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Speaker 1: Oh God, Columbia Boat Shaft and System takes pleasure in.

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Speaker 2: Bringing you the twelfth in a series of weekly broadcasts

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featuring Awesome Wells and the Mercury Theater on the air. Tonight, Bodways,

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a radio no clebrated piat Pro producing company, brings to

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Lias the best loved character in detective fiction, the Immortal

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Sherlock Holmes. The play is Ausenbal's own adaptation for radio

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of William Gilapsen during melodrama, based on the famous stories

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by the Arthur Conan Doyle before they performance the games.

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Here is a director of the Mercury Theater, the star

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and producer of these unique broadcasts, Auson Wells. Good Evening,

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Well Tonight, It's back to Baker Street, back to that

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unlikely London of the nineteenth century, where high adventure waits

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toiler would seek it in a handsome cab or under

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a gas lamp in an infinite keep. But tonight we

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paid tribute to the most wonderful member that most wonderful world,

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a gentleman who never lived and who will never die.

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There are only a few of them, these permanent profiles,

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everlasting silhouettes on the edge of the world. There is

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first a little hunchback with a slapstick, whose hooked nose

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is shaped like his cap. There is now and always

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will be the penguin footed hobo in the derby in

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the back, the small boy.

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Speaker 3: With the.

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Speaker 2: Long, rusty knight on horseback, and a fat knight who

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could only procure a charge on foot. There is also

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the tall gentleman with a hawk's face and the underslung

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pipe before and aft cap. We'd know them anywhere and.

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Speaker 3: Call them easily.

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Speaker 1: Buy the punch and the charge captain, and.

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Speaker 2: The copy muilty. The john and Sherlock Combs now irrelevant.

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But as this may seek Willias the Mercury Theater very

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much artifact prosion for a revival of a final americal.

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Speaker 1: But a lot of people remember the fact.

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Speaker 2: Which is too much Johnson. Its author was William Gillette,

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which reminded us, as it reminds you of Sherlock Holmes.

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As everybody knows, that celebrated American inventor of under acting

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lent his considerable gifts as a playwright to the indestructible

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legend of the Conan Doyle Detective and produced the play

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which is as much a part of the holmes literature,

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as any of Sir Arthur's own romances, and as nobody

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will ever forget he gave his face to him. For

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William Gillette was the aquiline and actual embodiment of Holmes himself.

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It's too little to say that William Gillette resembles Sherlock Holmes.

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Sherlock Holmes looked exactly like William Gillette sounds like him too.

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We're afraid and hoped of lovely that the Mercury theater

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and the radio will take none of the gramour from

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the beloved fable of Baker's feet, from the pipe and

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the violin, and the hideous purple dressing gown, from the needle,

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and the cigar on the window, ledge, and the dry

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final famous lines elementary and idea Watson elementary, the mere

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Child's play of deduction. My name is Watson. I am

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a doctor. It was in the year eighteen evre that

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Holmes and I were introduced by a mutual acquaintance. At

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the time, we were both looking for a lodging that

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would suit our moderate means. This we found on the

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second floor of a house at two that he won

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the Baker's Feet, And it was during the years that

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we occupied these chambers together that Holmes established his unique

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international reputation as a consulting detective.

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Speaker 1: During that time I was privileged to be his daily.

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Speaker 2: Companions, and I have done my modest share in giving

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to the world and account of some of his most

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famous cases. Most famous of these are the ones which

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I have written under the names of the specld Band, Sinopre,

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Howard of the Baskavilles, and the Study in Scarlet. They represent, however,

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only a minute faction of the six hundred and forty

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three cases Holmes successfully solved during the years that we

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shared the lodgings in Baker Street. Other cases I hope

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one day to give to the world include the Talatan murders,

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the sudden death of Cardinal Tuska, the adventure of Ricolette

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of the club Foot and his abominable wife, the case

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of Missus Sarantoge, the Circus Bell, and the case of

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the Royal Family of Scandinavia. Each illustrate in their own

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way the remarkable genius of my friend Sherlock Holmes. Since

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my marriage three years ago, Holmes has continue to occupy

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that they could seek lodgings like himself I've hit almost

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every afternoon in my work in the office of Sinny.

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I am in the habit of calling on him. The

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sitting room that you go in is exactly as it

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has been for the past thirteen years. The warm, bare

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skin rug, the huge sofa covered with faded chins, the

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matter piece cuttered with miscellaneous objects on answered letters, and

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piles of loose tobaccos on one side of the fireplace,

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and a deep arm chair, the pipe curling forth slow

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waves of aquid tobacco placed in his hideous purple dressing gowns.

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The sherlock holmes with this vial in under his chin. An,

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what's my jo? How are you?

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Speaker 4: Homes turned to ride and see you first lighted upon

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my word.

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Speaker 1: I am abant to observe with your wife's left God

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on the visit. But how did you know? Why did

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I when I like that? How do I know anything?

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How do I know?

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Speaker 5: You've been getting yourself very wet lately? That you're an

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extremely careless serven girl, And you moved to a dressing

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table go oude of.

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Speaker 2: The room hose if you had lived a few centuries ago,

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that it burned you alive.

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Speaker 4: Such a confregation would have saved me a great deal.

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Speaker 2: Of trouble and spend on me at all. How did

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you know all that.

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Speaker 5: It's too simple to talk about scratches and climesy cuts,

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my dear felony, and its side of your shoe there,

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just where the firelight strikes it scratches, cuts, and they

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scraped away cutted mountain.

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Speaker 2: This is badly, badly scraped the shoe along with it.

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Speaker 5: There's your wet footlight, deer watsoning, a careless certain girl,

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all on one.

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Speaker 2: Shoe face sandy shave the right side or it used

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to be on the left. Light must come to the

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other side, because I will move your window, must move

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the dressing table, of course, But how the deuce do

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you know? My wife was away? Where the juice is?

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Speaker 1: Your second west button?

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Speaker 3: Was?

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Speaker 1: What the juice is yesterday's buttonir doing in today's the pel.

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Speaker 2: And why the juice? You were?

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Speaker 6: The expression?

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Speaker 5: Other elementary matter for elementary child's fair production. I'm only

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doing it for you're a mute one, before we pass

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on the more serious matters.

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Speaker 3: Oh, what is it?

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Speaker 1: Novel?

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Speaker 2: What's in, my dear fellow?

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Speaker 5: The enthusiasm which is prompted you to chronicle and if

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you would excuse my saying so somewhat to embellish my

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little adventures.

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Speaker 4: You occasionally seems fit to introduce a certain.

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Speaker 2: Element of romance which struck me as being a just

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a trifle out of face, something like working in elopement

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in the persist proposition of euclid. I merely refer to

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this in case you should see fit at some suture

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time to a chronicle, a case on which Idel bethlim

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back the strange case of Professor Robert Moriati. Moriati, I

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don't remember ever having heard of the fellow, no what,

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and you haven't the precisely this quality of invisibility that

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makes of Professor Moriarty, Napoleon of crime, sitting motionless like

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an ugly.

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Speaker 1: Venomous spider in the center of his web.

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Speaker 5: But that web having a thousand radiations, and the spider

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knowing every quiver very well of them. And within forty

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eight hours I'll have the lines drawn so tightly around.

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Speaker 1: Him that he can't move, arrest him in his entire

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game home. This is a very thing, mind.

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Speaker 2: How it's perfectly delightful.

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Speaker 5: My whole life is spent in a still as the

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magic endevors to escape from the veriest commonplaces of existence for.

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Speaker 2: A brief period I escape. Congratulate me.

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Speaker 5: The day before yesterday I received in this room the

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visit of a certain foreign nobleman who was recently inherited

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a very considerable title, and it was about to be married.

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Seems that this title of gentleman was still indiscreet as

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to fall in love with a young English lady that

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the name of Faukner socially in inferior, and to make

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her a promise of marriage. Later his family's insistence, the

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things broken shortly after the broken heart using behind a sister,

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also considerable evidence from a form of letters, photographs, and

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jury with inscriptions.

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Speaker 1: These the sister kept.

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Speaker 2: These together with the sister are now being held in

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a house in John's Wood by a pair of blackmailers

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who brought with the name of Checkwood. So far as

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you see, my dear, what's an as.

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Speaker 1: Fairly ordinary case? Colect me.

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Speaker 2: I've had it with my.

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Speaker 5: Attention last night on my in fiction A certain elements

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revealed itself, which renders the case far more important than

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I had expected than That element was Professor Moriarty Hellen.

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Speaker 1: Yes, gentlemen, to see you by the.

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Speaker 6: Name of Foreman.

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Speaker 1: I'm in direct com in. Yes, miss film, come in,

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mister Foreman.

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Speaker 2: Dreaming from he didn't for whom Watson, this inspector Foreman.

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The day before yesterday he occupied the position of butler

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under the name of Judson. Them the home of mister

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and missus Chetwood blackmailers from John's Woods.

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Speaker 1: No faman any news, Yes, sir, this morning a little

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last nine Chetwood and his.

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Speaker 2: Wife throw away in a four wheela. I returned about eleven.

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Basick was with them. You know him though years when

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I last ten the occasion to meet mister Beasick who

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got two years for safe cracking, to go on for him.

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Speaker 1: Well, I took this man Basic in the library.

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Speaker 2: I gotta look at him from the outside, and Harry

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was opening up the space where they've been keeping.

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Speaker 1: The letters go on in the end. When they up

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the pipe open, it was empty. The letters are gone.

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Speaker 2: It seems like the folk no girl.

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Speaker 1: Gopping back somehow.

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Speaker 2: I got pretty excited as it went out to send

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a telegram. Have you got confident? Yes, yes, here it

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is the encode m.

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Speaker 5: Mariotte, I thought so, Watson, his case is taking a

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most promising turn foreman. He returned once to the house

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in John's Wood. Then ten minutes I should be there myself,

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if I remember correctly. The kitchen is immediately below the

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drawing room. Yes, when my half over a chair in

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the drawing room, you will return a lamp in the kitchen,

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scatter smoke balls and give an alarm of fire.

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Speaker 2: All other instructions remain unchanged. Very good, though, Harry Pollman.

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Speaker 6: Here's a home.

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Speaker 4: Well, my dear Watson, it.

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Speaker 2: Seems to look like a most interesting evening. Alright, it's

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the god ning. My name is Sherlock Holmes. Whom whom

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did you wait the same at the home? Thank you

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so much, mister Chipward. I let's have announced by the

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butler in my way out last I didn't very well.

