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Speaker 1: This is Eleanor Langthorne from Vices Inc. And you're listening

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to Matt Connorton unleashed on ninety five point three. W

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M n H.

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Speaker 2: We would just chance back then just a little bit

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all down for us.

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Speaker 3: That's always to Talbot and we're figuring it out with

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them with just my Magan. We were so Casper Solfa

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always to jel the Mamasapa.

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Speaker 4: Yeah, we know all it has us. So we try

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to jail but chures. We chest my manchin can't your

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last sixty let's shirt I'm one night like this probably

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won't where you gotment?

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Speaker 5: That song right cuts up work Joe around and around

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any sorry johnso.

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Speaker 2: Wait you got me?

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Speaker 6: Then you don't wear in chaste.

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Speaker 4: Neither one of us was to blame.

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Speaker 3: Just couldn't figure it out, and so we puts it

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around a set of just can't say this, it's not

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the same sense out bigon.

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Speaker 7: We can well when we see a.

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Speaker 3: Move on, I got to see you with Jane, I

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gotta try, but sent it in the right back and

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square one, get.

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Speaker 4: Your lips tixt Let's see shirt on more night.

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Speaker 6: Like this, Rebby won't.

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Speaker 4: Wait you got me? That feel sod but.

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Speaker 2: It's up work john around here around any sorry Johnson?

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Speaker 4: You got me fine? You come me to cut me?

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To cut me? Do you call me? Do you call

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me to come.

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Speaker 8: To come to jump to jump me with you?

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Speaker 4: You come back to chop.

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Speaker 3: By Don dick Own got your lipstick saying on my

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T shirt?

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Speaker 6: Woman, I like that's probably wonder.

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Speaker 4: Ways you got me talk now? It feels so right

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due it's up there. Call him right around and it's

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sun Johnson.

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Speaker 9: Where's you got me talk?

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Speaker 4: If you're listening to double hum and h SNY hard.

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Speaker 10: Point, you.

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Speaker 8: Get command guy, don't get supremely Maxill Coving.

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Speaker 6: Welcome everybody, good morning, here we go. It is that

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time again. Matt Connorton unleashed and we are live from

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the studios of wm NH ninety five point three FM

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and Glorious Manchester, New Hampshire. Little icy out there, so

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be careful if you're driving, if you're listening in your vehicle,

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but nonetheless Glorious here. Of course, today is Saturday, February one,

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twenty twenty five, and January will pretty quick actually, But

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as far as the weather goes here in Manchester, we've

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been lucky. We have yet to have a blizzard, and

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I hope I have not drinxed us by pointing that out.

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But it's always just enough snow and ice to make

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it a nuisance. But we haven't had like a really

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big storm here yet, so which is just fine with me.

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But that opening track that was a band called now,

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I'm not actually sure the correct pronunciation. It's it's all

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in caps ri i v Ia, so I'm not sure

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if it's Rivia or Rivia or Rivia. We will find

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out because they will be skyping in next week. But

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that is the American radio premiere of their brand new

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track Fallen and I love that song and really looking

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forward to talking with these guys. But they are from

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Liverpool and they're gonna be skyping in next week, so

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we'll get to talk to them and we'll play some

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more of their music and really looking forward to that.

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I love their sound and so much great stuff coming

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out of the UK. These great guests that we get,

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and our friend from Gary from Big GPR has really

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been sending us a lot of great talent for the show,

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so we appreciate that and being able to kind of

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be the American radio partner for some of these bands

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as far as breaking their tracks over here in the US,

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being the first American radio station to play some of these.

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So yeah, what a great track again, that's called Fallin'

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the band is I'm gonna go with Rivia for right now,

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but we'll find out for sure next week. But what

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a great track. We'll play that again later in the

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show if you missed it. We've got a big show

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for you today. In just a few minutes, Molly Diago

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is going to be skyping in. She's been on the

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show before, but she's got a brand new single called Chained,

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and we are going to play that for you in

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just a couple of minutes. Chained featuring Jackson Wilder is

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also on the track, so we're gonna play that. We'll

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feature that, and then we'll talk to Molly a bit.

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And in the second hour today, the band Day to

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Attend will be here with us in studio. And of course,

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if you're watching online, if you're watching the video, you

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can see I've got my Day to Attend shirt. Of course,

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So a couple big things with them. For one thing,

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they've got a big show tonight. They're gonna be playing

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in Portland opening for Ace Frayle, So that's exciting. And

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in addition to that, I assume they're going to bring

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a copy in with them their vinyl limited edition vinyl

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release of their newest album, Falling Awake, and it is

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limited edition, so if you want one, make sure you

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get one before they're gone. But I think that's really

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cool and I look forward to to actually seeing that,

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being able to see it up close. But so they've

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got a lot going on, of course, such a great band,

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and I always love having a day to attend on

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the show. And in the third hour today we have

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Veil's End who's going to be joining us live in studio,

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and they have a brand new song too, so we'll

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feature that as well. So there's lots going on today.

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Speaking of things going on, I also want to mention

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and hello to Charles Richardson if he's listening. Hi, Charles.

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I did communicate with him earlier. So this coming Monday,

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I'm going to be appearing on the Charles Richardson Show

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that streams online. You can go to the Charles Richardson

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Show Facebook page or his YouTube page for the Charles

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Richardson Show. You can also go it streams on an

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online station called Powerweadio dot com and it's power and

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the Number one radio dot com, so you can stream

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it there as well. But we're going to be talking

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about hypnosis. We've been talking about doing this for a

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long time. I've been on the show before, obviously, and

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he's been on this show, but we've never done a

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segment together about hypnosis. So he's going to ask me

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some questions and perhaps I will even hypnotize him live

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during his program. For those of you who don't know,

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I am a certified hypnotherapist. I help people to quit smoking,

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lose weight, deal with phobios, all kinds of stuff I do,

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all kinds of things. Stress reduction is a stress reduction

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is a big one right now. But of course if

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you want more information on that, you can always go

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to my website, Matt Connorton dot com. But yes, I

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will be talking with Charles on his show. His show

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starts at eight pm. I will be joining at eight

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ten pm Eastern time. So again you can go the

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Charles Richardson Show Facebook or YouTube page or listen at

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Power one radio dot com. So that'll be cool. Charles

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and I haven't done anything together in terms of a

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show in a long time. I know that Charles Richardson

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show went away for a little bit. He took a hiatus,

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but he's back and it is very exciting. So there

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is a lot going on, but I think what we're

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going to do now, we'll go ahead and give this

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a spin. So this is the brand new track from

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our friend Molly Diago. I like this a lot. It's

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very very catchy. It is called Chained and Jackson Wilder

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featuring Jackson Wilder also on the track. And by the way,

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if you go to Molly's YouTube channel, you can see

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everything that she's got. We played. I think we were

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one of the first stations to play it. Actually, way

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back when we first met Molly. Her track End of

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the World, which is such a cool song. Maybe we'll

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play that at the end of our conversation today, but

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I'm looking forward to speaking with her. She's gonna be

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skyping in in just a few minutes. But let's go

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ahead and play this. This is really good.

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Speaker 10: Yeah.

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Speaker 6: The track is called Chained featuring Jackson Wilder, and this

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is Molly Diago.

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Speaker 1: She's a Higher the Knights.

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Speaker 7: And never and live and then you know you call

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friends that they live on inside.

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Speaker 4: You're surfin yourgin yeldings the shames which you drive down

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your se versus. You do whatever you.

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Speaker 11: To find.

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Speaker 2: You find your own chronalyzing you conceal, They find you

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find your own brain.

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Speaker 4: Nothing else.

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Speaker 7: For the last height your hunting from the parts.

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Speaker 6: This is how it has you been.

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Speaker 4: Change you in your tearses, change.

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Speaker 1: The truth in perhaps beneath your staying, your search for home.

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Speaker 4: Mother ws goes you, your goes through, keep you a

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rush huts across beneath your veins.

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Speaker 2: You tell your.

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Speaker 4: Mama to love her. It's in Vaine to surfuse bee

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how God b.

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Speaker 9: Whatever you be.

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Speaker 4: To find you find your own bird.

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Speaker 2: Chronalyzing you conceal, They find you find your own brain,

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nothing else.

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Speaker 7: The last hat you're hunting, Parma pats, this is Hormard.

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Speaker 4: Has to be change your tears. You with the big

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blog now to win the fighters don't work.

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Speaker 12: Like the shot a big.

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Speaker 4: Cold.

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Speaker 2: Whatever you really to find, you find your bad from

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the lage you consume.

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Speaker 6: They find you'll.

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Speaker 2: Find your own brain, nothing else.

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Speaker 7: The last hat you're hunting, parma pads, this is Horvid has.

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Speaker 4: To be changed.

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Speaker 9: You are tears.

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Speaker 4: Change d.

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Speaker 6: Does that catchy or what that has changed. That is

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Molly Diago, who is here with us via Skype. Hi, Molly, Hey, Matt,

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how are you very good? Very good? Hey, I'm never

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sure with your last name. I know we've had this

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conversation before. Do you say Diago or Diego?

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Speaker 10: Diago is just fine either way.

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Speaker 4: I've been doing.

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Speaker 6: Okay, okay, very good. Because of course you also have

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a much longer version of your name that people might

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find online with your with your music. But what a

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great track. What's that?

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Speaker 10: Thank you so much, Thank you so much for spinning it.

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I appreciate it.

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Speaker 6: Oh absolutely absolutely, I love it. And that is of

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course featuring Jackson Wilder. Can you tell us about that collaboration?

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And who is Jackson Wilder?

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Speaker 11: So, Jackson Wilder is he's actually a kid. He's only

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fourteen years old. He sounds like like a grown man

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on the track. But he's a kid that's you know,

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sort of been a family friend of mine and he's

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always sort of taken an interest in music, and I

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you know, one day he had a snow day from

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school when I was going into the studio to record

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this track, and there was a little space on the

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song where I didn't have a bridge written yet, so

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I asked him, I said, hey, do you want to,

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you know, see what it's like. And he surprisingly he

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said okay, and he just went right on and did

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his thing, and then there's the song. You know, So

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it's kind of weird how it worked out, but it's

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all thanks to a snow day.

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Speaker 6: Yeah, very cool. So that must be exciting for him,

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right to see that, you know, chain featuring Jackson Wilder,

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that must be pretty cool.

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Speaker 11: Definitely, he was, he was, really, he's really excited, and

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he he got to participate in some of the press process,

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which I think was a little you know, overwhelming, especially

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at that age.

