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<v Speaker 1>Okay, we've got shooters here, shooters here. I'll tell you

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<v Speaker 1>don't trig Hey, what's your probably?

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<v Speaker 2>Draw it again? Draw it again? Here the ace field man.

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<v Speaker 2>Draw it again. It's a simple diagram. Just draw it again.

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<v Speaker 2>Draw what you saw? Draw it again, Draw it again.

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<v Speaker 3>Two shooters.

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<v Speaker 1>Car comes through here, shooters across from each other, kill

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<v Speaker 1>each other dead.

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<v Speaker 3>Oh my, where'd you learn that?

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<v Speaker 2>Huh?

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<v Speaker 4>In a regiment?

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<v Speaker 2>What regiment was that?

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<v Speaker 1>The twenty second Special Air Service? What's the color of

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<v Speaker 1>the boat house?

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<v Speaker 2>In here for?

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<v Speaker 3>What's the color of the boathouse?

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<v Speaker 4>And here for at all?

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<v Speaker 1>You're at the color of the boat color?

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<v Speaker 2>You got my arm? Go ahead, shothing.

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<v Speaker 4>Tell me about an ambush.

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<v Speaker 2>Tell me about an ambush.

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<v Speaker 5>You'll get your money when we get the kiss.

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<v Speaker 2>The other's two. That is what I understood.

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<v Speaker 5>Come on, we've gotten the word. We're moving.

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<v Speaker 2>Welcome to cinem Ego, a podcast all about expanding the

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<v Speaker 2>cinematic horizons of its home.

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<v Speaker 4>Matt, My god, I haven't been fucked like that since Great.

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<v Speaker 2>School, Rob, Do I feel lucky?

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<v Speaker 4>Plump? Do you?

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<v Speaker 2>And hydro Bern? Plump?

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<v Speaker 4>Fuck? Why younger than what? Listen, lady, what's our review?

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<v Speaker 4>Is it? Something old, is it something new? Is it foreign?

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<v Speaker 4>How many reviewers? Is it just Heideberg, Matt and Rob.

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<v Speaker 4>If it's gonna be amateur night, then the review of

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<v Speaker 4>the film has got to be my choice. It's got

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<v Speaker 4>to be John Frankenheimer's Ronan, and everyone here has got

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<v Speaker 4>to review it.

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<v Speaker 2>Are cigarette?

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<v Speaker 4>So yeah, we we are gonna be covering nineteen ninety

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<v Speaker 4>eight's Ronan, directed by John Frankenheimer. Have any of you

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<v Speaker 4>guys seen this film before?

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<v Speaker 2>I have seen this film in the theaters, Uh, the

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<v Speaker 2>first time I released?

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<v Speaker 3>Yes, No, I did not know this movie existed.

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<v Speaker 4>All right, this is gonna be fun.

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<v Speaker 2>Why did you pick it? Rap?

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<v Speaker 4>Well, let me tell you.

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<v Speaker 5>So.

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<v Speaker 4>This is a film that I saw as soon as

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<v Speaker 4>it was available to rent because this is a film

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<v Speaker 4>that my father was interested in. And I've stated this previously,

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<v Speaker 4>but anything with cars and motorcycles and a good chase

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<v Speaker 4>scene are movies that my dad enjoys. And because of that,

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<v Speaker 4>I've also developed the same love and Ronan is right

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<v Speaker 4>up there with the great chase scenes in cinema history.

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<v Speaker 4>And we've been on a We've been on this really

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<v Speaker 4>weird kick of spy films recently which was not planned.

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<v Speaker 4>But I chose Ronan because it's a very different type

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<v Speaker 4>of spy film, which has more similarities to Les Samurai

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<v Speaker 4>more so than North By Northwest or Atomic Blonde. So

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<v Speaker 4>I wanted to bring this to the Cinamigo's crew and

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<v Speaker 4>see what you guys think about it.

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<v Speaker 2>Nice.

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<v Speaker 3>I think it's funny that you think this is a

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<v Speaker 3>spy film, because in my my brain, this is a

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<v Speaker 3>heist film. Yeah, those are different things.

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<v Speaker 2>Well, it's a little bit of both. Yeah, But I

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<v Speaker 2>even thought about that just before, and I was like,

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<v Speaker 2>I was kind of calling it a spy thriller ask

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<v Speaker 2>heist film, and I'm like, it's a little bit more

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<v Speaker 2>heist than spy, but there's spies in it, Like there's

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<v Speaker 2>X spies and spy stuff.

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<v Speaker 3>Yeah, milange.

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<v Speaker 4>Yeah, it really is a milange of it's paying a

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<v Speaker 4>tribute to a lot of yeah, paying a lot of

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<v Speaker 4>different tributes to certain types of film. And we'll we'll

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<v Speaker 4>we'll talk about that as we go along. But I uh,

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<v Speaker 4>it's just a really interesting film that I can't wait

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<v Speaker 4>to cover with you guys. But when do we get

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<v Speaker 4>that pended hydroberd spoiler warning and I'll get the synopsis

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<v Speaker 4>and talk about some pre production.

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<v Speaker 2>Nice you hey you yeah you I'm looking at you.

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<v Speaker 2>Don't you daan spoil this movie?

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<v Speaker 4>You freelancing former US intelligence agent tries to try down

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<v Speaker 4>a mysterious package that is wanted by the Irish and

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<v Speaker 4>the Russians.

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<v Speaker 2>All Right, So I saw this movie in the theater

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<v Speaker 2>and it was definitely a movie I remember pretty well

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<v Speaker 2>in the theater. This was a fun I don't know,

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<v Speaker 2>this was like, I guess one of my big boy

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<v Speaker 2>de Niro movies, like when I was able to see

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<v Speaker 2>de Niro films in the theater and Rob you had

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<v Speaker 2>mentioned outside of this recording that this might be one

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<v Speaker 2>of his like last great like films of this nature,

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<v Speaker 2>you know, leading man sort of driven. Yeah.

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<v Speaker 4>I really do feel that this is kind of the

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<v Speaker 4>last great Robert de Niro as we know him from

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<v Speaker 4>all of his past filmography, from like The Godfather or

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<v Speaker 4>Heat stuff like that, where it's like this is in

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<v Speaker 4>that same caliber of acting that we just don't get

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<v Speaker 4>any anymore from him until like The Irishman, but that's

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<v Speaker 4>you know, it's like twenty five years later.

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<v Speaker 2>And a role that's probably specifically written for him as well.

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<v Speaker 4>Yeah, yeah, we'll talk about that, but as far as

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<v Speaker 4>some pre production, our film got its start as a

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<v Speaker 4>screenplay written by John David Syke, who did things like Pistol,

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<v Speaker 4>Whipped the Touch, and the witch Blade TV series, and

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<v Speaker 4>he was inspired by the James Clavell novel Shogun and

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<v Speaker 4>the story of the forty seven Ronin and developed a

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<v Speaker 4>story said in modern times with the philosophies of those

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<v Speaker 4>two stories. Just before filming began, bame screenwriter David Mammont,

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<v Speaker 4>who did things like The Verdict, The Untouchables. Glengarry Glenn

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<v Speaker 4>Ross was brought on to expand certain elements of the story,

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<v Speaker 4>including further developing Robert de Niro's character and developing more

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<v Speaker 4>of a love interest between the de Niro character and

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<v Speaker 4>Natasha mclhaney's character. However, problem developed in dishing out which

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<v Speaker 4>writer was to be credited with what The Writer's Guild

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<v Speaker 4>of America awarded majority credit to psych which Mammoth, the

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<v Speaker 4>more experienced writer, contested, and when he did not win

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<v Speaker 4>the argument, he withdrew his name from the film and

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<v Speaker 4>used the pseudonym Richard Weiss. And as I say that

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<v Speaker 4>this is directed by John Frankenheimer, he's do on films

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<v Speaker 4>like The Train French Connection two in Grand Prix, and

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<v Speaker 4>this was Frankenheimer's penultimate film, as he would pass away

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<v Speaker 4>in two thousand and two. Many of Frankenheimer's films had

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<v Speaker 4>been shot in France, and the director also lived there

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<v Speaker 4>and chose this script because he liked the story and

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<v Speaker 4>felt he could best showcase the real France and through

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<v Speaker 4>that created an interesting pairing of nineties action, spy, thriller

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<v Speaker 4>and neo noir films. Because of his connections in France

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<v Speaker 4>and the desire the powers that be in France wanting

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<v Speaker 4>to make a desired film. Because of his connections in

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<v Speaker 4>France and the desire of the powers that be in

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<v Speaker 4>France wanting to make it a desired filming location for

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<v Speaker 4>Hollywood films, they waived the law that prohibited the firing

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<v Speaker 4>of weapons during film shoots for this film. Yeah, and

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<v Speaker 4>initially Jerry Goldsmith, who we discussed on our Legend episode,

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<v Speaker 4>was commissioned to write the score for the film, but

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<v Speaker 4>left the project. Frankenheimer was given a choice between a

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<v Speaker 4>group of composers and chose check composer Aleah Smiril, who

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<v Speaker 4>had never done a film score before. Well Smyral was

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<v Speaker 4>shown to was shown the final edit of the film.

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<v Speaker 4>The only notes that director gave him was that the

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<v Speaker 4>score had to reflect the themes of sadness, loneliness and heroism,

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<v Speaker 4>and to do that, one of the instruments he used

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<v Speaker 4>was an Armenian is ring called the du Duke, which

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<v Speaker 4>is heard prominently in the main theme of the film. So,

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<v Speaker 4>like when you hear the title thing, that's the yeah,

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<v Speaker 4>that's kind of the yeah. That's the instrument that he's

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<v Speaker 4>using to kind of create that that feel.

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<v Speaker 2>It does sort of I guess maybe it's supposed to

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<v Speaker 2>vote that Japanese sort of vibe a little bit. Absolutely, yeah,

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<v Speaker 2>But there are times where it feels a little off.

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<v Speaker 2>I could see why though, because you're like, it's supposed

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<v Speaker 2>to be like a heroic moment, a sad moment, you know,

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<v Speaker 2>and sometimes music doesn't fit quite that way exactly. So

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<v Speaker 2>there are a couple of moments where I think, and

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<v Speaker 2>like I said, and this is also a guy who's

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<v Speaker 2>doing a film score for the very first time.

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<v Speaker 4>He had been an accomplished composer, but not really a

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<v Speaker 4>film score.

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<v Speaker 2>It's still good, but there were a couple of moments

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<v Speaker 2>where I noticed it in the beginning, especially where I

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<v Speaker 2>was like, this feels a little weird, like some of

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<v Speaker 2>the music here and there.

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<v Speaker 4>Yeah, but when do we dive into the film.

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<v Speaker 2>I just want to say right away, I do like

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<v Speaker 2>that it's Paris, but it's not the Paris we're used to,

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<v Speaker 2>you know, it's the countryside Paris. Like, I like that

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<v Speaker 2>about it, And I also love I love the way

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<v Speaker 2>the movie starts and the way the group meets Matt.

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<v Speaker 2>You might agree with me here. It starts like a

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<v Speaker 2>D and D campaign, much like one. They all meet

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<v Speaker 2>in a pub, they don't know each other.

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<v Speaker 3>Yeah, yeah, and.

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<v Speaker 2>Yn a job, I.

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<v Speaker 3>Would say, I like the beginning of this movie is

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<v Speaker 3>probably the weakest part of the movie. The I think

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<v Speaker 3>it's too long to set everything up and then like

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<v Speaker 3>they go on like this side first thing is like

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<v Speaker 3>the site side mission where they're getting to know each other,

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<v Speaker 3>and I feel like, I feel like like it's very

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<v Speaker 3>clunky in it.

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<v Speaker 2>What do you mean in the car like when they

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<v Speaker 2>did the gun job.

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<v Speaker 3>Well, so so the whole the whole bar thing, the

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<v Speaker 3>whole bar thing feels clunky. I like the bar the bar,

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<v Speaker 3>I love the setting. I just I think it could

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<v Speaker 3>have been more smooth out. They could have they could

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<v Speaker 3>have explained to me why I'm along for the ride.

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<v Speaker 3>I felt like I was being Yeah, well but but

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<v Speaker 3>still I feel like I'm being dragged along. I get

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<v Speaker 3>drugged from the bar to the warehouse, I get drug

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<v Speaker 3>from the warehouse to buying the guns, and then when

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<v Speaker 3>we get done buying the guns, I feel like that's

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<v Speaker 3>when the movie actually starts.

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<v Speaker 4>Uh and a degree, Your right, Matt. But here's why

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<v Speaker 4>I think that this does work. And because these are

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<v Speaker 4>these are all mercenaries that are being hired by what

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<v Speaker 4>as far as we know, Deirdre, who will come to

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<v Speaker 4>find out is her name. She's the one who's hiring

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<v Speaker 4>these guys for a mission. So they are meeting at

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<v Speaker 4>this pub and we're going to stand.

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<v Speaker 2>Like cases it out checks this exit strategy choking points

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<v Speaker 2>like that sees who's going in and out for us.

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<v Speaker 4>Yeah, so, like I said, we're we're getting an idea

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<v Speaker 4>of who our characters are, their personalities. We're meeting at

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<v Speaker 4>this Yeah, we're meeting at this pub, and then we

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<v Speaker 4>are going to the hub like where we're going to

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<v Speaker 4>be working on figuring out this mission, which is getting

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<v Speaker 4>this case, and in doing so we realize, ok, well, yeah,

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<v Speaker 4>once again, Yeah, it's a mcguffin that ultimately we never

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<v Speaker 4>figure out what it is. Yeah, but we One of

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<v Speaker 4>our characters is a requisitions guy, h Vincent, and he is, Okay,

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<v Speaker 4>what are we gonna We know a little bit about

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<v Speaker 4>what we need to do. What are we gonna need

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<v Speaker 4>to do to accomplish that? We need cars, we need guns,

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<v Speaker 4>we need this, we need this technical computer equipment. And

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<v Speaker 4>so in doing that, that's why we go on the

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<v Speaker 4>mission to get the guns.

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<v Speaker 2>Like it shows people's specialties and what each person's bringing

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<v Speaker 2>to the group because they're not all gunmen. And then

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<v Speaker 2>it shows like Sam's very capable, like he seems to know.

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<v Speaker 3>Robert de Niro saves them scenes. As far as I'm concerned.

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<v Speaker 2>I feel like you feel dragged along because you are

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<v Speaker 2>thrown in the mix, because you're thrown into Sam's perspective.

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<v Speaker 2>But we don't know much about Sam because he's a spook.

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<v Speaker 3>Well, there's really like three scenes where they are asking

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<v Speaker 3>the Laura Laura's Didra like Dedra. They're asking Didra, Hey,

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<v Speaker 3>so what's going on? And She's like, I can't tell

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<v Speaker 3>you yet, and I'm like, this is the third time

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<v Speaker 3>they're not on.

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<v Speaker 2>They don't need to know, and yeah, it's it's Uh.

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<v Speaker 4>That's one of the things that is a running thing

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<v Speaker 4>of this film because we don't really know who the

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<v Speaker 4>the backers, because Deirdre is not the backers, She's just

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<v Speaker 4>the front man of this group that is hiring these

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<v Speaker 4>guys and we'll find out about that later.

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<v Speaker 3>But man, I like, I feel like I jumped in.

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<v Speaker 4>Yeah, no, no, that's I just wanted to give the

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<v Speaker 4>movie a little bit of bail. And maybe because this

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<v Speaker 4>is your first time watching it. See, this is a

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<v Speaker 4>film I've seen. I couldn't tell you how many times.

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<v Speaker 4>So me for what we're.

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<v Speaker 2>Gonna get, yeah, Cloak and Dagger, we don't have all

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<v Speaker 2>the answers exactly.

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<v Speaker 4>And so but like I said, and Matt's going to

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<v Speaker 4>give us a great perspective because this is his first time.

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<v Speaker 4>So I'm looking forward to that. But that, like I said,

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<v Speaker 4>this first scene really sets up some of our characters

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<v Speaker 4>and like their their personalities, especially Sam, who we see

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<v Speaker 4>him as very calculated. He's he's not fucking around and uh,

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<v Speaker 4>as I said earlier, like this is this is our

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<v Speaker 4>first real Robert de Niro film Robert de Niro, who

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<v Speaker 4>plays Sam And like I said, I enjoyed our early episodes,

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<v Speaker 4>the movies that we covered with him.

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<v Speaker 2>Wow, I mean, I don't know.

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<v Speaker 4>I guess that's that's a that's a that's a salone movie.

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<v Speaker 4>That's not a de Niro film. DeNiro is plays a

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<v Speaker 4>big he plays a big part in it, but he's

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<v Speaker 4>a supporting character. We see for ten minutes in the film.

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<v Speaker 4>He's not really our main character. This is a de

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<v Speaker 4>Niro film. Yeah, And he and like you like you predicted,

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<v Speaker 4>he was a desired actor for the role and Frankenheimer

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<v Speaker 4>was actually surprised that he was one available and two

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<v Speaker 4>interested in the role. And I like DeNiro. Yeah. DeNiro

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<v Speaker 4>plays like a character that I really love, a character

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<v Speaker 4>that's both intelligent, observing and kind of a smart and

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<v Speaker 4>a smart as I likes like.

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<v Speaker 2>That moment where he's like when Sean Bean's character is like, y'all,

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<v Speaker 2>ever you have killed anybody, and he's like, I heard

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<v Speaker 2>somebody's feelings. Once you know, he's not revealing what he

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<v Speaker 2>who he is. First of all, Sean Bean's character Spencer

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<v Speaker 2>is like a blowhard and instantly you can tell he's.

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<v Speaker 4>We're gonna we are going to talk about that he

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<v Speaker 4>doesn't die.

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<v Speaker 2>He doesn't.

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<v Speaker 4>Yeah, well, one, I have a I have a theory

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<v Speaker 4>about about his character and too, we'll talk about him

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<v Speaker 4>not dying in this film and how close he did

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<v Speaker 4>come to dying.

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<v Speaker 3>Are you gonna say, Matt, Well, I was just I

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<v Speaker 3>don't think Sam is a smart ass. I think he's

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<v Speaker 3>just he's just no nonsense and he wants to be

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<v Speaker 3>your own business, and he gets when people aren't, like

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<v Speaker 3>when people are goofing off when it's time to work

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<v Speaker 3>the jobs.

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<v Speaker 2>Yeah, exactly.

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<v Speaker 4>Yeah, well I like the comments is like what you

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<v Speaker 4>care about saving your own is? All you care about

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<v Speaker 4>is saving your own skins?

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<v Speaker 2>Like, yeah, covers my body's my body.

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<v Speaker 3>Yeah.

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<v Speaker 2>I love that. Even Deirdre had to like try not

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<v Speaker 2>to laugh because she's like she can't take a side,

296
00:16:01.840 --> 00:16:04.320
<v Speaker 2>but she's already a note. Like everybody's noticing that Sam's

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<v Speaker 2>the one in the room to listen to it in

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<v Speaker 2>a way they're not like only Sean Bean's character is

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<v Speaker 2>like you.

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<v Speaker 4>Know, yeah, in a lot of ways, he's the real

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<v Speaker 4>leader of this group.

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<v Speaker 2>He's the one asking the question, like the really important questions,

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<v Speaker 2>but everybody else is capable. The driver guys capable, Larry uh,

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<v Speaker 2>you know.

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<v Speaker 4>And I grew.

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<v Speaker 3>I grew very fond of the driver guy.

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<v Speaker 2>I did too. I wish we got more.

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<v Speaker 3>He has so few lines, and yet I'm like, yeah.

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<v Speaker 2>I get he's a stoic guy, and you could tell

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<v Speaker 2>like that's part of his character. But at the same time,

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<v Speaker 2>I would have wish they would like talk more about

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<v Speaker 2>their personal lives a little bit. I wish there was

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<v Speaker 2>a little bit more of that. Actually, I get why

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<v Speaker 2>you don't have that, because they're like, you know, we

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00:16:42.320 --> 00:16:44.200
<v Speaker 2>can't tell each other who we are. But there is

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<v Speaker 2>a budding friendship between Vincent and Sam. We get that

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<v Speaker 2>early on, and it feels natural too, the way they

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<v Speaker 2>start having a mutual respect for well.

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<v Speaker 4>So I also noticed that the Sam tests some people,

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<v Speaker 4>but not not the ones that we meet in the club,

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<v Speaker 4>and and.

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<v Speaker 2>I think he can't figure out right away, right right.

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<v Speaker 4>And Greg, Gregor and Spence, he tests them and like, oh,

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<v Speaker 4>just kind of like a little thing, like, oh, Gregor

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<v Speaker 4>has really good reflexes. Spence has no idea what the

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<v Speaker 4>fuck is going on.

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<v Speaker 2>I can tell you that himself just by talking.

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<v Speaker 4>Yeah, but uh.

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<v Speaker 3>At first I was like, Sean Bee's doing a horrible job.

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<v Speaker 3>And then I was like, Sean Bee is doing a

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<v Speaker 3>great job of making me hate him.

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<v Speaker 2>He seemed like a cokehead.

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<v Speaker 3>Yeah. Yeah, like he seemed we're gonna do it, right,

334
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<v Speaker 3>We're gonna do it.

335
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<v Speaker 2>Let's go.

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<v Speaker 3>I've I'm sure rob you too. I was in the

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00:17:40.279 --> 00:17:43.960
<v Speaker 3>military and I've ran into this guy. Yeah, but to

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00:17:44.079 --> 00:17:48.319
<v Speaker 3>think he is the alpha male and he's like he's

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00:17:48.480 --> 00:17:53.279
<v Speaker 3>just wanting everyone to think he's cool, so bad that.

340
00:17:53.160 --> 00:17:57.400
<v Speaker 2>He's in line and learning he's a fucking idiot. Yeah,

341
00:17:57.480 --> 00:17:59.720
<v Speaker 2>learn when somebody else in the room knows more than

342
00:17:59.759 --> 00:18:03.000
<v Speaker 2>you and fucking follow their lead. I love that moment too,

343
00:18:03.039 --> 00:18:05.200
<v Speaker 2>where he's like, yeah, I got this, give me, give

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<v Speaker 2>me some of the money. And I like de Niro

345
00:18:06.880 --> 00:18:08.480
<v Speaker 2>like he's like, you know what, you think too much?

346
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<v Speaker 2>He's like, nobody ever told me that before?

347
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<v Speaker 4>You know?

348
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<v Speaker 2>Uh? And I like how he plays that situation, like

349
00:18:13.559 --> 00:18:15.240
<v Speaker 2>you want us to go in there with you? Nah,

350
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<v Speaker 2>I don't like. I like how that situation plays because

351
00:18:17.200 --> 00:18:19.799
<v Speaker 2>it shows our team starting to build. Like Larry pulls

352
00:18:19.880 --> 00:18:22.039
<v Speaker 2>up in the car. That was smart. He pulls up,

353
00:18:22.079 --> 00:18:24.839
<v Speaker 2>he grabs whatever guns were there at the deal, you know,

354
00:18:24.920 --> 00:18:27.160
<v Speaker 2>starts loading up the car like they're starting to be

355
00:18:27.240 --> 00:18:30.079
<v Speaker 2>a well oiled machine. In a way, I feel like.

356
00:18:30.039 --> 00:18:35.480
<v Speaker 3>That was Sam give me Sean Bean's character chances to think.

357
00:18:35.720 --> 00:18:40.359
<v Speaker 3>He's like he's giving him enough, Like are you sure?

358
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<v Speaker 3>This is why I'm not.

359
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<v Speaker 2>That's why he tells Vincent too, like all right, you're

360
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<v Speaker 2>gonna go in there. Here's what you need to know

361
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<v Speaker 2>if something goes down. And he was right that this is.

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<v Speaker 3>Where you learn. Vincent's Vincent's the fucking RD or die

363
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<v Speaker 3>good guy. Like he's like this is so stupid, but

364
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<v Speaker 3>I can't let this little boy get killed.

365
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<v Speaker 2>Yeah, He's like, they're paying me to do this, so

366
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<v Speaker 2>I have to do it. Yeah, he's got he's got

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<v Speaker 2>some kind of code, you know what I mean. There's

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<v Speaker 2>like a code you could tell.

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<v Speaker 4>The other Yeah. The other thing too, is he is like,

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<v Speaker 4>what what would it What would it benefit you with

371
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<v Speaker 4>me dying? It's like, well, I need the money. It's

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<v Speaker 4>like the money is right here, you can take the money.

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<v Speaker 2>And then they say it later too, we have the

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<v Speaker 2>money still and he's like yeah, but who you know

375
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<v Speaker 2>whose money is it? Like who are we who are

376
00:19:27.119 --> 00:19:30.799
<v Speaker 2>we doing this for Yeah, and that's smart. Yeah, but

377
00:19:30.839 --> 00:19:34.599
<v Speaker 2>that that reveals that's like him testing Sam as well.

378
00:19:34.799 --> 00:19:36.960
<v Speaker 2>That might be Vincent testing Sam to see if he

379
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<v Speaker 2>was the kind of guy who would just take the money, right.

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00:19:40.039 --> 00:19:43.640
<v Speaker 4>And uh so we you know, we we have our

381
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<v Speaker 4>group that going from the pub to the this location

382
00:19:48.839 --> 00:19:51.039
<v Speaker 4>and that's where we meet our all our other characters.

383
00:19:51.240 --> 00:19:53.400
<v Speaker 4>I'll kind of introduce all our members of the team

384
00:19:53.480 --> 00:19:55.920
<v Speaker 4>that we're going to be discussing. And we've we've already

385
00:19:55.920 --> 00:20:00.880
<v Speaker 4>talked about them a little bit. Yeah, Jehan Jean Renaud

386
00:20:00.920 --> 00:20:05.000
<v Speaker 4>who plays Vincent. He's been in films like Let Them, Nikita, Leon,

387
00:20:05.079 --> 00:20:10.240
<v Speaker 4>The Professional, The First Mission, Impossible, and like we we already.

388
00:20:09.960 --> 00:20:12.319
<v Speaker 2>Talked about by Nikita.

389
00:20:13.359 --> 00:20:15.680
<v Speaker 4>I have actually not seen the film. I saw the show.

390
00:20:16.400 --> 00:20:19.559
<v Speaker 2>Yeah, it's film with Jodi Foster. I think it's Jodie Foster.

391
00:20:20.000 --> 00:20:26.720
<v Speaker 2>Maybe I'm wrong, Yeah, wrong actress. Anyway, it's a good movie.

392
00:20:27.519 --> 00:20:29.759
<v Speaker 4>Yeah, I'm not said I've seen the show. I've just

393
00:20:29.799 --> 00:20:33.720
<v Speaker 4>never seen the film. But I like, we've talked about this,

394
00:20:33.799 --> 00:20:36.599
<v Speaker 4>but I love the friendship that develops between Sam and Vincent.

395
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<v Speaker 4>But I do have a question for you guys, why

396
00:20:39.799 --> 00:20:43.519
<v Speaker 4>do you think Vincent initiates the relationship between them.

397
00:20:43.759 --> 00:20:45.720
<v Speaker 2>What do you mean between Like.

398
00:20:47.119 --> 00:20:49.359
<v Speaker 4>Yeah, because he's the one that kind of approaches Sam

399
00:20:50.160 --> 00:20:53.079
<v Speaker 4>cigarette cigarette. Yeah, Like what do you just see?

400
00:20:53.119 --> 00:20:57.119
<v Speaker 2>It's like a professional, an older man who seems to

401
00:20:57.200 --> 00:21:01.559
<v Speaker 2>know his thing. He's quiet, he seems you know, I

402
00:21:01.599 --> 00:21:04.240
<v Speaker 2>don't know, like genuine in a way. So I feel

403
00:21:04.240 --> 00:21:05.480
<v Speaker 2>like he's gravitated towards him.

404
00:21:05.480 --> 00:21:09.160
<v Speaker 3>If you're gonna do something dangerous with another person, like

405
00:21:09.240 --> 00:21:11.880
<v Speaker 3>you want to kind of get a you want to

406
00:21:11.920 --> 00:21:13.880
<v Speaker 3>dial in their character and see what they're like, can

407
00:21:13.920 --> 00:21:18.359
<v Speaker 3>I really Yeah? And like so they they know immediately

408
00:21:19.119 --> 00:21:22.319
<v Speaker 3>not to trust Sean Bean's character. But like I feel

409
00:21:22.319 --> 00:21:24.400
<v Speaker 3>like they go around and they figure everyone else out

410
00:21:24.440 --> 00:21:28.480
<v Speaker 3>and they're like not not Pop a Scars guard, but

411
00:21:28.599 --> 00:21:32.160
<v Speaker 3>the driver, the driver, the French Gry and Sam. I

412
00:21:32.160 --> 00:21:36.000
<v Speaker 3>think those those three right there, they would have been. Yeah,

413
00:21:36.039 --> 00:21:37.559
<v Speaker 3>they're real on each other.

414
00:21:38.079 --> 00:21:41.200
<v Speaker 2>Yeah for sure, because like Vincent's good at getting this stuff,

415
00:21:41.240 --> 00:21:43.200
<v Speaker 2>the guys good at the getaway stuff. And then you

416
00:21:43.319 --> 00:21:45.599
<v Speaker 2>got Sam who's just the all round like know it,

417
00:21:45.799 --> 00:21:47.599
<v Speaker 2>he knows, he knows how to think.

418
00:21:47.920 --> 00:21:52.240
<v Speaker 3>About when it's time to be how much can we joke?

419
00:21:52.799 --> 00:21:56.119
<v Speaker 3>You're like like on the prize, but like, let's not

420
00:21:56.240 --> 00:21:59.599
<v Speaker 3>be Dick's you know, like they're all dialed in together

421
00:22:00.160 --> 00:22:01.759
<v Speaker 3>and then the other two or outliers.

422
00:22:02.039 --> 00:22:04.000
<v Speaker 2>Yeah. I think that's why he tests Gregor because he's

423
00:22:04.000 --> 00:22:06.200
<v Speaker 2>sort of like, is this guy KGB or like what

424
00:22:06.400 --> 00:22:09.400
<v Speaker 2>I don't know. Greg's supposed to be German? Yes, okay,

425
00:22:09.680 --> 00:22:12.200
<v Speaker 2>that's what. So he's thinking this guy is like probably

426
00:22:12.279 --> 00:22:13.519
<v Speaker 2>was like some kind of German.

427
00:22:14.480 --> 00:22:18.160
<v Speaker 4>He's no, actually sorry, he is Russian actually, because he's

428
00:22:18.240 --> 00:22:19.440
<v Speaker 4>KGB not k s A.

429
00:22:19.599 --> 00:22:22.799
<v Speaker 2>That's what it is. Yeah, So he's testing them to

430
00:22:22.839 --> 00:22:25.039
<v Speaker 2>see if he's just some kind of smart guy number

431
00:22:25.079 --> 00:22:28.680
<v Speaker 2>pusher or like, you know, if he can perform I guess,

432
00:22:28.799 --> 00:22:33.519
<v Speaker 2>and you know, if he can lethal. Dude, if he's lethal, yeah, d.

433
00:22:33.680 --> 00:22:39.119
<v Speaker 3>Dra Didre's boss meets up with her in the subway. Yeah,

434
00:22:39.160 --> 00:22:41.160
<v Speaker 3>he says, we gotta go now. You don't got time

435
00:22:41.200 --> 00:22:44.759
<v Speaker 3>to get shipped together. Was that before the guns are after.

436
00:22:47.079 --> 00:22:48.599
<v Speaker 2>Okay daring the guns?

437
00:22:48.799 --> 00:22:50.799
<v Speaker 3>Yeah, the guns.

438
00:22:52.799 --> 00:22:55.440
<v Speaker 2>When they got rid of Sean, they were already planning

439
00:22:55.480 --> 00:22:56.319
<v Speaker 2>phase at that point.

440
00:22:56.480 --> 00:22:59.480
<v Speaker 4>No. Here's the thing though, we yes, we see that

441
00:22:59.559 --> 00:23:03.839
<v Speaker 4>scene afterwards, but that was happening during Yeah, but.