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Well here he is yet he's talking abutments to home

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to excuse with her. He is not well enough to

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see anyone to see me, you peep saying this kind

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of spot and say that guy beg your pardon with

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the homes. But it's quite useless. Really, Oh, I'm so

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sorry to hear it. Yeah, miss Portland, is I regret

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to say quite an infau She is unable to see anyone.

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Her health is so poor. Has it never occurred to you,

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mister Chipwood, that she might be confined to the house

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too much?

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Speaker 1: How does that concern you? It doesn't I think to

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make the suggestion.

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Speaker 2: I'd like to think it over. It's too about his name, Judgson.

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Very well, Judson, go and take my card up. Very good,

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This is really too good. Well, of course you can

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take up your card or your note of whatever it is,

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if you wish it so much. I was only trying

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to save you.

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Speaker 5: The trouble it thanks had any trouble, Gods and i's

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Can you know, mister Holmes you interest me very much?

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Speaker 2: Really, on my word, Yes, we've all heard of your

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wonderful methods. You're punishing manners which you gain information from

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the most typling details. Now I dare say, in this

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brief moment or two you've discovered any number of things

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about me. Nothing is consequences chetwn I hardly more than

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ask myself why he was so distressed to see me

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at this particular moment, And what's that impossibly be about

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the station in the lower part of that desk, because

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you such painful anxiety. Very good, very good, indeed, if

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those things are only too now, I'd be wonderfully impressed.

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It would be absolute term me justin a message for you,

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mister Chetwood. You'll excuse me at trust it's from his partner. Yeah. Really,

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she begs to be allowed to see you, mister Holmes.

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She absolutely implores this. Well, I suppose I shall have

242
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to give way to ask Miss Faulkner to come down

243
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to the drawing room. Say that mister Holmes is waiting

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to see her.

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Speaker 1: Very good to quite remarkable upon my soul.

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Speaker 2: May I ask, if it's not an impertinent question, what

247
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message you send up that could sve arouse Miss Paukner's

248
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desire to come down? And really is that she wasn't

249
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down here in five minutes time to go up? Oh?

250
00:13:27,360 --> 00:13:27,919
That was it?

251
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Speaker 5: That's not true, And the next time, greatly mistaken. I

252
00:13:31,960 --> 00:13:34,440
hear a young lady on the stair, which case she

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has a minute in the heart.

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Speaker 3: To spare.

255
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Speaker 2: Ellie, and it is Miss Faulkner. Let me introduce mister

256
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Sherlock Holmes.

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Speaker 1: Mister Holmes, Miss Fusser, I'm really miss charmed to meet you,

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although a jobs looking if you've made me come down

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in spite.

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Speaker 2: Of myself here.

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Speaker 1: I thank you very much indeed for concerning to see me,

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Miss Fusser.

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Speaker 2: But regret to observe that you're put to the trouble

264
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of making such a very erected change of.

265
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Speaker 1: I did harry a title.

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Speaker 6: I can sist.

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Speaker 2: Mister Holmes is quite.

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Speaker 1: Living up to his reputation, isn't he said it?

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Speaker 2: Come in? Yes, ma'am.

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00:14:13,440 --> 00:14:14,279
Speaker 1: What are you doing here?

271
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Speaker 2: Judson? I didn't pardon them. I was answering the bell.

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Speaker 1: What well the glowing room?

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Speaker 4: What do you mean you blocked no one lang the

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fell I'm quite sure it was Robin Well.

275
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Speaker 2: I tell you it did nothing. You are a butler's right,

276
00:14:24,960 --> 00:14:28,080
mister Chatworthy. They'll did ring? How do you know I

277
00:14:28,159 --> 00:14:29,399
rang it? What do you want?

278
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Speaker 5: I want to send my card to the real miss Putner, real,

279
00:14:32,840 --> 00:14:38,320
I said, the real Miss Stuffner. Judson, Yes, sir? What

280
00:14:38,519 --> 00:14:40,159
right have you to ring for persons and give orders

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in my house?

282
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Speaker 2: What right have you to prevent my cards from reaching

283
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their destination? How does it.

284
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Speaker 1: Happen that you and this woman are.

285
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Speaker 5: Resorting to trickery and deceit to prevent me from seeing

286
00:14:49,000 --> 00:14:52,480
Alice Popper from some trifling oversight Judson.

287
00:14:53,840 --> 00:14:55,039
Speaker 2: Neither of the cards I.

288
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Speaker 5: Handed to him has been delivered. Tindly see that this

289
00:14:58,399 --> 00:14:59,600
error does not occur again.

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Speaker 4: My order, Ah, you have orders.

291
00:15:01,919 --> 00:15:04,080
Speaker 2: I can't say you though you were told not to

292
00:15:04,120 --> 00:15:06,360
deliver my card. What business is it of yours? I'd

293
00:15:06,360 --> 00:15:06,679
like to know.

294
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Speaker 5: I shall satisfy your curiosity on that point. And it's

295
00:15:09,759 --> 00:15:11,399
a very short time, mister Chetwood.

296
00:15:11,480 --> 00:15:13,639
Speaker 2: Yes, and you'll find out in a very short time

297
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that it isn't safe to meddle with me.

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00:15:15,519 --> 00:15:17,399
Speaker 4: It wouldn't be any trouble at all for me to

299
00:15:17,480 --> 00:15:19,000
throw you up into the sleep here.

300
00:15:18,919 --> 00:15:22,759
Speaker 5: Possibly enough that trouble would swiftly follow such an experiment.

301
00:15:22,360 --> 00:15:24,000
Speaker 2: On your past A cup a lunny thing for you.

302
00:15:24,080 --> 00:15:26,600
I'm not armed, ys well, Miss Faukner comes down, you

303
00:15:26,600 --> 00:15:29,080
go and arm yourself myself, I'll call the police.

304
00:15:29,679 --> 00:15:30,080
Speaker 3: Do it now?

305
00:15:30,240 --> 00:15:31,840
Speaker 1: Oh no, you will not do it now.

306
00:15:31,879 --> 00:15:33,639
Speaker 2: You will remain where you are till really I can't

307
00:15:33,639 --> 00:15:34,720
here to see event of this room.

308
00:15:34,799 --> 00:15:35,919
Speaker 4: What makes it so sure of that?

309
00:15:36,000 --> 00:15:38,279
Speaker 5: Because you will prefer to avoid an investigation of your

310
00:15:38,320 --> 00:15:41,720
suspicious conduct, mister James leaderby now, yeah, that is not

311
00:15:41,799 --> 00:15:43,960
the name under which you are known to Scotland Yard

312
00:15:44,039 --> 00:15:46,919
I believe, mister Chetwood, the stady there.

313
00:15:46,759 --> 00:15:49,240
Speaker 2: Is your wife, Steve Jodson.

314
00:15:49,360 --> 00:15:51,639
Speaker 5: You will either deliver that card, Miss Forknett once or

315
00:15:51,639 --> 00:15:52,879
sleep in the free station tonight.

316
00:15:53,840 --> 00:15:56,360
Speaker 2: That's a small consequence to me which you do? Shall I?

317
00:15:56,480 --> 00:15:58,759
Shall I go? So go on, take up a card.

318
00:15:58,759 --> 00:15:59,799
It makes no difference to me.

319
00:16:00,679 --> 00:16:04,080
Speaker 4: A short time since lab you dislayed and the key anxiety.

320
00:16:03,600 --> 00:16:06,360
Speaker 5: To leave the room. They do not ad entertain you

321
00:16:06,480 --> 00:16:11,519
or your wife any longer. Can you prefer to remain

322
00:16:11,759 --> 00:16:14,039
while I talk and Spokener we fill.

323
00:16:13,879 --> 00:16:14,559
Speaker 2: Miss the home.

324
00:16:16,600 --> 00:16:19,279
Speaker 1: H last and the home?

325
00:16:20,039 --> 00:16:22,799
Speaker 6: Yes? Do you wish to see me? Very much?

326
00:16:22,840 --> 00:16:25,559
Speaker 5: Indeed, Miskner, Ti'm storry to see that you are far

327
00:16:25,600 --> 00:16:26,000
from well.

328
00:16:27,360 --> 00:16:29,519
Speaker 2: No, beg your parn.

329
00:16:30,759 --> 00:16:31,720
Speaker 1: What does this not mean?

330
00:16:32,120 --> 00:16:32,360
Speaker 3: Oh?

331
00:16:33,000 --> 00:16:33,600
Speaker 1: Nothing nothing?

332
00:16:34,399 --> 00:16:37,080
Speaker 5: And the mark on your neck plainly showing the clutch

333
00:16:37,120 --> 00:16:41,039
of a man's fingers does that mean nothing? Also curse

334
00:16:41,159 --> 00:16:42,600
me that I shouty to have an explanation of this.

335
00:16:42,679 --> 00:16:45,879
Possibly you can furnish one, mister let It seems to.

336
00:16:45,879 --> 00:16:47,159
Speaker 1: Have occurred in your own house.

337
00:16:47,480 --> 00:16:49,840
Speaker 2: It is it do to understand that it doesn't help

338
00:16:49,879 --> 00:16:51,720
pey for you or anyone else to interfere with my

339
00:16:51,840 --> 00:16:55,360
say ah, and did your business. They're that much a

340
00:16:55,399 --> 00:16:57,440
great they deceited.

341
00:16:57,159 --> 00:16:57,679
Speaker 4: Miss fucker.

342
00:16:58,039 --> 00:16:59,440
Speaker 1: I don't know who you own the home?

343
00:16:59,720 --> 00:17:03,240
Speaker 2: Why I shall be very great indeed to explain. And this,

344
00:17:03,360 --> 00:17:06,480
this is this I didn't consult. It's the possibility of

345
00:17:06,519 --> 00:17:09,079
obtaining from you certain letters addressed to your sister, which is.

346
00:17:09,039 --> 00:17:10,079
Speaker 4: Supposed to be in your position.

347
00:17:10,440 --> 00:17:13,680
Speaker 2: I cannot give up my sister's home. There are other

348
00:17:13,759 --> 00:17:16,319
things besides is then and punishment.

349
00:17:16,960 --> 00:17:21,119
Speaker 1: Believe me, in this spot there's nothing.

350
00:17:18,519 --> 00:17:20,519
Speaker 6: More but my.

351
00:17:22,960 --> 00:17:25,160
Speaker 2: Oh, I'm so sorry. How comes you? Miss? Turn over

352
00:17:25,200 --> 00:17:25,680
this chair?

353
00:17:34,880 --> 00:17:43,160
Speaker 1: It's not off the table. Don't allow yourself as spokener.

