WEBVTT

1
00:00:03.200 --> 00:00:21.000
<v Speaker 1>Night Beat. Hi, this is Randy Stone. I cover the

2
00:00:21.079 --> 00:00:24.480
<v Speaker 1>night Beat for the Chicago Star. My story is talking

3
00:00:24.519 --> 00:00:27.519
<v Speaker 1>with many different ways. This one began with a kid

4
00:00:27.559 --> 00:00:30.440
<v Speaker 1>and one hundred dollars bill and ended in the death

5
00:00:30.559 --> 00:00:31.480
<v Speaker 1>cell of Juliet.

6
00:00:32.240 --> 00:00:41.280
<v Speaker 2>Might be starring Frank Lovejoy as Randy Stone. See how

7
00:00:41.320 --> 00:00:44.799
<v Speaker 2>wheaty's at seven can help at eleven? Well, Sure your

8
00:00:44.840 --> 00:00:47.560
<v Speaker 2>Monday morning wheaties might have made today's wash look a

9
00:00:47.560 --> 00:00:50.880
<v Speaker 2>lot smaller. Wheedy's tomorrow? Could baby make your iron seem

10
00:00:50.960 --> 00:00:55.399
<v Speaker 2>lighter Wednesday, Thursday, any day. Wheaties sort of make insurance

11
00:00:55.439 --> 00:00:58.399
<v Speaker 2>policies easier to sell and feels easier to plow, and

12
00:00:58.479 --> 00:01:02.159
<v Speaker 2>time fighters easier to punch, because when you've had your wheaties,

13
00:01:02.359 --> 00:01:05.480
<v Speaker 2>you've had the husky whole wheat vitamins and minerals that

14
00:01:05.599 --> 00:01:08.920
<v Speaker 2>help keep you able to trim down big chores right

15
00:01:08.959 --> 00:01:12.760
<v Speaker 2>down beside yet making beds or making money. It just

16
00:01:12.799 --> 00:01:15.680
<v Speaker 2>seems a whole lot easier when you've had your wheaties. Surey,

17
00:01:15.760 --> 00:01:18.439
<v Speaker 2>mother beat them up good every morning on those crisp

18
00:01:18.599 --> 00:01:22.120
<v Speaker 2>light whole wheat flakes. It's a wonderful sight a family

19
00:01:22.159 --> 00:01:22.920
<v Speaker 2>full of wheaties.

20
00:01:23.319 --> 00:01:23.680
<v Speaker 1>What is it?

21
00:01:23.719 --> 00:01:26.640
<v Speaker 2>The man says, see how Wheaty's at seven can help

22
00:01:26.680 --> 00:01:30.599
<v Speaker 2>at eleven? That's it crying. Huh, Wheedy's tomorrow.

23
00:01:39.359 --> 00:01:42.359
<v Speaker 1>It was a great night, chilly as I walked, hunched

24
00:01:42.400 --> 00:01:44.760
<v Speaker 1>against the rain and stopping long enough to catch the

25
00:01:44.799 --> 00:01:49.120
<v Speaker 1>sweetness and light in the headlines. H bomb, menace, traffic,

26
00:01:49.200 --> 00:01:55.480
<v Speaker 1>tall mounts, murderous to die this morning in the electric chair. Okay, people,

27
00:01:55.599 --> 00:01:58.599
<v Speaker 1>keep it up. You're doing fine. But I had my

28
00:01:58.640 --> 00:02:01.359
<v Speaker 1>own worries, wondering where my a loving story had come from.

29
00:02:01.359 --> 00:02:04.879
<v Speaker 1>Tonight it hit me before I expected it, A little

30
00:02:04.959 --> 00:02:07.200
<v Speaker 1>kid six Maybe he came running at me and into

31
00:02:07.239 --> 00:02:11.520
<v Speaker 1>me before I could step aside. Well you think of

32
00:02:11.560 --> 00:02:13.039
<v Speaker 1>those break three line fella.

33
00:02:13.000 --> 00:02:14.039
<v Speaker 3>Let me go, Let me go?

34
00:02:14.199 --> 00:02:15.879
<v Speaker 1>Okay, okay, where.

35
00:02:15.639 --> 00:02:17.840
<v Speaker 4>To I I'm running away?

36
00:02:18.000 --> 00:02:20.360
<v Speaker 1>I all right, all right, now you get your breath

37
00:02:20.400 --> 00:02:21.439
<v Speaker 1>for the second leaf.

38
00:02:21.719 --> 00:02:22.840
<v Speaker 4>They're coming after me.

39
00:02:23.199 --> 00:02:25.560
<v Speaker 2>Oh, I want to go to my mom.

40
00:02:26.199 --> 00:02:29.400
<v Speaker 1>I thought you were running away. I uh wait a second,

41
00:02:29.439 --> 00:02:33.560
<v Speaker 1>what's this? My money? One hundred dollars bills mine, just

42
00:02:33.599 --> 00:02:36.319
<v Speaker 1>a little loose change. Huh, please give it back to me.

43
00:02:36.599 --> 00:02:38.000
<v Speaker 4>I gotta get a bus.

44
00:02:38.199 --> 00:02:38.840
<v Speaker 1>Where do you live?

45
00:02:39.919 --> 00:02:41.280
<v Speaker 5>I I wanna.

46
00:02:41.080 --> 00:02:47.439
<v Speaker 1>Go to six sixteen Wolverton, Wolburton's quite a piece from here.

47
00:02:47.639 --> 00:02:48.280
<v Speaker 5>They're coming.

48
00:02:48.520 --> 00:02:51.240
<v Speaker 4>They're coming after me in the auto.

49
00:02:51.439 --> 00:02:58.280
<v Speaker 1>Seem looks like this surrounded kid. Oh, take it easy

50
00:02:58.319 --> 00:02:58.800
<v Speaker 1>for a second.

51
00:02:59.479 --> 00:03:03.719
<v Speaker 2>It's here. You've been a bad boy, Marty running away

52
00:03:03.800 --> 00:03:04.039
<v Speaker 2>like this?

53
00:03:04.639 --> 00:03:08.400
<v Speaker 1>You gonna take me back? Uh, you're a kid, mister. No,

54
00:03:08.840 --> 00:03:09.879
<v Speaker 1>what's the angle here?

55
00:03:10.159 --> 00:03:12.039
<v Speaker 2>The kid ran away from his old man.

56
00:03:12.520 --> 00:03:14.280
<v Speaker 5>I didn't My father's dead.

57
00:03:14.639 --> 00:03:19.159
<v Speaker 1>Sure, he always says that. Now come on, Marty. No,

58
00:03:19.840 --> 00:03:22.159
<v Speaker 1>it seems he doesn't want to go again. He will

59
00:03:22.280 --> 00:03:27.000
<v Speaker 1>or maybe not. I'd like to know it. Eddie back

60
00:03:29.840 --> 00:03:30.560
<v Speaker 1>big boys.

61
00:03:31.000 --> 00:03:35.120
<v Speaker 3>Yeah, mister, you just forget all about this, Marty.

