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Speaker 1: C. S.

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Speaker 2: Lewis in his Narnia series.

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Speaker 3: He has this image that in fact, the great lion

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Aslan sang the world into being. And this is the

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analogy that I want you to maintain in your mind.

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As we go through the days of Creation, you will

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see that all of the discussion about creation in Genesis

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one and two is really something like variations on a theme.

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God presents a theme at the outset and then plays

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with that theme all through the description of creation and

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gives us variation on the first pattern that he established

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at the beginning. Now, of course, unlike our musical experiences,

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that theme is not just.

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Speaker 2: A theme, It is the theme. It is the pattern.

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Speaker 3: Right, He's describing the very pattern of the cosmos itself,

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and as he goes through the days, you will see

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how that pattern is repeated and is played with.

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Speaker 2: This is Jonathan Pechel, Welcome to the symbolic world.

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Speaker 4: What you're about to see is a concert slash speaking

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event that I did at Saint Michael's Anglican Church in Charleston,

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South Carolina. It was an event that was organized by

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my friend Matthew Wilkinson, who runs the Pursuit of Beauty podcast.

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You might have seen me on that podcast. He's been

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doing a great job and he's an old friend of mine.

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It was a wonderful event where I would explain the

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symbolism in Genesis and then the choirs would sing different

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pieces of music. It was of course Saint Michael's choir itself,

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but also the choir from Holy Ascension in Charleston, a

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Paris that I love very much, and so it was

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a wonderful time and a wonderful surprise to be able

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to do an event like that, and I think you'll

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enjoy it very much.

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Speaker 5: Good evening, and welcome to you Saint Michael's Church, on

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the Reverend al Zatic director here and on behalf of

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our entire music ministry and our director Matthew Wilkinson. Welcome

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to Saint Michael's on a Sunday night. We are so

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glad that you are here. Thank you for coming to

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this extended meditation upon the seven Days of Creation.

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Speaker 2: This entire concert series is.

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Speaker 5: A way to engage our collective community beyond our walls

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with the beauty not only intrinsic to the gospel and

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the arts, but ultimately to the gospel itself, the Gospel

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of Jesus Christ and so I'd like to thank.

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Speaker 2: The acchoirs from St.

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Speaker 5: Michael's Church tonight, along with our friends from the Holy

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Ascension Orthodox Church and their director Olivia Reman. Our format

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tonight includes teaching from the spoken word and the best

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of classical hymnity. Our guest Jonathan Pagot upstairs here will

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read from Genesis through each of the days of Creation

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and then respond to the scripture with symbolic insights and interpretation,

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followed by choral and instrumental music. All the proceeds from

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tonight's concert will do offset the cost of the concert

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and go to furthering this particular concert series, including our

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next concert, which will be the annual Saint Michael's Christmas

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Tide Concert on Sunday, December twenty first.

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Speaker 2: At the very same.

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Speaker 5: Time, we extend a special gratitude to Bill and Phyllis

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Johnson for their incredible generosity and helping catalyze this concert

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series and making it all possible.

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Speaker 2: So thanks be to God.

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Speaker 5: Immediately following this concert, please join us for coffee, tea

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and treats in the narthex for reflection and conversation about

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what we've heard this evening. You know, we never learned

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from our experience. We only learned from the reflection of

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that experience. So join us in the Narthex tonight right

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after this concert. Now, let me introduce to you our

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guest speaker this evening.

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Speaker 2: His name is Jonathan Pagot.

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Speaker 5: Jonathan is a world renowned iron carver, a main contributor

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to the Orthodox Arts Journal, where he has written extensively

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on Scripture, art and symbolism, and is probably best known

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for his online community and podcast, The Symbolic World, where

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he and colleagues break down all of the patterns that

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make up our experience of the world. Jonathan also provides

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incisive cultural critiquing of movies and stories and grounds these

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symbolic patterns within the Holy Scripture and of course, the

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Church Fathers.

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Speaker 2: Jonathan also established the Symbolic.

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Speaker 5: World Press, which is currently producing a series of fairy

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tales for kids and for adult alike, and he offers

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classes on his website with renowned experts on Dante, Boethius, C. S.

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Speaker 2: Lewis, and more.

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Speaker 5: So please join me in welcoming Jonathan Pajo Jonathan Above.

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Speaker 6: Min I tell you what the con.

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Speaker 7: It is.

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Speaker 3: It is truly a joy to be here. Some of

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you know this, and some of you don't. Charleston is

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one of my favorite places in the world. I absolutely

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love to come here, and I look for reasons and

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opportunities to come here. So when my friend Matt Wilkinson

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suggested that I come and speak to you about creation,

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it was impossible to say no. In the beginning, God

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created the heaven and the earth, and the earth was

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without form and void, and darkness was upon the face

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of the deep, and the spirit of God moved upon

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the face of the waters. And the earth was without

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form and void, and darkness was on the face of

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the deep, and the spirit of God moved upon the

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face of the waters.

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Speaker 2: And God said, let there be light. And there was light.

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Speaker 3: And God saw the light that it was good. And

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God divided the light from the darkness. And God called

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the light day, and the darkness he called night. And

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the evening and the morning were the first day. C. S.

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Lewis in his Narnia series, he has this image that

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in fact, the great lion Aslan sang the world into being.

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And this is the analogy that I want you to

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maintain in your mind. As we go through the days

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of creation. You will see that all of the discussion

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about creation in Genesis one and two is really something

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like variations on a theme. God presents a theme at

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the outset and then plays with that theme all through

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the description of creation and gives us variation on the

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first pattern that He established at the beginning. Now, of course,

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unlike our musical experiences, that theme is not just.

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Speaker 2: A theme, It is the theme. It is the pattern.

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Speaker 3: Right, He's describing the very pattern of the cosmos itself,

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and as he goes through the days, you will see

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how that pattern.

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Speaker 2: Is repeated and is played with.

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Speaker 3: A good way of thinking about this when you look

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at the image that God describes. The first terms of

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the pattern are three. In the beginning, God created the

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heaven and the earth. So you have three patterns. You

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have God, you have Heaven, you have earth, and you

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have the idea that it is.

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Speaker 2: In the beginning.

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Speaker 3: One of the ways to translate in the beginning is

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in the arch or in the head. Another way of

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thinking about it in the principle is another good way

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of describing what it is that we're talking about. And

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if we understand a principle right as something like an

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invisible pattern or an invisible prince, let's say impetus that

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then yields motion. This is really the way to understand it.

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So God traces these two opposites. And what I want

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you to imagine in your mind, just to give you

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an image in the relationship to what we're doing, is

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to think of something like a string that is pulled

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across the surface of the waters. So you have above

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and you have below, and there's this taut string that

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is pulled on the surface of the deep. And you

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already have repeated if you want to hear, you already

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have repeated the pattern. So God says heaven Earth. Then

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he says spirit void. So he's doing this moving up

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and down, showing you what's above and what's below.

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Speaker 2: And then God says, let there be light.

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Speaker 3: And a good way of thinking about is to really

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imagine the light like a hand that comes down and

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plucks the string. And then things start to move up

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and down right and start to dance from heaven to earth,

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from Earth to heaven, and there's this exchange that happens

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between what is above and what is below, and the

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musicality of it is a good way of understanding. It's

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a rhythm, right, It's a it's a poem, it's in verse.

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Speaker 2: It has a structure to it, right, It.

