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Speaker 1: Taylor, what we're doing next?

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Speaker 2: Oh, let's go. We got masks and you know what

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fucking happened? Okay, Papa in.

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Speaker 3: What does this?

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Speaker 2: Let's continue on to with the visual thing was best seene.

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Speaker 1: Okay, let's make it snappier, Taylor go.

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Speaker 2: I mean, I just gotta throw it down here like

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they did in The Rocky Road to Dublin when you

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got they're going out, they're putting the body outside and

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they hear Remick just go like, I have to reap

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the corner. And then they just see the fucking vampires

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dancing in a circle. And then you see Michael B. Jordan,

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you see Haley Seinfeld. They're all just fucking dancing with him,

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and he just starts breaking into an Irish jig like

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it's oh my god, it's fucking scary and amazing and bewildering.

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I sing it in the car.

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Speaker 1: I think this, in my opinion, I can't speak with

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the boys don't hear it, but I think it's gonna

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be very much like a No Way Home Goblin Hallway scene,

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because that is nowhere near the best scene in that movie.

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So that's why I'm gonna just do my rule as

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usual as I try to keep one from each movie,

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so I cannot back the scene.

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Speaker 2: Fuck.

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Speaker 4: It came to mind when I thought of that movie

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for scenes, Taylor, But I think I'm with Travis on

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the better scene of that movie, not being this.

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Speaker 2: Are you guys like you guys have the same scene

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in mind, you guys on the same page. You have

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scenes everybody scenes put in here.

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Speaker 1: It's a scene that, like Nolan's like, this one of

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the greatest scenes I've seen.

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Speaker 2: Old All right, Well, well, Dylan, you go, and then

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Travis throw throw your scene down. I want to skip

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Kirklan Well, Kirk just said no.

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Speaker 1: What no, no, no, wait a second, but you said I.

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Speaker 2: Don't yeah, the order, Like, Dylan, what's your opinion on

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this scene? Like, are you this scene?

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Speaker 1: Yeah?

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Speaker 5: Yeah, no, actually no one does really like your rocky road.

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Speaker 2: Scene to going to Dublin the night.

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Speaker 5: Yeah, okay scene, uh my best scene. I don't know

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if this one's gonna make it, but I'm gonna throw

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it out there anyway. From a different Predator movie, Killer

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of Killers, I've called the storm the Gate scene. It's

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like the Viking. The Viking lady busts through the gates.

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She has double shields. She's sucking up a bunch of guys.

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I love fighting with a shield even better than that,

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a character fighting with a kimbo shields.

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Speaker 3: So cool.

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Speaker 5: Such a fun scene with so many creative kills, combos,

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all that kind of fun stuff.

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Speaker 3: Is it is a really really fun scene.

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Speaker 1: Backed.

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Speaker 3: Yeah, I'll back okay, okay cool.

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Speaker 5: Who made the color of this document royal blue?

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Speaker 6: Just because I'm in this blue room now?

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Speaker 3: I didn't change it.

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Speaker 6: I don't even know how to do that.

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Speaker 1: Shit.

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Speaker 4: I'm gonna have a scene from a movie that half

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the group hasn't seen. I think Taylor's there with me though,

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and I know I know Patreon Clay's there with me

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because he shouted out when we were talking about this movie.

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I'm talking about the hot air balloon raid and Avatar

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fire and ash.

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Speaker 2: I'll back that for sure.

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Speaker 4: The fucking with the war boy that gets like Kamakazi

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bomber into it. Yeah, it is such an awesome scene.

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Speaker 6: And uh yeah.

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Speaker 1: He gave you visual be happy, be happy with visuals.

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Speaker 6: You know it feels like a dead man Dylan.

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Speaker 3: You want to retroactively get that back on there. I'm good.

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Speaker 6: Look, So the.

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Speaker 1: Scene from Sinners and I'm gonna pitch, which I thought

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was the obvious one, is when Samy starts to play

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his music and then sees every fucking generation of musical history,

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especially Black music history, and it's just a one shot

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of going from room to room, different vibes of music,

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different instruments, different actors, all seamless. You're being teleported through

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multiple eras of generations. Not only is the cool scene,

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it goes in to deal with what Sammy and Remnick

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talk about as far as music reaching out to make

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you feel like that's a time travel. You can literally

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reach in the past with music. So it's thematic, it's visual,

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sounds great, it's awesome. That's what I pitch for the

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Center scene.

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Speaker 2: Backed backed what Are You back? Because it's it's sinners

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for sure. I prefer the Rocky Road to Dublin over it.

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Speaker 1: Just like generations of music. Technically it's I Lie to you,

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that's the song, but like you know, just evolution of music,

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evolution of music. Yeah, sure, do that?

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Speaker 3: Cool?

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Speaker 1: All right? Taylor, Hmmm, we should have done this last

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Taste of Me Salty their Es night now.

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Speaker 6: Oh yeah, another Center scene.

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Speaker 1: We'll get int the MCU.

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Speaker 2: One door a Yeah, my god, I'm gonna go. I'm

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gonna go a scene with weapons. And this is this

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is one scene that is just very freaky when uh,

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Julia's parked a car outside the house and she's just

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falls asleep and then you see the door open to

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the house and you see the silhouette walking all like

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frozen like and the camera does not pan and it

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just she stands by the door, she walks around and

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then the door opens and you don't see it, and

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it's just like you just get the chills because then

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you see the scissors go in front of her fucking head.

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Absolutely terrifying. What that's just what a scene. Oh my god,

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I back it. I will back it as well.

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Speaker 3: What are you name in that scene?

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Speaker 2: Taylor, Ah, let's do scissors.

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Speaker 6: That's a different scene.

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Speaker 3: It's a scene, you know what. That's a perfect transition

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into my next one. Ah, And you know what, call

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me a perv if you want.

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Speaker 5: But in the movie, Honey, don't the sex scene between

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Aubrey Plaza, and there's actually two of them, the first one.

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Speaker 1: I'd back it. These guys haven't seen it, but that's

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like the only.

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Speaker 2: Actually watching that scene popped up because I was on

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on Twitter or I feel like ex has.

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Speaker 1: Gotten a little algorithm. No, focused on your algorithm.

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Speaker 2: The algorithm is getting rowdy because that's just pop watching.

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Speaker 3: Scene from Mission Impossible and that one, well, that's a

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little movie.