62
00:03:35.120 --> 00:03:37.159
<v Speaker 1>Get in the car. Get away from that kid, Eddie

63
00:03:37.199 --> 00:03:44.000
<v Speaker 1>mac him. That's a sample. Open your trap again and

64
00:03:44.039 --> 00:03:52.199
<v Speaker 1>you get the rest. Come on, let's go. Before my

65
00:03:52.199 --> 00:03:54.240
<v Speaker 1>eyes closed all the way I saw him hustle the

66
00:03:54.280 --> 00:03:57.319
<v Speaker 1>kid into the car. If hegan to move away, glided

67
00:03:57.400 --> 00:03:59.560
<v Speaker 1>under a street, laughing from the rear window of face

68
00:03:59.599 --> 00:04:04.840
<v Speaker 1>looked out Jerry McCallum. The brain's behind almost any illegitimate enterprise.

69
00:04:04.879 --> 00:04:07.159
<v Speaker 1>You could name nothing too small or too big for

70
00:04:07.240 --> 00:04:10.039
<v Speaker 1>Jerry if it made a nickel. From what I saw

71
00:04:10.080 --> 00:04:12.520
<v Speaker 1>of McCallum's face, he could have gone in right then

72
00:04:12.560 --> 00:04:21.720
<v Speaker 1>for murder mine. A half hour later, after some minor

73
00:04:21.800 --> 00:04:24.800
<v Speaker 1>repairs on my face, I dropped in to see Sergeant Kolski.

74
00:04:25.000 --> 00:04:28.759
<v Speaker 1>I asked some questions and I got some answers. McCallum

75
00:04:28.759 --> 00:04:31.079
<v Speaker 1>had never gone in for kidnapping, and no carpet stick

76
00:04:31.120 --> 00:04:34.040
<v Speaker 1>his neck out without positive proof. If I wanted to

77
00:04:34.040 --> 00:04:37.879
<v Speaker 1>go slumming, I was going alone. It wasn't far to

78
00:04:37.920 --> 00:04:40.439
<v Speaker 1>McCallum's place, but knowing where he lived and getting to

79
00:04:40.439 --> 00:04:42.959
<v Speaker 1>see him with two different things. However, I had a

80
00:04:43.040 --> 00:04:45.959
<v Speaker 1>hunch that Jerry McCallum had seen me. I made sure

81
00:04:45.959 --> 00:04:47.639
<v Speaker 1>of it by sending him a note with one word

82
00:04:47.680 --> 00:04:51.639
<v Speaker 1>on it. Marty McCallum had me shown in. He smiled

83
00:04:51.639 --> 00:04:54.040
<v Speaker 1>at me from behind a marble top desk, flanked by

84
00:04:54.079 --> 00:04:56.160
<v Speaker 1>two of his boys, one of them my playmate of

85
00:04:56.199 --> 00:04:56.920
<v Speaker 1>a little earlier.

86
00:04:57.360 --> 00:04:59.160
<v Speaker 6>Oh, he's glad to see a news favorite boy.

87
00:04:59.240 --> 00:04:59.600
<v Speaker 2>Stone.

88
00:04:59.639 --> 00:05:01.639
<v Speaker 6>You fell want to print rough stuff once in a while,

89
00:05:01.720 --> 00:05:03.959
<v Speaker 6>but it makes good for circulation, huh true or not?

90
00:05:04.319 --> 00:05:06.720
<v Speaker 1>Yeah? Sure? You know we make up those things printed

91
00:05:06.720 --> 00:05:07.040
<v Speaker 1>about you.

92
00:05:07.079 --> 00:05:09.439
<v Speaker 6>I give us, So what do you want tonight? Stone

93
00:05:09.800 --> 00:05:10.360
<v Speaker 6>for a starter?

94
00:05:10.800 --> 00:05:12.920
<v Speaker 1>Ten minutes alone with a lover boy, they're the one on.

95
00:05:12.839 --> 00:05:17.279
<v Speaker 6>Your right, Willy Bigger. Why yes, Now, Willy hasn't.

96
00:05:17.040 --> 00:05:18.839
<v Speaker 1>Done I know, hasn't been out of your sight for

97
00:05:18.879 --> 00:05:21.160
<v Speaker 1>a week. In fact, about forty minutes ago, he was

98
00:05:21.199 --> 00:05:24.120
<v Speaker 1>baking a cake. Okay, forget it, good idea.

99
00:05:24.319 --> 00:05:27.240
<v Speaker 6>Where's the kid, Marny yep? Do you like children?

100
00:05:27.720 --> 00:05:29.920
<v Speaker 1>Yeah? Until they grow up, they're nice people.

101
00:05:30.040 --> 00:05:33.000
<v Speaker 6>The kid's none of your business, Stone, Yet I am curious.

102
00:05:33.079 --> 00:05:34.959
<v Speaker 1>Along comes a kid with one hundred.

103
00:05:34.720 --> 00:05:37.639
<v Speaker 6>Dollars at all. Well, he took it. I keep lots

104
00:05:37.639 --> 00:05:40.279
<v Speaker 6>of dough around here, and drawers everywhere. The kid grabs

105
00:05:40.319 --> 00:05:40.839
<v Speaker 6>some and bed.

106
00:05:40.920 --> 00:05:42.920
<v Speaker 1>Why because he wanted to go home?

107
00:05:43.079 --> 00:05:44.759
<v Speaker 6>Did he say where? I?

108
00:05:45.879 --> 00:05:47.120
<v Speaker 1>No? No, he didn't.

109
00:05:47.199 --> 00:05:50.319
<v Speaker 6>Okay, then this is his home. What would you say

110
00:05:50.319 --> 00:05:52.279
<v Speaker 6>if I told you he was my kid?

111
00:05:52.519 --> 00:05:53.839
<v Speaker 1>Nothing? I'd be speechless.

112
00:05:53.879 --> 00:05:57.319
<v Speaker 6>Stone, forget this whole thing. You've got nothing nothing. Whatever

113
00:05:57.360 --> 00:05:59.240
<v Speaker 6>you're thinking is your idea. And that's as far as

114
00:05:59.240 --> 00:06:01.480
<v Speaker 6>we go. As far as you go, both of us,

115
00:06:01.759 --> 00:06:03.279
<v Speaker 6>I'll beat it. Don't crowd your luck.

116
00:06:03.800 --> 00:06:07.160
<v Speaker 1>Okay, there's nothing I can prove, but it makes a

117
00:06:07.199 --> 00:06:08.680
<v Speaker 1>good story. It's good reading.

118
00:06:08.839 --> 00:06:10.360
<v Speaker 6>You got no finish to it now.

119
00:06:10.399 --> 00:06:12.920
<v Speaker 1>Frank Stockton wrote a story once the Lady and the Tiger.

120
00:06:12.959 --> 00:06:14.879
<v Speaker 1>There's no finish to that one either, but it caused

121
00:06:14.879 --> 00:06:15.439
<v Speaker 1>more comment.

122
00:06:15.519 --> 00:06:18.360
<v Speaker 6>That way, you're not scaring me Stone. People can ask

123
00:06:18.399 --> 00:06:20.000
<v Speaker 6>all the questions they want after tomorrow.

124
00:06:21.040 --> 00:06:23.480
<v Speaker 1>After tomorrow, mister McCallum, Why after tomorrow.

125
00:06:24.879 --> 00:06:27.720
<v Speaker 6>I'm sick of looking at you. I'm even sicker of

126
00:06:27.800 --> 00:06:30.920
<v Speaker 6>listening to you. Now, get out, Oh, by the way,

127
00:06:30.920 --> 00:06:31.360
<v Speaker 6>get out.

