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<v Speaker 1>Welcome Friends podcast podcast is do show JACKI again Ryan.

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<v Speaker 1>They're talking about Booby mom.

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<v Speaker 2>Ma in the race for the world's most advanced communications technologies.

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<v Speaker 2>Together they will search and the more they discover, the

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<v Speaker 2>greater the danger.

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<v Speaker 3>An animal move like that.

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<v Speaker 2>We're getting out of here.

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<v Speaker 3>Put them on the indangered species left from the best

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<v Speaker 3>selling novel by the author of Jurassic Party.

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<v Speaker 2>Congo, where you are the endangered species.

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<v Speaker 3>Welcome to a movie film commentary track. My name is

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<v Speaker 3>Zachi As. I'm here with Brian Hall.

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<v Speaker 1>Brian to be here.

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<v Speaker 3>And without you even having had your your your customary martini.

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<v Speaker 1>That's right, that's right.

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<v Speaker 3>Hey, we're here to watch Congo.

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<v Speaker 1>Yes, and for me, this will be my second time

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<v Speaker 1>watching Congo, because I watched it for the first time

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<v Speaker 1>to prepare for this commentary.

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<v Speaker 3>Well, this will be my third time because that's I've

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<v Speaker 3>only seen it once more than you.

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<v Speaker 1>Oh wow, okay, okay, yeah.

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<v Speaker 3>So this is a movie that celebrated its thirtieth anniversary

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<v Speaker 3>just a few weeks ago as we were recording this,

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<v Speaker 3>and it is a movie we have gotten a ton

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<v Speaker 3>of requests for and so you know, as tends to

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<v Speaker 3>be the case, I pitched it to Brian. I was like, hey,

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<v Speaker 3>it's under two hours.

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<v Speaker 1>He knows my love language.

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<v Speaker 3>That's all it took. He's like, go on, Yeah, so

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<v Speaker 3>this is this is based on the novel by Michael Crichton,

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<v Speaker 3>although I think that's the extent of the involvement that

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<v Speaker 3>Michael Crichton had in this film, right, and it is

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<v Speaker 3>certainly a time capsule. I will say that.

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<v Speaker 1>I love your tone. I'll certainly say that.

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<v Speaker 3>Yeah.

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<v Speaker 1>No, I think this is gonna be a fun one

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<v Speaker 1>because I, as I often say, I love revisiting these

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<v Speaker 1>nineties movies that I missed because I just by virtue

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<v Speaker 1>of my age, I'm just very endeared to the filmmaking

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<v Speaker 1>style of the nineties and so seeing new artifacts from

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<v Speaker 1>it is always delightful, especially ones as wacky as this one.

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<v Speaker 3>Indeed, Yeah, and that is I think that is the

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<v Speaker 3>right word for it. So with that in mind, I

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<v Speaker 3>figured like, hey, let's just let's just dive right in.

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<v Speaker 3>What do you think I'm ready? So we will do

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<v Speaker 3>the usual thing. We will play on three. So one,

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<v Speaker 3>two three play and are we gonna do that right now? One?

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<v Speaker 3>Two three play?

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<v Speaker 1>So this is two years after Jurassic Park, right, two years.

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<v Speaker 3>Yeah, so by way of context, the genesis of this

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<v Speaker 3>pro project began many years before, but in the heat

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<v Speaker 3>of Jurassic Park Afterglow, Hollywood was just ready to jump

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<v Speaker 3>on anything that had the Crichton name attached, and this

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<v Speaker 3>one had been working its way through the collective GI

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<v Speaker 3>tract of the industry before it was finally expelled in

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<v Speaker 3>nineteen ninety five. Yeah.

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<v Speaker 1>Michael Crichton's interesting because I was introduced to him. I mean,

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<v Speaker 1>I think as most people around our age were through

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<v Speaker 1>Jurassic Park, and later I learned well, so then it

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<v Speaker 1>was interesting to me to watch that Simpsons episode where

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<v Speaker 1>they go to Itchy and Scratchy Land, and I think

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<v Speaker 1>that that's based on Jurassic Park, and it partially is,

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<v Speaker 1>but it's mostly based on Westworld West World, Yeah, right,

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<v Speaker 1>and so.

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<v Speaker 3>I would say more so West World than Jurassic Park.

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<v Speaker 1>Definitely, definitely. And so later in life I realized that, oh,

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<v Speaker 1>Michael Crichton didn't sort of begin in the early nineties. Yeah,

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<v Speaker 1>you know, he was a successful author, director, screenwriter in

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<v Speaker 1>the seventies.

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<v Speaker 3>Yeah, a computer programmer. I mean, he's a true jack

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<v Speaker 3>of all trades.

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<v Speaker 1>Yeah. So this book came out in nineteen eighty Congo. Yeah,

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<v Speaker 1>and from everything I've heard through the research I've done,

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<v Speaker 1>it's different, a little different than this movie. But and

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<v Speaker 1>you know, any of the things that you nitpick in

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<v Speaker 1>this movie, it sounds like the book is actually pretty good.

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<v Speaker 1>Like people.

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<v Speaker 3>Yeah, it's more of a straight ahead adventure. And I

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<v Speaker 3>mean the genesis of the story began with Crichton having

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<v Speaker 3>directed a movie called The Great Train Robbery, which I

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<v Speaker 3>think outside of the US was called the first Great

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<v Speaker 3>Train Robbery, but it starred Sean Connery, and so he

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<v Speaker 3>was so enamored of his time with Sean Connery that

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<v Speaker 3>he wrote Congo with Sean Connery in mind to play

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<v Speaker 3>the adventurer who would lead the movie, you know, a

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<v Speaker 3>great white hunter Charles Monroe and kind of a character

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<v Speaker 3>in the vein of Alan Quartermain of King Solomon's minds.

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<v Speaker 3>And obviously that movie version of the movie didn't get made,

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<v Speaker 3>although ironically, you know, Sean Connery did play Alan Quartermain.

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<v Speaker 3>It was his last movie, you know, The League of

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<v Speaker 3>Extordinary Gentlemen.

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<v Speaker 1>That's pretty wild, the movie that pretty much made him.

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<v Speaker 3>Retire exactly, so you know, but yeah, this had been

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<v Speaker 3>Crichton had planned to direct this okay. And what it

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<v Speaker 3>came down to this was when it was at twentyeth

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<v Speaker 3>century Fox, and he said he would not do it

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<v Speaker 3>unless he could have a real gorilla play the character

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<v Speaker 3>of Amy Amy being a gorilla, just to clarify, and

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<v Speaker 3>and Fox was like, are you insane?

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<v Speaker 1>Yeah, this is the early eighties attempt at making this movie.

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<v Speaker 1>And you know what, though, I can appreciate his thinking

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<v Speaker 1>because I'm sure at that time, you know, I mean,

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<v Speaker 1>you think of this, was it seventy seven King Kong, Yes,

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<v Speaker 1>seventy six, seventy six. I enjoyed its great, but it's

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<v Speaker 1>a very much like a monkey suit guy in a suit,

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<v Speaker 1>guy in a suit. And we still have guy in

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<v Speaker 1>suit in this one. But the you know, you have

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<v Speaker 1>servos in the head and great care being taken with

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<v Speaker 1>their eyeballs and irises and the like, you know what

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<v Speaker 1>I mean, Like they've come a long way in terms

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<v Speaker 1>of suits with I mean San Winston, for goodness sake,

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<v Speaker 1>he's the other guy who made the suit.

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<v Speaker 2>So.

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<v Speaker 1>I can see his apprehension in the early eighties wanting

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<v Speaker 1>to do that. Yeah, I'm stiking to screaming Bruce Campbell.

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<v Speaker 1>I was surprised to see this.

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<v Speaker 3>Bruce Campbell was always a bridesmaid, never a bride when

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<v Speaker 3>it comes to these movies because because he he auditioned

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<v Speaker 3>for the role of doctor Peter Elliott and that went

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<v Speaker 3>to Dylan Waalsh, so they let him be you know,

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<v Speaker 3>guy guy the Hey, that guy who gets killed off early.

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<v Speaker 1>See. Now, I didn't know that, and I thought, oh,

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<v Speaker 1>I had no idea this was a Bruce Campbell movie.

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<v Speaker 3>And uh oh when you were watching.

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<v Speaker 1>Yeah, yeah, I knew nothing about this except that the

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<v Speaker 1>gorilla could talk, you know, through technology. I gotta say,

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<v Speaker 1>I mean, just right off the bat, this movie, I

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<v Speaker 1>almost felt like I was watching an inside joke I

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<v Speaker 1>didn't get as I was watching it. I think it

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<v Speaker 1>helps if you're gonna watch this for the first time

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<v Speaker 1>in twenty twenty five, to either have a fond nostalgia

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<v Speaker 1>for it or to know what you're getting into. And

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<v Speaker 1>I think I'm gonna have a lot more fun watching

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<v Speaker 1>it this time with you knowing what it is. But

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<v Speaker 1>all have to say, like, I just didn't find the

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<v Speaker 1>leads very dynamic, no, which I think is a big problem.

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<v Speaker 3>Well, and it's it's puzzling because they're all decent actors.

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<v Speaker 1>Yeah, yeah, but they just don't pop. And it kind

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<v Speaker 1>of makes me wish Bruce Campbell had been one of

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<v Speaker 1>the leads in this thing. I think he would have

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<v Speaker 1>brought an energy that would have really helped propel it

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<v Speaker 1>a lot.

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<v Speaker 3>I agree with that. You could have put him in

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<v Speaker 3>as Doctor Ellie. You could have made him Monroe Kelly.

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<v Speaker 1>Oh sure, yeah, yeah, either way, you could.

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<v Speaker 3>Have bought him. Although I like Ernie Hudson, but I.

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<v Speaker 1>Gotta say me too, I really love what he's doing

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<v Speaker 1>in this.

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<v Speaker 3>But yeah, you know, it's just like in Dark Man

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<v Speaker 3>five years earlier. You know, he had auditioned to play

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<v Speaker 3>the main character. They gave him a little cameo at

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<v Speaker 3>the end, and then ly Bruce Campbell in this.

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<v Speaker 1>Yeah, and then he's in the Doctor Strange multiverse of

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<v Speaker 1>Madness and basically just gets to punch himself in the

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<v Speaker 1>face for two minutes. You know, like that's right, you

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<v Speaker 1>just can't get a break.

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<v Speaker 3>And in all three Sam Raimi Spider Man movies also right.

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<v Speaker 1>Right, But it's interesting because and when I say with

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<v Speaker 1>dynamic leads, it's not star power, because I mean, you

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<v Speaker 1>look at Jurassic Park two years earlier. Those people weren't stars. Really.

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<v Speaker 1>I mean, it wasn't Harrison Ford or whoever, like, but

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<v Speaker 1>they're perfectly cast there. Whatever it is that they possess

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<v Speaker 1>as people they make those character is interesting, and unfortunately

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<v Speaker 1>I'm not getting that shining off of this cast.

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<v Speaker 3>Yeah. Well, what it is really is that everybody is

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<v Speaker 3>kind of in their own They're they're on each on

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<v Speaker 3>a different highway. They're not even in a different lane.

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<v Speaker 1>Please expand on that, because I agree.

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<v Speaker 3>Yeah. Well, like Joe Don Baker over here, who is

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<v Speaker 3>energetic to maybe a maximal degree, I'm like, bro, like,

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<v Speaker 3>just tone it down a little man.

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<v Speaker 1>Like yeah yeah, yeah, well well and Tim Curry, like

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<v Speaker 1>it feels like Tim Curry understood the assignment he did.

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<v Speaker 1>He's playing this really fun, colorful side character. Well that's

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<v Speaker 1>the thing too. I was reading people's takes on this,

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<v Speaker 1>and it was saying some people realize they were in

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<v Speaker 1>a comedy and others didn't realize they were in a comedy.

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<v Speaker 3>Yeah, well, so rewatching this. Yeah, generally you don't want

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<v Speaker 3>to find an eyeball in your hand, you know, it.

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<v Speaker 1>Makes you think of Minority Report. I just eyeball stuff

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<v Speaker 1>is just.

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<v Speaker 3>Yeah, not a fan, No, I'm not a fan, and

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<v Speaker 3>I should say Jodn Baker rip because he just like

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<v Speaker 3>within the last two months he passed away. Oh, a

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<v Speaker 3>very unique presence. I put him in the same bucket

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<v Speaker 3>as like mm At Walsh, you know, totally just a

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<v Speaker 3>type all by himself, you know, totally Yes, But no,

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<v Speaker 3>as I said, I had watched this. I rented this

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<v Speaker 3>on VHS from from Hollywood Video shortly after it came out,

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<v Speaker 3>and then you know, I haven't watched it since. And

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<v Speaker 3>rewatching it now for this commentary track, I was like, man,

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<v Speaker 3>this is I'm getting WPWR syndicated right, like Saturday afternoon

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<v Speaker 3>syndicated show Energy Zachy.

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<v Speaker 1>This is literally what I wrote word for word in

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<v Speaker 1>my notes. It feels like a cross between a WGN

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<v Speaker 1>Saturday Afternoon syndicated television series with a Disney Sunday night movie. Unbelievable. Yes,

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<v Speaker 1>that's exactly what this is. And so but here's the thing.

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<v Speaker 1>As I'm watching the screen now and we're talking about it,

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<v Speaker 1>I am feeling more charitable toward it, sure, and like, oh,

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<v Speaker 1>this thing right right, And then I know that this

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<v Speaker 1>guy is very funny and doesn't care about his son.

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<v Speaker 1>He cares more about diamonds and like I'm I kind

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<v Speaker 1>of a chuckle already at the ready as I'm watching this,

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<v Speaker 1>and the first time I thought I was watching I

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<v Speaker 1>certainly not Jurassic Park, but like, oh, a pretty good

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<v Speaker 1>blockbuster from the nineties, that's what I thought I was getting.

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<v Speaker 3>Sure, well, I would assume that's what audiences thought they

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<v Speaker 3>were getting, which would which would explain why it did

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<v Speaker 3>very well.

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<v Speaker 1>Yeah. Yeah, it opened really well. It was a fifty

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<v Speaker 1>million dollar budget ultimately in the US and Canada made

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<v Speaker 1>eighty one million worldwide, one hundred and fifty million, undred.

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<v Speaker 3>And fifty ninety five. Yeah, so I mean it ended

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<v Speaker 3>up doing okay. I will say I remember very distinctly

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<v Speaker 3>my interest in this film was twofold number one. You know,

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<v Speaker 3>the criton of it all got me, got me intrigued,

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<v Speaker 3>and you know, they had the whole marketing campaign. They

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<v Speaker 3>had a whole bunch of toys and things, which, dude,

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<v Speaker 3>the notion of a toy line for this movie is

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<v Speaker 3>like comical, right it It might as well be like

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<v Speaker 3>the Philadelphia Action figure line on SNL, you know, because

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<v Speaker 3>this is not a particularly toy atic movie, right. However,

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<v Speaker 3>so it was like, oh, kids, go see this, but

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<v Speaker 3>also in the mid nineties. I remember this was in

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<v Speaker 3>the lead up to potentially a New Planet of the

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<v Speaker 3>Apes movie. Oh interesting, And at the time there was like, oh,

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<v Speaker 3>stan Winston's going to do the effects, and I was like, well,

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<v Speaker 3>stan Winston's doing the apes in this. Let's see, let's

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<v Speaker 3>see like how that might look, you know. And then

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<v Speaker 3>he had Jerry Goldsmith doing the score and I'm like, hey,

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<v Speaker 3>Jerry Goldsmith doing the score, but adjacent movie, you know

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<v Speaker 3>very much, not that.

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<v Speaker 1>Yeah, yeah, I'm just to place it in the timeline

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<v Speaker 1>of you know, the era. This beat Casper, which is

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<v Speaker 1>kind of interesting, and then the next week it was

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<v Speaker 1>overtaken by Batman Forever. So that's kind of what was

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<v Speaker 1>going on when this came out. But interesting, you know

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<v Speaker 1>what's funny though, I mean, well, I guess we're getting

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<v Speaker 1>to it right now. Well we should talk about what

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<v Speaker 1>happened a little bit. So we open where this like

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<v Speaker 1>telecom company. I guess they're mining for diamonds in this

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<v Speaker 1>remote area that will I don't know, make their the

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<v Speaker 1>stuff that they produced function better, right, And so they

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<v Speaker 1>have this team over there on an expedition and it

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<v Speaker 1>looks like they're getting attacked you know, we see like

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<v Speaker 1>a blurry gorilla type figure in front of the camera.

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<v Speaker 1>They don't know exactly what's going on. And in the

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<v Speaker 1>head of the company that's his son who's over there right,

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<v Speaker 1>who looks like he's being attacked by a guerrilla. So

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<v Speaker 1>his Bruce Campbell, the guy over in the encampment, his

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<v Speaker 1>ex fiance ex fiance, ex fiance, is like, we have

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<v Speaker 1>to go over there and and help him, and the

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<v Speaker 1>dad's like, yeah, absolutely, and then he's.

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<v Speaker 3>Like, diamond diamond, uga booga, diamond diamond.

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<v Speaker 1>Exactly, and she's like, no, no, I need you to

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<v Speaker 1>tell me. We're doing this because you love your son.

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<v Speaker 3>Yes, I love my diamond, I mean son exactly.

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<v Speaker 1>That's basically what the first like ten minutes of this

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<v Speaker 1>movie are. Yes, so we know that this guy is

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<v Speaker 1>capital e evil, willing to let his son die so

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<v Speaker 1>he can get diamonds that will help his business. And

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<v Speaker 1>we have the you know, ex fiance who's willing to travel.

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<v Speaker 3>They should have had him absent mindedly polishing a diamond

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<v Speaker 3>and then he looks up and says, huh, yes, I

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<v Speaker 3>mean my son, and then he goes back to polishing.

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<v Speaker 1>Yes. It's sort of like mister Blackheart from the Citizens

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<v Speaker 1>with the ivory, the ivory boots, the iphy. Yes, exactly exactly.

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<v Speaker 1>I will admit it took me a minute. No, no,

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<v Speaker 1>not a minute. When the movie was over, I was like,

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<v Speaker 1>how did all these people come together on this same expedition?

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<v Speaker 1>I didn't understand.

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<v Speaker 3>You have to connect the dots a little bit.

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<v Speaker 1>Yeah, two thirds of it makes sense to me. I'm

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<v Speaker 1>not sure how Laura Lenny was aware that this plane

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<v Speaker 1>was leaving, but she's the one who's willing to fund it,

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<v Speaker 1>so they need That's how they all need one another basically.

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<v Speaker 3>But yeah, I think it's happenstance.

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<v Speaker 1>Amazing.

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<v Speaker 3>I think, right, maybe I'm wrong.

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<v Speaker 1>Well, hey, I don't know, but it seemed like it

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<v Speaker 1>was a little different in the book, a little streamlined.

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<v Speaker 1>But anyway, No, that's Mary Ellen Trainer.

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<v Speaker 3>Look at that. We got a little mini Goonies reunit

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<v Speaker 3>in here, because we got Joey Pants in just a

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<v Speaker 3>little bit too.

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<v Speaker 1>I was surprised and delighted to see him. Yep.

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<v Speaker 3>Yeah, And it's weird. It's it's it's episodic, where you

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<v Speaker 3>just have people kind of wander in and out, people

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<v Speaker 3>who are just familiar enough wander in where you're like, hey,

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<v Speaker 3>where are you going?

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<v Speaker 1>Yeah? Yeah, you expect them to be bigger characters.

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<v Speaker 3>Yeah yeah. And by the way, the grantaslov as a likable,

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<v Speaker 3>doomed partner. Yeah, I wonder you couldn't see the bull's eye.

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<v Speaker 3>And that guy's had a.

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<v Speaker 1>Say I know, I know, And I was actually thinking,

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<v Speaker 1>like he had to go out there. I don't know

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<v Speaker 1>where they are, like Costa Rica or something, And there's

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<v Speaker 1>entire scenes where he like doesn't say anything, He's just

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<v Speaker 1>standing there. Yeah, and then he gets like one line

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<v Speaker 1>like I don't like the looks of this, you know

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<v Speaker 1>kind of stuff, And I was like, man, what a

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<v Speaker 1>sort of thinkless role. Although I every time it focuses

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<v Speaker 1>on him, I'm happy. If I was in a test

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<v Speaker 1>screening on the card, I would put please a little

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<v Speaker 1>bit more of his flavor.

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<v Speaker 3>A little more Faisal or whatever his name is in

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<v Speaker 3>this movie. Yeah, Richard, that's it.

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<v Speaker 1>Yep.

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<v Speaker 3>So speaking of this suit, I don't know Tim Curry

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<v Speaker 3>is up to no good there, Brian, I don't know.

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<v Speaker 1>Yeah. I almost wish he had something the showed a

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<v Speaker 1>little bit more adventure her like in his costuming, Like

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<v Speaker 1>why he stands out like, why is this guy in

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<v Speaker 1>this meeting? You know what I mean, like a Indiana

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<v Speaker 1>Jones hat and a scarf, a handkerchief or something. I'm

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00:17:12.680 --> 00:17:16.920
<v Speaker 1>turning it into a full cartoon. But the Amy speaking of,

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<v Speaker 1>like the gorilla costumes, look, do they entirely hold up

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<v Speaker 1>to a twenty twenty five? I? I don't know. That's

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<v Speaker 1>kind of up to you. Amy completely worked for me.

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<v Speaker 3>I think Amy and the Silverbacks worked. I think like

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<v Speaker 3>the normal gorillas, not the mutant gorillas.

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<v Speaker 1>Agreed, Yeah, no, yeah, the silver Back that looks incredible.

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<v Speaker 1>Amy looks a little slightly more humanoid, I think because

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<v Speaker 1>they needed her to have an expressiveness. Yeah, which I

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<v Speaker 1>really loved. I loved Amy. I thought she was sweet

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<v Speaker 1>and I was like.

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<v Speaker 3>No, take care of her.

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<v Speaker 1>She needs to be protected. So I in terms of that,

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<v Speaker 1>all that completely worked for me and this movie.

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<v Speaker 3>So there's James Karen, another character actor who's long list

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<v Speaker 3>of credits. He's in the original Return of the Living Dead,

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<v Speaker 3>and he is in Superman Returns Wow, and actually, well

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<v Speaker 3>we're talking about Superman. Dylan Walsh he was recently a

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<v Speaker 3>regular on Superman and Lewis. He played General Sam Lay

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<v Speaker 3>and Lois's father.

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<v Speaker 1>Oh wow.

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<v Speaker 3>And he was, of course, about ten years after this movie.

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<v Speaker 3>He came to the renewed fame because he was the

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<v Speaker 3>co lead of Nip Tuck alongside Julian McMahon.

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<v Speaker 1>I swear I didn't even put it together. I didn't

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<v Speaker 1>really watch Niptuk, so he's not at the forefront of

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<v Speaker 1>my mind. But I was like, man, that guy's face

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<v Speaker 1>looks so familiar, but he's got this really shaggy, curly

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<v Speaker 1>hair here, very different.

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<v Speaker 3>Yeah, it's weird because I'm sort of used to seeing

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<v Speaker 3>him with the old guy face.

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<v Speaker 1>Yeah. Yeah, yeah, maybe that's it too.

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<v Speaker 3>Yeah, it's like, oh, yeah, I guess I guess he

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<v Speaker 3>was young at one time.

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<v Speaker 1>Right, right. So this well, so, I mean the plot

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<v Speaker 1>again here is Amy is making all these drawings of

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<v Speaker 1>the jungle, and so her trainer or whatever you would

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<v Speaker 1>call him, is like, I think it's time for her

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<v Speaker 1>to go back home, right see.

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<v Speaker 3>And and the thing what I bump up against is

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<v Speaker 3>I believe that these primates have a certain level of

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<v Speaker 3>innate intelligence. I think ascribing language to them is maybe

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<v Speaker 3>a bridge too far, right, Like even even these apes

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<v Speaker 3>that that are taught sign language. I mean, I think

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<v Speaker 3>that it's you know, I mean, they're not they're not

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<v Speaker 3>experiencing cognition the way we do.

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<v Speaker 1>I'm glad you brought that up, Zachy. So Amy obviously

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<v Speaker 1>reminded me of Coco of Coco, right, who was a

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<v Speaker 1>very famous gorilla geez whin like that when we were

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<v Speaker 1>growing up.

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<v Speaker 3>Yeah.

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<v Speaker 1>Right, And I actually just wait, hold on this, this

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<v Speaker 1>is the thing. See, I wasn't quite tracking. So obviously

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<v Speaker 1>he's going and he just did a seminar doctor Peter

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<v Speaker 1>Yes talking about how Amy can communicate, and it sounds

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<v Speaker 1>like she wants to go home, so we're gonna take

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<v Speaker 1>her home. And she's been making these drawings and in

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<v Speaker 1>her drawings of the jungle, she included a picture of

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<v Speaker 1>an eye, right right. So Tim Curry, who's attending this.

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<v Speaker 3>He is her kermer Homolka.

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<v Speaker 1>Yeah, I'm gonna call him Tim Curry. Just I'm just

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<v Speaker 1>making a note at the beginning of this so people understand.

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<v Speaker 3>But you put some respect on mister Homolka's name.

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<v Speaker 1>It's like Bob blah blah. So anyway, uh, Tim Curry again,

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<v Speaker 1>I don't know why he's attending the seminar, but he

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<v Speaker 1>sees this eye that looks just like an eye. And

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<v Speaker 1>it's like that is that looks like that very specific

384
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<v Speaker 1>guy that I have on this ring that comes from

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<v Speaker 1>this lost city, and.

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<v Speaker 3>And this sinister music on the soundtrack accuse us in

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<v Speaker 3>that that something, something is afoot with this fella.

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<v Speaker 1>He has motives. Yeah, so so he wants to get

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<v Speaker 1>in on this journey because he thinks wherever he maybe

390
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<v Speaker 1>this ape or a gorilla has seen the very place

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<v Speaker 1>that he's looking for where he can find all these diamonds. Right,

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00:21:17.759 --> 00:21:19.640
<v Speaker 1>so that makes sense why he's like, okay, buddy, let

393
00:21:19.640 --> 00:21:22.559
<v Speaker 1>me join you. Right. Yeah, I just didn't understand how

394
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<v Speaker 1>Laura Lenny's character because she needs to go over and

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<v Speaker 1>save her coworkers. Yes, I didn't understand how she ended

396
00:21:30.279 --> 00:21:32.839
<v Speaker 1>up at the airport on this flight. Now obviously they

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00:21:32.839 --> 00:21:35.960
<v Speaker 1>need her because they're out of funds. They can't pay

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00:21:36.200 --> 00:21:38.680
<v Speaker 1>for the fuel and she has unlimited funds. Yes, I

399
00:21:38.799 --> 00:21:42.359
<v Speaker 1>just didn't understand how she knew, like you said, happenstance.

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<v Speaker 3>She shows a piece she had said to the at

401
00:21:45.759 --> 00:21:49.599
<v Speaker 3>the company, find an expedition that's going, Ah, we'll be

402
00:21:49.640 --> 00:21:52.119
<v Speaker 3>on the next one, I see, And it just so

403
00:21:52.200 --> 00:21:55.839
<v Speaker 3>happens to be the Expedition with with with Peter Elliott

404
00:21:55.839 --> 00:21:56.519
<v Speaker 3>and Amy.

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<v Speaker 1>Okay see and mister Homolka. This rewards a multiple view.

406
00:22:00.319 --> 00:22:02.319
<v Speaker 1>Here you go, make sure you catch every detail.

