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Speaker 1: Alone. Yes, this is the Falcon speaking, Oh Masha, and

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I'm glad you called. Now you'll have to call me

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out tonight. Angel, I'm gonna be entertained by some comic

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and when this boy makes with the gags, he really slaves.

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This is then urly he friends in finding you on

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behalf of the Craft Foods Company to listen to the

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Adventures of the Falcon starring Lestamon. You met the Falcon

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first in his best selling novels, then you saw him

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in his thrilling motion picture series. Now join him on

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the air when the falconsuls the case of the Practical Choker.

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Before we join the Falcon for his latest adventure, I'd

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like to tell you about nine of the handiest little

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menu helpers you ever had in your kitchen. They're the

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nine famous Craft cheese spreads, and they really are handy

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for making snacks and sandwiches, salad toppings, and appetizers. All

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of the Craft cheese spreads, the mild tasting ones and

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the sharp tasting ones too, are delicious, and they're all

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the very finest quality because they're made by Craft. So

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tomorrow get several of the nine famous cheese spreads made

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by Craft.

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Speaker 2: Now the case of the Practical Choker.

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Speaker 1: It is Sunday afternoon in New York, and in a

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parked car outside the Club ninety one, a bad actor

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named Chuck Morgan and a plond named Linda Stewart are

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rehearsing a new comedy routine. And although mister Morgan's ideas

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of humor may be overdeveloped, still he obviously believes this

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act should kill his customer. Now I understand which is

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supposed to do.

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Speaker 3: Linda too, sure, mister Morgan, what's.

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Speaker 1: The matter with you? Anyway? Your agent told me you

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were a hep name.

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Speaker 3: Look, mister Morgan, I don't need a job that badly,

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all right.

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Speaker 1: I'm sorry, baby, I didn't mean that. You see, I

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want to play a joke on this guy, and I

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want to make sure that it goes off with schedule.

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Speaker 3: Well, the more I hear this joke, the less I

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like it.

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Speaker 1: I told you there's nothing to worry about. This fellow's

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a good friend of.

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Speaker 3: Mine, And why do something as silly as this.

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Speaker 1: Just to settle a bet. He thinks he's a great

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little guy with the ladies, and I bet him fifty bucks.

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Speaker 4: He was wrong, But you promised me one hundred dollars

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for this job. How can you come out ahead?

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Speaker 1: You don't understand, Linda. It's not the money, it's the

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principle of this thing. I just want to make a

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sucker out of Davis David. Yeah, his name is Red Davis.

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He's a thin little guy with red hair and pop eyes.

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You won't have any trouble spoting, and he owns the

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joint and he'll be in the corner booth.

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Speaker 3: But suppose your friend doesn't show any interest in me.

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Speaker 1: You haven't taken a good look at yourself in the

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mirror lately, have you?

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Speaker 2: No?

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Speaker 1: No, I'm not at all worried.

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Speaker 2: Now.

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Speaker 1: When Red sees you, he'll start baying at the moon.

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Speaker 3: But at the beginning, you want me to act him

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felt it?

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Speaker 1: That's right, that's he won't become suspicious. Then thaw out

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and let him buy you a couple of drinks. And

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after that, well he'll probably wanna take you out for

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the evening. So uh, you tell him that first you

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have to make a stop at your apartment.

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Speaker 3: I don't think I like that, mister Morgan.

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Speaker 1: What's them up to? Life? This is on the up

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and up. When you get to your place, I'll be

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waiting for.

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Speaker 4: You, and that's where you're gonna tell mister Davis it's

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just a joke, that's right.

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Speaker 1: I can hardly wait to see Red when he learns

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it's a gag. I bet he'll practically die laughing. Hey, hey,

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where do you live anyway?

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Speaker 3: Landa, It's just the next floor, mister Davis.

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Speaker 1: I cut it out. I promise you were gonna call

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me Red.

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Speaker 3: I'm sorry.

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Speaker 1: Red.

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Speaker 3: Do you know a man name?

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Speaker 1: Man named Hoe?

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Speaker 3: Forget it?

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Speaker 1: You know, I don't gets you'll thend that. When I

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first saw you in the club, I immediately said to myself,

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now there's a dame with class. I was surprised when

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you gave me a tumble.

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Speaker 3: I don't often do things like that.

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Speaker 1: It was a nymphose. Eh yeah, I understand. I get

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them all the time. Where do we go? Now?

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Speaker 4: It's this apartment here ahead, let me help you so

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I can manage.

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Speaker 3: Come in.

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Speaker 1: Thanks. Ay, a nice layout you got here, Lindy. I

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think I'm gonna like this. I wouldn't bet on that,

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Red Morgan.

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Speaker 3: Then you do know each other?

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Speaker 4: Are you?

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Speaker 1: Dirty? Little double cross?

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Speaker 5: He told me was a joke.

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Speaker 1: The joke's over now, honey, you competed. If you're a

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smart girl, you'll keep your trap clothes. Now go on,

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listen more. I got up. I don't want any conversation

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from you, Redd, I just want my dough.

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Speaker 2: What don't play dumb?

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Speaker 1: The sixty grand you own me on the Robinson point?

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Speaker 2: Oh that?

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Speaker 1: Well do you think I was talking about?

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Speaker 2: Well?

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Speaker 1: You see, I'm kind of loud, shuck. I've been running

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a tough luck. Now on, it's gonna get worse. You know,

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all the boys are laughing at me for letting you

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hang me up. A man in my position can't afford that.

