WEBVTT 1 00:00:00.600 --> 00:00:02.680 You'll be away five seventeen. Do you want to report 2 00:00:02.680 --> 00:00:08.000 a UFO hanging in? We don't want to report every 3 00:00:08.080 --> 00:00:09.480 thirty one. Do you wish to report a. 4 00:00:09.519 --> 00:00:12.960 UFO over hey, we want to one of those. 5 00:00:14.640 --> 00:00:15.439 Areas thirty one. 6 00:00:15.480 --> 00:00:17.160 Do you wish to find a report of any kind 7 00:00:17.160 --> 00:00:17.320 of it? 8 00:00:18.879 --> 00:00:22.640 I wouldn't know what kind of reports clouds time areas 9 00:00:22.640 --> 00:00:27.199 thirty one me neither. There s one golf if it 10 00:00:27.280 --> 00:00:31.199 was anybody above us to pass us, Like thirty. 11 00:00:30.920 --> 00:00:34.719 Seconds ago, we were sending one top of golf negative, okay, 12 00:00:35.320 --> 00:00:39.719 OFFI the UFO. Yeah it's murder two nine o'clock. 13 00:00:39.799 --> 00:00:43.479 Yes, I'll just passed over so I got. I don't 14 00:00:43.520 --> 00:00:45.560 know what it was, but it's from at least to 15 00:00:45.880 --> 00:00:47.079 three thousand feet above us. 16 00:00:47.079 --> 00:00:49.399 See, I passed right over the top of US. 17 00:00:51.079 --> 00:00:53.479 Ninety one one. 18 00:00:53.600 --> 00:00:55.359 You just called up to me before. 19 00:00:56.600 --> 00:01:04.640 They're after staying the airplanes. He is to God on 20 00:01:04.760 --> 00:01:08.599 an unidentified object, every liberty or call or calm on 21 00:01:08.680 --> 00:01:10.200 an unidentified flying object. 22 00:01:15.959 --> 00:01:19.280 Welcome to UFO Chronicles, a place where people share their 23 00:01:19.319 --> 00:01:24.959 experiences of the strange and unexplained. If you've had an encounter, 24 00:01:25.319 --> 00:01:27.560 I would like to be on the show. You can 25 00:01:27.680 --> 00:01:49.040 email me at UFO Chronicles at gmail dot com. Hello everyone, 26 00:01:49.200 --> 00:01:52.200 and welcome to the show wherever you are listening from 27 00:01:52.400 --> 00:01:55.000 on this planet. I'm Nick Canter and this is the 28 00:01:55.159 --> 00:01:59.200 UFO Chronicles podcast. Tonight, we are joined by Tad calling 29 00:01:59.280 --> 00:02:03.640 from New Zealand and Tad's encounter occurred Midsummer of nineteen 30 00:02:03.760 --> 00:02:07.319 eighty nine just outside of Stratford upon Avon in the UK, 31 00:02:07.840 --> 00:02:11.159 while camping with his wife in a cramp field. Tad 32 00:02:11.360 --> 00:02:13.960 is up next. If you enjoy listening to the podcast 33 00:02:14.159 --> 00:02:16.159 and would like to help support my work, there is 34 00:02:16.199 --> 00:02:18.639 a couple of ways to do this. Either you can 35 00:02:18.759 --> 00:02:21.400 join Patreon and become a patron of the show for 36 00:02:21.439 --> 00:02:24.560 as Lutla's five dollars a month, or you can donate 37 00:02:24.800 --> 00:02:27.479 via PayPal and if you like, you can set up 38 00:02:27.680 --> 00:02:31.879 monthly reoccurring payments. All links to support the podcast are below, 39 00:02:31.960 --> 00:02:34.879 in a show notes and on the website. Any help 40 00:02:35.039 --> 00:02:38.719 is extremely appreciated and it helps the show to continue running. 41 00:02:39.199 --> 00:02:58.280 Now on with the show, Hello Tad, Welcome to the show, 42 00:02:58.919 --> 00:03:00.960 Thy Nick. Thank you, thank you for coming on today 43 00:03:01.080 --> 00:03:02.719 and calling from New Zealand. 44 00:03:03.120 --> 00:03:05.000 It's a pleasure to be here, actually invited. 45 00:03:05.319 --> 00:03:07.240 It's great to have you here now, Tad, do you 46 00:03:07.439 --> 00:03:10.000 have an encounter to share with us? So would you 47 00:03:10.120 --> 00:03:11.680 like to start at the very beginning, please, sir? 48 00:03:12.199 --> 00:03:18.879 Sure. It started in nineteen eighty nine and in those 49 00:03:19.000 --> 00:03:22.120 years the favorite thing from me and my partner now 50 00:03:22.199 --> 00:03:24.919 my wife, as much as I go touring a little 51 00:03:24.960 --> 00:03:28.120 two fifty trail bike and a lot of the weekends 52 00:03:28.159 --> 00:03:30.719 when the weather was good, we used to go around 53 00:03:30.800 --> 00:03:33.639 the back quarters of Britain. We let's say, in