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Speaker 3: Is a beautiful dance that is being started at the

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beginning of creation. And so God then again does it again.

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He says, God calls the light, day, calls it darkness, night,

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and the evening and the morning was the first day.

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And so he does it three times in the verse.

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If you've noticed it more, I think it's four. So

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he says heaven and earth. Read then he says spirit

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and void, right, light and dark and day and night.

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So these two opposites that are now going to start

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to play with each other. And you could realize that

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ultimately all of this is the same. It's all about

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the relationship between heaven and earth. And you can almost,

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like I said, imagine or imagine it again like a

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like a like a stone that falls into a puddle,

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and then things start to move back and forth, and

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these concentric rings start to flow out into the waters,

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and it gives us this beautiful, meaningful pattern. And so

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what we're going to see in the rest of the

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days is we're going to see.

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Speaker 2: That play out. And one of the.

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Speaker 3: Problems with a principle and one of the problems with

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a pattern is that often it appears very small. Think

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of a seed is a good way of thinking about it,

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something that you don't totally understand what it is yet,

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because when you see a seed, you're like, what's this

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little dot?

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Speaker 2: I don't know what this is.

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Speaker 3: It's just the point, right, just this one little, uh

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little place. And it's only when it starts to develop

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itself and then it starts to take root and starts

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to gather the earth in itself, and then it starts

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to play itself out, it starts to reveal what it

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is really. And that's what I think you see in

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this in this first verse. You know when God says

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heaven and earth, spirit and void, what is he talking about?

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I don't know what that is.

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Speaker 2: I don't know what that means.

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Speaker 3: And it's only as we move forward that we're going

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to see its song.

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Speaker 1: Its sons, so so.

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Speaker 6: U S speak, so speak.

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Speaker 7: So as not sit.

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Speaker 8: Side, said s.

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Speaker 2: S.

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Speaker 9: S S speaks.

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Speaker 10: Schools So.

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Speaker 11: Greeting's friends, cosmographers, fellow symbolists. This is Joshua from Eighth

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Day Books, inviting you to join me and studying a

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remarkable cosmic coincidence. Why is it that writers, philosophers, and

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prophets from many times and places have all told us

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that contemplating the night sky makes our own souls similarly

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more beautiful and more ordered. Hebrew and Hindu, Greek and Chinese.

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They've all told us that looking up is the same

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as looking in, and that we are as much citizens

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of the sky as we are of earth. We will

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be looking at Pythagorea and folk tales, biblical wisdom, literature,

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and contemporary novelists to ask these questions. It'll be a

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challenging course, but not technical. I teach medieval philosophy and

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Renaissance literature, and I'm condensing a year's worth of information

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into a few wonder filled hours. Please join me for

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some Plato, some poetry, and some practical skygazing, all to

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help us pursue the art of imitating Heaven. See you

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very soon.

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Speaker 3: So when you read the First Day and you pay attention,

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you realize that.

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Speaker 2: In the way that the world is being described, we're

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really using deep, deep.

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Speaker 3: Analogies, because in some ways what is being described on

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Day one is something that doesn't completely exist yet, at

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least not the way that we think things exist with mass,

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body and form, I've never experienced an absolute void. I'm

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sure you have never experienced an absolute void either. We

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experience relative voids. We experience as places where meaning breaks down.

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We experience as places where particularity seems to be screaming

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in a way that is making the unity of something questionable.

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Speaker 2: We experience a moment when things cease to make sense

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and are a puzzle and our confusion.

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Speaker 3: So we never can experience the great metaphysical void that

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is described in Genesis in the first verse of Genesis,

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but we do experience a relative version of that of

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that reality.

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Speaker 2: And it's the same with meaning.

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Speaker 3: We never experience pure meaning, or rarely, maybe the saints

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experience the pure light, but in general we experience a

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mitigated light. We experience a light that is refracted in

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all the things around us. We experience meaning in their examples.

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And so the pure spirit that is hovering above the

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waters and the light, the divine light that comes down,

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as well as the void that is below, are in

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some ways beyond the creation that we can deal with

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in everyday life, but they are nonetheless the pattern. They

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are that first string of the bow right, that first

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beginning of the great dance, or the vibration of the

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musical pattern.

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Speaker 2: So really that's the way to kind of understand Day

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two and so, and God said, let there.

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Speaker 3: Be a fearament in the midst of the waters, and

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let it divide the waters from the waters. And God

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made the fearmament and divided the waters which were under

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the fuarament from the waters which were above the fearmament.

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And it was so, and God called the fear moment heaven,

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and the evening and the morning were the second day.

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That is a very strange description for modern people to

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understand what exactly is going on. And I think that

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us as modern people, the best way of understanding what

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is happening is that God is putting in the earth,

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would say, another version of the world, a smaller one,

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a more particular one, one that is closer to our

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capacity to experience it. So, notice that God is repeating

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the pattern from the beginning again. And so he told

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us that the waters are the earth, and then in

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those waters he creates a new heaven. And then he

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creates a new Earth inside the waters. And he separates

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the waters from themselves in order to represent or to

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recast the pattern that was at the beginning, but a

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pattern which is so far from us and so pure

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that you know, we don't have access to it. So

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we can understand that this second division, right, this division

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the fear Moment and the Earth, is much closer. It's

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already a particularization of this great duality. And it is

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now in this second heaven and second Earth that the

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things that we now recognize as being meaningful, the things

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that we recognize as having purpose, the things we recognize

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also as being puzzling and confusing, will appear in this

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second division, in the second division of the heaven and

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the Earth.

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Speaker 2: But like I said, this is going to continue.

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Speaker 3: Every single day you will see will repeat again this

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pattern of division and this pattern of relationship between that

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division and between the opposites. So for centuries now there

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have been some pesky anthropologists and pesky theologians who have

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told us that this story is either an ancient myth

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that is using all the myths of the that is,

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using the myths of the other cultures, that it is,

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you know, just another gloss on the ancient mythical prototype,

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and therefore we shouldn't take.

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Speaker 2: It too seriously.

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Speaker 3: You'd see it as just something that is very old

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and dusty, and the other, on other hand, we have

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people that have told us, no, what's described here is

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scientifically exactly what has happened in that at the.

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Speaker 2: Beginning of time. In those two groups, they strangely stand against.

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Speaker 3: Each other, one desperately holding on to the importance of

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the text but sadly trying to issue the meaning from it,

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and the other seeing all these meanings in it but relativizing.

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Speaker 2: The importance of the text.

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Speaker 3: And I think that this text is one of the

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most powerful stories that have ever been written, because they're true.

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Speaker 2: Until now. You know, I have used very lofty.

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Speaker 3: Images and very kind of metaphysical looking images, and people

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will say we have, But the Hebrews, Jonathan, they were

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practical people. There were people that lived, you know, they

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were not philosophers in the way that we think of them.

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And that is absolutely true. And it is now in

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day three and in day four that you are going

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to start to see how real and how practical this is.

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And at the same time you are going to see

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how inevitable that first.

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Speaker 2: Description I gave you.

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Speaker 3: If you've been questioning me until now, and you've been

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thinking that I'm glossing this text by talking about heaven

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and Earth. It's in day three and in day four

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that you really see how it plays out. So day

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three and God said, let the waters under the heaven

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be gathered together into one place, and let the dry

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land appear. And it was so, and God called the

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dry land Earth, and the gathering together of the waters

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called the sea. And God saw that it was good.