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It might give other people ideas. Look, Morgan, suppose I

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pay you a little at a time. How do you

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call a little? Well, give you ten grand now in

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the balance to take your hands up. I was just

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reaching for my wallet. You got that dough on you? Yeah, okay,

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let's have it for sure. I was gonna give it

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to you all the time, all right, Morgan, But I'm

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up put the way they're gonna do this act your age. Well,

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mister Morgan, who's the joke?

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Speaker 2: Gun?

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Speaker 6: Now?

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Speaker 1: I guess it's me and you're not chicking. That's okay, Red,

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I'll see you again, and I lay yards. Next time,

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you won't be this lucky. I get the lions because

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you'll enjoy it. After Chuck Morgan goes to all that trouble,

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Red pulls the gun and leaves Chuck with his tongue

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hanging out.

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Speaker 7: Well, that's very amusing, Hudson. What happened after that?

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Speaker 1: Oh?

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Speaker 2: Morgan started looking for him again?

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Speaker 7: And what do you think will happen if he finds

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him this time?

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Speaker 2: The same thing?

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Speaker 7: You don't believe Morgan would kill him?

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Speaker 1: No, Morgan's old sort, you think so? I know so

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I would last as long as a private dick if

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I wasn't a good judge of character.

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Speaker 2: Right now, take it from me.

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Speaker 1: Nothing's gonna happen to Red. Well, that's too bad, Hudson.

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Speaker 7: It would be worth a lot of money to me

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if something did.

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Speaker 1: Eh, how much is a lot of money? What's the difference?

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Speaker 7: You're not interested? Try me twenty five hundred dollars.

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Speaker 1: You're right at that price, I'm not interested.

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Speaker 7: What isn't worth more? Everybody knows that Morgan has threatened Davis,

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so you run absolutely no risk.

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Speaker 1: What have you got against Red anyway?

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Speaker 7: Well, that's none of your business. Either you want the

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job or you don't.

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Speaker 1: Well, as long as you put it in that basis,

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mister Lyons, let me think.

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Speaker 6: It though, love, Let you want good evening?

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Speaker 1: Oh, Victim, this is Radney. I met up both at

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the corner of Madison and forty six. Anybody been around

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and joint asking for me? Why'd you tell him that

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I had not heard from you all day? Good Norman, Dame,

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My wife's stupid.

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Speaker 6: Oh no, no, no, missus Davis.

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Speaker 1: Well when she gets that, cut that out?

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Speaker 6: What's the trouble?

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Speaker 1: Some characters in a hurry to use the phone? Hold

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of this second? Did I take care of this past? I?

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Speaker 6: Listen you?

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Speaker 1: How would you like a good.

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Speaker 2: What are you wearing?

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Speaker 1: What to cut the door? Listen Morgan, just keep your

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hands right? But the what are you doing here?

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Speaker 2: Chuck?

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Speaker 1: Red Davis was knocked off a couple of hours ago.

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That still doesn't answer my question. I don't see why

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not one the cops think I did it too. You

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can prove I didn't. Now does it add up not

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to my liking? You better get somebody else that isn't wearing.

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Maybe I haven't handled this right, But I didn't kill Red?

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And why don't you tell that to the police. You

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don't think for a minute they believe me? Was I

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told you? I don't either. Look, Mike, I know you

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don't like me, but give me credit for a little intelligence.

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If I was gonna knock off Davis, would I shoot

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my mouth off all o the time? So I tell

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you I didn't kill him?

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Speaker 3: Then?

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Speaker 1: Oh Dad, I've got no idea. Okay, Morgan, I'll see

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what I can do for you. First, I want you

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to surrender to the cops. Oh all right, I think

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that's no deal. I'll wait a minute, Mike. I'll make

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you a proposition. I'm not interested, but Pete's say, give

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me a chance, would you. I'm convinced that, with any luck,

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you can clean this up in a couple of hours.

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If you haven't by then I'll give myself up. What

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do you do in the meantime, I'll stay right here.

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Wants to prevent me from walking out and calling the police? Nothing?

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Oh you just trust me. I don't have any other choice.

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What do you say, Mike? This is against my better judgment, Morgan,

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but you got yourself a boy.

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Speaker 2: This is it Hurley here again?

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Speaker 1: Friends, this time of year, especially everybody longs for something

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just a little bit different to pep up tired winter menus,

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So this idea for a tempting salad may be just

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what you want.

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Speaker 2: It's an easy salad to make.

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Speaker 1: You just take a good sized green pepper, scoop out

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the center and stuff the pepper with Crafts delicious olive

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pimento cheese spread. Then chill, slice into pin wheels and

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serve each slice on a crispy lettuce leaf.

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Speaker 2: M Ah, what wonderfully.

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Speaker 1: Kraft Olive Pimento is an extra delicious cheese spread filled

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with juicy bits of red pimentos and fine green olives.

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Speaker 2: And like all nine of.

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Speaker 1: The good eating Kraft cheese spreads, it's a wholesome dairy

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food made from only the finest, purest ingredients and smooth.

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It's smooth as satin spreads perfectly for sandwiches and snacks.

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Try smokel and Kraft Cheese and Bacon spread and all

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of the nine Kraft cheese spreads. Look for them in gay,

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colorful tulip designed drinking glasses. Collect a whole set. While

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you're enjoying these delicious spreads, you know Kraft cheese spreads

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are so delicious, they are America's favorites, so be sure

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you get that cheese spreads made by Craft. Now back

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to the Adventures of the Falcon. Twenty minutes have passed

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since Mike Wearing agreed to go to work for Chuck Morgan,

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and now as we find Mike, he's about to earn

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his fee. Yes, Missus Norman Davis, that's right. My name

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is Mike Wearing. I'm sorry to bother you at a

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time like this, but I'd like to ask you some

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questions about your husband.

