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Speaker 1: Before we start today's episode, we're excited to announce the

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biggest perk ever in the micro Terrrist fan Club. The

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very first micro Terrors short film, The Dire More Phantom,

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is now in production. Not only will Spooky and Terrified

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fan club members get exclusive access to the movie when

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it premieres, but they'll also receive a copy of the

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screenplay signed by some of the cast and crew, as

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well as a limited edition movie poster. Head on over

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to microterrors dot com and click the micro Terrrist Films

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tab at the top to follow the progress, and if

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you're a Spooky or Terrified Tier fan club member, you'll

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get even more behind the scenes photos and videos all

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leading up to the movie's release.

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Speaker 2: Welcome to micro Terrors, scary stories for kids where it's

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always the spooky season, full of chills, thrills, and spine

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tingling spooks. Micro Terrors are family friendly frights for those

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ages eight and up, and while our stories are for

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younger years, we are still talking about things that go

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bump in the night, and some children may not be

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able to handle what others can. Parental consent is recommended

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now for tonights micro.

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Speaker 1: Terror Ron Abbey, an original micro Terror by Scott Donnelly

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and the Terrified members of the micro Terrorrist Fan Club.

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When I arrived at mister and Missus Wellington's house, it

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was pretty much what I thought it would be like.

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It was a large, two story home that sat at

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the edge of an old, rich neighborhood. I'd never met

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mister or missus Wellington, nor had I ever seen their house,

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but with a name like Wellington well I had a

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gut feeling it would look like a mansion. I'd seen

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their ad in the newspaper. Help wanted teenage babysitter, competitive pay,

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full fridge access. It was spring break and I wanted

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some extra spending cash. I used to babysit my little

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cousins when they were little, so I figured I had

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enough experience. My parents dropped me off in front of

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the Wellington's home just before seven pm, and I waved goodbye.

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I told them i'd call them when mister and Missus

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Wellington returned home from their evening out and they could

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come and pick me up. As my parents drove off

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and disappeared around the corner, I faced the mansion before

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me Okay, well, maybe it wasn't an actual mansion, but

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it was far large than any house I'd ever been to.

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My friends would be jealous if they knew I was

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going to get to spend a few hours in this place.

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I walked up to the door, where a brass lion

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door knocker was front and center. I picked it up

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by the handle and banged it against the door three times.

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I stepped back, and a moment later it opened. Mister

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Wellington stood there. He was tall, baby in his thirties

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and wore what appeared to be a very expensive suit.

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You must be abby, mister Wellington said, with a welcoming smile.

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I nodded with what I had hoped was an equally

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friendly smile. He then extended his hand and shook mine.

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His grip was strong and his hand was nearly twice

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the size mine was. Please come in, he added. I

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walked into the home and stood close to the door,

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my hands cuffed together in front of me, while my

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backpack hung loosely from my shoulder. Mister Wellington closed the door.

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We can't tell you how much we appreciate you responding

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to our abb he said. Brenda and I were invited

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to a party that we just can't pass up. And

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obviously having a baby at home now, well, it makes

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going out pretty difficult. I smiled again. Well that's where

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I come in. I'll make sure your little bundle of

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joy is safe and as content as possible. Just then,

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missus Wellington or Brenda called from upstairs. Steve, can you

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help me please? Steve Wellington rolled his eyes and laughed.

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She can never decide what to wear. I'll be right back,

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he said to me with a wink. Take your time,

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I told him, I have all night. Steve dashed up

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the red carpeted grand staircase and around the corner on

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the second floor, where he disappeared. The house fell silent

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and still. Somewhere in another room, I heard a grandfather

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clock chime. It was seven pm. I looked to my

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right and saw a tall entrance to another room. The

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room was cast in flickering shadows. I noticed a few

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candles displayed on a table within it. To my left

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was a hallway. It looked long, like it went on forever,

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and was lined with doors that all looked identical to

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one another. That's when I noticed that only one of

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the doors appeared to be open. It was slightly a jar.

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It stood out from the rest which were all closed.

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Then I saw movement from within the open gap of

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the door. Long bony fingers, gray and fragile, extended out

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from the darkness within the room. They grabbed the door

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and pulled it shut. As soon as the door clicked shut,

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a chill ran down my spine. What was that, I wondered.

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The fingers didn't look like normal fingers. They were much

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longer than normal ones, slow moving in a dull gray color.

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Skin looked like dead skin to me. I glanced up

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the grand staircase. Neither mister or Missus Wellington were within sight.

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I couldn't even hear them anymore. So I made a decision.

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I had to check out the door in the hall.

