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Speaker 1: That's set on. It's feeding bullets, more powerful than a locomotive,

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able to leave Paul buildings at a single bounds. Up

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on the sky, it's a bird. It's a plane. That's Superman.

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Invent yourself Superman. When the planet Krypton, home of a

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race of supermanic polling into dust, the whole survivor was

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an instant boy who had been up to Earth in

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a sealed rocket. Today had boy grown to man food.

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It is known as Superman Foreign enemy of the forces

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of Evil. To wade him and his never ending fight

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for truth and justice, he masquerades as Park Kent, crime

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reporter for a great metropolitan newspaper. His secret is carefully guarded.

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No one is aware that Kent is Superman. No one's

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but you going with us now on ABC as Superman's

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faces and gravest of his entire career, the possible exposure

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of his double identity, and an exciting transcribed adventure entitled

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That Man Tell No Tale, the horrible realization that one

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day someone will discover that Clark can't mild mannered, bespectacled

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crime reporter is in reality Superman has hung over Superman's

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head like the sword of damocles, for he realizes that

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once his duel role is exposed, he will no longer

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be able to work in secrecy, and now that day

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has come. Returning to his apartment late one night after

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covering a routine hold up story at police headquarters, Bart

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can't discover that a secret closet in his bedroom had

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been broken into, and the sparest Superman costume he kept

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hidden there had been stolen. For a moment, he was dazed,

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Then the full import of what had happened struck him

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like a savage blow. Whoever had stolen the costume, unless

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he was stupid beyond the belief, was now aware that

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Clark Kent was Superman. For almost an hour, can't taste

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the floor, unable to think there were six million people

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in Metropolis and the sneak thief might be any one

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of them. Finally, in desperation, he called in his friends,

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the private detective Candy Myers. All right now, Clack, relax, relax,

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not the end of the world, you know that might

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be for me?

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Speaker 2: A stop it.

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Speaker 1: No matter what the guy stole, it can't be.

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Speaker 2: That's fair.

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Speaker 1: I let sabbath. From the beginning, I told you I

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got back from headquarters. At eleven o'clock. I walked into

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the bedroom and found the door of the closet opened.

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Speaker 3: Okay, what was mess?

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Speaker 1: Well that's not important, Candy the important.

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Speaker 4: It's not important.

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Speaker 1: I gotta know what the guy left it. Don I

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assume he didn't take anything? So I left fat still

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broke into my apartment.

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Speaker 3: Look, you're not.

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Speaker 1: Pulling any wool over Candy Meyer's eyes. In the first place,

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it's a secret closet. In the second place, nobody has

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a secret closet and leaves it empty. The third place,

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if the guy knew how to get it open without

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jimming the door, he must have had a pretty good

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idea of what was in it. No, No, he couldn't

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have known what was in it.

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Speaker 3: So there was something in it?

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Speaker 1: Yes, well, well what JIV give? What are they hides now? Candy,

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believe me, it doesn't matter. All I want to do

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is get the seat.

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Speaker 3: Is that all?

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Speaker 1: Well? You know what I mean. I don't know what

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you mean, but I sure know what you need. You

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neither swam me with a crystal ball, not a de

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Tectic or Candy. Please you look pal, you know as

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well as guy do. Whatever the guy took he's going

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to try and sell a hawk. The only way to

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put the finger on him is to check every fence

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and hot shop in the study. We can't do that

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unless we know what we're looking for, can we? But

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he won't try to sell our hawk. This candy, it

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has no value.

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Speaker 3: And what are you are hot and bothered about?

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Speaker 1: Well, it has value to me, in fact, it it's

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every brother, Candy, just do one thing for me. Well,

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you just check the closet door for thinker print. Have

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you got your dustin kid with you?

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Speaker 2: Yeah?

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Speaker 1: I can please, Candy, Okay, but you sure like that

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those things are hard way that's the only way in

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this case. I wish I could tell you more, Candy, honestly,

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I do mean more.

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Speaker 4: Brother.

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Speaker 3: You haven't told me anything just for fun, No, clerk.

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If the guy didn't know what was in the closet.

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Speaker 1: I mean, if he wasn't half how did he get.

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Speaker 3: It open accidentally?

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Speaker 1: I'm sure it's on an electric spring and its unlocked

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when you pull out the top drawer of my desk. Well,

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you sure went through a lot of trouble. I hide

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something that doesn't have any value. Well, it's wait a minute,

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if what guy took has no value. Why did he

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take it? I don't know, can't you're lying in your teeth.

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Speaker 3: There's no skin off my back.

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Speaker 1: The prints on the door. I'll get him after that.

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Tal you're on your own. Hello, Yes, this is Kenny.