the 54 00:03:33.719 --> 00:03:37.560 quiet places and maybe chatting to locals in the pub 55 00:03:37.680 --> 00:03:42.159 and having local ale. And we'd often just truck up 56 00:03:42.199 --> 00:03:44.800 to a village and ask if anyone did camping. Sometimes 57 00:03:44.840 --> 00:03:47.800 there were campsites, Sometimes there was people who said, oh yeah, 58 00:03:47.800 --> 00:03:50.240 you can camp here, or quite often there was farmers 59 00:03:50.960 --> 00:03:52.800 say oh yeah, I've got I've got a field where 60 00:03:52.800 --> 00:03:54.759 I sometimes let people camp. And that was the best 61 00:03:54.800 --> 00:03:56.439 because you woke up in the morning and you had 62 00:03:56.879 --> 00:04:00.639 a whole fields yourself. It was beautiful. You're writing the countryside, 63 00:04:00.680 --> 00:04:03.400 and then we'd spend the day touring around just taking 64 00:04:03.479 --> 00:04:07.159 in the sites. And on this particular trip we decided 65 00:04:07.240 --> 00:04:09.080 to do that kind of thing, but also taking a 66 00:04:09.159 --> 00:04:14.360 play at the Royal Shakespeare theater in Stratford. So we 67 00:04:14.479 --> 00:04:18.560 go to a little village outside Stratford and we just 68 00:04:19.120 --> 00:04:20.959 pull up outside a shop and go in and say 69 00:04:21.000 --> 00:04:23.680 does anyone do camping? We get pointed to a farm 70 00:04:23.839 --> 00:04:25.639 and the farmer says, yeah, even get on the back 71 00:04:25.680 --> 00:04:27.959 of my farm. There's a big field down there. You're welcome. 72 00:04:28.759 --> 00:04:31.399 And it was a crop field. It's a really big 73 00:04:31.519 --> 00:04:34.800 field and it had been the crops have been reaped, 74 00:04:35.160 --> 00:04:39.079 and so we trundle down into that field and in 75 00:04:39.199 --> 00:04:43.199 the middle there's a cops of trees and a little pond. I. Okay, 76 00:04:43.279 --> 00:04:46.639 let's set up camp there. And we noticed there's lots 77 00:04:46.639 --> 00:04:50.600 of stubble strewn around everywhere. So we gather up a 78 00:04:50.680 --> 00:04:52.480 heap of that and put it under a little dome 79 00:04:52.600 --> 00:04:54.240 tent and that's going to be comfortable for the night. 80 00:04:54.399 --> 00:04:56.079 And we do the same when we put a groundsheet 81 00:04:56.079 --> 00:04:57.759 on it, and it's going to be a comfortable place 82 00:04:58.040 --> 00:05:01.920 to sit, like a outdoor divi. So that done, we 83 00:05:02.040 --> 00:05:04.360 decided to go into town and sleep and get tickets 84 00:05:04.439 --> 00:05:07.959 for the performance. And it was a midsummer's night dream, 85 00:05:08.160 --> 00:05:12.879 fantastic performance. And later on we're coming back and it's 86 00:05:13.120 --> 00:05:16.600 dark and we drive through the farm yard and past 87 00:05:16.639 --> 00:05:19.759 the outbuildings and through the gate and down into the field. 88 00:05:20.199 --> 00:05:23.639 The slope down towards the pond is and side of 89 00:05:23.680 --> 00:05:25.199 a cup of tea. So we're sitting there having a 90 00:05:25.240 --> 00:05:29.639 cup of tea, looking out of the countryside. It's a beautiful, 91 00:05:30.720 --> 00:05:35.360 fairly warm evening, and it's time for bed, and Sarah's 92 00:05:36.040 --> 00:05:39.879 gonna tidy up, and she's got at camping, and she 93 00:05:40.000 --> 00:05:42.360 started just gonna get the bed sorted and tidy up. 94 00:05:42.360 --> 00:05:45.399 And I thought, well, I'll lie here now and stargazing. 95 00:05:45.600 --> 00:05:50.600 So I did, and I'm stargazing, enjoying it, feeling very happy. 96 00:05:50.759 --> 00:05:53.759 It's the start of a holiday, very peaceful, lovely evening. 97 00:05:54.639 --> 00:05:58.240 And I got the stars and that thing happens where 98 00:05:58.279 --> 00:06:00.759 your eyes adapt and then all of a sudden you 99 00:06:00.839 --> 00:06:03.959 see a lot more stars. And then as you keep 100 00:06:04.040 --> 00:06:08.759 just staring upwards, you see another layer of stars and 101 00:06:09.519 --> 00:06:12.680 feel like you've seen further into the into the sky 102 00:06:12.800 --> 00:06:17.319 at night. But then things started to get strange. You know, 103 00:06:19.360 --> 00:06:21.920 this sort of experience of being able to see further 104 00:06:22.040 --> 00:06:25.519 and further took a grip on me. It wasn't me 105 00:06:25.800 --> 00:06:28.519 doing it or allowing it to happen. As I was, 106 00:06:29.000 --> 00:06:32.079 you know, just focusing and letting more light come in. 107 00:06:33.199 --> 00:06:35.720 It was if I was up there in the sky 108 00:06:35.800 --> 00:06:37.519 and I could see a huge grid of stars and 109 00:06:37.600 --> 00:06:41.360 then I go through it and then I'd be seeing further. 