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I slowly walked toward the hall, careful not to let

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my footsteps draw attention to me, and crept down to

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the door that had just been pulled shut. I stopped

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right outside of it and listened. Something shuffled behind it.

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I gently pressed my palm against it and leaned in closer.

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The shuffling sound stopped. I froze, waiting to hear it again.

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My heart stopped and I held my breath as I

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awaited any further noises, but there was nothing. No shuffle,

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no drag, no click, no clack. A hand touched my

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back and I recoiled, releasing a startled shriek. I spun

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around just as my heart jumped, started back to life,

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and nearly burst out.

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Speaker 2: From my chest.

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Speaker 1: Ah it was mister Wellington standing there behind me in

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the hallway with a curious smile. Okay, he laughed. I

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caught my breath and nodded, glancing back at the door.

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But with his calm, lighthearted reaction and dis interest in

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what I was doing, it made me feel like whatever

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was behind the door was no big deal at all.

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Maybe it was just a family member, a living grandparent,

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an old weird aunt.

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Speaker 2: Something.

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Speaker 1: I placed my hand on my chest as I calmbed

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down from the scare follow me. Steve said, we're about

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to leave. I followed Steve Wellington back out to the

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bottom of the grand staircase. That was when I first

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laid my eyes on missus Wellington. She was tall, beautiful,

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and wore a striking red dress. Her hair flowed down

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over her shoulders, and her diamond ear rings glinted under

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the chandelier high up on the vaulted ceiling above us.

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This is my wife, Brenda, Steve said, introducing us. Brenda

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smiled and shook my hand. Abby, I shyly replied, shaking

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her hand. Her grip wasn't as strong as Steve's, but

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her skin was much smoother. It's nice to meet you, Abby,

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Brenda said. We can't thank you enough for your service tonight.

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It's my pleasure. I said so badly. To look down

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the hallway again. All get the cars started while you

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explain things to her, Steve said to Brenda. He shot

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me another smile and wink before leaving through the front door.

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Brenda and I stood there alone. So Florence is asleep,

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Brenda said, she's bent still cranky today. If I were you,

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I would try your best to not make much noise.

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Trust me, you don't want her to wake up. If

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she does, there's milk for her in the fridge that

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usually calms her down a bit. There's also food and

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drinks for you too, I smiled. I couldn't wait to

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check out the fridge. Brenda then handed me a small

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business card. This is Steve's work card, she said. It

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has a cell phone number on it. If there's an emergency,

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please don't hesitate to call, and we'll be home as

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soon as we can. I nodded, stuffing the card into

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the side pocket on my backpack. Any questions, Brenda then asked.

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Of course, the bony fingers in the hallway were still

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on my mind, so oh I had to inquire somehow.

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Is anyone else here? I asked, like, do you have

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any other guests, old aunts? Anyone? Brenda laughed, No, it's

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just the three of us. The house will probably seem

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extra quiet while you're here, as long as Florence stays asleep.

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That is. There's a TV in the basement if you

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want to watch some movies, and a pool table down

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that hallway. She pointed down the hall that had already

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seized my curiosity. The car horn honked outside. I have

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to go, Brenda said, Don't want to keep Steve waiting.

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She smiled and slung her purse over her shoulder. Don't

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hesitate to call if you need something, she reiterated, before

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rushing out the front door. Once it closed and clicked

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shut behind her, I locked it and immediately realized just

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how quiet it was in the Wellington house. Brenda wasn't

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joking for a moment. I felt as if I were

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locked in a soundless room. That was until I heard

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the soft ticking of the grandfather clock in the other room.

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My stomach suddenly growled, creating disorder in the silent atmosphere.

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I glanced back down the hallway. All was still, All

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was silent. Mister Wellington made it seem as if there

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wasn't anything at all to be concerned with down there.

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Brenda assured me it was just the two of them,

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plus baby Florence that lived in the house. I began

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to wonder if I was overthinking what I had seen,

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if I'd even seen anything at all to begin with.

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My stomach growled again, commanding my full attention. The hallway

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could wait, my hunger couldn't. I needed a snack, and

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I needed it now. I walked to the kitchen and

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flipped on the light. It buzzed on the ceiling above

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me as I trotted across the tile floor and toward

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the fridge. I pulled it open and the cool, bright

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interior was revealed. The top shelf housed what looked like

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Chinese leftovers and bottled drinks. The middle shelf was lined

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with cheese, lunch meat, lettuce, basically anything you'd need to

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make a sandwich. On the left side of the bottom

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shelf were several plastic bottles of milk for Florence. Just

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to the right of those was a bowl of freshly

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cut berries. That's all I needed to see for my

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mouth to water. I grabbed the bowl of berries with

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both hands and pulled it out, accidentally knocking one of

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the baby's milk bottles out of the fridge. Oh no,

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I yelped as I tried to grab it, but I

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missed it completely and it hit the tile floor with

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a loud crack. I stared down at it, waiting for

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the milk to burst out from a crack in the

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side or even out the top. But it didn't. And

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even more curious, the milk didn't even move. It didn't

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slosh around or settle on its side. It was motionless.

