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Speaker 1: They ain't the way with the course some more vision

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of our nation on the hills of class bourn.

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Speaker 2: Yeah, taxation and every penny spent. It's only an We're

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gonna decide to beyond the bollover arrives.

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Speaker 1: God go it didans by our minds eat the rich.

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Speaker 2: Beats on the skin.

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Speaker 3: We simply cannot bend dam wain ninety cents our storymail.

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Their blood will plod throughout the streets Sanctity through the

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release come combing be yute nine cents our story mail.

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Their blood will blood throughout the streets Sanctity through the

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release calcome.

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Speaker 2: Coming p yuty glog glogy.

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Speaker 4: They ain't away with the torches on the board, division.

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Speaker 2: Of our nation on the hills last born death through taxation,

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and everythin extend solely in the interest of the hope

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one percent.

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Speaker 5: We're asie three on the bull over her eyes.

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Speaker 2: Got a distance. Will we are debize getting the rich

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be sparta skin.

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Speaker 3: We simily cannot lend them when ninety extent at starting

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them their blood run throughout.

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Speaker 2: The streets of sanctity.

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Speaker 6: The least the healthy bucy tin extent are sorry veil

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their blood plot found the streets Sangnity go release block

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them ALKANKI yis say.

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Speaker 7: Welcome everybody. Matt Connorton unleashed. We have entered our number

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three New Marrow trace on this Saturday morning, December twenty eight,

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twenty twenty four. We are live from the studios of

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wm n H ninety five point three FM and Glorious Manchester,

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New Hampshire. And Jenny is here as well, of course

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at the news table ant for and the track we

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just heard is Colleen Season from the band of Volley,

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if I'm saying that correctly. And we've got the guys here. Welcome, gentlemen,

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Audi going on, So let's let's start in the corner here.

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Tell us who you are and what you do in

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the band.

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Speaker 8: My name is Sean, and some people know me is

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Skeet three Pan, which is a it's a long stupid story, but.

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Speaker 9: Which I will ask you about because I'm very.

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Speaker 5: Curious, fantastic.

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Speaker 8: So I am the vocalist and I write all the lyrics, okay,

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and uh yeah, I do some of the art stuff too, okay, excellent, excellent,

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And you, sir.

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Speaker 5: My name is Dane.

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Speaker 10: I'm the guitarist in Vali and Bally's newest member.

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Speaker 7: Oh okay, well, congratulations.

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Speaker 5: Also he also goes by dB Pooper that's.

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Speaker 9: Correct, okay, which I will ask you about.

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Speaker 2: And and you.

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Speaker 11: Jonah Jonah, I play the drums.

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Speaker 7: You play the drums, very good, very good.

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Speaker 11: And that's not a drummer.

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Speaker 7: But you don't have but you don't have like a

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funny weird name.

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Speaker 5: Or he does, but we can't stay it on the radio.

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Speaker 11: Oh gotcha, Jona Jonah five bone, uh something like that.

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Speaker 5: Yeah, something like that.

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Speaker 9: All right, So let me ask, so Sean, what what's

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your weird name again?

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Speaker 5: Your nickname Skeet three pan?

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Speaker 7: Okay.

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Speaker 8: So I went to Taco Bell many many moons ago

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after having a few drinks, and I told them because

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they asked my name for the order and I said

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my name was Scaffon with a K yes, and they

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spelled it as Skeet three pan and they yelled ski

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three pan to call me over for my order, and

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it just it just stuck from there.

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Speaker 7: So I love that.

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Speaker 5: Yeah, that's that's great. Oh.

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Speaker 8: Also side notes, so Cody isn't here. He is the bassist,

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uh and he puts that bag there, but he is

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at work. So okay, I wanted to clarify that.

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Speaker 7: Oh okay, yeah, his name is Han Blo Okay, yeah,

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all right, And where's your funny name came from? What

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was it or is that a story you can tell

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on the air.

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Speaker 12: Well, it's easy because well, first off, the name is

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dB Pooper, don't forget, and it was it was just

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it was given to me by these gentlemen.

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Speaker 10: So okay, oh okay, it's it's it's an honorary name.

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So I'll dig it with Pride.

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Speaker 9: Okay, how long have you been in the band? You

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said your name?

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Speaker 12: I want to say since like a Halloween okay, like

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like maybe like a couple weeks before Halloween.

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Speaker 5: Our first show of them was Halloween.

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Speaker 6: Uh.

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Speaker 8: He had maybe three practices with us Pride too, and

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he just picked it up like that, yeah immediately.

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Speaker 9: Yeah, oh very good.

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Speaker 5: Yeah.

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Speaker 7: How long has the band existed?

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Speaker 8: Technically since summer summer twenty twenty one. Yeah, so yeah,

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So we started the band. It was just Joanah and

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I and we were in the room of my old apartment.

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We had my electronic kit and I had this super

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crappy guitar that was fed straight into my DII and

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we had it monitoring. So I could hear it well recorded, Yeah,

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and that's how we recorded those first three songs, no kidding. Yeah,

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So our summer twenty one demos up on our band camp.

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I think it's on Spotify as well. All our music's

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on all the streaming.

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Speaker 10: But not to be confused with the three songs we're listening.

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Speaker 5: To today, yeah exactly.

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Speaker 8: Yeah, there's quite the difference between the two sonically alone.

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But yeah, we just kept going and recording and doing

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music and having fun, and we eventually rained in our

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old guitarist, Josh. So we originally brought him in, I believe,

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on bass, and then I was gonna play bass, he

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was gonna play guitar, and jonahould play drums, and he

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really rained us in because when Jana and I play together,

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we just play as fast as humanly possible.

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Speaker 5: Yeah, so Josh was kind of our metronome.

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Speaker 8: And then after we reeled Josh in, he suggested that

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we get Cody on bass, and right from the get go,

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it was like four friends in a room that have

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known each other forever, Like we were doing more joking

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than actually making music. So it was like it was

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a very nice fit, and I want to say a

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month after that month or two, we recorded all of

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the tracks that are on our album rough Cuts, which

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it's no misnomer.

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Speaker 5: They're all like room recordings that.

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Speaker 8: I ripped the audio from the video of so they're

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not Wow, I bootleg all of our music.

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Speaker 9: That's very punk rock, really is.

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Speaker 8: So Jonah actually had this huge cassette deck because we

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put all our music on cassette. Yeah, like we handed

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it and uh wow, yeah that's a whole thing. But

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Jonah and I were using his cassette deck cause mine

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I just have like the little single cassette one you'd

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bring to like a college lecture in the nineties. So

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it's not the best. And uh we tried his and

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for it to record it, I forget exactly what it's called.

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But it'll take like a speed dubbing. Yes, so his

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has speed dumb, so it'll take like a two minute

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song and it'll record it faster, like it plays the

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tape at a higher speed while it's recording. Yeah yeah,

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but when it does that, you can actually turn the

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volume on and listen and it sounds like the Chipmunks.

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Speaker 5: It's yeah, yeah, yeah.

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Speaker 11: And the chip Punks.

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Speaker 7: Yeah, I've heard of that speed dubbing. But but do

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you lose quality when you do it that way or

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does it does it?

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Speaker 8: Would imagine, Yeah, I would definitely imagine. So, but we

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we weren't exactly much exactly so Jonah had an idea

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a while back that we would take like because I

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record to cassette from a line out on my computer

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directly into the cassette player. Okay, yeah, so it's it's

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a little jankee. But uh, he had the idea of

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doing that and then just continuing to record from cassette

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to cassette to cassette, so it just loses more and

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more quality until it's just like jarbled.

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Speaker 5: Yeah.

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Speaker 8: So we we do want there to be some quality

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to our music where it's like you can listen to it,

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But of course we don't need super ritzy recordings and

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like a three thousand dollars per hour room. We want

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we want it to sound as true as it can. Yeah,

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because we're not those type of people.

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Speaker 5: We're not. We didn't pull up in a limousine right right.

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Speaker 12: Right, And you don't need a super expensive studio to

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catch authenticity either, you know what I mean. And I

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think that's kind of the biggest thing.

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Speaker 11: Yeah, yeah, well you know, we'll take one though. Yeah, yeah,

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as a free one.

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Speaker 5: Yes, it would be rude to not accept.

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Speaker 10: We're good guests.

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Speaker 7: Yeah, there you go. If the opportunity presents itself, sure,

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why wouldn't you. Yeah, so do you so with the cassettes?

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So so do you sell the cassettes that shows?

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Speaker 5: Yeah?

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Speaker 8: So we actually I think we only have three left,

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no kidding.

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Speaker 5: Yeah.

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Speaker 8: So every or darn near every person that we've sold

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a cassette too has followed it up by saying, I

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have no way to play this, right, And almost all

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the people who didn't buy cassette said I have no

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way to play this right. But I think the two

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people we've given cassettes to actually had cassette players and

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were like, oh, you can just okay, take it. You're

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not going to use it as a paperweight.

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Speaker 10: Yeah, also works great as a key. Yeah, it's a phenomenal.

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Speaker 7: Yeah.

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Speaker 8: So I found a briefcase on the side of the road.

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There was a moving sale in this like ritzy neighborhood,

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and they had a briefcase.

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Speaker 5: I was just going.

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Speaker 8: They had a huge table of free stuff and I

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opened the briefcase up there was like seventy blank cassettes

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in it wow wrapped. And I was like, well, I

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guess I'm starting a label.

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Speaker 5: And I didn't.

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Speaker 8: I never started a label, but I put yeah, I

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put are I think two albums EPs, whatever you want

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to call them, on cassette or three?

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Speaker 5: Actually?

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Speaker 8: Yeah, so three of our releases are on cassette or

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where we got rid.

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Speaker 5: Of all of them? Uh?

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Speaker 6: Yeah?

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Speaker 8: We we recorded him in my room from my computer

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to the tape deck. Yeah, made all the album art,

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made all the album sleeves.

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Speaker 10: Like we might get demand now I might have to

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mix some more.

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Speaker 5: No, absolutely not.

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Speaker 7: No. It's it's interesting to me because I remember it

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was probably seven or eight years ago. Maybe I was

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on band camp dot com and and I'm looking around.

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I'm looking for bands in the area and see who's

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out there, and and I noticed somebody. I don't remember

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who it was the first one I noticed, but I

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noticed somebody was selling cassette tapes. Yeah. I was like, huh,

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did I just time travel? And then I looked around.

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I'm looking at others, and I'm like, oh, it's not

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just them. This is a thing now, this is actually happening.

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People are doing this. I was like, that's pretty cool.

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Speaker 5: It is super cool.

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Speaker 8: Like I I am happy to see it because the

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more formats we have to listen to, the better. Like, yeah,

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sure you can get like a flack recording, listen to

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it on the nicest sound system you have via your computer,

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what have you. I still love the emotion behind the

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music that was recorded on to cassette, you know, and

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not to discredit the stuff that's overproduced if you will. Yeah,

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it's just it feels more authentic, I know what you mean.

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Speaker 12: Yeah, yeah, almost, how like Vinyl had like a resurgenist

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lately and you know, now cassettes and I bought my

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son like a whole bunch of CDs in a boombox

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for Christmas. Yeah, he's a you know, he's a he's ten,

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and you know, he didn't grow up a CDs. But

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he's listening to his room and he pops them in

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and listens to the tracks and he's really liking it.

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Speaker 10: So it's cool to see that.

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Speaker 7: Yeah.

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Speaker 9: Yeah, well, ultimately, you know, people don't know that the quality.

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Speaker 7: I mean, I think Vinyl sounds better than anything, right nothing, Vinyl, Well,

242
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Vinyl sounds better than a CD, and a CD sounds

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better than a wave file, and a wave file sounds

244
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better than an MP three and so on, you know.

245
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But but I think I think a lot of people

246
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just don't realize that.

247
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Speaker 11: Yeah, you know, but and they all sound better than

248
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a tape.

249
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Speaker 7: Because with a tape you'll you'll get I mean, I

250
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guess with a cassette you get some of that warmth

251
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that you get with vinyl, right yeah, but you might

252
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get some hiss too.

253
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Speaker 12: I feel like with vinyl though too, with you know,

254
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amongst other things, it's like the ritual of doing it.

255
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You know, to leave and you're reading up everything and

256
00:13:24,639 --> 00:13:26,639
you put it down and set the needle and all that,

257
00:13:26,799 --> 00:13:28,720
so it's, you know, the ritual of it at all.

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Speaker 2: Well.

259
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Speaker 7: My theory too is I think probably most people who

260
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buy vinyl never open it, or or they open it,

261
00:13:34,480 --> 00:13:35,720
but they don't they don't play it.

262
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Speaker 9: Yeah, like like just like with the cassettes.

263
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Speaker 7: You know, if someone's like a really big fan, you know,

264
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they might just want it to have it, yeah, but

265
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they're not, but they have nothing to play it on.

266
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And I strongly suspect that most of the people who

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buy vinyl don't.

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Speaker 5: Even have a record player, right, I'd have to agree

269
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with you.

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Speaker 7: Yeah, but it's I think it was what was it,

271
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twenty twenty two. I think was the first year that

272
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vinyl had outsold CDs.

273
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Speaker 5: Yeah, in forever.

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Speaker 7: I think it was twenty twenty.

275
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Speaker 10: They're everywhere f y E, Newberry, Comics, everywhere you go

276
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there's records.

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Speaker 7: Oh yeah, I haven't even forget even a Walmart. I've

278
00:14:08,360 --> 00:14:09,639
seen vinylists. They've got it like that.

279
00:14:09,799 --> 00:14:12,320
Speaker 8: That is the That is the funniest part of it.

280
00:14:12,720 --> 00:14:15,559
Like when when you start seeing a certain type of

281
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product being sold at Walmart, that's when you know it's like, oh,

282
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this is definitely a thing.

283
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Speaker 10: Now got to go to Walmart for my George Straight CDs.

