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<v Speaker 1>Hey, you welcome to Mythic Mind, where we pursue wisdom

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<v Speaker 1>in the past between primary and secondary worlds. I'm your host,

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<v Speaker 1>Andrew Snyder, and I always welcome you to join me

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<v Speaker 1>on these trails. I don't have any brand new content

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<v Speaker 1>for you at this moment, as I've been making myself

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<v Speaker 1>take some time off to rest and to just be

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<v Speaker 1>with my family. And I really love doing both of

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<v Speaker 1>those things, especially being with my family, but it still

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<v Speaker 1>isn't easy for me to do, just because I'm someone

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<v Speaker 1>who always feels like I should be researching, that should

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<v Speaker 1>be producing. I got into certain habits when I was

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<v Speaker 1>writing my dissertation that I just was never able to shake,

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<v Speaker 1>which is kind of a blessing anachurse at times. But

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<v Speaker 1>so it's been good just to chill out a little bit,

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<v Speaker 1>although I have been doing a little bit of work

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<v Speaker 1>here and there. I recently signed off on a publication

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<v Speaker 1>deal for a book on the Lord of the Rings,

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<v Speaker 1>and I should have that done by mid to late spring,

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<v Speaker 1>and so I'll have more details on that when we

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<v Speaker 1>get a little bit closer. Also, I've been getting ready

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<v Speaker 1>for the upcoming Lord of the Rings study, which begins

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<v Speaker 1>in just a couple of weeks at this point, and

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<v Speaker 1>this is going to really be in an riching time.

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<v Speaker 1>It certainly has been for me already in preparation, and

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<v Speaker 1>I think it's also just gonna be a lot of

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<v Speaker 1>fun as we read through the story The Lord of

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<v Speaker 1>the Rings over twelve weeks and discuss it together. Each

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<v Speaker 1>week includes two videos, one of which is a shorter

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<v Speaker 1>wildcard video that gets into some theme or background story

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<v Speaker 1>or secondary source, or just something that provides an extra

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<v Speaker 1>layer of understanding, and the second video serves as a

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<v Speaker 1>companion for that week's reading. We'll also be meeting for

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<v Speaker 1>weekly zoom conversations, and we have an ongoing discord conversation

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<v Speaker 1>going on. Many of you are all ready to go

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<v Speaker 1>with this, but there's still time to enroll if you

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<v Speaker 1>haven't done so already, and you have two options for

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<v Speaker 1>doing that. First, you can purchase the course through Padia

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<v Speaker 1>and you can find a link for that in the

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<v Speaker 1>show notes, or you can become a patron at tier

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<v Speaker 1>three or higher through Patreon. Both options give you the

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<v Speaker 1>same content regarding this course, including discord access. However, the

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<v Speaker 1>Patreon route also allows you to listen to everything through

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<v Speaker 1>the patren podcast feed. Whereas Pottia does not have the

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<v Speaker 1>podcast feed, and also Patronage gives you access to other

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<v Speaker 1>Mythic Mind content, including the philosophy and fiction of CS.

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<v Speaker 1>Lewis course and the Beowulf in Boethis course. Once we

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<v Speaker 1>hit our next goal, personally, I think this is the

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<v Speaker 1>better option. It's kind of where I see things going

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<v Speaker 1>long term in the future. But for now at least,

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<v Speaker 1>that's entirely up to you which option you prefer. But

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<v Speaker 1>for this latter option, which again I am recommending at

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<v Speaker 1>this point if you haven't already enrolled otherwise, go to

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<v Speaker 1>patreon dot com slash Mythic Mind to subscribe at tier

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<v Speaker 1>three or higher, and there is a discount for an

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<v Speaker 1>annual subscription with that as well. And if you do

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<v Speaker 1>go this route, I would tell you to subscribe through

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<v Speaker 1>the browser on your phone or on your computer. Don't

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<v Speaker 1>use the Patreon app to subscribe because when you do that,

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<v Speaker 1>Apple increases the charges that can shape them off the top.

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<v Speaker 1>So youtub browser, not the Patreon app to subscribe. All right,

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<v Speaker 1>And for now, as I continue to consolidate our two

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<v Speaker 1>podcasts into one, I bring you the second Fellowship episode

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<v Speaker 1>on the and so whether you're listening to this for

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<v Speaker 1>the first time or to repeat, I hope that you enjoy.

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<v Speaker 1>Hello and welcome to the Mythic Mind Fellowship podcast, which

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<v Speaker 1>is a platform for giving a voice to our patrons.

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<v Speaker 1>My name is Andrew Snyder, and I'm the founder of

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<v Speaker 1>this fellowship and the hosts of the Mythic Mind Legacy podcast,

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<v Speaker 1>and I heartily welcome you around our heart. This is

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<v Speaker 1>the second episode in our patron led series on the

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<v Speaker 1>Poetic Eda, which is one of our primary sources for

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<v Speaker 1>information on Norse myths and legends. This is a lot

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<v Speaker 1>of fun and I would love for you to join

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<v Speaker 1>us in these chats. If you're interested in doing so,

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<v Speaker 1>just head over to patreon dot com slash Mythic Mind

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<v Speaker 1>and sign up with any level of support, And of

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<v Speaker 1>course you can lend your support even if you don't

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<v Speaker 1>want to join these conversations but you do want to

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<v Speaker 1>see us have the ability to do more things like

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<v Speaker 1>this on a regular basis. And if you're listening to

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<v Speaker 1>this as a podcast, know that you can also catch

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<v Speaker 1>the video on my YouTube channel, which you'll find a

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<v Speaker 1>link to in the show notes. And if you're watching

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<v Speaker 1>this on YouTube, know that you can also catch it

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<v Speaker 1>on the podcast. Well, now let's go ahead and jump

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<v Speaker 1>into the conversation. All right, Well, welcome back to the

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<v Speaker 1>latest Mythic Mind Fellowship Chat as we continue through the

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<v Speaker 1>poetic etam. This is our second episode on that, going

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<v Speaker 1>through the next four sections of the atom, starting with

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<v Speaker 1>bathrooun Deer's sayings, which is just saying that I'm probably

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<v Speaker 1>butchering the Norse, but it still sounds really cool, especially

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<v Speaker 1>if you just say confidently with some guttural intensity behind it. Well,

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<v Speaker 1>so joined today by Thomas, who was with us last

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<v Speaker 1>time and he's obviously made a number of appearances by

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<v Speaker 1>this point. And then Chase, who's been on the other

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<v Speaker 1>show we were talking about the ransom stuff, but first

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<v Speaker 1>time on the Fellowship podcast. So Jase, Honey, tell us

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<v Speaker 1>who you are.

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<v Speaker 2>Yeah, Chase, I'm in Texas and just found out about

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<v Speaker 2>Andrews classes and I did the Lewis class, and I

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<v Speaker 2>just finished up the bo Atheist and Beowolf class and

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<v Speaker 2>just can't get enough of it. So really enjoyed just

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<v Speaker 2>giving myself a classical education in some.

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<v Speaker 1>Ways fantastic And you know, you definitely have the beard

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<v Speaker 1>for this conversation. I feel a little envious as we're

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<v Speaker 1>talking about, you know, vikings and the Norse mythos. Well,

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<v Speaker 1>just like last time, I'm gonna start off with each

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<v Speaker 1>of these sections that we're reading. I'm just gonna read

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<v Speaker 1>at least a portion of the intro that provided in

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<v Speaker 1>the Larrington translation of the poetic Adam, since I know

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<v Speaker 1>that the probably a number of people listening who haven't

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<v Speaker 1>read along, and by the way, I should say that

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<v Speaker 1>we're all amateurs at this kind of reading along ourselves

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<v Speaker 1>for the first time, and so you know, we all

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<v Speaker 1>have some interest in myths and legends and obviously the

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<v Speaker 1>material that's been inspired by these legends, people like Tolkien,

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<v Speaker 1>people like Lewis, and so it's a lot of fun

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<v Speaker 1>to get beneath the surface and read the kinds of

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<v Speaker 1>things that these people are reading. But I should emphasize

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<v Speaker 1>that we are all just amateurs in these waters. But

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<v Speaker 1>it's I think that's kind of fun as well. But yeah,

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<v Speaker 1>I'm just gonna read a portion of the interest so

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<v Speaker 1>that way we all have an idea as to what

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<v Speaker 1>it is that we're talking about, and those kind of

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<v Speaker 1>jumping around to whatever we feel like discussing. As the

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<v Speaker 1>Seers prophecy saying that the High One and Greenmeier Sayings

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<v Speaker 1>show Odin is characterized by his obsessive quest for wisdom,

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<v Speaker 1>particularly for information about Ragnarok. In this poem, he sets off,

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<v Speaker 1>against his wife's advice, disguise as a poor wanderer to

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<v Speaker 1>test his wisdom against the giant bathroom deer known only

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<v Speaker 1>from this poem, Odin has proved his metal by answering

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<v Speaker 1>questions with the giant puts to him. He is invited

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<v Speaker 1>to risk his head in questioning the giant. Buffery or

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<v Speaker 1>sayings or Bathrudsmal belongs to the Giant Era of Wisdom

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<v Speaker 1>contest known in many other cultures, and so this really

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<v Speaker 1>comes down to a riddle contest. It's a contest of lore,

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<v Speaker 1>which I mean, these contests should sound very familiar to

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<v Speaker 1>us from you know, some of the literature that's been

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<v Speaker 1>inspired from these stories, you know, I think of obviously

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<v Speaker 1>Tolkien got your Riddles in the Dark with the.

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<v Speaker 3>Yes, that was what I first thought of when when

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<v Speaker 3>the little pro section before was explaining that, I'm like,

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<v Speaker 3>it's Riddles of the Dark exactly.

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<v Speaker 1>And then even I mean, you know it's spoiler. I

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<v Speaker 1>guess you know at the end, you know, when Odin

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<v Speaker 1>asked a question that only he could know. I mean,

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<v Speaker 1>that's that's Bilbo, right, Uh, what's my pocket? It's like

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<v Speaker 1>no one else can know that, And so I have

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<v Speaker 1>to believe that Tolkien's pulling something from that. And then

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<v Speaker 1>also I think of in that hideous strength when Merlin

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<v Speaker 1>and Ransom starts ring with lore, you know, going back

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<v Speaker 1>and forth about you know, just different aspects of the

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<v Speaker 1>cosmos and you know, the mythos, and I've definitely see

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<v Speaker 1>that pulled from this this genre as well. But yeah,

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<v Speaker 1>so I mean, what'd you get? What'd you think of this?

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<v Speaker 1>I mean, what are some things that stood out to

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<v Speaker 1>you or you know, your first impressions.

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<v Speaker 3>I felt like a lot of the questions, though, didn't

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<v Speaker 3>seem like riddles to me. They just seemed more like

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<v Speaker 3>trivia questions like can you answer this fact about the

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<v Speaker 3>cosmos or about history or about the future. I'm like,

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<v Speaker 3>is that really a riddle?

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<v Speaker 1>It more like a question. Yeah. It definitely did seem

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<v Speaker 1>more like a Jeopardy Mythology edition. Uh. Yeah, And so

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<v Speaker 1>I agree that that's why I I feel like it

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<v Speaker 1>has more resonance, you know, with specifically in that hideous

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<v Speaker 1>strength that Ranks and Merlin lore battle when they are

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<v Speaker 1>just you know, spotting off different aspects of lore. But

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<v Speaker 1>I do think that ending is very riddles in the

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<v Speaker 1>dark to me. I don't know, what do you think

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<v Speaker 1>going into the chase?

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<v Speaker 2>Yeah, I mean interesting kind of have like the threat

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<v Speaker 2>of like you know, if you're not wise, like you're

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<v Speaker 2>not leaving the hall, and just kind of like battling

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<v Speaker 2>a little bit with I couldn't tell if he was

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<v Speaker 2>like offering hospitality a bit of like kind with me,

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<v Speaker 2>and then he's like, I'm not going to be tricked

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<v Speaker 2>by something like that. I'm gonna stay where I'm at

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<v Speaker 2>right now. I'm okay with that.

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<v Speaker 1>But yeah, the hospitality definitely seems to be an invitation

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<v Speaker 1>to a challenge, not genuine hospitality per se. Right, And

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<v Speaker 1>I do find it interesting that Bothrond you that the

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<v Speaker 1>Giant is he tends to be mostly focused on asking

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<v Speaker 1>questions about just you know, general about the world as

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<v Speaker 1>it is, whereas Odin has a much more chronological interest

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<v Speaker 1>and that he has questions like from Origins going all

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<v Speaker 1>the way up to Ragnarok. And this I think is

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<v Speaker 1>to a theme that we see with Odin again and again.

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<v Speaker 1>He's trying to get some understanding regarding the fate of

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<v Speaker 1>the gods. He wants to know what's going to happen

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<v Speaker 1>to him. I guess, out of some hope to evade

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<v Speaker 1>fate maybe or at the very least to know what

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<v Speaker 1>awaits him. And so he definitely has an interest regarding

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<v Speaker 1>the timeline, I think more so than we get with

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<v Speaker 1>the Giant, which I think is kind of interesting.

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<v Speaker 2>I just thought it was interesting how kind of like

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<v Speaker 2>visualizing the scene and how Odin had shown himself as

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<v Speaker 2>basically a man, so I'm assuming he's small compared to

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<v Speaker 2>this giant. Then he's also giants up sitting and he's

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<v Speaker 2>talking about like you're from the floor, So I can

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<v Speaker 2>just imagine like how imposing that would be, you know,

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<v Speaker 2>like talking back and forth right you're he's seeing Odin

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<v Speaker 2>so small that he's like, you're there from the hall floor,

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<v Speaker 2>not front up by me.

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<v Speaker 1>Yeah. I think that's part of Odin's tendency to mask

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<v Speaker 1>his identity, and the fact that he is masking his

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<v Speaker 1>identity or he's using a pseudonym here, it's not The

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<v Speaker 1>Giant doesn't figure this out until the very end, and

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<v Speaker 1>Odin does this all the time. Whenever Odin makes an appearance,

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<v Speaker 1>he's almost always using a false name. He's in disguise,

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<v Speaker 1>he's veiled in some way, shape or form, And I

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<v Speaker 1>can only assume that's because you know, Odin's associated with wisdom,

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<v Speaker 1>and so you know, speaks to the fact that wisdom

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<v Speaker 1>requires the right kind of eyes to see. That you

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<v Speaker 1>have to be wise in order to see wisdom, right,

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<v Speaker 1>that the beginning of wisdom is this, get wisdom. The

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<v Speaker 1>Proverbs tell us it's like it's kind of paradoxical, but

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<v Speaker 1>it's like you need wisdom to reveal wisdom. And even

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<v Speaker 1>Odin himself, you know, he has one eye because he

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<v Speaker 1>had a sacrifice part of his vision in order to

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<v Speaker 1>get wisdom. And so it's like you have to learn

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<v Speaker 1>to see with the right eyes. And so, you know,

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<v Speaker 1>wisdom is veiled and it's dealing with mortals, and we

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<v Speaker 1>need the right kind of wisdom to uncover it.

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<v Speaker 3>I've noticed that Merlin in the Arthur material does this

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<v Speaker 3>a lot too, where he'll veil himself in some other form.