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I pushed the bowl of berries back onto the shelf

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and picked up the milk bottle. I studied it, looking

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it up and down and all around. It was fake.

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It wasn't real milk at all. There wasn't even a

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liquid inside of it. I checked the other bottles, all

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of which were labeled Florin's milk, and they were all

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the same. Why wasn't it real? Did that mean Florence

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wasn't Just then, the kitchen light flickered and went out.

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The cool, bright glow from the fridge was all I had.

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I turned around to face the kitchen doorway, and my

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blood ran cold. A dark, gangly figure, hidden mostly in

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the shadows, stood there with its long, bony fingers on

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the light switch.

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Speaker 2: You don't remember me, do you?

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Speaker 1: It spoke in a low, raspy voice. I was shaking.

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Whatever I was looking at, Whatever hid so well in

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the shadows of the kitchen entrance wasn't human. The weight

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it's bony fingers clicked and fidgeted at the light switch

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was unnerving. Why did it shut the light off? Did

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it not want to be seen? Was I'm not supposed

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to see it? Its last words repeated in my head.

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Speaker 2: You don't remember me, do you?

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Speaker 1: I was certain I've never met a creepy, shadowy entity before,

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But there was something about the voice, the rasp, the

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low tone, that tickled a core memory. It was buried deep,

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but there was a flit of familiarity there. I nodded, sure,

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I said, my voice just as shaky as my body.

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I do remember you, of course I do. Aside from

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the vague feeling of deja vous, I didn't actually remember

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him or her or it, but being trapped in the

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kitchen with my only way out blocked, I had to

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play along good. It said, Then you know why I'm here.

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You know why I'm back. I didn't respond. I just

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stood there, shivering in uncertain fear, gripping the bottle of

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fake milk in my hand. You're trouble, abby, it said

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from the shadows. That's why I'm here. Did you look

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at the card Brenda gave you? The card Steve's work card.

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Brenda said it had his cell phone number on it.

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I stuffed it in a pocket on my backpack, I

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padded to the bag still slung over my shoulder. It's

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in here, I said, feeling a little less threatened and

237
00:14:06,320 --> 00:14:09,240
slightly more comfortable with the shadowy figure. As weird as

238
00:14:09,240 --> 00:14:12,639
that sounded, there's only so much I can do, it

239
00:14:12,799 --> 00:14:17,879
raspfully said, look at the card. I placed the bottle

240
00:14:17,919 --> 00:14:20,000
back in the fridge, but kept the door open for

241
00:14:20,039 --> 00:14:22,960
the light. I moved my backpack around in front of

242
00:14:23,000 --> 00:14:24,519
me so I could try and keep an eye on

243
00:14:24,559 --> 00:14:26,840
the entity in the doorway while I fished out Steve's

244
00:14:26,879 --> 00:14:29,840
work card. I looked at it and the glowing light

245
00:14:29,919 --> 00:14:34,600
at the refrigerator. It said the Life Still Network Steve

246
00:14:34,679 --> 00:14:39,960
Wellington had of recruitment. What's the life Still Network, I asked,

247
00:14:40,200 --> 00:14:43,399
looking back up to the figure in the doorway. However,

248
00:14:43,440 --> 00:14:46,480
it was gone. It had vanished as quickly and eerily

249
00:14:46,519 --> 00:14:51,120
as it appeared. Hello, I called out. It didn't answer.

250
00:14:51,840 --> 00:14:54,120
Then I heard a door click shut from somewhere close.

251
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I closed the fridge and rushed out of the kitchen.

252
00:14:57,279 --> 00:14:59,919
I looked left and then right. A door nearby grabbed

253
00:14:59,919 --> 00:15:01,919
a attention. It was close enough that it could have

254
00:15:01,960 --> 00:15:04,679
been the one that had just clicked shut. I slowly

255
00:15:04,720 --> 00:15:08,039
turned the knob and opened it. Stairwell descended in front

256
00:15:08,080 --> 00:15:10,960
of me. At the bottom, a tall, gangly shadow appeared

257
00:15:11,000 --> 00:15:13,320
on the wall. It moved away from where it stood,

258
00:15:13,720 --> 00:15:19,080
and the shadow disappeared. I gulped. Whoever that shadow entity

259
00:15:19,279 --> 00:15:23,159
was was leading me to the basement. From what Brenda

260
00:15:23,200 --> 00:15:25,039
told me, there was a TV in the basement if

261
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I wanted to watch movies, But now I was getting

262
00:15:27,600 --> 00:15:30,080
the feeling that there might have been more down there.