284
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Speaker 7: Yeah, it is so I I worked at I worked

285
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at f y E, which before that was Strawberries. I

286
00:14:34,639 --> 00:14:36,720
don't know if any of you guys remember Strawberries, No,

287
00:14:36,960 --> 00:14:39,960
but that was that was a record store that U

288
00:14:40,600 --> 00:14:42,600
f Ye came in and bought. But there were Strawberries

289
00:14:42,639 --> 00:14:45,000
locations all over New England. And I remember when we

290
00:14:45,080 --> 00:14:48,080
had when when I started there, we still had cassette tapes,

291
00:14:48,399 --> 00:14:51,240
SU and uh and it was interesting. One of the

292
00:14:51,320 --> 00:14:55,120
things that I always found fascinating was to see, you know,

293
00:14:55,279 --> 00:14:59,159
older technology you know, people make all kinds of predictions

294
00:14:59,159 --> 00:15:01,919
about when it's going to go away, but then does

295
00:15:02,000 --> 00:15:05,720
it actually go away, you know. And cassettes, even at

296
00:15:05,759 --> 00:15:08,320
that time, hung on for a lot longer than I

297
00:15:08,399 --> 00:15:11,399
would have expected. And I think the reason was they

298
00:15:11,440 --> 00:15:14,279
were still selling new cars with cassette players in them,

299
00:15:14,679 --> 00:15:17,200
and then once that stopped, that's when we didn't have

300
00:15:17,240 --> 00:15:20,039
cassettes anymore in the store. So it's wild to see

301
00:15:20,120 --> 00:15:22,919
them come back. And of course vinyl, which never went away.

302
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Speaker 5: People.

303
00:15:23,519 --> 00:15:25,960
Speaker 7: It's funny people talk about vinyl like, oh, vinyl is back,

304
00:15:26,000 --> 00:15:30,200
and it's like, well, never stopped. Yea, they never stopped

305
00:15:30,200 --> 00:15:30,840
making vinyl.

306
00:15:30,919 --> 00:15:33,639
Speaker 11: But I have a record player in my car.

307
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Speaker 5: Do you really know?

308
00:15:35,799 --> 00:15:35,919
Speaker 13: Oh?

309
00:15:36,000 --> 00:15:38,919
Speaker 10: Okay, I think he's got the dash mount for that.

310
00:15:40,200 --> 00:15:41,399
Speaker 7: So I was gonna say, I think if you buy

311
00:15:41,440 --> 00:15:43,080
a Tesla, you can actually get it with the record

312
00:15:43,120 --> 00:15:44,480
player in it. Like I'm not even kidding.

313
00:15:44,559 --> 00:15:47,159
Speaker 5: Oh, man, have you ever seen the.

314
00:15:49,200 --> 00:15:51,320
Speaker 8: No, I don't think I have, so it, dude, it's

315
00:15:51,360 --> 00:15:56,039
basically like plastic the thickness of a soda bottle, like

316
00:15:56,120 --> 00:15:58,639
a two liters of soda. Yeah, and they I guess

317
00:15:58,639 --> 00:16:00,600
they used to give the mountain boxes this Cereal, But

318
00:16:00,840 --> 00:16:03,600
I got one from one of my favorite bands. They

319
00:16:03,799 --> 00:16:07,039
have like they do it all DIY and I bought

320
00:16:07,080 --> 00:16:09,200
this record. I've never seen a flexi disc before in

321
00:16:09,279 --> 00:16:11,679
my life, and it's just like a sheet of plastic.

322
00:16:11,840 --> 00:16:14,080
Speaker 5: It's so thin. And I pulled it out. I'm like,

323
00:16:14,200 --> 00:16:16,559
did these guys like pull a fast one on me?

324
00:16:16,720 --> 00:16:18,440
Is this a joke? And I put it on.

325
00:16:18,519 --> 00:16:20,840
Speaker 8: It actually plays, and I looked it up. So flexi

326
00:16:20,919 --> 00:16:24,639
discs are like very low quality. The quality is terrible,

327
00:16:24,759 --> 00:16:28,919
but they're definitely a novelty because it is cool to

328
00:16:29,039 --> 00:16:31,120
see this thing and be like, I can play music off.

329
00:16:31,039 --> 00:16:32,080
Speaker 7: Of that, no kidding.

330
00:16:32,200 --> 00:16:35,279
Speaker 8: Yeah, I definitely recommend looking out and you just play

331
00:16:35,279 --> 00:16:36,639
it on a record player. Yeah, you can play it

332
00:16:36,679 --> 00:16:39,360
on a record player. And they're like, I was looking

333
00:16:39,399 --> 00:16:41,399
into how much it costs to get a run of them.

334
00:16:41,600 --> 00:16:43,519
It's not it's not worth it.

335
00:16:43,720 --> 00:16:44,159
Speaker 5: There's more.

336
00:16:44,600 --> 00:16:48,080
Speaker 8: There's more labor involved than you would imagine for that

337
00:16:48,279 --> 00:16:49,559
tiny little piece of plastic.

338
00:16:49,679 --> 00:16:52,600
Speaker 7: But yeah, because it's probably there's probably like one place

339
00:16:52,679 --> 00:16:53,759
in the entire country that does.

340
00:16:54,200 --> 00:16:56,879
Speaker 8: Yeah, there's not too many. There's not a high demand

341
00:16:57,000 --> 00:16:58,519
for flexi discs for a reason.

342
00:16:58,720 --> 00:17:00,799
Speaker 10: Yeah, a little bit of a new meaning to low fi.

343
00:17:01,120 --> 00:17:01,360
Speaker 5: Yeah.

344
00:17:02,440 --> 00:17:04,680
Speaker 7: Is it the size of a full record?

345
00:17:04,799 --> 00:17:06,839
Speaker 8: Or is it what I believe? They make some that

346
00:17:06,920 --> 00:17:08,640
are the size of a full record. The one I

347
00:17:08,759 --> 00:17:12,039
got was like a seven inch okay, so yeah, well

348
00:17:12,079 --> 00:17:12,599
that's wild.

349
00:17:12,759 --> 00:17:14,680
Speaker 7: Yeah, I've never even heard of that, which surprises me.

350
00:17:14,799 --> 00:17:16,599
But oh that's cool. I'm gonna have to look that up.

351
00:17:16,599 --> 00:17:19,240
I'm super curious now now.

352
00:17:19,599 --> 00:17:22,519
Speaker 9: So but you guys put you do CDs to right

353
00:17:22,599 --> 00:17:23,680
or do you have.

354
00:17:23,839 --> 00:17:24,799
Speaker 5: We ever done a CD?

355
00:17:25,000 --> 00:17:25,680
Speaker 11: Have yet to make it?

356
00:17:28,079 --> 00:17:30,119
Speaker 5: Okay, I'm working on it.

357
00:17:30,440 --> 00:17:33,279
Speaker 7: Yeah, but but but is that so I assume that's

358
00:17:33,359 --> 00:17:35,359
the plan for the new It's an EP right there.

359
00:17:35,519 --> 00:17:35,720
Speaker 11: Yeah.

360
00:17:35,839 --> 00:17:38,559
Speaker 5: Yeah, so it's gonna be a six song EP.

361
00:17:39,319 --> 00:17:39,440
Speaker 6: Uh.

362
00:17:39,480 --> 00:17:43,400
Speaker 8: It's gonna be coming out January twenty fourth. Funny enough,

363
00:17:43,599 --> 00:17:47,480
we're playing at Codo and Lowell January twenty fourth with

364
00:17:47,640 --> 00:17:52,240
our good buddies Street Trash okay and the Lipsticks Boys yep,

365
00:17:52,279 --> 00:17:55,839
the Lipstick Boys hat and yes, the black hat. Oh yes,

366
00:17:56,160 --> 00:17:58,000
so that should be a good time. I think it's uh,

367
00:17:58,200 --> 00:18:01,920
it's gonna start at nine. It's on our Instagram. But uh, yeah,

368
00:18:02,599 --> 00:18:05,680
six song EP on the way and we are going

369
00:18:05,799 --> 00:18:10,160
to put it on CDs. Okay, yeah, the theoretically they're

370
00:18:10,160 --> 00:18:13,759
gonna realistically, it's gonna be a CDR that we burnt

371
00:18:13,799 --> 00:18:16,759
it onto and I just wrote on sharp with Sharpie

372
00:18:16,799 --> 00:18:18,319
on it, like this is it.

373
00:18:19,480 --> 00:18:19,680
Speaker 5: Yeah.

374
00:18:19,880 --> 00:18:22,319
Speaker 12: I'm a big CD fan, so I'll definitely be getting one.

375
00:18:22,839 --> 00:18:26,200
However that needs to come to fruition. There'll be five dollars.

376
00:18:26,960 --> 00:18:27,279
Speaker 5: Okay.

377
00:18:28,480 --> 00:18:29,680
Speaker 9: I love the CDR idea.

378
00:18:30,000 --> 00:18:33,720
Speaker 8: Yeah, well I've I've done it before where I printed

379
00:18:33,759 --> 00:18:36,440
out the Uh it's like a sticky label you can

380
00:18:36,480 --> 00:18:38,240
put right on top of the CD. Yeah, so I

381
00:18:38,279 --> 00:18:40,640
can make it look a little more Yeah.

382
00:18:41,200 --> 00:18:41,519
Speaker 5: Yeah, but.

383
00:18:43,000 --> 00:18:43,599
Speaker 9: That's funny.

384
00:18:43,880 --> 00:18:50,160
Speaker 7: When I first started doing this because I started well, actually, yeah,

385
00:18:50,400 --> 00:18:52,880
when I started interviewing bands, like back in two thousand

386
00:18:52,880 --> 00:18:54,960
and eight, two thousand and nine. This show hasn't existed

387
00:18:55,039 --> 00:18:56,559
that long, but but I was doing it for a

388
00:18:56,599 --> 00:18:58,359
while before I was at W M and H. And

389
00:18:58,440 --> 00:19:01,559
when I first started, like people hadn't even gotten really

390
00:19:01,599 --> 00:19:04,640
comfortable yet with sending things via Dropbox and Google Drive

391
00:19:04,759 --> 00:19:08,640
or just attaching files to an email, and occasionally like

392
00:19:08,799 --> 00:19:11,920
guests would show up. The move was they'd have a

393
00:19:12,039 --> 00:19:14,480
CD that they burned with the music on it that

394
00:19:14,519 --> 00:19:16,079
they wanted to play, and they'd write on it with

395
00:19:16,160 --> 00:19:18,200
a sharpie and then it wouldn't even be in a case.

396
00:19:18,599 --> 00:19:20,200
They would hand it to me. They put the CD

397
00:19:20,319 --> 00:19:22,799
on their finger and be like, here.

398
00:19:22,720 --> 00:19:24,640
Speaker 10: You go, I've heard you. I've heard you. Tell this

399
00:19:24,920 --> 00:19:28,680
more sure, And that would happen all the time.

400
00:19:29,079 --> 00:19:30,759
Speaker 12: Well if you have kids too, like you know, with

401
00:19:30,960 --> 00:19:34,079
like any like Xbox or PlayStation disc, like, if it's

402
00:19:34,119 --> 00:19:36,319
not in the machine, that's the last time it'll be

403
00:19:36,319 --> 00:19:36,839
in the machine.

404
00:19:38,799 --> 00:19:44,359
Speaker 7: Right, Yeah, it's nice to have technology, you know, we do.

405
00:19:44,720 --> 00:19:46,599
We actually have a CD player here, but the only

406
00:19:46,640 --> 00:19:47,880
one who ever, I don't know if he has no

407
00:19:47,960 --> 00:19:49,759
rob as a veto, he also to show here called

408
00:19:49,759 --> 00:19:52,559
granted state of Mind and he uses it. But he's

409
00:19:52,599 --> 00:19:54,759
the only one. I've never even used a CD player.

410
00:19:55,359 --> 00:20:00,000
That's sick, yeah, but it's but yeah, the technology is wonderful,

411
00:20:00,200 --> 00:20:03,640
too wonderful to have. So now, so where did you

412
00:20:03,720 --> 00:20:06,400
guys record so the new EP, the six songs? And

413
00:20:06,559 --> 00:20:08,680
did you record it the same way you've recorded everything

414
00:20:08,720 --> 00:20:09,400
else or no?

415
00:20:09,680 --> 00:20:15,319
Speaker 8: So we actually we we bucked up and started paying

416
00:20:15,400 --> 00:20:18,559
for studio time instead of just recording it with a

417
00:20:18,799 --> 00:20:22,160
crappy camera. Oh god, yeah, so we recorded it with

418
00:20:22,319 --> 00:20:23,440
our good buddy Axel.

419
00:20:23,920 --> 00:20:24,039
Speaker 3: Uh.

420
00:20:24,519 --> 00:20:27,720
Speaker 13: He helped us bang it out. It took I only

421
00:20:27,799 --> 00:20:29,799
know one axle around your axle, Baguley.

422
00:20:29,759 --> 00:20:32,920
Speaker 5: Yeah, the very same. Yeah. Yeah.

423
00:20:33,000 --> 00:20:33,799
Speaker 10: He's a great guy.

424
00:20:33,960 --> 00:20:35,079
Speaker 5: Yeah he as I.

425
00:20:35,519 --> 00:20:37,720
Speaker 8: I told him several times. He's an absolute wizard.

426
00:20:37,920 --> 00:20:40,200
Speaker 5: Yeah yeah.

427
00:20:40,480 --> 00:20:40,680
Speaker 6: Yeah.

428
00:20:40,880 --> 00:20:43,519
Speaker 8: So if he's listening, shout out to Axel for sure,

429
00:20:44,759 --> 00:20:49,640
or more specifically PACIFICO. Don't know what I mean specific Yeah.

430
00:20:50,039 --> 00:20:54,480
Uh So it took us about seven or eight hours

431
00:20:54,599 --> 00:20:56,759
to bang it all out. We did the drums all

432
00:20:56,839 --> 00:20:59,039
in one night, then we did guitar and bass the

433
00:20:59,079 --> 00:21:01,960
next night, then we did vocals. Okay, so it was

434
00:21:02,160 --> 00:21:06,200
uh I'm still getting over being tired from all of

435
00:21:06,359 --> 00:21:10,200
that because that was the week before Christmas is when

436
00:21:10,240 --> 00:21:13,319
we like really started hammering it down. So it was

437
00:21:13,359 --> 00:21:18,279
a busy time to be doing that. Uh yeah, if.

438
00:21:18,200 --> 00:21:20,359
Speaker 12: I'm not mistaken, I want to say that's the first

439
00:21:20,559 --> 00:21:23,559
time we've all experienced that kind of like recording process.

440
00:21:23,680 --> 00:21:26,200
So it was you know, you're I gotta be on point,

441
00:21:26,319 --> 00:21:29,759
and you know, I've getten locked down and locked in.

