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<v Speaker 1>Welcome to Spacing Out with BB and Jason this week

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<v Speaker 1>covering the nineteen eighty six film Aliens.

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<v Speaker 2>Welcome to spacing Now.

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<v Speaker 3>I'm BB and I'm Jason, and we are discussing the

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<v Speaker 3>Alien franchise one movie at a time, and at the

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<v Speaker 3>moment of this recording, the second movie is available to

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<v Speaker 3>stream on Max and this podcast is being released on

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<v Speaker 3>two different podcast feeds, So if you found it through

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<v Speaker 3>the Spacing Out with Alien podcast feeds, then I invite

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<v Speaker 3>you to check out our main channel, Spacing Out with

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<v Speaker 3>BB and Jason, where we have covered things like Battlestar Galactica,

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<v Speaker 3>Star Trek and Our Flag Means Death over one hundred episodes,

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<v Speaker 3>plus many more things to come. So we are only

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<v Speaker 3>focusing on Aliens, the second film today, so if there's

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<v Speaker 3>any discussion of other entries into the franchise, we will

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<v Speaker 3>save that for a spoiler section at the end of

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<v Speaker 3>the podcast, So if you haven't seen the other movies yet,

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<v Speaker 3>we will shield you from the spoilers. And although our

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<v Speaker 3>coverage of Alien Romula came out last week, we were

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<v Speaker 3>actually recording this prior to having seen Romulus, so we

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<v Speaker 3>definitely won't be speaking about that film at all, but

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<v Speaker 3>we are talking about Aliens, which premiered on July eighteenth,

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<v Speaker 3>nineteen eighty six, was written by James Cameron, story by

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<v Speaker 3>James Cameron, David Guyler, and Walter Hill, and directed by

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<v Speaker 3>James Cameron.

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<v Speaker 2>James Cameron did a lot in this movie.

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<v Speaker 3>Yes, it felt very James Cameron. Yes, it did. And

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<v Speaker 3>BB and I actually watched the extended cut. It was

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<v Speaker 3>about twenty minutes longer. So there's some extra footage in there,

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<v Speaker 3>and I'll kind of go through what the difference was

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<v Speaker 3>here in a moment.

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<v Speaker 2>Oh my god, that's why it was so long.

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<v Speaker 3>Yes, okay, But for a plot summary, fifty seven years

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<v Speaker 3>after Ellen Ripley had a close encounter with the reptilian

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<v Speaker 3>alien Creacher from the first movie, she is called back,

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<v Speaker 3>this time to help a group of highly trained Colonial

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<v Speaker 3>Marines fight off against the sinister extraterrestrials, But this time

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<v Speaker 3>the aliens have taken over a space colony on the

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<v Speaker 3>moon LV four two six. When the Colonial Marines are

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<v Speaker 3>called upon to search the deserted space colony, they later

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<v Speaker 3>find out that they are up against more than what

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<v Speaker 3>they had bargained for. Using specially modified machine guns and

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<v Speaker 3>enough firepower. It's either fight or die is the most

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<v Speaker 3>Space Marines battle against the aliens. As the Marines do

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<v Speaker 3>their best to defend themselves, Ripley must attempt to predict

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<v Speaker 3>a young girl who is a sole survivor of the

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<v Speaker 3>nearly wiped out space colony.

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<v Speaker 2>And also kind of a replet replacement for her lost

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<v Speaker 2>daughter that we never found out about in the previous movie.

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<v Speaker 3>Yeah, and I'll mention that in just the moment, but

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<v Speaker 3>that's the mention of her daughter was an extended cut thing.

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<v Speaker 3>But first, let's go through the vibe check.

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<v Speaker 1>Vibe check. Did we like the movie overall? How does

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<v Speaker 1>it stand the test of time?

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<v Speaker 2>So I didn't care for this movie as much as

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<v Speaker 2>I cared for the first one. It's not my favorite

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<v Speaker 2>so far out of the two ife seen. The graphics

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<v Speaker 2>were okay, but that first movie, the it was just

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<v Speaker 2>a maze. I e the set and like they didn't.

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<v Speaker 2>It just felt this movie felt like hokey pokey compared

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<v Speaker 2>to the elevated craftsmanship of the first one. Somehow, like

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<v Speaker 2>this one felt like flashy and more eighties, and I

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<v Speaker 2>think it lost some of that original artisanal vibe.

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<v Speaker 3>Yeah, it's definitely like a more like polished movie.

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<v Speaker 2>It's definitely also more mainstream.

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<v Speaker 3>Yeah, and it's a different genre really, Like this is

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<v Speaker 3>an action movie.

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<v Speaker 2>Yeah, it was really Yeah, it was super action. And

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<v Speaker 2>this didn't feel like it was universal like the last one.

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<v Speaker 2>Like the last one really focused on the characters and

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<v Speaker 2>this fear of the unknown and and you know, like

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<v Speaker 2>having these people kind of like figuring out, like how

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<v Speaker 2>are we going to get out of here? What are

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<v Speaker 2>we going to do? This one it's just like a

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<v Speaker 2>bunch of marines who were loud and gross and just

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<v Speaker 2>like really, I don't think I connected with any one

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<v Speaker 2>of them. None of the characters were sympathetic or were

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<v Speaker 2>endearing or real. They were really hollow and it was

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<v Speaker 2>just unfortunate.

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<v Speaker 3>Yeah, that's fair. It's a definitely a different beast than

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<v Speaker 3>the first one.

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<v Speaker 2>I think, you know who had more character? The fucking

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<v Speaker 2>uh what's it called, the flamethrower? The flame thrower had

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<v Speaker 2>more range than some of these characters. I don't know.

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<v Speaker 2>It just it wasn't for me. It could be very

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<v Speaker 2>clearly not for me. So I'm not my cup of tea,

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<v Speaker 2>But I'm glad I experienced it, and I can say

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<v Speaker 2>that I've seen it, and it's definitely probably like part

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<v Speaker 2>of like film history for James Cameron. Like I don't

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<v Speaker 2>know how many other budget films he'd made before this one,

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<v Speaker 2>but this one definitely shows his style and his like,

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<v Speaker 2>I mean, he was on he was on display for sure.

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<v Speaker 3>Yeah. It's really his first like big major buster. He

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<v Speaker 3>had The Terminator right before this, right that was a

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<v Speaker 3>low budget.

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<v Speaker 2>Thing that was a big hit, so they gave him

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<v Speaker 2>a lot of money.

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<v Speaker 3>Yeah, I mean I like it. It did feel I

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<v Speaker 3>mean maybe it was an extended cut, but it felt

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<v Speaker 3>like a long movie today, But I like it. I

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<v Speaker 3>like it as like a pair with the first movie,

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<v Speaker 3>knowing that it's it's not the same thing as Alien.

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<v Speaker 3>It's a very different movie and they're like two different

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<v Speaker 3>sides to this. I don't know franchise story here, Yeah,

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<v Speaker 3>but I think I do prefer the way that first

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<v Speaker 3>movie just felt more like intimate and like the ri

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<v Speaker 3>And Yeah, because there's a lot of world building in

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<v Speaker 3>this They really expand to show you more of like

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<v Speaker 3>their society and.

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<v Speaker 2>We learn more about that company and they're interworkings and

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<v Speaker 2>the military, like everything is everything is bigger in this movie.

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<v Speaker 3>Yeah, and there is something about it just being this

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<v Speaker 3>isolated spaceship in the first movie that.

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<v Speaker 2>It really like hits a nerve. Yeah, but yeah, I

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<v Speaker 2>felt like this one wasn't relatable at all. So I mean,

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<v Speaker 2>do you think it stands the test of time. I

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<v Speaker 2>think it does for what it is. Even though I'm

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<v Speaker 2>not like a fan of it, I can see how

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<v Speaker 2>it can still be enjoyed by today's audience.

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<v Speaker 3>Yeah, I think it's still like a really good action movie.

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<v Speaker 3>It's got a really good like eighties style action movie.

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<v Speaker 3>And maybe the casting doesn't hold up in the test

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<v Speaker 3>of time since there is some brown face going on.

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<v Speaker 2>Yeah, dude, I was looking it up, and I've heard

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<v Speaker 2>rumblings about, you know, because I it shows up like

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<v Speaker 2>yellow face, and you know, people specifically, usually white people

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<v Speaker 2>putting on a costume to resemble a different race or

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<v Speaker 2>ethnicity and vast guess was it.

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<v Speaker 3>Yeah, that actor.

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<v Speaker 2>Was not of Hispanic descent. Like if you google them,

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<v Speaker 2>they're going to be a Jewish woman. So they're like, oh,

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<v Speaker 2>you're vaguely ethnic. We'll just put a little bronzer on

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<v Speaker 2>you and you'll be all right. And it's really sad

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<v Speaker 2>because I feel like if they would have hired like

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<v Speaker 2>a Latina or a Hispanic person and made the same character.

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<v Speaker 2>It would have been really powerful to see this kind

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<v Speaker 2>of queer representation on screen because she's very butch, she's

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<v Speaker 2>very masked, and she's like, you know, calling Sigurdney Weaver Bonita.

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<v Speaker 2>So it's just like very queer coded, and it's just

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<v Speaker 2>like it degrades itself by being a caricature of somebody

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<v Speaker 2>instead of actually being somebody of that race or ethnicity.

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<v Speaker 2>So it's just really unfortunate because there was like a

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<v Speaker 2>they were they were like testing stereotypes and stuff like

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<v Speaker 2>they were they were breaking some barriers, but they were

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<v Speaker 2>also using them in a way that was like problematic.

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<v Speaker 2>So I'm just like one for one way, like it's

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<v Speaker 2>like cool queer representation. On the other hand, it's a

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<v Speaker 2>person pretending to be Hispanic. So it's just like, yeah,

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<v Speaker 2>mixed feelings there. Yeah, it's super mixed. Because if if

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<v Speaker 2>that character, like if I didn't know anything about that

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<v Speaker 2>character as it as like in real life, like if

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<v Speaker 2>I thought they were Latino or Latina or whatever, I

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<v Speaker 2>would have been really excited. But like you can kind

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<v Speaker 2>of tell, it's just very like it's laid on really

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<v Speaker 2>thick with the accent and the the like Spanish that's

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<v Speaker 2>all thrown in there. And you could argue that, you know,

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<v Speaker 2>we're in a post race society or whatever, but it

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<v Speaker 2>was made in the eighties, so there was still definitely

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<v Speaker 2>race when you look at the context of the writing.

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<v Speaker 2>So I think Castine did a really poor job in

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<v Speaker 2>that they could have just had a Jewish woman play,

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<v Speaker 2>like just be a Jewish woman too.

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<v Speaker 3>Yeah, Like if that's who they wanted to cast I

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<v Speaker 3>don't think they would have to change that much in

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<v Speaker 3>the script.

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<v Speaker 2>No, she could have. She could have used Yiddish.

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<v Speaker 3>Do I feel like they just wanted like a woman

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<v Speaker 3>that was like tough and had that build.

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<v Speaker 2>Yeah, and she she met like the criteria for a

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<v Speaker 2>lot of the like characteristics of that character. But like

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<v Speaker 2>you know, it just felt inauthentic in so many ways.

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<v Speaker 2>And I feel bad for that actress because now that's

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<v Speaker 2>like part of her permanent record, Like she will forever

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<v Speaker 2>be known as the person who did brown face and

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<v Speaker 2>alien and it sucks because that rule. I'm sure it

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<v Speaker 2>was like a big deal for her. But now with

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<v Speaker 2>our quote unquote PC culture, she's she's not like I

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<v Speaker 2>don't no, I don't know when, I don't know. It

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<v Speaker 2>just felt weird, felt weird. I didn't like it the character.

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<v Speaker 2>It made me really like disappointed in the character, and

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<v Speaker 2>I couldn't relate to her in so many ways. Do

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<v Speaker 2>you want to talk about trivia? I just kind of

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<v Speaker 2>started doing deep down. I'm sorry, I'm sorry.

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<v Speaker 3>We were talking about how it doesn't hold up. So yeah, relevant, Yeah,

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<v Speaker 3>let's do trivia trivia time?

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<v Speaker 1>What facts could we uncover for Aliens?