263
00:15:31,279 --> 00:15:34,120
I took a deep breath and slowly began to descend

264
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to the basement stairs. Each step I took my heart

265
00:15:38,039 --> 00:15:41,399
beat faster in my chest. Once my feet touched the

266
00:15:41,440 --> 00:15:44,399
carpeted basement floor, I braced myself for what I was

267
00:15:44,440 --> 00:15:47,399
about to see once I turned the corner. But when

268
00:15:47,440 --> 00:15:50,480
my eyes absorbed everything the basement had to offer, my

269
00:15:50,600 --> 00:15:55,600
fear quickly subsided. There was nothing, nothing out of the ordinary.

270
00:15:56,279 --> 00:15:59,159
There was a TV just like Brenda said, a long

271
00:15:59,240 --> 00:16:02,399
couch with n tables on either side of it, paintings

272
00:16:02,399 --> 00:16:04,840
on the walls, and two doors off to my right.

273
00:16:05,879 --> 00:16:10,279
More importantly, there was no shadowy figure with long, bony fingers.

274
00:16:11,039 --> 00:16:16,039
The large open basement room was empty. I walked in

275
00:16:16,240 --> 00:16:19,639
cautiously to take a better look, but there was nowhere

276
00:16:19,679 --> 00:16:23,039
for it to hide behind, nowhere for anything to hide

277
00:16:24,200 --> 00:16:28,799
unless I faced the two doors along the right wall.

278
00:16:29,480 --> 00:16:33,279
They looked like closet doors at first, tall and more

279
00:16:33,360 --> 00:16:36,720
narrow than normal doors, but the more I studied them,

280
00:16:37,039 --> 00:16:40,639
they seemed out of place. One door had a silver knob,

281
00:16:41,200 --> 00:16:45,879
one had a black one. Huh Why two different colored

282
00:16:45,960 --> 00:16:50,919
knobs with how fancy the wellingtons were? Two different colored

283
00:16:51,000 --> 00:16:56,799
knobs didn't seem cohesive unless they were to signify a difference.

284
00:16:57,720 --> 00:17:00,679
And that's when my heart began to race again. I

285
00:17:00,799 --> 00:17:03,799
was led down here for a reason, after all, and

286
00:17:03,919 --> 00:17:06,880
now I couldn't remove my focus from the two different

287
00:17:06,920 --> 00:17:12,319
colored doorknobs, one silver, one black. What was the difference

288
00:17:12,319 --> 00:17:16,480
between them? What was behind each of them? I stopped

289
00:17:16,519 --> 00:17:19,359
before I worked myself up into a panic attack. I

290
00:17:19,400 --> 00:17:21,680
pulled out my phone and tried an Internet search for

291
00:17:21,839 --> 00:17:26,440
the Life Still Network. The first result was their official website. However,

292
00:17:26,480 --> 00:17:29,119
it proved to be as vague and cryptic as possible

293
00:17:29,799 --> 00:17:32,960
against a blue background with white text. There were strange

294
00:17:33,000 --> 00:17:36,240
mentions of life not having to end with death, avatars

295
00:17:36,279 --> 00:17:40,200
for continued living prototypes and their beta phase. I didn't

296
00:17:40,240 --> 00:17:43,240
really understand what any of it was. What I did

297
00:17:43,240 --> 00:17:47,039
find weird, though, weird and unnerving, were the colors of

298
00:17:47,079 --> 00:17:50,359
the text used on the website. Every time the word

299
00:17:50,400 --> 00:17:54,480
prototype was used, it was in black. Every time life

300
00:17:54,720 --> 00:17:58,640
was used, it was in silver. I looked up from

301
00:17:58,640 --> 00:18:05,160
my phone doorknobs before me, one black, one silver. Could

302
00:18:05,240 --> 00:18:10,000
they have also represented life and prototype? And if so,

303
00:18:10,240 --> 00:18:11,480
what was behind.

304
00:18:11,079 --> 00:18:12,119
Speaker 2: Each of them?