442
00:23:04.319 --> 00:23:06.839
<v Speaker 2>Because she comes home immediately after and relays that same

443
00:23:06.880 --> 00:23:08.960
<v Speaker 2>information later in the.

444
00:23:09.440 --> 00:23:11.160
<v Speaker 4>I don't know that was happening.

445
00:23:11.200 --> 00:23:13.960
<v Speaker 2>They know they had moved into that apartment because she

446
00:23:14.000 --> 00:23:15.839
<v Speaker 2>came back to that apartment correct and was like, we

447
00:23:15.880 --> 00:23:16.400
<v Speaker 2>have to do it now.

448
00:23:16.519 --> 00:23:19.079
<v Speaker 4>No, this this happened while they were at the warehouse. Still.

449
00:23:19.119 --> 00:23:20.960
<v Speaker 2>Yeah, but they don't do the heightst from the warehouse.

450
00:23:21.000 --> 00:23:22.880
<v Speaker 2>They plan it from the apartment.

451
00:23:23.359 --> 00:23:26.599
<v Speaker 4>No, they know because the apartment is That's like, that's

452
00:23:26.599 --> 00:23:27.440
<v Speaker 4>a next That's.

453
00:23:27.240 --> 00:23:28.960
<v Speaker 2>What I'm saying, that's where the heist starts.

454
00:23:29.079 --> 00:23:31.279
<v Speaker 3>They they I think they had planned to stay in

455
00:23:31.279 --> 00:23:34.720
<v Speaker 3>the warehouse for a while and train and figure out

456
00:23:34.759 --> 00:23:35.839
<v Speaker 3>everything they were going through.

457
00:23:36.200 --> 00:23:38.480
<v Speaker 2>I forgot And then when she that happened.

458
00:23:38.200 --> 00:23:40.440
<v Speaker 3>Last she's like, we can't. We have to go straight

459
00:23:40.480 --> 00:23:41.319
<v Speaker 3>into the apartment.

460
00:23:41.799 --> 00:23:44.319
<v Speaker 4>That Yeah, that's what I'm saying. This is this is

461
00:23:44.319 --> 00:23:47.119
<v Speaker 4>happening while they're acquiring the guns, this meet up between

462
00:23:47.160 --> 00:23:53.039
<v Speaker 4>Deirdre and Yeah. But anyways, So Natasha mcalhanney, she plays Deirdre.

463
00:23:53.640 --> 00:23:56.880
<v Speaker 4>You've seen her in the Truman Show, this remake of

464
00:23:56.880 --> 00:24:00.400
<v Speaker 4>Solaris and I remember her from the show California Indication.

465
00:24:01.759 --> 00:24:04.720
<v Speaker 4>Both her and Jonathan Price had a dialect coach to

466
00:24:04.759 --> 00:24:09.960
<v Speaker 4>help them with their accents because neither are from Northern Island.

467
00:24:10.599 --> 00:24:13.400
<v Speaker 4>We have Sellin Scarsguard, who plays Gregor. He's a returning

468
00:24:13.480 --> 00:24:17.359
<v Speaker 4>champion for us. Frankenheimer praised the level of the work

469
00:24:17.400 --> 00:24:20.200
<v Speaker 4>that scars Gard did that he brought to the role,

470
00:24:20.799 --> 00:24:23.680
<v Speaker 4>which included him developing a whole background as to why

471
00:24:23.960 --> 00:24:26.640
<v Speaker 4>his character acts in the way that he does. Obviously

472
00:24:26.640 --> 00:24:28.359
<v Speaker 4>that doesn't show up in the film or like any

473
00:24:28.400 --> 00:24:31.960
<v Speaker 4>sort of dialogue. But a lot of these actors, yeah, well,

474
00:24:32.000 --> 00:24:34.680
<v Speaker 4>a lot of these actors that like a Sellin scars

475
00:24:34.680 --> 00:24:38.039
<v Speaker 4>Guard will do work on their character like who am

476
00:24:38.079 --> 00:24:40.160
<v Speaker 4>I like let and they'll write up like a whole

477
00:24:40.359 --> 00:24:43.240
<v Speaker 4>essay on who their character is. I'm sure Robert de

478
00:24:43.319 --> 00:24:47.680
<v Speaker 4>Niro did the same thing. But stars Guard, Yeah, scars

479
00:24:47.720 --> 00:24:51.599
<v Speaker 4>Guard definitely did this. And Frankenheimer's just really impressed that

480
00:24:51.720 --> 00:24:55.039
<v Speaker 4>even even though he's not on screen all that much,

481
00:24:55.440 --> 00:24:58.160
<v Speaker 4>he still like is doing this crazy amount of work

482
00:24:58.160 --> 00:24:58.680
<v Speaker 4>for the character.

483
00:24:58.799 --> 00:25:03.440
<v Speaker 2>And Guarden Dragon Tattoo, right, was the other film, that's correct.

484
00:25:04.279 --> 00:25:07.839
<v Speaker 4>Yeah. We have Sean Bean who plays Spence. He's been

485
00:25:07.880 --> 00:25:10.880
<v Speaker 4>in films like GoldenEye, The Lord of the Rings, and

486
00:25:10.960 --> 00:25:14.319
<v Speaker 4>he's in Game of Thrones one of the few films

487
00:25:14.359 --> 00:25:17.240
<v Speaker 4>that he does not die in, despite it being debated

488
00:25:17.240 --> 00:25:19.720
<v Speaker 4>by the director wondering if he should die or be

489
00:25:19.799 --> 00:25:21.880
<v Speaker 4>left to be on his way.

490
00:25:22.359 --> 00:25:25.200
<v Speaker 2>There is ambiguity whether like they might have cleaned up

491
00:25:25.240 --> 00:25:27.440
<v Speaker 2>after who knows what, We don't know.

492
00:25:28.359 --> 00:25:33.160
<v Speaker 4>So so there Frankenheimer taught because he's the I listened

493
00:25:33.160 --> 00:25:35.119
<v Speaker 4>to his audio. Yeah, because I was listening to the

494
00:25:35.160 --> 00:25:38.440
<v Speaker 4>audio commentary of the film that Frankenheimer.

495
00:25:37.799 --> 00:25:40.759
<v Speaker 2>Does because Seamus, I could see Shamus killing him just

496
00:25:40.759 --> 00:25:41.519
<v Speaker 2>to get him out of there.

497
00:25:42.079 --> 00:25:45.000
<v Speaker 4>Yeah. But what happened is, like the debate was that

498
00:25:45.039 --> 00:25:47.359
<v Speaker 4>Frankenheimer had kind of had it with themselves like should

499
00:25:47.400 --> 00:25:49.559
<v Speaker 4>I kill the off this character or should I just

500
00:25:49.640 --> 00:25:52.759
<v Speaker 4>let him kind of just go on his way? And

501
00:25:53.400 --> 00:25:55.920
<v Speaker 4>uh there they kind of filmed it both ways, like

502
00:25:55.960 --> 00:25:59.000
<v Speaker 4>where you just hear a gunshot and you know, as

503
00:25:59.039 --> 00:26:02.000
<v Speaker 4>they're going out out and he's like, no, I think

504
00:26:02.039 --> 00:26:04.960
<v Speaker 4>we're just gonna let him live and be kind of

505
00:26:05.160 --> 00:26:09.720
<v Speaker 4>live in this like in Shame essentially, Yeah.

506
00:26:09.279 --> 00:26:10.880
<v Speaker 2>He tried to play with the big boys, but you

507
00:26:10.920 --> 00:26:11.640
<v Speaker 2>were faking it.

508
00:26:12.319 --> 00:26:16.960
<v Speaker 4>So being described his character as being egotistical and out

509
00:26:16.960 --> 00:26:22.680
<v Speaker 4>of his depth quote unquote. However, I contend his character

510
00:26:22.839 --> 00:26:26.519
<v Speaker 4>is a fake. He claims that he's a firearm specialist

511
00:26:26.559 --> 00:26:29.960
<v Speaker 4>that served in the Special Air Service, but the questions

512
00:26:30.000 --> 00:26:32.160
<v Speaker 4>he asked of Sam and the group seemed to me

513
00:26:32.400 --> 00:26:35.799
<v Speaker 4>to be suspect, have you guys killed anyone? What kind

514
00:26:35.799 --> 00:26:38.240
<v Speaker 4>of weapons do you use? Putting the guys in a

515
00:26:38.319 --> 00:26:42.519
<v Speaker 4>dangerous situation and not reading the danger, talking too damn much.

516
00:26:43.720 --> 00:26:44.799
<v Speaker 4>What do you think about I read it.

517
00:26:44.799 --> 00:26:47.319
<v Speaker 2>As a guy who didn't like was in the military

518
00:26:47.359 --> 00:26:51.359
<v Speaker 2>and either a like sucked right and never saw any action,

519
00:26:51.880 --> 00:26:55.480
<v Speaker 2>and he's pretending like he has, or he maybe flunked

520
00:26:55.480 --> 00:26:57.480
<v Speaker 2>out and never even fucking finished, but he learned a

521
00:26:57.519 --> 00:26:59.400
<v Speaker 2>little bit, Like he knows his way around some guns,

522
00:26:59.839 --> 00:27:01.759
<v Speaker 2>and he knows a little bit, but he's always he's

523
00:27:01.759 --> 00:27:03.559
<v Speaker 2>pretending the rest because he hasn't seen.

524
00:27:03.359 --> 00:27:07.359
<v Speaker 4>Any in reality. But I agree with you to a degree,

525
00:27:07.400 --> 00:27:10.240
<v Speaker 4>But like, overall, he's a fake. He's a fake.

526
00:27:11.079 --> 00:27:14.200
<v Speaker 2>I think I think he I think it doesn't matter

527
00:27:14.200 --> 00:27:17.000
<v Speaker 2>whether he knows the color of the boat house or not.

528
00:27:17.279 --> 00:27:20.039
<v Speaker 4>I don't think that's a well Sandon know the color

529
00:27:20.079 --> 00:27:20.359
<v Speaker 4>of the boat.

530
00:27:20.599 --> 00:27:26.240
<v Speaker 2>I know he's bluffing, but uh, you know, that doesn't

531
00:27:26.240 --> 00:27:27.559
<v Speaker 2>mean that he didn't go to the school either. I

532
00:27:27.599 --> 00:27:29.279
<v Speaker 2>don't think that confirms it necessarily.

533
00:27:29.880 --> 00:27:31.559
<v Speaker 4>I don't. I don't think he ever did. I think

534
00:27:31.640 --> 00:27:34.920
<v Speaker 4>I think he failed out in boot camp. I guarantee

535
00:27:34.920 --> 00:27:36.119
<v Speaker 4>that he bailed out the next camp.

536
00:27:36.160 --> 00:27:38.599
<v Speaker 2>And he's just been like trying to, you know, pick

537
00:27:38.640 --> 00:27:40.559
<v Speaker 2>up jobs. How does a guy like that even find

538
00:27:40.559 --> 00:27:43.319
<v Speaker 2>out about a job like this? Then you know it's

539
00:27:43.359 --> 00:27:45.599
<v Speaker 2>the only one that doesn't really have any qualifications like

540
00:27:45.640 --> 00:27:46.000
<v Speaker 2>the rest.

541
00:27:46.839 --> 00:27:50.599
<v Speaker 3>Well that's something he had to at least do something.

542
00:27:51.000 --> 00:27:53.160
<v Speaker 2>I guess he just wanted like one more hired gun.

543
00:27:53.000 --> 00:27:56.039
<v Speaker 4>So like an next chacher. So here, here's the thing

544
00:27:56.079 --> 00:27:59.319
<v Speaker 4>I'm thinking about, because we have two different factions here,

545
00:27:59.400 --> 00:28:02.039
<v Speaker 4>well actually different factions if you will, because Deirdre and

546
00:28:02.039 --> 00:28:04.960
<v Speaker 4>Seamus are on their own faction. But because we have

547
00:28:05.039 --> 00:28:08.759
<v Speaker 4>the people that met in the pub. There's Vincent, there's Sam,

548
00:28:08.960 --> 00:28:12.039
<v Speaker 4>there's Larry, and then there's the people that were already

549
00:28:12.079 --> 00:28:16.079
<v Speaker 4>at the warehouse and that's Spence and Gregor. And the

550
00:28:16.119 --> 00:28:18.799
<v Speaker 4>people that Sam doesn't trust are the people in the

551
00:28:18.839 --> 00:28:23.079
<v Speaker 4>warehouse and he tests them and those are also people

552
00:28:23.079 --> 00:28:26.160
<v Speaker 4>who the people that were already in the warehouse are

553
00:28:26.200 --> 00:28:28.559
<v Speaker 4>the people who fucked the mission or are at least

554
00:28:28.599 --> 00:28:32.920
<v Speaker 4>attempted to in some degree. And that's where later on,

555
00:28:33.119 --> 00:28:36.680
<v Speaker 4>when Deirdre and Seamus are having this discussion, it's like

556
00:28:37.160 --> 00:28:40.240
<v Speaker 4>I hired them because there was from your fucking contact.

557
00:28:40.519 --> 00:28:42.720
<v Speaker 4>Why did your contact give me these people?

558
00:28:44.920 --> 00:28:46.880
<v Speaker 2>And they never find out who the contact is. The

559
00:28:46.920 --> 00:28:47.799
<v Speaker 2>man in the wheelchair right.

560
00:28:48.240 --> 00:28:52.160
<v Speaker 4>The man well, which is supposedly this this film takes

561
00:28:52.200 --> 00:28:55.640
<v Speaker 4>place in the Jason Bourne universe because the man in

562
00:28:55.680 --> 00:28:59.240
<v Speaker 4>the wheelchair is is a kind of a type of

563
00:28:59.240 --> 00:29:03.680
<v Speaker 4>person like that in the uh in the Bourn universe.

564
00:29:03.720 --> 00:29:05.480
<v Speaker 2>Is a man in the wheelchair in the Born universe?

565
00:29:05.519 --> 00:29:05.720
<v Speaker 4>Yeah?

566
00:29:05.839 --> 00:29:06.119
<v Speaker 2>Remember?

567
00:29:06.240 --> 00:29:10.119
<v Speaker 4>Yeah, Well we don't. Yeah, it's like we I don't

568
00:29:10.319 --> 00:29:14.039
<v Speaker 4>Born esque. Well, we don't necessarily see that in the films,

569
00:29:14.119 --> 00:29:16.559
<v Speaker 4>but we do see it in in the books that

570
00:29:16.559 --> 00:29:18.720
<v Speaker 4>they're based off of. There is a man in the wheelchair.

571
00:29:20.240 --> 00:29:20.359
<v Speaker 5>Uh.

572
00:29:20.400 --> 00:29:23.400
<v Speaker 4>But and then uh. We also have Skip Sudith who

573
00:29:23.440 --> 00:29:27.400
<v Speaker 4>plays Larry Uh. Mostly a journeyman actor, but many people

574
00:29:27.480 --> 00:29:30.559
<v Speaker 4>might know him from the TV series Third Watch. Yes

575
00:29:30.759 --> 00:29:34.839
<v Speaker 4>and yeah, Unlike the other actors, he actually did a

576
00:29:34.880 --> 00:29:36.680
<v Speaker 4>majority of his own driving stunts.

577
00:29:37.039 --> 00:29:41.240
<v Speaker 2>I thought, so it looks like it. Yeah, impressive, dude.

578
00:29:41.279 --> 00:29:43.200
<v Speaker 2>I fell in love with that car after seeing this

579
00:29:43.240 --> 00:29:47.839
<v Speaker 2>movie eight Yeah that was in Sedan and just the

580
00:29:47.880 --> 00:29:50.119
<v Speaker 2>sound of it, like because I love how he's just

581
00:29:50.119 --> 00:29:51.799
<v Speaker 2>like I need this, this and that and a fucking

582
00:29:51.880 --> 00:29:52.559
<v Speaker 2>nitrous tank.

583
00:29:52.599 --> 00:29:55.519
<v Speaker 3>And I'm just like, yeah, yeah, well he said nitrous.

584
00:29:55.799 --> 00:29:59.960
<v Speaker 3>I was like, Oh, that's so like Nights was new.

585
00:30:00.720 --> 00:30:03.279
<v Speaker 3>Like they had to show it, like in every movie

586
00:30:03.319 --> 00:30:06.480
<v Speaker 3>they're like this is this is this new fingle technology

587
00:30:06.559 --> 00:30:10.640
<v Speaker 3>that makes cars go fast. It didn't feel real, uh,

588
00:30:10.759 --> 00:30:14.079
<v Speaker 3>And we've slowly grown we've gotten away from that in movies,

589
00:30:14.119 --> 00:30:16.799
<v Speaker 3>but like there was like a six seven year period

590
00:30:16.799 --> 00:30:20.079
<v Speaker 3>where every car had nice not niciss, and you would see.

591
00:30:19.960 --> 00:30:23.640
<v Speaker 2>Them in this whatever. It's always been in movies, it

592
00:30:23.759 --> 00:30:25.599
<v Speaker 2>just hasn't had a name, Like it's been James By

593
00:30:25.680 --> 00:30:28.119
<v Speaker 2>movies all the time, but you just don't like they

594
00:30:28.160 --> 00:30:30.319
<v Speaker 2>never name it. But it's like the switch and then

595
00:30:30.400 --> 00:30:31.759
<v Speaker 2>fucking the car zooms, you know.

596
00:30:32.200 --> 00:30:34.119
<v Speaker 4>It's also been around in racing, even though it's.

597
00:30:34.000 --> 00:30:37.160
<v Speaker 2>A little exactly know, but it's like it depends on

598
00:30:37.160 --> 00:30:39.359
<v Speaker 2>the race. It depends on racing. Like if you're doing

599
00:30:39.400 --> 00:30:41.880
<v Speaker 2>drag racing, it's not necessarily illegal double yeah.

600
00:30:41.920 --> 00:30:43.880
<v Speaker 4>But as far as like any sort of like indy

601
00:30:43.960 --> 00:30:47.039
<v Speaker 4>car or stock car racing. It's been around, but.

602
00:30:47.440 --> 00:30:49.559
<v Speaker 2>It makes sense for someone like this to install it,

603
00:30:49.680 --> 00:30:51.960
<v Speaker 2>like it's not like a fast and the furious sort

604
00:30:51.960 --> 00:30:54.160
<v Speaker 2>of like use of it. And then in this it's

605
00:30:54.200 --> 00:30:56.440
<v Speaker 2>like he's building a getaway car, so he wants a

606
00:30:56.440 --> 00:30:58.799
<v Speaker 2>little bit if they need to boost the fuck out

607
00:30:58.839 --> 00:31:01.599
<v Speaker 2>of there or catch up to the convoy, he needs

608
00:31:01.640 --> 00:31:03.880
<v Speaker 2>that little bit of extra horsepower. He's probably pushing like

609
00:31:03.960 --> 00:31:05.400
<v Speaker 2>eight hundred horsepower and that fucking thing.

610
00:31:05.519 --> 00:31:10.160
<v Speaker 4>I feel like, dude, if in it feels like these Yeah,

611
00:31:10.319 --> 00:31:14.680
<v Speaker 4>these guys also were the stunt drivers were driving fast,

612
00:31:15.200 --> 00:31:18.079
<v Speaker 4>like really fast, And we'll we'll we'll talk about that

613
00:31:18.119 --> 00:31:18.480
<v Speaker 4>towards the.

614
00:31:20.599 --> 00:31:21.960
<v Speaker 2>Hugi reaults.

615
00:31:22.720 --> 00:31:25.720
<v Speaker 4>So they're there. They had a Citron, they had a Pougeot,

616
00:31:25.960 --> 00:31:30.720
<v Speaker 4>they had m W they had a Diesel Mercedes. Uh,

617
00:31:30.839 --> 00:31:33.039
<v Speaker 4>but it's uh, we'll talk about that at the end

618
00:31:33.279 --> 00:31:35.039
<v Speaker 4>how they did some of those stunts when we get

619
00:31:35.039 --> 00:31:38.160
<v Speaker 4>to those those scenes. But man, they were fucking flying.

620
00:31:39.559 --> 00:31:42.519
<v Speaker 2>And even the camera work when the camera we get

621
00:31:42.519 --> 00:31:44.200
<v Speaker 2>in the POV shots of the cars.

622
00:31:44.880 --> 00:31:47.960
<v Speaker 4>Yeah, and and certain the shots also make it even

623
00:31:48.119 --> 00:31:51.079
<v Speaker 4>look more frantic, but they really were driving at a

624
00:31:51.119 --> 00:31:52.400
<v Speaker 4>pretty aggressive speed.

625
00:31:53.000 --> 00:31:55.480
<v Speaker 2>You can tell from the interior shots like too.

626
00:31:55.680 --> 00:31:59.279
<v Speaker 4>Yeah. I wanted to talk about the the gun acquisition

627
00:31:59.440 --> 00:32:03.839
<v Speaker 4>scene as they're going to meet uh, their suppliers of

628
00:32:03.880 --> 00:32:07.400
<v Speaker 4>these guns, because I think this is obviously a very

629
00:32:07.400 --> 00:32:09.119
<v Speaker 4>important scene in the movie.

630
00:32:09.319 --> 00:32:11.319
<v Speaker 2>Doesn't know that they're going to get double cross here, right,

631
00:32:11.359 --> 00:32:14.000
<v Speaker 2>This is just bad a bad connection because this is

632
00:32:14.079 --> 00:32:15.319
<v Speaker 2>through Vincent anyway.

633
00:32:16.119 --> 00:32:19.000
<v Speaker 4>Yes, through Vincent, through some French contents.

634
00:32:18.640 --> 00:32:21.440
<v Speaker 3>Like you know these people or did your boss give you?

635
00:32:21.480 --> 00:32:24.240
<v Speaker 3>Just give you a phone number? Yeah, So, like he

636
00:32:24.400 --> 00:32:26.160
<v Speaker 3>suspect to begin with, he doesn't even want to go

637
00:32:26.519 --> 00:32:28.319
<v Speaker 3>he wants to go with them.

638
00:32:28.359 --> 00:32:32.319
<v Speaker 2>He wants to follow the boss lady. Yeah, she wants information.

639
00:32:32.759 --> 00:32:33.720
<v Speaker 3>They all would have died.

640
00:32:34.039 --> 00:32:39.039
<v Speaker 4>Yeah, because she's been so you know, stand offish with information,

641
00:32:39.319 --> 00:32:41.359
<v Speaker 4>Like every time he asks a question, she's just kind

642
00:32:41.359 --> 00:32:44.119
<v Speaker 4>of deflecting, and he's like, something's not right here. I

643
00:32:44.119 --> 00:32:46.599
<v Speaker 4>don't like this. And so he's wanting to figure out

644
00:32:46.680 --> 00:32:49.960
<v Speaker 4>if going with her to figure out more things, and

645
00:32:50.119 --> 00:32:53.160
<v Speaker 4>she's like, no, go with go with these guys, and

646
00:32:53.480 --> 00:32:55.759
<v Speaker 4>Gregor stays behind. I think this is also a very

647
00:32:55.759 --> 00:32:57.759
<v Speaker 4>important point because this is the only time when he

648
00:32:57.799 --> 00:33:00.920
<v Speaker 4>did Yes, I believe this is when he did the

649
00:33:00.920 --> 00:33:03.319
<v Speaker 4>case because no one else was there, So this is

650
00:33:03.359 --> 00:33:06.160
<v Speaker 4>the perfect time for him to get the the fake

651
00:33:06.319 --> 00:33:07.799
<v Speaker 4>case made up.

652
00:33:08.599 --> 00:33:11.799
<v Speaker 2>True if they hadn't picked the case yet though, that's

653
00:33:11.799 --> 00:33:13.119
<v Speaker 2>the only thing. So I don't know if that was

654
00:33:13.119 --> 00:33:13.359
<v Speaker 2>the thing.

655
00:33:14.200 --> 00:33:16.200
<v Speaker 4>But they knew that they were getting a case, and

656
00:33:16.240 --> 00:33:17.519
<v Speaker 4>they saw the picture of the case.

657
00:33:17.559 --> 00:33:18.680
<v Speaker 2>Okay, so he already knew that.

658
00:33:19.480 --> 00:33:22.799
<v Speaker 4>So he already had that information. So he was the

659
00:33:22.839 --> 00:33:26.160
<v Speaker 4>ice skating already all and now I'm I have a

660
00:33:26.200 --> 00:33:28.400
<v Speaker 4>feeling that Gregor and you exactly what's in the case,

661
00:33:28.599 --> 00:33:31.839
<v Speaker 4>and he knew what he could get for it, and

662
00:33:32.559 --> 00:33:36.079
<v Speaker 4>he was already working on this double cross, like, oh,

663
00:33:36.119 --> 00:33:38.039
<v Speaker 4>he's totally looked in the case.

664
00:33:38.440 --> 00:33:44.079
<v Speaker 3>Yeah, he he knows, he knows he's setting up the sell. You,

665
00:33:44.319 --> 00:33:45.559
<v Speaker 3>I mean, you have to know what something is if

666
00:33:45.559 --> 00:33:46.440
<v Speaker 3>you're going to sell it.

667
00:33:46.559 --> 00:33:49.319
<v Speaker 2>So yeah, that's why they should have kept more eyes

668
00:33:49.359 --> 00:33:51.000
<v Speaker 2>on him in the first place, if he's the guy

669
00:33:51.000 --> 00:33:53.599
<v Speaker 2>who's like setting up the sale of the item. Well,

670
00:33:53.599 --> 00:33:56.160
<v Speaker 2>actually I thought Deirdrew was doing all that right, she'd no,

671
00:33:56.279 --> 00:33:57.240
<v Speaker 2>because they needed.

672
00:33:58.200 --> 00:33:58.799
<v Speaker 4>They needed him.

673
00:34:01.119 --> 00:34:05.680
<v Speaker 3>With the purpose of to the Russians, to the Russians,

674
00:34:05.680 --> 00:34:08.599
<v Speaker 3>so he has to know what it is. He wouldn't

675
00:34:08.679 --> 00:34:10.840
<v Speaker 3>risk he wouldn't risk all this if he didn't know

676
00:34:10.840 --> 00:34:11.239
<v Speaker 3>what it is.

677
00:34:11.760 --> 00:34:16.039
<v Speaker 4>Yeah, the IRA is trying to steal the case because

678
00:34:16.079 --> 00:34:18.480
<v Speaker 4>they don't have enough money to actually buy the case.

679
00:34:18.920 --> 00:34:21.320
<v Speaker 4>The Russians have the money to buy the case. And

680
00:34:21.960 --> 00:34:25.000
<v Speaker 4>what they don't realize is that Gregor is actually technically

681
00:34:25.119 --> 00:34:27.840
<v Speaker 4>still working well, he's working for himself, but he is

682
00:34:28.920 --> 00:34:31.639
<v Speaker 4>he knows what's in the case. He's technically working for

683
00:34:31.639 --> 00:34:34.039
<v Speaker 4>the Russians, and he's gonna steal the case for himself

684
00:34:34.079 --> 00:34:36.119
<v Speaker 4>and sell it back to them so that he can

685
00:34:36.159 --> 00:34:36.840
<v Speaker 4>make money.

686
00:34:37.199 --> 00:34:39.800
<v Speaker 2>Now I have a question, It's just do you think

687
00:34:39.880 --> 00:34:42.400
<v Speaker 2>this whole time that d Niro's character is an x

688
00:34:42.480 --> 00:34:46.599
<v Speaker 2>CI a mercenary now or is he still somehow connected

689
00:34:46.599 --> 00:34:47.320
<v Speaker 2>to the CI.

690
00:34:47.280 --> 00:34:50.320
<v Speaker 4>So that that that is a theory that a lot

691
00:34:50.320 --> 00:34:51.119
<v Speaker 4>of people think.

692
00:34:50.920 --> 00:34:52.519
<v Speaker 2>That he's trying to get the case.

693
00:34:53.599 --> 00:34:56.119
<v Speaker 4>That's right, that he's actually trying to get the case

694
00:34:56.159 --> 00:35:01.280
<v Speaker 4>for the Americans because he's still working with that. Yeah. Yeah,

695
00:35:01.360 --> 00:35:05.039
<v Speaker 4>he's he's pretending to be x that he's like that

696
00:35:05.119 --> 00:35:09.480
<v Speaker 4>he's a burned spy that is uh, and he's but

697
00:35:09.519 --> 00:35:12.559
<v Speaker 4>in reality, he's actually still working for the CIA. And

698
00:35:12.599 --> 00:35:16.360
<v Speaker 4>I think I think the ending does portray that because

699
00:35:16.920 --> 00:35:19.480
<v Speaker 4>going off. Yeah, because he ends up going off with

700
00:35:19.519 --> 00:35:22.480
<v Speaker 4>that guy again, meaning that maybe he's still connected with

701
00:35:22.519 --> 00:35:23.000
<v Speaker 4>the CIA.

702
00:35:23.559 --> 00:35:26.119
<v Speaker 2>That's what I was wondering. But then he tells Renault's

703
00:35:26.159 --> 00:35:27.760
<v Speaker 2>character as if they're going to see each other again,

704
00:35:27.800 --> 00:35:29.280
<v Speaker 2>He's like, I'll get the bill next time.

705
00:35:29.639 --> 00:35:32.360
<v Speaker 4>Well, I think he's I think now that he knows

706
00:35:32.480 --> 00:35:35.719
<v Speaker 4>Vincent is a guy that he can rely on and

707
00:35:35.880 --> 00:35:37.679
<v Speaker 4>might be able to Hey, if I have another job,

708
00:35:38.199 --> 00:35:40.360
<v Speaker 4>this is the guy I want to use on another job.

709
00:35:40.880 --> 00:35:41.239
<v Speaker 2>Yeah.

710
00:35:42.440 --> 00:35:47.320
<v Speaker 3>Upon my second launch, I I thought, I don't think

711
00:35:47.320 --> 00:35:50.599
<v Speaker 3>that uh in our A ever or right nine r A.

712
00:35:51.360 --> 00:35:53.679
<v Speaker 3>I don't think the Irish people I used to think

713
00:35:53.960 --> 00:35:57.880
<v Speaker 3>the IRA, I don't think they ever actually planned on

714
00:35:58.039 --> 00:36:01.639
<v Speaker 3>paying these guys because when Robert Niro flips out and

715
00:36:01.679 --> 00:36:03.880
<v Speaker 3>he's like, no, I'm gonna need a fucking giant raise

716
00:36:04.000 --> 00:36:04.760
<v Speaker 3>it at.

717
00:36:04.679 --> 00:36:06.199
<v Speaker 2>Dude, I love that fucking moment.

718
00:36:07.159 --> 00:36:09.360
<v Speaker 4>Yeah, to pay.

719
00:36:09.440 --> 00:36:12.480
<v Speaker 3>All of them one hundred thousand dollars, but they can't

720
00:36:12.519 --> 00:36:13.280
<v Speaker 3>afford the case.

721
00:36:13.840 --> 00:36:16.840
<v Speaker 2>I don't think they're also like, I don't think the

722
00:36:17.119 --> 00:36:20.079
<v Speaker 2>theater is like she's not necessarily innocent, but she's not

723
00:36:20.639 --> 00:36:22.880
<v Speaker 2>in control of everything that Shamus is doing. So like

724
00:36:22.920 --> 00:36:25.039
<v Speaker 2>when Seamous pulls a double cross later she just has

725
00:36:25.079 --> 00:36:26.039
<v Speaker 2>to go along with it.

726
00:36:26.199 --> 00:36:28.920
<v Speaker 3>And her in the dark.

727
00:36:30.119 --> 00:36:32.519
<v Speaker 2>Like, I don't think she ever planned on the killing Larry,

728
00:36:32.719 --> 00:36:35.039
<v Speaker 2>Like that wasn't part of her plan. If it was

729
00:36:35.079 --> 00:36:36.639
<v Speaker 2>up to her, she probably would have paid these people

730
00:36:36.679 --> 00:36:38.480
<v Speaker 2>off and sent them on their way, just like Sean

731
00:36:38.519 --> 00:36:39.159
<v Speaker 2>Bean's character.