128
00:06:31.519 --> 00:06:34.199
<v Speaker 1>Yeah. One thing more, though, A friend of mine, a

129
00:06:34.240 --> 00:06:37.519
<v Speaker 1>cop named Cosky, knows that I came here. I'm telling

130
00:06:37.519 --> 00:06:39.680
<v Speaker 1>you in case my back looks inviting. When I walk

131
00:06:39.759 --> 00:06:48.199
<v Speaker 1>out so long on the way down to the street,

132
00:06:48.199 --> 00:06:50.639
<v Speaker 1>that tight feeling grabbed my throat, made my nose itch,

133
00:06:50.680 --> 00:06:53.959
<v Speaker 1>in my eyes water. I kept my shoulders hunched against

134
00:06:54.000 --> 00:06:57.040
<v Speaker 1>a bullet or a knife, but nothing came. Why not?

135
00:06:57.199 --> 00:06:59.920
<v Speaker 1>I asked that a thousand times before I hit the street.

136
00:07:01.160 --> 00:07:02.800
<v Speaker 1>I know I didn't scare hi McCallum. When I told

137
00:07:02.879 --> 00:07:05.839
<v Speaker 1>him about Kolski, mcallum had a million ways to rub

138
00:07:05.839 --> 00:07:07.519
<v Speaker 1>out anybody who'd got in his way, and a million

139
00:07:07.519 --> 00:07:11.079
<v Speaker 1>alibis to keep himself clear. He done it before, but

140
00:07:11.279 --> 00:07:15.199
<v Speaker 1>me he let go. Why? He said after tomorrow he

141
00:07:15.240 --> 00:07:19.160
<v Speaker 1>didn't want anything to happen until after tomorrow. I kept

142
00:07:19.160 --> 00:07:23.839
<v Speaker 1>thinking he kept walking, and then something began to go

143
00:07:23.879 --> 00:07:27.920
<v Speaker 1>around on the back of my head. McCallum tomorrow, McCallum tomorrow,

144
00:07:27.959 --> 00:07:36.759
<v Speaker 1>And suddenly it hit all about the electric Yeah start okay, yeah, eh,

145
00:07:37.120 --> 00:07:39.160
<v Speaker 1>nice morning for somebody to sit in the hot sea.

146
00:07:39.240 --> 00:07:44.800
<v Speaker 1>Then Clay looking dame too? Now, why probably something like that.

147
00:07:44.800 --> 00:07:48.600
<v Speaker 1>There's a million dollars that you'd better bring Callum's girlfriend. Mccallums,

148
00:07:48.959 --> 00:07:51.480
<v Speaker 1>where you've been missed? Everybody knows that. Yeah, but you

149
00:07:51.560 --> 00:07:56.360
<v Speaker 1>forget things when they're not close to you. Class you're

150
00:07:56.360 --> 00:07:58.399
<v Speaker 1>looking dame. Never think a dog like that at bumper

151
00:07:58.480 --> 00:08:03.600
<v Speaker 1>husband gonna fry it. Hey, mister, you sick or something

152
00:08:03.800 --> 00:08:06.600
<v Speaker 1>or something? Yeah, but you ever get a great big hunch.

153
00:08:06.839 --> 00:08:10.120
<v Speaker 1>Once I lost, I might too, but it's worth a try.

154
00:08:14.759 --> 00:08:17.360
<v Speaker 1>I grabbed the cab. I thought maybe some of McCallum's

155
00:08:17.360 --> 00:08:18.879
<v Speaker 1>boys were tailing me, so I had the driver a

156
00:08:18.959 --> 00:08:21.800
<v Speaker 1>cut back and forth. Then when I was sure we

157
00:08:21.839 --> 00:08:24.040
<v Speaker 1>were clean, I had him drive to McCallum's apartment house

158
00:08:24.079 --> 00:08:29.519
<v Speaker 1>and park down the street a few doors and it's okay, mister, yeah, oh,

159
00:08:29.800 --> 00:08:33.519
<v Speaker 1>turn off your motor. Okay, But I gotta leave the

160
00:08:33.600 --> 00:08:36.120
<v Speaker 1>meat to take it. That's okay. I listen to turn

161
00:08:36.159 --> 00:08:39.840
<v Speaker 1>off your lights. Why look, I'm Randy Stone, Chicago Star.

162
00:08:39.919 --> 00:08:44.519
<v Speaker 1>Here's my press card. Okay, okay, Hey, wat's up? You

163
00:08:44.559 --> 00:08:47.639
<v Speaker 1>take this newspaper? It's what do I do with it?

164
00:08:47.720 --> 00:08:48.679
<v Speaker 1>I pretend you're reading it?

165
00:08:49.320 --> 00:08:49.759
<v Speaker 2>All right?

166
00:08:51.120 --> 00:08:53.840
<v Speaker 1>Do you want to stormy Yellow? Hello? Don't pay any

167
00:08:53.879 --> 00:08:56.559
<v Speaker 1>attention to anything. You're just park You're waiting for a fair.

168
00:08:56.759 --> 00:09:00.639
<v Speaker 1>You're reading that paper. I understand, I get it. What

169
00:09:00.720 --> 00:09:03.480
<v Speaker 1>about you? I'll sit back. I think anybody can see

170
00:09:03.480 --> 00:09:05.639
<v Speaker 1>me from the outside. Nah. Now if you sit in

171
00:09:05.679 --> 00:09:10.320
<v Speaker 1>the corner, Nah, okay, I just sit and read the paper. Okay.

172
00:09:12.559 --> 00:09:15.799
<v Speaker 3>I guess this dame's gonna cook. Hey, yell, do you

173
00:09:15.919 --> 00:09:17.840
<v Speaker 3>think a big shed like McCallan.

174
00:09:17.440 --> 00:09:19.120
<v Speaker 2>To be able to get his dollar off a rat?

175
00:09:19.440 --> 00:09:19.679
<v Speaker 1>Eh?

176
00:09:20.039 --> 00:09:22.200
<v Speaker 2>But he didn't, you.

177
00:09:22.279 --> 00:09:26.240
<v Speaker 1>Wonder mister at midnight? She gets it?

178
00:09:26.720 --> 00:09:31.600
<v Speaker 3>They pull a switch. Then no more lorrain at hims

179
00:09:32.240 --> 00:09:35.960
<v Speaker 3>Eh ain't much to wonder about. Once they hold to

180
00:09:36.039 --> 00:09:41.480
<v Speaker 3>pretend to read the paper. And you see, yeah, some

181
00:09:41.600 --> 00:09:46.039
<v Speaker 3>guys are coming out. You see yeah, Oh there they're

182
00:09:46.080 --> 00:09:46.679
<v Speaker 3>looking this way.

183
00:09:46.720 --> 00:09:50.360
<v Speaker 1>Don't look up. One of them's coming this way. Okay,

184
00:09:50.480 --> 00:09:52.120
<v Speaker 1>start your motor, start pulling out.

185
00:09:52.320 --> 00:09:58.679
<v Speaker 3>Yeah, we gotta go right past him. You better squeeze

186
00:09:58.679 --> 00:09:59.840
<v Speaker 3>heart against that back seat.