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<v Speaker 3>Discussions of a sequel to Alien began immediately, but twentieth

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<v Speaker 3>Century Fox was not initially interested, leaving the first film

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<v Speaker 3>success to be a fluke and the overall box office

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<v Speaker 3>decline of horror films. James Cameron was asked to write

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<v Speaker 3>a script treatment in nineteen eighty three after his script

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<v Speaker 3>for The Terminator was viewed by executives and they originally

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<v Speaker 3>declined to let him direct the movie until the Terminator

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<v Speaker 3>release and was a surprise hit, changing their minds.

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<v Speaker 2>The studios just keep getting surprised.

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<v Speaker 3>Yeah, they're like, oh no.

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<v Speaker 2>It's a fluke.

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<v Speaker 3>Oh no, They're always like this will never work, and

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<v Speaker 3>then it does work, Like, well that was a one

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<v Speaker 3>time thing. Yeah, Sigourney Weaver initially refused offers to return

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<v Speaker 3>as she was concerned that the movie was being made

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<v Speaker 3>exclusively for financial reasons.

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<v Speaker 2>What I wonder what changed her? Yeah, I wonder what

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<v Speaker 2>changed her mind. Maybe she read the script or something.

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<v Speaker 3>Yeah. Probably. Carrie Hn, who played Newt, did not continue

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<v Speaker 3>acting after this film, but has remained friends with Sigourney

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<v Speaker 3>Weaver That Little Girl yep So. Tensions were very high

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<v Speaker 3>during production. Cameron, a Canadian, had little familiarity with the

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<v Speaker 3>British film industry to traditions such as tea breaks which

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<v Speaker 3>interrupted production daily. This was shot in London, Oh and

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<v Speaker 3>the overall relaxed attitude of the crew compared to American

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<v Speaker 3>crews frustrated him.

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<v Speaker 2>He's Canadian. Why is he so americanized?

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<v Speaker 3>He's he's been working in the American film industry. Canadian

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<v Speaker 3>film industry is pretty small. The crew were also dismissive,

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<v Speaker 3>dismissive of him for his relative inexperience as a director,

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<v Speaker 3>and didn't like his hands on approach to this when

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<v Speaker 3>they had a unionized crew, and the situation deteriorated throughout

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<v Speaker 3>production until the crew walked out in the middle of

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<v Speaker 3>the day. Good for them, negotiations brought most of the

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<v Speaker 3>crew back, with a crew agreeing to support Cameron him

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<v Speaker 3>agreeing to support their scheduled working hours.

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<v Speaker 2>Why wouldn't be What a bitch? What an eighties bitch

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<v Speaker 2>to be like, you all can't have a tea break?

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<v Speaker 2>I would love you know what, Almost every country has

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<v Speaker 2>some sort of additional break, Like in Mexico, there's this

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<v Speaker 2>thing called Siesta, and I think it happens in Spain too,

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<v Speaker 2>where between the hours of two and four the country

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<v Speaker 2>shuts down and people go home and take a little

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<v Speaker 2>nap and then they come back to work and they

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<v Speaker 2>stay open a little longer. Could you imagine a two

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<v Speaker 2>hour break in your day for a little nap.

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<v Speaker 3>Yeah, now I just have to zone out for a

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<v Speaker 3>couple hours a day.

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<v Speaker 2>Yeah, but a tea break, I would I'm into that.

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<v Speaker 2>I would love a spot of tea. Sorry y'all, that

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<v Speaker 2>was my British accent.

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<v Speaker 3>Yeah, He's just like, all right, guys, we've got limited

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<v Speaker 3>time here, so we're going to focus and buckle down.

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<v Speaker 3>And what do you guys doing drinking tea right now?

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<v Speaker 2>What is that a biscuit? I wonder if he's came

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<v Speaker 2>back to London and was like learned his lesson or

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<v Speaker 2>Britain or wherever.

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<v Speaker 3>Despite the delays, the film was finished on time and

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<v Speaker 3>on budget. The film once again makes extensive use of

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<v Speaker 3>miniatures for filming. Despite the hordes of aliens in the film,

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<v Speaker 3>only twelve suits were made.

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<v Speaker 2>That's still way more than the last one. I think

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<v Speaker 2>they only had two. Yeah, and the suits were way

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<v Speaker 2>better in this one.

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<v Speaker 3>You know a lot of times when they're implying like

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<v Speaker 3>lots of aliens, it's like they're on the other side

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<v Speaker 3>of the door and they're just looking at the numbers

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<v Speaker 3>on the screen.

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<v Speaker 2>Yeah, Or there's like that screen with all the little

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<v Speaker 2>lights on it.

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<v Speaker 3>Yeah. Improvisation was allowed on a lot of scenes and

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<v Speaker 3>brought us some of the iconic lines such as game over, Man,

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<v Speaker 3>game over?

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<v Speaker 2>What's another scene line?

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<v Speaker 3>I think a lot of Bill Paxston was what else

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<v Speaker 3>is he?

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<v Speaker 2>And his name sounds so f familiar.

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<v Speaker 3>He's in the original Twister?

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<v Speaker 2>Oh is he one of the main guys in Twister?

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<v Speaker 3>Yeah?

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<v Speaker 2>Dang, that movie just came out again, huh so.

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<v Speaker 3>An extended cut of the film was released on laser

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<v Speaker 3>disc in nineteen ninety one, and then later on other formats.

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<v Speaker 2>Laser disc.

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<v Speaker 3>Yeah. The theatrical cut is one hundred and thirty seven minutes.

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<v Speaker 3>The extended cut is one hundred and fifty seven minutes long,

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<v Speaker 3>so twenty minutes longer. James Cameron has stated that the

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<v Speaker 3>extended cut is his preferred version, so some of the

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<v Speaker 3>differences between the versions. Obviously, the extended cut has some

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<v Speaker 3>extra scenes in it. So there's a scene revealing that

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<v Speaker 3>Ripley's daughter has passed away at age sixty six.

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<v Speaker 2>With a horribly pixelated picture of an old woman.

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<v Speaker 3>Yeah, and that old woman was actually Sigourney Weaver's mother.

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<v Speaker 3>The court hearing scene is extended with Ripley snapping and

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<v Speaker 3>throwing the papers, and then there's a scene with Newt's

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<v Speaker 3>family prospecting the moon before being attacked, so her family

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<v Speaker 3>is not in the theatrical cut. There's a series of

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<v Speaker 3>long tracking shots establishing the interior of the empty sou Lake.

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<v Speaker 3>Zu Letco ship their ship that they go out there on,

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<v Speaker 3>similar to the opening of the first film, and then

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<v Speaker 3>see there's several separate sequences involving the survivor's use of

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<v Speaker 3>automated robot sentry guns to defend the colony from the xenomorphs.

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<v Speaker 2>I hate that name. I like that they call them bugs.

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<v Speaker 3>Yeah, they were really like emphasizing that over like I

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<v Speaker 3>don't know, they're more like reptilian sometimes, but they I.

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<v Speaker 2>Mean the hive queen thing.

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<v Speaker 3>Yeah, they really dove into that analogy. There's a scene

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<v Speaker 3>where Ripley and Hicks reveal their first names to each

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<v Speaker 3>other and it kind of hints at a more romantic interest.

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<v Speaker 3>Then several other scenes are extended or use alternate takes

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<v Speaker 3>or alternate dialogue. The budget was eighteen point five million,

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<v Speaker 3>and the box office revenue was somewhere between one hundred

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<v Speaker 3>and thirty one and one hundred and eighty three million.

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<v Speaker 3>Holy crap, another big fluke.

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<v Speaker 2>That was random. They didn't think that would happen.

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<v Speaker 3>Critical response to the film at the time was generally positive,

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<v Speaker 3>and over time the critical assessment of the film has

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<v Speaker 3>grown to be seen as one of the greatest science

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<v Speaker 3>fiction films of all time and one of the greatest

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<v Speaker 3>sequels of all time.

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<v Speaker 2>Really yeah, wow, you can tell that. I'm very surprised by.

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<v Speaker 3>That, So I think you're in the minority of not

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<v Speaker 3>being that into it.

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<v Speaker 2>Yeah.

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<v Speaker 3>Aliens has had an enduring influence on filmmaking, being cited

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<v Speaker 3>by filmmakers and elements of it being repeated in other films.

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<v Speaker 3>The film also elevated Ellen Ripley to be seen as

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<v Speaker 3>a postfeminist icon and among the greatest action heroes.

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<v Speaker 2>Yeah, I could see that.

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<v Speaker 3>Yeah, she's definitely more more of an active hero in this.

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<v Speaker 2>She has agency, which a lot of when you think

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<v Speaker 2>of like science fiction and horror, the female protagonist is

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<v Speaker 2>usually not in charge of their destiny.

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<v Speaker 3>Yeah, she kind of. She comes back in this one,

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<v Speaker 3>and she's like more on the offensive and she's a

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<v Speaker 3>tougher and more like Resilien. Yeaheah. She's kind of like

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<v Speaker 3>Sarah Connor and The Terminator where she comes back in

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<v Speaker 3>the second movie as a badass.

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<v Speaker 2>So this is James Cameron's calling card pretty much.

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<v Speaker 3>The film received Academy Awards for Best Sound Effects and

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<v Speaker 3>Best Visual Effects, and Sigourney Weaver got a nomination for

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<v Speaker 3>Best Actress, which was the first given for a science

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<v Speaker 3>fiction film at a time when the genre was given

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<v Speaker 3>little respect. The film also won several other accolades, including

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<v Speaker 3>eight Saturn Awards and a Hugo Award for Best Dramatic Presentation,

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<v Speaker 3>and the success led to immediate discussions of a sequel,

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<v Speaker 3>which resulted in nineteen ninety two's Alien three.

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<v Speaker 2>So one for each a decade.

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<v Speaker 1>Huh yep, Deep Space Dive. Let's break down some of

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<v Speaker 1>our thoughts on the film. You can share your thoughts

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<v Speaker 1>with us through email or social media. We may use

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<v Speaker 1>your comments on an upcoming episode.

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<v Speaker 3>All this time around, Sigourney Weaver got top billing, yes, queen, And.

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<v Speaker 2>I hope she got her coins too.

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<v Speaker 3>I'm sure she did.

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<v Speaker 2>I hope she did. You never know with American filmmaking industry.

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<v Speaker 2>Oh but they shot and London, so maybe it's a

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<v Speaker 2>little bit different.

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<v Speaker 3>Yeah, but I think she had become a much bigger

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<v Speaker 3>star by this point.

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<v Speaker 2>Yeah, good for her.

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<v Speaker 3>So we pick up with her being rescued from her ship.

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<v Speaker 2>Right Saint Poe's hand by the heart, Kitty on the lap,

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00:18:17.400 --> 00:18:21.920
<v Speaker 2>very angelic. Apparently she's been in outer space for fifty

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<v Speaker 2>two years, fifty seven fifty seven years.

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<v Speaker 3>And I guess when you're in that cryo sleep.

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<v Speaker 2>You don't ate iogenically frozen, your hair doesn't grow nothing,

354
00:18:32.640 --> 00:18:35.680
<v Speaker 2>You're not even her nails. Yeah, she didn't have like

355
00:18:35.839 --> 00:18:39.559
<v Speaker 2>I mean, it's only been what like five years since

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<v Speaker 2>the last movie.

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<v Speaker 3>It's been seven.

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<v Speaker 2>Seven, so she aged pretty well. She's not as young

359
00:18:47.160 --> 00:18:49.319
<v Speaker 2>as she used to be, but she looks good and

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00:18:49.359 --> 00:18:54.039
<v Speaker 2>I think she still got it. And God, wouldn't it

361
00:18:54.039 --> 00:18:56.839
<v Speaker 2>be awful if the first person you met when like

362
00:18:57.200 --> 00:19:01.799
<v Speaker 2>you woke up was like a company representative. Right, Oh,

363
00:19:01.839 --> 00:19:04.920
<v Speaker 2>that's awful. Where's your family? I guess she didn't have

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<v Speaker 2>any living relatives.

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00:19:07.000 --> 00:19:09.559
<v Speaker 3>I guess not when we only mentioned her daughter, which

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<v Speaker 3>is an extended cut thing.

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<v Speaker 2>But yeah, that's awful. I hate this company. I hate

368
00:19:14.640 --> 00:19:21.440
<v Speaker 2>this company so much. It's like this idea of profits

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00:19:21.480 --> 00:19:26.920
<v Speaker 2>over people is still a through line from the last movie.