305
00:18:12,559 --> 00:18:16,039
Speaker 1: I needed to find out? Just before I reached for

306
00:18:16,119 --> 00:18:17,799
one of the knobs. I felt the presence of the

307
00:18:17,799 --> 00:18:21,039
shadowy entity again. It was behind me. It was there

308
00:18:21,039 --> 00:18:25,359
as a guide, a friend, a protector. I remembered what

309
00:18:25,440 --> 00:18:27,759
it was now, and it had been a long time

310
00:18:27,799 --> 00:18:30,440
since I had seen it. I was in good hands,

311
00:18:30,480 --> 00:18:33,640
and I found the courage to push forward. But first

312
00:18:34,039 --> 00:18:39,480
I turned around to confront my old friend. He stood there, tall, gangly.

313
00:18:39,880 --> 00:18:43,039
His skin was tightly stretched over his bones. His fingers

314
00:18:43,079 --> 00:18:46,720
were elongated, as were his exposed toes. His head was

315
00:18:46,759 --> 00:18:49,720
tall and stretched back, with dead gray skin hanging from

316
00:18:49,799 --> 00:18:53,680
it like loose rags. His eyes were bloodshot, one larger

317
00:18:53,680 --> 00:18:56,039
than the other, and his teeth were sharp as nails,

318
00:18:56,119 --> 00:18:59,599
with a slimy forked tongue slithering in and out between them.

319
00:19:00,119 --> 00:19:07,240
I didn't scream. I smiled. Hi James, I said, Hi, Abby,

320
00:19:07,680 --> 00:19:10,240
he said back to me, his voice still as raspy

321
00:19:10,279 --> 00:19:15,640
as ever. His appearance was startling by design, by my design,

322
00:19:16,079 --> 00:19:18,720
because no matter how scary something was, or how much

323
00:19:18,799 --> 00:19:22,599
danger I found myself in James, the imaginary friend I

324
00:19:22,759 --> 00:19:26,160
created when I was four, would always be much scarier

325
00:19:26,200 --> 00:19:30,480
and more dangerous, and he would be on my side.

326
00:19:30,559 --> 00:19:34,880
You're in danger, Abby, he said, again. I didn't respond.

327
00:19:35,200 --> 00:19:38,119
I just swallowed hard. I could sense danger, but I

328
00:19:38,160 --> 00:19:43,240
couldn't put a finger on it. Lawrence isn't real, James hissed,

329
00:19:43,559 --> 00:19:45,759
echoing a thought that had started to manifest in my

330
00:19:45,839 --> 00:19:48,960
own head. James then lifted an arm and extended a

331
00:19:49,000 --> 00:19:52,400
bony finger toward the narrow doors behind me. Shall we

332
00:19:52,519 --> 00:19:58,400
opened them together? I nodded, swallowing another hard gulp of saliva.

333
00:19:59,200 --> 00:20:02,119
I turned and faced the doors, one with a black knob,

334
00:20:02,279 --> 00:20:04,880
one with a silver knob. I reached for the black

335
00:20:04,960 --> 00:20:09,400
knob first, the knob I thought might represent prototype. I

336
00:20:09,480 --> 00:20:12,960
turned it slowly and pulled the door open. A fluorescent

337
00:20:13,039 --> 00:20:15,880
light buzzed to life inside the narrow walkway before me,

338
00:20:16,079 --> 00:20:19,200
as if were triggered by a sensor on either side

339
00:20:19,200 --> 00:20:26,880
of the narrow walkway or shelves. On those shelves were dolls, plastic, porcelain, glass, rubber.

340
00:20:27,480 --> 00:20:30,839
They were all made of something different. Sound began to

341
00:20:30,880 --> 00:20:33,119
creep out from the walkway. In fact, it was a

342
00:20:33,160 --> 00:20:38,000
heavy chorus of sounds. Bumps like heartbeats, sniffles like people

343
00:20:38,000 --> 00:20:42,200
holding back tears, gasps like startled breaths. I closed the

344
00:20:42,240 --> 00:20:46,480
door quickly, check the other one James spoke behind me.

345
00:20:47,480 --> 00:20:50,400
I did as he said. With James there as my support,

346
00:20:50,759 --> 00:20:54,400
my protection, I opened the second door, the wand with

347
00:20:54,440 --> 00:20:59,480
the silver knob, the one I assumed signified life. Where

348
00:20:59,519 --> 00:21:03,119
shelves were in the other walkway. Were people in this one,

349
00:21:03,240 --> 00:21:06,440
boys and girls within my age group. They were harnessed

350
00:21:06,440 --> 00:21:09,480
to the walls and motionless. They didn't look like they

351
00:21:09,480 --> 00:21:13,400
were dead, but rather in a state of disconnection. Their

352
00:21:13,440 --> 00:21:16,519
eyes were wide, their lips dry, their bodies as still

353
00:21:16,559 --> 00:21:21,119
as stone statues. You need to leave, James hissed so

354
00:21:21,279 --> 00:21:23,640
closely in my ear that I could almost feel his

355
00:21:23,720 --> 00:21:26,839
hot breath on my skin. Get out of here, abby,

356
00:21:27,759 --> 00:21:30,079
I turned and ran back up the basement stairs as

357
00:21:30,119 --> 00:21:32,599
fast as I could. My heart was racing, my mind

358
00:21:32,720 --> 00:21:35,839
still plagued by the uncanny sight in the basement. As

359
00:21:35,880 --> 00:21:37,960
soon as I reached the foyer of the house, I

360
00:21:38,000 --> 00:21:39,880
heard something that set my teeth on edge and made

361
00:21:39,920 --> 00:21:43,960
my blood run cold. It was a baby crying from upstairs.