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Oh yes, my lord. Oh wait a minute, let me

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jot that down with you. Yeah, that's n N A

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N right, yes, yes, I see, yeah, Well thanks a

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lot nobody right, okay, Candy, Okay, what that was my

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lawyer identification? They tab the print left Noonan twenty one

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arrests and three convictions in nineteen thirty eight.

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Speaker 3: So what so he can be picked up, Candy?

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Speaker 1: Sure, if the cops can find But if you think

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I'm going to get mixed up in a caper where

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you bring a guy in and you ask him if

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you heist an unmentionable thing out of clock, can't seek

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with closet.

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Speaker 3: You're not on a lone. Kenny's tap past one.

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Speaker 1: You'll handle this thing anyway you want, Candy, I need

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your help. I can't call the police in on this.

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I want you to find Noonan and bring him to me.

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Speaker 3: Just like that.

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Speaker 1: Well, you can do it if you want to.

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Speaker 3: Sure, But well let's get you.

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Speaker 1: Look, all I need is five minutes with him alone

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in a room or alone anywhere with your faken hold

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of home. Hello, yes, may what let's have that again?

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Speaker 3: Yes?

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Speaker 1: Uh huh at ten twenty five? Eh, I see no, no, no,

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it's just a routine check. Yeah, sure will right, Candy. Yeah,

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the cop on this beat caught noon and sneaking out

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of the delivery entrance of this building at ten twenty

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five tonight. Wow, that says it.

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Speaker 3: It don't need me anymore?

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Speaker 1: Wait three, oh, Candy, Wait he got away. He broke

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loose before the prowl car showed up. The cop chased him,

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shot at him twice and swears.

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Speaker 3: He hit him, but he got away.

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Speaker 1: Yes, but if he's wounded, you'll be easy to track down,

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don't you think. Oh no, this is a big city

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with a lot of people in it. I just want

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me to bring him in. I'll try, Thanks, Candy. Let's

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stay non and that that's right, I'll caught you.

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Speaker 3: No, no what the slug went through his back, low down,

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it's in his belly. Water's there.

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Speaker 1: I better go call it doctor.

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Speaker 3: H It don't look so good. No sense getting lost

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up with the saw bones if it don't mean that

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you'll have him die? What do you I mean let him?

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I didn't put this slug in him.

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Speaker 1: I didn't tell him to come crawling up here at

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one o'clock in the morning and pass out on my couch.

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He's gonna die on that custome. Let you get a

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doctor up here fast.

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Speaker 3: Oh? What're all the same?

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Speaker 1: All these two bits creep? Where do they come when

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they're in trouble? So Nick Morelli? Sure, Nick Moreley can

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fix anything.

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Speaker 3: Not to that. I'm all through, stick on my neck

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out for these coming to me. Sure they can't even croak? Quiet? Okay? Letting?

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What what's water?

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Speaker 1: Let's all Joe?

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Speaker 3: All right? Give it too much specificence?

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Speaker 1: You give it to my hols. Head up?

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Speaker 3: If I left you there's water?

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Speaker 2: Nice, nice bitch.

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Speaker 3: Okay, boy, lay down, baby, it's just blood in snow. Yeah.

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Who blogs? You lefty cop doing? I I sting, Yeah

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to wish your paper bag some get up? Left you

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laate sir?

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Speaker 2: And I have the paper bag.

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Speaker 3: What's he talking about?

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Speaker 1: We're carrying a paper bag.

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Speaker 3: It's something a whole get it same.

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Speaker 2: I got an awful frame inside.

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Speaker 3: Me shore but this passed away just don't move it on.

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Speaker 1: Ruh, cop up for me in the fighting bag.

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Speaker 3: That's what you want left me?

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Speaker 2: Yeah?

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Speaker 3: What what?

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Speaker 1: What? What's in it? What is it? That kind of

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a fancy costo? No Superman, right, Superman, Superman, Yeah that's right,

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secret closet guy living there, Superman.

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Speaker 3: I don't hear it?

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Speaker 1: If you mean he found this in a secret closet, yes, yeah,

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and whoever is living where he founded his Superman?

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Speaker 2: Yes he's crazy.

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Speaker 4: No, no, m's fee Superman nack.

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Speaker 1: It looks like what Superman wears.

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Speaker 3: Yeah, let's see.

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Speaker 1: On a level, make a five min five, one sixty

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Spandy street guy must be Superman.

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Speaker 3: That's what you highsted from his place?

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Speaker 1: Yes, secret closet, hold out, broad closet, closet open fait

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wit but oh Superman, who is kidding?

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Speaker 3: Let's have their's take and let's see that.

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Speaker 2: I mean one sixty standish but.