354
00:17:44,000 --> 00:17:45,319
There is no fire.

355
00:17:45,880 --> 00:17:49,319
Speaker 4: The smoke was all arranged for arranged.

356
00:17:49,000 --> 00:17:52,319
Speaker 2: Still business fer me.

357
00:17:52,680 --> 00:17:54,480
Speaker 5: I wanted a package of letters and stopped and that

358
00:17:54,519 --> 00:17:56,839
by following your eyes just now, when you thought there

359
00:17:56,839 --> 00:17:59,279
was a fire, I discovered that you would hidden them

360
00:17:59,279 --> 00:18:06,480
in the appost chair a chair. M yes, kid, elementary

361
00:18:06,519 --> 00:18:09,440
as you see. And now that they're in my position,

362
00:18:09,480 --> 00:18:11,279
there seems to be no reason. Can you remain any

363
00:18:11,319 --> 00:18:12,079
longer in this house?

364
00:18:13,119 --> 00:18:19,400
Speaker 2: The night spoken miss Fulckner?

365
00:18:19,880 --> 00:18:26,839
Speaker 4: Yes, I I can't take them this for man, is

366
00:18:27,000 --> 00:18:31,039
that belong to you? I find that I cannot keep.

367
00:18:30,920 --> 00:18:35,039
Speaker 2: Them unless you can possibly change your mind and let

368
00:18:35,079 --> 00:18:39,759
me have them of your in free will. I suppose

369
00:18:39,839 --> 00:18:42,240
you could, I would not go return them to you.

370
00:18:42,359 --> 00:18:45,920
And uh, oh I've got friends the letter they're returning

371
00:18:45,960 --> 00:18:46,480
to the tire.

372
00:18:48,279 --> 00:18:51,440
Speaker 4: Oh about that? Look now, I suppose I.

373
00:18:51,359 --> 00:18:52,799
Speaker 2: Can see you walk out of a house. Will fire

374
00:18:52,839 --> 00:18:53,400
on the contrary?

375
00:18:53,440 --> 00:18:54,799
Speaker 4: Or don't you seem to return them to their.

376
00:18:54,759 --> 00:18:58,079
Speaker 2: Right proner and stuck? Now I hear your letters, the

377
00:18:58,119 --> 00:19:01,039
ever change your mind and be so generous? Who's forgiving

378
00:19:01,079 --> 00:19:02,720
us to wish to return these letters for the one

379
00:19:02,720 --> 00:19:04,160
who wrote them? You have my address.

380
00:19:04,759 --> 00:19:06,119
Speaker 4: Any events, let's assure.

381
00:19:05,839 --> 00:19:08,079
Speaker 2: There will be no more curlsy, no more persecution in

382
00:19:08,119 --> 00:19:11,039
this house. Thank you to him. You are perfectly safe

383
00:19:11,039 --> 00:19:13,799
for your property in its pockner. So I shill so

384
00:19:13,960 --> 00:19:17,160
arrange it that your faintest cry of distress will be heard.

385
00:19:17,839 --> 00:19:21,000
If that cry is heard, it will be very unfortunate

386
00:19:21,799 --> 00:19:25,599
for those who are responsible, as for you, mister Labie,

387
00:19:25,640 --> 00:19:26,920
and you madam.

388
00:19:28,440 --> 00:19:31,079
Speaker 4: And then you understand that you continue your persecution.

389
00:19:30,680 --> 00:19:32,160
Speaker 2: Of that young lady at your peril.

390
00:19:34,000 --> 00:19:41,200
Speaker 4: Good night, miss come here, miss partner.

391
00:19:41,720 --> 00:19:43,480
Speaker 2: Now are you going to give me?

392
00:19:45,160 --> 00:19:48,599
Speaker 1: Are you going to give me no, and that would.

393
00:19:50,039 --> 00:19:57,039
Speaker 2: Now and then give me or do I break your arms?

394
00:19:57,279 --> 00:19:58,119
Speaker 1: Coming up on the door.

395
00:19:58,240 --> 00:19:59,559
Speaker 6: No people on that side.

396
00:20:02,519 --> 00:20:06,079
Speaker 7: If you call madam, I'll see four more more don't

397
00:20:06,160 --> 00:20:19,839
see I'll see madam. I beg pardon, madam, But there's

398
00:20:19,880 --> 00:20:20,279
no one.

399
00:20:20,279 --> 00:20:25,359
Speaker 2: At the door. Betterwhere gonna go? He stop us? What

400
00:20:25,359 --> 00:20:27,000
what we want to do is they'll leave us alone.

401
00:20:27,200 --> 00:20:30,039
Lets the emperor have it. Do me to talk them,

402
00:20:30,039 --> 00:20:32,880
my lofes, that's what I mean. Once let's him.

403
00:20:32,839 --> 00:20:35,240
Speaker 4: Get at it. You'll separation homes. But he's quick.

404
00:20:35,680 --> 00:20:38,880
Speaker 2: Don't be worthy a minute. I tell you'll professor moreality.

405
00:20:38,880 --> 00:20:41,839
You'll get at him before noon tomorrow night. We won't

406
00:20:41,880 --> 00:20:42,680
wait long either.

407
00:20:43,359 --> 00:21:08,799
Speaker 8: And when he's like if means death, ah about.

408
00:21:09,160 --> 00:21:11,680
Speaker 2: They just tell three seven day?

409
00:21:11,720 --> 00:21:15,559
Speaker 3: Was pay all these se the desert.

410
00:21:19,480 --> 00:21:22,119
Speaker 4: Or everything with that tract?

411
00:21:22,599 --> 00:21:25,559
Speaker 2: Ha been bad by an expert manny man name has

412
00:21:25,559 --> 00:21:28,160
been a beard is a sad There a lot of

413
00:21:28,240 --> 00:21:31,839
souls again and all this bladder the job he been

414
00:21:31,920 --> 00:21:35,000
on that too, and that's where he made the street.

415
00:21:36,279 --> 00:21:36,720
Speaker 3: He slaying.

416
00:21:36,759 --> 00:21:38,960
Speaker 2: Well, they were a dangerous game. That's it. It's like

417
00:21:39,079 --> 00:21:43,279
abuse and lighted it. Seven years ago Wilson did two

418
00:21:43,359 --> 00:21:46,200
years the singers in good to that he doesn't said

419
00:21:46,279 --> 00:21:49,799
anything in fingers, they say, and not I experienced at school.

420
00:21:50,039 --> 00:21:52,960
He will see about that it's wool. He's all of

421
00:21:53,039 --> 00:21:55,519
a parent of man. He doesn't real eyes or he

422
00:21:55,759 --> 00:21:56,680
just squeeze in London.

423
00:21:56,799 --> 00:21:57,359
Speaker 3: It will be safe.

424
00:21:57,440 --> 00:22:00,440
Speaker 2: But if his ices that his name to pleaded, they

425
00:22:00,880 --> 00:22:06,039
need maybe cool and were he fool just the sust Yes, yes,

426
00:22:06,079 --> 00:22:06,519
said pa.

427
00:22:07,200 --> 00:22:09,880
Speaker 4: You know take a street is the base.

428
00:22:10,319 --> 00:22:13,079
Speaker 2: They just see they like us. Yeah, in goes naked,

429
00:22:13,279 --> 00:22:16,359
safe in the naked. Then say look they see there's

430
00:22:16,440 --> 00:22:19,000
three streets in every direction. And yes, and I think old.

431
00:22:19,480 --> 00:22:22,440
He's gonna go over and over again elsewhere at least

432
00:22:22,519 --> 00:22:25,480
the boy. Then in every doorway through this to night

433
00:22:25,559 --> 00:22:29,160
the basic street man o'clock brought his attendants out on

434
00:22:29,359 --> 00:22:32,359
one feet out before another and teach him out. Understand,

435
00:22:33,400 --> 00:22:37,039
I will see this chair off the rooms myself. Uh,

436
00:22:37,200 --> 00:22:40,440
here's a chance for his life. That's it. That's a

437
00:22:41,240 --> 00:22:44,240
notice as a lassca that I may require a destiny.

438
00:22:44,359 --> 00:22:46,839
But step at about the night and have prayed in

439
00:22:46,960 --> 00:22:49,960
there's a quarter before turned with his crew. Uh, there

440
00:22:50,039 --> 00:22:52,039
a lot of me I want in the right of letter.

441
00:22:52,079 --> 00:22:54,079
I can just sell off the rooms as I used

442
00:22:54,079 --> 00:22:57,200
to be tafe. You be there at seven, that's it

443
00:22:57,920 --> 00:23:00,599
to show men that nine the night. Let's still off

444
00:23:00,680 --> 00:23:04,400
from his house in bags Up Street. Yeah, well go there. Yes,

445
00:23:04,559 --> 00:23:09,000
he will still go there myself. But the meeting tomorrow

446
00:23:09,079 --> 00:23:11,880
night there him a gas fill there if I stay

447
00:23:12,119 --> 00:23:16,240
to pi Batter Street, you know, having swung them and

448
00:23:17,160 --> 00:23:26,359
either way, I added to screen our tools. Queen as yeah,

449
00:23:38,319 --> 00:23:40,440
that he's being homes and I dined together at Scotts

450
00:23:40,440 --> 00:23:43,880
and City Searcher. After dinner we went to a concert

451
00:23:43,880 --> 00:23:46,559
at Queen's Hall. I can still see him on this

452
00:23:46,599 --> 00:23:49,920
particular night of the moriarticy well, knowing that his life

453
00:23:50,000 --> 00:23:52,960
was in peril, sitting beside me in the fall, wrapped

454
00:23:53,000 --> 00:23:56,359
in the most perfect happiness. The the sellostatic played the

455
00:23:56,400 --> 00:23:59,920
violins get the waving his long, thin fingers in time

456
00:24:00,079 --> 00:24:28,119
to music. Where was gorn He goes, put on his

457
00:24:28,240 --> 00:24:30,759
long cloth and started with long steps in the direction

458
00:24:30,839 --> 00:24:36,279
of the suit. Don't ma, don't break a tree, my dear,

459
00:24:37,000 --> 00:24:51,559
very so much as we're seeing no sense of things it, Paul,

460
00:24:51,680 --> 00:24:53,799
we're here to have some And as we came down

461
00:24:53,839 --> 00:24:55,799
to take a street, we could see that the light

462
00:24:55,880 --> 00:24:58,000
was sturning on the second floor of two twenty one bees.

463
00:24:58,839 --> 00:25:12,720
We went up the dark and had a chairs, so

464
00:25:13,119 --> 00:25:14,480
the boy did. He was waiting for him.