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Speaker 2: Popped up with Abby Plaza and Margaret Qualley and I

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was like, what is this? I was like, whoa, they're

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going to town? What are you watching?

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Speaker 1: Taylor twelve?

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Speaker 2: That's that's some common wow. I was casting to my

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TV off my phone.

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Speaker 3: Because she couldn't see because it's such a small TV.

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Speaker 1: Yeah, is that it's professional wrestlings. Gave me a tape

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to watch Woman's title Kirk, what do you got? Do

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you want me to go? Do you need to cover?

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Speaker 3: Oh?

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Speaker 6: My gosh, Okay.

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Speaker 4: I had a different scene from Weapons, So he won't

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he won't back it because he's following his rule. But

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I want to shout out nonethelest I have the scene

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when Boston Abrams is that the actor's name, Like when

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he's playing the Druggie when he gets into the house

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and he's just like looking for ship and then finds

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like the parents, and then it escalates so that he

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just like gets into the basement and finds the children,

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and it's just kind of like I had the revealing

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to the viewer of like that scene of what's going

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on and just oh, just just his like his like

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mindset in that situation too, where he just like keeps

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looting even though he's like just fucked up things are

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going on in this house. But yeah, that scene for me,

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I'll back it.

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Speaker 2: I'd back it because I see it's for that scene

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to you. I think you include like when he's like

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out by the front door, like and the parents get

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up off the couch and walking toward him and he

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doesn't notice, and it's just freaky ship.

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Speaker 4: A lot of good background work there. Maybe it should

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have been we in best visuals.

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Speaker 1: It's a stack, we move fast. Come on, this has

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to be in there twenty years later momento memory, like,

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come on, that's gotta be that's that was not dry

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eye in the house there, it's a scene where they

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killed the mom and they put her head on the

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skull and like spikes there in the sunset's coming down

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and everything like that. Very emotional bro describe about what

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life is and how you got to appreciate death and

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all that stuff. So M O. R.

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Speaker 3: I got it.

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Speaker 2: I won't back it. I got a different scene in mind.

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I wonder it's got the Iron Maiden scene.

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Speaker 6: That's next year, baby.

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Speaker 2: That's next year. Yeah?

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Speaker 3: Is that your next one? Taylor?

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Speaker 6: No?

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Speaker 2: My hearing weird times or something from above? What the

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fuck times?

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Speaker 1: Madison's losing it? To go back toward?

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Speaker 6: Do you need to go check everyone?

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Speaker 1: It's okay fucking watching.

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Speaker 3: I'm not gonna pick.

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Speaker 2: The twenty eight one scene yet. I'm gonna go to

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weapons again. Where Why can't Alden Einrech When he's the

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cop and he's like, he's like, in your pocket, sir.

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He's like, no, no, He's like, nothing in your pockets. No, no, no,

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and he picks his finger. He's like and then he's

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just and he looks at the dash camera. What's Austin

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einra Oh my god, Alden Einreck.

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Speaker 1: Alden Airreic, you're kidding like a Nazi's name. I can't

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back you on that scene, but it was worth it

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for that.

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Speaker 3: I can't back it, but I appreciate you.

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Speaker 5: Okay, Okay, let's see where do we go next? I

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had I had three from the roses, not making it

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two from the assessment not making it. I had two

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from a Final Destination Bloodlines, because you know, just fun.

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There's actually there's a good log truck scene in that movie,

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so shot it to log truck the log Truck come Back.

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Speaker 3: Has anyone here other than Travis scene together?

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Speaker 6: I don't like it?

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Speaker 4: Will is it gross? That's the one with us gross?

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Extremely gross?

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Speaker 3: Yeah?

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Speaker 6: Yeah, scared.

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Speaker 5: Yeah, There's there's the hall the hallway scene, which if

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you've seen the movie, maybe remember the scene. It's both

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it's both terrifying, tense and then also hilarious. It runs

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the gamut of emotions. Freaking hilarious scene, also terrify scene.

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Uh so shout ups to that one. Let's see. I

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had one more from Weapons, which is which is the

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very end of the movie, when when all the kids

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are chasing glass and they're just smashing through windows and

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then they you know, just ripping her apart and stuff

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at the end. But that whole sequence is just so

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bonkers and it's just so visceral and you just feel

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all the freaking sharp.

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Speaker 3: Glass in your arms. It's it's intense scene. So shouts

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that one.

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Speaker 6: Yeah, a good shout out.

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Speaker 5: Nominatable. I bore dead in the water Okay, Okay, I

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wouldn't back yet. Okay, weapons is.

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Speaker 3: Already you know, it's doing well. It's for herself, so yeah, Perkham,

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it's floating on.

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Speaker 4: Okay, I got a heavy one. I hope we'll make

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it through. I got the submarine scene from Mission Impossible

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in the Final reckoning.

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Speaker 3: That the one you guys showed me on YouTube.

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Speaker 1: There, that's the one.

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Speaker 3: It was underwater.

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Speaker 6: It's the one preceding that one.

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Speaker 1: Okay, um, little tempertare check. We'll see here. It's been

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raw key road to Dublin this night?

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Speaker 3: Was that was that backed?

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Speaker 2: I'm backing it.

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Speaker 1: Yeah, the rocky Road to Dublin. But I ain't going

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back to Dublin talking about one bat after another. The

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highway scene at the end with the cars, the Chase Lockjaws.

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After there's like Lockjaw, there's the agent and then there's

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Chase and Findney and they're just going those big shots

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of the highway and.

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Speaker 4: The Yeah, those humps, that's what I got there, humps, humps.

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Speaker 3: Backed, Taylor, I'll back it.

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Speaker 2: It was good.

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Speaker 1: Oh cool, Stuffy, it's back to you.

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Speaker 2: I'm gonna go twenty eight years later, but the scene

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is gonna be you know, father and son moment under

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the stars, walking back thinking they made it out to

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their camp, and then all of a sudden you just

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see the crows flying. You hear the when you see

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Samson's brother cock out, just full on sprinting in the

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dark tour That confirmed no, I'm just head canning. But yeah,

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I think this scene was just it was intense. I

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really thought one of the two was gonna get nicked here.

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But yeah, it was just the way he was running

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and the way they filmed it with the sky everything

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that was just going on. It was just terrifying, just brutal.