110 00:06:42.199 --> 00:06:44.360 And it was more than seeing. It was like I 111 00:06:44.519 --> 00:06:47.639 was still lying on the on the ground sheet, but 112 00:06:48.120 --> 00:06:51.160 I was. It was part of my consciousness was up 113 00:06:51.240 --> 00:06:55.000 in the sky. Who was quite strange, and I just 114 00:06:55.160 --> 00:06:59.040 I suppose it was something like remote viewing or astral travel. 115 00:06:59.639 --> 00:07:02.720 It was those things, but that's the only sort of 116 00:07:02.800 --> 00:07:06.040 frame of reference I can put it in. So anyway, 117 00:07:06.360 --> 00:07:09.120 one minute I'm right up into deep space, and the 118 00:07:09.199 --> 00:07:12.879 next I'm back on the on the ground sheet, and 119 00:07:13.720 --> 00:07:16.519 I get up a little bit wobbly, but no, and 120 00:07:16.639 --> 00:07:18.759 the worst way, it didn't really shake me that much. 121 00:07:19.120 --> 00:07:22.040 And I can see Sarah's still just prepairing the tent 122 00:07:22.319 --> 00:07:25.519 for the night, and I noticed a change in the 123 00:07:25.639 --> 00:07:31.199 atmosphere and the whole area around us. It's it's as 124 00:07:31.240 --> 00:07:36.120 if time was going a little bit slower. Everything seems 125 00:07:36.399 --> 00:07:39.160 to be gravig or more serious. It was a little 126 00:07:39.199 --> 00:07:42.800 bit like that those few moments in a theater where 127 00:07:42.839 --> 00:07:46.839 they didn't the lights. Everyone's quiet, and it's a sense 128 00:07:46.879 --> 00:07:51.040 of anticipation something is about to happen, except I didn't 129 00:07:51.079 --> 00:07:54.959 know what was about to happen. And even it was 130 00:07:55.040 --> 00:07:58.000 like there was a things look more different. There's a 131 00:07:58.079 --> 00:08:00.560 mode on some TVs. I've had those in the mode 132 00:08:00.600 --> 00:08:03.959 and the colors are a bit richer, and the blacks 133 00:08:04.079 --> 00:08:06.279 or the blacker they're just known where the contrast there's 134 00:08:06.319 --> 00:08:11.560 no contrast. And I just don't know where this atmosphere 135 00:08:11.680 --> 00:08:15.199 is coming from. And then I notice in the cops 136 00:08:15.240 --> 00:08:18.360 of trees that's near by there seem to be these 137 00:08:18.439 --> 00:08:23.560 colored lights and it's as if someone strung fairy lights 138 00:08:23.600 --> 00:08:28.519 in these big trees, and not many of them. But 139 00:08:28.560 --> 00:08:30.120 I'm trying to get a grip on it. Is that 140 00:08:30.480 --> 00:08:33.559 really there? And I say to Sarah, do you see 141 00:08:33.600 --> 00:08:37.360 those lights? And she says, yeah, I can see those, 142 00:08:38.759 --> 00:08:43.600 and I'm thinking, well, no, I don't, can't be. I 143 00:08:45.039 --> 00:08:48.200 try to understand it as maybe there's lights in the distance, 144 00:08:48.320 --> 00:08:52.000 maybe there's some houses or something between, you know, behind 145 00:08:52.039 --> 00:08:53.720 the trees, and I can't see them, and that they're 146 00:08:53.720 --> 00:08:56.279 shining through the trees, and then then I realized that no, 147 00:08:56.399 --> 00:09:01.159 there's no hills or houses over there, and so I'm 148 00:09:01.200 --> 00:09:05.080 thinking this is a strange effect. It was disconcerting because 149 00:09:05.639 --> 00:09:11.159 now they're becoming mesmerizing. And then I realize they're actually 150 00:09:11.240 --> 00:09:16.240 little globes, little balls of light just in and of themselves, 151 00:09:16.320 --> 00:09:21.080 not shining, and there's a they're very descentillating, and they're 152 00:09:21.480 --> 00:09:24.000 taking your attention. And they're coming on and off and 153 00:09:24.559 --> 00:09:27.200 in patterns, and there's a red one and there's a 154 00:09:27.480 --> 00:09:31.799 white one, and there's aqua blue, and there's something like 155 00:09:31.840 --> 00:09:36.240 an orange of bird sienna, and they're moving in a 156 00:09:36.320 --> 00:09:41.360 little circle pattern. And now they're rising into the higher branches. 