362
00:21:44,640 --> 00:21:47,640
Was Florence real after all? Or was it all in

363
00:21:47,680 --> 00:21:51,880
my head? Regardless, I was here for a baby sitting job,

364
00:21:52,160 --> 00:21:55,000
and if there was the slightest chance that Florence was

365
00:21:55,079 --> 00:21:57,720
real and crying. I had to go check on her.

366
00:21:57,920 --> 00:22:02,079
It was my responsibility. Dashed upstairs and followed her cry.

367
00:22:02,599 --> 00:22:05,200
It grew louder as I navigated the upstairs of the house,

368
00:22:05,359 --> 00:22:08,079
and finally I came to a door with whimsical letters

369
00:22:08,119 --> 00:22:10,960
on it that spelled out Florence. I could hear her

370
00:22:11,000 --> 00:22:13,400
crying on the other side of it. I pushed the

371
00:22:13,440 --> 00:22:16,400
door open. The room was mostly dark, but a night

372
00:22:16,480 --> 00:22:18,799
light in the corner gave it a soft glow, as

373
00:22:18,839 --> 00:22:21,519
did the carousel like baby mobile spinning above her crib.

374
00:22:22,279 --> 00:22:24,559
I approached the edge of the crib and peered down

375
00:22:24,599 --> 00:22:28,880
into it. That's when I saw Florence. She was in

376
00:22:28,920 --> 00:22:31,000
the middle of the crib, the top of the blankets,

377
00:22:31,680 --> 00:22:35,559
and just as I feared, she wasn't real. She was

378
00:22:35,599 --> 00:22:39,240
a doll made of plastic and rubber. But the cries

379
00:22:39,279 --> 00:22:42,680
that came from her, the haunting cries, were real.

380
00:22:43,079 --> 00:22:44,279
Speaker 2: Somehow.

381
00:22:44,720 --> 00:22:47,319
Speaker 1: The bedroom light suddenly flipped on, and I spun around

382
00:22:47,359 --> 00:22:49,640
to see mister and Missus Willington standing in the doorway.

383
00:22:50,440 --> 00:22:54,200
Steve looked annoyed, while Brenda looked concerned. She charged into

384
00:22:54,240 --> 00:22:56,400
the room and pushed me aside, going straight for Florence.

385
00:22:56,720 --> 00:22:59,359
Is she okay. Brenda asked, did you feed her milk?

386
00:23:00,599 --> 00:23:04,680
I wasn't sure how to respond. I looked back at Steve,

387
00:23:04,759 --> 00:23:07,279
who still lurked in the doorway with a disapproving look

388
00:23:07,359 --> 00:23:11,000
on his face. Behind him, a shadow stretched on the wall,

389
00:23:11,079 --> 00:23:14,799
eventually taking the shape of James. You think we're crazy,

390
00:23:14,839 --> 00:23:17,240
don't you, Steve said to me. You don't agree with

391
00:23:17,279 --> 00:23:21,319
my job, my line of work, I can tell, I

392
00:23:21,400 --> 00:23:24,880
swallowed hard. I'm sure of what to say. I I

393
00:23:24,880 --> 00:23:28,359
don't know what your job is. I managed to get out.

394
00:23:29,079 --> 00:23:32,400
I work for the life still network, Steve said, taking

395
00:23:32,440 --> 00:23:35,079
another step into the room. We strive to one day

396
00:23:35,119 --> 00:23:39,200
create avatars for children and adults who well aren't going

397
00:23:39,240 --> 00:23:41,720
to make it in this world for one reason or another.

398
00:23:42,000 --> 00:23:44,319
That way, their conscience can live on in a more

399
00:23:44,400 --> 00:23:47,519
permanent form, and their friends and families won't have to

400
00:23:47,519 --> 00:23:51,480
completely lose them. I looked back at Brenda, who was

401
00:23:51,480 --> 00:23:54,599
now sitting down in a rocking chair, with Florence softly

402
00:23:54,640 --> 00:23:59,599
shushing her. Steve continued, Florence was ours. She was the

403
00:23:59,640 --> 00:24:03,920
first one that genuinely worked, Steve said, his voice choking up.