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Now you notice, right, God is doing it again. He's

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separating two aspects of the world, separating Earth from the sea.

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What's the difference between the Earth and the sea. It's

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very simply. Earth is higher than the sea.

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Speaker 2: It just is. It has to be.

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Speaker 3: There's no other way. The Earth has to be above

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the sea, sea has to be below it. It's just

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how it works. And so he is separating the land

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and the sea. And now the land will become heaven

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or the sea will become an image of heaven or

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that which is below. Right, it repeats that duality. This

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is where you start to see that the descriptions they're

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not the reductionist descriptions of modern science and kind of

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alienated cosmological descriptions of satellite floating and quasars and all

338
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of that stuff.

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Speaker 2: Nonetheless very real. It is.

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Speaker 3: If you do not, if you're not able to distinguish

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the difference of level between earth and sea, you will

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die called drowning.

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Speaker 2: Right, It's quite simple.

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Speaker 3: And there is a reality to the earth and to

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the possibility of the Earth of gathering itself into these

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places that in our experience connect Heaven and Earth together.

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Speaker 2: So think of it as a fractal.

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Speaker 3: You have now the heaven above you have the Earth,

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and that's a duality, and then the earth plays the

350
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role of Heaven towards the sea.

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Speaker 2: And that type of opposition will continue.

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Speaker 3: But if you want, honestly, if you want to have

353
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a little experience of heaven, you can go up a mountain.

354
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It actually works because one of the things that happens

355
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when you're at the bottom of a mountain is that

356
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everything is very particular, everything is very granular. You can

357
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start even by putting your face on the ground. If

358
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you want, lie down on the ground and look around.

359
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You see what you see.

360
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Speaker 2: Maybe you'll see a bug or two, maybe a few

361
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blades of grass. But what happens when you go up.

362
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Speaker 3: When you go up, all of a sudden, that granularity

363
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starts to fuse together. And then you start to see

364
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things come together into patterns, You start to notice things,

365
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things start to coalesce. If you go up a mountain,

366
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by the time you're up at the top of the mountain,

367
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you have the sense that you can see the entire cosmos.

368
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Speaker 2: Because it's all around you. You have this vision.

369
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Speaker 3: You can gather the entire earth and your experience at

370
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that time. It's not the entire earth, relatively the earth,

371
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and you can gather it into one experience. You can

372
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make sense of the entire landscape that stands, that lays

373
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itself out around you. Right.

374
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Speaker 2: That's why we love going up.

375
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Speaker 3: That's why we enjoy going up mountains and going up hills,

376
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to have that little experience of things coming together and

377
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all of a sudden seeing seeing creation lay itself out

378
00:26:06,960 --> 00:26:09,799
in its fullness. And like I said, it's very practical

379
00:26:10,119 --> 00:26:13,000
and it's very, very very real. My brother once came

380
00:26:13,079 --> 00:26:15,880
up with this analogy, which is very simple.

381
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Speaker 2: One.

382
00:26:16,480 --> 00:26:20,200
Speaker 3: We're all standing in a room together and there's one

383
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person who steps up on a chair. That person will

384
00:26:24,000 --> 00:26:29,000
immediately command authority necessarily because he can see everyone. Everybody

385
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can see him. But I can't see everybody around. I

386
00:26:32,000 --> 00:26:34,759
can just see the person next to me. So just

387
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this vision of standing up on a chair is a

388
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little glimpse of what it is that Heaven is talking about.

389
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It is this idea of a little, very small one

390
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of what we mean when we say that Christ is

391
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the head and the Church is the body. It's a

392
00:26:49,640 --> 00:26:53,119
little glimpse of why we have this image of God

393
00:26:53,440 --> 00:26:57,680
going revealing himself and giving law at the top of

394
00:26:57,759 --> 00:27:02,680
a mountain. Because law, what's law. They have thought about

395
00:27:02,720 --> 00:27:06,359
what laws. Law is a pattern of behavior.

396
00:27:06,400 --> 00:27:07,039
Speaker 2: That's what law is.

397
00:27:08,039 --> 00:27:13,279
Speaker 3: So it's a way to organize behavior coherently. And that

398
00:27:13,440 --> 00:27:15,799
is really what Heaven is all the time. And what

399
00:27:15,839 --> 00:27:18,000
does God give Moses at the top of the mountain?

400
00:27:18,720 --> 00:27:20,559
Speaker 2: Gives us two things, gives them two things. He gives

401
00:27:20,599 --> 00:27:22,920
them the law, and he gives them a pattern for

402
00:27:23,000 --> 00:27:23,440
a building.

403
00:27:24,319 --> 00:27:26,000
Speaker 3: I think that's kind of odd that that's what God

404
00:27:26,039 --> 00:27:28,000
would give Moses at the top of the mountain.

405
00:27:27,759 --> 00:27:29,200
Speaker 2: But no, that's exactly what it is.

406
00:27:30,519 --> 00:27:34,079
Speaker 3: He gives him this pattern, and then they, the Israelites,

407
00:27:34,319 --> 00:27:38,640
will gather the earth together and make this building in

408
00:27:38,920 --> 00:27:41,240
the image of the pattern that is above.

409
00:27:42,440 --> 00:27:47,319
Speaker 2: Now, this is where this is.

410
00:27:47,359 --> 00:27:49,440
Speaker 3: Going to start to make sense, because the next part

411
00:27:49,519 --> 00:27:52,200
of this day is the strangest for modern people.

412
00:27:52,279 --> 00:27:55,920
Speaker 2: I think in the entire layout of the creation aready.

413
00:27:57,200 --> 00:28:01,160
Speaker 3: So when God said, let the earth bring forth the

414
00:28:01,279 --> 00:28:05,519
herb yielding seed and the fruit, tree yielding fruit after

415
00:28:05,599 --> 00:28:08,799
its kind, whose seed is in itself upon the earth,

416
00:28:09,480 --> 00:28:12,559
and it was so, And the earth brought forth grass

417
00:28:13,319 --> 00:28:17,200
and herb yielding seed after its kind, and the tree

418
00:28:17,279 --> 00:28:20,880
yielding fruit, whose seed was in itself after his kind.

419
00:28:21,440 --> 00:28:24,519
And God saw that it was good. And the evening

420
00:28:24,880 --> 00:28:28,799
and the morning were the third day. Now, why, for

421
00:28:29,000 --> 00:28:32,480
goodness sake is God creating grass before he created the sun.

422
00:28:33,839 --> 00:28:37,039
I'm sure you've heard people who have attacked the creationists

423
00:28:37,160 --> 00:28:38,400
on this front.

424
00:28:39,920 --> 00:28:42,359
Speaker 2: It's a very odd thing. Why would God create grass

425
00:28:42,400 --> 00:28:43,200
before he's created that.

426
00:28:43,960 --> 00:28:47,160
Speaker 3: So the only way to understand it is to understand

427
00:28:47,200 --> 00:28:51,799
this play between above and below, between heaven and earth.

428
00:28:52,839 --> 00:28:57,079
So in this version of the duality, God starts below

429
00:28:58,400 --> 00:29:02,319
and he creates this multiplicity. And it's super interesting because

430
00:29:02,359 --> 00:29:07,279
we always have this idea that God creates everything. That's

431
00:29:07,319 --> 00:29:11,400
not how the text describes creation. It says he tells

432
00:29:11,480 --> 00:29:18,400
the earth bring forth. He's saying, bring forth something on

433
00:29:18,559 --> 00:29:23,160
the ground which has being, But will also have in

434
00:29:23,319 --> 00:29:25,160
it the pattern.