442
00:21:30,000 --> 00:21:35,119
Speaker 8: So I've done it once before, but it was maybe

443
00:21:36,160 --> 00:21:37,880
four hours worth of being in the studio and I

444
00:21:37,960 --> 00:21:40,000
was on drums the entire time, so it was like

445
00:21:41,640 --> 00:21:45,480
I was in a completely separate room with headphones on it.

446
00:21:45,559 --> 00:21:47,759
That was the first time I ever had to do that,

447
00:21:47,880 --> 00:21:49,480
and I'm like, this is the weirdest thing.

448
00:21:49,799 --> 00:21:50,480
Speaker 7: Is weird, isn't it?

449
00:21:50,680 --> 00:21:54,240
Speaker 5: It's so weird. Yeah yeah, oh that's uh.

450
00:21:54,319 --> 00:21:57,200
Speaker 7: That's cool though, that you got recorded with AXL. Where

451
00:21:57,319 --> 00:22:00,240
did the place in Nashawa? Yes, sir, okay, excellent. Yeah,

452
00:22:00,720 --> 00:22:03,119
that's outstanding. You guys ever play there at Terminus.

453
00:22:03,720 --> 00:22:07,240
Speaker 8: So I have been talking to actually another shout out

454
00:22:07,319 --> 00:22:10,920
my good friend sim So she just started, uh, sim.

455
00:22:11,359 --> 00:22:14,160
Speaker 13: Yeah, the very same Ye, your people know my feef.

456
00:22:14,240 --> 00:22:16,519
Oh yeah, that's a small scene.

457
00:22:16,720 --> 00:22:16,960
Speaker 5: Yeah.

458
00:22:18,039 --> 00:22:22,200
Speaker 8: So she reached out to me recently about potentially getting

459
00:22:22,279 --> 00:22:24,720
us booked there in twenty twenty five, and I am

460
00:22:24,799 --> 00:22:28,359
quite excited, yeah, because I my old old band actually

461
00:22:28,440 --> 00:22:32,279
used to practice there, no kidding, yeah band. So it

462
00:22:32,400 --> 00:22:37,279
was Putrid Lizards at the time, and then yeah, we

463
00:22:37,400 --> 00:22:39,200
went through several name changes.

464
00:22:39,319 --> 00:22:39,519
Speaker 6: It was.

465
00:22:40,480 --> 00:22:43,440
Speaker 8: It was certainly an interesting period of my life.

466
00:22:43,599 --> 00:22:45,119
Speaker 9: Futrid Lizards strike me.

467
00:22:45,359 --> 00:22:47,240
Speaker 7: Strikes me as a kind of name where you're probably

468
00:22:47,279 --> 00:22:49,480
pretty safe that somebody else isn't gonna, you know, come

469
00:22:49,519 --> 00:22:49,839
after you.

470
00:22:49,839 --> 00:22:51,480
Speaker 9: And say hey we we already have that name.

471
00:22:51,799 --> 00:22:53,640
Speaker 7: We're gonna right am I right?

472
00:22:53,839 --> 00:22:55,920
Speaker 5: Yeah? Yeah, correct correct a Mundo.

473
00:22:58,319 --> 00:23:01,079
Speaker 7: Oh that's awesome, but no, that's cool recorded with Axel?

474
00:23:01,279 --> 00:23:04,759
And then so now why an EP? I'm always curious

475
00:23:04,759 --> 00:23:06,559
about this because again, we live in a time where

476
00:23:06,799 --> 00:23:07,880
you have so many different options.

477
00:23:07,920 --> 00:23:09,240
Speaker 9: You can do an EP, you can do an album,

478
00:23:09,279 --> 00:23:10,440
you can just release singles.

479
00:23:10,559 --> 00:23:12,720
Speaker 7: Yeah, a lot of the guests that we talked to

480
00:23:13,240 --> 00:23:16,279
lately they released a bunch of singles that eventually become

481
00:23:16,319 --> 00:23:18,400
an album, you know, instead of doing it the old

482
00:23:18,400 --> 00:23:20,519
way where they release an album and put out singles.

483
00:23:20,559 --> 00:23:22,480
Speaker 9: But why did you guys decide to do an EP?

484
00:23:22,640 --> 00:23:23,720
Speaker 7: What went into that decision?

485
00:23:24,079 --> 00:23:27,480
Speaker 8: We had the opportunity, So it actually kind of started

486
00:23:27,599 --> 00:23:31,160
when Axel hit me up because he was saying, you

487
00:23:31,240 --> 00:23:35,559
wanted to record us. So we finally hashed out a

488
00:23:35,640 --> 00:23:38,519
day to start recording, and we thought, okay, well, we

489
00:23:38,680 --> 00:23:43,200
have like seven songs that we want to get recorded

490
00:23:43,319 --> 00:23:46,759
now that we have Dane, and we also were deciding

491
00:23:46,839 --> 00:23:49,680
what do we want to rehash from Voluntary Suffering that's

492
00:23:49,720 --> 00:23:53,920
our album okay that we recorded prior and we didn't

493
00:23:54,039 --> 00:23:59,000
necessarily want to rehash anything. So we went forth to

494
00:23:59,079 --> 00:24:01,599
start recording those six seven songs. It was seven, but

495
00:24:01,880 --> 00:24:06,519
one of them we scrapped for now, but uh, we

496
00:24:06,839 --> 00:24:10,880
just we recorded them and felt like this is exactly it,

497
00:24:11,079 --> 00:24:13,200
Like this is how it should be. We shouldn't add more,

498
00:24:13,240 --> 00:24:15,960
we shouldn't redact anything like it just it kind of

499
00:24:16,000 --> 00:24:17,240
all collectively felt right.

500
00:24:18,359 --> 00:24:20,599
Speaker 10: It sounds how Folly should sound exactly.

501
00:24:20,799 --> 00:24:23,559
Speaker 5: And it's like you need to know.

502
00:24:25,519 --> 00:24:27,839
Speaker 8: How much to how much to pour into something. You

503
00:24:27,880 --> 00:24:29,799
don't want to overpour and overfill the cup, you know.

504
00:24:30,039 --> 00:24:31,960
Speaker 9: Yeah, so yeah that makes sense.

505
00:24:32,039 --> 00:24:32,759
Speaker 5: Yeah, that makes sense.

506
00:24:33,119 --> 00:24:35,119
Speaker 9: Actually, it's kind of nice right when it when it's.

507
00:24:35,000 --> 00:24:37,400
Speaker 7: Sort of organic, when the exactly when the answer just

508
00:24:37,519 --> 00:24:40,119
presents itself, it's like this feels right, this sounds.

509
00:24:39,880 --> 00:24:41,319
Speaker 5: Right, yeah exactly.

510
00:24:41,480 --> 00:24:43,000
Speaker 12: It should be fun, and you don't want to get

511
00:24:43,000 --> 00:24:45,319
to a point where like you're agonizing over every silly

512
00:24:45,359 --> 00:24:47,440
little thing that's going on in the recording thing too.

513
00:24:47,519 --> 00:24:49,599
I mean, you know, we we we want to rock

514
00:24:49,640 --> 00:24:51,240
out and want to sound good, but we're not like,

515
00:24:51,519 --> 00:24:53,160
you know, going to lose our minds.

516
00:24:53,000 --> 00:24:56,039
Speaker 9: Over it, right right, Yeah, that makes that makes sense.

517
00:24:56,160 --> 00:24:58,799
Speaker 11: I don't know what the difference between an EP and

518
00:24:58,880 --> 00:25:01,599
an LP and an album miss. So I'm glad Sean

519
00:25:01,680 --> 00:25:02,519
answered that question.

520
00:25:03,200 --> 00:25:04,200
Speaker 10: I don't know if he really answered it.

521
00:25:04,519 --> 00:25:08,880
Speaker 8: I M dude, I think it's I think it's very subjective,

522
00:25:09,039 --> 00:25:13,880
like because you know, especially in punk rock, you have

523
00:25:14,039 --> 00:25:18,279
like nine minute long songs, right, So is the standard

524
00:25:18,440 --> 00:25:20,839
set on the track the amount of tracks, or is

525
00:25:20,880 --> 00:25:23,680
it set on the length in terms of you.

526
00:25:23,680 --> 00:25:25,960
Speaker 10: Know, I never thought of it getting to something else

527
00:25:26,039 --> 00:25:26,640
that's gonna come.

528
00:25:26,599 --> 00:25:29,960
Speaker 8: Out because you can have like you have these crazy

529
00:25:30,160 --> 00:25:33,720
Norwegian black metal bands that have songs that are like

530
00:25:33,920 --> 00:25:37,480
thirteen minutes long and they have three songs and they're like,

531
00:25:38,519 --> 00:25:39,559
I'm not gonna do death.

532
00:25:41,400 --> 00:25:44,160
Speaker 5: Just to picture it. But it's like this is an album, like.

533
00:25:44,480 --> 00:25:48,359
Speaker 7: Right, it's three songs, like, but if it's an hour long,

534
00:25:48,400 --> 00:25:49,759
it's hard to argue with exactly.

535
00:25:49,960 --> 00:25:50,680
Speaker 5: That's what I mean.

536
00:25:51,160 --> 00:25:54,039
Speaker 10: Like AFI has an EP and it only has four

537
00:25:54,160 --> 00:25:56,079
songs on it, but it also I.

538
00:25:56,359 --> 00:25:59,039
Speaker 8: Feel like that's typically what you find on an EP

539
00:25:59,319 --> 00:26:04,000
is like anywhere from one to like seven songs, and

540
00:26:04,079 --> 00:26:07,680
then there's that weird like limbo seven to nine songs

541
00:26:07,720 --> 00:26:11,279
where it's like, yeah, you're you're curious of what you are,

542
00:26:11,319 --> 00:26:15,039
I suppose and then you have anything past that hours

543
00:26:15,119 --> 00:26:17,400
like that's an album. But we could be funny and

544
00:26:17,559 --> 00:26:19,079
do like a twenty six song EP.

545
00:26:20,759 --> 00:26:21,480
Speaker 5: We have it in us.

546
00:26:21,599 --> 00:26:23,599
Speaker 12: We could definitely definitely have it now that we know

547
00:26:24,160 --> 00:26:26,720
and then you know the recording process and all that

548
00:26:26,799 --> 00:26:28,519
sort of thing. I feel like that's possible if we

549
00:26:28,559 --> 00:26:31,079
wanted to do like, you know, a thirteen fourteen song

550
00:26:31,200 --> 00:26:33,440
thing and have it be anything legit.

551
00:26:33,799 --> 00:26:36,400
Speaker 11: Yeah, twenty six songs single, yeah.

552
00:26:36,480 --> 00:26:37,519
Speaker 10: Yeah, double album.

553
00:26:37,559 --> 00:26:40,240
Speaker 8: We're never putting out We're never putting out another album.

554
00:26:40,319 --> 00:26:41,599
We're just gonna put out EPs.

555
00:26:44,079 --> 00:26:45,480
Speaker 7: Do you got how many songs do you guys have?

556
00:26:45,640 --> 00:26:45,680
Speaker 6: It?

557
00:26:45,680 --> 00:26:47,920
Speaker 7: Sounds like you guys have a lot of songs, right.

558
00:26:48,799 --> 00:26:50,359
Speaker 10: Geez, I don't know. I never really thought about it.

559
00:26:50,480 --> 00:26:55,720
Speaker 5: Maybe roughly be in the twenties, Yes, we're in the twenties.

560
00:26:55,799 --> 00:27:00,920
Speaker 8: Like, and that's involving like the half written ones, the

561
00:27:01,000 --> 00:27:02,839
ones that we've played though in progress.

562
00:27:03,000 --> 00:27:03,759
Speaker 10: Yeah, stuff like that.

563
00:27:04,119 --> 00:27:04,319
Speaker 7: Yeah.

564
00:27:04,599 --> 00:27:07,279
Speaker 11: Yeah, covers of band z ownes ever heard, so we

565
00:27:07,440 --> 00:27:08,720
just call our song.

566
00:27:09,119 --> 00:27:11,200
Speaker 5: Yeah, we uh, that was a good thing about doing.

567
00:27:12,279 --> 00:27:15,759
Speaker 8: Yeah, we're like we need we need to learn covers

568
00:27:15,839 --> 00:27:19,519
so that when where it shows people will at least

569
00:27:19,559 --> 00:27:22,400
recognize something that was our logic behind it. And then

570
00:27:22,400 --> 00:27:26,119
we're like, let's cover the like lowercase B sides from

571
00:27:26,200 --> 00:27:31,839
every band, right, like the Four of Us. Yeah, I mean, well,

572
00:27:31,880 --> 00:27:34,319
people know Nirvana, but they don't know Tourett's by Nirvana

573
00:27:34,359 --> 00:27:35,039
because we cover that.

574
00:27:36,160 --> 00:27:36,400
Speaker 5: Yeah.

575
00:27:36,559 --> 00:27:38,440
Speaker 12: When when I first got in the band, I thought

576
00:27:38,839 --> 00:27:43,440
Floyd the Barber was a song that they wrote Yeirvana.

577
00:27:43,559 --> 00:27:45,480
I was like, wow, you guys have great songs, and

578
00:27:45,519 --> 00:27:46,839
they're like, banks, we didn't write it.

579
00:27:48,759 --> 00:27:51,480
Speaker 7: That's awesome. I was in a band that we did

580
00:27:51,519 --> 00:27:54,640
a Kiss cover called Hate, and like only the most

581
00:27:54,799 --> 00:27:57,960
diehard Kiss fan would know about that song from their

582
00:27:58,000 --> 00:27:59,119
most obscure.

583
00:27:58,720 --> 00:28:00,079
Speaker 11: Album sound like a Kiss.

584
00:28:01,319 --> 00:28:03,880
Speaker 7: It doesn't, Yeah, and and but we would play it,

585
00:28:04,039 --> 00:28:07,160
and you know, we never told anybody, you know, and

586
00:28:07,240 --> 00:28:10,440
nobody nobody knew, Like nobody nobody ever came up to

587
00:28:10,559 --> 00:28:12,200
us and said, wow, I can't believe you're covering that's

588
00:28:12,240 --> 00:28:14,440
like the most obscurre Kiss song ever, Like literally nobody

589
00:28:14,480 --> 00:28:15,000
ever said.