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00:19:27.160 --> 00:19:33.759
<v Speaker 2>And I feel like the guy who plays the company guy,

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<v Speaker 2>I don't know his name, Burke? Is it Burke? Yeah, Burke?

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<v Speaker 2>He sucks. He's the perfect guy. He looks like an

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<v Speaker 2>eighties sleeve bag. Yeah, Like, I wouldn't trust that man

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<v Speaker 2>with anything. And if he said, oh, like, don't worry

375
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<v Speaker 2>about it. We're definitely going to kill these aliens that

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<v Speaker 2>are worth millions of dollars to my company.

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<v Speaker 3>Yeah, Like, corporate greed is definitely like a theme in

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<v Speaker 3>these two movies. Yeah, I kind of like that.

379
00:20:03.519 --> 00:20:07.640
<v Speaker 2>It's very interesting though, because like in the eighties, corporate

380
00:20:07.720 --> 00:20:13.599
<v Speaker 2>greed is almost romanticized and like it's like something that

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00:20:13.640 --> 00:20:17.240
<v Speaker 2>a lot of people aspire to think about that movie

382
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<v Speaker 2>Wall Street where they say greed is good, or even

383
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<v Speaker 2>like the movie American Psycho with Christian Bale, where you know,

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<v Speaker 2>it's these affluent white men kind of climbing the corporate

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<v Speaker 2>ladder and doing their best job to make money for

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<v Speaker 2>corporations and be active participants in capitalism. So I feel

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<v Speaker 2>like this movie is going against that grain in the eighties,

388
00:20:42.119 --> 00:20:45.880
<v Speaker 2>which is very interesting, very interesting. But the Marines are

389
00:20:45.880 --> 00:20:49.880
<v Speaker 2>all for highre Yeah, so it's kind of, I don't know,

390
00:20:50.200 --> 00:20:54.880
<v Speaker 2>very mixed signals. I hate the Marines, I'm so sorry,

391
00:20:54.960 --> 00:20:58.799
<v Speaker 2>not like as an organ well as an organization or

392
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<v Speaker 2>like an entity. I think there's like a lot of

393
00:21:01.599 --> 00:21:05.400
<v Speaker 2>respect and being a Marine, and there's like obviously a

394
00:21:05.480 --> 00:21:10.640
<v Speaker 2>lot of prestige, but y'all, if this is how you

395
00:21:10.880 --> 00:21:15.079
<v Speaker 2>act for real and like a job, that's horrible. That's horrifying.

396
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<v Speaker 2>Especially when they did that thing where they were eating

397
00:21:18.400 --> 00:21:21.759
<v Speaker 2>lunch and they got the Android to do that knife thing.

398
00:21:22.319 --> 00:21:29.960
<v Speaker 2>That's that's a that's a salt, that's a salt. That

399
00:21:30.119 --> 00:21:31.079
<v Speaker 2>was really.

400
00:21:30.759 --> 00:21:34.880
<v Speaker 3>Scary and if anyone should be like following company like

401
00:21:35.079 --> 00:21:38.799
<v Speaker 3>HR Policies should be the android, right, Yeah, I mean

402
00:21:39.039 --> 00:21:41.400
<v Speaker 3>I think that's kind of part of like another theme

403
00:21:41.480 --> 00:21:44.799
<v Speaker 3>of this is just like there's this like arrogance and

404
00:21:44.839 --> 00:21:47.079
<v Speaker 3>this like I don't kind of like masculine arrogance of

405
00:21:47.160 --> 00:21:49.759
<v Speaker 3>like word tough enough that like it doesn't matter we

406
00:21:49.839 --> 00:21:52.920
<v Speaker 3>got They don't want to listen to Ripley or.

407
00:21:52.920 --> 00:21:56.440
<v Speaker 2>That new boss of theirs that's never done anything in

408
00:21:56.480 --> 00:21:57.119
<v Speaker 2>his life.

409
00:21:57.480 --> 00:22:00.440
<v Speaker 3>Yeah, I mean, like nobody's listening to rip Here at

410
00:22:00.480 --> 00:22:01.400
<v Speaker 3>the beginning of the movie.

411
00:22:01.559 --> 00:22:02.799
<v Speaker 2>They don't take her seriously.

412
00:22:03.039 --> 00:22:05.880
<v Speaker 3>They don't believe her story. They want to like try

413
00:22:05.880 --> 00:22:08.240
<v Speaker 3>to hold her accountable for this expensive ship.

414
00:22:08.440 --> 00:22:10.640
<v Speaker 2>Well, they don't hold her accountable because they know they

415
00:22:10.640 --> 00:22:13.519
<v Speaker 2>were wrong, but they're like, girl, you don't have any proof.

416
00:22:14.160 --> 00:22:17.920
<v Speaker 2>Remember you weren't scientists and you weren't taking pictures or

417
00:22:18.000 --> 00:22:23.440
<v Speaker 2>documenting anything. And what happens in the second movie Homeboy

418
00:22:23.599 --> 00:22:27.279
<v Speaker 2>from the company, Burke calls up the planet and he's like, hey,

419
00:22:27.839 --> 00:22:33.279
<v Speaker 2>check out these coordinates, and some random ass person goes

420
00:22:33.400 --> 00:22:37.599
<v Speaker 2>in and they don't have any equipment, they don't have

421
00:22:37.640 --> 00:22:42.200
<v Speaker 2>any guns. They obviously encounter the aliens and bring them

422
00:22:42.240 --> 00:22:48.119
<v Speaker 2>back to base, so they no lessons have been learned. Yea,

423
00:22:48.319 --> 00:22:52.319
<v Speaker 2>And they compromised a whole colony because they're like, go

424
00:22:52.400 --> 00:22:55.440
<v Speaker 2>check it out instead of saying like we're gonna go

425
00:22:55.519 --> 00:22:57.880
<v Speaker 2>check it out, We're going to send our top guys.

426
00:22:58.000 --> 00:23:02.440
<v Speaker 2>And if they really wanted to extract I would I

427
00:23:02.440 --> 00:23:05.039
<v Speaker 2>would imagine they would want to do it safely, but

428
00:23:05.079 --> 00:23:07.839
<v Speaker 2>they don't. It's just very like, how do you say it?

429
00:23:07.920 --> 00:23:09.480
<v Speaker 2>Like shooting from the hip.

430
00:23:09.720 --> 00:23:13.200
<v Speaker 3>Yeah, I'm not clear how much of Burke's plan was

431
00:23:13.920 --> 00:23:16.759
<v Speaker 3>as intended, Like how much was he just like adapting

432
00:23:16.799 --> 00:23:19.839
<v Speaker 3>on the fly or was he expecting them to for

433
00:23:19.960 --> 00:23:22.279
<v Speaker 3>the aliens to take over the colony and then they

434
00:23:22.319 --> 00:23:24.400
<v Speaker 3>go there and like, I don't know how much of

435
00:23:24.440 --> 00:23:26.039
<v Speaker 3>this he was making up as he went.

436
00:23:26.160 --> 00:23:28.839
<v Speaker 2>Right, he probably didn't realize how much of a threat

437
00:23:28.880 --> 00:23:29.599
<v Speaker 2>they really were.

438
00:23:29.960 --> 00:23:31.279
<v Speaker 3>Yeah, I think that's part of it.

439
00:23:31.480 --> 00:23:34.079
<v Speaker 2>Yeah, And he's such a coward.

440
00:23:34.440 --> 00:23:38.279
<v Speaker 3>Was he always intending to like smuggle them back inside

441
00:23:38.319 --> 00:23:39.119
<v Speaker 3>of like Ripley?

442
00:23:39.599 --> 00:23:42.200
<v Speaker 2>No, apparently not. He was happy with them in the

443
00:23:42.279 --> 00:23:45.880
<v Speaker 2>jar and just sneaking them across the border and she's like,

444
00:23:46.000 --> 00:23:48.680
<v Speaker 2>I ain't gonna let you. I wouldn't have said shit, Yeah,

445
00:23:48.759 --> 00:23:51.079
<v Speaker 2>I wouldn't have said shit. I would have been like

446
00:23:51.440 --> 00:23:55.799
<v Speaker 2>you do you but okay, yeah, let's just keep it

447
00:23:55.839 --> 00:23:57.880
<v Speaker 2>accounted for. And then she became a target.

448
00:23:58.519 --> 00:24:00.559
<v Speaker 3>She's like, she showed her hand there.

449
00:24:00.839 --> 00:24:05.039
<v Speaker 2>Yeah. Wow, she looked really tough, being like, yeah, I'm

450
00:24:05.039 --> 00:24:07.920
<v Speaker 2>gonna call you out. I'm gonna let the FCC know

451
00:24:08.480 --> 00:24:13.240
<v Speaker 2>that you're bringing in aliens, illegal aliens. And then there

452
00:24:13.319 --> 00:24:18.079
<v Speaker 2>was a quip about illegal aliens with Sanchez or Rasquez

453
00:24:18.200 --> 00:24:22.039
<v Speaker 2>or whatever they decided to call the non Hispanic person.

454
00:24:24.039 --> 00:24:30.759
<v Speaker 2>But it's very interesting that he's ready to smuggle goods

455
00:24:30.759 --> 00:24:32.880
<v Speaker 2>into another country for profit.

456
00:24:33.359 --> 00:24:36.240
<v Speaker 3>Yeah, but he does see some sort of need to

457
00:24:36.319 --> 00:24:39.599
<v Speaker 3>bring Ripley on this mission and even has like he

458
00:24:39.680 --> 00:24:44.480
<v Speaker 3>kind of manipulates her situation where she's working a loading

459
00:24:44.559 --> 00:24:46.680
<v Speaker 3>job because she doesn't have her flight license anymore.

460
00:24:46.880 --> 00:24:48.440
<v Speaker 2>Right, she's just like a stock boy.

461
00:24:48.640 --> 00:24:52.960
<v Speaker 3>She's still traumatized by her experience having nightmares, and.

462
00:24:53.839 --> 00:24:58.000
<v Speaker 2>She's like, yeah, she's ultimately manipulated into a green to

463
00:24:58.079 --> 00:25:03.119
<v Speaker 2>go back to the sore so her trauma, but she's activated,

464
00:25:03.480 --> 00:25:08.119
<v Speaker 2>she's like not passive in that. So it's very interesting

465
00:25:08.200 --> 00:25:12.799
<v Speaker 2>to see her willingness to go back since she has

466
00:25:12.880 --> 00:25:17.759
<v Speaker 2>nothing left. You know in another world and her plan,

467
00:25:18.119 --> 00:25:23.039
<v Speaker 2>it seems like, is eventually to destroy these aliens. So

468
00:25:23.559 --> 00:25:27.599
<v Speaker 2>it's crazy though, Like there, I think the alien design

469
00:25:27.680 --> 00:25:30.119
<v Speaker 2>in this was really good. I think they did a

470
00:25:30.160 --> 00:25:33.359
<v Speaker 2>really good job with But I think they might have

471
00:25:33.519 --> 00:25:37.000
<v Speaker 2>used the same shot sometimes for the closeups on the alien.

472
00:25:37.279 --> 00:25:39.920
<v Speaker 2>Did you notice did you notice that it was kind

473
00:25:39.960 --> 00:25:42.359
<v Speaker 2>of very similar every time there was a close up

474
00:25:42.480 --> 00:25:44.519
<v Speaker 2>and the little mouth came out and they were like

475
00:25:44.799 --> 00:25:47.960
<v Speaker 2>showing their teeth, they were very similar. Maybe there might

476
00:25:48.000 --> 00:25:51.599
<v Speaker 2>have been some differences, but I didn't see them. So

477
00:25:51.640 --> 00:25:53.880
<v Speaker 2>it felt like every once in a while they used

478
00:25:53.920 --> 00:25:55.880
<v Speaker 2>the same shot of the close up of the of

479
00:25:55.960 --> 00:25:56.839
<v Speaker 2>the monster.

480
00:25:58.480 --> 00:26:01.359
<v Speaker 3>Or maybe they shot them all you know, like exact.