435
00:29:24,880 --> 00:29:29,000
Speaker 2: So it can continue, so it can reproduce itself. Because

436
00:29:29,039 --> 00:29:32,200
it's an odd phrasing. He says, make herbs with seed

437
00:29:32,319 --> 00:29:35,039
inside and the seed of it to make it of

438
00:29:35,079 --> 00:29:37,480
its kind. What's going on, That's exactly what God is doing.

439
00:29:37,559 --> 00:29:43,240
Speaker 3: God is asking the earth to create variability. Think about

440
00:29:43,240 --> 00:29:47,599
it that way, multiplicity. He's saying, create this, generate this

441
00:29:47,759 --> 00:29:52,039
multiplicity in the constraint that I'm giving, which is this

442
00:29:52,240 --> 00:29:53,559
herb that has seed in it.

443
00:29:54,039 --> 00:29:56,359
Speaker 2: And for it to be good, that's what it has

444
00:29:56,440 --> 00:29:58,720
to have. It has to have seed in it.

445
00:29:59,119 --> 00:30:01,960
Speaker 3: It has to have its own pattern inside so that

446
00:30:02,119 --> 00:30:05,720
it can continue this great dance at its own level,

447
00:30:06,880 --> 00:30:10,119
so it can continue to produce. The seed that falls

448
00:30:10,240 --> 00:30:14,400
from above down into the earth, enters the earth, generates

449
00:30:14,440 --> 00:30:17,640
a tree, the tree goes up, the seed falls back,

450
00:30:18,079 --> 00:30:21,680
and you have this beautiful dance of the relationship between

451
00:30:21,720 --> 00:30:24,319
heaven and earth, very practically and actually how plants function.

452
00:30:24,839 --> 00:30:28,079
But also because of what a seed is. There's a seed,

453
00:30:28,240 --> 00:30:30,920
like I said at the beginning, is something like the law.

454
00:30:31,319 --> 00:30:33,920
A seed is something like a pattern without a body

455
00:30:34,480 --> 00:30:36,400
that will find body in the earth.

456
00:31:00,079 --> 00:31:10,200
Speaker 8: As said I.

457
00:31:17,640 --> 00:31:24,960
Speaker 6: No ic, I see.

458
00:31:26,440 --> 00:32:06,799
Speaker 7: As says, that's say not my soul.

459
00:32:21,279 --> 00:32:37,960
Speaker 12: Sory Wna.

460
00:32:40,680 --> 00:32:43,440
Speaker 9: Wanted to bother to decide to.

461
00:32:43,720 --> 00:32:48,640
Speaker 7: Mo still now to matures, and.

462
00:32:50,559 --> 00:32:54,880
Speaker 8: I'm amama to be.

463
00:32:58,079 --> 00:32:58,119
Speaker 7: On.

464
00:33:36,960 --> 00:33:39,359
Speaker 3: Let there be lights the firmament of the heavens, to

465
00:33:39,480 --> 00:33:42,160
divide the day from the night, and let them be

466
00:33:42,279 --> 00:33:45,160
for signs and for seasons, and for days and years,

467
00:33:45,839 --> 00:33:47,839
and let them be for lights in the firmament of

468
00:33:47,880 --> 00:33:50,960
the heavens, to give light upon the earth. And it

469
00:33:51,119 --> 00:33:55,359
was so God made great, two great lights, the greater

470
00:33:55,519 --> 00:33:58,160
light to rule the day and the lesser light to

471
00:33:58,359 --> 00:33:59,039
rule the knight.

472
00:33:59,640 --> 00:34:01,039
Speaker 2: He may the stars also.

473
00:34:02,079 --> 00:34:04,920
Speaker 3: God set them in the fearment of the heavens to

474
00:34:05,000 --> 00:34:08,639
give light on the earth and to rule over the

475
00:34:08,760 --> 00:34:11,679
day and over the night, and to divide the light

476
00:34:11,920 --> 00:34:15,360
from the darkness. And God saw that it was good,

477
00:34:16,199 --> 00:34:20,159
and the evening and the morning were the fourth day.

478
00:34:23,679 --> 00:34:29,119
So again, for the last few hundred years, we have

479
00:34:29,360 --> 00:34:32,199
been told that these things we see up in the skies,

480
00:34:32,239 --> 00:34:36,559
they're you know, balls of flaming gas. They're dead rocks

481
00:34:36,800 --> 00:34:41,400
that reflect the light. That the idea of astrology is

482
00:34:41,480 --> 00:34:47,719
completely stupid and super fit and superstitious and ridiculous. I

483
00:34:47,800 --> 00:34:51,119
would like you to reconsider that. I'm not saying go

484
00:34:51,320 --> 00:34:54,519
check your horse, go tomorrow, that is ridiculous.

485
00:34:56,119 --> 00:34:57,199
Speaker 2: But notice what's happening.

486
00:34:57,960 --> 00:35:02,079
Speaker 3: So God the day before and he creates this multiplicity

487
00:35:02,119 --> 00:35:06,119
on the earth, right, this multiplicity in the darkness, that

488
00:35:06,239 --> 00:35:08,880
all has its seed. It's almost like it's just bursting, right,

489
00:35:08,920 --> 00:35:11,360
It's like this potential that he's here on the ground.

490
00:35:12,079 --> 00:35:13,599
Speaker 2: And then the God goes up.

491
00:35:14,719 --> 00:35:18,280
Speaker 3: Then he starts the same pattern reflecting the earth up

492
00:35:18,679 --> 00:35:19,519
into the heavens.

493
00:35:19,559 --> 00:35:22,719
Speaker 2: Have you ever thought that the stars in the heavens

494
00:35:22,760 --> 00:35:23,880
are like the grass of the field.

495
00:35:23,920 --> 00:35:27,199
Speaker 3: Have you ever had that intuition that the infinite number

496
00:35:27,280 --> 00:35:31,119
of points of light in the heavens are like this

497
00:35:31,320 --> 00:35:34,760
explosion of glory? Right, this multiplicity that is all up

498
00:35:34,800 --> 00:35:38,360
there in the heavens. But what's the difference between the

499
00:35:38,480 --> 00:35:41,679
one we see up there the one we see below.

500
00:35:42,360 --> 00:35:46,840
The one we see below is dark? It is naturally

501
00:35:47,000 --> 00:35:50,880
in the darkness. I always tell people to remember that,

502
00:35:51,039 --> 00:35:53,880
Like if you dig a hole and go inside and

503
00:35:54,000 --> 00:35:56,840
cover yourself, and you'll notice there's a little light there.

504
00:35:59,280 --> 00:36:02,960
Speaker 2: Now up above of God sets a clock. Basically, what

505
00:36:03,079 --> 00:36:05,760
he's doing, he's setting a great.