465
00:25:16,440 --> 00:25:17,680
Speaker 4: He could us his compliments.

466
00:25:18,039 --> 00:25:19,480
Speaker 6: And she wants to know to go to you.

467
00:25:20,000 --> 00:25:21,559
Speaker 2: Now, where is mister Humpton.

468
00:25:21,559 --> 00:25:23,799
Speaker 4: Down stairs in the kitten my compliments?

469
00:25:23,839 --> 00:25:26,279
Speaker 2: And I don't think she can where she is you

470
00:25:26,359 --> 00:25:29,079
can't get him? Swer regress will be mister will.

471
00:25:29,079 --> 00:25:31,359
Speaker 1: It his most terrible impalking test he needs.

472
00:25:31,400 --> 00:25:33,440
Speaker 2: She wants to know what's less projectist.

473
00:25:32,960 --> 00:25:36,480
Speaker 4: In the morning, the same same as rain here this morning.

474
00:25:36,960 --> 00:25:39,279
Speaker 2: It's the didn't do nothing set you won't be here

475
00:25:39,400 --> 00:25:42,039
all right? I won't be here tomorrow? Yes? Is that

476
00:25:42,160 --> 00:25:43,039
all seton? Quite so?

477
00:25:43,519 --> 00:25:43,720
Speaker 6: Yes?

478
00:25:43,920 --> 00:25:44,440
Speaker 2: Thank you, sir.

479
00:25:44,799 --> 00:25:45,519
Speaker 6: But he's the own.

480
00:25:45,880 --> 00:25:47,160
Speaker 2: Here's a letter for yourself on the.

481
00:25:47,160 --> 00:25:48,720
Speaker 1: Paper you maybe ten minutes ago.

482
00:25:49,000 --> 00:25:49,119
Speaker 4: Mm.

483
00:25:49,279 --> 00:25:49,960
Speaker 2: We read it once.

484
00:25:50,039 --> 00:25:52,079
Speaker 4: He's good mother. I'll tell him addressing that as.

485
00:25:52,960 --> 00:25:53,319
Speaker 3: Yes, sir.

486
00:25:53,960 --> 00:25:57,799
Speaker 1: He best addresses names by James Lallaby and.

487
00:25:58,039 --> 00:26:01,839
Speaker 2: Wanted James to say the hearings Sir, I hope you

488
00:26:01,880 --> 00:26:05,680
won't say that again. I have the honor to inform

489
00:26:05,759 --> 00:26:08,480
you that this sponsor has sanged the mind regarding the

490
00:26:08,559 --> 00:26:12,440
letters at C which you wish to obtain, and if

491
00:26:12,480 --> 00:26:15,359
you started to dispose of them for a monetary consideration.

492
00:26:16,680 --> 00:26:19,640
If you wish to negotiate, you'll be at nine o

493
00:26:19,799 --> 00:26:23,079
practice of God's monument. At the foot of what took plays,

494
00:26:24,359 --> 00:26:26,720
you will see a fall feeler with wooden shutters to

495
00:26:26,799 --> 00:26:27,279
the windows.

496
00:26:28,240 --> 00:26:29,200
Speaker 4: If you have the cab.

497
00:26:29,160 --> 00:26:32,839
Speaker 2: Follow, they'll try any other underhand. Pick you both get

498
00:26:32,920 --> 00:26:36,839
what you want, Let me know your decision yours full

499
00:26:36,839 --> 00:26:40,000
the games out of it. Try and surry well better,

500
00:26:40,079 --> 00:26:42,599
perhaps put the fellow means cella means to tell me

501
00:26:42,640 --> 00:26:45,720
a base smitations allow term money at certain letters because

502
00:26:45,759 --> 00:26:46,720
that press I'm.

503
00:26:46,680 --> 00:26:47,640
Speaker 1: Proud to buy them from it.

504
00:26:48,839 --> 00:26:54,279
Speaker 2: Now, though I God monument cab, it wouldn't shutter, no.

505
00:26:54,319 --> 00:26:55,079
Speaker 4: One will come with me.

506
00:26:55,680 --> 00:26:58,559
Speaker 5: Tell on to follow all I don't get what I want,

507
00:26:59,559 --> 00:27:02,359
but just chat with it. Wouldn't shucking little guy to

508
00:27:02,400 --> 00:27:05,119
keep me from seeing where they're taking the blaive.

509
00:27:05,519 --> 00:27:10,559
Speaker 4: Yes, give this to the man, ahright.

510
00:27:09,400 --> 00:27:12,640
Speaker 2: Young look quite young steps and a handsome poor we

511
00:27:12,880 --> 00:27:15,000
lefter seen the driver before.

512
00:27:15,480 --> 00:27:18,359
Speaker 1: Yes, but I can't think where handles to the lady.

513
00:27:18,359 --> 00:27:21,640
Speaker 2: Apologize to delay and look at the driver again. Yes, there,

514
00:27:21,720 --> 00:27:23,720
my dear fools. You didn't say you would go, but

515
00:27:23,880 --> 00:27:25,640
I certain a jerk fella mean blitter.

516
00:27:25,880 --> 00:27:30,319
Speaker 1: This fellow means the sense the protest. And they could

517
00:27:30,319 --> 00:27:31,000
come on from.

518
00:27:30,839 --> 00:27:32,680
Speaker 2: The tennis on the corners to say a man's inn

519
00:27:32,759 --> 00:27:34,960
it wi a bus looks quite a red silk to

520
00:27:35,079 --> 00:27:36,839
move back to watch some kind of step over and

521
00:27:36,920 --> 00:27:37,559
else till the abi.

522
00:27:37,599 --> 00:27:38,599
Speaker 4: I'm a younger, now go watch.

523
00:27:38,599 --> 00:27:40,640
Speaker 2: I'll be back at nicol Billy.

524
00:27:42,000 --> 00:27:44,480
Speaker 1: And we brought that lessard why from the clinic pay.

525
00:27:44,319 --> 00:27:46,440
Speaker 5: Of course the which boys must have been a new

526
00:27:46,480 --> 00:27:49,160
one tip all seen on the pap jilly.

527
00:27:49,960 --> 00:27:52,759
Speaker 2: It does work quickly, but that's the doctor. The boy's

528
00:27:52,799 --> 00:27:53,400
gone as a man.

529
00:27:53,400 --> 00:27:54,279
Speaker 1: With him a minister.

530
00:27:54,519 --> 00:27:56,799
Speaker 2: Let me know. I'll stop cropping the door there out

531
00:27:56,839 --> 00:27:57,799
here at Free the crowd.

532
00:28:07,640 --> 00:28:29,480
Speaker 3: Hold be the most heady and sad.

533
00:28:29,519 --> 00:28:31,519
Speaker 2: Oh it's the thing that loaded the fire arms and

534
00:28:31,680 --> 00:28:33,200
the fuck with the buttons back and gun.

535
00:28:34,079 --> 00:28:36,359
Speaker 5: I give you my word because I'm like out there.

536
00:28:38,319 --> 00:28:40,039
Will you take up from here to the hospital if

537
00:28:40,039 --> 00:28:41,720
you keep your hand behind you like that?

538
00:28:43,519 --> 00:28:43,720
Speaker 2: Yeah?

539
00:28:43,759 --> 00:28:44,359
Speaker 1: That set up?

540
00:28:45,880 --> 00:28:49,440
Speaker 2: Huh? I can't people throw a bob on the table.

541
00:28:51,759 --> 00:28:55,279
Oh everything they don't to me. I think it's quite

542
00:28:55,319 --> 00:28:58,039
evidence that I do. I say I have a chap.

543
00:28:59,440 --> 00:29:04,200
I say you five minutes and then say, as careful

544
00:29:06,720 --> 00:29:09,119
you about to do Professor my U there, hm, we'll

545
00:29:09,160 --> 00:29:11,319
get nayball and I'll tell you when you are five

546
00:29:11,400 --> 00:29:12,000
minutes is up?

547
00:29:14,039 --> 00:29:15,839
Speaker 4: It's real intention just to see.

548
00:29:15,799 --> 00:29:19,519
Speaker 2: This case against that is nine tenths the very end

549
00:29:19,759 --> 00:29:23,599
he resisted, I say you're regrets, perfessute. You don't think

550
00:29:23,680 --> 00:29:26,279
that I would be Yeah, everybody hadn't gave the street.

551
00:29:26,200 --> 00:29:29,480
Speaker 4: Fight sas g way respect, I could.

552
00:29:29,319 --> 00:29:31,839
Speaker 2: Never say good there or best to make your courage

553
00:29:31,920 --> 00:29:34,200
is that? But first that's my out there. You wouldnage

554
00:29:34,279 --> 00:29:36,799
with your friend the doctor and your boy day. We

555
00:29:36,839 --> 00:29:42,160
will soon return. So I please just ight a rote

556
00:29:42,240 --> 00:29:46,400
doesn't it's uh, that's Christ. So it would deacon talk

557
00:29:46,440 --> 00:29:48,480
of the national role with a quiet agents. The whole

558
00:29:48,640 --> 00:29:52,279
does not to be disturbed. In the firsty I used

559
00:29:52,279 --> 00:29:54,640
to call your attention to assume never end. Uh which

560
00:29:54,640 --> 00:30:00,519
type totty dolls and you will find us there they are. Okay,

561
00:30:01,200 --> 00:30:05,960
don't do that. That's don quickly, will father? Where from

562
00:30:05,960 --> 00:30:10,160
my memory of the book you're talking about, really, I

563
00:30:11,279 --> 00:30:13,759
was more in this book. Well, merely, don't do it

564
00:30:13,880 --> 00:30:16,559
I don't want it got one of my own if

565
00:30:16,599 --> 00:30:20,279
he wanted to have someone get it for you. I

566
00:30:20,559 --> 00:30:26,039
always like to say my guests, unnecessary trouble. It's it's

567
00:30:26,079 --> 00:30:26,720
your whole point.

568
00:30:26,839 --> 00:30:30,519
Speaker 1: It doesn't do't s mm no. But I have idea

569
00:30:30,599 --> 00:30:33,279
that he will for me, possibly.

570
00:30:32,920 --> 00:30:37,680
Speaker 2: The wrong resue. Think what.

571
00:30:39,799 --> 00:30:40,319
Speaker 6: That boy?

572
00:30:41,079 --> 00:30:46,839
Speaker 2: Yeah, that boy? Yeah, at least we're trying to build

573
00:30:46,839 --> 00:30:47,200
once more.