157 00:09:42.000 --> 00:09:48.240 And not only that, now time seems to slow down, 158 00:09:48.399 --> 00:09:52.320 just to beat again. Things are happening more slowly, and 159 00:09:52.399 --> 00:09:57.519 I'm getting transfixed. And I started to realize that behind 160 00:09:57.600 --> 00:10:01.559 the lights are with the lights, there's some big there's 161 00:10:01.600 --> 00:10:04.759 something there, but I can't see it, and it's either 162 00:10:04.879 --> 00:10:08.440 in the trees or it's behind the trees, and it's 163 00:10:08.480 --> 00:10:12.919 almost like there's a big, huge black mist and it's 164 00:10:13.759 --> 00:10:17.559 forming or taking on shape. And looking back then now 165 00:10:17.559 --> 00:10:22.879 I remember a joke who tells kids, which was how 166 00:10:23.000 --> 00:10:26.480 do elephants hide in the forest? They climb up the 167 00:10:26.600 --> 00:10:29.679 cherry trees and paint their toenails red. It's like something 168 00:10:30.399 --> 00:10:32.720 using these lights to hide. There was something going on, 169 00:10:32.879 --> 00:10:36.159 and then all of a sudden I realized there's something there. 170 00:10:36.519 --> 00:10:40.039 It's just that I'm refusing to see it. And then 171 00:10:40.600 --> 00:10:44.039 it's like I can see a bit more of it, 172 00:10:44.720 --> 00:10:49.519 and it's interacting with me. It's almost as if I 173 00:10:50.000 --> 00:10:54.720 need to countenance it being there so it can manifest, 174 00:10:54.799 --> 00:10:59.600 and it's like it's delving into my subconscious. It seems 175 00:10:59.679 --> 00:11:02.039 if it's it's got a shape it definitely wants to be, 176 00:11:03.080 --> 00:11:06.159 but we've got to negotiate what that shape is, what 177 00:11:06.879 --> 00:11:10.759 what it needs to be so I will see it 178 00:11:10.799 --> 00:11:12.600 because I don't want to see it, and I don't 179 00:11:12.639 --> 00:11:15.840 really don't want it to be there, but it's it's insistent, 180 00:11:16.200 --> 00:11:20.519 and it keeps getting more and more definite and real, 181 00:11:20.720 --> 00:11:26.240 until all of a sudden it's taken shape. It's taken 182 00:11:26.279 --> 00:11:30.000 its manifested. It's there, and for a second I blank 183 00:11:30.039 --> 00:11:32.960 it out and I'm not taking that in, but then 184 00:11:33.039 --> 00:11:36.519 it really is. Then now it's above the trees and 185 00:11:36.679 --> 00:11:40.440 it's a it's a craft, and the little lights that 186 00:11:40.600 --> 00:11:43.840 were flashing they're now embedded in. It's out a shell 187 00:11:44.440 --> 00:11:47.559 and they're still doing that flashing thing, which is really mesmerizing. 188 00:11:47.679 --> 00:11:53.600 So just in awe, not not totally scared of it, 189 00:11:54.039 --> 00:11:58.600 freaked because this is this is a natural and it's 190 00:11:58.600 --> 00:12:01.039 about the size of a double decker bus. And I 191 00:12:01.159 --> 00:12:03.440 could could have thrown a tennis ball and hit it, 192 00:12:04.799 --> 00:12:08.919 and it's just hover and there, silent, and I'm thinking, 193 00:12:10.120 --> 00:12:13.639 good grief, this this is a UFO encounter. It didn't 194 00:12:14.320 --> 00:12:17.279 Why didn't I realize earlier? But it was so it 195 00:12:17.399 --> 00:12:22.240 was so paranormal. It was like a big, hot, magical outdoor. 