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<v Speaker 1>You know, yeah, yeah, you know, I'm mostly familiar with

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<v Speaker 1>Mallory for the Arthur Mythos does it for like no

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<v Speaker 1>reason a lot of times, and I can tell, yeah,

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<v Speaker 1>that's very chastly, veiling himself and appearing in different guises

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<v Speaker 1>for again no clear reasons sometimes, which you know, it

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<v Speaker 1>kind of makes sense that Gandolf is kind of inspired

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<v Speaker 1>by Odin as well as surely you know Merlin is

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<v Speaker 1>wrapped up in that and so interesting that there are

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<v Speaker 1>these crossover tendencies between Merlin and Odin. And I can

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<v Speaker 1>only wonder if maybe, you know, the early stories of

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<v Speaker 1>Merlin have some connection to the earliest of Odin.

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<v Speaker 2>Odin.

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<v Speaker 3>Yeah, and I know that that Gandolf also includes like

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<v Speaker 3>I read somewhere that he includes a little bit of

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<v Speaker 3>Odin as well, especially as like just this wanderer, like

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<v Speaker 3>a higher being disguised as an old beggar, just wandering

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<v Speaker 3>around and seeking wisdom.

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<v Speaker 1>You know, yeah, yeah, if you I mean, if you

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<v Speaker 1>look at some of the depictions of Odin, I mean

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<v Speaker 1>very much get the Great Pilgrim imagery.

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<v Speaker 2>I had wondered too. I don't know enough like historically,

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<v Speaker 2>so I know, like Romans had made it to Britain

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<v Speaker 2>much earlier than this and had at least brought some Christianity.

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<v Speaker 2>I don't know how much like had stayed there throughout

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<v Speaker 2>once they had left, or if they had kind of

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<v Speaker 2>like completely gone back to take it roots. For the

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<v Speaker 2>most part, just trying to see like okay, you know,

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<v Speaker 2>like this was like composed like around a thousand, right AD,

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<v Speaker 2>or was this earlier or they just don't know.

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<v Speaker 1>I mean, I don't I'm not really sure. I know

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<v Speaker 1>the pros ata is like somewhere around a thousand or

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<v Speaker 1>so with uh, you know Snorri Storlsen, which you know

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<v Speaker 1>that comes a little bit later than the poetic at

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<v Speaker 1>a I'm actually can't recall offhand when when this was

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<v Speaker 1>put together, but I assume more or less the same time.

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<v Speaker 3>And I know that that the British Isles essentially had

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<v Speaker 3>to be almost re evangelized at one point, where you know,

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<v Speaker 3>Augustine of Canterbury is literally sent by the pope to say, okay,

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<v Speaker 3>like you know, the Roman authority has collapsed, people are

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<v Speaker 3>lapsing back into pagan beliefs. There's the Viking invasions of

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<v Speaker 3>the British Isles, Like okay, go take some monks, go

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<v Speaker 3>to Britain and re evangelize the place.

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<v Speaker 2>Yeah, because I wondered just just from like saying of

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<v Speaker 2>like the sayings of what was it, the sayings of

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<v Speaker 2>the High One? I was right before it, and then

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<v Speaker 2>even like them this like how much of it was

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<v Speaker 2>Like Okay, maybe there were some proverbs left over or

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<v Speaker 2>something like they had heard a little bit of that

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<v Speaker 2>and that knowledge kind of kept in morphed. You know,

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<v Speaker 2>I don't know, but I do think it is funny that,

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<v Speaker 2>you know, Odin says like it's good to be averagely wise,

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<v Speaker 2>but then he's on this quest untill they prove that

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<v Speaker 2>he's the most wise, and you're like, you're not taking

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<v Speaker 2>your own advice advice?

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<v Speaker 1>Yeah, yeah, it is interesting, just kind of wondering exactly

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<v Speaker 1>what Odin is doing here. Is he simply trying to

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<v Speaker 1>best the giant or is he trying to get some

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<v Speaker 1>wisdom from the giant that you know he doesn't know.

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<v Speaker 1>And I mean, I guess it kind of seems like

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<v Speaker 1>he's trying to get some more knowledge of ragnarotcause my

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<v Speaker 1>understanding of it, which.

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<v Speaker 2>I think that's what they were saying too, where like

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<v Speaker 2>he kind of shuts it down pretty quickly after finding out.

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<v Speaker 1>Here, right, he got what he what he wanted to know,

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<v Speaker 1>And you know, I I'm always kind of I'm kind

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<v Speaker 1>of spitballing it here when I talk about like what

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<v Speaker 1>different things mean, because you know, I'm not an expert

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<v Speaker 1>on the Northern mythology or philosophy, but I know that,

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<v Speaker 1>you know, the giants are more primordial than even the gods,

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<v Speaker 1>and so you know, it kind of seems like giants

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00:16:28.480 --> 00:16:31.960
<v Speaker 1>almost have a sense of timelessness about them. And that

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<v Speaker 1>is the gods, who you know, use this kind of

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<v Speaker 1>primordial giant was e Mer, right, which they use em

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<v Speaker 1>to construct the world, and then they created man within

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<v Speaker 1>the you know, the cosmos created by the body of

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00:16:46.879 --> 00:16:49.440
<v Speaker 1>this giant. It's just like that the gods themselves are

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00:16:49.480 --> 00:16:53.320
<v Speaker 1>more essentially related to time, the movement of events, the

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00:16:53.399 --> 00:16:57.039
<v Speaker 1>creation of the material world, and so I assume that

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00:16:57.039 --> 00:17:01.600
<v Speaker 1>has something to feed into od obsession with sort of

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00:17:01.600 --> 00:17:03.679
<v Speaker 1>the end of things, the end of his life, the

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00:17:03.799 --> 00:17:07.400
<v Speaker 1>end of the reign of these gods. That there's almost

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<v Speaker 1>a more intrinsically temporal element to the gods and the giants.

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<v Speaker 3>I was struck by the creation of the world from

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00:17:13.799 --> 00:17:17.319
<v Speaker 3>Emir's body because that confused me because I'm like, wait

311
00:17:17.359 --> 00:17:20.519
<v Speaker 3>a minute, I thought the world is the world tree

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00:17:21.240 --> 00:17:25.119
<v Speaker 3>in Norse mythology. So I'm wondering, like how these how

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<v Speaker 3>they reconciled those, like if they were originally two kind

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00:17:28.640 --> 00:17:34.119
<v Speaker 3>of threads of cosmology that somehow got reconciled, or maybe

315
00:17:34.160 --> 00:17:38.799
<v Speaker 3>like Emir's body is only mid Guard and that doesn't

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00:17:38.839 --> 00:17:40.920
<v Speaker 3>have to do with the rest of the realms on

317
00:17:41.000 --> 00:17:45.920
<v Speaker 3>the world tree like it. I'm not sure their cosmology

318
00:17:45.960 --> 00:17:47.240
<v Speaker 3>is entirely coherent, but.

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00:17:49.880 --> 00:17:51.640
<v Speaker 1>I think that's fair, especially when we're dealing with the

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00:17:51.680 --> 00:17:54.599
<v Speaker 1>poetic ida, which is you know, earlier it's more discordant.

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00:17:54.640 --> 00:17:57.319
<v Speaker 1>I mean, not all the misagree with each other. We're

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<v Speaker 1>dealing with a number of different traditions sort of thrown together.

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00:18:01.319 --> 00:18:06.799
<v Speaker 1>It's not like they have a universal canon to work with. Yeah,

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00:18:06.839 --> 00:18:08.440
<v Speaker 1>so I don't know. Maybe it's like maybe it's it's

325
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<v Speaker 1>just mid Guard and that might be, although I'm pretty

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<v Speaker 1>sure at some point maybe it was one of the

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<v Speaker 1>other the other readings from this this round that they

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<v Speaker 1>talk about like Asgard being created as well, you know,

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<v Speaker 1>from the Mirror, and so you know, maybe it's just

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<v Speaker 1>like you've got the tree, which is like the foundation,

331
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<v Speaker 1>and then the rest is sort of built on top

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<v Speaker 1>of it. Perhaps I don't know, or maybe it's just incoherent.

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00:18:39.160 --> 00:18:44.000
<v Speaker 1>I don't know, but it is interesting that, you know,

334
00:18:44.079 --> 00:18:48.880
<v Speaker 1>a lot of these pagan myths regarding the creation account

335
00:18:49.039 --> 00:18:51.599
<v Speaker 1>deal with something like this, where you know, the world

336
00:18:51.640 --> 00:18:54.440
<v Speaker 1>is made from a dead God or some primordial being.

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<v Speaker 1>You see this in that like the Babylonian tale, the

338
00:18:56.799 --> 00:19:00.920
<v Speaker 1>the New my Leish, right, yeah, yeah, right, everything's made

339
00:19:00.920 --> 00:19:08.000
<v Speaker 1>out of Tiamat's body, this chaos goddess, which just all

340
00:19:08.079 --> 00:19:10.880
<v Speaker 1>kinds of interesting conversations that can be had there regarding

341
00:19:10.960 --> 00:19:13.480
<v Speaker 1>like you know, connection to biblical account and that sort

342
00:19:13.480 --> 00:19:16.759
<v Speaker 1>of thing, you know, what's different, but also some of

343
00:19:16.559 --> 00:19:20.440
<v Speaker 1>the themes that overlap. But this is a very common theme.

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<v Speaker 1>You see it throughout different cultures, the idea that the

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<v Speaker 1>world is made out of some kind of slaughter, some

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00:19:26.720 --> 00:19:31.519
<v Speaker 1>kind of brutal contest, which leads to the brutality very

347
00:19:31.559 --> 00:19:34.400
<v Speaker 1>often see in the pagan world, right, the world itself

348
00:19:34.480 --> 00:19:37.759
<v Speaker 1>is made out of brutal conflict, and that definitely feeds

349
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<v Speaker 1>into the culture, especially the people like the Norse. You know,

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<v Speaker 1>we talked about in the Havamal that there's that proverb

351
00:19:44.920 --> 00:19:47.680
<v Speaker 1>that's just like, you know, if you need to get

352
00:19:47.720 --> 00:19:49.440
<v Speaker 1>up early, if you want to go kill someone to

353
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<v Speaker 1>take their stuff. It's just part of the process of

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<v Speaker 1>a daily routine.

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<v Speaker 3>It's very different not only from the Biblical account, but

356
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<v Speaker 3>from Tolkien's Creation myth, where you know, the universe is

357
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<v Speaker 3>brought into being through song, you know, and and Lewis

358
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<v Speaker 3>as well with the creation of Narnia, you know. So

359
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<v Speaker 3>it's even though they they they both you know, loved

360
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<v Speaker 3>and respected these these myths, they truly they clearly jettisoned

361
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<v Speaker 3>stuff that did not you know, harmonize well with their

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<v Speaker 3>Christian worldview, right.

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<v Speaker 1>They you know, I think we said last time, they

364
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<v Speaker 1>gave us the Northern Story as it should have been, right, Yeah, exactly,

365
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<v Speaker 1>like you can get off his Sorrowmond as he should

366
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<v Speaker 1>have been.

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<v Speaker 2>It even seemed like in the introduction, like Caroline kind

368
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<v Speaker 2>of like Chasta's snory a little bit, because, like I guess,

369
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<v Speaker 2>story was a Christian guy who was slowly trying to

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<v Speaker 2>reconcile a little bit, you know, kind of like Beola

371
00:20:50.039 --> 00:20:52.799
<v Speaker 2>or something else was. And so she was like, well,

372
00:20:52.839 --> 00:20:54.960
<v Speaker 2>I you know, he was trying to like reconcile this

373
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<v Speaker 2>stuff and write it coherently, and he seemed like he

374
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<v Speaker 2>let too much of his Christianity weave itself in and

375
00:21:01.440 --> 00:21:02.680
<v Speaker 2>you're like, okay.

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<v Speaker 1>I mean it is interesting that when you read the

377
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<v Speaker 1>prose that, you know, read the introduction that Snory gives us,

378
00:21:10.000 --> 00:21:12.480
<v Speaker 1>and he says, like the gods came from Troy, like

379
00:21:12.960 --> 00:21:15.920
<v Speaker 1>he makes it. He demathologizes some of it as a

380
00:21:15.920 --> 00:21:18.759
<v Speaker 1>way of making it a little bit more palatable. He

381
00:21:19.319 --> 00:21:22.960
<v Speaker 1>turns the gods into this race that came from I mean,

382
00:21:23.000 --> 00:21:26.880
<v Speaker 1>the human civilization essentially, rather than these are the gods

383
00:21:26.920 --> 00:21:29.559
<v Speaker 1>of Asgard who you know, who made everything?

384
00:21:30.960 --> 00:21:34.160
<v Speaker 3>Oh, Geoffrey of Monmouth does that too, with some of

385
00:21:34.200 --> 00:21:37.119
<v Speaker 3>the Arthur stuff he made. He essentially makes everybody he

386
00:21:37.279 --> 00:21:44.039
<v Speaker 3>likes in history like secretly British somehow. It's like Constantine

387
00:21:44.119 --> 00:21:48.599
<v Speaker 3>is British, the Trojans are British, Like everybody he likes

388
00:21:48.640 --> 00:21:49.480
<v Speaker 3>just ends up as.

389
00:21:49.400 --> 00:21:50.279
<v Speaker 2>A British person.

390
00:21:50.920 --> 00:21:57.880
<v Speaker 1>That's funny. Hm, when you do our American telling of

391
00:21:58.079 --> 00:22:09.319
<v Speaker 1>the mythos, Oh no, let's let's not do that. Any

392
00:22:09.519 --> 00:22:13.519
<v Speaker 1>any other thoughts about this reading. I mean, obviously there's

393
00:22:13.519 --> 00:22:16.039
<v Speaker 1>all kinds of lower stuff, but I'm not qualified to

394
00:22:16.039 --> 00:22:17.160
<v Speaker 1>get into some of the weeds on that.

395
00:22:18.559 --> 00:22:22.359
<v Speaker 3>I noticed, like a name drop that I recognized from Tolkien. Actually,

396
00:22:22.400 --> 00:22:27.519
<v Speaker 3>I noticed several horse names that were that are that

397
00:22:27.759 --> 00:22:30.880
<v Speaker 3>Tolkien either tweaked a little bit or just put wholesale

398
00:22:30.880 --> 00:22:34.359
<v Speaker 3>into Lord of the Rings. In this involve Vathrunder saying

399
00:22:34.880 --> 00:22:37.480
<v Speaker 3>there was a horse called frost Maine, and I immediately

400
00:22:37.519 --> 00:22:43.079
<v Speaker 3>thought of Snowmane Thedan's horse, and then later I forget

401
00:22:43.079 --> 00:22:46.240
<v Speaker 3>which one it is, but there's a horse called Lightfoot,

402
00:22:46.400 --> 00:22:52.200
<v Speaker 3>which was Snowmane's sire, like the horse has sired him.

403
00:22:52.440 --> 00:22:55.160
<v Speaker 3>So I'm like, okay, he's even taking I know that

404
00:22:55.200 --> 00:22:57.119
<v Speaker 3>he took all the dwarf names from this, but he's

405
00:22:57.160 --> 00:22:59.160
<v Speaker 3>also taking a lot of the names of horses and stuff,

406
00:22:59.240 --> 00:23:01.799
<v Speaker 3>which makes sense that the royal here are very Norse

407
00:23:01.920 --> 00:23:04.480
<v Speaker 3>inspired culture, right.