732
00:36:39.519 --> 00:36:42.000
<v Speaker 4>Yeah, but we like said, they're still in the case

733
00:36:42.000 --> 00:36:45.039
<v Speaker 4>because they don't have the money. And it's from what

734
00:36:45.079 --> 00:36:50.039
<v Speaker 4>I understand, it seems like Seamus is kind of Yes,

735
00:36:50.079 --> 00:36:52.000
<v Speaker 4>he's part of the IRA, but he's almost like a

736
00:36:52.079 --> 00:36:54.800
<v Speaker 4>fractured stegment of the IRA, Like he's a splinter cell

737
00:36:54.880 --> 00:36:57.960
<v Speaker 4>from the IRA that they don't even want this guy around.

738
00:36:58.000 --> 00:37:01.440
<v Speaker 4>That's why he has to hide, because he's under so

739
00:37:01.519 --> 00:37:04.920
<v Speaker 4>much suspicion from all these different people. That's why Deirdre

740
00:37:05.079 --> 00:37:05.960
<v Speaker 4>is his front man.

741
00:37:06.239 --> 00:37:08.360
<v Speaker 2>He's a little weasy fuck in this movie too.

742
00:37:08.519 --> 00:37:12.320
<v Speaker 4>Oh dude, I do I love. I fucking love Jonathan

743
00:37:12.360 --> 00:37:12.960
<v Speaker 4>Brice acting.

744
00:37:13.360 --> 00:37:15.440
<v Speaker 2>Yeah, yeah, you don't like h.

745
00:37:16.760 --> 00:37:18.360
<v Speaker 4>Like I said, I just I love this scene where

746
00:37:18.360 --> 00:37:21.239
<v Speaker 4>they acquire the guns. There's this whole fucking thing that

747
00:37:21.280 --> 00:37:23.519
<v Speaker 4>goes on. But like I said, we talked about how

748
00:37:23.639 --> 00:37:28.360
<v Speaker 4>all the characters kind of play their role, and what

749
00:37:28.599 --> 00:37:31.920
<v Speaker 4>Sam anticipated was gonna happen is that there is gonna

750
00:37:32.119 --> 00:37:34.920
<v Speaker 4>something is just very weird about this. They didn't bring

751
00:37:35.039 --> 00:37:36.440
<v Speaker 4>all the stuff.

752
00:37:36.159 --> 00:37:41.239
<v Speaker 2>That we asked them to bring, and they.

753
00:37:39.360 --> 00:37:44.400
<v Speaker 4>Lured into it like a kill box essentially, and he's like,

754
00:37:44.480 --> 00:37:47.079
<v Speaker 4>I ain't going I ain't going in there. We have

755
00:37:47.199 --> 00:37:50.639
<v Speaker 4>all all that ship breakdown, they shoot up the everybody.

756
00:37:50.920 --> 00:37:54.039
<v Speaker 4>They end up keeping the money, getting the guns, some

757
00:37:54.199 --> 00:38:00.320
<v Speaker 4>guns at least, And dude, that's the the the running

758
00:38:00.320 --> 00:38:02.880
<v Speaker 4>away from the cops, to get away from the cops.

759
00:38:03.280 --> 00:38:06.559
<v Speaker 4>Oh man, that was crazy.

760
00:38:06.639 --> 00:38:11.159
<v Speaker 3>Jamm back there, boys, Yeah much.

761
00:38:12.519 --> 00:38:14.920
<v Speaker 2>I don't even know what to follow. Cut the murment

762
00:38:15.000 --> 00:38:16.280
<v Speaker 2>out out right.

763
00:38:17.199 --> 00:38:20.000
<v Speaker 4>Yeah, a little bit of raspberry can there? Yeah yeah,

764
00:38:20.199 --> 00:38:21.880
<v Speaker 4>jump chop.

765
00:38:22.360 --> 00:38:25.760
<v Speaker 3>The moment the adrenaline wears out, he has to.

766
00:38:25.559 --> 00:38:30.679
<v Speaker 4>Keep sucking, like hitting the car right, because he's never

767
00:38:30.719 --> 00:38:32.800
<v Speaker 4>he's never shot a gun and he's never killed anybody.

768
00:38:32.840 --> 00:38:33.800
<v Speaker 4>That's why he throws up.

769
00:38:34.320 --> 00:38:37.360
<v Speaker 2>We're been even had bullets shot at him, probably live rounds.

770
00:38:37.519 --> 00:38:39.639
<v Speaker 2>He's a little bitch boy. You could have just left

771
00:38:39.679 --> 00:38:41.920
<v Speaker 2>him there on the street. That's where they should have

772
00:38:41.960 --> 00:38:44.480
<v Speaker 2>shot him in the fucking head when he was throwing up, like.

773
00:38:44.920 --> 00:38:47.920
<v Speaker 3>Yeah, the gun buyer's got him. Sorry.

774
00:38:47.960 --> 00:38:50.960
<v Speaker 2>I love how they look at each other, like like.

775
00:38:50.960 --> 00:38:53.679
<v Speaker 4>This this guy and well, it's like and you have

776
00:38:54.280 --> 00:38:57.599
<v Speaker 4>when he's outside hurling on the sidewalk, you have Vincent

777
00:38:57.639 --> 00:39:01.039
<v Speaker 4>look at Sam and it's like it's like I need

778
00:39:01.039 --> 00:39:03.039
<v Speaker 4>the money. It's like the money's money's right here and

779
00:39:03.480 --> 00:39:06.840
<v Speaker 4>taking it. It's like, but who's the one that provided

780
00:39:06.880 --> 00:39:09.239
<v Speaker 4>the money? Because like I.

781
00:39:09.159 --> 00:39:11.559
<v Speaker 2>Feel like maybe he's not really needing the money. I

782
00:39:11.639 --> 00:39:13.320
<v Speaker 2>used to think that he was just a mercenary, but

783
00:39:13.400 --> 00:39:15.119
<v Speaker 2>now I'm starting to think that he Yeah.

784
00:39:15.159 --> 00:39:18.079
<v Speaker 4>I really now, Yeah, now that I'm really looking a

785
00:39:18.280 --> 00:39:21.920
<v Speaker 4>bit about a super critical eye is that he is

786
00:39:21.960 --> 00:39:27.159
<v Speaker 4>an undercover rogue agent essentially that is infiltrating this this

787
00:39:27.239 --> 00:39:30.880
<v Speaker 4>group to figure out what's going on, what who are

788
00:39:30.960 --> 00:39:34.639
<v Speaker 4>our buyers? And he's asking all these questions yes to.

789
00:39:35.360 --> 00:39:40.760
<v Speaker 2>He's so like he's not supposed to be using CIA information. Money,

790
00:39:40.760 --> 00:39:43.119
<v Speaker 2>doesn't need to like the number triangulation, that was a

791
00:39:43.159 --> 00:39:45.000
<v Speaker 2>last ditch effort. He didn't really want to do that.

792
00:39:45.559 --> 00:39:49.440
<v Speaker 4>Yeah, and he also knows that he he knows how

793
00:39:49.480 --> 00:39:51.199
<v Speaker 4>to do that, how to live off the grid, he

794
00:39:51.280 --> 00:39:54.280
<v Speaker 4>knows how he knows how to do all that to

795
00:39:54.360 --> 00:39:57.599
<v Speaker 4>keep his cover up and in a lassage effort to

796
00:39:57.719 --> 00:40:00.280
<v Speaker 4>like really make sure that this case doesn't get into

797
00:40:00.320 --> 00:40:03.400
<v Speaker 4>the wrong hands. He utilizes like I have to go

798
00:40:03.440 --> 00:40:06.079
<v Speaker 4>to my guys and figure this out. And that's where

799
00:40:06.079 --> 00:40:09.679
<v Speaker 4>it's like when when he's asked, like, who's that Guy's like,

800
00:40:10.119 --> 00:40:11.239
<v Speaker 4>he's my high school buddy.

801
00:40:12.639 --> 00:40:15.440
<v Speaker 2>But skipping ahead, let's spreak down the heist and the

802
00:40:15.519 --> 00:40:19.480
<v Speaker 2>apartment like planning moments, because that's what we're here for anyway, right,

803
00:40:19.480 --> 00:40:21.960
<v Speaker 2>the highest thing, Like I just it's one of the

804
00:40:21.960 --> 00:40:24.719
<v Speaker 2>moments that sticks out the most to me in this movie.

805
00:40:25.960 --> 00:40:29.320
<v Speaker 3>Before though, when do you think the moment Sam decided

806
00:40:29.800 --> 00:40:31.840
<v Speaker 3>he was gonna get rid of Sean being? Like when

807
00:40:31.840 --> 00:40:33.719
<v Speaker 3>do you think was it when he was at the

808
00:40:33.719 --> 00:40:36.519
<v Speaker 3>whiteboard fucking up? Or was it like.

809
00:40:37.960 --> 00:40:40.760
<v Speaker 4>In the car acquisition?

810
00:40:41.440 --> 00:40:42.679
<v Speaker 3>Yeah?

811
00:40:42.760 --> 00:40:45.960
<v Speaker 2>I think, but the whiteboard was like I can't stand

812
00:40:46.000 --> 00:40:47.440
<v Speaker 2>this to him. If Sean being sat there at the

813
00:40:47.480 --> 00:40:49.400
<v Speaker 2>table and shut up and just listened, I don't think

814
00:40:49.400 --> 00:40:51.039
<v Speaker 2>he would have buffet him as quickly.

815
00:40:51.239 --> 00:40:53.800
<v Speaker 3>When he told him to draw it again six times

816
00:40:53.840 --> 00:40:56.519
<v Speaker 3>in a row, like I drive again, every one of those,

817
00:40:56.760 --> 00:40:58.679
<v Speaker 3>Draw it again, draw it again.

818
00:40:58.760 --> 00:41:01.199
<v Speaker 2>Draw a simple diagram, Just draw it again.

819
00:41:01.639 --> 00:41:04.559
<v Speaker 3>Yeah, but like I.

820
00:41:06.559 --> 00:41:07.960
<v Speaker 2>Like the way they play it too, because you don't

821
00:41:07.960 --> 00:41:09.639
<v Speaker 2>know what he's doing. He's sipping his coffee, but then

822
00:41:09.679 --> 00:41:11.519
<v Speaker 2>he puts the coffee down and just like we look

823
00:41:11.519 --> 00:41:13.079
<v Speaker 2>at it real fast for a moment, and we go

824
00:41:13.119 --> 00:41:16.559
<v Speaker 2>back to the drawing board that he's on, and just like, Okay, yeah,

825
00:41:16.599 --> 00:41:18.960
<v Speaker 2>obviously I guess, like I didn't even go to fucking school,

826
00:41:18.960 --> 00:41:21.840
<v Speaker 2>because like, that's stupid putting two people shooters a cross.

827
00:41:21.920 --> 00:41:23.840
<v Speaker 2>You put a shoot ahea in a shoot of the

828
00:41:24.599 --> 00:41:26.599
<v Speaker 2>right right raspberry jam.

829
00:41:27.039 --> 00:41:29.599
<v Speaker 4>It's a fucking idiot. And he's like, yeah, you know

830
00:41:29.639 --> 00:41:31.000
<v Speaker 4>what happens when you put a shooter here and a

831
00:41:31.000 --> 00:41:34.239
<v Speaker 4>shooter here. They shoot at each other and they're all dead.

832
00:41:34.519 --> 00:41:37.280
<v Speaker 4>What's what color is the bow house at Hereford? What

833
00:41:37.400 --> 00:41:42.960
<v Speaker 4>color is the bow house at Herefords? That dude, that

834
00:41:43.039 --> 00:41:45.239
<v Speaker 4>scene is fucking amazing. I love it.

835
00:41:46.840 --> 00:41:50.119
<v Speaker 3>That's probably that scene is Bruen. I got pulled into

836
00:41:50.199 --> 00:41:52.960
<v Speaker 3>the movie when I was like, oh, okay, this movie,

837
00:41:53.000 --> 00:41:54.800
<v Speaker 3>this movie is now taking a turn. This is a

838
00:41:54.800 --> 00:41:58.400
<v Speaker 3>different type of movie. It's not it's not a movie anymore.

839
00:41:58.719 --> 00:42:00.840
<v Speaker 4>Yeah. I also think this is the way where Dieter

840
00:42:01.039 --> 00:42:04.119
<v Speaker 4>realizes that, like, shit, like some of these contexts, maybe

841
00:42:04.239 --> 00:42:04.639
<v Speaker 4>they're not.

842
00:42:04.679 --> 00:42:08.360
<v Speaker 2>The best, but it also shows that like okay, maybe

843
00:42:08.400 --> 00:42:10.320
<v Speaker 2>this guy's a serting himself, but also this is the

844
00:42:10.320 --> 00:42:13.360
<v Speaker 2>guy to get it done as well, like the reason

845
00:42:13.400 --> 00:42:16.360
<v Speaker 2>that he's taking because he wants to do the department.

846
00:42:16.800 --> 00:42:22.079
<v Speaker 3>He becomes the boss, like just riding shotgun at that point.

847
00:42:22.400 --> 00:42:25.400
<v Speaker 2>Yeah, I don't really know how much I love the whole. Like, hey, honey,

848
00:42:25.440 --> 00:42:27.480
<v Speaker 2>puts some pearls on and let's go for a walk

849
00:42:27.519 --> 00:42:28.039
<v Speaker 2>kind of deal.

850
00:42:28.480 --> 00:42:31.039
<v Speaker 3>Every time he said when he's given her like your

851
00:42:31.199 --> 00:42:34.079
<v Speaker 3>wife clean up really good, I kept thinking a boar rat,

852
00:42:34.159 --> 00:42:36.559
<v Speaker 3>he's like my wif. I was laughing.

853
00:42:38.400 --> 00:42:40.360
<v Speaker 4>See, here's the thing is, I don't think that that

854
00:42:40.679 --> 00:42:45.000
<v Speaker 4>was necessarily a derogatory thing. It was just more to like,

855
00:42:45.480 --> 00:42:48.559
<v Speaker 4>it's a play a part, and only I only say

856
00:42:48.599 --> 00:42:53.599
<v Speaker 4>that because Natasha mcelhaney she talking about her character, she

857
00:42:53.760 --> 00:42:56.000
<v Speaker 4>really feels like she was actually really excited to do

858
00:42:56.119 --> 00:43:00.000
<v Speaker 4>this role. One because she's a woman who is essential

859
00:43:00.239 --> 00:43:02.280
<v Speaker 4>the leader of this group. She's the one that brought

860
00:43:02.320 --> 00:43:05.159
<v Speaker 4>it all together. But and the fact that she's a

861
00:43:05.199 --> 00:43:08.199
<v Speaker 4>woman is not even really like talked about her considered.

862
00:43:08.239 --> 00:43:10.000
<v Speaker 4>It's not thrown on the dial, like it's like, what

863
00:43:10.039 --> 00:43:13.280
<v Speaker 4>the hell is a woman doing telling us whatever question

864
00:43:13.599 --> 00:43:16.639
<v Speaker 4>that's not even Yeah, it's not even a question. Which

865
00:43:16.679 --> 00:43:19.559
<v Speaker 4>is and she is and she is a powerhouse figure

866
00:43:19.639 --> 00:43:23.039
<v Speaker 4>in this movie. She's not. It's not played for like,

867
00:43:23.239 --> 00:43:26.639
<v Speaker 4>oh well, she's a woman, she can't handle anything. So

868
00:43:26.719 --> 00:43:28.119
<v Speaker 4>I kind of like, I don't mean that.

869
00:43:28.159 --> 00:43:30.840
<v Speaker 2>I just think the whole the relationship between her and him,

870
00:43:31.039 --> 00:43:32.639
<v Speaker 2>like you said, it was added on. It feels a

871
00:43:32.639 --> 00:43:33.440
<v Speaker 2>little added on.

872
00:43:34.400 --> 00:43:36.400
<v Speaker 4>Yeah, But I also feel.

873
00:43:36.159 --> 00:43:40.159
<v Speaker 2>Like it futual respect, fine, mutual respect. I don't know

874
00:43:40.199 --> 00:43:42.519
<v Speaker 2>if I need like love, like get out of here.

875
00:43:43.199 --> 00:43:46.440
<v Speaker 4>Well, they touch on it a little bit, but I

876
00:43:46.440 --> 00:43:48.760
<v Speaker 4>don't and I think there is. There isn't a.

877
00:43:51.079 --> 00:43:54.119
<v Speaker 3>I just don't take that as romance. I took that

878
00:43:54.280 --> 00:43:58.599
<v Speaker 3>as he realized that her boss is a horrible person

879
00:43:58.639 --> 00:44:01.320
<v Speaker 3>and she got stuck in the middle, and he's like,

880
00:44:01.320 --> 00:44:01.960
<v Speaker 3>get out of here.

881
00:44:02.079 --> 00:44:07.320
<v Speaker 2>True, why did he do because he's a sucker for

882
00:44:07.360 --> 00:44:07.920
<v Speaker 2>any of them?

883
00:44:08.239 --> 00:44:13.679
<v Speaker 4>Uh yeah, and.

884
00:44:14.400 --> 00:44:17.639
<v Speaker 2>Pushed he totally you could have pretended to be doing anything.

885
00:44:17.639 --> 00:44:19.559
<v Speaker 2>But he was like, we're gonna, hey, we gotta be

886
00:44:19.639 --> 00:44:20.639
<v Speaker 2>lipsmack and let's go.

887
00:44:23.320 --> 00:44:27.079
<v Speaker 3>That. Public displays of affection make people uncomfortable.

888
00:44:27.239 --> 00:44:33.760
<v Speaker 4>So the other thing too is I don't know what

889
00:44:33.800 --> 00:44:37.039
<v Speaker 4>it is, but both Robert de Niro and al Pacino

890
00:44:37.159 --> 00:44:42.840
<v Speaker 4>having sex scenes is just weird to me. Those actors like,

891
00:44:42.880 --> 00:44:46.000
<v Speaker 4>for whatever reason, like them being in a sex scene, just.

892
00:44:45.960 --> 00:44:47.760
<v Speaker 2>Can't wait till we covered heat and they both have

893
00:44:47.840 --> 00:44:49.920
<v Speaker 2>sex with each other. Oh sorry, I spoiled it.

894
00:44:51.679 --> 00:44:53.920
<v Speaker 3>Uh now I have to see.

895
00:44:54.000 --> 00:44:57.000
<v Speaker 2>It's one of the most craziest sex scenes ever. Uh.

896
00:44:57.159 --> 00:45:00.519
<v Speaker 2>But yeah, the heistman, I just like high stuff, like planning.

897
00:45:01.000 --> 00:45:03.760
<v Speaker 2>U like moments. I like them in the you know,

898
00:45:03.920 --> 00:45:08.599
<v Speaker 2>in the hotel, smoker cigarettes, wagons. I like seeing like uh,

899
00:45:08.679 --> 00:45:11.159
<v Speaker 2>you know, Vincent getting stuff and and I like seeing

900
00:45:11.199 --> 00:45:13.800
<v Speaker 2>little stuff like Larry went out and got groceries, you know,

901
00:45:13.880 --> 00:45:15.679
<v Speaker 2>just a little ship that adds detail. Like they've been

902
00:45:15.679 --> 00:45:16.960
<v Speaker 2>here for a little while. They have a little bit

903
00:45:16.960 --> 00:45:18.039
<v Speaker 2>of a routine while they're planning.

904
00:45:18.039 --> 00:45:19.519
<v Speaker 4>And he's also the kind of the he's the one

905
00:45:19.519 --> 00:45:21.159
<v Speaker 4>that they and everybody too.

906
00:45:21.320 --> 00:45:23.000
<v Speaker 2>Yeah, yeah, he's a food kind of guy.

907
00:45:23.280 --> 00:45:26.320
<v Speaker 4>It definitely it's definitely funky in there because Larry's fucking

908
00:45:26.400 --> 00:45:27.760
<v Speaker 4>smoking twenty.

909
00:45:27.519 --> 00:45:31.639
<v Speaker 2>Four and that little bit of like they're getting pent

910
00:45:31.840 --> 00:45:33.559
<v Speaker 2>up too, because like Gregor is like I just want

911
00:45:33.559 --> 00:45:35.559
<v Speaker 2>to do something. He's like, we are doing something waiting

912
00:45:35.760 --> 00:45:38.159
<v Speaker 2>and then I like how Sam sort of like you

913
00:45:38.159 --> 00:45:40.480
<v Speaker 2>know what, let's do it now, let's go check it out,

914
00:45:40.519 --> 00:45:42.840
<v Speaker 2>like kind of drags the map.

915
00:45:43.000 --> 00:45:45.599
<v Speaker 4>The map's not the the map's not the territory. Let's

916
00:45:45.719 --> 00:45:46.760
<v Speaker 4>let's see the.

917
00:45:46.639 --> 00:45:48.480
<v Speaker 3>Map is not the land. I wrote it down.

918
00:45:48.559 --> 00:45:50.440
<v Speaker 4>It was like it was, yeah, the map's not the land.

919
00:45:50.480 --> 00:45:54.000
<v Speaker 3>Stuck out. Uh. So like he go down there and

920
00:45:54.039 --> 00:45:57.119
<v Speaker 3>walk around. He takes a he pretends like he's a tourist,

921
00:45:57.159 --> 00:45:59.519
<v Speaker 3>so he has an excuse to take I was slick,

922
00:46:00.039 --> 00:46:02.280
<v Speaker 3>and he grabs that poor French guy and he's like,

923
00:46:02.280 --> 00:46:04.239
<v Speaker 3>take a picture of my wife, take a picture.

924
00:46:04.000 --> 00:46:04.480
<v Speaker 4>Of mind what.

925
00:46:05.599 --> 00:46:08.360
<v Speaker 2>Yeah, he's like he sets up that little bit of

926
00:46:08.480 --> 00:46:11.400
<v Speaker 2>sign though, to see what they'll do under you know, pressure,

927
00:46:11.400 --> 00:46:13.559
<v Speaker 2>if they think the shots fired, which was smart to

928
00:46:13.559 --> 00:46:16.079
<v Speaker 2>see like what they're dealing with, because otherwise they would

929
00:46:16.079 --> 00:46:17.199
<v Speaker 2>have known none of that information.

930
00:46:18.119 --> 00:46:20.360
<v Speaker 3>Now you stand with my wife and I think.

931
00:46:20.280 --> 00:46:25.400
<v Speaker 2>They or something eight to ten people to three cars.

932
00:46:25.440 --> 00:46:27.519
<v Speaker 2>That's all the information they had until he went down

933
00:46:27.559 --> 00:46:28.679
<v Speaker 2>there and checked it all out.

934
00:46:28.880 --> 00:46:31.559
<v Speaker 4>Yeah, it's like I said, it's it just shows how

935
00:46:31.639 --> 00:46:34.719
<v Speaker 4>much of an intelligent guy, this guy, uh that Sam is.

936
00:46:36.440 --> 00:46:38.880
<v Speaker 3>And then and then the reason they're in the car

937
00:46:39.000 --> 00:46:43.519
<v Speaker 3>later is because they're waiting, and he's like, well, we

938
00:46:43.599 --> 00:46:46.239
<v Speaker 3>should we should still be getting information. That's why he

939
00:46:46.320 --> 00:46:48.559
<v Speaker 3>drove down there. He's like he was up to wait

940
00:46:48.679 --> 00:46:51.880
<v Speaker 3>till tomorrow. We have more to get more intel.

941
00:46:52.440 --> 00:46:54.519
<v Speaker 4>Let's put these guys to bed, and like they're just

942
00:46:54.719 --> 00:46:58.320
<v Speaker 4>watching and listening to what's going on in that villa

943
00:46:58.480 --> 00:47:02.920
<v Speaker 4>that these guys are staying in. And obviously they when

944
00:47:03.079 --> 00:47:05.840
<v Speaker 4>cars go by and all that stuff that they're like, oh,

945
00:47:05.960 --> 00:47:07.639
<v Speaker 4>we have to pretend like we're looking at the map

946
00:47:07.880 --> 00:47:11.679
<v Speaker 4>or oh the cops. Let's uh, you know, let's have sex.

947
00:47:12.800 --> 00:47:20.159
<v Speaker 2>Yeah, she he likes a good kiss her, and yeah,

948
00:47:20.159 --> 00:47:21.519
<v Speaker 2>he had a little chemistry.

949
00:47:21.199 --> 00:47:25.199
<v Speaker 4>Kiss and then she got turned on and she ended

950
00:47:25.239 --> 00:47:26.000
<v Speaker 4>up boning him.

951
00:47:26.320 --> 00:47:28.920
<v Speaker 2>And I wasn't like I'm gonna try and get I

952
00:47:28.920 --> 00:47:31.360
<v Speaker 2>don't think she was kind of trying to like gaslight

953
00:47:31.480 --> 00:47:33.400
<v Speaker 2>him so that later she could double cross him and

954
00:47:33.400 --> 00:47:35.280
<v Speaker 2>he would have feelings. I think she genuinely was just

955
00:47:35.320 --> 00:47:37.559
<v Speaker 2>like caught up in the moment like this that's sucking.

956
00:47:37.920 --> 00:47:40.360
<v Speaker 4>It's it's it's one of those things that it was

957
00:47:40.400 --> 00:47:41.800
<v Speaker 4>in the moment she liked it.

958
00:47:42.000 --> 00:47:42.840
<v Speaker 2>She liked him, and.

959
00:47:43.519 --> 00:47:45.880
<v Speaker 3>Until this moment she was like tired of his ship.

960
00:47:46.280 --> 00:47:48.280
<v Speaker 3>She's like, I'm trying to be the I'm trying to

961
00:47:48.360 --> 00:47:52.440
<v Speaker 3>run this group here, and you keep stepping I think

962
00:47:53.400 --> 00:47:53.920
<v Speaker 3>a little.

963
00:47:53.679 --> 00:47:56.159
<v Speaker 2>Bit she might have been turned on by it away too,

964
00:47:56.199 --> 00:47:58.360
<v Speaker 2>because he's the only one in the group who was

965
00:47:58.400 --> 00:48:01.559
<v Speaker 2>like assertive at all about it anything they had.

966
00:48:01.800 --> 00:48:03.599
<v Speaker 3>There's a really good line while they're in the car.

967
00:48:03.800 --> 00:48:06.320
<v Speaker 3>He asked her how she got into it, and she

968
00:48:06.480 --> 00:48:09.760
<v Speaker 3>was like, I was seduced by a not good gentleman.

969
00:48:10.159 --> 00:48:12.679
<v Speaker 3>He's like me too, and like I laughed pretty hard

970
00:48:12.679 --> 00:48:12.840
<v Speaker 3>at that.

971
00:48:13.440 --> 00:48:16.639
<v Speaker 2>I did. There's bits of in a very serious movie,

972
00:48:16.679 --> 00:48:18.320
<v Speaker 2>there are some bits of humor, for sure.

973
00:48:18.639 --> 00:48:23.159
<v Speaker 3>Yeah, yeah, well that's like because because Sam's a witty,

974
00:48:23.400 --> 00:48:27.360
<v Speaker 3>witty guy, you know, he likes to say stuff off

975
00:48:27.400 --> 00:48:30.360
<v Speaker 3>the cuff, very you know, James gunnstyle, Harry.

976
00:48:30.840 --> 00:48:33.280
<v Speaker 4>I think those I think those are the David mammontt

977
00:48:33.320 --> 00:48:37.360
<v Speaker 4>touches to the screenplay, like as far as like expanding

978
00:48:37.440 --> 00:48:40.440
<v Speaker 4>upon the character of Sam, which is one of his jobs.

979
00:48:40.480 --> 00:48:43.559
<v Speaker 4>And I have a feeling that those little bits of dialogue,

980
00:48:43.599 --> 00:48:47.599
<v Speaker 4>the little quips that he has, I think that gives

981
00:48:47.639 --> 00:48:49.719
<v Speaker 4>it a little bit more character and makes the character

982
00:48:50.719 --> 00:48:51.599
<v Speaker 4>a lot more fun.

983
00:48:52.280 --> 00:48:56.000
<v Speaker 2>It feels real, yeah yeah, yeah, Like he says these

984
00:48:56.000 --> 00:48:58.480
<v Speaker 2>things because he knows these things. He's not lying.

985
00:48:59.199 --> 00:49:01.159
<v Speaker 3>What makes you feel like a real person and not

986
00:49:01.280 --> 00:49:09.559
<v Speaker 3>just reading dialogue. This is the heiste dude together.

987
00:49:09.639 --> 00:49:12.320
<v Speaker 2>You don't know. You've heard the planning, you've seen the board,

988
00:49:12.360 --> 00:49:14.840
<v Speaker 2>you heard about the fire cracker thing. You didn't know

989
00:49:14.840 --> 00:49:17.079
<v Speaker 2>what that was, the simulator or whatever. And then when

990
00:49:17.119 --> 00:49:19.159
<v Speaker 2>you get to see it all start to come together

991
00:49:20.079 --> 00:49:22.559
<v Speaker 2>like that.

992
00:49:22.239 --> 00:49:25.480
<v Speaker 3>Like in between two plants, like it's just out in

993
00:49:25.519 --> 00:49:28.199
<v Speaker 3>the open. He's like, no one, I'll funk with it. Well,

994
00:49:30.119 --> 00:49:32.039
<v Speaker 3>like you just lay shit around like that.

995
00:49:32.800 --> 00:49:35.840
<v Speaker 4>This was one of This is such a great scene

996
00:49:36.000 --> 00:49:41.719
<v Speaker 4>because now now because like Sam said, the map is

997
00:49:41.760 --> 00:49:44.840
<v Speaker 4>not the land, and so now we as an audience

998
00:49:44.880 --> 00:49:47.480
<v Speaker 4>are seeing the land like the reality of the situation.

999
00:49:47.599 --> 00:49:49.599
<v Speaker 4>What's gonna be taking back like ran on the side

1000
00:49:49.599 --> 00:49:52.639
<v Speaker 4>of the road right, and now we see like where

1001
00:49:52.639 --> 00:49:56.480
<v Speaker 4>people are getting set up. We have Larry who's uh

1002
00:49:56.519 --> 00:50:00.159
<v Speaker 4>parking his car in a certain strategic position. We have

1003
00:50:00.159 --> 00:50:02.119
<v Speaker 4>Gregor in the band with all the computers and like

1004
00:50:02.159 --> 00:50:05.559
<v Speaker 4>we were figuring out like oh he's he's gonna be Yeah,

1005
00:50:05.639 --> 00:50:07.639
<v Speaker 4>the guy in the chair that's monitoring everything.

1006
00:50:08.280 --> 00:50:08.480
<v Speaker 2>Yeah.

1007
00:50:08.880 --> 00:50:13.599
<v Speaker 4>Uh. And we have Sam and Vincent together in the

1008
00:50:13.639 --> 00:50:19.199
<v Speaker 4>Mercedes and they are I think all that. Dude, they're

1009
00:50:19.239 --> 00:50:22.800
<v Speaker 4>setting up to figure out like okay, we were monitoring things.

1010
00:50:22.800 --> 00:50:26.519
<v Speaker 4>We're setting up the little clicker to change the stop

1011
00:50:26.639 --> 00:50:29.039
<v Speaker 4>light so we can create a diversion there.

1012
00:50:30.039 --> 00:50:32.559
<v Speaker 2>Like how Gregor's too. He's got aware. He's aware of

1013
00:50:32.639 --> 00:50:35.880
<v Speaker 2>everything so he can give relay information to them. Wants

1014
00:50:35.880 --> 00:50:36.599
<v Speaker 2>to chase the light.

1015
00:50:36.880 --> 00:50:40.280
<v Speaker 3>Those those nineties computers, man, they were they were making

1016
00:50:40.280 --> 00:50:41.039
<v Speaker 3>me so happy.