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Speaker 5: But I've told the police everything I know.

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Speaker 1: Well, I'm working on a different angle.

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Speaker 5: Come in, thank you.

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Speaker 1: What do you want to know, Missus Davis? Have you

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any ideas who might have killed men? If Chuck Morgan,

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I mean, besides Morgan.

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Speaker 5: No, Red didn't have an enemy in the world.

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Speaker 1: Now you know that's not true, Missus Davis. Your husband

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wasn't exactly the most popular citizen in New York.

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Speaker 5: How dare you say that to me? Well, I won't

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have you talked that way about him.

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Speaker 3: I'm tired of these insinuations.

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Speaker 5: How do you know what kind of man Paul was?

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00:12:12,480 --> 00:12:16,360
Speaker 1: Well, I'm sorry, you're sorry, go on, get out, Missus Davis.

242
00:12:16,399 --> 00:12:18,399
Speaker 5: Look, I don't want to hear any more about it.

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Now leave me alone.

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00:12:23,679 --> 00:12:26,960
Speaker 7: Let me to congratulate you, missus Davis.

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Speaker 1: That was a marvelous performance.

246
00:12:30,919 --> 00:12:34,799
Speaker 5: Why thank you, miss Lyon. You think I convinced him?

247
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I was a broken hearted widow.

248
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Speaker 7: How could you help it when you practically convinced me?

249
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Come here, darling and let me console you.

250
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Speaker 2: Just the second.

251
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Speaker 1: Yeah, I'm looking for a guy named Larry Hudson. Well

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00:13:03,799 --> 00:13:06,679
look low further, mister Morgan Hugh Hudson. That's right. One

253
00:13:06,679 --> 00:13:08,000
of my friends told me you wanted to see me.

254
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It's held. You're right, Yeah, for a drink. Yeah, I

255
00:13:10,840 --> 00:13:13,200
can stand one. Help yourself. Bars in the corner, call

256
00:13:13,279 --> 00:13:17,919
me one while you're at it. You're in a bad spot, chuck.

257
00:13:18,840 --> 00:13:22,120
You bring me up here to tell me that? Yeah? Yeah,

258
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you see I know who killed Red Davis.

259
00:13:23,919 --> 00:13:27,840
Speaker 2: What you heard me? Oh?

260
00:13:27,919 --> 00:13:28,600
Speaker 6: That was mine?

261
00:13:29,159 --> 00:13:35,000
Speaker 1: Yeah? Thanks? Say yeah, how you fixed the cash put

262
00:13:35,080 --> 00:13:37,320
him in? Well, I got a lot of information to sell.

263
00:13:37,399 --> 00:13:39,159
It's going to the highest bidder. You mean you can

264
00:13:39,159 --> 00:13:41,480
clean me. I'm not doing any more talking until I

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00:13:41,519 --> 00:13:43,000
see the color of your dough. I don't know you

266
00:13:43,039 --> 00:13:45,360
got much in that. I'll give you a sample. Did

267
00:13:45,399 --> 00:13:47,399
you know that Davis's wife was too timing the monk

268
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with whom I don't know. That's all you get free,

269
00:13:50,120 --> 00:13:52,799
But you can use this kind of stuff, can't you listen? Hudson?

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00:13:52,919 --> 00:13:55,080
I want you to talk to Wearing. Mike Wearing the

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falk and he's working for me. You kid, No, we

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00:13:57,639 --> 00:14:00,559
have talked to him. Sure, providing like you make a buck,

273
00:14:00,639 --> 00:14:03,360
I'll take care of you. I'm going back to Wearing's apartment.

274
00:14:03,559 --> 00:14:05,399
I want you to call him in about fifteen minutes.

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I'll be sitting right here at the phone. Tell him

276
00:14:07,639 --> 00:14:10,120
what you told me about missus Davis. Oh no, no,

277
00:14:10,840 --> 00:14:13,120
get the dough up first. I look, Hudson, I only

278
00:14:13,120 --> 00:14:15,200
got a grand on me. I'll give you another four

279
00:14:15,279 --> 00:14:18,080
the next time I see you. H Oh, Jay Morgan,

280
00:14:18,639 --> 00:14:39,559
you got yourself a deal, Morgan jack O. Hello, desk is,

281
00:14:39,600 --> 00:14:42,480
mister Warring. There was a man waiting in my apartment.

282
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By any chance? Never mind?

283
00:14:45,559 --> 00:14:45,840
Speaker 2: Come in?

284
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Speaker 1: How am I just asking for you? Morgan? What the

285
00:14:49,879 --> 00:14:52,799
devil have you? Ben? That tells me a lot. I

286
00:14:52,799 --> 00:14:54,240
thought you agreed to stay right here. I know, but

287
00:14:54,279 --> 00:14:56,559
I had to see somebody. Oh suppose you tell me

288
00:14:56,639 --> 00:14:59,480
what you find out first, well, not very much. Every

289
00:14:59,559 --> 00:15:01,440
lead I expe lord came back to you. You see

290
00:15:01,480 --> 00:15:03,519
missus Davis just a few minutes. What'd you think of it?

291
00:15:04,279 --> 00:15:06,279
She seemed all broken up over her husband's murder. She

292
00:15:06,360 --> 00:15:08,519
was kidding in What makes you think so? Because I've

293
00:15:08,559 --> 00:15:10,519
been doing a little checking on my own. She's been

294
00:15:10,519 --> 00:15:13,080
holding hands with some guy who wasn't her husband. Where'd

295
00:15:13,080 --> 00:15:15,080
you get that from? Private dick named Larry Hudson?

296
00:15:15,320 --> 00:15:15,759
Speaker 2: That lion.