187
00:10:00.039 --> 00:10:02.399
<v Speaker 1>But don't go too fast, and you know, just as

188
00:10:02.440 --> 00:10:07.039
<v Speaker 1>though you're cruising for a fair Okay, it's okay. They

189
00:10:07.080 --> 00:10:10.000
<v Speaker 1>ain't looking at us. Hey, hey, mister Stone, did you

190
00:10:10.039 --> 00:10:12.039
<v Speaker 1>see that day away? Yeah? Yeah, get past then step

191
00:10:12.080 --> 00:10:14.759
<v Speaker 1>on it around the corner. Mister.

192
00:10:14.879 --> 00:10:16.519
<v Speaker 2>I ain't sure what I see, but there was a

193
00:10:16.600 --> 00:10:17.559
<v Speaker 2>dame just coming out.

194
00:10:17.440 --> 00:10:19.120
<v Speaker 1>Of the lobby. I you only got a quick look

195
00:10:19.159 --> 00:10:21.799
<v Speaker 1>at her face? Yeah, yes, so did I. What did

196
00:10:21.840 --> 00:10:24.960
<v Speaker 1>you say if that dame was in this doll in

197
00:10:25.000 --> 00:10:27.600
<v Speaker 1>the paper? I'll buy a horse as it were. Even

198
00:10:27.639 --> 00:10:35.840
<v Speaker 1>we're both crazy. I saw it too, Lorraine Adams. How

199
00:10:35.840 --> 00:10:38.080
<v Speaker 1>do you convince a Knight editor you haven't suddenly walked

200
00:10:38.120 --> 00:10:40.360
<v Speaker 1>out from under your head? How do you do it

201
00:10:40.399 --> 00:10:42.399
<v Speaker 1>even when you've got proof of something that sounds and

202
00:10:42.480 --> 00:10:45.879
<v Speaker 1>looks crazy? I listened to my editor. I'm at Cammel.

203
00:10:45.919 --> 00:10:46.159
<v Speaker 1>You're not.

204
00:10:46.360 --> 00:10:48.080
<v Speaker 6>Both of you stay in out of the night air.

205
00:10:48.320 --> 00:10:49.879
<v Speaker 1>But both of us saw the private guy.

206
00:10:49.960 --> 00:10:52.720
<v Speaker 6>Eh, you want to take any bets.

207
00:10:52.399 --> 00:10:52.879
<v Speaker 1>Either of you?

208
00:10:53.080 --> 00:10:55.279
<v Speaker 6>I let call come through man, and that call from

209
00:10:55.360 --> 00:10:57.759
<v Speaker 6>Joliet comes through five, will get your tax free. Ten

210
00:10:57.799 --> 00:11:00.600
<v Speaker 6>That Lorraine Adams are sitting in the death sound, Na,

211
00:11:00.879 --> 00:11:03.159
<v Speaker 6>she's not well. You've got a yawn about a kid

212
00:11:03.200 --> 00:11:05.720
<v Speaker 6>wandering around holding one hundred bucks in his half little hand.

213
00:11:05.720 --> 00:11:07.720
<v Speaker 6>There's no record of any kid, nothing and he Look.

214
00:11:08.039 --> 00:11:11.840
<v Speaker 1>Look, Lorraine Adams killed her husband because she was McCallum's girlfriend.

215
00:11:11.840 --> 00:11:14.519
<v Speaker 1>You remember the trial. She pleaded not guilty self defense,

216
00:11:14.720 --> 00:11:15.480
<v Speaker 1>but it didn't stick.

217
00:11:15.720 --> 00:11:17.080
<v Speaker 6>Public sentiment was against her.

218
00:11:17.200 --> 00:11:20.039
<v Speaker 1>Yes, I know, appeal nothing. Jerry mcallum didn't raise a

219
00:11:20.080 --> 00:11:22.639
<v Speaker 1>finger to get her off. Why not? Why not Matt

220
00:11:23.320 --> 00:11:26.440
<v Speaker 1>with his battery of high priced lawyers and with his connections. Okay, okay,

221
00:11:26.440 --> 00:11:29.120
<v Speaker 1>what's your best That Lorraine Adams is free right now?

222
00:11:29.159 --> 00:11:31.080
<v Speaker 1>I don't know how. I don't know what the kid

223
00:11:31.120 --> 00:11:32.120
<v Speaker 1>Marty has to do with it.

224
00:11:32.200 --> 00:11:35.159
<v Speaker 6>But there's a call and he held your hat not

225
00:11:35.320 --> 00:11:40.360
<v Speaker 6>common here, Okay, put it through Wendy one putting up

226
00:11:40.360 --> 00:11:44.759
<v Speaker 6>a fine oh on the line. Okay, now hello, yeah

227
00:11:45.320 --> 00:11:49.279
<v Speaker 6>a look a Stromberg. You're covering the Lorraine Adams electric cuture,

228
00:11:49.320 --> 00:11:55.200
<v Speaker 6>aren't you. Uh huh, Well, listen, this is gonna sound nuts.

229
00:11:55.480 --> 00:12:00.559
<v Speaker 6>But is Lorraine Adams still in the death cell? Oh

230
00:12:01.000 --> 00:12:05.080
<v Speaker 6>you don't say okay, see I thinks no, that's.

231
00:12:04.879 --> 00:12:09.559
<v Speaker 1>All so on, all right, all right, Matt, give you.

232
00:12:09.639 --> 00:12:12.879
<v Speaker 6>Know what I'm gonna do with this five spot? Buy

233
00:12:12.960 --> 00:12:16.080
<v Speaker 6>you a jacket with sleeves to tie in the back?

234
00:12:16.360 --> 00:12:17.600
<v Speaker 1>What did Stromberg City?

235
00:12:17.799 --> 00:12:22.480
<v Speaker 6>The Lorraine Adams execution is scheduled tonight as planned. The

236
00:12:22.559 --> 00:12:25.720
<v Speaker 6>chaplain is with Lorraine Adams right now, because at midnight,

237
00:12:26.120 --> 00:12:35.440
<v Speaker 6>in exactly two hours and ten minutes she burns.

238
00:12:42.799 --> 00:12:47.240
<v Speaker 2>General Mills is bringing you nightbeat starrying Frank Lovejoy as

239
00:12:47.320 --> 00:12:52.120
<v Speaker 2>Randy Stone. See how Wheaty's at seven can help at eleven?

240
00:12:52.759 --> 00:12:55.399
<v Speaker 2>Say a friend, Yes, Frank, isn't there some way and

241
00:12:55.399 --> 00:12:57.200
<v Speaker 2>you could put a little more umph into that line?

242
00:12:57.360 --> 00:12:59.960
<v Speaker 2>You mean, like this, Maybe see how Wheaty's at seven

243
00:13:00.120 --> 00:13:03.279
<v Speaker 2>can help at eleven? Well, or see how Wheaty's at

244
00:13:03.279 --> 00:13:04.799
<v Speaker 2>seven can help at eleven?

245
00:13:04.879 --> 00:13:05.840
<v Speaker 1>There, that's it.