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Speaker 10: But sure, he loves it. He's really excited.

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Speaker 11: And of course to hear his song on the radio

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even just now, you know, wmnh, he loves it listening.

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And of course, you know, I have to remind myself

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what it's like to be, you know, that age and

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how exciting things are.

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Speaker 10: And I think that working way that kid, you know.

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Speaker 11: Has kind of helped me restore of what I've taken

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for granted, you know, in this process of music and

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you know, try to enjoy every second of it.

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Speaker 10: Oh.

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Speaker 6: Very cool. Uh Yeah, I'm curious about that. You know,

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you you mentioned you know, kind of taking things for

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granted in this process of music. Does it are there

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times in your career where it feels maybe a little

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too much like a job and not as exciting artistically?

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Do do you fall into that rut sometimes?

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Speaker 11: Yeah, because and honestly, I didn't realize it just how

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much until recently, because I think that, you know, when

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I started out, and I was I was actually fourteen

250
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when I started as well, and I remember that I've

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opportunity I got. It was like you know, Christmas Eve

252
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every single night until it happened. I remember my first

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big gig was with the All American Rejects, and I

254
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remember I literally when I found out about it, like

255
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thirtys where I couldn't.

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Speaker 10: Sleep that whole month. I was so excited.

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Speaker 11: And so recently, like you know, especially releasing my own

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music now and not sort of playing in a band

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as a guitar player, like the first release kind of

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went the same way too, five or six years ago

261
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when I started. But I've sort of realized that I've

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kind of fallen into habit, and you know, it's somewhere

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along the line I've kind of lost that excitement, and

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it made me sad, you know, because if I was

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telling fourteen year old me what I'm doing now, I'd

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be like so excited. So I think that this single especially,

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I really had to take a step back and say, listen,

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like this is a dream, right, and not every person

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in the world gets to do what I'm doing. Not

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every person in the world gets streamed by you know,

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WMNH and so on and so forth.

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Speaker 10: So I definitely have had to.

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Speaker 11: Take a step back and say, listen, like you do

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this because you love it, Like try to enjoy it, you.

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Speaker 6: Know, right right. I'm really curious about the song. The

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lyrics to the song. Clearly there there does seem to

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be a theme here, and there's there's a couple of

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things I could kind of derive from it. But I'm

279
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really curious, uh, I mean, is there is there a

280
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story behind these lyrics? Is are they directed at anyone specific?

281
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Is it more just a state of the world thing?

282
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I mean, tell me, tell me about the lyrics have

283
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chained So.

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Speaker 11: I feel like every songwriter, despite what they say, there's

285
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always some sort of inspiration, you know, whether you hear

286
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cool word and sort of want to build off that

287
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there's always something that you know is in the background.

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Speaker 10: And for me, I had an experience with this person, a.

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Speaker 11: Person who is very close to me, who unfortunately I

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haven't even spoke to this person in two years, because

291
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you know, for various sort of components that happen when.

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Speaker 10: You know you're dealing with addiction.

293
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Speaker 11: So I think the song for me specifically, and I

294
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was putting it together although like I wasn't, you know,

295
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emotionally high off those feelings maybe I was two years ago,

296
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definitely had to do with feeling and I think it

297
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doesn't even just have to be addictioned, but I mean,

298
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I know all of us have relationships in life where

299
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you know, sometimes whether you're dealing with a narcissist or

300
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someone you know who's fighting addiction issues or just you know,

301
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a nasty person. The feeling of being shut out and

302
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then sort of taking control of her own life and

303
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stepping away, which took me ten years to do, really

304
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it was empowering, and so I think that's kind of

305
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where the song was going for me, just hopefully, and

306
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I don't even know if the person will ever hear it,

307
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but I think that it's important, you know, for people

308
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to also think about how their actions have reactions in

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other people's lives.

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Speaker 10: So sorry, that's kind of a convoluted way of getting

311
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to the point.

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Speaker 11: But at the root, it's just about, you know, dealing

313
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with someone who's you know and not themselves. And of

314
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course it's a tough, a tough thing to sort of navigate.

315
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Speaker 6: Yeah, it's very difficult when you know, when you're dealing

316
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with someone with addiction who you know, if it's someone

317
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you love and you care about, but at a certain point,

318
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you know, and it depends. I mean, there's a lot

319
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of factors. I mean, I have a caffeine addiction, but

320
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I don't think that all time. Yeah, yeah, and I

321
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think most Americans do statistically from what I've read, but

322
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I don't. I don't think that really changes us as people.

323
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But there are some things you can be addicted to

324
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that really kind of change who you are as a person,

325
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and they alter your personality or they make you I

326
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shouldn't say make you. That's disempowering, but they they cause

327
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a person to behave in ways that they would not

328
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have maybe when you first got to know them. So

329
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if you if you have someone in your life who

330
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you love and you care about, and then at some

331
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point this other thing comes in that sort of takes

332
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control of them. Now you're dealing with you know, you've

333
00:18:43,079 --> 00:18:45,640
got this person you love, but it's like they're not

334
00:18:45,799 --> 00:18:47,880
all there anymore because this other thing is kind of

335
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taken over a part of them. And yeah, that's that's tough.

336
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Speaker 10: Like it sounds like you know what I was going through.

337
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Speaker 11: So and I mean I and it's unfortunate, you know,

338
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if you do, because it's hard because exactly right what

339
00:19:01,440 --> 00:19:03,720
you said, like, you know, the person that I that

340
00:19:03,839 --> 00:19:06,960
I met was completely different, and so I think you

341
00:19:07,160 --> 00:19:09,359
kind of drag yourself through the weeds trying to find

342
00:19:09,440 --> 00:19:11,759
that person again. But in reality, there's nothing that you

343
00:19:11,839 --> 00:19:14,200
can do, like they like. And I always thought it

344
00:19:14,240 --> 00:19:16,119
was cliche because I love the show Intervention, you know,

345
00:19:16,160 --> 00:19:17,720
I'd watch it all the time when it came out,

346
00:19:17,720 --> 00:19:20,279
I don't five or fifteen years ago now, and they'd

347
00:19:20,319 --> 00:19:22,119
always say, listen, you have to want it, and I

348
00:19:22,400 --> 00:19:23,720
thought that was again cliche.

349
00:19:24,279 --> 00:19:24,680
Speaker 10: But it's not.

350
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Speaker 11: If the person does not believe that they're living in

351
00:19:28,839 --> 00:19:32,440
this alternate reality, it just in there's nothing you can do.

352
00:19:32,599 --> 00:19:34,559
And so it took me years to be able to

353
00:19:34,680 --> 00:19:37,079
let it go that that person that I knew isn't

354
00:19:37,079 --> 00:19:39,079
there anymore, and until he wants to change, you know,

355
00:19:39,200 --> 00:19:40,119
it's just not going to happen.

356
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Speaker 10: So I think it's hard.

357
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Speaker 11: And like I said, Matt, the way you described that,

358
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I feel like maybe you've sort of gone through.

359
00:19:45,680 --> 00:19:48,400
Speaker 10: Something smaller and can relate to it. But it's tough. Yeah,

360
00:19:48,400 --> 00:19:49,160
it's tough seeing that.

361
00:19:49,359 --> 00:19:51,559
Speaker 11: And so again, music is just you know, an outlet,

362
00:19:51,640 --> 00:19:53,559
is a creative person that I can kind of share

363
00:19:53,599 --> 00:19:54,400
those stories, you know.

364
00:19:54,920 --> 00:19:57,799
Speaker 6: Yeah, well, I think what I mean as I think

365
00:19:57,839 --> 00:20:00,759
of examples where I, yeah, I may have maybe able

366
00:20:00,839 --> 00:20:03,480
to relate to it. I think the theme here is

367
00:20:03,720 --> 00:20:05,880
very relatable. I think a lot of people have been

368
00:20:05,920 --> 00:20:09,079
through that or or a lot of people also have

369
00:20:09,240 --> 00:20:12,680
been on the side of you know, they they were

370
00:20:12,720 --> 00:20:15,519
addicted to something, and you know, because obviously, you know,

371
00:20:15,599 --> 00:20:16,880
we have a lot of musicians on the show, A

372
00:20:16,920 --> 00:20:19,640
lot of musicians struggle with addiction and some of the

373
00:20:20,160 --> 00:20:22,160
actually I am thinking of somebody specific who we've had

374
00:20:22,200 --> 00:20:27,880
on who talked about how his alcoholism. I don't know

375
00:20:27,880 --> 00:20:30,519
if you know the band The Gray Curtain. Dennis Layton

376
00:20:30,559 --> 00:20:32,559
from The Gray Curtain, great band, and Dennis is a

377
00:20:32,599 --> 00:20:34,920
great guy, but he was. He was on the show

378
00:20:35,000 --> 00:20:37,079
talking about so I'm not telling any tales out of school.

379
00:20:37,119 --> 00:20:39,200
He was talking about it on the show. He was

380
00:20:39,319 --> 00:20:42,799
he was talking about how, you know, with his alcoholism,

381
00:20:43,319 --> 00:20:46,279
which he has overcome, he's now recovering, but how that

382
00:20:46,480 --> 00:20:48,200
pushed people away and that's what a lot of his

383
00:20:48,359 --> 00:20:52,319
music is about, and how he in fact, he talked

384
00:20:52,400 --> 00:20:54,559
on the show about how he had a he had

385
00:20:54,559 --> 00:20:58,759
a long term relationship with someone who ended up leaving

386
00:20:58,839 --> 00:21:00,839
him because he had the way he put it, I

387
00:21:00,920 --> 00:21:03,640
remember he used these almost exact words, he said, because

388
00:21:03,680 --> 00:21:06,240
he had become someone else other than the person who

389
00:21:06,319 --> 00:21:09,160
he was when they first met. He had become a

390
00:21:09,279 --> 00:21:13,240
man who he did not recognize himself, and so she

391
00:21:13,400 --> 00:21:15,440
had to go. And so I think this is I

392
00:21:15,480 --> 00:21:18,400
think it's a very relatable theme. I think a lot

393
00:21:18,440 --> 00:21:19,960
of people have been on one side or the other

394
00:21:20,079 --> 00:21:22,440
of this, or or even both sides at various points

395
00:21:22,480 --> 00:21:23,000
in their life.

396
00:21:24,279 --> 00:21:24,480
Speaker 10: Yeah.