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Speaker 3: What yet?

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Speaker 1: Five mm?

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Speaker 3: Okay you you've gotta come in, Max h Shoot, that

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sucked you in.

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Speaker 2: Thanks, Nicky always do who who we do?

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Speaker 1: Who?

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Speaker 2: Mm hmm mhmm.

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Speaker 1: Yees, yeah, too bad. You could have told us more.

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Speaker 3: You don't believe that stuffs about Superman, do you, can't tell.

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I can tell. You want to prove it?

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Speaker 1: Lighter that you want to prove it, don't you golhead

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light of that? Okay, yeah, try to burn this stuff.

201
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Three Yeah, the match close?

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Speaker 3: Don't burn you sure? Okay?

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Speaker 1: You see write another one is no kind like I said,

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like a match. Put it right up front of the

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cloth back light, up against somebody. What is it? Nick?

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Speaker 3: That's creep? It was right, This is too man's outfitted.

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Speaker 1: Don't burn baby, this is how are you gonna handle me?

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Speaker 3: Get me Lonzo on the phone. He's got to come

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up here with the boys and get this.

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Speaker 1: That's creep oyther here then, Baby, We figured out to

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sigh up this superman's character. So from now on he

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works for only one guy, Nick Morelly, Right, Baby, Nick Morelly.

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M oh hello Wick? Yes, Candy, Yeah, I was just dozing.

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Speaker 2: You get wide awake with the closeman. Go back to sleep.

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No bother me again with any whacky capers like this one.

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Speaker 1: Did you find him, Candy?

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Speaker 2: Yeah? I find it.

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Speaker 3: Where is he?

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Speaker 1: I'll come right up, wax how he's on a slap

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in the walk dead.

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Speaker 2: No, he couldn't get a hotel room, so they rated

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him a slap for the night. What do you mean dead?

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And they reached them walk rather than saw.

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Speaker 1: Oh, okay, Candy.

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Speaker 2: We found a lefty lot on the south side, about

226
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two miles in your place. One of the cops slugs

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got him in the fact, and that was as far

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as he could get.

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Speaker 3: Well, that's that.

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Speaker 1: Thanks the million, Candy, Thanks for what. You don't know

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what this has done for me. Thanks, You'll never know.

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I guess not.

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Speaker 2: Nothing else.

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Speaker 1: Ken, okay't think of anything, Candy, Sure, well, should there

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be something?

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Speaker 2: What about that stuff? Because of your closet? But you

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want to know whether the cops been covered it?

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Speaker 1: Did they Hello, Kendy, Hello.

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Speaker 2: I'm still here. What are you not excited?

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Speaker 1: Did the candy and I don't even know what it is?

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Did they recover anything?

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Speaker 2: Just what he had in his pocket?

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Speaker 1: Five Sense of steal Jemmy Smith and Wess Revom No, no,

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not his pockets?

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Speaker 3: Candy?

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Speaker 1: Was he what was he carrying? Anything? Well, like a

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coat or a two clothes?

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Speaker 2: Yes, can I'm coming up and having a talk with you,

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fan five.

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Speaker 1: Candy. If I said it once, I've said it a

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dozen times. I can't tell you what Noonan took from

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that plot. That I wish I could, but I can't.

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Now that fine, okay, tell, okay, just one more thing

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i'd like to say. That is, if I don't mind

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skip the starkheads and Candy, I've known you for five years,

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whether you took the words right out of my mouth,

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right out of my mouth, the word he's known each

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other for five years and all that time, I've never

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seen you so jettery like that.

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Speaker 3: Oh nonsense, nonsense.

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Speaker 4: Something's happened to Shot.

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Speaker 1: Get a pace it. You're made help Clock, but you

263
00:14:02,120 --> 00:14:04,440
can't get it unless you're willing to cooperate. And if

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I could forget that I'm a private sex Well, i'm

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your friend and I'm trying.

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Speaker 3: It's at three o'clock in the morning. I don't know.

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Speaker 2: Hello. Is this apartment side street?

268
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Speaker 3: Yes? Who's it? Is this?

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Speaker 2: Clock Camp?

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Speaker 3: That's right? Who's calling?

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Speaker 1: Where's the Who's calling?

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Speaker 2: With something stolen from a closet near bedroom?

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Speaker 1: Sorry, but I can't answer any questions unless I know

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who's calling. This is a friend, Candy.

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Speaker 2: If something was stolen you, I think I can get

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it back.

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Speaker 1: If you're a friend, why won't you tell me your name?

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Speaker 2: If you want to get back what was stolen. You

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00:14:43,120 --> 00:14:45,679
better come to forty five Coak in a hurry and

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come alone.