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Can't help you out there, but oh my god.

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Speaker 1: I got my one scene from a movie.

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Speaker 3: So okay, is it me next to you?

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Speaker 6: Yeah?

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Speaker 2: Okay, let me.

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Speaker 3: Throw three from Wake Up Dead Man? You guys, pick one.

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How's that sound?

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Speaker 6: You can throw them out or pick none, or you

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can throw them out still.

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Speaker 5: But I feel like that was, you know, a nice

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way to ask that. The in Kirkland cover of Years

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spoilers here The one is the church. The church destruction

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seems kind of like the flashback sequence of the young

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lady just ripping apart the church, just the way she

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looks like.

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Speaker 3: A fucking demon. Is amazing.

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Speaker 5: I love the way that's shot, great light and all that.

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That scene that I already kind of mentioned, but the

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entrance of Ben when he comes into the church there

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and they just have that long back and forth really interesting.

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Speaker 3: The lighting unbelievable.

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Speaker 5: And then I said, the first reveal because Wake Up

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dead Man, you know, has kind of two big classic

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who done it reveal moments. I like that the second

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one they switched it up, did something different, but that

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first one, for me is the one I'm rooting for

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as always. That's just such a fun moment in all

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these movies when they start piecing everything together, and that's

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the one that Ben Wad is. The other one's by

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another character, which was cool, a good way to split

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it up, but I like his.

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Speaker 3: I prefer his. So those are those are the three

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from that movie that really stood out to me.

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Speaker 1: It's fun going back down the memory lane there. But

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I can't back any of them.

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Speaker 3: Okay, I'm not equipped to back all right, go ahead.

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Speaker 4: Kirklem I am going to nominate a scene from tron Aries,

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a light bike scene. This is when they're a writing

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tandem and they're looking like down at like the water,

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but it's like the it's like the bits of their

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world or whatever.

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Speaker 2: I don't know.

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Speaker 4: It's just you got that score. It's an amazing scene,

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we're shouted out on the review.

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Speaker 1: Yeah I remember, because we've found a very bad quality

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version to show it the example.

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Speaker 3: Yeah sure, yeah, sure, And what does it mean to me?

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Speaker 2: It's it's it's what I just it's it's visuals. But

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I don't know if it's best scene, right.

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Speaker 6: Okay, that's up to you. I guess argument could have

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said no, could have just said no and moved on.

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Speaker 1: To me. I think the only last one I have

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is the see where suit Storm goes in the labor

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and he got Silver Surfer, uh, trying to catch her

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while she's in labor. You have that great moment where

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it's like slow mo and she's reaching like within her womb.

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But then like it's the ship and stuff. So it's

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from the point where Blaxtic come out and want that baby.

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So yeah, suit Storm and labor.

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Speaker 3: Right back then.

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Speaker 4: Not I it's got visuals, but like many babies, fair enough.

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Speaker 3: Taylor what he got?

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Speaker 2: Oh let me look, I think I won more. And

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then I'm capped out. What was that one? Mm hmm, yeah,

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you guys already pitched that one anymore ones think about it.

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Speaker 3: There's one of our smallest best scenes less ever so far.

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Speaker 2: I'm gonna go with with bad Lands. I liked when

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Deck gets all souped out with the armor and stuff

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from the planet after his whole adventure. He gets all

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like the little lizard, has his gun on his shoulder,

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and he sets up all the traps and like the

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android bass, and he just becomes that like heightened hunter

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after this whole journey, just him using his surroundings as

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his armor and such. I think it's a it's a

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cool scene.

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Speaker 3: Definitely cool scene, very cool, definitely cool, definitely a back.

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Speaker 6: Definitely cool, definitely not back.

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Speaker 5: Yeah, I didn't use the legally binding word yeah yeah, no,

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I read can go there can. My last one here

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is then this is kind of a longer sequence, so

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you can, you know, throw it out if you don't,

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if you don't want. But for me, I picked from

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Frankenstein the sequence when a Lordie is kind of bonding

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with the old man at the cabin or whatever. I

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just thought that was like a really heartwarming sequence of

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these two characters who you know have for one reason

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another they're kind of like separated from other people and

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they just find it in each other to just become close.

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Of course, there is some cgi wolves in that sequence, unfortunately,

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which takes it down a little bit. But yeah, I

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just I just think it's a very sweet, cute moment

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in a movie that's very dark and sad, and so

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I liked that little moment of brightness there before things

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got super dark again.

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Speaker 2: It's weird, but I would leave that old man alone

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over the winter there, can't see it was weird. Diminished senses.

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Speaker 1: Do what you gotta do, though, right.

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Speaker 2: Shout outs to mister philch always good to see him.

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Speaker 1: Yeah, I back it.

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Speaker 2: I would back it too.

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Speaker 4: Okay, moving on to I got a thunderbolt scene. I

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got it when Elena is basically like in the psyche of.

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Speaker 6: Bob Fox his name Bob.

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Speaker 4: Yeah, and they're just going through like the different rooms

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and uh, I don't know. It's just just a cool,

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cool way to take out our villain, I guess, of this,

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our antagonist.

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Speaker 6: So yeah, shout out to that scene.

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Speaker 1: We'll back I agree, Yeah, I agree that whole light

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coming together scene. Yeah, Okay, surprising my last one is

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from Superman. It's that moment when it's after a battle

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and he's like just putting this what not? That one

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he's just really down trown. He's putting his clothes back on,

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and then remember there's a thing in the background. I

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have visual eighty or if you want to see you know,

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I have no scene.

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Speaker 3: I forgot about that.

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Speaker 1: I just saw it there. No, I got nothing. I'm done.

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I'm depleted.

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00:19:22,640 --> 00:19:25,240
Speaker 6: Naked gun scenes so we can fish out. It's actually

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hard put in like one specific scene for me.

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Speaker 1: Snowman sequence for me, if I had.

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Speaker 2: To fight, I would back now that was pretty good.

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Speaker 1: Just because it's so wild. They're on this day, they're

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finding a book the Snowman. They have a three with

383
00:19:37,279 --> 00:19:39,200
the Snowman. They have to kill the Snowman. He comes

384
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back like it's just so crazy. But that's that's the

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scene I would.