590
00:28:14,880 --> 00:28:15,200
Speaker 6: It to us.

591
00:28:15,359 --> 00:28:17,319
Speaker 7: Yeah, and we just we just put it in the

592
00:28:17,359 --> 00:28:21,039
set because we liked it. Yeah, It's funny how that

593
00:28:21,200 --> 00:28:23,839
that can work out. What do you like, what do

594
00:28:23,880 --> 00:28:24,799
you guys do for covers?

595
00:28:25,759 --> 00:28:26,880
Speaker 5: So we got.

596
00:28:30,240 --> 00:28:31,119
Speaker 11: It's Nirvana.

597
00:28:31,640 --> 00:28:36,319
Speaker 8: Yeah, we we have Tourette's by Nirvana, Floyd the Barber

598
00:28:36,799 --> 00:28:40,240
by Nirvana. We do Molly's Lips, which is a cover

599
00:28:40,960 --> 00:28:42,799
of the Vasilines that Nirvana did.

600
00:28:43,119 --> 00:28:45,079
Speaker 10: Oh that's a double cover.

601
00:28:45,640 --> 00:28:49,920
Speaker 5: Yeah, we were working. Oh, paper Planes by m I

602
00:28:50,039 --> 00:28:52,519
A Kid. Yeah, yeah, that one.

603
00:28:52,640 --> 00:28:53,279
Speaker 7: That's kind of cool.

604
00:28:53,400 --> 00:28:54,680
Speaker 5: It's a goofy one that we do.

605
00:28:55,039 --> 00:28:55,839
Speaker 10: It's a favor.

606
00:28:57,160 --> 00:28:59,400
Speaker 7: What do you do about the gunfire? Does everybody clap their.

607
00:28:59,279 --> 00:29:01,799
Speaker 5: Hands or something? So I'm glad you know the song?

608
00:29:02,000 --> 00:29:05,599
Speaker 8: So for the gunfire, Jonah just hits the snare and

609
00:29:05,960 --> 00:29:08,920
I do like weird little wootily woos with my voice.

610
00:29:09,160 --> 00:29:09,359
Speaker 9: Yeah.

611
00:29:10,039 --> 00:29:12,200
Speaker 12: So yeah, we thought we thought about though, if we'd

612
00:29:12,240 --> 00:29:14,480
were to record that cover, we'd actually use real guns,

613
00:29:14,799 --> 00:29:15,640
right right?

614
00:29:15,960 --> 00:29:17,000
Speaker 7: Well, yeah you want to.

615
00:29:17,160 --> 00:29:19,799
Speaker 9: I mean that's like the punk rock Yeah, exactly, keep

616
00:29:19,799 --> 00:29:20,359
it real, you know.

617
00:29:20,759 --> 00:29:23,119
Speaker 8: So I saw I saw one of the funniest things

618
00:29:23,160 --> 00:29:26,279
I've seen. It was on YouTube and they did paper

619
00:29:26,359 --> 00:29:28,799
Planes by m I A. But if they used muskets,

620
00:29:30,200 --> 00:29:31,400
it's so funny.

621
00:29:31,960 --> 00:29:33,920
Speaker 5: I have to see that. It's amazing.

622
00:29:34,079 --> 00:29:34,279
Speaker 6: Man.

623
00:29:35,759 --> 00:29:38,480
Speaker 8: There's one shot that's licked off and then it's like

624
00:29:38,880 --> 00:29:41,519
two minutes of them packing it really.

625
00:29:41,920 --> 00:29:43,440
Speaker 5: Yeah, it is hilarious.

626
00:29:44,160 --> 00:29:47,200
Speaker 7: Yeah, that's great, that's great.

627
00:29:47,240 --> 00:29:48,759
Speaker 9: Whose idea was that to do?

628
00:29:48,880 --> 00:29:49,160
Speaker 3: That was?

629
00:29:49,279 --> 00:29:52,160
Speaker 8: Oh dude, I have no idea. It's someone on the

630
00:29:52,240 --> 00:29:54,319
internet graced us with its presence.

631
00:29:54,480 --> 00:29:54,680
Speaker 5: Yeah.

632
00:29:55,160 --> 00:29:56,359
Speaker 7: So that's awesome.

633
00:29:56,519 --> 00:29:57,079
Speaker 5: That's awesome.

634
00:29:57,279 --> 00:29:58,559
Speaker 7: Oh so where does the name come from?

635
00:29:58,759 --> 00:29:58,880
Speaker 5: Uh?

636
00:30:00,319 --> 00:30:07,319
Speaker 8: Yeah, so I was listening to a podcast about I

637
00:30:07,359 --> 00:30:10,279
think it was World War One and uh, because I

638
00:30:10,400 --> 00:30:13,480
just I listened to like random podcasts every day when

639
00:30:13,480 --> 00:30:17,359
it was working, and they were talking about the method

640
00:30:17,400 --> 00:30:20,519
of attack of Baley and Joan and I were jamming

641
00:30:20,559 --> 00:30:24,119
at the time, and I really that word just resonated

642
00:30:24,160 --> 00:30:25,720
with me and stuck in my head. So I told

643
00:30:25,799 --> 00:30:28,279
him I wanted to try to use that name, and

644
00:30:28,359 --> 00:30:31,160
he's like, I definitely dig it. We have to spell

645
00:30:31,240 --> 00:30:34,039
it differently, though, Okay, that's why it's spelled the way

646
00:30:34,079 --> 00:30:37,279
it is, and like we've gotten the funniest pronunciations. I'm

647
00:30:37,319 --> 00:30:40,039
glad you in the email you asked me like phonetically

648
00:30:40,119 --> 00:30:43,079
how to use that. Yeah, because most people call us

649
00:30:43,200 --> 00:30:45,799
Valie and I get it, that's what.

650
00:30:47,599 --> 00:30:51,480
Speaker 5: Girls. Yeah, but I didn't know.

651
00:30:51,599 --> 00:30:53,920
Speaker 9: Yeah, like I saw that, and I thought I was wondering,

652
00:30:54,039 --> 00:30:55,240
like is it the name of a place?

653
00:30:55,720 --> 00:30:55,880
Speaker 3: You know?

654
00:30:56,720 --> 00:30:59,480
Speaker 8: The only other thing I found online is some like

655
00:31:00,079 --> 00:31:01,759
Italian muffler man.

656
00:31:03,599 --> 00:31:07,680
Speaker 10: Custom exhaust for your like it's from a Romeo or whatever.

657
00:31:08,039 --> 00:31:09,240
Speaker 5: Yeah, so.

658
00:31:11,079 --> 00:31:14,160
Speaker 7: Do people Yeah, you said people mispronounce it? Does anybody

659
00:31:14,160 --> 00:31:16,240
ever spell it wrong like on a poster or something?

660
00:31:16,359 --> 00:31:20,559
Speaker 8: Or No, we haven't encountered that yet. So the main

661
00:31:20,720 --> 00:31:24,720
reason is most of the flyers I make, so I

662
00:31:24,799 --> 00:31:27,279
guess I lucked out with that, But the flyers that

663
00:31:27,640 --> 00:31:30,200
I didn't make, we haven't had it spelled incorrectly yet.

664
00:31:30,240 --> 00:31:33,160
Speaker 5: That's good because there's more, there's.

665
00:31:33,000 --> 00:31:36,160
Speaker 8: More communication that happens online and like with our Instagram

666
00:31:36,319 --> 00:31:36,720
right there.

667
00:31:37,079 --> 00:31:39,720
Speaker 5: Yeah, so it's like I would hope you wouldn't spell

668
00:31:39,759 --> 00:31:40,200
it wrong.

669
00:31:40,359 --> 00:31:43,079
Speaker 10: Man, five letters isn't too hard.

670
00:31:43,240 --> 00:31:46,400
Speaker 8: Yeah, but if someone was like doing speech to text

671
00:31:46,519 --> 00:31:49,720
to just be like volley like a volleyball. We actually

672
00:31:49,839 --> 00:31:53,960
we were joking about for our merch making volley volleyballs.

673
00:31:55,440 --> 00:31:57,880
Speaker 9: So that's a good idea. That's a good idea.

674
00:31:57,880 --> 00:31:58,279
Speaker 10: I like that.

675
00:31:58,480 --> 00:31:59,559
Speaker 7: Why not? Why not?

676
00:32:00,759 --> 00:32:00,920
Speaker 5: Now?

677
00:32:01,079 --> 00:32:02,880
Speaker 9: So Sean you write all the lyrics I do?

678
00:32:03,039 --> 00:32:03,200
Speaker 5: Yes?

679
00:32:03,440 --> 00:32:05,519
Speaker 9: Is there like a theme or does it vary?

680
00:32:06,279 --> 00:32:06,920
Speaker 5: It varies.

681
00:32:07,359 --> 00:32:12,400
Speaker 8: I kind of just write what I'm feeling. I don't

682
00:32:12,480 --> 00:32:17,799
necessarily fixate on a topic like I. I don't give

683
00:32:17,799 --> 00:32:19,880
myself a topic to write about. When I'm writing. I

684
00:32:20,119 --> 00:32:23,480
just I'll see like a word on the wall, or

685
00:32:24,240 --> 00:32:26,279
something in the newspaper or something on the TV, just

686
00:32:26,359 --> 00:32:28,720
one word and it just it lights a fire into

687
00:32:28,720 --> 00:32:29,799
my butt and I just start writing.

688
00:32:30,000 --> 00:32:30,200
Speaker 7: Yeah.

689
00:32:30,720 --> 00:32:34,599
Speaker 8: More often than not, I write the lyrics before we

690
00:32:34,720 --> 00:32:39,480
write the music, so to speak. But we'll have, for instance,

691
00:32:39,559 --> 00:32:41,799
Dane will start playing a riff and I'll be like,

692
00:32:42,359 --> 00:32:46,440
I'll either start writing something or in my giant folder

693
00:32:46,480 --> 00:32:49,039
of half written songs, I'm like, I think this will

694
00:32:49,039 --> 00:32:53,119
fit perfectly. Yeah, And I have way too because I

695
00:32:53,160 --> 00:32:56,640
have massive ADHD so like I literally have like a

696
00:32:56,759 --> 00:32:57,759
thousand notes in my.

697
00:33:00,079 --> 00:33:01,119
Speaker 5: Like lyric folder.

698
00:33:01,680 --> 00:33:02,759
Speaker 10: I've seen him scroll through.

699
00:33:03,480 --> 00:33:09,559
Speaker 8: He is, you know, but we like typically it's more

700
00:33:10,519 --> 00:33:13,880
I suppose there's a darker vibe to our songs and whatnot.

701
00:33:15,480 --> 00:33:19,319
I wouldn't necessarily call myself a missanthrope, but I would

702
00:33:19,319 --> 00:33:25,240
say they're a little misanthropic. But it's it's very cathartic

703
00:33:25,359 --> 00:33:29,039
for me to write lyrics and then yell those lyrics

704
00:33:29,119 --> 00:33:32,400
with my best friends, no doubt. Yeah, it's like there

705
00:33:32,400 --> 00:33:34,000
are bad things that are happening in the world, but

706
00:33:34,279 --> 00:33:38,160
we're having a ball. However, I'm cognitive of the fact

707
00:33:38,200 --> 00:33:40,319
that there's bad things going on, so maybe I'll tell

708
00:33:40,400 --> 00:33:41,079
some people.

709
00:33:41,440 --> 00:33:44,319
Speaker 11: He stole the chorus of fTPM from me?

710
00:33:44,880 --> 00:33:45,440
Speaker 5: Yes, I did.

711
00:33:45,839 --> 00:33:50,440
Speaker 11: Yeah, yeah, Jonah, that's my only contribution.

712
00:33:51,839 --> 00:33:53,480
Speaker 5: There's only lyrical contribution.

713
00:33:53,839 --> 00:33:57,599
Speaker 7: Okay, yeah, okay. I'm curious about the ADHD does that,

714
00:33:58,720 --> 00:34:01,839
and there's specific reason I'm asking. But does that help you, Like,

715
00:34:02,279 --> 00:34:05,359
do you feel that that that helps you in terms

716
00:34:05,400 --> 00:34:08,440
of writing and creativity? Is it a is it an

717
00:34:08,440 --> 00:34:09,960
advantage somehow? A?

718
00:34:10,280 --> 00:34:10,920
Speaker 5: Yes and no.

719
00:34:12,159 --> 00:34:15,199
Speaker 8: It's like a it's a very black and white yes

720
00:34:15,280 --> 00:34:19,719
and no. It's either it depends on like there's so

721
00:34:19,800 --> 00:34:22,000
many factors like what I ate during the day, how

722
00:34:22,239 --> 00:34:26,599
my mood is going and whatnot. But I like I'm

723
00:34:26,679 --> 00:34:32,360
either a hurricane of just starting things and not finishing them,

724
00:34:32,480 --> 00:34:35,079
like back to back to back, I'll start sweeping the

725
00:34:35,119 --> 00:34:38,559
floor and then get distracted and do something else, or

726
00:34:39,119 --> 00:34:42,000
I like hyper fixate on it, I lock in on

727
00:34:42,119 --> 00:34:42,960
it and just.

728
00:34:44,519 --> 00:34:48,360
Speaker 5: Yeah, it's more often than not it. Uh, it throws

729
00:34:48,400 --> 00:34:49,320
a stick in the spokes.

730
00:34:49,440 --> 00:34:49,760
Speaker 7: Okay.

731
00:34:50,559 --> 00:34:52,199
Speaker 9: The reason I was curious is, I don't know if

732
00:34:52,199 --> 00:34:53,599
you know doctor Kevin ross Emory.

733
00:34:53,679 --> 00:34:54,440
Speaker 5: He's I don't think so.