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<v Speaker 3>Now, tell me if you didn't think that at some

408
00:22:06.599 --> 00:22:09.160
<v Speaker 3>point in the movie it would be revealed that Tim

409
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<v Speaker 3>Curry's accent was just a put on.

410
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<v Speaker 1>Like I wish I had, but I would have loved that.

411
00:22:15.839 --> 00:22:20.599
<v Speaker 3>It's so over the top. You know, we're going, I'm happy,

412
00:22:20.720 --> 00:22:22.880
<v Speaker 3>will fund your trip, you know, and then at some

413
00:22:22.920 --> 00:22:25.759
<v Speaker 3>point he's like, right, don't I don't really talk like that,

414
00:22:25.839 --> 00:22:26.240
<v Speaker 3>you know, and.

415
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<v Speaker 1>If that yes at gunpoint or something, yeah, you know,

416
00:22:29.319 --> 00:22:31.519
<v Speaker 1>I'm just like, no, please, please, you know, kind of

417
00:22:31.599 --> 00:22:34.359
<v Speaker 1>kind of like Alan Rickman does in a diarhogy exactly

418
00:22:34.359 --> 00:22:36.440
<v Speaker 1>flip into that kind of a thing. Oh no, you know,

419
00:22:36.559 --> 00:22:43.160
<v Speaker 1>like that would be amazing missed opportunity.

420
00:22:43.640 --> 00:22:47.119
<v Speaker 3>I'm just saying, you know this, this movie is full

421
00:22:47.240 --> 00:22:50.400
<v Speaker 3>of actors who are putting on these accents where you

422
00:22:50.440 --> 00:22:53.400
<v Speaker 3>have to imagine at least somebody was like, are you.

423
00:22:53.400 --> 00:22:56.599
<v Speaker 1>Sure right right?

424
00:22:57.119 --> 00:23:00.440
<v Speaker 3>Because because we got all kinds of fun We got accent, music, chairs,

425
00:23:00.440 --> 00:23:02.720
<v Speaker 3>he got Delroy Lindo doing one thing. We got Ernie

426
00:23:02.799 --> 00:23:03.920
<v Speaker 3>Hudson doing another.

427
00:23:04.200 --> 00:23:09.359
<v Speaker 1>Yes, yes, okay, well we're gonna get the martini. You know,

428
00:23:09.400 --> 00:23:11.559
<v Speaker 1>Amy needs her martini while she's on the plane. I

429
00:23:11.640 --> 00:23:13.279
<v Speaker 1>like this actually by the way, where she's like what

430
00:23:13.400 --> 00:23:16.480
<v Speaker 1>is happening? Yeah, the Amy looking out the window and

431
00:23:16.480 --> 00:23:20.039
<v Speaker 1>like where's the ground? Where's the ground? I don't know.

432
00:23:20.400 --> 00:23:23.000
<v Speaker 1>I was very endeared too. I gotta give it to

433
00:23:23.000 --> 00:23:25.079
<v Speaker 1>Stan Winston because I really cared about this character.

434
00:23:25.400 --> 00:23:29.480
<v Speaker 3>Yeah. But but what we were talking about earlier, if

435
00:23:29.599 --> 00:23:36.079
<v Speaker 3>if you, if you uh look at like how apes communicate. Uh,

436
00:23:36.240 --> 00:23:38.039
<v Speaker 3>they never ask questions.

437
00:23:39.720 --> 00:23:42.519
<v Speaker 1>Oh I didn't know that. That's is interesting. Well okay,

438
00:23:42.559 --> 00:23:45.279
<v Speaker 1>so I did wanna I did. This is from Wikipedia,

439
00:23:45.319 --> 00:23:47.079
<v Speaker 1>straight from Wikipedia, because I thought all of it was

440
00:23:47.079 --> 00:23:47.960
<v Speaker 1>interesting and I didn't want to.

441
00:23:47.920 --> 00:23:49.920
<v Speaker 3>Pair so consider the source.

442
00:23:50.400 --> 00:23:53.079
<v Speaker 1>Yeah, well true, But this is this is about Coco, who,

443
00:23:53.160 --> 00:23:56.599
<v Speaker 1>when you're growing up, was a famous gorilla that could sign,

444
00:23:56.799 --> 00:23:58.920
<v Speaker 1>and I think people got really endeared to the idea

445
00:23:58.960 --> 00:24:00.960
<v Speaker 1>of like, wow, isn't it amazing, Like maybe we could

446
00:24:01.000 --> 00:24:04.519
<v Speaker 1>talk to one another. So Coco, which was a nickname

447
00:24:04.759 --> 00:24:07.880
<v Speaker 1>was I'm reading now, was a female Western Lowland gorilla

448
00:24:08.039 --> 00:24:10.839
<v Speaker 1>born in the San Francisco Zoo and cross fostered by

449
00:24:10.839 --> 00:24:16.759
<v Speaker 1>Francine Patterson, who used conducted ape language experiments. Coco gained

450
00:24:16.759 --> 00:24:19.599
<v Speaker 1>public attention as the subject of two national geographic cover

451
00:24:19.720 --> 00:24:23.000
<v Speaker 1>stories and in nineteen eighty five, the best selling children's book,

452
00:24:23.079 --> 00:24:23.960
<v Speaker 1>Coco's Kitten.

453
00:24:24.519 --> 00:24:25.400
<v Speaker 3>I Remember that book.

454
00:24:26.039 --> 00:24:30.400
<v Speaker 1>So Coco's communication skills were hotly debated. Coco used many

455
00:24:30.440 --> 00:24:34.079
<v Speaker 1>signs adapted from American sign language, but the scientific consensus

456
00:24:34.079 --> 00:24:36.680
<v Speaker 1>to date remains that she did not demonstrate the syntax

457
00:24:37.119 --> 00:24:41.039
<v Speaker 1>or grammar required of true language. Patterson has been widely

458
00:24:41.039 --> 00:24:45.920
<v Speaker 1>criticized for misrepresenting Coco's skills, providing insufficient care for Coco

459
00:24:46.000 --> 00:24:49.640
<v Speaker 1>and her companion gorillas, and inappropriate treatment of Gorilla Foundation's

460
00:24:49.680 --> 00:24:54.079
<v Speaker 1>staff members. Despite such controversies, Cocos story changed the public

461
00:24:54.119 --> 00:24:57.599
<v Speaker 1>image of gorillas, previously assumed to be brainless and violent.

462
00:24:58.880 --> 00:25:02.240
<v Speaker 1>Science I Think is a magazine, noted in its obituary

463
00:25:02.400 --> 00:25:05.519
<v Speaker 1>that Coco helped transform how human the human world viewed

464
00:25:05.720 --> 00:25:09.599
<v Speaker 1>animal emotion and intelligence. So, yeah, in my memory, I

465
00:25:09.599 --> 00:25:10.720
<v Speaker 1>was like, oh, yeah, yeah, it was a gorilla, it

466
00:25:10.799 --> 00:25:13.559
<v Speaker 1>understood sign language and if I met it, it could

467
00:25:13.720 --> 00:25:16.400
<v Speaker 1>talk to me. Yeah, And that's just I mean, of course,

468
00:25:16.400 --> 00:25:17.799
<v Speaker 1>in nineteen eighty five, I was a kid, So of

469
00:25:17.799 --> 00:25:21.480
<v Speaker 1>course I believe that reading is getting but apparently that's

470
00:25:22.480 --> 00:25:23.599
<v Speaker 1>not exactly the case.

471
00:25:24.079 --> 00:25:27.119
<v Speaker 3>Yeah, well this is that's that's exactly it, right, Like

472
00:25:27.240 --> 00:25:32.519
<v Speaker 3>I think the fact that that these amazing, beautiful creatures

473
00:25:34.000 --> 00:25:39.720
<v Speaker 3>are are vaguely human ish, you know, we ascribe a

474
00:25:39.880 --> 00:25:42.559
<v Speaker 3>human level intellect onto them, and I think I think

475
00:25:42.599 --> 00:25:45.200
<v Speaker 3>that's what gets people into a lot of trouble, you know, Yeah,

476
00:25:45.240 --> 00:25:47.279
<v Speaker 3>and I think, you know, the animals exactly.

477
00:25:47.359 --> 00:25:50.519
<v Speaker 1>I was gonna say the same goes for even house pets, dogs,

478
00:25:50.519 --> 00:25:55.599
<v Speaker 1>sure of court, Like dogs can understand, generally speaking, a

479
00:25:55.599 --> 00:25:57.480
<v Speaker 1>certain amount of words. You know, when you say walk

480
00:25:57.599 --> 00:26:00.960
<v Speaker 1>or you know, dinner or something, they know at least

481
00:26:00.960 --> 00:26:03.759
<v Speaker 1>what that sound means for them, right. But it's like

482
00:26:03.799 --> 00:26:06.880
<v Speaker 1>we want them to think, oh, he's hugging me right now,

483
00:26:06.920 --> 00:26:08.359
<v Speaker 1>and it's like kind of you.

484
00:26:08.319 --> 00:26:14.319
<v Speaker 3>Know, right exactly, that's exactly it. I remember uh reading

485
00:26:14.400 --> 00:26:16.680
<v Speaker 3>about in a similar vein to Coco, you know, the

486
00:26:17.799 --> 00:26:22.359
<v Speaker 3>Travis the Chimp. I don't remember driving, and I guarantee

487
00:26:22.359 --> 00:26:24.480
<v Speaker 3>you know the story. It's about a woman who raised

488
00:26:24.519 --> 00:26:29.440
<v Speaker 3>this chimpanzee and she raised him like a son, and

489
00:26:29.480 --> 00:26:32.920
<v Speaker 3>then at one point he attacked her neighbor. You remember

490
00:26:32.920 --> 00:26:37.680
<v Speaker 3>this vaguely, he he, I mean he did such damage

491
00:26:37.680 --> 00:26:40.440
<v Speaker 3>to her face that she needed a full face transplant.

492
00:26:40.480 --> 00:26:42.440
<v Speaker 1>See, I think I remember that part of it. A woman,

493
00:26:42.799 --> 00:26:45.920
<v Speaker 1>the transplant and dealing with yeah.

494
00:26:45.480 --> 00:26:48.400
<v Speaker 3>Right, and the end the ape was eventually the ape

495
00:26:48.440 --> 00:26:49.920
<v Speaker 3>was put down, and I mean it was It was

496
00:26:49.920 --> 00:26:53.759
<v Speaker 3>a horrible story, right. And my point is that they look,

497
00:26:53.839 --> 00:26:56.559
<v Speaker 3>I mean, they're still animals, you know, yes, so they

498
00:26:56.559 --> 00:26:59.680
<v Speaker 3>should be treated with kindness and compassion, and they should

499
00:26:59.720 --> 00:27:01.799
<v Speaker 3>be left alone because they're not people.

500
00:27:02.319 --> 00:27:04.920
<v Speaker 1>Yeah, the understanding that they're not going to ever fully

501
00:27:05.000 --> 00:27:08.279
<v Speaker 1>behave or have the like moral sense of humans, right,

502
00:27:08.319 --> 00:27:10.240
<v Speaker 1>Like they're gonna have these instincts that could come out

503
00:27:10.279 --> 00:27:10.880
<v Speaker 1>at any moment.

504
00:27:11.400 --> 00:27:14.759
<v Speaker 3>Yeah, you know, so so any the point I'm making

505
00:27:15.000 --> 00:27:20.319
<v Speaker 3>is this movie presents Amy as if Amy is a

506
00:27:20.400 --> 00:27:28.119
<v Speaker 3>fully uh you know, interactive, a cognizant creature, and and

507
00:27:28.200 --> 00:27:32.920
<v Speaker 3>there's never any sci fi gobbledygook explanation for that.

508
00:27:33.559 --> 00:27:34.759
<v Speaker 1>Yeah, she hasn't been altered.

509
00:27:35.119 --> 00:27:37.599
<v Speaker 3>Yeah, And I'm like, I would have almost preferred that

510
00:27:37.680 --> 00:27:41.079
<v Speaker 3>because that would make it easier to swallow, you know, sure, yeah,

511
00:27:41.240 --> 00:27:45.240
<v Speaker 3>yeah right, because because there there is like a fantasy

512
00:27:45.440 --> 00:27:50.920
<v Speaker 3>element to this movie. And it's weird how the the

513
00:27:50.960 --> 00:27:55.039
<v Speaker 3>movie doesn't really prepare you for that. No, yeah, right,

514
00:27:55.240 --> 00:27:58.960
<v Speaker 3>it's about an hour and a half of just you know,

515
00:27:59.279 --> 00:28:04.160
<v Speaker 3>trapes through the jungle and then twenty minutes of you

516
00:28:04.200 --> 00:28:07.079
<v Speaker 3>know what feels like a universal stunt show.

517
00:28:08.640 --> 00:28:13.319
<v Speaker 1>Yes, right, it really does, right, Yeah, yeah, yeah, I

518
00:28:13.319 --> 00:28:16.559
<v Speaker 1>mean it's the way that the sets look and yeah, yeah,

519
00:28:17.039 --> 00:28:20.640
<v Speaker 1>very static. Yeah, it's funny.

520
00:28:21.319 --> 00:28:24.240
<v Speaker 3>Ernie. So, Ernie Hudson, the man, the myth, the legend.

521
00:28:24.559 --> 00:28:26.839
<v Speaker 3>I think I speak for you when I say that

522
00:28:26.920 --> 00:28:30.240
<v Speaker 3>here at movie film we celebrate Ernie Hudson and all

523
00:28:30.279 --> 00:28:31.319
<v Speaker 3>his configurations.

524
00:28:31.480 --> 00:28:33.759
<v Speaker 1>Absolutely. I even had the pleasure of meeting him. He

525
00:28:33.839 --> 00:28:37.519
<v Speaker 1>voiced a dog that I wrote for Puppy Dog Pals

526
00:28:37.519 --> 00:28:39.200
<v Speaker 1>and I got to go to the record shake his hand.

527
00:28:39.240 --> 00:28:40.079
<v Speaker 1>That was really special.

528
00:28:41.039 --> 00:28:44.319
<v Speaker 3>Now he has said that Monroe Kelly is the favorite

529
00:28:44.400 --> 00:28:45.799
<v Speaker 3>character he has played.

530
00:28:46.240 --> 00:28:51.079
<v Speaker 1>I completely understand why. Right, He's gonna have some fun

531
00:28:51.119 --> 00:28:51.400
<v Speaker 1>with this.

532
00:28:51.799 --> 00:28:56.039
<v Speaker 3>He is the de facto, you know, adventure lead of

533
00:28:56.079 --> 00:28:56.640
<v Speaker 3>this movie.

534
00:28:57.039 --> 00:29:00.400
<v Speaker 1>Yeah, and he's got this sort of debonair you know,

535
00:29:01.319 --> 00:29:05.839
<v Speaker 1>affect and like O course, you know, because the Jungle

536
00:29:06.039 --> 00:29:08.200
<v Speaker 1>is a house of many mysteries, you know, kind of

537
00:29:08.240 --> 00:29:10.559
<v Speaker 1>a speaking kind of thing which is really fun.

538
00:29:10.960 --> 00:29:12.640
<v Speaker 3>So that all being said, as much as I do

539
00:29:12.759 --> 00:29:15.440
<v Speaker 3>enjoy Ernie Hudson in this movie, I would say maybe

540
00:29:15.599 --> 00:29:18.759
<v Speaker 3>the accent wasn't wasn't the best choice.

541
00:29:19.200 --> 00:29:26.400
<v Speaker 1>Yeah, you know it's funny. Yes, the objective answer is yes. However,

542
00:29:26.519 --> 00:29:28.400
<v Speaker 1>if I'm just going to lean into what's going on

543
00:29:28.480 --> 00:29:31.480
<v Speaker 1>here and everything is as wacky as it is, if

544
00:29:31.480 --> 00:29:34.440
<v Speaker 1>he's having fun, it can pretty much sense it. I

545
00:29:34.480 --> 00:29:36.400
<v Speaker 1>can sense it coming off of him, how much funny's

546
00:29:36.440 --> 00:29:38.720
<v Speaker 1>having and I'm in And frankly, if they had done

547
00:29:38.759 --> 00:29:42.160
<v Speaker 1>more stories with him, sure, you know, like more movies

548
00:29:42.240 --> 00:29:45.359
<v Speaker 1>or a series with him as the lead, leading different

549
00:29:45.400 --> 00:29:48.720
<v Speaker 1>sorts of interesting people through the jungles or whatever that

550
00:29:48.720 --> 00:29:51.279
<v Speaker 1>would be. I think he's an interesting enough character.

551
00:29:52.200 --> 00:29:55.119
<v Speaker 3>It's out on that opportunity. Yeah, and he does get

552
00:29:55.160 --> 00:29:56.880
<v Speaker 3>one of the best lines, I'm the great white Hunter

553
00:29:57.200 --> 00:29:58.559
<v Speaker 3>except on black right.

554
00:29:58.599 --> 00:30:02.000
<v Speaker 1>That's right, written by a Pulitzer Prize winner by the way,

555
00:30:02.640 --> 00:30:04.480
<v Speaker 1>this movie, I don't know if we brought that up yet.

556
00:30:05.160 --> 00:30:10.039
<v Speaker 3>Yeah. So so Michael Crichton had nothing to do with

557
00:30:10.039 --> 00:30:14.680
<v Speaker 3>with this once it landed at Paramount and and I think, yeah,

558
00:30:14.720 --> 00:30:17.359
<v Speaker 3>I'm your great right Hunter. Though I happened to be black.

559
00:30:17.559 --> 00:30:22.480
<v Speaker 1>Yeah, but you've basically like karaoke det right. For me,

560
00:30:22.559 --> 00:30:25.720
<v Speaker 1>that's perfect. It was fun with looking at him and

561
00:30:25.920 --> 00:30:27.039
<v Speaker 1>hearing your voice come.

562
00:30:27.400 --> 00:30:31.599
<v Speaker 3>My less impressive voice. I'm telling you, give me more,

563
00:30:31.720 --> 00:30:33.519
<v Speaker 3>Ernie Hudson, give me. You know, if they do another

564
00:30:33.559 --> 00:30:37.559
<v Speaker 3>Ghostbusters and and the the the other ogs decided not

565
00:30:37.599 --> 00:30:39.640
<v Speaker 3>to come back, and we just get four clones of

566
00:30:39.680 --> 00:30:41.799
<v Speaker 3>winston' z ed Moore, I would still be down with them.

567
00:30:42.319 --> 00:30:43.039
<v Speaker 1>Same same.

568
00:30:44.680 --> 00:30:47.960
<v Speaker 3>But yeah, Michael Crichton had had no involvement in this,

569
00:30:48.119 --> 00:30:52.880
<v Speaker 3>and so you had you had the amblin uh connection

570
00:30:53.039 --> 00:30:55.079
<v Speaker 3>because of Frank Marshall. Is I don't think the movie

571
00:30:55.119 --> 00:30:56.079
<v Speaker 3>is amblin.

572
00:30:56.799 --> 00:30:59.599
<v Speaker 1>Wow, great point. I don't think it is either. And

573
00:30:59.599 --> 00:31:02.640
<v Speaker 1>does that have to do with it being released through Paramount?

574
00:31:03.039 --> 00:31:07.079
<v Speaker 3>That would be my guess. But nonetheless, Frank Marshall and

575
00:31:07.440 --> 00:31:09.680
<v Speaker 3>Kathy Kennedy did produce it.

576
00:31:09.960 --> 00:31:11.680
<v Speaker 1>Yeah, and Frank Marshall directed.

577
00:31:11.480 --> 00:31:14.200
<v Speaker 3>And Frank Marshall directed. Frank Marshall is an interesting director, right,

578
00:31:14.400 --> 00:31:19.279
<v Speaker 3>It's like because I think there's like I think he's

579
00:31:19.319 --> 00:31:21.880
<v Speaker 3>a competent director, but I don't know that he ever

580
00:31:21.960 --> 00:31:23.079
<v Speaker 3>really elevates the movie.

581
00:31:24.279 --> 00:31:25.839
<v Speaker 1>Yeah, you know, I mean he did a lot of

582
00:31:25.839 --> 00:31:29.400
<v Speaker 1>second unit for Spielberg. So's he's got chops, He's got a.

583
00:31:29.359 --> 00:31:31.440
<v Speaker 3>Knock on raiders, right, if I'm not mistaken.

584
00:31:31.599 --> 00:31:34.079
<v Speaker 1>Yeah, yeah, and that's where he met Kathleen Kennedy and

585
00:31:34.079 --> 00:31:39.240
<v Speaker 1>they got married. And then yeah, he did like a

586
00:31:39.319 --> 00:31:42.000
<v Speaker 1>rack Noophobia, which I think is an ambulin movie. Yes,

587
00:31:42.160 --> 00:31:44.559
<v Speaker 1>those are live? Oh did he do?

588
00:31:44.599 --> 00:31:46.519
<v Speaker 3>I've never seen a live Actually live is good. I

589
00:31:47.680 --> 00:31:48.519
<v Speaker 3>think I was a little.

590
00:31:48.279 --> 00:31:51.759
<v Speaker 1>Afraid of it, honestly. Sure, but I'm a little old,

591
00:31:51.880 --> 00:31:53.119
<v Speaker 1>like being a little older, I think I might be

592
00:31:53.119 --> 00:31:56.880
<v Speaker 1>able to handle it now. But now he does like

593
00:31:57.079 --> 00:32:02.079
<v Speaker 1>music documentaries, you know, like Beach Boys and just interesting,

594
00:32:02.160 --> 00:32:03.200
<v Speaker 1>a very interesting career.

595
00:32:03.599 --> 00:32:08.039
<v Speaker 3>Yeah. So I the movie was offered to Steven Spielberg

596
00:32:08.119 --> 00:32:11.160
<v Speaker 3>at one point, which you can completely imagine. Yeah, absolutely,

597
00:32:11.200 --> 00:32:13.519
<v Speaker 3>And this is pre Jurassic This is like in the eighties,

598
00:32:15.039 --> 00:32:17.920
<v Speaker 3>and he passed. John Carpenter had been offered it. So

599
00:32:17.920 --> 00:32:20.440
<v Speaker 3>I mean it was it was working its way. And

600
00:32:21.319 --> 00:32:24.960
<v Speaker 3>again the hook really came once Jurassic Park just started

601
00:32:25.000 --> 00:32:29.759
<v Speaker 3>minting money. And and so you can understand the calculus

602
00:32:30.039 --> 00:32:32.680
<v Speaker 3>a paramount being like, hey that they made all that

603
00:32:32.759 --> 00:32:34.759
<v Speaker 3>Michael Crichton money, we want we want some of that

604
00:32:34.799 --> 00:32:35.799
<v Speaker 3>Michael Crichton money.

605
00:32:36.039 --> 00:32:37.880
<v Speaker 1>Absolutely. Yeah.

606
00:32:38.039 --> 00:32:41.119
<v Speaker 3>However, I think the miscalculation is this idea that people

607
00:32:41.160 --> 00:32:44.680
<v Speaker 3>will treat mutant apes the same way they did you know,

608
00:32:44.880 --> 00:32:46.640
<v Speaker 3>living cgi dinosaurs.

609
00:32:47.400 --> 00:32:53.400
<v Speaker 1>Yeah, yeah, yeah, I agreed. But well when I alluded

610
00:32:53.440 --> 00:32:57.440
<v Speaker 1>earlier about the Puelitzer Prize. So John Patrick Shanley wrote

611
00:32:57.480 --> 00:33:01.720
<v Speaker 1>the screenplay. I mean he wrote Moonstruck Doubt.

612
00:33:02.160 --> 00:33:05.119
<v Speaker 3>Yeah. What an Academy work for Moonstruck. If I'm not mistaken,

613
00:33:05.839 --> 00:33:06.400
<v Speaker 3>I believe so.

614
00:33:06.599 --> 00:33:09.640
<v Speaker 1>Yeah, And I think the peelds are for doubt and

615
00:33:09.640 --> 00:33:12.680
<v Speaker 1>and Congo, so very funny thing is.

616
00:33:12.680 --> 00:33:15.039
<v Speaker 3>And he directed Joe Versus the Volcano.

617
00:33:15.759 --> 00:33:17.240
<v Speaker 1>I love Joe Versus the Volcano.

618
00:33:17.680 --> 00:33:18.200
<v Speaker 3>There you go.

619
00:33:18.559 --> 00:33:21.640
<v Speaker 1>I mean, what an interesting that's a I'd call that

620
00:33:21.680 --> 00:33:26.039
<v Speaker 1>an aspirational writer's career. I mean, you got your goofy blockbuster,

621
00:33:26.200 --> 00:33:28.039
<v Speaker 1>say what you will about it. You've got your like

622
00:33:28.119 --> 00:33:31.839
<v Speaker 1>prestige piece, You've got your weird Joe Versus Volcano, kind

623
00:33:31.839 --> 00:33:36.000
<v Speaker 1>of like your weird indie film. That's very quirky and fun. Interesting.

624
00:33:36.400 --> 00:33:40.240
<v Speaker 3>Yeah, it's being of quirky and fun Delroy Lindo again,

625
00:33:40.279 --> 00:33:43.759
<v Speaker 3>he just wanders in for a scene and leaves a kind.

626
00:33:43.599 --> 00:33:44.599
<v Speaker 1>Of amongous impression.

627
00:33:44.960 --> 00:33:47.920
<v Speaker 3>He really doesn't. There's another one like same with Joey

628
00:33:47.920 --> 00:33:50.680
<v Speaker 3>Pantsy just leaves the movie and Delroy Lindo. You're like, hey,

629
00:33:50.960 --> 00:33:51.599
<v Speaker 3>where are you going?

630
00:33:51.839 --> 00:33:55.720
<v Speaker 1>Yeah, but no, he's great in this. It needs to

631
00:33:55.720 --> 00:33:56.240
<v Speaker 1>be bribed.

632
00:33:57.759 --> 00:34:01.759
<v Speaker 3>I saw this one time thirty years ago, and yet

633
00:34:01.759 --> 00:34:04.119
<v Speaker 3>to this day, just randomly, I'd be like, stop eating

634
00:34:04.319 --> 00:34:08.920
<v Speaker 3>my sesami cake. See.

635
00:34:08.920 --> 00:34:11.000
<v Speaker 1>That was fun for me because I remembered that. I

636
00:34:11.039 --> 00:34:14.119
<v Speaker 1>was like, what is happening? And then when I started

637
00:34:14.159 --> 00:34:16.400
<v Speaker 1>reading up on this movie afterward, I just kept seeing

638
00:34:16.400 --> 00:34:18.199
<v Speaker 1>that quote everywhere. I was like, Oh, that that's what

639
00:34:18.280 --> 00:34:23.920
<v Speaker 1>lived on from this. I love this too. The bribing

640
00:34:24.400 --> 00:34:28.880
<v Speaker 1>giving him the money, he's like more just smiling. That's sucker.

641
00:34:29.079 --> 00:34:29.320
<v Speaker 2>You know what.

642
00:34:29.360 --> 00:34:31.639
<v Speaker 1>I love to this little detail he puts the money

643
00:34:31.639 --> 00:34:33.760
<v Speaker 1>in a in a like a brown grocery sack and

644
00:34:33.760 --> 00:34:37.400
<v Speaker 1>then he just starts stapling it. What a great detail.

645
00:34:38.000 --> 00:34:41.360
<v Speaker 1>Here we go. If we want to call out possibly

646
00:34:41.559 --> 00:34:46.320
<v Speaker 1>the moment of the movie.