196 00:12:22.440 --> 00:12:25.360 The it a spectacle show, not like you know, flying 197 00:12:25.440 --> 00:12:28.440 sources zipping your air listening, had manifested and it was 198 00:12:29.480 --> 00:12:35.360 changing time, changing space, affecting my consciousness, and it was 199 00:12:35.559 --> 00:12:38.639 creating a huge, huge atmosphere in the whole area. And 200 00:12:38.720 --> 00:12:42.320 it's then I kind of thought, oh, I don't want 201 00:12:42.399 --> 00:12:44.440 to be there. I don't want to be here. This 202 00:12:44.679 --> 00:12:49.039 this is unnatural, this, this is It was a transgression 203 00:12:49.120 --> 00:12:51.600 that was at the least it was very cheeky. At 204 00:12:51.639 --> 00:12:59.919 the worst, it was very opportunistic. And yeah, and there 205 00:13:00.000 --> 00:13:03.240 and I noticed that in the field beyond our field, 206 00:13:03.600 --> 00:13:07.240 there's some vehicles coming towards us. They were quick because 207 00:13:07.240 --> 00:13:09.120 I think there are four wheel drive vehicles. I just 208 00:13:09.120 --> 00:13:11.720 see like the tops and they're white four by floors 209 00:13:11.799 --> 00:13:15.039 and they've headlights, and I'm trying to as they're coming nearer. 210 00:13:15.840 --> 00:13:17.879 It's the same kind of thing. I can't take it in. 211 00:13:18.120 --> 00:13:20.840 I wanted to be things that they're not. They weren't 212 00:13:20.960 --> 00:13:24.320 four by floors. There were actually these little box and 213 00:13:25.039 --> 00:13:28.360 craft about the size of you know if you cut 214 00:13:28.480 --> 00:13:32.159 the top of a suv off and painted it all 215 00:13:32.200 --> 00:13:34.799 white and stuck one light. And they were very close 216 00:13:34.840 --> 00:13:36.799 to the ground, and there about three or four of them, 217 00:13:36.840 --> 00:13:39.759 and they were coming towards us, and it's like a 218 00:13:39.840 --> 00:13:44.360 zig zag path and wow, this is getting busy. And 219 00:13:46.759 --> 00:13:51.279 next I noticed that there were two orbs. They were 220 00:13:51.320 --> 00:13:54.240 like beach ball size and they were like pearly white, 221 00:13:54.600 --> 00:13:58.360 and they were along the hedgerows, coming left and right. 222 00:13:59.039 --> 00:14:02.320 As I look down big field, and I remember thinking, wow, 223 00:14:02.399 --> 00:14:07.559 they're moving like barnals had seen a barn owl once 224 00:14:07.600 --> 00:14:10.679 and it's by sort of fluttering up and down really 225 00:14:10.720 --> 00:14:12.679 close to the hedgeline. And they were doing that. They 226 00:14:12.720 --> 00:14:15.320 were traveling in straight lines. They were bouncing and fluttering 227 00:14:15.440 --> 00:14:19.679 and you're taking the time moving down the fields towards us, 228 00:14:19.799 --> 00:14:24.279 and one passed just out of vision on the right, 229 00:14:24.320 --> 00:14:27.200 and one passed just out of vision on the left, 230 00:14:27.240 --> 00:14:29.559 and ball sudden that changed things for me. It was 231 00:14:30.440 --> 00:14:33.039 give me a joke. I thought, I've been flanked. They're 232 00:14:33.039 --> 00:14:35.519 going to be behind us soon. And there was something 233 00:14:35.600 --> 00:14:39.000 about these things being in front and behind that I 234 00:14:39.080 --> 00:14:42.399 really didn't like. And I just used I've got alarmed. 235 00:14:42.480 --> 00:14:45.080 I seemed to be able to use that alarm to 236 00:14:46.399 --> 00:14:49.240 shape myself out of the mesmerizing effect of the big 237 00:14:49.360 --> 00:14:52.440 craft and the lights. And now I'm looking at it 238 00:14:52.559 --> 00:14:55.440 and now it's scary. It's because it's so big, and 239 00:14:55.519 --> 00:14:58.679 I just didn't know what was going to happen next, 240 00:14:58.799 --> 00:15:02.759 what its capabilities, what its intention was, what it could do, 241 00:15:03.039 --> 00:15:07.000 what I should do, and it's just there and that's 242 00:15:07.000 --> 00:15:09.960 when I got I kind of I don't know. Some 243 00:15:10.039 --> 00:15:12.080 people call it a download or a message, and I 244 00:15:12.120 --> 00:15:14.240 don't know where it came from, whether it was from 245 00:15:14.360 --> 00:15:18.399 the craft or whether it came upwards from like a 246 00:15:18.639 --> 00:15:22.919 joint universal subconsciousness. It was wasn't like a thought in 247 00:15:23.000 --> 00:15:26.960 my head. It was like like a I don't know, 248 00:15:27.159 --> 00:15:29.720 It was like a message. It was very clear and 249 00:15:30.399 --> 00:15:32.519 that this is the other. Could have been like we 250 00:15:32.679 --> 00:15:35.360 are the other. Just you just got got the message 251 00:15:35.639 --> 00:15:39.759 and this has always been happening, like this isn't you know, 252 00:15:40.000 --> 00:15:44.279 random or rare. You know this happens and it's just 253 00:15:44.519 --> 00:15:47.559 just hasn't happened to you. And then the next thing 254 00:15:47.679 --> 00:15:50.320 was if you want to say safe, you really should 255 00:15:51.039 --> 00:15:55.440 walk away. And that's when I thought, Okay, yeah, I agree. 