297
00:15:16,120 --> 00:15:17,480
Speaker 1: I don't care what he is, Mike, he's got the

298
00:15:17,480 --> 00:15:19,759
evidence to clear me. What did he say killed Davis?

299
00:15:19,759 --> 00:15:21,240
He wouldn't tell me, but I made him promise to

300
00:15:21,240 --> 00:15:23,639
talk to you. We should be calling you any minute. Listen, Morgan,

301
00:15:23,720 --> 00:15:25,840
I wouldn't trust that guy in a stack of bibles.

302
00:15:26,080 --> 00:15:26,799
What'd you give him?

303
00:15:27,240 --> 00:15:27,639
Speaker 2: Give him?

304
00:15:27,960 --> 00:15:29,679
Speaker 1: Yes, a guy like Hudson doesn't talk for free. How

305
00:15:29,720 --> 00:15:33,080
much you promise him? Five grand? And you better save

306
00:15:33,120 --> 00:15:33,559
your money.

307
00:15:33,600 --> 00:15:34,759
Speaker 2: But I tell you he can clear me.

308
00:15:35,159 --> 00:15:40,440
Speaker 1: Hey, that's probably him. Now, hello, that you're wearing that's right, Hudson?

309
00:15:40,840 --> 00:15:42,559
Speaker 2: I take it. Then you've talked to Morgan?

310
00:15:42,720 --> 00:15:43,879
Speaker 1: Yeah, Well what.

311
00:15:43,840 --> 00:15:44,360
Speaker 2: Do you think?

312
00:15:44,559 --> 00:15:47,120
Speaker 1: What I think is unimportant? Morgan tells me you can

313
00:15:47,120 --> 00:15:47,559
clear him.

314
00:15:47,600 --> 00:15:49,639
Speaker 6: Sure for a price for.

315
00:15:49,600 --> 00:15:51,399
Speaker 1: My part of my interest. You got to talk to him, Mike.

316
00:15:51,440 --> 00:15:53,320
I don't like it, Morgan, but if this guy can

317
00:15:53,360 --> 00:15:53,919
save mine.

318
00:15:53,799 --> 00:15:56,200
Speaker 2: Don't make up your minds. Boys, they ain't got all week.

319
00:15:57,279 --> 00:15:59,200
Speaker 1: Okay, Hudson will be over in an hour.

320
00:16:08,360 --> 00:16:08,840
Speaker 2: All right.

321
00:16:10,240 --> 00:16:14,600
Speaker 1: Over here, Mike. Look, I want you to let me

322
00:16:14,639 --> 00:16:17,080
handle Hudson and keep your mouth shut. You're the doctor.

323
00:16:21,440 --> 00:16:24,480
Let's keeping it. I don't know. Maybe why not? I

324
00:16:24,600 --> 00:16:27,120
doubt it. How can you tell? Take a peek at

325
00:16:27,120 --> 00:16:31,679
that keyhole? I can't see a thing. Sure, because the

326
00:16:31,720 --> 00:16:34,039
key is still in the lock. It means Hudson has

327
00:16:34,039 --> 00:16:38,600
got to be in there. Hey, Hotson, open up, hot Son?

328
00:16:40,279 --> 00:16:41,320
All right, Morgan, give me a hand.

329
00:16:41,360 --> 00:16:41,879
Speaker 2: What are you gonna do?

330
00:16:41,960 --> 00:16:43,720
Speaker 1: Break it down? Shouldn't take too much effort. Come on,

331
00:16:43,799 --> 00:16:45,639
let's go ide one more?

332
00:16:45,679 --> 00:16:49,679
Speaker 2: Should even hot sun? Hot Son?

333
00:16:51,159 --> 00:16:52,519
Speaker 1: Where the devil is a light switch?

334
00:16:53,000 --> 00:16:54,399
Speaker 2: It ought to be somewhere around the door.

335
00:16:54,840 --> 00:16:56,879
Speaker 1: And watch yourself, Morgan, where do I strike a match?

336
00:17:00,799 --> 00:17:08,720
I gotta here we are? Yeah, don't touch him? Was

337
00:17:08,720 --> 00:17:12,279
he dead? You the better asleep? With that knife and him?

338
00:17:12,279 --> 00:17:14,680
What do you think? End me the phone? I gotta

339
00:17:14,720 --> 00:17:26,759
call the cops. A nice pace of work, Mike, A

340
00:17:26,839 --> 00:17:29,559
very nice pace of work. All right, Morgan, let's go.

341
00:17:29,799 --> 00:17:30,680
Speaker 2: I hold at core.

342
00:17:30,759 --> 00:17:32,359
Speaker 1: But he's not the reason I called you. I know,

343
00:17:32,559 --> 00:17:34,720
but I'm not complaining. I told you not to call him, Mike.

344
00:17:34,759 --> 00:17:36,880
Care I'm beginning to think you're right, Morgan, for the

345
00:17:36,920 --> 00:17:39,119
same dime, I could have phoned someone with brains. What

346
00:17:39,359 --> 00:17:42,400
kind of a crack is that? In case you hadn't noticed, Sergeant,

347
00:17:42,480 --> 00:17:45,319
that's a body in that chair. It'll keep. But as

348
00:17:45,319 --> 00:17:48,039
long as you raised the point, why did you kill him? Morgan?

349
00:17:48,160 --> 00:17:49,720
Speaker 2: You crazy? I just got here with wearing.