647
00:34:46.559 --> 00:34:48.639
<v Speaker 3>You don't need a man sesame cake, Brian. That's what

648
00:34:48.679 --> 00:34:52.280
<v Speaker 3>this movie taught me. So there's some things you just

649
00:34:52.320 --> 00:34:53.480
<v Speaker 3>do not do right.

650
00:34:56.199 --> 00:34:59.559
<v Speaker 1>Well, speaking of you know Spielberg and all those connections,

651
00:34:59.599 --> 00:35:04.440
<v Speaker 1>this was shot by the DP of ET Alan Davia,

652
00:35:05.280 --> 00:35:07.719
<v Speaker 1>so he was the DP on ET color purple. He

653
00:35:07.760 --> 00:35:15.039
<v Speaker 1>also did Bugsy Albert Brooks movie Defending Your Life. Yeah,

654
00:35:15.039 --> 00:35:16.679
<v Speaker 1>you know, actually I got to see him speak once.

655
00:35:16.760 --> 00:35:19.599
<v Speaker 1>He spoke before screening of ET at the New Beverly.

656
00:35:19.679 --> 00:35:21.679
<v Speaker 3>That was really special and he just he could not

657
00:35:21.719 --> 00:35:25.360
<v Speaker 3>stop talking about Congo. Right, but I know you guys

658
00:35:25.360 --> 00:35:27.440
<v Speaker 3>are here about ET, but let me tell you about Congo.

659
00:35:27.760 --> 00:35:29.639
<v Speaker 1>Well, it's fascinating because you look at this scene and

660
00:35:29.679 --> 00:35:31.039
<v Speaker 1>it's lit great, and there was a scene on the

661
00:35:31.079 --> 00:35:34.280
<v Speaker 1>airplane earlier where Laura Lenny was lit really beautifully and

662
00:35:34.400 --> 00:35:37.000
<v Speaker 1>dramatically and stuff. But then to your point, we can

663
00:35:37.360 --> 00:35:39.280
<v Speaker 1>dig into it more when it happens. But in the

664
00:35:39.320 --> 00:35:42.079
<v Speaker 1>third act it doesn't look very good at all.

665
00:35:42.960 --> 00:35:48.159
<v Speaker 3>Yeah, it's it's there is like a sudden and pronounced

666
00:35:48.199 --> 00:35:50.039
<v Speaker 3>tonal and visual shift.

667
00:35:50.360 --> 00:35:52.800
<v Speaker 1>Yeah, and I'll save it so make sure we still

668
00:35:52.840 --> 00:35:54.920
<v Speaker 1>have something to talk about at the end. But there

669
00:35:55.000 --> 00:35:57.639
<v Speaker 1>was stan Winston digs into that a little bit in

670
00:35:57.679 --> 00:35:59.760
<v Speaker 1>a way that I just hadn't crossed my mind that

671
00:35:59.800 --> 00:36:03.280
<v Speaker 1>I've kind of fascinating and instructive for anybody looking to

672
00:36:03.760 --> 00:36:04.679
<v Speaker 1>shoot a movie.

673
00:36:04.760 --> 00:36:08.079
<v Speaker 3>So, oh, that's interesting. Yeah, I my understanding, I have

674
00:36:08.159 --> 00:36:10.360
<v Speaker 3>not read the novel, but my understanding is that in

675
00:36:10.400 --> 00:36:15.159
<v Speaker 3>the book you have multiple expeditions that are sort of

676
00:36:15.159 --> 00:36:18.559
<v Speaker 3>competing with each other to get to it's a race

677
00:36:18.840 --> 00:36:22.880
<v Speaker 3>study of Zinge, right, yes, And my thought watching the

678
00:36:22.920 --> 00:36:25.639
<v Speaker 3>film is, well, why would you not keep that element

679
00:36:25.679 --> 00:36:28.519
<v Speaker 3>of drama in the movie, because there is something weirdly

680
00:36:28.679 --> 00:36:32.039
<v Speaker 3>languid about the entire front front two thirds?

681
00:36:33.599 --> 00:36:38.159
<v Speaker 1>Yeah, I mean it's I like Lord of the Rings,

682
00:36:38.199 --> 00:36:40.280
<v Speaker 1>but I think some people the criticism is like, so

683
00:36:40.320 --> 00:36:43.400
<v Speaker 1>they just walk for like two and a half hours

684
00:36:43.840 --> 00:36:46.800
<v Speaker 1>and that's that's But you know, I would argue that

685
00:36:46.840 --> 00:36:48.800
<v Speaker 1>it's very interesting, and the characters are very interesting, and

686
00:36:48.800 --> 00:36:51.400
<v Speaker 1>they encounter a lot of interesting things along the way.

687
00:36:51.480 --> 00:36:53.639
<v Speaker 1>And this one, Yeah, the first two thirds is literally

688
00:36:53.719 --> 00:36:55.239
<v Speaker 1>just them trapsing through the joke.

689
00:36:55.840 --> 00:36:59.360
<v Speaker 3>It's it's literally here to hear something happened, something happens,

690
00:36:59.360 --> 00:37:02.079
<v Speaker 3>something else here to hear something happens, something happens, something happens.

691
00:37:02.079 --> 00:37:04.320
<v Speaker 3>To here, to hear something happens, something happens, something happens.

692
00:37:04.519 --> 00:37:06.840
<v Speaker 1>And it's not all really related either, Like there's no

693
00:37:07.360 --> 00:37:09.760
<v Speaker 1>I'll call it out early, but there's a really random

694
00:37:09.800 --> 00:37:12.760
<v Speaker 1>moment where a snake shows up, yes, and then the

695
00:37:12.760 --> 00:37:14.880
<v Speaker 1>guy just goes oh then like cuts his head off

696
00:37:14.880 --> 00:37:17.280
<v Speaker 1>with the sword, and it's like then cross fades and

697
00:37:17.320 --> 00:37:19.400
<v Speaker 1>they continued to walk, you know, like it's just like

698
00:37:19.639 --> 00:37:20.519
<v Speaker 1>such a non event.

699
00:37:22.000 --> 00:37:25.079
<v Speaker 3>Yeah, the pacing is off for sure.

700
00:37:26.320 --> 00:37:28.280
<v Speaker 1>Yeah, So I don't I don't know why they didn't

701
00:37:28.719 --> 00:37:31.800
<v Speaker 1>keep that extra tension element from the book.

702
00:37:33.000 --> 00:37:37.119
<v Speaker 3>Well, And I think the problem is that if you say, oh,

703
00:37:37.199 --> 00:37:43.519
<v Speaker 3>we're we're going to rescue Bruce Campbell m h even

704
00:37:43.639 --> 00:37:46.800
<v Speaker 3>that it it feels so out of sight, out of

705
00:37:46.840 --> 00:37:52.760
<v Speaker 3>mind mm hmm. Right, So maybe increase that element. Maybe

706
00:37:52.880 --> 00:37:57.000
<v Speaker 3>maybe he's you know, he's not dead yet and he's

707
00:37:57.039 --> 00:38:01.039
<v Speaker 3>getting these messages out and and you know, Laura Linnie's

708
00:38:01.079 --> 00:38:03.480
<v Speaker 3>character is receiving them, and so there's a sense of

709
00:38:03.519 --> 00:38:04.880
<v Speaker 3>like we got to get to him before it's too

710
00:38:04.960 --> 00:38:05.599
<v Speaker 3>late kind of thing.

711
00:38:06.159 --> 00:38:11.880
<v Speaker 1>I totally completely agree. So Amy there just kind of

712
00:38:11.880 --> 00:38:16.119
<v Speaker 1>with her hand on her the doctor's leg and just

713
00:38:16.119 --> 00:38:17.559
<v Speaker 1>the way that they're close. And then the people who

714
00:38:17.599 --> 00:38:21.159
<v Speaker 1>are loading the plane are like husband and wife. But

715
00:38:21.199 --> 00:38:24.119
<v Speaker 1>you know what's so funny. I was like, hey, shut up,

716
00:38:24.760 --> 00:38:27.800
<v Speaker 1>like because I was like, it's so sweet. I was

717
00:38:27.800 --> 00:38:31.159
<v Speaker 1>listening to the how did this get made? About this episode?

718
00:38:31.519 --> 00:38:31.679
<v Speaker 4>Oh?

719
00:38:31.719 --> 00:38:34.679
<v Speaker 1>Interesting, okay, And they were joking about how like kind

720
00:38:34.679 --> 00:38:37.840
<v Speaker 1>of gross and semi erotic it seems between huh, and

721
00:38:37.880 --> 00:38:39.840
<v Speaker 1>I was like, you know, I get it for like

722
00:38:39.880 --> 00:38:41.519
<v Speaker 1>comedy sake and whatever, and maybe if.

723
00:38:41.400 --> 00:38:42.840
<v Speaker 3>I was I don't really get that sense.

724
00:38:42.880 --> 00:38:44.440
<v Speaker 1>I was gonna say, if I was in the right mood,

725
00:38:44.639 --> 00:38:47.440
<v Speaker 1>like oh yeah, yeah, okay, But no I didn't either.

726
00:38:47.519 --> 00:38:48.840
<v Speaker 1>I actually found it very sweet.

727
00:38:49.159 --> 00:38:50.360
<v Speaker 3>Yeah, So I don't know.

728
00:38:50.400 --> 00:38:54.480
<v Speaker 1>I thought they calibrated that pretty well. Their connection and

729
00:38:54.480 --> 00:38:58.599
<v Speaker 1>and and how much Amy you know, loves her, I

730
00:38:58.639 --> 00:39:02.119
<v Speaker 1>don't know what you call him, trainer the husband apparently

731
00:39:02.199 --> 00:39:05.599
<v Speaker 1>husband he exactly. So this is kind of a crazy moment.

732
00:39:05.960 --> 00:39:14.400
<v Speaker 3>I know, Hecker, it's her murker homolka, thank you very much,

733
00:39:14.719 --> 00:39:15.000
<v Speaker 3>you know what.

734
00:39:15.039 --> 00:39:17.480
<v Speaker 1>I yeah, okay or her.

735
00:39:17.440 --> 00:39:18.280
<v Speaker 3>Kermer whatever the hell.

736
00:39:18.320 --> 00:39:19.920
<v Speaker 1>I'll keep it open on my laptop so I have

737
00:39:19.960 --> 00:39:23.599
<v Speaker 1>it in front of me. But yeah, we see some

738
00:39:23.719 --> 00:39:24.880
<v Speaker 1>racist undertones here.

739
00:39:24.880 --> 00:39:27.079
<v Speaker 3>He goes from zero to N word pretty.

740
00:39:26.760 --> 00:39:30.679
<v Speaker 1>Fast, yeah, which feels like, why are we doing that?

741
00:39:31.920 --> 00:39:35.599
<v Speaker 3>Yeah, it's it's weird. Well, I think I think a

742
00:39:35.599 --> 00:39:37.519
<v Speaker 3>couple of reasons. I think number one, they want to

743
00:39:37.559 --> 00:39:42.840
<v Speaker 3>situate Homolka as not a good guy. Sure, and that's

744
00:39:42.880 --> 00:39:45.400
<v Speaker 3>a if you didn't get that sense already, you know,

745
00:39:46.039 --> 00:39:48.199
<v Speaker 3>that'll take you the rest of the way. And then

746
00:39:48.239 --> 00:39:53.920
<v Speaker 3>they want to situate uh Monroe as the the alpha

747
00:39:54.079 --> 00:39:57.360
<v Speaker 3>if you will, mm sure, Like he ain't standing for

748
00:39:57.400 --> 00:39:58.079
<v Speaker 3>that ship.

749
00:39:58.559 --> 00:40:01.559
<v Speaker 1>Sure yep ye. And he's not rattled by it, like

750
00:40:01.599 --> 00:40:04.440
<v Speaker 1>he doesn't even not rattle's not even the like he's

751
00:40:04.480 --> 00:40:07.079
<v Speaker 1>not like sent into like an angry mode, like he's

752
00:40:07.119 --> 00:40:09.239
<v Speaker 1>still confident in like a few you know.

753
00:40:09.840 --> 00:40:11.599
<v Speaker 3>See, I would have liked, and I'm not even saying

754
00:40:11.599 --> 00:40:12.800
<v Speaker 3>this as a joke. I would have liked if he

755
00:40:12.880 --> 00:40:14.840
<v Speaker 3>just like popped him in the face, like it doesn't

756
00:40:15.000 --> 00:40:16.199
<v Speaker 3>doesn't get angry.

757
00:40:15.880 --> 00:40:18.360
<v Speaker 1>But just like a pop right with a smile. Yeah

758
00:40:18.400 --> 00:40:19.440
<v Speaker 1>exactly exactly.

759
00:40:19.480 --> 00:40:21.760
<v Speaker 3>I think I like that too, Like what was that,

760
00:40:21.880 --> 00:40:22.599
<v Speaker 3>you know kind of thing?

761
00:40:23.159 --> 00:40:25.119
<v Speaker 1>Yeah, not a smile, that's the wrong, but yeah exactly,

762
00:40:25.119 --> 00:40:27.719
<v Speaker 1>Like it's still like a confidence like I'm yeah, yeah,

763
00:40:27.800 --> 00:40:33.960
<v Speaker 1>yeah exactly, I'm the alpha here. Yeah you know, so

764
00:40:34.079 --> 00:40:36.760
<v Speaker 1>I uh, this this is leading to something very fun.

765
00:40:37.639 --> 00:40:39.920
<v Speaker 1>They have to sedate Amy, so they put a little

766
00:40:39.920 --> 00:40:42.840
<v Speaker 1>pill in her banana because there's no way you're gonna

767
00:40:42.840 --> 00:40:46.960
<v Speaker 1>get Amy to jump out of an airplane makes sense,

768
00:40:47.840 --> 00:40:49.760
<v Speaker 1>totally makes sense. This is what I was gonna say,

769
00:40:49.800 --> 00:40:53.119
<v Speaker 1>something with this kind of interesting like them almost being

770
00:40:53.159 --> 00:41:03.760
<v Speaker 1>shot out of the sky here these rocket launchers. Yeah, dude,

771
00:41:03.800 --> 00:41:06.639
<v Speaker 1>I even watching Amy now freaking out. This is a

772
00:41:06.639 --> 00:41:07.360
<v Speaker 1>complete success.

773
00:41:07.400 --> 00:41:07.599
<v Speaker 3>To me.

774
00:41:07.679 --> 00:41:09.519
<v Speaker 1>I felt everything they wanted me to feel for her.

775
00:41:10.239 --> 00:41:13.360
<v Speaker 3>I think I think that the I mean, considering that

776
00:41:13.440 --> 00:41:16.039
<v Speaker 3>we're talking about a thirty year old effect, I think

777
00:41:16.079 --> 00:41:21.519
<v Speaker 3>it's it's it does the trick, you know. I I

778
00:41:21.559 --> 00:41:24.360
<v Speaker 3>think obviously technology has improved to the point where where

779
00:41:24.400 --> 00:41:30.159
<v Speaker 3>now you could do something much more compelling via motion capture,

780
00:41:30.159 --> 00:41:31.840
<v Speaker 3>but given what was available at the time, I think

781
00:41:31.920 --> 00:41:33.239
<v Speaker 3>I think it does the job, you know.

782
00:41:33.840 --> 00:41:37.599
<v Speaker 1>Yeah, you know, I think, yeah, they're getting better and

783
00:41:37.599 --> 00:41:41.559
<v Speaker 1>better at that, these fully CG characters. I think sometimes

784
00:41:41.559 --> 00:41:44.880
<v Speaker 1>the mistake is they make them behave like animated characters

785
00:41:44.920 --> 00:41:47.320
<v Speaker 1>in a live action setting, and that always throws me off.

786
00:41:47.400 --> 00:41:53.039
<v Speaker 1>They move in this very Disneyesque, overly gestured manner. Yeah,

787
00:41:53.079 --> 00:41:54.679
<v Speaker 1>and it's just not how people move in the real

788
00:41:55.400 --> 00:41:58.400
<v Speaker 1>that's right. So maybe that's why I'm responding a little

789
00:41:58.400 --> 00:42:00.920
<v Speaker 1>bit better to this because it feels a bit more tangible.

790
00:42:00.960 --> 00:42:03.039
<v Speaker 1>But yeah, like you're saying, I mean, they've gotten much

791
00:42:03.079 --> 00:42:04.840
<v Speaker 1>much better at it and the planet, like when.

792
00:42:04.960 --> 00:42:07.960
<v Speaker 3>You look at the recent Apes film, certainly the and

793
00:42:08.000 --> 00:42:09.800
<v Speaker 3>Andy Cirkis ones. I mean, I think I think on

794
00:42:09.920 --> 00:42:12.920
<v Speaker 3>the whole they've done a good job, you know. Yeah,

795
00:42:12.960 --> 00:42:15.519
<v Speaker 3>and this is how we know Karen is a badass exactly.

796
00:42:15.639 --> 00:42:18.239
<v Speaker 1>Yeah. We get to see her fire a weapon, and

797
00:42:18.400 --> 00:42:20.719
<v Speaker 1>it is funny. I mean they mentioned that their heat seeking,

798
00:42:20.719 --> 00:42:22.800
<v Speaker 1>but it still feels like their aim is pretty impeccable,

799
00:42:23.679 --> 00:42:26.199
<v Speaker 1>you know, shooting like flares. I don't know that those

800
00:42:26.239 --> 00:42:30.559
<v Speaker 1>are the most accurate, and they're well maybe they are,

801
00:42:30.679 --> 00:42:31.159
<v Speaker 1>what do I know.

802
00:42:31.480 --> 00:42:34.320
<v Speaker 3>And we know she's a former CIA agent, which really

803
00:42:34.320 --> 00:42:37.840
<v Speaker 3>means that she is a current CIA agent, because anybody's

804
00:42:37.840 --> 00:42:39.119
<v Speaker 3>a former CIA agent, you know.

805
00:42:41.639 --> 00:42:44.360
<v Speaker 1>So we get this kind of funny moment here where

806
00:42:44.360 --> 00:42:46.320
<v Speaker 1>it's like, well, someone's got to get Amy out of here.

807
00:42:46.639 --> 00:42:54.119
<v Speaker 1>So basically Captain Monroe wears her like a backpack yep

808
00:42:54.199 --> 00:42:57.679
<v Speaker 1>as he jumps out of the plane. It's kind of funny.

809
00:42:59.519 --> 00:43:01.920
<v Speaker 3>Now now we were talking about the Tim Cray character.

810
00:43:01.960 --> 00:43:05.719
<v Speaker 3>I think I think what's interesting also is that he's

811
00:43:05.960 --> 00:43:08.320
<v Speaker 3>he's like a bad guy, but he's also kind of

812
00:43:08.559 --> 00:43:12.280
<v Speaker 3>not really you know what I mean, Oh totally yeah, right,

813
00:43:12.360 --> 00:43:14.480
<v Speaker 3>which which was also kind of weird to me, like

814
00:43:14.920 --> 00:43:18.800
<v Speaker 3>you're sort of expecting a much more drastic heel turn

815
00:43:18.880 --> 00:43:24.159
<v Speaker 3>from him, Yeah, where he's like willing to sacrifice everybody

816
00:43:25.159 --> 00:43:27.760
<v Speaker 3>or something. He's yeah, he's interesting. I'm not quite sure

817
00:43:28.559 --> 00:43:31.199
<v Speaker 3>he's he's I wouldn't call it. He ends up he

818
00:43:31.320 --> 00:43:33.360
<v Speaker 3>ends up being kind of like Kevin J. O'Connor and

819
00:43:33.400 --> 00:43:33.880
<v Speaker 3>the Mummy.

820
00:43:34.559 --> 00:43:36.519
<v Speaker 1>Yeah sure, yeah, yeah, yeah yeah.

821
00:43:36.519 --> 00:43:38.639
<v Speaker 3>Whereas like the way, the way that you know, the

822
00:43:38.679 --> 00:43:41.119
<v Speaker 3>first time we see him and we had the dramatic music,

823
00:43:41.360 --> 00:43:43.719
<v Speaker 3>you expect a kind of a thing where he points

824
00:43:43.760 --> 00:43:45.480
<v Speaker 3>his gun at the other people in the expedition and

825
00:43:45.519 --> 00:43:48.480
<v Speaker 3>he's got his little satchel full of diamonds. That's what

826
00:43:48.519 --> 00:43:51.199
<v Speaker 3>he's like, smellulator suckers.

827
00:43:50.519 --> 00:43:53.599
<v Speaker 1>Exactly Like I'm taking the plane, yeah you know, what

828
00:43:53.679 --> 00:43:55.960
<v Speaker 1>about us? Like what about you? And then like shuts

829
00:43:55.960 --> 00:43:57.440
<v Speaker 1>the door or something. Yeah yeah, And then he.

830
00:43:57.400 --> 00:43:59.280
<v Speaker 3>Turns around and there's all the gorillas and they bash

831
00:43:59.360 --> 00:44:00.880
<v Speaker 3>his head in or something like that's a true spot.

832
00:44:01.000 --> 00:44:01.360
<v Speaker 3>That's great.

833
00:44:01.400 --> 00:44:03.920
<v Speaker 1>And then the plane starts rocking because he's being killed inside,

834
00:44:03.960 --> 00:44:07.320
<v Speaker 1>and we're like, oh, I love it. I love it,

835
00:44:09.800 --> 00:44:10.639
<v Speaker 1>but nope.

836
00:44:11.199 --> 00:44:14.599
<v Speaker 3>Yeah, something substantially lesser than that.

837
00:44:14.880 --> 00:44:16.800
<v Speaker 1>Yeah, I forgot.

838
00:44:16.599 --> 00:44:21.239
<v Speaker 3>To mention, by the way, mister Echo, Oh yeah yeah,

839
00:44:21.280 --> 00:44:23.639
<v Speaker 3>and I will not even attempt to pronounce his name.

840
00:44:23.840 --> 00:44:26.320
<v Speaker 1>I know, I feel bad out of respect and also

841
00:44:26.440 --> 00:44:33.920
<v Speaker 1>possibly disrespect nuts. Yeah, what was I gonna say?

842
00:44:34.559 --> 00:44:35.039
<v Speaker 3>Uh?

843
00:44:35.079 --> 00:44:37.039
<v Speaker 1>Oh, somewhere I kind of missed it, but I guess

844
00:44:37.079 --> 00:44:38.800
<v Speaker 1>Jimmy Buffett plays a pilot in here.

845
00:44:40.079 --> 00:44:44.199
<v Speaker 3>That's kind of his thing, right, he just plays pilots. Yeah, yeah,

846
00:44:44.599 --> 00:44:46.519
<v Speaker 3>because he was in something else as a pilot. And

847
00:44:46.559 --> 00:44:47.880
<v Speaker 3>now I'm trying to remember pilot.

848
00:44:47.920 --> 00:44:51.199
<v Speaker 1>I don't remember. I remember Jurassic World. He's the guy

849
00:44:51.199 --> 00:44:53.559
<v Speaker 1>grabbing his margarita or whatever.

850
00:44:53.679 --> 00:44:57.800
<v Speaker 3>Yeah, at the Jimmy Buffett restaurant yep, yep, as the

851
00:44:57.920 --> 00:44:59.159
<v Speaker 3>dinosaurs are attacking.

852
00:45:02.519 --> 00:45:05.920
<v Speaker 1>No. I thought this was kind of interesting. So speaking

853
00:45:05.920 --> 00:45:09.679
<v Speaker 1>of Ernie Hudson's character, and well, I'll get to that,

854
00:45:09.719 --> 00:45:12.039
<v Speaker 1>but basically, as I do now with these older movies,

855
00:45:12.079 --> 00:45:14.119
<v Speaker 1>I go straight to ciskel Nieberd afterward.

856
00:45:13.800 --> 00:45:17.559
<v Speaker 3>On YouTube they had some disagreements about this one.

857
00:45:17.639 --> 00:45:20.360
<v Speaker 1>Oh man, Well it was hilarious because, yeah, they had

858
00:45:20.760 --> 00:45:23.360
<v Speaker 1>their back and forth. Honestly, felt like the war inside

859
00:45:23.360 --> 00:45:27.159
<v Speaker 1>of me after my first viewing, so Ebert kind of

860
00:45:27.280 --> 00:45:30.920
<v Speaker 1>enjoyed it as like a silly like kind of throwback

861
00:45:31.000 --> 00:45:33.480
<v Speaker 1>jungle adventure, probably like movies he watched when he was

862
00:45:33.519 --> 00:45:36.679
<v Speaker 1>a kid. Then Ciskel is just like, what are you

863
00:45:36.840 --> 00:45:40.000
<v Speaker 1>talking about? And he's like, I wasn't laughing with it.

864
00:45:40.039 --> 00:45:42.880
<v Speaker 1>I was laughing at it, and I was like, yeah,

865
00:45:42.880 --> 00:45:45.440
<v Speaker 1>that's funny. I kind of feel both inside of me

866
00:45:45.880 --> 00:45:48.679
<v Speaker 1>and Ebert was like, oh, come on, you know, like

867
00:45:49.000 --> 00:45:52.920
<v Speaker 1>Ernie Hudson's playing this kind of carry Grant style figure

868
00:45:53.119 --> 00:45:58.599
<v Speaker 1>and Ciscl's like, what are you talking about? Yeah, it

869
00:45:58.639 --> 00:46:00.679
<v Speaker 1>was really funny. But anyway, eber then went.

870
00:46:00.559 --> 00:46:03.559
<v Speaker 3>On to he called Ernie Hudson a lightweight, and I said,

871
00:46:03.599 --> 00:46:04.519
<v Speaker 3>how effing dare?

872
00:46:06.800 --> 00:46:11.039
<v Speaker 1>But Ebertt wrote later he does say Congo is a

873
00:46:11.079 --> 00:46:14.559
<v Speaker 1>comedy that was mislabeled as an action drama and has

874
00:46:14.599 --> 00:46:17.679
<v Speaker 1>suffered as a result. And I was like, that's interesting.

875
00:46:17.719 --> 00:46:19.559
<v Speaker 1>I mean, I'm sure I don't know how the filmmakers

876
00:46:19.599 --> 00:46:23.480
<v Speaker 1>would take that. I don't think I would call it

877
00:46:23.519 --> 00:46:26.760
<v Speaker 1>an out and out comedy, no, but it I think

878
00:46:26.800 --> 00:46:28.679
<v Speaker 1>it could have leaned into a little bit of.

879
00:46:28.639 --> 00:46:29.960
<v Speaker 3>A Teeters on the edge.

880
00:46:30.239 --> 00:46:32.480
<v Speaker 1>Yeah, yeah, I think it could have leaned into its

881
00:46:33.440 --> 00:46:35.280
<v Speaker 1>camp possibly a little bit.

882
00:46:35.320 --> 00:46:39.480
<v Speaker 3>Right. Well, well, look, I mean listen, it's very simple.

883
00:46:39.519 --> 00:46:44.880
<v Speaker 3>Paramount wanted a Jurassic Park, Yes, And that's essentially what

884
00:46:44.880 --> 00:46:47.760
<v Speaker 3>it comes down to is that I think, as written,

885
00:46:47.800 --> 00:46:49.320
<v Speaker 3>when you say it's kind of a kind of an

886
00:46:49.320 --> 00:46:52.840
<v Speaker 3>Allan Quartermaan King Solomon's minds type thing, that was the

887
00:46:52.880 --> 00:46:55.760
<v Speaker 3>angle it should have taken tonally totally, yes, right, and

888
00:46:56.239 --> 00:46:58.039
<v Speaker 3>that means it should have been a little more heightened

889
00:46:58.079 --> 00:47:00.199
<v Speaker 3>from the jump. And I think that's the big problem

890
00:47:00.239 --> 00:47:06.239
<v Speaker 3>is that is, you know, and you tell me if

891
00:47:06.280 --> 00:47:08.440
<v Speaker 3>you disagree, but by the time we end up in

892
00:47:08.480 --> 00:47:15.920
<v Speaker 3>the Lost City, I'm like, what what in the what? Right?