734
00:34:54,599 --> 00:34:57,320
Speaker 7: He's from Nashua, and I've done a lot of work

735
00:34:57,320 --> 00:34:59,400
with him over the years. I'm on his podcast sometimes

736
00:34:59,440 --> 00:35:00,840
and he's been on the show a lot, and I

737
00:35:01,079 --> 00:35:03,239
know him really well. But he he's done a lot

738
00:35:03,280 --> 00:35:04,800
of work in the area of a d D and

739
00:35:04,880 --> 00:35:07,559
ADHD and he's written he's written some books. One of

740
00:35:07,559 --> 00:35:10,280
the books is called Managing the Gift, and in it

741
00:35:10,400 --> 00:35:13,400
he talks about how it can actually be an advantage

742
00:35:13,440 --> 00:35:16,079
if you play it right, and and how you know,

743
00:35:17,719 --> 00:35:20,480
a lot of creative people you know have ADHD and

744
00:35:20,800 --> 00:35:23,960
a lot of very successful entrepreneurs you know, and there's

745
00:35:23,960 --> 00:35:27,039
a spectrum and so forth. But but yeah, he talks

746
00:35:27,079 --> 00:35:29,559
about how a lot of musicians you know, that it

747
00:35:29,840 --> 00:35:32,559
can again if you if you use it to your advantage,

748
00:35:32,599 --> 00:35:34,920
you can it can help you with your creativity and

749
00:35:35,360 --> 00:35:37,679
coming up with concepts and then expanding on them.

750
00:35:37,719 --> 00:35:41,320
Speaker 8: And I think if anything musically that it's helped with,

751
00:35:41,480 --> 00:35:45,320
it's playing the drums really, because I am always tapping

752
00:35:45,400 --> 00:35:47,920
on stuff like NonStop ever since I was a little kid.

753
00:35:48,000 --> 00:35:49,519
Speaker 9: Yeah, I'm gonna say I'm not a drummer. I'm a

754
00:35:49,559 --> 00:35:51,360
bass player, but I constantly.

755
00:35:51,079 --> 00:35:52,760
Speaker 5: Tell yeah, I uh.

756
00:35:53,320 --> 00:35:55,519
Speaker 8: When I first started playing drums, that's how I would

757
00:35:55,599 --> 00:35:58,719
like write most of my drumming and learn and practice

758
00:35:58,880 --> 00:36:01,760
was like in lass. I would be stopping my foot,

759
00:36:01,800 --> 00:36:05,199
tapping my right hand, tapping my left hand, and visualizing

760
00:36:05,239 --> 00:36:08,559
the kit, which did not help it. It almost made

761
00:36:08,599 --> 00:36:12,280
it more enticing to tap on everything. And my classmates

762
00:36:12,320 --> 00:36:14,440
weren't too stoked on that, as you can imagine.

763
00:36:14,679 --> 00:36:15,960
Speaker 10: I bet your teachers loved you.

764
00:36:16,199 --> 00:36:17,880
Speaker 5: No, they hated me, dude.

765
00:36:19,880 --> 00:36:23,239
Speaker 7: Oh wow, that's too bad because you were you know,

766
00:36:23,320 --> 00:36:25,000
because they should have been. It'd be nice if they

767
00:36:25,039 --> 00:36:28,159
were supportive. But teachers don't always know what.

768
00:36:28,880 --> 00:36:31,519
Speaker 10: I had a tough time in school too, well, for sure.

769
00:36:31,599 --> 00:36:33,079
Speaker 12: Yeah I was always getting in trouble and being a

770
00:36:33,519 --> 00:36:39,280
menace and yeah, you know, but it's all how you

771
00:36:39,400 --> 00:36:40,760
turn out in the en, I suppose.

772
00:36:40,519 --> 00:36:41,719
Speaker 9: Yeah, exactly exactly.

773
00:36:41,840 --> 00:36:42,599
Speaker 7: How how about you?

774
00:36:44,480 --> 00:36:46,960
Speaker 11: I got good grades when I didn't know anyone.

775
00:36:47,239 --> 00:36:49,519
Speaker 5: Yeah, what do you mean?

776
00:36:51,280 --> 00:36:53,880
Speaker 11: I just ran cross country and track and did my

777
00:36:53,960 --> 00:36:56,679
homework because I didn't know anyone when I moved to

778
00:36:56,920 --> 00:37:00,480
Florida for high school. Oh okay, but then once I

779
00:37:00,880 --> 00:37:04,599
decided that I had other things on to tape it off.

780
00:37:04,800 --> 00:37:07,320
Speaker 9: Yeah, yeah, that makes sense, that makes sense.

781
00:37:09,679 --> 00:37:12,000
Speaker 7: We should uh oh Jesus already eleven thirties. Let's uh,

782
00:37:12,079 --> 00:37:14,079
let's play another track. Oh, by the way, so what's

783
00:37:14,360 --> 00:37:15,039
before we do that?

784
00:37:15,159 --> 00:37:15,320
Speaker 5: Though?

785
00:37:15,639 --> 00:37:17,719
Speaker 9: So what is what is calling season about?

786
00:37:17,760 --> 00:37:20,880
Speaker 7: Because the lyrics are really interesting and that that that's

787
00:37:20,920 --> 00:37:23,559
part of why I was asking too about uh, you know,

788
00:37:23,719 --> 00:37:26,280
is there a theme to your your your lyrics?

789
00:37:26,679 --> 00:37:29,079
Speaker 5: Oh? Well, that one is about.

790
00:37:30,639 --> 00:37:34,079
Speaker 8: Killing and eating the rich, the top one percent, like

791
00:37:34,239 --> 00:37:37,559
the folks that are so rich you have no idea

792
00:37:37,599 --> 00:37:38,000
who they.

793
00:37:37,920 --> 00:37:43,920
Speaker 7: Are, right, I approve, Yeah, I literally doing yes, yes, yeah,

794
00:37:43,920 --> 00:37:44,519
I approve of the.

795
00:37:44,519 --> 00:37:51,480
Speaker 8: Car Yeah yeah in Minecraft, in Minecraft, No, it's it's metaphorical.

796
00:37:51,519 --> 00:37:53,480
I'm not I'm not, of course saying like, hey, go

797
00:37:53,679 --> 00:37:59,440
do this dog, but uh, it's it's just it's what

798
00:37:59,639 --> 00:38:03,880
I am agine the collective messages that the general populace

799
00:38:04,360 --> 00:38:09,239
feels about the struggle that we're all going through right now,

800
00:38:09,400 --> 00:38:12,599
to some degree, because there's different facets of struggling financially.

801
00:38:12,719 --> 00:38:15,960
But yeah, you know the fact that you have someone

802
00:38:16,159 --> 00:38:19,199
like Jeff Bezos or Bezos however you pronounce his name,

803
00:38:20,679 --> 00:38:25,360
that make my yearly salary in a minute, Like, I

804
00:38:25,840 --> 00:38:29,480
feel like you have enough, buddy, Right, I'm all for

805
00:38:30,559 --> 00:38:31,960
folks winning the metal, but.

806
00:38:34,320 --> 00:38:36,039
Speaker 5: Come on, you know what I mean.

807
00:38:36,920 --> 00:38:39,920
Speaker 7: And and that concentration of wealth, it becomes more and

808
00:38:40,000 --> 00:38:43,199
more concentrated all the time. Yes, exactly, Fewer and fewer

809
00:38:43,239 --> 00:38:45,880
people control more and more of the wealth.

810
00:38:46,159 --> 00:38:46,480
Speaker 5: Exactly.

811
00:38:46,519 --> 00:38:48,159
Speaker 11: Are you registered to vote, Sean?

812
00:38:49,159 --> 00:38:53,760
Speaker 9: No, you should, Yes, I am.

813
00:38:55,119 --> 00:38:56,639
Speaker 5: I actually voted for Dane.

814
00:38:57,280 --> 00:38:58,760
Speaker 7: Oh that's nice, you wrote, Amy.

815
00:38:59,079 --> 00:39:00,400
Speaker 5: It would have been nicer if he won.

816
00:39:00,599 --> 00:39:02,440
Speaker 10: I don't remember what I what I was running for.

817
00:39:02,840 --> 00:39:04,280
Speaker 9: I was gonna say, were you on the ballot or

818
00:39:04,360 --> 00:39:04,960
was it around now?

819
00:39:05,000 --> 00:39:06,000
Speaker 5: I put him on the ballot.

820
00:39:06,119 --> 00:39:06,760
Speaker 7: Oh very good.

821
00:39:06,840 --> 00:39:07,679
Speaker 5: Yeah, he's very.

822
00:39:07,599 --> 00:39:08,079
Speaker 10: Sweet of you.

823
00:39:09,000 --> 00:39:10,719
Speaker 9: There's something very that's very new Hampshire.

824
00:39:11,320 --> 00:39:12,760
Speaker 5: Yeah, I do that.

825
00:39:12,840 --> 00:39:15,000
Speaker 10: That's a very nice I think Cody ran for sheriff.

826
00:39:15,039 --> 00:39:18,599
Speaker 11: I want to say I voted for Cody for sheriff too.

827
00:39:18,679 --> 00:39:19,519
Speaker 10: I quoted for Cody.

828
00:39:19,880 --> 00:39:20,639
Speaker 5: Oh, very nice.

829
00:39:21,400 --> 00:39:24,320
Speaker 10: Would I think he'd make a great sheriff?

830
00:39:24,760 --> 00:39:29,239
Speaker 8: So he said, he said, if he became the sheriff,

831
00:39:29,239 --> 00:39:31,800
he would make everybody in the entire state deputy.

832
00:39:33,880 --> 00:39:35,960
Speaker 9: Okay, I mean that's a lot of responsibility.

833
00:39:36,000 --> 00:39:36,960
Speaker 7: I don't know if i'd want.

834
00:39:36,800 --> 00:39:39,800
Speaker 5: To be well tough luck buddy, you're a deputy.

835
00:39:39,840 --> 00:39:43,239
Speaker 12: It'd be cool to have the badatory deputy service.

836
00:39:43,599 --> 00:39:46,599
Speaker 8: It'd be hilarious if everybody in an entire state was

837
00:39:46,639 --> 00:39:47,199
a deputy.

838
00:39:48,440 --> 00:39:49,719
Speaker 10: Watch out Massachusetts.

839
00:39:51,639 --> 00:39:53,599
Speaker 9: I feel like that would not be very New Hampshire.

840
00:39:53,639 --> 00:39:56,039
That would be more like, uh, Utah or something.

841
00:39:56,320 --> 00:39:58,840
Speaker 5: Yeah, I could see that where you just deputize everybody.

842
00:39:59,079 --> 00:40:01,920
Speaker 11: Yeah, everybody's a wife in Utah.

843
00:40:03,320 --> 00:40:06,000
Speaker 10: Yes, more wifes per capita.

844
00:40:09,519 --> 00:40:09,880
Speaker 5: There you go.

845
00:40:10,039 --> 00:40:12,960
Speaker 7: That might be a lyrical idea. You could do something

846
00:40:13,000 --> 00:40:16,519
with that. Well, let's let's play this track Static. Anything

847
00:40:16,559 --> 00:40:17,960
we should know about this before we play it.

848
00:40:18,480 --> 00:40:21,559
Speaker 8: Uh, If you come to see us when we're playing

849
00:40:21,639 --> 00:40:24,639
this live and you don't yell along to the part

850
00:40:24,719 --> 00:40:26,440
that you'll know what to yell along to once you

851
00:40:26,519 --> 00:40:28,039
hear it, I'm gonna be pretty sad.

852
00:40:28,280 --> 00:40:31,880
Speaker 9: Okay, all right, fair enough? Check it out.

853
00:40:31,960 --> 00:40:32,599
Speaker 7: This is Static.

854
00:40:32,679 --> 00:40:35,119
Speaker 9: The band is Volley, and they're here with us live

855
00:40:35,199 --> 00:40:35,679
in studio.

856
00:40:52,400 --> 00:40:54,840
Speaker 2: I feel like understanding.

857
00:40:56,400 --> 00:40:56,880
Speaker 6: I'd feel like.

858
00:40:58,719 --> 00:40:59,239
Speaker 5: My labor.

859
00:41:00,360 --> 00:41:01,920
Speaker 11: I'd be like hes so made.

860
00:41:01,800 --> 00:41:05,159
Speaker 2: Up last gnawing on your picture. I'd be like, god,

861
00:41:05,280 --> 00:41:08,719
the any crime, clinning in the script shirt stand. It's

862
00:41:08,760 --> 00:41:14,039
a static stack insh away and it's a static stag.

863
00:41:14,239 --> 00:41:18,000
It wast away standing the static stag.

864
00:41:18,199 --> 00:41:21,639
Speaker 4: It wasted away and it's a static.

865
00:41:21,760 --> 00:41:26,360
Speaker 2: Stagging walk away. I'd feel like, got me any priceman

866
00:41:26,719 --> 00:41:27,440
on the sun.

867
00:41:28,079 --> 00:41:31,400
Speaker 3: I feel like the fian Pemin and a broken gun

868
00:41:31,960 --> 00:41:32,880
so ready to burst.

869
00:41:32,960 --> 00:41:34,199
Speaker 2: I'm ready to burst.

870
00:41:33,920 --> 00:41:38,199
Speaker 1: Someone bottled up studdy, but the ready and jump like.

871
00:42:06,920 --> 00:42:17,039
Speaker 4: Day dag away, dagon locked away, and.

872
00:42:17,199 --> 00:42:17,519
Speaker 5: It's a.

873
00:42:20,039 --> 00:42:30,039
Speaker 7: Away that is static. The band is volley here with us.

874
00:42:30,559 --> 00:42:32,760
Speaker 8: And I'm a robot. My voice sounds like a flanger

875
00:42:32,880 --> 00:42:34,920
right now. But Axel is assuring me that I'm not

876
00:42:35,000 --> 00:42:36,760
going to sound like a robot. I will, in fact

877
00:42:36,800 --> 00:42:38,639
sound like a human being, because I am a human

878
00:42:38,719 --> 00:42:40,199
being that is not, in fact a robot.

879
00:42:41,320 --> 00:42:43,199
Speaker 10: It's true, he is not a robot.

880
00:42:45,000 --> 00:42:46,840
Speaker 5: Thank you for leaving that in, Axel, I love you.

881
00:42:49,760 --> 00:42:52,480
Speaker 10: Oh yeah, you can turn it off.

882
00:42:53,679 --> 00:42:54,800
Speaker 9: That's all right, we got this far.

883
00:42:55,840 --> 00:42:56,639
Speaker 5: Yeah, that's true.

884
00:42:57,039 --> 00:43:00,159
Speaker 7: I totally forgot that there was something else there that.

885
00:43:00,639 --> 00:43:01,519
Speaker 5: Makes two of us.

886
00:43:02,760 --> 00:43:04,199
Speaker 10: Well, at least it was radio friendly.