350
00:17:49,799 --> 00:17:52,480
Speaker 1: Don't hand me that. It's the truth, Corbet, So you're

351
00:17:52,519 --> 00:17:55,200
gonna be his alibi? Yep, you better listen to me

352
00:17:55,279 --> 00:17:56,559
unless you want to look like a jerk. When we

353
00:17:56,599 --> 00:18:00,279
get the headquarters. How long would you say Hudson was dead? Yeah,

354
00:18:00,400 --> 00:18:03,759
not too long, body's still warm. It would be anywhere

355
00:18:03,759 --> 00:18:06,279
from fifteen minutes to three quarters of an hour. And

356
00:18:06,319 --> 00:18:08,880
that lets Morgan, I don't say how, because he was

357
00:18:08,880 --> 00:18:10,960
with me every minute from the time I got Hudson's

358
00:18:11,000 --> 00:18:12,880
call to the time we broke down the door, and

359
00:18:12,880 --> 00:18:14,920
the whole business took at least an hour. Your word's

360
00:18:15,000 --> 00:18:18,119
not good enough, Mike. Okay, sergeant, if you don't believe me,

361
00:18:18,200 --> 00:18:19,920
you can check what the switchboard is my place and

362
00:18:19,960 --> 00:18:22,519
the door man downstairs. And if that's not enough, I'll

363
00:18:22,519 --> 00:18:24,640
dig up the hackey it drove us over. That still

364
00:18:24,720 --> 00:18:27,640
doesn't mean Morgan couldn't have killed Red Davis. Come on,

365
00:18:27,799 --> 00:18:30,079
use your head, sergeant. You know both these murders were

366
00:18:30,119 --> 00:18:32,559
committed about the same party. Hudson knew who it was,

367
00:18:32,680 --> 00:18:35,119
That's why he was killed. I still say it was Morgan. Yeah,

368
00:18:35,160 --> 00:18:39,279
crazy Hudson was going to clear me. Quiet Morgan, all right, sergeant,

369
00:18:39,799 --> 00:18:41,640
I'll advise him to confess if you can show me

370
00:18:41,680 --> 00:18:44,759
one thing, right, how did he get in here? You

371
00:18:44,759 --> 00:18:46,599
can see the only door was locked from the inside,

372
00:18:46,680 --> 00:18:49,839
so why he could have used the window? We'll take

373
00:18:49,839 --> 00:18:56,640
a look bars on him. That's right, And no one

374
00:18:56,680 --> 00:18:58,319
but a midget could fit through the opening, and there

375
00:18:58,400 --> 00:19:00,240
must be an out of the door, And forget it, there

376
00:19:00,279 --> 00:19:03,400
wasn't that. It was a physical impossibility for anyone to

377
00:19:03,480 --> 00:19:07,119
have killed Hudson. Yet it was done. How I can't

378
00:19:07,119 --> 00:19:09,079
tell you, but maybe I can take you to the

379
00:19:09,119 --> 00:19:10,079
little lady who can.

380
00:19:10,319 --> 00:19:11,039
Speaker 2: Shall we go.

381
00:19:20,319 --> 00:19:22,759
Speaker 1: Listen, Mike, if the DA ever finds out, I let

382
00:19:22,759 --> 00:19:23,240
Morgan go.

383
00:19:23,400 --> 00:19:25,400
Speaker 2: He'll have wad about that.

384
00:19:25,519 --> 00:19:28,599
Speaker 1: Huh. Isn't this where Red Davis lived? That's right, sergeant.

385
00:19:28,920 --> 00:19:31,839
Well you can't bother his wife. Now, why not because

386
00:19:31,839 --> 00:19:34,759
her husband was just murdered. Well, she may surprise you

387
00:19:34,799 --> 00:19:37,599
with what she knows about it. Morgan told me that

388
00:19:37,640 --> 00:19:39,279
she was being romance by some character.

389
00:19:39,680 --> 00:19:39,839
Speaker 2: Huh.

390
00:19:40,319 --> 00:19:42,720
Speaker 1: I don't know the priority needed? Did read if you

391
00:19:42,759 --> 00:19:47,119
ask me? Sergeant? Yes, hello, missus Davis remember me.

392
00:19:47,720 --> 00:19:48,759
Speaker 5: Not too pleasantly?

393
00:19:49,440 --> 00:19:50,000
Speaker 1: May we come in?

394
00:19:50,400 --> 00:19:51,920
Speaker 5: I'm sorry, mister Waring, I'm busy.

395
00:19:52,359 --> 00:19:53,759
Speaker 1: Oh well, this gentleman would like to ask you a

396
00:19:53,799 --> 00:19:54,640
couple of questions.

397
00:19:55,039 --> 00:19:57,599
Speaker 5: This gentleman means nothing in my young life.

398
00:19:57,759 --> 00:20:00,240
Speaker 1: No, you never can tell. He's a sergeant the New

399
00:20:00,319 --> 00:20:02,160
York Police Department's Homicide Division.

400
00:20:02,720 --> 00:20:07,240
Speaker 5: Oh well, well, it's just that the houses is in

401
00:20:07,400 --> 00:20:08,200
such a mess.

402
00:20:08,279 --> 00:20:11,759
Speaker 2: Well, we promise not to stare. Who was it, Norma?

403
00:20:12,920 --> 00:20:15,480
Speaker 1: Norma? I think you're being paid Dangel.

404
00:20:16,480 --> 00:20:17,519
Speaker 5: It's nothing, Raymond.

405
00:20:18,079 --> 00:20:21,319
Speaker 1: Oh, for a moment, Darling, I was, oh, hello, mister

406
00:20:22,400 --> 00:20:23,480
liars Raymond.

407
00:20:23,599 --> 00:20:26,559
Speaker 3: Listen, Sergeant, I can explain everything.

408
00:20:26,240 --> 00:20:28,160
Speaker 2: Sure, but suppose we do it downtown?