893
00:47:16.400 --> 00:47:16.639
<v Speaker 1>Right?

894
00:47:16.920 --> 00:47:20.199
<v Speaker 3>Because it's it's it's such a left turn from everything

895
00:47:20.440 --> 00:47:22.280
<v Speaker 3>that we're led up to at this point, you know.

896
00:47:23.280 --> 00:47:25.719
<v Speaker 3>And and I think what what they really needed to

897
00:47:25.719 --> 00:47:32.960
<v Speaker 3>do was seed that storyline more methodically throughout, so you know,

898
00:47:33.000 --> 00:47:34.599
<v Speaker 3>and I don't know, I you know, it's not like

899
00:47:34.639 --> 00:47:39.159
<v Speaker 3>you can have them encounter the mutant gorillas much earlier.

900
00:47:39.440 --> 00:47:45.199
<v Speaker 1>Mm hmm. You seed sort of a heightened the Yeah.

901
00:47:45.239 --> 00:47:48.960
<v Speaker 3>So let me put it this way, when when when

902
00:47:48.960 --> 00:47:53.599
<v Speaker 3>they opened the arc at the end of Raiders, you

903
00:47:53.679 --> 00:47:57.039
<v Speaker 3>are mentally prepared for that because the movie has has

904
00:47:57.079 --> 00:47:58.840
<v Speaker 3>done the job of walking you there.

905
00:48:00.079 --> 00:48:03.000
<v Speaker 1>Yes, we've starten with odd things along the way.

906
00:48:03.519 --> 00:48:06.559
<v Speaker 3>That's right, right, So so yeah, you know, like when

907
00:48:06.559 --> 00:48:08.679
<v Speaker 3>we see the arc on the boat and it burns

908
00:48:08.760 --> 00:48:10.679
<v Speaker 3>us and not see symbol, or even at the very

909
00:48:10.719 --> 00:48:12.639
<v Speaker 3>beginning when Indy cracks the book and he's like here

910
00:48:12.639 --> 00:48:14.840
<v Speaker 3>you going, there's a power of God whatever, right, and.

911
00:48:14.800 --> 00:48:17.039
<v Speaker 1>So when they're so when he's in that household and

912
00:48:17.079 --> 00:48:18.800
<v Speaker 1>they're talking about going to the ark and then all

913
00:48:18.800 --> 00:48:24.199
<v Speaker 1>this huge wind comes through, like basically God being like stop, yeah.

914
00:48:24.079 --> 00:48:27.519
<v Speaker 3>You know very well. So the movie is saying it's

915
00:48:27.599 --> 00:48:29.239
<v Speaker 3>letting you know, okay, this is the kind of movie.

916
00:48:29.239 --> 00:48:35.800
<v Speaker 3>This is right, And I think like, like, you know,

917
00:48:35.840 --> 00:48:38.599
<v Speaker 3>what what Jurassic Park does, when you think about it,

918
00:48:38.280 --> 00:48:42.119
<v Speaker 3>is the very first scene. It helps you. It helps

919
00:48:42.199 --> 00:48:44.599
<v Speaker 3>establish the exact tone of what you're going to get

920
00:48:44.639 --> 00:48:46.119
<v Speaker 3>for the rest of the movie. You know that with

921
00:48:46.360 --> 00:48:50.880
<v Speaker 3>the with the Raptor and Muldoon and all that, you know, shoot,

922
00:48:51.840 --> 00:48:55.800
<v Speaker 3>exactly right it it it sets your compass for the

923
00:48:55.800 --> 00:49:01.480
<v Speaker 3>whole movie. However, what Ascid Park also does is we

924
00:49:01.559 --> 00:49:04.239
<v Speaker 3>see the dinosaurs within you know whatever. It is like

925
00:49:04.840 --> 00:49:09.519
<v Speaker 3>twenty minutes, right, So it's not like suddenly we see

926
00:49:09.519 --> 00:49:14.519
<v Speaker 3>a brachiosaur at at you know, in our forty right, right,

927
00:49:14.599 --> 00:49:16.880
<v Speaker 3>right right, whereas this movie is. Oh and by the way,

928
00:49:16.960 --> 00:49:18.079
<v Speaker 3>here's some mutant apes.

929
00:49:20.400 --> 00:49:21.000
<v Speaker 1>That's true.

930
00:49:21.079 --> 00:49:23.360
<v Speaker 3>Yeah, yeah, yeah, you know, like I think that's the

931
00:49:23.440 --> 00:49:34.400
<v Speaker 3>problem is it's playing kind of weirdly comically earnest right again.

932
00:49:34.480 --> 00:49:40.760
<v Speaker 3>You know, Jodn Bakers as evil makeevilman, Yeah, Johnny mustache

933
00:49:40.760 --> 00:49:48.000
<v Speaker 3>twirler in your parlance. And and I think it needed

934
00:49:48.000 --> 00:49:50.679
<v Speaker 3>more of a heightened adventure tone so that when we

935
00:49:50.719 --> 00:49:53.360
<v Speaker 3>get to the Lost City, it feels of a piece

936
00:49:53.400 --> 00:49:54.800
<v Speaker 3>with everything we've seen up to that point.

937
00:49:55.079 --> 00:49:55.920
<v Speaker 1>I totally agree.

938
00:49:57.039 --> 00:50:01.559
<v Speaker 3>Yep. Now, does it feel like the movie couldn't decide

939
00:50:01.599 --> 00:50:04.400
<v Speaker 3>whether they were going to have a romantic relationship between

940
00:50:04.480 --> 00:50:05.519
<v Speaker 3>Karen and Peter.

941
00:50:07.639 --> 00:50:10.119
<v Speaker 1>You know, I'll be honest with you, I don't remember

942
00:50:10.239 --> 00:50:15.280
<v Speaker 1>enough because I but yeah, they probably had some moments

943
00:50:15.320 --> 00:50:17.840
<v Speaker 1>where they Yeah, they could have had a moment like

944
00:50:18.000 --> 00:50:20.599
<v Speaker 1>Sharon tenttent. We have our own tents, Okay, Yeah, Like

945
00:50:20.639 --> 00:50:22.599
<v Speaker 1>maybe you could have had like some playful things like that.

946
00:50:22.679 --> 00:50:26.000
<v Speaker 1>But then she thinks she's going to rescue someone who's

947
00:50:26.079 --> 00:50:27.639
<v Speaker 1>very close to her. So maybe that's the.

948
00:50:28.920 --> 00:50:31.239
<v Speaker 3>Right, but I mean, you know, you can he is

949
00:50:31.239 --> 00:50:34.000
<v Speaker 3>her ex fiance after all, so that's true, it'd be

950
00:50:34.039 --> 00:50:34.719
<v Speaker 3>that close. Come on.

951
00:50:34.840 --> 00:50:36.960
<v Speaker 1>But you know what, frankly, to your point, it would

952
00:50:36.960 --> 00:50:40.039
<v Speaker 1>have been nice if Campbell was still alive. Yeah, and

953
00:50:40.079 --> 00:50:42.960
<v Speaker 1>this is like rekindling something for her in a way,

954
00:50:43.079 --> 00:50:45.400
<v Speaker 1>or at the very well, it doesn't even have to

955
00:50:45.400 --> 00:50:47.920
<v Speaker 1>be rekindled, but there's like something powerful there between them

956
00:50:48.159 --> 00:50:52.639
<v Speaker 1>that's compelling her to go through hippo infested waters. Yeah,

957
00:50:52.679 --> 00:50:54.519
<v Speaker 1>you know, hell or high water or whatever, hell or

958
00:50:54.639 --> 00:50:57.360
<v Speaker 1>hippo invested waters, Yeah, to go get them. You know,

959
00:50:57.440 --> 00:50:59.840
<v Speaker 1>I would have enjoyed seeing that energy from that character.

960
00:51:00.079 --> 00:51:01.639
<v Speaker 1>Think might have heightened things a bit.

961
00:51:01.719 --> 00:51:05.360
<v Speaker 3>I think the problem is that Peter is kind of

962
00:51:05.400 --> 00:51:08.199
<v Speaker 3>just a void, Like he's just not a particularly compelling

963
00:51:08.400 --> 00:51:11.280
<v Speaker 3>character beyond his affinity for Amy.

964
00:51:11.639 --> 00:51:14.400
<v Speaker 1>I agree, yes, yeah.

965
00:51:14.280 --> 00:51:17.480
<v Speaker 3>Right, And and I generally like Dylan Walsh as an actor,

966
00:51:17.559 --> 00:51:19.440
<v Speaker 3>so I know he's capable of more. But it's really

967
00:51:19.480 --> 00:51:21.920
<v Speaker 3>like it's just the character is a whole lot of nothing,

968
00:51:22.079 --> 00:51:25.639
<v Speaker 3>and he's ostensibly the lead of this movie. Yeah right,

969
00:51:26.039 --> 00:51:29.719
<v Speaker 3>and and he he gets brushed aside almost you know.

970
00:51:29.960 --> 00:51:33.239
<v Speaker 1>No, I completely agree. Yeah, he's too he's too realistic.

971
00:51:33.599 --> 00:51:35.920
<v Speaker 1>He's probably so many would encounter like this in real life.

972
00:51:35.960 --> 00:51:37.800
<v Speaker 1>And it's like, you know, in the movie you want

973
00:51:37.840 --> 00:51:40.480
<v Speaker 1>someone I don't know, Well, you.

974
00:51:40.400 --> 00:51:42.800
<v Speaker 3>Can see the energy that Bruce Campbell would have brought

975
00:51:42.800 --> 00:51:45.400
<v Speaker 3>to this role. Mm hmm. So it does feel like

976
00:51:45.440 --> 00:51:47.599
<v Speaker 3>a shame that that they didn't go like maybe you

977
00:51:47.639 --> 00:51:48.159
<v Speaker 3>swap it.

978
00:51:49.320 --> 00:51:51.719
<v Speaker 1>I yeah, well, and then him going toe to toe

979
00:51:51.840 --> 00:51:56.920
<v Speaker 1>with Humbuck Homlocker, you know what I mean, like you know,

980
00:51:57.440 --> 00:52:00.119
<v Speaker 1>like slow your role there, Homlocker. You know, like that

981
00:52:00.199 --> 00:52:01.920
<v Speaker 1>kind of energy from Campbell would be kind of fun

982
00:52:01.960 --> 00:52:04.360
<v Speaker 1>seeing them go toe to toe. But they're both in

983
00:52:04.480 --> 00:52:08.000
<v Speaker 1>pursuit of the same destination, but for different reasons, different energies.

984
00:52:08.880 --> 00:52:10.079
<v Speaker 1>This is that snake thing I was talking about that

985
00:52:10.119 --> 00:52:14.840
<v Speaker 1>felt yeah, yeah, and it just ends like it's not

986
00:52:14.880 --> 00:52:17.519
<v Speaker 1>a set piece, you know. It's like almost feels like

987
00:52:17.519 --> 00:52:19.000
<v Speaker 1>they actually killed a snake and they're like, well, out

988
00:52:19.000 --> 00:52:20.599
<v Speaker 1>of respect, we should at least include it.

989
00:52:20.840 --> 00:52:23.360
<v Speaker 3>We should leave it in for some of the family.

990
00:52:23.519 --> 00:52:26.239
<v Speaker 3>His family knows what happened to him.

991
00:52:26.679 --> 00:52:29.800
<v Speaker 1>That's poor snake. His family's in the movie theater, Like, wait,

992
00:52:29.840 --> 00:52:32.320
<v Speaker 1>isn't that Jeff, He's been missing for nine months.

993
00:52:32.400 --> 00:52:38.519
<v Speaker 3>Yeah, mom when his dad coming home? Oh yeah, lie down, kids,

994
00:52:39.400 --> 00:52:41.559
<v Speaker 3>or just stay where you stay where you are exactly.

995
00:52:43.519 --> 00:52:46.880
<v Speaker 1>I feel bad for this poor frog. Frog doesn't know

996
00:52:46.920 --> 00:52:47.599
<v Speaker 1>it's in a movie.

997
00:52:50.239 --> 00:52:51.679
<v Speaker 3>Was that a real frog? I mean it could have

998
00:52:51.679 --> 00:52:52.960
<v Speaker 3>been like a little dudadder, you know what.

999
00:52:53.000 --> 00:52:57.320
<v Speaker 1>That's probably true. Where was I reading? There was something

1000
00:52:57.360 --> 00:52:59.920
<v Speaker 1>about they thought about Oh yeah, I have it here,

1001
00:53:00.159 --> 00:53:04.159
<v Speaker 1>So I guess Frank Marshall thought about using computers for

1002
00:53:04.320 --> 00:53:08.159
<v Speaker 1>the apes. Yes, that's because of you know, obviously Jurassic Park,

1003
00:53:08.239 --> 00:53:11.360
<v Speaker 1>but it was the hair. Yeah, computer is just more

1004
00:53:11.480 --> 00:53:12.320
<v Speaker 1>capable of it yet.

1005
00:53:13.280 --> 00:53:18.760
<v Speaker 3>Yeah, and it's it's extraordinary because you had, you know,

1006
00:53:18.800 --> 00:53:22.760
<v Speaker 3>by the way he generally the prospect of leech on

1007
00:53:22.920 --> 00:53:27.199
<v Speaker 3>penis is probably reason number one. You're not gonna see

1008
00:53:27.239 --> 00:53:29.599
<v Speaker 3>me go into the into the deep dark woods.

1009
00:53:29.679 --> 00:53:32.480
<v Speaker 1>But it's it's funny and it's like an interesting, like

1010
00:53:32.599 --> 00:53:35.440
<v Speaker 1>moment you remember, But like, doesn't it just feel so random?

1011
00:53:35.480 --> 00:53:37.079
<v Speaker 1>Like you can just imagine they're like, all right, well,

1012
00:53:37.119 --> 00:53:39.039
<v Speaker 1>what's some stuff that can happen in the jungle, like

1013
00:53:39.119 --> 00:53:41.119
<v Speaker 1>a bullet point leech on penis?

1014
00:53:41.760 --> 00:53:44.199
<v Speaker 3>You know, Well, the fact that he's like I got

1015
00:53:45.360 --> 00:53:49.599
<v Speaker 3>everybody's like, I know, I'm like, I helped the guy out.

1016
00:53:49.639 --> 00:53:51.719
<v Speaker 3>I mean, it's not it's not nothing. I know.

1017
00:53:51.840 --> 00:53:56.280
<v Speaker 1>Well, I love then Monroe gives him his cigar to

1018
00:53:56.320 --> 00:53:59.239
<v Speaker 1>burn it off, which yikes. And then and then I

1019
00:53:59.280 --> 00:54:01.119
<v Speaker 1>love that gives them the garback. I even I would

1020
00:54:01.119 --> 00:54:02.880
<v Speaker 1>have enough sense to be like, all right, I think

1021
00:54:02.920 --> 00:54:03.960
<v Speaker 1>this cigar is through.

1022
00:54:08.960 --> 00:54:10.840
<v Speaker 3>Oh shoot, I was saying something I can't remember that. Shoot.

1023
00:54:10.840 --> 00:54:12.519
<v Speaker 1>Sorry, well we were talking about fur and.

1024
00:54:12.599 --> 00:54:16.880
<v Speaker 3>Computer Yeah okay, so you had Jumanji right around those time,

1025
00:54:17.159 --> 00:54:20.559
<v Speaker 3>was ninety five, right, yeah yeah yeah, and and they

1026
00:54:20.559 --> 00:54:24.559
<v Speaker 3>had some chimpanzees and that, and yeah, I would imagine

1027
00:54:24.639 --> 00:54:26.639
<v Speaker 3>that that was the thinking like, oh we could do something,

1028
00:54:27.000 --> 00:54:29.119
<v Speaker 3>you know like that. You know.

1029
00:54:29.159 --> 00:54:32.079
<v Speaker 1>It's funny though when you watch Jumanji now it they

1030
00:54:32.119 --> 00:54:35.400
<v Speaker 1>look basically like what animatics look like.

1031
00:54:35.760 --> 00:54:38.199
<v Speaker 3>Yeahhh it doesn't hold up.

1032
00:54:38.440 --> 00:54:41.880
<v Speaker 1>Yeah, yeah, so I can understand why they did.

1033
00:54:42.400 --> 00:54:45.199
<v Speaker 3>I mean, going back to what I was saying, I

1034
00:54:45.199 --> 00:54:49.480
<v Speaker 3>mean that's what made the recent apes movies such a

1035
00:54:49.760 --> 00:54:51.920
<v Speaker 3>quantum ly forward as they really licked that.

1036
00:54:53.519 --> 00:54:56.840
<v Speaker 1>Oh yeah, yeah, I mean it's incredible. I highly recommend

1037
00:54:56.880 --> 00:54:59.039
<v Speaker 1>those ILM documentaries on Disney Plus.

1038
00:54:59.119 --> 00:54:59.920
<v Speaker 3>Yeah, I started watching.

1039
00:55:00.360 --> 00:55:03.519
<v Speaker 1>I mean they're just fascinating to begin with, because you're

1040
00:55:03.800 --> 00:55:06.960
<v Speaker 1>hearing people who are their first hand working on these films.

1041
00:55:07.000 --> 00:55:09.119
<v Speaker 1>So just hearing stories about movies you love is interesting

1042
00:55:09.519 --> 00:55:13.000
<v Speaker 1>right off the bat, but they actually get into Okay, look,

1043
00:55:13.000 --> 00:55:17.000
<v Speaker 1>we need to create a water simulation. Like it sounds

1044
00:55:17.039 --> 00:55:19.519
<v Speaker 1>cool when you see it finished, but like this is math,

1045
00:55:20.239 --> 00:55:24.079
<v Speaker 1>Like we have to figure out how mathematically like these

1046
00:55:25.159 --> 00:55:27.480
<v Speaker 1>things would bounce off one another and write some sort

1047
00:55:27.480 --> 00:55:30.360
<v Speaker 1>of program and then we can turn these little triangles

1048
00:55:30.400 --> 00:55:33.280
<v Speaker 1>that somehow now understand how they would react to one another,

1049
00:55:33.360 --> 00:55:36.039
<v Speaker 1>can actually act like droplets and blah blah blah blah

1050
00:55:36.079 --> 00:55:39.159
<v Speaker 1>and fur and what. It's it's fascinating stuff.

1051
00:55:40.159 --> 00:55:41.079
<v Speaker 3>That's really interesting.

1052
00:55:41.159 --> 00:55:44.159
<v Speaker 1>Yeah, when you think ninety five is when Toy Story

1053
00:55:44.239 --> 00:55:47.519
<v Speaker 1>one came out also, and it's I mean that movie

1054
00:55:47.599 --> 00:55:51.639
<v Speaker 1>completely holds up, but you do see the animation and go, oh,

1055
00:55:51.719 --> 00:55:53.880
<v Speaker 1>it's interesting, like how the humans, you know, their hair

1056
00:55:53.920 --> 00:55:56.400
<v Speaker 1>looks kind of it was easier for them. You can

1057
00:55:56.400 --> 00:55:59.000
<v Speaker 1>imagine they did Toy Story with toys because it's like, well,

1058
00:55:59.000 --> 00:56:01.000
<v Speaker 1>they're made a plastic in their shiny and we don't

1059
00:56:01.039 --> 00:56:03.519
<v Speaker 1>have to deal with too many textures, right, you know

1060
00:56:04.079 --> 00:56:09.840
<v Speaker 1>that's right, So definitely early early phase of things. You know,

1061
00:56:09.960 --> 00:56:11.440
<v Speaker 1>jar Jar is like four years away.

1062
00:56:12.480 --> 00:56:15.920
<v Speaker 3>Yeah. Well, well and this year you had you know,

1063
00:56:16.000 --> 00:56:19.920
<v Speaker 3>you mentioned that Casper. M hm. That was the first

1064
00:56:19.960 --> 00:56:23.840
<v Speaker 3>time you had a fully cg character who was the

1065
00:56:23.920 --> 00:56:26.920
<v Speaker 3>lead of a movie essentially right right, right right, And

1066
00:56:27.119 --> 00:56:29.000
<v Speaker 3>you know, because Casper is in that movie for like

1067
00:56:29.079 --> 00:56:30.079
<v Speaker 3>forty minutes or something.

1068
00:56:31.199 --> 00:56:34.159
<v Speaker 1>Yeah, and it's kind of perfect for that because Casper

1069
00:56:34.320 --> 00:56:38.239
<v Speaker 1>is a really simple shape, yeah right, mostly just eyeballs

1070
00:56:38.280 --> 00:56:41.639
<v Speaker 1>and acute smile. So it's kind of a good place

1071
00:56:41.679 --> 00:56:42.400
<v Speaker 1>to start.

1072
00:56:42.719 --> 00:56:46.840
<v Speaker 3>Isn't it, isn't it. Devin Sawa is like the yeah, right,

1073
00:56:46.880 --> 00:56:49.440
<v Speaker 3>the I don't know if he is he the voice

1074
00:56:49.440 --> 00:56:50.199
<v Speaker 3>and he's the human.

1075
00:56:50.400 --> 00:56:52.280
<v Speaker 1>I definitely know he's the human at the end. I

1076
00:56:52.280 --> 00:56:54.039
<v Speaker 1>don't know if he does the voice. I've only seen

1077
00:56:54.079 --> 00:56:58.280
<v Speaker 1>it once. But this is John Hawk, dude, I didn't

1078
00:56:58.320 --> 00:57:01.360
<v Speaker 1>even put that together. Yeah, that's amazing. It's weird seeing

1079
00:57:01.400 --> 00:57:01.760
<v Speaker 1>him young.

1080
00:57:02.159 --> 00:57:07.800
<v Speaker 3>Yeah, he's also in Everest if you remember, yep, yep.

1081
00:57:08.639 --> 00:57:12.000
<v Speaker 3>He's My point is John Hawk should not go on expeditions, right,

1082
00:57:14.400 --> 00:57:14.719
<v Speaker 3>you know.

1083
00:57:15.280 --> 00:57:18.719
<v Speaker 1>I gotta admit I'm not sure I'm buying him being

1084
00:57:18.760 --> 00:57:22.000
<v Speaker 1>scared to death, dying of fear. Yeah, like it was

1085
00:57:22.039 --> 00:57:22.599
<v Speaker 1>a little silly.

1086
00:57:23.840 --> 00:57:26.480
<v Speaker 3>I don't know, right, isn't that a thing? Doesn't that happen? Due?

1087
00:57:26.519 --> 00:57:28.559
<v Speaker 3>Do people die of fright? That feels like a.

1088
00:57:28.519 --> 00:57:32.559
<v Speaker 1>Thing, right, I'm sure it's possible. But and I know

1089
00:57:32.599 --> 00:57:33.519
<v Speaker 1>he's been through a lot.

1090
00:57:34.079 --> 00:57:39.800
<v Speaker 3>He saw he saw gorillas tear his friends to pieces. Yeah,

1091
00:57:40.079 --> 00:57:42.920
<v Speaker 3>and then this other and then upsidles, this gorilla. I

1092
00:57:42.960 --> 00:57:43.280
<v Speaker 3>don't know.

1093
00:57:43.719 --> 00:57:46.079
<v Speaker 1>It's just feels like a lot for his heart to burst.

1094
00:57:45.760 --> 00:57:46.480
<v Speaker 1>I don't know.

1095
00:57:47.119 --> 00:57:50.159
<v Speaker 3>But then again, you know, well, let's put you in

1096
00:57:50.239 --> 00:57:52.800
<v Speaker 3>the exact same situation and let me know how it goes.

1097
00:57:53.199 --> 00:57:55.079
<v Speaker 1>I then I want you to lie at my funeral

1098
00:57:55.159 --> 00:57:58.840
<v Speaker 1>and say something else. And then this adorable gorilla came

1099
00:57:58.920 --> 00:58:02.599
<v Speaker 1>up and said, HI want breakf in sign language, and.

1100
00:58:01.719 --> 00:58:04.880
<v Speaker 3>I and Brian sh his pants, kissed himself and his

1101
00:58:04.960 --> 00:58:09.559
<v Speaker 3>head exploded. Rest in peace, brother exploded.

1102
00:58:10.519 --> 00:58:25.039
<v Speaker 4>Yeah, yeah, yeah, that can go on the death certificate.

1103
00:58:25.079 --> 00:58:27.159
<v Speaker 1>But at my funeral, please say I died defending a

1104
00:58:27.159 --> 00:58:33.559
<v Speaker 1>woman's honor or something. Okay, what do you think about

1105
00:58:33.559 --> 00:58:36.519
<v Speaker 1>everybody in the congo knowing California dreaming?

1106
00:58:39.800 --> 00:58:43.199
<v Speaker 3>It seems reasonable. I suppose, right, it's a it's a

1107
00:58:43.280 --> 00:58:47.599
<v Speaker 3>it's a catchy song. Yeah, cool.

1108
00:58:48.440 --> 00:58:51.119
<v Speaker 1>I'm just kidding. I mean I kind of liked that.

1109
00:58:51.199 --> 00:58:52.880
<v Speaker 1>I was actually thinking, could I do all the lyrics

1110
00:58:52.920 --> 00:58:53.360
<v Speaker 1>to this song?

1111
00:58:53.679 --> 00:58:56.119
<v Speaker 3>I definitely could not. I could I could do the chorus.

1112
00:58:56.159 --> 00:59:00.519
<v Speaker 1>Maybe I'd be like, no, Winter Thursday, I'd be doing

1113
00:59:00.559 --> 00:59:04.239
<v Speaker 1>that to church to pray.

1114
00:59:04.320 --> 00:59:05.960
<v Speaker 3>Yeah, that would basically be me.

1115
00:59:07.840 --> 00:59:08.440
<v Speaker 1>Yeah.

1116
00:59:08.639 --> 00:59:10.639
<v Speaker 3>See, well, you know, I think this is just a

1117
00:59:10.679 --> 00:59:14.159
<v Speaker 3>testament to how there was a time when you know,

1118
00:59:14.280 --> 00:59:19.079
<v Speaker 3>these cultural artifacts brought people together because because they transcended

1119
00:59:19.960 --> 00:59:20.719
<v Speaker 3>the globe. You know.

1120
00:59:21.039 --> 00:59:25.559
<v Speaker 1>No, in all seriousness, I think it is kind of

1121
00:59:25.559 --> 00:59:31.559
<v Speaker 1>a sweet moment, but it feels a little awkwardly executed

1122
00:59:31.679 --> 00:59:33.360
<v Speaker 1>or something to me, Like it felt like it would

1123
00:59:33.400 --> 00:59:34.880
<v Speaker 1>have been nice if there had been a lot of

1124
00:59:34.880 --> 00:59:38.880
<v Speaker 1>misunderstandings between this crew or something. Yeah, and in this one,

1125
00:59:38.960 --> 00:59:40.199
<v Speaker 1>I think that.

1126
00:59:40.480 --> 00:59:42.599
<v Speaker 3>Things they go through that bind them together.