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Speaker 2: I'd also throw out the scene where he just goes

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into this monologue when he's meeting Pam Anderson for the

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first time. She's an interrogation, but just how he just

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00:19:52,359 --> 00:19:55,119
describes her and then he just drops settle and she

390
00:19:55,160 --> 00:19:57,359
has a bottom that's begging for the brown or no,

391
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not a bottom of any toilet would be bad the

392
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bottom that any toilet bowl would bike for the brown.

393
00:20:07,839 --> 00:20:08,720
That's what he was saying.

394
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Speaker 1: And there's one we can agree on him down to

395
00:20:11,880 --> 00:20:15,119
put something fromake Gun there. But it's tough.

396
00:20:15,519 --> 00:20:15,920
Speaker 3: Yeah, I don't.

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00:20:15,920 --> 00:20:18,559
Speaker 4: I don't think that my scene would be the shadow

398
00:20:18,640 --> 00:20:21,319
scene like the Austin Powers one, because that one.

399
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Speaker 3: Just gets all with the dog and everything, yeah knocks with.

400
00:20:25,000 --> 00:20:27,400
Speaker 1: But and then that one was the when just when

401
00:20:27,400 --> 00:20:29,960
he had to have the hit the tacos I because

402
00:20:30,000 --> 00:20:32,799
I found the trans wasn't like that joke. But the

403
00:20:32,920 --> 00:20:38,680
whole day police they shoots and they just watched his

404
00:20:38,720 --> 00:20:41,000
tavy shirt of Fast Forward. It's just him like, oh

405
00:20:41,160 --> 00:20:46,400
I shouldn't have those double dogos last night, and yeah.

406
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Speaker 3: Watch this movie so good? All right, this is our list.

407
00:20:50,960 --> 00:20:54,839
Speaker 1: Yeah we got uh best scene Storm the eight para

408
00:20:54,880 --> 00:20:59,559
Killer Killers, Eblution music, Sinners, scissor weapon cause of polic

409
00:21:00,240 --> 00:21:04,519
quality scissoring. How they don't James in the house weapons

410
00:21:04,559 --> 00:21:08,559
my mental memory. Twenty years later, Submarine Amish Bustle, One

411
00:21:08,599 --> 00:21:12,559
Highway after Another Old Man, Monster Bond and Yolena in

412
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God damn all right.

413
00:21:17,559 --> 00:21:21,519
Speaker 5: He locks or cuts, Let's cut Storm the Gate and

414
00:21:21,960 --> 00:21:24,960
quality applause of scissorin up a bat.

415
00:21:25,880 --> 00:21:29,359
Speaker 1: Sure sure hold the hold list.

416
00:21:36,039 --> 00:21:37,359
Speaker 6: Submarine would be my lock.

417
00:21:37,960 --> 00:21:39,359
Speaker 1: Omrine's my lock for me too.

418
00:21:39,440 --> 00:21:40,519
Speaker 2: That's a lock for sure.

419
00:21:40,799 --> 00:21:41,279
Speaker 3: That's up.

420
00:21:42,119 --> 00:21:44,359
Speaker 1: It's a Dylan Sha your watch it. But in the between,

421
00:21:44,359 --> 00:21:46,599
even if you never seen the movie, it's worth a YouTube.

422
00:21:46,599 --> 00:21:47,680
It's a great even.

423
00:21:47,480 --> 00:21:49,000
Speaker 3: Like you guys just showed me, it's all good. I

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00:21:49,079 --> 00:21:49,480
get it.

425
00:21:50,839 --> 00:21:52,319
Speaker 1: There's a snap to.

426
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Speaker 6: Pitch that scene. Also, yeah, yeah, that one CPR.

427
00:21:57,839 --> 00:21:59,359
Speaker 1: Whe are you guys on the weapons because you know

428
00:21:59,440 --> 00:22:02,279
my rule? I like I like the one scene, but

429
00:22:02,400 --> 00:22:04,640
are you guys? Do you guys just probably think two

430
00:22:04,720 --> 00:22:05,920
of these scenes could make it.

431
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Speaker 3: In I'm a James in the House guy when it

432
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comes to weapons.

433
00:22:10,680 --> 00:22:13,000
Speaker 6: I like that scene more than the scissor.

434
00:22:14,880 --> 00:22:15,359
Speaker 3: Mm hmmm.

435
00:22:16,039 --> 00:22:16,480
Speaker 1: I like this.

436
00:22:17,559 --> 00:22:21,200
Speaker 2: I like this more than James in the House Divided

437
00:22:21,480 --> 00:22:23,000
come Back, yep.

438
00:22:25,279 --> 00:22:28,759
Speaker 4: I think the momento Mary scene is pretty high on

439
00:22:28,799 --> 00:22:31,440
the list for me. I think it's like a very

440
00:22:31,519 --> 00:22:34,839
heavy part of Spike's journey at that point in the movie,

441
00:22:35,799 --> 00:22:38,160
and it's just like the big what if of what's

442
00:22:38,200 --> 00:22:40,240
going to happen with the mom but then the explanation

443
00:22:40,279 --> 00:22:42,680
of the momento Maury and just just just all of that.

444
00:22:43,640 --> 00:22:50,599
Speaker 5: Yeah, yeah, I I think i'd lock them.

445
00:22:49,640 --> 00:22:52,759
Speaker 2: Noice, Taylor, do got thro I could lock that through.

446
00:22:53,480 --> 00:23:02,039
Speaker 3: We got four h hmm, tricky.

447
00:23:02,240 --> 00:23:05,759
Speaker 5: I mean, you know, I'm extremely anti one battle, so

448
00:23:05,839 --> 00:23:08,359
that would be one for me. That a cut with

449
00:23:08,480 --> 00:23:09,400
a pair of scissors.

450
00:23:10,079 --> 00:23:11,640
Speaker 6: What's the old Man monster bond?

451
00:23:12,240 --> 00:23:12,599
Speaker 3: What is that?

452
00:23:18,880 --> 00:23:22,440
Speaker 1: Taylor don't give a whole inclination of what that scene was.

453
00:23:24,000 --> 00:23:26,960
Speaker 5: So it's Jacob a Lordie as the monster in Frankenstein

454
00:23:27,680 --> 00:23:30,599
and after leaving the castle he roams around forbid and

455
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then he happens upon.

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00:23:32,079 --> 00:23:34,440
Speaker 6: Oh yes, the guy in the shack that gets sucked up.