1017
00:50:41.400 --> 00:50:42.280
<v Speaker 2>I was like, that's how.

1018
00:50:42.239 --> 00:50:44.960
<v Speaker 3>Yes, remember when a computer took up half a van.

1019
00:50:45.320 --> 00:50:47.840
<v Speaker 2>Yeah, yeah, but that's how Larry Because Larry's is a

1020
00:50:47.960 --> 00:50:50.519
<v Speaker 2>very capable driver, but now he can drive without even

1021
00:50:50.559 --> 00:50:53.440
<v Speaker 2>really focusing on the road as much, like just his

1022
00:50:53.679 --> 00:50:55.119
<v Speaker 2>you know, like you're going to make a left here

1023
00:50:55.159 --> 00:50:56.480
<v Speaker 2>and boom, he's like doing it.

1024
00:50:56.559 --> 00:50:58.880
<v Speaker 4>Yeah. Yeah, his instincts are to h.

1025
00:51:00.199 --> 00:51:02.719
<v Speaker 3>He would just put his He just put the GPS

1026
00:51:02.760 --> 00:51:04.719
<v Speaker 3>like in the cigarette the ashtray.

1027
00:51:06.519 --> 00:51:08.840
<v Speaker 4>The other thing I yeah. The other thing I really

1028
00:51:08.920 --> 00:51:12.840
<v Speaker 4>like too is there's a great line up. When everything's

1029
00:51:13.239 --> 00:51:16.440
<v Speaker 4>getting ready to go down and Vincent comes back into

1030
00:51:16.480 --> 00:51:19.639
<v Speaker 4>the car where Sam is at and he asked us, like,

1031
00:51:19.960 --> 00:51:22.480
<v Speaker 4>what's your wish for Christmas? It's like, I want my

1032
00:51:22.519 --> 00:51:25.119
<v Speaker 4>two front teeth, May it be granted? And then he

1033
00:51:25.559 --> 00:51:28.559
<v Speaker 4>grabs that like rocket launcher or the grenade launcher that he.

1034
00:51:28.519 --> 00:51:32.840
<v Speaker 2>Has, and yeah, and that ship it all hell fucking

1035
00:51:32.840 --> 00:51:35.599
<v Speaker 2>breaks loose. They're not fucking around either, like they're not

1036
00:51:35.639 --> 00:51:37.840
<v Speaker 2>trying to take the case without killing anybody. They're like, no,

1037
00:51:37.880 --> 00:51:39.800
<v Speaker 2>we're going to blow up the first car and really

1038
00:51:39.960 --> 00:51:42.079
<v Speaker 2>make a statement here. And then the whole plan is

1039
00:51:42.079 --> 00:51:44.639
<v Speaker 2>to actually get the car to go to run.

1040
00:51:45.000 --> 00:51:47.840
<v Speaker 4>Yeah that is Yeah, they're trying. They're trying to isolate

1041
00:51:47.960 --> 00:51:50.800
<v Speaker 4>the car with the case, taking out all the other

1042
00:51:50.880 --> 00:51:53.960
<v Speaker 4>security guards. That was the whole point of this. And

1043
00:51:54.519 --> 00:51:58.039
<v Speaker 4>fuck yeah, dude, this this is a great chasing that

1044
00:51:58.079 --> 00:51:58.679
<v Speaker 4>happens here.

1045
00:51:59.480 --> 00:52:01.760
<v Speaker 2>One moment then that took me out. Though there's a

1046
00:52:01.800 --> 00:52:05.719
<v Speaker 2>moment where like the cars pull up, Vincent's shooting by

1047
00:52:05.760 --> 00:52:10.480
<v Speaker 2>the fruit stand. He runs for cover. He runs as like, uh,

1048
00:52:10.559 --> 00:52:12.920
<v Speaker 2>Sam's covering him with the assault rifle. Because aftery blows

1049
00:52:13.000 --> 00:52:15.159
<v Speaker 2>up the front car, he pulls out a fucking ar

1050
00:52:15.480 --> 00:52:17.599
<v Speaker 2>and just starts laying a waste all the henchmen as

1051
00:52:17.599 --> 00:52:20.800
<v Speaker 2>they get out, the main case guy goes flying you know,

1052
00:52:20.880 --> 00:52:23.199
<v Speaker 2>out in the in his car, and then the other

1053
00:52:23.239 --> 00:52:25.800
<v Speaker 2>guys pull up and starts shooting at Vincent, and there's

1054
00:52:25.840 --> 00:52:28.880
<v Speaker 2>a moment where Vincent runs and it's like everybody behind

1055
00:52:28.960 --> 00:52:31.920
<v Speaker 2>him at the fruit stand gets like shot except for him,

1056
00:52:32.039 --> 00:52:36.360
<v Speaker 2>Like he's like, ok yeah, I just it was one moment.

1057
00:52:36.400 --> 00:52:40.199
<v Speaker 4>I was like, yeah, okay, it's a little dumb. I

1058
00:52:39.960 --> 00:52:43.159
<v Speaker 4>I agree, but I really.

1059
00:52:42.960 --> 00:52:45.519
<v Speaker 3>Liked it when he pulled out that Tormato two Grene launcher.

1060
00:52:45.639 --> 00:52:47.840
<v Speaker 3>I got qualified for that gun while it was in

1061
00:52:47.840 --> 00:52:49.679
<v Speaker 3>the Navy, and it's super fun to shoot.

1062
00:52:50.000 --> 00:52:51.039
<v Speaker 4>Oh monkey bastard.

1063
00:52:52.159 --> 00:52:54.960
<v Speaker 2>I mean, I think makes a while. You know, honestly,

1064
00:52:55.039 --> 00:52:57.280
<v Speaker 2>this would be like a great video game.

1065
00:52:58.239 --> 00:53:00.159
<v Speaker 4>Fuck yeah, dude, I pay.

1066
00:53:00.039 --> 00:53:04.039
<v Speaker 2>To get Away. No more like a third person like

1067
00:53:04.519 --> 00:53:06.599
<v Speaker 2>shooter with driving segments and.

1068
00:53:06.960 --> 00:53:11.400
<v Speaker 3>GTA Yeah a little bit, yeah, but more. Just notice

1069
00:53:11.400 --> 00:53:12.760
<v Speaker 3>how red the blood was.

1070
00:53:12.920 --> 00:53:15.599
<v Speaker 2>It was like Italian.

1071
00:53:14.639 --> 00:53:17.039
<v Speaker 3>Italian horror movie blood in the Colisseum.

1072
00:53:17.079 --> 00:53:19.079
<v Speaker 2>I noticed that scene. That's what.

1073
00:53:19.400 --> 00:53:23.559
<v Speaker 4>Yeah, but that's I feel. Yeah, I really do believe

1074
00:53:23.599 --> 00:53:27.199
<v Speaker 4>that because Frankenheimer, he's kind of one of the classic

1075
00:53:27.239 --> 00:53:29.840
<v Speaker 4>Hollywood directors because he did a lot of stuff in

1076
00:53:29.880 --> 00:53:34.960
<v Speaker 4>the sixties and seventies, and he's paying tribute to those, uh,

1077
00:53:35.519 --> 00:53:38.440
<v Speaker 4>not like the noir films of the forties, but like

1078
00:53:38.480 --> 00:53:40.519
<v Speaker 4>what the neo noir films that were coming out in

1079
00:53:40.559 --> 00:53:43.719
<v Speaker 4>the sixties and seventies. And I'm sure, like I said,

1080
00:53:43.760 --> 00:53:47.400
<v Speaker 4>I I have to imagine that Le Samurai was one

1081
00:53:47.400 --> 00:53:49.840
<v Speaker 4>of his uh one of the films he was paying

1082
00:53:49.880 --> 00:53:52.360
<v Speaker 4>tribute to, but like a lot of those Italian and

1083
00:53:52.440 --> 00:53:56.159
<v Speaker 4>French neo noir films, and well he did he didn't

1084
00:53:56.159 --> 00:53:58.519
<v Speaker 4>do the original French connection. He did the second the sequel.

1085
00:53:58.519 --> 00:54:02.039
<v Speaker 2>But I'm saying I haven't. Yeah, this is uh, you know,

1086
00:54:02.119 --> 00:54:04.320
<v Speaker 2>this movie is like an amalgamation of the things that

1087
00:54:04.360 --> 00:54:07.320
<v Speaker 2>he's inspired by. He wanted to make a couple of

1088
00:54:07.320 --> 00:54:10.000
<v Speaker 2>different films and one that's why it's a spy, thriller, heist,

1089
00:54:10.239 --> 00:54:13.519
<v Speaker 2>fucking right, D and D movie. No, I'm just kidding.

1090
00:54:13.639 --> 00:54:15.440
<v Speaker 4>And I think and I think he I think he

1091
00:54:15.559 --> 00:54:18.320
<v Speaker 4>is merging a couple of different worlds where this is

1092
00:54:18.360 --> 00:54:23.519
<v Speaker 4>a he's merging the nineties action film into like these

1093
00:54:23.599 --> 00:54:27.719
<v Speaker 4>old films. Yeah, and that's where I think some people

1094
00:54:27.840 --> 00:54:30.440
<v Speaker 4>might not like the pacing of this film, because there

1095
00:54:30.440 --> 00:54:33.800
<v Speaker 4>are a lot of slower moments. But and but the

1096
00:54:33.840 --> 00:54:37.039
<v Speaker 4>action we get is like snap of your finger.

1097
00:54:37.320 --> 00:54:40.639
<v Speaker 2>Very well choreographed. Yeah, and very stylist.

1098
00:54:41.280 --> 00:54:44.679
<v Speaker 3>This car chase gets out of the city pretty fast. Yeah,

1099
00:54:45.159 --> 00:54:48.239
<v Speaker 3>now we're not liked about that. We're full dukes of hazard.

1100
00:54:48.280 --> 00:54:50.519
<v Speaker 2>Now we're off roads roads.

1101
00:54:50.159 --> 00:54:52.679
<v Speaker 3>And in like big dust trails.

1102
00:54:52.719 --> 00:54:55.559
<v Speaker 2>And I love how they start taking out these cars though,

1103
00:54:55.639 --> 00:54:57.800
<v Speaker 2>like the Bazuka moment. You can tell it's not rabber

1104
00:54:57.840 --> 00:55:01.679
<v Speaker 2>than Hero, but it's still cool, like how they're just like, yeah,

1105
00:55:01.679 --> 00:55:03.800
<v Speaker 2>we're going to take out that one trailing car real

1106
00:55:03.880 --> 00:55:06.840
<v Speaker 2>quick with the Bazuka. And then then we queue in

1107
00:55:07.199 --> 00:55:09.519
<v Speaker 2>the driver Larry, like they're coming up there on you

1108
00:55:09.599 --> 00:55:12.239
<v Speaker 2>almost in a moment. And that's where Gregory's really coming

1109
00:55:12.280 --> 00:55:15.760
<v Speaker 2>in clutch. I think, relaying all these information to both

1110
00:55:15.840 --> 00:55:19.239
<v Speaker 2>drivers so that they can get like this one car

1111
00:55:20.280 --> 00:55:21.039
<v Speaker 2>like well after.

1112
00:55:21.159 --> 00:55:25.199
<v Speaker 3>I mean, so this chasing runs a little long, but

1113
00:55:25.440 --> 00:55:28.320
<v Speaker 3>it's capped with it starts with a gunfight and then

1114
00:55:28.360 --> 00:55:29.360
<v Speaker 3>it ends with a gunfight.

1115
00:55:29.599 --> 00:55:30.280
<v Speaker 2>Yeah.

1116
00:55:30.559 --> 00:55:34.960
<v Speaker 3>That that ending gunfight I think is damn You're perfect.

1117
00:55:34.960 --> 00:55:36.960
<v Speaker 2>It is. I like the way it's situated too, Like

1118
00:55:37.039 --> 00:55:39.400
<v Speaker 2>it feels really I understood.

1119
00:55:39.000 --> 00:55:43.400
<v Speaker 3>Everything that was going on into the area, right, Like, Yeah,

1120
00:55:43.760 --> 00:55:47.320
<v Speaker 3>usually they get choppy that they don't want you like

1121
00:55:47.480 --> 00:55:49.559
<v Speaker 3>like this person might be over here, might be over there,

1122
00:55:49.559 --> 00:55:52.079
<v Speaker 3>and they don't want you to know exactly so they

1123
00:55:52.239 --> 00:55:55.000
<v Speaker 3>they don't mess up. But everything was crystal.

1124
00:55:55.039 --> 00:55:56.559
<v Speaker 2>I thought it was really good the way he comes

1125
00:55:56.559 --> 00:55:58.679
<v Speaker 2>through with the big gun and then like the other

1126
00:55:58.719 --> 00:56:01.239
<v Speaker 2>car comes down the alley and he starts firing on them,

1127
00:56:01.440 --> 00:56:03.400
<v Speaker 2>and you could see like the camera pans and we

1128
00:56:03.440 --> 00:56:05.440
<v Speaker 2>could I like how Larry starts shooting when he first

1129
00:56:05.440 --> 00:56:07.280
<v Speaker 2>pulls it up, because he like knocks them out of

1130
00:56:07.280 --> 00:56:10.880
<v Speaker 2>the UH into the UH, into the fucking the wall

1131
00:56:11.039 --> 00:56:13.880
<v Speaker 2>and he just starts shooting at the other guys, the drivers,

1132
00:56:14.239 --> 00:56:16.079
<v Speaker 2>And I like when we panted, like you said, there's

1133
00:56:16.079 --> 00:56:17.880
<v Speaker 2>a moment where you get to see Deirdre and she's

1134
00:56:17.920 --> 00:56:20.000
<v Speaker 2>in she's kind of pinned between the two cars, but

1135
00:56:20.039 --> 00:56:22.760
<v Speaker 2>she's using it as cover because for that moment, it's

1136
00:56:22.800 --> 00:56:24.920
<v Speaker 2>like she can't really get out of there, but it's

1137
00:56:25.079 --> 00:56:27.679
<v Speaker 2>it's keeping her alive at least, and she's firing from

1138
00:56:27.679 --> 00:56:29.039
<v Speaker 2>cover there. And I thought that was a good bit

1139
00:56:29.079 --> 00:56:31.000
<v Speaker 2>of like like you said, they used the environment really

1140
00:56:31.000 --> 00:56:33.159
<v Speaker 2>well and paint it well where you it feels believable,

1141
00:56:33.199 --> 00:56:35.960
<v Speaker 2>and I could picture it like, oh, there, and Gregor's

1142
00:56:35.960 --> 00:56:37.960
<v Speaker 2>over here, and that's how Gregor is able to do

1143
00:56:38.000 --> 00:56:40.039
<v Speaker 2>the switch because nobody can fucking see what's going on

1144
00:56:40.079 --> 00:56:43.199
<v Speaker 2>with him. They're too wrapped up, which he had planned on,

1145
00:56:43.639 --> 00:56:45.119
<v Speaker 2>I'm sure. Yeah.

1146
00:56:45.159 --> 00:56:48.920
<v Speaker 4>And the only thing that gets them to understand like, oh,

1147
00:56:49.119 --> 00:56:51.559
<v Speaker 4>that there's a switch is the the paint hasn't dried

1148
00:56:51.639 --> 00:56:52.440
<v Speaker 4>on the case yet.

1149
00:56:52.320 --> 00:56:53.280
<v Speaker 2>Which is kind of sloppy.

1150
00:56:54.440 --> 00:56:56.760
<v Speaker 4>Yeah, it does feel a little sloppy, but it's it's

1151
00:56:56.800 --> 00:56:58.639
<v Speaker 4>for us the audience to know that the case has

1152
00:56:58.679 --> 00:57:01.760
<v Speaker 4>been switched. And was like, oh fuck, throw that ship

1153
00:57:01.800 --> 00:57:05.559
<v Speaker 4>away and toss it under the car and big fucking explosion,

1154
00:57:05.880 --> 00:57:08.920
<v Speaker 4>And I like, it's the law of cool. I think

1155
00:57:08.960 --> 00:57:12.199
<v Speaker 4>it works for the film. It makes it awesome, But yeah,

1156
00:57:12.280 --> 00:57:13.039
<v Speaker 4>it is sloppy.

1157
00:57:13.639 --> 00:57:18.119
<v Speaker 3>Yeah, you ever think about like the people like just

1158
00:57:18.159 --> 00:57:21.119
<v Speaker 3>sitting there having lunch at that cafe. It's just a

1159
00:57:21.199 --> 00:57:24.480
<v Speaker 3>normal day and then like four cars wreck in front

1160
00:57:24.480 --> 00:57:25.840
<v Speaker 3>of you and start shooting at each.

1161
00:57:25.679 --> 00:57:27.559
<v Speaker 2>Other, blowing up and ship.

1162
00:57:29.119 --> 00:57:31.639
<v Speaker 3>That will be the one day you think about every

1163
00:57:31.679 --> 00:57:32.639
<v Speaker 3>day for the rest of your life.

1164
00:57:32.639 --> 00:57:34.519
<v Speaker 2>I don't think you're going out to eat over again,

1165
00:57:34.880 --> 00:57:36.719
<v Speaker 2>Like I'm saying I'm getting uber.

1166
00:57:37.159 --> 00:57:39.800
<v Speaker 4>Yeah, those were all sun people. They knew that the

1167
00:57:39.840 --> 00:57:42.480
<v Speaker 4>car was coming, and they were If you watch a

1168
00:57:42.480 --> 00:57:44.480
<v Speaker 4>little bit of the behind the scenes, you'll see them

1169
00:57:44.559 --> 00:57:47.880
<v Speaker 4>like jumping just before the car gets there. But yeah,

1170
00:57:47.920 --> 00:57:51.800
<v Speaker 4>it's stilly. But based on the movie, yeah, it is like,

1171
00:57:51.920 --> 00:57:54.079
<v Speaker 4>fuck that ruined their fucking day.

1172
00:57:54.880 --> 00:57:58.960
<v Speaker 2>Yeah, I can just imagine. But uh yeah, so this

1173
00:57:59.119 --> 00:58:01.800
<v Speaker 2>is the first big, big double cross I think that

1174
00:58:01.840 --> 00:58:02.239
<v Speaker 2>comes in.

1175
00:58:02.360 --> 00:58:04.679
<v Speaker 3>Yeah, and this is where we learn it's so they

1176
00:58:04.920 --> 00:58:07.400
<v Speaker 3>cut away and now we learn it's a sneaky Christmas

1177
00:58:07.480 --> 00:58:12.360
<v Speaker 3>m movie. Yep, because as they go back to the apartment. Uh,

1178
00:58:12.400 --> 00:58:15.039
<v Speaker 3>there are people out caroling. There's a church group Caroline.

1179
00:58:15.079 --> 00:58:18.840
<v Speaker 2>I think, mm, yeah, that's when we find out that

1180
00:58:18.880 --> 00:58:20.440
<v Speaker 2>much his name was hit or injured.

1181
00:58:21.119 --> 00:58:21.320
<v Speaker 5>Yeah.

1182
00:58:21.400 --> 00:58:23.920
<v Speaker 4>I think in the I think in the explosion there

1183
00:58:24.000 --> 00:58:28.920
<v Speaker 4>was like Strapannel that hit went into Larry's leg and

1184
00:58:29.000 --> 00:58:32.199
<v Speaker 4>so there so you have Sam acquiring materials to help

1185
00:58:32.320 --> 00:58:33.079
<v Speaker 4>heal his leg.

1186
00:58:33.599 --> 00:58:35.880
<v Speaker 2>I like that moment. See Larry doesn't talk a lot,

1187
00:58:35.920 --> 00:58:37.480
<v Speaker 2>but there's a moment where like Sam gives him a

1188
00:58:37.480 --> 00:58:39.679
<v Speaker 2>cigarette because he wanted a camel and he didn't and

1189
00:58:40.039 --> 00:58:43.159
<v Speaker 2>it's not Sam Vincent did. Sam didn't get him cigarettes.

1190
00:58:43.440 --> 00:58:46.400
<v Speaker 2>But there's like this like just like you speaking too much. Yeah,

1191
00:58:46.400 --> 00:58:48.239
<v Speaker 2>but there's this moment on Larry's face where he's just

1192
00:58:48.280 --> 00:58:50.360
<v Speaker 2>happy and he's sort of like I'm with my buds,

1193
00:58:50.360 --> 00:58:51.960
<v Speaker 2>you know what I mean. My buddy over here is yeah,

1194
00:58:52.119 --> 00:58:53.760
<v Speaker 2>leg up, and my buddy over here gave me a

1195
00:58:53.800 --> 00:58:56.039
<v Speaker 2>cigarette and like things could be worse, you know, And

1196
00:58:56.119 --> 00:58:58.519
<v Speaker 2>I just kind of wish we heard more about Larry,

1197
00:58:58.599 --> 00:59:00.280
<v Speaker 2>Like I don't know, maybe he talked about his favorite

1198
00:59:00.280 --> 00:59:02.239
<v Speaker 2>food or why he's into food or just something just

1199
00:59:02.239 --> 00:59:05.239
<v Speaker 2>a little bread crabba who he was, you know, American

1200
00:59:06.119 --> 00:59:06.800
<v Speaker 2>And you.

1201
00:59:06.800 --> 00:59:10.199
<v Speaker 3>Realize, you realize that you didn't die, and like there's

1202
00:59:10.239 --> 00:59:14.159
<v Speaker 3>a euphoria like I came very close to dying and

1203
00:59:14.239 --> 00:59:18.519
<v Speaker 3>I didn't, like so like this isn't guaranteed, and now

1204
00:59:18.519 --> 00:59:20.719
<v Speaker 3>I have a cigarette and my friend here.

1205
00:59:21.480 --> 00:59:24.360
<v Speaker 4>Well and he also knows that because Sam saved his

1206
00:59:24.440 --> 00:59:30.800
<v Speaker 4>life essentially kill him. Yeah well even yeah, even like

1207
00:59:30.840 --> 00:59:32.920
<v Speaker 4>dere is like why the fun did you kill Mary?

1208
00:59:33.559 --> 00:59:38.119
<v Speaker 2>Why to take to take your car? You can Larry drive.

1209
00:59:38.079 --> 00:59:44.119
<v Speaker 3>Fam forgave her because yeah, uh he doesn't know that

1210
00:59:44.159 --> 00:59:46.239
<v Speaker 3>she wasn't in on it. I mean he might have

1211
00:59:46.679 --> 00:59:50.159
<v Speaker 3>because he knows her as a person by now, but

1212
00:59:50.280 --> 00:59:52.159
<v Speaker 3>still I.

1213
00:59:52.159 --> 00:59:54.840
<v Speaker 4>Mean because at the end, like he's waiting in that

1214
00:59:54.920 --> 00:59:57.599
<v Speaker 4>cafe hoping that she's going to show up. He does

1215
00:59:57.800 --> 01:00:00.119
<v Speaker 4>because he because he's like he was, because he he

1216
01:00:00.159 --> 01:00:02.239
<v Speaker 4>actually has attracted her, he likes her.

1217
01:00:03.000 --> 01:00:05.199
<v Speaker 2>Yeah, and I do kind of like the way that

1218
01:00:05.199 --> 01:00:08.280
<v Speaker 2>they ended on that cafe again.

1219
01:00:09.039 --> 01:00:10.719
<v Speaker 4>Nice, it's a nice book end to the film.

1220
01:00:11.079 --> 01:00:13.800
<v Speaker 2>Yeah, and it's like you get the staircase again. But

1221
01:00:14.000 --> 01:00:18.199
<v Speaker 2>I I like the exchange too between him and Renault's

1222
01:00:18.239 --> 01:00:20.440
<v Speaker 2>character in that moment, because that's where you know that

1223
01:00:20.480 --> 01:00:22.960
<v Speaker 2>like they're friends, like this, this is a friendship that's

1224
01:00:23.079 --> 01:00:26.239
<v Speaker 2>went beyond this heist, Like especially the moment where he

1225
01:00:26.280 --> 01:00:30.119
<v Speaker 2>brings them to Jean Pierre's house, like that was because

1226
01:00:30.400 --> 01:00:32.079
<v Speaker 2>we we didn't touch on it because we didn't get

1227
01:00:32.079 --> 01:00:34.599
<v Speaker 2>to it yet. But there's a moment where de Niro

1228
01:00:34.760 --> 01:00:38.840
<v Speaker 2>saves what's his name's life, Vincent's life in a way

1229
01:00:39.039 --> 01:00:40.760
<v Speaker 2>like he but he not the way you think. He

1230
01:00:40.800 --> 01:00:42.239
<v Speaker 2>thinks he's gonna shoot at the guy, but he ends

1231
01:00:42.320 --> 01:00:45.519
<v Speaker 2>up just distracting the guy. He catches the ricochet at

1232
01:00:45.519 --> 01:00:48.119
<v Speaker 2>the coliseum at the meat but he ends up saving

1233
01:00:48.559 --> 01:00:50.760
<v Speaker 2>Renault's life. You know it gives Renaul a second to

1234
01:00:50.800 --> 01:00:53.679
<v Speaker 2>shoot the guy, and then later on I feel like

1235
01:00:53.679 --> 01:00:56.440
<v Speaker 2>he's able to, you know, return the favor. At the

1236
01:00:56.519 --> 01:00:57.639
<v Speaker 2>end of the movie.

1237
01:00:58.079 --> 01:01:01.360
<v Speaker 3>After they after they helped Larry out, we cut back

1238
01:01:01.400 --> 01:01:05.800
<v Speaker 3>to Gregor and yeah, he he picks up a Russia

1239
01:01:05.800 --> 01:01:08.519
<v Speaker 3>guy and they go to a playground together, which is weird.

1240
01:01:08.599 --> 01:01:12.440
<v Speaker 2>Yeah, he's gonna do the meat for yeah, the exchange.

1241
01:01:12.840 --> 01:01:16.440
<v Speaker 4>So so the first uh, Jan Triska is the guy

1242
01:01:16.440 --> 01:01:19.440
<v Speaker 4>who plays that that first Russian that Gregor tries to

1243
01:01:19.480 --> 01:01:23.320
<v Speaker 4>sell the case to, and he's a chechen actor. I've

1244
01:01:23.320 --> 01:01:25.320
<v Speaker 4>done a bunch of things over in the Czech Republic.

1245
01:01:26.119 --> 01:01:31.239
<v Speaker 4>But yeah, that was a very weird scene. Uh, just

1246
01:01:31.280 --> 01:01:34.559
<v Speaker 4>the fact that showing how crazy Gregor is. And yeah,

1247
01:01:34.159 --> 01:01:37.639
<v Speaker 4>he's like, I don't like you, but look look what

1248
01:01:37.639 --> 01:01:39.519
<v Speaker 4>I'm willing to do to someone I don't even know,

1249
01:01:39.679 --> 01:01:42.039
<v Speaker 4>a kid. What do you think I'm going to do

1250
01:01:42.119 --> 01:01:44.000
<v Speaker 4>to you if you fuck me over?

1251
01:01:44.840 --> 01:01:47.880
<v Speaker 2>It establishes that, but I don't need to honestly, because

1252
01:01:47.880 --> 01:01:50.880
<v Speaker 2>it's it's it's one he ends up having a buy

1253
01:01:51.280 --> 01:01:54.119
<v Speaker 2>like a sale with these people twice, right, and and

1254
01:01:54.159 --> 01:01:56.039
<v Speaker 2>the one where they catch him at the coliseum that

1255
01:01:56.079 --> 01:01:58.519
<v Speaker 2>works for me. Him being double crossed by them, and

1256
01:01:58.559 --> 01:02:02.039
<v Speaker 2>then and then guys showing up to finally find Gregor.

1257
01:02:02.119 --> 01:02:05.199
<v Speaker 2>That's enough. I think there's moments of bloat in this film,

1258
01:02:05.239 --> 01:02:06.800
<v Speaker 2>and I think that's one of the moments where it

1259
01:02:06.840 --> 01:02:09.719
<v Speaker 2>could drag. Yeah, showcases Gregor's fucked up, but we already

1260
01:02:09.760 --> 01:02:12.119
<v Speaker 2>know he's fucked up. I got enough breadcrumbs to know

1261
01:02:12.159 --> 01:02:14.239
<v Speaker 2>he's fucked up. I don't need to see him shoot

1262
01:02:14.239 --> 01:02:16.079
<v Speaker 2>at the kid and then get that, Like, if you

1263
01:02:16.159 --> 01:02:17.719
<v Speaker 2>got double cross by the people, why are you going

1264
01:02:17.800 --> 01:02:20.639
<v Speaker 2>to go back to them again for another sale? It

1265
01:02:20.760 --> 01:02:24.039
<v Speaker 2>just felt like redundant. Yeah, well, I don't have too

1266
01:02:24.079 --> 01:02:26.079
<v Speaker 2>many people the Irish.

1267
01:02:25.679 --> 01:02:29.719
<v Speaker 3>People, Like, well, he knows the Irish people won't give

1268
01:02:29.800 --> 01:02:32.000
<v Speaker 3>him the type of money that he wants, but he

1269
01:02:32.119 --> 01:02:34.960
<v Speaker 3>can raise the price three on the Russians and he

1270
01:02:35.000 --> 01:02:36.079
<v Speaker 3>knows they're still good for it.

1271
01:02:36.840 --> 01:02:38.840
<v Speaker 2>Yeah, but I just don't need that extra moment.

1272
01:02:39.000 --> 01:02:41.599
<v Speaker 4>Yeah true. But and like I said, yeah, because he

1273
01:02:41.679 --> 01:02:45.239
<v Speaker 4>is former kJ B, so he knows what these guys

1274
01:02:45.559 --> 01:02:47.519
<v Speaker 4>have in their coffers.

1275
01:02:47.800 --> 01:02:50.239
<v Speaker 2>M Like, it just doesn't do anything for me. I

1276
01:02:50.280 --> 01:02:53.039
<v Speaker 2>can have the moment on the phone with the nameless

1277
01:02:53.079 --> 01:02:55.920
<v Speaker 2>Russian guy, uh with the ice skating girlfriend with the

1278
01:02:55.960 --> 01:02:58.760
<v Speaker 2>great but who he sacrifices by.

1279
01:02:58.639 --> 01:03:02.679
<v Speaker 3>The way, when he's yes he does when he shoots

1280
01:03:02.719 --> 01:03:04.519
<v Speaker 3>him in the head and the blood hits that window.

1281
01:03:04.559 --> 01:03:07.119
<v Speaker 3>That that's really good practical effects.

1282
01:03:07.559 --> 01:03:07.800
<v Speaker 4>Yeah.

1283
01:03:07.880 --> 01:03:09.760
<v Speaker 2>Well yeah, I like how he got to jump on

1284
01:03:09.840 --> 01:03:11.440
<v Speaker 2>him too, because he thought he had to jump on him,

1285
01:03:11.440 --> 01:03:13.159
<v Speaker 2>but he didn't, and then he was able to still

1286
01:03:13.159 --> 01:03:13.920
<v Speaker 2>get to jump on him.

1287
01:03:13.920 --> 01:03:16.079
<v Speaker 3>But jerking the car, he just let his foot off

1288
01:03:16.079 --> 01:03:16.440
<v Speaker 3>the bricks.

1289
01:03:16.480 --> 01:03:18.559
<v Speaker 2>First of all, you would have put the car in park,

1290
01:03:18.679 --> 01:03:23.000
<v Speaker 2>I think not if you're crazy killer. Well, you want

1291
01:03:23.039 --> 01:03:24.440
<v Speaker 2>to get a good shot on the kid, right, so

1292
01:03:24.480 --> 01:03:26.800
<v Speaker 2>you got to punk the car. What's with that crazy

1293
01:03:26.800 --> 01:03:29.199
<v Speaker 2>sniper rifle fucking pistol that he's got. He's got like

1294
01:03:29.239 --> 01:03:31.840
<v Speaker 2>the Golden eye. Fucking yeah, it looks like something.