1127
00:59:42.639 --> 00:59:44.960
<v Speaker 1>Exactly, And this is like something where that for the

1128
00:59:45.000 --> 00:59:47.840
<v Speaker 1>first time they can speak the same language and it

1129
00:59:47.840 --> 00:59:49.840
<v Speaker 1>brings them together. I think you could have wrung it

1130
00:59:49.920 --> 00:59:51.079
<v Speaker 1>a little bit more.

1131
00:59:52.119 --> 00:59:55.519
<v Speaker 3>You know. Well, I think that's the problem is is

1132
00:59:55.559 --> 00:59:58.760
<v Speaker 3>that this entire you know, this whole portion of the

1133
00:59:58.800 --> 01:00:05.440
<v Speaker 3>movie is very it's very rote. Yeah, because like we said,

1134
01:00:05.519 --> 01:00:07.719
<v Speaker 3>they're just sort of they have their you know, a

1135
01:00:07.719 --> 01:00:09.920
<v Speaker 3>little episode, something happens, and they move on to this

1136
01:00:09.960 --> 01:00:12.679
<v Speaker 3>next thing, you know, and and I think all of

1137
01:00:12.880 --> 01:00:14.960
<v Speaker 3>like this here, this is kind of an exposition scene.

1138
01:00:15.480 --> 01:00:17.800
<v Speaker 3>We're finding out about you know, the Lost City and whatever,

1139
01:00:18.119 --> 01:00:20.760
<v Speaker 3>but it should be in the context of them being

1140
01:00:20.840 --> 01:00:22.239
<v Speaker 3>on the run or on the go.

1141
01:00:22.760 --> 01:00:28.840
<v Speaker 1>Yes, yes, yes, it's very uh like limp or something like.

1142
01:00:28.880 --> 01:00:29.840
<v Speaker 1>There's no urgency.

1143
01:00:32.880 --> 01:00:36.440
<v Speaker 3>Yeah, because because think about it, You've got You've got

1144
01:00:36.440 --> 01:00:39.480
<v Speaker 3>Tim Curry is trying to get to the Lost City

1145
01:00:39.519 --> 01:00:43.320
<v Speaker 3>to get his diamonds. Karen is trying to find out

1146
01:00:43.360 --> 01:00:46.480
<v Speaker 3>if if Charles is still alive. Peter is trying to

1147
01:00:46.519 --> 01:00:54.920
<v Speaker 3>get Amy to her her fellow apes. But they should

1148
01:00:54.920 --> 01:00:57.639
<v Speaker 3>have done something to kind of tie those three goals

1149
01:00:57.679 --> 01:01:01.519
<v Speaker 3>together in a way where all three are press completely agree.

1150
01:01:01.719 --> 01:01:06.719
<v Speaker 1>There's there's just no urgency here. I'm not sensing it.

1151
01:01:06.760 --> 01:01:10.400
<v Speaker 1>I'm not feeling it, you know. And yeah, I mean

1152
01:01:10.440 --> 01:01:12.440
<v Speaker 1>even if there was a little bit of you know,

1153
01:01:13.000 --> 01:01:16.360
<v Speaker 1>difficulty with the communication with this crew here and maybe

1154
01:01:16.360 --> 01:01:18.480
<v Speaker 1>snapping at them and them being like hey, like kind

1155
01:01:18.480 --> 01:01:20.039
<v Speaker 1>of snapping back in their language, and it's just like

1156
01:01:20.079 --> 01:01:22.800
<v Speaker 1>we're helping you and not connecting, and then to have

1157
01:01:22.880 --> 01:01:25.239
<v Speaker 1>them connect with that song and then get onto a

1158
01:01:25.280 --> 01:01:26.599
<v Speaker 1>new page. I think that could have been a really

1159
01:01:26.639 --> 01:01:27.239
<v Speaker 1>powerful thing.

1160
01:01:28.039 --> 01:01:31.559
<v Speaker 3>I think even even Monroe, right, like, what what has

1161
01:01:31.679 --> 01:01:37.000
<v Speaker 3>him other than being paid? Why is he invested in

1162
01:01:37.079 --> 01:01:40.639
<v Speaker 3>this expedition? Right? Yeah? You know?

1163
01:01:40.840 --> 01:01:43.360
<v Speaker 1>I yeah, I agree, And.

1164
01:01:43.280 --> 01:01:46.280
<v Speaker 3>Because he has that history with Tim Curry m hm,

1165
01:01:46.719 --> 01:01:49.559
<v Speaker 3>so maybe tie tie that in, right, like they got

1166
01:01:49.639 --> 01:01:55.480
<v Speaker 3>unfinished business from before m hm. You know, like I'm I'm, I'm,

1167
01:01:55.519 --> 01:01:57.079
<v Speaker 3>I'm gonna take you there and I'm going to prove

1168
01:01:57.119 --> 01:01:59.719
<v Speaker 3>what a piece of shit you are something like that.

1169
01:01:59.599 --> 01:02:05.920
<v Speaker 1>Something some business. Yeah, right, this is kind of interesting.

1170
01:02:05.920 --> 01:02:08.320
<v Speaker 1>So this is where the hippo thing happens, right, Yeah, yeah,

1171
01:02:08.400 --> 01:02:09.280
<v Speaker 1>it's pretty impressive.

1172
01:02:09.800 --> 01:02:15.000
<v Speaker 3>Yeah, hippos the most lethal land animal. Did you know that?

1173
01:02:15.119 --> 01:02:15.320
<v Speaker 1>No?

1174
01:02:15.360 --> 01:02:19.719
<v Speaker 3>Because those killed more people than lions. Really, yeah, I

1175
01:02:19.760 --> 01:02:22.039
<v Speaker 3>didn't know that. You do not want to get on

1176
01:02:22.239 --> 01:02:23.920
<v Speaker 3>any side of a hippo.

1177
01:02:23.880 --> 01:02:25.360
<v Speaker 1>Hungry because hungry hippo.

1178
01:02:25.760 --> 01:02:28.639
<v Speaker 3>Yeah. Yeah. That's the ironic thing is you got this

1179
01:02:28.760 --> 01:02:31.880
<v Speaker 3>childhood game that I think lulls people into thinking they're adorable,

1180
01:02:34.519 --> 01:02:36.679
<v Speaker 3>and they will chew you up and shit you out

1181
01:02:36.719 --> 01:02:38.360
<v Speaker 3>before you even realize you're dead.

1182
01:02:38.679 --> 01:02:42.760
<v Speaker 1>Wow. Yeah, I mean I'm certainly afraid of its chomp.

1183
01:02:43.239 --> 01:02:45.280
<v Speaker 1>Yeah right, I mean it does. I mean you see

1184
01:02:45.280 --> 01:02:47.440
<v Speaker 1>those videos right where they stick these crazy things in there,

1185
01:02:47.440 --> 01:02:49.199
<v Speaker 1>like watermelons and all sorts of stuff, and they just

1186
01:02:49.320 --> 01:02:50.159
<v Speaker 1>always bananas.

1187
01:02:50.960 --> 01:02:53.239
<v Speaker 3>This is another you know, there's a story recently, maybe

1188
01:02:53.519 --> 01:02:54.920
<v Speaker 3>in the last ten years or so, of a guy

1189
01:02:55.039 --> 01:02:59.000
<v Speaker 3>who raised a hippo from infancy. Okay, and it was

1190
01:02:59.039 --> 01:03:02.480
<v Speaker 3>his pet and and let me cut to the end,

1191
01:03:02.559 --> 01:03:07.639
<v Speaker 3>the hippo ate him. Really yeah. Wow, because they're not pets, yo,

1192
01:03:09.039 --> 01:03:12.079
<v Speaker 3>they're wild animals. Leave them alone, a way to go.

1193
01:03:12.360 --> 01:03:14.719
<v Speaker 1>I gotta see this hippo. I mean, see this. This

1194
01:03:14.880 --> 01:03:17.039
<v Speaker 1>is executed really well because the only light we have

1195
01:03:17.119 --> 01:03:23.360
<v Speaker 1>is moonlight, so there's basically you know light silhouettes on everybody,

1196
01:03:24.119 --> 01:03:25.800
<v Speaker 1>and we can still tell what's going on. But it

1197
01:03:25.840 --> 01:03:31.039
<v Speaker 1>also obscures this you know, animatronic puppet in the best

1198
01:03:31.039 --> 01:03:34.119
<v Speaker 1>way possible because I think it I think it plays

1199
01:03:34.119 --> 01:03:39.480
<v Speaker 1>really well, yes, this hippo puppet, but but it is

1200
01:03:39.519 --> 01:03:44.480
<v Speaker 1>still just a hippo, meaning what like it's it's it

1201
01:03:44.519 --> 01:03:48.239
<v Speaker 1>feels like they're straining for business. Oh ablute? Well because

1202
01:03:48.239 --> 01:03:50.559
<v Speaker 1>it yeah, because then they just fire a couple of

1203
01:03:50.559 --> 01:03:52.559
<v Speaker 1>shots and then goes away. It's like the hippo comes,

1204
01:03:52.559 --> 01:03:55.559
<v Speaker 1>it chomps, they shoot at it, it goes away. That right, Like,

1205
01:03:55.599 --> 01:03:58.199
<v Speaker 1>it doesn't lead them anywhere, It doesn't accomplish anything.

1206
01:03:58.519 --> 01:04:02.599
<v Speaker 3>This is my point, right, Like, like it's not you know,

1207
01:04:04.000 --> 01:04:08.400
<v Speaker 3>a mosa sore or something, you know, like where where

1208
01:04:08.519 --> 01:04:14.400
<v Speaker 3>it's an otherworldly or or an unnatural creature based on

1209
01:04:14.480 --> 01:04:16.960
<v Speaker 3>what we're familiar with. And sure there's an added level

1210
01:04:16.960 --> 01:04:19.320
<v Speaker 3>of tension, you know. I think what should have been

1211
01:04:19.360 --> 01:04:27.320
<v Speaker 3>happening is we should have been should have been uh

1212
01:04:28.440 --> 01:04:33.320
<v Speaker 3>you know, laying laying the track for the ending.

1213
01:04:33.159 --> 01:04:37.800
<v Speaker 1>M Yes, yes, like like was that like I know

1214
01:04:37.840 --> 01:04:39.280
<v Speaker 1>they're on water, but like was that a gorilla?

1215
01:04:39.440 --> 01:04:42.599
<v Speaker 3>That was no gorilla? Yeah, you know something like that,

1216
01:04:42.639 --> 01:04:44.800
<v Speaker 3>you know. I mean it's it's it's kind of a

1217
01:04:44.840 --> 01:04:49.400
<v Speaker 3>metaphorical descent into hell, you know, so like you're going

1218
01:04:49.559 --> 01:04:55.920
<v Speaker 3>from the natural world that we know into something unnatural,

1219
01:04:57.599 --> 01:05:00.559
<v Speaker 3>you know, so that it's not like you go into

1220
01:05:00.599 --> 01:05:05.840
<v Speaker 3>the the caves and oh it's so crazy, like kind

1221
01:05:05.840 --> 01:05:08.239
<v Speaker 3>of get us there slowly.

1222
01:05:08.920 --> 01:05:16.159
<v Speaker 1>Totally agree. I have to point out I read that

1223
01:05:16.239 --> 01:05:18.480
<v Speaker 1>most of the volcano shots in this film are of

1224
01:05:18.719 --> 01:05:22.280
<v Speaker 1>ur and Allay, an active volcano in Costa Rica that

1225
01:05:22.400 --> 01:05:25.480
<v Speaker 1>I have hiked, no kidding, Yeah, I didn't recognize it,

1226
01:05:25.519 --> 01:05:29.199
<v Speaker 1>but with our friend Sean Seawan and I hiked it together.

1227
01:05:29.679 --> 01:05:31.880
<v Speaker 1>We took a trip many many years ago, a guy's

1228
01:05:31.880 --> 01:05:34.639
<v Speaker 1>trip to Costa Rica, and we actually while we were

1229
01:05:34.639 --> 01:05:38.079
<v Speaker 1>on the volcano, it's an active volcano. We saw it

1230
01:05:38.239 --> 01:05:40.920
<v Speaker 1>erupt We were on it as it was erupting. We

1231
01:05:40.960 --> 01:05:42.719
<v Speaker 1>saw rocks shooting out of it.

1232
01:05:43.119 --> 01:05:43.840
<v Speaker 3>Get out of here.

1233
01:05:43.880 --> 01:05:46.719
<v Speaker 1>We weren't near it, but it was pretty wild, pretty wild,

1234
01:05:46.920 --> 01:05:50.880
<v Speaker 1>So that was pretty that's scary. Yeah, And then we

1235
01:05:51.000 --> 01:05:53.519
<v Speaker 1>are the night before we were in a hotel and

1236
01:05:53.559 --> 01:05:57.239
<v Speaker 1>we heard like boom. We looked out and we could

1237
01:05:57.280 --> 01:05:59.639
<v Speaker 1>see the top was red and little rocks flying out

1238
01:05:59.639 --> 01:06:01.119
<v Speaker 1>of it.

1239
01:06:01.119 --> 01:06:03.280
<v Speaker 3>It kind of kind of puts in perspective how how

1240
01:06:03.320 --> 01:06:05.599
<v Speaker 3>inconsequential we are, you know, the oh.

1241
01:06:05.519 --> 01:06:08.239
<v Speaker 1>If that thing wants to take us out, it'll take

1242
01:06:08.280 --> 01:06:08.760
<v Speaker 1>us out.

1243
01:06:08.800 --> 01:06:13.280
<v Speaker 3>Right, like yep, you know, big picture, mother nature is

1244
01:06:13.320 --> 01:06:17.039
<v Speaker 3>doing our own thing, and and we're more an annoyance

1245
01:06:17.079 --> 01:06:17.920
<v Speaker 3>than anything else, you.

1246
01:06:17.880 --> 01:06:21.400
<v Speaker 1>Know, exactly, be grateful that it's mostly leaving us alone.

1247
01:06:21.880 --> 01:06:22.960
<v Speaker 3>Yeah, right, exactly.

1248
01:06:26.960 --> 01:06:28.880
<v Speaker 1>Man, that is so funny. I mean, just watching you've

1249
01:06:28.920 --> 01:06:31.079
<v Speaker 1>really got it in my head now, like watching and

1250
01:06:31.360 --> 01:06:34.480
<v Speaker 1>just looking at a map standing on the ground, like

1251
01:06:34.519 --> 01:06:36.440
<v Speaker 1>there's just really no urgency happening here.

1252
01:06:36.760 --> 01:06:39.440
<v Speaker 3>It's it's weird, it's it's very languid, you know.

1253
01:06:42.119 --> 01:06:46.239
<v Speaker 1>Now you mentioned it earlier, but this does, by the way,

1254
01:06:46.280 --> 01:06:50.760
<v Speaker 1>I will say though, this does look really great in

1255
01:06:50.840 --> 01:06:53.639
<v Speaker 1>that I mean, these are real locations.

1256
01:06:53.719 --> 01:06:53.920
<v Speaker 2>You know.

1257
01:06:53.960 --> 01:06:56.599
<v Speaker 1>We have so many movies now that just simulate locations,

1258
01:06:56.599 --> 01:06:58.679
<v Speaker 1>and you really, I think our eyes are kind of

1259
01:06:58.719 --> 01:07:00.639
<v Speaker 1>adjusting to it. We're just getting you to it. But

1260
01:07:00.679 --> 01:07:05.400
<v Speaker 1>you do get the sense of disconnect between the characters

1261
01:07:05.440 --> 01:07:08.679
<v Speaker 1>and where they are. And this is pretty cool watching

1262
01:07:08.679 --> 01:07:13.239
<v Speaker 1>them go through real fog trapsing around real volcanoes, through

1263
01:07:13.280 --> 01:07:17.599
<v Speaker 1>real jungles. There's just a real palpability, you know, to

1264
01:07:17.679 --> 01:07:21.400
<v Speaker 1>their sweatiness and just the leaves slapping their faces. It's

1265
01:07:21.440 --> 01:07:21.960
<v Speaker 1>pretty cool.

1266
01:07:22.119 --> 01:07:22.639
<v Speaker 3>I agree.

1267
01:07:24.639 --> 01:07:26.360
<v Speaker 1>So, by the way, I wanted to comment on this

1268
01:07:26.519 --> 01:07:30.199
<v Speaker 1>so earlier. They jump out of a plane and they

1269
01:07:30.320 --> 01:07:33.880
<v Speaker 1>land like few and then the plane blows up, it

1270
01:07:33.920 --> 01:07:37.199
<v Speaker 1>gets hit by a rocket, and those poor freaking pilots

1271
01:07:37.239 --> 01:07:41.840
<v Speaker 1>are dead right, and they're basically like, wow, that was close.

1272
01:07:42.599 --> 01:07:45.920
<v Speaker 1>I'm like, not for the pilots, like they have this

1273
01:07:46.039 --> 01:07:51.039
<v Speaker 1>real lack of like, I don't know, respect for the

1274
01:07:51.760 --> 01:07:54.280
<v Speaker 1>loss of life that just happened. And so in this moment,

1275
01:07:54.480 --> 01:07:58.360
<v Speaker 1>another plane that's been sent by Laura, Lenny's employer, like

1276
01:07:58.400 --> 01:08:00.679
<v Speaker 1>a second expedition to go look for her, has been

1277
01:08:00.679 --> 01:08:02.920
<v Speaker 1>taken out of the sky and they come across the

1278
01:08:03.199 --> 01:08:06.880
<v Speaker 1>crash crest remains of it and they're like, whoa damn,

1279
01:08:07.599 --> 01:08:10.239
<v Speaker 1>and then they just keep hiking. I'm like, Oz, people

1280
01:08:10.239 --> 01:08:11.719
<v Speaker 1>are dying and they just don't seem to care.

1281
01:08:12.320 --> 01:08:12.559
<v Speaker 2>Well.

1282
01:08:12.639 --> 01:08:14.719
<v Speaker 3>I mean, I would say even even later in the

1283
01:08:14.760 --> 01:08:19.720
<v Speaker 3>film when when Grant heslov gets gets acted right, Yeah,

1284
01:08:19.760 --> 01:08:25.399
<v Speaker 3>we barely let that register, you know. So this right here,

1285
01:08:26.239 --> 01:08:30.159
<v Speaker 3>this gorilla, I mean I was looking at it like

1286
01:08:30.520 --> 01:08:32.039
<v Speaker 3>is that is that a real gorilla?

1287
01:08:32.479 --> 01:08:35.720
<v Speaker 1>It's pretty tough to tell, right, Yeah, And I like this.

1288
01:08:35.920 --> 01:08:37.399
<v Speaker 1>I think this is filmed well. I think this has

1289
01:08:37.560 --> 01:08:40.000
<v Speaker 1>acted really well by Dylan Walsh. I can understand that

1290
01:08:40.039 --> 01:08:43.119
<v Speaker 1>feeling of fear but having to do the thing they

1291
01:08:43.119 --> 01:08:45.640
<v Speaker 1>tell you, like, yeah, don't look in the eye, but

1292
01:08:45.720 --> 01:08:49.680
<v Speaker 1>don't run and just I don't know this this scene

1293
01:08:49.760 --> 01:08:50.199
<v Speaker 1>worked for me.

1294
01:08:54.319 --> 01:08:57.600
<v Speaker 3>The the myth of the killer gorilla, right, which they

1295
01:08:57.600 --> 01:08:59.479
<v Speaker 3>allude to earlier in the movie, You know that that

1296
01:08:59.640 --> 01:09:01.239
<v Speaker 3>is something that when you think about it, has been

1297
01:09:01.239 --> 01:09:04.159
<v Speaker 3>so pronounced and you realize that, in fact, out of

1298
01:09:04.199 --> 01:09:07.520
<v Speaker 3>all the great apes, gorillas are the most gentle hmm.

1299
01:09:08.239 --> 01:09:08.439
<v Speaker 2>You know.

1300
01:09:08.760 --> 01:09:11.399
<v Speaker 3>Chimpanzees are the one who who they're gonna lose their

1301
01:09:11.439 --> 01:09:12.560
<v Speaker 3>shit at the drop of the hat.

1302
01:09:12.800 --> 01:09:17.560
<v Speaker 1>Really. Yeah, See, this is the fun stuff you can

1303
01:09:17.600 --> 01:09:19.239
<v Speaker 1>do in a story like this, right where you have

1304
01:09:19.840 --> 01:09:22.880
<v Speaker 1>now Amy who's very much domesticated and can even speak

1305
01:09:22.920 --> 01:09:27.720
<v Speaker 1>through this robotic right gloves. Yeah, like trying to communicate

1306
01:09:27.760 --> 01:09:29.880
<v Speaker 1>with gorillas in the wild, and I just love that

1307
01:09:29.960 --> 01:09:34.239
<v Speaker 1>her mode is Hi, hi'm Amy, how are you?

1308
01:09:34.239 --> 01:09:34.520
<v Speaker 3>You know?

1309
01:09:35.079 --> 01:09:36.159
<v Speaker 1>And they're like what the hell?

1310
01:09:37.399 --> 01:09:39.840
<v Speaker 3>She turns to Dylan Wallher'd be like, kill me.

1311
01:09:41.720 --> 01:09:43.000
<v Speaker 1>Why did you do this to me?

1312
01:09:44.720 --> 01:09:49.279
<v Speaker 3>Father? Kill me? You are the enemy?

1313
01:09:51.039 --> 01:09:51.239
<v Speaker 1>You know.

1314
01:09:51.399 --> 01:09:54.960
<v Speaker 3>It's it is kind of weird seeing Laura Lenny in

1315
01:09:55.039 --> 01:10:00.399
<v Speaker 3>this movie, right, because like this is not her usual jam.

1316
01:10:01.359 --> 01:10:05.399
<v Speaker 3>She's she created such a distinguished career as like this

1317
01:10:05.520 --> 01:10:09.359
<v Speaker 3>really well respected actor and you know, dramatic actress. And

1318
01:10:09.479 --> 01:10:12.239
<v Speaker 3>to see her her in kind of just a pulpy

1319
01:10:12.359 --> 01:10:14.680
<v Speaker 3>summer blockbuster feels in congress to me.

1320
01:10:14.800 --> 01:10:19.039
<v Speaker 1>With like saying with pointing laser weapons and monkeys and

1321
01:10:19.119 --> 01:10:22.439
<v Speaker 1>being like, let's put these suckers on the endangered species

1322
01:10:22.840 --> 01:10:23.439
<v Speaker 1>exactly right.

1323
01:10:23.479 --> 01:10:25.479
<v Speaker 3>That's like something you'd see in like a Simpsons parody

1324
01:10:25.560 --> 01:10:25.880
<v Speaker 3>or something.

1325
01:10:25.960 --> 01:10:29.840
<v Speaker 1>It is, yeah, yeah, you know, yeah, I mean what

1326
01:10:30.079 --> 01:10:34.399
<v Speaker 1>was Primal Fear, Because Primal Fear was kind of after this,

1327
01:10:34.800 --> 01:10:36.760
<v Speaker 1>after this, okay, because because I know that for sure,

1328
01:10:36.800 --> 01:10:39.239
<v Speaker 1>because this is the first time I ever saw Laura Lennie.

1329
01:10:39.319 --> 01:10:42.159
<v Speaker 1>Oh okay, okay, you know, yeah, she well, and then

1330
01:10:42.239 --> 01:10:44.039
<v Speaker 1>you know, she's in Truman Show a couple of years later.

1331
01:10:44.079 --> 01:10:48.680
<v Speaker 1>Speaking of Truman I can't remember if that's part of

1332
01:10:48.680 --> 01:10:50.319
<v Speaker 1>the commentary or a bonus thing, but.

1333
01:10:51.079 --> 01:10:52.960
<v Speaker 3>That that was the bonus thing.

1334
01:10:53.079 --> 01:10:56.359
<v Speaker 1>Yeah, but anyway, but she's great in Truman Show.

1335
01:10:57.239 --> 01:10:58.119
<v Speaker 3>Yeah, it's great in that.

1336
01:10:58.439 --> 01:11:01.439
<v Speaker 1>Yeah. But yeah, she did, like you said, she doesn't

1337
01:11:01.479 --> 01:11:03.800
<v Speaker 1>tend to be in these sort of blockbustery sorts of things.

1338
01:11:04.119 --> 01:11:06.439
<v Speaker 3>Well, and and I mean she had some competition for

1339
01:11:06.479 --> 01:11:07.920
<v Speaker 3>this role. I mean they were, you know, they were

1340
01:11:07.920 --> 01:11:10.399
<v Speaker 3>looking at like Nane Lane and Susan Sarandon a couple

1341
01:11:10.439 --> 01:11:13.319
<v Speaker 3>other people, and I think, you know, I mean, she

1342
01:11:13.439 --> 01:11:15.640
<v Speaker 3>was virtually unknown at the time of this movie. So

1343
01:11:15.640 --> 01:11:21.680
<v Speaker 3>I think that ended up being kind of a good choice. Yeah.

1344
01:11:22.119 --> 01:11:23.880
<v Speaker 3>I think all of these actors. The fact that the

1345
01:11:23.960 --> 01:11:28.840
<v Speaker 3>movie turned out a hit and did okay, it benefited everybody,

1346
01:11:28.880 --> 01:11:31.640
<v Speaker 3>you know, m hm, because because pretty much all went

1347
01:11:31.680 --> 01:11:33.880
<v Speaker 3>on to have a decent career. You know, everyone in

1348
01:11:33.880 --> 01:11:37.800
<v Speaker 3>this nobody nobody, nobody got left behind, you know.

1349
01:11:38.199 --> 01:11:42.840
<v Speaker 1>Yeah. Well, you know, speaking of it being a hit,

1350
01:11:42.920 --> 01:11:45.319
<v Speaker 1>I mean that shows that not only did people show

1351
01:11:45.399 --> 01:11:49.600
<v Speaker 1>up because they were expecting another Jurassic Park esque kind

1352
01:11:49.600 --> 01:11:52.920
<v Speaker 1>of adventure, but they came back you know. Yeah, some

1353
01:11:52.960 --> 01:11:55.720
<v Speaker 1>people repeat viewed this thing, so it did connect with

1354
01:11:56.880 --> 01:11:57.800
<v Speaker 1>you know, enough people.

1355
01:11:58.199 --> 01:12:03.199
<v Speaker 3>Well, so that's the thing, right, because you and at

1356
01:12:03.279 --> 01:12:06.960
<v Speaker 3>least me, I'm like, you know, look, it's not I'm

1357
01:12:06.960 --> 01:12:11.279
<v Speaker 3>not gonna say it's it's good, you know, but it

1358
01:12:11.279 --> 01:12:16.920
<v Speaker 3>it fills a specific niche and it's nice when movies

1359
01:12:16.960 --> 01:12:17.760
<v Speaker 3>are able to do that.