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Speaker 1: Well, I I can't get out right now. I'm waiting

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for some phone calls. Why don't you come here? All right?

283
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A woman, she says, she's got to the stolen from

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the classet.

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Speaker 2: Be careful, I am, I'm skinned. Yes, okay, we'll be

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down in twenty minutes. To make sure you're alone.

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Speaker 1: I'll be alone. Well, she'll be here in twenty minutes.

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Oh brother, this is right up my alley. Oh no, Candy,

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no what you'll have to go. I've got to see

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her alone.

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Speaker 3: And that's how hiding the bedroom.

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Speaker 1: No alone means alone. All right, I give up, I'm through,

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I'm finished. Remember that I won't be able to help

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00:15:20,960 --> 00:15:22,559
you when you stretch out on a slab and I'm

295
00:15:22,559 --> 00:15:26,720
more like left sty known it. We'll be back in

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a moment for part two and the exciting conclusion of

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Dead Men Tell No Tales. But Bert, here is your ABC.

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Speaker 3: You now.

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00:15:40,879 --> 00:15:43,320
Speaker 4: It doesn't take much remembering to remember the forty two

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thousand victims in last year's record breaking polio epidemic. That's right,

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the number of victims was forty two thousand of whom

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sixty percent were children under ten years old. Thousands of

303
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those stricken youngsters are still thick, still under treatment, still

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in need of help. The help you can lend by

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00:16:01,840 --> 00:16:05,120
giving to the March of Dimes. The National Foundation for

306
00:16:05,200 --> 00:16:08,639
Infantile Paralysis, cares for every one who needs it, carries

307
00:16:08,679 --> 00:16:12,440
out research, stands as the greatest, single effective block against

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00:16:12,519 --> 00:16:16,279
this dread disease. It needs your help, needs it more

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00:16:16,320 --> 00:16:21,480
desperately than ever before. This is your responsibility, a responsibility

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00:16:21,559 --> 00:16:24,919
best met by giving your dimes and your dollar given

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00:16:24,960 --> 00:16:27,759
the name of your child. Give so that more children

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00:16:27,799 --> 00:16:31,080
can return to their roles as young, happy citizens. Give

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00:16:31,200 --> 00:16:35,039
and give again to combat polio. Keep those dimes and

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00:16:35,200 --> 00:16:42,519
dollars rolling to your local March of Dimes headquarters, and.

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00:16:42,799 --> 00:16:47,519
Speaker 1: How back till The Adventures of Superman and Part two

316
00:16:47,720 --> 00:16:55,480
of That Man Tell No Tale. Unaware that the telephone

317
00:16:55,519 --> 00:16:58,399
call he received was from mac Morelli's girl, and that

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00:16:58,559 --> 00:17:00,519
both the girl and the racketeer are aware of his

319
00:17:00,600 --> 00:17:04,880
double identity, Dark can't waits nervously and impatiently for their arrivals.

320
00:17:05,680 --> 00:17:09,720
But Candy Myers, suspicious of an attempted foul play, has not.

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00:17:10,000 --> 00:17:11,599
Speaker 4: Given up as he threatens to do.

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00:17:12,519 --> 00:17:15,480
Speaker 1: Although he left kent apartment, he is now waiting outside

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the entrance to the building. It is almost three thirty

324
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in the morning.

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Speaker 2: The street is.

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Speaker 1: Dark and silent. Suddenly, a car swings around the corner

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and pulls up in front of the building. Candy Myers

328
00:17:27,160 --> 00:17:34,400
steps back into the shadow of the doorway. He didn't

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00:17:34,400 --> 00:17:35,039
know that naked.

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Speaker 3: He should one. That is never a step out of

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00:17:42,680 --> 00:17:47,319
the dark like that again, Sarah, but ain't healthy. I'm sorry.

332
00:17:47,359 --> 00:17:52,079
I had been waiting for you, waiting for us. Yeah,

333
00:17:52,759 --> 00:17:53,640
and Clark Kent.

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00:17:54,039 --> 00:17:54,200
Speaker 1: Oh.

335
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Speaker 3: I thought they were supposed to come up to the

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00:17:57,200 --> 00:18:00,440
other bus. That's what. Yeah, I know, but to fight

337
00:18:00,519 --> 00:18:02,599
somebody might come in, and you said I had to

338
00:18:02,640 --> 00:18:05,119
be alarmed. If you've got people coming in at three

339
00:18:05,279 --> 00:18:08,200
thirty in the morning while you're seeing my business here, you.

340
00:18:08,319 --> 00:18:10,319
Speaker 1: Just can't tell, you know what it means?