246
00:13:06.279 --> 00:13:09.399
<v Speaker 2>See how Wheaty's at seven can help at eleven, because

247
00:13:09.399 --> 00:13:12.879
<v Speaker 2>they really can their whole wheat. You see, I guess

248
00:13:12.879 --> 00:13:15.720
<v Speaker 2>everybody knows about the snap and energy you get from

249
00:13:15.759 --> 00:13:18.519
<v Speaker 2>whole wheat. While you start breakfast with a big bowl

250
00:13:18.519 --> 00:13:21.200
<v Speaker 2>of wheaties in the whole morning just seems to slide

251
00:13:21.200 --> 00:13:24.679
<v Speaker 2>along easier. Big chores don't look so big. Long hours

252
00:13:24.679 --> 00:13:27.720
<v Speaker 2>don't seem so long. People seem pleasanter when you've had

253
00:13:27.759 --> 00:13:31.600
<v Speaker 2>your wheaties, and you know why. It's just that wheaties

254
00:13:31.679 --> 00:13:35.120
<v Speaker 2>have lots of vitamins and minerals, lots of solid nourishment

255
00:13:35.440 --> 00:13:37.519
<v Speaker 2>the kind you need to look a tough task right

256
00:13:37.519 --> 00:13:41.279
<v Speaker 2>in the eye. Wheaties tastes good too, crisp and nice

257
00:13:41.279 --> 00:13:44.480
<v Speaker 2>to munch on, A nice sunny nuts sweet taste to them,

258
00:13:44.600 --> 00:13:47.960
<v Speaker 2>a good, satisfying flavor that keeps on tasting like more

259
00:13:48.320 --> 00:13:51.120
<v Speaker 2>no matter how often you eat them. You see, when

260
00:13:51.159 --> 00:13:54.840
<v Speaker 2>you eat good, you feel good. It's simple as that. Now,

261
00:13:54.919 --> 00:13:57.759
<v Speaker 2>my friend, would you just try that line again? See

262
00:13:57.799 --> 00:14:00.120
<v Speaker 2>how wheaty's at seven can help at the line of

263
00:14:00.159 --> 00:14:04.879
<v Speaker 2>him that way, because they really can, you know, try it, weedy.

264
00:14:15.080 --> 00:14:18.080
<v Speaker 2>I'm now back to night beat. I'm Bramby's throne.

265
00:14:20.399 --> 00:14:22.720
<v Speaker 1>In two hours and ten minutes, Lorraine Adams would go

266
00:14:22.720 --> 00:14:26.200
<v Speaker 1>to the electric chair. What I saw the cab driver

267
00:14:26.279 --> 00:14:28.600
<v Speaker 1>saw right in the middle of Chicago, free as a burden.

268
00:14:29.759 --> 00:14:31.840
<v Speaker 1>I checked some more after I left the office. The

269
00:14:31.879 --> 00:14:34.799
<v Speaker 1>police went along with the gag and checked the prison. Yes,

270
00:14:34.879 --> 00:14:37.120
<v Speaker 1>the girl on the death cell was Lorraine Adams. Her

271
00:14:37.120 --> 00:14:39.960
<v Speaker 1>fingerprints proved it. But then who was the girl the

272
00:14:40.000 --> 00:14:43.000
<v Speaker 1>cab driver? And I saw was McCallum going to work

273
00:14:43.000 --> 00:14:46.360
<v Speaker 1>a switch at the last minute? Fantastic? Sure, but McCallum

274
00:14:46.440 --> 00:14:48.840
<v Speaker 1>might be able to work it. And how did little

275
00:14:48.840 --> 00:14:50.840
<v Speaker 1>Marty tie in? What did a six year old kid

276
00:14:50.879 --> 00:14:53.679
<v Speaker 1>have to do with it? Well? I had until midnight

277
00:14:53.720 --> 00:14:55.279
<v Speaker 1>to learn a lot of things. There was only one

278
00:14:55.279 --> 00:14:57.840
<v Speaker 1>place to start. Six one six woven in the address

279
00:14:57.919 --> 00:15:00.519
<v Speaker 1>Marty had given me. It was a cheap boarding house.

280
00:15:01.440 --> 00:15:03.600
<v Speaker 1>I had the drive away. I knocked on the manager's

281
00:15:03.600 --> 00:15:05.759
<v Speaker 1>door until three minutes to get her out of bed.

282
00:15:05.919 --> 00:15:12.919
<v Speaker 1>And she wasn't happy. Where you are, sah Randy Stone?

283
00:15:13.000 --> 00:15:16.120
<v Speaker 1>She called the star. I take a news papers? You

284
00:15:16.240 --> 00:15:18.639
<v Speaker 1>selling papers this time in the morning? Oh no, listen

285
00:15:18.639 --> 00:15:19.919
<v Speaker 1>to me? Will you magazines?

286
00:15:20.000 --> 00:15:20.559
<v Speaker 3>All day?

287
00:15:20.720 --> 00:15:22.799
<v Speaker 1>Newspapers in the middle of the night. You take this

288
00:15:22.879 --> 00:15:26.879
<v Speaker 1>and listen? Ten bucks for what does a little kid

289
00:15:26.879 --> 00:15:29.840
<v Speaker 1>live here? His name was Marty about six, brown hair,

290
00:15:29.919 --> 00:15:34.000
<v Speaker 1>cute little guy? Are you kidding? That was four or

291
00:15:34.200 --> 00:15:36.720
<v Speaker 1>five months ago? But he lived here with his mother.

292
00:15:37.039 --> 00:15:40.159
<v Speaker 1>His mother? What did she look like? Ask my husband?

293
00:15:40.679 --> 00:15:42.840
<v Speaker 1>Where did she go? Well? He was thing. I can tell.

294
00:15:43.799 --> 00:15:47.720
<v Speaker 1>She worked at a joint called uh oh, come on,

295
00:15:47.919 --> 00:15:50.279
<v Speaker 1>come on the Blue Heirs.

296
00:15:51.000 --> 00:15:53.320
<v Speaker 5>Yeah, I said, blue Heirs.

297
00:16:06.159 --> 00:16:08.759
<v Speaker 1>Your hat, sir, and I check it for you all ranks? Honey?

298
00:16:09.279 --> 00:16:12.120
<v Speaker 1>That clock behind you? Is it right? Sure? Sony can

299
00:16:12.159 --> 00:16:13.960
<v Speaker 1>do eleven? The night is young. You want to bed?

300
00:16:14.919 --> 00:16:17.120
<v Speaker 1>How long you been here here? Maybe?

301
00:16:17.200 --> 00:16:17.679
<v Speaker 2>Why?

302
00:16:17.960 --> 00:16:20.000
<v Speaker 1>And I won't check my hat, but I'll leave this

303
00:16:20.039 --> 00:16:22.919
<v Speaker 1>with you. With five dollars, you could leave a diving suit.

304
00:16:23.000 --> 00:16:25.399
<v Speaker 1>Who do I kill? A girl used to work here.

305
00:16:25.480 --> 00:16:27.879
<v Speaker 1>She had a little boy, a little boy named Marty.

306
00:16:29.159 --> 00:16:30.960
<v Speaker 1>But I remember, Oh, yes you do.

307
00:16:31.080 --> 00:16:31.320
<v Speaker 2>Baby.

308
00:16:31.360 --> 00:16:34.159
<v Speaker 1>Your face shows us so I need makeup. You've seen

309
00:16:34.200 --> 00:16:36.840
<v Speaker 1>the kid, haven't you? You knew his mother? Mister? I

310
00:16:36.840 --> 00:16:39.240
<v Speaker 1>don't know anything that goes on. I check hats and coats.