457
00:23:34,519 --> 00:23:37,880
Speaker 5: Yeahs like their forest spirit and then he you know,

458
00:23:37,960 --> 00:23:40,640
bonds with the old man after the rest of winter.

459
00:23:40,720 --> 00:23:40,920
Speaker 3: Yeah.

460
00:23:40,920 --> 00:23:43,079
Speaker 6: That's a good scene.

461
00:23:43,160 --> 00:23:43,839
Speaker 3: It's really nice.

462
00:23:44,519 --> 00:23:45,599
Speaker 1: Would you be keeping it though?

463
00:23:46,920 --> 00:23:50,119
Speaker 3: I think we can get Lena and Bob personally.

464
00:23:49,839 --> 00:23:51,200
Speaker 1: I think so. I like the scene, but I think

465
00:23:51,240 --> 00:23:53,319
we can revisit that on the MC one.

466
00:23:54,359 --> 00:23:58,359
Speaker 5: Agreed, good shout out though Kirkham, I agree. Okay, so

467
00:23:58,400 --> 00:24:01,680
we got we need to log three more or cut two.

468
00:24:01,759 --> 00:24:04,440
We have evolution of music Sinners. That one's probably a

469
00:24:04,480 --> 00:24:05,000
lock for you guys.

470
00:24:05,079 --> 00:24:09,440
Speaker 1: Right, lock it up an astro class.

471
00:24:09,599 --> 00:24:11,519
Speaker 5: Okay, so now that makes it easier. We just need

472
00:24:11,559 --> 00:24:13,640
to lock, lock or cut two more. We have the

473
00:24:13,640 --> 00:24:16,480
scissor from weapons, we have the James in the House weapons,

474
00:24:16,920 --> 00:24:22,440
one highway after another, an old man monster bond. Mm.

475
00:24:23,960 --> 00:24:26,559
Speaker 3: I think easy thing here. Put Frankenstein in.

476
00:24:26,680 --> 00:24:28,680
Speaker 5: Cut one battle and then love the patrons vote on

477
00:24:28,720 --> 00:24:29,880
their favorite weapons scene.

478
00:24:31,519 --> 00:24:34,400
Speaker 6: I don't know that use silver tongue devil.

479
00:24:35,079 --> 00:24:42,200
Speaker 5: Yeah, that silver cut one highway, cut the highway scene,

480
00:24:42,200 --> 00:24:43,039
put in Frankenstein.

481
00:24:43,119 --> 00:24:44,799
Speaker 2: Let them do get out of our weapons. That's a

482
00:24:44,960 --> 00:24:49,319
done deal. I like that great idea, Taylor. It is

483
00:24:49,319 --> 00:24:49,920
a great idea.

484
00:24:51,160 --> 00:24:54,240
Speaker 4: You want to cut one highway after Yeah, with Dylan pitched,

485
00:24:54,240 --> 00:24:55,640
I think that's that's perfect.

486
00:24:57,880 --> 00:24:59,480
Speaker 1: Can we do the same thing with Frankenstein.

487
00:25:00,000 --> 00:25:00,839
Speaker 6: I'm taking that highway.

488
00:25:01,079 --> 00:25:02,759
Speaker 2: No, I'd lock Frankenstein and.

489
00:25:03,000 --> 00:25:05,039
Speaker 1: Kirkland didn't even know what that scene was. After Dylan

490
00:25:05,039 --> 00:25:05,720
described it twice.

491
00:25:06,000 --> 00:25:06,880
Speaker 3: I named it weirdly.

492
00:25:06,960 --> 00:25:09,039
Speaker 1: Okay, you asked him againn He's like, what's that scene?

493
00:25:10,559 --> 00:25:12,720
I'd go the other way. We keep the highway and

494
00:25:12,720 --> 00:25:13,720
then you guys picked the weapon.

495
00:25:13,759 --> 00:25:18,559
Speaker 6: I would go with Travis on that, yes, or we just.

496
00:25:18,519 --> 00:25:21,119
Speaker 1: Cut the two weapons scene and put these two.

497
00:25:21,039 --> 00:25:22,839
Speaker 2: Up there, patrons have to pick between these.

498
00:25:23,039 --> 00:25:26,160
Speaker 5: That's an interesting thought for sure. Are we so split

499
00:25:26,200 --> 00:25:27,559
on weapons that they both fall?

500
00:25:29,279 --> 00:25:32,160
Speaker 1: Yeah, Because here's the thing. I'm fine that I like

501
00:25:32,240 --> 00:25:34,960
the Frankston scene, but I feel stronger about the highway

502
00:25:35,000 --> 00:25:36,680
scene more than both weapons scenes, you.

503
00:25:36,640 --> 00:25:38,680
Speaker 5: Know what I feel like my Franken sein it's kind

504
00:25:38,720 --> 00:25:41,440
of a long sequence. I don't know if it's a scene,

505
00:25:41,559 --> 00:25:42,039
you know, it's.

506
00:25:41,920 --> 00:25:43,200
Speaker 1: Always shortened to the wolves.

507
00:25:43,279 --> 00:25:47,880
Speaker 2: Maybe just all right, let's cut frank Let's cut frank sign.

508
00:25:50,559 --> 00:25:54,160
Speaker 5: What do you think, Yeah, let's cut Frankenstein.

509
00:25:54,319 --> 00:25:56,039
Speaker 1: That was Taylor just got a text from mass and

510
00:25:56,079 --> 00:25:57,000
when are you coming to bed?

511
00:26:00,640 --> 00:26:04,119
Speaker 5: That's a surprise, Like Frankenstein was your must watch pick,

512
00:26:04,119 --> 00:26:06,240
and I feel like you aren't really bringing it up much.

513
00:26:06,319 --> 00:26:07,400
Speaker 3: I haven't really seen that pattage.

514
00:26:07,440 --> 00:26:08,680
Speaker 1: I felt like just the vibe I got what I

515
00:26:08,680 --> 00:26:10,559
told him my best picture. It was very it was

516
00:26:10,839 --> 00:26:12,599
it did not go as well as I thought so,

517
00:26:12,960 --> 00:26:14,440
and the scene because I would I would have fought

518
00:26:14,599 --> 00:26:18,200
the scene of the transformation, but once that scene was

519
00:26:18,200 --> 00:26:20,039
already in there, it was kind of tough. But that's

520
00:26:20,039 --> 00:26:22,880
that's fine, Like I you know, I'm happy with visuals.