506
00:36:07,000 --> 00:36:09,440
Speaker 3: Quantity of lights that are above in the heavens, and

507
00:36:09,559 --> 00:36:15,280
that move in a regular fashion, and they rule over

508
00:36:16,079 --> 00:36:20,480
the earth, and they rule over the seasons, they rule

509
00:36:20,519 --> 00:36:23,039
over the days, they rule over the nights, and so

510
00:36:24,039 --> 00:36:26,480
you don't have to you don't have to go very

511
00:36:26,519 --> 00:36:31,519
far to realize that they're providing the pattern. If they're

512
00:36:31,679 --> 00:36:34,599
the stars in the heavens, the sun and the moon,

513
00:36:35,000 --> 00:36:38,400
they are providing the regularity of the pattern what happens

514
00:36:38,480 --> 00:36:42,039
down here. It's not that it's completely unpatterned, obviously, like

515
00:36:42,119 --> 00:36:44,199
I said, all of these things are mitigated.

516
00:36:44,119 --> 00:36:45,920
Speaker 2: But it's a lot messier down here.

517
00:36:46,880 --> 00:36:49,320
Speaker 3: The patterns that are here, they're harder to discern, right,

518
00:36:51,000 --> 00:36:53,360
You almost need some insight from above to be able

519
00:36:53,400 --> 00:36:55,599
to kind of see what's going on down here. But

520
00:36:55,840 --> 00:36:59,079
the clock up here that is regular, So you know,

521
00:36:59,239 --> 00:37:03,440
windspring is if on that day it's hotter than it

522
00:37:03,559 --> 00:37:05,679
usually is, you know, when winter is.

523
00:37:06,719 --> 00:37:08,079
Speaker 2: Even if there's some weird.

524
00:37:08,280 --> 00:37:11,440
Speaker 3: Weather phenomena or something that happens that doesn't seem to

525
00:37:11,480 --> 00:37:13,679
be in tune with what it is that the stars

526
00:37:13,679 --> 00:37:18,079
are saying, this is the clock. Notice then again, how God,

527
00:37:18,559 --> 00:37:23,440
even in the heavens on the earth, he says, the

528
00:37:23,840 --> 00:37:27,360
grass and the seed, so he separates right. Even in

529
00:37:27,440 --> 00:37:30,039
the earth he does the separation. Now he does the

530
00:37:30,119 --> 00:37:32,960
same in the heavens. So he says, there are two

531
00:37:33,079 --> 00:37:36,000
great lights. There is the Sun, there is the moon.

532
00:37:37,000 --> 00:37:39,639
The Sun is a pure light, the moon is a

533
00:37:39,719 --> 00:37:44,400
mitigated light. If the moon is a changing light moves

534
00:37:44,480 --> 00:37:48,079
from waxes in wangs right from dark to light. And

535
00:37:48,199 --> 00:37:52,880
so it does become exactly this image of heaven and earth.

536
00:37:52,920 --> 00:37:55,960
But now in the heavens themselves, this duality is set

537
00:37:56,039 --> 00:38:00,280
up as the pure light and the reflective light are

538
00:38:00,320 --> 00:38:02,960
the pure light and the mitigated changing light.

539
00:38:05,159 --> 00:38:06,679
Speaker 2: And so you can see that.

540
00:38:08,039 --> 00:38:11,480
Speaker 3: It's the only reason why God would create grass before

541
00:38:11,519 --> 00:38:14,239
it creates light, is simply to remind us of the

542
00:38:14,360 --> 00:38:17,280
meaning of these things, simply to help us understand how

543
00:38:17,360 --> 00:38:20,559
we experience them in the world, how we experience grass,

544
00:38:20,679 --> 00:38:23,119
how we experience the dirt and the roots and all

545
00:38:23,159 --> 00:38:25,920
of that, and how we experience these lights in the heaven.

546
00:38:26,159 --> 00:38:28,960
Speaker 2: But the giant clock that directs our days and our

547
00:38:29,079 --> 00:38:30,320
nights day five.

548
00:38:31,719 --> 00:38:35,199
Speaker 3: And God said, let the waters bring forth abundantly the

549
00:38:35,320 --> 00:38:39,559
moving creature that hath life and foul, that may fly

550
00:38:39,719 --> 00:38:43,599
above the earth in the open fearament of heaven, and

551
00:38:43,719 --> 00:38:47,360
God created great whales and every living creature that moveth

552
00:38:48,239 --> 00:38:52,199
which the waters brought forth abundantly after their kind, and

553
00:38:52,400 --> 00:38:54,760
every wing fowl after its kind.

554
00:38:54,639 --> 00:38:55,400
Speaker 2: After his kind.

555
00:38:55,480 --> 00:38:59,119
Speaker 3: And God saw that it was good, and God blessed them, saying,

556
00:38:59,199 --> 00:39:03,039
be fruitful and multiply, and fill the waters in the sea,

557
00:39:03,519 --> 00:39:07,400
and let foul multiply in the earth. And the evening

558
00:39:07,920 --> 00:39:13,079
and the morning were fifth day. So hopefully at this

559
00:39:13,239 --> 00:39:17,760
point you've entered into the dance. Hopefully at this point

560
00:39:17,880 --> 00:39:20,559
you've now started to move your hips to the rhythm

561
00:39:21,079 --> 00:39:24,920
of this story, and you're starting to see this beautiful

562
00:39:25,480 --> 00:39:29,159
swaying that is part of the general pattern that God

563
00:39:29,320 --> 00:39:35,559
is setting forth. Now, God creates beings that have motion.

564
00:39:36,679 --> 00:39:42,280
They create beings that are closer to his image, not

565
00:39:42,480 --> 00:39:46,000
yet in his but closer to his image. They are

566
00:39:46,119 --> 00:39:50,880
not locked to the earth like the grass, They're not

567
00:39:51,159 --> 00:39:55,960
locked up in the heavens, but rather they move freely.

568
00:39:56,760 --> 00:39:59,880
Speaker 2: But again, on the same day, what does he do.

569
00:40:01,760 --> 00:40:05,760
Speaker 3: It starts by making the fish below and the birds above.

570
00:40:08,199 --> 00:40:10,360
It starts by creating what is down there and what

571
00:40:10,559 --> 00:40:10,920
is above.

572
00:40:11,800 --> 00:40:12,800
Speaker 2: And they say whales.

573
00:40:12,880 --> 00:40:13,360
Speaker 7: I hate that.

574
00:40:13,440 --> 00:40:16,639
Speaker 2: They say whales, not whales. We all know what it is.

575
00:40:17,119 --> 00:40:20,280
It's monsters. We know that's what God creates on that day.

576
00:40:21,119 --> 00:40:24,599
Speaker 3: God creates the monsters on that day because the monsters

577
00:40:24,679 --> 00:40:28,719
are closer to the earth, right, because monsters are the

578
00:40:28,880 --> 00:40:31,199
things that you don't know what they are, right. They're

579
00:40:31,199 --> 00:40:35,920
the lurking chaos that can come and ivar you. They're

580
00:40:35,920 --> 00:40:40,199
different from the other animals because most of the other

581
00:40:40,239 --> 00:40:42,320
animals were able to rule over. Those are harder to

582
00:40:42,400 --> 00:40:44,559
rule over because they kind of come up and swallow.