311
00:16:39.639 --> 00:16:42.399
<v Speaker 1>That's why mister McCallum pays me. McCallum. Oh, the Blue

312
00:16:42.440 --> 00:16:44.440
<v Speaker 1>heron is one of his friends. I'll go away now,

313
00:16:44.519 --> 00:16:48.679
<v Speaker 1>will you? Did you like the girl? She was a

314
00:16:48.759 --> 00:16:51.600
<v Speaker 1>sweet cat? Well, then help her. She's in trouble. I

315
00:16:51.639 --> 00:16:53.759
<v Speaker 1>don't know anything. But there was a guy, a knocked

316
00:16:53.759 --> 00:16:56.480
<v Speaker 1>out musician, trombone player. He went for a fine hand.

317
00:16:56.559 --> 00:16:59.639
<v Speaker 1>Where what's his name Harry Ann He used to play here,

318
00:16:59.679 --> 00:17:04.799
<v Speaker 1>but when Peggy left Peggy, yeah, Peggy, Shit, Hey, you

319
00:17:04.839 --> 00:17:06.640
<v Speaker 1>don't even know her name. What do you want? Where

320
00:17:06.640 --> 00:17:08.519
<v Speaker 1>can I find Harry Aaron? You get out of here,

321
00:17:08.559 --> 00:17:10.359
<v Speaker 1>beat it, take it easy, get off before I call

322
00:17:10.400 --> 00:17:16.480
<v Speaker 1>a bouncer. With the clock getting ahead of me, I

323
00:17:16.480 --> 00:17:19.519
<v Speaker 1>looked up Harry Aaron in the musician's directory. With only

324
00:17:19.519 --> 00:17:22.599
<v Speaker 1>an hour and tenminus left, I tried to find him. Yes,

325
00:17:22.839 --> 00:17:25.400
<v Speaker 1>he played here, he played there. It was a good boy,

326
00:17:25.559 --> 00:17:29.799
<v Speaker 1>but he was always high. I covered one spot after another, time,

327
00:17:29.880 --> 00:17:33.720
<v Speaker 1>running out an hour left, fifty minutes, and then finally

328
00:17:33.720 --> 00:17:37.400
<v Speaker 1>I hit a rooming house, one of those places where

329
00:17:37.400 --> 00:17:40.119
<v Speaker 1>you stay up all day and all night. Anybody goes

330
00:17:40.160 --> 00:17:43.480
<v Speaker 1>to sleep. He's a curiosity. There was a jam session

331
00:17:43.480 --> 00:17:51.279
<v Speaker 1>going on, and I headed for the music. Five boys

332
00:17:51.359 --> 00:17:53.680
<v Speaker 1>was swinging high, but the trombone player was the one

333
00:17:53.720 --> 00:17:58.039
<v Speaker 1>I wanted. Skinny, pale face over which perspiration drenched hair.

334
00:17:59.000 --> 00:18:09.279
<v Speaker 1>I walked over to him, Hi, Harry, Harry, knock yourself out,

335
00:18:09.440 --> 00:18:12.400
<v Speaker 1>grab anything, cut in? What are you playing nothing? What

336
00:18:12.440 --> 00:18:19.640
<v Speaker 1>are your drink now thing? What are you living for? Harry? Harry?

337
00:18:19.680 --> 00:18:23.759
<v Speaker 1>Come on off the ceiling and you hear me. I

338
00:18:23.799 --> 00:18:27.480
<v Speaker 1>want to talk about Peggy. Peggy.

339
00:18:28.480 --> 00:18:29.720
<v Speaker 6>What what you're saying?

340
00:18:30.039 --> 00:18:32.279
<v Speaker 1>I want to talk about Peggy? You remember? Where about it?

341
00:18:32.319 --> 00:18:34.720
<v Speaker 1>What about Peggy? Let's get out of here, Harry. There's

342
00:18:34.759 --> 00:18:37.200
<v Speaker 1>a coffee shop down the street. Hey, find me a drink. Huh?

343
00:18:37.240 --> 00:18:39.160
<v Speaker 1>All right, all right, but come on huh hey, wait, wait, wait,

344
00:18:39.200 --> 00:18:41.960
<v Speaker 1>wait a second. Wait. Listen to that beef for it's

345
00:18:42.000 --> 00:18:52.200
<v Speaker 1>like a train running inside. Grab anything cutting any place? Peggy, Harry, Harry, Peggy,

346
00:18:55.200 --> 00:18:57.480
<v Speaker 1>you said, Peggy, Harry, you gotta come with me. You've

347
00:18:57.480 --> 00:18:59.640
<v Speaker 1>got to talk. We got forty minutes, Harry, and after

348
00:18:59.680 --> 00:19:07.599
<v Speaker 1>that it's I guess the boys goodbye. I made him

349
00:19:07.680 --> 00:19:09.839
<v Speaker 1>drink coffee strong and black, and I made him walk

350
00:19:09.880 --> 00:19:13.079
<v Speaker 1>until his head cleared up a little. But it took time, time,

351
00:19:13.119 --> 00:19:15.319
<v Speaker 1>and only thirty minutes I had left before that execution.

352
00:19:16.240 --> 00:19:18.400
<v Speaker 1>And then we sat and talked, what are you why

353
00:19:18.680 --> 00:19:20.039
<v Speaker 1>from me? Knocked out?

354
00:19:20.200 --> 00:19:20.279
<v Speaker 3>Me?

355
00:19:20.440 --> 00:19:22.559
<v Speaker 1>The top is all going, inside going? What do you

356
00:19:22.559 --> 00:19:25.480
<v Speaker 1>want for Peggy? Where is she? And why did she leave? Who?

357
00:19:25.920 --> 00:19:27.799
<v Speaker 1>I'm Stone Chicago star And I listened to me. You

358
00:19:27.839 --> 00:19:30.880
<v Speaker 1>remember Marty, Peggy's kid. I got a picture of her

359
00:19:30.920 --> 00:19:35.079
<v Speaker 1>right here. Hey, that's Peggy and that's Marty right there, Peggy.

360
00:19:35.279 --> 00:19:39.640
<v Speaker 1>This is Peggy. Dark hair, you bleach it blonde, and look,

361
00:19:39.680 --> 00:19:42.400
<v Speaker 1>Harry talk fast. I don't know what we'll get. But

362
00:19:42.519 --> 00:19:44.160
<v Speaker 1>tell me when you saw Peggy last on what she

363
00:19:44.200 --> 00:19:50.759
<v Speaker 1>said she was going away with him? Mcallum, mcallum. Why

364
00:19:51.759 --> 00:19:53.680
<v Speaker 1>this one night after the show, she was in the

365
00:19:53.680 --> 00:19:56.359
<v Speaker 1>line she was you know the chorus. You know I

366
00:19:56.400 --> 00:19:58.119
<v Speaker 1>went to see her. I found her pack. I'm packing

367
00:19:58.160 --> 00:20:02.200
<v Speaker 1>a suitcase. Shittn't tell me before that she was walking out.

368
00:20:02.319 --> 00:20:09.480
<v Speaker 1>She just looked at by fast Harry, real fast, white kid.

369
00:20:10.000 --> 00:20:12.480
<v Speaker 1>What's all the rush? I can't tell you, Harry, only

370
00:20:12.559 --> 00:20:15.759
<v Speaker 1>you're not gonna see me anymore. Oh, yeah, I get it.