887
00:43:04,480 --> 00:43:08,000
Speaker 11: Yeah, absolutely, we have to do that to make the

888
00:43:08,119 --> 00:43:09,000
song two minutes.

889
00:43:09,239 --> 00:43:12,320
Speaker 5: Yeah, yeah, that's right.

890
00:43:12,519 --> 00:43:13,039
Speaker 7: That's smart.

891
00:43:13,480 --> 00:43:13,519
Speaker 3: No.

892
00:43:13,679 --> 00:43:15,079
Speaker 7: I when I listened to it, I was like, I

893
00:43:15,119 --> 00:43:16,800
got to remember this something at the end, and then

894
00:43:16,840 --> 00:43:19,000
of course I forgot, but uh no. I like that

895
00:43:19,119 --> 00:43:21,039
track though. It's very very catchy, thank you, And I

896
00:43:21,199 --> 00:43:23,039
like the do you want to tell you? You were

897
00:43:23,079 --> 00:43:23,639
telling off air?

898
00:43:23,719 --> 00:43:27,039
Speaker 5: Do you want to Yeah, what you were talking about? Yeah?

899
00:43:27,239 --> 00:43:32,039
Speaker 8: So I wrote that on guitar like four years ago,

900
00:43:32,119 --> 00:43:34,920
give your take. And this was when I was playing

901
00:43:34,960 --> 00:43:41,280
guitar a lot. I I broke my wrist a few

902
00:43:41,320 --> 00:43:44,239
years later, like once Volley started really picking up.

903
00:43:44,239 --> 00:43:46,599
Speaker 5: I broke. I'm so sorry.

904
00:43:46,679 --> 00:43:48,199
Speaker 9: That's all right, we're on it. We're on a delay.

905
00:43:48,280 --> 00:43:48,679
Speaker 7: I caught it.

906
00:43:49,239 --> 00:43:52,199
Speaker 9: We're on an eight second delay. So when the when

907
00:43:52,239 --> 00:43:53,039
the naughty.

908
00:43:52,880 --> 00:43:59,079
Speaker 11: Punk rocker, Yeah, you want to say something bad?

909
00:43:59,320 --> 00:43:59,360
Speaker 3: No.

910
00:44:00,400 --> 00:44:03,519
Speaker 8: So I broke my wrist and I was unable to

911
00:44:03,559 --> 00:44:06,840
play that song anymore because there's a solo part that

912
00:44:07,280 --> 00:44:12,480
it's very difficult to do, and we kept trying and

913
00:44:12,559 --> 00:44:15,880
trying and trying. So at one point we were just

914
00:44:16,000 --> 00:44:20,559
playing the last two measures of it. After it does

915
00:44:20,639 --> 00:44:25,719
the little solo we part, and we wound up messing

916
00:44:25,719 --> 00:44:28,199
around at practice and I was yelling along to what

917
00:44:28,320 --> 00:44:31,320
the solo would have been that I was doing and

918
00:44:31,679 --> 00:44:33,519
to do that just so we could keep time. I

919
00:44:33,639 --> 00:44:39,320
was going but that, and when we recorded it, I

920
00:44:39,480 --> 00:44:42,440
was doing that in the background and Axel said that

921
00:44:42,559 --> 00:44:46,119
sounds pretty sick. Next practice, I texted them, I'm like,

922
00:44:46,800 --> 00:44:48,679
we need to at least try this, like, hear me out,

923
00:44:48,760 --> 00:44:49,280
let's try it.

924
00:44:49,960 --> 00:44:50,679
Speaker 5: And we didn't.

925
00:44:50,760 --> 00:44:52,679
Speaker 8: We all just looked at each other and we're like, oh,

926
00:44:52,840 --> 00:44:55,679
that's it. So now we have that part where we

927
00:44:55,760 --> 00:45:00,679
all yelled the solo instead, and it's just it gives

928
00:45:00,760 --> 00:45:03,960
me like such a great feeling every time I hear it,

929
00:45:04,000 --> 00:45:07,039
because yeah, what we want is we want people to

930
00:45:07,159 --> 00:45:09,559
hear it and yell along with us, right, because we're

931
00:45:09,599 --> 00:45:12,039
all we're all in it together to have fun, right, right.

932
00:45:12,239 --> 00:45:14,480
Speaker 12: Yeah, play live at a show, it's definitely easy for

933
00:45:14,599 --> 00:45:16,480
the audience to like chime in on that and yeah,

934
00:45:16,480 --> 00:45:18,679
the whole place, you know, you know, yelling it.

935
00:45:18,960 --> 00:45:22,000
Speaker 9: Yeah, No, that's very cool. That's very cool. Are you

936
00:45:22,079 --> 00:45:23,280
guys playing out a lot?

937
00:45:24,039 --> 00:45:25,639
Speaker 5: We have been playing more and more.

938
00:45:25,719 --> 00:45:28,960
Speaker 8: Yeah, So we have a show January twenty fourth at

939
00:45:29,039 --> 00:45:35,480
CODO and Lowell. We're playing the twenty seventh at that's January. Yeah,

940
00:45:35,679 --> 00:45:40,119
we're playing the twenty seventh of January at O'Brien's in Boston.

941
00:45:40,360 --> 00:45:40,920
Speaker 7: Oh nice.

942
00:45:41,400 --> 00:45:44,119
Speaker 8: We're setting up a show in February at the Keep

943
00:45:44,199 --> 00:45:47,719
and Lowell, so we're super stoked for that. We have

944
00:45:47,920 --> 00:45:50,000
been playing out quite a bit.

945
00:45:50,199 --> 00:45:52,719
Speaker 12: This will be our second trip to O'Brien's. We just

946
00:45:52,760 --> 00:45:55,000
played with Already Dead and Dave Strong a couple.

947
00:45:54,840 --> 00:45:55,320
Speaker 5: Of weeks ago.

948
00:45:55,519 --> 00:45:56,079
Speaker 10: Oh my god.

949
00:45:56,440 --> 00:45:58,360
Speaker 5: Yeah, yeah, big shout out to both of those.

950
00:45:58,440 --> 00:46:00,960
Speaker 7: We love absolutely, Yeah, we love Dave's been on the

951
00:46:00,960 --> 00:46:04,400
show a couple of Dave's amazing and we had Already

952
00:46:04,519 --> 00:46:06,719
Dead on I don't know, maybe six months ago.

953
00:46:06,920 --> 00:46:07,079
Speaker 5: Yeah.

954
00:46:07,159 --> 00:46:08,119
Speaker 9: Yeah, they're fantastic.

955
00:46:08,239 --> 00:46:10,960
Speaker 8: They're they're awesome. They're such funny guys. Like after the

956
00:46:11,039 --> 00:46:13,000
show is finished, we sat and joked with them for

957
00:46:13,079 --> 00:46:13,840
like thirty minutes.

958
00:46:14,039 --> 00:46:14,800
Speaker 5: Yeah, it is great.

959
00:46:15,079 --> 00:46:20,039
Speaker 7: Yeah, and there they have some pretty good, pretty sophisticated

960
00:46:20,079 --> 00:46:22,840
themes to their Yeah. Absolutely, yeah, no, I love I

961
00:46:22,920 --> 00:46:26,320
love those guys. That's that's great. Do you guys have

962
00:46:26,400 --> 00:46:28,239
any is there anybody in the scene you kind of

963
00:46:28,280 --> 00:46:30,320
you know, because it happens organically, anybody that you kind

964
00:46:30,320 --> 00:46:31,960
of team up with. Are there any other bands that

965
00:46:32,039 --> 00:46:32,920
you play a lot of shows?

966
00:46:33,480 --> 00:46:36,519
Speaker 8: It's so street trash there. There are buddies. We play

967
00:46:36,559 --> 00:46:38,599
with them pretty frequently. A lot of the shows that

968
00:46:38,639 --> 00:46:40,480
we've played have been with them, from either of them

969
00:46:40,559 --> 00:46:43,119
reaching out to us with an opportunity or us reaching

970
00:46:43,119 --> 00:46:44,440
out to them and saying like, hey, we want to

971
00:46:44,440 --> 00:46:46,440
play with you guys again. Yeah, And every time we

972
00:46:46,519 --> 00:46:49,519
play together, it's just it's so much fun. It it

973
00:46:49,639 --> 00:46:52,599
feels very organic, like because we basically just laugh the

974
00:46:52,760 --> 00:46:54,960
entire time. Yeah, and we're not playing music, we're messing

975
00:46:55,000 --> 00:46:55,440
with each other.

976
00:46:55,679 --> 00:46:55,880
Speaker 6: Yeah.

977
00:46:55,960 --> 00:46:57,280
Speaker 7: Yeah, that's cool.

978
00:46:57,599 --> 00:46:58,199
Speaker 5: That's very cool.

979
00:46:58,239 --> 00:46:59,519
Speaker 10: Street trash rules for sure.

980
00:47:00,119 --> 00:47:03,400
Speaker 7: I don't think, Yeah, we haven't had them, have we Jenny, Oh,

981
00:47:03,519 --> 00:47:04,960
she's busy doing something.

982
00:47:06,039 --> 00:47:06,199
Speaker 6: Yeah.

983
00:47:06,280 --> 00:47:08,559
Speaker 9: Yeah, it becomes a blur. I've been doing this a

984
00:47:08,599 --> 00:47:08,960
long time.

985
00:47:09,000 --> 00:47:11,760
Speaker 7: It's like sometimes sometimes we'll we'll have somebody and it's

986
00:47:11,800 --> 00:47:14,079
like looking forward to meeting them. It's like, oh, I've

987
00:47:14,079 --> 00:47:17,880
already met them, but I don't realize it until they're here.

988
00:47:19,280 --> 00:47:19,559
Speaker 5: You know what.

989
00:47:20,559 --> 00:47:23,400
Speaker 9: But uh no, but that's you guys.

990
00:47:23,559 --> 00:47:23,679
Speaker 6: Uh.

991
00:47:24,679 --> 00:47:26,239
Speaker 7: What about in the summertime, do you plan to do

992
00:47:26,280 --> 00:47:27,639
a lot of shows in the summer. It seems like

993
00:47:27,639 --> 00:47:29,039
a lot of bands that's when they.

994
00:47:29,320 --> 00:47:32,840
Speaker 8: Yes, so we are actually, uh, we're hoping for a

995
00:47:32,880 --> 00:47:36,119
busy summer, but we're also trying to formulate it's towards

996
00:47:36,159 --> 00:47:40,480
the end of summer, we're gonna try to go to Japan. Yeah,

997
00:47:41,719 --> 00:47:45,400
so Cody again, big ups to Cody. I know you're listening.

998
00:47:46,480 --> 00:47:47,079
I'll at work.

999
00:47:47,599 --> 00:47:50,440
Speaker 5: Uh uh.

1000
00:47:50,679 --> 00:47:55,440
Speaker 8: So Cody was in Japan for a few years and

1001
00:47:56,039 --> 00:47:58,000
he brought up the idea last year that we should

1002
00:47:58,039 --> 00:48:00,280
go to Japan. And we're like, we're trying to save

1003
00:48:00,320 --> 00:48:03,559
all our money from shows and like pil in our

1004
00:48:03,599 --> 00:48:06,159
own personal funds too to try to go over there

1005
00:48:06,199 --> 00:48:09,639
for like a week and wow, yeah, just just have

1006
00:48:09,719 --> 00:48:10,159
a blast.

1007
00:48:10,280 --> 00:48:12,719
Speaker 12: It seems Cody has like connects with some venue owners

1008
00:48:12,800 --> 00:48:14,760
over there when he was stationed in Japan. And yeah,

1009
00:48:15,280 --> 00:48:17,480
the punk scene in Japan is really cool too. It's

1010
00:48:17,519 --> 00:48:19,760
like they're still in the eighties punk scene. Still, it's

1011
00:48:19,800 --> 00:48:21,960
still really raw and still really you know, kind of

1012
00:48:22,039 --> 00:48:23,920
that that original punk.

1013
00:48:23,760 --> 00:48:24,360
Speaker 5: Vibe over there.

1014
00:48:24,639 --> 00:48:25,840
Speaker 7: No kidding, I had no idea.

1015
00:48:26,159 --> 00:48:28,840
Speaker 12: Yeah, what's the EP comes down, We're gonna send it

1016
00:48:28,920 --> 00:48:31,719
their way and you know, get them, get them primed.

1017
00:48:32,400 --> 00:48:32,840
Speaker 7: Oh wow.

1018
00:48:33,199 --> 00:48:35,639
Speaker 5: Yeah, the punk scene in Japan is really really big, no.

1019
00:48:35,800 --> 00:48:39,320
Speaker 7: Kidding, Yeah, I wouldn't have guessed. Now, are there other

1020
00:48:39,400 --> 00:48:41,559
American bands that they go there to tour that go

1021
00:48:41,639 --> 00:48:42,679
to Japan specifically?

1022
00:48:43,360 --> 00:48:47,159
Speaker 8: Yeah, a good amount of them, None that I know personally. Yeah, yeah,

1023
00:48:48,079 --> 00:48:52,519
but if there's a larger, larger scale punk band that

1024
00:48:52,559 --> 00:48:54,559
you can think of, they probably tore over in Japan.

1025
00:48:54,679 --> 00:48:55,760
Speaker 7: Okay, yeah, okay.

1026
00:48:55,760 --> 00:48:58,159
Speaker 12: There's a Facebook page too that you know, it's all

1027
00:48:58,400 --> 00:49:00,440
just you know what bands are coming through in the

1028
00:49:00,559 --> 00:49:01,360
dates and stuff like that.

1029
00:49:01,599 --> 00:49:03,679
Speaker 10: So yeah, okay, you know, tune into what's going on

1030
00:49:03,800 --> 00:49:03,960
with that.

1031
00:49:04,360 --> 00:49:04,920
Speaker 5: That's wild.

1032
00:49:05,639 --> 00:49:07,679
Speaker 7: Are there any Japanese punk bands a tour here that

1033
00:49:07,760 --> 00:49:08,320
I don't know about?

1034
00:49:08,679 --> 00:49:14,360
Speaker 8: So Odabo k Beaver there. I believe all female punk band,

1035
00:49:14,639 --> 00:49:18,880
I know it. If not all, most of the members are.