408
00:23:05.160 --> 00:23:08.440
<v Speaker 1>Yeah, yeah, he definitely does lift a number of names,

409
00:23:08.440 --> 00:23:12.400
<v Speaker 1>and sometimes he makes little tweaks, but yeah, you know,

410
00:23:12.440 --> 00:23:15.759
<v Speaker 1>it's not as startling as the dwarf names that you lifted,

411
00:23:15.920 --> 00:23:20.799
<v Speaker 1>but but yeah, so yeah, definitely that and there's something

412
00:23:20.799 --> 00:23:22.640
<v Speaker 1>else he was one of the other ones that will

413
00:23:22.640 --> 00:23:23.920
<v Speaker 1>come to me where he does that.

414
00:23:25.720 --> 00:23:28.319
<v Speaker 2>You know, I thought that's interesting. You know that they

415
00:23:28.359 --> 00:23:33.000
<v Speaker 2>talk about how giants basically came from poison drops, uh,

416
00:23:33.559 --> 00:23:35.880
<v Speaker 2>and so that's why they're terrifying it. That's why evil.

417
00:23:36.519 --> 00:23:41.960
<v Speaker 2>But then from a giant, even though it's like from

418
00:23:42.079 --> 00:23:46.599
<v Speaker 2>straight poison comes to gods, I guess that grow underneath

419
00:23:46.960 --> 00:23:49.599
<v Speaker 2>the frost giants arms, right, and so it's like good

420
00:23:49.799 --> 00:23:52.920
<v Speaker 2>ends up coming true, I guess good in terms of

421
00:23:53.000 --> 00:23:54.880
<v Speaker 2>not as bad kind of stuff.

422
00:23:54.920 --> 00:24:01.640
<v Speaker 1>But yeah, there's there's not a clear good and evil

423
00:24:02.759 --> 00:24:07.160
<v Speaker 1>in those dark like moral ontological terms. Now, the gods

424
00:24:07.160 --> 00:24:09.680
<v Speaker 1>are definitely good relative to the monsters, but it's more

425
00:24:09.720 --> 00:24:12.599
<v Speaker 1>of like they're fighting for the right side, but there's

426
00:24:12.640 --> 00:24:15.720
<v Speaker 1>not a super clear, like eternal standard of goodness.

427
00:24:16.759 --> 00:24:20.960
<v Speaker 3>Right, It's like they're less bad. It's like you want

428
00:24:20.960 --> 00:24:24.400
<v Speaker 3>to be on the gods side because, like you know,

429
00:24:24.480 --> 00:24:26.079
<v Speaker 3>they're not going to destroy the universe.

430
00:24:26.400 --> 00:24:31.599
<v Speaker 1>So it's a good enough reason, right, I mean yeah,

431
00:24:31.640 --> 00:24:33.440
<v Speaker 1>I mean they're they're the valiant ones, are the ones

432
00:24:33.559 --> 00:24:36.519
<v Speaker 1>trying to bring about something like order, and so it's

433
00:24:36.559 --> 00:24:39.839
<v Speaker 1>not so much that they are ontologically good, but they're

434
00:24:39.839 --> 00:24:41.519
<v Speaker 1>good in the sense that they're fighting in the right direction.

435
00:24:42.759 --> 00:24:45.000
<v Speaker 1>Then I mean, what what can you hope for?

436
00:24:45.079 --> 00:24:51.079
<v Speaker 2>I guess in the setting, I like to what Carolan,

437
00:24:51.200 --> 00:24:58.720
<v Speaker 2>it's too about how in her introduction about the giants

438
00:24:58.759 --> 00:25:01.960
<v Speaker 2>like like like you're saying, memorial, they have a past,

439
00:25:02.160 --> 00:25:05.079
<v Speaker 2>they were ancient, they know a lot of things, but

440
00:25:05.160 --> 00:25:08.519
<v Speaker 2>their future is like in terms of attorney or whatever,

441
00:25:08.559 --> 00:25:12.599
<v Speaker 2>it is short lived. And then while men and the

442
00:25:12.599 --> 00:25:16.599
<v Speaker 2>gods are you know, started later they have the futures,

443
00:25:16.680 --> 00:25:19.279
<v Speaker 2>it's kind of like not told completely what's going to

444
00:25:19.359 --> 00:25:23.000
<v Speaker 2>happen with them, like long.

445
00:25:22.880 --> 00:25:28.720
<v Speaker 1>Term right into the I mean, obviously most humans are

446
00:25:28.759 --> 00:25:30.759
<v Speaker 1>going to die and most gods are going to die,

447
00:25:31.359 --> 00:25:33.200
<v Speaker 1>but it seems like all the giants are going to die.

448
00:25:33.839 --> 00:25:35.799
<v Speaker 1>But there is there is a remnant that's going to

449
00:25:35.839 --> 00:25:39.079
<v Speaker 1>live past Ragnarok of both gods and men. Right, You've

450
00:25:39.119 --> 00:25:43.119
<v Speaker 1>got the Leaf and Leaf throughout there, who are going

451
00:25:43.160 --> 00:25:46.039
<v Speaker 1>to be like the new Adam and Eve following Ragnarok

452
00:25:46.359 --> 00:25:50.440
<v Speaker 1>to re establish humanity. And you know, before I started

453
00:25:50.440 --> 00:25:53.279
<v Speaker 1>reading that is I didn't even really recognize that there

454
00:25:53.400 --> 00:25:57.200
<v Speaker 1>was a future past Ragnarok. You know, I always had

455
00:25:57.200 --> 00:25:59.160
<v Speaker 1>the sense that that was like the apocalypse, which I

456
00:25:59.200 --> 00:26:01.640
<v Speaker 1>mean it is of sort, but it's also the time

457
00:26:01.680 --> 00:26:06.359
<v Speaker 1>of cosmic renewal, maybe even you know, moving into the

458
00:26:06.640 --> 00:26:10.200
<v Speaker 1>kind of order that's not possible on this epic of history.

459
00:26:11.880 --> 00:26:15.319
<v Speaker 3>I was also I'm also struck by what a clean

460
00:26:15.599 --> 00:26:19.920
<v Speaker 3>slate Tolkien kind of had for his elves, because elves

461
00:26:19.960 --> 00:26:24.319
<v Speaker 3>get mentioned a few times, but they're never described in

462
00:26:24.440 --> 00:26:27.880
<v Speaker 3>any kind of detail at all. They usually get name

463
00:26:28.000 --> 00:26:32.119
<v Speaker 3>dropped between gods and men and it'll say, you know, gods,

464
00:26:32.119 --> 00:26:34.839
<v Speaker 3>elves and men, but they're that that we're never told

465
00:26:34.920 --> 00:26:38.359
<v Speaker 3>anything about them. So like Tolkien just had like free

466
00:26:38.400 --> 00:26:41.480
<v Speaker 3>reign to you know, create his own version.

467
00:26:42.440 --> 00:26:45.400
<v Speaker 1>Yeah, they are whatever they are in these stories. It's

468
00:26:45.519 --> 00:26:49.160
<v Speaker 1>very ambiguous, so we're not really giving physical descriptions. We're

469
00:26:49.160 --> 00:26:51.000
<v Speaker 1>not giving any details regarding what they are. I mean

470
00:26:51.039 --> 00:26:53.759
<v Speaker 1>even the context in which they appear. Like it's just

471
00:26:53.799 --> 00:26:56.519
<v Speaker 1>not really clear what it is that we're talking about.

472
00:26:56.759 --> 00:26:59.599
<v Speaker 1>It's sort of just this class of like other things,

473
00:27:00.599 --> 00:27:03.519
<v Speaker 1>maybe even something like fairies of sorts, which I mean

474
00:27:03.559 --> 00:27:05.880
<v Speaker 1>there is overlapping idea between you know, the fairies and the.

475
00:27:05.839 --> 00:27:10.000
<v Speaker 3>Elves, right, Yeah, And like in the Arthur stuff, elves

476
00:27:10.000 --> 00:27:12.720
<v Speaker 3>and fairies are just whatever the particular writer of that

477
00:27:12.799 --> 00:27:16.839
<v Speaker 3>story needs them to be for for that story.

478
00:27:17.599 --> 00:27:22.680
<v Speaker 1>Right, And I was it's interesting though. I was recently

479
00:27:22.720 --> 00:27:26.720
<v Speaker 1>reading Peter Craff's The Philosophy of Tolkien, which goes to

480
00:27:26.880 --> 00:27:32.359
<v Speaker 1>my background it's which it's it's a wonderful read. I mean,

481
00:27:32.440 --> 00:27:35.319
<v Speaker 1>I tweeted a lot of it, so you may have

482
00:27:35.519 --> 00:27:37.680
<v Speaker 1>seen some of that. But you know, he makes the

483
00:27:37.720 --> 00:27:41.160
<v Speaker 1>point that, you know, Tolkien's elves are like the platonic

484
00:27:41.200 --> 00:27:45.559
<v Speaker 1>ideal of elves, where we read them and we just

485
00:27:45.640 --> 00:27:47.359
<v Speaker 1>kind of know, yeah, this is what elves are.

486
00:27:47.440 --> 00:27:47.519
<v Speaker 2>Like.

487
00:27:48.839 --> 00:27:50.960
<v Speaker 3>Yeah, it's very strange, you know.

488
00:27:52.640 --> 00:27:56.119
<v Speaker 1>Right, But yeah, and so he definitely had free reign

489
00:27:56.160 --> 00:27:56.359
<v Speaker 1>with that.

490
00:27:56.680 --> 00:28:00.160
<v Speaker 3>I've struggled with that as as a writer myself. When

491
00:28:00.400 --> 00:28:05.319
<v Speaker 3>you try to do elves that aren't like his, like Tolkien's,

492
00:28:05.720 --> 00:28:07.480
<v Speaker 3>you get this. At least for me, I get this

493
00:28:07.640 --> 00:28:12.079
<v Speaker 3>cognitive dissonance where I'm like, no, that's not right, that's

494
00:28:12.119 --> 00:28:15.319
<v Speaker 3>not what they should be like because they're not like

495
00:28:16.359 --> 00:28:20.200
<v Speaker 3>the ethereal kind of platonic Tolkienian idea of elves.

496
00:28:20.799 --> 00:28:22.640
<v Speaker 1>Yeah, I feel like, if I ever get in the

497
00:28:22.640 --> 00:28:25.759
<v Speaker 1>business running fantasy, I'm just going to not talk about elves.

498
00:28:28.160 --> 00:28:30.720
<v Speaker 1>I don't know how to get around that to create

499
00:28:30.759 --> 00:28:33.279
<v Speaker 1>something that's believable but not derivative.

500
00:28:33.839 --> 00:28:36.440
<v Speaker 3>I can't get around it because I ended up making

501
00:28:36.480 --> 00:28:38.559
<v Speaker 3>them integral to the plot.

502
00:28:38.759 --> 00:28:43.160
<v Speaker 1>So yeah, but yeah, it's tricky.

503
00:28:43.839 --> 00:28:47.160
<v Speaker 3>It's just it's just interesting how much of you know,

504
00:28:48.119 --> 00:28:51.240
<v Speaker 3>the Norse material was a fountain head for Tolkien and

505
00:28:51.319 --> 00:28:55.000
<v Speaker 3>Lewis and their contemporaries, but then Tolkien and Lewis have

506
00:28:55.160 --> 00:28:59.759
<v Speaker 3>become this fountain head for everything after you.

507
00:28:59.720 --> 00:29:05.759
<v Speaker 1>Know, oh yeah, no, absolutely. I mean it's it's crazy that,

508
00:29:06.240 --> 00:29:11.759
<v Speaker 1>you know, they're still relatively modern authors, and then just

509
00:29:12.000 --> 00:29:15.880
<v Speaker 1>the influence that they've had to the point of I

510
00:29:15.880 --> 00:29:19.000
<v Speaker 1>mean they've set the stage. I mean, especially of Gardillick fantasy.

511
00:29:19.039 --> 00:29:21.640
<v Speaker 1>I mean, you can't do that without having talking somewhere

512
00:29:21.640 --> 00:29:24.960
<v Speaker 1>in your mind. And he basically created the modern genre

513
00:29:25.039 --> 00:29:26.279
<v Speaker 1>of the fantasy novel.

514
00:29:27.160 --> 00:29:30.160
<v Speaker 3>Right, And I think because it's modern, that's why it

515
00:29:30.240 --> 00:29:33.960
<v Speaker 3>was in the age of communication, you know, you know,

516
00:29:34.160 --> 00:29:36.359
<v Speaker 3>radio had been a thing for decades by the time

517
00:29:36.440 --> 00:29:37.799
<v Speaker 3>Lord of the Rings was that. You know, once you

518
00:29:37.799 --> 00:29:42.599
<v Speaker 3>have mass communication and the mass distribution of literature, you know,

519
00:29:42.920 --> 00:29:47.519
<v Speaker 3>it's it's going to become like the the a meme. Essentially,

520
00:29:47.759 --> 00:29:51.720
<v Speaker 3>it's going to sweep across across cultures and across continents

521
00:29:51.720 --> 00:29:56.480
<v Speaker 3>and just become you know, stuck in our imagination.

522
00:29:57.960 --> 00:30:01.480
<v Speaker 2>We also, I mean, it's interesting. I was reading the

523
00:30:01.519 --> 00:30:05.440
<v Speaker 2>introduction to this and it was talking about how you know,

524
00:30:05.480 --> 00:30:09.440
<v Speaker 2>all the Norse thought like thought and stories and poems

525
00:30:10.079 --> 00:30:14.480
<v Speaker 2>and stuff. I guess in Germany kind of like mainly

526
00:30:14.559 --> 00:30:19.279
<v Speaker 2>in Europe were out of fashion. Let's talk about post

527
00:30:19.319 --> 00:30:22.640
<v Speaker 2>World War two because of like the ties to you know,

528
00:30:22.839 --> 00:30:27.000
<v Speaker 2>Germany and Nazism and stuff. But then immediately after Tolkien

529
00:30:27.079 --> 00:30:32.519
<v Speaker 2>to Lewis kind of rectify them and shape them so

530
00:30:32.559 --> 00:30:35.160
<v Speaker 2>that then they're i mean the look of what they've

531
00:30:35.200 --> 00:30:39.880
<v Speaker 2>done for even American like telling of different Norse stuff,

532
00:30:39.920 --> 00:30:42.599
<v Speaker 2>whether it's like Thor and Marvel or something or any

533
00:30:42.680 --> 00:30:45.440
<v Speaker 2>of like the later books. Like you're saying it really

534
00:30:46.079 --> 00:30:47.920
<v Speaker 2>kind of like Nope, you're not actually going to take

535
00:30:47.960 --> 00:30:51.680
<v Speaker 2>that fully from it just because you associated with it, right,

536
00:30:52.039 --> 00:30:53.640
<v Speaker 2>We're going to take it back, which is cool.