1295
01:03:32.840 --> 01:03:35.400
<v Speaker 4>Well, I will I will tell you. There's a lot

1296
01:03:35.400 --> 01:03:38.000
<v Speaker 4>of there's a lot of double oh seven connections in

1297
01:03:38.039 --> 01:03:41.719
<v Speaker 4>this film, by the way. Yeah, well we haven't well

1298
01:03:41.280 --> 01:03:45.920
<v Speaker 4>we didn't talk about essentially, we've we've already met Seamus O'Rourke,

1299
01:03:45.920 --> 01:03:49.280
<v Speaker 4>who's played by Jonathan Price. He's in films like Brazil,

1300
01:03:49.480 --> 01:03:52.280
<v Speaker 4>who he was in with Robert de Niro. Uh, he

1301
01:03:52.440 --> 01:03:54.559
<v Speaker 4>was the bad guy in Tomorrow and never dies, and

1302
01:03:54.639 --> 01:03:59.960
<v Speaker 4>he's in the Pirates of the Caribbean trilogy and uh,

1303
01:04:00.199 --> 01:04:04.000
<v Speaker 4>later on we're gonna meet Michael Lonzi plays Jean Pierre.

1304
01:04:04.880 --> 01:04:10.880
<v Speaker 4>Uh mainly, well, yeah, he's he's a journeyman actor in

1305
01:04:10.920 --> 01:04:14.159
<v Speaker 4>French films, but most people here in America will know

1306
01:04:14.280 --> 01:04:17.239
<v Speaker 4>him as Hugo Drax from Moon Breaker.

1307
01:04:18.480 --> 01:04:19.320
<v Speaker 5>M He.

1308
01:04:20.960 --> 01:04:23.519
<v Speaker 3>Looked very much like Gary Guyax.

1309
01:04:23.159 --> 01:04:29.119
<v Speaker 2>And then that makes sense. And then there's D and

1310
01:04:29.199 --> 01:04:31.360
<v Speaker 2>D ties to the you know, meeting in the pub. Maybe,

1311
01:04:31.360 --> 01:04:33.320
<v Speaker 2>so maybe Frankenheimer is a fucking.

1312
01:04:34.760 --> 01:04:34.840
<v Speaker 4>That.

1313
01:04:35.000 --> 01:04:37.599
<v Speaker 3>One of my main hobbies is painting minies like that.

1314
01:04:37.719 --> 01:04:41.159
<v Speaker 3>So like I was super nerdy out in this scene.

1315
01:04:41.840 --> 01:04:45.840
<v Speaker 4>It's funny. So you are right, Frankenheimer had a love

1316
01:04:45.920 --> 01:04:49.760
<v Speaker 4>for building miniatures, and he created a character that was

1317
01:04:49.800 --> 01:04:52.960
<v Speaker 4>a miniature artist, and that was and obviously he was cracking.

1318
01:04:53.000 --> 01:04:55.440
<v Speaker 4>The story of the forty seven ronin which I do

1319
01:04:55.760 --> 01:05:00.079
<v Speaker 4>is obviously. Yeah, it incorporates the the inspiration of the

1320
01:05:00.119 --> 01:05:02.199
<v Speaker 4>screenplay that J. D.

1321
01:05:02.400 --> 01:05:07.119
<v Speaker 2>Syke had and films that we have covered as well.

1322
01:05:07.440 --> 01:05:12.199
<v Speaker 4>Yeah, exactly, And Frank Nimberg wasn't a fan of creating

1323
01:05:12.239 --> 01:05:15.440
<v Speaker 4>these miniature creations, and so it's just kind of a

1324
01:05:15.440 --> 01:05:18.679
<v Speaker 4>mixture of the two, uh, the two worlds.

1325
01:05:18.880 --> 01:05:20.719
<v Speaker 2>I like this guy. He's a retired guy. He lives

1326
01:05:20.719 --> 01:05:22.880
<v Speaker 2>by himself with ex pain, his min hes, probably smokes

1327
01:05:22.920 --> 01:05:25.440
<v Speaker 2>like a nice pipe of fucking some l s bud,

1328
01:05:25.639 --> 01:05:28.480
<v Speaker 2>and like lives with his dog, like I dig it. Yeah,

1329
01:05:28.920 --> 01:05:31.000
<v Speaker 2>and his area looks like he could take like hiking

1330
01:05:31.039 --> 01:05:32.719
<v Speaker 2>trails and stuff around that area.

1331
01:05:32.800 --> 01:05:34.880
<v Speaker 4>Oh, Jean Pierre is fucking bad. I want to learn

1332
01:05:34.920 --> 01:05:35.360
<v Speaker 4>more about it.

1333
01:05:35.559 --> 01:05:37.280
<v Speaker 2>I want to like go back to Jean Pierre's house.

1334
01:05:37.559 --> 01:05:38.880
<v Speaker 2>It's all over you know, and parties.

1335
01:05:40.239 --> 01:05:40.480
<v Speaker 5>You know.

1336
01:05:40.599 --> 01:05:42.480
<v Speaker 3>I thought they were setting it up to where like

1337
01:05:43.360 --> 01:05:48.559
<v Speaker 3>they would come and hunt them down like the Russians. Yeah,

1338
01:05:51.119 --> 01:05:52.679
<v Speaker 3>we were going to get a sword fight. I just

1339
01:05:52.719 --> 01:05:54.760
<v Speaker 3>I was just like, get out of here back.

1340
01:05:55.960 --> 01:06:00.199
<v Speaker 4>So, when I was younger, I always thought that he

1341
01:06:00.440 --> 01:06:02.599
<v Speaker 4>was the guy in the wheelchair or the guy in

1342
01:06:02.639 --> 01:06:05.199
<v Speaker 4>the chair that they were talking about at the beginning.

1343
01:06:05.719 --> 01:06:07.559
<v Speaker 4>And now the obviously now that I'm older and I

1344
01:06:08.000 --> 01:06:10.000
<v Speaker 4>can understand more, I'm like, oh no, no, that's not

1345
01:06:10.079 --> 01:06:12.119
<v Speaker 4>the case at all. This is just a contact that

1346
01:06:12.639 --> 01:06:16.320
<v Speaker 4>Vincent has that you know, maybe they serve together or whatever.

1347
01:06:17.760 --> 01:06:22.519
<v Speaker 3>So after Gregor Steel goes bad, we end up at

1348
01:06:22.559 --> 01:06:24.800
<v Speaker 3>the post office, which is, like I think, a real

1349
01:06:24.840 --> 01:06:27.960
<v Speaker 3>important scene for Sam's character, even though it might not

1350
01:06:28.400 --> 01:06:31.599
<v Speaker 3>be that important for the movie, it lets us it

1351
01:06:31.639 --> 01:06:33.960
<v Speaker 3>makes you think about Sam different the rest of the movie.

1352
01:06:34.159 --> 01:06:36.440
<v Speaker 2>I mean, we've all thought I think I think you

1353
01:06:36.519 --> 01:06:39.559
<v Speaker 2>think that Sam's CIA, and all the characters in the

1354
01:06:39.599 --> 01:06:42.280
<v Speaker 2>movie kind of have tried to you know, thought it

1355
01:06:42.320 --> 01:06:45.119
<v Speaker 2>a little bit too, but he never confirms it, you know,

1356
01:06:45.440 --> 01:06:47.320
<v Speaker 2>and I think this sort of shows you that as

1357
01:06:47.320 --> 01:06:50.079
<v Speaker 2>well as it shows them like he has other means

1358
01:06:50.079 --> 01:06:52.679
<v Speaker 2>to do things that he do not necessarily like wants

1359
01:06:52.719 --> 01:06:53.880
<v Speaker 2>to go to. But he's like, a right, fine, I

1360
01:06:53.920 --> 01:06:56.599
<v Speaker 2>can I have contacts that can do this, and like, yeah,

1361
01:06:56.639 --> 01:06:59.159
<v Speaker 2>maybe it shows too much information to them about who

1362
01:06:59.199 --> 01:07:02.719
<v Speaker 2>he is or what his background is. As well as

1363
01:07:02.840 --> 01:07:05.199
<v Speaker 2>us the audience is wondering is he still in the

1364
01:07:05.239 --> 01:07:08.119
<v Speaker 2>CIA or is the Ronan thing about him? Because he's

1365
01:07:08.280 --> 01:07:10.159
<v Speaker 2>not in the CIA anymore so the sea, you know,

1366
01:07:10.239 --> 01:07:12.239
<v Speaker 2>he doesn't have a master to serve necessarily.

1367
01:07:12.360 --> 01:07:15.239
<v Speaker 4>So the idea, the way that I took it as

1368
01:07:15.679 --> 01:07:19.199
<v Speaker 4>is that all of our characters are Ronan because they're

1369
01:07:19.239 --> 01:07:24.480
<v Speaker 4>all X. Yeah whatever their their xpis from their expats,

1370
01:07:24.519 --> 01:07:27.639
<v Speaker 4>from their their countries. So if the idea is that

1371
01:07:27.719 --> 01:07:31.000
<v Speaker 4>they don't longer have a master that they serve, so

1372
01:07:31.480 --> 01:07:32.400
<v Speaker 4>they're Ronan.

1373
01:07:33.679 --> 01:07:34.199
<v Speaker 2>Interesting.

1374
01:07:34.639 --> 01:07:39.800
<v Speaker 3>I like it, but they get this his CIA contact

1375
01:07:39.840 --> 01:07:42.800
<v Speaker 3>at the post office lets them know where Gregor went,

1376
01:07:43.280 --> 01:07:46.840
<v Speaker 3>and like now, like I feel like the movie paused

1377
01:07:46.840 --> 01:07:49.719
<v Speaker 3>here for us to take a breath. But I don't

1378
01:07:49.719 --> 01:07:52.119
<v Speaker 3>know if I necessarily needed to take a breath. I

1379
01:07:52.199 --> 01:07:53.880
<v Speaker 3>think I think I would have been fine.

1380
01:07:54.360 --> 01:07:57.599
<v Speaker 2>Yeah, I saw. I'm wondering if this movie maybe didn't

1381
01:07:57.639 --> 01:07:59.679
<v Speaker 2>connect as well to when it released because it's called

1382
01:07:59.760 --> 01:08:02.719
<v Speaker 2>Ronan and it's a spy, you know, a thriller set

1383
01:08:02.760 --> 01:08:05.400
<v Speaker 2>in France, heist film, and then it's you know, starring

1384
01:08:05.440 --> 01:08:07.360
<v Speaker 2>an American. So I don't think people knew what to

1385
01:08:07.440 --> 01:08:10.480
<v Speaker 2>make of this film, even though the people that did

1386
01:08:10.480 --> 01:08:12.599
<v Speaker 2>see I think enjoyed it for the most part.

1387
01:08:12.760 --> 01:08:16.800
<v Speaker 4>You know. Yeah, I think that that is the I.

1388
01:08:16.720 --> 01:08:18.920
<v Speaker 2>Remembering issue when it came out.

1389
01:08:19.319 --> 01:08:24.159
<v Speaker 4>Well, yeah, you were right, it was mixed. And once again,

1390
01:08:24.199 --> 01:08:28.000
<v Speaker 4>the issue goes back to the mixture of genres that

1391
01:08:28.000 --> 01:08:30.479
<v Speaker 4>are going on in this film and the mixture of

1392
01:08:30.479 --> 01:08:33.399
<v Speaker 4>philosophies as well, because this is not your like I said,

1393
01:08:33.399 --> 01:08:34.479
<v Speaker 4>this is not your still.

1394
01:08:35.479 --> 01:08:37.640
<v Speaker 2>Film it's like, it's not like it's a French film.

1395
01:08:37.680 --> 01:08:40.520
<v Speaker 4>Basically, it does it does be. Like I said, it's

1396
01:08:40.520 --> 01:08:44.800
<v Speaker 4>more Les Samurai more so than Mission Impossible or Adjason

1397
01:08:44.840 --> 01:08:48.840
<v Speaker 4>Bourne film. So it's it's not quite the same thing.

1398
01:08:49.680 --> 01:08:54.039
<v Speaker 4>And in like the sixties and seventies, when John Frankenheimer

1399
01:08:54.079 --> 01:08:56.680
<v Speaker 4>was really at the height of his career, this type

1400
01:08:56.720 --> 01:09:00.279
<v Speaker 4>of film would have worked fantastically. What you also have

1401
01:09:00.279 --> 01:09:02.880
<v Speaker 4>had the same type of kinetic action that you get

1402
01:09:03.079 --> 01:09:05.760
<v Speaker 4>in in this film that you could now do in

1403
01:09:05.760 --> 01:09:10.119
<v Speaker 4>the nineties, and a lot of the the the current

1404
01:09:10.159 --> 01:09:12.760
<v Speaker 4>audience of the nineties looks at the action is like

1405
01:09:12.800 --> 01:09:17.039
<v Speaker 4>being great. I think most people will remember the the

1406
01:09:17.079 --> 01:09:21.760
<v Speaker 4>car chase scenes and the explosions, and that's awesome. But

1407
01:09:22.119 --> 01:09:24.119
<v Speaker 4>I think the problem people have is with like the

1408
01:09:24.159 --> 01:09:28.359
<v Speaker 4>slower pace scenes and trying to build characters and understanding

1409
01:09:28.399 --> 01:09:30.159
<v Speaker 4>what's going on, and.

1410
01:09:31.439 --> 01:09:34.279
<v Speaker 2>You know, on a first watch, some people might be confused.

1411
01:09:34.560 --> 01:09:37.760
<v Speaker 4>Or exactly And this is also one of another one

1412
01:09:37.760 --> 01:09:41.039
<v Speaker 4>of those films similar to like Atomic Blonde or you know,

1413
01:09:41.039 --> 01:09:43.600
<v Speaker 4>some of the films we've covered recently where it does

1414
01:09:43.680 --> 01:09:47.560
<v Speaker 4>require multiple viewings to catch those little details that are

1415
01:09:47.560 --> 01:09:50.640
<v Speaker 4>being thrown out there that are being they're being they're

1416
01:09:50.680 --> 01:09:52.720
<v Speaker 4>being shown to us, they're not being told to us,

1417
01:09:53.239 --> 01:09:56.800
<v Speaker 4>so you might not necessarily get it right away.

1418
01:09:57.159 --> 01:10:00.000
<v Speaker 2>Which is good storytelling, but it's so in a film.

1419
01:10:00.000 --> 01:10:02.680
<v Speaker 2>I'm like this, sometimes it doesn't all. You don't soak

1420
01:10:02.680 --> 01:10:03.800
<v Speaker 2>it all. In first watch.

1421
01:10:04.039 --> 01:10:08.000
<v Speaker 3>I did enjoy it more of my second watch. Yeah, yeah,

1422
01:10:08.239 --> 01:10:10.119
<v Speaker 3>even though they were just like a day apart.

1423
01:10:10.520 --> 01:10:12.680
<v Speaker 2>Yeah, but you understood the heist more, and that the

1424
01:10:12.920 --> 01:10:15.000
<v Speaker 2>where things fit I think a little bit better. So

1425
01:10:15.079 --> 01:10:16.760
<v Speaker 2>like when you see it the second time, you're like, Okay,

1426
01:10:16.840 --> 01:10:20.239
<v Speaker 2>that makes sense now, because I do remember, like Seamus

1427
01:10:20.239 --> 01:10:22.199
<v Speaker 2>and Gregor and the whole double cross, and then the

1428
01:10:22.279 --> 01:10:24.399
<v Speaker 2>Russians coming in in the end, it gets a little

1429
01:10:24.479 --> 01:10:27.159
<v Speaker 2>muddled a little bit towards the end, I'll be honest,

1430
01:10:27.199 --> 01:10:29.119
<v Speaker 2>The ending sort of, I don't know. It goes in

1431
01:10:29.159 --> 01:10:32.560
<v Speaker 2>a trajectory where I honestly like the beginning and I

1432
01:10:32.720 --> 01:10:34.560
<v Speaker 2>like the heist planning, and I like the heist. But

1433
01:10:34.600 --> 01:10:36.239
<v Speaker 2>then we get the heist done and we have a

1434
01:10:36.239 --> 01:10:38.560
<v Speaker 2>good amount of film after that, and then it's all

1435
01:10:38.680 --> 01:10:40.680
<v Speaker 2>like we now you need to find the case and

1436
01:10:40.720 --> 01:10:42.319
<v Speaker 2>it becomes more of a double cross.

1437
01:10:43.079 --> 01:10:46.000
<v Speaker 3>So we leave there at this point we're leaving Paris

1438
01:10:46.000 --> 01:10:49.279
<v Speaker 3>and we go to this little tourist town and uh

1439
01:10:49.399 --> 01:10:53.159
<v Speaker 3>like Seamus shows up and kills Larry like the Kyle

1440
01:10:53.279 --> 01:10:57.119
<v Speaker 3>sam Like there's tourist groups going around. The Russians are there,

1441
01:10:57.680 --> 01:10:59.720
<v Speaker 3>Like there's I feel like there's like three groups of

1442
01:10:59.760 --> 01:11:02.920
<v Speaker 3>people moving around. There is to keep the track of

1443
01:11:02.960 --> 01:11:03.720
<v Speaker 3>all of them.

1444
01:11:03.920 --> 01:11:07.920
<v Speaker 4>Yeah, there there's our there's our group. There's the Russians

1445
01:11:07.960 --> 01:11:11.000
<v Speaker 4>with Gregory Gregor trying to sell the case. And then

1446
01:11:11.000 --> 01:11:15.960
<v Speaker 4>we also have Seamus and his and we yeah, wandering

1447
01:11:16.000 --> 01:11:19.880
<v Speaker 4>around and he's trying to take the case for himself,

1448
01:11:19.920 --> 01:11:22.159
<v Speaker 4>maybe trying to do it himself so he doesn't have

1449
01:11:22.199 --> 01:11:24.319
<v Speaker 4>to pay this group that he hired.

1450
01:11:24.720 --> 01:11:27.560
<v Speaker 2>He's a piece of ship. I just thought, man, this

1451
01:11:27.600 --> 01:11:30.960
<v Speaker 2>movie really does We got le Samurai, we have forty

1452
01:11:30.960 --> 01:11:33.600
<v Speaker 2>seven row, and we got Ricochet here that we covered

1453
01:11:34.079 --> 01:11:39.199
<v Speaker 2>and in this movie. Yeah kind that's yeah, there's a

1454
01:11:39.239 --> 01:11:41.119
<v Speaker 2>lot of ties ends to older older.

1455
01:11:41.239 --> 01:11:43.960
<v Speaker 4>I will say this, this movie is better than Ricochet.

1456
01:11:44.479 --> 01:11:48.760
<v Speaker 2>Absolutely, the ricochet itself is better than Ricochet. When do

1457
01:11:48.840 --> 01:11:51.239
<v Speaker 2>you ever see a ricochet? And I love this moment

1458
01:11:51.319 --> 01:11:53.840
<v Speaker 2>too later on when he's like this fucker sprayed his

1459
01:11:53.880 --> 01:11:57.439
<v Speaker 2>bullets with teflon and went through his vest. Yeah, you

1460
01:11:57.479 --> 01:11:59.159
<v Speaker 2>don't realize the moment right away.

1461
01:11:59.439 --> 01:12:01.399
<v Speaker 4>Yeah, the thing is like I don't even know if

1462
01:12:01.439 --> 01:12:05.000
<v Speaker 4>like that's a real thing, but it it certainly worse

1463
01:12:05.079 --> 01:12:07.880
<v Speaker 4>for the film. They made it worse.

1464
01:12:08.600 --> 01:12:11.960
<v Speaker 3>When Gregor's running away and he always got cancer, he

1465
01:12:12.000 --> 01:12:15.640
<v Speaker 3>looks he looks like a damn toddler, Like he he

1466
01:12:15.840 --> 01:12:20.119
<v Speaker 3>jumps like a little boy and almost fall while Sam's

1467
01:12:20.199 --> 01:12:21.560
<v Speaker 3>chasing him.

1468
01:12:21.560 --> 01:12:24.439
<v Speaker 2>But maybe it's supposed to show that Gregor is not

1469
01:12:24.439 --> 01:12:27.560
<v Speaker 2>necessarily like the most capable guy in that aspect. You know, Well, I.

1470
01:12:27.520 --> 01:12:30.720
<v Speaker 3>Feel like I feel like Gregor's used to I think

1471
01:12:30.720 --> 01:12:33.680
<v Speaker 3>Gregor's used to being ahead of everyone that he doesn't

1472
01:12:33.760 --> 01:12:36.800
<v Speaker 3>like that Sam Sam got ahead of him, and now

1473
01:12:36.800 --> 01:12:39.439
<v Speaker 3>he's now that when he's caught off guard, he's not operating.

1474
01:12:40.479 --> 01:12:41.960
<v Speaker 2>He says that on the phone too, right when he

1475
01:12:42.000 --> 01:12:43.840
<v Speaker 2>calls back the next meet, he said, I'll call you

1476
01:12:43.960 --> 01:12:46.560
<v Speaker 2>in a better moment when like I have the advantage.

1477
01:12:46.960 --> 01:12:47.439
<v Speaker 3>Yeah.

1478
01:12:47.640 --> 01:12:51.600
<v Speaker 4>Yeah, and this this also goes to his expertise. We

1479
01:12:51.680 --> 01:12:55.359
<v Speaker 4>know he's a computer guy. He has a lot of expertise. Yes,

1480
01:12:55.439 --> 01:12:58.600
<v Speaker 4>he's normally ahead of people. He is, he does, he

1481
01:12:58.680 --> 01:13:02.439
<v Speaker 4>is very capable with weapons too, But like I said,

1482
01:13:02.479 --> 01:13:06.079
<v Speaker 4>it's always with the advantage. And this is where Sam

1483
01:13:06.199 --> 01:13:08.800
<v Speaker 4>is much. I think he's much more capable than Gregor,

1484
01:13:09.199 --> 01:13:10.760
<v Speaker 4>and he's able to get ahead of him, and that

1485
01:13:10.960 --> 01:13:13.720
<v Speaker 4>really throws Gregor off, and that's why he looks kind

1486
01:13:13.720 --> 01:13:15.479
<v Speaker 4>of listless in this moment.

1487
01:13:16.039 --> 01:13:17.840
<v Speaker 2>Now, do you almost feel like we could have just

1488
01:13:17.880 --> 01:13:19.960
<v Speaker 2>like combined the Gregor and Seamous character?

1489
01:13:20.880 --> 01:13:21.279
<v Speaker 4>Yeah?

1490
01:13:21.520 --> 01:13:24.319
<v Speaker 2>Yeah, almost two evils of the same evil. It's like

1491
01:13:24.359 --> 01:13:26.720
<v Speaker 2>Gregor's cross.

1492
01:13:27.439 --> 01:13:31.840
<v Speaker 4>Yeah, it's almost like there's too many like things happening

1493
01:13:31.840 --> 01:13:34.239
<v Speaker 4>at once. I would I would I think a Gregor

1494
01:13:34.399 --> 01:13:37.079
<v Speaker 4>Seamous mixed mixing of those characters would have been a

1495
01:13:37.119 --> 01:13:41.880
<v Speaker 4>better idea. I mean that, so where what I think

1496
01:13:41.920 --> 01:13:46.079
<v Speaker 4>would have worked better is maybe so we mix Seamus

1497
01:13:46.079 --> 01:13:49.079
<v Speaker 4>and Gregor together. So like that's the that's the person

1498
01:13:49.119 --> 01:13:52.399
<v Speaker 4>that is UH is using Deirdre as a front man,

1499
01:13:53.039 --> 01:13:55.399
<v Speaker 4>and Deirdre ends up really becoming a part of the

1500
01:13:55.439 --> 01:13:59.520
<v Speaker 4>team that is created and she and everyone's double crossed.

1501
01:13:59.760 --> 01:14:04.920
<v Speaker 2>You have been like if Gregor was the mastermind the

1502
01:14:04.960 --> 01:14:07.000
<v Speaker 2>whole time, and he was working from within the group,

1503
01:14:07.039 --> 01:14:09.520
<v Speaker 2>as if he was just a mercenary guy, but he

1504
01:14:09.600 --> 01:14:11.960
<v Speaker 2>was actually the guy who was feeding the information that

1505
01:14:12.039 --> 01:14:14.159
<v Speaker 2>Deirdre Deer just didn't know it, or maybe she does,

1506
01:14:14.159 --> 01:14:15.399
<v Speaker 2>but nobody else knows that.

1507
01:14:15.520 --> 01:14:18.920
<v Speaker 4>All the usual suspects all yeah, usual suspects.

1508
01:14:18.960 --> 01:14:20.399
<v Speaker 2>Oh that would have been the guy was in the

1509
01:14:20.479 --> 01:14:23.399
<v Speaker 2>room the whole time. And then then the double cross

1510
01:14:23.439 --> 01:14:27.479
<v Speaker 2>comes and you could stubs, but Gregor double crosses you.

1511
01:14:27.520 --> 01:14:29.479
<v Speaker 4>But it ends up being you know, like Sam constantly

1512
01:14:29.520 --> 01:14:32.239
<v Speaker 4>asking those questions is like causing a lot of friction.

1513
01:14:32.399 --> 01:14:35.359
<v Speaker 4>Oh dude, that would have been I think that would

1514
01:14:35.359 --> 01:14:39.319
<v Speaker 4>have made this film like probably much more prominent than

1515
01:14:39.359 --> 01:14:40.000
<v Speaker 4>it really is.

1516
01:14:40.640 --> 01:14:42.720
<v Speaker 2>I just think we like, we get these double crosses,

1517
01:14:42.840 --> 01:14:45.039
<v Speaker 2>it's like several of them at once, and it's just

1518
01:14:45.079 --> 01:14:47.800
<v Speaker 2>seems redundant too, because it's just like same shame. It's

1519
01:14:47.840 --> 01:14:50.000
<v Speaker 2>just a shitty character and he's willing to do whatever,

1520
01:14:50.039 --> 01:14:51.560
<v Speaker 2>and Gregor's almost the same fucking guys.

1521
01:14:52.359 --> 01:14:54.000
<v Speaker 3>It's just a lot to put in one movie.

1522
01:14:54.359 --> 01:14:56.119
<v Speaker 2>Yeah, exactly, this was.

1523
01:14:56.039 --> 01:14:59.159
<v Speaker 3>Like a sixth episode HBO show. We only got one

1524
01:14:59.199 --> 01:15:03.000
<v Speaker 3>double crossing episode. Yeah, that would that would be great.

1525
01:15:05.479 --> 01:15:07.039
<v Speaker 2>You could make a cool show out of that. Like

1526
01:15:07.079 --> 01:15:09.760
<v Speaker 2>the heist itself would be a cool fucking It's like

1527
01:15:09.800 --> 01:15:12.600
<v Speaker 2>four parter, The Heist and the actual like planning and

1528
01:15:12.600 --> 01:15:15.039
<v Speaker 2>then the actual heights. You could show more stuff like

1529
01:15:15.079 --> 01:15:17.600
<v Speaker 2>with them getting the guns and then getting materials and

1530
01:15:17.600 --> 01:15:19.479
<v Speaker 2>ship like like I will say that the car, that

1531
01:15:19.520 --> 01:15:21.760
<v Speaker 2>car was put together very fast. How much time is

1532
01:15:22.119 --> 01:15:24.319
<v Speaker 2>like he was like, I need new valves and injectors

1533
01:15:24.319 --> 01:15:26.680
<v Speaker 2>and this that that doesn't just happen overnight. Even if

1534
01:15:26.760 --> 01:15:29.159
<v Speaker 2>Vincent knows Dominic Toreto, I.

1535
01:15:29.079 --> 01:15:31.960
<v Speaker 3>Think they do a good job all about family. Yeah,

1536
01:15:32.000 --> 01:15:35.479
<v Speaker 3>it is like there's a loose timeline, but they're not

1537
01:15:36.199 --> 01:15:38.239
<v Speaker 3>exactly how many days this is.

1538
01:15:38.800 --> 01:15:41.000
<v Speaker 2>Yeah, give me a couple of day night cycles. Then

1539
01:15:41.079 --> 01:15:42.720
<v Speaker 2>if you're not gonna give me a number on the screen,

1540
01:15:42.760 --> 01:15:43.640
<v Speaker 2>then just show me a couple.

1541
01:15:43.920 --> 01:15:48.720
<v Speaker 4>Yeah, the timeline is very loose on this movie.

1542
01:15:49.119 --> 01:15:51.840
<v Speaker 2>Most of it doesn't bother me. But the fact that

1543
01:15:51.840 --> 01:15:53.800
<v Speaker 2>that like that car was up and running like the

1544
01:15:53.840 --> 01:15:55.880
<v Speaker 2>next day, I felt like and I was like, you

1545
01:15:55.920 --> 01:15:57.880
<v Speaker 2>put a nitrous system in there. And I guess Mention

1546
01:15:58.039 --> 01:15:58.840
<v Speaker 2>is just very capable.

1547
01:15:58.880 --> 01:16:02.880
<v Speaker 4>He knows well that it's okay. So Vince is able

1548
01:16:02.920 --> 01:16:05.680
<v Speaker 4>to Vincent is able to get acquire all the stuff.

1549
01:16:05.800 --> 01:16:08.640
<v Speaker 4>I'm sure he knows people. He probably has a team

1550
01:16:08.680 --> 01:16:10.239
<v Speaker 4>of people to put it in.

1551
01:16:10.319 --> 01:16:12.960
<v Speaker 2>And that and it turns out Dominic tourto was actually

1552
01:16:13.000 --> 01:16:15.399
<v Speaker 2>spending time in Paris at this moment in the time.

1553
01:16:15.600 --> 01:16:17.520
<v Speaker 4>Oh yeah, probably.

1554
01:16:17.560 --> 01:16:19.319
<v Speaker 2>Yeah, he did it. He was the one that's put

1555
01:16:19.359 --> 01:16:19.760
<v Speaker 2>it in there.

1556
01:16:20.199 --> 01:16:22.560
<v Speaker 4>The Fast and the Furious guys were right there helping them.

1557
01:16:22.479 --> 01:16:25.000
<v Speaker 2>Out back when they actually raced cars stuff.

1558
01:16:26.479 --> 01:16:28.199
<v Speaker 4>And not going into space.

1559
01:16:29.279 --> 01:16:30.680
<v Speaker 2>I haven't even seen those newer ones.

1560
01:16:31.680 --> 01:16:35.239
<v Speaker 4>I think I stopped at Tokyo Drift, like that's where

1561
01:16:35.279 --> 01:16:37.319
<v Speaker 4>I stopped too, But I do know about the fucking

1562
01:16:37.359 --> 01:16:38.520
<v Speaker 4>them going in some good.

1563
01:16:38.720 --> 01:16:40.479
<v Speaker 2>There's some good drifting in Tokyo Drift.

1564
01:16:41.039 --> 01:16:42.439
<v Speaker 4>Tokyo Drifts actually pretty good.

1565
01:16:42.479 --> 01:16:46.159
<v Speaker 2>I thought that movie was dominant first, and it is,

1566
01:16:46.199 --> 01:16:48.199
<v Speaker 2>but it's like fun, dumb, like I've I've.

1567
01:16:48.479 --> 01:16:52.239
<v Speaker 3>Like it's like a sequel to Sling Place because the

1568
01:16:52.319 --> 01:16:54.159
<v Speaker 3>kids in it.

1569
01:16:54.600 --> 01:16:55.479
<v Speaker 2>Have you all seen.

1570
01:16:57.039 --> 01:17:01.239
<v Speaker 3>Oh yeah many many times.

1571
01:17:00.039 --> 01:17:03.960
<v Speaker 4>There my biscuits. Yeah, I seen them French, but.

1572
01:17:04.000 --> 01:17:12.600
<v Speaker 3>We could easily put that on the commentary listen with commentary.

1573
01:17:13.880 --> 01:17:15.800
<v Speaker 3>A lot of civilians get shot.

1574
01:17:16.399 --> 01:17:21.680
<v Speaker 2>Yeah, all those people at the farm stands like earlier.

1575
01:17:21.279 --> 01:17:23.199
<v Speaker 3>What a what a shitty day to take a tour?