521
00:26:23,480 --> 00:26:27,880
I think there's another spot that's coming for me. But yeah,

522
00:26:27,880 --> 00:26:29,880
I get I'm happy with these, unless you guys want

523
00:26:29,880 --> 00:26:31,920
to still have the patrons pick the weapons one. But

524
00:26:33,200 --> 00:26:35,240
I was find a franking sign getting in, but Taylor

525
00:26:35,279 --> 00:26:35,880
pulled the shoot.

526
00:26:36,119 --> 00:26:37,680
Speaker 3: I think. I think it's fun to have the patrons

527
00:26:37,759 --> 00:26:39,160
route on a favorite weapons scene.

528
00:26:39,519 --> 00:26:41,480
Speaker 2: Tink this works perfect.

529
00:26:41,640 --> 00:26:45,119
Speaker 1: Okay, So we got a submarine from Mission Possible momento

530
00:26:45,200 --> 00:26:48,079
memory from twenty years later, evolution of music centers one

531
00:26:48,160 --> 00:26:50,880
highway after another from that film, And then you guys

532
00:26:50,920 --> 00:26:53,279
can pick between the lady come in the house with

533
00:26:53,319 --> 00:26:56,039
the scissors and cutting Julie Gardner's hair or James in

534
00:26:56,079 --> 00:26:57,559
the house where he gets in there explored and there's

535
00:26:57,599 --> 00:26:59,920
some creepy stuff going on. We'll have some more indie

536
00:27:00,200 --> 00:27:03,319
descriptions when we get the pull up there because some

537
00:27:03,319 --> 00:27:05,920
people know what's going on. But we are Where are

538
00:27:05,920 --> 00:27:10,559
we at now? Okay, who's picking next? Think it was Dylan?

539
00:27:11,000 --> 00:27:15,119
Speaker 5: Yeah, let's go supporting actor. Okay, actually, let's go supporting actress.

540
00:27:15,359 --> 00:27:21,039
Oh and my first nom for this bad Boy is

541
00:27:21,039 --> 00:27:25,920
gonna be Jody Comer as Isla twenty eight years later. Yes, hell, yah,

542
00:27:27,400 --> 00:27:32,359
unbelievable performance in that she is, uh, you's every scene

543
00:27:32,400 --> 00:27:34,519
you're just yeah, you're just so invested in what's going

544
00:27:34,559 --> 00:27:35,799
on with her?

545
00:27:36,400 --> 00:27:37,720
Speaker 6: Hell yeah.

546
00:27:38,519 --> 00:27:44,759
Speaker 4: Um, I have like Hailey Steinfeld in here, Chase Infinity

547
00:27:44,799 --> 00:27:47,119
in here, Pamela Anderson here, all ones that I've already

548
00:27:47,119 --> 00:27:49,240
talked about in the lead actress.

549
00:27:50,079 --> 00:27:51,839
Speaker 6: Mm hmm, Mia Goth.

550
00:27:52,079 --> 00:27:55,480
Speaker 4: I guess because she didn't back it into the lead role.

551
00:27:55,680 --> 00:28:02,519
Speaker 1: It's backer. Uh know, I can throw it one from

552
00:28:02,559 --> 00:28:03,839
one battle from another that I think I'll have the

553
00:28:03,839 --> 00:28:07,000
sport from Doylan on Tianna Taylor. It's there's a must

554
00:28:07,000 --> 00:28:10,799
in here. She's fantastic. Granted movie obviously disappears for a

555
00:28:10,799 --> 00:28:16,599
bit solve it, but about a third Taylor Kirkling.

556
00:28:17,480 --> 00:28:20,640
Speaker 3: It confirm her character name for me real quick.

557
00:28:21,039 --> 00:28:25,640
Speaker 1: That's Leonora Taylor there for Taylor. Uh let me, I'll

558
00:28:25,839 --> 00:28:26,559
I'll get it there.

559
00:28:26,640 --> 00:28:29,519
Speaker 6: You know, what did you just say?

560
00:28:33,559 --> 00:28:39,720
Speaker 1: That's making a jokes. He's calling her Leonora Taylor earlier. Uh, Perfidia,

561
00:28:39,799 --> 00:28:42,839
there you go, pussy, don't pop for you?

562
00:28:44,200 --> 00:28:44,839
Speaker 3: What did you say, sir?

563
00:28:45,519 --> 00:28:47,599
Speaker 6: Perfidia Beverly Hills.

564
00:28:48,240 --> 00:28:51,559
Speaker 3: It's her name, Perfidia Beverly Hills.

565
00:28:51,960 --> 00:28:54,720
Speaker 2: That is true, state Profidia.

566
00:28:55,359 --> 00:28:56,400
Speaker 6: I don't remember that.

567
00:28:57,119 --> 00:28:59,279
Speaker 3: I don't remember that either, and I watched this, but

568
00:28:59,400 --> 00:28:59,880
a couple.

569
00:28:59,720 --> 00:29:02,640
Speaker 1: Of Taylor's watching The Honey don't. Since we're scene again,

570
00:29:05,759 --> 00:29:09,319
head down, hands on sight, Taylor supporting actress.

571
00:29:09,039 --> 00:29:12,839
Speaker 3: Go hmmm, I'm gonna drop.

572
00:29:14,559 --> 00:29:15,720
Speaker 1: We're not drowing anyone yet.

573
00:29:15,759 --> 00:29:19,720
Speaker 2: We're Eliah Jones from The Running Man. She's a girl

574
00:29:19,720 --> 00:29:23,079
that gets uh.

575
00:29:23,480 --> 00:29:27,240
Speaker 1: I mentioned that at all, I didn't randomly in the

576
00:29:27,319 --> 00:29:31,880
third hour introducing The Running Man into the mix. Sorry,

577
00:29:31,880 --> 00:29:33,519
I haven't seen it. I can't back yet.

578
00:29:33,720 --> 00:29:35,559
Speaker 3: Oh damn, never got around to it.

579
00:29:36,319 --> 00:29:37,920
Speaker 6: Yeah, I'll not back that, Taylor.

580
00:29:37,960 --> 00:29:43,480
Speaker 5: I'm sorry, all right, give me Kirsten Dunn, says Lee

581
00:29:43,599 --> 00:29:44,200
from Roofman.