1036
00:49:19,039 --> 00:49:21,000
It's like a female front of punk band, and they

1037
00:49:21,119 --> 00:49:26,119
are phenomenal. They're so fast and so like sick. Yeah,

1038
00:49:27,559 --> 00:49:31,199
they just got done touring over here, no kidding, Yeah,

1039
00:49:31,360 --> 00:49:33,440
like a couple of weeks ago. I didn't get to

1040
00:49:33,480 --> 00:49:36,360
go see him. I was super bummed. But yeah, they're

1041
00:49:36,519 --> 00:49:37,159
very very good.

1042
00:49:37,440 --> 00:49:41,280
Speaker 9: Oh wow, yeah, oh that's pretty cool. It's interesting.

1043
00:49:41,360 --> 00:49:44,400
Speaker 7: Yeah, I had no idea if you are just joining us.

1044
00:49:44,599 --> 00:49:47,079
We have Volley here with us alive in studio. Hi,

1045
00:49:47,800 --> 00:49:50,159
when does the when does the EP? I'm sure you

1046
00:49:50,199 --> 00:49:51,559
said it, but I can't remember when When does the

1047
00:49:51,559 --> 00:49:53,239
EP come out? Or do you know yet?

1048
00:49:53,480 --> 00:49:58,000
Speaker 8: So it's gonna be releasing January twenty fourth, January twenty fourth.

1049
00:49:58,119 --> 00:50:01,159
Speaker 10: Day, which is the same night as the co Lowell Show. Yees,

1050
00:50:01,239 --> 00:50:02,760
gotcha Codo and Lowell?

1051
00:50:03,360 --> 00:50:05,159
Speaker 7: Hey, is that a new place by the way, Codo,

1052
00:50:05,280 --> 00:50:06,880
Because all of a sudden, I'm hearing about it, and I.

1053
00:50:07,079 --> 00:50:11,000
Speaker 8: Know I'm not certain that it's necessarily a new place.

1054
00:50:11,119 --> 00:50:14,559
I think it's new that they've started hosting music. I

1055
00:50:14,719 --> 00:50:17,280
could be very wrong, though, So I just discovered this

1056
00:50:17,400 --> 00:50:20,559
place because it's the first I started hearing of it too.

1057
00:50:20,639 --> 00:50:23,960
So there's a location in Lowell, and then there's a

1058
00:50:24,039 --> 00:50:25,000
location in Salem.

1059
00:50:25,599 --> 00:50:28,000
Speaker 12: Oh okay, yeah, I want to say Street Trash just

1060
00:50:28,079 --> 00:50:30,599
played in Salem last night. Yeah, literally last night Friday

1061
00:50:30,599 --> 00:50:32,480
and Friday night they played it Salem.

1062
00:50:32,559 --> 00:50:32,840
Speaker 5: Codo.

1063
00:50:33,079 --> 00:50:34,920
Speaker 7: Oh okay, I'm gonna have to learn about that because

1064
00:50:34,960 --> 00:50:37,000
I got a yesterday. I got a text message from

1065
00:50:37,039 --> 00:50:39,199
somebody wanted to know if I had a suggestion for

1066
00:50:39,280 --> 00:50:41,519
a band, Yeah, to play a show at Codo and

1067
00:50:42,000 --> 00:50:43,920
loll and I'm like Codo, that's new to me.

1068
00:50:44,239 --> 00:50:46,360
Speaker 9: Yeah, so no, that's cool though. I mean we need

1069
00:50:46,400 --> 00:50:46,960
more venues.

1070
00:50:47,000 --> 00:50:47,440
Speaker 5: We always do.

1071
00:50:47,920 --> 00:50:51,199
Speaker 8: We absolutely need more venues there. There aren't too many

1072
00:50:51,840 --> 00:50:53,280
around this neck of the woods.

1073
00:50:53,559 --> 00:50:53,679
Speaker 5: Uh.

1074
00:50:55,079 --> 00:50:58,639
Speaker 8: Union Coffee in Milford is it has a special place

1075
00:50:58,679 --> 00:50:59,440
in our heart really?

1076
00:50:59,519 --> 00:50:59,679
Speaker 7: Yeah?

1077
00:50:59,760 --> 00:50:59,920
Speaker 5: Yeah?

1078
00:51:00,039 --> 00:51:02,599
Speaker 10: Yeah, shut out Union Coffee for sure, and big ups

1079
00:51:02,639 --> 00:51:03,000
to Drew.

1080
00:51:03,320 --> 00:51:03,719
Speaker 5: I love you.

1081
00:51:04,639 --> 00:51:07,079
Speaker 9: Why is Uh? I've heard of it, but I've never

1082
00:51:07,119 --> 00:51:07,440
been there.

1083
00:51:07,480 --> 00:51:09,280
Speaker 7: What's special about Union Coffee?

1084
00:51:09,559 --> 00:51:13,119
Speaker 8: So it's a tiny little coffee shop that you would

1085
00:51:13,199 --> 00:51:17,880
not expect an absolute hurricane of a punk show to happen.

1086
00:51:17,920 --> 00:51:20,039
Speaker 5: It happened at Yeah.

1087
00:51:20,239 --> 00:51:22,880
Speaker 8: So last time we played there, it was too cold

1088
00:51:22,920 --> 00:51:24,800
to play outside, so we played inside or it was

1089
00:51:24,920 --> 00:51:29,519
rainy something like that. But it was pretty cramped in

1090
00:51:29,599 --> 00:51:33,840
there and it was just chaos. Street Trash actually brought

1091
00:51:33,920 --> 00:51:36,920
this big inflatable pill that they threw up into the

1092
00:51:37,000 --> 00:51:39,440
crowd and that people were smacking it around and it

1093
00:51:39,480 --> 00:51:41,480
wound up hitting one of the beer taps and beer

1094
00:51:41,559 --> 00:51:42,320
was spring everywhere.

1095
00:51:43,000 --> 00:51:43,880
Speaker 5: Well, they were playing and.

1096
00:51:43,920 --> 00:51:49,159
Speaker 8: It was like, that's the coolest thing I've ever seen. Yeah,

1097
00:51:49,199 --> 00:51:52,679
it was an absolute madhouse. And prior to that we

1098
00:51:52,800 --> 00:51:56,960
played outside and it was just so much fun because

1099
00:51:57,000 --> 00:51:59,760
that was the first show in a long while where

1100
00:51:59,840 --> 00:52:01,280
I got to just do vocals.

1101
00:52:01,400 --> 00:52:04,159
Speaker 5: And when I can just do vocals, I run around

1102
00:52:04,239 --> 00:52:07,320
like a madman. Yeah, just like act like a crazy person.

1103
00:52:07,480 --> 00:52:11,960
Speaker 7: So yeah, oh that's cool. So the owners there were

1104
00:52:12,039 --> 00:52:13,360
cool about the beer tap.

1105
00:52:13,760 --> 00:52:17,039
Speaker 5: Yeah, yeah, I don't think anybody really notified.

1106
00:52:17,239 --> 00:52:19,719
Speaker 12: I don't think any other venue in town because there's

1107
00:52:19,719 --> 00:52:21,639
a few you know restaurants stuff where they have you know,

1108
00:52:21,760 --> 00:52:25,119
local bands that do cover songs and stuff like that,

1109
00:52:25,280 --> 00:52:26,760
and I don't think anyone else.

1110
00:52:26,639 --> 00:52:29,039
Speaker 10: Would let them get away with that in that place,

1111
00:52:29,280 --> 00:52:29,440
you know.

1112
00:52:30,320 --> 00:52:30,960
Speaker 5: Yeah, so.

1113
00:52:32,519 --> 00:52:34,119
Speaker 10: Having as much fun though, Yeah.

1114
00:52:34,960 --> 00:52:41,880
Speaker 8: The shasking in Manchester is sick. Yeah, yeah, I'm not

1115
00:52:42,039 --> 00:52:45,599
certain of too many other places. I know there are

1116
00:52:45,880 --> 00:52:49,280
other venues in Manchester, the Jewel. The Jewel I'm talking

1117
00:52:49,320 --> 00:52:53,880
about more like our type of venues what you do. Yeah, yeah,

1118
00:52:53,920 --> 00:52:56,159
the places where you go to the bathroom and the

1119
00:52:56,199 --> 00:52:57,320
stall door was ripped off.

1120
00:52:58,400 --> 00:52:59,400
Speaker 5: That's where our music.

1121
00:53:00,360 --> 00:53:02,000
Speaker 10: There may or may not be a volley sticker in

1122
00:53:02,039 --> 00:53:02,480
the urinal.

1123
00:53:03,239 --> 00:53:04,480
Speaker 5: I don't know who put that there.

1124
00:53:05,840 --> 00:53:11,639
Speaker 7: Oh, my goodness. Well, yeah, so the EPs in January

1125
00:53:11,719 --> 00:53:14,239
and then are you guys already working on new stuff

1126
00:53:14,280 --> 00:53:15,119
for the next one or.

1127
00:53:15,559 --> 00:53:21,480
Speaker 8: We have actually several other songs that are like half written, oh,

1128
00:53:22,000 --> 00:53:25,679
that that have music behind them too, And we're always,

1129
00:53:26,119 --> 00:53:30,320
you know, messing around of practice. So we just got

1130
00:53:30,400 --> 00:53:34,840
done building our new practice space. Ah, so we were

1131
00:53:34,880 --> 00:53:36,920
pretty occupied with that. But now that we're all moved in,

1132
00:53:37,039 --> 00:53:41,880
it's like our little clubhouse. We're working on soundproofing because

1133
00:53:41,920 --> 00:53:46,599
it's loud in there. Yeah, of course, but yeah, we

1134
00:53:46,760 --> 00:53:49,119
have been playing more frequently too, so we haven't had

1135
00:53:49,239 --> 00:53:53,840
much time to have just a relaxing practice. It's like,

1136
00:53:54,159 --> 00:53:56,599
we have a show Friday, we need to we need

1137
00:53:56,679 --> 00:53:59,960
to stop goofing off, right, which we still goof off

1138
00:54:00,679 --> 00:54:01,400
during that time.

1139
00:54:01,480 --> 00:54:02,920
Speaker 9: But when do you guys wear us a couple of

1140
00:54:02,920 --> 00:54:04,000
times a week or so?

1141
00:54:04,239 --> 00:54:08,840
Speaker 8: We do once a week. Uh, it's it changes. So

1142
00:54:09,280 --> 00:54:11,400
we were doing every Monday, now we do every Wednesday.

1143
00:54:11,679 --> 00:54:15,719
Not that people are like concerned with what day of

1144
00:54:15,840 --> 00:54:18,320
the week unless they're trying to kill us.

1145
00:54:18,360 --> 00:54:20,639
Speaker 12: I suppose we had a show and then now it's

1146
00:54:20,679 --> 00:54:23,559
been the holidays and you know, a little little disbanded

1147
00:54:24,079 --> 00:54:24,639
a couple of weeks.

1148
00:54:24,880 --> 00:54:28,639
Speaker 8: Yeah, so you have Thanksgiving, then you have like what

1149
00:54:28,960 --> 00:54:32,000
three or four weeks until Christmas, So that entire chunk

1150
00:54:32,639 --> 00:54:39,000
The past two months of my life have just been carpentry. Yeah, carpentry, uh, sleeping, occasionally,

1151
00:54:39,760 --> 00:54:41,920
recording music, and taking care of my kiddo.

1152
00:54:42,199 --> 00:54:42,440
Speaker 7: Yeah.

1153
00:54:42,480 --> 00:54:44,519
Speaker 5: So yeah, yeah, yeah.

1154
00:54:44,639 --> 00:54:46,800
Speaker 7: Sometimes it can be a relief when the holidays are

1155
00:54:46,840 --> 00:54:48,639
over and it's like, okay, I can get back. Dude.

1156
00:54:48,960 --> 00:54:52,199
Speaker 8: December December twenty sixth is my favorite day.

1157
00:54:55,719 --> 00:54:58,239
Speaker 7: I was like that when I worked in retail. Oh man,

1158
00:54:58,360 --> 00:55:01,760
December twenty sex could not come so enough I worked.

1159
00:55:02,159 --> 00:55:05,239
Speaker 8: I worked in retail too, and Black Friday was just

1160
00:55:07,039 --> 00:55:10,119
an absolute nightmare. It's been probably about eight or nine

1161
00:55:10,159 --> 00:55:13,400
years since I worked in retail, but brother, if Black

1162
00:55:13,480 --> 00:55:14,920
Friday is a nightmare.

1163
00:55:14,840 --> 00:55:18,519
Speaker 7: Yeah, yeah. Well, when I worked for Fye, because you know,

1164
00:55:18,880 --> 00:55:22,920
Strawberries had been bought by Fye, and that's a chain

1165
00:55:23,000 --> 00:55:25,760
of stores that just won't die. Every time it looks

1166
00:55:25,800 --> 00:55:28,320
like they're done, they open a new location somewhere and

1167
00:55:28,320 --> 00:55:31,159
they survived. But over the course of the span of

1168
00:55:31,159 --> 00:55:33,400
the years that I worked there, like Black Friday was

1169
00:55:33,639 --> 00:55:37,880
so just monstrously busy, but by the time I left.

1170
00:55:37,960 --> 00:55:41,679
I left that company in twenty thirteen, and by that

1171
00:55:41,920 --> 00:55:44,760
point Black Friday would be so busy at the beginning

1172
00:55:44,800 --> 00:55:47,239
of the day, and then by the time we would

1173
00:55:47,280 --> 00:55:50,480
get to the afternoon, you know, because online shopping is

1174
00:55:51,159 --> 00:55:53,599
so big now, it would be just like kind of

1175
00:55:53,639 --> 00:55:58,559
a normal day. It really changed over the years, and

1176
00:55:58,639 --> 00:56:00,599
I found that I didn't mind it as because it

1177
00:56:00,719 --> 00:56:03,840
was like not so overwhelming. Like when I first started there,

1178
00:56:03,840 --> 00:56:05,800
it would be like Black Friday was super busy, and

1179
00:56:05,840 --> 00:56:08,199
then every day it was super busy right up to Christmas,

1180
00:56:08,239 --> 00:56:10,159
and then by the time I left there, it was

1181
00:56:10,239 --> 00:56:12,639
like Black Friday was kind of busy, and then the

1182
00:56:12,719 --> 00:56:15,239
rest of the time would be just kind of normal. Yeah,

1183
00:56:15,639 --> 00:56:17,320
and then you'd be wondering, are they going to close

1184
00:56:17,360 --> 00:56:19,920
this location in January, which often turned out to be the.