341
00:18:10,359 --> 00:18:15,960
Speaker 3: Sure? Okay, you want to go to my place. That's

342
00:18:16,440 --> 00:18:19,079
even that any can show them the proof. Everybody asked

343
00:18:19,119 --> 00:18:24,319
you a bat in your list. Okay, that's the kid.

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00:18:26,119 --> 00:18:26,680
That's cool.

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00:18:34,519 --> 00:18:35,440
Speaker 1: Makes self comfortable.

346
00:18:35,680 --> 00:18:38,599
Speaker 3: Thanks, I've about a little drink, have a touch it?

347
00:18:39,319 --> 00:18:39,359
Speaker 1: No?

348
00:18:39,960 --> 00:18:43,319
Speaker 3: No thanks? Ree athletics time.

349
00:18:48,599 --> 00:18:53,880
Speaker 1: It sure looks different sitting there, different than why, well

350
00:18:53,920 --> 00:18:57,559
you're trying the kid get me I saw to day then, huh.

351
00:18:57,799 --> 00:19:00,200
Speaker 3: Just because you don't drink, don't mean I don't have Now,

352
00:19:00,319 --> 00:19:04,559
go right ahead. Okay. You must be wondering where I

353
00:19:04,680 --> 00:19:09,279
fit into this. Huh yeah, in a way. Whatever it is,

354
00:19:10,680 --> 00:19:13,079
I know the creep that busted into your past and

355
00:19:13,160 --> 00:19:18,640
and cupped something out of your closet matter the fact.

356
00:19:20,359 --> 00:19:24,400
Speaker 1: I got for the highst of you you have? Yeah,

357
00:19:26,119 --> 00:19:29,720
when I get it back and said you better, I go, okay.

358
00:19:31,279 --> 00:19:33,160
Speaker 3: What is it? Huh?

359
00:19:33,759 --> 00:19:34,240
Speaker 1: He me?

360
00:19:35,720 --> 00:19:37,519
Speaker 3: What does the creep cop out of your closet?

361
00:19:39,359 --> 00:19:39,839
Speaker 1: You got it?

362
00:19:40,400 --> 00:19:42,400
Speaker 3: You now? That ain't what I asked.

363
00:19:42,599 --> 00:19:43,920
Speaker 1: If you don't nick, who dies?

364
00:19:46,880 --> 00:19:55,359
Speaker 3: Huh? What was? It's like a code? Or see the clouds?

365
00:19:55,440 --> 00:19:59,400
What's kind of a suit of clothes? Give it a name?

366
00:20:00,079 --> 00:20:01,279
What do you mean? Give it a name?

367
00:20:01,440 --> 00:20:03,680
Speaker 1: Get some front when the shade down, baby, don't move. Guys,

368
00:20:03,920 --> 00:20:05,160
what are you pulling a gun on me for?

369
00:20:05,400 --> 00:20:05,880
Speaker 3: Find out?

370
00:20:06,039 --> 00:20:11,039
Speaker 1: Quick check the front door. Make sure it's lucky you

371
00:20:11,240 --> 00:20:14,960
and me. You're gonna find out something can all right?

372
00:20:16,839 --> 00:20:19,400
The angle is I think maybe this guy's a phony.

373
00:20:20,400 --> 00:20:22,440
I don't like the smell of it what he's talking about.

374
00:20:22,839 --> 00:20:25,839
Get up, Come on, get up. Sure, I'll make with

375
00:20:25,920 --> 00:20:30,720
the talk. All you gotta do is listen. One thing

376
00:20:30,799 --> 00:20:33,039
Nick Martley don't like is getting the double cross.

377
00:20:33,079 --> 00:20:35,799
Speaker 3: You don't like it for nothing. So if Nick Mudey

378
00:20:35,880 --> 00:20:36,160
thinks the.

379
00:20:36,119 --> 00:20:38,359
Speaker 1: Guy who is slipping in the fingers right away quick.

380
00:20:38,200 --> 00:20:38,680
Speaker 3: Takes care of me.

381
00:20:38,759 --> 00:20:42,599
Speaker 1: See now I'm doing the talking. Remember, go ahead.

382
00:20:43,400 --> 00:20:48,519
Speaker 3: Thanks. Sometimes maybe it's happened Nick Mardley makes a mistake.

383
00:20:49,559 --> 00:20:52,720
It gives the business to the wrong guy, the guy

384
00:20:52,799 --> 00:20:55,720
who ain't slipping the fingers. But with you, it don't matter.

385
00:20:56,759 --> 00:20:58,680
If you're the guy who's supposed to be nothing is

386
00:20:58,720 --> 00:21:00,559
gonna happen you way.