537
00:30:56.640 --> 00:31:01.039
<v Speaker 1>Yeah, there, I haven't read I've heard tell of some

538
00:31:01.119 --> 00:31:05.000
<v Speaker 1>kind of of some book that focuses specifically on talkien

539
00:31:05.319 --> 00:31:10.240
<v Speaker 1>wrestling with the the myth as it's been adopted from,

540
00:31:10.559 --> 00:31:13.079
<v Speaker 1>you know, with the Nazis. And I mean obviously he

541
00:31:13.319 --> 00:31:16.279
<v Speaker 1>had wrote some letters about that about you know that

542
00:31:16.400 --> 00:31:20.240
<v Speaker 1>ruddy ignoramus Adolf Hitler, and you know he said that

543
00:31:20.359 --> 00:31:22.279
<v Speaker 1>at his age as like a you know, older middle

544
00:31:22.319 --> 00:31:24.519
<v Speaker 1>aged guy. He says he'd be a better fighter than

545
00:31:24.559 --> 00:31:28.079
<v Speaker 1>when he was in his prime, because he just really

546
00:31:28.119 --> 00:31:31.240
<v Speaker 1>has such hostility towards what Hitler was doing. And you know,

547
00:31:31.319 --> 00:31:34.559
<v Speaker 1>Louis said the same thing that, you know, he was

548
00:31:34.759 --> 00:31:37.000
<v Speaker 1>furious with what the Nazis were doing to his beloved

549
00:31:37.000 --> 00:31:39.799
<v Speaker 1>Northern Mythos until he recognized they were getting it all wrong,

550
00:31:39.960 --> 00:31:42.079
<v Speaker 1>and then they kind of gave it back to them,

551
00:31:42.200 --> 00:31:45.240
<v Speaker 1>because and the whole Northern Mythos is the idea that

552
00:31:45.319 --> 00:31:48.480
<v Speaker 1>the heroes fighting alongside the gods, had their back against

553
00:31:48.519 --> 00:31:51.680
<v Speaker 1>the wall, and that you know, at least up through Ragnarok,

554
00:31:51.759 --> 00:31:54.319
<v Speaker 1>like the monsters are gonna end up winning, you know,

555
00:31:54.400 --> 00:31:57.400
<v Speaker 1>in this grand sense. And so the heroes of the

556
00:31:57.440 --> 00:32:00.480
<v Speaker 1>Northern Mythos are not the ones going out conquering everything.

557
00:32:00.599 --> 00:32:03.200
<v Speaker 1>They're the ones with their back against the wall, fighting

558
00:32:03.200 --> 00:32:05.880
<v Speaker 1>for as long as they possibly can. And so at

559
00:32:05.880 --> 00:32:08.200
<v Speaker 1>the same time that the Nazis are trying to appropriate

560
00:32:08.240 --> 00:32:11.240
<v Speaker 1>the Northern Mythos to portray themselves as these Northern heroes,

561
00:32:11.440 --> 00:32:13.000
<v Speaker 1>they're actually playing the role with the monsters.

562
00:32:13.039 --> 00:32:16.400
<v Speaker 3>The monsters. Yeah, I think it became more entrenched in

563
00:32:16.519 --> 00:32:20.839
<v Speaker 3>Nazi ideology towards the end, Like I mean, where they

564
00:32:21.160 --> 00:32:25.519
<v Speaker 3>started calling you know, like the complete collapse of Germany

565
00:32:25.559 --> 00:32:27.880
<v Speaker 3>and it being overrun from all sides. They would use

566
00:32:27.880 --> 00:32:31.319
<v Speaker 3>they would use phrases like God or Damar, the Twilight

567
00:32:31.359 --> 00:32:35.039
<v Speaker 3>of the Gods, Ragnarok, and so I think it became yeah,

568
00:32:35.400 --> 00:32:39.480
<v Speaker 3>so sort of like they identified it with it a

569
00:32:39.519 --> 00:32:42.319
<v Speaker 3>lot towards the end, but it was, you know, they

570
00:32:42.319 --> 00:32:45.359
<v Speaker 3>were trying to in some in some cases just replace

571
00:32:45.960 --> 00:32:51.279
<v Speaker 3>Christianity with either like neo pagan ideas, especially Heinrich Kimmler

572
00:32:51.359 --> 00:32:56.279
<v Speaker 3>and the SS. Like there's this great book called The

573
00:32:56.319 --> 00:32:59.480
<v Speaker 3>Master Plan and I'm forgetting the author right now, but

574
00:32:59.519 --> 00:33:05.319
<v Speaker 3>it's it. It chronicles the SS's kind of like appropriation

575
00:33:05.640 --> 00:33:09.759
<v Speaker 3>of not just Norse mythology, but archaeology and history in general,

576
00:33:09.839 --> 00:33:13.599
<v Speaker 3>trying to rewrite the whole thing along you know, Nazi lines.

577
00:33:13.640 --> 00:33:17.720
<v Speaker 3>And they're crazy, sort of bizarre like creation of liturgies

578
00:33:17.799 --> 00:33:21.880
<v Speaker 3>and rituals to rip to de christianize Germany and replace

579
00:33:21.920 --> 00:33:27.119
<v Speaker 3>it with this new hodgepodge of Norse, old Germanic stuff

580
00:33:27.240 --> 00:33:34.039
<v Speaker 3>and just stuff that they invented, and it's it's deeply unsettling. Yeah.

581
00:33:34.160 --> 00:33:36.559
<v Speaker 1>Yeah, of course, the Nazis were interested in all kinds

582
00:33:36.559 --> 00:33:40.920
<v Speaker 1>of cultic things and trying to reclaim religious artifacts and yeah,

583
00:33:41.079 --> 00:33:42.240
<v Speaker 1>like that's a real thing.

584
00:33:42.319 --> 00:33:46.160
<v Speaker 3>People think that's just Indiana Jones, but no, that's actual,

585
00:33:46.759 --> 00:33:50.200
<v Speaker 3>you know, loosely, incredibly loosely, but based on real history.

586
00:33:50.319 --> 00:33:52.319
<v Speaker 1>Yeah yeah, yeah, I mean, you know there are stories

587
00:33:52.319 --> 00:33:54.240
<v Speaker 1>about you know, Hitler trying to find the you know,

588
00:33:54.319 --> 00:33:59.079
<v Speaker 1>lanstep Pierce Christ or you know, contact aliens, like all

589
00:33:59.119 --> 00:33:59.680
<v Speaker 1>sorts of stuff.

590
00:33:59.839 --> 00:34:03.359
<v Speaker 3>Yeah, Himmler, Himmler thought, well, yeah, in the master Plan

591
00:34:03.440 --> 00:34:06.039
<v Speaker 3>they talk about how Himmler wanted to find Thor's hammer.

592
00:34:06.160 --> 00:34:09.159
<v Speaker 3>He thought Thor's hammer was an actual was an actual

593
00:34:09.360 --> 00:34:13.199
<v Speaker 3>device that ancient people had used, some sort of electric

594
00:34:13.320 --> 00:34:15.960
<v Speaker 3>weapon or something, and he's like, we'll win the war

595
00:34:16.079 --> 00:34:16.880
<v Speaker 3>and all that stuff.

596
00:34:16.960 --> 00:34:21.559
<v Speaker 1>So which it's it's unsettling, insane, but I mean it's interesting.

597
00:34:22.800 --> 00:34:26.039
<v Speaker 3>And it's made for good stories ever since. If one

598
00:34:26.119 --> 00:34:27.880
<v Speaker 3>good thing came out of it.

599
00:34:28.079 --> 00:34:32.199
<v Speaker 2>You know, you're telling me, Jane Thor was really just

600
00:34:32.639 --> 00:34:35.360
<v Speaker 2>a descendant of Ler. Look, you know, found the hammer

601
00:34:35.400 --> 00:34:36.599
<v Speaker 2>that was finally there.

602
00:34:38.360 --> 00:34:45.679
<v Speaker 1>But oh man, yeah, it's a good thing they lost

603
00:34:49.039 --> 00:34:49.880
<v Speaker 1>for many reasons.

604
00:34:52.880 --> 00:34:55.599
<v Speaker 3>Anything dealing with that today, right, just I was just

605
00:34:55.679 --> 00:34:58.440
<v Speaker 3>going to say, like, you know that that danger of

606
00:34:58.639 --> 00:35:04.119
<v Speaker 3>the appropriation of culture to be used for like state

607
00:35:04.159 --> 00:35:08.639
<v Speaker 3>propaganda is the Nazis didn't invent it, and it certainly

608
00:35:08.679 --> 00:35:09.480
<v Speaker 3>didn't die with.

609
00:35:09.400 --> 00:35:16.320
<v Speaker 1>Them, oh for sure. And I mean it's probably it's

610
00:35:16.639 --> 00:35:22.360
<v Speaker 1>me particularly a problem that can be presented within democracy

611
00:35:22.840 --> 00:35:25.800
<v Speaker 1>where you know, so much of politics religous comes down

612
00:35:25.840 --> 00:35:30.440
<v Speaker 1>to marketing, right that you know, especially in you know,

613
00:35:30.440 --> 00:35:33.480
<v Speaker 1>a day and age where most of the electorate doesn't

614
00:35:33.480 --> 00:35:36.239
<v Speaker 1>really know what's going on, right, and so you know,

615
00:35:36.440 --> 00:35:40.039
<v Speaker 1>you watch the presidential debates over the last several years,

616
00:35:40.800 --> 00:35:44.280
<v Speaker 1>and they're not really asking questions like, you know, what

617
00:35:44.440 --> 00:35:46.000
<v Speaker 1>is the good of man? It was the role of

618
00:35:46.119 --> 00:35:50.119
<v Speaker 1>the government in facilitating, you know, our actualization of the

619
00:35:50.159 --> 00:35:53.320
<v Speaker 1>human potential. No, it's all just like kind of clickbaity

620
00:35:53.360 --> 00:35:56.039
<v Speaker 1>type stuff like you know, how can I get my

621
00:35:56.039 --> 00:35:58.159
<v Speaker 1>my little clip in there to you know, throw onto

622
00:35:58.159 --> 00:36:02.199
<v Speaker 1>TikTok or Twitter or whatever. It's it's nothing dealing with substance.

623
00:36:02.199 --> 00:36:05.199
<v Speaker 1>It all comes down to just marketing, right, And that's

624
00:36:05.239 --> 00:36:09.039
<v Speaker 1>where you know, it can become very easy to appropriate

625
00:36:09.280 --> 00:36:12.639
<v Speaker 1>these various marketing elements that are going to give rise

626
00:36:12.679 --> 00:36:16.760
<v Speaker 1>to certain sentiments. And so it's very easy whether we're

627
00:36:16.800 --> 00:36:20.639
<v Speaker 1>talking about you know, the autocratic style or even just

628
00:36:20.760 --> 00:36:25.280
<v Speaker 1>the marketing style of democracy. It's very easy to appropriate culture,

629
00:36:25.599 --> 00:36:27.440
<v Speaker 1>to move it in that sort of direction.

630
00:36:28.840 --> 00:36:34.159
<v Speaker 2>I mean, uneducated democracy too, right, you know, like marketing it.

631
00:36:34.280 --> 00:36:36.599
<v Speaker 2>If you don't, like Thomas was saying, if you're not

632
00:36:38.119 --> 00:36:40.679
<v Speaker 2>understanding and knowing some of the background, you can't even

633
00:36:40.719 --> 00:36:45.440
<v Speaker 2>tell that they miss misaligned it, or like reconfigured whatever

634
00:36:45.519 --> 00:36:48.119
<v Speaker 2>it was. You know, whatever the message was, whatever the

635
00:36:48.159 --> 00:36:51.000
<v Speaker 2>myth was, for their own purposes. If you don't know

636
00:36:51.039 --> 00:36:53.440
<v Speaker 2>the myth, you're just like, okay, well let me throw

637
00:36:53.440 --> 00:36:57.880
<v Speaker 2>it out, right, So because it's even related.

638
00:36:57.559 --> 00:37:01.599
<v Speaker 1>So yeah, I mean, you know, it's even saying aside

639
00:37:01.599 --> 00:37:04.039
<v Speaker 1>the political angle, and not to mention some of the

640
00:37:04.039 --> 00:37:16.039
<v Speaker 1>propaganda marvels pushing through these days.

641
00:37:10.880 --> 00:37:15.559
<v Speaker 3>That's something even our modern myths become essentially, you know,

642
00:37:15.679 --> 00:37:19.360
<v Speaker 3>consumed by the marketing aspect. You know that that's something

643
00:37:19.400 --> 00:37:21.880
<v Speaker 3>that the writers of this material did not have to

644
00:37:21.920 --> 00:37:24.400
<v Speaker 3>deal with, you know the fact that you know, they're

645
00:37:24.400 --> 00:37:27.280
<v Speaker 3>writing myths, but they didn't have to sell them to anybody.

646
00:37:27.440 --> 00:37:32.559
<v Speaker 1>So right, and there's this idea that the myth is

647
00:37:32.679 --> 00:37:36.199
<v Speaker 1>valuable for its own sake, right, I mean, and that's

648
00:37:36.199 --> 00:37:39.960
<v Speaker 1>why you know this book is recorded, it's why you know,

649
00:37:40.039 --> 00:37:43.079
<v Speaker 1>Snory put together the prosett It's this idea that there

650
00:37:43.119 --> 00:37:45.239
<v Speaker 1>are things that are worth preserving. It's not so much

651
00:37:45.440 --> 00:37:48.559
<v Speaker 1>what can I do to launch things forward with this,

652
00:37:48.960 --> 00:37:51.920
<v Speaker 1>but it's more of how do we conserve the wisdom

653
00:37:52.280 --> 00:37:54.559
<v Speaker 1>that we already have? And this is a very different

654
00:37:54.599 --> 00:37:57.239
<v Speaker 1>mindset versus how can I market this? How can I

655
00:37:57.280 --> 00:37:59.079
<v Speaker 1>publish this? What media can I spin out of this?

656
00:37:59.199 --> 00:38:02.320
<v Speaker 3>How can I sell figures?

657
00:38:02.320 --> 00:38:06.559
<v Speaker 1>Exactly? And that gets to the difference between and this

658
00:38:06.639 --> 00:38:10.360
<v Speaker 1>is even like explicitly you know, political, but just general philosophical,

659
00:38:10.400 --> 00:38:14.559
<v Speaker 1>the difference between conservatism and progressivism that one is set

660
00:38:14.599 --> 00:38:17.039
<v Speaker 1>on preserving the wisdom that we have, the other is

661
00:38:17.039 --> 00:38:21.440
<v Speaker 1>set on what can I do with this? Well, anything

662
00:38:21.480 --> 00:38:25.719
<v Speaker 1>else anyone wants to mention about buffwunder sayings. If not that,

663
00:38:25.800 --> 00:38:33.360
<v Speaker 1>we can jump to the next one. The Mythic Mind

664
00:38:33.400 --> 00:38:37.039
<v Speaker 1>Fellowship presents a new study led by doctor Andrew Snyder,

665
00:38:37.599 --> 00:38:40.320
<v Speaker 1>the Wisdom of Middle Earth the Lord of the Rings.