397
00:21:24,519 --> 00:21:27,759
Speaker 11: Absolutely, one hundred percent. And like I think, of course,

398
00:21:27,880 --> 00:21:29,599
this person that I was doing was also a musician.

399
00:21:29,720 --> 00:21:32,799
And the hard part about it's just hard because if

400
00:21:32,839 --> 00:21:36,759
you're an empathetic person or an unpathed, like it's again

401
00:21:36,920 --> 00:21:38,480
everything you want to do to try and fix them,

402
00:21:38,519 --> 00:21:40,200
to make them feel better, because you know that they're

403
00:21:40,240 --> 00:21:42,359
not living a healthy life, you know. And I think

404
00:21:42,400 --> 00:21:45,759
that you sort of translate that weight onto you, yes,

405
00:21:45,880 --> 00:21:48,839
and it caused chaos in your own life, you know.

406
00:21:49,160 --> 00:21:51,359
So I mean, but it's good that I guess in

407
00:21:51,440 --> 00:21:54,480
that story, it's it's amazing that he could reflect on that.

408
00:21:54,680 --> 00:21:56,519
And that's all that I hope one day is that

409
00:21:56,640 --> 00:22:00,240
this person, eventually when he comes to light, like, can

410
00:22:00,359 --> 00:22:03,160
reflect on hey, like Molly cared about me, she was

411
00:22:03,200 --> 00:22:04,880
a good person, like, because you know, it gets it

412
00:22:04,960 --> 00:22:09,839
gets nasty, like when they just don't want to feel like,

413
00:22:10,640 --> 00:22:13,079
you know, anything is wrong or they're doing anything wrong,

414
00:22:13,079 --> 00:22:14,920
because nobody wants to feel that way, right, but yeah,

415
00:22:15,759 --> 00:22:17,440
you don't want to feel like they're hurting someone else.

416
00:22:17,559 --> 00:22:20,440
And it's tough because then they sort of make you

417
00:22:20,640 --> 00:22:22,799
the criminal, you know. So I don't know, it's a

418
00:22:22,880 --> 00:22:25,200
crazy of emotions when dealing with that. But it's great

419
00:22:25,240 --> 00:22:26,880
for him that he was able to reflect on that

420
00:22:27,240 --> 00:22:30,079
and actually tell the story as it, you know, was accurate.

421
00:22:30,119 --> 00:22:31,720
Speaker 10: And I hope that for this person as well.

422
00:22:32,160 --> 00:22:35,680
Speaker 11: And of course with any two musicians that have like,

423
00:22:35,839 --> 00:22:39,440
you know, creative energy, and of course we're sometimes not

424
00:22:39,559 --> 00:22:42,759
the most controlled personalities. A lot comes out, you know,

425
00:22:43,519 --> 00:22:45,519
it's tough. It's definitely a tough thing for you know,

426
00:22:45,640 --> 00:22:48,400
musicians creatives like and I would.

427
00:22:48,240 --> 00:22:52,079
Speaker 6: Uh, I would just uh add two for anyone who's

428
00:22:52,119 --> 00:22:53,799
who's going through that where you have someone in your

429
00:22:53,839 --> 00:22:56,559
life who's addicted and you know you may you may

430
00:22:56,680 --> 00:22:59,079
love them, but you're not your love for them and

431
00:22:59,119 --> 00:23:02,000
you're caring for them. You're not obligated to let them

432
00:23:02,079 --> 00:23:04,519
drag you down with them if that's what's happening. But

433
00:23:04,720 --> 00:23:09,480
also if you're just sticking around, you're not necessarily helping

434
00:23:09,559 --> 00:23:11,920
them long term either, if you're just kind of sticking

435
00:23:11,960 --> 00:23:15,559
around and putting up with it, because they're never going

436
00:23:15,640 --> 00:23:18,480
to get better until they as as you alluded to,

437
00:23:18,799 --> 00:23:22,000
until they want to change. And one of the ways

438
00:23:22,200 --> 00:23:24,599
that people arrive at that conclusion that they need to

439
00:23:24,680 --> 00:23:28,200
change is when people start leaving and you know, maybe

440
00:23:28,200 --> 00:23:30,359
they lose somebody who is really important to them, maybe

441
00:23:30,359 --> 00:23:32,480
they lose enough people where they start to go, Okay,

442
00:23:32,519 --> 00:23:35,160
now I need to change. Because you're right, you can't

443
00:23:35,799 --> 00:23:37,640
make them want to do it. They have to want

444
00:23:37,720 --> 00:23:40,599
to do it. I tell clients that with you know,

445
00:23:40,640 --> 00:23:43,359
I'm a hypnotherapist and when I deal with a lot

446
00:23:43,400 --> 00:23:45,839
of people who want to quit smoking, and I pay

447
00:23:45,920 --> 00:23:47,920
very close attention to the language that they use. If

448
00:23:47,960 --> 00:23:50,400
someone comes to me and says, you know, I really

449
00:23:50,400 --> 00:23:52,599
want to quit and here's why. Great. But if somebody

450
00:23:52,640 --> 00:23:54,559
comes to me and they say, well, you know, I

451
00:23:54,599 --> 00:23:57,000
guess I kind of want to quit because my spouse

452
00:23:57,200 --> 00:23:59,160
or my kids or whoever they want me to quit,

453
00:23:59,200 --> 00:24:01,039
It's like, well, no, I can't. I can't help you

454
00:24:01,079 --> 00:24:02,640
if you're doing it for somebody else. I can only

455
00:24:02,680 --> 00:24:05,000
help you if you're doing it for you, because you

456
00:24:05,079 --> 00:24:06,720
know you're you're never going to be as motivated to

457
00:24:06,759 --> 00:24:07,519
do it for somebody else.

458
00:24:07,559 --> 00:24:12,400
Speaker 11: And you have to want to change, right, And like

459
00:24:13,240 --> 00:24:17,680
that's the hardest thing to understand as someone who's the

460
00:24:17,799 --> 00:24:20,400
one you know that's sort of on the other side

461
00:24:20,440 --> 00:24:22,920
of it, you know, is that if they don't want

462
00:24:22,960 --> 00:24:26,000
to change, you can only you can keep dragging yourself

463
00:24:26,000 --> 00:24:27,240
down to the end of time. And I can't tell

464
00:24:27,240 --> 00:24:29,920
you how many friends over that ten year span told

465
00:24:30,000 --> 00:24:32,160
me like, what are you doing? But like, when you're

466
00:24:32,240 --> 00:24:34,799
living it and you've seen that, you know how good

467
00:24:34,839 --> 00:24:37,240
this person can be. Like again, you just keep fighting.

468
00:24:37,319 --> 00:24:38,799
But and it was the hardest thing I've ever had

469
00:24:38,839 --> 00:24:41,079
to do, I think in my life, maybe to cut

470
00:24:41,119 --> 00:24:43,680
this person off. But once I was able to do that,

471
00:24:43,759 --> 00:24:45,559
I was able to stop aside and see that again,

472
00:24:45,640 --> 00:24:47,000
everything you're saying is hundred percent right.

473
00:24:47,039 --> 00:24:50,000
Speaker 10: If he's not wanting to push forward that change, Like

474
00:24:50,079 --> 00:24:51,279
what am I going to do? You know?

475
00:24:51,799 --> 00:24:54,200
Speaker 11: And if I didn't get it done in seven years

476
00:24:54,279 --> 00:24:56,799
or eight years or whatever, Like you know, when am

477
00:24:56,839 --> 00:24:58,640
I going to wake up and say, hey, this is

478
00:24:58,720 --> 00:25:00,839
causing you chaos in your life and people that you.

479
00:25:01,039 --> 00:25:02,920
Speaker 10: Love because you're getting dragged out.

480
00:25:03,240 --> 00:25:05,400
Speaker 11: But this person, you know, and some of it, some

481
00:25:05,519 --> 00:25:07,000
of what happened to me, and this person was also

482
00:25:07,200 --> 00:25:10,960
quite public, so that was sort of another element of

483
00:25:11,039 --> 00:25:13,000
the drama. But like, you know, the best thing you

484
00:25:13,039 --> 00:25:14,640
can do for yourself, if you are listening and going

485
00:25:14,680 --> 00:25:17,000
through this is cut the chord. It's not hard, it's

486
00:25:17,039 --> 00:25:19,759
not easy, excuse me, but you know it'll be one

487
00:25:19,799 --> 00:25:21,440
of the best things that you can do to preserve yourself,

488
00:25:21,559 --> 00:25:24,079
especially if you've given this person, you know, years of

489
00:25:24,160 --> 00:25:26,119
your life trying to get back to it unless they

490
00:25:26,200 --> 00:25:29,319
want it. Like you said, it's not all you're going

491
00:25:29,400 --> 00:25:31,480
to do is you know, more heartbreak for yourself. And

492
00:25:31,759 --> 00:25:33,759
it's not selfish to think that either, because I thought

493
00:25:33,799 --> 00:25:35,160
it was selfish too for a long time.

494
00:25:35,200 --> 00:25:37,519
Speaker 10: But it's not. You have to self preserve at some point.

495
00:25:37,400 --> 00:25:40,759
Speaker 6: Now, right exactly now. In terms of writing the song,

496
00:25:41,079 --> 00:25:44,039
was this a difficult song to write? Or was it

497
00:25:44,640 --> 00:25:47,640
cathartic for you to write this? Or or I mean,

498
00:25:47,680 --> 00:25:50,039
how did you feel in writing the lyrics to this

499
00:25:50,240 --> 00:25:53,240
because obviously this is this comes from a very personal place.

500
00:25:54,880 --> 00:25:55,799
Speaker 10: Yeah, for sure.

501
00:25:56,039 --> 00:25:58,920
Speaker 11: I mean it's definitely cathartic, you know a little bit.

502
00:25:59,319 --> 00:26:01,720
For me, it always becomes more cathartic when I'm able

503
00:26:01,759 --> 00:26:03,559
to actually get in the booth, you know, and sing it,

504
00:26:04,160 --> 00:26:08,519
because when you're singing for a recording like and I'll

505
00:26:08,559 --> 00:26:09,440
never forget this ID.

506
00:26:10,119 --> 00:26:12,000
Speaker 10: I was working with a guy from mushroom Head.

507
00:26:11,880 --> 00:26:14,640
Speaker 11: For a while, the singer while XT singer now, and

508
00:26:15,160 --> 00:26:17,319
he gave me some really good advice. He went into

509
00:26:17,319 --> 00:26:21,000
the studio with me one day years ago and I

510
00:26:21,119 --> 00:26:23,359
was kind of laying down lines and he's like, bro,

511
00:26:23,680 --> 00:26:26,400
like you're not selling it, Like you're not selling me anything.