387
00:21:01,680 --> 00:21:03,640
Speaker 1: Then you're trying to slip money is a finger and

388
00:21:03,680 --> 00:21:08,799
you gotta come it. That's why I'm not allowed to thought.

389
00:21:09,720 --> 00:21:11,680
Speaker 3: So say what you gotta say.

390
00:21:12,759 --> 00:21:14,480
Speaker 1: All I gotta say is I don't know why you

391
00:21:14,599 --> 00:21:15,920
pull a gun on me, and I don't know what

392
00:21:16,000 --> 00:21:18,839
you're shooting your mass after. Maybe I'm wrong, So we'll

393
00:21:18,920 --> 00:21:21,279
find out quick find out. What if you're the right

394
00:21:21,359 --> 00:21:24,279
guy the wrong guy, I'm gonna toss the couple I

395
00:21:24,359 --> 00:21:27,319
thought he had plugged your way. You're the right guy, Okay,

396
00:21:28,440 --> 00:21:35,319
if you're the wrong guy. That that pigeon calling the

397
00:21:35,359 --> 00:21:38,039
blind crap, unaware that Morella is trying to determine whether

398
00:21:38,119 --> 00:21:40,759
or not he is Superman, and the Myers faces the

399
00:21:40,799 --> 00:21:46,960
steel black muzzle of a gangster's gun. An almost certain there. Meanwhile,

400
00:21:47,039 --> 00:21:49,799
in his apartment, Lark Kent glances at his watch for

401
00:21:49,920 --> 00:21:50,599
the tenth time.

402
00:21:53,039 --> 00:21:54,119
Speaker 3: Five minutes to four.

403
00:21:54,920 --> 00:21:57,200
Speaker 1: She calls the least for three, and she said twenty

404
00:21:57,279 --> 00:22:01,000
minutes almost an hour. I'm not gonna wait any longer.

405
00:22:01,440 --> 00:22:04,160
Speaker 3: Twenty five Carston Street. I'll pay her a visit.

406
00:22:04,079 --> 00:22:09,319
Speaker 1: As Superman, removing his horn, rims, glasses, and stripping off

407
00:22:09,359 --> 00:22:11,920
his business up the skies, Lark can't emerges in the

408
00:22:11,960 --> 00:22:19,279
brilliant red and blue costume of Superman raising a window.

409
00:22:19,359 --> 00:22:21,319
The only human being on earth who numbers among his

410
00:22:21,359 --> 00:22:24,039
amazing powers the power of light, leaps out into the darkness,

411
00:22:24,559 --> 00:22:27,160
hovering for a time moment in mid air. He gets

412
00:22:27,200 --> 00:22:29,319
his bearings, and then like an arrow shot from a bowl,

413
00:22:29,640 --> 00:22:32,319
feeds across the city and drops down on the sidewalk

414
00:22:32,359 --> 00:22:34,440
in front of a stuccle house of forty five parts.

415
00:22:35,359 --> 00:22:37,240
One glance and his X ray vision shows him the

416
00:22:37,240 --> 00:22:41,000
scene inside the house. Great Scott tensing every muscle of

417
00:22:41,039 --> 00:22:43,599
his powerful body, Superman crashes through one of the black

418
00:22:43,640 --> 00:22:46,480
drawn windows and like a human projectile strike, Candy Myers

419
00:22:46,759 --> 00:22:49,200
droops him on contact, almost at againstant the gun in

420
00:22:49,240 --> 00:22:53,839
Nick Moreley's hands blasts outa it do that, gun Hurst,

421
00:22:53,920 --> 00:22:54,920
I gotta make sure.

422
00:22:57,039 --> 00:22:57,400
Speaker 2: All right?

423
00:22:58,599 --> 00:23:04,000
Speaker 3: All right, drop, that's better we talk things.

424
00:23:04,039 --> 00:23:06,359
Speaker 1: Oh, I've got nothing to talk over with you unless

425
00:23:06,359 --> 00:23:08,279
it's a matter of attempted murder. If I'd been a

426
00:23:08,319 --> 00:23:10,200
split second l like that bullet would have kill him.

427
00:23:10,200 --> 00:23:11,720
So why did he have to try to slip me

428
00:23:11,799 --> 00:23:14,519
the thinger telling me he was Ken? That's what he did? Sure,

429
00:23:14,720 --> 00:23:16,759
ask her? Yeah, he was written, no scars where you live?

430
00:23:16,839 --> 00:23:19,119
What do you mean where I live? One sixty sends

431
00:23:20,160 --> 00:23:24,559
we know this scor Your name is Clark Ken, You

432
00:23:24,680 --> 00:23:25,240
know too much?

433
00:23:25,880 --> 00:23:27,680
Speaker 4: Could be what's your name?