666
00:38:41.119 --> 00:38:42.880
<v Speaker 1>This will be the first study in the Wisdom of

667
00:38:42.920 --> 00:38:45.400
<v Speaker 1>Middle Earth series, which seeks to bring an array of

668
00:38:45.400 --> 00:38:48.719
<v Speaker 1>companions together with a common desire of growing in wisdom

669
00:38:48.800 --> 00:38:53.440
<v Speaker 1>while enjoying the heartening tales the Great tale weaver J R. R. Tolkien.

670
00:38:54.039 --> 00:38:56.239
<v Speaker 1>The Lord of the Rings is a profound tale that

671
00:38:56.320 --> 00:38:59.679
<v Speaker 1>has literally changed lines, as it has for mine. And

672
00:39:00.000 --> 00:39:03.320
<v Speaker 1>what is it that makes this story so powerful and

673
00:39:03.440 --> 00:39:08.760
<v Speaker 1>so compelling. It is because Tolkien's stories are fundamentally true,

674
00:39:09.000 --> 00:39:11.639
<v Speaker 1>and those who engage with it know exactly what I mean.

675
00:39:12.119 --> 00:39:15.000
<v Speaker 1>They speak to the way that things are. As Peter

676
00:39:15.119 --> 00:39:18.000
<v Speaker 1>Christ said in the Philosophy of Tolkien, the Lord of

677
00:39:18.039 --> 00:39:21.000
<v Speaker 1>the Rings is infused with this same light that illumined

678
00:39:21.000 --> 00:39:23.519
<v Speaker 1>the man who wrote it. And that light is true,

679
00:39:23.719 --> 00:39:26.639
<v Speaker 1>for it reveals the reality of the world and life.

680
00:39:27.440 --> 00:39:30.000
<v Speaker 1>So join us on this adventure. Let us grow and

681
00:39:30.039 --> 00:39:34.079
<v Speaker 1>wisdom together through immersion in this tale, not through cheap allegorizing,

682
00:39:34.360 --> 00:39:37.320
<v Speaker 1>but by getting a better understanding of the ideas and

683
00:39:37.320 --> 00:39:39.880
<v Speaker 1>the movements of the heart that bring a tale such

684
00:39:39.880 --> 00:39:43.119
<v Speaker 1>as this to life. This twelve week study will begin

685
00:39:43.199 --> 00:39:46.480
<v Speaker 1>with Tolkien's creation account, the Iuindulay, and then move to

686
00:39:46.519 --> 00:39:49.079
<v Speaker 1>the beginning of the Fellowship of the Ring. Each week

687
00:39:49.119 --> 00:39:51.320
<v Speaker 1>will include a signed reading from The Lord of the Rings,

688
00:39:51.559 --> 00:39:53.320
<v Speaker 1>a short side lesson in the beginning of the week

689
00:39:53.360 --> 00:39:57.159
<v Speaker 1>that addresses a relevant theme, background story, or secondary text,

690
00:39:57.400 --> 00:39:59.360
<v Speaker 1>and then once you've had some time to do the reading.

691
00:39:59.519 --> 00:40:01.559
<v Speaker 1>There will be a longer video that serves as a

692
00:40:01.599 --> 00:40:04.280
<v Speaker 1>guide in these forests of wisdom. Also, we will have

693
00:40:04.320 --> 00:40:08.280
<v Speaker 1>additional recommended readings, an active discord channel, and weekly live

694
00:40:08.360 --> 00:40:10.960
<v Speaker 1>meetings which will be recorded in case you cannot attend.

695
00:40:11.440 --> 00:40:13.199
<v Speaker 1>Whether you are reading The Lord of the Rings for

696
00:40:13.239 --> 00:40:16.480
<v Speaker 1>the first time or the eleveny first time, I invite

697
00:40:16.480 --> 00:40:19.599
<v Speaker 1>you to join our company. Prices are currently as low

698
00:40:19.639 --> 00:40:21.360
<v Speaker 1>as they ever have been, and they are as low

699
00:40:21.360 --> 00:40:23.639
<v Speaker 1>as they ever will be, So go ahead and join

700
00:40:23.719 --> 00:40:27.519
<v Speaker 1>today at Andrew Schnyder dot Padia dot com, and I

701
00:40:27.559 --> 00:40:44.559
<v Speaker 1>hope to see you on this road that goes ever on. Well,

702
00:40:44.599 --> 00:40:49.920
<v Speaker 1>then jumping over to Grimner Sayings or or Grimney's Malle,

703
00:40:50.800 --> 00:40:52.679
<v Speaker 1>I'm gonna read just a little bit of the first

704
00:40:52.679 --> 00:40:56.760
<v Speaker 1>portion of the introduction here. The pro's introduction to Grimmy's

705
00:40:56.800 --> 00:40:59.719
<v Speaker 1>Mall gives an unexpected account of Odin and Frigo as

706
00:40:59.800 --> 00:41:03.159
<v Speaker 1>right patrons to two kingly candidates, the lost son of

707
00:41:03.320 --> 00:41:08.880
<v Speaker 1>King rodund Oh buried thereund Odin uses cunning to give

708
00:41:08.920 --> 00:41:11.960
<v Speaker 1>his foster son an unfair advantage, and then precipitates a

709
00:41:12.000 --> 00:41:15.239
<v Speaker 1>matrimonial quarrel by pointing out the different fates which have

710
00:41:15.360 --> 00:41:18.960
<v Speaker 1>overtaken their proteges. Friga is swift to get her own back,

711
00:41:19.239 --> 00:41:22.840
<v Speaker 1>accusing Odin's favorite of stinginess, a serious charge giving the

712
00:41:22.880 --> 00:41:27.360
<v Speaker 1>near sacred character which Germanic societies ascribed to hospitality. Friga

713
00:41:27.400 --> 00:41:31.639
<v Speaker 1>duplicitly ensures that Gerud does mistreat his guest, relying on

714
00:41:31.679 --> 00:41:35.960
<v Speaker 1>Odin's practice disguising himself when visiting strange halls, Odin arrives

715
00:41:35.960 --> 00:41:40.280
<v Speaker 1>at Garrett's hall, calling himself Grimner, the masked one. Gerold's

716
00:41:40.320 --> 00:41:43.199
<v Speaker 1>methods of torture, starvation, and heat have been thought to

717
00:41:43.239 --> 00:41:47.760
<v Speaker 1>recall shamanistic rituals allowing access to arcane knowledge kept hidden

718
00:41:47.760 --> 00:41:50.840
<v Speaker 1>from the uninitiated. Such practice could have been known to

719
00:41:50.880 --> 00:41:54.840
<v Speaker 1>the Scandinavians from their northern neighbors. The lapse again, then

720
00:41:54.840 --> 00:41:57.000
<v Speaker 1>it goes on, and then at the end Odin reveals himself,

721
00:41:57.440 --> 00:42:02.079
<v Speaker 1>and so yeah, sou, they're these two lost sons of

722
00:42:02.119 --> 00:42:06.440
<v Speaker 1>this king and too, Odin and Frigam. They both adopt

723
00:42:06.880 --> 00:42:09.920
<v Speaker 1>one to you know, raise them up to take over

724
00:42:10.079 --> 00:42:16.960
<v Speaker 1>the throne with the death of their father. But things

725
00:42:17.000 --> 00:42:19.280
<v Speaker 1>don't go pretty well for Odin, and.

726
00:42:19.199 --> 00:42:21.440
<v Speaker 3>They have two different fates. Like you said, I just

727
00:42:21.559 --> 00:42:23.800
<v Speaker 3>thought this something just popped into my mind. That reminds

728
00:42:23.880 --> 00:42:28.960
<v Speaker 3>me of the twins from the Horse and his Boy, Right,

729
00:42:29.199 --> 00:42:32.119
<v Speaker 3>one becomes a prince and the other is like a slave.

730
00:42:33.039 --> 00:42:37.280
<v Speaker 3>So that's a common trope, right where brothers or or

731
00:42:37.960 --> 00:42:43.039
<v Speaker 3>twins have these extremely divergent outcomes.

732
00:42:43.119 --> 00:42:46.559
<v Speaker 1>Yeah, and it's a good indication of how you know,

733
00:42:46.840 --> 00:42:49.679
<v Speaker 1>your own life very well could have gone in a different direction,

734
00:42:50.280 --> 00:42:53.599
<v Speaker 1>but that we all are subject to fate, which obviously

735
00:42:53.599 --> 00:42:56.480
<v Speaker 1>fate plays a very significant role in these Northern stories.

736
00:42:57.440 --> 00:42:59.880
<v Speaker 1>And so it's this idea that okay, they're they're different past,

737
00:43:00.119 --> 00:43:04.880
<v Speaker 1>we could find ourselves put on what are what are

738
00:43:04.880 --> 00:43:06.239
<v Speaker 1>some things some thoughts that you had?

739
00:43:08.320 --> 00:43:12.480
<v Speaker 3>Again, I like that he's called the masked one, like

740
00:43:12.519 --> 00:43:15.760
<v Speaker 3>we were saying before about you know, like Merlin and

741
00:43:15.800 --> 00:43:18.519
<v Speaker 3>Gandalf and just this this idea of illusion, you know,

742
00:43:18.599 --> 00:43:21.639
<v Speaker 3>the wizard being a and you know even even the

743
00:43:21.719 --> 00:43:25.440
<v Speaker 3>term wizard wise one, you know, being a creature of illusion.

744
00:43:25.880 --> 00:43:30.159
<v Speaker 3>And they say he has a blue cloak, which immediately

745
00:43:30.199 --> 00:43:32.199
<v Speaker 3>reminded me, you know of one of Tolkien, you know,

746
00:43:32.239 --> 00:43:33.159
<v Speaker 3>the blue wizards.

747
00:43:34.360 --> 00:43:38.320
<v Speaker 1>Right, Yeah, and we get that same idea that we

748
00:43:38.320 --> 00:43:40.719
<v Speaker 1>were talking about about how Oudin is always he's almost

749
00:43:40.719 --> 00:43:43.880
<v Speaker 1>always vailed. So later on in this story, you know,

750
00:43:43.920 --> 00:43:47.480
<v Speaker 1>he recounts all these different names that he's had. It's

751
00:43:47.559 --> 00:43:51.880
<v Speaker 1>like a million different pseudonyms that he's adopted here and there,

752
00:43:52.440 --> 00:43:54.719
<v Speaker 1>again showing the fact that he's almost always veiled in

753
00:43:54.760 --> 00:43:55.840
<v Speaker 1>his dealings with mortals.

754
00:43:56.719 --> 00:43:59.760
<v Speaker 3>Gandalf does that once where he tells Parimir all the

755
00:43:59.840 --> 00:44:03.320
<v Speaker 3>very sarious names that he's had in different lands.

756
00:44:03.440 --> 00:44:08.760
<v Speaker 2>Yeah, it seems like Odin and Freig have got to

757
00:44:08.880 --> 00:44:10.920
<v Speaker 2>a lull in the relationship where they just need to

758
00:44:11.000 --> 00:44:14.599
<v Speaker 2>kind of you know, pick some people, just just make

759
00:44:14.719 --> 00:44:20.079
<v Speaker 2>some make a fight happen, you know, right, it works.

760
00:44:22.840 --> 00:44:25.480
<v Speaker 3>Oh, at one point I wrote this down, Odin calls

761
00:44:25.559 --> 00:44:30.199
<v Speaker 3>himself Wanderer, so like Mithrandi or the gray Pilgrim, the

762
00:44:30.239 --> 00:44:36.119
<v Speaker 3>gray Wanderer. So more more Gandalf associates.

763
00:44:36.440 --> 00:44:40.599
<v Speaker 1>It's all in Tolkien, bless me. Yeah, you know, I

764
00:44:40.840 --> 00:44:42.440
<v Speaker 1>kind of thought, especially by the time we get to

765
00:44:42.440 --> 00:44:45.280
<v Speaker 1>the end of this story. You know, I thought of

766
00:44:46.039 --> 00:44:51.280
<v Speaker 1>Hebrews about you know, entertaining strangers, because you know you

767
00:44:51.320 --> 00:44:55.239
<v Speaker 1>might be entertaining angels unaware, you know, especially the role

768
00:44:55.239 --> 00:45:00.440
<v Speaker 1>of hospitality plays as the king's son, you know, also

769
00:45:00.679 --> 00:45:06.119
<v Speaker 1>Damed Gerodin. Right, Yeah, he's the one who shows hospitality

770
00:45:06.280 --> 00:45:09.440
<v Speaker 1>to Odin, not recognizing who he is, and he gets

771
00:45:09.480 --> 00:45:12.079
<v Speaker 1>rewarded for that and into you know, I think that's

772
00:45:12.119 --> 00:45:14.199
<v Speaker 1>a potential connection there.

773
00:45:16.599 --> 00:45:19.320
<v Speaker 3>And then what is it? The king gets impaled on

774
00:45:19.400 --> 00:45:24.559
<v Speaker 3>his own sword, which wasn't because at first I was like, oh,

775
00:45:25.079 --> 00:45:28.440
<v Speaker 3>like Turin, except Turin was suicide and this it was

776
00:45:28.519 --> 00:45:32.280
<v Speaker 3>just a silly accent, almost a slapstick kind of accident.

777
00:45:38.719 --> 00:45:42.039
<v Speaker 1>Yeah, And you know, I assume that that's a you know,

778
00:45:42.360 --> 00:45:45.400
<v Speaker 1>the fate that wrought somebody who was consumed with pride

779
00:45:45.480 --> 00:45:49.880
<v Speaker 1>that you know, he would stumble and fall very unheroically

780
00:45:50.079 --> 00:45:52.159
<v Speaker 1>onto his own sword, you know, in this kind of

781
00:45:52.199 --> 00:45:54.039
<v Speaker 1>slapstick way. And I think he's showing me that he

782
00:45:54.239 --> 00:45:58.000
<v Speaker 1>was kind of a buffoon because he was so consumed

783
00:45:58.000 --> 00:45:59.679
<v Speaker 1>by pride, like you know, this is how he treats

784
00:45:59.679 --> 00:46:00.119
<v Speaker 1>his gut.

785
00:46:01.840 --> 00:46:03.199
<v Speaker 3>Trying to roast them alive.

786
00:46:03.519 --> 00:46:08.719
<v Speaker 1>Yeah, it's right. It reminds me of that that Testerton

787
00:46:08.920 --> 00:46:13.159
<v Speaker 1>quote about how you know, thinking in isolation and in

788
00:46:13.239 --> 00:46:17.119
<v Speaker 1>pride makes you into an idiot. I think they see

789
00:46:17.119 --> 00:46:18.159
<v Speaker 1>something like that playing out here.

790
00:46:20.039 --> 00:46:24.800
<v Speaker 2>Who are the powers? Again? I was trying to what's

791
00:46:24.840 --> 00:46:29.960
<v Speaker 2>the context, Like, uh, is this line six where since

792
00:46:30.000 --> 00:46:33.559
<v Speaker 2>there is a third home where the cheerful powers roots

793
00:46:33.639 --> 00:46:37.519
<v Speaker 2>the rooms with silver, is the powers just like pre

794
00:46:37.880 --> 00:46:39.719
<v Speaker 2>god god's kind of thing?

795
00:46:39.920 --> 00:46:43.599
<v Speaker 1>Or I think the powers are essentially just the gods.