1360
01:12:19.279 --> 01:12:22.640
<v Speaker 1>Yeah, yeah, I agree, I agree. I mean this is

1361
01:12:22.840 --> 01:12:24.640
<v Speaker 1>we talk about this often. I mean, we want the

1362
01:12:25.000 --> 01:12:32.560
<v Speaker 1>multiplexus populated with historical dramas, horror films, comedies, romantic comedies,

1363
01:12:32.760 --> 01:12:36.279
<v Speaker 1>pulp you know, pulp adventures like when I give it

1364
01:12:36.279 --> 01:12:37.880
<v Speaker 1>to all of us. But this seems like a moment

1365
01:12:37.920 --> 01:12:41.399
<v Speaker 1>where maybe people were more willing to give all of

1366
01:12:41.439 --> 01:12:43.640
<v Speaker 1>those things a shot, whereas now it seems like those

1367
01:12:43.640 --> 01:12:45.279
<v Speaker 1>things are a little more fragmented, like, oh, well, the

1368
01:12:45.359 --> 01:12:48.760
<v Speaker 1>rom coms we watch on streaming and the two hundred

1369
01:12:48.760 --> 01:12:52.800
<v Speaker 1>million dollar plus epic things, you know, superhero movies whatever

1370
01:12:52.800 --> 01:12:54.920
<v Speaker 1>we go to the theater for. But it was it

1371
01:12:54.960 --> 01:12:57.279
<v Speaker 1>was nice when all of this stuff not only could

1372
01:12:57.319 --> 01:12:59.239
<v Speaker 1>be in theaters, but everyone was showing up for all

1373
01:12:59.279 --> 01:13:02.079
<v Speaker 1>of it all stuff. That's you know, when I play Cinematrix,

1374
01:13:02.239 --> 01:13:06.000
<v Speaker 1>one of the categories is one hundred million dollars plus, right,

1375
01:13:06.000 --> 01:13:08.600
<v Speaker 1>and you have to guess which movies potentially made a

1376
01:13:08.640 --> 01:13:10.520
<v Speaker 1>hundred million dollars plus. And I told some people that

1377
01:13:10.560 --> 01:13:12.720
<v Speaker 1>I play with and you and I share sometimes our

1378
01:13:12.760 --> 01:13:15.359
<v Speaker 1>answers too. But if it's a movie in the nineties,

1379
01:13:15.600 --> 01:13:18.640
<v Speaker 1>I almost always assume it made a hundred million dollar

1380
01:13:18.720 --> 01:13:22.880
<v Speaker 1>plus because it was just a heyday, yeah, for movies

1381
01:13:22.880 --> 01:13:25.039
<v Speaker 1>and theater going. Like, if if it's a movie I

1382
01:13:25.079 --> 01:13:27.560
<v Speaker 1>remember from the nineties, it probably made a hundred million

1383
01:13:27.560 --> 01:13:30.479
<v Speaker 1>plus at least worldwide. Yeah, that's just the way it was.

1384
01:13:31.760 --> 01:13:37.399
<v Speaker 3>That's a great point this summer. I mean, in addition

1385
01:13:37.439 --> 01:13:41.119
<v Speaker 3>to Congo, you had Pocahontas, you had Brave Heart, You

1386
01:13:41.199 --> 01:13:48.479
<v Speaker 3>had a water World paullout thirteen, right, like, like you know,

1387
01:13:49.000 --> 01:13:52.680
<v Speaker 3>Judge Draid was this summer, you know, Johnny Monik, right,

1388
01:13:52.760 --> 01:13:55.640
<v Speaker 3>like it was. Not all of them were hits, right,

1389
01:13:55.720 --> 01:13:58.960
<v Speaker 3>but most of the movies I said were some degree

1390
01:13:59.000 --> 01:14:02.479
<v Speaker 3>of successful. And that shows Oh and you know, I

1391
01:14:02.479 --> 01:14:05.640
<v Speaker 3>think I said Casper, etcetera. You know, like there was

1392
01:14:06.119 --> 01:14:08.399
<v Speaker 3>there was a real diversity of content and that's always

1393
01:14:08.399 --> 01:14:11.319
<v Speaker 3>good good, I think, you know. And I would also

1394
01:14:11.399 --> 01:14:15.640
<v Speaker 3>imagine that if you were ten or eleven when you

1395
01:14:15.680 --> 01:14:17.479
<v Speaker 3>watch this, and if you saw it in the theater,

1396
01:14:17.560 --> 01:14:21.680
<v Speaker 3>I mean, it would be a real nostalgic experience.

1397
01:14:21.920 --> 01:14:25.479
<v Speaker 1>I completely get that I just missed it, but I

1398
01:14:25.520 --> 01:14:29.439
<v Speaker 1>can totally imagine twelve year old Brian watching this, loving it,

1399
01:14:29.720 --> 01:14:31.960
<v Speaker 1>and then watching it again as an adult, like I know,

1400
01:14:32.119 --> 01:14:33.359
<v Speaker 1>I know, I know, but I love it.

1401
01:14:33.960 --> 01:14:36.399
<v Speaker 3>Yeah, you know, you know, yeah, because I know there's

1402
01:14:36.439 --> 01:14:38.159
<v Speaker 3>plenty of folks who have a lot of nostalgia for

1403
01:14:38.199 --> 01:14:38.520
<v Speaker 3>this one.

1404
01:14:38.800 --> 01:14:41.319
<v Speaker 1>Yeah, you know, speaking of when you're talking about like

1405
01:14:41.319 --> 01:14:42.720
<v Speaker 1>twelve year old and stuff, and then makes me think

1406
01:14:42.760 --> 01:14:45.880
<v Speaker 1>of this and then Jurassic Park or whatever. Michael Crane's

1407
01:14:45.920 --> 01:14:49.279
<v Speaker 1>kind of interesting to me, Like I was thinking about

1408
01:14:49.319 --> 01:14:54.000
<v Speaker 1>this earlier who was Jurassic Park written for? So it

1409
01:14:54.079 --> 01:14:58.840
<v Speaker 1>became because Michael Crichton's earlier stuff is pretty adult, you know, Westbrood,

1410
01:14:58.880 --> 01:15:01.479
<v Speaker 1>and so is Jurassic Park the book. That's what I'm saying. Like,

1411
01:15:01.520 --> 01:15:04.000
<v Speaker 1>so like West World's pretty you know, are rated in

1412
01:15:04.079 --> 01:15:06.039
<v Speaker 1>a lot of his earlier stuff, and even like Disclosure

1413
01:15:06.079 --> 01:15:08.560
<v Speaker 1>and things like those very adult stories, and then Jurassic

1414
01:15:08.600 --> 01:15:11.039
<v Speaker 1>Park just happened to be this thing. Then that got

1415
01:15:11.079 --> 01:15:14.760
<v Speaker 1>you know, Steven Spielberg, who everybody enjoys his movies, and

1416
01:15:14.800 --> 01:15:16.680
<v Speaker 1>then you know, makes a movie about dinosaurs, and of

1417
01:15:16.680 --> 01:15:18.159
<v Speaker 1>course kids are going to want to see that. So

1418
01:15:18.239 --> 01:15:20.239
<v Speaker 1>I was just thinking about when Crichton sat down and

1419
01:15:20.279 --> 01:15:26.279
<v Speaker 1>wrote Jurassic Park, it just feels like a family franchise, now,

1420
01:15:26.880 --> 01:15:29.520
<v Speaker 1>that's right, right, But when he made it, was he

1421
01:15:29.640 --> 01:15:31.960
<v Speaker 1>just thinking he was making another like adult thriller.

1422
01:15:32.760 --> 01:15:35.399
<v Speaker 3>Yeah, I mean it really when when you look at it,

1423
01:15:35.399 --> 01:15:37.359
<v Speaker 3>it's it's a reskin of Westworld.

1424
01:15:37.800 --> 01:15:39.439
<v Speaker 1>Yeah, oh yeah, totally right.

1425
01:15:39.520 --> 01:15:42.640
<v Speaker 3>And and the book is I mean I haven't read

1426
01:15:42.640 --> 01:15:46.039
<v Speaker 3>it since the early nineties, but it's it's much more violent,

1427
01:15:46.079 --> 01:15:50.439
<v Speaker 3>it's much darker, yeah, and gory, yeah, you know, and

1428
01:15:50.439 --> 01:15:53.079
<v Speaker 3>and you know this is something, you know, as James

1429
01:15:53.119 --> 01:15:56.359
<v Speaker 3>Cameron and Steven Spielberg were, you know, sort of they

1430
01:15:56.399 --> 01:15:58.239
<v Speaker 3>were in pole position trying to get the rights. And

1431
01:15:58.479 --> 01:16:02.800
<v Speaker 3>Cameron has said he would have made allans yeah, and

1432
01:16:02.800 --> 01:16:06.720
<v Speaker 3>and tonally that's more in line with the book, right right,

1433
01:16:07.119 --> 01:16:12.039
<v Speaker 3>and and so yeah, I mean Crichton, Crichton had had

1434
01:16:12.079 --> 01:16:16.199
<v Speaker 3>his he he had all to himself. This air like

1435
01:16:17.920 --> 01:16:24.079
<v Speaker 3>grounded science fiction. Mm hmm, right, the same way Tom

1436
01:16:24.119 --> 01:16:29.479
<v Speaker 3>Clancy had all to himself, you know, espionage techno thrillers,

1437
01:16:30.800 --> 01:16:34.880
<v Speaker 3>and Grisham had adult legal thrillers, you know, like those

1438
01:16:34.880 --> 01:16:37.880
<v Speaker 3>are that was like the the mount Rushmore of adult

1439
01:16:37.920 --> 01:16:41.000
<v Speaker 3>fiction in the nineties. He had Clancy, Grisham and and Crichton,

1440
01:16:41.079 --> 01:16:44.279
<v Speaker 3>you know, yep, yep. And I don't know who's the

1441
01:16:44.319 --> 01:16:48.920
<v Speaker 3>for Danielle Steele. I don't know, yeah, you know, probably yeah,

1442
01:16:49.359 --> 01:16:55.000
<v Speaker 3>right and and and I think that's that's really interesting

1443
01:16:55.079 --> 01:16:58.560
<v Speaker 3>because because what oh, by the way, this the this

1444
01:16:58.960 --> 01:17:01.760
<v Speaker 3>the guy who plays Claude. I was like, God, this

1445
01:17:01.760 --> 01:17:04.880
<v Speaker 3>guy looks familiar and he's in Jordan of the Jungle.

1446
01:17:05.600 --> 01:17:08.880
<v Speaker 3>Oh interesting, I've rend and Fraser playing basically the same character.

1447
01:17:09.159 --> 01:17:14.520
<v Speaker 3>Really sound like, well, he's he's found, he's found the

1448
01:17:14.560 --> 01:17:19.439
<v Speaker 3>character to play you know. Yeah, but but Crichton, when

1449
01:17:19.479 --> 01:17:23.079
<v Speaker 3>you look at the the the books that he wrote,

1450
01:17:24.199 --> 01:17:26.239
<v Speaker 3>not all of which became successful movies, but many of

1451
01:17:26.319 --> 01:17:27.920
<v Speaker 3>them did. I mean that they they're kind of that.

1452
01:17:28.039 --> 01:17:35.520
<v Speaker 3>They're adult sci fi thrillers. Andromeda Strain and uh, you

1453
01:17:35.600 --> 01:17:40.840
<v Speaker 3>know what are Sphere Sphere which is not a good movie.

1454
01:17:41.239 --> 01:17:42.520
<v Speaker 1>Yeah, which I've never seen either.

1455
01:17:42.640 --> 01:17:46.039
<v Speaker 3>There's a whole run of not good Christen adaptations.

1456
01:17:46.279 --> 01:17:46.880
<v Speaker 1>Disclosure.

1457
01:17:48.039 --> 01:17:50.439
<v Speaker 3>Disclosure was okay from what I remember, you.

1458
01:17:50.399 --> 01:17:52.000
<v Speaker 1>Know, it's so funny. The only thing I remember about

1459
01:17:52.039 --> 01:17:54.359
<v Speaker 1>that is Michael Douglass. They tried, but they were so

1460
01:17:55.479 --> 01:17:58.800
<v Speaker 1>convinced that like VR with dazzle audiences and be like

1461
01:17:58.880 --> 01:18:00.800
<v Speaker 1>the next you know, future sick looking sort of thing.

1462
01:18:00.840 --> 01:18:02.239
<v Speaker 1>I mean, he got a lot more man and everything,

1463
01:18:02.439 --> 01:18:02.840
<v Speaker 1>and then.

1464
01:18:02.680 --> 01:18:07.079
<v Speaker 3>Basically there he goes Grant Hasla. Never a good sign

1465
01:18:07.399 --> 01:18:09.840
<v Speaker 3>when you have to slowly turn and face the camera.

1466
01:18:10.439 --> 01:18:11.960
<v Speaker 1>Well yeah, and then the poor guy just had this

1467
01:18:12.039 --> 01:18:15.000
<v Speaker 1>really awkward social interaction and that's his last moment on Earth.

1468
01:18:15.079 --> 01:18:17.399
<v Speaker 3>I know, he's like, oh man, do I have to apologize?

1469
01:18:18.079 --> 01:18:20.000
<v Speaker 3>Should I get him a card? I know?

1470
01:18:20.880 --> 01:18:23.800
<v Speaker 1>Anyway, sorry you were by a killer eight. No, but disclosure.

1471
01:18:23.840 --> 01:18:26.520
<v Speaker 1>I remember, basically Michael Douglas has to get like a

1472
01:18:26.520 --> 01:18:29.399
<v Speaker 1>word file off of a computer. But they're like, but

1473
01:18:29.439 --> 01:18:31.880
<v Speaker 1>what if he did it through VR? So he's like,

1474
01:18:32.000 --> 01:18:34.399
<v Speaker 1>you see this like digital version of him walking through

1475
01:18:34.479 --> 01:18:37.239
<v Speaker 1>you know, like tense music playing walking through like an

1476
01:18:37.279 --> 01:18:40.600
<v Speaker 1>office building, digital office building, just to like recover literally

1477
01:18:40.600 --> 01:18:42.199
<v Speaker 1>like a word file off of a computer. It was

1478
01:18:42.199 --> 01:18:48.119
<v Speaker 1>so ridiculous. But no, I just the whole thing is.

1479
01:18:48.239 --> 01:18:48.399
<v Speaker 3>Yeah.

1480
01:18:48.439 --> 01:18:51.359
<v Speaker 1>I mean when you really look at Crichton's work, not

1481
01:18:51.439 --> 01:18:54.680
<v Speaker 1>the film adaptations, but he seems like a very adult,

1482
01:18:55.279 --> 01:18:57.760
<v Speaker 1>skewing like author. And it's just funny then to think that,

1483
01:18:57.880 --> 01:18:59.920
<v Speaker 1>you know, Jurassic Park even before the film came out.

1484
01:19:00.399 --> 01:19:02.680
<v Speaker 1>I was introduced to him by buying that book at

1485
01:19:02.680 --> 01:19:05.359
<v Speaker 1>a middle school book flamm You know, it's just kind

1486
01:19:05.359 --> 01:19:07.239
<v Speaker 1>of funny that it's like, well, Spielberg's making it, so

1487
01:19:07.239 --> 01:19:08.239
<v Speaker 1>now this is for everybody.

1488
01:19:09.520 --> 01:19:11.960
<v Speaker 3>Yeah, and you know what I mean, I think the

1489
01:19:11.960 --> 01:19:14.880
<v Speaker 3>fact that the Jurassic franchise is still going many years

1490
01:19:14.920 --> 01:19:18.000
<v Speaker 3>after his passing means that ultimately that's probably what he'll

1491
01:19:18.000 --> 01:19:19.399
<v Speaker 3>be most remembered for, you know.

1492
01:19:19.359 --> 01:19:20.720
<v Speaker 1>Oh easily yeah, right.

1493
01:19:22.600 --> 01:19:25.279
<v Speaker 3>He also you know, worth mentioning when it comes to Congo.

1494
01:19:25.439 --> 01:19:30.520
<v Speaker 3>He programmed or helped program a video game adaptation because

1495
01:19:30.560 --> 01:19:33.319
<v Speaker 3>he came up with the idea for the movie and

1496
01:19:33.359 --> 01:19:36.600
<v Speaker 3>then he wrote the book. He sold the screen rights

1497
01:19:36.600 --> 01:19:39.920
<v Speaker 3>to twentyth Century Fox, and at the same time he

1498
01:19:40.000 --> 01:19:42.760
<v Speaker 3>was coming up with a game like this is like

1499
01:19:42.840 --> 01:19:49.119
<v Speaker 3>early eighties, and then I guess what they realized later

1500
01:19:49.199 --> 01:19:50.760
<v Speaker 3>that all the rights were sold.

1501
01:19:51.479 --> 01:19:53.399
<v Speaker 1>Yeah. Yeah, Well so he basically knew how to code.

1502
01:19:53.479 --> 01:19:55.119
<v Speaker 1>He yeah, like yeah, and what you said, like, he

1503
01:19:55.199 --> 01:19:59.159
<v Speaker 1>literally made the game himself crazy right, Yeah, based on Congo.

1504
01:19:59.279 --> 01:20:01.880
<v Speaker 1>But then the contract that he had signed with Fox,

1505
01:20:01.960 --> 01:20:05.439
<v Speaker 1>they owned any sort of ancillary things dealing with Congo,

1506
01:20:05.520 --> 01:20:08.399
<v Speaker 1>so including video games. So then he was like, oh shoot,

1507
01:20:08.439 --> 01:20:09.840
<v Speaker 1>so he had to tweak it a little bit, but

1508
01:20:09.880 --> 01:20:11.680
<v Speaker 1>it still came out in nineteen eighty four. Is a

1509
01:20:11.680 --> 01:20:13.119
<v Speaker 1>game called Amazon.

1510
01:20:12.840 --> 01:20:15.680
<v Speaker 3>Amazon Yeah, and instead of Amy the Ape, it was

1511
01:20:15.720 --> 01:20:16.279
<v Speaker 3>a parrot.

1512
01:20:17.359 --> 01:20:18.239
<v Speaker 1>Ah how funny.

1513
01:20:18.439 --> 01:20:19.760
<v Speaker 3>Yeah, so that that kind of works.

1514
01:20:20.399 --> 01:20:23.039
<v Speaker 1>That'd be funny if it was still just like Amy Gorilla.

1515
01:20:23.680 --> 01:20:29.319
<v Speaker 1>He's like whatever, but whatever. The company that produced it

1516
01:20:29.399 --> 01:20:33.000
<v Speaker 1>and put it out it was their most successful title.

1517
01:20:34.399 --> 01:20:35.079
<v Speaker 3>Yes, that's right.

1518
01:20:35.159 --> 01:20:36.359
<v Speaker 1>It was a successful game.

1519
01:20:37.720 --> 01:20:40.279
<v Speaker 3>Yeah, and it predated the movie by about ten years

1520
01:20:40.319 --> 01:20:46.159
<v Speaker 3>at least, you know, I think you know, you had Congo,

1521
01:20:46.239 --> 01:20:50.279
<v Speaker 3>which did well, So you had Jurassic and Disclosure around

1522
01:20:50.319 --> 01:20:54.399
<v Speaker 3>the same time, and then this, Oh that wasn't.

1523
01:20:54.279 --> 01:20:55.920
<v Speaker 1>Ninety five also, wasn't it Disclosure?

1524
01:20:56.079 --> 01:20:56.680
<v Speaker 3>Pretty sure?

1525
01:20:56.920 --> 01:20:57.359
<v Speaker 1>Pretty sure?

1526
01:20:57.439 --> 01:21:00.479
<v Speaker 3>Yeah? It was either ninety four ninety five. Yeah, And

1527
01:21:00.520 --> 01:21:02.920
<v Speaker 3>then you had this run of movies that that weren't

1528
01:21:02.960 --> 01:21:06.079
<v Speaker 3>so good so and they didn't do that well. So

1529
01:21:06.119 --> 01:21:12.399
<v Speaker 3>he had Spear and what's the am I oh, of

1530
01:21:12.439 --> 01:21:13.800
<v Speaker 3>course Thirteenth Warrior.

1531
01:21:14.720 --> 01:21:16.239
<v Speaker 1>Oh, I say, I even forgot about them.

1532
01:21:16.279 --> 01:21:18.680
<v Speaker 3>See Thirteenth Warrior. The book is called Eaters of the Dead,

1533
01:21:19.560 --> 01:21:22.199
<v Speaker 3>I see, right. And and you know that movie famously

1534
01:21:22.359 --> 01:21:26.520
<v Speaker 3>ended up with a unlike this where Crichton had no

1535
01:21:26.560 --> 01:21:28.600
<v Speaker 3>involvement that one. He was like he was an ep

1536
01:21:28.800 --> 01:21:33.000
<v Speaker 3>on it, I think, and he basically recut John mctiernan's.

1537
01:21:32.960 --> 01:21:34.119
<v Speaker 1>Edit hm hm.

1538
01:21:34.680 --> 01:21:37.119
<v Speaker 3>And so the version that was released was chopped down

1539
01:21:37.119 --> 01:21:42.039
<v Speaker 3>and it's the Michael Crichton version cut. Yeah, yeah, and

1540
01:21:42.079 --> 01:21:47.319
<v Speaker 3>the McTiernan cut like does not exist. Yeah, and that

1541
01:21:47.399 --> 01:21:53.399
<v Speaker 3>one tanked yeah. And then you had was it Timeline?

1542
01:21:53.520 --> 01:21:57.560
<v Speaker 1>I think, oh, Timeline, that's right right, that was early

1543
01:21:57.680 --> 01:22:00.159
<v Speaker 1>early aughts. I think I've never seen that either. That's

1544
01:22:00.399 --> 01:22:01.479
<v Speaker 1>Richard Donner, right.

1545
01:22:01.479 --> 01:22:03.079
<v Speaker 3>Richard Donner one of his last movies that he.

1546
01:22:03.119 --> 01:22:05.079
<v Speaker 1>Did now, which people don't really tend to like.

1547
01:22:05.199 --> 01:22:10.279
<v Speaker 3>Right, Uh yeah, I can't say anything about it. Yeah,

1548
01:22:10.399 --> 01:22:11.960
<v Speaker 3>I know Paul Walker is in it.

1549
01:22:14.319 --> 01:22:19.159
<v Speaker 1>Yeah, that's right, that's right, Paul Walker, Gerard Butler. So

1550
01:22:19.239 --> 01:22:22.000
<v Speaker 1>now this is very speaking of aliens. You know, we

1551
01:22:22.039 --> 01:22:24.359
<v Speaker 1>have these uh I don't want you to come like

1552
01:22:24.399 --> 01:22:26.800
<v Speaker 1>century machine gun sort of things.

1553
01:22:26.520 --> 01:22:30.720
<v Speaker 3>Like yeah, see, okay. So I think what needed to

1554
01:22:30.840 --> 01:22:34.279
<v Speaker 3>happen is the movie needed to introduce the idea of

1555
01:22:34.439 --> 01:22:37.159
<v Speaker 3>these apes way earlier in the movie.

1556
01:22:37.439 --> 01:22:37.880
<v Speaker 1>Mm hmm.

1557
01:22:38.439 --> 01:22:40.840
<v Speaker 3>I mean we get like the little the little snippets

1558
01:22:40.840 --> 01:22:43.359
<v Speaker 3>of them on the thing, you know, but we needed

1559
01:22:43.359 --> 01:22:46.319
<v Speaker 3>the equivalent of some of Indie cracking the book and

1560
01:22:46.359 --> 01:22:47.960
<v Speaker 3>being like these things here, you know.

1561
01:22:48.560 --> 01:22:53.239
<v Speaker 1>Maybe Tim Curry like it's it's guarded by these mythical creatures. Yeah,

1562
01:22:53.279 --> 01:22:55.319
<v Speaker 1>you know, and they're like, oh, you're crazy, you and

1563
01:22:55.319 --> 01:22:57.000
<v Speaker 1>you're made up city and you're made up.

1564
01:22:56.920 --> 01:22:59.880
<v Speaker 3>Monsters, right something like that, you know.

1565
01:23:00.159 --> 01:23:03.279
<v Speaker 1>Yeah, and then they see weird like well the dressing

1566
01:23:03.319 --> 01:23:05.399
<v Speaker 1>part you see like a giant footprint and go who.

1567
01:23:05.840 --> 01:23:11.880
<v Speaker 3>Yeah yeah that yeah, or even you have the Ernie

1568
01:23:11.920 --> 01:23:14.119
<v Speaker 3>Hudson character like he knows about him, you know.

1569
01:23:14.720 --> 01:23:17.119
<v Speaker 1>Yeah, so yeah, maybe Tim Curry says that sort of

1570
01:23:17.119 --> 01:23:19.560
<v Speaker 1>thing and everyone's like, oh, come on, and then yeah

1571
01:23:19.600 --> 01:23:22.520
<v Speaker 1>he legitimizes it and goes, oh, no, I've heard that

1572
01:23:22.600 --> 01:23:23.319
<v Speaker 1>legend too.

1573
01:23:23.359 --> 01:23:24.760
<v Speaker 3>Yeah, you know something like that.

1574
01:23:26.760 --> 01:23:30.920
<v Speaker 1>Yeah, this does look kind of cool, these lasers.

1575
01:23:32.319 --> 01:23:34.479
<v Speaker 3>It is definitely very very aliens.

1576
01:23:34.840 --> 01:23:37.119
<v Speaker 1>Yes, and this is a great idea too, like having

1577
01:23:37.239 --> 01:23:39.680
<v Speaker 1>then the automatic machine guns fall over and then like

1578
01:23:39.800 --> 01:23:41.439
<v Speaker 1>could possibly shoot at them. I think you could have

1579
01:23:41.439 --> 01:23:42.399
<v Speaker 1>made more of a meal out of this.

1580
01:23:42.840 --> 01:23:47.439
<v Speaker 3>Yeah. See, I think the movie just takes too long

1581
01:23:47.520 --> 01:23:51.840
<v Speaker 3>to get here because essentially, now it's like twenty minutes

1582
01:23:52.039 --> 01:23:56.079
<v Speaker 3>of you know, high adventure or whatever we want to say, you.

1583
01:23:56.000 --> 01:24:04.399
<v Speaker 1>Know, yeah, yeah, agree, And then do you kind of

1584
01:24:04.399 --> 01:24:07.399
<v Speaker 1>feel bad when these white gorillas are getting killed?

1585
01:24:08.119 --> 01:24:14.039
<v Speaker 3>Okay? Yes, So this is the problem, right, because the

1586
01:24:14.720 --> 01:24:20.760
<v Speaker 3>movie is essentially saying that these gorillas were bred so

1587
01:24:20.800 --> 01:24:24.439
<v Speaker 3>that their most violent, you know, the most violent ones

1588
01:24:24.479 --> 01:24:27.560
<v Speaker 3>were the ones that propagated, and so they killed their

1589
01:24:27.920 --> 01:24:32.760
<v Speaker 3>their you know, creators or whatever. And so I think

1590
01:24:32.800 --> 01:24:35.800
<v Speaker 3>the movie assumes that by telling us that we'll be like,

1591
01:24:36.119 --> 01:24:40.960
<v Speaker 3>so kill them all right, and and yeah, I'm with

1592
01:24:41.119 --> 01:24:43.960
<v Speaker 3>you where it's like, I don't know, maybe they don't

1593
01:24:43.960 --> 01:24:47.279
<v Speaker 3>need to laser them in half. Maybe you just maybe

1594
01:24:47.359 --> 01:24:48.079
<v Speaker 3>just leave, you know.

1595
01:24:48.359 --> 01:24:50.880
<v Speaker 1>Yeah, I'm like, you're kind of on their turf and

1596
01:24:50.920 --> 01:24:52.239
<v Speaker 1>they're just doing what they do.

1597
01:24:52.760 --> 01:24:56.279
<v Speaker 3>So this is the thing, right, But what you needed

1598
01:24:56.319 --> 01:24:59.520
<v Speaker 3>to do was have an in story you should You

1599
01:24:59.560 --> 01:25:04.000
<v Speaker 3>needed to show that these gorillas are expanding out and

1600
01:25:04.119 --> 01:25:04.960
<v Speaker 3>killing people.

1601
01:25:05.359 --> 01:25:07.960
<v Speaker 1>Yeah, yes, yes, yes, yes.