1185
00:56:19,960 --> 00:56:23,239
Speaker 5: Case, but it becomes a spirit Halloween pretty quick.

1186
00:56:23,320 --> 00:56:28,920
Speaker 7: Oh yeah, yeah, absolutely absolutely so. Guys, where should people

1187
00:56:28,960 --> 00:56:30,800
go online to keep up with everything that you're doing?

1188
00:56:30,840 --> 00:56:31,639
Speaker 9: Where's the best place?

1189
00:56:32,000 --> 00:56:37,159
Speaker 8: So on Instagram it's at Bally six sixty six because

1190
00:56:37,199 --> 00:56:45,480
we're super edgy. On Facebook dot com, that's www dot

1191
00:56:45,599 --> 00:56:50,039
Facebook dot com. Uh, I feel to need to clarify, Oh, lord,

1192
00:56:50,280 --> 00:56:53,920
uh so, I believe it. I believe it's also Bally

1193
00:56:53,960 --> 00:56:59,320
six sixty six. We are on Spotify, iTunes, Amazon Music,

1194
00:56:59,400 --> 00:57:00,239
all that stuff.

1195
00:57:00,880 --> 00:57:02,280
Speaker 5: Band Camp and band camp.

1196
00:57:02,360 --> 00:57:04,639
Speaker 8: Our favorite is when you go to our band camp

1197
00:57:04,719 --> 00:57:07,760
because when you go to our band camp, we actually

1198
00:57:07,880 --> 00:57:10,960
get a cut of some of the profit when you

1199
00:57:11,039 --> 00:57:14,599
purchase our stuff instead of getting a fraction of a

1200
00:57:14,719 --> 00:57:17,480
cent every thousand plays or something. Right, Not that we're

1201
00:57:17,559 --> 00:57:20,039
in it for the money, but if there's money being made,

1202
00:57:20,199 --> 00:57:22,320
I don't feel like ninety nine percent of it should

1203
00:57:22,320 --> 00:57:24,519
be going to the streaming platform, you know what I mean.

1204
00:57:25,039 --> 00:57:27,880
And band camp has band Camp Friday, so if you

1205
00:57:27,960 --> 00:57:30,639
need to buy somebody a belated Christmas present, you should

1206
00:57:30,679 --> 00:57:33,400
totally buy them something from our merch store.

1207
00:57:33,800 --> 00:57:35,559
Speaker 5: There you go, There you go.

1208
00:57:35,840 --> 00:57:39,199
Speaker 10: That's www dot bali, dot bandcamp, dot com.

1209
00:57:41,679 --> 00:57:44,199
Speaker 7: Did somebody tell you guys that that's my pet peeve?

1210
00:57:44,519 --> 00:57:45,599
The Www?

1211
00:57:46,000 --> 00:57:46,039
Speaker 5: No?

1212
00:57:46,199 --> 00:57:46,880
Speaker 13: I know.

1213
00:57:47,079 --> 00:57:50,000
Speaker 5: That's awesome though it's a lot of people's pet peeves.

1214
00:57:50,039 --> 00:57:52,519
That's why I did it, dude.

1215
00:57:53,000 --> 00:57:57,320
Speaker 7: I've been I've been upset about that for twenty years,

1216
00:57:57,599 --> 00:58:00,679
like literally twenty years ago. I was going, why do

1217
00:58:00,840 --> 00:58:02,920
I still hear radio ads where when they give the

1218
00:58:03,000 --> 00:58:04,519
website they say w WLB.

1219
00:58:04,719 --> 00:58:08,159
Speaker 5: Why I could have said worldwide Web dot?

1220
00:58:09,960 --> 00:58:11,599
Speaker 10: That is that actually what that stands for?

1221
00:58:11,920 --> 00:58:15,639
Speaker 5: Worldwide Web? Yeah? Dog, yeah, okay, I heard. I had

1222
00:58:15,719 --> 00:58:16,039
heard that.

1223
00:58:16,159 --> 00:58:17,639
Speaker 10: I just wasn't sure if someone was just trying to

1224
00:58:17,679 --> 00:58:19,480
mess with me or now it sounds too perfect.

1225
00:58:19,639 --> 00:58:20,199
Speaker 2: I swear to you.

1226
00:58:20,400 --> 00:58:22,960
Speaker 9: Twenty years ago I was complaining about it, like.

1227
00:58:23,199 --> 00:58:25,960
Speaker 7: Why why do people still say that it's a rightful gripe.

1228
00:58:26,039 --> 00:58:27,559
Speaker 5: It's there's no need to say it.

1229
00:58:28,119 --> 00:58:31,440
Speaker 10: What about http slash slash you.

1230
00:58:31,480 --> 00:58:32,519
Speaker 5: Forgot the semi colon?

1231
00:58:33,920 --> 00:58:36,719
Speaker 7: Okay, I'll only say this publicly because I don't think

1232
00:58:36,760 --> 00:58:40,119
he actually listens to the show. Doctor Kevin I mentioned earlier,

1233
00:58:40,199 --> 00:58:43,159
Doctor Kevin ross Emery he had an ad once. It

1234
00:58:43,280 --> 00:58:45,079
was it was just it was a an ad for

1235
00:58:45,960 --> 00:58:48,239
his book. I think it was probably managing the gift

1236
00:58:48,320 --> 00:58:50,679
and ad for his book. That it wasn't on the radio.

1237
00:58:50,760 --> 00:58:51,639
It was only online.

1238
00:58:51,920 --> 00:58:54,119
Speaker 9: Yeah, but it was it was like it was produced

1239
00:58:54,159 --> 00:58:56,039
like a radio ad. I swear to god.

1240
00:58:56,679 --> 00:59:00,239
Speaker 7: It actually said in the ad go to h T

1241
00:59:00,400 --> 00:59:03,800
t oh no actually said that in the ad.

1242
00:59:03,960 --> 00:59:06,679
Speaker 5: That is hilarious, and.

1243
00:59:06,960 --> 00:59:11,000
Speaker 11: I just I was I never still talking about the

1244
00:59:11,079 --> 00:59:12,880
ad today, so I think it was successful.

1245
00:59:12,920 --> 00:59:13,519
Speaker 7: Well that's true.

1246
00:59:14,000 --> 00:59:15,480
Speaker 10: Grandmother is going to actually type that in.

1247
00:59:15,679 --> 00:59:17,239
Speaker 8: So what you're going to do is you're going to

1248
00:59:17,360 --> 00:59:18,920
turn on your personal computer.

1249
00:59:22,840 --> 00:59:26,840
Speaker 7: Yeah, I just uh, but the ad wasn't successful because

1250
00:59:26,840 --> 00:59:28,199
I don't remember exactly what it was for.

1251
00:59:29,519 --> 00:59:32,280
Speaker 5: It was for doctor you just remember his flub. But yeah,

1252
00:59:32,480 --> 00:59:33,400
I remember.

1253
00:59:33,159 --> 00:59:35,599
Speaker 7: Hearing him saying in the ad for more information, go

1254
00:59:35,719 --> 00:59:37,800
to HTTP. I'm like, what is that happening.

1255
00:59:38,280 --> 00:59:41,719
Speaker 10: That's precious airtime you by saying all that exactly.

1256
00:59:41,880 --> 00:59:44,719
Speaker 7: Well, that's that's that's that's why, even because even today

1257
00:59:44,760 --> 00:59:48,480
I hear it in radio ads, sure, and I'm baffled, like,

1258
00:59:48,679 --> 00:59:51,039
why would you do that? Why would you waste that time?

1259
00:59:51,800 --> 00:59:54,440
Speaker 11: Anyway, I am wasted airtime.

1260
00:59:56,119 --> 00:59:56,599
Speaker 5: You know you're not.

1261
00:59:56,679 --> 00:59:56,960
Speaker 10: Jonah.

1262
00:59:57,000 --> 00:59:59,400
Speaker 5: We love you well.

1263
00:59:59,440 --> 01:00:01,639
Speaker 7: I appreciate you guys coming in. This has been this

1264
01:00:01,760 --> 01:00:04,519
has been great having us. Absolutely we will do it

1265
01:00:04,559 --> 01:00:07,440
again in the future. And we can close with this

1266
01:00:07,599 --> 01:00:09,280
track sleep anything we should know about this.

1267
01:00:10,440 --> 01:00:14,639
Speaker 8: So this song is about how I've just been dealing

1268
01:00:14,679 --> 01:00:20,320
with massive sleep deprivation for thirty whole years. I just

1269
01:00:20,519 --> 01:00:22,360
I have a very hard time sleeping. So I wrote

1270
01:00:22,400 --> 01:00:25,800
this And also I don't know if my son's listening,

1271
01:00:25,840 --> 01:00:27,840
but shout out to meson tax fraud.

1272
01:00:29,719 --> 01:00:32,719
Speaker 12: Sean's sleep situation is getting better though. He was gifted

1273
01:00:32,800 --> 01:00:37,039
a new mattress for Christmas. Shout out to a mattress.

1274
01:00:36,719 --> 01:00:38,599
Speaker 5: Firm or I don't know who you want to, I

1275
01:00:38,639 --> 01:00:39,599
don't know if we can do that.

1276
01:00:40,920 --> 01:00:41,719
Speaker 10: He's sponsored.

1277
01:00:43,519 --> 01:00:48,559
Speaker 8: Yeah, thank you to the manufacturer of my match. Well

1278
01:00:48,559 --> 01:00:50,639
from a person who coiled the springs to the person

1279
01:00:50,679 --> 01:00:51,360
who stuffed it.

1280
01:00:51,800 --> 01:00:54,199
Speaker 9: Yes, very good. Well it's probably all machines, but.

1281
01:00:54,400 --> 01:00:55,760
Speaker 10: Well we can hope.

1282
01:00:57,800 --> 01:01:01,320
Speaker 7: Right exactly exactly, Well, we'll play that in a moment.

1283
01:01:01,440 --> 01:01:03,599
But Jenny, before we go, do you want to plug

1284
01:01:03,639 --> 01:01:04,239
your website?

1285
01:01:04,480 --> 01:01:07,400
Speaker 10: Absolutely you can come check me out at gencoffee dot com,

1286
01:01:07,519 --> 01:01:07,760
g E.

1287
01:01:08,000 --> 01:01:10,280
Speaker 7: N N C O F f U I dot com

1288
01:01:10,679 --> 01:01:13,559
for all my creatives and trouble making and links to

1289
01:01:13,599 --> 01:01:15,599
your article. You've been you've been.

1290
01:01:16,559 --> 01:01:17,000
Speaker 9: Quite a bit.

1291
01:01:18,000 --> 01:01:20,320
Speaker 7: Yeah, yeah, that's there too, Yes.

1292
01:01:20,320 --> 01:01:23,719
Speaker 9: Yes, absolutely, all right, So we will end with this track.

1293
01:01:23,840 --> 01:01:26,280
This is called Sleep. The band is Volley again.

1294
01:01:26,559 --> 01:01:29,000
Speaker 7: Guys, thank you so much, thank you, good night, and

1295
01:01:29,079 --> 01:01:30,639
if you missed any part of today's show, it will

1296
01:01:30,679 --> 01:01:32,000
be up in just a little bit at w m

1297
01:01:32,119 --> 01:01:34,719
H Radio dot orgon at my website Matt Conorton dot com,

1298
01:01:35,039 --> 01:01:36,280
and we'll talk at you a little bit later.

1299
01:01:36,360 --> 01:01:37,440
Speaker 9: Bye everybody, Bye.

1300
01:01:37,239 --> 01:01:38,599
Speaker 5: Bye bye.

1301
01:01:50,079 --> 01:01:53,159
Speaker 2: Sleep time.

1302
01:02:00,360 --> 01:02:00,559
Speaker 4: Yah.

1303
01:02:00,599 --> 01:02:03,880
Speaker 2: I mean I mean to be on the scene. Can

1304
01:02:04,079 --> 01:02:08,679
I try to cat pulling their buddy? Can my eyes

1305
01:02:08,719 --> 01:02:12,639
have a shot for the lot of the jackpot of lethargy.

1306
01:02:18,880 --> 01:02:22,159
Speaker 1: I feel like I'm running down a cutter cheap pie.

1307
01:02:22,440 --> 01:02:25,079
I feel like I'm running out a boat fine.

1308
01:02:25,320 --> 01:02:28,039
Speaker 2: I feel like I'm running down a feather cheap ye.

1309
01:02:28,320 --> 01:02:44,039
Speaker 1: I feel like I'm running out a boat. I can

1310
01:02:44,400 --> 01:02:49,199
see calling even asleep petty time. Man's got their future.

1311
01:02:49,519 --> 01:02:53,000
So s to sase pretty modern looking out of the

1312
01:02:53,079 --> 01:02:54,199
space before.

1313
01:02:53,920 --> 01:02:54,760
Speaker 7: Right, say.

1314
01:02:56,679 --> 01:02:59,239
Speaker 2: To be some the see Can I sign a roun

1315
01:02:59,519 --> 01:03:03,000
be polling that you're funny at the talk? My eyes

1316
01:03:03,039 --> 01:03:06,239
have the suck? I want the lot or reject lot

1317
01:03:06,320 --> 01:03:07,400
a plepers.

1318
01:03:13,159 --> 01:03:13,400
Speaker 6: Die.

1319
01:03:13,519 --> 01:03:16,360
Speaker 1: I feel like I'm running out I'm got a cheap ry.

1320
01:03:16,599 --> 01:03:19,360
I feel like I'm running out of hook ye. I

1321
01:03:19,599 --> 01:03:22,800
feel like I'm running out of a cheap ye. Feel

1322
01:03:22,880 --> 01:03:24,320
like I'm running out of home.

1323
01:03:50,159 --> 01:03:50,400
Speaker 8: Nine.

1324
01:03:51,400 --> 01:03:56,159
Speaker 2: Feel like I'm running a gay right.

1325
01:03:57,039 --> 01:04:02,920
Speaker 6: Feel like I'm running got a funny feel.

1326
01:04:02,840 --> 01:04:04,719
Speaker 5: Like come running out

1327
01:04:04,800 --> 01:04:10,760
Speaker 2: Of Penerchee I feel I come running out of hope.