796
00:46:47.480 --> 00:46:50.440
<v Speaker 1>And you know in the Civil Rellion in particular, you

797
00:46:50.440 --> 00:46:52.599
<v Speaker 1>know sometimes talking to refer to the powers, by which

798
00:46:52.639 --> 00:46:53.760
<v Speaker 1>he means the valaar.

799
00:46:54.199 --> 00:46:58.559
<v Speaker 2>Yeah, that's right, gotcha, Okay, and that makes sense because

800
00:46:58.800 --> 00:47:01.199
<v Speaker 2>line force until the powers for the center.

801
00:47:01.360 --> 00:47:04.159
<v Speaker 1>Okay, yeah, right.

802
00:47:05.719 --> 00:47:08.719
<v Speaker 3>I noticed a couple of name drops too that aren't

803
00:47:08.719 --> 00:47:12.000
<v Speaker 3>actually not related to Tolkien, but are related to Star Wars.

804
00:47:15.239 --> 00:47:15.719
<v Speaker 2>They mention.

805
00:47:16.880 --> 00:47:19.840
<v Speaker 3>They mentioned Skull and Hati, who are the two wolves

806
00:47:19.840 --> 00:47:22.960
<v Speaker 3>who devour the Sun and Moon or constantly chase them around.

807
00:47:23.400 --> 00:47:26.199
<v Speaker 3>And in some of the more contemporary Star Wars there's

808
00:47:26.199 --> 00:47:29.559
<v Speaker 3>two characters who are named after those figures. There are

809
00:47:29.559 --> 00:47:32.960
<v Speaker 3>a couple of well they don't think of themselves as Jedi,

810
00:47:33.000 --> 00:47:35.960
<v Speaker 3>but they're kind of like rogue Jedi, called Baleen Skull

811
00:47:36.119 --> 00:47:39.679
<v Speaker 3>and Shin Hati, and they basically confirmed that. Yeah, their

812
00:47:39.760 --> 00:47:43.559
<v Speaker 3>names Skull and Hati are taken from the North Smith

813
00:47:43.599 --> 00:47:45.880
<v Speaker 3>of these wolves that chase the Sun and Moon. So

814
00:47:45.920 --> 00:47:46.920
<v Speaker 3>I thought that was interesting.

815
00:47:47.239 --> 00:47:48.960
<v Speaker 1>I'm curious. I'm not up to date on like the

816
00:47:48.960 --> 00:47:52.559
<v Speaker 1>new Star Wars media, but I mean, is there any

817
00:47:52.559 --> 00:47:56.000
<v Speaker 1>connection between their characters and their mythological kind of parts

818
00:47:56.480 --> 00:47:57.159
<v Speaker 1>the naming.

819
00:47:57.800 --> 00:48:00.480
<v Speaker 3>Well, we haven't seen the end of their character yet,

820
00:48:00.559 --> 00:48:01.920
<v Speaker 3>so I'm not I'm not sure.

821
00:48:02.599 --> 00:48:03.519
<v Speaker 1>Okay, I didn't.

822
00:48:03.559 --> 00:48:07.360
<v Speaker 3>There was nothing that jumped out at me immediately, but

823
00:48:07.480 --> 00:48:10.679
<v Speaker 3>I I know that the kind of Lucasfilm's kind of

824
00:48:10.760 --> 00:48:14.440
<v Speaker 3>creative head honcho deve Filoni, is a big fan of

825
00:48:14.480 --> 00:48:17.000
<v Speaker 3>the Norse stuff, so I'm just not surprised that he

826
00:48:17.039 --> 00:48:20.159
<v Speaker 3>would he would litter some of the new material with

827
00:48:20.239 --> 00:48:21.239
<v Speaker 3>Norse references.

828
00:48:22.760 --> 00:48:24.920
<v Speaker 1>It's kind of interesting, just says he goes through the

829
00:48:24.960 --> 00:48:28.840
<v Speaker 1>different realms of Asgar, the different homes of the gods,

830
00:48:28.920 --> 00:48:31.719
<v Speaker 1>you get some insights into kind of did the different

831
00:48:33.400 --> 00:48:36.440
<v Speaker 1>i mean different aesthetic associated with some of the different gods.

832
00:48:37.800 --> 00:48:38.000
<v Speaker 2>You know.

833
00:48:38.119 --> 00:48:42.440
<v Speaker 1>I look to you know, Bullberge, because he's one of

834
00:48:42.440 --> 00:48:44.199
<v Speaker 1>the gods I'm more familiar with because he played such

835
00:48:44.199 --> 00:48:47.320
<v Speaker 1>an important role in the story, as well as I

836
00:48:47.360 --> 00:48:50.400
<v Speaker 1>think his potential connection to Christ regarding the fact that

837
00:48:50.599 --> 00:48:52.880
<v Speaker 1>you know, he's the god who dies and he resurrects

838
00:48:52.880 --> 00:48:55.800
<v Speaker 1>and in his resurrection. He kind of brings us into

839
00:48:55.960 --> 00:48:58.559
<v Speaker 1>the new world order post Ragnarok, and so I think

840
00:48:58.559 --> 00:49:03.159
<v Speaker 1>there is some christological topology there in My Reckoning, you know,

841
00:49:03.199 --> 00:49:06.320
<v Speaker 1>as Lewis says that the pagan myths are, you know,

842
00:49:06.559 --> 00:49:10.079
<v Speaker 1>you've got celestial strength falling on a jungle of filth

843
00:49:10.079 --> 00:49:14.360
<v Speaker 1>and imbecility. That there is glory and truth to be

844
00:49:14.360 --> 00:49:18.480
<v Speaker 1>found here that needs to be extracted. But you know,

845
00:49:18.480 --> 00:49:22.440
<v Speaker 1>we're told that, you know, Boulder, he dwells in a

846
00:49:22.599 --> 00:49:27.320
<v Speaker 1>his hall has the fewest ruins of ill omen to

847
00:49:27.360 --> 00:49:30.079
<v Speaker 1>show that, you know, he's associated with sort of peace

848
00:49:30.119 --> 00:49:34.000
<v Speaker 1>and tranquility and prosperity and goodness. But it kind of

849
00:49:34.000 --> 00:49:36.840
<v Speaker 1>makes sense that in the brutal scene that we get

850
00:49:36.840 --> 00:49:39.320
<v Speaker 1>in the Northern story, that you know, he's one of

851
00:49:39.360 --> 00:49:40.199
<v Speaker 1>the gods that dies.

852
00:49:41.599 --> 00:49:44.039
<v Speaker 3>Yeah, there's there's more about Emir again in the Creation

853
00:49:44.119 --> 00:49:49.719
<v Speaker 3>of the World. So the dwelling place of men mid

854
00:49:49.719 --> 00:49:55.760
<v Speaker 3>guard Is is made from the eyelashes of Emir. That's

855
00:49:55.920 --> 00:50:05.880
<v Speaker 3>that's rather humorous. His brains are the clouds. Oh okay, great.

856
00:50:05.599 --> 00:50:08.880
<v Speaker 2>You wonder like why was it taken like eyelashes any

857
00:50:08.920 --> 00:50:10.119
<v Speaker 2>significance there, but.

858
00:50:10.559 --> 00:50:17.719
<v Speaker 3>Yeah, which this reminds me of another fantasy author who

859
00:50:17.800 --> 00:50:21.920
<v Speaker 3>was heavily inspired by this material was a gene Wolf,

860
00:50:22.840 --> 00:50:27.880
<v Speaker 3>because I'm currently reading his Wizard Night duology, and in

861
00:50:27.960 --> 00:50:33.119
<v Speaker 3>that there's like there's the many worlds, but I don't

862
00:50:33.119 --> 00:50:35.960
<v Speaker 3>think there's nine. I think there's seven in that, and

863
00:50:36.559 --> 00:50:41.000
<v Speaker 3>the the sort of world above, the one where humans live,

864
00:50:41.159 --> 00:50:43.960
<v Speaker 3>is populated by this race of gods that are very

865
00:50:44.039 --> 00:50:48.400
<v Speaker 3>much like the the the Acier. I even think the

866
00:50:48.119 --> 00:50:51.280
<v Speaker 3>the main one is even called all Father, like Odin

867
00:50:51.960 --> 00:50:55.599
<v Speaker 3>All Father. And and there's that that thing about the

868
00:50:55.639 --> 00:50:58.960
<v Speaker 3>clouds reminded me of like because there's a lot of

869
00:50:59.000 --> 00:51:03.800
<v Speaker 3>cloud imagery and his ideas about how like that that

870
00:51:03.920 --> 00:51:06.599
<v Speaker 3>literally that the realm of his sort of Acier gods

871
00:51:06.760 --> 00:51:10.159
<v Speaker 3>is called sky, but it's not spelled it's spelled different,

872
00:51:10.199 --> 00:51:13.280
<v Speaker 3>it's spelled s K A I. And like you can

873
00:51:13.440 --> 00:51:17.119
<v Speaker 3>see like the clouds are how like the gods communicate

874
00:51:18.199 --> 00:51:21.599
<v Speaker 3>messages down to humanity.

875
00:51:21.639 --> 00:51:27.960
<v Speaker 1>They send thoughts through the brain. Yeah, yeah, yeah, interesting.

876
00:51:30.400 --> 00:51:32.599
<v Speaker 1>And then we see a little bit more about Egersel

877
00:51:32.639 --> 00:51:35.480
<v Speaker 1>as well. We're told that it's like filled with different creatures,

878
00:51:35.559 --> 00:51:40.000
<v Speaker 1>especially different serpents in that need hog. You know that

879
00:51:41.000 --> 00:51:44.239
<v Speaker 1>essentially hell is you know, chewing on its roots, and

880
00:51:44.280 --> 00:51:47.159
<v Speaker 1>we're told that its side is decaying, and so it's

881
00:51:47.159 --> 00:51:51.679
<v Speaker 1>like the world itself is groaning for renewal. Right, it's

882
00:51:51.880 --> 00:51:53.760
<v Speaker 1>you know, it's kind of falling apart that the very

883
00:51:53.800 --> 00:51:58.719
<v Speaker 1>structure of the cosmos is in a state of suffering

884
00:51:58.760 --> 00:51:59.239
<v Speaker 1>and decay.

885
00:52:01.000 --> 00:52:04.000
<v Speaker 3>Just the name of that creature and its whole like

886
00:52:04.119 --> 00:52:07.840
<v Speaker 3>that whole aspect of like of what what its function

887
00:52:08.039 --> 00:52:11.599
<v Speaker 3>is just screamed Lovecraft to me for some reason.

888
00:52:17.199 --> 00:52:19.159
<v Speaker 2>I said, I just remember it from age mythology, where

889
00:52:19.199 --> 00:52:21.360
<v Speaker 2>I just usually against my enies and it was the best.

890
00:52:24.880 --> 00:52:29.440
<v Speaker 1>Yeah, that's one of the important foundations for understanding the

891
00:52:30.159 --> 00:52:31.400
<v Speaker 1>angel mythos.

892
00:52:31.920 --> 00:52:36.599
<v Speaker 2>Yeah, I like seeing the like inescapable fate, Like, I know,

893
00:52:36.800 --> 00:52:38.440
<v Speaker 2>I saw that a lot in the Bulls can say

894
00:52:38.800 --> 00:52:44.679
<v Speaker 2>it was basically like you know, Brin Hill like basically

895
00:52:44.719 --> 00:52:49.440
<v Speaker 2>says what's going to happen, you know, but the story

896
00:52:49.480 --> 00:52:51.880
<v Speaker 2>still has to play out to get to that, and

897
00:52:51.920 --> 00:52:53.800
<v Speaker 2>they can't really go around it. Like here at the

898
00:52:53.880 --> 00:52:57.800
<v Speaker 2>end where he's you know, Oden says, I know your

899
00:52:57.800 --> 00:53:01.039
<v Speaker 2>life is over and the guy just not realizing, like

900
00:53:02.480 --> 00:53:07.360
<v Speaker 2>doesn't know the sword's gonna land hilt down at that time.

901
00:53:09.079 --> 00:53:11.320
<v Speaker 1>Yeah. Yeah, and that's something that we do see very

902
00:53:11.320 --> 00:53:14.079
<v Speaker 1>often in these myths, thissence on fate, the fact that

903
00:53:14.119 --> 00:53:17.639
<v Speaker 1>we're told ahead of time what's going to happen. You know,

904
00:53:17.679 --> 00:53:21.599
<v Speaker 1>it's like when're reading Beowulf, when basically as soon as

905
00:53:21.639 --> 00:53:24.000
<v Speaker 1>he encounters the dragon, we're told the dragon is going

906
00:53:24.039 --> 00:53:26.519
<v Speaker 1>to kill him, and it gets a point where even

907
00:53:26.559 --> 00:53:29.480
<v Speaker 1>he knows he's about to die before even engaging with

908
00:53:29.559 --> 00:53:32.280
<v Speaker 1>the dragon. And so you know, the story is not

909
00:53:32.480 --> 00:53:36.679
<v Speaker 1>about what's going to happen. Really, the story is about

910
00:53:36.920 --> 00:53:40.480
<v Speaker 1>how do you relate to fate? And so it's a

911
00:53:40.480 --> 00:53:43.639
<v Speaker 1>different kind of hero's journey than you know, go forth

912
00:53:43.679 --> 00:53:47.599
<v Speaker 1>and save the world. No, it's more of engage with

913
00:53:47.719 --> 00:53:50.360
<v Speaker 1>honor as you engage with the fate that is going

914
00:53:50.400 --> 00:53:51.039
<v Speaker 1>to take place.

915
00:53:52.960 --> 00:53:55.880
<v Speaker 3>Right, It's less of like what you said, Andrew, that

916
00:53:55.960 --> 00:53:59.760
<v Speaker 3>progressive kind of how can I change the world, And

917
00:53:59.800 --> 00:54:04.360
<v Speaker 3>it's more, you know, how can I accept the faith

918
00:54:04.400 --> 00:54:09.599
<v Speaker 3>that I've been given essentially and with honor and integrity.

919
00:54:10.480 --> 00:54:12.960
<v Speaker 1>Yeah, it wouldn't be a bad thing to, you know,

920
00:54:13.039 --> 00:54:17.199
<v Speaker 1>read something like Marcus Relis his meditation, So alongside the poetic,

921
00:54:17.199 --> 00:54:19.920
<v Speaker 1>geta or some of this Norse literature, because there definitely

922
00:54:20.000 --> 00:54:22.880
<v Speaker 1>is a stoic tone to the kind of heroism that's

923
00:54:23.400 --> 00:54:28.599
<v Speaker 1>prescribed to us. Well, is there anything else that anyone

924
00:54:28.599 --> 00:54:33.119
<v Speaker 1>wants to mention about, Grimner sayings, we spent a while

925
00:54:33.320 --> 00:54:35.480
<v Speaker 1>on the first one, so I'm okay if you want

926
00:54:35.480 --> 00:54:39.920
<v Speaker 1>to move on, if there's nothing else, all right, all right?