409
00:20:28,279 --> 00:20:28,799
Speaker 5: Downtown?

410
00:20:28,920 --> 00:20:31,720
Speaker 1: This is customary, Missus Davids, when the police are questioning suspects.

411
00:20:31,759 --> 00:20:33,480
Speaker 5: But we did absolutely nothing.

412
00:20:33,440 --> 00:20:35,680
Speaker 1: Nothing but murder your husband and the man named Larry Hudson.

413
00:20:35,759 --> 00:20:37,680
That's a lie you and I that you and Lines

414
00:20:37,680 --> 00:20:40,119
are busy in the romance department behind your husband's back. Yes,

415
00:20:40,559 --> 00:20:41,599
what's Lions doing here?

416
00:20:41,640 --> 00:20:41,799
Speaker 6: Now?

417
00:20:42,720 --> 00:20:45,400
Speaker 1: He's just helping me like you helped you murder Hudson.

418
00:20:45,559 --> 00:20:48,680
Speaker 7: No or just a moment, Wearing, I thought this gentleman

419
00:20:48,839 --> 00:20:49,839
was the officer.

420
00:20:49,559 --> 00:20:51,799
Speaker 1: Of the law. You're right, Lions, but if you think

421
00:20:51,880 --> 00:20:54,240
my questions are gonna be less embarrassing, you're in for

422
00:20:54,279 --> 00:20:57,559
a bad shock. Larry Hudson was murdered at ten forty

423
00:20:57,559 --> 00:21:00,960
five tonight. Where were you at that time? I was

424
00:21:01,000 --> 00:21:03,599
with Normal, that's right now. That's what I call a

425
00:21:03,680 --> 00:21:06,720
wonderful alibi. Sergeant, too bad. There wasn'tny one else around

426
00:21:06,759 --> 00:21:07,920
the substantiated Oh.

427
00:21:07,880 --> 00:21:10,839
Speaker 7: But there was mister Waring, a Justice of the peace

428
00:21:11,319 --> 00:21:15,079
named Smith over in Jersey. I think he might recall us.

429
00:21:15,319 --> 00:21:15,960
Speaker 2: Why should he?

430
00:21:16,480 --> 00:21:18,880
Speaker 7: Because I gave him a hundred dollars to perform the

431
00:21:18,920 --> 00:21:24,200
marriage ceremony that made Norma here, Missus Lyons. I guess

432
00:21:24,240 --> 00:21:26,359
he should remember that, don't you.

433
00:21:34,680 --> 00:21:36,640
Speaker 1: This is ed hurling he again, friends, and I'd like

434
00:21:36,680 --> 00:21:40,039
to help you find out about the nine most delicious

435
00:21:40,119 --> 00:21:43,599
cheese spread you'd ever water taste. They're the nine famous

436
00:21:43,640 --> 00:21:48,160
cheese spreads made by Kraft. They're delightfully mild tasting ones

437
00:21:48,359 --> 00:21:52,440
such as Kraft Pineapple cheese Spread, Craft Olive Pimento, and

438
00:21:52,640 --> 00:21:56,400
Craft Relish. And there are sharp tasting ones too, like

439
00:21:56,480 --> 00:21:59,359
Broca smokel and Kraft.

440
00:21:59,039 --> 00:22:00,279
Speaker 2: Limburger cheese bread.

441
00:22:00,640 --> 00:22:03,319
Speaker 1: All of them are mighty good to eat, and they're

442
00:22:03,319 --> 00:22:06,400
good for you to eat too, because they're wholesome dairy

443
00:22:06,440 --> 00:22:10,839
foods made from only the finest ingredients for quick, easy

444
00:22:10,920 --> 00:22:14,880
snacks and sandwiches. Keep your refrigerator stocked with several of

445
00:22:14,920 --> 00:22:25,680
the nine delicious Craft cheese spreads. Now back to the

446
00:22:25,720 --> 00:22:31,519
Adventures of the Falcon. A half hour has passed since

447
00:22:31,559 --> 00:22:34,559
Norman Davis and Raymond Lyons punctured Mike's theory by coming

448
00:22:34,599 --> 00:22:38,000
up with an unbreakable alibi, and now as Mike drives

449
00:22:38,000 --> 00:22:41,160
home with Sergeant Corbett, he still refuses to accept the ompius.

450
00:22:41,400 --> 00:22:43,799
Doesn't make sense, Corbett, I tell you it doesn't make sense.

451
00:22:44,279 --> 00:22:48,559
Will you watch while you're driving something screwy about that marriage.

452
00:22:48,759 --> 00:22:51,559
You saw the license. It doesn't strike you as strange.

453
00:22:51,599 --> 00:22:53,799
And within twelve hours after your husband has murdered, Missus

454
00:22:53,880 --> 00:22:56,640
Davis marries another man. Of course it there's no law

455
00:22:56,680 --> 00:22:59,119
against it. But an alibi like that must have a

456
00:22:59,119 --> 00:23:01,880
hole in it. Show me where you after you do that.

457
00:23:01,960 --> 00:23:04,279
Show me how either Missus Davis or Lions could have

458
00:23:04,319 --> 00:23:08,359
murdered Hudson with a physical impossibility for Morgan to kill him.

459
00:23:08,359 --> 00:23:11,759
It applies to them, toe or hold everything. What's the matter?

460
00:23:12,240 --> 00:23:15,519
What a chump? I've been well, I say, Confashion, that's

461
00:23:15,519 --> 00:23:17,359
good for the Saul. I tell you I've got the

462
00:23:17,400 --> 00:23:20,119
answer to the whole thing. Sergeant, is that on the level? Yes,

463
00:23:20,720 --> 00:23:22,920
I know now who killed Hudson, and with the help

464
00:23:22,960 --> 00:23:33,119
of Chuck Morgan, I'm gonna prove it. You're driving at Mike.