512
00:26:26,799 --> 00:26:29,000
He's like, until you put emotion into it, like, you're

513
00:26:29,079 --> 00:26:31,960
not selling me anything. He's like, you can sing the

514
00:26:32,000 --> 00:26:33,799
same line over and over again, but if you're not

515
00:26:34,079 --> 00:26:36,640
feeling every single word, like as a listener on board,

516
00:26:36,839 --> 00:26:38,599
you know, it could be the best song in the world,

517
00:26:38,680 --> 00:26:41,599
but if you're not selling it right. So Ever, since

518
00:26:41,640 --> 00:26:44,279
I've had that advice, every line that I put in

519
00:26:44,359 --> 00:26:47,079
the studio, I am thinking, how does this make me feel?

520
00:26:47,400 --> 00:26:48,680
Speaker 10: How can I bring emotion to it?

521
00:26:49,160 --> 00:26:51,720
Speaker 11: So writing is one thing, because it's words on paper,

522
00:26:51,759 --> 00:26:55,079
but actually singing it and you know, wanting to try

523
00:26:55,119 --> 00:26:56,680
to get it to the point that it's you know,

524
00:26:56,799 --> 00:26:58,759
gonna be sellable to an audience that's going to hopefully

525
00:26:58,880 --> 00:26:59,920
listen to it over and over again.

526
00:27:00,279 --> 00:27:01,880
Speaker 10: That is really when it hits, you.

527
00:27:01,920 --> 00:27:05,960
Speaker 6: Know, absolutely absolutely. Let's see, I just want to say

528
00:27:06,039 --> 00:27:07,960
hi to a few people in the chat room. Grim

529
00:27:08,039 --> 00:27:09,720
Rock is in there, of course, one of our great

530
00:27:09,759 --> 00:27:14,799
friends from Pennsylvania, Pittsburgh specifically a great musician. Also Jay Fed,

531
00:27:14,799 --> 00:27:16,839
our friend from Vermont, Jenny is in the chat room

532
00:27:16,880 --> 00:27:21,640
of course. Also I see Scott, Arthur McCullough and Molly.

533
00:27:21,720 --> 00:27:23,039
Speaker 4: What else have you been up to?

534
00:27:23,119 --> 00:27:25,759
Speaker 6: It's it's been. I want to say, it's been probably

535
00:27:25,839 --> 00:27:27,799
a year and a half since you've been on the show.

536
00:27:29,440 --> 00:27:31,319
What have you been Have you been touring, have you

537
00:27:31,720 --> 00:27:35,119
just been focused on recording studio tracks, or what have

538
00:27:35,200 --> 00:27:35,680
you been doing?

539
00:27:37,440 --> 00:27:37,720
Speaker 13: Sure?

540
00:27:38,240 --> 00:27:39,039
Speaker 14: So, I.

541
00:27:40,799 --> 00:27:42,640
Speaker 11: Honestly a little bit of this, a little bit of that.

542
00:27:43,200 --> 00:27:45,240
I did get to do some shows, I think since

543
00:27:45,240 --> 00:27:47,400
the last time I saw you. I have a wonderful

544
00:27:47,440 --> 00:27:51,279
booking agent who sent me to a couple of cool

545
00:27:51,319 --> 00:27:56,079
cities down south, and we've of course been in the

546
00:27:56,119 --> 00:27:58,319
studio you know, here and there. But it's funny, my

547
00:27:58,440 --> 00:28:00,359
life has kind of and I think this was back

548
00:28:00,359 --> 00:28:03,240
to meet taking music for granted a little bit. I

549
00:28:03,359 --> 00:28:06,599
started getting into I have a nonprofit organization right now,

550
00:28:06,799 --> 00:28:10,960
and what we do is we help racehorses sort of

551
00:28:11,400 --> 00:28:14,000
transition into life after racing so they're not ending up

552
00:28:14,000 --> 00:28:15,640
in a bad place like a kill pen or slaughter

553
00:28:15,839 --> 00:28:19,920
you know thing whatever. Yeah, and horses are very much

554
00:28:20,000 --> 00:28:23,319
a summer activity. And it's hard because touring is also

555
00:28:23,440 --> 00:28:25,440
very much a summer activity, at least in my life,

556
00:28:25,480 --> 00:28:28,039
because I'm not interested in sort of judging around in

557
00:28:28,079 --> 00:28:28,920
the snow anymore.

558
00:28:29,119 --> 00:28:32,880
Speaker 6: But uh, don't blame you, so honestly.

559
00:28:32,640 --> 00:28:36,880
Speaker 10: Like it's been a very very busy life of both.

560
00:28:36,799 --> 00:28:39,359
Speaker 11: Sort of managing a nonprofit of course I'm a lawyer

561
00:28:39,440 --> 00:28:42,640
in career as well, and also trying to you know,

562
00:28:42,720 --> 00:28:44,279
fit in some music. So that's kind of why we've

563
00:28:44,279 --> 00:28:46,000
been putting out singles, is just because you know, it's

564
00:28:46,000 --> 00:28:49,359
been so busy to try and like, you know, sort

565
00:28:49,359 --> 00:28:50,319
of fit an element.

566
00:28:50,039 --> 00:28:51,519
Speaker 10: Into all of it. So it's been a little of

567
00:28:51,599 --> 00:28:52,400
this little of that, you know.

568
00:28:52,839 --> 00:28:53,359
Speaker 4: But how about you?

569
00:28:53,480 --> 00:28:56,680
Speaker 11: What have you been up to on Facebook all the time? Yeah,

570
00:28:56,799 --> 00:28:59,079
doing all kinds of new things. You look like you're

571
00:28:59,079 --> 00:29:00,680
in a new studio since time I've seen you.

572
00:29:01,200 --> 00:29:03,039
Speaker 6: Yeah, well, we'll have to have you on in person

573
00:29:03,119 --> 00:29:05,440
at some point so you can see this beautiful place. Yes,

574
00:29:05,519 --> 00:29:07,720
we're in a new you know, and the where we

575
00:29:07,839 --> 00:29:10,079
were at before was nice and everything, but yes, the

576
00:29:10,200 --> 00:29:12,839
radio station has moved since then and we're in this

577
00:29:12,920 --> 00:29:15,480
this this incredible building where everything is new and clean

578
00:29:15,720 --> 00:29:18,519
and it's it's it's really nice here. So yeah, we'll

579
00:29:18,559 --> 00:29:19,839
have to we'll have to get.

580
00:29:19,720 --> 00:29:23,000
Speaker 10: You here at are you Are you still downtown area?

581
00:29:23,519 --> 00:29:23,640
Speaker 7: Uh?

582
00:29:23,839 --> 00:29:26,960
Speaker 6: Yeah, well it depends on what you'd define as downtown.

583
00:29:27,039 --> 00:29:30,039
There's actually been some debate about that across some of

584
00:29:30,079 --> 00:29:33,079
the shows. But I think this is technically still considered

585
00:29:33,119 --> 00:29:35,960
downtown because we're very close to Elm Street. So the

586
00:29:36,000 --> 00:29:37,640
old place was on Elm Street.

587
00:29:38,119 --> 00:29:38,200
Speaker 15: Uh.

588
00:29:38,400 --> 00:29:40,920
Speaker 6: Now we're you know, we're a couple of blocks down

589
00:29:41,039 --> 00:29:43,799
from Elm Street. But I think this is still technically

590
00:29:43,880 --> 00:29:48,279
considered the downtown area. But it's great. The parking situation

591
00:29:48,440 --> 00:29:50,839
is so much better, and it's you know, it's everything

592
00:29:50,920 --> 00:29:53,400
here is. You know, they remodeled this building before we

593
00:29:53,519 --> 00:29:55,839
moved in, and it's incredible. Yeah, you got to see it.

594
00:29:56,160 --> 00:29:57,279
You got to see it. It's really nice.

595
00:29:57,319 --> 00:30:00,119
Speaker 11: I would love to come in. Absolutely, I'm happy. If

596
00:30:00,119 --> 00:30:01,920
you guys are happy, I'm happy. I had one of

597
00:30:01,960 --> 00:30:02,680
my favorite shocks.

598
00:30:02,920 --> 00:30:06,240
Speaker 6: Oh, thank you, thank you very much. I'm curious to

599
00:30:06,279 --> 00:30:09,400
know more about this nonprofit. By the way, how long

600
00:30:09,559 --> 00:30:10,920
how long ago did you start?

601
00:30:11,000 --> 00:30:11,039
Speaker 13: That?

602
00:30:11,359 --> 00:30:13,920
Speaker 6: Is this relatively new? Yeah?

603
00:30:14,359 --> 00:30:19,359
Speaker 11: So, uh, it's just over a year old. And I've

604
00:30:19,400 --> 00:30:22,319
had raceources my whole life. I've been heavy into race horses.

605
00:30:22,960 --> 00:30:24,839
Not the kime that you think, not the like the

606
00:30:24,960 --> 00:30:27,200
Kentucky Derby kind, but the kime that kind of has

607
00:30:27,279 --> 00:30:29,440
like a cart. You know, they have the cart and

608
00:30:29,480 --> 00:30:33,519
the driver. And actually there's quite a racing community not

609
00:30:33,640 --> 00:30:35,720
too far from you in Maine and also in mass

610
00:30:35,799 --> 00:30:38,880
so they're in Vermont actually so and honestly, I think

611
00:30:39,000 --> 00:30:41,960
is it Somerset, New Hampshire is a town that Summer's

612
00:30:42,000 --> 00:30:44,599
Worth or something also had a racetrack. So there's racetracks

613
00:30:44,599 --> 00:30:46,359
all over New England that do this kind of cart

614
00:30:46,440 --> 00:30:48,759
racing situation, and that's where I grew up in. So

615
00:30:50,240 --> 00:30:53,319
recently we've had a really big situation where a lot

616
00:30:53,359 --> 00:30:55,839
of those horses are ending up in bad situations because

617
00:30:55,839 --> 00:30:57,200
a lot of them end up with the Amish after

618
00:30:57,279 --> 00:30:57,680
they race.

619
00:30:58,319 --> 00:31:01,559
Speaker 10: So the Amish will kind of of they treat them sort.