481
00:26:01.480 --> 00:26:07.200
<v Speaker 2>Yeah, different slightly different angles. Yeah, but the aliens I

482
00:26:07.200 --> 00:26:10.039
<v Speaker 2>don't know why, but they weren't as scary as the

483
00:26:10.079 --> 00:26:13.920
<v Speaker 2>first one. Maybe the fear of the unknown drove the

484
00:26:13.960 --> 00:26:16.920
<v Speaker 2>first one to such a high point that this one

485
00:26:17.079 --> 00:26:20.599
<v Speaker 2>it was more like theatrical. There were some jump scares,

486
00:26:20.680 --> 00:26:24.240
<v Speaker 2>but it wasn't like this build up of anticipation.

487
00:26:24.519 --> 00:26:27.200
<v Speaker 3>Well, yeah, the first one, like because they know nothing

488
00:26:27.240 --> 00:26:29.640
<v Speaker 3>about it and they don't really reveal like the full

489
00:26:29.680 --> 00:26:33.160
<v Speaker 3>alien till much later in the movie, whereas you know

490
00:26:33.279 --> 00:26:35.839
<v Speaker 3>this one, it takes some time for them to get there.

491
00:26:35.880 --> 00:26:38.680
<v Speaker 3>But after like one fake out when they find newt

492
00:26:38.880 --> 00:26:41.519
<v Speaker 3>like they pretty much find the aliens after that. So

493
00:26:41.640 --> 00:26:44.920
<v Speaker 3>on like a technical level, I think a lot of

494
00:26:45.000 --> 00:26:48.559
<v Speaker 3>things looked better in this movie. On like an esthetic level,

495
00:26:48.599 --> 00:26:50.960
<v Speaker 3>I think the first movie still nailed it. Yeah, but

496
00:26:51.119 --> 00:26:54.400
<v Speaker 3>like even like the space shots, like it's been a

497
00:26:54.400 --> 00:26:56.720
<v Speaker 3>few years and I think, like we'd really figure out

498
00:26:56.720 --> 00:26:59.000
<v Speaker 3>how to we figured out how to shoot these models

499
00:26:59.279 --> 00:27:02.039
<v Speaker 3>they make these ships, Like you can see that from

500
00:27:02.039 --> 00:27:04.279
<v Speaker 3>like the first Star Wars movie to the second one.

501
00:27:04.319 --> 00:27:06.799
<v Speaker 3>It's like, oh, they nailed it. Now they know how

502
00:27:06.799 --> 00:27:10.680
<v Speaker 3>to do this. So yeah, definitely a yeah.

503
00:27:10.279 --> 00:27:14.400
<v Speaker 2>The tech the there was there was definitely more like

504
00:27:14.599 --> 00:27:19.119
<v Speaker 2>computer graphics too, Like I'm thinking of that weird scanner

505
00:27:19.160 --> 00:27:23.920
<v Speaker 2>that they used to scan some of the interiors and

506
00:27:23.960 --> 00:27:28.319
<v Speaker 2>then some of the electricity surges looked kind of hokey still,

507
00:27:29.680 --> 00:27:35.799
<v Speaker 2>but they used graphic like camera editing or CGI. Yeah,

508
00:27:35.839 --> 00:27:38.839
<v Speaker 2>they used CGI, and I don't think they used any

509
00:27:38.880 --> 00:27:41.880
<v Speaker 2>CGI in the first one. And then you could tell

510
00:27:42.000 --> 00:27:44.119
<v Speaker 2>sometimes when they were in front of a blue screen.

511
00:27:44.440 --> 00:27:46.880
<v Speaker 3>Yeah, I think there was like some I mean, there's

512
00:27:46.920 --> 00:27:50.119
<v Speaker 3>definitely a lot of trickery going on with like perspectives

513
00:27:50.119 --> 00:27:53.440
<v Speaker 3>for the models and stuff. Sometimes it's clear that there

514
00:27:53.519 --> 00:27:58.319
<v Speaker 3>is probably a rear projection going on that you can tell.

515
00:27:58.359 --> 00:28:00.079
<v Speaker 3>With just like the it was really.

516
00:28:01.759 --> 00:28:04.359
<v Speaker 2>So I was like, I don't know. And then I

517
00:28:04.400 --> 00:28:10.880
<v Speaker 2>also just felt like there was like forced like human

518
00:28:10.960 --> 00:28:15.559
<v Speaker 2>elements with the little girl and that Hicks guy that

519
00:28:15.640 --> 00:28:20.000
<v Speaker 2>felt really forced, like oh, well, you know, she's a woman,

520
00:28:20.319 --> 00:28:25.519
<v Speaker 2>so she's got to have maternal instincts, you know, like, okay, great,

521
00:28:27.160 --> 00:28:29.160
<v Speaker 2>do we expect like a man to do the same

522
00:28:29.240 --> 00:28:33.200
<v Speaker 2>thing or are we okay if a man's like, oh whatever, kid.

523
00:28:34.640 --> 00:28:37.839
<v Speaker 2>It's just very interesting and I you know, maybe I'm

524
00:28:37.920 --> 00:28:41.799
<v Speaker 2>just really pushing against the movie because it's so masculine

525
00:28:42.000 --> 00:28:45.160
<v Speaker 2>and it's just like the one feminine trait that Ripley

526
00:28:45.880 --> 00:28:49.400
<v Speaker 2>shows is this maternal instinct. And I'm like, oh, you know,

527
00:28:49.519 --> 00:28:52.160
<v Speaker 2>she could have been a strong woman without the kid.

528
00:28:52.319 --> 00:28:55.000
<v Speaker 2>But you know, it's interesting. I don't know. I just

529
00:28:55.240 --> 00:28:57.400
<v Speaker 2>I did like the kid. I felt like the kid

530
00:28:57.480 --> 00:28:57.960
<v Speaker 2>was strong.

531
00:28:58.440 --> 00:29:00.039
<v Speaker 3>Yeah, I like the kid and I like the but

532
00:29:00.200 --> 00:29:03.119
<v Speaker 3>there was just another element of something for Ripley to

533
00:29:03.119 --> 00:29:07.279
<v Speaker 3>do other than be facing off these alienses protecting the child.

534
00:29:07.839 --> 00:29:11.160
<v Speaker 3>But yeah, it's definitely hitting the motherhood theme very hard.

535
00:29:11.799 --> 00:29:14.759
<v Speaker 3>I think even with the as they developed, like the

536
00:29:15.359 --> 00:29:17.880
<v Speaker 3>life cycle, these aliens out a little bit more. And

537
00:29:17.920 --> 00:29:20.920
<v Speaker 3>how there's the queen mother and then the other ones

538
00:29:20.960 --> 00:29:23.920
<v Speaker 3>are like the workers. Yeah. Yeah, And like we said

539
00:29:23.960 --> 00:29:26.920
<v Speaker 3>in the extended cut, they revealed that Ripley has lost

540
00:29:26.920 --> 00:29:30.920
<v Speaker 3>her daughter and now she's filmed a replacements, like getting

541
00:29:31.039 --> 00:29:34.359
<v Speaker 3>very attached to her. Yeah, calling her mom at the

542
00:29:34.599 --> 00:29:35.559
<v Speaker 3>end was weird.

543
00:29:35.839 --> 00:29:40.319
<v Speaker 2>Forced is what I would say, forced, Mommy, shut up.

544
00:29:40.400 --> 00:29:43.079
<v Speaker 2>You don't know me. You don't even know my first name.

545
00:29:43.480 --> 00:29:48.279
<v Speaker 3>Right, Like, I get that they're close and they're very

546
00:29:48.359 --> 00:29:52.039
<v Speaker 3>bonded now, but that like nothing in their discussions had

547
00:29:52.039 --> 00:29:55.400
<v Speaker 3>to do with like family or like, I don't know,

548
00:29:55.599 --> 00:29:57.440
<v Speaker 3>like nothing seemed earned about that moment.

549
00:29:57.759 --> 00:30:02.039
<v Speaker 2>I was my mom married my stepdad when I was

550
00:30:02.200 --> 00:30:06.480
<v Speaker 2>like thirteen years old. And maybe it's because I was thirteen,

551
00:30:06.720 --> 00:30:09.359
<v Speaker 2>but I never called that man dad or daddy. He

552
00:30:09.480 --> 00:30:12.559
<v Speaker 2>is my dad, but I don't call him dad. And

553
00:30:13.000 --> 00:30:15.480
<v Speaker 2>I don't know. Maybe if she would have been a

554
00:30:15.559 --> 00:30:19.119
<v Speaker 2>littler kid, like a littler kid, maybe I would have

555
00:30:19.200 --> 00:30:22.480
<v Speaker 2>bought it. But this little girl is what like seven

556
00:30:22.640 --> 00:30:27.440
<v Speaker 2>eight and she's obviously a survivor. She's tough. I really

557
00:30:27.519 --> 00:30:30.559
<v Speaker 2>like that she was like ready to scram She's like,

558
00:30:30.599 --> 00:30:33.880
<v Speaker 2>we gotta go, we gotta leave. I cannot sleep on

559
00:30:33.920 --> 00:30:38.279
<v Speaker 2>this bed. I am exposed. And I just I kind

560
00:30:38.279 --> 00:30:43.480
<v Speaker 2>of made it cheap, like their bond at the end there, mommy, fuck,

561
00:30:43.680 --> 00:30:49.160
<v Speaker 2>get away from me. And I bet she smelled the

562
00:30:49.240 --> 00:30:52.079
<v Speaker 2>whole time, and she like had her head next to

563
00:30:52.119 --> 00:30:55.640
<v Speaker 2>her face, and I was just like, little kids stink.

564
00:30:55.880 --> 00:30:59.039
<v Speaker 2>If they don't bathe, they stink. And she was living

565
00:30:59.079 --> 00:31:02.480
<v Speaker 2>basically in a trash compactor. I think it's a really

566
00:31:02.519 --> 00:31:06.799
<v Speaker 2>interesting that the actress never worked again too.

567
00:31:07.039 --> 00:31:09.119
<v Speaker 3>Yeah. I looked at that a little bit. She said

568
00:31:09.160 --> 00:31:11.799
<v Speaker 3>like the fame was difficult for her as a child.

569
00:31:12.039 --> 00:31:15.920
<v Speaker 3>I can't imagine not understanding whether people liked her or

570
00:31:16.000 --> 00:31:17.119
<v Speaker 3>liked her character.

571
00:31:17.640 --> 00:31:22.599
<v Speaker 2>Yeah, I mean, you see how many child actors struggle

572
00:31:22.880 --> 00:31:27.160
<v Speaker 2>with fame and access and like there's drug use and

573
00:31:27.960 --> 00:31:31.880
<v Speaker 2>I mean abuse, and so I'm kind of glad she

574
00:31:32.039 --> 00:31:33.440
<v Speaker 2>kind of got away from all of that.

575
00:31:33.920 --> 00:31:36.519
<v Speaker 3>She's a teacher now and she still has her photo

576
00:31:36.640 --> 00:31:40.680
<v Speaker 3>of her and Scoorny Weaver what else. So we have

577
00:31:41.039 --> 00:31:44.559
<v Speaker 3>another android that we're very skeptical at first, had a

578
00:31:44.599 --> 00:31:46.160
<v Speaker 3>bad experience with the last one.

579
00:31:46.279 --> 00:31:49.920
<v Speaker 2>Yeah, that last one was weird. That guy was we erd,

580
00:31:50.359 --> 00:31:52.799
<v Speaker 2>And this one was sus too, because like when he

581
00:31:52.960 --> 00:31:57.519
<v Speaker 2>was like dissecting the hand the face, sucker, he was

582
00:31:57.599 --> 00:31:58.720
<v Speaker 2>like so interesting.

583
00:31:58.799 --> 00:32:04.480
<v Speaker 3>He was really like one. Yeah, so I think that

584
00:32:04.599 --> 00:32:06.759
<v Speaker 3>was a good like misdirect with him.

585
00:32:07.039 --> 00:32:09.599
<v Speaker 2>Yeah, he was cool in the end. And then he

586
00:32:09.680 --> 00:32:13.359
<v Speaker 2>got fucking sliced in No, he got ripped in half.

587
00:32:13.680 --> 00:32:16.960
<v Speaker 2>That was so epic, and his white blood was all

588
00:32:17.000 --> 00:32:20.160
<v Speaker 2>over so gourdiny weaver. I would have been like, I

589
00:32:20.240 --> 00:32:22.799
<v Speaker 2>need extra pay for that. I don't know what what

590
00:32:22.960 --> 00:32:25.319
<v Speaker 2>is that white liquid? Do you think it's like milk

591
00:32:25.519 --> 00:32:29.160
<v Speaker 2>or like colored water or something.