582
00:29:45,119 --> 00:29:48,319
Speaker 1: Yes, even though shed we had her in lead, I.

583
00:29:48,240 --> 00:29:50,279
Speaker 3: Feel like she doesn't really appear for a while.

584
00:29:50,559 --> 00:29:52,000
Speaker 1: Okay, sure, let's put her in there.

585
00:29:52,200 --> 00:29:52,720
Speaker 2: I back it.

586
00:29:53,440 --> 00:29:55,519
Speaker 3: I beck it great.

587
00:29:58,319 --> 00:29:59,720
Speaker 6: Uh.

588
00:30:00,200 --> 00:30:04,200
Speaker 4: Naomi Aki as Nasha in Mickey seventeen.

589
00:30:06,160 --> 00:30:09,119
Speaker 6: That's like the love interest of Mickey. She sides with

590
00:30:09,200 --> 00:30:10,000
Mickey eighteen.

591
00:30:12,680 --> 00:30:14,279
Speaker 1: No, okay, I can't get there.

592
00:30:14,359 --> 00:30:16,640
Speaker 5: I was never on my list, and I trust Dylan

593
00:30:16,720 --> 00:30:20,480
from months ago, fair enough, But I also trust you,

594
00:30:20,559 --> 00:30:22,880
So I'm split, you know, Taylor, let back it.

595
00:30:23,279 --> 00:30:24,119
Speaker 2: I'm not backing it.

596
00:30:24,319 --> 00:30:25,319
Speaker 3: Okay, Well you have.

597
00:30:25,599 --> 00:30:30,279
Speaker 4: Collette she aside or she more villain it? Oh, Travis

598
00:30:30,359 --> 00:30:32,200
is getting the sounds always back.

599
00:30:32,119 --> 00:30:36,559
Speaker 1: To from which story was? No, we missed it in

600
00:30:36,559 --> 00:30:37,480
the villains category.

601
00:30:38,759 --> 00:30:39,119
Speaker 3: No, we had.

602
00:30:39,160 --> 00:30:40,960
Speaker 6: There's the ice climber's situation.

603
00:30:44,440 --> 00:30:46,519
Speaker 3: They were on a snow planet for much of them.

604
00:30:46,799 --> 00:30:50,200
Speaker 4: Yeah, okay, Travis, to your turn, even though you're getting

605
00:30:50,200 --> 00:30:51,880
abducted right now by Gladys.

606
00:30:51,960 --> 00:30:53,680
Speaker 3: Yeah, who would he pick? He would pick?

607
00:30:54,880 --> 00:30:57,960
Speaker 5: Oh, he'd clearly picked Kaylee Spainey as Simon from Wake

608
00:30:58,039 --> 00:30:58,519
Up Dead Man.

609
00:30:58,640 --> 00:31:01,559
Speaker 3: Right, yeah, I'm back spain he's in there too. Thank god.

610
00:31:01,839 --> 00:31:08,279
We'll put that one on the list. Thank you, Travis.

611
00:31:09,799 --> 00:31:11,559
All right, Taylor, you're up next.

612
00:31:12,119 --> 00:31:15,759
Speaker 2: I'm gonna throw down Winny Maussaku from Singers.

613
00:31:16,720 --> 00:31:17,599
Speaker 3: Who's up with Michael b.

614
00:31:17,680 --> 00:31:21,519
Speaker 2: Jordan's former love interest that they lost the child together.

615
00:31:22,759 --> 00:31:25,599
It's like the chick who knows all the ship about

616
00:31:25,640 --> 00:31:30,079
the vampires and stuff? Yeah, she was all right from

617
00:31:30,119 --> 00:31:31,200
Loki from Loki.

618
00:31:32,720 --> 00:31:34,000
Speaker 3: Sorry her name one more time.

619
00:31:34,839 --> 00:31:39,480
Speaker 2: Winny Mussaku, apologize if I'm mispronouncing that. W u n

620
00:31:39,680 --> 00:31:40,160
m I.

621
00:31:42,079 --> 00:31:45,440
Speaker 1: Okay, ir back, but I don't think that's happening.

622
00:31:47,680 --> 00:31:48,960
Speaker 6: No, it's not happening.

623
00:31:49,279 --> 00:31:51,359
Speaker 3: Oh okay, dead in the water.

624
00:31:52,519 --> 00:31:53,680
Speaker 1: He killed.

625
00:31:56,720 --> 00:32:05,519
Speaker 3: You killed them, showed out.

626
00:32:07,000 --> 00:32:10,799
Speaker 5: Kate McKinnon in the Roses. She's fun there. And then

627
00:32:10,920 --> 00:32:14,319
my other one, and I don't even really believe in

628
00:32:14,319 --> 00:32:16,519
this one. I just think Kerrie Washington's like an unbelievably

629
00:32:16,799 --> 00:32:19,000
great actress. But Kerry Washington and Wake Up dead Man,

630
00:32:19,279 --> 00:32:21,680
she's really good in there. But I don't know if

631
00:32:21,680 --> 00:32:24,559
she has, like particularly a role that screams she needs

632
00:32:24,559 --> 00:32:25,839
to being Golden Geeks. But I just wanted to shout

633
00:32:25,839 --> 00:32:27,079
her because she's just a great.

634
00:32:26,960 --> 00:32:28,319
Speaker 3: She's just always killing it.

635
00:32:28,400 --> 00:32:29,839
Speaker 5: I feel like any I don't see her much, but

636
00:32:29,880 --> 00:32:32,799
when I do, she's always just bringing it so hard,

637
00:32:33,119 --> 00:32:34,200
even in like small roles.

638
00:32:34,240 --> 00:32:34,920
Speaker 3: So shouts her.

639
00:32:35,039 --> 00:32:37,519
Speaker 1: Yeah, when we get to Jangle one time, we're gonna

640
00:32:37,880 --> 00:32:38,599
she's gonna get.

641
00:32:38,519 --> 00:32:46,440
Speaker 3: In very true. So I'm done. Go ahead, kircle. Uh.

642
00:32:46,599 --> 00:32:50,039
Speaker 6: Isabella Mer said from Superman.

643
00:32:51,079 --> 00:32:53,279
Speaker 3: Supporting actress.