574
00:30:47,319 --> 00:30:47,839
Speaker 1: But that's us.

575
00:30:49,880 --> 00:30:52,519
Speaker 2: Doesn't just curse you just see me pocketly?

576
00:30:52,559 --> 00:30:53,799
Speaker 3: Will you just pay?

577
00:30:56,119 --> 00:30:56,319
Speaker 9: There?

578
00:30:56,359 --> 00:31:00,880
Speaker 2: It does that, But it also occurs to me that joined.

579
00:31:00,759 --> 00:31:02,720
Speaker 1: Very much the same predicaments professor Ria.

580
00:31:02,799 --> 00:31:02,960
Speaker 10: There.

581
00:31:06,319 --> 00:31:07,039
Speaker 2: That's important.

582
00:31:07,559 --> 00:31:10,279
Speaker 4: Some one tells me it's quite evident, however, that he's

583
00:31:10,279 --> 00:31:10,599
fair to.

584
00:31:10,599 --> 00:31:13,279
Speaker 1: Do so he's got my cot. He hain't got me

585
00:31:14,160 --> 00:31:15,880
y delay.

586
00:31:16,079 --> 00:31:18,279
Speaker 2: But gentlemen, I'm carefully pointing out to you with this

587
00:31:18,400 --> 00:31:19,640
forty five desires to.

588
00:31:19,640 --> 00:31:22,319
Speaker 5: Have us get something of his left hand inside coat pocket.

589
00:31:22,960 --> 00:31:25,200
He's not seeing quite himself today, and the consequence of

590
00:31:25,279 --> 00:31:27,599
his trying to do it himself, might Pool say, oh, I.

591
00:31:29,119 --> 00:31:35,799
Speaker 2: Just you attend to accor him, sir, it's done a city,

592
00:31:35,799 --> 00:31:37,519
I'll put it on the table. I'm not there, billy

593
00:31:37,759 --> 00:31:39,279
on this table A right reaches.

594
00:31:40,359 --> 00:31:40,799
Speaker 3: I like it.

595
00:31:42,079 --> 00:31:42,720
Speaker 2: It's old Billy.

596
00:31:43,000 --> 00:31:44,480
Speaker 1: Then what he's got another say?

597
00:31:44,680 --> 00:31:47,599
Speaker 5: Quite belie suprised me. That's the gasman's taking the trouble

598
00:31:47,640 --> 00:31:51,079
to informost. He hasn't winter, and he made a snatch

599
00:31:51,119 --> 00:31:55,680
for this and now because now if we have your

600
00:31:55,720 --> 00:31:59,039
little memorandum, if you have anything else you like before

601
00:31:59,079 --> 00:32:02,599
Billy goes, any little thing you've got that you don't.

602
00:32:02,440 --> 00:32:06,279
Speaker 1: Want, So sorry, don't thank you, sir.

603
00:32:06,960 --> 00:32:10,319
Speaker 2: Listening homes and evil on the fourth of January, you

604
00:32:10,440 --> 00:32:15,160
crossed my box on the twentieth you incommoded thing. Now

605
00:32:15,240 --> 00:32:17,559
at the pose of evil, if I may help peace

606
00:32:17,640 --> 00:32:20,839
and take a position through your continual interference that I'm

607
00:32:20,920 --> 00:32:23,240
in positive inger or losing light of a day?

608
00:32:23,359 --> 00:32:26,039
Speaker 4: Mm in uny suggestions make no way.

609
00:32:26,079 --> 00:32:29,279
Speaker 2: It has no suggesting to make. They have a text

610
00:32:29,359 --> 00:32:32,279
the street. If you don't prop it up once, your

611
00:32:32,400 --> 00:32:36,519
life's not worth I'm afraid of. But in the pleasure

612
00:32:36,559 --> 00:32:39,400
of this conversation I'm abjecting. More important is it if

613
00:32:39,440 --> 00:32:41,759
you excuse me a moment when I get my title

614
00:32:41,839 --> 00:32:45,119
to lap this, ye makin serve season mister Holmes to

615
00:32:45,200 --> 00:32:47,720
see if peace could not be arranged it quite so

616
00:32:47,960 --> 00:32:50,720
I don't you've seen fit not only to reject my

617
00:32:50,839 --> 00:32:54,160
per boodles, but to meet insulting references coupled with pets

618
00:32:54,200 --> 00:32:56,799
for the rest. You can't see the bad of your dinger.

619
00:32:57,480 --> 00:32:58,759
You don't feed that morning.

620
00:32:59,039 --> 00:33:00,200
Speaker 1: But that's thy.

621
00:33:05,799 --> 00:33:09,559
Speaker 2: M didn't imagine I do that gun loaded? Did you? Professor?

622
00:33:09,680 --> 00:33:15,880
Way out here here you're contradiction. I didn't spose you

623
00:33:16,039 --> 00:33:18,039
one of you that gun again till I don't mind

624
00:33:18,079 --> 00:33:20,640
while you were talking, because when my part is you

625
00:33:20,680 --> 00:33:25,759
will find them all there sat that you're asking, Yes, yes,

626
00:33:26,119 --> 00:33:26,720
you see show.

627
00:33:26,799 --> 00:33:29,759
Speaker 4: Professor Moriat is a dog, Yes, sir, this place.

628
00:33:29,559 --> 00:33:35,799
Speaker 2: Here he different for you, so no, no alloy out

629
00:33:36,680 --> 00:33:47,440
y I never will you're asking him there you ain't

630
00:33:47,480 --> 00:34:08,559
a good blood? Yes, thanks mister. You are listening to

631
00:34:08,639 --> 00:34:11,960
the Economy of broadcasting system presentation of Austin Wells and

632
00:34:12,079 --> 00:34:15,360
the Military Favor on the air in Philopols with Austin

633
00:34:15,400 --> 00:34:17,960
Wells in the title role and Ray Collins as doctor

634
00:34:18,000 --> 00:34:22,760
watching we cause a moment station not applications the columb

635
00:34:22,800 --> 00:34:46,159
their broadcasting system. We continue now with the CBS presentation

636
00:34:46,400 --> 00:34:49,000
of Philoch Holmes layed by Austin Wales and the.

637
00:34:49,079 --> 00:35:01,519
Speaker 11: Lictory failter on the air, but exactly not O talking

638
00:35:01,599 --> 00:35:02,199
Sherlock Holmes.

639
00:35:02,239 --> 00:35:02,800
Speaker 4: That's the house in.

640
00:35:02,800 --> 00:35:07,400
Speaker 2: Baker Streets instruction that no one wants to follow him.

641
00:35:08,440 --> 00:35:10,000
If there had been no words from him, but I

642
00:35:10,159 --> 00:35:13,559
held him to following day he would notified Stockham Jars.

643
00:35:14,719 --> 00:35:16,519
I went to the window in ojump and he went

644
00:35:16,559 --> 00:35:19,880
down Baker Street, a tall, thin figure in a gray

645
00:35:19,920 --> 00:35:22,840
outstair walking with long moved steps in.

646
00:35:22,840 --> 00:35:23,719
Speaker 1: The direction of Langham.

647
00:35:23,760 --> 00:35:25,280
Speaker 4: Stay there.

648
00:35:25,360 --> 00:35:26,119
Speaker 3: He entered a tab.

649
00:35:56,400 --> 00:35:57,599
Speaker 2: Yeah what are you doing?

650
00:35:57,760 --> 00:35:58,360
Speaker 4: Like Maxife?

651
00:35:58,440 --> 00:36:00,760
Speaker 2: I told I'm doing chapter four, not something, and I

652
00:36:00,840 --> 00:36:03,719
might be dashing wool. I don't, guys, it's the boy day.

653
00:36:03,840 --> 00:36:05,800
Since they had gas, no, and I still said I

654
00:36:05,880 --> 00:36:09,239
might be gas. You take it and I will go.

655
00:36:09,679 --> 00:36:16,039
But he in my term. That's why, you know, said

656
00:36:16,079 --> 00:36:18,920
dress ball get pumpings are Yeah.

657
00:36:20,079 --> 00:36:20,320
Speaker 6: That's it.

658
00:36:21,239 --> 00:36:24,639
Speaker 1: Say it's ardly here sir, like hey here sir.

659
00:36:25,079 --> 00:36:28,000
Speaker 2: The canting at your boy. They got what they say,

660
00:36:28,079 --> 00:36:32,679
do guy heard the UK home? Oh you mean my sing? God?

661
00:36:32,880 --> 00:36:35,440
So going to count him around where they set down

662
00:36:35,559 --> 00:36:37,760
and then he gets away. I'm all they tell Yeah,

663
00:36:37,760 --> 00:36:43,360
that's that's say help the governor and tell him I

664
00:36:43,480 --> 00:36:44,159
got him out.

665
00:36:44,199 --> 00:36:44,920
Speaker 6: He shut up.

666
00:36:49,400 --> 00:36:49,880
Speaker 3: The pig.

667
00:36:50,239 --> 00:36:52,920
Speaker 2: Here their do before we go all the sin and

668
00:36:52,920 --> 00:36:55,199
then we say night. Great, be careful of that s

669
00:36:55,760 --> 00:36:58,199
rather bill, he's in all this job hell lot of you.

670
00:36:58,880 --> 00:37:02,880
If that's all that is, small cabinet, then whatever says there,

671
00:37:03,000 --> 00:37:06,840
no layer down that might break the glass, tog the

672
00:37:06,920 --> 00:37:08,760
top of get every iron bar that fire.

673
00:37:09,159 --> 00:37:10,840
Speaker 1: We let him tie down before they came back in

674
00:37:10,920 --> 00:37:11,280
the glass.

675
00:37:11,840 --> 00:37:14,559
Speaker 2: You use it before, right, Also know a cairtaight every

676
00:37:14,760 --> 00:37:15,960
crevices to yourself.

677
00:37:16,519 --> 00:37:18,199
Speaker 1: When the men have turned to get on him, they

678
00:37:18,400 --> 00:37:19,239
leave by this door.

679
00:37:19,400 --> 00:37:22,400
Speaker 2: Yes, they made great secure if they both from the

680
00:37:22,440 --> 00:37:25,880
outside there follow those bars overall. You see how great

681
00:37:25,920 --> 00:37:28,760
it's not verat tire man down to their Yeah you

682
00:37:28,840 --> 00:37:31,559
know need how quick you're gonnaperate them? Y?

683
00:37:31,719 --> 00:37:33,000
Speaker 4: Yes, you know.