592
00:32:30.039 --> 00:32:31.160
<v Speaker 3>Like like in real life?

593
00:32:31.279 --> 00:32:34.720
<v Speaker 2>Yeah, in real life.

594
00:32:33.440 --> 00:32:37.200
<v Speaker 3>I assume it's some sort of water mixture.

595
00:32:37.079 --> 00:32:40.920
<v Speaker 2>Yeah, something, But it was I would have been so

596
00:32:41.200 --> 00:32:45.400
<v Speaker 2>upset to be that wet that day. But yeah, so

597
00:32:45.680 --> 00:32:49.680
<v Speaker 2>they fuck uh So it's kind of a shit show.

598
00:32:49.880 --> 00:32:54.799
<v Speaker 2>The head marine guy doesn't know what he's doing, and

599
00:32:54.920 --> 00:32:58.640
<v Speaker 2>the other marine guys have bad AMMO and they can't

600
00:32:58.680 --> 00:33:02.359
<v Speaker 2>even shoot at things yep. And then they're trying to

601
00:33:02.400 --> 00:33:06.279
<v Speaker 2>find all these colonists and apparently all these colonists have

602
00:33:06.359 --> 00:33:09.119
<v Speaker 2>a chip inserted in them. This is going to be

603
00:33:09.119 --> 00:33:16.000
<v Speaker 2>our future, and that chip has a tracking device and

604
00:33:16.039 --> 00:33:18.079
<v Speaker 2>they're trying to figure it out. And then they find

605
00:33:18.119 --> 00:33:21.799
<v Speaker 2>that they're all in this one area and they're like, well,

606
00:33:21.880 --> 00:33:24.119
<v Speaker 2>let's go, let's go check it out.

607
00:33:24.400 --> 00:33:26.200
<v Speaker 3>Having a party without us, let's go.

608
00:33:26.519 --> 00:33:29.839
<v Speaker 2>Yeah, and before they go, they don't do any research.

609
00:33:30.000 --> 00:33:32.119
<v Speaker 2>They don't they don't do anything, and so that's what

610
00:33:32.240 --> 00:33:34.640
<v Speaker 2>gives them in the conundrum of having the wrong gammo.

611
00:33:34.920 --> 00:33:37.279
<v Speaker 3>Yeah, and this is where you start to realize that, like,

612
00:33:37.720 --> 00:33:40.799
<v Speaker 3>if people will just listen to Ripley, everything would go

613
00:33:40.799 --> 00:33:42.839
<v Speaker 3>a lot better. Yeah, just like the first movie.

614
00:33:43.000 --> 00:33:47.799
<v Speaker 2>Yeah, she's the sound of reason. And so they find

615
00:33:48.079 --> 00:33:51.400
<v Speaker 2>one of the colony, Well, they find the colonists encased

616
00:33:51.640 --> 00:33:55.559
<v Speaker 2>in this goo and then they see the husks of

617
00:33:55.640 --> 00:33:59.599
<v Speaker 2>the face suckers, and somehow they're not putting it together,

618
00:34:00.079 --> 00:34:04.400
<v Speaker 2>even though they should have watched the report that Ripley

619
00:34:04.440 --> 00:34:07.599
<v Speaker 2>did to explain to them what the life cycle of

620
00:34:07.640 --> 00:34:11.719
<v Speaker 2>one of these things is. Yeah, so nobody did their homework.

621
00:34:12.119 --> 00:34:14.960
<v Speaker 3>They had report on a disc They told us that.

622
00:34:15.239 --> 00:34:18.760
<v Speaker 2>Yeah, so, and they had a lot of time. They

623
00:34:18.800 --> 00:34:21.280
<v Speaker 2>were all in the little sleepy chamber. They could have

624
00:34:21.360 --> 00:34:24.119
<v Speaker 2>taken a day off, gotten out of the sleepy chamber

625
00:34:24.199 --> 00:34:27.440
<v Speaker 2>and watched the fifteen minute video. So they're just like

626
00:34:27.559 --> 00:34:30.000
<v Speaker 2>kicking around the husks and just chilling.

627
00:34:30.599 --> 00:34:33.199
<v Speaker 3>They didn't even let her finish explaining it in.

628
00:34:33.119 --> 00:34:36.280
<v Speaker 2>Her in her initials. Yeah, yeah, So when they were

629
00:34:36.320 --> 00:34:41.039
<v Speaker 2>meeting her, they were really undermining her. And then as

630
00:34:41.079 --> 00:34:44.119
<v Speaker 2>they were loading up, she's like, how can I help?

631
00:34:44.159 --> 00:34:46.679
<v Speaker 2>I feel like like like a bump on a log,

632
00:34:46.800 --> 00:34:48.599
<v Speaker 2>like what am I doing? And they're like, well, what

633
00:34:48.719 --> 00:34:51.480
<v Speaker 2>can you do? And I thought that was the perfect question.

634
00:34:52.039 --> 00:34:55.800
<v Speaker 2>They're like, She's like, I want to volunteer. Okay, what

635
00:34:55.920 --> 00:34:58.840
<v Speaker 2>can you do for us? And I love this? She's ready.

636
00:34:58.880 --> 00:35:03.280
<v Speaker 2>She's like, oh, I can drive one of those big things,

637
00:35:03.360 --> 00:35:11.440
<v Speaker 2>those fucking avatar robots. Yeah, and she like gets in it,

638
00:35:11.719 --> 00:35:15.079
<v Speaker 2>fucking messes around with the knobs and she's like where

639
00:35:15.119 --> 00:35:17.719
<v Speaker 2>do you want it? And that must have been an

640
00:35:17.880 --> 00:35:22.599
<v Speaker 2>iconic line because even the guys reacted to it, like

641
00:35:22.639 --> 00:35:25.920
<v Speaker 2>the characters. They were like laughing, They're like, oh shit,

642
00:35:26.280 --> 00:35:31.320
<v Speaker 2>she's for real. I think this establishes her as not

643
00:35:31.559 --> 00:35:35.400
<v Speaker 2>just a pretty face or like a nerd or you know,

644
00:35:35.559 --> 00:35:39.159
<v Speaker 2>like because she's a consultant or whatever, and they there's like,

645
00:35:39.960 --> 00:35:42.599
<v Speaker 2>she's not one of them, so this helps her kind

646
00:35:42.639 --> 00:35:45.960
<v Speaker 2>of them, They're they're warming up to her not a lot,

647
00:35:46.159 --> 00:35:48.760
<v Speaker 2>And I feel like it could have been done better

648
00:35:49.280 --> 00:35:52.960
<v Speaker 2>to like introduce her to the crew or something, or

649
00:35:53.039 --> 00:35:57.199
<v Speaker 2>show the barriers that she was facing more to feel integrated,

650
00:35:57.559 --> 00:36:02.920
<v Speaker 2>like more of her getting shut down stuff, maybe especially

651
00:36:02.960 --> 00:36:07.400
<v Speaker 2>by that that uh, the military guy, the sergeant or whatever.

652
00:36:07.559 --> 00:36:09.440
<v Speaker 2>If he would have like snapped at her a little

653
00:36:09.480 --> 00:36:11.960
<v Speaker 2>bit more like even like if he would have been like,

654
00:36:12.000 --> 00:36:14.239
<v Speaker 2>you need to shut up or something. He tried to

655
00:36:14.280 --> 00:36:18.199
<v Speaker 2>do it when they were but she like said, fuck you,

656
00:36:18.440 --> 00:36:21.880
<v Speaker 2>I'm gonna rescue these guys, and she got on and

657
00:36:22.000 --> 00:36:27.760
<v Speaker 2>started driving the cyber trucky truck. Yeah, that's but I

658
00:36:27.800 --> 00:36:30.679
<v Speaker 2>feel like they could have pushed him to be more demeaning,

659
00:36:30.880 --> 00:36:33.880
<v Speaker 2>you know, like really push. But I don't know if

660
00:36:33.920 --> 00:36:35.880
<v Speaker 2>they wanted to make him the bad guy, right.

661
00:36:36.079 --> 00:36:38.239
<v Speaker 3>Yeah, they just seem to one who make him.

662
00:36:38.360 --> 00:36:42.920
<v Speaker 2>Useless competent, Yeah, useless, So I guess that that's all right.

663
00:36:44.480 --> 00:36:47.320
<v Speaker 2>But yeah, she drives the cyber truck and they figure

664
00:36:47.360 --> 00:36:49.360
<v Speaker 2>out that these aliens are no joke.

665
00:36:50.000 --> 00:36:53.559
<v Speaker 3>I do like how they they set up the loader thing,

666
00:36:53.800 --> 00:36:56.320
<v Speaker 3>the forkliff machine that she drives.

667
00:36:56.480 --> 00:36:56.719
<v Speaker 2>Yeah.

668
00:36:56.840 --> 00:36:59.159
<v Speaker 3>I like how they were able to establish that so

669
00:36:59.199 --> 00:37:01.039
<v Speaker 3>we could get that final act of the.

670
00:37:01.480 --> 00:37:05.679
<v Speaker 2>Yeah, before she comes back with that. Yeah she had guns. Yeah,

671
00:37:05.719 --> 00:37:08.000
<v Speaker 2>but it did have a little flamethrower. Was that to

672
00:37:08.119 --> 00:37:09.440
<v Speaker 2>light cigars or something?

673
00:37:11.760 --> 00:37:14.840
<v Speaker 3>Because it's not like a military thing, it's it's a

674
00:37:14.920 --> 00:37:15.480
<v Speaker 3>load thing.

675
00:37:15.679 --> 00:37:19.719
<v Speaker 2>Yeah, okay, a knife though to open boxes or something.

676
00:37:19.760 --> 00:37:23.400
<v Speaker 2>I don't know, but yeah, that was a good setup.

677
00:37:23.639 --> 00:37:26.679
<v Speaker 2>They introduced a new machine and they introduced that she

678
00:37:26.760 --> 00:37:30.320
<v Speaker 2>could manage to drive it or whatever. But it was

679
00:37:30.400 --> 00:37:33.920
<v Speaker 2>also giving Transformers And I'm like, James Cameron, I see

680
00:37:33.960 --> 00:37:36.960
<v Speaker 2>your future. That's not him whatever, it's the same guy

681
00:37:37.159 --> 00:37:41.480
<v Speaker 2>to me. It's all the same guy who is the Transformers.

682
00:37:40.760 --> 00:37:45.119
<v Speaker 3>Guy, Michael bay Ah. But he does have those things

683
00:37:45.119 --> 00:37:45.760
<v Speaker 3>in Avatar.

684
00:37:46.159 --> 00:37:47.920
<v Speaker 2>Yeah. Oh is that James Cameron?

685
00:37:48.039 --> 00:37:48.320
<v Speaker 3>Yeah?

686
00:37:48.480 --> 00:37:53.360
<v Speaker 2>Oh okay, well still that is in his future. He

687
00:37:53.440 --> 00:37:56.599
<v Speaker 2>really likes those robot things. Do you think do we

688
00:37:56.679 --> 00:38:00.360
<v Speaker 2>have things like that now and in a practical use

689
00:38:00.679 --> 00:38:03.760
<v Speaker 2>in real life? I feel like most of those types

690
00:38:03.800 --> 00:38:06.440
<v Speaker 2>of things are automated the most, Like, I mean, we

691
00:38:06.480 --> 00:38:08.880
<v Speaker 2>have forklifts. I don't think if it's ever going to

692
00:38:09.039 --> 00:38:12.159
<v Speaker 2>advance from forklift. I feel like in the loading and

693
00:38:13.159 --> 00:38:17.639
<v Speaker 2>unloading field, they've already made the perfect machine with the forklift,

694
00:38:19.079 --> 00:38:22.840
<v Speaker 2>and it feels like a forklift is probably a little

695
00:38:22.920 --> 00:38:25.960
<v Speaker 2>safer in terms of like putting your body like so

696
00:38:26.119 --> 00:38:27.079
<v Speaker 2>close to the load.