583
00:40:44,599 --> 00:40:47,079
You have a powerful example of that in the story

584
00:40:47,119 --> 00:40:50,800
of Jonah. But you can see clearly that God is

585
00:40:51,079 --> 00:40:55,639
continuing his beautiful pattern. And what we're going to see

586
00:40:55,760 --> 00:40:57,960
is we're going to start to feel again that this

587
00:40:58,440 --> 00:41:02,559
is getting closer. It's almost as if Heaven and Earth

588
00:41:02,639 --> 00:41:07,519
are in a romantic relationship. It's as if it's the

589
00:41:07,639 --> 00:41:10,079
song of songs here and there is a call and

590
00:41:10,159 --> 00:41:13,280
a response, and there is a action from below and

591
00:41:13,320 --> 00:41:15,159
an action from above. And what we're going to start

592
00:41:15,199 --> 00:41:18,960
to see is that this is coming closer, closer towards

593
00:41:19,000 --> 00:41:23,320
a union of that first separation that God established at

594
00:41:23,360 --> 00:41:27,239
the outset. And again you can see that just like

595
00:41:27,400 --> 00:41:31,039
God said to the plants, he sang similar things to

596
00:41:31,159 --> 00:41:32,800
the You notice he said again, he said, it's the

597
00:41:32,920 --> 00:41:36,920
waters that produce these The waters produce them. But he

598
00:41:37,119 --> 00:41:40,000
asks one thing that they be produced in their kind,

599
00:41:41,039 --> 00:41:43,679
that they have the seed inside them, just like what

600
00:41:43,800 --> 00:41:47,559
he said about the plants, that they are coherent beings

601
00:41:48,119 --> 00:41:52,719
that are capable of reproducing their pattern over a time.

602
00:41:53,039 --> 00:41:55,760
That's what he means when he says he wants beings

603
00:41:55,840 --> 00:41:58,880
of their kind. He doesn't want just a chaotic jumble

604
00:41:58,920 --> 00:42:01,039
of things that are always changed. He wants there to

605
00:42:01,119 --> 00:42:03,440
be order in the creation.

606
00:42:09,280 --> 00:43:48,000
Speaker 10: Louise suss.

607
00:43:10,880 --> 00:43:16,880
Speaker 9: Song no.

608
00:43:21,480 --> 00:43:57,400
Speaker 10: So so yeah so.

609
00:43:59,400 --> 00:44:06,800
Speaker 7: Sun who sat.

610
00:44:11,880 --> 00:44:17,360
Speaker 12: So in the.

611
00:44:19,559 --> 00:44:22,679
Speaker 7: Song, So.

612
00:44:33,679 --> 00:44:34,280
Speaker 10: Let's s.

613
00:44:35,920 --> 00:45:52,599
Speaker 2: Some fus so.

614
00:45:52,800 --> 00:45:56,320
Speaker 3: As the days progress and as the pattern starts to

615
00:45:56,360 --> 00:45:59,840
become more explicit and more visible, but you realize is

616
00:46:00,159 --> 00:46:03,840
that what is being described is really the pattern of

617
00:46:03,920 --> 00:46:07,400
the world. It really is the pattern of reality. But

618
00:46:07,519 --> 00:46:11,000
it is the pattern of reality in meaning. That's maybe

619
00:46:11,079 --> 00:46:14,199
the easiest way for us to understand that today. It's

620
00:46:14,320 --> 00:46:17,800
the way that things are meaningful. It's the way that

621
00:46:17,920 --> 00:46:20,920
things have purpose. It's the way that things are recognized

622
00:46:21,000 --> 00:46:25,360
as having relationships with each other. And when we look

623
00:46:25,400 --> 00:46:29,719
at there are mythical description of the origin of the cosmos.

624
00:46:29,800 --> 00:46:33,000
If you think of the Big Bang, it should be

625
00:46:33,199 --> 00:46:36,400
not that difficult to help us as Christians realize that

626
00:46:36,480 --> 00:46:41,480
it is an insufficient description because it doesn't contain meaning.

627
00:46:42,880 --> 00:46:45,400
It doesn't tell us how to be, or how to live,

628
00:46:45,599 --> 00:46:48,000
or how to be with each other. It doesn't give

629
00:46:48,119 --> 00:46:51,119
any image of what our relationship is to these lights

630
00:46:51,159 --> 00:46:53,360
in the sky, or what our relationship is to these

631
00:46:53,440 --> 00:47:00,239
animals around us. Those descriptions are in this text. That's

632
00:47:00,280 --> 00:47:03,760
why it is a better version. I have nothing against

633
00:47:03,800 --> 00:47:04,280
the Big Bang.

634
00:47:04,440 --> 00:47:09,239
Speaker 2: It's fine. That's not my first story. It's kind of downstream.

635
00:47:09,920 --> 00:47:13,719
Speaker 3: This is my first story, because this story is far

636
00:47:13,880 --> 00:47:16,360
greater and includes much more reality.

637
00:47:16,000 --> 00:47:18,320
Speaker 2: In it than the description that we have in the

638
00:47:18,360 --> 00:47:20,039
scientific process.

639
00:47:22,039 --> 00:47:26,199
Speaker 3: So day six, and God said, let the earth bring

640
00:47:26,320 --> 00:47:31,039
forth the living creature after his kind, cattle and creeping thing,

641
00:47:31,320 --> 00:47:33,639
and beast of the earth after his kind.

642
00:47:34,119 --> 00:47:34,679
Speaker 2: And it was so.

643
00:47:35,679 --> 00:47:38,159
Speaker 3: And God made the beast of the earth after his kind,

644
00:47:38,280 --> 00:47:41,920
and cattle after their kind, and everything that creepeth upon

645
00:47:42,000 --> 00:47:45,960
the earth after his kind. And God saw that it

646
00:47:46,119 --> 00:47:53,039
was good. Now again God asks to generate multiplicity. God says,

647
00:47:53,199 --> 00:47:57,719
generate these beasts. But here's the constraint. Here's the way

648
00:47:57,800 --> 00:47:59,280
I want you to do it. I want it to

649
00:47:59,400 --> 00:48:03,760
be creatures that are of their kind, creatures that have

650
00:48:03,920 --> 00:48:06,679
a name, right, not yet Adam will do that, but

651
00:48:07,199 --> 00:48:08,440
implicit name, let's.

652
00:48:08,239 --> 00:48:10,480
Speaker 2: Say, creatures that have meaning in them.

653
00:48:11,480 --> 00:48:13,239
Speaker 3: And this is really where to me, it's one of

654
00:48:13,280 --> 00:48:15,960
my favorite parts of the Creation story because this is

655
00:48:16,000 --> 00:48:17,960
where you really see. The way it's translated is kind

656
00:48:17,960 --> 00:48:20,559
of funny. It makes you wonder, why is it saying

657
00:48:20,639 --> 00:48:21,079
that right?

658
00:48:21,119 --> 00:48:22,000
Speaker 2: Because it says.

659
00:48:23,679 --> 00:48:27,880
Speaker 3: It says beasts of the earth, cattle and things that

660
00:48:28,000 --> 00:48:28,880
creep on the ground.

661
00:48:30,280 --> 00:48:33,719
Speaker 2: What an odd categorization of animals.

662
00:48:34,320 --> 00:48:37,320
Speaker 3: I don't think any biologists today would want to categorize

663
00:48:38,199 --> 00:48:43,559
the plethora of animals into these categories. And I don't

664
00:48:43,599 --> 00:48:45,119
like the way it's translated that well, because the best

665
00:48:45,119 --> 00:48:48,679
way of understanding it is that God creates the wild animals.

666
00:48:49,119 --> 00:48:50,719
Speaker 2: God creates the same animals.