927
00:54:40.440 --> 00:54:44.400
<v Speaker 1>Moving over to Skrenier's journey, Freyer falls in love with

928
00:54:44.440 --> 00:54:47.840
<v Speaker 1>a giant's daughter, whom he sees from Odin's high seat

929
00:54:48.079 --> 00:54:51.599
<v Speaker 1>healed scale. According to Snorri, his love sickness is a

930
00:54:51.639 --> 00:54:55.159
<v Speaker 1>punishment for usurping Odin's place. The poem does not suggest this.

931
00:54:56.360 --> 00:55:00.559
<v Speaker 1>Prayer's concerned parents, Njord and Scotti asked their son's old

932
00:55:00.559 --> 00:55:03.719
<v Speaker 1>friend and servant, skear Neer him to help. Skearner volunteers

933
00:55:03.719 --> 00:55:07.079
<v Speaker 1>to go on a wooing mission, and, after remarkably smooth journey,

934
00:55:07.079 --> 00:55:10.599
<v Speaker 1>effectively bully's the reluctant girl into agreeing to a rendezvous

935
00:55:10.679 --> 00:55:14.960
<v Speaker 1>with Freyer. Well it's out there. Yeah, it's not exactly

936
00:55:15.039 --> 00:55:20.440
<v Speaker 1>a romance, per se. I don't know what do you

937
00:55:20.480 --> 00:55:21.360
<v Speaker 1>guys think about this one?

938
00:55:24.280 --> 00:55:26.719
<v Speaker 3>I like that they said that it could have been

939
00:55:26.760 --> 00:55:32.519
<v Speaker 3>originally composed to be played out like a like a

940
00:55:32.599 --> 00:55:40.599
<v Speaker 3>dramatic presentation. I definitely got that vibe from it.

941
00:55:40.719 --> 00:55:42.840
<v Speaker 1>It is interesting, And so she brings up that in

942
00:55:42.960 --> 00:55:47.719
<v Speaker 1>Snory's telling of this, we give this idea that Prayer

943
00:55:47.960 --> 00:55:50.800
<v Speaker 1>is setting herself up for a kind of punishment because

944
00:55:50.840 --> 00:55:54.000
<v Speaker 1>of his pride in taking up the spot of odin

945
00:55:54.119 --> 00:55:57.320
<v Speaker 1>essentially trying to usurper role that doesn't belong to him naturally.

946
00:55:57.440 --> 00:56:00.119
<v Speaker 1>And you know, she says that in the original ho

947
00:56:00.199 --> 00:56:02.360
<v Speaker 1>and we don't really see that kind of judgment at

948
00:56:02.400 --> 00:56:05.719
<v Speaker 1>play here. But one thing that it is interesting is

949
00:56:05.719 --> 00:56:14.480
<v Speaker 1>that Skinner asked for Freyar's sword, which means that frey

950
00:56:14.599 --> 00:56:16.320
<v Speaker 1>is going to lose his weapon, so he's not going

951
00:56:16.400 --> 00:56:18.480
<v Speaker 1>to have a sword when it comes time for Ragnarok,

952
00:56:18.960 --> 00:56:22.760
<v Speaker 1>and so he is surrendering something of value here. We

953
00:56:22.840 --> 00:56:24.039
<v Speaker 1>kind of get the sense, I think that he is

954
00:56:24.079 --> 00:56:26.519
<v Speaker 1>being short sighted in some way, shape or form in

955
00:56:27.119 --> 00:56:31.679
<v Speaker 1>you know, what he's doing here. And there were some

956
00:56:31.719 --> 00:56:33.079
<v Speaker 1>of the proverbs in the half of them all that

957
00:56:33.119 --> 00:56:36.840
<v Speaker 1>warn against, you know, the foolishness that can come through

958
00:56:36.960 --> 00:56:38.039
<v Speaker 1>your desire for women.

959
00:56:39.119 --> 00:56:42.679
<v Speaker 3>Right, Yeah, we see that sort of brought to life

960
00:56:42.760 --> 00:56:43.840
<v Speaker 3>in this little story.

961
00:56:44.920 --> 00:56:49.760
<v Speaker 1>Right, and then of course we also see the idea

962
00:56:49.760 --> 00:56:55.880
<v Speaker 1>of the curse that words can be binding, you know,

963
00:56:55.920 --> 00:57:01.280
<v Speaker 1>as Gird this giantess, you know, initially refuses despite the

964
00:57:01.280 --> 00:57:03.719
<v Speaker 1>fact that you know, Scannery has promised her all these things,

965
00:57:03.760 --> 00:57:06.480
<v Speaker 1>including Odin's ring which he got from the dwarves, her

966
00:57:06.719 --> 00:57:10.480
<v Speaker 1>his ring that produces more gold rings. And so he

967
00:57:10.519 --> 00:57:15.360
<v Speaker 1>basically promises or offers her this great wealth, which I mean,

968
00:57:15.400 --> 00:57:18.079
<v Speaker 1>I don't really know if this was Scariner's even offer.

969
00:57:18.119 --> 00:57:20.760
<v Speaker 1>He's offering Odin's ring, which again, is that da that

970
00:57:20.800 --> 00:57:23.599
<v Speaker 1>maybe he's trying to usurp some authority doesn't belong to him,

971
00:57:24.079 --> 00:57:27.280
<v Speaker 1>But nonetheless, you know, that doesn't work, and so then

972
00:57:27.320 --> 00:57:31.440
<v Speaker 1>he just starts threatening her and he goes through this

973
00:57:31.840 --> 00:57:34.719
<v Speaker 1>you know, this barrage of curses that are going to

974
00:57:34.760 --> 00:57:37.320
<v Speaker 1>befall her if she doesn't come with him. And since

975
00:57:37.360 --> 00:57:41.159
<v Speaker 1>this idea that there's power simply in these verbal declarations,

976
00:57:42.599 --> 00:57:45.360
<v Speaker 1>which I mean you see the importance of you know,

977
00:57:45.519 --> 00:57:47.800
<v Speaker 1>oaths and curses in Tolkien as well.

978
00:57:49.639 --> 00:57:52.239
<v Speaker 3>Oh yeah, definitely, like with with the Oath Breakers or

979
00:57:52.320 --> 00:57:55.880
<v Speaker 3>fane Or's Dreadful Oath, you know, and where they're just

980
00:57:55.920 --> 00:58:01.840
<v Speaker 3>compelled to see it through to the end no matter what, right, Yeah,

981
00:58:01.840 --> 00:58:04.840
<v Speaker 3>it just becomes like a litany of like threats and insults,

982
00:58:05.000 --> 00:58:08.960
<v Speaker 3>like it just evolves towards the end, and and then

983
00:58:09.239 --> 00:58:15.840
<v Speaker 3>you know, her and Frere get together. I'm like, okay, right, she.

984
00:58:15.880 --> 00:58:18.840
<v Speaker 1>Kind of reluctantly agrees because well, I mean that sounds

985
00:58:18.840 --> 00:58:24.239
<v Speaker 1>better than all these courses, so all right, fair enough?

986
00:58:25.000 --> 00:58:28.119
<v Speaker 3>And then like, oh, the the symbolism of nine keeps

987
00:58:28.119 --> 00:58:31.320
<v Speaker 3>cropping up in these and what is it like Frere

988
00:58:31.400 --> 00:58:34.000
<v Speaker 3>has to wait nine days before you can have a

989
00:58:34.079 --> 00:58:36.239
<v Speaker 3>tryst with her or something like that?

990
00:58:37.239 --> 00:58:43.000
<v Speaker 2>Right? I had a contractor that I worked with one time.

991
00:58:43.239 --> 00:58:44.800
<v Speaker 2>It was the first time we had ever worked, and

992
00:58:44.880 --> 00:58:47.039
<v Speaker 2>he wanted to tell me about the magic number. Time.

993
00:58:47.960 --> 00:58:52.840
<v Speaker 2>I went into like an hour long videos about it.

994
00:58:56.440 --> 00:58:57.960
<v Speaker 2>So maybe there's something there.

995
00:58:57.800 --> 00:59:04.920
<v Speaker 1>With yeah, maybe, But yeah, I don't really have a

996
00:59:04.920 --> 00:59:08.119
<v Speaker 1>whole lot to say about this one. It wasn't really

997
00:59:08.440 --> 00:59:13.360
<v Speaker 1>a very fun to read for me. No, Yeah, so

998
00:59:13.400 --> 00:59:15.320
<v Speaker 1>I's nothing else. I'm fine just jumping to the next one.

999
00:59:15.679 --> 00:59:19.320
<v Speaker 3>The next one was funnier. It was funny the set

1000
00:59:19.400 --> 00:59:22.320
<v Speaker 3>up and just like one since the reader is in

1001
00:59:22.360 --> 00:59:24.039
<v Speaker 3>the know, Well, I'll.

1002
00:59:23.840 --> 00:59:24.679
<v Speaker 2>Let you explain it.

1003
00:59:24.760 --> 00:59:26.000
<v Speaker 3>What's going on here?

1004
00:59:26.079 --> 00:59:30.159
<v Speaker 1>Yeah, And I don't even read it. But basically thor

1005
00:59:31.199 --> 00:59:35.719
<v Speaker 1>comes upon Odin in disguise, and Odin is disguised as

1006
00:59:35.800 --> 00:59:39.480
<v Speaker 1>a ferry man and into uh, Thor wants Odin to,

1007
00:59:39.719 --> 00:59:42.199
<v Speaker 1>you know, give him passage across this body of water,

1008
00:59:43.039 --> 00:59:46.079
<v Speaker 1>but instead they end up just getting into an insult match,

1009
00:59:47.039 --> 00:59:52.199
<v Speaker 1>which is just so brutal and sometimes vulgar and profane.

1010
00:59:52.760 --> 00:59:57.199
<v Speaker 1>It's like a couple just like just like frat guys

1011
00:59:57.400 --> 01:00:01.159
<v Speaker 1>just going at each other. Is Yeah, that was great.

1012
01:00:02.119 --> 01:00:08.639
<v Speaker 1>I mean, so, you know, it starts off with Thor,

1013
01:00:08.719 --> 01:00:14.079
<v Speaker 1>for no good reason, just insulting this ferryman, you know,

1014
01:00:14.119 --> 01:00:16.440
<v Speaker 1>by saying, who's that lot of lads who stands on

1015
01:00:16.480 --> 01:00:19.239
<v Speaker 1>the side of the inlet? And we get this idea

1016
01:00:19.239 --> 01:00:21.440
<v Speaker 1>and I think that's even a note in this translation

1017
01:00:21.519 --> 01:00:25.920
<v Speaker 1>here somewhere that says that basically Thor was making fun

1018
01:00:25.960 --> 01:00:28.239
<v Speaker 1>of the fact that this guy looked old, and so

1019
01:00:28.320 --> 01:00:32.840
<v Speaker 1>he's calling him a child, being sarcastic with him, and

1020
01:00:33.079 --> 01:00:37.480
<v Speaker 1>so that's what kicks us off. I love that one

1021
01:00:37.519 --> 01:00:41.480
<v Speaker 1>of the first things that this is this guy's Odin says, responses,

1022
01:00:42.559 --> 01:00:45.000
<v Speaker 1>you look like someone who's others.

1023
01:00:47.159 --> 01:00:48.199
<v Speaker 3>What does that even be?

1024
01:00:55.639 --> 01:00:56.920
<v Speaker 1>Yeah, that was great.

1025
01:00:58.440 --> 01:01:03.760
<v Speaker 3>There's some other funny stuff here was uh, yeah, he says,

1026
01:01:03.760 --> 01:01:07.440
<v Speaker 3>like the Thora's no guts. He says, at one point,

1027
01:01:07.559 --> 01:01:12.159
<v Speaker 3>just like it becomes like schoolyard insults, like Thora calls

1028
01:01:12.719 --> 01:01:18.000
<v Speaker 3>harbard is Odin's disguise. He calls him a pervert several

1029
01:01:18.079 --> 01:01:20.199
<v Speaker 3>times for seemingly no reason.

1030
01:01:21.960 --> 01:01:26.239
<v Speaker 1>Well, because because it starts off with you know, early on,

1031
01:01:26.960 --> 01:01:29.960
<v Speaker 1>Odin says that, you know, looks like your mom is dead.

1032
01:01:30.079 --> 01:01:34.039
<v Speaker 1>And then later on and he says, like you should

1033
01:01:34.039 --> 01:01:40.039
<v Speaker 1>probably go home because someone's sleeping with your wife. Oh yeah,

1034
01:01:41.000 --> 01:01:42.679
<v Speaker 1>that's one of the times where he calls him a pervert.

1035
01:01:42.719 --> 01:01:44.719
<v Speaker 1>He says, yeah, someone was see fright, now you better

1036
01:01:44.760 --> 01:01:45.079
<v Speaker 1>go home.

1037
01:01:46.079 --> 01:01:49.480
<v Speaker 3>I thought this was interesting because at one point Odin says,

1038
01:01:49.519 --> 01:01:53.239
<v Speaker 3>Odin owns the nobles who fall in battle, and Thor

1039
01:01:53.440 --> 01:01:56.400
<v Speaker 3>owns the race of Thralls. And in the explanatory no,

1040
01:01:56.599 --> 01:01:59.760
<v Speaker 3>at the beginning, they say, maybe that's the author like

1041
01:02:00.519 --> 01:02:04.079
<v Speaker 3>making commentary on the cults of the two gods, where

1042
01:02:04.559 --> 01:02:08.000
<v Speaker 3>you know, Thor was more of the the the everyman's

1043
01:02:08.079 --> 01:02:12.320
<v Speaker 3>god basically of like farmers and herdsman and ordinary people,

1044
01:02:12.320 --> 01:02:15.639
<v Speaker 3>whereas Odin was for like the nightly class and the

1045
01:02:15.679 --> 01:02:19.320
<v Speaker 3>noble warriors and stuff like that, and nobility.

1046
01:02:19.519 --> 01:02:20.960
<v Speaker 1>Right, and so it's a way of putting Thor in

1047
01:02:21.000 --> 01:02:27.920
<v Speaker 1>his place as being under him. It's interesting that, you know,

1048
01:02:28.079 --> 01:02:31.760
<v Speaker 1>they go back and forth bragging about the different conquest

1049
01:02:31.800 --> 01:02:34.960
<v Speaker 1>of source that they've all engaged with, which very much

1050
01:02:35.000 --> 01:02:37.599
<v Speaker 1>makes you think of and and in the intro it

1051
01:02:37.719 --> 01:02:42.440
<v Speaker 1>brings it up. Even the exchange in Bewolf between Bewolf

1052
01:02:42.440 --> 01:02:47.039
<v Speaker 1>and Unforth where Beowolf shows up at Hero and you know,

1053
01:02:47.119 --> 01:02:49.960
<v Speaker 1>Unforth says, well, aren't you the bewolf who lost that

1054
01:02:50.000 --> 01:02:55.480
<v Speaker 1>swimming competition? Yeah? And then Bewolf says, you know, that's

1055
01:02:55.519 --> 01:02:57.599
<v Speaker 1>the meat talking, and you know, he goes off on

1056
01:02:57.639 --> 01:03:01.800
<v Speaker 1>all these you know, the explanation of what happened, how

1057
01:03:01.880 --> 01:03:04.719
<v Speaker 1>he was did kind of lose the swimming competition because

1058
01:03:04.760 --> 01:03:06.920
<v Speaker 1>he went off to kill all these sea monsters. And

1059
01:03:06.960 --> 01:03:13.280
<v Speaker 1>then he ends that by calling Unforth the kinslayer. It's

1060
01:03:13.360 --> 01:03:18.000
<v Speaker 1>like civil kind of just like brutal back and forth exchange.