1602
01:25:08.199 --> 01:25:10.119
<v Speaker 3>Right, So in other words, they are they are a

1603
01:25:10.279 --> 01:25:13.600
<v Speaker 3>harm that needs to be dealt with, like these these

1604
01:25:13.640 --> 01:25:17.199
<v Speaker 3>are these are vicious predators in a in a way

1605
01:25:17.279 --> 01:25:19.880
<v Speaker 3>that's that's that's unnatural.

1606
01:25:20.239 --> 01:25:22.000
<v Speaker 1>Yeah, And I don't even know if this makes sense,

1607
01:25:22.600 --> 01:25:24.800
<v Speaker 1>because then you could argue, well, people made them, so

1608
01:25:24.960 --> 01:25:29.039
<v Speaker 1>maybe this is like fitting that they hurt people. But

1609
01:25:29.159 --> 01:25:31.000
<v Speaker 1>like you could even I don't know how this works

1610
01:25:31.000 --> 01:25:33.680
<v Speaker 1>in the jungle especially, but like some sort of innocent

1611
01:25:33.760 --> 01:25:37.680
<v Speaker 1>animal mutilated somewhere and you're like, what would do that?

1612
01:25:38.600 --> 01:25:41.000
<v Speaker 1>You know, something that doesn't even know what it's doing anymore.

1613
01:25:41.119 --> 01:25:43.560
<v Speaker 1>It's you know something, you know. Yeah, they're a little

1614
01:25:43.880 --> 01:25:47.760
<v Speaker 1>they're beyond some sort of to use the wrong word humanity,

1615
01:25:47.800 --> 01:25:49.479
<v Speaker 1>you know what I mean, Like they they don't even

1616
01:25:49.560 --> 01:25:51.560
<v Speaker 1>know what they're doing anymore. They're just killing machines.

1617
01:25:52.239 --> 01:25:55.439
<v Speaker 3>Yeah, because because what we have right now is is

1618
01:25:55.680 --> 01:26:00.960
<v Speaker 3>it's it's the they are in they are in the city,

1619
01:26:02.239 --> 01:26:05.560
<v Speaker 3>and they are protecting the diamonds as they were bred

1620
01:26:05.560 --> 01:26:10.119
<v Speaker 3>to do, and obviously that's bad and weird and whatever.

1621
01:26:10.199 --> 01:26:12.079
<v Speaker 3>But it's like, okay, we'll just leave then.

1622
01:26:12.840 --> 01:26:16.880
<v Speaker 1>Right, right, or at least I mean I get it,

1623
01:26:16.960 --> 01:26:20.640
<v Speaker 1>I get it, But yeah, they're doing what they were

1624
01:26:20.640 --> 01:26:22.279
<v Speaker 1>bred to do, and I just kind of feel bad

1625
01:26:22.279 --> 01:26:23.760
<v Speaker 1>as they're getting lasered in half.

1626
01:26:23.960 --> 01:26:30.439
<v Speaker 3>Yeah. Really, Yeah, I think that that's a tough one, right,

1627
01:26:30.479 --> 01:26:38.760
<v Speaker 3>because the movies view towards the gorillas in general is

1628
01:26:38.800 --> 01:26:43.039
<v Speaker 3>an empathetic one. M you know, the silver backs and

1629
01:26:43.119 --> 01:26:47.960
<v Speaker 3>Amy and whatever, and so it feels very bipolar.

1630
01:26:48.000 --> 01:26:52.000
<v Speaker 1>Right, you know, but maybe even of its time in

1631
01:26:52.000 --> 01:26:55.800
<v Speaker 1>a weird sort of way, like that joke of Lenny

1632
01:26:55.840 --> 01:26:57.840
<v Speaker 1>says later about like trying to put these things on

1633
01:26:57.880 --> 01:27:00.720
<v Speaker 1>the endangered species list. Yeah, I feel like we as

1634
01:27:00.760 --> 01:27:02.960
<v Speaker 1>a society now have a little more empathy for that

1635
01:27:03.000 --> 01:27:05.720
<v Speaker 1>sort of thing. Like where I could see that being

1636
01:27:05.840 --> 01:27:07.720
<v Speaker 1>kind of a joke maybe in the nineties, you know,

1637
01:27:09.159 --> 01:27:11.319
<v Speaker 1>where we didn't think about those things is sensitively.

1638
01:27:14.000 --> 01:27:16.760
<v Speaker 3>I'm trying to think, I'm trying to remember what the

1639
01:27:16.880 --> 01:27:19.960
<v Speaker 3>general societal view was back then. I mean, I feel

1640
01:27:20.000 --> 01:27:22.600
<v Speaker 3>like people were generally empathetic towards animals back then.

1641
01:27:22.720 --> 01:27:25.720
<v Speaker 1>You know, yeah, I don't know, I just I know

1642
01:27:25.760 --> 01:27:27.720
<v Speaker 1>there was a little bit more of a reverence or

1643
01:27:27.880 --> 01:27:29.800
<v Speaker 1>like a like it's so funny because like woke and

1644
01:27:29.840 --> 01:27:31.439
<v Speaker 1>all that stuff is the words we hear now, But

1645
01:27:31.520 --> 01:27:34.439
<v Speaker 1>like I remember when, like political correctness was a big

1646
01:27:34.479 --> 01:27:35.760
<v Speaker 1>thing in the nineties and it was kind of a

1647
01:27:35.800 --> 01:27:36.520
<v Speaker 1>funny thing to buy.

1648
01:27:36.520 --> 01:27:38.159
<v Speaker 3>That's what used to be called woke.

1649
01:27:38.720 --> 01:27:40.880
<v Speaker 1>Yeah, yeah, but it was it didn't feel as like

1650
01:27:41.760 --> 01:27:46.239
<v Speaker 1>nasty and pointed and calculated as it is now. H yeah.

1651
01:27:46.560 --> 01:27:49.760
<v Speaker 3>But just using Jurassic as a point of comparison, right,

1652
01:27:49.880 --> 01:27:53.239
<v Speaker 3>Like you watch the movie and you're not like, oh,

1653
01:27:53.319 --> 01:27:58.079
<v Speaker 3>kill the dinosaurs exactly, yes, right, yeah, So you're in

1654
01:27:58.159 --> 01:27:59.800
<v Speaker 3>awe of them, you're scared of them, we're trying to

1655
01:27:59.800 --> 01:28:02.640
<v Speaker 3>get away from them, but you're not like laser them

1656
01:28:02.640 --> 01:28:03.039
<v Speaker 3>in half.

1657
01:28:03.119 --> 01:28:05.800
<v Speaker 1>You know that's true. I mean, well, and it just

1658
01:28:05.880 --> 01:28:09.399
<v Speaker 1>kind of shows what an amazing filmmaker, the understanding that

1659
01:28:09.600 --> 01:28:12.800
<v Speaker 1>Spielberg has for his audience. Yeah, he knows how to

1660
01:28:12.840 --> 01:28:16.800
<v Speaker 1>handle these killing Some of them are just killing machines velociraptors,

1661
01:28:16.840 --> 01:28:20.000
<v Speaker 1>but like he knows that, like we wouldn't enjoy seeing

1662
01:28:20.039 --> 01:28:26.039
<v Speaker 1>one completely destroyed human. Yeah, he finds that balance perfectly. Okay,

1663
01:28:26.079 --> 01:28:29.560
<v Speaker 1>so something I thought, but I just didn't let my

1664
01:28:29.560 --> 01:28:31.439
<v Speaker 1>brain go down that path. But then when I listened

1665
01:28:31.439 --> 01:28:35.319
<v Speaker 1>to I have to credit that how did this get made? Podcast?

1666
01:28:35.800 --> 01:28:37.079
<v Speaker 1>They were like, it's so funny when they go in

1667
01:28:37.079 --> 01:28:39.760
<v Speaker 1>the Diamond mind and the diamonds are just randomly like

1668
01:28:39.880 --> 01:28:44.640
<v Speaker 1>laying on top of the surface. It's so like, like,

1669
01:28:44.760 --> 01:28:52.239
<v Speaker 1>what that's so true? Is that funny? I remember kind

1670
01:28:52.239 --> 01:28:55.039
<v Speaker 1>of thinking it, but not again, I just wasn't as

1671
01:28:55.079 --> 01:28:57.239
<v Speaker 1>plugged in enough to really let it sink in. But

1672
01:28:57.319 --> 01:28:59.439
<v Speaker 1>like it is very silly.

1673
01:28:59.680 --> 01:29:04.159
<v Speaker 3>Well, okay, so maybe because we see bones of other

1674
01:29:04.239 --> 01:29:06.079
<v Speaker 3>well I guess those are bones of other gorillas, right,

1675
01:29:07.279 --> 01:29:09.399
<v Speaker 3>but maybe there have been people who made it this

1676
01:29:09.560 --> 01:29:13.479
<v Speaker 3>far and and those are the diamonds that they tried

1677
01:29:13.520 --> 01:29:16.039
<v Speaker 3>to escape with, and so they've just liked that there

1678
01:29:16.039 --> 01:29:16.279
<v Speaker 3>you go.

1679
01:29:16.640 --> 01:29:18.119
<v Speaker 1>Well, you know, it would have been kind of cool

1680
01:29:18.159 --> 01:29:21.119
<v Speaker 1>then to play off of that where maybe it's in

1681
01:29:21.119 --> 01:29:25.000
<v Speaker 1>a satchel yeah or something. It's like, wow, someone was here,

1682
01:29:25.039 --> 01:29:26.479
<v Speaker 1>But what do you think happened to them? Why did

1683
01:29:26.479 --> 01:29:28.239
<v Speaker 1>they why did they drop this and leave it behind?

1684
01:29:28.399 --> 01:29:29.760
<v Speaker 1>And then you go in a room and find all

1685
01:29:29.760 --> 01:29:34.159
<v Speaker 1>these bones and go, oh, I think that that would

1686
01:29:34.159 --> 01:29:34.640
<v Speaker 1>have worked better.

1687
01:29:34.720 --> 01:29:41.680
<v Speaker 3>Yeah, see, I think nowadays you would have much bigger

1688
01:29:41.920 --> 01:29:48.000
<v Speaker 3>CGI hordes. Oh right, yeah, I think that's kind of

1689
01:29:48.000 --> 01:29:50.279
<v Speaker 3>the thing, Like maybe maybe that's part of the problem.

1690
01:29:50.399 --> 01:29:55.159
<v Speaker 3>Is it feels a little like there's probably like a

1691
01:29:55.199 --> 01:29:57.920
<v Speaker 3>dozen of these guys here, you know, and we're just

1692
01:29:58.039 --> 01:29:59.079
<v Speaker 3>lasering them, you know.

1693
01:30:00.600 --> 01:30:01.159
<v Speaker 1>Yeah.

1694
01:30:01.239 --> 01:30:04.920
<v Speaker 3>So so according to the book, there's an autopsy scene

1695
01:30:04.920 --> 01:30:07.439
<v Speaker 3>at some point in the book and they see that

1696
01:30:07.520 --> 01:30:11.880
<v Speaker 3>these these gorillas are the product of a gorilla DNA

1697
01:30:12.159 --> 01:30:17.960
<v Speaker 3>and chimpanzee DNA and even human DNA, which let's wonder

1698
01:30:18.000 --> 01:30:23.039
<v Speaker 3>how that happened. Moving on, Yeah, and that's why they're

1699
01:30:23.199 --> 01:30:25.239
<v Speaker 3>they're freaking horrific looking.

1700
01:30:26.760 --> 01:30:30.319
<v Speaker 1>Yeah, maybe if you made him look more even more mutant, like.

1701
01:30:30.359 --> 01:30:35.439
<v Speaker 3>Let's let's pour one out for mister Homolka. Yeah see, okay,

1702
01:30:35.560 --> 01:30:38.000
<v Speaker 3>so so and I'll let you get back to your point,

1703
01:30:38.079 --> 01:30:42.560
<v Speaker 3>but that right there, when Tim Curry dies, I don't

1704
01:30:42.600 --> 01:30:44.680
<v Speaker 3>think like I feel kind of bad for him, right,

1705
01:30:45.479 --> 01:30:47.720
<v Speaker 3>And I don't think the movie knows what it wants

1706
01:30:47.760 --> 01:30:48.840
<v Speaker 3>us to feel about him.

1707
01:30:49.119 --> 01:30:50.760
<v Speaker 1>Yeah, or even spends time to care.

1708
01:30:51.239 --> 01:30:51.439
<v Speaker 3>Right.

1709
01:30:52.640 --> 01:30:55.840
<v Speaker 1>Yeah, sorry you were saying, no, no, I don't remember,

1710
01:30:56.199 --> 01:31:02.119
<v Speaker 1>but I alluded to this earlier. But speaking of the

1711
01:31:02.239 --> 01:31:04.520
<v Speaker 1>very similitude of the jungle and everything that I was

1712
01:31:04.520 --> 01:31:07.680
<v Speaker 1>saying earlier, now you walk into what you said earlier

1713
01:31:07.720 --> 01:31:11.199
<v Speaker 1>feels like a Universal Studio stunt show spectacular, which is

1714
01:31:11.239 --> 01:31:13.359
<v Speaker 1>basically just like a box.

1715
01:31:13.079 --> 01:31:13.640
<v Speaker 3>Of a room.

1716
01:31:14.159 --> 01:31:18.840
<v Speaker 1>It has red. Yeah, you know, it's just I don't know.

1717
01:31:18.920 --> 01:31:22.399
<v Speaker 1>You just don't buy it as this cool, dusty, dark,

1718
01:31:22.520 --> 01:31:26.279
<v Speaker 1>dank hidden mine, like legendary mythic hidden mind, you know.

1719
01:31:26.680 --> 01:31:28.520
<v Speaker 1>And so what I had read that I thought was

1720
01:31:28.560 --> 01:31:32.279
<v Speaker 1>kind of interesting. Stan Winston he was never fully satisfied

1721
01:31:32.319 --> 01:31:34.359
<v Speaker 1>with the gray gorillas and the way that they looked.

1722
01:31:35.159 --> 01:31:40.640
<v Speaker 1>But he pointed out, you know, in something like that,

1723
01:31:40.680 --> 01:31:43.520
<v Speaker 1>you would try to it's not just about what the

1724
01:31:43.520 --> 01:31:45.479
<v Speaker 1>suit looks like. It's also how do you light it?

1725
01:31:46.319 --> 01:31:48.439
<v Speaker 1>Does it? How do you capture it on camera? And

1726
01:31:48.479 --> 01:31:51.720
<v Speaker 1>he was saying he hated this set because it's just

1727
01:31:51.760 --> 01:31:56.399
<v Speaker 1>this big, cavernous set and for that reason, you couldn't

1728
01:31:56.439 --> 01:31:59.359
<v Speaker 1>put foliage or anything in there that could be lit

1729
01:32:00.079 --> 01:32:02.920
<v Speaker 1>in a certain way that would dapple all the characters

1730
01:32:02.920 --> 01:32:06.760
<v Speaker 1>in there and obscure the more mysterious, weird jnky looking characters.

1731
01:32:06.760 --> 01:32:08.199
<v Speaker 3>Interesting, isn't it interesting?

1732
01:32:08.239 --> 01:32:10.039
<v Speaker 1>I was like, Oh, that's a really great point. I mean,

1733
01:32:10.039 --> 01:32:12.720
<v Speaker 1>when you have these things that are not going to

1734
01:32:12.800 --> 01:32:16.079
<v Speaker 1>ever look quite realistic to the human eye, well then

1735
01:32:16.119 --> 01:32:19.199
<v Speaker 1>you have to like creatively to obscure them a little

1736
01:32:19.199 --> 01:32:20.960
<v Speaker 1>bit and make them mysterious and make it work. But

1737
01:32:21.079 --> 01:32:23.720
<v Speaker 1>he's saying, in this big cavernous room, nothing for the

1738
01:32:23.800 --> 01:32:26.439
<v Speaker 1>light to go through and create interesting shadows. You just

1739
01:32:26.479 --> 01:32:30.479
<v Speaker 1>get these brightly lit, weird looking monkey suits, and it

1740
01:32:30.479 --> 01:32:33.039
<v Speaker 1>looks a little odd, It looks a little We both

1741
01:32:33.039 --> 01:32:34.680
<v Speaker 1>clocked it earlier, just saying this is kind of a

1742
01:32:34.680 --> 01:32:38.319
<v Speaker 1>flat looking scene, unfortunately interesting and it's interesting. Hearing Sam

1743
01:32:38.359 --> 01:32:41.760
<v Speaker 1>Winston comment on his satisfaction with it and saying that

1744
01:32:42.199 --> 01:32:44.199
<v Speaker 1>his work doesn't come across the best.

1745
01:32:43.920 --> 01:32:46.840
<v Speaker 3>That it could for that reason, I think he's probably

1746
01:32:46.920 --> 01:32:47.319
<v Speaker 3>on point.

1747
01:32:47.520 --> 01:32:49.359
<v Speaker 1>Yeah.

1748
01:32:49.439 --> 01:32:55.680
<v Speaker 3>You know, we see earlier with the Campbell character's corpse there,

1749
01:32:56.319 --> 01:32:58.760
<v Speaker 3>I'm like, why wouldn't you give us the close up,

1750
01:32:58.880 --> 01:32:59.960
<v Speaker 3>like give us his face?

1751
01:33:01.640 --> 01:33:02.720
<v Speaker 1>Yeah, totally right.

1752
01:33:02.760 --> 01:33:04.840
<v Speaker 3>It's weird that they didn't. The other the other thought.

1753
01:33:04.880 --> 01:33:07.439
<v Speaker 3>I had this random but like when when Karen she

1754
01:33:07.479 --> 01:33:10.079
<v Speaker 3>comes into says, she's like, she calls out Charles and

1755
01:33:10.119 --> 01:33:12.359
<v Speaker 3>then she's like Charlie. And I was like, I feel like,

1756
01:33:12.359 --> 01:33:16.319
<v Speaker 3>if you're a Charles, you're not a Charlie, but you've

1757
01:33:16.399 --> 01:33:18.039
<v Speaker 3>locked in. But then I was like, it'd be funny

1758
01:33:18.039 --> 01:33:22.600
<v Speaker 3>if she's like Charlie, Chuck, Chazz, You're right, Chucky, you know,

1759
01:33:23.520 --> 01:33:28.680
<v Speaker 3>sea dog. But yeah, that's weird. It's clearly like a

1760
01:33:28.760 --> 01:33:30.960
<v Speaker 3>dummy that looks like Bruce Campbell. But I'm like, why

1761
01:33:30.960 --> 01:33:34.000
<v Speaker 3>don't you just like just get get a b roll

1762
01:33:34.119 --> 01:33:38.520
<v Speaker 3>shot of him, like his face, we should get that. Yeah,

1763
01:33:38.720 --> 01:33:42.479
<v Speaker 3>you know, you know he the frozen look of horror

1764
01:33:42.479 --> 01:33:44.079
<v Speaker 3>on his face or something. But I feel like we

1765
01:33:44.079 --> 01:33:44.640
<v Speaker 3>should have got that.

1766
01:33:44.680 --> 01:33:50.319
<v Speaker 1>I don't know, Yeah, no, I don't disagree. It's kind

1767
01:33:50.319 --> 01:33:53.000
<v Speaker 1>of funny, this toss off exposition mother's instinct. What do

1768
01:33:53.000 --> 01:33:53.479
<v Speaker 1>you know about that?

1769
01:33:53.520 --> 01:33:57.520
<v Speaker 3>Let's go anyway, put them on the endangered species.

1770
01:33:57.840 --> 01:33:59.960
<v Speaker 1>Yeah, she's looking. I mean that's another thing too, like

1771
01:34:00.039 --> 01:34:01.920
<v Speaker 1>you could sort of obscure the violence a little bit,

1772
01:34:02.520 --> 01:34:05.079
<v Speaker 1>but they're like, look at this. Poor things like arm

1773
01:34:05.159 --> 01:34:06.239
<v Speaker 1>get chopped off.

1774
01:34:07.000 --> 01:34:09.600
<v Speaker 3>That's that's what I'm saying, like, now, like what we

1775
01:34:09.720 --> 01:34:14.479
<v Speaker 3>know of Laura Lenny, it just feels very incongruous, you know, yeah, yeah,

1776
01:34:14.760 --> 01:34:16.920
<v Speaker 3>it's like Helen Mirren in a Fast and Furious movie.

1777
01:34:16.960 --> 01:34:20.159
<v Speaker 3>Now you're like, what something's off about that? You know? Yeah?

1778
01:34:20.279 --> 01:34:20.960
<v Speaker 3>Yeah yeah.

1779
01:34:21.000 --> 01:34:24.399
<v Speaker 1>And by the way, like I you know, yeah, I mean,

1780
01:34:24.399 --> 01:34:27.039
<v Speaker 1>these things are attacking. This is a bit of a defense, yes,

1781
01:34:27.119 --> 01:34:28.640
<v Speaker 1>for the humans, But I just feel like you could

1782
01:34:28.640 --> 01:34:32.840
<v Speaker 1>make the execution a little more nuanced and it might

1783
01:34:33.000 --> 01:34:35.000
<v Speaker 1>not have those thoughts even enter our minds.

1784
01:34:35.800 --> 01:34:38.720
<v Speaker 3>Now, is there is there some in story explanation for

1785
01:34:38.840 --> 01:34:40.720
<v Speaker 3>why the volcano starts erupting?

1786
01:34:43.319 --> 01:34:46.520
<v Speaker 1>Well, you know that, not that I'm aware of, but

1787
01:34:46.520 --> 01:34:49.479
<v Speaker 1>it would be interesting if it'd be like they took

1788
01:34:49.520 --> 01:34:49.880
<v Speaker 1>too much.

1789
01:34:49.920 --> 01:34:53.680
<v Speaker 3>These gorillas are jumping right into the lava, so you.

1790
01:34:53.640 --> 01:34:56.760
<v Speaker 1>Know there is the there do there there? You know,

1791
01:34:58.119 --> 01:34:59.239
<v Speaker 1>they weren't meant to survive.

1792
01:35:00.439 --> 01:35:05.239
<v Speaker 3>You know, this is a Darwinian effect exactly exactly, but yeah.

1793
01:35:05.039 --> 01:35:06.520
<v Speaker 1>It should it should have been a result of something

1794
01:35:06.560 --> 01:35:07.399
<v Speaker 1>they're doing, because.

1795
01:35:07.159 --> 01:35:09.840
<v Speaker 3>There's invaders here, yes exactly.

1796
01:35:09.439 --> 01:35:11.720
<v Speaker 1>You know what I mean, kind of like Indiana Jones

1797
01:35:11.760 --> 01:35:13.920
<v Speaker 1>right when he messes with something in a temple.

1798
01:35:13.960 --> 01:35:15.760
<v Speaker 3>It's you know what they should have been. I'll tell

1799
01:35:15.760 --> 01:35:17.960
<v Speaker 3>you you have Tim Curry. He goes he gets a

1800
01:35:17.960 --> 01:35:21.000
<v Speaker 3>whole bunch of bunch of diamonds, okay, and then he's

1801
01:35:21.000 --> 01:35:24.800
<v Speaker 3>walking away, his pockets are loaded up, and then he

1802
01:35:24.960 --> 01:35:26.960
<v Speaker 3>kind of sees like a glint out of the corner

1803
01:35:27.000 --> 01:35:28.000
<v Speaker 3>of his end, and he goes over and this is

1804
01:35:28.079 --> 01:35:31.399
<v Speaker 3>big honkin diamond and he's like, he rubs his hands

1805
01:35:31.399 --> 01:35:33.640
<v Speaker 3>together and he yanks it out. And that was the

1806
01:35:33.720 --> 01:35:36.159
<v Speaker 3>cork that was holding in all the lava.

1807
01:35:38.600 --> 01:35:40.119
<v Speaker 1>That was a cork diamond, you fool.

1808
01:35:40.319 --> 01:35:42.319
<v Speaker 3>He pulls it out and he's all happy, and then

1809
01:35:42.520 --> 01:35:45.079
<v Speaker 3>bra it starts coming out.

1810
01:35:45.359 --> 01:35:50.119
<v Speaker 1>I mean something like that, actually in that arena feels possible,

1811
01:35:50.239 --> 01:35:51.840
<v Speaker 1>you know what I mean, Like, maybe not like that

1812
01:35:53.279 --> 01:35:55.960
<v Speaker 1>on the nose, but yeah, you know, like that's what

1813
01:35:56.000 --> 01:36:04.039
<v Speaker 1>I'm saying, like the result of greed or hubrist or something. Yeah,

1814
01:36:04.119 --> 01:36:06.119
<v Speaker 1>I mean, this stuff could be like a set or something,

1815
01:36:06.159 --> 01:36:08.239
<v Speaker 1>but I still think it looks kind of impressive and cool.

1816
01:36:09.520 --> 01:36:12.880
<v Speaker 3>Yeah, this stuff, I don't mind. It's the inside the

1817
01:36:12.920 --> 01:36:15.600
<v Speaker 3>cave stuff just looks a little too a little to

1818
01:36:16.800 --> 01:36:19.359
<v Speaker 3>channel fifty syndication, you know.

1819
01:36:19.439 --> 01:36:19.800
<v Speaker 1>Agreed.

1820
01:36:21.399 --> 01:36:23.079
<v Speaker 3>See, once she got a taste of that laser.

1821
01:36:24.760 --> 01:36:31.640
<v Speaker 1>Yeah, but she do we ever introduce this weapon because

1822
01:36:31.640 --> 01:36:32.439
<v Speaker 1>they want the.

1823
01:36:32.560 --> 01:36:34.000
<v Speaker 3>No, that's the funny thing.

1824
01:36:34.239 --> 01:36:36.239
<v Speaker 1>Yes, because the diamond is supposed to be for like

1825
01:36:36.279 --> 01:36:38.039
<v Speaker 1>a telecom that's satellite.

1826
01:36:38.199 --> 01:36:40.960
<v Speaker 3>It's like her pulling out a lightsaber in the third act.

1827
01:36:41.199 --> 01:36:45.079
<v Speaker 1>Yes, yes, what, Well, because it would make sense if

1828
01:36:45.159 --> 01:36:49.760
<v Speaker 1>the dad, who's clearly evil, yeah, knew this and maybe

1829
01:36:49.800 --> 01:36:52.279
<v Speaker 1>even one of the diamonds, like yeah, telecom whatever, like, actually,

1830
01:36:52.279 --> 01:36:55.239
<v Speaker 1>we have a contract with the military these weapons you

1831
01:36:55.239 --> 01:36:57.800
<v Speaker 1>don't know about. Laura Lenny would be opposed to it. Yes,

1832
01:36:58.239 --> 01:36:59.720
<v Speaker 1>So why does she have this weapon? Why does she

1833
01:36:59.720 --> 01:37:00.079
<v Speaker 1>even know that?

1834
01:37:00.159 --> 01:37:03.600
<v Speaker 3>This is? No she like jury rigged, like she like

1835
01:37:03.720 --> 01:37:04.760
<v Speaker 3>mcguibird a laser?

1836
01:37:04.920 --> 01:37:05.399
<v Speaker 1>Oh did she?

1837
01:37:05.680 --> 01:37:06.079
<v Speaker 3>Yeah?

1838
01:37:06.199 --> 01:37:10.279
<v Speaker 1>Okay, now this is this is.

1839
01:37:10.239 --> 01:37:12.039
<v Speaker 3>A thing that bugs me in movies in general, where

1840
01:37:12.039 --> 01:37:16.840
<v Speaker 3>we see characters outrun lava. Sure, I'm like, you're not

1841
01:37:16.880 --> 01:37:17.760
<v Speaker 3>outrunning lava.