1576
01:17:24.520 --> 01:17:30.159
<v Speaker 4>Yeah, like people that die, the five tourists that die

1577
01:17:30.199 --> 01:17:33.279
<v Speaker 4>in this uh this thing, but.

1578
01:17:33.359 --> 01:17:39.079
<v Speaker 3>Uh Yeah, Sam, Sam gets shot and yeah, they take

1579
01:17:39.159 --> 01:17:40.720
<v Speaker 3>him over to Gary Gax's.

1580
01:17:42.239 --> 01:17:42.600
<v Speaker 2>He does.

1581
01:17:45.119 --> 01:17:48.560
<v Speaker 4>But yeah, I like I said, I I love the

1582
01:17:48.720 --> 01:17:53.600
<v Speaker 4>Jean Pierre character, and he uh uh. Obviously like Sam

1583
01:17:53.800 --> 01:17:56.119
<v Speaker 4>is like, I'm leaking here. I got I gotta do something.

1584
01:17:57.239 --> 01:17:58.720
<v Speaker 2>That's why he's like, all right, I'll bring it in

1585
01:17:58.760 --> 01:18:01.760
<v Speaker 2>my buddy's house, who normally I wouldn't bring anybody to. Yeah,

1586
01:18:01.800 --> 01:18:03.720
<v Speaker 2>that feels like this is a this is risk and

1587
01:18:03.760 --> 01:18:06.479
<v Speaker 2>John Pierre, but I like that.

1588
01:18:07.039 --> 01:18:10.439
<v Speaker 3>Yeah, he reassures the post office right in front of Hilm,

1589
01:18:10.640 --> 01:18:12.920
<v Speaker 3>so like, I feel like that's true. The walls a

1590
01:18:12.920 --> 01:18:14.439
<v Speaker 3>little bit, that's true.

1591
01:18:14.439 --> 01:18:16.199
<v Speaker 2>I didn't think about that heat. They are dropping the

1592
01:18:16.239 --> 01:18:19.119
<v Speaker 2>walls and that's there. They're Yeah, it's like a scale,

1593
01:18:19.479 --> 01:18:23.359
<v Speaker 2>and they're meeting each other both ways constantly in this

1594
01:18:23.439 --> 01:18:26.079
<v Speaker 2>whole heights where they're they're gravitating towards each other.

1595
01:18:26.119 --> 01:18:28.640
<v Speaker 4>I'm never showing they're they're showing a little bit of

1596
01:18:28.640 --> 01:18:30.600
<v Speaker 4>their cards to each other in a.

1597
01:18:30.600 --> 01:18:32.159
<v Speaker 2>Sense, because they're growing some trust.

1598
01:18:32.560 --> 01:18:35.640
<v Speaker 3>I've never seen the Professional. Is he playing a similar

1599
01:18:35.720 --> 01:18:37.399
<v Speaker 3>character that he did in that movie?

1600
01:18:37.640 --> 01:18:39.359
<v Speaker 4>You've never seen on the Professional?

1601
01:18:40.319 --> 01:18:41.800
<v Speaker 2>Yeah, we should cover oh.

1602
01:18:41.520 --> 01:18:43.800
<v Speaker 4>Man, we definitely need to cover that. He's a hit

1603
01:18:43.880 --> 01:18:46.560
<v Speaker 4>man in that, but he's a he's a protector in

1604
01:18:46.600 --> 01:18:47.479
<v Speaker 4>that essentially.

1605
01:18:47.840 --> 01:18:50.680
<v Speaker 3>Yeah, but he's like the cool, collective French guy that

1606
01:18:50.680 --> 01:18:51.479
<v Speaker 3>doesn't talk a lot.

1607
01:18:51.920 --> 01:18:55.600
<v Speaker 2>Yeah. Yeah, that's not of his character in most of

1608
01:18:55.640 --> 01:18:57.359
<v Speaker 2>his films.

1609
01:18:57.399 --> 01:19:00.520
<v Speaker 4>This is it's a that I'm sure that The mandal

1610
01:19:00.760 --> 01:19:03.000
<v Speaker 4>The Mandalorian is based off of. I would assume that

1611
01:19:03.039 --> 01:19:06.119
<v Speaker 4>it's a little bit like Leon the Professional. Yeah, so

1612
01:19:06.159 --> 01:19:08.399
<v Speaker 4>if you've seen The Mandalorian, it has a little bit

1613
01:19:08.399 --> 01:19:10.800
<v Speaker 4>of those elements, and Leon the Professional.

1614
01:19:10.520 --> 01:19:13.680
<v Speaker 2>A bad guy who's been given a job to protect somebody.

1615
01:19:13.840 --> 01:19:15.199
<v Speaker 4>Yeah. Yeah.

1616
01:19:15.520 --> 01:19:17.119
<v Speaker 2>And Gary Oldman's in it. He's amazing.

1617
01:19:18.680 --> 01:19:24.119
<v Speaker 3>The Washington movie like that too, right where he's uh yeah,

1618
01:19:24.159 --> 01:19:24.720
<v Speaker 3>man on Fire.

1619
01:19:24.840 --> 01:19:28.199
<v Speaker 2>That's a great movie. You never seen that map? What

1620
01:19:28.920 --> 01:19:29.960
<v Speaker 2>we come a manifire?

1621
01:19:30.600 --> 01:19:31.279
<v Speaker 4>Hell? Yeah?

1622
01:19:31.520 --> 01:19:33.159
<v Speaker 2>Nice anyway.

1623
01:19:34.000 --> 01:19:39.960
<v Speaker 3>So yeah, so they're they're while they're while they're at uh,

1624
01:19:40.520 --> 01:19:43.439
<v Speaker 3>Sam does surgery on himself and this seems pretty bad ass.

1625
01:19:43.560 --> 01:19:45.800
<v Speaker 3>And I watched a lot of horror movies.

1626
01:19:45.920 --> 01:19:50.079
<v Speaker 4>Then I get queezed, Yes, I want guys appendix with

1627
01:19:50.119 --> 01:19:51.079
<v Speaker 4>the Grape group spoon.

1628
01:19:51.439 --> 01:19:54.640
<v Speaker 2>So I was wondering if that was like a reference

1629
01:19:54.680 --> 01:19:55.479
<v Speaker 2>to another film.

1630
01:19:56.279 --> 01:19:59.319
<v Speaker 4>No, I don't. I don't think so. I don't think so.

1631
01:19:59.399 --> 01:20:00.239
<v Speaker 4>But god his.

1632
01:20:00.359 --> 01:20:08.279
<v Speaker 2>Cousin, Yeah, yeah, you love that moment too. He's like,

1633
01:20:08.279 --> 01:20:09.960
<v Speaker 2>all right, now that that's done, I'm just gonna pass.

1634
01:20:10.000 --> 01:20:10.960
<v Speaker 2>That can catch me up.

1635
01:20:11.760 --> 01:20:14.039
<v Speaker 3>He's like, they're like you want to you want some booze?

1636
01:20:14.039 --> 01:20:14.880
<v Speaker 3>He's like, no booze?

1637
01:20:15.399 --> 01:20:19.479
<v Speaker 2>Yeah, why not till he was done? Man, I think yeah, yeah,

1638
01:20:19.760 --> 01:20:22.279
<v Speaker 2>which you're smart, but it just shows it like Sam's

1639
01:20:22.279 --> 01:20:23.600
<v Speaker 2>been around the block, bro.

1640
01:20:23.960 --> 01:20:26.079
<v Speaker 3>And uh, as soon as they're done with that, they

1641
01:20:26.079 --> 01:20:28.479
<v Speaker 3>cut the Dedra cussing her boss out.

1642
01:20:28.920 --> 01:20:29.399
<v Speaker 4>Mm hmmm.

1643
01:20:29.840 --> 01:20:33.840
<v Speaker 3>I think the audience needed that, so we know.

1644
01:20:34.159 --> 01:20:36.479
<v Speaker 4>We know that, just so we know that, like she's

1645
01:20:36.520 --> 01:20:40.359
<v Speaker 4>not Yes, she has been working for Seamus, but she's

1646
01:20:40.399 --> 01:20:42.119
<v Speaker 4>not necessarily on Seamus's side.

1647
01:20:42.960 --> 01:20:44.840
<v Speaker 3>They have different character alignments.

1648
01:20:45.000 --> 01:20:47.880
<v Speaker 4>Why do you have to kill Larry? And it's like yeah,

1649
01:20:47.920 --> 01:20:51.399
<v Speaker 4>and he's he's blaming her for the failure of getting

1650
01:20:51.439 --> 01:20:53.920
<v Speaker 4>the case, like, yeah, the only reason I hired these

1651
01:20:53.920 --> 01:20:56.079
<v Speaker 4>guys because through your fucking contact.

1652
01:20:56.600 --> 01:20:59.720
<v Speaker 3>But he also never answers her like why did he

1653
01:20:59.800 --> 01:21:01.479
<v Speaker 3>kill Larry? They don't have to?

1654
01:21:02.920 --> 01:21:07.399
<v Speaker 4>Yeah, And also like so did Seamus hire Gregor? Because

1655
01:21:07.560 --> 01:21:11.960
<v Speaker 4>Seamus is technically behind the hiring of Gregor and h Spence,

1656
01:21:12.279 --> 01:21:15.880
<v Speaker 4>who was a fuck up. So is it just because

1657
01:21:15.880 --> 01:21:18.840
<v Speaker 4>they were cheap and like, but did he know that

1658
01:21:18.880 --> 01:21:20.399
<v Speaker 4>Gregor was gonna fuck them over?

1659
01:21:20.920 --> 01:21:21.319
<v Speaker 2>I don't know.

1660
01:21:22.439 --> 01:21:25.199
<v Speaker 4>There's something there's there's a part of Seamus that like,

1661
01:21:25.239 --> 01:21:28.760
<v Speaker 4>I'm just really it doesn't make sense, Like there there's

1662
01:21:28.760 --> 01:21:31.399
<v Speaker 4>something that he knows that we're not privy to.

1663
01:21:32.119 --> 01:21:34.800
<v Speaker 3>Yeah, you think if he didn't, if he plans on

1664
01:21:34.880 --> 01:21:38.319
<v Speaker 3>not paying them, he would have got better people, because.

1665
01:21:39.279 --> 01:21:42.960
<v Speaker 4>Yeah, you're right, it just happens that Sam is very

1666
01:21:43.000 --> 01:21:46.960
<v Speaker 4>capable and and Vincent and Larry are capable, but the

1667
01:21:47.000 --> 01:21:49.199
<v Speaker 4>other two guys that are hired are.

1668
01:21:49.119 --> 01:21:52.239
<v Speaker 2>Not to get the fucking case.

1669
01:21:52.600 --> 01:21:55.399
<v Speaker 4>Well, I will say this, Gregor is capable, he's just

1670
01:21:55.560 --> 01:21:57.159
<v Speaker 4>a he's a backstabber.

1671
01:21:57.640 --> 01:21:59.920
<v Speaker 2>Ye, we just don't know where. At some point Shame

1672
01:22:00.239 --> 01:22:03.199
<v Speaker 2>was going to double cross them too. It had to

1673
01:22:03.199 --> 01:22:06.560
<v Speaker 2>be that. Yeah, absolutely, I doubt that was going to

1674
01:22:06.600 --> 01:22:08.720
<v Speaker 2>be able to just pay everybody and then everybody's going

1675
01:22:08.760 --> 01:22:10.399
<v Speaker 2>to be in their way as as much as she

1676
01:22:10.520 --> 01:22:12.239
<v Speaker 2>thought she was going to be able to. Like when

1677
01:22:12.279 --> 01:22:14.119
<v Speaker 2>she tells them that I think she believes that.

1678
01:22:14.760 --> 01:22:16.680
<v Speaker 4>Yeah, did is being double cross too.

1679
01:22:16.880 --> 01:22:19.920
<v Speaker 2>I think she's only been given certain pieces of the

1680
01:22:20.079 --> 01:22:22.479
<v Speaker 2>of the puzzle. When she's when it's you know, when

1681
01:22:22.479 --> 01:22:26.479
<v Speaker 2>they deem her lucky enough to have that information. Yeah,

1682
01:22:26.520 --> 01:22:28.800
<v Speaker 2>but yeah, he patches himself up. We get that cool

1683
01:22:28.880 --> 01:22:32.159
<v Speaker 2>like moment of the plot behind the forty seven Ronin

1684
01:22:32.279 --> 01:22:36.199
<v Speaker 2>and there's just a little kind of tangent, not necessarily,

1685
01:22:36.279 --> 01:22:37.560
<v Speaker 2>but it's still a cool scene.

1686
01:22:38.039 --> 01:22:40.439
<v Speaker 4>I will say this is my first.

1687
01:22:41.520 --> 01:22:43.840
<v Speaker 2>It's like a poetic nature to the scene. But he

1688
01:22:43.880 --> 01:22:46.640
<v Speaker 2>does drag a little bit, like it slows down the film.

1689
01:22:46.520 --> 01:22:48.680
<v Speaker 4>In a way. So this is this is my This

1690
01:22:48.800 --> 01:22:51.199
<v Speaker 4>is my intro to the understanding of what the forty

1691
01:22:51.199 --> 01:22:53.680
<v Speaker 4>seven Ronin was because I never knew this story until

1692
01:22:53.680 --> 01:22:58.479
<v Speaker 4>me to watch this movie. And obviously this turned me

1693
01:22:58.560 --> 01:23:00.359
<v Speaker 4>down to a road I didn't even know check a

1694
01:23:00.399 --> 01:23:03.479
<v Speaker 4>lot of yeah, I didn't know either. This is this

1695
01:23:03.560 --> 01:23:08.560
<v Speaker 4>is my introduction to this Japanese philosophy and obviously is

1696
01:23:08.600 --> 01:23:14.439
<v Speaker 4>the start of my love for Japanese film and for me, Uh,

1697
01:23:14.479 --> 01:23:18.039
<v Speaker 4>the gunfight at the OK Corral, that's that is our

1698
01:23:18.199 --> 01:23:23.000
<v Speaker 4>version of the forty seven ronin. That's the So once

1699
01:23:23.039 --> 01:23:25.159
<v Speaker 4>I understood that, I was like, oh, that this is

1700
01:23:25.199 --> 01:23:28.319
<v Speaker 4>like their their version of that. This is there the

1701
01:23:28.399 --> 01:23:31.760
<v Speaker 4>story that is told in Japanese lored over and over

1702
01:23:31.800 --> 01:23:34.920
<v Speaker 4>and over again, and so yeah, it's just kind of

1703
01:23:34.920 --> 01:23:37.760
<v Speaker 4>cool being introduced to it through this film.

1704
01:23:37.920 --> 01:23:40.000
<v Speaker 2>Now, Matt, do you think it's heavy handed though? Because

1705
01:23:40.039 --> 01:23:40.920
<v Speaker 2>the movie's already.

1706
01:23:40.680 --> 01:23:44.119
<v Speaker 3>Called so I'm already familiar with it. But I'm wondering

1707
01:23:44.199 --> 01:23:46.880
<v Speaker 3>if I if I came into this movie not knowing

1708
01:23:46.920 --> 01:23:49.840
<v Speaker 3>what a fucking Ronan was and not hurting the.

1709
01:23:49.760 --> 01:23:52.319
<v Speaker 2>From nineteen ninety eight, I didn't know it was, you know,

1710
01:23:52.359 --> 01:23:52.960
<v Speaker 2>who knows what?

1711
01:23:53.279 --> 01:23:56.479
<v Speaker 3>Who knows the pop culture references people have coming in

1712
01:23:56.920 --> 01:23:58.840
<v Speaker 3>because there was you know, the Internet wasn't big yet,

1713
01:23:58.880 --> 01:24:01.319
<v Speaker 3>so like you just knew what you you know, like

1714
01:24:01.479 --> 01:24:02.319
<v Speaker 3>what you just tried.

1715
01:24:03.199 --> 01:24:05.239
<v Speaker 2>And you're a history buff and you also you like

1716
01:24:05.399 --> 01:24:06.920
<v Speaker 2>sword stuff, so I feel like you.

1717
01:24:08.359 --> 01:24:11.079
<v Speaker 4>So yeah, coming to this in twenty twenty five, people

1718
01:24:11.079 --> 01:24:13.039
<v Speaker 4>would be like this is very ham fisted, But in

1719
01:24:13.119 --> 01:24:17.479
<v Speaker 4>nineteen ninety eight, I would guarantee that most Americans watching

1720
01:24:17.479 --> 01:24:20.359
<v Speaker 4>this had no idea what the fuck a Ronan was

1721
01:24:20.880 --> 01:24:25.199
<v Speaker 4>or the story of the forty seven Ronan at all. Yeah, exactly.

1722
01:24:25.319 --> 01:24:28.439
<v Speaker 4>And and so when JD. Syke, who was the screenwriter,

1723
01:24:28.760 --> 01:24:32.359
<v Speaker 4>these were the stories that he read the Shogun novel,

1724
01:24:32.800 --> 01:24:37.199
<v Speaker 4>the James Glovell novel, and he had read about the

1725
01:24:37.239 --> 01:24:41.199
<v Speaker 4>forty seven Ronan and wanted to create a modern version

1726
01:24:41.279 --> 01:24:44.960
<v Speaker 4>of that. And I to a degree, I think he's successful.

1727
01:24:45.039 --> 01:24:50.399
<v Speaker 4>But maybe because the idea that like these stories aren't

1728
01:24:50.439 --> 01:24:54.199
<v Speaker 4>really well known in Western culture. This is why we

1729
01:24:54.279 --> 01:24:56.039
<v Speaker 4>have a scene like this here.

1730
01:24:56.960 --> 01:24:59.840
<v Speaker 3>There's a really good line here where he says, uh,

1731
01:25:00.039 --> 01:25:04.199
<v Speaker 3>whenever there is doubt, there isn't any doubt, and that

1732
01:25:04.199 --> 01:25:05.800
<v Speaker 3>that kind of stuck with me, Like the fact that

1733
01:25:05.840 --> 01:25:08.960
<v Speaker 3>you doubt is yeah, if you if you're if you're

1734
01:25:09.000 --> 01:25:12.640
<v Speaker 3>not unsure, fucking don't do it like yeah, And I

1735
01:25:12.680 --> 01:25:15.000
<v Speaker 3>mean that's just good advice for any one.

1736
01:25:15.479 --> 01:25:17.560
<v Speaker 2>I got you, Like, you can't have doubt about having doubt,

1737
01:25:17.680 --> 01:25:22.399
<v Speaker 2>it's you already have the doubt. So then that's your feeling.

1738
01:25:21.520 --> 01:25:25.239
<v Speaker 3>Basically saying, trust your gut if something's telling you that

1739
01:25:25.359 --> 01:25:28.119
<v Speaker 3>it's wrong, there's something wrong, like don't.

1740
01:25:27.960 --> 01:25:30.880
<v Speaker 2>Don't, which we see several times in Sam Sam's character

1741
01:25:30.960 --> 01:25:33.840
<v Speaker 2>where he feels something's off, you know, yes, and doesn't want.

1742
01:25:33.680 --> 01:25:36.119
<v Speaker 4>To go along. Well, I mean the whole movie, Sam

1743
01:25:36.199 --> 01:25:40.119
<v Speaker 4>knows something's off. That why he's always questioning things. He's

1744
01:25:40.199 --> 01:25:44.640
<v Speaker 4>always very careful of certain characters. That's why he's testing people.

1745
01:25:45.880 --> 01:25:49.880
<v Speaker 4>He's always doubting things and questioning things, and that's what

1746
01:25:50.039 --> 01:25:52.399
<v Speaker 4>keeps him alive and keeps the people that he cares

1747
01:25:52.439 --> 01:25:53.359
<v Speaker 4>about alive.

1748
01:25:54.600 --> 01:25:58.039
<v Speaker 2>And so now once he recoups, they find they find

1749
01:25:58.079 --> 01:26:02.359
<v Speaker 2>Deirdre and Gregor's location because of the case. Correct, they

1750
01:26:02.479 --> 01:26:06.960
<v Speaker 2>realized that the case was a skatecase. They back to

1751
01:26:07.000 --> 01:26:08.199
<v Speaker 2>the Russians.

1752
01:26:08.359 --> 01:26:11.680
<v Speaker 4>Right because the idea was because him and Vincent are

1753
01:26:11.800 --> 01:26:15.640
<v Speaker 4>are the last remaining two and they're figuring out like,

1754
01:26:16.119 --> 01:26:17.760
<v Speaker 4>so how do we how do we find out where

1755
01:26:17.840 --> 01:26:21.000
<v Speaker 4>Gregor is? And when they realized, well, he's selling it

1756
01:26:21.039 --> 01:26:23.640
<v Speaker 4>to the Russians, like we don't have to find how

1757
01:26:23.800 --> 01:26:26.079
<v Speaker 4>they had to find the Russians.

1758
01:26:26.039 --> 01:26:30.239
<v Speaker 2>Again because they have the chase scene. I forgot what

1759
01:26:30.359 --> 01:26:32.399
<v Speaker 2>that was from. Was that still from the cell phone?

1760
01:26:32.479 --> 01:26:34.840
<v Speaker 2>Were they still using the cell phone triangulation at that

1761
01:26:34.880 --> 01:26:36.439
<v Speaker 2>point because there's a chase scene in.

1762
01:26:36.399 --> 01:26:40.560
<v Speaker 4>Between before, Yes, yes, that's what it was initially, So

1763
01:26:40.640 --> 01:26:48.119
<v Speaker 4>initially it was them with the found no hold on

1764
01:26:48.159 --> 01:26:48.600
<v Speaker 4>a second.

1765
01:26:48.880 --> 01:26:51.199
<v Speaker 2>Then later there's a chase scene with Gregor in the

1766
01:26:51.239 --> 01:26:54.720
<v Speaker 2>car and where they chase Gregor what's his name? And

1767
01:26:54.920 --> 01:26:57.520
<v Speaker 2>Dedre right, am I wrong?

1768
01:26:58.600 --> 01:27:04.359
<v Speaker 3>Right at Gregor down and I think Dedre kidnaps Gregor

1769
01:27:05.119 --> 01:27:07.079
<v Speaker 3>in front of them, like they come out of the

1770
01:27:07.079 --> 01:27:09.920
<v Speaker 3>house together. I don't know how they got.

1771
01:27:11.000 --> 01:27:13.319
<v Speaker 2>And then that's yeah, that's when they and then that

1772
01:27:13.319 --> 01:27:15.279
<v Speaker 2>that's when the car flips off the bridge and then

1773
01:27:15.319 --> 01:27:17.199
<v Speaker 2>they shoot at it and it blows up and then

1774
01:27:17.319 --> 01:27:19.520
<v Speaker 2>but everybody gets out. Anyway, that would have been a

1775
01:27:19.560 --> 01:27:21.600
<v Speaker 2>good moment for me for like DJ to die.

1776
01:27:21.800 --> 01:27:28.119
<v Speaker 3>Would be yeah, like dmage uh D is driving like

1777
01:27:28.319 --> 01:27:32.640
<v Speaker 3>pretty nonchalantly, but the whole time Sam's driving like Robert

1778
01:27:32.640 --> 01:27:34.399
<v Speaker 3>de Niro looks like he's trying to hold the ship in.

1779
01:27:34.880 --> 01:27:36.720
<v Speaker 2>And I don't know they do. They all looked like

1780
01:27:36.760 --> 01:27:39.319
<v Speaker 2>they were driving for real. Like DD's face look worried,

1781
01:27:39.640 --> 01:27:40.560
<v Speaker 2>and Ert.

1782
01:27:41.039 --> 01:27:45.520
<v Speaker 4>He's like, well, you know, he's like yeah, he's got

1783
01:27:45.520 --> 01:27:49.720
<v Speaker 4>his hands very tight, like he's so I'll talk. So

1784
01:27:49.800 --> 01:27:51.399
<v Speaker 4>now we're at the chasing, I'll talk.

1785
01:27:51.840 --> 01:27:53.640
<v Speaker 2>I will just say real quick. It does make sense

1786
01:27:53.640 --> 01:27:56.439
<v Speaker 2>because realistic, like you don't make big fucking movements with

1787
01:27:56.479 --> 01:27:58.039
<v Speaker 2>the wheel like do you see in a lot of movies,

1788
01:27:58.119 --> 01:28:00.640
<v Speaker 2>right they're like, so him just having his hands tight

1789
01:28:00.720 --> 01:28:02.840
<v Speaker 2>is more like a race car driver. And in that moment.

1790
01:28:02.880 --> 01:28:05.239
<v Speaker 2>That's kind of how you're gonna be white knuckled.

1791
01:28:05.680 --> 01:28:09.359
<v Speaker 4>So here here's how this scene, how these scenes played out.

1792
01:28:09.399 --> 01:28:13.720
<v Speaker 4>What was which is really great one Deirdre is worried

1793
01:28:13.800 --> 01:28:17.479
<v Speaker 4>because she is being essentially being held at gunpoint and

1794
01:28:18.079 --> 01:28:21.720
<v Speaker 4>she's running for her life because Seamus is gonna kill

1795
01:28:21.720 --> 01:28:26.159
<v Speaker 4>her if she doesn't run. You have de Niro, who

1796
01:28:26.319 --> 01:28:30.359
<v Speaker 4>is Sam, who is obviously he's going after. But our

1797
01:28:30.399 --> 01:28:36.199
<v Speaker 4>stunt drivers are two main sunt drivers. They're professional race

1798
01:28:36.199 --> 01:28:38.439
<v Speaker 4>car drivers. We had there was like ne f one driver.

1799
01:28:39.119 --> 01:28:41.960
<v Speaker 4>There was a i think like a sports car driver.

1800
01:28:42.039 --> 01:28:44.640
<v Speaker 4>That was all that was also in this. And so

1801
01:28:45.479 --> 01:28:49.439
<v Speaker 4>are our actors, uh, And they were sitting over in

1802
01:28:50.239 --> 01:28:54.279
<v Speaker 4>essentially the they were in the opposite side of the car,

1803
01:28:55.039 --> 01:28:58.039
<v Speaker 4>and our actors are mimicking their movements and how they're

1804
01:28:58.119 --> 01:29:01.439
<v Speaker 4>driving because our actors, like so they had dual steering wheels,

1805
01:29:01.520 --> 01:29:06.520
<v Speaker 4>dual pedals, and the actors didn't have control of the car.

1806
01:29:06.720 --> 01:29:10.800
<v Speaker 4>The professional stunt race car drivers did, and so they

1807
01:29:10.800 --> 01:29:13.479
<v Speaker 4>were just mimicking their movements. And as far as like

1808
01:29:13.479 --> 01:29:17.800
<v Speaker 4>the minimal like steering wheel movements and yeah or like yeah,

1809
01:29:17.880 --> 01:29:21.840
<v Speaker 4>it's it is tough. And you also had so they're

1810
01:29:21.880 --> 01:29:25.920
<v Speaker 4>gunning it. They're going one hundred miles an hour, and

1811
01:29:26.039 --> 01:29:29.680
<v Speaker 4>they also had a mixture of all the other people

1812
01:29:29.720 --> 01:29:32.479
<v Speaker 4>that are on the road. They're also sun drivers, but

1813
01:29:32.479 --> 01:29:35.640
<v Speaker 4>they're driving at a slower speed, which makes the pace

1814
01:29:35.720 --> 01:29:38.680
<v Speaker 4>look even more frantic. So they're driving i think at

1815
01:29:38.720 --> 01:29:41.520
<v Speaker 4>like forty miles an hour and in a in a

1816
01:29:41.640 --> 01:29:43.079
<v Speaker 4>set style.

1817
01:29:43.720 --> 01:29:47.079
<v Speaker 2>Yes, that's like the other cars are going even faster.

1818
01:29:47.840 --> 01:29:50.960
<v Speaker 4>Right, and so it creates this like frantic look and

1819
01:29:51.000 --> 01:29:53.359
<v Speaker 4>it looks great. And this is this is one of

1820
01:29:53.399 --> 01:29:56.760
<v Speaker 4>the great chase scenes in cinema history, up there with

1821
01:29:56.840 --> 01:30:00.319
<v Speaker 4>the French Connection or Bullet if you will.

1822
01:30:00.840 --> 01:30:03.039
<v Speaker 2>Yeah, it's great neck for sure. And there's a lot

1823
01:30:03.199 --> 01:30:05.399
<v Speaker 2>a lot going on. If you watch all the back

1824
01:30:05.439 --> 01:30:07.960
<v Speaker 2>and forth when they're going down the highway like the

1825
01:30:08.000 --> 01:30:10.720
<v Speaker 2>wrong way, it's there's a lot of tough driving there.

1826
01:30:11.199 --> 01:30:14.880
<v Speaker 3>There's a lot of yeah it down the streets in

1827
01:30:14.920 --> 01:30:17.039
<v Speaker 3>this in this chase scene.

1828
01:30:17.239 --> 01:30:18.960
<v Speaker 2>Remind me of the Matrix too a little bit.

1829
01:30:19.039 --> 01:30:20.920
<v Speaker 3>Hit me on the edge of my seat, like literally

1830
01:30:20.920 --> 01:30:21.279
<v Speaker 3>I was like.

1831
01:30:21.239 --> 01:30:26.399
<v Speaker 4>Oh no, no, no, no, yeah, yeah, And it's this is

1832
01:30:26.479 --> 01:30:30.279
<v Speaker 4>probably what we'll remember from the film is this particular scene,

1833
01:30:30.439 --> 01:30:32.640
<v Speaker 4>which is you know, a good like ten minute chase,

1834
01:30:32.680 --> 01:30:37.039
<v Speaker 4>and it's it is exciting, it's fun, it's it's crazy

1835
01:30:37.159 --> 01:30:37.439
<v Speaker 4>the way it.

1836
01:30:37.560 --> 01:30:41.239
<v Speaker 2>Ends when they hit the the car off the edge,

1837
01:30:41.239 --> 01:30:43.479
<v Speaker 2>and I like how they're like shooting down below. They

1838
01:30:43.479 --> 01:30:46.119
<v Speaker 2>can't quite get down there, so they can't get to

1839
01:30:46.159 --> 01:30:48.520
<v Speaker 2>the people in the car, you know. So yeah, they're

1840
01:30:48.560 --> 01:30:50.800
<v Speaker 2>like ship, we can't get to them.

1841
01:30:50.560 --> 01:30:54.199
<v Speaker 4>Yeah, shooting at like so the crash causes a lot

1842
01:30:54.239 --> 01:30:57.039
<v Speaker 4>of fluid, the leak, and you have Vincent and Sam

1843
01:30:57.079 --> 01:30:59.359
<v Speaker 4>shooting at the car, which ignites that fluid.

1844
01:30:59.439 --> 01:31:02.239
<v Speaker 2>But then they can't anymore because like there's other bystanders

1845
01:31:02.279 --> 01:31:03.800
<v Speaker 2>getting the way, like the construction guys.

1846
01:31:03.880 --> 01:31:06.319
<v Speaker 4>Yeah, because they're they're trying the construction guys are trying

1847
01:31:06.359 --> 01:31:06.960
<v Speaker 4>to pull them out.

1848
01:31:07.199 --> 01:31:09.800
<v Speaker 2>Is just a horrible Save that hot blonde, quick, save

1849
01:31:09.840 --> 01:31:14.920
<v Speaker 2>the dirty. Yeah, very blonde. She's very attractive in this.

1850
01:31:15.520 --> 01:31:18.000
<v Speaker 2>I actually like her better when she's not dressed up.

1851
01:31:18.039 --> 01:31:19.960
<v Speaker 2>I like her better when she's in the pub and ship.

1852
01:31:20.560 --> 01:31:22.000
<v Speaker 4>Oh yeah, same here, dude.

1853
01:31:22.039 --> 01:31:23.279
<v Speaker 2>She's a planning stage.