684
00:37:37,880 --> 00:37:43,760
Speaker 2: That's that's good. We'll git up now, ragin wrist you

685
00:37:44,119 --> 00:37:47,199
one thing right, not about whatever happens. No shooting to

686
00:37:47,280 --> 00:37:49,519
night or a single jot and be heard in the

687
00:37:49,599 --> 00:37:52,039
alley below. The first thing is to get his revolver

688
00:37:52,119 --> 00:37:54,719
away before he has gone to it. Two of your

689
00:37:54,840 --> 00:37:57,239
tricks in the tension in front. Garrett can not comming

690
00:37:57,320 --> 00:37:59,960
from behind and snack it out of his bucket. And yeah,

691
00:38:01,039 --> 00:38:02,840
why you get quiggin f let tad to us say

692
00:38:03,920 --> 00:38:07,199
you understand he waits for you. I understand the if

693
00:38:07,239 --> 00:38:09,239
you do this opportunity to serve in the packet of

694
00:38:09,400 --> 00:38:12,519
letters you forwards and diff you can get reble two

695
00:38:12,679 --> 00:38:18,440
hundred thousands doesn't interest names fairba there is Oh, I

696
00:38:18,599 --> 00:38:22,239
understand you finished and got so money you whistle and

697
00:38:22,400 --> 00:38:27,280
these just get in and there it r riggan okay

698
00:38:27,880 --> 00:38:33,559
and prigion the proper moment, present my compliments mister Sherlock's ms,

699
00:38:33,639 --> 00:38:36,159
and say that I wish in a pleasant journey to

700
00:38:36,280 --> 00:38:47,559
the ass n y the nice well nice r all

701
00:38:47,599 --> 00:38:50,199
right five Claire, when you get a whipple in your

702
00:38:50,239 --> 00:38:53,280
comp right John and there if you get down on

703
00:38:53,360 --> 00:38:54,840
the corner below, let you know when he comes. I

704
00:38:54,920 --> 00:38:56,679
want to let you know. Well, and you see him

705
00:38:56,719 --> 00:38:58,800
driving up. I'm down the alley and a couple three

706
00:38:58,880 --> 00:39:01,159
times there you good to here?

707
00:39:01,679 --> 00:39:04,000
Speaker 3: What are you?

708
00:39:11,920 --> 00:39:13,079
Speaker 2: How did you get with this place?

709
00:39:13,119 --> 00:39:14,079
Speaker 1: I probably need a cab?

710
00:39:14,400 --> 00:39:16,920
Speaker 2: You been doing since I came up here on the five? No,

711
00:39:17,559 --> 00:39:19,800
I'm just saying, so I wasted the morning like a

712
00:39:19,880 --> 00:39:21,320
four good morning.

713
00:39:21,400 --> 00:39:23,000
Speaker 6: Yes, we're going to sling in the.

714
00:39:23,039 --> 00:39:25,159
Speaker 2: Seating selling a pack of four letters. I know that

715
00:39:25,679 --> 00:39:26,880
what else you going to be doing?

716
00:39:27,079 --> 00:39:29,119
Speaker 1: You wouldn't delight to know that those men?

717
00:39:29,159 --> 00:39:31,960
Speaker 2: I say, up here, what man's looking? Then I was

718
00:39:31,960 --> 00:39:33,639
probably going to seature.

719
00:39:33,239 --> 00:40:08,280
Speaker 9: It don't mean these men there.

720
00:39:51,760 --> 00:39:51,960
Speaker 11: Is no.

721
00:39:55,599 --> 00:39:59,559
Speaker 2: What's sing? We don't have time to get her out?

722
00:39:59,800 --> 00:40:03,519
Or mad about cop? Yeah, I won't have the sat

723
00:40:04,639 --> 00:40:05,119
Night coming in.

724
00:40:05,760 --> 00:40:06,239
Speaker 6: It's nice?

725
00:40:06,360 --> 00:40:23,119
Speaker 2: Did about did evening?

726
00:40:23,239 --> 00:40:23,840
Speaker 3: Mixt the home?

727
00:40:25,320 --> 00:40:30,159
Speaker 2: Ah, let's still out of it? So really now I

728
00:40:30,320 --> 00:40:32,559
stily thought I saw this driving by the coast cabine

729
00:40:32,639 --> 00:40:35,320
too many something you seen that before? Have you mixed

730
00:40:35,320 --> 00:40:35,719
the home? Or what?

731
00:40:35,800 --> 00:40:36,400
Speaker 1: A time or two?

732
00:40:37,599 --> 00:40:39,159
Speaker 2: Now it comes to say, I has a frient of

733
00:40:39,199 --> 00:40:41,039
yours a space. When they was trying to drop himself

734
00:40:41,079 --> 00:40:43,480
out of the window, they had called him the cracksmen

735
00:40:43,480 --> 00:40:44,960
I was and called him never had of him before

736
00:40:45,119 --> 00:40:47,199
where you said, they never heard of him after?

737
00:40:48,320 --> 00:40:48,679
Speaker 3: So the.

738
00:40:50,159 --> 00:40:52,199
Speaker 1: Race was content view of these luxurious chambers.

739
00:40:52,239 --> 00:40:55,000
Speaker 2: It was sends eighty nine, one of the hidden that

740
00:40:55,159 --> 00:40:58,440
covered the put hi out the heel. Quite interesting. The

741
00:40:58,559 --> 00:41:01,280
times of things didn't better to their heads celea be

742
00:41:01,320 --> 00:41:01,880
to their hands.

743
00:41:03,320 --> 00:41:06,800
Speaker 5: Then it's very cracksman concerted ticktockets and they senders various kinds.

744
00:41:06,840 --> 00:41:08,239
Speaker 3: But now well what now?

745
00:41:08,400 --> 00:41:08,599
Speaker 2: Well?

746
00:41:08,679 --> 00:41:10,039
Speaker 1: Between you and me and the celetter.

747
00:41:09,800 --> 00:41:12,480
Speaker 2: B, we've heard some not altogether agreeable rumors.

748
00:41:13,760 --> 00:41:15,480
Speaker 4: Those assume pretty shady work.

749
00:41:15,519 --> 00:41:19,159
Speaker 2: I'm try from here the murder through the depeter kins,

750
00:41:20,280 --> 00:41:24,199
I'm all kind of suspicient. That's it it.

751
00:41:25,840 --> 00:41:29,599
Speaker 4: By Smid who's corrected here. This room is caught.

752
00:41:29,719 --> 00:41:32,039
Speaker 2: Feel that season might go up nothing to us, that's

753
00:41:32,079 --> 00:41:33,480
the letter by nothing to do up, but it might

754
00:41:33,519 --> 00:41:35,639
signify a good deal of some sort. Devil always been

755
00:41:35,719 --> 00:41:37,079
caught and gassed in this trap.

756
00:41:38,239 --> 00:41:38,960
Speaker 4: If it's nothing to.

757
00:41:39,159 --> 00:41:41,519
Speaker 2: Up, the supposed to leave up alone and get the business.

758
00:41:41,639 --> 00:41:42,519
Speaker 1: My time is living there.

759
00:41:42,559 --> 00:41:46,079
Speaker 5: Of course it would realize that these reflections could not

760
00:41:46,159 --> 00:41:51,519
suspel you right if it ad on the film h thanks.

761
00:41:52,880 --> 00:41:53,440
Speaker 4: Good Sejavi.

762
00:41:53,639 --> 00:41:59,039
Speaker 2: Since to Lena that the same room her manners. Glad

763
00:41:59,079 --> 00:42:02,679
you like now here. It is a little ticket of

764
00:42:02,800 --> 00:42:04,480
letters which is the object of this meeting.

765
00:42:05,159 --> 00:42:07,519
Speaker 4: I haven't opened this yet, but mispot that tells me

766
00:42:07,639 --> 00:42:09,360
everything is there spose a stile of.

767
00:42:09,679 --> 00:42:11,840
Speaker 2: Miss partner knows nothing about this is fair weird little

768
00:42:11,920 --> 00:42:13,840
names for the discussion. What do you mean? Who told you?

769
00:42:13,960 --> 00:42:16,440
It doesn't vot you did every loptone just everything you've

770
00:42:16,480 --> 00:42:17,760
said and done since I've.

771
00:42:17,559 --> 00:42:19,480
Speaker 5: Been in this room is informed that miss Sportslayer has

772
00:42:19,559 --> 00:42:22,519
never consented to this transsection, which is a little speculation

773
00:42:22,639 --> 00:42:23,039
of your own.

774
00:42:23,079 --> 00:42:25,639
Speaker 2: Oh, I started to take it, aid be like, oh no, no,

775
00:42:25,880 --> 00:42:29,960
like a similar Well, little pal, how much did you give?

776
00:42:30,800 --> 00:42:32,239
A thousand pounds? I couldn't take it.

777
00:42:32,760 --> 00:42:33,880
Speaker 1: What do you ask five thousand?

778
00:42:33,920 --> 00:42:34,559
Speaker 2: I couldn't give it?

779
00:42:34,920 --> 00:42:36,159
Speaker 1: Well, I was at all four thousands.

780
00:42:36,159 --> 00:42:39,239
Speaker 2: But why I didn't just ticket? Because I intended to

781
00:42:39,320 --> 00:42:42,119
get more? Oh, that's to them. They offered four thousand,

782
00:42:42,320 --> 00:42:44,480
they will give five. They won't give anything. Why not

783
00:42:44,639 --> 00:42:47,159
they turn the case that was a name will be

784
00:42:47,199 --> 00:42:49,320
this three pounds. The celena is strange, that may appear,

785
00:42:49,320 --> 00:42:51,000
and my time is limited as well as yours. I

786
00:42:51,079 --> 00:42:52,920
have brought with me the sum of one thousand pounds,

787
00:42:52,960 --> 00:42:54,239
which is all that I wish to pay. If that

788
00:42:54,280 --> 00:42:56,360
is your desire to tell it. This figure kind of

789
00:42:56,480 --> 00:42:59,280
a praise never effect at once. It's not not really

790
00:42:59,320 --> 00:43:04,400
wish was very good. Well you can have it. It's

791
00:43:04,400 --> 00:43:05,639
a small amount of I hangle over.

792
00:43:06,000 --> 00:43:06,679
Speaker 4: Give me the money.

793
00:43:07,000 --> 00:43:11,480
Speaker 2: Certainly, of course, you say you've only brought the punt

794
00:43:12,000 --> 00:43:14,039
I did this? Is this you brought a pipe on

795
00:43:14,119 --> 00:43:17,239
more collect so I didn't say I hadn't brought anymore.