465
00:23:33,640 --> 00:23:35,440
I don't know anything about Missus Davis except what I

466
00:23:35,440 --> 00:23:37,640
told you before. Well, how did you discover she was

467
00:23:37,680 --> 00:23:40,079
seeing Raymond Lyons? I didn't know what it was Lions.

468
00:23:40,160 --> 00:23:42,000
All Hudson told me was that it was some man.

469
00:23:43,000 --> 00:23:44,559
How well did you know Hudson idmt him for the

470
00:23:44,599 --> 00:23:46,640
first time today he got in touch with one of

471
00:23:46,640 --> 00:23:48,480
my friends and said he wanted to see me. Well,

472
00:23:48,519 --> 00:23:50,480
that puts us right back when we started. Look, Mike,

473
00:23:50,519 --> 00:23:53,079
why don't we drop the whole business. You'd like that,

474
00:23:53,119 --> 00:23:55,960
wouldn't you. Well, sure the cops know now that I

475
00:23:56,000 --> 00:23:58,759
couldn't have killed Hudson. That's where you're wrong. You mean

476
00:23:58,799 --> 00:24:02,200
they still know. They don't, but I do. What are

477
00:24:02,240 --> 00:24:04,480
you babbling about, Morgan? I know how you manage it,

478
00:24:05,359 --> 00:24:08,359
do you. Yes, it's pretty clever. I can't blame myself

479
00:24:08,359 --> 00:24:10,960
and not seeing it sooner. I wonder you insisted I

480
00:24:10,960 --> 00:24:13,000
go up and see Hudson. I'm still waiting to hear

481
00:24:13,039 --> 00:24:15,279
you explain how I killed him, and I'm saving that

482
00:24:15,319 --> 00:24:17,599
for the car. Don't kid yourself, Mike. You've done all

483
00:24:17,599 --> 00:24:20,000
the talking. You're going to all right. Put away with

484
00:24:20,039 --> 00:24:21,920
a gun, Morgan. You only gotta be sucker enough to

485
00:24:21,920 --> 00:24:23,839
come here alone. Funny, I don't see anyone around. You're

486
00:24:23,839 --> 00:24:28,000
not lucking in the right places, Mike. I'm warning a Morgan,

487
00:24:28,039 --> 00:24:29,440
you better throw your gun in the middle of the

488
00:24:29,480 --> 00:24:35,680
road you want it much at Mike. He may be

489
00:24:35,799 --> 00:24:38,359
acting now with that hole in his forehead call, but

490
00:24:38,440 --> 00:24:40,640
that doesn't call for much ability. I think you better

491
00:24:40,680 --> 00:24:53,799
phone the corner. You drop me over the corner. So well,

492
00:24:53,880 --> 00:24:56,960
it's been great all at Mike, aren't you forgetting something?

493
00:24:57,480 --> 00:25:03,200
I've got a report to make. Who's stopping you are? Oh? Well,

494
00:25:03,240 --> 00:25:05,880
you know that Morgan killed Red Davis. Sure, I was

495
00:25:05,920 --> 00:25:07,759
the first one to say so. You should have stuck

496
00:25:07,759 --> 00:25:10,200
to your guns. Well, when you tossed in that razzle

497
00:25:10,279 --> 00:25:12,920
dazzle about Hudson's murder, you throw me and well, don't

498
00:25:12,920 --> 00:25:14,519
feel too badly about it. I was right with you,

499
00:25:15,759 --> 00:25:18,319
of course, I'm reconstructing now. But this is what must

500
00:25:18,359 --> 00:25:21,599
have happened. Lions tried to hire Hudson to bump Red.

501
00:25:22,160 --> 00:25:24,680
Hudson said he'd think it over. When Red was killed,

502
00:25:25,119 --> 00:25:27,160
Hudson knw immediately that if he hadn't done it, Morgan

503
00:25:27,240 --> 00:25:30,240
must have. I don't see how that follows. It could

504
00:25:30,279 --> 00:25:33,279
have been lines if Lions were willing to do the job,

505
00:25:33,359 --> 00:25:35,839
why did he approach Hudson in the first place. It

506
00:25:35,920 --> 00:25:39,039
had to be Morgan, And when Hudson realized that, he

507
00:25:39,119 --> 00:25:41,799
tried to shake down Morgan even told Morgan, if the

508
00:25:41,799 --> 00:25:44,400
price were right, he might be induced to frame Red's wife.

509
00:25:45,119 --> 00:25:47,160
So Morgan played along with him and asked him to

510
00:25:47,160 --> 00:25:49,920
get in touch with me. Mmm, how we're coming to

511
00:25:49,960 --> 00:25:52,319
the part I want to hear? But when Chuck went

512
00:25:52,359 --> 00:25:54,319
to meet Hudson, he knew it would be the first

513
00:25:54,319 --> 00:25:57,440
of many such meetings unless he took steps, So he

514
00:25:57,480 --> 00:26:00,400
slipped a slow acting drug into Hudson's drink. Right, didn't

515
00:26:00,400 --> 00:26:02,200
they kill him then and there and be done with it?

516
00:26:02,279 --> 00:26:05,000
Because he needed an alibi and I was it And

517
00:26:05,039 --> 00:26:07,519
I don't get it. He needed someone with him while

518
00:26:07,519 --> 00:26:08,480
he murdered Hudson.

519
00:26:08,880 --> 00:26:09,880
Speaker 2: What sure?