620
00:31:01,359 --> 00:31:04,039
Speaker 11: Of like machinery. And you can't even hate on exits

621
00:31:04,079 --> 00:31:05,960
their way of life, right, that's what they know. So okay,

622
00:31:06,759 --> 00:31:08,440
But the problem is is the Amish when they're done

623
00:31:08,480 --> 00:31:10,799
with them, if there's any use life to them, they'll

624
00:31:10,920 --> 00:31:13,240
sell them to whoever will give them, you know, a dollar.

625
00:31:13,720 --> 00:31:15,960
So a lot of those times there meat buyers, right,

626
00:31:16,039 --> 00:31:18,200
so the meat buyers buy from the Amish, and then

627
00:31:19,119 --> 00:31:22,160
what happens is these rescue groups have a chance to

628
00:31:22,200 --> 00:31:26,640
intercept the horses. So because race horses are tattooed, we

629
00:31:26,839 --> 00:31:30,000
can identify who they are. So the rescues go into

630
00:31:30,039 --> 00:31:32,400
the kill pens before the horses ship for meat, you know,

631
00:31:32,599 --> 00:31:35,599
and then they post every name online. So what happens

632
00:31:35,720 --> 00:31:37,400
is is if you own one of those.

633
00:31:37,240 --> 00:31:39,160
Speaker 10: Horses, all of a sudden, you're like, oh my god,

634
00:31:39,200 --> 00:31:40,079
I have to save this horse.

635
00:31:40,160 --> 00:31:40,519
Speaker 6: Oh wow.

636
00:31:40,519 --> 00:31:43,160
Speaker 10: So it's kind of become of extortion.

637
00:31:43,119 --> 00:31:45,559
Speaker 11: Because of course you don't want the horse to go

638
00:31:45,640 --> 00:31:48,599
to slaughter, you know, that's your your boy maybe at

639
00:31:48,640 --> 00:31:52,000
some point, right, but the back up the price ridiculously.

640
00:31:52,079 --> 00:31:54,440
So if the kill buyers paying twenty five dollars for

641
00:31:54,559 --> 00:31:56,200
the horse from the Amish, he's gonna sell it to

642
00:31:56,279 --> 00:31:58,079
me for one thousand dollars because he knows.

643
00:31:58,279 --> 00:32:01,240
Speaker 10: Emotionally, I don't want that horse to die, right right.

644
00:32:01,400 --> 00:32:02,839
So that's a crisis.

645
00:32:03,160 --> 00:32:05,799
Speaker 11: And so what I've sort of come up with is

646
00:32:05,839 --> 00:32:07,759
if we can place horses and homes that are not

647
00:32:07,880 --> 00:32:10,599
the Amish when they're done racing, hopefully we can cut

648
00:32:10,640 --> 00:32:14,640
back on this problem. So that's what we've been doing

649
00:32:14,680 --> 00:32:16,920
for the last year. We've done I think almost two

650
00:32:16,960 --> 00:32:19,160
hundred and fifty adoptions in a year, so that's a lot.

651
00:32:19,680 --> 00:32:24,079
Were very busy absolutely excited about that. And at the

652
00:32:24,079 --> 00:32:26,240
same time, we also bring these horses to horse shows

653
00:32:26,240 --> 00:32:28,039
and such just sort of get the mission out there.

654
00:32:28,119 --> 00:32:31,240
Speaker 10: So it's super busy, but it's good work and you know,

655
00:32:31,519 --> 00:32:32,480
I really enjoy it.

656
00:32:32,599 --> 00:32:34,480
Speaker 11: It makes me, you know, feel happy and feel good about,

657
00:32:34,519 --> 00:32:37,440
you know, doing something that hopefully is benefiting you know.

658
00:32:37,480 --> 00:32:39,519
Speaker 10: Not only the people who are being extorted, but the horses.

659
00:32:39,640 --> 00:32:40,440
You know, at the end of the day.

660
00:32:40,880 --> 00:32:43,440
Speaker 6: Now, that's great that you're doing that so long. No,

661
00:32:43,640 --> 00:32:46,839
that's that's wonderful. I'm glad. I'm glad to hear you

662
00:32:46,880 --> 00:32:50,160
talk about that. That's that's fantastic, very positive. And at

663
00:32:50,200 --> 00:32:53,119
two hundred and fifty horses you've saved, that's that's amazing.

664
00:32:53,759 --> 00:32:55,039
So you're doing great work there.

665
00:32:56,079 --> 00:32:56,960
Speaker 10: We're very busy.

666
00:32:57,079 --> 00:32:59,720
Speaker 11: I'm very fortunate to have also a wonderful team who's

667
00:32:59,720 --> 00:33:03,359
started volunteers and helps helps the trankey problem. Because it's

668
00:33:03,400 --> 00:33:05,519
it's a lot of work, but I love it. It's

669
00:33:05,559 --> 00:33:07,680
it's it's, like I said, something that makes me happy.

670
00:33:07,920 --> 00:33:12,559
Speaker 6: So yeah, yeah, absolutely, you mentioned too reminding us and

671
00:33:12,759 --> 00:33:14,440
we've talked about it a little bit before. But you're

672
00:33:14,440 --> 00:33:18,480
also an attorney, and are you are you Uh, do

673
00:33:18,519 --> 00:33:20,119
you have a particular zone that you work in or

674
00:33:20,319 --> 00:33:22,079
do you do entertainment law or.

675
00:33:22,160 --> 00:33:22,599
Speaker 12: What do you do?

676
00:33:24,000 --> 00:33:24,599
Speaker 6: Yeah, so.

677
00:33:26,240 --> 00:33:29,720
Speaker 11: I do a lot of entertainment stuff, mostly because those

678
00:33:29,759 --> 00:33:30,400
are my friends.

679
00:33:30,920 --> 00:33:31,119
Speaker 14: Yeah.

680
00:33:32,720 --> 00:33:36,559
Speaker 11: Before I did the solo stuff like I did, I

681
00:33:36,640 --> 00:33:38,559
was a guitarist, right, so I met a lot of

682
00:33:38,640 --> 00:33:40,759
people being a guitar player and sort of floating around

683
00:33:40,759 --> 00:33:44,359
to different bands and such. So because I met so

684
00:33:44,440 --> 00:33:46,319
many people, the day I became an attorney all of

685
00:33:46,359 --> 00:33:48,400
a sudden, like my phone is off the hook every day.

686
00:33:49,039 --> 00:33:51,599
So I have a lot of bands that I that

687
00:33:51,680 --> 00:33:54,319
I support now, which I'm happy to do it because again,

688
00:33:54,559 --> 00:33:55,960
you know, that's the reason why I got into it,

689
00:33:56,440 --> 00:34:00,640
and also sort of unexpected when I got out of

690
00:34:00,720 --> 00:34:03,079
law school and I was sort of navigating, you know,

691
00:34:03,119 --> 00:34:03,759
what I wanted to do.

692
00:34:03,920 --> 00:34:06,640
Speaker 10: I also work a lot of nonprofit law.

693
00:34:07,000 --> 00:34:09,280
Speaker 11: So that's another reason which kind of contributed to me

694
00:34:09,320 --> 00:34:11,920
starting my own is because I knew, you know, I

695
00:34:12,239 --> 00:34:14,199
know what it's like, and I knew the whole sort

696
00:34:14,199 --> 00:34:16,800
of legality process, and you know, it made sense.

697
00:34:16,880 --> 00:34:18,800
Speaker 10: So I do. I work a lot with nonprofits and

698
00:34:18,840 --> 00:34:21,920
a lot with artists, so and I love it. Every

699
00:34:21,960 --> 00:34:24,280
day is a new challenge, but you know, it keeps

700
00:34:24,360 --> 00:34:24,760
us busy.

701
00:34:25,519 --> 00:34:28,800
Speaker 6: It's so important too for musicians, as you know, to

702
00:34:29,039 --> 00:34:32,719
protect themselves and to really you know, we've been talking,

703
00:34:32,840 --> 00:34:35,039
Jenny and I sometimes on the show, if we have

704
00:34:35,119 --> 00:34:37,440
a few minutes, we'll talk about we've been following very

705
00:34:37,519 --> 00:34:41,880
closely Limp Biscuits lawsuit against Universal Music Group, and I

706
00:34:42,079 --> 00:34:46,719
was commenting, how you know it's so important. Obviously there's

707
00:34:46,719 --> 00:34:48,320
a lot of sharks in the industry, and there's a

708
00:34:48,360 --> 00:34:50,480
lot of there's a lot of people who will or

709
00:34:50,719 --> 00:34:53,239
big companies like UMG, who will try to take advantage

710
00:34:53,280 --> 00:34:55,280
of you and try to take advantage of anybody that

711
00:34:55,400 --> 00:34:58,079
they sign. And you know, I learned this term recently

712
00:34:58,119 --> 00:35:00,559
spaghetti accounting, and I've been learning a lot. But but

713
00:35:01,400 --> 00:35:04,800
we talked about the importance of before you sign anything,

714
00:35:05,159 --> 00:35:09,559
have an entertainment lawyer, have somebody look at it before you,

715
00:35:10,000 --> 00:35:12,199
you know, sign that deal, so you know exactly what

716
00:35:12,280 --> 00:35:14,559
you're getting into, so that you don't end up in

717
00:35:14,599 --> 00:35:17,079
a situation where you might think that you're owed a

718
00:35:17,159 --> 00:35:19,119
lot of money, but then it turns out you signed

719
00:35:19,119 --> 00:35:21,639
a deal where well, maybe you're actually not owed anything.

720
00:35:22,440 --> 00:35:26,719
And it's so it's so important to have somebody look.

721
00:35:26,599 --> 00:35:26,840
Speaker 10: At that.

722
00:35:29,599 --> 00:35:33,119
Speaker 11: And that alone is literally a crisis. And one of

723
00:35:33,199 --> 00:35:35,920
the things actually with the person who inspired the song

724
00:35:36,039 --> 00:35:40,119
specifically really opened my eyes set because a lot of

725
00:35:40,239 --> 00:35:43,960
my friends that I have a lot of them are

726
00:35:44,079 --> 00:35:48,280
rockers from nineties, two thousands, and that was the peak

727
00:35:48,400 --> 00:35:50,480
of the rock record deal as we know it, the

728
00:35:50,599 --> 00:35:54,480
modern one. Yeah, so they were plucking these bands of

729
00:35:54,599 --> 00:35:59,079
kids and they were sort of wrapping them up in

730
00:35:59,199 --> 00:36:01,639
these record deals, but they would sort of disguise it

731
00:36:01,760 --> 00:36:04,800
with giant advances. So if you take a group of

732
00:36:04,880 --> 00:36:07,159
twenty year olds or twenty five ors whatever and say hey,

733
00:36:07,199 --> 00:36:09,039
we're going to give you a quarter million dollars to

734
00:36:09,119 --> 00:36:11,280
make a rock record, they're like, heck, yeah, I'm in,

735
00:36:11,599 --> 00:36:13,840
you know, not thinking about anything else other than that.