256 00:15:55.960 --> 00:15:58.159 Time to act like a shepherd and get the flock 257 00:15:58.360 --> 00:16:01.519 out of here. And so I said, Sarah, hey, let's go, 258 00:16:01.879 --> 00:16:04.720 and I realized as I'm looking at her, she's totally 259 00:16:04.720 --> 00:16:08.080 in a trance. No transpire is that she hasn't seen 260 00:16:08.200 --> 00:16:12.919 anything since the original little fairy lights when they will 261 00:16:12.919 --> 00:16:15.240 low down in the trees, and she just went into 262 00:16:15.240 --> 00:16:18.000 a trance. That's last she remembers. So I gave her 263 00:16:18.000 --> 00:16:20.360 a shake and I say, you could get in the 264 00:16:20.720 --> 00:16:23.639 tent and get my knife, which she does, and then 265 00:16:23.759 --> 00:16:26.279 she hasn't seen anything. But you can tell by my 266 00:16:26.480 --> 00:16:29.759 tonal voice that this is something serious, and so I 267 00:16:29.799 --> 00:16:34.919 so let's go. And that's when she catches a glance 268 00:16:35.000 --> 00:16:37.759 at the craft, and this is where our memories diverge. 269 00:16:38.519 --> 00:16:41.879 I'd say that you know, we beat a dignified retreat. 270 00:16:41.960 --> 00:16:44.039 She says, we ran like hell up the field towards 271 00:16:44.120 --> 00:16:46.720 the farm, when she's probably right, And when we get there, 272 00:16:48.120 --> 00:16:50.720 we get to the outhouses and we stop near a 273 00:16:50.799 --> 00:16:53.200 corral and there's two donkeys in there whickering, and they're 274 00:16:53.200 --> 00:16:56.080 obviously very upset and they're weaving back and forth. But 275 00:16:56.600 --> 00:16:59.679 after a while we get there, they calm down, and 276 00:16:59.799 --> 00:17:02.159 I sense that we're kind of like on the edge 277 00:17:02.279 --> 00:17:06.200 of this sphere of influence. We're attempting to run into 278 00:17:06.240 --> 00:17:08.160 the village and where everybody happens. They coming look at that, 279 00:17:08.319 --> 00:17:10.759 but I don't know. Something was saying like, yeah, you 280 00:17:10.880 --> 00:17:15.079 do that, and you go back and there's nothing there. 281 00:17:16.160 --> 00:17:18.400 You can't look like a wright idiot. So we just 282 00:17:18.599 --> 00:17:22.720 stop and we watch. And this has been going on 283 00:17:22.759 --> 00:17:24.559 for a while now, and now we're watching when we 284 00:17:24.640 --> 00:17:28.440 realize they've got a mission. They seem to be doing 285 00:17:28.519 --> 00:17:34.519 purposeful things. The orbs are making for the lattice towers 286 00:17:34.759 --> 00:17:39.960 of the electricity system, the electricity pylons, big ones they were, 287 00:17:40.200 --> 00:17:42.319 and they're showing a lot of interest, and they're weaving 288 00:17:42.440 --> 00:17:44.920 in and at them and up and down them. On 289 00:17:45.759 --> 00:17:47.839 one side of the field with THETT on the other 290 00:17:47.880 --> 00:17:49.920 side of the field of the lattice tower, and so 291 00:17:50.039 --> 00:17:53.039 that's what they're doing. The big the big craft, which 292 00:17:53.119 --> 00:17:56.920 is the shape has taken is I describe it as 293 00:17:57.160 --> 00:18:01.599 a slightly squat D twenty, the type of dye you 294 00:18:01.839 --> 00:18:04.480 use for dungeons and dragons, which is really strange. I've 295 00:18:04.519 --> 00:18:06.720 never played that game, but that's it was, you know, 296 00:18:06.880 --> 00:18:11.240 multi sided and matte black and just sucking in the 297 00:18:11.359 --> 00:18:14.920 light and it's just then it's just audacious, just you 298 00:18:15.039 --> 00:18:19.119 know too, just a po and just stick around. And 299 00:18:19.240 --> 00:18:22.440 the white things, the boxy little craft, they seem to 300 00:18:22.559 --> 00:18:25.599 be doing a grid search, a big wide grid search, 301 00:18:25.680 --> 00:18:27.880 and it's like moving, covering all the area of the 302 00:18:27.960 --> 00:18:31.599 big field beyond us. And this goes on the same time. 303 00:18:32.359 --> 00:18:36.440 I think the whole episode took perhaps twenty minutes in all. 304 00:18:37.599 --> 00:18:44.920 And eventually the big twenty thing that rises up a 305 00:18:45.000 --> 00:18:49.759 bit and starts moving off, and the white craft underneath 306 00:18:49.799 --> 00:18:54.279 it lower down at like hedge row level. They're going 307 00:18:54.400 --> 00:18:56.759 with it, and the dwarbs are going and they're slowly 308 00:18:56.960 --> 00:19:01.880 meandering down this big, huge valley into the distance, and 309 00:19:02.039 --> 00:19:06.519 there's quite a relief when that happened, and it didn't 310 00:19:06.559 --> 00:19:08.680 last long, because all of a sudden, on the other 311 00:19:08.920 --> 00:19:11.680 side of the horizon there's this two new crafts. And 312 00:19:11.680 --> 00:19:14.640 now they ask too much. This is ridiculous. I don't 313 00:19:14.720 --> 00:19:18.640 want any more. But as they approach, they've got flashing lights. 314 00:19:19.480 --> 00:19:21.440 You get the jet engines, and I realized they're two 315 00:19:21.480 --> 00:19:26.920 fighter jets, and they're converging like a V shape. They 316 00:19:27.000 --> 00:19:30.240 quite low down. They're converging on the object, the craft, 317 00:19:30.279 --> 00:19:33.880 which is now off into the distance, and they pass us, 318 00:19:33.960 --> 00:19:35.759 and they get near and near of the craft, and 319 00:19:36.240 --> 00:19:37.559 I don't know, it's hard to tell them now things 320 00:19:37.599 --> 00:19:40.319 are in the distance, what the distances are. But they 321 00:19:40.440 --> 00:19:44.640 get fairly close and this thing just zips up into 322 00:19:44.680 --> 00:19:47.799 the sky and away like just the incredible speed just 323 00:19:47.880 --> 00:19:50.400 leaves them in its dust. Honestly, if he was trying 324 00:19:51.119 --> 00:19:54.759 trying to make them look silly or taunting them, and 325 00:19:55.640 --> 00:20:00.720 they go off and that's it. And strange thing is 326 00:20:02.079 --> 00:20:05.559 we walked down to the tent and we don't talk 327 00:20:05.559 --> 00:20:09.759 about it. We just zip up and go to sleep 328 00:20:10.759 --> 00:20:12.359 and a good night's sleep. Get up in the morning, 329 00:20:12.599 --> 00:20:15.160 pack down the tent, pack down all our things, strap 330 00:20:15.240 --> 00:20:18.440 it to the bike, drive off, and it's not until 331 00:20:18.440 --> 00:20:20.519 we stopped for the first stop to get some petrol 332 00:20:20.599 --> 00:20:23.839 and get some breakfast. And after that's over, we're sitting 333 00:20:23.920 --> 00:20:30.160 there on our comprete slab somewhere outside the garage, and 334 00:20:30.279 --> 00:20:32.839 I say, we did see those things last night, didn't we? 335 00:20:33.000 --> 00:20:36.160 In serious, Yeah, and we'd just recap what we saw 336 00:20:36.960 --> 00:20:41.920 and yeah, but mainly we just got on with the 337 00:20:41.960 --> 00:20:46.240 rest of our lives, the rest of our holiday and own. 338 00:20:46.359 --> 00:20:51.400 That was thirty odd years ago, and it's only recently 339 00:20:51.599 --> 00:20:54.880 that I thought much about it. You went in the 340 00:20:54.920 --> 00:20:56.880 Blue Moon, you think, oh, I remember that thing we saw? 341 00:20:56.960 --> 00:20:58.599 What the hell was it? Where did they come from? 342 00:20:58.599 --> 00:21:01.279 What we were doing? Wasn't a big thing? And didn't 343 00:21:01.359 --> 00:21:04.680 it didn't tell people because you know that if they 344 00:21:04.720 --> 00:21:07.839 haven't seen something like that, they're unlikely to believe you. 345 00:21:09.039 --> 00:21:13.279 I hate a phase where every day the memory really 346 00:21:13.400 --> 00:21:17.079 vividly was coming back to me and unbidden, and it 347 00:21:17.240 --> 00:21:19.680 was every day I thought about it, and this it 348 00:21:19.720 --> 00:21:24.599 would like roll like a cinema role, and I thought, 349 00:21:24.599 --> 00:21:26.039 I got to do something about this. I don't want 350 00:21:26.039 --> 00:21:29.319 to keep