520
00:26:09,920 --> 00:26:12,279
Speaker 1: Remember you said it was a physical impossibility for anyone

521
00:26:12,279 --> 00:26:14,799
to get into that room and kill Hudson before Morgan

522
00:26:14,799 --> 00:26:17,440
and I broke down the door. Yeah, well there you

523
00:26:17,519 --> 00:26:19,400
hit the nail right on the head. It was a

524
00:26:19,400 --> 00:26:22,880
physical impossibility. So it means that Hudson was killed while

525
00:26:22,960 --> 00:26:24,799
I was in the room. Let me get this straight.

526
00:26:24,880 --> 00:26:24,960
Speaker 4: You.

527
00:26:25,000 --> 00:26:27,440
Speaker 1: Meanwhile, you were hunting for the lights. Wa Morgan was

528
00:26:27,519 --> 00:26:30,359
hunting for place to plant his knife. Wasn't he taking

529
00:26:30,440 --> 00:26:33,559
quite a chance there? Oh? Hudson was drugs, so he

530
00:26:33,559 --> 00:26:36,119
couldn't make an outcry and the knife makes no noise

531
00:26:36,160 --> 00:26:39,559
at all. M Now, I don't learn you the next

532
00:26:39,599 --> 00:26:42,480
time I say something, lessen. I told you Morgan was

533
00:26:42,519 --> 00:26:44,640
the killer all along. Well, you'll have to forgive me.

534
00:26:45,079 --> 00:26:47,839
I've been hearing so many radio shows I forgot it

535
00:26:47,880 --> 00:26:51,000
wasn't unconstitutional for a cop to do right. Let's hope

536
00:26:51,000 --> 00:26:53,799
this establishes some sort of a precedent. Good night, Sogeant.

537
00:27:01,960 --> 00:27:05,799
It's wonderful as a spread, delicious as a seasoning, superb

538
00:27:05,880 --> 00:27:09,759
as a flavor shortening. It's Park Margarine, that marvelous all

539
00:27:09,799 --> 00:27:14,599
purpose modarin made by Craft. Yes, millions prefer Park to

540
00:27:14,720 --> 00:27:18,279
any of the spread, seasoning or shortening for one big reason.

541
00:27:18,720 --> 00:27:22,519
It tastes so good, and it tastes so good because

542
00:27:22,559 --> 00:27:25,880
it's always fresh. In states where the law permits, get

543
00:27:25,960 --> 00:27:30,599
Yellow Park in its new aluminum foil flavor Saverer wrap. Elsewhere,

544
00:27:30,640 --> 00:27:33,000
get the regular package or color quick bag.

545
00:27:33,559 --> 00:27:38,720
Speaker 2: Get p a r Kay Park morgarine made by Craft.

546
00:27:39,440 --> 00:27:49,920
It tastes so good. The Case of the Gangster's Girl.

547
00:27:54,960 --> 00:27:57,319
Speaker 1: The Case of the Gangster's Girl that's the title of

548
00:27:57,359 --> 00:28:00,519
next week's Adventure of the Falcon, When Mike Wearing learns

549
00:28:00,519 --> 00:28:02,960
that somebody who starts out to be a stool pigeon

550
00:28:03,440 --> 00:28:07,079
is likely to end up being a dead pigeon, so

551
00:28:07,200 --> 00:28:09,079
be sure to listen. At the same time, next week

552
00:28:09,119 --> 00:28:12,119
to another exciting adventure of the Falcon, brought to you

553
00:28:12,200 --> 00:28:16,880
by the Craft Foods Company. The Adventures of the Falcon

554
00:28:16,880 --> 00:28:19,599
are based on the famous character created by Prexel Drake,

555
00:28:19,960 --> 00:28:23,200
Produced by Bernard L. Schubert, written today by Gene Wang

556
00:28:23,559 --> 00:28:25,119
and directed by Richard Lewis.

557
00:28:25,680 --> 00:28:27,519
Speaker 2: Music was by arlow Les.

558
00:28:27,559 --> 00:28:30,440
Speaker 1: Damon was starred as the Falcon, with Ken Lynch as

559
00:28:30,440 --> 00:28:34,799
Sergeant Corbett. Also heard on today's broadcast was Miss Ann

560
00:28:34,839 --> 00:28:37,920
Williams of New Orleans, Louisiana, who was chosen by this

561
00:28:38,039 --> 00:28:41,359
program from among the dramatic students of Sarah Lawrence.

562
00:28:40,960 --> 00:28:44,319
Speaker 2: College in Bronxville, New York. Be sure to hear The

563
00:28:44,319 --> 00:28:47,279
Great guilder Sleeve next Wednesday evening over most of these stations.

564
00:28:47,480 --> 00:28:50,039
Speaker 1: In next Wednesday's broadcast, Guildy comes face to face with

565
00:28:50,079 --> 00:28:52,119
an hilarious problem and solves it in a way that

566
00:28:52,160 --> 00:28:55,440
will keep you laughing for days. Remember the show, the time,

567
00:28:55,480 --> 00:28:58,680
and the place. The Great Guildersleeve next Wednesday Evening over

568
00:28:58,720 --> 00:29:01,200
most of these stations. Check your newspaper for a time

569
00:29:01,200 --> 00:29:01,839
a broadcast.

570
00:29:02,440 --> 00:29:05,880
Speaker 2: This is ed Herli. He's speaking for the Craft Foods Company.

571
00:29:07,640 --> 00:29:10,160
Speaker 1: Monty Woolle, Jack Haley and Judy Holiday joined The Big

572
00:29:10,200 --> 00:29:11,119
Show on NBC.