736
00:36:13,920 --> 00:36:16,440
But what they don't understand is also an advances alone, right,

737
00:36:16,559 --> 00:36:19,000
so it's not even like and you have to spend it,

738
00:36:19,039 --> 00:36:21,199
of course on these expenses, and then secondarily they're signing

739
00:36:21,199 --> 00:36:24,480
their rights away to the end product. So we have

740
00:36:24,639 --> 00:36:28,840
these guys who have like mega hits right from the

741
00:36:28,880 --> 00:36:32,880
two thousands, especially nineties as well, that are not seeing

742
00:36:33,039 --> 00:36:36,039
any of their money and a lot for a lot

743
00:36:36,079 --> 00:36:38,039
of them that is money they can live off of, right,

744
00:36:38,360 --> 00:36:39,800
especially a lot of them that are not in the

745
00:36:39,840 --> 00:36:42,679
business anymore, Like now they're having to go molawans because

746
00:36:43,159 --> 00:36:45,920
despite them having a hit that's still spun on lithium,

747
00:36:46,000 --> 00:36:48,679
you know, and serious, it doesn't matter. And the other

748
00:36:48,800 --> 00:36:51,440
thing that these labels were doing is they were putting

749
00:36:52,199 --> 00:36:55,079
these sort of clawback clauses in that says, even if

750
00:36:55,320 --> 00:36:57,559
you know, our rights expire after ten or fifteen years,

751
00:36:57,719 --> 00:37:00,840
you have to be the ones to come claim them, right.

752
00:37:01,159 --> 00:37:04,239
So seeing people who haven't been not that they have

753
00:37:04,360 --> 00:37:06,360
been relevant, but they haven't been like as well off

754
00:37:06,400 --> 00:37:09,159
as they were fifteen years ago. Trying to navigate or

755
00:37:09,239 --> 00:37:11,519
figure out how to do this. You have to get

756
00:37:11,519 --> 00:37:13,440
a friend's like accountant, you have to get lawyers, all

757
00:37:13,480 --> 00:37:15,679
this thing, and then with what little money you have,

758
00:37:15,920 --> 00:37:18,840
you're trying to fight a UMG. You know, you're trying

759
00:37:18,880 --> 00:37:22,599
to fight a capital It's like they make it almost impossible.

760
00:37:22,639 --> 00:37:26,000
So all of these people, it's really a travesty, you know.

761
00:37:26,239 --> 00:37:28,800
And I see their Spotify's they're probably making ten grand

762
00:37:29,119 --> 00:37:31,440
them they're not seeing any of it. Right over songs

763
00:37:31,480 --> 00:37:33,840
that have been hit for twenty years and it's just

764
00:37:33,960 --> 00:37:36,360
terrible because these people now have nothing.

765
00:37:37,239 --> 00:37:38,039
Speaker 10: And a lot of.

766
00:37:38,119 --> 00:37:40,840
Speaker 11: Times when you're signing these deals when you're twenty, you

767
00:37:40,960 --> 00:37:42,760
miss out on a lot of life skills that every

768
00:37:42,800 --> 00:37:45,000
other twenty year old's learning. How to balance a checkbook,

769
00:37:45,079 --> 00:37:46,920
how to pay bills, how to do this, how to

770
00:37:47,079 --> 00:37:50,239
do your taxes. They learn none of those skills. So

771
00:37:50,400 --> 00:37:52,360
now you have these people who are thirty, you know,

772
00:37:52,559 --> 00:37:57,039
forty fifty, who have no skills. They have no way

773
00:37:57,239 --> 00:37:59,360
to collect a living off of all the work that

774
00:37:59,400 --> 00:38:02,039
they've done, because again there's all these red you know,

775
00:38:02,119 --> 00:38:06,559
sort of red tape and paper walls, and they're literally living,

776
00:38:06,760 --> 00:38:08,119
you know, and swallowed. And that's why a lot of

777
00:38:08,159 --> 00:38:11,360
them turn to things like drugs because you know, they're

778
00:38:11,440 --> 00:38:14,679
also sort of facing this mental crisis of that one

779
00:38:14,760 --> 00:38:16,159
time I was on top of the world and now

780
00:38:16,159 --> 00:38:16,840
I'm at the bottom.

781
00:38:17,119 --> 00:38:19,400
Speaker 10: Like dealing with that, it's difficult for them.

782
00:38:20,000 --> 00:38:24,599
Speaker 11: So it's like a ginormous ball and especially if you're

783
00:38:24,719 --> 00:38:27,079
you know, interested or involved in psychology of many, you know,

784
00:38:27,559 --> 00:38:30,559
it's like a huge ball of trauma that explodes on

785
00:38:30,639 --> 00:38:31,840
these people and they're forgotten.

786
00:38:32,320 --> 00:38:32,480
Speaker 12: Yeah.

787
00:38:32,920 --> 00:38:35,159
Speaker 10: Yeah, And it's again wild because.

788
00:38:34,880 --> 00:38:36,599
Speaker 11: They can turn on their car radio and their songs

789
00:38:36,639 --> 00:38:39,320
still on twenty years later, and they're like literally living

790
00:38:39,360 --> 00:38:42,519
in the car, you know, Like it's crazy, it's crazy.

791
00:38:42,639 --> 00:38:46,199
But the whole situation, it takes advantage of these kids,

792
00:38:46,320 --> 00:38:50,440
and they're still doing it today. I don't know to

793
00:38:50,519 --> 00:38:52,960
what extent, but I know what they did. You know,

794
00:38:53,280 --> 00:38:55,920
back before streaming was a thing, it was. It's terrible,

795
00:38:55,960 --> 00:38:59,400
it's criminal, and Olympus Get is a great example. But

796
00:38:59,440 --> 00:39:02,599
Olympus get It has the money and power to be

797
00:39:02,639 --> 00:39:04,800
able to do something about it. So I'm really hoping

798
00:39:04,920 --> 00:39:07,480
that you know, this sort of makes an example and

799
00:39:07,679 --> 00:39:09,760
help set the record straight for all these people who

800
00:39:09,760 --> 00:39:11,360
are getting screwed, you know, because it's terrible.

801
00:39:12,199 --> 00:39:17,119
Speaker 6: Yeah, is that anyways? Wood, No, that's great information. You know,

802
00:39:17,159 --> 00:39:19,920
a lot of a lot of musicians listen to the show,

803
00:39:20,199 --> 00:39:22,119
some of them young musicians just starting out, and a

804
00:39:22,159 --> 00:39:24,559
lot of industry people listen. So this is important information.

805
00:39:25,760 --> 00:39:28,039
Is that the number one mistake you see artists make

806
00:39:28,280 --> 00:39:31,679
is signing a signing a record deal and they don't

807
00:39:31,719 --> 00:39:32,559
know what they're getting into.

808
00:39:34,239 --> 00:39:34,440
Speaker 10: Yeah.

809
00:39:34,480 --> 00:39:37,480
Speaker 11: Absolutely, And a lot of artists, a lot of my

810
00:39:37,559 --> 00:39:40,119
friends especially you know that I grew up with who

811
00:39:40,760 --> 00:39:46,320
you know, are I never had anything really big happen.

812
00:39:46,639 --> 00:39:49,119
We'll say, uh, look, I just had one gentleman that

813
00:39:49,239 --> 00:39:51,599
came to me a couple of days ago. He got

814
00:39:51,840 --> 00:39:55,119
sort of sent a record deal by some unknown company,

815
00:39:55,239 --> 00:39:58,519
and the terms were like almost ridiculous, like basically he

816
00:39:58,639 --> 00:40:01,320
has to pay for everything. They get to keep all

817
00:40:01,360 --> 00:40:04,599
the rights despite him paying for everything, but they'll give

818
00:40:04,679 --> 00:40:07,719
him distribution, which distribution is important, but it's only important

819
00:40:07,760 --> 00:40:09,920
if you're using a real distributor, and they weren't. So

820
00:40:09,960 --> 00:40:13,559
I'm like, dude, you know, think And it's hard because

821
00:40:13,639 --> 00:40:15,960
like I don't want to hurt this guy's feelings because

822
00:40:15,960 --> 00:40:17,400
I'm like, this doesn't mean that you're bad.

823
00:40:17,519 --> 00:40:19,400
Speaker 10: You know, this doesn't mean that you're not worth a

824
00:40:19,519 --> 00:40:22,559
real record deal. But dude, what are you getting.

825
00:40:22,679 --> 00:40:24,760
Speaker 11: You're up running all your costs and you're giving them

826
00:40:24,800 --> 00:40:27,039
all your rights, like on its face, like you can't

827
00:40:27,119 --> 00:40:30,000
do that, right, it's not worth it. And if someone's

828
00:40:30,039 --> 00:40:31,400
willing to cut a deal like that, they don't know

829
00:40:31,440 --> 00:40:32,880
what they're doing. So I said that it's not This

830
00:40:33,000 --> 00:40:34,639
isn't worth the paper it's printed on, and you know,

831
00:40:35,079 --> 00:40:37,079
so I get that a lot, and it's bad, you know,

832
00:40:37,119 --> 00:40:39,519
because they're so excited and you have to rain on

833
00:40:39,519 --> 00:40:41,199
their parade a little bit. But it's important to do

834
00:40:41,280 --> 00:40:43,760
that because again, what if he has a hit right

835
00:40:44,159 --> 00:40:48,400
like right, it'd be terrible or if you know, it's useless,

836
00:40:48,400 --> 00:40:50,159
And I think that's the other thing is uh and

837
00:40:50,199 --> 00:40:53,599
A sorry so many tangents, but a lot of these

838
00:40:53,639 --> 00:40:55,960
small independent labels are sort of popping up out of

839
00:40:55,960 --> 00:40:58,400
the woodwork, and it's just people who you know, want

840
00:40:58,480 --> 00:41:00,000
to do it but don't know how are their means

841
00:41:00,039 --> 00:41:03,440
Musicians that failed and if they don't have the tools

842
00:41:03,679 --> 00:41:06,760
to you know, market your music, they're not it's not

843
00:41:06,840 --> 00:41:10,199
worth it. Like they have to have distribution that's actually

844
00:41:10,280 --> 00:41:13,679
worth something. A lot of small labels will sign on with,

845
00:41:13,920 --> 00:41:17,480
like you know, Sony's distribution is called the Orchard active

846
00:41:17,519 --> 00:41:21,440
distribution actively pushing your music, versus passive distribution like CD baby,

847
00:41:21,679 --> 00:41:23,960
where anyone could pay nine dollars and your song will

848
00:41:23,960 --> 00:41:28,039
pop up in Spotify tomorrow. You know, having a marketing

849
00:41:28,079 --> 00:41:32,559
team having radio is not a radio agents, I suppose

850
00:41:32,880 --> 00:41:35,000
is good as well as Spotify playlisters. You need to

851
00:41:35,079 --> 00:41:37,079
sign with people who have something to give to you.