371
00:20:15.880 --> 00:20:18.599
<v Speaker 1>You don't, Harry, you don't at all. Mcallum. I know

372
00:20:18.680 --> 00:20:20.680
<v Speaker 1>they talk a long time, he asked. It's nothing to

373
00:20:20.720 --> 00:20:22.680
<v Speaker 1>do with mcallum. Sure, that's nothing to do with a

374
00:20:22.720 --> 00:20:26.960
<v Speaker 1>knocked out horn player either. Oh don't talk like that. Okay,

375
00:20:26.960 --> 00:20:31.640
<v Speaker 1>I'll play it for you sometimes twenty choruses. I don't

376
00:20:31.680 --> 00:20:32.960
<v Speaker 1>blame you, Peggy.

377
00:20:34.480 --> 00:20:37.359
<v Speaker 5>I got a kid, Marty, I'm sick.

378
00:20:37.440 --> 00:20:38.960
<v Speaker 1>You know that got maybe a year.

379
00:20:39.200 --> 00:20:41.880
<v Speaker 2>Doc said, So what happens to the kid?

380
00:20:41.960 --> 00:20:44.559
<v Speaker 1>Then? What happened with me, I could.

381
00:20:44.880 --> 00:20:49.480
<v Speaker 5>Maybe I ain't gonna have my eating off trunk, crackers

382
00:20:49.480 --> 00:20:50.960
<v Speaker 5>and milk three times a day.

383
00:20:51.000 --> 00:20:54.880
<v Speaker 1>Oh what's mcallum gonna do for me? Say goodbye? Harry? Please?

384
00:20:57.839 --> 00:20:59.839
<v Speaker 1>You know what? I love you?

385
00:21:00.039 --> 00:21:01.880
<v Speaker 2>Oh that yes.

386
00:21:03.759 --> 00:21:05.160
<v Speaker 1>Means nothing alone.

387
00:21:06.079 --> 00:21:07.119
<v Speaker 4>Harry, Get out of here.

388
00:21:07.200 --> 00:21:09.200
<v Speaker 1>Don't stand there just looking at me. I won't be

389
00:21:09.240 --> 00:21:10.160
<v Speaker 1>able to go through with it.

390
00:21:10.200 --> 00:21:14.599
<v Speaker 2>I won't And I go Harry, my kid.

391
00:21:27.680 --> 00:21:29.640
<v Speaker 1>That's all. That's all I know. When did that happen?

392
00:21:30.200 --> 00:21:34.039
<v Speaker 1>Five yeah, five months ago, just before Lorrain Adams went

393
00:21:34.079 --> 00:21:36.079
<v Speaker 1>to trial for murder. What are you talking about, Louck?

394
00:21:37.519 --> 00:21:39.799
<v Speaker 1>This is Lorraine Adams picture on the paper. Hiss Peggy,

395
00:21:40.240 --> 00:21:43.240
<v Speaker 1>say bleach Peggy's hair, and she's Lorrain Adams. McCallum saw that.

396
00:21:43.359 --> 00:21:46.480
<v Speaker 1>You're crazy, Stone, You're crazy. McCallum couldn't make the switch

397
00:21:46.920 --> 00:21:49.400
<v Speaker 1>before the trial. Lorrain Adams gave herself up a week

398
00:21:49.519 --> 00:21:51.799
<v Speaker 1>after she killed her husband. But it wasn't Lorrain. It

399
00:21:51.839 --> 00:21:54.759
<v Speaker 1>was Peggy Racy. It's crazy. No less than half an

400
00:21:54.759 --> 00:21:56.519
<v Speaker 1>hour Peggy would go to the electric chair in place

401
00:21:56.519 --> 00:21:57.359
<v Speaker 1>of Lorraine Adams.

402
00:21:58.640 --> 00:21:59.480
<v Speaker 6>But get a route.

403
00:21:59.519 --> 00:22:01.759
<v Speaker 1>You gotta do something. I only proof is Marty, but

404
00:22:01.799 --> 00:22:04.279
<v Speaker 1>he's at McCallum's place. Don't she's gonna die. You said it,

405
00:22:04.319 --> 00:22:06.720
<v Speaker 1>She's gonna die. Stn't do something. I'm gonna jollyet to

406
00:22:06.720 --> 00:22:09.680
<v Speaker 1>see the warden. You gotta do something to Harry, Fine, Marty.

407
00:22:19.799 --> 00:22:22.839
<v Speaker 1>It's preparsal as missus Stone. Impossible, but it was done Wharton,

408
00:22:22.920 --> 00:22:24.559
<v Speaker 1>And in ten minutes a girl will go to a chair.

409
00:22:24.640 --> 00:22:26.359
<v Speaker 1>Ten minutes I call the governor.

410
00:22:26.519 --> 00:22:27.400
<v Speaker 6>He's left it up to me.

411
00:22:27.519 --> 00:22:28.640
<v Speaker 1>Well, then stop the execution.

412
00:22:28.880 --> 00:22:31.400
<v Speaker 6>I can do that only if this girl admits she's

413
00:22:31.440 --> 00:22:35.200
<v Speaker 6>not Lorraine. Animals, I've broken a rulestone on the strength

414
00:22:35.200 --> 00:22:38.000
<v Speaker 6>of what you've told me. The girl is being brought

415
00:22:38.039 --> 00:22:39.920
<v Speaker 6>here the visiting room.

416
00:22:39.720 --> 00:22:42.519
<v Speaker 1>To talk to and what if she doesn't admit, there's

417
00:22:42.680 --> 00:22:47.519
<v Speaker 1>no proof. The execution is scheduled. Where is that Harry,

418
00:22:48.559 --> 00:22:55.519
<v Speaker 1>she's here? Bring her in, Chapman, Hello, Triggy.

419
00:22:55.640 --> 00:22:56.480
<v Speaker 6>What is your name?

420
00:22:57.519 --> 00:23:01.960
<v Speaker 1>I am Lorraine Adams, Chaplin? This girl is not Lorraine Adams.

421
00:23:02.240 --> 00:23:03.279
<v Speaker 1>Didn't she tell you of Madam?

422
00:23:03.359 --> 00:23:04.079
<v Speaker 6>What she told me?

423
00:23:04.160 --> 00:23:05.839
<v Speaker 2>I cannot tell you.

424
00:23:06.279 --> 00:23:09.880
<v Speaker 1>But in a case like this crime to him and

425
00:23:09.960 --> 00:23:12.720
<v Speaker 1>to God, yes, that you took Lorrain Adams place. You

426
00:23:12.799 --> 00:23:15.720
<v Speaker 1>have tried, convicted sentence and you'll die in less than

427
00:23:15.759 --> 00:23:19.599
<v Speaker 1>ten minutes. You'll die. I am Loraine Adams. You took

428
00:23:19.640 --> 00:23:22.759
<v Speaker 1>her place, You gave yourself up in her place. That's

429
00:23:22.799 --> 00:23:24.480
<v Speaker 1>why the real Lorrain Adams was gone for a week,

430
00:23:24.519 --> 00:23:26.319
<v Speaker 1>to give you time to beat your hair, and I

431
00:23:26.400 --> 00:23:30.000
<v Speaker 1>killed my husband. You're killing yourself for what? For Marty?

432
00:23:30.119 --> 00:23:30.759
<v Speaker 1>For your boy?

433
00:23:30.880 --> 00:23:33.920
<v Speaker 6>No Peggy, No Peggy, Why don't you there's nothing else

434
00:23:33.960 --> 00:23:34.920
<v Speaker 6>to say.