404
00:24:04,440 --> 00:24:09,119
The others downstairs. They were test subjects, prototypes, one day,

405
00:24:09,319 --> 00:24:12,000
Florence will grow up and become a young woman like yourself.

406
00:24:13,160 --> 00:24:15,720
Steve looked at me now in a more ominous manner.

407
00:24:16,200 --> 00:24:18,960
As her conscience and mind grow, she'll need a new

408
00:24:19,000 --> 00:24:23,960
avatar wanted to match her growth and intelligence. James's gruff

409
00:24:24,079 --> 00:24:27,880
voice spoke from the doorway as Stephen stepped closer. Run, Abby,

410
00:24:28,200 --> 00:24:33,160
He's going to take you run now. After all these

411
00:24:33,240 --> 00:24:36,359
years hiding in the furthest corners of my mind, James

412
00:24:36,359 --> 00:24:39,880
had returned to do exactly what I had created him for,

413
00:24:39,880 --> 00:24:42,240
for protection and a friend who would look out for

414
00:24:42,279 --> 00:24:45,039
me in times of fear and peril. I wasn't going

415
00:24:45,079 --> 00:24:48,319
to let his re emergency for nothing. In one fluid motion,

416
00:24:48,400 --> 00:24:50,839
I let my backpack fall down my shoulder and arm,

417
00:24:50,880 --> 00:24:53,200
and just as Steve reached out for me, I swung

418
00:24:53,240 --> 00:24:55,559
it with all my might and knocked him backwards. He

419
00:24:55,680 --> 00:24:58,160
crashed into the crib and collapsed to the ground. As

420
00:24:58,200 --> 00:25:00,920
I took off as fast as I could, James followed

421
00:25:00,920 --> 00:25:03,599
me closely as I clambered down the stairs, through the

422
00:25:03,599 --> 00:25:06,599
foyer and burst out the front door. You were never

423
00:25:06,720 --> 00:25:09,720
here a babysit, James said to me. It was all

424
00:25:09,759 --> 00:25:12,519
a ruse they wanted your body to be the basis

425
00:25:12,519 --> 00:25:15,400
for the next avatar. Surely that would come at a

426
00:25:15,480 --> 00:25:18,519
devastating price. We have to get out of here, I said,

427
00:25:18,640 --> 00:25:21,160
looking up and down the street, not sure which way

428
00:25:21,200 --> 00:25:23,359
to go. Just then I heard the front door to

429
00:25:23,359 --> 00:25:26,720
the Wellington's house slam shut. I turned around and watched

430
00:25:26,759 --> 00:25:29,640
Steve's silhouette appear in one of the side windows. He

431
00:25:29,680 --> 00:25:32,880
stared out at me momentarily before pulling the curtains shut.

432
00:25:33,039 --> 00:25:35,240
Then one by one, the lights in the house all

433
00:25:35,279 --> 00:25:40,359
shut off. I think you're safe, James said, you are

434
00:25:40,400 --> 00:25:43,920
too much of a risk for him. Now we should

435
00:25:43,920 --> 00:25:47,240
report this, I said, all those kids in the basement,

436
00:25:48,119 --> 00:25:53,440
someone must be looking for them. James nodded, yeah, unless

437
00:25:53,440 --> 00:25:57,359
they were volunteers. I don't recall a flurry of missing

438
00:25:57,400 --> 00:26:00,880
people in town making the news. Maybe they were all

439
00:26:01,559 --> 00:26:05,359
donated by their parents in hopes the Life Still network

440
00:26:05,720 --> 00:26:10,759
could help them. I wasn't sure what to think. The

441
00:26:10,799 --> 00:26:17,799
whole thing was creepy and made me feel sick. Donations, volunteers, captives,

442
00:26:18,079 --> 00:26:20,440
It didn't matter. I pulled out my phone to call

443
00:26:20,480 --> 00:26:23,119
my parents as I ran far away from the Wellington's

444
00:26:23,119 --> 00:26:26,160
house as fast as I could. James was right behind

445
00:26:26,200 --> 00:26:30,599
me like a shadow, vowing to never leave again. It

446
00:26:30,759 --> 00:26:34,359
was a big scary world out there, with big scary things,

447
00:26:35,319 --> 00:26:38,880
and now even the simple, innocent sounds of a baby

448
00:26:38,920 --> 00:26:55,440
crying set shivers down my spine. The end.