667
00:48:51,280 --> 00:48:54,800
Speaker 3: Then God creates the animals that are creeping below under

668
00:48:54,840 --> 00:49:00,400
the earth about meaning about Heaven and Earth, the same

669
00:49:00,480 --> 00:49:04,440
description as when he creates the monsters and the fish.

670
00:49:04,800 --> 00:49:05,599
Speaker 2: And the birds.

671
00:49:06,159 --> 00:49:10,880
Speaker 3: He's showing us that there are animals that you eat,

672
00:49:11,960 --> 00:49:13,280
and there are animals.

673
00:49:12,880 --> 00:49:13,360
Speaker 2: That eat you.

674
00:49:13,880 --> 00:49:17,239
Speaker 3: Those two are not the same. If you treat them

675
00:49:17,280 --> 00:49:21,280
the same, then you're in serious trouble. So there are

676
00:49:21,320 --> 00:49:23,639
animals over which you rule naturally, that are in some

677
00:49:23,679 --> 00:49:27,559
ways extension of the meaning of humans. These are the

678
00:49:27,800 --> 00:49:30,199
same animals. These are the cattle, These are the sheep.

679
00:49:30,239 --> 00:49:33,159
These are the animals that exist in the kind of

680
00:49:33,280 --> 00:49:36,719
cohabitation with humans. And then there are the animals that

681
00:49:36,760 --> 00:49:40,159
are dangerous for you. So notice it's again a description

682
00:49:40,599 --> 00:49:43,840
of a separation or the relationship between heaven and earth.

683
00:49:44,800 --> 00:49:48,679
Here's these animals that bring chaos. Here are these animals

684
00:49:48,679 --> 00:49:51,840
that participate in order. And here are the animals that

685
00:49:52,719 --> 00:49:55,920
obviously not dead yet, but we are dead, so we

686
00:49:56,000 --> 00:49:58,039
can see what it means. These are the animals that

687
00:49:58,159 --> 00:50:01,920
can eat all of you at the end, when it's over.

688
00:50:02,719 --> 00:50:05,559
These dark things hiding under the ground, all these creepy

689
00:50:05,639 --> 00:50:08,599
crawlers like vermin, they can eat all of you.

690
00:50:09,920 --> 00:50:11,599
Speaker 2: That's why those are the.

691
00:50:11,599 --> 00:50:16,119
Speaker 3: Categories, because they're categories of meaning. They're not biological categories

692
00:50:16,639 --> 00:50:20,119
the way that modern people do taxonomy. They are categories

693
00:50:20,159 --> 00:50:25,599
of meaning. How humans engage in the world. And God said,

694
00:50:25,679 --> 00:50:29,119
let us make man in our image after our likeness,

695
00:50:29,760 --> 00:50:32,320
and let them have dominion over the fish of the sea,

696
00:50:32,800 --> 00:50:35,239
and over the fowl of the air, and over the cattle,

697
00:50:35,639 --> 00:50:38,440
and over all the earth, and over every creeping thing

698
00:50:38,559 --> 00:50:42,159
that creepeth upon the earth. So God created man in

699
00:50:42,239 --> 00:50:45,239
his own image, in the image of God. Created he

700
00:50:45,440 --> 00:50:51,400
him male and female, created he them. And God blessed them.

701
00:50:52,079 --> 00:50:55,519
And God said unto them, be fruitful and multiply, and

702
00:50:55,639 --> 00:50:59,039
replenish the earth and subdue it, and have dominion over

703
00:50:59,079 --> 00:51:00,960
the fish of the sea, the fowl of the air,

704
00:51:01,199 --> 00:51:03,800
and over every living thing that moves upon the earth.

705
00:51:05,559 --> 00:51:07,840
And God said, behold, I have given you every herb

706
00:51:08,239 --> 00:51:10,519
bearing seed which is upon the face of all the earth,

707
00:51:10,760 --> 00:51:13,440
and every tree which is the fruit of a tree

708
00:51:13,519 --> 00:51:17,960
yielding seed. To you it shall be for food for meat.

709
00:51:19,159 --> 00:51:21,320
And to every beasts of the earth, and to every

710
00:51:21,360 --> 00:51:24,079
file of the air, and to everything that creepeth upon

711
00:51:24,119 --> 00:51:26,800
the earth wherein there's life. I have given every green

712
00:51:27,039 --> 00:51:28,039
herb for food.

713
00:51:28,159 --> 00:51:28,679
Speaker 2: And it was so.

714
00:51:29,480 --> 00:51:32,199
Speaker 3: And God saw everything that he had made, and behold,

715
00:51:32,599 --> 00:51:36,400
it was very good. And the evening and the morning

716
00:51:36,559 --> 00:51:41,199
were six day So say Maximuth the Confessor, one of

717
00:51:41,239 --> 00:51:45,559
my favorite theologians, makes a big deal about the difference

718
00:51:45,840 --> 00:51:50,039
I haven't mentioned it until now that God everything that

719
00:51:50,199 --> 00:51:55,159
he creates, he also evaluates. So he says, to the earth,

720
00:51:55,280 --> 00:51:58,440
bring forth, and then God judges. We don't like to

721
00:51:58,440 --> 00:52:00,280
think of it as judging, but that's what God does.

722
00:52:01,360 --> 00:52:04,239
And he says it is good, right, and he notices,

723
00:52:04,320 --> 00:52:06,559
he sees the meaning in it, he sees the purpose.

724
00:52:06,800 --> 00:52:08,039
Speaker 2: He sees that it is good.

725
00:52:08,559 --> 00:52:11,519
Speaker 3: But it is only here that God says that it

726
00:52:11,639 --> 00:52:17,039
is very good, because now heaven and earth have been joined.

727
00:52:18,000 --> 00:52:21,920
Heaven and earth have been brought together in the image

728
00:52:22,000 --> 00:52:29,280
of God. And of course here it is intimated, but

729
00:52:29,440 --> 00:52:32,159
it's really in the next chapter. Writ it's in Genesis

730
00:52:32,199 --> 00:52:36,079
two that it's very clear, because in Genesis too there's

731
00:52:36,119 --> 00:52:40,000
a rehashing of the creation of man. And what God does,

732
00:52:40,079 --> 00:52:45,679
if you remember right, he gathers the dust and then

733
00:52:45,760 --> 00:52:50,840
he puts heaven inside, lows his spirit into the dust.

734
00:52:52,079 --> 00:52:57,440
Your thought about what dust is, Dust is one of

735
00:52:57,559 --> 00:53:01,440
the closest things to chaos that we can experience. Dust

736
00:53:01,679 --> 00:53:04,000
is basically a bunch of things that have nothing in

737
00:53:04,079 --> 00:53:09,599
common with each other. They are residues and little bits

738
00:53:09,639 --> 00:53:12,800
of things that don't have any.

739
00:53:12,760 --> 00:53:17,199
Speaker 2: Type of unity. So the earth that he's taking right.

740
00:53:17,280 --> 00:53:18,320
It's the secondary earth.

741
00:53:18,400 --> 00:53:21,679
Speaker 3: But you can see that it's also in a secret way,

742
00:53:21,760 --> 00:53:23,079
or in a hidden way, or in a kind of

743
00:53:23,119 --> 00:53:26,480
analogical way. It's that void that was right there at

744
00:53:26,480 --> 00:53:31,119
the beginning, bringing it up. And now he's putting that spirit,

745
00:53:31,239 --> 00:53:33,199
remember that spirit that was hovering above the waters at

746
00:53:33,199 --> 00:53:34,119
the beginning of the story.