434
00:23:27,839 --> 00:23:28,559
Speaker 3: Nick Morelly?

435
00:23:28,839 --> 00:23:29,279
Speaker 1: And yours?

436
00:23:29,359 --> 00:23:35,319
Speaker 3: Never mind? Yeah? And I do know too much. Only

437
00:23:35,400 --> 00:23:37,599
what I know pays off, does it? I think? So

438
00:23:38,759 --> 00:23:41,559
what that means? The only one knows the stupid tree

439
00:23:41,680 --> 00:23:43,119
buster into your joint. He's dead.

440
00:23:44,000 --> 00:23:45,720
Speaker 1: So from here and then you do business with me,

441
00:23:46,440 --> 00:23:48,279
Nick Morelly? Is that all.

442
00:23:49,640 --> 00:23:51,440
Speaker 3: On a cond? If you don't, I'm gonna do it.

443
00:23:51,519 --> 00:23:53,240
Speaker 1: I'll talking, and that's gonna put you out of the

444
00:23:53,319 --> 00:23:56,119
superman racket. But quick, what if I see to it

445
00:23:56,200 --> 00:23:58,680
that you can't do any talking? You know? Dead men

446
00:23:58,839 --> 00:24:01,359
tell no tailor gonna knock us off. That ain't your

447
00:24:01,440 --> 00:24:02,359
way right now?

448
00:24:02,519 --> 00:24:06,880
Speaker 3: I wish it were relaxed, mister scarce. What would you

449
00:24:07,039 --> 00:24:08,519
like for me to call you a superman?

450
00:24:08,640 --> 00:24:09,839
Speaker 4: You don't have to call me anything.

451
00:24:10,240 --> 00:24:14,079
Speaker 1: Where's the costume that was stolen from my closet? I'm

452
00:24:14,079 --> 00:24:15,519
not at any mood, but talking here is it?

453
00:24:15,680 --> 00:24:17,240
Speaker 3: Yelling ain't gonna get you nowhere?

454
00:24:17,400 --> 00:24:18,680
Speaker 1: All right? Then? Maybe this well?

455
00:24:20,240 --> 00:24:21,640
Speaker 2: Keep breaking my where is that?

456
00:24:22,799 --> 00:24:27,359
Speaker 1: Where is it? One answer to this, I've got to

457
00:24:27,440 --> 00:24:29,200
put both of you someplace where it won't matter how

458
00:24:29,240 --> 00:24:31,359
much talking you do. You're gonna act like this. We

459
00:24:31,400 --> 00:24:33,440
can make it to you. I don't make it, Sank

460
00:24:33,839 --> 00:24:36,559
the shooter pilot. Accept you've made your bet, and I

461
00:24:36,640 --> 00:24:38,839
are gonna sleep and I get your coats on. You

462
00:24:39,000 --> 00:24:41,279
heard what I said, get your coats on, or a

463
00:24:41,359 --> 00:24:53,839
little ride to your new home. How I'm warning you

464
00:24:54,440 --> 00:24:56,920
this mountain top is four thousand feet high and there's

465
00:24:56,920 --> 00:24:59,319
no way down you're murdering us for freez of b.

466
00:24:59,759 --> 00:25:01,880
I'll be back with everything you need and pulling.

467
00:25:01,720 --> 00:25:02,279
Speaker 2: Up far below.

468
00:25:02,359 --> 00:25:04,559
Speaker 1: You won't freeze the star. Why don you saw this thought?

469
00:25:04,599 --> 00:25:05,000
I saw you.

470
00:25:05,039 --> 00:25:06,000
Speaker 2: I was willing to forget it.

471
00:25:06,039 --> 00:25:08,799
Speaker 1: I even told you what you're telling me isn't worth much.

472
00:25:08,839 --> 00:25:12,559
I'll sweater than a circum bible that's worth less from you. Oh,

473
00:25:12,640 --> 00:25:14,319
this is how it's got to be, until I can

474
00:25:14,400 --> 00:25:16,000
think of something else. You too are got to live

475
00:25:16,039 --> 00:25:17,640
up here. Please please it break.

476
00:25:17,559 --> 00:25:18,079
Speaker 4: You're getting up.

477
00:25:18,079 --> 00:25:22,000
Speaker 1: Break I remember, don't fighter with cake. I'll be back.

478
00:25:24,799 --> 00:25:27,759
Steeping into the still darkened sky, Superman hovers in curious

479
00:25:27,759 --> 00:25:30,200
flight above the mountain top, watching the tiny figures of

480
00:25:30,279 --> 00:25:32,720
the gangster and his girl, then Jess. As he is

481
00:25:32,720 --> 00:25:34,799
about to turn in mid air and head four Metropolis,

482
00:25:35,079 --> 00:25:37,400
he notices with horror that hand in hand they are

483
00:25:37,440 --> 00:25:38,880
attempting to make their way down a.