1854
01:31:24.079 --> 01:31:26.880
<v Speaker 4>Like I said, she's not a like a bombshell. But

1855
01:31:26.960 --> 01:31:30.159
<v Speaker 4>there's there's a sexiness too. There's a sexiness to her

1856
01:31:30.199 --> 01:31:31.359
<v Speaker 4>that I really love.

1857
01:31:31.800 --> 01:31:34.159
<v Speaker 2>And like we said before. She's assertive in a moment,

1858
01:31:34.159 --> 01:31:37.159
<v Speaker 2>and you don't view her as like the female, like

1859
01:31:37.239 --> 01:31:39.439
<v Speaker 2>she's just one of the crews.

1860
01:31:39.880 --> 01:31:43.319
<v Speaker 4>Yeah, exactly, and that I think that that's what that's

1861
01:31:43.319 --> 01:31:46.439
<v Speaker 4>what attracted her to this role she wanted. She she's

1862
01:31:46.439 --> 01:31:48.720
<v Speaker 4>just one of the guys essentially, but.

1863
01:31:48.800 --> 01:31:51.199
<v Speaker 2>She still does have that sex appeal when you know,

1864
01:31:52.399 --> 01:31:54.800
<v Speaker 2>you know complex. It makes her character because she is

1865
01:31:54.800 --> 01:31:57.039
<v Speaker 2>a she is a female. She can use those feminine

1866
01:31:57.039 --> 01:31:59.680
<v Speaker 2>ways as she has to, especially in this kind of world,

1867
01:31:59.800 --> 01:31:59.960
<v Speaker 2>you know.

1868
01:32:00.560 --> 01:32:05.000
<v Speaker 4>Yeah, right, And this is where because obviously our guys escape,

1869
01:32:05.399 --> 01:32:09.039
<v Speaker 4>and this is where Benson and Sam are realizing that

1870
01:32:09.239 --> 01:32:11.279
<v Speaker 4>we don't have to find Gregor. We just have to

1871
01:32:11.359 --> 01:32:15.399
<v Speaker 4>find the Russians and we'll figure out like what we

1872
01:32:15.720 --> 01:32:17.439
<v Speaker 4>have to do. And this is what sets up our

1873
01:32:17.560 --> 01:32:21.079
<v Speaker 4>our final the case, if you will. Okay, now, now

1874
01:32:21.239 --> 01:32:23.159
<v Speaker 4>now that we're talking about it, now, I figured this

1875
01:32:23.239 --> 01:32:24.560
<v Speaker 4>is this is what's going.

1876
01:32:24.319 --> 01:32:28.199
<v Speaker 2>On the showdown at the ice skating rink.

1877
01:32:28.760 --> 01:32:34.199
<v Speaker 3>Yeah, and so there's a giant skating billboard behind them

1878
01:32:34.239 --> 01:32:37.159
<v Speaker 3>while they're at the car shop talking to the Russians.

1879
01:32:37.520 --> 01:32:42.880
<v Speaker 3>The clue it is this giant billboard behind well, the.

1880
01:32:42.840 --> 01:32:44.840
<v Speaker 4>Guy does give them a clue. It's like, well, if

1881
01:32:44.840 --> 01:32:47.199
<v Speaker 4>you're looking for Russians, you might find them at this

1882
01:32:47.359 --> 01:32:49.760
<v Speaker 4>ice skating show. And it just happens that there's an

1883
01:32:49.960 --> 01:32:53.960
<v Speaker 4>advertisement for that ice skating show right across the way.

1884
01:32:54.520 --> 01:32:58.800
<v Speaker 3>It's like the dungeon Master like was giving small clues,

1885
01:32:58.840 --> 01:32:59.840
<v Speaker 3>and the small clues.

1886
01:32:59.680 --> 01:33:02.720
<v Speaker 2>Yeah, because he's like, the players aren't getting it. I

1887
01:33:02.760 --> 01:33:05.880
<v Speaker 2>gotta drop a real nugget, like an MPC is in

1888
01:33:06.039 --> 01:33:08.079
<v Speaker 2>point the way exactly exactly.

1889
01:33:09.279 --> 01:33:13.359
<v Speaker 4>But we have so are our Russians here that we

1890
01:33:13.399 --> 01:33:17.840
<v Speaker 4>haven't talked about yet. We have Fodor Atkin who plays Mickey.

1891
01:33:18.439 --> 01:33:23.199
<v Speaker 4>He's actually a journeyman French actor and people might know him.

1892
01:33:23.239 --> 01:33:27.319
<v Speaker 4>He's the French language voice dub for Marvel Disney characters

1893
01:33:27.399 --> 01:33:31.239
<v Speaker 4>played by William Hurt, Ben Kingsley, Hugo Weaving and others.

1894
01:33:31.279 --> 01:33:33.720
<v Speaker 4>So like a lot of our Marvel characters, he's the

1895
01:33:33.760 --> 01:33:40.640
<v Speaker 4>French dubb artist for them. And the skater Natasha Kirilova

1896
01:33:40.960 --> 01:33:44.239
<v Speaker 4>is played by Katerina Witt, who is a two time

1897
01:33:44.319 --> 01:33:48.039
<v Speaker 4>Olympic champion for East Germany, both in the eighty four

1898
01:33:48.199 --> 01:33:51.720
<v Speaker 4>Sarajevo and the eighty eight Calgary Winter Olympics for figure.

1899
01:33:51.439 --> 01:33:54.479
<v Speaker 2>Skating MM she's got buns of steel.

1900
01:33:55.239 --> 01:33:57.279
<v Speaker 4>She does have buns of steal. She's hot.

1901
01:33:57.760 --> 01:34:00.520
<v Speaker 2>Yeah, she got shot though, so a little young too,

1902
01:34:00.600 --> 01:34:02.520
<v Speaker 2>looks like for dating a soulder guy.

1903
01:34:03.359 --> 01:34:05.640
<v Speaker 4>Well yeah yeah, he's exactly how.

1904
01:34:05.640 --> 01:34:09.520
<v Speaker 2>Young but she definitely looks twenties compared to him. But

1905
01:34:09.600 --> 01:34:10.680
<v Speaker 2>he was like.

1906
01:34:11.000 --> 01:34:13.960
<v Speaker 4>Yeah, well yeah, because he doesn't care about her. She's

1907
01:34:14.039 --> 01:34:14.760
<v Speaker 4>just an ends to.

1908
01:34:14.920 --> 01:34:18.680
<v Speaker 3>Like I took it different. I took it that he

1909
01:34:18.720 --> 01:34:20.760
<v Speaker 3>does care about her, But no, he doesn't.

1910
01:34:21.359 --> 01:34:23.680
<v Speaker 2>Is that important he shoots.

1911
01:34:23.359 --> 01:34:26.920
<v Speaker 4>Him, no problem, He cares about the He walks out

1912
01:34:27.039 --> 01:34:29.800
<v Speaker 4>there and the case, and the case is more important

1913
01:34:29.840 --> 01:34:32.600
<v Speaker 4>than the than his figure skater girlfriend or what.

1914
01:34:32.800 --> 01:34:35.439
<v Speaker 2>He doesn't even weigh the situation that he just shoots.

1915
01:34:35.680 --> 01:34:38.720
<v Speaker 2>He makes a decision right away. The case. What is

1916
01:34:38.760 --> 01:34:42.720
<v Speaker 2>in the case that's so important? You think launch coades

1917
01:34:44.359 --> 01:34:46.600
<v Speaker 2>like the same thing from Atomic Bond, Like.

1918
01:34:46.560 --> 01:34:50.159
<v Speaker 3>This suitcase from Iron Man two.

1919
01:34:50.279 --> 01:34:51.319
<v Speaker 2>That's something to look at.

1920
01:34:51.479 --> 01:34:53.720
<v Speaker 4>Oh yeah, I mean it's the same thing with like

1921
01:34:54.239 --> 01:34:56.600
<v Speaker 4>with the pulp fiction or kiss Me Deadly, Like, we

1922
01:34:56.640 --> 01:34:58.760
<v Speaker 4>don't know what the fuck is in the case. It's

1923
01:34:58.840 --> 01:35:02.640
<v Speaker 4>just this Nero does. Well, de Niro knows, but we don't.

1924
01:35:02.720 --> 01:35:05.880
<v Speaker 4>We Gregor did not know what's in that case? Well,

1925
01:35:05.920 --> 01:35:08.319
<v Speaker 4>obviously Gregor knows what's in the case, because why would

1926
01:35:08.319 --> 01:35:10.800
<v Speaker 4>he be working so hard to steal it so he

1927
01:35:10.880 --> 01:35:14.319
<v Speaker 4>can sell it. Yeah, it's just we as the audience

1928
01:35:14.359 --> 01:35:16.119
<v Speaker 4>have no idea what the hell is in that case.

1929
01:35:17.279 --> 01:35:19.720
<v Speaker 3>I like, when they're trying to get back into the

1930
01:35:19.880 --> 01:35:23.000
<v Speaker 3>ice skate ring, we hear the we went to high

1931
01:35:23.039 --> 01:35:25.239
<v Speaker 3>school together line again.

1932
01:35:25.319 --> 01:35:27.439
<v Speaker 4>Oh yeah, Vincent.

1933
01:35:28.359 --> 01:35:28.600
<v Speaker 5>Yeah.

1934
01:35:28.720 --> 01:35:36.560
<v Speaker 4>Vincent uses the same line that Danira used on him later, tangulation.

1935
01:35:34.960 --> 01:35:37.199
<v Speaker 3>They have to beat that guy up, and Vince's like,

1936
01:35:37.279 --> 01:35:40.399
<v Speaker 3>I can't. I can't. I couldn't live with myself. Yeah,

1937
01:35:40.600 --> 01:35:44.760
<v Speaker 3>you have to, I can't do. Yeah, such a good thrid.

1938
01:35:46.680 --> 01:35:47.880
<v Speaker 4>Oh yeah, it's so great.

1939
01:35:48.319 --> 01:35:50.520
<v Speaker 2>I felt bad when Vincent gets shot too, because I

1940
01:35:50.560 --> 01:35:53.000
<v Speaker 2>was like, oh fuck, Like he gets shot pretty bad,

1941
01:35:53.319 --> 01:35:54.119
<v Speaker 2>like twice.

1942
01:35:54.159 --> 01:35:56.439
<v Speaker 4>Sham it. Yeah yeah, Shaman's shoots him twice.

1943
01:35:56.920 --> 01:35:59.479
<v Speaker 2>Yeah, and you're like fuck. And then we see Sam

1944
01:35:59.479 --> 01:36:01.960
<v Speaker 2>get shot. But I love this moment where he can't

1945
01:36:01.960 --> 01:36:04.399
<v Speaker 2>because Sam was gonna. Sam was done for in that moment.

1946
01:36:04.479 --> 01:36:06.800
<v Speaker 2>I thought Sam was bluffing at first, like he's got

1947
01:36:06.800 --> 01:36:08.840
<v Speaker 2>to take one on the shoulder just to glure him in,

1948
01:36:09.279 --> 01:36:10.920
<v Speaker 2>but he was really you know, hurt.

1949
01:36:12.039 --> 01:36:15.520
<v Speaker 4>Yeah, and that's his shooting hand too, so it's he's

1950
01:36:15.560 --> 01:36:19.119
<v Speaker 4>fucked in that moment before, Well, Vincent just comes in

1951
01:36:19.159 --> 01:36:20.319
<v Speaker 4>and saves.

1952
01:36:20.319 --> 01:36:23.880
<v Speaker 3>The day before that, they double crossed Gregor again. Gregor

1953
01:36:24.000 --> 01:36:28.000
<v Speaker 3>thinks he he has a snipe for on his on

1954
01:36:28.119 --> 01:36:31.720
<v Speaker 3>the the salesman's girlfriend out there ice skating, and he's

1955
01:36:32.239 --> 01:36:35.399
<v Speaker 3>confident that he will pay him and let him leave

1956
01:36:36.079 --> 01:36:38.560
<v Speaker 3>or because he's not gonna his girlfriend gets shot, and

1957
01:36:38.720 --> 01:36:42.279
<v Speaker 3>we find out that that's not true. So even though

1958
01:36:42.279 --> 01:36:46.279
<v Speaker 3>the case is very important, apparently it's not important enough

1959
01:36:46.359 --> 01:36:50.119
<v Speaker 3>just to pay for. But the graphics that they use,

1960
01:36:50.359 --> 01:36:54.640
<v Speaker 3>the the practical effects they use for this headshot, I

1961
01:36:54.760 --> 01:36:55.680
<v Speaker 3>thought looked good.

1962
01:36:56.119 --> 01:36:58.640
<v Speaker 2>He's like the bullet was just lodged right in there. Yeah,

1963
01:36:58.680 --> 01:37:00.840
<v Speaker 2>like you don't even get to see blood. Uh.

1964
01:37:01.359 --> 01:37:05.159
<v Speaker 3>I'm sure they quick. I'm sure if they lingered on it,

1965
01:37:05.159 --> 01:37:07.000
<v Speaker 3>it might not look as good as I think it does.

1966
01:37:07.359 --> 01:37:09.600
<v Speaker 3>But with the editing, I was like, damn it was.

1967
01:37:09.800 --> 01:37:12.279
<v Speaker 2>It was definitely like because you don't anticipate it, I

1968
01:37:12.319 --> 01:37:14.399
<v Speaker 2>think too, And then you weren't. You're wondering like did

1969
01:37:14.399 --> 01:37:15.960
<v Speaker 2>that come from the sniper? Where did it come from?

1970
01:37:16.000 --> 01:37:17.760
<v Speaker 2>Because they don't show the gun shoot it right, like

1971
01:37:17.840 --> 01:37:18.479
<v Speaker 2>it's just shot.

1972
01:37:20.079 --> 01:37:21.159
<v Speaker 3>After he gets a shot.

1973
01:37:21.359 --> 01:37:23.880
<v Speaker 2>Yeah, so it's not like you you never see the

1974
01:37:23.960 --> 01:37:26.720
<v Speaker 2>Russian shoot him and then there's that guy that's with him.

1975
01:37:26.760 --> 01:37:28.359
<v Speaker 2>So I was always wondering, like, oh, did the other

1976
01:37:28.359 --> 01:37:30.760
<v Speaker 2>guy show up and shoot Gregor? Like or did our

1977
01:37:30.760 --> 01:37:32.079
<v Speaker 2>guy decide to shoot Gregor?

1978
01:37:32.199 --> 01:37:32.239
<v Speaker 5>No.

1979
01:37:32.359 --> 01:37:34.880
<v Speaker 3>I think they have to show the gun because Gregor

1980
01:37:35.039 --> 01:37:38.720
<v Speaker 3>starts to he starts to realize, oh no, I'm not

1981
01:37:38.960 --> 01:37:41.640
<v Speaker 3>I'm in danger like he thought he had it locked

1982
01:37:41.640 --> 01:37:43.239
<v Speaker 3>in with the with the.

1983
01:37:43.319 --> 01:37:45.359
<v Speaker 2>But I never remember a gun trained on him. So

1984
01:37:45.399 --> 01:37:46.760
<v Speaker 2>that's why I was like when the gun, when the

1985
01:37:47.079 --> 01:37:48.359
<v Speaker 2>bullet hits him in the head, all of a sudden,

1986
01:37:48.359 --> 01:37:49.680
<v Speaker 2>I'm like, oh, ship, where did that come from.

1987
01:37:50.119 --> 01:37:53.199
<v Speaker 3>I was surprised that the skater got shot.

1988
01:37:53.479 --> 01:37:57.159
<v Speaker 2>I was, ye, well he never RelA information we did

1989
01:37:57.279 --> 01:37:59.560
<v Speaker 2>we Yeah, we had said we saw the sniper in

1990
01:37:59.600 --> 01:37:59.920
<v Speaker 2>the rap.

1991
01:38:00.039 --> 01:38:04.960
<v Speaker 3>Gregor wasn't Yeah I saw it. I like the movie.

1992
01:38:05.119 --> 01:38:08.079
<v Speaker 3>The movie audience member in me was like, oh damn,

1993
01:38:08.119 --> 01:38:10.680
<v Speaker 3>they did it. They really did it well.

1994
01:38:10.720 --> 01:38:14.439
<v Speaker 4>I that also makes the scene with the uh the

1995
01:38:14.800 --> 01:38:16.840
<v Speaker 4>when he's in the car with that first rush in

1996
01:38:17.279 --> 01:38:19.479
<v Speaker 4>and he's ready to shoot the kid like he's not bluffing.

1997
01:38:19.680 --> 01:38:22.640
<v Speaker 4>He was going to shoot that kid, and so the

1998
01:38:22.680 --> 01:38:28.479
<v Speaker 4>idea of him having a sniper in the rafters essentially

1999
01:38:28.560 --> 01:38:33.199
<v Speaker 4>he thought he had the upper hand, that he was

2000
01:38:33.279 --> 01:38:37.000
<v Speaker 4>targeting something that he thought was more the most important

2001
01:38:37.000 --> 01:38:42.359
<v Speaker 4>thing in Mikhal's life, which was a skater and Gregor missing.

2002
01:38:43.119 --> 01:38:46.359
<v Speaker 4>I guess misunderstood that, like he was saying, this is

2003
01:38:46.399 --> 01:38:48.840
<v Speaker 4>the most important thing for him. He's going to protect

2004
01:38:48.840 --> 01:38:51.279
<v Speaker 4>her at all costs so that I will be safe.

2005
01:38:51.760 --> 01:38:54.439
<v Speaker 4>But in reality, whatever's in that case is the most

2006
01:38:54.479 --> 01:38:56.279
<v Speaker 4>important thing now.

2007
01:38:56.439 --> 01:39:00.279
<v Speaker 3>So now they're now the whole ice skating ring is

2008
01:39:00.319 --> 01:39:06.319
<v Speaker 3>like in a tussle, like every everyone. And I really thought,

2009
01:39:06.399 --> 01:39:10.760
<v Speaker 3>because like uh Sam, Sam and the team are going in, right,

2010
01:39:11.000 --> 01:39:13.760
<v Speaker 3>was all hell breaks loose? And I was like, oh no,

2011
01:39:14.199 --> 01:39:18.680
<v Speaker 3>they're gonna get blamed for this. Uh yeah, Like I

2012
01:39:18.720 --> 01:39:20.960
<v Speaker 3>really I thought that was the setup where I thought

2013
01:39:21.000 --> 01:39:23.119
<v Speaker 3>they were about to get have to fight the cops

2014
01:39:23.119 --> 01:39:25.159
<v Speaker 3>and all kinds of stuff, and they kind of do,

2015
01:39:25.800 --> 01:39:28.279
<v Speaker 3>but uh yeah, Like I was like, this is going

2016
01:39:28.319 --> 01:39:30.359
<v Speaker 3>horribly wrong and they're not even there yet.

2017
01:39:30.760 --> 01:39:33.479
<v Speaker 4>Yeah, and then we find out that Seamus is there.

2018
01:39:34.079 --> 01:39:37.600
<v Speaker 4>He he's dressed up as a police officer and he

2019
01:39:37.760 --> 01:39:43.159
<v Speaker 4>ends up shooting Michale and his bodyguard takes the case

2020
01:39:43.920 --> 01:39:47.199
<v Speaker 4>and they realize that he's out there. They get out

2021
01:39:47.199 --> 01:39:50.279
<v Speaker 4>to like where they need to go. And this is

2022
01:39:50.359 --> 01:39:52.600
<v Speaker 4>like the last like Little Chase and Seamus.

2023
01:39:52.840 --> 01:39:55.960
<v Speaker 3>They he's trying to make it the he's trying to

2024
01:39:55.960 --> 01:39:58.520
<v Speaker 3>make it to get away car, but Sam gets there

2025
01:39:58.640 --> 01:40:01.000
<v Speaker 3>first and talks her to just leave him with out

2026
01:40:01.079 --> 01:40:05.000
<v Speaker 3>ing yeah, which you know, like, I I'm surprised, you Like,

2027
01:40:05.399 --> 01:40:07.720
<v Speaker 3>I think that's a good happy medium because he's like

2028
01:40:08.239 --> 01:40:11.279
<v Speaker 3>he's not killing her, but he doesn't expect her to

2029
01:40:11.960 --> 01:40:13.920
<v Speaker 3>help him. He's like just leave.

2030
01:40:14.479 --> 01:40:15.520
<v Speaker 4>Yeah.

2031
01:40:15.600 --> 01:40:18.000
<v Speaker 3>I think the more civilians get shot in the scene too.

2032
01:40:18.439 --> 01:40:20.520
<v Speaker 2>I feel like at the moment where you think she's

2033
01:40:20.520 --> 01:40:22.479
<v Speaker 2>not even gonna get out of there, but she does

2034
01:40:22.560 --> 01:40:22.960
<v Speaker 2>get out.

2035
01:40:23.439 --> 01:40:26.640
<v Speaker 4>Yeah, she finds a way. She just fucking high tails

2036
01:40:26.640 --> 01:40:27.199
<v Speaker 4>it out of there.

2037
01:40:27.319 --> 01:40:30.600
<v Speaker 2>And it was Sam's people coming, you see. That was

2038
01:40:30.640 --> 01:40:31.279
<v Speaker 2>the guy again.

2039
01:40:31.399 --> 01:40:36.319
<v Speaker 4>But and this this also, I think pays more to

2040
01:40:36.479 --> 01:40:39.880
<v Speaker 4>that the theory that he's actually really in the CIA

2041
01:40:40.039 --> 01:40:42.399
<v Speaker 4>still m Well, he.

2042
01:40:42.399 --> 01:40:47.359
<v Speaker 2>Works somehow through like on the outskirts. I don't know somehow, Like, yeah,

2043
01:40:47.399 --> 01:40:50.520
<v Speaker 2>it's interesting. I could live in this world a little

2044
01:40:50.520 --> 01:40:53.720
<v Speaker 2>bit longer, if not with these characters, like I could

2045
01:40:53.720 --> 01:40:56.560
<v Speaker 2>see like Jean Renaud's character, like I could follow him

2046
01:40:56.680 --> 01:40:58.680
<v Speaker 2>to his next job, or I don't know, there's just

2047
01:40:59.000 --> 01:40:59.680
<v Speaker 2>I like this world.

2048
01:40:59.760 --> 01:41:03.680
<v Speaker 4>I'll be honest. I would love more Sam and Vincent together. Yes,

2049
01:41:03.840 --> 01:41:06.680
<v Speaker 4>I think those two, those two together, I want to

2050
01:41:06.720 --> 01:41:08.119
<v Speaker 4>see more missions with them.

2051
01:41:08.159 --> 01:41:14.479
<v Speaker 2>I think they would be great. From from fucking Uncharted Uncharted. Yeah, absolutely,

2052
01:41:14.960 --> 01:41:18.560
<v Speaker 2>in a way. I do like their their relationship, and

2053
01:41:18.600 --> 01:41:20.760
<v Speaker 2>I like the way it leads, it lens uh it

2054
01:41:21.000 --> 01:41:22.119
<v Speaker 2>ends with them sort of.

2055
01:41:22.600 --> 01:41:25.199
<v Speaker 4>Yeah, But like I said, we we end up having

2056
01:41:25.279 --> 01:41:31.239
<v Speaker 4>the whole situation. Uh Vincent gets shot, Uh Sam chan Us, Yeah,

2057
01:41:31.239 --> 01:41:36.600
<v Speaker 4>the Russians get killed. Uh. Seamous shoots Sam in the shoulder,

2058
01:41:37.079 --> 01:41:39.279
<v Speaker 4>and we're thinking, like, oh ship, you know this is

2059
01:41:39.399 --> 01:41:44.039
<v Speaker 4>it's Seamus is gonna win. And then Vincent you know,

2060
01:41:44.199 --> 01:41:47.760
<v Speaker 4>drags himself essentially we thought was dead, and he drags

2061
01:41:47.840 --> 01:41:52.159
<v Speaker 4>himself to kill Seamus and saves the day. And this

2062
01:41:52.239 --> 01:41:55.840
<v Speaker 4>is where we we actually don't see the conclusion of that.

2063
01:41:55.960 --> 01:42:00.520
<v Speaker 4>We just we end up cutting to the cat cafe

2064
01:42:00.600 --> 01:42:03.800
<v Speaker 4>that we started out our movie in. They're both benches up.

2065
01:42:03.920 --> 01:42:08.560
<v Speaker 4>We see that obviously both of them survived and they're

2066
01:42:08.600 --> 01:42:12.439
<v Speaker 4>talking about the events, and Vincent asked him, was like,

2067
01:42:12.880 --> 01:42:15.560
<v Speaker 4>what actually was in that case? Like I don't remember,

2068
01:42:16.000 --> 01:42:18.880
<v Speaker 4>you know, going back to the the idea of the

2069
01:42:18.880 --> 01:42:24.199
<v Speaker 4>the the the Spy Credo essentially, and rule number two

2070
01:42:24.359 --> 01:42:30.680
<v Speaker 4>is that you don't remember anything. Yeah, exactly. And there

2071
01:42:31.479 --> 01:42:34.399
<v Speaker 4>he goes to reach for his his walls, like I

2072
01:42:34.399 --> 01:42:36.920
<v Speaker 4>I can't even reach for my wall. It's like, don't worry,

2073
01:42:36.920 --> 01:42:41.920
<v Speaker 4>I got this one. And they remain friends they departed.

2074
01:42:42.079 --> 01:42:44.720
<v Speaker 2>He says it's okay, I'll get the next one, meaning

2075
01:42:44.800 --> 01:42:46.199
<v Speaker 2>like I do plan to see you again?

2076
01:42:46.760 --> 01:42:49.880
<v Speaker 4>Yes, And I think I think I think Sam wants

2077
01:42:49.920 --> 01:42:51.000
<v Speaker 4>to see him again too.

2078
01:42:50.960 --> 01:42:53.119
<v Speaker 2>Yeah, even if for like a bite to eat in

2079
01:42:53.159 --> 01:42:56.600
<v Speaker 2>a cafe again like this or something. Not a job now, absolutely, but.

2080
01:42:56.760 --> 01:43:01.399
<v Speaker 4>Just yeah, absolutely. And we also see that Girdra is

2081
01:43:01.479 --> 01:43:03.720
<v Speaker 4>doing what Sam did at the beginning of the film,

2082
01:43:03.760 --> 01:43:07.239
<v Speaker 4>is she's observing everything that's going on and she I

2083
01:43:07.279 --> 01:43:10.520
<v Speaker 4>think she wants to make contact with Sam again, but

2084
01:43:10.640 --> 01:43:15.000
<v Speaker 4>she's also very hesitant in doing so. And after they

2085
01:43:15.119 --> 01:43:18.119
<v Speaker 4>leave and she's just kind of watching. And that's where

2086
01:43:18.600 --> 01:43:22.680
<v Speaker 4>we get the Vincent's little monologue there at the end,

2087
01:43:22.840 --> 01:43:26.880
<v Speaker 4>talking about the credo essentially, of what a spy is

2088
01:43:27.159 --> 01:43:28.800
<v Speaker 4>and like what they have to live by.

2089
01:43:29.600 --> 01:43:33.359
<v Speaker 2>Do you think it makes contact after like we going dark?

2090
01:43:33.800 --> 01:43:36.800
<v Speaker 4>Well, that's so there was a lot of there was

2091
01:43:36.840 --> 01:43:41.560
<v Speaker 4>actually several different ideas that the director was thinking, and

2092
01:43:42.279 --> 01:43:45.640
<v Speaker 4>this is what they chose, and so I based off

2093
01:43:45.680 --> 01:43:49.359
<v Speaker 4>of what they chose, I think that she does not

2094
01:43:49.600 --> 01:43:53.119
<v Speaker 4>make contact with him again, but there is this there's

2095
01:43:53.119 --> 01:43:56.800
<v Speaker 4>this attraction and a longing to be to connect with

2096
01:43:56.840 --> 01:44:01.039
<v Speaker 4>Sam again. Maybe somewhere down the line they do, but

2097
01:44:01.199 --> 01:44:03.840
<v Speaker 4>that is we just don't know that. It leaves it

2098
01:44:03.880 --> 01:44:05.920
<v Speaker 4>with like a little bit of an ambiguous ending there.

2099
01:44:06.279 --> 01:44:09.119
<v Speaker 3>Yeah, I feel like this is the uh, there could

2100
01:44:09.119 --> 01:44:12.520
<v Speaker 3>be a sequel if we get the money, Like yeah, you.

2101
01:44:14.439 --> 01:44:16.720
<v Speaker 4>So, I know. I actually don't think that that's what

2102
01:44:16.720 --> 01:44:19.720
<v Speaker 4>they were going for because there there was so there's

2103
01:44:19.720 --> 01:44:20.720
<v Speaker 4>a couple of different.

2104
01:44:20.399 --> 01:44:22.720
<v Speaker 2>Alternations showing everybody scattering in the wind in a way

2105
01:44:22.760 --> 01:44:25.199
<v Speaker 2>because much like spy movies, that's what happens. People go there.

2106
01:44:25.439 --> 01:44:29.159
<v Speaker 4>Yeah, it feels a little bit more like Ocean's eleven

2107
01:44:29.239 --> 01:44:31.439
<v Speaker 4>at the end, like where everyone just kind of goes

2108
01:44:31.479 --> 01:44:37.119
<v Speaker 4>their own way. And although obviously that did have sequels, yes,

2109
01:44:37.399 --> 01:44:41.279
<v Speaker 4>but it that intention then it doesn't lead.

2110
01:44:41.600 --> 01:44:45.520
<v Speaker 2>It doesn't lean entirely on like a romantic side. It's like, yes,

2111
01:44:45.560 --> 01:44:47.800
<v Speaker 2>this could have happened, but they're not gonna be because

2112
01:44:47.800 --> 01:44:48.279
<v Speaker 2>they can't be.

2113
01:44:49.119 --> 01:44:51.800
<v Speaker 4>Lesser film would have had them reconnect and like they

2114
01:44:52.199 --> 01:44:56.479
<v Speaker 4>drive off into the sunset together. That's not what's gonna happen. Yeah,

2115
01:44:56.479 --> 01:44:59.199
<v Speaker 4>but that's that's our film. A little bit of post

2116
01:44:59.239 --> 01:45:04.199
<v Speaker 4>production after filming was complete with the main scenes, Frankenheimer

2117
01:45:04.279 --> 01:45:08.520
<v Speaker 4>and cinematographer Robert Frazy filmed all the wide shots of

2118
01:45:08.600 --> 01:45:11.840
<v Speaker 4>the action scenes with some three hundred sun drivers, including

2119
01:45:11.920 --> 01:45:16.800
<v Speaker 4>former F one driver Jean Pierre Jacques Jareer. Normally, this

2120
01:45:16.840 --> 01:45:20.199
<v Speaker 4>would be done with what's called a second unit, which

2121
01:45:20.239 --> 01:45:22.199
<v Speaker 4>is a group that will have a director that answers

2122
01:45:22.239 --> 01:45:26.039
<v Speaker 4>to the main director and captures specialized footage like white

2123
01:45:26.079 --> 01:45:29.399
<v Speaker 4>shots or action scenes that don't necessarily involve the main cast.

2124
01:45:30.399 --> 01:45:36.119
<v Speaker 4>But for this film, either due to the budgets or

2125
01:45:36.199 --> 01:45:39.560
<v Speaker 4>to maintain a certain standard, they chose not to have

2126
01:45:39.600 --> 01:45:44.159
<v Speaker 4>a second unit, so it was done by our main

2127
01:45:45.039 --> 01:45:48.439
<v Speaker 4>cinematographer and the director, our main director. There was an

2128
01:45:48.439 --> 01:45:51.600
<v Speaker 4>alternate ending filmed in which Deirdre is kidnapped and killed

2129
01:45:51.640 --> 01:45:56.439
<v Speaker 4>by the IRA members that felt she betrayed them after

2130
01:45:56.520 --> 01:46:00.920
<v Speaker 4>Sam and Vincent left the cafe, but tests audience hated

2131
01:46:00.960 --> 01:46:03.920
<v Speaker 4>it so much we were giving the ending that we got.