747
00:53:35,239 --> 00:53:35,800
Speaker 2: That spirit.

748
00:53:36,800 --> 00:53:41,840
Speaker 3: He puts it inside. And now the human becomes image

749
00:53:42,119 --> 00:53:48,519
of God. And then the pattern repeats. We don't see

750
00:53:48,519 --> 00:53:51,760
it right here, but I mean the pattern repeats, because

751
00:53:52,119 --> 00:53:56,159
then he makes them male and female, and he makes

752
00:53:56,199 --> 00:53:58,519
them again although they are one, although there are this

753
00:53:58,679 --> 00:54:01,280
joining of union in earth, of heaven and earth, they

754
00:54:01,320 --> 00:54:05,719
are also participating in their own dance. They will also

755
00:54:05,800 --> 00:54:07,840
be an image of heaven and earth, and they will

756
00:54:07,920 --> 00:54:09,800
also be the image of a head and a body.

757
00:54:10,119 --> 00:54:15,119
This interplay will continue as humans are fruitful and multiply

758
00:54:15,360 --> 00:54:18,480
on the earth. Not only is God describing the pattern

759
00:54:18,559 --> 00:54:22,679
of the world that we experience every day, but is

760
00:54:23,119 --> 00:54:27,519
it is the image of Christ Day seven. Thus the

761
00:54:27,639 --> 00:54:31,480
heavens and the earth were finished, and all the hosts

762
00:54:31,519 --> 00:54:34,719
of them. And on the seventh day God ended his

763
00:54:34,920 --> 00:54:38,360
work which he had made, and he rested on the

764
00:54:38,440 --> 00:54:41,679
seventh day from all his work which he had made.

765
00:54:42,519 --> 00:54:46,800
God blessed the seventh day and sanctified it because that

766
00:54:47,039 --> 00:54:50,199
in it he had rested from all his work which

767
00:54:50,280 --> 00:54:52,039
God created and made.

768
00:54:54,960 --> 00:54:58,320
Speaker 2: The Sabbath is a very mysterious day.

769
00:55:00,920 --> 00:55:04,079
Speaker 3: It's probably one of the hardest things to understand scripture,

770
00:55:05,480 --> 00:55:09,559
especially as Christians. But we have this image of Christ

771
00:55:09,679 --> 00:55:13,239
dying on the Sabbath, we realize that what is this

772
00:55:13,440 --> 00:55:14,880
rest that God is talking about?

773
00:55:18,840 --> 00:55:19,079
Speaker 2: For me?

774
00:55:19,440 --> 00:55:23,159
Speaker 3: And this is now very much my own speculation or

775
00:55:23,199 --> 00:55:25,639
my own meditations on it. I think the way that

776
00:55:25,760 --> 00:55:29,239
I can see into some of the mysteries of the Sabbath.

777
00:55:30,400 --> 00:55:32,800
Speaker 2: Is that God is also revealing to us that.

778
00:55:34,320 --> 00:55:38,199
Speaker 3: This creation, although it is an image of Him, although

779
00:55:38,239 --> 00:55:42,559
it is a great engagement with him, it's not God.

780
00:55:43,960 --> 00:55:47,480
Speaker 2: I mean that is that God is still beyond this.

781
00:55:48,119 --> 00:55:54,320
Speaker 3: God is still has a moment of distancing from creation,

782
00:55:56,880 --> 00:55:59,760
not because he doesn't love creation, because he loves creation,

783
00:56:00,679 --> 00:56:03,280
because he is in some ways enabling our freedom, but

784
00:56:03,400 --> 00:56:06,960
also because he wants to remind us that all the

785
00:56:07,079 --> 00:56:10,920
things down here that you know, they're not him. And

786
00:56:11,039 --> 00:56:14,239
so there is a day that is set to the

787
00:56:14,360 --> 00:56:17,920
memory of that reality, which is a day because you know,

788
00:56:19,519 --> 00:56:24,360
now that you understand this, you realize that work is

789
00:56:24,559 --> 00:56:30,639
something like law that is manifesting itself on the earth. Right,

790
00:56:30,960 --> 00:56:32,840
you can kind of see it now. So you have

791
00:56:32,920 --> 00:56:36,159
a pattern, a purpose, and then you engage it, right,

792
00:56:36,239 --> 00:56:39,239
and you bring together the things that are earthly, you

793
00:56:39,360 --> 00:56:40,000
gather them.

794
00:56:39,960 --> 00:56:42,599
Speaker 2: In that pattern, and you reveal the world. That's what

795
00:56:42,760 --> 00:56:44,159
God is doing.

796
00:56:44,760 --> 00:56:47,159
Speaker 3: That's also what we do when we work, when we

797
00:56:47,239 --> 00:56:49,400
make things, when we imitate God in that way.

798
00:56:50,599 --> 00:56:54,360
Speaker 2: But to always remember that that is insufficient, it's not everything.

799
00:56:54,480 --> 00:56:56,360
That there is a mystery that lies beyond.

800
00:56:56,480 --> 00:57:00,440
Speaker 3: Right, there is a secret that is before them of

801
00:57:00,599 --> 00:57:03,480
the of the Great bo uh and uh and I

802
00:57:03,559 --> 00:57:05,880
think that that's the mystery that that some of the

803
00:57:05,920 --> 00:57:10,599
saints are able to enter into. So uh So I

804
00:57:10,719 --> 00:57:16,400
hope this was this was a little useful play through

805
00:57:16,559 --> 00:57:18,960
the seven days. I hope that it was something that

806
00:57:19,119 --> 00:57:23,199
will help you at least meditate on this in the future.

807
00:57:23,840 --> 00:57:26,320
Speaker 2: Uh. This, like I said, it is it is really.

808
00:57:26,159 --> 00:57:27,960
Speaker 3: One of my favorite texts, not just in scripture, but

809
00:57:28,119 --> 00:57:30,559
really I think it's one of the most powerful texts.

810
00:57:30,599 --> 00:57:33,360
Speaker 2: And I really I've also only skimmed it. You know,

811
00:57:34,440 --> 00:57:35,519
there's so much more.

812
00:57:35,679 --> 00:57:38,599
Speaker 3: There's so much more power in in that, in that text,

813
00:57:38,639 --> 00:57:42,079
and it's worth at this time especially to not be

814
00:57:42,199 --> 00:57:46,320
ashamed of that story, all right, and to not to

815
00:57:46,440 --> 00:57:49,280
not back down from people who would market, people who

816
00:57:49,280 --> 00:57:52,400
would tell us that it's a ridiculous ancient myth, because

817
00:57:52,440 --> 00:57:56,960
it is the best description of the world and its

818
00:57:57,000 --> 00:57:59,039
structure that has ever been told.

819
00:57:59,320 --> 01:04:24,880
Speaker 13: So thinking, if you enjoy these videos and podcasts, please

820
01:04:24,960 --> 01:04:27,559
go to the Symbolic world dot com website and see

821
01:04:27,679 --> 01:04:29,119
how you can support what we're doing.

822
01:04:29,480 --> 01:04:31,679
Speaker 2: There are multiple subscriber tiers with perks.

823
01:04:31,960 --> 01:04:34,400
Speaker 3: There are apparel and books to purchase, So go to

824
01:04:34,480 --> 01:04:37,320
the Symbolic World dot com and thank you for your support.