796
00:43:17,679 --> 00:43:19,320
You can be a little stick when it comes to

797
00:43:19,440 --> 00:43:21,719
a pension. It depends on who I'm dealing with. Yeah,

798
00:43:21,840 --> 00:43:22,760
you're give me that money?

799
00:43:22,960 --> 00:43:24,519
Speaker 1: Come on, say around.

800
00:43:27,000 --> 00:43:31,920
Speaker 2: Now. That's why I watch your James Lender Bear. You've

801
00:43:31,960 --> 00:43:34,679
been so cunning and so cautious and so wise. We

802
00:43:34,679 --> 00:43:35,920
couldn't find a thing to hold you for.

803
00:43:36,079 --> 00:43:38,039
Speaker 4: But this little twip will get you in for robbery.

804
00:43:38,360 --> 00:43:40,960
Speaker 2: You're happy in with you? Why are your huse about

805
00:43:41,000 --> 00:43:42,719
seeing here? But they get away from here your ton.

806
00:43:42,840 --> 00:43:45,880
I do not anticipate any particular difficulty a robbery.

807
00:43:45,920 --> 00:43:48,239
Speaker 1: Hey, why even if you drop away from here, you

808
00:43:48,400 --> 00:43:50,800
haven't gone a witness. You haven't gone a witness for

809
00:43:50,880 --> 00:43:51,280
your name.

810
00:43:52,000 --> 00:43:53,840
Speaker 2: I'm not so sure that that's the Letta bear.

811
00:43:55,559 --> 00:43:56,920
Speaker 1: I'm so sure of that you use.

812
00:43:56,880 --> 00:43:59,000
Speaker 2: This fastness to come and go a nice car.

813
00:44:03,920 --> 00:44:04,079
Speaker 3: Back.

814
00:44:06,119 --> 00:44:06,800
Speaker 4: Don't want to be.

815
00:44:08,880 --> 00:44:15,360
Speaker 6: I am afraid your where.

816
00:44:17,679 --> 00:44:20,840
Speaker 2: I have to ask you, gentlemen, to wait at one moment. Please,

817
00:44:21,599 --> 00:44:23,559
what's the idea of figure out I'm writing? What are

818
00:44:23,559 --> 00:44:26,679
you waiting your will? I said no, no? May who

819
00:44:26,760 --> 00:44:30,679
brief the riptom one or two of your gentlemen to sleep.

820
00:44:31,159 --> 00:44:31,679
Wait a bit.

821
00:44:32,119 --> 00:44:32,960
Speaker 4: You better listen to me.

822
00:44:33,079 --> 00:44:35,880
Speaker 2: It's all They're gonna tie you down. Ninety tips on

823
00:44:35,960 --> 00:44:38,639
the top of that table. You'll describe me that one

824
00:44:39,719 --> 00:44:42,800
thinking you're s sure of anybody in this room? And

825
00:44:43,119 --> 00:44:44,519
three bars got out of that window.

826
00:44:44,559 --> 00:44:45,559
Speaker 4: Bars on't no bars.

827
00:44:45,639 --> 00:44:48,360
Speaker 2: No, I'm not going to get off drink. There are

828
00:44:48,440 --> 00:44:50,119
so many ways, and to let it be that I

829
00:44:50,239 --> 00:44:51,559
hardly know which one to two.

830
00:44:51,920 --> 00:44:52,480
Speaker 6: You better too.

831
00:44:53,880 --> 00:44:57,400
Speaker 4: I choose at once. It's the kigon and I cho

832
00:44:57,480 --> 00:44:59,360
I spose on this hair.

833
00:45:03,599 --> 00:45:16,519
Speaker 10: Started because follow no, gentleman, no, not trying the window.

834
00:45:18,199 --> 00:45:20,679
Speaker 4: I'm leaving back the door that.

835
00:45:25,199 --> 00:45:26,920
Speaker 2: I had a busy morning at my office in Holly

836
00:45:26,960 --> 00:45:30,440
Street after eleven before the last of my appointments was over,

837
00:45:31,320 --> 00:45:38,960
and still no news of homes in Dodel postom. Is

838
00:45:39,000 --> 00:45:41,119
there anyone waiting? I have to be in Baker Street

839
00:45:41,119 --> 00:45:43,119
at noon. There's one test moon.

840
00:45:43,000 --> 00:45:46,679
Speaker 4: That wait to doty tearing to us to you most particulate,

841
00:45:46,920 --> 00:45:49,559
what about taste face?

842
00:45:49,639 --> 00:45:53,719
Speaker 2: There's most focused over out here, and call a cap

843
00:45:53,760 --> 00:45:55,039
for me at the same time and have it wait

844
00:45:55,440 --> 00:46:02,360
till the lady past five doctors also going to do

845
00:46:02,440 --> 00:46:02,960
the seemate.

846
00:46:03,239 --> 00:46:06,920
Speaker 1: I agace to it speaking did you bring my card case?

847
00:46:07,159 --> 00:46:09,639
Speaker 2: But if I did, I'd lost you. Trouble about his cards,

848
00:46:10,400 --> 00:46:13,320
they said, when mister Home to tend several people tell

849
00:46:13,360 --> 00:46:15,719
me about the several there's right to ask you a

850
00:46:16,159 --> 00:46:17,239
signing today.

851
00:46:17,239 --> 00:46:19,280
Speaker 1: This morning, and everything depends on it.

852
00:46:19,400 --> 00:46:23,519
Speaker 2: Doctor every time go to mister Holmes une ideally you

853
00:46:23,599 --> 00:46:25,480
want to say you went to mister holmes house. Yes,

854
00:46:25,679 --> 00:46:28,079
in data see that's why I came to you. Then

855
00:46:28,199 --> 00:46:30,039
said nice pin No you idea.

856
00:46:30,360 --> 00:46:31,519
Speaker 1: Don't expect him with mom.

857
00:46:31,639 --> 00:46:33,599
Speaker 2: No, there's no possibility of mister Home's coming as far

858
00:46:33,679 --> 00:46:33,960
as I know.

859
00:46:34,079 --> 00:46:36,000
Speaker 1: But couldn't it get me to come? It would be

860
00:46:36,119 --> 00:46:39,000
such a great stayor to me. And they must warn out.

861
00:46:38,880 --> 00:46:42,159
Speaker 2: Of staying about in distressful an out if you could.

862
00:46:42,000 --> 00:46:43,159
Speaker 1: Get where it came to home.

863
00:46:43,480 --> 00:46:44,920
Speaker 2: I was not get him to come out, and then

864
00:46:44,920 --> 00:46:47,079
I think you could excuse me. I bring out myself

865
00:46:47,079 --> 00:46:49,320
on urgent business. I have no idea where mister Holmes,

866
00:46:56,760 --> 00:47:01,199
probably every more than I building down her little they

867
00:47:01,280 --> 00:47:03,800
want to do and he won't put him little one

868
00:47:03,920 --> 00:47:05,679
to you and don't allow anybody to come in.

869
00:47:05,880 --> 00:47:07,199
Speaker 1: I have no more time, honey was.

870
00:47:11,719 --> 00:47:15,920
Speaker 6: Right away worn time doctor dog. He get you can't

871
00:47:16,000 --> 00:47:16,880
any ready.

872
00:47:16,679 --> 00:47:19,119
Speaker 1: There, don't just come see anybody.

873
00:47:19,440 --> 00:47:22,400
Speaker 6: He's not to come in to me. Man, this straight game,

874
00:47:22,480 --> 00:47:22,880
all right?

875
00:47:22,960 --> 00:47:23,400
Speaker 4: Help him in.

876
00:47:24,280 --> 00:47:24,960
Speaker 6: He's like, we can.

877
00:47:27,559 --> 00:47:37,280
Speaker 2: The poet over their just waiting to be conshead.

878
00:47:34,679 --> 00:47:37,320
Speaker 6: And the car theil the heck then or you curnt

879
00:47:37,360 --> 00:47:38,199
that's the train enough.

880
00:47:38,280 --> 00:47:40,079
Speaker 4: He was on the wrong side of the street.

881
00:47:40,199 --> 00:47:40,800
Speaker 6: He was, you.

882
00:47:42,719 --> 00:47:45,440
Speaker 4: Sit here, don't know the answer?

883
00:47:45,519 --> 00:47:47,559
Speaker 2: That don't you support? And I know where I want

884
00:47:47,599 --> 00:47:50,599
to sit down. You'll sit down here. That is the doctor,

885
00:47:50,880 --> 00:47:51,719
the doctor.

886
00:47:51,880 --> 00:47:52,639
Speaker 6: An look at you.

887
00:47:52,920 --> 00:47:53,800
Speaker 4: Here's the doctor.

888
00:47:53,920 --> 00:47:57,079
Speaker 6: That is the doctor. He a dost here jump cake?

889
00:47:57,239 --> 00:47:58,480
Speaker 2: You just coming he and look at me.

890
00:47:58,559 --> 00:48:01,039
Speaker 4: O plate here he's here, Lily.

891
00:48:02,159 --> 00:48:05,760
Speaker 6: Are you a campman? Cash, I'm a campman. Well, I'm

892
00:48:05,880 --> 00:48:08,079
erected for this. We're arrested.

893
00:48:08,239 --> 00:48:12,840
Speaker 2: Arrested, arrested, arrest May Conornio ten.

894
00:48:13,679 --> 00:48:15,719
Speaker 6: Where's my hat? Where's my hat?

895
00:48:15,880 --> 00:48:16,480
Speaker 2: My hat?

896
00:48:17,000 --> 00:48:19,840
Speaker 6: My hat? Ye am, I your head? I will I

897
00:48:20,039 --> 00:48:23,039
my hat. Oh you're responsible here, you're right here in

898
00:48:23,559 --> 00:48:27,280
go I'll there. That isn't my hack. Yeah, you're responsible.

899
00:48:27,280 --> 00:48:29,000
I'll have you erected here, come.

900
00:48:28,880 --> 00:48:30,679
Speaker 2: Back to figure out you are?

901
00:48:30,760 --> 00:48:32,360
Speaker 3: You know I got you a ten dollar.

902
00:48:32,719 --> 00:48:34,880
Speaker 2: No, when you're in here, I want.

903
00:48:34,760 --> 00:48:35,559
Speaker 6: To speak to him.

904
00:48:38,119 --> 00:48:38,639
Speaker 3: Let's see.

905
00:48:38,679 --> 00:48:41,159
Speaker 6: I will stay in the street. I would get out

906
00:48:41,199 --> 00:48:41,880
of your alive.