852
00:41:37,480 --> 00:41:39,960
If you're giving them your product, they need to match

853
00:41:40,079 --> 00:41:43,679
that contribution right with resources. So that's the most important

854
00:41:43,679 --> 00:41:46,400
thing I think if any musicians are listening, you absolutely

855
00:41:46,599 --> 00:41:52,719
have to, you know, be able to to sort of

856
00:41:52,840 --> 00:41:54,599
do some due diligence and make sure that what you're

857
00:41:54,679 --> 00:41:58,840
offering they're matching at right with with resources and services.

858
00:41:58,679 --> 00:42:02,840
Speaker 6: Right absolutely, you know, And as you were saying, too,

859
00:42:03,000 --> 00:42:05,880
you know, these nineties artists, early two thousands artists didn't

860
00:42:05,920 --> 00:42:08,960
have some of the ways available to them to do

861
00:42:09,039 --> 00:42:10,559
it the way you can do it now. Where now

862
00:42:10,800 --> 00:42:13,440
you can you know, Top I don't know if you're

863
00:42:13,440 --> 00:42:15,920
familiar with Top music attorney. She's a law tuber and

864
00:42:16,239 --> 00:42:19,119
she specializes in this area, and she talks about how

865
00:42:19,440 --> 00:42:21,239
you know, be your own record label. You know you

866
00:42:21,320 --> 00:42:23,480
can do all this stuff DIY if you want.

867
00:42:23,400 --> 00:42:28,079
Speaker 10: To, Yes, yes, that's my favorite topic of all times.

868
00:42:28,599 --> 00:42:29,440
I want tangent on it.

869
00:42:29,559 --> 00:42:34,679
Speaker 11: But that is one accurate and I think that that

870
00:42:34,920 --> 00:42:37,440
sort of was the last piece of that conversation, is

871
00:42:37,480 --> 00:42:39,920
that there's no sense in signing your life away when

872
00:42:39,960 --> 00:42:42,840
you can basically it's called label services, right, you can

873
00:42:43,039 --> 00:42:46,239
piece together your own team today and do everything label

874
00:42:46,280 --> 00:42:47,800
would you kind of it?

875
00:42:47,880 --> 00:42:48,679
Speaker 10: You have to pay for it.

876
00:42:49,599 --> 00:42:51,880
Speaker 11: But the pro of it is if it works, then

877
00:42:51,960 --> 00:42:54,320
you get to keep every penny that you make, you know,

878
00:42:54,960 --> 00:42:57,280
to reinvest it, like you don't. Nobody needs able today,

879
00:42:57,360 --> 00:43:01,360
not nobody. But of course it's just this, you know,

880
00:43:01,480 --> 00:43:03,840
it's kind of like I don't know, like an old

881
00:43:03,880 --> 00:43:05,760
lives tale. I guess that, oh, we want the big

882
00:43:05,800 --> 00:43:08,159
record deal and whatnot, but you know, you know how it.

883
00:43:08,159 --> 00:43:11,800
Speaker 6: Goes, Oh I do. And and if you build your

884
00:43:11,840 --> 00:43:15,639
own team instead of using a label too, you retain

885
00:43:16,239 --> 00:43:18,719
all the rights to your own music because you know,

886
00:43:18,800 --> 00:43:20,960
I mean, we've all heard the horror stories too about

887
00:43:21,400 --> 00:43:24,559
you know, somebody records an album for a record label

888
00:43:24,599 --> 00:43:27,400
that they're signed to, and then the album gets shelved

889
00:43:27,880 --> 00:43:31,239
because for whatever reason, the label doesn't want to release it,

890
00:43:31,719 --> 00:43:34,079
and you've just put all this work into something that

891
00:43:34,199 --> 00:43:38,039
now isn't even coming out. And those stories are are

892
00:43:38,559 --> 00:43:40,679
plentiful and they're heartbreaking.

893
00:43:41,960 --> 00:43:42,639
Speaker 10: They's terrible.

894
00:43:42,840 --> 00:43:44,960
Speaker 11: And that's kind of the new trend with these labels

895
00:43:45,079 --> 00:43:48,719
is they'll sign twenty people at once, have them all

896
00:43:48,840 --> 00:43:51,800
produced content, and then one person will actually see the

897
00:43:51,840 --> 00:43:55,199
light of day. The others the music is taken over

898
00:43:55,320 --> 00:43:57,199
so you can't use it, and then you're dropped, so

899
00:43:57,360 --> 00:44:00,239
you're like, basically you just lost to your life thing.

900
00:44:00,360 --> 00:44:03,280
Speaker 10: You know, it's awful. But again, they're in the business

901
00:44:03,320 --> 00:44:03,920
of making money.

902
00:44:04,000 --> 00:44:05,360
Speaker 11: So if they think that's how they're going to do it,

903
00:44:05,440 --> 00:44:07,239
that's what they're going to do, you know, And they

904
00:44:07,440 --> 00:44:10,559
use their status to sort of push people around that way.

905
00:44:10,760 --> 00:44:14,840
But you know, I if you can do it yourself,

906
00:44:14,960 --> 00:44:18,480
and that's why having a career while you're pursuing music

907
00:44:18,559 --> 00:44:21,000
is so important. If you can save some cash to

908
00:44:21,039 --> 00:44:23,400
do it yourself, you're one hundred percent putting yourself in

909
00:44:23,400 --> 00:44:26,360
a better position, you know, in my opinion, I agree.

910
00:44:26,840 --> 00:44:28,960
Speaker 6: Uh, we have a question in the chat room. Grim

911
00:44:29,039 --> 00:44:32,199
Rock is asking does Molly do things with trademarks and

912
00:44:32,360 --> 00:44:33,039
word marks?

913
00:44:34,920 --> 00:44:36,519
Speaker 10: Yes, I do all the time.

914
00:44:36,960 --> 00:44:39,960
Speaker 6: Yeah, I can imagine, Yeah I would. I would think

915
00:44:40,000 --> 00:44:41,000
that that'd probably be a.

916
00:44:41,400 --> 00:44:44,480
Speaker 11: It's important trade trademark your stuff, anything that you have

917
00:44:44,679 --> 00:44:46,599
That'stellextual property, get it protected.

918
00:44:47,719 --> 00:44:49,119
Speaker 10: That's the bus advice I can offer.

919
00:44:49,519 --> 00:44:53,400
Speaker 6: Yeah, yeah, absolutely, Molly.

920
00:44:53,519 --> 00:44:53,840
Speaker 7: We are.

921
00:44:54,360 --> 00:44:57,480
Speaker 6: The time goes quickly, we're already approaching the top of

922
00:44:57,519 --> 00:45:00,400
the hour, but I want to make sure I was

923
00:45:00,440 --> 00:45:03,119
thinking about when we closed the segment, closing out with this.

924
00:45:03,440 --> 00:45:05,679
The first song that we ever played of yours on

925
00:45:05,880 --> 00:45:08,119
this show is End of the World, and I still

926
00:45:08,159 --> 00:45:10,159
love that song. I was thinking I was thinking about

927
00:45:10,239 --> 00:45:13,480
ending with that one, but and I love Chained is great,

928
00:45:13,599 --> 00:45:18,880
absolutely great. But what what should people know about where

929
00:45:18,920 --> 00:45:21,199
to find you online? And where's the best place to

930
00:45:21,280 --> 00:45:23,440
go and where to keep up with everything that you're doing?

931
00:45:23,559 --> 00:45:25,239
And I assume changed of course is on all the

932
00:45:25,280 --> 00:45:28,000
streaming platforms and people can get access to that or

933
00:45:28,199 --> 00:45:31,280
probably all your music, But what should what should people

934
00:45:31,360 --> 00:45:33,639
know about in terms of how to find you online?

935
00:45:36,119 --> 00:45:39,960
Speaker 11: Honestly, at Molly d Ago, I'm on every single thing.

936
00:45:40,039 --> 00:45:43,599
I think, Come find me, come say hi. Thank you

937
00:45:43,719 --> 00:45:46,079
so much for you know, listening to my music. Anyone

938
00:45:46,079 --> 00:45:48,760
who's listening, Matt, thank you so much for having me

939
00:45:48,920 --> 00:45:51,239
as usual. And a little funny thing about end of

940
00:45:51,280 --> 00:45:54,360
the World. So End of the World was really my

941
00:45:54,519 --> 00:45:56,760
first big song that I did on my own and

942
00:45:56,920 --> 00:45:58,440
the first time I ever got to hear it on

943
00:45:58,519 --> 00:46:00,199
the radio was actually right with you.

944
00:46:00,519 --> 00:46:03,760
Speaker 10: So there's a video of me to it somewhere as well.

945
00:46:04,960 --> 00:46:07,199
Speaker 11: So thank you so much for your support for people

946
00:46:07,320 --> 00:46:09,159
like me, for all the other artists that you support.

947
00:46:09,280 --> 00:46:10,079
Speaker 10: I really can't.

948
00:46:10,760 --> 00:46:14,039
Speaker 11: I can't say how much it helps us, and I'm

949
00:46:14,079 --> 00:46:16,679
always grateful every time that you pop up. So thank

950
00:46:16,719 --> 00:46:20,800
you so so much, and I am so happy that

951
00:46:20,920 --> 00:46:22,800
I got to chat with you on this release as well.

952
00:46:23,000 --> 00:46:26,000
Speaker 6: Oh absolutely, Molly, thank you. I appreciate the kind words,

953
00:46:26,079 --> 00:46:28,679
and we are are very happy to help and and

954
00:46:29,119 --> 00:46:31,960
love what you're doing. Do you, by the way, any

955
00:46:32,039 --> 00:46:33,960
kind of an eta yet on when the next single

956
00:46:34,079 --> 00:46:36,559
might be or are you just focused on promoting Chained

957
00:46:36,639 --> 00:46:40,440
right now? Are you working over the summer?