484
00:25:38,880 --> 00:25:41,079
Speaker 3: Steep slope the stupid pool.

485
00:25:41,839 --> 00:25:44,720
Speaker 1: Arching his powerful body, Superman prepares to swoop down after them,

486
00:25:44,720 --> 00:25:47,240
but he is too late. Loose sand and gravel rolls

487
00:25:47,279 --> 00:25:50,640
under their feet, and losing their balance, they pitch forward headlong.

488
00:25:51,079 --> 00:25:53,200
Their body is striking a ledge and bouncing off like

489
00:25:53,319 --> 00:26:10,000
taw dust stummies falling to the valley four thousand feet below. Hello, Hello,

490
00:26:10,480 --> 00:26:13,200
this is Candy. Mind Candy, what happened to you? You

491
00:26:13,319 --> 00:26:14,079
sound terrible.

492
00:26:14,519 --> 00:26:17,000
Speaker 2: That happened to me. Shouldn't happen to a dog. Somebody

493
00:26:17,079 --> 00:26:18,200
hit me in the back of the head with a

494
00:26:18,279 --> 00:26:19,480
telephone pool.

495
00:26:21,680 --> 00:26:24,440
Speaker 1: Uh laughing, Candy, I just clearing my throat.

496
00:26:24,920 --> 00:26:27,400
Speaker 2: Lest can I want to warn you you're in trouble.

497
00:26:27,720 --> 00:26:28,359
Speaker 1: I'm in trouble.

498
00:26:28,480 --> 00:26:31,240
Speaker 2: Yeah, nothing much but the name of Morelli, Scott whatever

499
00:26:31,400 --> 00:26:32,480
was Cat in your classes?

500
00:26:32,599 --> 00:26:34,759
Speaker 1: Oh, don't worry about it, Candy, I got it back.

501
00:26:35,480 --> 00:26:36,200
Speaker 2: You got it back?

502
00:26:36,400 --> 00:26:38,880
Speaker 1: Yes. And Morelli and the girl are dead. They fell

503
00:26:38,920 --> 00:26:39,559
off a mountain.

504
00:26:41,440 --> 00:26:44,279
Speaker 2: That doesn't I know. I should have had more brains

505
00:26:44,279 --> 00:26:45,119
than to get mixed up.

506
00:26:45,160 --> 00:26:47,920
Speaker 3: And it fell off a mountain, that's right.

507
00:26:48,319 --> 00:26:51,440
Speaker 2: Sure, And I'm think Tracy, and you're a Superman.

508
00:26:51,119 --> 00:26:51,960
Speaker 1: That's right, Candy.

509
00:26:52,480 --> 00:26:55,000
Speaker 3: Good night Cat, Good night Caddy.

510
00:27:02,039 --> 00:27:06,240
Speaker 1: And so and dead men tell no tales. The Adventures

511
00:27:06,319 --> 00:27:08,960
of Superman which have come to you week week at

512
00:27:09,000 --> 00:27:11,599
the same time, over many of these same ABC stations.

513
00:27:12,440 --> 00:27:16,079
With tonight's broadcast, we end the current series of Superman Adventures.

514
00:27:16,599 --> 00:27:18,720
Thank you for listening. We hope to be back with

515
00:27:18,799 --> 00:27:22,400
you shortly, bringing you radio's most fabulous character in thrilling

516
00:27:22,519 --> 00:27:27,839
stories of action, mystery and adventure. Oh be sure to

517
00:27:27,920 --> 00:27:30,799
listen when next again you hear that familiar cry. I

518
00:27:30,880 --> 00:27:34,559
stood on a speeding bullet more powerful than a locomotive.

519
00:27:36,279 --> 00:27:41,160
Healy Paul buildings at a single bound up on the sky.

520
00:27:41,480 --> 00:27:47,319
It's a bird, it's a plane, It's Hooperman. Cooperman is

521
00:27:47,359 --> 00:27:51,039
a copyrighted Franscribe feature appearing in Superman DC comic magazines.

522
00:27:51,559 --> 00:27:53,920
The role of Cooperman has been played by Budd Goyer.

523
00:27:54,440 --> 00:27:57,200
Rick has been composed and played by John Guard. This

524
00:27:57,400 --> 00:28:00,240
is Jackson Beck, saying goodbye for the present and hoping

525
00:28:00,279 --> 00:28:10,640
to say hello again in the very near future. This

526
00:28:10,880 --> 00:28:13,839
is ABC, the American Broadcasting Company.