697
00:38:27.280 --> 00:38:29.440
<v Speaker 3>Yeah. I'm just trying to think of, like what's what's

698
00:38:29.480 --> 00:38:32.840
<v Speaker 3>the practical use of having it have legs that you

699
00:38:32.880 --> 00:38:33.840
<v Speaker 3>walk with as.

700
00:38:33.840 --> 00:38:37.440
<v Speaker 2>Most of wheels, unless it's like, let's think of it

701
00:38:37.679 --> 00:38:41.800
<v Speaker 2>in an exterior not plane surif. Yeah, that would be

702
00:38:41.840 --> 00:38:45.000
<v Speaker 2>the only application that I could see. And those little

703
00:38:45.079 --> 00:38:47.840
<v Speaker 2>leggies didn't look like they would be good for gripping

704
00:38:47.880 --> 00:38:51.280
<v Speaker 2>the floor. They need to be like built like like

705
00:38:51.400 --> 00:38:55.199
<v Speaker 2>a hiking boot, you know, with tread and stuff, and

706
00:38:55.239 --> 00:38:56.360
<v Speaker 2>that thing looks slick.

707
00:38:56.639 --> 00:38:59.480
<v Speaker 3>Yeah, it just seems really dangerous because like a small

708
00:38:59.519 --> 00:39:02.760
<v Speaker 3>move of your arm waves this big metal thing, right.

709
00:39:02.599 --> 00:39:04.519
<v Speaker 2>And there were people walking in the front.

710
00:39:04.639 --> 00:39:06.599
<v Speaker 3>I know when they first showed it, the guys like

711
00:39:06.880 --> 00:39:09.199
<v Speaker 3>backing up and then like people aren't giving him.

712
00:39:09.159 --> 00:39:11.719
<v Speaker 2>Enough room, no, And then the one guy passed in

713
00:39:11.760 --> 00:39:14.559
<v Speaker 2>front of the forks. I was like, you never do

714
00:39:14.639 --> 00:39:22.239
<v Speaker 2>that usually. Like there's like a beeping sound, there's like noises, lights,

715
00:39:22.599 --> 00:39:25.559
<v Speaker 2>something to alert you to get out of the way,

716
00:39:25.679 --> 00:39:29.840
<v Speaker 2>because that's a liability issue for the company that's given

717
00:39:29.880 --> 00:39:35.360
<v Speaker 2>you permission to operate this machine. So for as like

718
00:39:35.679 --> 00:39:40.519
<v Speaker 2>money conscious as this company claims to be, apparently in

719
00:39:40.599 --> 00:39:43.800
<v Speaker 2>the future there is no workmen's camp, And I feel

720
00:39:43.840 --> 00:39:47.079
<v Speaker 2>like Sigourney Weaver would have been due some workmen's camp

721
00:39:47.199 --> 00:39:51.519
<v Speaker 2>or at least a retirement or some sort of severance

722
00:39:52.079 --> 00:39:58.119
<v Speaker 2>for her fifty two years of working, right or fifty seven?

723
00:39:58.159 --> 00:40:01.840
<v Speaker 2>I'm sorry, that's what I would have been, like, Hey,

724
00:40:02.000 --> 00:40:05.400
<v Speaker 2>so I've been with this company for fifty seven years.

725
00:40:05.880 --> 00:40:09.079
<v Speaker 2>If anything, I have seniority over all of y'all.

726
00:40:10.679 --> 00:40:12.920
<v Speaker 3>Also, how's my four h one k doing?

727
00:40:13.159 --> 00:40:17.079
<v Speaker 2>Right, it's gotta be great. But her kid probably got

728
00:40:17.119 --> 00:40:19.800
<v Speaker 2>it when they didn't find her after a couple of years, right,

729
00:40:20.039 --> 00:40:26.320
<v Speaker 2>probably damn uh oh. Yeah. So Sigourney Weaver like rolls

730
00:40:26.400 --> 00:40:30.760
<v Speaker 2>up in the cyber truck and scoops them up, and

731
00:40:31.199 --> 00:40:33.719
<v Speaker 2>they lose a couple of them in the fight, and

732
00:40:33.800 --> 00:40:36.360
<v Speaker 2>one of them gets acid blown on their face and

733
00:40:36.599 --> 00:40:39.679
<v Speaker 2>they like he's a goner, let him go. And Vazquez

734
00:40:39.840 --> 00:40:41.519
<v Speaker 2>is like, now, now.

735
00:40:42.440 --> 00:40:46.239
<v Speaker 3>Yeah, these marines got their asses kicked and really like

736
00:40:46.840 --> 00:40:48.079
<v Speaker 3>knocked down there.

737
00:40:48.039 --> 00:40:49.280
<v Speaker 2>They got a reality check.

738
00:40:49.480 --> 00:40:53.239
<v Speaker 3>They're military, like masculine arrogance that they have had the

739
00:40:53.239 --> 00:40:54.159
<v Speaker 3>first part of the movie.

740
00:40:54.599 --> 00:40:58.920
<v Speaker 2>Yeah, all of that cockiness and wit is gone. They're

741
00:40:58.960 --> 00:41:02.360
<v Speaker 2>running their treating with their tails between their legs.

742
00:41:02.679 --> 00:41:07.400
<v Speaker 3>And even though Michael Bain's character Hicks is in charge now,

743
00:41:07.519 --> 00:41:09.840
<v Speaker 3>like I feel like Ripley's pretty much calling the shots.

744
00:41:10.039 --> 00:41:12.920
<v Speaker 2>Yeah, he just repeats what she says. It's a puppet.

745
00:41:13.199 --> 00:41:18.880
<v Speaker 2>It's it's definitely got a lot of explosions and gunfighting

746
00:41:19.519 --> 00:41:24.400
<v Speaker 2>and the aliens explode, and it's like very action forward.

747
00:41:24.800 --> 00:41:29.000
<v Speaker 3>Yeah, just like a war movie than it is this

748
00:41:29.519 --> 00:41:31.280
<v Speaker 3>Haunted House movie. The first one was.

749
00:41:31.519 --> 00:41:35.000
<v Speaker 2>Yeah, I'm just like sometimes I'm having a hard time

750
00:41:35.079 --> 00:41:37.559
<v Speaker 2>keeping up with all of the action. It's just like

751
00:41:37.639 --> 00:41:42.440
<v Speaker 2>I get like a whiplash. It's like it's like, oh

752
00:41:42.559 --> 00:41:44.480
<v Speaker 2>now we're over here. Oh now we got to do this.

753
00:41:44.639 --> 00:41:46.599
<v Speaker 2>Now we got to do that. Now we're welding the

754
00:41:46.639 --> 00:41:47.880
<v Speaker 2>door shut. Oh my god.

755
00:41:49.119 --> 00:41:53.119
<v Speaker 3>And honestly, like once some of those marines died, it

756
00:41:53.199 --> 00:41:55.280
<v Speaker 3>was kind of a relief because I'm like, Okay, now

757
00:41:55.320 --> 00:41:56.960
<v Speaker 3>there's few enough of them that I can kind of

758
00:41:57.039 --> 00:42:03.159
<v Speaker 3>keep track of who's the character here. We've Vesquez and Henderson.

759
00:42:03.480 --> 00:42:04.880
<v Speaker 2>He was a cry baby bitch.

760
00:42:05.079 --> 00:42:07.960
<v Speaker 3>Yeah. Is that his name, Hudson, Hudson, Hudson, Yeah, him

761
00:42:08.000 --> 00:42:10.639
<v Speaker 3>being just like, what do we do now, man, we're.

762
00:42:10.480 --> 00:42:15.800
<v Speaker 2>All goners, We're all goners. How did he pass like

763
00:42:15.920 --> 00:42:18.400
<v Speaker 2>a fortitude test to be in the Marines?

764
00:42:18.840 --> 00:42:20.760
<v Speaker 3>I don't know because I keep boasting about how like

765
00:42:21.079 --> 00:42:23.320
<v Speaker 3>they're like the best of the best, and like these

766
00:42:23.360 --> 00:42:26.039
<v Speaker 3>guys can handle anything, and like he can't handle much

767
00:42:26.079 --> 00:42:26.360
<v Speaker 3>at all.

768
00:42:26.800 --> 00:42:30.440
<v Speaker 2>Right, one ounce of pressure and he's over it. He's

769
00:42:30.480 --> 00:42:34.079
<v Speaker 2>like on the floor on his back with his feet up, surrendered.

770
00:42:35.239 --> 00:42:36.920
<v Speaker 3>So then, yeah, Burke is evil.

771
00:42:37.239 --> 00:42:40.840
<v Speaker 2>Burke is evil, and he gets his just desserts. But

772
00:42:41.199 --> 00:42:44.800
<v Speaker 2>he really tries to pretend he's the good guy for

773
00:42:44.840 --> 00:42:48.440
<v Speaker 2>the longest time. Yeah, and then uh, he is revealed

774
00:42:48.519 --> 00:42:50.960
<v Speaker 2>to be a company man at heart.

775
00:42:51.159 --> 00:42:53.320
<v Speaker 3>Yep. There is monetary value.

776
00:42:53.000 --> 00:42:57.039
<v Speaker 2>Here, right, and that is you know, human capital is

777
00:42:57.159 --> 00:43:01.199
<v Speaker 2>less than capital capital. So he was trying to sneak.

778
00:43:01.679 --> 00:43:05.039
<v Speaker 2>I can't believe he was willing to sacrifice Ripley and

779
00:43:05.199 --> 00:43:08.239
<v Speaker 2>the girl like, what a bastard. And I'm I thought

780
00:43:08.320 --> 00:43:10.719
<v Speaker 2>she brought the gun in with her and put it

781
00:43:10.800 --> 00:43:14.960
<v Speaker 2>on the bed. Nope, So that was her bad. Yeah,

782
00:43:15.360 --> 00:43:18.119
<v Speaker 2>so because if she had a gun, she would have

783
00:43:18.199 --> 00:43:19.360
<v Speaker 2>killed that motherfucking thing.

784
00:43:19.639 --> 00:43:21.880
<v Speaker 3>Yeah. Remember to bring your guns to bed with you

785
00:43:21.960 --> 00:43:23.239
<v Speaker 3>guys always.

786
00:43:24.000 --> 00:43:29.119
<v Speaker 2>But they so like there's they're like numbers are dwindling.

787
00:43:29.400 --> 00:43:31.199
<v Speaker 3>Yeah. I think that might have been one of the

788
00:43:31.239 --> 00:43:33.440
<v Speaker 3>more like tense scenes in the movie, is them like

789
00:43:33.480 --> 00:43:36.519
<v Speaker 3>trapped in that room, right, knowing that those face suckers

790
00:43:36.519 --> 00:43:37.480
<v Speaker 3>are in there, right.

791
00:43:37.679 --> 00:43:41.320
<v Speaker 2>Yeah. I think another good tense point was when they

792
00:43:41.360 --> 00:43:45.800
<v Speaker 2>finally get through the door where Burke was and they're

793
00:43:45.840 --> 00:43:50.559
<v Speaker 2>in between spaces and the alien is like trying to

794
00:43:50.599 --> 00:43:54.360
<v Speaker 2>knock down the door and the little girl rescues them

795
00:43:54.400 --> 00:43:57.119
<v Speaker 2>by like redirecting them through the air ducts.

796
00:43:57.400 --> 00:43:57.679
<v Speaker 3>Yeah.

797
00:43:57.760 --> 00:44:00.559
<v Speaker 2>So I don't know why she wasn't in charge sooner.

798
00:44:01.719 --> 00:44:04.880
<v Speaker 3>Yeah, she does know like the lay of the land.

799
00:44:05.159 --> 00:44:07.400
<v Speaker 2>Yeah. I feel like if they would have just hoarded

800
00:44:07.480 --> 00:44:10.079
<v Speaker 2>up where she was the whole time, they would have

801
00:44:10.119 --> 00:44:10.639
<v Speaker 2>been safe.

802
00:44:10.760 --> 00:44:13.639
<v Speaker 3>Yeah, they could have stayed for the seventeen days or whatever.

803
00:44:13.800 --> 00:44:19.440
<v Speaker 2>Yeah. But then the android's like, well there is another alternative.