1061
01:03:20.679 --> 01:03:21.199
<v Speaker 1>I love that.

1062
01:03:21.239 --> 01:03:23.920
<v Speaker 3>It was like, sure I lost the swimming contest, but

1063
01:03:23.960 --> 01:03:25.760
<v Speaker 3>it was only so I could go kill a bunch

1064
01:03:25.840 --> 01:03:27.760
<v Speaker 3>of semons. It's like humble bragging, you.

1065
01:03:27.760 --> 01:03:31.760
<v Speaker 1>Know, right, unlike you who you know, killed your own kin.

1066
01:03:33.440 --> 01:03:33.719
<v Speaker 2>Yeah.

1067
01:03:34.119 --> 01:03:38.000
<v Speaker 3>Odin talks about burial mounds. At one point that which

1068
01:03:38.039 --> 01:03:41.800
<v Speaker 3>they use a euphemism which they explain in the notes,

1069
01:03:42.960 --> 01:03:45.920
<v Speaker 3>the men who have their home in the woods means

1070
01:03:45.960 --> 01:03:48.239
<v Speaker 3>like cairns and burial mounds and stuff.

1071
01:03:51.039 --> 01:03:53.960
<v Speaker 1>It's interesting that basically all of Thor's conquests that he

1072
01:03:54.000 --> 01:03:59.480
<v Speaker 1>brags about are like little conquests like combat fighting, and

1073
01:03:59.519 --> 01:04:04.440
<v Speaker 1>so he's defeated all these different people and these she wolves,

1074
01:04:04.480 --> 01:04:07.960
<v Speaker 1>like all these different things. But then basically all of

1075
01:04:08.000 --> 01:04:12.679
<v Speaker 1>Odin's bragging is about his conquest of women. And I was, like,

1076
01:04:12.880 --> 01:04:17.440
<v Speaker 1>seduced all these women. That's his way of bragging, which

1077
01:04:17.480 --> 01:04:21.199
<v Speaker 1>I mean, I guess gets to his like wisdom using

1078
01:04:21.239 --> 01:04:23.199
<v Speaker 1>the loose sense of the fact that like he's able

1079
01:04:23.199 --> 01:04:26.079
<v Speaker 1>to use his knowledge to be manipulative and like that

1080
01:04:26.239 --> 01:04:29.400
<v Speaker 1>scene has some kind of strength, obviously not in accordance

1081
01:04:29.400 --> 01:04:33.519
<v Speaker 1>with what we would call virtue, but it just goes

1082
01:04:33.559 --> 01:04:36.159
<v Speaker 1>to their different strengths that you know, he has his mind,

1083
01:04:36.280 --> 01:04:37.400
<v Speaker 1>Thor has his hammer.

1084
01:04:38.880 --> 01:04:40.639
<v Speaker 3>Right, It's like Odin, I guess is what we would

1085
01:04:40.639 --> 01:04:42.159
<v Speaker 3>today would say, he's crafty.

1086
01:04:42.920 --> 01:04:45.840
<v Speaker 1>Right, He's crafty.

1087
01:04:46.039 --> 01:04:49.400
<v Speaker 2>Let's try to find it in the state of the Volsums.

1088
01:04:49.440 --> 01:04:55.320
<v Speaker 2>But they also a portion had the like insult contest

1089
01:04:55.480 --> 01:04:57.480
<v Speaker 2>basically going back and forth. I was like, it just

1090
01:04:57.559 --> 01:05:00.679
<v Speaker 2>must have been comment of like man say like, oh,

1091
01:05:00.719 --> 01:05:02.559
<v Speaker 2>you're this and no, no, you're actually this.

1092
01:05:03.920 --> 01:05:08.199
<v Speaker 1>Right, this mix of bragging and insults.

1093
01:05:08.639 --> 01:05:12.920
<v Speaker 2>Especially that's from like ship to like land or shift across.

1094
01:05:13.039 --> 01:05:16.440
<v Speaker 1>You know, it's like over a large distance, right, yelling

1095
01:05:16.480 --> 01:05:17.159
<v Speaker 1>these things.

1096
01:05:17.079 --> 01:05:19.559
<v Speaker 3>To each other so the other guy can't just like

1097
01:05:20.119 --> 01:05:22.719
<v Speaker 3>punch you in the head or stab you or something.

1098
01:05:24.159 --> 01:05:30.760
<v Speaker 1>We need to get a Odin and Thor on Twitter, it.

1099
01:05:30.719 --> 01:05:33.039
<v Speaker 3>Would be better than ninety percent of the stuff that's

1100
01:05:33.039 --> 01:05:33.639
<v Speaker 3>there now.

1101
01:05:35.920 --> 01:05:36.320
<v Speaker 1>I like that.

1102
01:05:36.360 --> 01:05:40.880
<v Speaker 3>Eventually he just gives floor directions. He refuses in passage,

1103
01:05:41.559 --> 01:05:43.840
<v Speaker 3>and and Thor's like, well, fine, can you give me

1104
01:05:43.920 --> 01:05:46.880
<v Speaker 3>directions then? And he just does and then.

1105
01:05:46.719 --> 01:05:56.559
<v Speaker 1>It ends at what point Odin says, you know, I'll

1106
01:05:56.880 --> 01:06:00.960
<v Speaker 1>compensate you with an arm ring. And I don't know

1107
01:06:01.000 --> 01:06:05.440
<v Speaker 1>if you read the note no, because you know, he

1108
01:06:05.719 --> 01:06:08.599
<v Speaker 1>whatever this is, it brings some great offense to Thor,

1109
01:06:08.639 --> 01:06:11.639
<v Speaker 1>because Thor responds to that by saying, where did you

1110
01:06:12.199 --> 01:06:15.199
<v Speaker 1>find such despicable words? If it never heard words more despicable?

1111
01:06:15.920 --> 01:06:20.679
<v Speaker 1>And Larrington suggests that, okay, maybe this is because you know,

1112
01:06:21.320 --> 01:06:24.239
<v Speaker 1>armoring is like, it's not that significant. So it seems

1113
01:06:24.280 --> 01:06:26.440
<v Speaker 1>like he's a way of like dishonoring him with like junk,

1114
01:06:26.920 --> 01:06:31.239
<v Speaker 1>but also that she thinks that this might be some

1115
01:06:31.320 --> 01:06:34.559
<v Speaker 1>kind of euphemism for like some kind of sexual activity.

1116
01:06:35.280 --> 01:06:40.199
<v Speaker 1>Oh so that's why he responds, like, you just say

1117
01:06:40.239 --> 01:06:43.519
<v Speaker 1>something really full great here, I've never heard something so despicable,

1118
01:06:44.079 --> 01:06:48.000
<v Speaker 1>which that seems to make more sense given his response.

1119
01:06:49.039 --> 01:06:51.719
<v Speaker 3>That's the thing when you read this this older material

1120
01:06:51.840 --> 01:06:57.039
<v Speaker 3>and even scripture, sometimes we're missing a lot of cultural context, right,

1121
01:06:57.239 --> 01:07:00.960
<v Speaker 3>you know, like people read older books or mythology or

1122
01:07:00.960 --> 01:07:02.960
<v Speaker 3>the or the books of the Bible and say, well

1123
01:07:03.000 --> 01:07:05.880
<v Speaker 3>that's weird, and it's like, well, yeah, but we're we're

1124
01:07:06.639 --> 01:07:10.679
<v Speaker 3>you know, we didn't grow up in these centuries. You know,

1125
01:07:10.719 --> 01:07:12.719
<v Speaker 3>we're missing a lot of context here.

1126
01:07:13.320 --> 01:07:17.920
<v Speaker 2>Yeah, we're gonna be weird at some point.

1127
01:07:18.440 --> 01:07:22.920
<v Speaker 1>That's true. But yeah, I mean I don't know how

1128
01:07:22.960 --> 01:07:26.679
<v Speaker 1>anything of like penetrating wisdom to break. It's funny exchange.

1129
01:07:27.440 --> 01:07:30.599
<v Speaker 3>I feel like this was more like entertainment, like this

1130
01:07:30.679 --> 01:07:33.679
<v Speaker 3>particular passage, and it was meant to like be anything

1131
01:07:33.800 --> 01:07:35.880
<v Speaker 3>profound or something like that.

1132
01:07:36.639 --> 01:07:40.400
<v Speaker 1>I just love how brutal it is. And again the

1133
01:07:40.440 --> 01:07:42.519
<v Speaker 1>fact that just kicks off with you looks like your

1134
01:07:42.519 --> 01:07:47.199
<v Speaker 1>mom died.

1135
01:07:46.639 --> 01:07:50.079
<v Speaker 3>I wonder if Thor's mom was actually dead by this point,

1136
01:07:50.119 --> 01:07:52.960
<v Speaker 3>because I think she was a giantess or something.

1137
01:07:53.159 --> 01:07:55.639
<v Speaker 1>Yeah, I'm not sure, but it's.

1138
01:07:55.480 --> 01:07:58.679
<v Speaker 3>Just and they, you know, they They've brought this up

1139
01:07:58.719 --> 01:08:02.199
<v Speaker 3>in other adaptations of this material, like in the in

1140
01:08:02.280 --> 01:08:05.360
<v Speaker 3>the recent God of War games about just how poorly

1141
01:08:05.920 --> 01:08:10.599
<v Speaker 3>Odin treats Thor. You know, he's his son, and yet

1142
01:08:10.639 --> 01:08:13.719
<v Speaker 3>he treats him. He's clearly not the favorite son, and

1143
01:08:13.800 --> 01:08:18.439
<v Speaker 3>he's treated like just you know, like scum on his boot,

1144
01:08:18.640 --> 01:08:21.800
<v Speaker 3>you know, like right most reason.

1145
01:08:22.479 --> 01:08:25.479
<v Speaker 2>Oh, Odin's actually smart because he gets into an insult

1146
01:08:25.479 --> 01:08:29.479
<v Speaker 2>match with someone that he knows, but he's disguised himself. Yeah,

1147
01:08:29.880 --> 01:08:33.119
<v Speaker 2>it's like he's got the insight track on everything that's

1148
01:08:33.119 --> 01:08:34.199
<v Speaker 2>happened with got.

1149
01:08:35.399 --> 01:08:37.439
<v Speaker 1>Thora is just like, what's wrong with this reign of

1150
01:08:37.600 --> 01:08:37.920
<v Speaker 1>very Man?

1151
01:08:39.640 --> 01:08:40.640
<v Speaker 2>Why are you being so me?

1152
01:08:43.800 --> 01:08:46.560
<v Speaker 3>I was just like the whole time, I was thinking,

1153
01:08:47.399 --> 01:08:50.199
<v Speaker 3>he wants to get across this bay or whatever it is,

1154
01:08:50.279 --> 01:08:53.960
<v Speaker 3>And I'm like, you're a god. Can't you fly or like,

1155
01:08:54.399 --> 01:08:57.199
<v Speaker 3>you know, do some other thing that will transport you

1156
01:08:57.319 --> 01:08:59.960
<v Speaker 3>across this area? Why do you need this very man?

1157
01:09:00.560 --> 01:09:02.119
<v Speaker 3>Maybe thinking too much about it.

1158
01:09:02.439 --> 01:09:06.880
<v Speaker 1>Yeah, it's like sometimes they seem very limited and other

1159
01:09:06.920 --> 01:09:10.560
<v Speaker 1>times they don't, which I assume just gets to some

1160
01:09:10.640 --> 01:09:14.359
<v Speaker 1>of the different traditions and stories thrown together that sometimes

1161
01:09:14.359 --> 01:09:17.640
<v Speaker 1>they seem more like mortals than other times.

1162
01:09:19.039 --> 01:09:22.039
<v Speaker 3>They definitely certainly act like mortals most of the time.

1163
01:09:22.119 --> 01:09:25.760
<v Speaker 3>There's petty, jealous, vulgar.

1164
01:09:28.800 --> 01:09:33.920
<v Speaker 1>Not a great conclusion here, Yeah, I mean, is there

1165
01:09:33.920 --> 01:09:36.319
<v Speaker 1>anything else that anyone wants to bring up? It's okay

1166
01:09:36.319 --> 01:09:37.560
<v Speaker 1>if not, but I don't want to cut you off.

1167
01:09:37.600 --> 01:09:41.760
<v Speaker 1>If there is, all right, fair enough, Well, I think

1168
01:09:41.760 --> 01:09:44.279
<v Speaker 1>that's at least a fun way to end. I feel

1169
01:09:44.279 --> 01:09:46.600
<v Speaker 1>like it's a good conversation. And despite the fact that

1170
01:09:46.640 --> 01:09:49.159
<v Speaker 1>we're all amateurs here and obviously there's a lot that,

1171
01:09:49.399 --> 01:09:51.319
<v Speaker 1>you know, we're not picking up, I feel like it's

1172
01:09:51.439 --> 01:09:53.600
<v Speaker 1>a good bit that we are picking up, and I

1173
01:09:53.640 --> 01:09:56.439
<v Speaker 1>feel it's producing some good conversation. And so I've enjoyed

1174
01:09:56.439 --> 01:09:58.600
<v Speaker 1>this and I look forward to seeing where it goes

1175
01:09:58.600 --> 01:09:59.039
<v Speaker 1>next time.

1176
01:10:00.359 --> 01:10:04.079
<v Speaker 3>Yeah, these are fun. I've enjoyed reading these because I've

1177
01:10:04.079 --> 01:10:10.159
<v Speaker 3>never really you know, my only experience with the Norse

1178
01:10:10.560 --> 01:10:17.359
<v Speaker 3>myths has mostly been through adaptations or summaries, you know,

1179
01:10:17.439 --> 01:10:20.640
<v Speaker 3>like secondary material. It's it's neat to go back to

1180
01:10:20.680 --> 01:10:24.560
<v Speaker 3>the original source and and finally learn about this stuff.

1181
01:10:25.439 --> 01:10:28.039
<v Speaker 1>Yeah, it's definitely fun to dig into some things that

1182
01:10:28.079 --> 01:10:32.199
<v Speaker 1>we've only kind of experienced on the periphery. Also, it's

1183
01:10:32.199 --> 01:10:35.319
<v Speaker 1>just fun, you know, as somebody who you know, I

1184
01:10:35.479 --> 01:10:37.640
<v Speaker 1>make my living talking about things that I always claim

1185
01:10:37.720 --> 01:10:41.640
<v Speaker 1>to know. It's fun, you know, engaging with something like

1186
01:10:41.680 --> 01:10:44.079
<v Speaker 1>this where you know, none of us really know what's

1187
01:10:44.079 --> 01:10:46.199
<v Speaker 1>going on, which it's fun to explore it and to

1188
01:10:46.279 --> 01:10:49.520
<v Speaker 1>talk about it together. All right, well, I guess we'll

1189
01:10:49.520 --> 01:10:52.359
<v Speaker 1>go ahead and wrap it there, and so thanks again,

1190
01:10:53.640 --> 01:10:55.119
<v Speaker 1>thank you, thank you.