907
00:48:42,960 --> 00:48:45,159
Speaker 2: So why are you staying at me before Iday? So

908
00:48:45,400 --> 00:48:46,920
let's have to wait for me. I must see this

909
00:48:47,039 --> 00:48:48,719
by her. I'm afraid of you.

910
00:48:48,760 --> 00:48:49,840
Speaker 1: A good quiet for one moment.

911
00:48:49,840 --> 00:48:52,440
Speaker 2: I'll have a look at them. Well they still with him?

912
00:48:52,679 --> 00:48:56,199
Speaker 1: Well, how can I remarkable remarkable weather?

913
00:48:56,280 --> 00:48:57,519
Speaker 2: We're having a uct?

914
00:48:58,840 --> 00:48:58,920
Speaker 3: Oh?

915
00:49:00,320 --> 00:49:01,119
Speaker 6: Hop on earth?

916
00:49:01,239 --> 00:49:03,719
Speaker 2: How about having you remove some of this diculous disguise.

917
00:49:03,800 --> 00:49:04,599
Wasn't home?

918
00:49:05,519 --> 00:49:06,039
Speaker 3: Is that you?

919
00:49:06,199 --> 00:49:06,440
Speaker 4: Mary?

920
00:49:06,480 --> 00:49:06,679
Speaker 2: Quite?

921
00:49:07,440 --> 00:49:07,719
Speaker 3: Quite so?

922
00:49:07,880 --> 00:49:11,440
Speaker 2: Oh? Watson watching? Oh they get out that window without

923
00:49:11,480 --> 00:49:13,360
the blind? Why do nothing?

924
00:49:14,960 --> 00:49:18,239
Speaker 1: I was getting done by missus. Larrabe here go home,

925
00:49:18,960 --> 00:49:19,719
get out that way now.

926
00:49:19,800 --> 00:49:23,920
Speaker 2: I don't think they're watching Corman, good work forman. I

927
00:49:23,960 --> 00:49:26,760
think it's Dy in charge. Hep her the good forman

928
00:49:27,039 --> 00:49:31,239
write me outside. Yes, oh, watching my dear.

929
00:49:31,519 --> 00:49:32,760
Speaker 1: I regret to say that that's.

930
00:49:32,719 --> 00:49:33,440
Speaker 4: The present time.

931
00:49:33,920 --> 00:49:36,360
Speaker 2: The Penson Moriarty himself has not risen to the base.

932
00:49:36,559 --> 00:49:39,079
But do you think he is in the open streets

933
00:49:39,159 --> 00:49:42,840
under some clever disguise, watching for change?

934
00:49:42,920 --> 00:49:43,280
Speaker 4: To get it?

935
00:49:43,360 --> 00:49:43,480
Speaker 3: Man?

936
00:49:43,519 --> 00:49:46,000
Speaker 2: Because this woman set him hid? So can still a

937
00:49:46,159 --> 00:49:50,599
spy let him know by some signal if she found

938
00:49:50,639 --> 00:49:53,880
me in the house. Now they know, roll down that

939
00:49:53,960 --> 00:49:55,920
blind watch and I don't care the shot at from

940
00:49:55,920 --> 00:49:58,960
the street I imagine, which you'll.

941
00:49:58,840 --> 00:50:02,079
Speaker 4: Hear from the Prinson Moriarty very soon though he.

942
00:50:03,639 --> 00:50:06,840
Speaker 1: When did I tell you he come? Well, he has

943
00:50:06,920 --> 00:50:07,679
a course of seat.

944
00:50:08,039 --> 00:50:09,599
Speaker 2: He was in there watching these windows.

945
00:50:09,760 --> 00:50:11,639
Speaker 1: He must have been coming to his just come off.

946
00:50:11,960 --> 00:50:13,599
Speaker 2: There was a tab wag in front of this out

947
00:50:13,639 --> 00:50:15,880
there and he's climbed up and change takes with a

948
00:50:15,960 --> 00:50:18,039
drive after out again quickly and to dry on him.

949
00:50:18,119 --> 00:50:18,920
Speaker 11: Yes, thank you.

950
00:50:19,760 --> 00:50:23,599
Speaker 2: Watn't you never rather heavy portmenteau for a few moments

951
00:50:23,639 --> 00:50:25,119
and I won't do it any harm part of my

952
00:50:25,239 --> 00:50:32,280
life that's still over in the following here. Thank your

953
00:50:32,320 --> 00:50:33,559
person he was down there.

954
00:50:33,920 --> 00:50:36,079
Speaker 4: Thanks so much, persons.

955
00:50:36,119 --> 00:50:38,039
Speaker 2: You wanted to tab the doctor a short time ago.

956
00:50:38,199 --> 00:50:41,679
It's been waiting. I believe today to be so good

957
00:50:41,800 --> 00:50:43,199
to tell the driver to come in here and get

958
00:50:43,239 --> 00:50:43,639
a relief.

959
00:50:44,599 --> 00:50:46,920
Speaker 1: You come, tell him that's the one.

960
00:50:47,119 --> 00:50:51,320
Speaker 2: It's really good to the idea, wasn't it sounds like

961
00:50:51,440 --> 00:50:53,280
LEAs you should tell your man never to take the

962
00:50:53,360 --> 00:50:55,760
first cab that comes on corn or yes, the second,

963
00:50:57,159 --> 00:50:58,360
the third, maybe six.

964
00:50:58,239 --> 00:51:05,079
Speaker 1: But home, I oh, I let's day.

965
00:51:05,880 --> 00:51:09,360
Speaker 2: I want to take him down having all right, all right,

966
00:51:09,599 --> 00:51:13,159
good drive wakon by? Want some wait a minute? Driver

967
00:51:13,320 --> 00:51:18,079
up the head? A friend, anail the wolfson? I right

968
00:51:18,159 --> 00:51:21,360
you from the pas Yeah, yeah, a driver get me.

969
00:51:22,239 --> 00:51:25,639
I got the step of the ayway. That's right. I

970
00:51:25,800 --> 00:51:29,320
hold the driver. You you pull a step. Little things

971
00:51:29,360 --> 00:51:32,280
in bags that I wouldn't like to lose art And

972
00:51:32,559 --> 00:51:34,440
it's just as well to make.

973
00:51:34,760 --> 00:51:35,760
Speaker 1: Quite sure.

974
00:51:37,280 --> 00:51:40,440
Speaker 2: We get knocked up at the way out here. That

975
00:51:40,719 --> 00:51:43,679
means a simple pair of sent cup you.

976
00:51:47,760 --> 00:51:50,280
Speaker 3: Taking a shadow? Was that the ship the head?

977
00:51:51,239 --> 00:51:54,920
Speaker 2: I ventured the dream that it's might there? You know,

978
00:51:55,079 --> 00:51:58,480
quite sure the policeable.

979
00:51:57,440 --> 00:52:02,079
Speaker 4: The whole way, But there's them, I'm quite sure nothing.

980
00:52:03,440 --> 00:52:04,480
Speaker 2: Take him away from him.

981
00:52:15,159 --> 00:52:17,559
Speaker 4: And tell my dear Watson ends the strange case of

982
00:52:17,639 --> 00:52:18,559
miss Alic progress.

983
00:52:18,679 --> 00:52:21,679
Speaker 2: But what about the letto the letters? They will return

984
00:52:21,760 --> 00:52:24,960
to their right plane over and now go I expected

985
00:52:25,039 --> 00:52:27,280
them well started. Miss Potner was really a nice goose.

986
00:52:27,400 --> 00:52:30,360
Speaker 1: Huh, yes, what is it all?

987
00:52:30,719 --> 00:52:34,000
Speaker 2: I'm just reflecting my thea watn't it's more arty? Out

988
00:52:34,000 --> 00:52:35,960
of the way London. From the point of view of

989
00:52:36,039 --> 00:52:42,280
the criminal expert, like becoming singularly uninteresting today one morning

990
00:52:42,360 --> 00:52:48,320
paper of veritable willed inness of boredom. So yes, it's a.

991
00:52:48,360 --> 00:52:50,039
Speaker 9: Lady there waiting for an hour.

992
00:52:50,440 --> 00:52:53,800
Speaker 2: Take he's got up to take a monyis he's got

993
00:52:53,880 --> 00:52:56,119
up the day from which I introduced to you the

994
00:52:56,199 --> 00:52:56,559
lady of.

995
00:52:56,599 --> 00:52:59,320
Speaker 5: Over forty one and less than forty five and the

996
00:52:59,519 --> 00:53:04,000
strange dark us here in considerable searchial eminence, which is

997
00:53:04,079 --> 00:53:06,639
just for ten years when near east that she is

998
00:53:06,719 --> 00:53:09,119
now wearing a large drug ruby on the second thing ever.

999
00:53:09,119 --> 00:53:12,519
Speaker 1: Left hand, Holmes, how do you know these things?

1000
00:53:13,360 --> 00:53:20,480
Speaker 2: It's amazing elementary and Nadia Watson elementary, the child's player

1001
00:53:20,480 --> 00:53:36,519
of deduction. My hein and I have the Columbia broadcast

1002
00:53:36,599 --> 00:53:39,679
in st. There is affiliated spacing coast to coast. I've

1003
00:53:39,719 --> 00:53:42,440
brought you Auson Wales and the Military Savor on the air.

1004
00:53:43,000 --> 00:53:46,159
The twelfth production of this unique series featuring broadways and

1005
00:53:46,360 --> 00:53:50,400
radios now celebrated Theatrical Producing Company this evening. The player

1006
00:53:50,480 --> 00:53:54,679
was Auson Whale's old adaptation William elect Hillock home in

1007
00:53:54,840 --> 00:53:58,639
the cast Doctor Watson played by Ray Collins, Alice Backner

1008
00:53:58,679 --> 00:54:02,599
by Mary Taylor, Matt Larrabie by bendor Ford James Larabee

1009
00:54:02,639 --> 00:54:07,079
by Edgar Barrier, Respected Foreman by Morgan, Parley Craigan by

1010
00:54:07,159 --> 00:54:11,480
Richard Wilson, Classic by Alfred Shirley, Barry by William Allen,

1011
00:54:12,079 --> 00:54:15,960
Billy by Arthurnander, Fools, Professor Moriarty by Eustace Wyatt, and

1012
00:54:16,159 --> 00:54:20,159
Jill at Holmes by Austin Welles. The orchestra was conducted

1013
00:54:20,199 --> 00:54:23,599
by Bernard Hermann and the production was supervised for CBS

1014
00:54:23,679 --> 00:54:26,760
by David pon Tator. Got announcer is Frank Keller.