804
00:44:19.719 --> 00:44:23.199
<v Speaker 2>Twenty years later, he's like, oh, yeah, I can remotely

805
00:44:23.360 --> 00:44:27.360
<v Speaker 2>navigate this ship from base. Why didn't you say that

806
00:44:27.440 --> 00:44:31.800
<v Speaker 2>in the beginning, you bitch? Why did why was that plan?

807
00:44:31.960 --> 00:44:40.440
<v Speaker 2>See what the hell it took their atmosphere conductor like

808
00:44:40.599 --> 00:44:43.840
<v Speaker 2>failing for him to be like, oh, yeah, I can

809
00:44:43.880 --> 00:44:47.280
<v Speaker 2>do this. I can crawl through this little poo you

810
00:44:47.280 --> 00:44:52.760
<v Speaker 2>know tube and you know, redirect and navigate the ship.

811
00:44:52.920 --> 00:44:55.639
<v Speaker 2>Why didn't you say that initially as soon as that

812
00:44:55.719 --> 00:44:57.199
<v Speaker 2>first ship exploded.

813
00:44:57.480 --> 00:45:01.880
<v Speaker 3>Bitch, bitch? Maybe he was evil after all, he was.

814
00:45:01.920 --> 00:45:05.039
<v Speaker 2>Just trying to save the specimens.

815
00:45:05.239 --> 00:45:07.519
<v Speaker 3>It's always the specimens with those guys.

816
00:45:07.840 --> 00:45:10.760
<v Speaker 2>Yeah, it was freaky to see them too. I think

817
00:45:10.760 --> 00:45:13.679
<v Speaker 2>they did a good job at like showing how gross

818
00:45:13.719 --> 00:45:16.760
<v Speaker 2>they were and how they worked those face suckers with

819
00:45:16.800 --> 00:45:20.800
<v Speaker 2>their dicks for mouths. I wouldn't scream in front of

820
00:45:20.840 --> 00:45:24.239
<v Speaker 2>one of those. I shut my mouth with my teeth clenched.

821
00:45:26.920 --> 00:45:29.280
<v Speaker 3>What else I mean, the whole like end of the

822
00:45:29.320 --> 00:45:32.679
<v Speaker 3>movies just action packed. They lose they got to.

823
00:45:32.760 --> 00:45:35.480
<v Speaker 2>Oh yeah, they lose her in the water, and I

824
00:45:35.519 --> 00:45:37.320
<v Speaker 2>thought that was the end of her. I was ready

825
00:45:37.360 --> 00:45:40.760
<v Speaker 2>to say goodbye, so long, farewell.

826
00:45:41.480 --> 00:45:44.400
<v Speaker 3>No, Ripley says like they're going to keep her alive to.

827
00:45:46.239 --> 00:45:50.039
<v Speaker 2>Yeah, that's disgusting. But she was right and I was wrong,

828
00:45:50.239 --> 00:45:52.800
<v Speaker 2>and I'm really sorry for that. But you know. I

829
00:45:52.840 --> 00:45:55.199
<v Speaker 2>was ready to just be like, oh, well, that's the

830
00:45:55.280 --> 00:45:58.159
<v Speaker 2>last of that little girl. And so when she went back,

831
00:45:58.559 --> 00:46:04.840
<v Speaker 2>I was like, why is she going back? I was

832
00:46:04.920 --> 00:46:08.480
<v Speaker 2>so confused. It's like they're gone, They're done. Why is

833
00:46:08.519 --> 00:46:11.840
<v Speaker 2>the movie not over? But little did I know that

834
00:46:11.920 --> 00:46:14.400
<v Speaker 2>in the third act she had to rescue a little

835
00:46:14.480 --> 00:46:18.360
<v Speaker 2>girl and murder the mother. And oh my god, what

836
00:46:18.440 --> 00:46:22.599
<v Speaker 2>a mother it was. I don't know if you watch Futurama,

837
00:46:22.639 --> 00:46:26.599
<v Speaker 2>but you know how they make that drink surge, that's

838
00:46:26.639 --> 00:46:31.480
<v Speaker 2>what it gave. It was giving goo, big booty judy goo.

839
00:46:31.960 --> 00:46:34.800
<v Speaker 2>And I think it looked great, like in terms of

840
00:46:34.960 --> 00:46:41.199
<v Speaker 2>like alien reproduction, So they must reproduce asexually, right, because

841
00:46:41.239 --> 00:46:45.320
<v Speaker 2>we didn't see anybody like impregnating her or inseminating the

842
00:46:45.400 --> 00:46:48.960
<v Speaker 2>eggs or anything like that. So this is a society

843
00:46:49.599 --> 00:46:51.719
<v Speaker 2>of drones and bees.

844
00:46:51.840 --> 00:46:55.599
<v Speaker 3>And I mean, I don't know the males that are

845
00:46:55.719 --> 00:46:56.679
<v Speaker 3>breeding with the queen.

846
00:46:56.840 --> 00:47:00.599
<v Speaker 2>Oh you think so the model children, and that.

847
00:47:00.599 --> 00:47:03.000
<v Speaker 3>Would be the case, right, probably.

848
00:47:02.599 --> 00:47:05.719
<v Speaker 2>Yeah, bees or i ants or whatever. But it was

849
00:47:06.000 --> 00:47:10.119
<v Speaker 2>I thought that the visuals are really good, disgusting but good, right,

850
00:47:11.679 --> 00:47:16.559
<v Speaker 2>I'm very believable. But then when she starts lighting all

851
00:47:16.559 --> 00:47:20.760
<v Speaker 2>the things on fire. That thing rips itself from its

852
00:47:20.840 --> 00:47:24.679
<v Speaker 2>body and like chases her with her little claws, and

853
00:47:24.760 --> 00:47:26.199
<v Speaker 2>I'm like, I don't believe that.

854
00:47:26.880 --> 00:47:29.400
<v Speaker 3>Yeah. Well, at first I was like, well, the queen's

855
00:47:29.400 --> 00:47:32.440
<v Speaker 3>got that big, you know, eggsack attached to her. It's

856
00:47:32.440 --> 00:47:34.400
<v Speaker 3>not gonna be a threat. You can't move around.

857
00:47:34.599 --> 00:47:37.719
<v Speaker 2>But then she's like, oh, actually, I just zip this

858
00:47:37.840 --> 00:47:45.800
<v Speaker 2>off and my pants become short. So she's like she

859
00:47:46.000 --> 00:47:50.280
<v Speaker 2>is giving Kunti with their little movements. She's like I

860
00:47:50.320 --> 00:47:54.239
<v Speaker 2>could see her in like little heel stilettos running around

861
00:47:54.599 --> 00:47:58.679
<v Speaker 2>waiting for the elevator. Oh my god, this queen is iconic.

862
00:47:59.079 --> 00:48:03.360
<v Speaker 2>And she finds herself on their evacuation and in the

863
00:48:03.360 --> 00:48:07.320
<v Speaker 2>big ship and Ripley does it again. She's like out

864
00:48:07.360 --> 00:48:08.599
<v Speaker 2>the airlock.

865
00:48:08.599 --> 00:48:10.320
<v Speaker 3>Yep, the freaking Cylon.

866
00:48:13.599 --> 00:48:18.079
<v Speaker 2>And I wish they would do more with the space

867
00:48:18.159 --> 00:48:21.360
<v Speaker 2>aspect of it. When it's like floating out in space

868
00:48:21.880 --> 00:48:25.159
<v Speaker 2>like a little bit of like freezing or something.

869
00:48:25.639 --> 00:48:27.519
<v Speaker 3>I just want to see what happens.

870
00:48:27.840 --> 00:48:32.159
<v Speaker 2>I want to see an accurate depiction of what happens

871
00:48:32.199 --> 00:48:35.159
<v Speaker 2>when you're exposed to space. I think that would have

872
00:48:35.159 --> 00:48:37.679
<v Speaker 2>been cool, Or if she would have exploded, that would

873
00:48:37.679 --> 00:48:39.880
<v Speaker 2>have been cool too, but like a freeze. I think

874
00:48:39.920 --> 00:48:42.559
<v Speaker 2>you freeze in space because it's so cold. I don't know,

875
00:48:42.760 --> 00:48:47.039
<v Speaker 2>maybe it's not. I don't know about space. But Ripley's strong.

876
00:48:47.320 --> 00:48:50.079
<v Speaker 2>And her shoe, she lost her shoe. Those shoes were

877
00:48:50.119 --> 00:48:52.400
<v Speaker 2>so stylish, they were very eighties.

878
00:48:52.679 --> 00:48:53.000
<v Speaker 3>Yep.

879
00:48:53.119 --> 00:48:55.280
<v Speaker 2>And then they finally get that little girl cleaned up,

880
00:48:55.320 --> 00:48:57.679
<v Speaker 2>and she looks so different. She needed a.

881
00:48:57.559 --> 00:49:03.400
<v Speaker 3>Bath so bad. Yeah, bath before bedtime for however many years.

882
00:49:03.840 --> 00:49:06.719
<v Speaker 2>Yeah, we'll see how long the next one. Yeah, the

883
00:49:06.760 --> 00:49:09.159
<v Speaker 2>next one's in ten years, so we'll see how long

884
00:49:09.440 --> 00:49:12.159
<v Speaker 2>their staces is or if that little well, the little

885
00:49:12.159 --> 00:49:14.880
<v Speaker 2>girl won't be in the sequel because she's quite acting.

886
00:49:15.159 --> 00:49:17.000
<v Speaker 3>True. True, I guess I get that away.

887
00:49:17.280 --> 00:49:18.480
<v Speaker 2>Yeah, spoilers.

888
00:49:19.280 --> 00:49:22.159
<v Speaker 3>Yeah, I don't see anything else you need to cover

889
00:49:22.519 --> 00:49:26.559
<v Speaker 3>talked about We talked about it all fatherhood and masculinity

890
00:49:26.599 --> 00:49:28.840
<v Speaker 3>and war and trauma and corporate greed.

891
00:49:28.880 --> 00:49:32.199
<v Speaker 2>And then the representation of queerness and brown face.

892
00:49:32.639 --> 00:49:32.880
<v Speaker 3>Yep.

893
00:49:32.960 --> 00:49:34.760
<v Speaker 2>It would have been so iconic if they would have

894
00:49:34.840 --> 00:49:38.039
<v Speaker 2>just made a queer character who wasn't putting on Browie's.

895
00:49:38.199 --> 00:49:41.320
<v Speaker 2>I don't know, Well, it's not my movie. I didn't write.

896
00:49:41.360 --> 00:49:43.760
<v Speaker 3>It wasn't mine either. I wasn't alive, but.

897
00:49:43.760 --> 00:49:48.119
<v Speaker 2>Apparently it's a critically acclaimed film with lots of tropes

898
00:49:48.119 --> 00:49:52.559
<v Speaker 2>that have been present in many other films. So and

899
00:49:52.599 --> 00:49:55.960
<v Speaker 2>it's one of the most successful sequels, which kay.

900
00:49:57.960 --> 00:50:01.360
<v Speaker 3>Yeah, if you look at Rotten Tomatoes, Alien ninety three

901
00:50:01.840 --> 00:50:03.239
<v Speaker 3>Aliens ninety four percent.

902
00:50:03.559 --> 00:50:06.559
<v Speaker 2>Wow, I feel like this movie was made for men though,

903
00:50:06.639 --> 00:50:10.360
<v Speaker 2>even though it's got a strong female character, I just I.

904
00:50:10.280 --> 00:50:12.639
<v Speaker 3>Don't know, it has that vibe. It feels like a

905
00:50:12.760 --> 00:50:16.079
<v Speaker 3>Rambo Terminator Diehard type.

906
00:50:16.639 --> 00:50:21.119
<v Speaker 2>Yeah, it's very masculine, very male, and not that women

907
00:50:21.239 --> 00:50:24.159
<v Speaker 2>can't be attracted to that, but it just doesn't speak

908
00:50:24.239 --> 00:50:27.480
<v Speaker 2>to the female experience in a way that feels authentic.

909
00:50:27.800 --> 00:50:31.480
<v Speaker 2>And I mean a man wrote it, so it.

910
00:50:31.400 --> 00:50:33.320
<v Speaker 3>Won't be You want to go to the next section.

911
00:50:33.840 --> 00:50:34.480
<v Speaker 2>What is it?

912
00:50:34.599 --> 00:50:35.800
<v Speaker 3>The astral Queen.