958
00:46:40,559 --> 00:46:41,840
Speaker 10: Hopefully over the summer.

959
00:46:41,800 --> 00:46:44,719
Speaker 11: We're not show yeah, I mean, everything's always in progress,

960
00:46:44,800 --> 00:46:47,320
so I never really know, but hopefully the summer sometime

961
00:46:47,320 --> 00:46:49,119
a few more months and we'll have in something else.

962
00:46:49,559 --> 00:46:51,320
Some'm good and I'll have to stop in and see

963
00:46:51,360 --> 00:46:51,800
the new.

964
00:46:51,800 --> 00:46:52,440
Speaker 10: The new digs.

965
00:46:53,000 --> 00:46:54,320
Speaker 6: Oh yeah, you got to see it. You got to

966
00:46:54,320 --> 00:46:57,079
see it. It's beautiful here all right, Molly Diago, we

967
00:46:57,119 --> 00:46:58,880
will let you go and we'll hit this track end

968
00:46:58,920 --> 00:47:00,599
of the world. But thank you, thank you so much,

969
00:47:00,679 --> 00:47:02,599
and uh yes, we will do this again soon.

970
00:47:03,960 --> 00:47:05,800
Speaker 10: Awesome, Thanks guys, all right, thanks.

971
00:47:05,599 --> 00:47:09,840
Speaker 6: Molly, take care, all right, the great Molly Diago and uh,

972
00:47:10,199 --> 00:47:12,360
if you are listening, Live on Saturday. We have Day

973
00:47:12,400 --> 00:47:15,280
to Attend coming up next. I gotta take a gulf

974
00:47:15,320 --> 00:47:18,119
of water here because uh, I'm still I'm still coughing

975
00:47:18,280 --> 00:47:23,199
from I was sick back in December, but so I apologize.

976
00:47:24,000 --> 00:47:29,280
But uh, oh my goodness, all right, Uh you know

977
00:47:29,400 --> 00:47:33,760
what it is, it's been this, this consistent dry air.

978
00:47:34,039 --> 00:47:36,400
It's just so it's been so cold out here.

979
00:47:36,920 --> 00:47:37,039
Speaker 10: Uh.

980
00:47:37,440 --> 00:47:39,320
Speaker 6: For people in other parts of the country or other

981
00:47:39,360 --> 00:47:42,000
parts of the world, I'll just tell you here in Manchester,

982
00:47:42,079 --> 00:47:45,760
New Hampshire, it has been cold and dry and it's

983
00:47:46,320 --> 00:47:48,440
making it very difficult to get past this cough. I

984
00:47:48,519 --> 00:47:50,719
know I'm not the only one dealing with it, but uh,

985
00:47:50,880 --> 00:47:53,559
that's for sure. But every every week I'm coughing a

986
00:47:53,639 --> 00:47:56,960
little bit less. So we're getting there. We're getting there.

987
00:47:57,079 --> 00:47:59,199
But if you are listening live on Saturday, Day to

988
00:47:59,280 --> 00:48:01,119
Attend is gonna be with us. In the second hour,

989
00:48:01,719 --> 00:48:03,639
I'm gonna go see if the guys are here. They're

990
00:48:03,639 --> 00:48:07,679
probably here. But we will end this segment with this track,

991
00:48:07,719 --> 00:48:10,920
another great song from Molly Diago. I love this. This

992
00:48:11,079 --> 00:48:12,119
is called end of the World.

993
00:48:19,320 --> 00:48:23,400
Speaker 16: Is there any Mandy for evokenhot?

994
00:48:23,519 --> 00:48:24,199
Speaker 2: That's the help?

995
00:48:24,280 --> 00:48:26,199
Speaker 4: Please show me how so.

996
00:48:31,519 --> 00:48:35,199
Speaker 7: Even like a snof left to plent you in it

997
00:48:35,320 --> 00:48:36,519
cause I love it.

998
00:48:37,519 --> 00:48:50,119
Speaker 4: You don't see the skin that you cut. Take me

999
00:48:58,920 --> 00:49:01,320
until m.

1000
00:49:04,519 --> 00:49:13,159
Speaker 9: Not old at the night this fight, gamble back up until.

1001
00:49:16,800 --> 00:49:32,559
Speaker 4: Up with you crazy.

1002
00:49:32,719 --> 00:49:36,280
Speaker 6: I have to be to tell you what you mean

1003
00:49:36,519 --> 00:49:39,960
to me when you ever let down.

1004
00:49:39,840 --> 00:49:46,320
Speaker 4: Book God, maybe it sounds rolled.

1005
00:49:45,960 --> 00:49:48,199
Speaker 11: Out baby as.

1006
00:49:48,039 --> 00:49:52,519
Speaker 4: A full love down that they were saying things not.

1007
00:49:56,840 --> 00:50:11,480
Speaker 9: Remn take me if it's kinda make inside be really

1008
00:50:11,679 --> 00:50:13,880
to until.

1009
00:50:13,679 --> 00:50:14,119
Speaker 12: Me and.

1010
00:50:16,679 --> 00:50:27,440
Speaker 13: Bens if that today this side gamble back until no poo.

1011
00:50:28,840 --> 00:50:29,559
Speaker 4: He can.

1012
00:50:31,480 --> 00:50:37,039
Speaker 9: Be and tis time that is.

1013
00:50:39,440 --> 00:50:44,000
Speaker 4: There's no say from the pass.

1014
00:50:45,480 --> 00:50:46,559
Speaker 11: So we have.

1015
00:50:48,519 --> 00:50:53,199
Speaker 9: To not change, Jason, No.

1016
00:50:54,679 --> 00:50:55,519
Speaker 13: Not change.

1017
00:50:55,800 --> 00:51:20,440
Speaker 9: Be remain by man, take keep me there. If it's

1018
00:51:20,480 --> 00:51:21,400
got the bank.

1019
00:51:22,000 --> 00:51:32,639
Speaker 16: This side the remain you until the dams it's out

1020
00:51:32,679 --> 00:51:39,320
of the bank. This side the gamble back until young

1021
00:51:39,880 --> 00:51:43,800
boy tall.

1022
00:51:44,360 --> 00:51:48,239
Speaker 15: With you.

1023
00:51:53,920 --> 00:51:57,000
Speaker 4: He can tap victim.

1024
00:52:14,079 --> 00:52:16,280
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1025
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1026
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1027
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1032
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1033
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Speaker 14: Bring your kitchen to life with Queen City Cabinetry, located

1035
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1036
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1037
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1040
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1041
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Speaker 18: Come see the possibilities Queen City cabinat Tree.

1042
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1044
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1051
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Speaker 15: When it comes to keeping WMNH on the air and

1052
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1059
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1060
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1061
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Speaker 7: Seven times out of ten.

1062
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Speaker 17: We listened to our music at night.

1063
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Speaker 15: That's on the title book business program.

1064
00:54:40,000 --> 00:54:42,400
Speaker 19: Late Night to Light with DJ Midas right here on

1065
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WMNH Manchester.

1066
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Speaker 4: Do you want to know why Because Saturdays and Sunday

1067
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nights midnight to four am.

1068
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Speaker 12: This hour on WMNH is sponsored by CGI Business Solutions

1069
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located at five Dartmouth Drive in Auburn. They serve all

1070
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1075
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Speaker 19: Behold the harmony of airwaves as you immerse yourself in

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the captivating frequencies of w MNHLP, the sonic heart feats

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of Manchester, transcending through the ether at ninety five point

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three megahertz frequency modulation. Our transmissions emanate from the zet

1079
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of one thousand Elm streets to insur into the hearts

1080
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of our creative realm at one nineteen Canal Street, where

1081
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innovation and sound colobe. They're the improm moter of Manchester

1082
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Enrich your auditory journey with the depth of our license

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1085
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at gmail dot com, or to reverse the virtual corridors

1086
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of w m n H radio dot org. Engage with

1087
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our sonic vibrations by communing with us through the digital

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channels or radio seconds. Eager to enthrall you with its

1089
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mesmerizing cadence and envelop you with a symphony of foundless

1090
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on its horns.

1091
00:56:17,559 --> 00:56:18,280
Speaker 4: Won Dude.

1092
00:56:22,239 --> 00:56:24,599
Speaker 10: W. M. N h rips the novels.

1093
00:56:31,880 --> 00:56:36,760
Speaker 8: It was the fifth September on all day with no

1094
00:56:37,119 --> 00:56:44,320
breese us on the lips of the name jail walking frids.

1095
00:56:44,719 --> 00:57:07,000
Speaker 4: Me isis you I can't live out you? Yes, it's true.

1096
00:57:12,440 --> 00:57:17,960
Speaker 8: It was no temper September, A warm minute after noon.

1097
00:57:19,199 --> 00:57:21,840
Speaker 4: I built the wings of the main jail.

1098
00:57:22,760 --> 00:57:32,440
Speaker 5: Standing right in front of me, I could bread, bread,

1099
00:57:39,079 --> 00:57:40,679
save in the horn.

1100
00:57:42,840 --> 00:57:43,599
Speaker 9: It turns the.

1101
00:57:43,960 --> 00:57:46,960
Speaker 4: Time into that had.

1102
00:57:53,079 --> 00:57:59,960
Speaker 8: Always remember that September, she took.

1103
00:58:00,039 --> 00:58:08,639
Speaker 4: Well come with that move? Not so then, so will

1104
00:58:08,800 --> 00:58:09,719
it bender?

1105
00:58:13,079 --> 00:58:16,480
Speaker 8: I'm always remembered that September.

1106
00:58:17,519 --> 00:58:20,880
Speaker 9: Remember that September.

1107
00:58:25,400 --> 00:58:27,519
Speaker 4: That September.

1108
00:58:46,719 --> 00:58:48,480
Speaker 9: Bathing the hot.

1109
00:58:50,440 --> 00:58:53,559
Speaker 4: It's is the time into that.

1110
00:59:00,679 --> 00:59:04,760
Speaker 8: Noways, remember that September.

1111
00:59:07,079 --> 00:59:11,119
Speaker 4: Should till cover with that mood, that so lander.

1112
00:59:13,480 --> 00:59:13,519
Speaker 15: So

1113
00:59:16,000 --> 00:59:34,239
Speaker 8: Wilt bender, No ways, remember that September, that Setember, that September,