449
00:26:57,839 --> 00:27:00,519
Speaker 3: The house, at the edge of the labor her food

450
00:27:00,559 --> 00:27:04,200
with a lion on the door, shann to leave her

451
00:27:04,279 --> 00:27:08,920
a bu bu and along dark cory door she came

452
00:27:09,359 --> 00:27:13,319
the Babysit. Thought the job would be just fine, but

453
00:27:13,480 --> 00:27:18,240
something in the hallway made her stop being change her mind.

454
00:27:18,440 --> 00:27:22,200
Run Abby, run Abbey, get out while you can't.

455
00:27:23,559 --> 00:27:28,880
Speaker 4: Don't trust the ell and the woman or maiden. Something

456
00:27:29,559 --> 00:27:35,240
is wrong and you know it is true. Run Abby, run,

457
00:27:36,039 --> 00:27:37,960
They're come in for you.

458
00:27:39,279 --> 00:27:42,640
Speaker 3: There's a card inside of backpack with a name she

459
00:27:42,759 --> 00:27:48,160
doesn't know, and on website full of secrets that was

460
00:27:48,319 --> 00:27:49,640
putting on a show.

461
00:27:49,799 --> 00:27:54,480
Speaker 4: She heard the baby crying, but the milk wasn't ey

462
00:27:54,720 --> 00:27:58,400
real land the deeper that she dug for her, She

463
00:27:58,720 --> 00:28:03,559
started up. He'll run at run Abey, get out. Why

464
00:28:03,799 --> 00:28:12,240
you came, don't trust the well turn warman or man strong,

465
00:28:13,519 --> 00:28:17,480
and you know it is true. Run out the run.

466
00:28:18,200 --> 00:28:21,880
They're coming for you.

467
00:28:22,240 --> 00:28:26,720
Speaker 3: She wasn't all lonely. An old friend found his way

468
00:28:27,039 --> 00:28:29,200
back from the darkest corners.

469
00:28:28,799 --> 00:28:32,119
Speaker 4: Of her mind to help her get away.

470
00:28:32,519 --> 00:28:37,799
Speaker 3: She's running down the sidewalks and she won't look back.

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Speaker 4: Again, because the scariest things in this world can be

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hiding in the plane sight my friend.

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Speaker 3: Run, run at it, get out while you can't.

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Speaker 2: Don't shut the way.

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Speaker 4: Turn along a man something you know it is true,

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Run out of it.

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Speaker 2: There come in. Thank j you.

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Speaker 3: Jube fend Job.

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Speaker 1: Roun Abby was a Choose your Adventure style collaboration between

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Scott Donnelly and the terrified members of the micro Terrorist

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Fan Club, where each week for seven weeks, fan club

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members would vote in a poll to determine which twist

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00:29:29,240 --> 00:29:32,599
the story would take next. All the twists, all the turns,

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It's your choice. If you'd like to participate in the

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00:29:35,640 --> 00:29:38,200
next It's your Choice story, head on over to the

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00:29:38,240 --> 00:29:40,519
micro Terrorist Fan Club, where the first part of the

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00:29:40,559 --> 00:29:43,720
next story is pinned and waiting for you. Coming up

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00:29:43,759 --> 00:29:47,000
next week on micro Terror's two young Friends venture into

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the woods, where a ghostly local legend is said to haunt.

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Beware the ghosts dog. Thank you all for being such

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dedicated micro Terrorist listeners. I'm your narrator, Darren Marler. We'll

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see you next week. I'll see you then too. Oh,

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forget it, you don't even scare me.

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Speaker 2: Well fine, thank you for listening to micro Terrors. Join

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00:30:12,200 --> 00:30:16,759
us each Saturday for another scary story. For more fun,

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00:30:17,200 --> 00:30:21,079
visit our website at microterrors dot com, where you can

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get the latest micro Terrors news, read fun facts about

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00:30:25,359 --> 00:30:29,279
each story, sign up for our monthly newsletter, and even

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00:30:29,359 --> 00:30:33,480
send in your own scary story for us to tell. Plus,

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00:30:33,839 --> 00:30:37,480
you can become one of the Terrified by joining the

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00:30:37,599 --> 00:30:42,640
fan club at microterrors dot com. You enjoy exclusive perks

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00:30:43,000 --> 00:30:47,359
like reading stories a week early, receiving complimentary books, and

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00:30:47,400 --> 00:30:51,960
communicating directly with micro Terrors writer and creator Scott Donnelly.

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00:30:52,519 --> 00:30:56,240
You can also follow us on Facebook and Instagram using

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00:30:56,279 --> 00:30:59,680
the handle at micro terrors. I hope you'll join us

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00:30:59,720 --> 00:31:04,640
again soon for Microterrs scary stories for kids