644
00:32:53,839 --> 00:32:57,079
Speaker 6: She's not media, I think for me, Yeah, okay, maybe

645
00:32:57,200 --> 00:32:57,559
it's great.

646
00:32:57,559 --> 00:33:03,759
Speaker 1: I don't worry. She was great. Yeah mask on, Umm, No,

647
00:33:06,880 --> 00:33:12,880
I might be depleted as well. Shout out. I forgot too.

648
00:33:12,880 --> 00:33:15,160
I didn't talk about it all the shadowed of Sophie

649
00:33:15,160 --> 00:33:18,559
Thatcher and Companion. I completely forgot about that, but scream

650
00:33:18,640 --> 00:33:19,000
I never.

651
00:33:18,839 --> 00:33:19,759
Speaker 3: Got around on that one.

652
00:33:20,799 --> 00:33:23,799
Speaker 1: Yeah, yeah, I think that lot because that center's pick

653
00:33:23,839 --> 00:33:26,240
didn't make it in right that daylor was pitching no,

654
00:33:26,640 --> 00:33:28,279
so that would have been I think my last one.

655
00:33:28,319 --> 00:33:30,079
So I don't have anymore.

656
00:33:30,119 --> 00:33:33,559
Speaker 4: I don't think Heleyettel's cleavage sporty role in.

657
00:33:33,720 --> 00:33:38,160
Speaker 1: Uh, don't do that. Don't check if I feel like.

658
00:33:38,160 --> 00:33:41,119
Speaker 6: That, try to get her in.

659
00:33:41,200 --> 00:33:42,680
Speaker 2: Come on, guys, Yeah all.

660
00:33:42,640 --> 00:33:45,039
Speaker 1: Right, No, I think that's I think that's it for

661
00:33:45,079 --> 00:33:47,599
me because the other ones I'd pitch are not like

662
00:33:47,599 --> 00:33:49,519
like like mar Supreme. I have people in there, but

663
00:33:49,759 --> 00:33:51,359
they won't get much traction.

664
00:33:53,480 --> 00:33:56,640
Speaker 2: Tenlorfield know, no, I got nothing.

665
00:33:57,680 --> 00:33:58,000
Speaker 3: Wow?

666
00:33:59,480 --> 00:34:01,359
Speaker 1: Who We Were.

667
00:34:01,000 --> 00:34:03,640
Speaker 3: Five includes a meme pick, So I don't know, are

668
00:34:03,680 --> 00:34:04,680
we like this?

669
00:34:04,759 --> 00:34:04,839
Speaker 2: Is?

670
00:34:04,920 --> 00:34:06,079
Speaker 3: That's a rough category?

671
00:34:06,160 --> 00:34:09,440
Speaker 1: Is here? Who was the meme pick you voted for?

672
00:34:11,519 --> 00:34:15,880
Who's the meme pick? Who's meme on this list? I

673
00:34:15,880 --> 00:34:18,920
don't see the means nothing to look off to you, okay, spainy,

674
00:34:18,920 --> 00:34:21,800
but like that's fine, sure, Oh okay, cool. I don't

675
00:34:21,800 --> 00:34:24,000
think it's like a meme. I don't think she's like great.

676
00:34:24,119 --> 00:34:26,000
Like I think everyone in Way Up dead Man is

677
00:34:26,079 --> 00:34:28,239
very good. I think sometimes the script fails them, but yeah,

678
00:34:28,199 --> 00:34:31,159
I'll find that week or year in the supporting I.

679
00:34:31,079 --> 00:34:35,159
Speaker 3: Think, boom and we're locked in, okay, lock Jody Komer.

680
00:34:34,960 --> 00:34:38,760
Speaker 1: Is uh, not as easy. It's an isolad me goth

681
00:34:38,880 --> 00:34:43,880
As is Elizabeth tylor As Perfidity, Beverly Hills, Kristen Dunson's

682
00:34:43,960 --> 00:34:48,639
Lee from ruf Man, and Keylle Spain's Simowing from Wake

683
00:34:48,719 --> 00:34:51,239
Up dead Man returning on there there you go. I

684
00:34:51,239 --> 00:34:52,920
had to get done in there. You know, it's great.

685
00:34:52,920 --> 00:34:54,760
We've been on about her for years. I guess we

686
00:34:54,760 --> 00:34:56,239
got her in there for Civil War, right, So.

687
00:34:56,360 --> 00:34:58,400
Speaker 5: Yeah, I was gonna say that current chanting like back

688
00:34:58,440 --> 00:35:00,199
to back, just kind of coming out of nowhere and

689
00:35:00,239 --> 00:35:02,280
crushing it all of a sudden is really fun to see.

690
00:35:02,679 --> 00:35:05,320
Speaker 1: Yeah, uh yeah, and Spainey right there you go.

691
00:35:06,440 --> 00:35:08,760
Speaker 5: Well, yeah, she's like the Mason. What the fuck's that

692
00:35:08,760 --> 00:35:10,920
guy's name? I can't remember the meme from two hours ago?

693
00:35:10,960 --> 00:35:13,760
Speaker 6: Now, yeah, Mason themes.

694
00:35:14,079 --> 00:35:14,719
Speaker 2: She's the Mason.

695
00:35:15,400 --> 00:35:18,360
Speaker 1: Yeah, she's the chasing thinny of the Mason themes of the.

696
00:35:20,400 --> 00:35:23,159
Speaker 6: She's onupping up nesting doll.

697
00:35:23,480 --> 00:35:24,880
Speaker 3: No, she's past Mason themes.

698
00:35:24,920 --> 00:35:26,920
Speaker 5: She's like, but she's not a shallow so she's like

699
00:35:26,920 --> 00:35:29,480
gonna chef up from Mason themes. So once you progress, yeah,

700
00:35:29,519 --> 00:35:31,400
past Mason, you get to Kaylee and then you get

701
00:35:31,400 --> 00:35:32,039
to shallow man.

702
00:35:32,119 --> 00:35:33,920
Speaker 1: Yeah, sh give me beef. Season two. I can't wait.

703
00:35:33,960 --> 00:35:35,920
Speaker 3: It's gonna get to when's that coming out?

704
00:35:36,039 --> 00:35:37,800
Speaker 1: I think this year and like the Spring.

705
00:35:38,280 --> 00:35:39,440
Speaker 3: Damn, I'm accept that