Collins.

521
00:27:26,359 --> 00:27:29,400
X minus one was directed by Fred Way and is

522
00:27:29,440 --> 00:27:42,480
an NBC Radio Network production. And Now next week. The

523
00:27:42,519 --> 00:27:46,839
sign on the window said Perigi's Wonderful Dons. A woman

524
00:27:46,920 --> 00:27:50,880
and a child waited outside, the little girl peering eagerly

525
00:27:50,920 --> 00:27:53,799
through the window, and the woman glancing impatiently at her

526
00:27:53,799 --> 00:27:57,079
wristwatch as if expecting someone who was late for an appointment.

527
00:27:57,319 --> 00:27:59,559
And there was nothing about Perigi's doll shop to warn

528
00:27:59,559 --> 00:28:01,359
them that they were were waiting to keep an appointment

529
00:28:01,400 --> 00:28:07,759
with doom at minus minus one one one