435
00:23:35.119 --> 00:23:37.759
<v Speaker 1>You made a bargain with McCallum. What kind of a bargain?

436
00:23:38.440 --> 00:23:41.160
<v Speaker 1>You never see your son again? You only had a

437
00:23:41.240 --> 00:23:43.000
<v Speaker 1>year to live, but in that year you'd have had him.

438
00:23:43.720 --> 00:23:46.799
<v Speaker 1>What did you leave him to a vicious gangster who'll

439
00:23:46.839 --> 00:23:51.880
<v Speaker 1>never keep his promise to you? You'll die pegging soul Marty, Yes,

440
00:23:52.039 --> 00:23:54.799
<v Speaker 1>he'll die too, as you know him. He'll be dead.

441
00:23:55.759 --> 00:23:57.519
<v Speaker 1>Think what he'll be living with a rat like that.

442
00:23:57.799 --> 00:24:03.160
<v Speaker 6>I'm Adam Warden. I can't believe she'd lie. Now she's

443
00:24:03.240 --> 00:24:04.559
<v Speaker 6>facing dance stone.

444
00:24:04.640 --> 00:24:07.319
<v Speaker 1>She can't lie what she is for her boys? She

445
00:24:07.519 --> 00:24:15.160
<v Speaker 1>would she would.

446
00:24:13.960 --> 00:24:24.799
<v Speaker 4>Well moment, Mom, I've been looking at the places.

447
00:24:25.839 --> 00:24:33.680
<v Speaker 5>Mom, it's me, Mom. You you got you here? No, Mom,

448
00:24:33.960 --> 00:24:45.759
<v Speaker 5>you ain't mad at me me? Mom, he's hurt.

449
00:24:46.200 --> 00:24:57.920
<v Speaker 1>Where is he? Oh? Here? Mister Stone. Hi, Harry, I

450
00:24:57.920 --> 00:25:00.559
<v Speaker 1>get here in time? Yeah, in time, Harry.

451
00:25:01.160 --> 00:25:02.920
<v Speaker 6>Uh, that's real.

452
00:25:02.920 --> 00:25:06.400
<v Speaker 1>Out of this world? How did you get McCallum A

453
00:25:06.400 --> 00:25:10.200
<v Speaker 1>long time ago? I put a gun. I never used

454
00:25:10.240 --> 00:25:16.119
<v Speaker 1>it until the night one. I'll get the girl all right,

455
00:25:16.200 --> 00:25:24.359
<v Speaker 1>begg Hi Becky, Hi, Harry. I had a hard time

456
00:25:24.400 --> 00:25:27.559
<v Speaker 1>trying to get in here. Take it easy, Harry, Sure,

457
00:25:28.599 --> 00:25:35.319
<v Speaker 1>thank you? Achams. Oh brother, am I a knockdod character?

458
00:25:36.839 --> 00:25:37.319
<v Speaker 2>For sure?

459
00:25:50.720 --> 00:25:55.400
<v Speaker 1>Love l O V E. Spell it one way, interpreted

460
00:25:55.440 --> 00:26:00.480
<v Speaker 1>a hundred ways. Mcallums full of rain Adams to wreck

461
00:26:00.480 --> 00:26:06.200
<v Speaker 1>anyone else's life. Peggy's for Marty, Harry's for Peggy. Yeah,

462
00:26:06.200 --> 00:26:09.160
<v Speaker 1>it's love that makes the world go around. It all

463
00:26:09.200 --> 00:26:10.720
<v Speaker 1>depends on who does the spinning.

464
00:26:12.759 --> 00:26:22.799
<v Speaker 2>Cobby boy, you are listening to Nightbeat. I'm the Wheaties

465
00:26:22.920 --> 00:26:26.960
<v Speaker 2>Big Parade. Oh Frank love joy. You have a guest I.

466
00:26:26.920 --> 00:26:30.640
<v Speaker 1>Have Oh, so I have welcome Joel mccraig.

467
00:26:30.759 --> 00:26:32.519
<v Speaker 2>Hello, Frank. I enjoyed your show.

468
00:26:33.359 --> 00:26:36.000
<v Speaker 1>Thank you very much, Joel. I understand that you have

469
00:26:36.000 --> 00:26:38.799
<v Speaker 1>a new program that's joining the Wheaties Big Parade. Glad

470
00:26:38.839 --> 00:26:40.680
<v Speaker 1>to have you with us, Glad to be with you.

471
00:26:41.400 --> 00:26:43.559
<v Speaker 2>Yes, I'm turning into a Texas Ranger for our new

472
00:26:43.599 --> 00:26:45.359
<v Speaker 2>Saturday night program beginning this week.

473
00:26:45.720 --> 00:26:47.079
<v Speaker 1>A Texas Ranger for real.

474
00:26:47.160 --> 00:26:50.839
<v Speaker 2>Huh well, pretty much for real. These are real stories

475
00:26:50.839 --> 00:26:53.400
<v Speaker 2>from the files of the Texas Rangers. You know, just

476
00:26:53.480 --> 00:26:55.880
<v Speaker 2>like your show Nightbeat. It's pretty dramatic stuff.

477
00:26:56.119 --> 00:26:58.039
<v Speaker 1>You'll have fun doing them, Joel and I know that

478
00:26:58.119 --> 00:27:05.960
<v Speaker 1>we'll enjoy hearing it. Now, say, have you got the password? Password?

479
00:27:06.759 --> 00:27:12.480
<v Speaker 2>Oh? Sure, Wheedies, that's ripe, Night Joe, Thank you, gentlemen.

480
00:27:20.759 --> 00:27:24.200
<v Speaker 2>Night Bee, starring Frank Lovejoy, is produced and directed by

481
00:27:24.240 --> 00:27:26.000
<v Speaker 2>Warren Lewis and edited.

482
00:27:25.680 --> 00:27:26.680
<v Speaker 1>By Larry Marcus.

483
00:27:27.119 --> 00:27:30.160
<v Speaker 2>Tonight's story was written by Russell Hughes from an idea

484
00:27:30.319 --> 00:27:34.079
<v Speaker 2>by Bill Callack, with music by Frank Worth. Those in

485
00:27:34.119 --> 00:27:39.000
<v Speaker 2>Tonight's cast were Loreene Tuttle, David Ellis, Joan Banks, Peter Leeds,

486
00:27:39.279 --> 00:27:49.759
<v Speaker 2>Rick Vallen, Herb Butterfield, and Peter Poutrian. Listen next week

487
00:27:49.799 --> 00:27:53.200
<v Speaker 2>at this time and every week as Randy Stone searches

488
00:27:53.319 --> 00:27:56.119
<v Speaker 2>through the city for the strange stories waiting for him

489
00:27:56.160 --> 00:27:59.519
<v Speaker 2>in the darkness Tuesday, that's tomorrow.

490
00:27:59.640 --> 00:28:03.359
<v Speaker 1>Listen to the Penny Singleton Show on the Wheaties Big Parade.

491
00:28:03.799 --> 00:28:07.599
<v Speaker 2>The preceding was transcribed Jack Late brings you a fund

492
00:28:07.599 --> 00:28:08.559
<v Speaker 2>of interesting stories.

493
00:28:08.559 --> 00:28:09.519
<v Speaker 1>Friday on NBC