913
00:50:38.599 --> 00:50:42.320
<v Speaker 1>Astral queen who was the standout character in the movie?

914
00:50:43.400 --> 00:50:45.079
<v Speaker 2>Stand out character, I'm gonna give it to.

915
00:50:45.119 --> 00:50:45.920
<v Speaker 3>Newt Oh really.

916
00:50:46.159 --> 00:50:49.519
<v Speaker 2>Yeah. She was like, I don't feel safe around these people.

917
00:50:49.760 --> 00:50:51.079
<v Speaker 2>I don't I don't feel safe.

918
00:50:51.360 --> 00:50:53.639
<v Speaker 3>Yeah, Like, don't you think you'll be safer with us?

919
00:50:53.719 --> 00:50:56.599
<v Speaker 3>And she's like, no, no, I.

920
00:50:56.559 --> 00:50:59.599
<v Speaker 2>Didn't have a gun. I didn't have any of the

921
00:50:59.639 --> 00:51:03.079
<v Speaker 2>equip you have, and I survived for longer than seventeen

922
00:51:03.159 --> 00:51:04.679
<v Speaker 2>days here by myself.

923
00:51:04.960 --> 00:51:06.719
<v Speaker 3>I've got snacks in my room. I'm good.

924
00:51:06.880 --> 00:51:09.639
<v Speaker 2>Yeah, I got snacks, jewelry and pictures. What do I need?

925
00:51:09.920 --> 00:51:11.840
<v Speaker 2>What do I need? And she did it all without

926
00:51:11.880 --> 00:51:15.440
<v Speaker 2>a comb? So who do you give it to?

927
00:51:15.840 --> 00:51:17.800
<v Speaker 3>I think I'm going to go with Ripley again.

928
00:51:17.920 --> 00:51:19.679
<v Speaker 2>It's the main character energy.

929
00:51:19.920 --> 00:51:22.320
<v Speaker 3>Yeah. I mean, she's the one that came in with

930
00:51:22.360 --> 00:51:24.360
<v Speaker 3>the knowledge and no one listened to her, and then

931
00:51:24.400 --> 00:51:27.440
<v Speaker 3>she had to save the day multiple times and yeah,

932
00:51:27.480 --> 00:51:28.360
<v Speaker 3>so it's all.

933
00:51:28.159 --> 00:51:31.280
<v Speaker 2>In a day's work for a woman. Jason, It's typical Wednesday.

934
00:51:31.440 --> 00:51:34.320
<v Speaker 2>Nobody listens to you until they're fucking in trouble and

935
00:51:34.360 --> 00:51:36.760
<v Speaker 2>then they're like, oh, well, you get me out of

936
00:51:36.800 --> 00:51:40.239
<v Speaker 2>this bind because they don't listen. They don't listen, but

937
00:51:40.320 --> 00:51:43.000
<v Speaker 2>they'll hear that. They're definitely gonna hear I told you.

938
00:51:43.039 --> 00:51:47.639
<v Speaker 3>So they will listen to the good ideas and then

939
00:51:47.679 --> 00:51:49.079
<v Speaker 3>repeat them louder and.

940
00:51:48.960 --> 00:51:52.360
<v Speaker 2>Take credit for this. Just like, uh, when she's like

941
00:51:52.599 --> 00:51:56.320
<v Speaker 2>we should get out of here and nuke the planet

942
00:51:56.320 --> 00:52:00.559
<v Speaker 2>and the guy did that, Hicks repeated, It's like, yeah,

943
00:52:00.679 --> 00:52:01.679
<v Speaker 2>that's what we're going to do.

944
00:52:01.639 --> 00:52:04.079
<v Speaker 3>All right, well, that wraps up the main part of

945
00:52:04.079 --> 00:52:07.440
<v Speaker 3>our episode. We will go to the spoiler section. The

946
00:52:07.480 --> 00:52:11.079
<v Speaker 3>next episode coming out will be on Alien three.

947
00:52:11.119 --> 00:52:12.079
<v Speaker 2>Or Alien cubed.

948
00:52:12.320 --> 00:52:16.079
<v Speaker 3>Yeah, alien cubed. Not sure why stylized like that, but

949
00:52:18.639 --> 00:52:21.880
<v Speaker 3>I think we're again gonna watch the extended version, which

950
00:52:22.079 --> 00:52:23.719
<v Speaker 3>is called the Assembly Cut.

951
00:52:23.880 --> 00:52:27.960
<v Speaker 2>Who directed this one, same guy? No, thank god, no

952
00:52:28.039 --> 00:52:31.039
<v Speaker 2>offense to James Cameron, but I don't think i'm his

953
00:52:31.199 --> 00:52:35.360
<v Speaker 2>target audience. Who was the first one? Ridley Scott? Yes, okay,

954
00:52:35.480 --> 00:52:39.079
<v Speaker 2>I like Ridley Scott. I can respect his approach.

955
00:52:39.480 --> 00:52:43.960
<v Speaker 3>Oh, David Fincher did Alien three, he has he did

956
00:52:44.039 --> 00:52:46.039
<v Speaker 3>not enjoy his experience on that. We'll talk about a

957
00:52:46.079 --> 00:52:46.679
<v Speaker 3>next episode.

958
00:52:46.679 --> 00:52:49.400
<v Speaker 2>Doesn't sound like Cameron enjoyed this one either, with the

959
00:52:49.760 --> 00:52:51.840
<v Speaker 2>tensions with him and the crew.

960
00:52:51.960 --> 00:52:56.480
<v Speaker 3>Ridley Scott does come back to do Prometheus and Alien Covenant.

961
00:52:56.599 --> 00:52:59.639
<v Speaker 3>But yeah, for they do different directors every movie for

962
00:52:59.719 --> 00:53:03.719
<v Speaker 3>the most part. So yeah, Alien three Assembly Cut. If

963
00:53:03.719 --> 00:53:06.280
<v Speaker 3>you can find that version, it's generally considered to be

964
00:53:06.519 --> 00:53:09.639
<v Speaker 3>a lot better than Alien three theatrical. Oh so we're

965
00:53:09.639 --> 00:53:13.000
<v Speaker 3>going to go into the spoiler section, and I think

966
00:53:13.000 --> 00:53:15.400
<v Speaker 3>I'm definitely going to spoil something from Alien three. So

967
00:53:15.440 --> 00:53:17.679
<v Speaker 3>if you don't want that, then now is your time

968
00:53:17.760 --> 00:53:21.159
<v Speaker 3>to skidatle get out the airlock. Let's put our living

969
00:53:21.199 --> 00:53:22.960
<v Speaker 3>stereo stylus in this group.

970
00:53:25.639 --> 00:53:30.360
<v Speaker 1>Brace for impact. Spoilers ahead. If you haven't seen the

971
00:53:30.400 --> 00:53:33.840
<v Speaker 1>whole film series, now is the time to say goodbye.

972
00:53:34.360 --> 00:53:38.679
<v Speaker 1>Remember you can contact us at Spacingoutpod at gmail dot com,

973
00:53:39.519 --> 00:53:43.039
<v Speaker 1>find us on social media, share your thoughts and be

974
00:53:43.119 --> 00:53:47.760
<v Speaker 1>a part of the discussion. Spoilers in five four three

975
00:53:48.239 --> 00:53:49.239
<v Speaker 1>two one.

976
00:53:49.639 --> 00:53:50.599
<v Speaker 2>So what's the spoiler?

977
00:53:51.000 --> 00:53:52.920
<v Speaker 3>Well, in Alien three there's.

978
00:53:52.719 --> 00:53:54.880
<v Speaker 2>Another alien, like a different type.

979
00:53:55.360 --> 00:53:58.679
<v Speaker 3>I don't remember. Actually, what I wanted to spoil was

980
00:53:58.960 --> 00:54:02.000
<v Speaker 3>so it picks up right after this movie. They I

981
00:54:02.039 --> 00:54:04.599
<v Speaker 3>think they crash land on a planet and it's like

982
00:54:04.639 --> 00:54:08.280
<v Speaker 3>a prison planet. And Newton, the other guy, die right

983
00:54:08.280 --> 00:54:11.039
<v Speaker 3>at the beginning in the crash. Great, so this whole

984
00:54:11.360 --> 00:54:14.119
<v Speaker 3>movie where it's about like saving Newt, the whole end

985
00:54:14.119 --> 00:54:16.199
<v Speaker 3>of the movie is about the rescue of her, only

986
00:54:16.239 --> 00:54:17.760
<v Speaker 3>to be undercut by the next movie.

987
00:54:18.079 --> 00:54:20.599
<v Speaker 2>She dies. Yeah, and they're in a prison planet.

988
00:54:20.880 --> 00:54:24.719
<v Speaker 3>Yes, Okay, don't remember many details beyond that.

989
00:54:24.840 --> 00:54:28.039
<v Speaker 2>And so Gourney's still in it then, yes, she's locked in.

990
00:54:28.400 --> 00:54:30.840
<v Speaker 3>Yeah. I think that is like the biggest issue that

991
00:54:31.119 --> 00:54:34.199
<v Speaker 3>everyone had with the movie that new wasn't in it. Well,

992
00:54:34.239 --> 00:54:36.880
<v Speaker 3>just that they discarded her like that and really like

993
00:54:37.159 --> 00:54:38.679
<v Speaker 3>there's just kind of a slap in the face of

994
00:54:38.719 --> 00:54:39.400
<v Speaker 3>this movie.

995
00:54:39.599 --> 00:54:41.039
<v Speaker 2>But the little girl didn't want to act.

996
00:54:41.239 --> 00:54:44.719
<v Speaker 3>They carote a story that didn't pick up right where

997
00:54:44.880 --> 00:54:45.440
<v Speaker 3>this ended.

998
00:54:45.719 --> 00:54:48.679
<v Speaker 2>Right, Yeah, that would have been nicer. So Gourney could

999
00:54:48.679 --> 00:54:48.960
<v Speaker 2>have been.

1000
00:54:49.159 --> 00:54:52.559
<v Speaker 3>Her job back on the loading dock. Yeah, or she

1001
00:54:52.599 --> 00:54:56.519
<v Speaker 3>probably gets fired from that job because they don't believe her. Again, Yeah, that.

1002
00:54:56.440 --> 00:54:59.039
<v Speaker 2>Would have been cool. But yeah, no, okay, so bad

1003
00:54:59.039 --> 00:55:04.079
<v Speaker 2>writing already off the bat, Alien thirty. Why didn't they

1004
00:55:04.119 --> 00:55:06.800
<v Speaker 2>just hire James krameron to do the screenplay again?

1005
00:55:07.840 --> 00:55:11.199
<v Speaker 3>I don't know. Probably because he was doing Terminator two.

1006
00:55:11.360 --> 00:55:13.320
<v Speaker 3>Probably had a terrible time on this movie in order

1007
00:55:13.360 --> 00:55:14.159
<v Speaker 3>to go back.

1008
00:55:14.719 --> 00:55:16.480
<v Speaker 2>But he didn't have to direct it. He could have

1009
00:55:16.519 --> 00:55:19.559
<v Speaker 2>just written the screenplay, true, because he did a good job,

1010
00:55:19.719 --> 00:55:22.840
<v Speaker 2>a good enough job. All right, Okay, Well, we'll see

1011
00:55:22.880 --> 00:55:27.679
<v Speaker 2>you next week with Terminator cubed No No Alien three

1012
00:55:27.679 --> 00:55:29.559
<v Speaker 2>point zero Alien three.

1013
00:55:30.119 --> 00:55:33.280
<v Speaker 3>Thanks for spacing out with us, and remember there were

1014
00:55:33.280 --> 00:55:36.119
<v Speaker 3>some places in the universe you don't go alone. That's

1015
00:55:36.159 --> 00:55:37.039
<v Speaker 3>another tackline.

1016
00:55:37.679 --> 00:55:41.159
<v Speaker 1>Thank you for spacing out with BB and Jason, you

1017
00:55:41.199 --> 00:55:43.960
<v Speaker 1>can help us out by subscribing and leaving a positive

1018
00:55:44.039 --> 00:55:47.559
<v Speaker 1>rating or review. Next time, we will cover the nineteen

1019
00:55:47.679 --> 00:55:51.719
<v Speaker 1>ninety two film Alien three. We hope you will join

1020
00:55:51.800 --> 00:55:55.679
<v Speaker 1>us