having this memory. It's what it must mean something, 351 00:21:29.400 --> 00:21:30.960 There must be something for me to do with it, 352 00:21:31.079 --> 00:21:33.880 to do about it. It didn't. I couldn't make any 353 00:21:34.000 --> 00:21:36.240 meaning of it. And I read a few books and 354 00:21:36.319 --> 00:21:40.119 things and thought, well, I'm not going to everybody else can't. 355 00:21:40.720 --> 00:21:43.640 And I thought, ah, it must be it must get 356 00:21:44.519 --> 00:21:47.480 the story out into the world. I think that's it. 357 00:21:47.599 --> 00:21:50.640 So I wrote it down. I wrote a short story 358 00:21:51.240 --> 00:21:54.200 to the best of my ability, and I sent it 359 00:21:54.359 --> 00:21:57.079 to someone who had a blog, and they posted it, 360 00:21:57.920 --> 00:22:02.640 and the whole potato imagine a mashed potato thing with 361 00:22:02.720 --> 00:22:07.000 the compulsion think of this event went ever since that's it. 362 00:22:07.279 --> 00:22:08.680 It was sold. 363 00:22:09.759 --> 00:22:14.960 So that's my story, very very interesting. So the object 364 00:22:15.319 --> 00:22:17.839 you said, like a D twenty die so that was 365 00:22:17.880 --> 00:22:22.839 would have been like a polyhedron, yeah, polyhedron shape, okay, 366 00:22:23.359 --> 00:22:26.759 and about the size of a double decker bus. Yeah, 367 00:22:27.480 --> 00:22:30.960 so a big object. When you first saw the lights, 368 00:22:31.119 --> 00:22:33.759 like the fairy lights in the trees, that area there 369 00:22:34.000 --> 00:22:37.079 is it, a heavily wooded area, always like a corpse 370 00:22:37.160 --> 00:22:37.880 of trees. 371 00:22:38.440 --> 00:22:42.839 Just the cops of trees. It's strange. It's kind of 372 00:22:43.039 --> 00:22:48.359 like it was using the lattice of the trees to 373 00:22:49.279 --> 00:22:53.480 allow me to join the dots. Do you know what 374 00:22:53.519 --> 00:22:58.319 I mean? The kid's picture books will joined the dots. Sure, yeah, yeah, 375 00:23:00.000 --> 00:23:04.039 between the numbers. And you often hear people UFO encounters saying, oh, 376 00:23:04.880 --> 00:23:07.319 rose just above the tree line, and there's always this 377 00:23:07.400 --> 00:23:10.599 phrase just above the tree line. And yeah, this thing 378 00:23:12.119 --> 00:23:15.079 took shape in behind the trees because it was like 379 00:23:15.160 --> 00:23:19.519 a matrix you could look through and put put lines, 380 00:23:19.599 --> 00:23:22.960 put meaning on, and then it was a once it 381 00:23:24.279 --> 00:23:29.160 i'd allowed it to I'd allow myself to recognize something 382 00:23:29.200 --> 00:23:33.200 of the shape the feedback. Okay, now we're getting somewhere, 383 00:23:33.440 --> 00:23:36.200 and we now, okay, try was trying on this size, 384 00:23:36.319 --> 00:23:38.119 this ver sise, and once it got to something where 385 00:23:38.119 --> 00:23:41.039 I couldn't ignore it from force, and it's there. It's 386 00:23:41.119 --> 00:23:46.680 no longer semi solid. It's like this solid craft. 387 00:23:47.119 --> 00:23:49.799 The service itself is matt black. And was there any 388 00:23:49.920 --> 00:23:51.400 lights on the object? 389 00:23:52.920 --> 00:23:56.880 Yeah, the same lights that started it all off. We're 390 00:23:56.960 --> 00:23:59.960 now like embedded in the core. 391 00:24:00.480 --> 00:24:02.799 So it's like so it's like it detached themselves and 392 00:24:02.880 --> 00:24:04.279 then reconnected. 393 00:24:04.880 --> 00:24:08.680 Well, I don't know. They were things of their own 394 00:24:09.440 --> 00:24:11.720 when I first saw them, so I can't tell they 395 00:24:11.799 --> 00:24:14.279 detached or not. Was that you know, they were put 396 00:24:14.359 --> 00:24:17.000 there then they were absorbed. I didn't see that. That's 397 00:24:17.039 --> 00:24:22.839 just that one you know, one minute they were independent things, 398 00:24:22.960 --> 00:24:25.680 and then something formed and it seemed to absorb them 399 00:24:25.720 --> 00:24:28.960 into its outer surface for the purpose of keeping the 400 00:24:29.039 --> 00:24:33.839 mesmerism going. Totally fascinating, gorgeous, beautiful colors. Because we were 401 00:24:33.880 --> 00:24:36.480