1842
01:37:19.439 --> 01:37:19.640
<v Speaker 2>Yeah.

1843
01:37:20.479 --> 01:37:22.720
<v Speaker 3>Yeah, you know, I'm not an expert, but I know

1844
01:37:22.880 --> 01:37:25.399
<v Speaker 3>enough to know that if if there's a lava flow

1845
01:37:25.560 --> 01:37:28.439
<v Speaker 3>within you know your eye line, you're you're you're about

1846
01:37:28.439 --> 01:37:29.000
<v Speaker 3>to be cooked.

1847
01:37:30.560 --> 01:37:33.359
<v Speaker 1>That's really funny. Well, I hope I never find out.

1848
01:37:33.680 --> 01:37:35.600
<v Speaker 3>Uh, well, don't go hiking on that mountain again.

1849
01:37:35.960 --> 01:37:38.039
<v Speaker 1>Well, you know, this is probably a part. Yeah, that's right,

1850
01:37:38.399 --> 01:37:41.119
<v Speaker 1>this is probably a you know, part of the Congo book.

1851
01:37:41.199 --> 01:37:43.680
<v Speaker 1>But that is interesting this writer Joe versus the volcano,

1852
01:37:43.920 --> 01:37:45.560
<v Speaker 1>and then you have a whole volcano set piece at

1853
01:37:45.560 --> 01:37:46.199
<v Speaker 1>the end of this too.

1854
01:37:46.239 --> 01:37:48.520
<v Speaker 3>There you go. Maybe that's why he signed on. He

1855
01:37:48.640 --> 01:37:50.479
<v Speaker 3>just like this is his particular passion.

1856
01:37:50.680 --> 01:37:55.199
<v Speaker 1>Yeah, yeah, I know we mentioned Jerry Goldsmith, but I

1857
01:37:55.560 --> 01:37:57.079
<v Speaker 1>don't know if you looked in the credits, did you

1858
01:37:57.079 --> 01:37:59.159
<v Speaker 1>see that James Newton Howard was also credited.

1859
01:37:59.560 --> 01:38:00.239
<v Speaker 3>I didn't that.

1860
01:38:00.279 --> 01:38:02.359
<v Speaker 1>Actually, I thought that was interesting, so I looked into it.

1861
01:38:03.159 --> 01:38:06.319
<v Speaker 1>Goldsmith was brought on when this was being talked about

1862
01:38:06.359 --> 01:38:09.399
<v Speaker 1>in the early eighties, okay, and when it was going

1863
01:38:09.399 --> 01:38:13.079
<v Speaker 1>into production in the nineties, James Newton Howard was hired. Okay,

1864
01:38:13.520 --> 01:38:16.920
<v Speaker 1>So he wrote I guess a tribal chant that was

1865
01:38:17.359 --> 01:38:20.239
<v Speaker 1>earlier in the movie, but at some point he had

1866
01:38:20.279 --> 01:38:22.520
<v Speaker 1>to back out of it, out of the movie, and

1867
01:38:22.600 --> 01:38:26.840
<v Speaker 1>Goldsmith was brought back, so he ultimately did the majority

1868
01:38:26.880 --> 01:38:29.079
<v Speaker 1>of the score. But James Newton Howard has some work

1869
01:38:29.279 --> 01:38:30.319
<v Speaker 1>in the movie.

1870
01:38:30.399 --> 01:38:32.880
<v Speaker 3>Oh that's okay. Goldsmith would always come through in a

1871
01:38:32.880 --> 01:38:34.760
<v Speaker 3>clutch man. They'd be like you got, you got, you

1872
01:38:34.880 --> 01:38:39.119
<v Speaker 3>got six days, and he'd be like, step aside, let

1873
01:38:39.119 --> 01:38:40.000
<v Speaker 3>the maestro work.

1874
01:38:40.159 --> 01:38:41.279
<v Speaker 1>Yeah, and it's a great score.

1875
01:38:41.560 --> 01:38:42.119
<v Speaker 3>I think it is.

1876
01:38:42.239 --> 01:38:43.760
<v Speaker 1>You know, it's funny. I was flipping channels the other

1877
01:38:43.840 --> 01:38:45.800
<v Speaker 1>night and I saw this movie. I wonder if other

1878
01:38:45.800 --> 01:38:48.079
<v Speaker 1>people have nostalgia for this, but it was very terrible.

1879
01:38:48.119 --> 01:38:51.359
<v Speaker 1>It was called Mom and Dad Saved the World. I think, okay,

1880
01:38:51.359 --> 01:38:53.119
<v Speaker 1>my Mom and Dad said the Galaxy or something. It

1881
01:38:53.159 --> 01:38:58.039
<v Speaker 1>was Terry Garr Jeffrey Jones. Famously, John Lovettz was fired

1882
01:38:58.039 --> 01:39:01.439
<v Speaker 1>from SNL for being in that movie, and so I

1883
01:39:01.520 --> 01:39:02.840
<v Speaker 1>just kind of knew what it was, and so I

1884
01:39:02.880 --> 01:39:05.840
<v Speaker 1>stopped on it and I was like, this movie looks bad,

1885
01:39:05.880 --> 01:39:08.000
<v Speaker 1>Like the production value is very bad. I was like,

1886
01:39:08.039 --> 01:39:10.279
<v Speaker 1>what is this score? The score is like not terrible

1887
01:39:10.600 --> 01:39:15.439
<v Speaker 1>and so curiosity IMDb. Harry Goldsmith Jerry Goldsmith, Yeah.

1888
01:39:14.920 --> 01:39:18.600
<v Speaker 3>I mean, my man was cranking stuff out in the nineties. Yeah,

1889
01:39:18.880 --> 01:39:23.279
<v Speaker 3>like if it was an action movie, easily, you know,

1890
01:39:24.159 --> 01:39:27.520
<v Speaker 3>better than than than the forty chance that it was

1891
01:39:28.600 --> 01:39:29.359
<v Speaker 3>Jerry Goldsmith.

1892
01:39:29.399 --> 01:39:30.560
<v Speaker 1>You know, yeah, he's solid.

1893
01:39:30.920 --> 01:39:34.720
<v Speaker 3>Yeah. I love Horner. You know, they were doing a

1894
01:39:34.760 --> 01:39:37.800
<v Speaker 3>lot in the nineties, you know, Oh, Man Horner RP.

1895
01:39:38.000 --> 01:39:44.680
<v Speaker 1>He's a rip legend. I love her, like shooting a

1896
01:39:44.720 --> 01:39:50.319
<v Speaker 1>satellite from space just with this like thing like take this,

1897
01:39:51.600 --> 01:39:53.520
<v Speaker 1>you know they like like.

1898
01:39:53.720 --> 01:39:56.439
<v Speaker 3>Well, and I love that. Jodn Baker Man, he's just

1899
01:39:56.600 --> 01:40:00.000
<v Speaker 3>he's in. He's in that one one tier. What about

1900
01:40:00.079 --> 01:40:02.399
<v Speaker 3>the diamond, my diamond diamond?

1901
01:40:03.680 --> 01:40:05.840
<v Speaker 1>Yeah, yeah, she even has to like spelled out this

1902
01:40:05.880 --> 01:40:08.279
<v Speaker 1>was never about your son, screwmas On. Where's the diamond?

1903
01:40:09.000 --> 01:40:13.399
<v Speaker 3>My diamond's my real son. I never loved him anyway.

1904
01:40:14.399 --> 01:40:16.600
<v Speaker 1>I just love the idea of like being able to

1905
01:40:16.640 --> 01:40:20.199
<v Speaker 1>like a lock onto a satellite from like the ground,

1906
01:40:20.319 --> 01:40:20.680
<v Speaker 1>and just.

1907
01:40:21.960 --> 01:40:24.319
<v Speaker 3>I feel like people knew enough in the nineties to

1908
01:40:24.359 --> 01:40:28.399
<v Speaker 3>know that was probably not realistic and they're like we don't.

1909
01:40:28.239 --> 01:40:31.079
<v Speaker 1>Care, or like I wouldn't want to stand next to her.

1910
01:40:31.119 --> 01:40:32.720
<v Speaker 1>That feels like there'd be a lot of firepower.

1911
01:40:33.439 --> 01:40:34.000
<v Speaker 3>Possibly.

1912
01:40:36.159 --> 01:40:40.800
<v Speaker 1>Well, now we get the sad goodbye. Amy wants a boyfriend.

1913
01:40:41.000 --> 01:40:43.760
<v Speaker 3>And yet it's it's it's a better life for her.

1914
01:40:44.560 --> 01:40:47.439
<v Speaker 1>I hope, I gotta be honest. I mean, these silver

1915
01:40:47.479 --> 01:40:53.520
<v Speaker 1>Backs seem kind of welcoming, but she is not conditioned

1916
01:40:53.560 --> 01:40:56.159
<v Speaker 1>for the wilds. That's a good point, right, She's been

1917
01:40:56.359 --> 01:41:00.239
<v Speaker 1>fed food out of coolers and sedated when anything scary happened.

1918
01:41:00.199 --> 01:41:02.560
<v Speaker 3>And bananas with pills in them.

1919
01:41:02.680 --> 01:41:06.439
<v Speaker 1>Yeah, well, wearing three D glasses with her buds drinking.

1920
01:41:06.800 --> 01:41:09.920
<v Speaker 3>She asks for martini. They had the downhill pretty fast, and.

1921
01:41:10.319 --> 01:41:12.520
<v Speaker 1>That would actually be funny, and you know, asking for

1922
01:41:12.560 --> 01:41:14.720
<v Speaker 1>martini and the other ones like what's a martini and

1923
01:41:14.760 --> 01:41:18.239
<v Speaker 1>she's like no, And then we just cut back to

1924
01:41:18.319 --> 01:41:21.800
<v Speaker 1>the humans in their hot air balloon. Like that's the

1925
01:41:21.880 --> 01:41:22.600
<v Speaker 1>end of that chapter.

1926
01:41:26.920 --> 01:41:30.159
<v Speaker 3>Oh man, I don't know.

1927
01:41:30.279 --> 01:41:33.359
<v Speaker 1>I mean I can understand people being like, oh, it's weird.

1928
01:41:33.640 --> 01:41:36.119
<v Speaker 1>They love each other. Nah, this is very sweet to me.

1929
01:41:36.640 --> 01:41:40.319
<v Speaker 3>The Peter Amy stuff, I totally track with me too.

1930
01:41:40.640 --> 01:41:46.479
<v Speaker 1>Yeah, me too. Yeah.

1931
01:41:46.560 --> 01:41:52.399
<v Speaker 3>The the you know, it's convenient that the volcano erupted

1932
01:41:52.520 --> 01:41:56.239
<v Speaker 3>just in time to wipe out any evidence of the

1933
01:41:56.279 --> 01:41:58.399
<v Speaker 3>lost city of Zinge. You know it was it laid

1934
01:41:58.439 --> 01:42:03.239
<v Speaker 3>dormant for god knows how long. But again, we just

1935
01:42:03.319 --> 01:42:06.520
<v Speaker 3>we just needed that pulling the cork scene with Tim Curry.

1936
01:42:06.560 --> 01:42:07.000
<v Speaker 3>That would have.

1937
01:42:08.800 --> 01:42:12.840
<v Speaker 1>Pulling the cork that should be added, like jump the shark,

1938
01:42:13.560 --> 01:42:16.439
<v Speaker 1>you know, like cork Like that means like, oh, they

1939
01:42:16.439 --> 01:42:18.720
<v Speaker 1>had an opportunity to do something they didn't capitalize on

1940
01:42:19.239 --> 01:42:19.880
<v Speaker 1>the should.

1941
01:42:19.600 --> 01:42:23.199
<v Speaker 3>Have pulled the cork. Now this Now, the thought I

1942
01:42:23.279 --> 01:42:28.359
<v Speaker 3>had with this is why would they assume that they

1943
01:42:28.399 --> 01:42:29.800
<v Speaker 3>won't get shot down?

1944
01:42:30.399 --> 01:42:30.680
<v Speaker 1>Yes?

1945
01:42:31.039 --> 01:42:34.000
<v Speaker 3>Here right back in the air, yes, right. Well.

1946
01:42:34.039 --> 01:42:35.640
<v Speaker 1>I was also thinking it's funny because they're like, let's

1947
01:42:35.640 --> 01:42:37.800
<v Speaker 1>see where the wind takes us. And then my brain

1948
01:42:38.039 --> 01:42:40.239
<v Speaker 1>was like, hilarious if the wind was blowing them toward

1949
01:42:40.279 --> 01:42:41.319
<v Speaker 1>the volcano and they're.

1950
01:42:41.119 --> 01:42:47.359
<v Speaker 3>Like, ah, okay, now explain to me why she throws

1951
01:42:47.840 --> 01:42:49.760
<v Speaker 3>why she has the diamond thrown away?

1952
01:42:49.960 --> 01:42:52.399
<v Speaker 1>There's no point, man, They went through so much, right,

1953
01:42:53.119 --> 01:42:54.479
<v Speaker 1>I would benefit from it down there.

1954
01:42:54.560 --> 01:42:58.119
<v Speaker 3>I was thinking about that. I was like, that doesn't

1955
01:42:58.159 --> 01:42:58.760
<v Speaker 3>make sense.

1956
01:42:58.960 --> 01:43:01.640
<v Speaker 1>No, they're not stealing from culture, they're not stealing from

1957
01:43:01.680 --> 01:43:04.920
<v Speaker 1>like a museum. You may as well keep that as

1958
01:43:04.960 --> 01:43:08.560
<v Speaker 1>some sort of like I don't know, benefit out of

1959
01:43:08.560 --> 01:43:09.319
<v Speaker 1>this entire thing.

1960
01:43:09.600 --> 01:43:13.039
<v Speaker 3>Yeah, I I. He was so baffling to me because

1961
01:43:13.079 --> 01:43:17.600
<v Speaker 3>I'm like, a better button would have been, yes, one

1962
01:43:17.600 --> 01:43:20.319
<v Speaker 3>of the characters finding it and like oh look here

1963
01:43:20.359 --> 01:43:20.640
<v Speaker 3>you go.

1964
01:43:20.920 --> 01:43:23.399
<v Speaker 1>Yeah, you know, and like maybe the you know, the

1965
01:43:23.399 --> 01:43:26.239
<v Speaker 1>gorilla program you know that doctor Peter had was like

1966
01:43:26.319 --> 01:43:31.239
<v Speaker 1>losing its funding, you know, something like yeah, it benefits

1967
01:43:31.279 --> 01:43:35.079
<v Speaker 1>them in some way. That's noble right something.

1968
01:43:35.119 --> 01:43:36.720
<v Speaker 3>You know, you have them to look at the volcano

1969
01:43:36.800 --> 01:43:39.039
<v Speaker 3>and be like, you know, it's like like it never existed,

1970
01:43:39.079 --> 01:43:41.880
<v Speaker 3>and then you know it holds up a diamond. Monroe

1971
01:43:41.880 --> 01:43:43.359
<v Speaker 3>maybe he's like, are you sure about that? You know,

1972
01:43:43.520 --> 01:43:46.800
<v Speaker 3>kind of totally, and maybe he Monroe finds it and

1973
01:43:46.800 --> 01:43:50.399
<v Speaker 3>he just tosses it to Peter something like that, like

1974
01:43:50.479 --> 01:43:51.279
<v Speaker 3>he doesn't need it.

1975
01:43:51.439 --> 01:43:53.159
<v Speaker 1>You're making me. You give me that feel where I'm

1976
01:43:53.159 --> 01:43:54.560
<v Speaker 1>getting like giddy and I'm like, zactly, I want to

1977
01:43:54.560 --> 01:43:57.279
<v Speaker 1>write a movie with you. This would be so much fun,

1978
01:43:57.359 --> 01:43:58.399
<v Speaker 1>just spitball in a room.

1979
01:43:59.159 --> 01:44:02.640
<v Speaker 3>I'd love it. Well, I love I love workshopping when

1980
01:44:02.640 --> 01:44:04.960
<v Speaker 3>we watch this stuff, you know, mm hmmmm hmm.

1981
01:44:07.640 --> 01:44:11.880
<v Speaker 1>Well, okay, so now we're watching the credits. I really

1982
01:44:12.319 --> 01:44:16.199
<v Speaker 1>wasn't exactly sure how I felt after first viewing this

1983
01:44:16.359 --> 01:44:19.680
<v Speaker 1>was a blast. I could see now I have like

1984
01:44:19.800 --> 01:44:21.600
<v Speaker 1>sort of a familiarity with it and I know what

1985
01:44:21.640 --> 01:44:23.319
<v Speaker 1>it is, and I can kind of laugh at parts

1986
01:44:23.319 --> 01:44:24.720
<v Speaker 1>and also be like, oh, that part's not so bad,

1987
01:44:24.920 --> 01:44:26.520
<v Speaker 1>and I can see it being one of those movies

1988
01:44:26.520 --> 01:44:29.439
<v Speaker 1>where if I was flipping channels like oh, this part's

1989
01:44:29.560 --> 01:44:32.079
<v Speaker 1>like kind of fun and stopping on it where I

1990
01:44:32.119 --> 01:44:34.680
<v Speaker 1>had no relationship with this before.

1991
01:44:34.800 --> 01:44:37.439
<v Speaker 3>So I'm yeah, I'm very curious about that. So so

1992
01:44:37.560 --> 01:44:42.039
<v Speaker 3>when you first watched it like two days ago, you're

1993
01:44:42.119 --> 01:44:44.079
<v Speaker 3>just like, what what did I just watch?

1994
01:44:48.479 --> 01:44:50.279
<v Speaker 1>Kind of I mean, it just felt like.

1995
01:44:51.720 --> 01:44:54.840
<v Speaker 3>Real quick under featuring we have ad Wale, right, and

1996
01:44:54.880 --> 01:44:58.119
<v Speaker 3>that's that's mister Echo. Oh and he's got a very

1997
01:44:58.119 --> 01:44:59.920
<v Speaker 3>elaborate last name. You know.

1998
01:45:00.000 --> 01:45:01.239
<v Speaker 1>I was going to say, they don't even give you.

1999
01:45:01.319 --> 01:45:04.000
<v Speaker 3>He's like share and I'm like, yeah, I was like, hey,

2000
01:45:04.239 --> 01:45:06.159
<v Speaker 3>I guess I guess that's all you need is just

2001
01:45:06.159 --> 01:45:09.319
<v Speaker 3>the one name. Yeah, is Jimmy Buffett as the seventy

2002
01:45:09.399 --> 01:45:09.960
<v Speaker 3>seven pilot.

2003
01:45:10.560 --> 01:45:13.039
<v Speaker 1>Yeah, sorry, you were saying, oh, no, no, no, no, I

2004
01:45:13.079 --> 01:45:15.840
<v Speaker 1>just yeah, I just I was like, oh, Frank Welker

2005
01:45:15.880 --> 01:45:18.600
<v Speaker 1>of course naturally making the gorilla noises.

2006
01:45:18.640 --> 01:45:24.600
<v Speaker 3>Of course Amy's voice. By the way, they they initially

2007
01:45:25.039 --> 01:45:29.680
<v Speaker 3>were were thinking of Kim Basinger, what which like that

2008
01:45:29.720 --> 01:45:32.079
<v Speaker 3>would sound kind of horny probably right, See.

2009
01:45:31.920 --> 01:45:34.199
<v Speaker 1>That's yes, that's where it would have gone wrong.

2010
01:45:34.479 --> 01:45:38.039
<v Speaker 3>Yeah, so they did the right, the right approach to that.

2011
01:45:38.000 --> 01:45:41.439
<v Speaker 1>You know, Oh, Peter, yeah, Peter, it makes me a

2012
01:45:41.520 --> 01:45:45.560
<v Speaker 1>martini like that'd be I don't know, I don't know

2013
01:45:45.560 --> 01:45:46.119
<v Speaker 1>about that one.

2014
01:45:46.800 --> 01:45:49.079
<v Speaker 3>Okay, sorry you were saying no, no, no, I just yeah,

2015
01:45:49.079 --> 01:45:49.560
<v Speaker 3>I was.

2016
01:45:49.600 --> 01:45:51.720
<v Speaker 1>I was confused, like I said, with the ciskel Kniebert

2017
01:45:52.840 --> 01:45:56.560
<v Speaker 1>inside of me, kind of arguing over is this CAMPI

2018
01:45:56.640 --> 01:45:59.279
<v Speaker 1>in fun? Or is this just a bad movie?

2019
01:45:59.760 --> 01:45:59.960
<v Speaker 3>You know?

2020
01:46:00.119 --> 01:46:02.359
<v Speaker 1>Is this like I just didn't know because I was

2021
01:46:02.920 --> 01:46:05.880
<v Speaker 1>quite prepared. Yeah, but now I kind of see it

2022
01:46:05.920 --> 01:46:08.640
<v Speaker 1>for it's kind of all the above, and it does

2023
01:46:08.800 --> 01:46:13.199
<v Speaker 1>make it charming in its own way. Yeah, as an artifact,

2024
01:46:13.199 --> 01:46:15.239
<v Speaker 1>I would say, I don't know that I would recommend,

2025
01:46:15.319 --> 01:46:16.920
<v Speaker 1>like I'm going to leave this room and then go

2026
01:46:17.239 --> 01:46:18.920
<v Speaker 1>tell my brother, like, you know, you should watch the Night.

2027
01:46:19.000 --> 01:46:22.079
<v Speaker 3>No, no, no, Hey, I would agree with that. I I

2028
01:46:22.079 --> 01:46:24.920
<v Speaker 3>I definitely I look at this and and just as

2029
01:46:24.960 --> 01:46:28.279
<v Speaker 3>our conversation you know, alludes to, you know, I see

2030
01:46:28.680 --> 01:46:33.479
<v Speaker 3>the ways it could have potentially been a more engrossing adaptation. Again,

2031
01:46:33.560 --> 01:46:37.199
<v Speaker 3>not having read the book, I should say, but but yeah,

2032
01:46:36.600 --> 01:46:40.520
<v Speaker 3>it was. It was of its time, and you know,

2033
01:46:40.600 --> 01:46:46.039
<v Speaker 3>I always say, like, you know, there there there was

2034
01:46:46.159 --> 01:46:48.960
<v Speaker 3>room in the marketplace for something that was a little

2035
01:46:48.960 --> 01:46:52.920
<v Speaker 3>off kilter like this totally and and even in its imperfections,

2036
01:46:52.960 --> 01:46:56.359
<v Speaker 3>I mean it's it's you know, it allows us to

2037
01:46:56.880 --> 01:46:59.800
<v Speaker 3>have a conversation like this where you know, we laugh

2038
01:47:00.239 --> 01:47:02.399
<v Speaker 3>and I think that's that's a good thing, you know.

2039
01:47:02.680 --> 01:47:04.760
<v Speaker 1>I agree, And and to your point earlier, if I

2040
01:47:04.840 --> 01:47:08.760
<v Speaker 1>was ten or something and saw this for the first time,

2041
01:47:08.800 --> 01:47:11.960
<v Speaker 1>I could totally imagine it, yeah, imprinting on me in

2042
01:47:11.960 --> 01:47:14.199
<v Speaker 1>a certain sort of way, and then years later watching

2043
01:47:14.199 --> 01:47:16.439
<v Speaker 1>it for fun to be nostalgic.

2044
01:47:16.840 --> 01:47:20.159
<v Speaker 3>Yep. By the way, we should say orchestrations by Alexander Courage.

2045
01:47:20.159 --> 01:47:25.159
<v Speaker 3>Alexander Courage, of course, wrote the Star Trek original television

2046
01:47:25.159 --> 01:47:26.640
<v Speaker 3>series theme Wow.

2047
01:47:27.520 --> 01:47:27.720
<v Speaker 1>Yeah.

2048
01:47:27.760 --> 01:47:30.279
<v Speaker 3>He used to work with Goldsmith a lot. He would

2049
01:47:30.319 --> 01:47:35.319
<v Speaker 3>he would, you know, take take the music that Goldsmith

2050
01:47:35.359 --> 01:47:38.680
<v Speaker 3>wrote and tweak it or whatever. And sometimes he would

2051
01:47:38.720 --> 01:47:39.800
<v Speaker 3>conduct his orchestras too.

2052
01:47:40.479 --> 01:47:40.680
<v Speaker 4>Wow.

2053
01:47:40.760 --> 01:47:44.119
<v Speaker 3>That's cool. But hey, that's our thoughts on Congo. And

2054
01:47:44.199 --> 01:47:46.760
<v Speaker 3>let us know what you think about not only the

2055
01:47:46.760 --> 01:47:48.560
<v Speaker 3>film but what we have to say. You know, Like

2056
01:47:48.600 --> 01:47:50.479
<v Speaker 3>I said, We've gotten many requests for this one over

2057
01:47:50.479 --> 01:47:52.760
<v Speaker 3>the years, so I'd love to hear the thoughts from

2058
01:47:52.800 --> 01:47:54.960
<v Speaker 3>from our listeners. You can you can emails those thoughts

2059
01:47:55.000 --> 01:47:57.359
<v Speaker 3>at Movie Film Podcast at gmail dot com. You can

2060
01:47:57.359 --> 01:47:59.600
<v Speaker 3>also hit like on our Facebook paid Facebook dot com

2061
01:47:59.640 --> 01:48:03.640
<v Speaker 3>Slash Movie Film Podcast and message us there as always.

2062
01:48:03.640 --> 01:48:05.119
<v Speaker 3>If you like what we're doing, please go to Apple

2063
01:48:05.159 --> 01:48:07.560
<v Speaker 3>Podcasts and leave review, leave a star rating. Every little

2064
01:48:07.560 --> 01:48:10.560
<v Speaker 3>bit helps and oh, we also have a Patreon page.

2065
01:48:10.640 --> 01:48:13.079
<v Speaker 1>Right, that's right. If you head over to patreon dot

2066
01:48:13.119 --> 01:48:16.399
<v Speaker 1>com slash moviefilm podcast and hit subscribe for only five

2067
01:48:16.439 --> 01:48:19.079
<v Speaker 1>dollars a month, you'll find every commentary we've ever done

2068
01:48:19.239 --> 01:48:23.079
<v Speaker 1>in every episode moving forward, absolutely ad free. Our free

2069
01:48:23.079 --> 01:48:25.399
<v Speaker 1>feed will always be available, but this is our way

2070
01:48:25.399 --> 01:48:27.640
<v Speaker 1>of providing what we believe is the most satisfying way

2071
01:48:27.680 --> 01:48:32.239
<v Speaker 1>to enjoy the show, So no awkward ad breaks and interruptions. Plus,

2072
01:48:32.279 --> 01:48:34.439
<v Speaker 1>your subscription goes a long way and helping to support

2073
01:48:34.520 --> 01:48:37.760
<v Speaker 1>us and helping to sustain producing the show. So if

2074
01:48:37.760 --> 01:48:40.199
<v Speaker 1>you're interested in able, please head over to Patreon dot

2075
01:48:40.239 --> 01:48:44.600
<v Speaker 1>com slash moviefilm podcast and hit subscribe. We'd be very grateful.

2076
01:48:45.680 --> 01:48:48.760
<v Speaker 3>There we go, and with that on behalf of my

2077
01:48:48.840 --> 01:48:50.880
<v Speaker 3>partner Brian Home. My name is Zachison. This has been

2078
01:48:50.920 --> 01:48:54.319
<v Speaker 3>our commentary track for Congo. Thank you all for listening.

2079
01:48:54.359 --> 01:48:55.199
<v Speaker 3>We'll catch you next time.