2132
01:46:05.119 --> 01:46:08.239
<v Speaker 4>The film debuted at the Venice Film Festival on September twelfth,

2133
01:46:08.279 --> 01:46:11.439
<v Speaker 4>nineteen ninety eight, and gained a wide release on September

2134
01:46:11.479 --> 01:46:14.920
<v Speaker 4>twenty fifth, nineteen ninety eight, and for many critics, it

2135
01:46:15.000 --> 01:46:19.239
<v Speaker 4>was considered a return to form for John Frankenheimer. Well

2136
01:46:19.319 --> 01:46:22.000
<v Speaker 4>received well critically, it did not perform well in the

2137
01:46:22.039 --> 01:46:24.920
<v Speaker 4>box office, making only seventy million dollars off of a

2138
01:46:24.960 --> 01:46:28.199
<v Speaker 4>fifty five million dollar budget. Films usually need to make

2139
01:46:28.239 --> 01:46:30.159
<v Speaker 4>two or three times their budget to be considered a

2140
01:46:30.159 --> 01:46:36.600
<v Speaker 4>financial success, and it garnered no major award nominations. But

2141
01:46:37.199 --> 01:46:39.000
<v Speaker 4>just before I give my final thoughts on the film,

2142
01:46:39.159 --> 01:46:39.520
<v Speaker 4>how do.

2143
01:46:39.399 --> 01:46:42.439
<v Speaker 2>You not nominate like just that the chase sequences.

2144
01:46:43.359 --> 01:46:46.319
<v Speaker 4>No, there's not really a category for that. I don't

2145
01:46:46.319 --> 01:46:50.119
<v Speaker 4>even think there's a category as far as Yeah, there's

2146
01:46:50.159 --> 01:46:54.319
<v Speaker 4>not really an Oscar award thing now they are working

2147
01:46:54.319 --> 01:46:57.760
<v Speaker 4>on that now. I think there will be a stunt

2148
01:46:57.960 --> 01:47:01.199
<v Speaker 4>awards coming out as far as like for an Oscar,

2149
01:47:01.319 --> 01:47:03.640
<v Speaker 4>like best Stunt or Best Stunt Work.

2150
01:47:05.479 --> 01:47:07.319
<v Speaker 2>Long ago, A long.

2151
01:47:07.119 --> 01:47:09.920
<v Speaker 4>Ass time ago, even going back to like the like

2152
01:47:10.039 --> 01:47:12.600
<v Speaker 4>at the beginning of the sixties because there was being waited.

2153
01:47:13.640 --> 01:47:16.359
<v Speaker 4>Even going back to like the late twenty the twenties

2154
01:47:16.399 --> 01:47:19.680
<v Speaker 4>and thirties, there was a lot of stunt work exactly

2155
01:47:19.800 --> 01:47:22.359
<v Speaker 4>there should there should have always been this category. But

2156
01:47:22.880 --> 01:47:25.920
<v Speaker 4>we're finally getting to the point where they are recognizing that.

2157
01:47:25.960 --> 01:47:29.920
<v Speaker 2>We remember silent, We're meant to believe that that stunt

2158
01:47:29.960 --> 01:47:31.760
<v Speaker 2>was done by the octor, you know what I mean?

2159
01:47:32.760 --> 01:47:35.319
<v Speaker 4>And in some cases, yes it is. But like as

2160
01:47:35.359 --> 01:47:38.000
<v Speaker 4>far as like actually best stunt work, I think that

2161
01:47:38.159 --> 01:47:40.399
<v Speaker 4>is going to be a category here coming up very soon.

2162
01:47:40.960 --> 01:47:44.239
<v Speaker 4>It's just not the reality. But there is great stunt

2163
01:47:44.239 --> 01:47:47.960
<v Speaker 4>work that was done here. But as far as our

2164
01:47:48.039 --> 01:47:51.720
<v Speaker 4>rating system goes, we have at the top instant classic,

2165
01:47:52.239 --> 01:47:55.199
<v Speaker 4>buy it, rent it, just watch the trailer, or never

2166
01:47:55.279 --> 01:48:00.159
<v Speaker 4>ever watch a ship. And my final thoughts on brown In.

2167
01:48:01.479 --> 01:48:03.880
<v Speaker 4>As a young man, this was a regular watch for me,

2168
01:48:04.399 --> 01:48:07.000
<v Speaker 4>but I'm surprised to find that this isn't a film

2169
01:48:07.039 --> 01:48:09.760
<v Speaker 4>that's talked about much or that a lot of people

2170
01:48:09.800 --> 01:48:13.199
<v Speaker 4>don't really know about. To me, this is a great

2171
01:48:13.199 --> 01:48:16.399
<v Speaker 4>mixture of new school and old school, combining fast paced

2172
01:48:16.479 --> 01:48:20.840
<v Speaker 4>nineties action with the slow burn of neo noor aesthetics. Well,

2173
01:48:20.880 --> 01:48:23.760
<v Speaker 4>I enjoy the disparity in pacing. I can see where

2174
01:48:23.800 --> 01:48:27.640
<v Speaker 4>that could be a detriment for some. The ensemble cast

2175
01:48:28.000 --> 01:48:30.399
<v Speaker 4>is perfect for me, with a good mixture of great

2176
01:48:30.520 --> 01:48:35.720
<v Speaker 4>established actors, great character actors, and some relative newcomers. The

2177
01:48:35.760 --> 01:48:38.880
<v Speaker 4>Sam Ambisson relationship is enjoyable to me, and I would

2178
01:48:38.920 --> 01:48:42.039
<v Speaker 4>love to see them on more adventures together. As we

2179
01:48:42.079 --> 01:48:46.319
<v Speaker 4>talked about, the car chase is incredible, deserves to be

2180
01:48:46.359 --> 01:48:49.319
<v Speaker 4>in the same conversation as the Chase and Bullet, or

2181
01:48:49.359 --> 01:48:52.399
<v Speaker 4>the French Connection and any of the other great car

2182
01:48:52.520 --> 01:48:56.239
<v Speaker 4>chases in cinema. Another spy film in which we have

2183
01:48:56.279 --> 01:48:59.399
<v Speaker 4>a mcguffin which ultimately we never see what it is,

2184
01:49:00.079 --> 01:49:03.239
<v Speaker 4>and you know, all the things we talked about, like

2185
01:49:03.279 --> 01:49:07.560
<v Speaker 4>this film just this also is reminiscent of Copland, This

2186
01:49:07.680 --> 01:49:11.399
<v Speaker 4>great ensemble cast that is just goes way under the

2187
01:49:11.479 --> 01:49:15.359
<v Speaker 4>radar that not a lot of people talked about. And

2188
01:49:15.840 --> 01:49:18.239
<v Speaker 4>I think it's like a little bit of like what

2189
01:49:18.319 --> 01:49:20.600
<v Speaker 4>we talked about, maybe some of the pacing issues or

2190
01:49:21.399 --> 01:49:24.239
<v Speaker 4>characters that maybe should be merged, and it just it

2191
01:49:24.279 --> 01:49:29.680
<v Speaker 4>doesn't fully work. And not that it's not a good film.

2192
01:49:29.720 --> 01:49:32.359
<v Speaker 4>It's a great film, but maybe it's just like these

2193
01:49:32.399 --> 01:49:36.119
<v Speaker 4>little things that pile up into something that where it

2194
01:49:36.319 --> 01:49:38.640
<v Speaker 4>just does not get recognized as the great film that

2195
01:49:38.720 --> 01:49:42.680
<v Speaker 4>it is. And so with that, my rating is a

2196
01:49:42.960 --> 01:49:47.760
<v Speaker 4>by it slash instant classic. Mister Matt, it's your first

2197
01:49:47.760 --> 01:49:51.359
<v Speaker 4>time watching this, what are your final thoughts on Ronan?

2198
01:49:52.560 --> 01:49:56.399
<v Speaker 3>I agree with you the parts that definitely stick out

2199
01:49:56.720 --> 01:50:00.000
<v Speaker 3>is the car chase scenes. But I also I really

2200
01:50:00.000 --> 01:50:04.920
<v Speaker 3>we enjoyed the gunfights. I felt like the gunfights weren't stylized.

2201
01:50:04.920 --> 01:50:07.680
<v Speaker 3>They felt real and gritty and stuck with me after

2202
01:50:07.760 --> 01:50:12.199
<v Speaker 3>I watched it. The beginning was rough. I think it

2203
01:50:12.279 --> 01:50:16.000
<v Speaker 3>felt clunky. I know we're supposed to be made to

2204
01:50:16.159 --> 01:50:20.880
<v Speaker 3>feel frustrated for saying like Sam's supposed to be frustrated,

2205
01:50:21.319 --> 01:50:24.760
<v Speaker 3>so we feel frustrated too, and like I get it,

2206
01:50:24.800 --> 01:50:29.279
<v Speaker 3>but like that's just not an enjoyable experience. But like

2207
01:50:29.399 --> 01:50:33.119
<v Speaker 3>after after the they get to the hotel and start

2208
01:50:33.199 --> 01:50:36.159
<v Speaker 3>casing the hotel and get ready for the actual heist,

2209
01:50:36.520 --> 01:50:39.159
<v Speaker 3>I think the movie really takes a turn. I hope

2210
01:50:39.199 --> 01:50:42.840
<v Speaker 3>people watching it for the first time let their self

2211
01:50:42.880 --> 01:50:46.720
<v Speaker 3>get through that beginning. The pacing is a little off.

2212
01:50:47.359 --> 01:50:49.399
<v Speaker 3>I feel like we're either dialed up till eleven or

2213
01:50:49.439 --> 01:50:53.600
<v Speaker 3>dialed down to two. That's like there's no real medium.

2214
01:50:54.159 --> 01:50:57.079
<v Speaker 3>I did enjoy the scenery, Like, I don't think this

2215
01:50:57.319 --> 01:51:00.960
<v Speaker 3>movie would have been as good if it wasn't in Europe.

2216
01:51:01.720 --> 01:51:04.439
<v Speaker 3>If like, if this had been in an American city,

2217
01:51:04.479 --> 01:51:07.399
<v Speaker 3>I think it would have felt totally different and not

2218
01:51:07.520 --> 01:51:14.239
<v Speaker 3>to the movies benefit. Well. Also, the the acting. I

2219
01:51:14.359 --> 01:51:20.359
<v Speaker 3>enjoy Sam, I enjoy hanging out with Sam, I enjoy Dedrah.

2220
01:51:21.119 --> 01:51:24.399
<v Speaker 3>I think they're The love story, though, was a bit forced.

2221
01:51:24.840 --> 01:51:27.760
<v Speaker 3>I would have liked it. I find let them make

2222
01:51:27.800 --> 01:51:30.119
<v Speaker 3>out or whatever, But like at the at the end,

2223
01:51:30.239 --> 01:51:32.640
<v Speaker 3>like I think they're trying to project that he has

2224
01:51:32.680 --> 01:51:34.680
<v Speaker 3>fallen in love with her, and I think it should

2225
01:51:34.680 --> 01:51:37.600
<v Speaker 3>have been more like he has a deep friendship with her,

2226
01:51:38.159 --> 01:51:40.720
<v Speaker 3>just like everyone else in the group, and that you

2227
01:51:40.840 --> 01:51:42.560
<v Speaker 3>might be able to read it that way. I just

2228
01:51:42.560 --> 01:51:44.560
<v Speaker 3>feel like that's not the way they wanted us to

2229
01:51:44.600 --> 01:51:47.560
<v Speaker 3>read it. But that being said, I'm really glad I

2230
01:51:47.600 --> 01:51:50.119
<v Speaker 3>watched this. I probably will watch this again.

2231
01:51:50.720 --> 01:51:51.119
<v Speaker 4>I will.

2232
01:51:51.159 --> 01:51:53.680
<v Speaker 3>I'm going to give this a rented slash by it.

2233
01:51:54.239 --> 01:51:56.920
<v Speaker 3>And if if any of your friends like action movies

2234
01:51:56.920 --> 01:51:58.960
<v Speaker 3>and they haven't heard of this movie, let them know

2235
01:51:59.039 --> 01:52:02.760
<v Speaker 3>about it, Hydro Bird, what's you're writing for this movie?

2236
01:52:03.319 --> 01:52:03.560
<v Speaker 4>Yeah?

2237
01:52:03.640 --> 01:52:08.199
<v Speaker 2>My my review is pretty similar to you guys. Uh

2238
01:52:08.920 --> 01:52:11.399
<v Speaker 2>you know, I just I think the stunt work and

2239
01:52:11.479 --> 01:52:15.479
<v Speaker 2>driving sequences are just jaw dropping. They still hold up. Now,

2240
01:52:15.520 --> 01:52:16.720
<v Speaker 2>I was worried that they won and I was like,

2241
01:52:16.720 --> 01:52:18.760
<v Speaker 2>well do they still hold up? And I do think

2242
01:52:18.800 --> 01:52:20.800
<v Speaker 2>that they kind of hold them. They propped the movie

2243
01:52:20.840 --> 01:52:23.520
<v Speaker 2>up a little bit, like, but there's still movie here.

2244
01:52:23.560 --> 01:52:27.159
<v Speaker 2>There's plot, there's good acting, there's a good cast, good characters.

2245
01:52:27.600 --> 01:52:31.680
<v Speaker 2>Characters aren't necessarily like deep, but there's something there they're like.

2246
01:52:31.720 --> 01:52:34.119
<v Speaker 2>They not to say that they're not deeper. There's you

2247
01:52:34.159 --> 01:52:36.319
<v Speaker 2>don't get a lot, but there maybe there's a deepness.

2248
01:52:36.319 --> 01:52:38.840
<v Speaker 2>But we only scratch the surface with some of them, unfortunately,

2249
01:52:39.359 --> 01:52:41.640
<v Speaker 2>but they are acted well. Like Larry, I still feel

2250
01:52:41.640 --> 01:52:43.760
<v Speaker 2>like Larry has a life outside this movie, and he

2251
01:52:43.800 --> 01:52:46.640
<v Speaker 2>has wants and needs and likes. He just doesn't express

2252
01:52:46.680 --> 01:52:48.520
<v Speaker 2>them all through words, but we get to see them.

2253
01:52:48.560 --> 01:52:50.880
<v Speaker 2>He likes to smoke, he goes out shopping, he's gotta

2254
01:52:50.880 --> 01:52:54.720
<v Speaker 2>taste for cars, driving food. We get little bits of

2255
01:52:54.960 --> 01:52:57.279
<v Speaker 2>things with people that like, you know, whiskey or like

2256
01:52:57.359 --> 01:53:00.520
<v Speaker 2>stuff like that, cigarettes, little bits of character. There's a

2257
01:53:00.560 --> 01:53:04.640
<v Speaker 2>lot of showing not telling in this cinematography I think

2258
01:53:04.720 --> 01:53:06.880
<v Speaker 2>is amazing and it showcases France. I thought in a

2259
01:53:06.920 --> 01:53:10.319
<v Speaker 2>good way too. It's not your, you know, everyday France locations.

2260
01:53:10.359 --> 01:53:14.520
<v Speaker 2>It's not the touristy stuff. I like these bits where

2261
01:53:14.560 --> 01:53:16.359
<v Speaker 2>like the cars go off road in a moment where

2262
01:53:16.359 --> 01:53:17.840
<v Speaker 2>you're just like, oh shit, we're going off road and

2263
01:53:17.840 --> 01:53:19.520
<v Speaker 2>we're cutting through the woods and I forget like I'm

2264
01:53:19.520 --> 01:53:22.279
<v Speaker 2>even in France. I'm just like, wore this. This looks cool,

2265
01:53:22.319 --> 01:53:24.199
<v Speaker 2>Like where's this wyoming? You know, like you know, I

2266
01:53:24.199 --> 01:53:26.760
<v Speaker 2>don't even know. It's just a cool I like the

2267
01:53:27.199 --> 01:53:31.520
<v Speaker 2>setting and the sets. They all feel real, you know,

2268
01:53:31.560 --> 01:53:34.239
<v Speaker 2>it's all on location. None of it felt like Hollywood

2269
01:53:34.640 --> 01:53:37.600
<v Speaker 2>set design. It all just felt like real areas that

2270
01:53:37.680 --> 01:53:41.800
<v Speaker 2>they filmed, and I appreciate that. It lends an authenticity

2271
01:53:41.840 --> 01:53:43.880
<v Speaker 2>to this film where you feel like you're watching a

2272
01:53:43.960 --> 01:53:48.039
<v Speaker 2>real like like spy heist movie, like this is just

2273
01:53:48.079 --> 01:53:51.039
<v Speaker 2>taking place where a fly on the wall, if you will.

2274
01:53:51.479 --> 01:53:54.840
<v Speaker 2>I really like the plot and like be intrigued that

2275
01:53:54.880 --> 01:53:57.680
<v Speaker 2>builds with it, the double crosses and the swerves and

2276
01:53:57.720 --> 01:54:00.520
<v Speaker 2>the plot. Some of it's extra, but for the most part.

2277
01:54:00.560 --> 01:54:02.920
<v Speaker 2>I mean, that's what we're here for. It's it's gonna

2278
01:54:02.960 --> 01:54:06.159
<v Speaker 2>be like this kind of tight woven story that's gonna

2279
01:54:06.239 --> 01:54:08.399
<v Speaker 2>zig and zag a little bit and keep us on

2280
01:54:08.479 --> 01:54:11.920
<v Speaker 2>our toes. As well as the characters in it. I

2281
01:54:11.960 --> 01:54:14.279
<v Speaker 2>did like this sort of like spy thriller asque heisk

2282
01:54:14.920 --> 01:54:19.159
<v Speaker 2>milange if you will. I think him paying homage to

2283
01:54:19.279 --> 01:54:22.039
<v Speaker 2>several genres and films that inspire him, or that he

2284
01:54:22.159 --> 01:54:24.880
<v Speaker 2>likes doing his own version of I think it's cool.

2285
01:54:25.720 --> 01:54:27.279
<v Speaker 2>I like that this movie kind of weighs a little

2286
01:54:27.279 --> 01:54:29.199
<v Speaker 2>bit out on his sleeve in a way, but it's

2287
01:54:29.199 --> 01:54:32.680
<v Speaker 2>its own thing. Uh I. And I said I'd like

2288
01:54:32.760 --> 01:54:35.479
<v Speaker 2>the characters, like we don't get a lot of them,

2289
01:54:35.479 --> 01:54:39.279
<v Speaker 2>but I like them. I like Deirdre, I like Larry,

2290
01:54:39.359 --> 01:54:44.159
<v Speaker 2>I really like Vincent, and Sam's a likable guy, and

2291
01:54:44.279 --> 01:54:46.840
<v Speaker 2>even like the little bits in between, like his his

2292
01:54:47.279 --> 01:54:50.920
<v Speaker 2>guy that he goes to and Seamus. These other characters

2293
01:54:50.960 --> 01:54:54.000
<v Speaker 2>are Russians. There's not much going on there, but for

2294
01:54:54.039 --> 01:54:59.119
<v Speaker 2>the most part though, it's all fleshed out. I I

2295
01:54:59.159 --> 01:55:01.520
<v Speaker 2>do like the beginning, but I do have issues with

2296
01:55:01.560 --> 01:55:04.560
<v Speaker 2>the pace as well. Matt. I think there are moments

2297
01:55:04.560 --> 01:55:06.920
<v Speaker 2>where we just dip we get some really high end

2298
01:55:06.960 --> 01:55:09.479
<v Speaker 2>action scenes and then we get moments of a little

2299
01:55:09.479 --> 01:55:12.760
<v Speaker 2>bit of drag or redundancy here and there. Maybe that

2300
01:55:12.840 --> 01:55:15.600
<v Speaker 2>blowed the film just a little bit. It could just

2301
01:55:15.640 --> 01:55:17.600
<v Speaker 2>be a little tight. This movie could have been dialed

2302
01:55:17.640 --> 01:55:20.720
<v Speaker 2>in a little bit on some certain things, and I

2303
01:55:20.760 --> 01:55:23.479
<v Speaker 2>think it could have been talked about more and held

2304
01:55:23.560 --> 01:55:27.239
<v Speaker 2>up higher. I like, I wish we got a little

2305
01:55:27.239 --> 01:55:31.039
<v Speaker 2>bit more from the cast, like especially Larry, he's just

2306
01:55:31.119 --> 01:55:34.039
<v Speaker 2>very quiet. It's a little long, like I said, and

2307
01:55:34.159 --> 01:55:37.239
<v Speaker 2>you know, drags here and there. It's a little anti

2308
01:55:37.279 --> 01:55:41.119
<v Speaker 2>climactic towards the end, like the whole showdown at the

2309
01:55:41.720 --> 01:55:45.279
<v Speaker 2>at the skating rink just felt a little extra. And

2310
01:55:45.319 --> 01:55:48.039
<v Speaker 2>then it's all kind of tied up very neatly in

2311
01:55:48.079 --> 01:55:51.560
<v Speaker 2>a way like yeah, not everybody's like gonna have the

2312
01:55:51.600 --> 01:55:54.600
<v Speaker 2>happiest ending, Like yeah, we can't be friends all the time,

2313
01:55:54.680 --> 01:55:57.079
<v Speaker 2>and you know my love interest is but she's still

2314
01:55:57.079 --> 01:55:59.000
<v Speaker 2>out there, she's still living her life, you know what

2315
01:55:59.039 --> 01:56:00.920
<v Speaker 2>I mean, Like, yeah, you're nothing together, but and you

2316
01:56:01.000 --> 01:56:02.479
<v Speaker 2>got the bad guy at the end of the day,

2317
01:56:02.520 --> 01:56:04.960
<v Speaker 2>and he got the case. So I don't know, I

2318
01:56:05.000 --> 01:56:07.439
<v Speaker 2>think it played a little safe there on the end,

2319
01:56:09.039 --> 01:56:11.720
<v Speaker 2>and it's missing something that I just can't put my

2320
01:56:11.760 --> 01:56:14.079
<v Speaker 2>finger on, but that would make it an instant classic,

2321
01:56:14.239 --> 01:56:16.760
<v Speaker 2>you know what I mean. There's just something missing. That's

2322
01:56:16.800 --> 01:56:19.359
<v Speaker 2>the reason maybe why other people don't pass this movie

2323
01:56:19.359 --> 01:56:21.000
<v Speaker 2>around as much. But that's what we do here at

2324
01:56:21.039 --> 01:56:22.039
<v Speaker 2>the Cine of Me Goes. And I think this is

2325
01:56:22.039 --> 01:56:24.800
<v Speaker 2>a perfect film for us, because it is a really

2326
01:56:24.800 --> 01:56:26.600
<v Speaker 2>good movie that you should check out. And I do

2327
01:56:26.640 --> 01:56:29.840
<v Speaker 2>think it's one of the last really great fucking DeNiro rolls.

2328
01:56:29.880 --> 01:56:32.039
<v Speaker 2>If you want to see him like kicking ass and

2329
01:56:32.079 --> 01:56:35.399
<v Speaker 2>doing like leading man type shit, yeah, this is it.

2330
01:56:35.840 --> 01:56:38.399
<v Speaker 2>And this is outside a little bit outside his wheelhouse too,

2331
01:56:38.479 --> 01:56:41.079
<v Speaker 2>And I thought he showed some different range here that

2332
01:56:41.119 --> 01:56:43.880
<v Speaker 2>I appreciate. He still brought the stuff we know him for,

2333
01:56:43.960 --> 01:56:47.600
<v Speaker 2>the witty comebacks and you know, the assertiveness and the confidence.

2334
01:56:47.640 --> 01:56:51.319
<v Speaker 2>But I thought it was cool to see DeNiro's in France.

2335
01:56:51.479 --> 01:56:54.159
<v Speaker 2>You know, I don't know. But with all that said,

2336
01:56:55.720 --> 01:56:57.279
<v Speaker 2>I'm going to give Ronan. I'm going to give it

2337
01:56:57.319 --> 01:57:01.319
<v Speaker 2>a buy. From nineteen ninety eight, Ronan alould buy. I

2338
01:57:01.319 --> 01:57:05.319
<v Speaker 2>think this is worth owning. And yeah, I think it's

2339
01:57:05.319 --> 01:57:06.239
<v Speaker 2>definitely worth owning.

2340
01:57:06.600 --> 01:57:11.840
<v Speaker 4>That's awesome, all right, everyone's pretty high on it, all right, Berg,

2341
01:57:12.760 --> 01:57:15.079
<v Speaker 4>next week is your pick? What are we doing?

2342
01:57:15.960 --> 01:57:18.640
<v Speaker 2>It's my pick and we're keeping it Japanese themed with

2343
01:57:18.840 --> 01:57:23.000
<v Speaker 2>nineteen ninety three's Rising Sun based on the Michael Brighton book.

2344
01:57:24.000 --> 01:57:26.680
<v Speaker 4>Oh, it will be our second film the base off

2345
01:57:26.720 --> 01:57:27.800
<v Speaker 4>of Michael Freton novel.

2346
01:57:28.279 --> 01:57:31.840
<v Speaker 2>Yeah. What was the first thirteen thirteenth word? That's right,

2347
01:57:31.840 --> 01:57:33.479
<v Speaker 2>I forget about that one. Eaters of the Dead is

2348
01:57:33.479 --> 01:57:34.119
<v Speaker 2>the name of the book.

2349
01:57:34.199 --> 01:57:36.119
<v Speaker 4>That's correct. Yeah, it's really good.

2350
01:57:36.840 --> 01:57:38.359
<v Speaker 2>It's a good movie. Have you seen the movie.

2351
01:57:38.720 --> 01:57:42.039
<v Speaker 3>I'm really excited for the movie next week. I've heard

2352
01:57:42.079 --> 01:57:42.680
<v Speaker 3>good things.

2353
01:57:44.800 --> 01:57:45.600
<v Speaker 2>It's from my.

2354
01:57:47.439 --> 01:57:49.520
<v Speaker 3>Sean Connery's last great movie.

2355
01:57:49.960 --> 01:57:53.800
<v Speaker 2>So then it has other themes like with this movie,

2356
01:57:53.800 --> 01:57:57.720
<v Speaker 2>then we can connect it. Cool. Yeah, so that'll be

2357
01:57:57.760 --> 01:58:00.520
<v Speaker 2>our pick for next week. It's a Rise Thin Sun

2358
01:58:00.520 --> 01:58:04.680
<v Speaker 2>from nineteen ninety three. It's starring Wesley Snipes and Sean Conrie.

2359
01:58:04.680 --> 01:58:08.199
<v Speaker 4>If you're looking, we've got a lot of returning champions.

2360
01:58:07.680 --> 01:58:08.520
<v Speaker 2>Yeah, we got several.

2361
01:58:08.880 --> 01:58:11.880
<v Speaker 4>All right, all right, Well, we all have other projects

2362
01:58:11.920 --> 01:58:15.159
<v Speaker 4>around here, myself included. You can find me on YouTube

2363
01:58:15.159 --> 01:58:17.720
<v Speaker 4>Circle of Drinks podcasts. Me and my co host Andy

2364
01:58:17.840 --> 01:58:23.600
<v Speaker 4>We talked about all sorts of different things, movies, news, topics, philosophy,

2365
01:58:24.000 --> 01:58:27.000
<v Speaker 4>What name you? And you can find us on Instagram,

2366
01:58:27.039 --> 01:58:32.399
<v Speaker 4>Circle of Drinks podcasts and on x app podcast cj BG.

2367
01:58:32.439 --> 01:58:34.239
<v Speaker 4>You do some fun stuff. What do you do?

2368
01:58:34.680 --> 01:58:37.199
<v Speaker 2>I do? I do another show called The Cut Above

2369
01:58:37.239 --> 01:58:40.439
<v Speaker 2>Horror Review, where we rate and review horror movies each week.

2370
01:58:40.600 --> 01:58:44.600
<v Speaker 2>John Jacquelin and myself. We have a great time. Sometimes

2371
01:58:44.640 --> 01:58:47.760
<v Speaker 2>Rob Zombie joins us. You know, we have guests. It's fun.

2372
01:58:48.439 --> 01:58:50.000
<v Speaker 2>If you like horror movies. I just want to hear

2373
01:58:50.039 --> 01:58:53.319
<v Speaker 2>people talk about films. Check us out on all the podcasters.

2374
01:58:53.319 --> 01:58:55.640
<v Speaker 2>You can find us on socials, on Instagram at a

2375
01:58:55.640 --> 01:58:59.560
<v Speaker 2>cut above one word, dot r Underscore Review, on x

2376
01:58:59.600 --> 01:59:02.479
<v Speaker 2>at a Horror and on Facebook at a Cut Above

2377
01:59:02.560 --> 01:59:05.439
<v Speaker 2>Horror Review. What about you, Matt? You have a side

2378
01:59:05.520 --> 01:59:07.000
<v Speaker 2>quest that you do here and there? Right?

2379
01:59:07.399 --> 01:59:12.600
<v Speaker 3>Yeah, So, I own and manage a historical fencing school

2380
01:59:12.840 --> 01:59:18.479
<v Speaker 3>in Jacksonville, Florida. We focus on historical European martial arts.

2381
01:59:18.600 --> 01:59:22.920
<v Speaker 3>We do rapier, long longsword and army sword and buckler.

2382
01:59:23.600 --> 01:59:26.760
<v Speaker 3>So if you're in the northeast Florida area, you should

2383
01:59:26.800 --> 01:59:31.319
<v Speaker 3>swing by. Also, we have we have a podcast talking

2384
01:59:31.319 --> 01:59:35.640
<v Speaker 3>about historical fencing. Our backlog is still up it's called

2385
01:59:35.680 --> 01:59:37.680
<v Speaker 3>Swords and Stereo. So if you want to learn about

2386
01:59:37.760 --> 01:59:39.640
<v Speaker 3>historical fencing, go check it out.

2387
01:59:39.760 --> 01:59:42.720
<v Speaker 4>And berg if they want to watch more cinemigos or

2388
01:59:42.720 --> 01:59:45.279
<v Speaker 4>listen to more cinemigos, where where can they find us?

2389
01:59:45.880 --> 01:59:50.000
<v Speaker 2>You can find us on Instagram at Cinemigo's Underscore podcast,

2390
01:59:50.560 --> 01:59:52.920
<v Speaker 2>or you can send us an email at the Cinamigos

2391
01:59:52.960 --> 01:59:54.920
<v Speaker 2>podcast at gmail dot com.

2392
01:59:55.159 --> 01:59:58.319
<v Speaker 4>You can also reach us on x at Tres Cinnemigos

2393
01:59:58.439 --> 02:00:01.199
<v Speaker 4>t R E S ce I E M I G

2394
02:00:01.319 --> 02:00:04.680
<v Speaker 4>O S, or on our letterbox and amigos and make

2395
02:00:04.720 --> 02:00:07.159
<v Speaker 4>sure to give us those five star reviews and leave

2396
02:00:07.199 --> 02:00:11.680
<v Speaker 4>some comments on the episodes either on Spotify or speaker

2397
02:00:11.920 --> 02:00:13.920
<v Speaker 4>or wherever you listen to your podcasts.

2398
02:00:14.560 --> 02:00:17.720
<v Speaker 3>We're also on Facebook, on Facebook dot com, slash c

2399
02:00:17.760 --> 02:00:18.359
<v Speaker 3>and amigos.

2400
02:00:19.840 --> 02:00:22.680
<v Speaker 4>What were you doing back here, lady? I never walked

2401
02:00:22.680 --> 02:00:24.359
<v Speaker 4>into a place I don't know how to walk out of.

2402
02:00:24.720 --> 02:00:26.920
<v Speaker 4>Then why would you walk into that van? You know

2403
02:00:27.000 --> 02:00:27.439
<v Speaker 4>the reason?

2404
02:00:36.439 --> 02:00:40.199
<v Speaker 2>Hey, you badger, we ain't got no budges, we don't

2405
02:00:40.239 --> 02:00:42.479
<v Speaker 2>need no vudges. I don't have to show you on

2406
02:00:42.600 --> 02:00:43.159
<v Speaker 2>U stinking
